introduction peroids of American literature
the introduction to american literature
2. The Very Brief Outline of American Literature 1. Colonial period (1607-1783) 2. Romanticism (1783-1861) 3. Realism (1861-1914) 4. Modernism (1914-1945) 5. Contemporary Literature (1945-now) 3. Conclusion: Although derived mainly from British literary academy, American literature has gradually formed its own characteristic style. It’s because her uniqueness that American literary thumbs has gained such an achievement that from 1930, starting with Sinclair Lewis, there has been eleven authors who have been awarded with Nobel Literary Prize.
Anne Bradstreet
Benjamin Franklin
Jonathan Edwards
2. Romanticism Time The Independence War The Civil War
1783 1861
American ideal of democracy & equality, industrialization, westward expansion, foreign influences
美国文学简史笔记(常耀信)
A Concise History of American LiteratureWhat is literatureLiterature is language artistically used to achieve identifiable literary qualities and to convey meaningful messages.Chapter 1 Colonial PeriodI.Background: Puritanism1.features of Puritanism(1)Predestination: God decided everything before things occurred.(2)Original sin: Human beings were born to be evil, and this original sin can bepassed down from generation to generation.(3)Total depravity(4)Limited atonement: Only the “elect” can be saved.2.Influence(1) A group of good qualities –hard work, thrift, piety, sobriety (serious andthoughtful) influenced American literature.(2)It led to the everlasting myth. All literature is based on a myth – garden of Eden.(3)Symbolism: the American puritan’s metaphorical mode o f perception was chieflyinstrumental in calling into being a literary symbolism which is distinctly American.(4)With regard to their writing, the style is fresh, simple and direct; the rhetoric isplain and honest, not without a touch of nobility often traceable to the directinfluence of the Bible.II.Overview of the literature1.types of writingdiaries, histories, journals, letters, travel books, autobiographies/biographies, sermons2.writers of colonial period(1)Anne Bradstreet(2)Edward Taylor(3)Roger Williams(4)John Woolman(5)Thomas Paine(6)Philip FreneauIII.Jonathan Edwards1.life2.works(1)The Freedom of the Will(2)The Great Doctrine of Original Sin Defended(3)The Nature of True Virtue3.ideas – pioneer of transcendentalism(1)The spirit of revivalism(2)Regeneration of man(3)God’s presence(4)Puritan idealismIV.Benjamin Franklin1.life2.works(1)Poor Richard’s Almanac(2)Autobiography3.contribution(1)He helped found the Pennsylvania Hospital and the American PhilosophicalSociety.(2)He was called “the new Prometheus who had stolen fire (electricity in this case)from heaven”.(3)Everything seems to meet in this one man –“Jack of all trades”. Herman Melvillethus described him “master of each and mastered by none”.Chapter 2 American RomanticismSection 1 Early Romantic PeriodWhat is RomanticismAn approach from ancient Greek: PlatoA literary trend: 18c in Britain (1798~1832)Schlegel Bros.I.Preview: Characteristics of romanticism1.subjectivity(1)feeling and emotions, finding truth(2)emphasis on imagination(3)emphasis on individualism – personal freedom, no hero worship, natural goodnessof human beings2.back to medieval, esp medieval folk literature(1)unrestrained by classical rules(2)full of imagination(3)colloquial language(4)freedom of imagination(5)genuine in feelings: answer their call for classics3.back to naturenature is “breathing living thing” (Rousseau)II.American Romanticism1.Background(1)Political background and economic development(2)Romantic movement in European countriesDerivative – foreign influence2.features(1)American romanticism was in essence the expression of “a real new e xperienceand contained “an alien quality” for the simple reason that “the spirit of theplace” was radically new and alien.(2)There is American Puritanism as a cultural heritage to consider. Americanromantic authors tended more to moralize. Many American romantic writingsintended to edify more than they entertained.(3)The “newness” of Americans as a nation is in connection with AmericanRomanticism.(4)As a logical result of the foreign and native factors at work, American romanticismwas both imitative and independent.III.Washington Irving1.several names attached to Irving(1)first American writer(2)the messenger sent from the new world to the old world(3)father of American literature2.life3.works(1) A History of New York from the Beginning of the World to the End of the DutchDynasty(2)The Sketch Book of Geoffrey Crayon, Gent. (He won a measure of internationalrecognition with the publication of this.)