10 Faulkner
AnotherViewofFaulkner'sNarratorin'ARoseforEmily.'.doc
Another View of Faulkner's Narrator in "A Rose for Emily"Michael L. BurduckIn a recent article, Hal Blythe discusses the central role played by the narrator in William Faulkner's gothic masterpiece "A Rose for Emily." Focusing on Miss Emily's bizarre affair and how it affronts the chivalric notions of the Old South, the narrator, according to Blythe, attempts to assuage the grief produced by Miss Emily's rejection of him by relating her story; telling her tale allows him to exact a measure of revenge. Faulkner's speaker, without doubt, serves as a pivotal player in this tale of grotesque love. Although Blythe grasps the significance of the narrator's place in the story, he bases his argument on a point that the story itself never makes completely clear. Blythe assumes that Faulkner's narrator is male. The possibility exists, however, that Faulkner intended his readers to view the tale-teller as being female.Hints in the text suggest that Faulkner's speaker might be a woman. The narrative voice (the "we" in the story), a spokesperson for the town, appears very concerned with every detail of Emily's life. Faulkner provides us with an important clue concerning the gender of this narrator when he describes the townspeople's reaction to Emily's attachment to Homer Barron: "The men did not want to interfere, but at last the ladies forced the Baptist minister...to call upon her." Jefferson's male population seems apathetic regarding Emily's tryst; the men are not the least bit scandalized. The females in town (the "we" in the tale) are so concerned with Emily's eccentricities that they force their men to act; one very interested female in particular, the narrator, sees to it that Emily's story is not forgotten.This coterie of Jefferson's "finer" ladies (represented by the narrator) seems highly offended by Emily's actions. This resentment might stem from two primary causes. First, the ladies (the phrase "the ladies" appears throughout the tale and might refer to the "proper" Southern belles living in town) find Miss Emily's pre-marital relationship immoral. Second, they resent Emily's seeing a Yankee man. In the eyes of these flowers of Southern femininity, Emily Grierson becomes a stain on the white gown of Southern womanhood.Despite their bitterness toward Emily, the ladies of Jefferson feel some degree of sympathy for her. After her father's death, the ladies reminisce: "We remembered all the young men her father had driven away...." Later, Homer Barron disappears, prompting this response: "Then we knew that this was to be expected too, as if that quality of her father which had thwarted her woman's life so many times had been too virulent and furious to die." These intensely felt statements suggest how a woman might react to another woman's loneliness; the narrator seems to empathize with Miss Emily on a woman-to-woman basis. Faulkner himself sheds interesting light on this matter when he describes Miss Emily as a woman "that just wanted to be loved and to love and to have a husband and a family," The women of Jefferson know that Emily, a fellow woman, possessed these feelings, and as women they feel as if some sort of biological bond links them to "the last Grierson." Unlike the majority of the ladies in town, Miss Emily experienced neither the joys of marriage nor the fulfillment of child-bearing. If the ladies did not view Emily in a sympathetic way, would they have sent their daughters to her house for china-painting lessons?Another possible reason exists for the speaker's sympathetic view of Emily. Our narrator knows (perhaps from the druggist) that Emily purchased poison, ostensibly to kill "rats." One slang use of the term "rat" applies to a man who has cheated on his lover. Perhaps Faulkner's tale-teller suspects that Emily feared that Homer would not remain faithful to her. In order to "keep" Homer by her side, Emily poisoned him. The speaker might sympathize with Emily somewhat because she believes that Emily did what she could to retain Homer's companionship and insure that he would not give her up for another woman. Faulkner's female narrator does not approve of Miss Emily's methods, but she understands what promptedthem: Emily's weariness of being alone.An additional clue regarding the narrator appears toward the end of "A Rose for Emily" when Faulkner's speaker emphasizes the first-person pronoun "they." Previously, our narrator has used "we" to indicate the town's collective female element. After Miss Emily is buried, the tale-teller relates how the residents of Jefferson learned of the gruesome secret lying upstairs in the long-closed bedroom. She makes one point very clear: " They waited until Miss Emily was decently in the ground before they opened it [my italics]." The "they" in this sentence are people strong enough to break down the door of this death chamber. Since most ladies in Jefferson would not be strong enough to force in a door, might not the reader assume that these initial intruders are men? The ladies follow the men into the room and make their ghastly discovery: "For a long while we [my italics] just stood there looking down at the profound and fleshless grin."The reader is left with a very important question: why would a lady desire to repeat Miss Emily's story? The narrator's "dual vision" (as Blythe calls it) provides a clue. As a woman offended by Emily's actions, the speaker relates this tale of necrophilia in an attempt to vindicate Southern womanhood. She wants her listeners to understand that Emily was not representative of the typical "Southern Lady." Perhaps familiar with Caroline Bascomb Compson, Joanna Burden, and Rosa Coldfield, other infamous females living in the Jefferson vicinity, the narrator wants to convey to her audience that virtuous women (such as herself?) do still live in Jefferson. On the other hand, the speaker's sympathy for Emily, a woman lost in her own particularly lonely world, also prompts her to recall the tragic events of Emily's sterile life. As a woman, the tale-teller allows her heart to go out to "poor Emily."Viewing the narrator of "A Rose for Emily" as a woman allows the reader to enjoy Faulkner's tale from a unique perspective. Indeed, such an interpretation offers an interesting alternative reading that emphasizes the important role women play in the fiction of Oxford, Mississippi's Nobel laureate.(Source: Michael L. Burduck, "Another View of Faulkner's Narrator in `A Rose for Emily'," in The University of Mississippi Studies in English, V ol. VIII, 1990.)。
典范英语10 弗莱克斯坦故事介绍
© 2009 Eyeblaster. All rights reserved
Frankenstein wanted fame as a scientist. He wanted to find the secrets of life so that all people live with out the fear of death.
But something went wrong----his creation was a monster, ugly and strong. Even Frankenstein could not look on his creation with love---but only with fear. No one gave the monster a chance. All he looked for was friendship until he found that
Lonely and desperate Blind and kind brave Dark-haired pretty girl
The sister
Agatha
Pretty and gentle
Robert Walton: Ship captain who takes Victor aboard in the Arctic. He listens to and writes down Victor’s strange story.
© 2009 Eyeblaster. All rights reserved
Frankenstein
• "Frankenstein" (The Modern Prometheus) is first "science fiction" in western literature, which is born in the Geneva lake by the Mary Shelley (Mary Woolstonecraft Shelley) hand. Originally published in 1818, more popular versions are published in 1831 as the third edition, which belongs to the Gothic novels influenced by the romantic influence. Later, some scholars think that the origin of the story can be viewed as a horror fiction or science fiction. The origin of the novel Frankenstein, is also the mad doctor in the story.
威廉福克纳 介绍William Faulkner
I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance.
William Faulkner
(1897-1962)
---One of the greatest writer in 20th century
---initiator of Southern Renaissance ---one of the most influential modernist novel writers in the West
所以我们今天的悲剧带有普遍性和全 球性，这种肉体的恐惧由来已久，绵 延至今。以致我们几乎难以承受。精 神不再被关注，人们只关注一个问题: 我什么时候才能一鸣惊人？
Because of this, the young man or woman writing today has forgotten the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat.
(P4)只有当他重温了这些，他写作起 来才会如同亲临其境，如同亲历人的 结局。我不屑于接受人的终结。谁都 可以脱口说出：人是不朽的，就因为 他可以忍耐；在夜幕四合时分，即便 临终的钟声在残阳映照的最后一块荒 芜的枯石上响过、消逝，仍将还有一 个声音：他的声音仍在叙述，微弱而 不绝如缕。我拒绝接受这些。
WilliamFaulkner威廉福克纳
William Faulkner 威廉福克纳〔1897-1962〕William Faulkner ranks with Ernest Hemingway as one of the leading American authors of the Twentieth Century. Faulkner, like Robert Frost, was a regionalist, who spent most of his life in a small, particular area of the United States, writing about the scenes and people he knew best. Faulkner’s region was the Deep South, with its bitter history of slavery, civil war and destruction. He invented a countyand a town in his imagination very similar to his own part of Mississippi, and he wrote about the society in the South by inventing families which represented different social forces: the old, decaying upper class; the rising, ambitious, unscrupulous class of "poor whites〞; andthe Negroes who labored for both of them. Most of his stories takeplace in this imaginary Yoknapatawpha County, and concern members of the same families at different times inhistory. 他的多数故事都发生在他设想的Yoknapatawpha县，他笔下的人物不是一次写完，同一人物会在几本书中，在不同历史时期反复出现。
William Faulkner
Writing
From the early 1920s to the outbreak of WWII, when Faulkner left for California, he published 13 novels and numerous short stories, the body of work that grounds his reputation and for which he was awarded the Nobel Prize at the age of 52.