(3)The History of the Life and Voyages of Christopher Columbus(4) A Chronicle of the Conquest of Granada(5)The Alhambra4.Literary career: two parts(1)1809~1832a.Subjects are either English or Europeanb.Conservative love for the antique(2)1832~1859: back to US5.style – beautiful(1)gentility, urbanity, pleasantness(2)avoiding moralizing – amusing and entertaining(3)enveloping stories in an atmosphere(4)vivid and true characters(5)humour – smiling while reading(6)musical languageIV.James Fenimore Cooper1.life2.works(1)Precaution (1820, his first novel, imitating Austen’s Pride and Prejudice)(2)The Spy (his second novel and great success)(3)Leatherstocking Tales (his masterpiece, a series of five novels)The Deerslayer, The Last of the Mohicans, The Pathfinder, The Pioneer, The Prairie3.point of viewthe theme of wilderness vs. civilization, freedom vs. law, order vs. change, aristocrat vs.democrat, natural rights vs. legal rights4.style(1)highly imaginative(2)good at inventing tales(3)good at landscape description(4)conservative(5)characterization wooden and lacking in probability(6)language and use of dialect not authentic5.literary achievementsHe created a myth about the formative period of the American nation. If the history ofthe United States is, in a sense, the process of the American settlers exploring andpushing the American frontier forever westward, then Cooper’s Leatherstocking Taleseffectively approximates the American national experience of adventure into the West.He turned the west and frontier as a useable past and he helped to introduce westerntradition to American literature.Section 2 Summit of Romanticism – American TranscendentalismI.Background: four sources1.Unitarianism(1)Fatherhood of God(2)Brotherhood of men(3)Leadership of Jesus(4)Salvation by character (perfection of one’s character)(5)Continued progress of mankind(6)Divinity of mankind(7)Depravity of mankind2.Romantic IdealismCenter of the world is spirit, absolute spirit (Kant)3.Oriental mysticismCenter of the world is “oversoul”4.PuritanismEloquent expression in transcendentalismII.Appearance1836, “Nature” by EmersonIII.Features1.spirit/oversoul2.importance of individualism3.nature – symbol of spirit/Godgarment of the oversoul4.focus in intuition (irrationalism and subconsciousness)IV.Influence1.It served as an ethical guide to life for a young nation and brought about the idea thathuman can be perfected by nature. It stressed religious tolerance, called to throw offshackles of customs and traditions and go forward to the development of a new anddistinctly American culture.2.It advocated idealism that was great needed in a rapidly expanded economy whereopportunity often became opportunism, and the desire to “get on” obscured the mo ralnecessity for rising to spiritual height.3.It helped to create the first American renaissance – one of the most prolific period inAmerican literature.V.Ralph Waldo Emerson1.life2.works(1)Nature(2)Two essays: The American Scholar, The Poet3.point of view(1)One major element of his philosophy is his firm belief in the transcendence of the“oversoul”.(2)He regards nature as the purest, and the most sanctifying moral influence on man,and advocated a direct intuition of a spiritual and immanent God in nature.(3)If man depends upon himself, cultivates himself and brings out the divine inhimself, he can hope to become better and even perfect. This is what Emersonmeans by “the infinitude of man”.(4)Everyone should understand that he makes himself by making his world, and thathe makes the world by making himself.4.aesthetic ideas(1)He is a complete man, an eternal man.(2)True poetry and true art should ennoble.(3)The poet should express his thought in symbols.(4)As to theme, Emerson called upon American authors to celebrate America whichwas to him a lone poem in itself.5.his influenceVI.Henry David Thoreau1.life2.works(1) A Week on the Concord and Merrimack River(2)Walden(3) A Plea for John Brown (an essay)3.point of view(1)He did not like the way a materialistic America was developing and wasvehemently outspoken on the point.(2)He hated the human injustice as represented by the slavery system.(3)Like Emerson, but more than him, Thoreau saw nature as a genuine restorative,healthy influence on man’s spiritual well-being.(4)He has faith in the inner virtue and inward, spiritual grace of man.(5)He was very critical of modern civilization.(6)“Simplicity…simplify!”(7)He was sorely disgusted with “the inundations of the dirty institutions of men’sodd-fellow society”.(8)He has calm trust in the future and his ardent belief in a new generation of men. Section 3 Late RomanticismI.Nathaniel Hawthorne1.life2.works(1)Two collections of short stories: Twice-told Tales, Mosses from and Old Manse(2)The Scarlet Letter(3)The House of the Seven Gables(4)The Marble Faun3.point of view(1)Evil is a t the core of human life, “that blackness in Hawthorne”(2)Whenever there is sin, there is punishment. Sin or evil can be passed fromgeneration to generation (causality).(3)He is of the opinion that evil educates.(4)He has disgust in science.4.aesthetic ideas(1)He took a great interest in history and antiquity. To him these furnish the soil onwhich his mind grows to fruition.(2)He was convinced that romance was the predestined form of American narrative.To tell the truth and satirize and yet not to offend: That was what Hawthorne hadin mind to achieve.5.style – typical romantic writer(1)the use of symbols(2)revelation of characters’ psychology(3)the use of supernatural mixed with the actual(4)his stories are parable (parable inform) – to teach a lesson(5)use of ambiguity to keep the reader in the world of uncertainty – multiple point ofviewII.Herman Melville1.life2.works(1)Typee(2)Omio(3)Mardi(4)Redburn(5)White Jacket(6)Moby Dick(7)Pierre(8)Billy Budd3.point of view(1)He never seems able to say an affirmative yes to life: His is the attitude of“Everlasting Nay” (negative attitude towards life).(2)One of the major themes of his is alienation (far away from each other).Other themes: loneliness, suicidal individualism (individualism causing disasterand death), rejection and quest, confrontation of innocence and evil, doubts overthe comforting 19c idea of progress4.style(1)Like Hawthorne, Melville manages to achieve the effect of ambiguity throughemploying the technique of multiple view of his narratives.(2)He tends to write periodic chapters.(3)His rich rhythmical prose and his poetic power have been profusely commentedupon and praised.(4)His works are symbolic and metaphorical.(5)He includes many non-narrative chapters of factual background or description ofwhat goes on board the ship or on the route (Moby Dick)Romantic PoetsI.Walt Whitman1.life2.work: Leaves of Grass (9 editions)(1)Song of Myself(2)There Was a Child Went Forth(3)Crossing Brooklyn Ferry(4)Democratic Vistas(5)Passage to India(6)Out of the Cradle Endlessly Rocking3.themes –“Catalogue of American and European thought”He had been influenced by many American and European thoughts: enlightenment,idealism, transcendentalism, science, evolution ideas, western frontier spirits,Jefferson’s individualism, Civil War Unionism, Orientalism.Major themes in his poems (almost everything):equality of things and beingsdivinity of everythingimmanence of Goddemocracyevolution of cosmosmultiplicity of natureself-reliant spiritdeath, beauty of deathexpansion of Americabrotherhood and social solidarity (unity of nations in the world)pursuit of love and happiness4.style: “free verse”(1)no fixed rhyme or scheme(2)parallelism, a rhythm of thought(3)phonetic recurrence(4)the habit of using snapshots(5)the use of a certain pronoun “I”(6) a looser and more open-ended syntactic structure(7)use of conventional image(8)strong tendency to use oral English(9)vocabulary – powerful, colourful, rarely used words of foreign origins, some evenwrong(10)sentences – catalogue technique: long list of names, long poem lines5.influence(1)His best work has become part of the common property of Western culture.(2)He took over Whitman’s vision of the poet-prophet and poet-teacher and recast itin a more sophisticated and Europeanized mood.(3)He has been compared to a mountain in American literary history.(4)Contemporary American poetry, whatever school or form, bears witness to hisgreat influence.II.Emily Dickenson1.life2.works(1)My Life Closed Twice before Its Close(2)Because I Can’t Stop for Death(3)I Heard a Fly Buzz – When I died(4)Mine – by the Right of the White Election(5)Wild Nights – Wild Nights3.themes: based on her own experiences/joys/sorrows(1)religion – doubt and belief about religious subjects(2)death and immortality(3)love – suffering and frustration caused by love(4)physical aspect of desire(5)nature – kind and cruel(6)free will and human responsibility4.style(1)poems without titles(2)severe economy of expression(3)directness, brevity(4)musical device to create cadence (rhythm)(5)capital letters – emphasis(6)short poems, mainly two stanzas(7)rhetoric techniques: personification – make some of abstract ideas vividparison: Whitman vs. Dickinson1.Similarities:(1)Thematically, they both extolled, in their different ways, an emergent America, itsexpansion, its individualism and its Americanness, their poetry being part of“American Renaissance”.(2)Technically, they both added to the literary independence of the new nation bybreaking free of the convention of the iambic pentameter and exhibiting afreedom in form unknown before: they were pioneers in American poetry.2.differences:(1)Whitman seems to keep his eye on society at large; Dickinson explores the innerlife of the individual.(2)Whereas Whitman is “national” in his outlook, Dickinson is “regional”.