Life Experience
Influence of His Family His own family found a way in his novels. Mississippi marked his sense of humor, his sense of the tragic position of blacks and whites, his characterization of Southern characters and timeless themes, including fiercely intelligent people dwelling behind the faades of good old boys and simpletons
『美国作家William Faulkner 在接受1949年诺贝尔文学奖时所作的受奖演说』
William Faulkner: Nobel Prize SpeechStockholm, December 10, 1950I feel that this award was not made to me as a man, but to my work—a life's work in the agony and sweat of the human spirit, not for glory and least of all for profit, but to create out of the materials of the human spirit something which did not exist before. So this award is only mine in trust. It will not be difficult to find a dedication for the money part of it commensurate with the purpose and significance of its origin. But I would like to do the same with the acclaim too, by using this moment as a pinnacle from which I might be listened to by the young men and women already dedicated to the same anguish and travail, among whom is already that one who will some day stand where I am standing.Our tragedy today is a general and universal physical fear so long sustained by now that we can even bear it. There are no longer problems of the spirit. There is only one question: When will I be blown up? Because of this, the young man or woman writing today has forgotten the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat.He must learn them again. He must teach himself that the basest of all things is to be afraid: and, teaching himself that, forget it forever, leaving no room in his workshop for anything but the old verities and truths of the heart, the universal truths lacking which any story is ephemeral and doomed—love and honor and pity and pride and compassion and sacrifice. Until he does so, he labors under a curse. He writes not of love but of lust, of defeats in which nobody loses anything of value, of victories without hope and, worst of all, without pity or compassion. His griefs grieve on no universal bones, leaving no scars. He writes not of the heart but of the glands.Until he learns these things, he will write as though he stood among and watched the end of man. I decline to accept the end of man. It is easy enough to say that man is immortal simply because he will endure: that when the last ding-dong of doom has clanged and faded from the last worthless rock hanging tideless in the last red and dying evening, that even then there will still be one more sound: that of his puny inexhaustible voice, still talking. I refuse to accept this. I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice andendurance. The poet's, the writer's, duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.“成千上万人疯狂下载。
威廉·福克纳william-faulkner
writing career
19 novels 4 volumes of short stories 2 volumes of poetry
The Early Period (1924-1929)
Novels:
writing techniques
·Authorial transcenden (作家的超脱，作家退出小说)
·Stream of consciousness (意识流)
·multiple points of view
Authorial transcenden
The writer should be interested in all man’s behavior with no judgement whatever. Faulkner allows his characters to enjoy a maximum degree of autonomy and independence. He would rather the character explain themselves with little intervention of the author.
2 short-story collections
A volume of poetry
The Third Period (1942-1962)
Novels: ·1948 Intruder in the Dust《闯入坟墓的人》 ·1951 Requiem for a Nun《修女安魂曲》 ·1954 A Fable《寓言》Won Pulitzer Prize ·1962 The Reivers《掠夺者》Won Pulitzer Prize
古埃及法老列表
前王朝时期（前3500-前3050）蝎王（King Scorpion）偌卡纳尔迈（King Narmer）*古朝时期（前3050-前2686）第1王朝（公元前3050-2890年）阿哈—美尼斯（Menes (Aha)）迪尔（Djer (Itit)）瑞内博（Wadj）德闻（Den (Udimu)）安迪耶布（Anendjib）瑟么凯特（Semerkhet）伽阿（Qa\'a ）第2王朝（前2890-前2686）赫特普塞凯姆威（Hetepsekhemwy (Hotepsekhemwy)）瓦迪耶尼涅提耶尔（Ninetjer (Nynetjer)）塞尼德泊西布森（Peribsen (Seth-Peribsen)）塞凯密布卡塞凯姆威（Khasekhemwy）*古王国或孟斐斯帝国（前2686-前2135）第3王朝（前2686-前2575）尼布卡一世（Sanakhte (Nebka) 2650 - 2630）左塞（Netjerykhet (Djoser) 2630 - 2611）斯奈夫鲁（Sekhemkhet (Djoser Teti) 2611 - 2603）卡巴（Khaba 2603 - 2599）胡尼（Huni 2599 - 2575）第4王朝（前2575-前2465）斯奈夫鲁（Snofru 2575 - 2551）胡夫（Khufu (Cheops) 2551 - 2528）拉迪耶迪夫（Radjedef 2528 - 2520）哈夫拉（Khafre (Chephren) 2520 - 2494）尼布卡二世门卡乌拉（Menkaure (Mycerinus) 2490 - 2472）赦普塞卡夫斯奈夫鲁（Shepseskaf 2472 - 2467）第5王朝（前2465-前2323）乌塞尔卡夫（Userkaf 2465 - 2458）萨胡尔（Sahure 2458 - 2446）尼夫里尔卡尔（Neferirkare Kakai 2477-2467）赦普塞斯卡尔（Shepseskare Ini 2426 - 2419）尼夫日夫尔（Raneferef 2419 - 2416）尼乌塞尔（Niuserre Izi 2416 - 2392）门考胡尔（Menkauhor 2396 - 2388）杰的卡尔（Djedkare Izezi 2388 - 2356）乌纳斯（Wenis 2356 - 2323 ）第6王朝（前2323-前2150）特提（Teti 2323 - 2291）佩皮珀辟一世（Pepy I (Meryre) 2289 - 2255）莫润尔一世（Merenre Nemtyemzaf 2255 - 2246）佩皮二世（Pepy II (Neferkare) 2246 - 2152 ）莫润尔二世尼托克丽丝王后第7王朝、第8王朝（前2150-前2135）伽卡尔（Djedkare）尼夫考尔（Netrikare）尼夫考胡尔（Neferkahor）尼夫里尔卡尔二世（Neferkare II）*第一中间期（前2135-前1937）第9王朝、第10王朝（前2135-前1986）莫伊伯科提（Kheti）莫里卡尔（Merikare）伊提第11王朝（前2134-前1937）门图霍特普一世伊涅特夫一世（Inyotef I (Sehertawy) 2074 - 2064）伊涅特夫二世（Inyotef II (Wahankh) 2064 - 2015）伊涅特夫三世（Inyotef III (Nakhtnebtepnefer) 2015 - 2007）尼布赫泊特尔门图霍特普二世（Montuhotep II (Nebhepetre) 1986 - 1956）门图霍特普三世（Montuhotep III (Sankhkare) 1956 - 1944）门图霍特普四世（Montuhotep IV (Nebtawyre) 1944 - 1937 ）*中王国或底比斯第一帝国（前1937-前1668）第12王朝（前1937-前1784）阿门内姆哈特一世（Amenemhet I (Sehetepibre) 1937 - 1908）森乌塞特一世（Senwosret I (Kheperkare) 1917 - 1872）阿门内姆哈特二世（Amenemhet II (Nubkaure) 1875 - 1840）森乌塞特二世（Senwosret II (Khakheperre) 1842 - 1836）森乌塞特三世（Senwosret III (Khakaure) 1836 - 1817）阿门内姆哈特三世（Amenemhet III (Nimaatre) 1817 - 1772）阿门内姆哈特四世（Amenemhet IV (Maakherure) 1772 - 1763）塞布科尼夫露王后（Neferusobek (Sobekkare) 1763 - 1759）第13王朝（前1784-前1668）116年里65位国王在世*第二中间期（前1668-前1560）第14王朝、第15王朝、第16王朝（前1720-前1565）约有40位法老，其中有几位名叫塞贝霍特普。
Faulkner’s As I lay Dying
Major Characters
• Addie—
– “Words are no good” – Her aloneness violated over and over
• • • • • Made whole again by birth of Cash No words needed between them as Cash builds her coffin Darl’s birth violates her aloneness again Her sin with Whitfield produces Jewel whom she casts off Sin is like clothes before the world: to be put on and off before the world to hide what is within • Darl, Dewey Dell, Vardaman have not had love & affection of Addie
Addie vs. Anse
• Addie life is one of action • Anse is opposite of Addie—no productive action • His values never blend with her • He sees her as fulfilling duties of wife
Faulkner’s Themes
• Absurdity of human action—moving & burying Addie focuses on Darl’s meditations (19 of them) • Ludicrous comedy and pathos—peculiar characters in an unlikely situation • The meaninglessness of existence is viewed as a macabre joke
william faulkner威廉·福克纳
About a peasant woman.
After her death of the 10
days.
《圣殿》、《标塔》、
《没有被征服的》、《野 棕榈》、《坟墓的闯入 者》、《修女安魂曲》、 《寓言》、《掠夺者》等。 斯诺普斯三部曲（《村 子》、《小镇》、《大宅》
William Faulkner Chinese name :威廉· 福克纳
Graduate school: Oxford University Major achievements: Nobel Prize in Literature
19 long novels and
nearly hundred short stories and novels. The most representative is 《喧哗与浮躁》--1929 《我弥留之际》、《押 沙龙，押沙龙》 《坟墓 里的旗帜》《去吧，摩 西》---1942 Faulkner literary heyday
“The Sound and the Fury ” It is a tragedy. The novel has emerged from the traditional realism, through the characters of the inner conflicts between people, back to the negative impact of slavery plantation system(奴隶种植园制度).
Characters
Frist In his novel,he use multiangle method (多角度) and stream of consciousness（意识流） narrative.