(3)Dickinson has the “catalogue technique” (direct, simple style) which Whitmandoesn’t have.Edgar Allen PoeI.LifeII.Works1.short stories(1)ratiocinative storiesa.Ms Found in a Bottleb.The Murders in the Rue Morguec.The Purloined Letter(2)Revenge, death and rebirtha.The Fall of the House of Usherb.Ligeiac.The Masque of the Red Death(3)Literary theorya.The Philosophy of Compositionb.The Poetic Principlec.Review of Hawthorne’s Twice-told TalesIII.Themes1.death –predominant theme in Poe’s writing“Poe is not interested in anything alive. Everything in Poe’s writings is dead.”2.disintegration (separation) of life3.horror4.negative thoughts of scienceIV.Aesthetic ideas1.The short stories should be of brevity, totality, single effect, compression and finality.2.The poems should be short, and the aim should be beauty, the tone melancholy.Poems should not be of moralizing. He calls for pure poetry and stresses rhythm.V.Style – traditional, but not easy to readVI.Reputation: “the jingle man” (Emerson)VII.His influencesChapter 3 The Age of RealismI.Background: From Romanticism to Realism1.the three conflicts that reached breaking point in this period(1)industrialism vs. agrarian(2)culturely-measured east vs. newly-developed west(3)plantation gentility vs. commercial gentility2.1880’s urbanization: from free competition to monopoly capitalism3.the closing of American frontierII.Characteristics1.truthful description of life2.typical character under typical circumstance3.objective rather than idealized, close observation and investigation of life“Realistic writers are like scientists.”4.open-ending:Life is complex and cannot be fully understood. It leaves much room for readers to think by themselves.5.concerned with social and psychological problems, revealing the frustrations ofcharacters in an environment of sordidness and depravityIII.Three Giants in Realistic Period1.William Dean Howells –“Dean of American Realism”(1)Realistic principlesa.Realism is “fidelity to experience and probability of motive”.b.The aim is “talk of some ordinary traits of American life”.c.Man in his natural and unaffected dullness was the object of Howells’s fictionalrepresentation.d.Realism is by no means mere photographic pictures of externals but includes acentral concern with “motives” and psychological conflicts.e.He condemns novels of sentimentality and morbid self-sacrifice, and avoids suchthemes as illicit love.f.Authors should minimize plot and the artificial ordering of the sense of something“desultory, unfinished, imperfect”.g.Characters should have solidity of specification and be real.h.Interpreting sympathetically the “common feelings of commonplace people” wasbest suited as a technique to express the spirit of America.i.He urged writers to winnow tradition and write in keeping with currenthumanitarian ideals.j.Truth is the highest beauty, but it includes the view that morality penetrates all things.k.With regard to literary criticism, Howells felt that the literary critic should not try to impose arbitrary or subjective evaluations on books but should follow thedetached scientist in accurate description, interpretation, and classification.(2)Worksa.The Rise of Silas Laphamb. A Chance Acquaintancec. A Modern Instance(3)Features of His Worksa.Optimistic toneb.Moral development/ethicscking of psychological depth2.Henry James(1)Life(2)Literary career: three stagesa.1865~1882: international themeThe AmericanDaisy MillerThe Portrait of a Ladyb.1882~1895: inter-personal relationships and some playsDaisy Miller (play)c.1895~1900: novellas and tales dealing with childhood and adolescence, then backto international themeThe Turn of the ScrewWhen Maisie KnewThe AmbassadorsThe Wings of the DoveThe Golden Bowl(3)Aesthetic ideasa.The aim of novel: represent lifemon, even ugly side of lifec.Social function of artd.Avoiding omniscient point of view(4)Point of viewa.Psychological analysis, forefather of stream of consciousnessb.Psychological realismc.Highly-refined language(5)Style –“stylist”nguage: highly-refined, polished, insightful, accurateb.Vocabulary: largec.Construction: complicated, intricate3.Mark Twain (see next section)Local Colorism1860s, 1870s~1890sI.Appearance1.uneven development in economy in America2.culture: flourishing of frontier literature, humourists3.magazines appeared to let writer publish their worksII.What is “Local Colour”Tasks of local colourists: to write or present local characters of their regions in truthful depiction distinguished from others, usually a very small part of the world.Regional literature (similar, but larger in world)Garland, Harte – the westEggleston – IndianaMrs StoweJewett – MaineChopin – LouisianaIII.Mark Twain – Mississippi1.life2.works(1)The Gilded Age(2)“the two advantages”(3)Life on the Mississippi(4) A Connecticut Yankee in King Arthur’s Court(5)The Man That Corrupted Hardleybug3.style(1)colloquial language, vernacular language, dialects(2)local colour(3)syntactic feature: sentences are simple, brief, sometimes