英语演讲原文：WilliamFaulkner接受诺贝尔奖时的演说
WilliamFaulkner接受诺贝尔奖时的演说Brief introduction to the speaker:William Faulkner (1897-1962) The novels of William Faulkner rank among the most important books of the 20th century. For them Faulkner was awarded the 1949 Nobel prize in Literature. Faulkner wrote mostly about his hometown of Oxford 1 , in Lafayette County. Miss.. After two apprentice 2 novels, Faulkner wrote six of his best books between 1929 and 1932, among them are The Sound and the Fury, As I Lay Dying, and Sanctuary 3 .演讲者简介：威廉福克纳的小说在二十世纪最重要的文学作品中占有一席之地他曾荣获1949年诺贝尔文学奖。
他的作品多写自己的家乡密西西比州拉法叶特郡的牛津镇。
在写了两部练笔的小说之后，1929年和1932年之间，他写了六部优秀的小说，其中包括：《喧哗与骚动》、《我弥留之际》和《圣地》。
I feel that this award was not made to me as a man, but to my work, a life's work in the agony and sweat of the human spirit. Not for glory and least of all, for profit, but to create out of the material of the human spirit something which did not exist before. So this award is only mine in trust. It wouldnotbe difficult to find a dedication 4 for the money part of it, commensurate for the purpose and significance of its origin. But I wou1d 1ike to do the same with the acclaim 5 too by using this moment as a pinnacle 6 from which I might be listened to by the young men and woman, already dedicated 7 to the same anguish 8 and travail 9 , among whom is already that one who will someday stand here where I am standing 10 .Our tragedy today is a general and universal physica1 fear so long sustained by now that we can even bear it There're no longer problems of the spirit, there's only the question; "When will I be blown up?". Because of this, the young man or woman writing today has forgotten the problems of the human heart in conflict with itself, which alone can make good writing because only that is worth writing about, worth the agony and the sweat.He must learn them again, he must teach himself that the basest of all things is to be afraid, and teaching himself that, forget it forever leaving no room in his workshop for anything but the old verities 11 and truths of the heart. The old universal truths, lacking which any story is ephemeral anddoomed 13 : love and honor and pity and pride, and compassion 14 and sacrifice.Until he does so, he labors 15 under a curse. He writes not of love, but of lust 16 , of defeats in which nobody loses anything of value, of victories without hope, and most of all, without pity or compassion. His grief weaves on no universal bone, leaving no scars. He writes not of the heart, but of the glands 17 . Until he re1earns these things, he will write as though he stood among and watched the end of mall. Idec1ine to accept the end of man. It's easy enough to say that man is immortal 18 simply because he will endure, that from the last. ding-dong of doom 12 and clang had faded from the last worthless rock hanging tireless in the last red and dying evening, that even then, there will be one more sound, that of his puny 19 and inexhaustible voice still talking. I refuse to accept this, I believe that man will not merely endure, he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion, and sacrifice, and endurance. The poets, the writers' duty is to write about these things, it's his privilege to help man endure, lifting his heart, by reminding him of the courage, and honor and hope and compassion and pity and sacrifice which have been the glory of his past. The poets' voice need not merelybe the recall of man, it can be one of the props 20 , the pillars to help him endure and prevail.我感到这份奖赏不是授予我个人而是授予我的工作的---授予我一生从事关于人类精神的呕心沥血的工作。
William Faulkner’s Style in “A Rose for Emily”
William Faulkner’s Style in “A Rose for Emily”——Veronica William Faulkner is one of the most influential American writers in the 20th century. Most of his writings vividly portray the downfall of southern aristocrats after the American Civil War. A Rose for Emily focuses on Emily, the last member of a southern aristocracy family, and her isolated life. In this short story, Faulkner uses variety of writing styles to reflect Emily‟s deformed personality and miserable fate and reveal t he cause of her tragedy. This essay will present Faulkner‟s style in this short story from three aspects: words, sentences, and chapters.1.From the Aspect of WordsIn the choice of words, Faulkner usually uses some onomatopoeic words to give a vivid description of the certain situation. Onomatopoeic words imitate the real sounds, which could make readers associate the sounds with the activities of characters in the story. In the sentence “She did not ask them to sit. She just stood in the door and listened quietly until the spokesman came to a stumbling halt. Then they could hear the invisible watch ticking at the end of the gold chain”. “ticking” is an onomatopoeic word. When the officials come to visit Emily, her attitude towards them is absolute indifferent with extreme pride, which makes the visitors so nervous and upset that they can even hear the sound of Emily‟s invisible watch. The readers can easily experience the embarrassingatmosphere at that moment. Onomatopoeic words can also be found in the sentence “This behind their hands; rustling of craned silk and satin behind jalousies closed upon the sun of Sunday afternoon as the thin, swift clop-clop-clop of the matched team passed: …Poor Emily‟”. “clop” is the sound of houses‟ hoof while running. From this onomatopoeic word, the readers can also experience the citizens‟ responses to Emily‟slove---their shock, nervousness, and antipathy.Faulkner also use some repeated words to make some special effects. For example, “poor Emily” appears six times in this story. It‟s the comment from citizens, and also the words from Faulkner‟s bottom of heart which is showing his great sympathy for her tragedy. While describing Emily‟s house, the word “dust” is also used several times to show her unwillingness to clean her house which may reflect her insistence to the past. This word repetition can give readers a vivid portrait of Emily--- eccentric and stubborn.2.From the Aspect of SentencesUsing long sentences with complex structure is another significant writing style of Faulkner. The description of Emily‟s house is taken as an example: “It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our mostselect street”. The sentence gives readers a solemn feeling, just as the building style of the house, which may tell how the owners of the house used to be respected. Besides, the author puts the important information ---“set on what had o nce been our m ost select street” to the end of this long sentence, in order to stress Emily family‟s glorious history. Such examples can also be seen in the sentence “When we saw her again, her hair was cut short, making her look like a girl, with a vague resemblance to those angels in colored church windows---sort of tragic and serene”. Faulkner also puts his own conclusion to the end to give readers certain time and room to imagine and judge by themselves towards Emily‟s change.Faulkner is also good at using sensible sentences to make sure the readers can see, smell, fell and touch what he could like to describe. This can be seen clearly in the description of Emily‟s house, such as “It smelled of dust and disuse---a close, dank smell” and “When the Negro opened the blinds of one window, they could see that the leather was cracked; and when they sat down, a faint dust rose sluggishly about their thighs, spinning with slow motes in the single sun-ray”. Emily symbolizes the past and her house also conveys a feeling of downfall, which is vividly presented by Faulkner. In these two sentences, the description of dust, smells, and sun-ray makes the reader‟s feelingssensitive enough to experience the horrible and dead atmosphere of the house.3.From the Aspect of ChaptersAnother feature of Faulkner writing style is the violation of chronology in the narrative structure. Instead of being told the story from Emily‟s birth to her death, Faulkner puts Miss Emily‟ Funeral at the beginning of this story, then he describes her family's former pride and glory, and her victory in the conflict with “next generation” in the first chapter. In the second chapter, the author describes another conflict between Emily with the local citizens after her father‟s death. The third chapter is about Emily‟s love with Homer Barron and the affair of she buys poison. Then the fourth chapter is about the failure of her love and her isolated life. In the last chapter, the author turns back to the occasion when the Emily died and exposes the macabre truth of this story. It may be difficult for readers to understand the story with the shift of time sequence, but after reading the whole story for several times, the readers are all appreciate Faulkner‟s unique writing skills in controlling of the theme.Although A Rose for Emily is just a short story, and not regarded as a typical work of Faulkner, it really reveals that Faulkner‟s distinctivewriting style. All in all, William Faulkner deserves the honor of “the greatest southern writer”.