ungrammatical(4)humour(5)tall tales (highly exaggerated)(6)social criticism (satire on the different ugly things in society)parison of the three “giants” of American Realism1.ThemeHowells – middle classJames – upper classTwain – lower class2.TechniqueHowells – smiling/genteel realismJames – psychological realismTwain – local colourism and colloquialismChapter 4 American NaturalismI.Background1.Darwin’s theory: “natural selection”2.Spenser’s idea: “social Darwinism”3.French Naturalism: ZoraII.Features1.environment and heredity2.scientific accuracy and a lot of details3.general tone: hopelessness, despair, gloom, ugly side of the societyIII.significanceIt prepares the way for the writing of 1920s’ “lost generation” and T. S. Eliot.IV.Theodore Dreiser1.life2.works(1)Sister Carrie(2)The trilogy: Financier, The Titan, The Stoic(3)Jennie Gerhardt(4)American Tragedy(5)The Genius3.point of view(1)He embraced social Darwinism – survival of the fittest. He learned to regard manas merely an animal driven by greed and lust in a struggle for existence in whichonly the “fittest”, the most ruthless, survive.(2)Life is predatory, a “game” of the lecherous and heartless, a jungle struggle inwhich man, being “a waif and an interloper in Nature”, a “wisp in the wind ofsocial forces”, is a mere pawn in the general scheme of things, with no powerwhatever to assert his will.(3)No one is ethically free; everything is determined by a complex of internalchemisms and by the forces of social pressure.4.Sister Carrie(1)Plot(2)Analysis5.Style(1)Without good structure(2)Deficient characterization(3)Lack in imagination(4)Journalistic method(5)Techniques in paintingChapter 5 The Modern PeriodSection 1 The 1920sI.IntroductionThe 1920s is a flowering period of American literature. It is considered “the second renaissance” of American literature.The nicknames for this period:(1)Roaring 20s – comfort(2)Dollar Decade – rich(3)Jazz Age – Jazz musicII.Backgrounda)First World War –“a war to end all wars”(1)Economically: became rich from WWI. Economic boom: new inventions.Highly-consuming society.(2)Spiritually: dislocation, fragmentation.b)wide-spread contempt for law (looking down upon law)1.Freud’s theoryIII.Features of the literatureWriters: three groups(1)Participants(2)Expatriates(3)Bohemian (unconventional way of life) – on-lookersTwo areas:(1)Failure of communication of Americans(2)Failure of the American societyImagismI. BackgroundImagism was influenced by French symbolism, ancient Chinese poetry and Japanese literature “haiku”II. Development: three stages1.1908~1909: London, Hulme2.1912~1914: England -> America, Pound3.1914~1917: Amy LowellIII. What is an “image”An image is defined by Pound as that which presents an intellectual and emotional complex in an instant of time, “a vortex or cluster of fused ideas” “endowed with energy”. The exact word must bring the effect of the object before the reader as it had presented itself to the poet’s mind at the time of writing.IV. Principles1.Direct treatment of the “thing”, whether subjective or objective;2.To use absolutely no word that does not contribute to the presentation;3.As regarding rhythm, to compose in the sequence of the musical phrase, not in thesequence of a metronome.V. Significance1.It was a rebellion against the traditional poetics which failed to reflect the new life ofthe new century.2.It offered a new way of writing which was valid not only for the Imagist poets but formodern poetry as a whole.3.The movement was a training school in which many great poets learned their firstlessons in the poetic art.4.It is this movement that helped to open the first pages of modern English andAmerican poetry.VI. Ezra Pound1.life2.literary career3.works(1)Cathay(2)Cantos(3)Hugh Selwyn Mauberley4.point of view(1)Confident in Pound’s belief that the artist was morally and culturally the arbiterand the “saviour” of the race, he took it upon himself to purify the arts andbecame the prime mover of a few experimental movements, the aim of which wasto dump the old into the dustbin and bring forth something new.(2)To him life was sordid personal crushing oppression, and culture produced nothingbut “intangible bondage”.(3)Pound sees in Chinese history and the doctrine of Confucius a source of strengthand wisdom with which to counterpoint Western gloom and confusion.(4)He saw a chaotic world that wanted setting to rights, and a humanity, sufferingfrom spiritual death and cosmic injustice, that needed saving. He was for the mostpart of his life trying to offer Confucian philosophy as the one faith which couldhelp to save the West.5.style: very difficult to readPound’s early poems are fresh and lyrical. The Cantos can be notoriously difficult insome sections, but delightfully beautiful in others. Few have made serious study of thelong poem; fewer, if anyone at all, have had the courage to declare that they haveconquered Pound; and many seem to agree that the Cantos is a monumental failure.6.ContributionHe has helped, through theory and practice, to chart out the course of modern poetry.7.The Cantos –“the intellectual diary since 1915”Features:(1)Language: intricate and obscure(2)Theme: complex subject matters(3)Form: no fixed framework, no central theme, no attention to poetic rulesVII. T. S. Eliot1.life2.works(1)poemsThe Love Song of J. Alfred PrufrockThe Waste Land (epic)Hollow ManAsh WednesdayFour Quarters(2)PlaysMurder in the CathedralSweeney AgonistesThe Cocktail PartyThe Confidential Clerk(3)Critical essaysThe Sacred WoodEssays on Style and OrderElizabethan EssaysThe Use of Poetry and The Use of CriticismsAfter Strange Gods3.point of view(1)The modern society is futile and chaotic.(2)Only poets can create some order out of chaos.(3)The method to use is to compare the past and the present.4.Style(1)Fresh visual imagery, flexible tone and highly expressive rhythm(2)Difficult and disconnected images and symbols, quotations and allusions(3)Elliptical structures, strange juxtapositions, an absence of bridges5.The Waste Land: five parts(1)The Burial of the Dead(2) A Game of Chess(3)The Fire Sermon(4)Death by Water(5)What the Thunder SaidVIII. Robert Frost1.life2.point of view(1)All his life, Frost was concerned with constructions through poetry. “a momentarystay against confusion”.(2)He understands the terror and tragedy in nature, but also its beauty.(3)Unlike the English romantic poets of 19th century, he didn’t believe that man couldfind harmony with nature. He believed that serenity came from working, usuallyamid natural forces, which couldn’t be understood. He regarded work as“significant toil”.3.works – poemsthe first: A Boy’s Willcollections: North of Boston, Mountain Interval (mature), New Hampshire4.style/features of his poems(1)Most of his poems took New England as setting, and the subjects were chosenfrom daily life of ordinary people, such as “mending wall”, “picking apples”.(2)He writes most often about landscape and people – the loneliness and poverty ofisolated farmers, beauty, terror and tragedy in nature. He also describes someabnormal people, . “deceptively simple”, “philosophical poet”.(3)Although he was popular during 1920s, he didn’t experiment like other modernpoets. He used conventional forms, plain language, traditional metre, and wrote ina pastured tradition.IX. e. e. cummings“a juggler with syntax, grammar and diction” –individualism, “painter poet”Novels in the 1920sI. F. Scott Fitzgerald1.life – participant in 1920s2.works(1)This Side of Paradise(2)Flappers and Philosophers(3)The Beautiful and the Damned(4)The Great Gatsby(5)Tender is the Night(6)All the Sad Young Man(7)The Last Tycoon3.point of view(1)He expressed what the young people believed in the 1920s, the so-called。
A General Introduction to American Literature
Alice Walker: The Color Purple Tony Morrison: Song of Solomon; Beloved 犹太人文学 Saul Bellow; Philip Roth; J. D. Salinger: Catcher in the Rye John Updike: 《兔子》四部曲 戏剧 Tennessee Williams: A Street Car Named Desire Arthur Miller: Death of a Salesman
五 现代主义时期(1918-1945)
美国文学的第二次文艺复兴 现代主义文学从诗歌开始
1. 芝加哥诗人 2. 以Ezra Pound为首的意象派诗人 3. 以Robert Frost为代表的新英格兰诗人 戏剧 代表作家与作品:Eugene O’Neill: Beyond the Horizon
四 现实主义时期(1865-1918)
代表作家与作品:William Dean Howells: Criticism and Fiction
Mark Twain: The Adventures of Tom Sawyer
The Adventures of Huckleberry Finn
Henry James: The Portrait of a Lady’s
一 殖民主义时期(约1607-1765) 二 启蒙时期与独立战争时期(1765-18世纪末) 三 浪漫主义时期(1800-1865) 四 现实主义时期(1865-1918) 五 现代主义时期(1918-1945) 六 当代文学(1945-)
美选 introduction
• Benjamin Franklin: Autobiography
• Thomas Paine :Common sense • Thomas Jefferson : Declaration of Independence
3. American Romanticism (1800-1865)
• 1861-1865 Civil War (Union v.s. Confederacy)
Author
Literary works
Reader
Reality
Evaluation
Attendance 5%
Daily Performance 30% Class Performance 10%
Final Score
Final Examination
Homework
• Naturalism : regarded as the new development of literary realism, and was sometimes called “pessimistic realism” A man is in a mechanized world, and the man is the victim of several forces and a man can not control this world. • Jack London: The Call of the Wild • Stephan Crane: The Red Badge of Courage • Theodore Dreiser: Sister Carrie
• Nathaniel Hawthorne: The Scarlet Letter • Herman Melville: Moby-Dick • Edgar Allan Poe: To Helen ----arts for arts’ sake ----the founder of western detective novels
美国文学的介绍Introduction of the American Literature.
Benjamin Franklin
Jonathan Edwards
.
Romanticism
Time: the Independence War
the Civil War American ideal of democracy & equality, industrialization, westward expansion, foreign influences
eg: plot, character, setting, point of view, etc; answer some basic questions about the text itself.