参考文献【1】赵青. The Stylistic Analysis of “A Rose for Emily”. 科技信息外语论坛. 2010年第一期.【2】张莉. William Faulkner‟s Style in A Rose for Emily. 桂林师范高等专科学校学报. 2001年9月.【3】郑咏梅, 艾格平. 从《献给艾米莉的玫瑰》看福克纳的写作风格.陕西师范大学学报. 2003年10月.。
英语姓名词典【外研社李慎廉 等编著】 F
英语姓名词典【外研社李慎廉等编著】 F。
txt如果真诚是一种伤害，请选择谎言;如果谎言是一种伤害,请选择沉默；如果沉默是一种伤害，请选择离开.FFabian [男子名] ［英格兰人姓氏] 费边.来源于拉丁语教名，含义是“种豆者"(bean grower).Facey费西Vaisev的异体，英格兰人姓氏Facon费肯：Falcon的异体，英格兰人姓氏Fagan 。
[爱尔兰姓氏］费根。
可能是诺曼底姓氏的盖尔语形式 .Fage 。
［英格兰人姓氏] 费奇。
绰号，奉承者，来源于中世纪英语,含义是“哄骗，恭维”(coaxing，flattery,deception）Fagg 。
[英格兰人姓氏］法格。
Fage？？的变体.Fagge .［英格兰人姓氏] 法格。
Fagg？? 的变体。
Fahey 。
[爱尔兰姓氏] 费伊。
Fahy?？的变体。
Fahy ［爱尔兰姓氏］法伊。
盖尔语姓氏的英语形式，来源于人名，含义是“基础"（base，foundation) .Failes费尔斯:可能源自中世纪美语，含义“违约”（default）．英格兰人姓氏.Fails费尔斯：Failes的异体,英格兰人姓氏。
Fainan费南:源自Finna 1，含义“芬恩的后裔”（descendan of Finn）．爱尔兰人姓氏。
Fainnan费南：源自Finn l，含义“芬恩的后裔”（dcsccndant of Finn)，爱尔兰人姓氏。
Fair .[英格兰人姓氏］费尔.绰号，来源于古英语，含义是“美丽的，可爱的”（fair,lovely)。
Fairbairn .[北方英格兰人、苏格兰人姓氏］费尔贝恩。
可能是绰号，来源于北方中世纪英语，含义是“可爱的+儿童”(lovely+child）。
Fairbairns费尔贝恩斯：取自父名，源自Fairbaim，含义“费尔贝恩之子"（son of Fairbaim），北方英格兰人、苏格兰人姓氏。
美国文学史
浪漫 Longfellow 现实 Emily Dickinson 现实 Emily Dickinson 现实 Emily Dickinson 现实 Walt Whitman 现实 Emily Dickinson 二十 Wallace Stevens 二十 Ezra Pound 二十 John Steinbeck
b-108 Dreiser Looks at Russia b-8 DRUM-TAPS Beat! Beat! Drums a-139 English Traits a-139 Essays a-169 Ethan Brand a-212 Evangeline a-212 Excelsior b-147 Flash Crimson b-147 Fog b-194 For Whom the Bell Tolls b-163 Four Quartets a-6 b-108 b-227 b-156 b-156 General History of Virginia Genius Go Down, Moses Harmonium Harmonium
资料 书页
10 15 5 18 15 5 5 2 10 11 1 11 13 8 19 5 1 13 15 15 19 18 10 15 3 5 11 16 6 17 19 17 5 8 10 8 14
主要作品
备注
b-13 A Bird Came down the Walk b-139 A Boy’s Will
时期 作者 现实 Emily Dickinson 二十 Robert Frost 浪漫 二十 二十 浪漫 浪漫 殖民 现实 现实 殖民 现实 二十 浪漫 二十 浪漫
Washington Irving Ernest Hemingway Robert Frost Washington Irving Washington Irving Roger Williams Harriet Beecher Stowe O·Henry Captain John Smith O·Henry Ezra Pound Henry Wadsworth Longfellow William Faulkner Washington Irving Captain John Ezra Pound Robert Frost Carl Sandburg William Faulkner Ernest Hemingway Mark Twain Robert Frost Thomas Paine Washington Irving O·Henry Wallace Stevens Edgar Allan Poe Thomas Stearns Eliot William Faulkner Thomas Stearns Eliot Washington Irving Henry Wadsworth Longfellow Emily Dickinson Herman Melville Edwin Arlington Robinson
200511美国文学 作业(专升本)
《美国文学》作业一、单选题1. American literature is only more than ____ years old.A. 500B.400C. 200D.1002. The Puritan values did no include______.A. wastefulnessB. thriftC. pietyD. hard work3. The 18th century was the age of the Enlightenment.______was the dominant spirit.A. HumanismB. RationalismC. RomanticismD. Realism4. Franklin was the epitome of the______.A. American EnlightenmentB. Sugar ActC. Charlist movementD. Romanticism5. _____was the most leading spirit of the Transcendentalism.A. FranklinB. HawthorneC. PaineD. Emerson6. “Moby Dick was written by_____A. Mark TwainB. ThoreauC. MelvilleD. Whitman7. “The Scarlet Letter” is characterized by its______.A. symbolismB. rationalismC. PlatonismD. classicism8. “Huckleb erry Finn is the masterpiece of________.A. Henry JamesB. Jack LondonC. Mark TwainD. Stephen Crane9. Choose the novel written by Henry JamesA. The Golden BowlB. The Portrait of a LadyC. Sister CarrieD. Daisy Miller10. Early in the 20th century, _____ published works that would change the nature of American poetry.A. Ezra PoundB. T.S. EliotC. Robert FrostD. both A and B11._____ is the founder of “Imagist” movement.A. Ezra PoundB. HemingwayC. Robert FrostD. Steinbeck12. Mark Twain’s works are characterized by_____A. NaturalismB. TranscendentalismC. Local ColorismD. Imagism13. ______ is a poet of profound simplicity.A. T.S. EliotB. Robert FrostC. Langston HughesD. Robert Burns14. Which writer has naturalist tendency?A. CraneB. NorrisC. Theodore DreiserD.T.S. Eliot15. “The Portrait of a Lady” was written by______A. Henry JamesB. FranklinC. EmersonD. Hawthorn16. During the 19th century the only American female poet was_____.A. Jane AustinB. Anne BradstreetC. Gorge EliotD. Emily Dickinson17. ______ is the most important playwright in AmericaA. HemingwayB. Eugene O’NeillC. T.S. EliotD. Faulkner18. Hester Prynne is the main character in______.A. The Scarlet LetterB. Sister CarrieC. Farewell to ArmsD. The Great Gatsby19. “Leaves of Grass” is a collection written by______.A. Emily DickinsonB. Robert FrostC. Walt WhitmanD. Longfellow20. F. Scott Fitzgerald is famous for his masterpiece,______.A. The Grape of WrathB. Cup of GoldC. The old Man and the SeaD. The Great Gatsby21. ______ is considered to be the masterpiece of John Steinbeck.A. Mending WallB. Dry SeptemberC. A Farewell to ArmsD. The Grapes of Wrath22. Uncle Tom in the novel “Uncle Tom’s Cabin was a(n)______A. Negro slaveB. salesmanC. industrialistD. officer23. Mark Twain’s wo rks are characterized by______A. NaturalismB. TranscendentalismC. Local ColorismD. Imagism24. “The Great Gatsby” is the masterpiece of_____A. WhitmanB. FitzgeraldC. DickinsonD. Hemingway25. The United States of America was founded in______.A. 1776B. 1876C. 1789D.168926. The ancestors of American Indians were______A. AsiansB. AfricansC. EuropeansD. Australians27. “The Adventures of Huckleberry Finn” was written by______.A. H.B. Stowe B. John SteinbeckC. HawthorneD. Mark Twain28. ______ does not belong to the lost generation.A. DreiserB. T.S. EliotC. FaulknerD. Hemingway29. ______ was well known for his story “Rip Van Winkle.”A. BryantB. Washington IrvingC. Allan PoeD. Philip Freneau30. “Farewell to Arms” is the master pieced produced by______A. FaulknerB. DreiserC. HemingwayD. Longfellow31.“Catch-22” was written by______.A. Mark TwainB. Joseph HellerC. T.S. EliotD. O’Nell32.