2) Thematic Approach ➢ “What is the story, the poem, the play or the
essay about?”
3) Historical Approach ➢ Aims at illustrating the historical development
of literature. .
Part II Historical background
What do you know about American early history?
.
1783 possible &
1861 inevitable
literary expansion & expression
Romanticism (1783-1861)
Washington Irving James Fenimore Cooper
.
Summit of Romanticism-Transcendentalism (American Renaissance)
美国文学概述
WHAT IS
期待视野horizon of expectations/美学接受主义 aethetics/接受理论reception theory(批判性理论的分支from a branch ofcritical theory)
新批判主义new criticism(一种 研究伟大作品的创作方法的理论)
cosmos(希腊语)世界 polites(希腊语)公民
WHAT IS
意图谬误Intertional fallacy
01
新批判主义new criticism的一部分
02
艾略特发展出了“意图谬 误”论。他认为,因为人们 常常将作者的创作意图与 对作品的价值判断混为一 谈, 并以前者代替后者, 这 样便导致了“意图谬误”, 因此, 批评家应当将作者 的创作意图排除在文学批 评之外。
exclusion
个人主义individualism
种族主义racism
基于文化建立起来的一个概念就 是黑色皮肤
感谢聆听
前苏联符号学家洛特曼指 出,文本是外观的,即用 一定的符号来表示;它是 有限的,既有头有尾;它 有内部结构。
WHAT IS
文本
1
含义丰富而不易界定, 给实际运用和理解带来
一定困难
2
文本的意义是沟通的一 部分
3
一些文本之所以伟大就在 于它导致了文意的争议 为 读者创设自己的意义保留
了空间
文本的意义是沟通的一部分
方法)
trope比喻语言(包括自相矛 盾的修辞方法)
inclusion
exclusion providential神旨意《处女地美国文学的神话和象征Myth and Symbol in American Literature》
美国文学史 real
Brief background of American literature
Colonial Period(1607-1750)
美国文学的历史不长,它几乎是和美国自由资本主义 (non-monopoly capitalism)同时出现,较少受到封建贵族文 化(feudal aristocratic culture)的束缚。美国早期人口稀 少,有大片未开发的土地,为个人理想的实现提供了很大的可 能性。 美国人民富于民主自由精神,个人主义、个性解放的观念 较为强烈,这在文学中有突出的反映。美国又是一个多民族的 国家,移民不断涌入,各自带来了本民族的文化,这决定了美 国文学风格的多样性和庞杂性(multi-cultural)。美国文学发 展的过程就是不断吸取、融化各民族文学特点的过程。许多美 国作家来自社会下层,这使得美国文学生活气息和平民色彩都 比较浓厚,总的特点是开朗、豪放。内容庞杂与色彩鲜明是美 国文学的另一特点。
Puritanism
2. Puritan values (creeds): Hard work, thrift, piety, sobriety, simple tastes. Puritans are more practical, tougher, and to be ever ready for any misfortune and tragic failure. They are optimistic.
按照体裁分类
一、自传 二、诗歌 三、戏剧 四、小说
按流派分类
重农派 (Agrarians)(20年代) 迷惘的一代 (The Lost Generation)(20年代) 黑山派诗歌 (Black Mountain Poems)(50年 代) 垮掉的一代 (The Beat Generation)(50年代) 黑色幽默 (Black Humor) (60年代)
1 History of American Literature 美国文学史 英语简介
Brief Introduction of the American Literature History
1. The Colonial Period (1607-End of the 18th C) 2. The Romantic Period (19th C-1865) 3. The Age of Realism (1865-1918) 4. The Modern Period (1918-1945) 5. The Postwar Period (1945- )
regarded as one of the American authors writing in the Modernist tradition of the 1920s)
The Modern Period (19181945)
The 1920s African American literature (Harlem Renaissance) Langston Hughes The 1930s Left or socialist-oriented writers: John Dos Passos and John Steinbeck
Henry David Thoreau Walt Whitman Emily Dickinson Edgar Allan Poe Nathaniel Hawthorne Herman Melville
The Age of Realism (18651918)
William Dean Howells Mark Twain (The Adventures of Huckleberry Finn;
Frank Norris
Dreiser
(McTeagaue,
Introduction to American Literature Origins
Suggested Timetable
LECTURE 1 (22nd February): Introduction to American Literature: Origins LECTURE 2 (29th February): Early American Literature: The Colonial Period and Puritan Poetry
Suggested Timetable
LECTURE 7 (11th April): Realism and the Inception of American Modernism Texts: Samuel L. Clemens (Mark Twain) (1835-1910), from ‘Fenimore Cooper’s Literary Offences’ (1895) and excerpts from ‘The Adventures of Huckleberry Finn’ (1884/85), Henry James (1843-1916), ‘The Art of Fiction’ (1884/88), Stephen Crane (1871-1900), from ‘The Open Boat’ (1897), Robert Frost (1874-1963), ‘The Pasture’ (1913), ‘The Road Not Taken’ (1916)
Square of American Literature (Undergraduate Elective) 00640862-90 6B109 15.20-16.55, Wednesdays Spring semester 2012
Dr Edward Ragg, Associate Professor Department of Foreign Languages & Literatures Wednesdays, 11.00-12.30 (Office 425) Email: edward.ragg@
An Introduction to the History of American Literature Part V i
In the 1940s, a new generation of black writers rose to the scene The second Black Renaissance which finally won for the black national even international reputation; it was greatly influenced by Harlem Renaissance and in a way was the continuation of Harlem Renaissance.