“The Waste Land is a long _______ written by T.S. Eliot”A. novelB. dramaC. essayD. poem33. The Enlightenment is characterized by______A. reasonB. emotionC. humanismD. joint venture34. The representative of American Enlightenment was________A. FranklinB. Robert Lee FrostC. SteinbeckD. Stephene Crane35. Emily Dickinson is an American_______A. dramatistB. essayistC. female poetD. male poet36. ________ is said to be the father of American poetryA. T.S. EliotB. E.D. RobinsonC. Philip FreneauD. Dreiser37. Hawthorne is regarded as a _______.A. naturalistB. classicistC. realistD. romanticist38. ______ represents the most leading spirit of American Transcendentalism.A. EmersonB. FranklinC. Mark TwainD. Whitman39. “The Art of Fiction” was written by_____A. LongfellowB. Henry JamesC. FitzgeraldD. Faulkner40. Imagination plays the most important part in________.A. realismB. romanticismC. naturalismD. classicism41. ______ is considered to be the masterpiece of John Steinbeck.A. Mending WallB. Dry SeptemberC. A Farewell to ArmsD. The Grapes of Wrath42. Uncle Tom in the novel “Uncle Tom’s Cabin was a(n)______A. Negro slaveB. salesmanC. industrialistD. officer43. Mark Twain’s works are characterized by______A. NaturalismB. TranscendentalismC. Local ColorismD. Imagism44. “The Great Gatsby” is the masterpiece of_____A. WhitmanB. FitzgeraldC. DickinsonD. Hemingway45. The United States of America was founded in______.A. 1776B. 1876C. 1789D.168946. The ancestors of American Indians were______A. AsiansB. AfricansC. EuropeansD. Australians47. “The Adventures of Huckleberry Finn” was written by______.A. H.B. Stowe B. John SteinbeckC. HawthorneD. Mark Twain48. ______ does not belong to the lost generation.A. DreiserB. T.S. EliotC. FaulknerD. Hemingway49. ______ was well known for his story “Rip Van Winkle.”A. BryantB. Washington IrvingC. Allan PoeD. Philip Freneau50. “Farewell to Arms” is the master pieced produced by______A. FaulknerB. DreiserC. HemingwayD. Longfellow51. William Faulkner is the author of ______.A Far From the Madding CrowdB Sound and FuryC For Whom the Bell TollsD Scarlet Letter52. Robert Frost is a famous_______.A novelistB playwrightC poetD literary critic53. The Old Man and the Sea is one of the great works by ________.A Jack LondonB Charles DickensC Samuel ColeridgeD Earnest Hemingway54. _______refers to some contrast or discrepancy between appearance and reality.A AllegoryB ConflictC IronyD Flashback55. The great transcendental work by Henry David Thoreau is______.A NatureB WaldenC ExperienceD Essays56. Mark Twain shaped the world’s view of America and made a combination of _____and serious literature.A American folk humorB funny jokesC English folkloreD American values57. Who was the first American to achieve an international literary reputation after the Revolutionary War?A Fennimore Cooper.B Nathaniel Hawthorn.C Walt Whitman.D Washington Irving.58. I Have a Dream is addressed by _____.A Abraham LincolnB John F. KennedyC Martin Luther KingD Ralph Waldo Emerson59. Which of the following is NOT a poem by Emily Dickinson?A This is my letter to the worldB I heard a Fly buzz—when I diedC This is just to sayD Because I could not stop for death60. Eugene O’Neil is an American ______.A novelistB playwrightC poetD essayist61. The American civil war ended in______A.1765B.1865C.1761D.186162. The Cuban missile crisis resulted from between America and the soviet Union.A. the cold warB. the Hot WarC. the Civil WarD. World War Ⅱ63. “Song of Myself” was wri tten by______.A. LongfellowB. FrostC. T.S. EliotD. Whitman64.The romantic writers believed that ______ was superior to rationalism.A. transcendentalismB. naturalismC. imaginationD. Puritanism65. It was ______ who wrote the formal declaration of independence.A. Thomas JeffersonB. Benjamin FranklinC. WashingtonD. Washington Irving66. _____has been exerting a great and enduring influence upon world literature, especially that of France and European symbolism.A. FranklinB. BradstreetC. Edgar Allan PoeD. Philip Freneau67. The masterpiece of Hawthorne is _________.A. The Scarlet LetterB. Sister CarrieC. Richard CoryD. A Psalm of Life68. Engene O’Neill is a _______.A. novelistB. poetC. puritanD. dramatist69.Hemingway’s style of writing is characterized by______.A. high-sounding wordsB. simple dictionC. complicated sentencesD. mix metaphor70. T.S. Eliot is not only a poet but also a ______.A. criticB. statesmanC. churchmanD. novelists71. “Long Day’s Journey Into Night” was written by_____.A. T.S. EliotB. O’NeillC. Stephen CraneD. Saul Bellow72. “The Grape of Wrath” is one of the remarkable novels of_____.A. the Civil WarB. DepressionC. SuppressionD. Aggression73. Theodore Dreiser showed the_____ tendency in his novels.A. PuritanismB. classicismC. romanticismD. naturalism74. Ralph Waldo Emerson was the leading figure of________.A. TranscendentalismB. RomanticismC. RationalismD. Naturalism75. “The Sound and the Fury” was the masterpiece of ______A. Robert Lee FrostB. T.S. EliotC. FaulknerD. Steinbeck76. Emily Dickinson is an American________.A. dramatistB. novelistC. female poetD. male poet77. “The Adventures of Huckleberry Finn” shows Mark Twain’s______A. materialismB. classicismC. socialismD. colorism78. “The Portrait of a Lady” is one of best novels of_________.A. Henry JamesB. John SteinbeckC. William FaulknerD. Walt Whitman79. What Whitman is famous for his_________.A. “Leaves of Grass”B. “Mending Wall”C. “Richard Cory”D. “The Burial of the Dead”80. “Catch-22” is the masterpiece of______A. Saul BellowB. Joseph HellerC. DreiserD. Fitzgerald81. The period from 1865—1914 has been referred to as the _______in the literary history of the United States.a. Age of Realismb. Age of Classicalismc. Age of Romanticismd. Age of Renaissance82. With “Collected Poems”, ______won the second Pulitzer Prize.a. Ezra Pondb. e. e. cummingsc. Robert Frostd. William Cullen Bryant83. Grass is a poem written by _______.a. Walt Whitmanb. Carl Sandburgc. Langston Hughesd. Allen Ginsberg84. Moby Dick is the most important work by ______.a. Jack Londonb. Herman Melvillec. Sinclair Lewisd. Ralph Ellison85. O. Henry earned his fame mainly for his ______.a. novelsb. poemsc. short storiesd. dramas86. ______ is NOT a novel of Francis Scott Fitzgerald.a. Tender Is the Nightb. Anna Christiec. The Beautiful and Dammedd. The Great Gatsby87. The American literature in modern period is divided into two parts by the event of ______.a. the expatriate movementb. the Great Depressionc. the First World Ward. the Second World War88. Which of the following novels does NOT belong to Dreiser’s Trilogy of Desire?a. The Titanb. The Financierc. The “Genius”d. The Stoic89. The 1954 Nobel Prize for literature was awarded to ______for his “mastery of the art of modern narration”.a. William Faulknerb. John Steinbeckc. Saul Bellowd. Earnest Hemingway90. Sister Carrie is a masterpiece of _______work.a. romanticb. classicc. neo-classicd. naturalistic91. The English settlement in America began in_________A.1507B.1607C.1707D.180792. The first World War broke out in______.A.1614B.1714C.1814D.191493. The jazz age refers to the decade ofA.1950’sB.1980’sC.1920’sD.1820’s94. Franklin was a _____.A. PuritanB. romanticistC. classicistD. imagist95. “Rip Van Winkle” was written by_______.A. FreneauB. Allan PoeC. Washington IrvingD. Thomas Jefferson96.“The Scarlet Letter” is the masterpiece of______.A. HawthorneB. EmersonC. BradstreetD. Allan Poe97.It was______who wrote “The Age of Reason”A. WashingtonB. JeffersonC. Benjamin FranklinD. Thomas Paine98.“Song of Myself” is a ______written by Whitman.A. novelB. poemC. dramaD. essay99.Tom in Beecher Stowe’s novel “Uncle Tom’s Cabin is a _____.A. Negro slaveB. American IndianC. School masterD. industrialist 100. Mark Twain belongs to the literary school of_____.A. transcendentalismB. realismC. romanticismD. naturalism 101._______is a famous American female poet.A. Allan Poe .B. FreneauC. Emily DickinsonD. Robinson 102. “The Adventure of Huckleberry Finn” is the mast erpiece of_____.A. Mark TwainB. Henry JamesC. Stephen CraneD. Robert Lee Frost103. It was____ who wrote the poem “The Road Not Taken.”A. WhitmanB. FreneauC. Robert Lee FrostD. T.S.Eliot 104. “The Portrait of A Lady ”was written by_______.A. Mark TwainB. DreiserC. Eugene O’NeillD. Henry James 105. The settling of “The Grapes of Wrath” was during the_____.A. the first world warB. the great economic depressionC. the civil wasD. the Vietnam War106. Hemingway’s works belong to______.A. RomanticismB. American modernismC. NaturalismD. transcendentalism107. “The Great Gatsby”made_____ famous in American literature.A. HawthornB. Mark TwainC. FitzgeraldD. Steinbeck 108. “The Sound and the Fury” was written by_____A. FaulknerB. WhitmanC. LongfellowD. Hemingway109. Eugene O’Neill is an American______.A. novelistB. criticC. romanticistD. dramatist110. “Catch-22” is well known for its_____.A. SimplicityB. black humorC. poetic touchD. exaggeration111. O Captain! My Captain! was written in memory of _______.A. Walt WhitmanB. Benjamin FranklinC. Abraham LincolnD. Martin Luther King112. The Grapes of Wrath is the masterpiece of ______.A. John SteinbeckB. John CheeverC. John UpdikeD. John Dos Passos113. ______is NOT a play written by Tennessee Williams.A. Cat on a Hot Tin RoofB. The Glass MenagerieC. Light in AugustD. A Streetcar Named Desire114. Seize the Day is regarded the best novel written by ______.A. Flannery O’ConnerB. Saul BellowC. Ralph EllisonD. Sherwood Anderson115. ______is NOT among the postwar poets in modern American literature.A. Robert LowellB. Gary SynderC. Allen GinsbergD. e. e. cummings116. The image of the famous “henpecked husband” is created by_____.A. Washington IrvingB. Fennimore CooperC. Edith WhartonD. William Dean Howells117. The literary spokesman of the Jazz is often thought to be______.A. O’NeilB. PoundC. Robert FrostD. Scott Fitzgerald118. _____was the most important person of the transcendental club.A. HawthornB. WhitmanC. EmersonD. Thoreau119. The main theme of Emily Dickinson is the following EXCEPT_______.A. religionB. love and marriageC. life and deathD. war and peace120. American diction in the 1960s and 1970s proves different from its predecessors. It is referred to as ______.A. ImagismB. black humorC. new fictionD. the Beat Generation二、多选题1. William Faulkner is the author of ______.A Far From the Madding CrowdB Sound and FuryC For Whom the Bell TollsD As I Lay Dying2. The main theme of Emily Dickinson is the following _______.A religionB love and marriageC life and deathD war and peace3. The following are the women writers, except_______.A William FaulknerB Emily DickinsonC Mark TwainD Harriet Beecher Stowe4. Mark Twain is the author of _______.A The Adventures of Tom SawyerB the Adventures of Huckleberry FinnC Far From the Madding CrowdD Sound and Fury5. Mark Twain shaped the world’s view of America and made a combination of _____and _____.A American folk humorB funny jokesC serious literatureD English folklore6. ______ is novels of Francis Scott Fitzgerald.A Tender Is the NightB Anna ChristieC The Beautiful and DammedD The Great Gatsby7. Which of the following are poems by Emily Dickinson?A This is my letter to the worldB I heard a Fly buzz—when I diedC This is just to sayD Because I could not stop for death8. _______are not the representative work of the Beat Generation.A The Great GatsbyB On the RoadC Look Back in AngerD The Sun Also Rises9. The following writers, who is not the author of Grass_______.A Walt WhitmanB Carl SandburgC Langston HughesD Allen Ginsberg10. The 1954 Nobel Prize for literature was awarded to ______for his “______”.A mastery of imagismB John SteinbeckC mastery of the art of modern narrationD Earnest Hemingway11. Mark Twain is the author of _______.A The Adventures of Tom SawyerB the Adventures of Huckleberry FinnC Far From the Madding CrowdD Sound and Fury12. Mark Twain shaped the world’s view of America and made a combination of _____and _____.A American folk humorB funny jokesC serious literatureD English folklore13. ______ is novels of Francis Scott Fitzgerald.A Tender Is the NightB Anna ChristieC The Beautiful and DammedD The Great Gatsby14. Which of the following are poems by Emily Dickinson?A This is my letter to the worldB I heard a Fly buzz—when I diedC This is just to sayD Because I could not stop for death15. _______are not the representative work of the Beat Generation.A The Great GatsbyB On the RoadC Look Back in AngerD The Sun Also Rises16. Naturalism is evolved from realism when the author’s tone in writing becomes less serious and less sympathetic but more _______ and more _______.A rationalB ironicC humorousD pessimistic17. For Melville, as well as for the reader and _______, the narrator, _______ is still a mystery, an ultimate mystery of the universe.A IshmaelB Moby DickC AhabD Starbuck18. Which of following is a typical feature of Mark Twain’s language?.A vernacularB colloquialC elegantD humorous19. _______is father of American drama and in his dramatic career he wrote _______ plays.A Eugene O’NeillB 49C Tennessee WilliamsD 5020._______was the first American writer to write entirely American literature. _______was the leader of American transcendentalism.A Mark TwainB Ernest HemingwayC Ralph Waldo EmersonD Benjamin Franklin21. Which of the following are poems by Emily Dickinson?A This is my letter to the worldB I heard a Fly buzz—when I diedC This is just to sayD Because I could not stop for death22. Naturalism is evolved fro m realism when the author’s tone in writing becomes less serious and less sympathetic but more _______ and more _______.A rationalB ironicC humorousD pessimistic23. For Melville, as well as for the reader and _______, the narrator, _______ is still a mystery, an ultimate mystery of the universe.A IshmaelB Moby DickC AhabD Starbuck24. _______is father of American drama and in his dramatic career he wrote _______ plays.A Eugene O’NeillB 49C Tennessee WilliamsD 5025._______was the first American writer to write entirely American literature. _______was the leader of American transcendentalism.A Mark TwainB Ernest HemingwayC Ralph Waldo EmersonD Benjamin Franklin26. _______was the greatest woman poet in American literature and she wrote about_______ short lyric poems in her life time .A Mark TwainB Emily DickensonC 900D 1,70027._______is father of the detective story and of _______.A Edgar Allan PoeB Ernest HemingwayC transcendentalismD psychoanalytic criticism28. Which of the following is not naturalistic writers?A Mark TwainB Ernest HemingwayC William Dean HowellsD Theodore Dreiser29._______is concerned with the middle class life; _______writes about the upper class society, and_______ deals with the lower class reality..A Ralph Waldo EmersonB William Dean HowellsC Henry JamesD Mark Twain30.The American Civil War broke out in_______between the Northern states and the South states, which are known respectively as the _______ and the _______ .A 1861B 1888C Union, ConfederacyD Slavery, Anti-Slavery31. For Melville, as well as for the reader and _______, the narrator, _______ is still a mystery, an ultimate mystery of the universe.A IshmaelB Moby DickC AhabD Starbuck32. _______is father of American drama and in his dramatic career he wrote _______ plays.A Eugene O’NeillB 49C Tennessee WilliamsD 5033. Which of the following is not naturalistic writers?A Mark TwainB Ernest HemingwayC William Dean HowellsD Theodore Dreiser34._______is concerned with the middle class life; _______writes about the upper class society, and_______ deals with the lower class reality..A Ralph Waldo EmersonB William Dean HowellsC Henry JamesD Mark Twain35.The American Civil War broke out in_______between the Northern states and the South states, which are known respectively as the _______ and the _______ .A 1861B 1888C Union, ConfederacyD Slavery, Anti-Slavery36. The greatest American poet and the first writer of _______ is _______ .A free verseB dramaC Ezra PoundD Walt Whitman37. ______ was the first black American to write a book about black life with great impact on the consciousness of the nation and his masterpiece is one of the three classic about _______ .A Harriet Beecher StoweB Ralph EllisonC Black AmericansD Chinese38. _______ are the greatest figures in “Lost Generation” .A Ezra PoundB Robert FrostC Walt WhitmanD Hemingway39. _______is the father of American literature. _______ was the most leading spirit of the Transcendental Club.A PaineB Washington IrvingC ThoreauD Emerson40. An _______ ship brought 102 people from Plymouth, England on September 16, 1620 and arrived in the present Provincetown harbor on November 21 in the same year. This ship was name _______ .A EnglishB GermanC TitanicD Mayflower三、判断题1. The Calvinist doctrine of “original sin” exerted great influence on Hawthorne. ()2. Most of the poems in Leaves of Grass are about human psychology. ( )3. Walt Whitman used parallelism and refrain in his poems. ( )4. Walt Whitman was regarded as the Zenith in American romantic poetry. ( )5. The first important American novelist is Adgar Allan Poe. ( )6. According to Allan Poe, art serves for pleasure. The chief •aim •of •poetry •is •beauty,•namely,•to produce a feeling of beauty in the reader. ( )7. According to Henry James,the aim of the novel is to reflect life reality. ( )8. Allan Poe was regarded as the forerunner of American Imagism. ( )9. All his literary life, Thoreau seemed to be haunted by his sense of sin and evil in life. ( )10. Traditional novelists, especially the critical realistic novelists,•generally focused their attention on social significance. ( )11. The subjects of Walt Whitman are often war and its effects on people, or contests, such as hunting or bullfighting, which demand stamina and courage.( )12. O.Henry paid little attention to plot in writing. ( )13. Mark Twain was the father of American language. ( )14. Frost’s concern with nature reflected his deep moral uncertainties. ( )15. Faulkner’s region was the Deep North, with its bitter history of slavery, civil war and destruction. ( )16. In American Literature, the eighteenth century was an Age of reason and Revolution. ( )17. In 1836, Whitman published his first book, Nature, which met with a wild reception. ( )18. Transcendentalism exalted feeling over reason, individual expression over the restraints of law and custom. ( )19. Mark Twin should be remembered both as a great literary artist and a great social critic in the history of the U.S. ( )20. In 1836, Whitman published his first book, Nature, which met with a wild reception. ( )21. Annabel Lee, a poem from Adgar Allan Poe, mourns the death of a beautiful girl. ( )22. Washington Irving was the first American to achieve an international literary reputation after the Revolutionary War. ( )23. In 1836, Whitman published his first book, Nature, which met with a wild reception. ( )24. Scarlet Letter is set in the seventeenth century. It is an elaboration of a fact which theauthor took out of the life of the Puritan pat. ( )25.Melville devised a unique poetic style called free verse that refers to the poetrywithout fixed beat or regular rhyme scheme. ( )26.Henry James abandoned traditional way of telling a story in some •of •his short stories and novels. ( )27 Mark Twain's influence upon modern American writers isn't so strong, he mainly influenced some local writers. ( )28. American literature is the oldest of all national literature. ( )29. All his literary life, Hawthorne seemed to be haunted by his sense of sin and evil. ( )30. In 1620 a number of Puritans came to settle in Massachusetts . ( )31 Emerson was recognized as the leader of transcendentalist movement , and he always applied the term “Transcendentalist” to himself or to his belief and ideas. ( )32. Mark Twain never touched upon the problem of slavery system in his novels. ( )33. N.Hawthorne was a symbolic writer in some sense. ( )。
迈克尔·杰克逊个人资料
迈克尔·杰克逊个人资料
身高：5英尺10英寸(约179公分) 体重：130磅(60公斤左右) 视力：远视眼珠色：深棕发色：黑色鞋码：美国10号(欧洲:42) 学历：毕业于美国黑人联合大学。
并于1988年获得了有色人种联合大学基金会(UNCF)颁发的Fisk大学人道文学博士荣誉学位。
职业：歌唱家、舞蹈家、歌曲、音乐制作人、编舞、演员、导演、企业家、慈善家。
兴趣爱好 1、业余爱好：阅读、油画、素描、武术(功夫、柔道、空手道)、舞蹈、游乐园、旅行、购物、看电影、看卡通、打电子游戏。
2、收集爱好：油画、雕塑、电影大事记、古董服饰。
3、热爱关心的事物：儿童(尤其是身患绝症以及贫穷的儿童)，动物。
1
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（英语毕业论文）从《一间自己的房间》分析弗吉尼亚伍尔夫的女性主义思想
（英语毕业论文）从《一间自己的房间》分析弗吉尼亚伍尔夫的女性主义思想最新英语专业全英原创毕业论文，都是近期写作1 分析《白鲸》中亚哈之死2 论莎士比亚戏剧中的女扮男装现象3 解读《呼啸山庄》中三种悲剧性的爱情4 中美电子商务的选择性分析5 从《夜莺与玫瑰》看王尔德唯美主义的道德观6 接受美学指导下的电影字幕翻译——以《冰河世纪II》为例7 试论英语中的歧义与翻译8 浅析造成盖茨比悲剧的因素9 On Moral Characters in The Picture of Dorian Gray10 从文体学角度分析美剧的幽默11 Yellow Peril–the Image of Fu Manchu in the West12 浅析《美国的悲剧》中克莱德的悲剧命运13 高中英语阅读词汇障碍突破技巧的研究14 中美价值观的比较－－以《老友记》为例15 从女权主义视角分析《德伯家的苔丝》16 论《百舌鸟之死》中的百舌鸟象征17 曹禺与尤金奥尼尔作品中的悲剧观比较18 梭罗《瓦尔登湖》中的佛家思想19 中世纪的典雅爱情：本质、渊源和影响20 非英语专业大学生听力课堂焦虑的影响及解决策略21 Different Cultural Connotations of Animal glossaries in Chinese and English22 A Feminist Study of William Shakespeare’s As You Like It23 On the Functions of Metaphor in Obama’s Inaugural Address24 《还乡》中的生态女性主义解读25 An Analysis of the Cultural Differences between Chinese Martial Arts and Western Boxing26 A Comparison between Two Chinese Versions of Uncle Tom’s Cabin27 英汉谚语互译中的归化与异化策略分析28 《飘》中郝思嘉性格特征透析29 认知语境在语言交际理解中的作用30 Cultural Differences Reflected in the Concept of Dragon31 论翻译的艺术32 中西方家庭教育对比研究——从《傅雷家书》和《致儿家书》的对比33 从女性主义角度看斯嘉丽与命运的抗争34 《警察与赞美诗》和《重新做人》中主人公的不同命运35 从文化角度分析英汉数字习语的不同36 透过《德伯家的苔丝》看哈代托马斯的宗教观37 On Idioms from the Holy Bible38 美国拓荒运动中的新女性形象－－读威拉凯瑟《我的安东妮娅》39 高中英语阅读课教学策略40 论福克纳《八月之光》中的耶稣形象41 英语广告语的语言特色分析42 中西幽默异同探析43 Personality that Matters: A Psychological Analysis of the Misunderstanding between Elizabeth and Darcy44 The Elementary Stage Translation Teaching Design for Undergraduate English Majors45 浅论中文商标的翻译（开题报告+论）46 英语广告语中隐喻的研究47 电影字幕汉译的归化与异化48 《简爱》的浪漫主义解读49 肢体语言在商务谈判中的应用与作用50 《爱玛》中女性主义的双重复写——论个人意识与阶级意识的冲突51 英语构词法对词汇习得的影响52 浅谈如何培养初中学生学习英语的兴趣53 论《傲慢与偏见》中的妇女地位问题54 Analysis on Earnest Hemingway’s Doom Consciousness in The Old Man and the Sea55 埃德加爱伦坡短篇小说中美女的命运56 浅析英文商务信函的写作格式与文体风格57 英汉诗歌中“月”意象的认知解读58 The Research of the Idea of Contradiction in Songs of Innocence and Experience59 浅析初中生英语写作问题及对策60 The Study on the Teaching of Grammar in Senior High Schools61 Pragmatic Differences of Politeness in Intercultural Communication Between English and Chinese62 英语模糊限制语的分类界定及其语用功能63 《芒果街上的小屋》中窗户意象的分析64 浅谈商务英语广告的翻译65 命运与社会的牺牲品—苔丝的悲剧根源探析66 Double Vision in Characterization in The Great Gatsby67 对《瑞普凡温克尔》两个汉译本的语言美的比较评论68 英语体育新闻标题的特点及其翻译69 The Illusory American Dream－－A Comparative Analysis on Martin Eden & The Great Gatsby70 浅析合作原则在汉英广告语翻译中的运用71 隔离与异化：福克纳短篇小说中的人际关系研究72 《绝望的主妇》中的中美家庭价值观的比较研究73 《夜访吸血鬼》中的模糊性别观74 中西方思维方式对比研究及其在广告中的体现75 电影《狮子王》中象征手法的运用76 《太阳照常升起》中科恩屡遭排斥的根源分析77 性格趋向对英语口语习得的影响78 文化负载词的翻译策略79 浅析英语新闻标题的语言特征80 言语幽默产生的语音机制81 论詹姆斯乔伊斯的《阿拉比》中的弗洛伊德主义82 《紫色》中的女性主义解读83 论英语课堂教学中的非语言交际84 从中西文化对比看英文电影字幕翻译85 从毛姆《刀锋》看两次世界大战期间的知识分子形象86 从《篡夺》中看辛西娅奥兹克作品中的反偶像崇拜精神87 从功能对等角度分析英文电影片名汉译88 托马斯哈代与张爱玲作品中女性悲剧命运对比研究——以苔丝和顾曼桢为例89 A Study of Stylistic Features and Translation of Journalistic English90 傲慢与偏见－－-浅析世纪英国女性作家91 浅析中国时政术语的常用英译方法92 论《海浪》中体现的死亡意识和生命意识93 礼貌原则在英语商务信函中的运用94 A Comparison of the English Color Terms95 关于攀枝花市公示语汉英翻译的调查与分析96 中国特色词汇及其翻译97 《傲慢与偏见》中的微观反讽言语行为98 《威尼斯商人》中的关键社会元素——莎士比亚心中的乌托邦社会99 译员主体性在歌曲《我有个梦》歌词翻译中的体现100 东西方隐逸文化对比——试比较梭罗与陶渊明的作品101 透过霍尔顿看《麦田里的守望者》中的代际关系102 英语委婉语及其翻译103 英汉禁忌语对比研究104 勃朗特两姐妹创作风格差异探究105 从认知的角度来看主动语态在商务信函中的语用功能106 哥特元素在《宠儿》中的运用107 论《宠儿》中社区与逃离的关系108 分析《傲慢与偏见》与《简爱》中觉醒的女性意识109 当代中美青年恭维言语行为对比研究110 英汉委婉语的对比及翻译111 中西文化差异对跨文化商务谈判的影响112 企业英文简介中的概念语法隐喻分析113 雌雄同体：《奥兰多》中时代精神的体现114 从跨文化视角看中国红色旅游的翻译策略115 《长日入夜行》中玛丽的悲剧和反抗116 家庭生活中的瑞普?凡?温克尔117118 《紫色》中黑人男性形象研究119 论《老人与海》中人与自然的矛盾性与和谐性120 大学英语课堂话语分析121 英语课堂教学—教师主宰还是学生为中心122 《厄舍屋之倒塌》中的哥特元素分析123 Ethic Values about Marriage and Sex in the Bible 124 目的论视角下的《边城》的英译研究125 学习策略与听力理解126 《野性的呼唤》中的人性和野性127 外教在英语口语教学中的作用128 语法翻译法视角下的中学生英语家教辅导129 东方主义视角下康拉德《黑暗的心脏》中西方殖民话语分析130 英式英语与美式英语的词汇差异131 论美国黑人现代流行音乐及其影响132 《生活大爆炸》言语幽默语用分析133 教师在农村初中英语游戏教学中的角色分析－－以某中学为例134 肢体语言在商务谈判中的应用与作用135 《尤利西斯》与《春之声》中意识流手法的不同136 Existentialism in Pride and Prejudice137 解读《皆大欢喜》中的浪漫主义138 全球化背景下的中国热与好莱坞电影139 论中西方时间观念差异对日常生活的影响140 浅析“苹果”广告中的文化因素141 《大地》中的儒家思想142 论归化和异化在电影字幕翻译中的运用143 从功能对等论看中餐菜单的英译144 浅谈迪斯尼文化扩张中的品牌运营策略145 阿瑟·米勒《推销员之死》中小人物的悲剧之源146 从弗洛伊德的精神分析理论分析爱玛的性格147 A Comparison of the English Color Terms148 英语与汉语中的称谓研究149 重新诠释玛格丽特的人生悲剧根源150 A Southern Elegy-A Feminist Study on Faulkner’s “A Rose for Emily”151 浅析《威尼斯商人》中的金钱观152 《西风颂》两个汉译版本的文体分析153 从后殖民女性主义角度解读《藻海茫茫》154 论文化差异对中美商务谈判的影响155 《麦田里的守望者》中霍尔顿的性格分析156 从中西文化差异看英汉数字翻译157 从女性主义角度分析美国女性－－《律政俏佳人》158 论《呼啸山庄》中希斯克利夫的矛盾情感159 以国际商务谈判为视角分析中西文化差异160 影响大学生英语自主学习的因素研究161 从“三美”原则分析中国古诗词英译技巧162 On Symbolism in D.H. Lawrence’s T he Rainbow163 语用预设在广告语言中的应用164 归化和异化在汉语歇后语翻译中的应用165 从禁忌语的差异看中英文化的差异166 A Comparison of the English Color Terms167 人格、环境与命运——以弗洛伊德“人格结构理论”分析《还乡》中的主要人物命运168 中英姓氏差异及其原因探究169 初中英语词汇教学法研究综述170 基于精细加工理论的英语词汇学习研究171 商务英语合同的翻译特点及策略研究172 《推销员之死》中的家庭问题研究173 浅析《喜福会》中母女冲突的存在与消融174 正面解读《名利场》中的蓓基-夏泼175 论《追风筝的人》中父子关系的心理剖析176 谈归化与异化翻译的融合－－以谚语翻译为例177 如何在高中英语教学中培养学生的创新思维能力178 从《芒果街上的小屋》透视女性自我意识的觉醒179 中美价值观的比较－－以《老友记》为例180 从文化视角看中美家庭教育差异181 通过姚木兰和斯嘉丽形象的对比看中西文化的异同182 浅析《法国中尉的女人》中的自由183 唐?德里罗《白噪音》中精神生态的建构184 浅析《藻海无边》中安托瓦内特的悲剧185 美国宪法形成的历史和原因之研究186 中英文商标翻译的问题及其解决方法187 《蝴蝶梦》中的女权主义188 激发幼儿学习英语兴趣189 从《傲慢与偏见》看简?奥斯丁的婚姻观190 浅谈当代大学生炫耀性消费文化191 阿法——《多芬的海》中的加勒比人192 论《愤怒的葡萄》中斯坦贝克的生态观193 中美面子观比较及其对商务谈判策略的启示194 从《一间自己的屋子》看弗吉尼亚伍尔芙的女性主义意识195 公示语汉英翻译探讨196 奥巴马演讲词中的委婉语研究197 《麦田里的守望者》主人公的性格分析198 小说《飘》中瑞德巴特勒的人物性格分析199 An Analysis of the Main Characters in Twilight-eclipse 200 威廉?麦克佩斯?萨克雷《名利场》的道德研究。
对未来迷茫的句子英文精选
对未来迷茫的句子英文精选As humans, we often find ourselves lost and uncertain about the future. The unknown can be a scary thing, and many of us struggle with the feeling of not knowing what lies ahead. However, we must remember that uncertainty is a natural part of life, and it is up to us to use this uncertainty to propel us forward towards our goals and aspirations. In this article, we will explore 10 powerful quotes from famous individuals to inspire us to continue moving forward, even when we feel lost and uncertain.1. "I am not afraid of tomorrow, for I have seen yesterday and I love today." - William Allen WhiteThis quote reminds us that even though we may not know what the future holds, we should focus on the present and the joys it brings.2. "The future belongs to those who believe in the beauty of their dreams." - Eleanor RooseveltEleanor Roosevelt encourages us to trust in our dreams and work towards achieving them, knowing they will bring us closer to a brighter future.3. "Some people look for a beautiful place. Others make a place beautiful." - Hazrat Inayat KhanThis quote reminds us that we have the power to shape our own future through our actions and decisions.4. "Believe in yourself and all that you are. Know that there issomething inside you that is greater than any obstacle." - Christian D. LarsonThis quote is a reminder that we all have the potential to overcome obstacles and achieve our dreams if we believe in ourselves.5. "Do not go where the path may lead, go instead where there is no path and leave a trail." - Ralph Waldo EmersonRalph Waldo Emerson encourages us to be brave and take risks, knowing that sometimes uncharted territory leads us to the greatest discoveries.6. "Everything you’ve ever wanted is on the other side of fear." - George AddairGeorge Addair reminds us that fear can hold us back, and we must push through it to reach our goals.7. "Your work is to discover your world and then with all your heart give yourself to it." - BuddhaBuddha tells us that we must discover what we are passionate about and dedicate ourselves to it wholeheartedly.8. "The future is not something we enter. The future is something we create." - Leonard I. SweetThis quote inspires us to take an active role in shaping our own future rather than simply observing it as it unfolds.9. "You cannot swim for new horizons until you have courage to lose sight of the shore." - William FaulknerWilliam Faulkner encourages us to take risks and leave our comfort zones to explore new opportunities and ventures.10. "The greatest glory in living lies not in never falling, but in rising every time we fall." - Nelson MandelaNelson Mandela reminds us that failure is an inevitable part of life, but it is how we rise from it that defines us.In conclusion, these 10 quotes from famous individuals offer us valuable insight into how we can approach the uncertainty of the future. By focusing on our passions, believing in ourselves, taking risks, and persevering even in the face of failure, we can pave the way towards a future full of opportunity and possibility.。
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acceptance speech talks about the task of a writer: ―Man will not only endure: he will prevail, because he has a soul, a spirit capable of compassion and
Yoknapatawpha County
2,400 square miles; the population: 6,298 whites and 9,313 Negroes, for a total of 15,611.
Faulkner & his Yoknapatawpha County
His Major Works
The Sound and the Fury (1929) As I Lay Dying (1930) Light in August (1932) Absalom, Absalom! (1936) A Fable (1954)
―A Rose for Emily‖ (1930) ―Barn Burning‖ (1939)
the significance this fictional world means to him: "[I] discovered that my own little postage stamp of native soil was worth writing about and that I would never live long enough to exhaust it, and that by sublimating the actual into the apocryphal (fictional) I would have complete liberty to use whatever talent I might have to its absolute top. It opened up a gold mine of other people, so I created a cosmos of my own.‖ ------William Faulkner
What is special about his most Famous Speech In 1950, Faulkner received the Nobel Prize for literature for ―his powerful and artistically unique
contribution to the modern American novel‖. His
William Faulkner (1897—1962)
His Life
1897 Born in New Albany, Mississippi to an old, white upper-class family; 1902 Moved to Oxford, Mississippi. 1918 Claimed to have joined the British Royal Flying Corps in Canada during WWI; 1919 Attended the University of Mississippi and began his writing career thereafter. 1925 Drifted to New Orleans, where he met Sherwood Anderson. He made brief trips to Europe and other parts of America, and established friendship with many modernist writers (Ernest Hemingway, James Joyce,etc.) .
On short story writing
―In a short story that’s next to the poem, almost every word has got to be almost exactly right. In the novel you can be careless but in the short story you can’t. …You have less room to be slovenly邋遢 and careless. There's less room in it for trash.‖ –William Faulkner Faulkner refers to his short story work as ―whoring.‖
The American Civil War ended itself up with the triumphing of the capitalist North over the agrarian South, and the post-civil-war south began its Reconstruction era.
sacrifice and endurance. ‖
“The poet’s, the writer’s duty is to write about all these things. It is his privilege to help man
endure by lifting his heart, by reminding him of
the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of the past.‖
Early Publications
1924: The Marble Faun (poems) 1927: Mosquitoes 1928: Sartoris
Faulkner’s Yoknapatawpha County: A Cosmos of his own
Yoknapatawpha: ―Water passes slowly through flatlands.‖ (American Indian) Faulkner’s fictional county, patterned on his native Lafayette County, Mississippi. The county seat, Jefferson town, resembles Faulkner’s hometown of Oxford in many particulars—but without Oxford’s University of Mississippi campus. His own family history found a way into his novels. He tries to transcend the limits of particularity to reach universality.
Faulkner’s Techniques: Faulkner is a master of modernist experimentation in the novel, related to his obsession with time. (shift of time) Multiple voices: how characters react differently to the same person or situation. Stream-of-consciousness: telling a story by recording the thoughts of a character.
1927 Wrote Flags in the Dust, his first novel set in the fictional Yoknapatawpha County, which was published in 1928 as Sartoris. In 1929 Faulkner married Estelle Oldham and intended to support the new family with her two sons from the previous marriage as a writer. In 1932 MGM Studios offered Faulkner work as a screenwriter in Hollywood. In 1949, he was awarded the Nobel Prize for literature. Faulkner died from heart attack on July 6, 1962 and was buried in his hometown.
Other Major Themes
1) “the problem of the human heart in conflict with itself.” history & racial problems; folk humor of the South; horror, violence and abnormal to arouse moral outrage. 2) Grim pictures presented in his works but not pessimistic in viewpoint “Man will not only endure: he will prevail.”