After the Civil War with the emancipation of slaves, more and more black writers and poets emerge. Booker T. Washington (1856-1915): stance of compromise; W. E. B. DuBois (1868-1963): the intellectual leader of African American protest at that time
Black Boy: A Record of Childhood and Youth (1945) The Man Who Lived Underground, Richard Wright’s most important novella Dostoevsky’s Notes from Underground Ralph Ellison Invisible Man Richard Wright’s accomplishment in fiction establishes him as a pioneer in African American literature and as a major figure in American modern fiction.
A Brief History of American Literature
A Brief History of American Literature:1.Colonial Period of American Literature2. The Romantic Period: Early Romanticism, Transcendentalism, and High Romanticism3. Realism4. Naturalism5. Imagism6. Modernism7. PostmodernismColonial Period of American LiteratureThe period stretched roughly from the settlement of America in the early seventeenth century through the end of the eighteenth.The major topic here will be about American Puritanism, the one enduring influence in American literature.the major figures to mention will be Jonathan Edwards, Benjamin Franklin and Philip Freneau. They represent the heritage of American PuritanismChristopher Columbus discovered the American continent in 1491.Captain John Smith reached Virginia in 1607.Puritans came to the New England area, by Mayflower in 1620. The Pilgrims left England to seek religious freedom, or simply to find a better life. After a period in Holland, they set sail from Plymouth, England, on Sept. 16, 1620, aboard the Mayflower, arrived in Plymouth in Massachusetts on Dec.26, in1620The first American Puritan settlement was established in Plymouth in 1620.The First Literature and the First Writers●Captain John Smith’s reports of exploration, published in the early 16oos.●William Bradford and John WinthropPuritans●One division of English Protestant. They regarded the reformation of the church underElizabeth as incomplete, and called for further purification from what they considered to be unscriptural and corrupt forms and ceremonies retained from the unreformed church.●Their Religious Doctrines: original sin, total depravity, predestination and limitedatonement through a special infusion of grace from God.●They regarded themselves as chosen people of God. They embraced hardships, industryand frugality. They favored a disciplined, hard, somber, ascetic and harsh life. They opposed arts and pleasure. They suspect joy and laughter as symptoms of sin. Puritanism● A religious and political movement. Through it, one considers emerging the right of theindividual as political and religious independence.●Their religious doctrines: original sin, total depravity, predestination, limited atonement.●Their attitudes toward entertainment: joy and laughter are symptoms of sin.●Their attitudes toward work: work itself is a good in addition to what it achieves, timesaved by efficiency or good fortune should be spent in doing further work. Puritanism’s influence on American literature●Purpose: pragmatic●Content: practical accounts of life in the new world; highly theoretical discussions ofreligious questions.●Form: diary, autobiography, sermon, letter●Style: tight and logic structure, precise expression, avoidance of rhetorical decoration,homely imagery, simplicity of diction.2.Symbolism(象征主义): lots of American writers liked to employ symbolism in their works. (typical way of Puritans who thought that all the simple objects existing in the world connoted deep meaning.) Symbolism means using symbols in literary works. The symbol means something represents or stands for abstract deep meaningThe Literature of Reason and Revolution●Colonial American was no longer a group of scattered,struggling settlements.●It was a series of neighboring, flourishing colonies with rapidly expanding,mixedpopulations.●The industrial and agricultural growth led to intense strain with England.●The Independent War broke out.Literary Tendencies Enlightenment● a movement supported by all progressive forces of the country which opposed themselvesto the old colonial order and religious obscurantism. The representatives of the Enlightenment set themselves the task of disseminating knowledge among the people and advocating revolutionary ideas. They also actively participated in the War for Independence.●American Enlightenment dealt a decisive blow upon the puritan traditions and brought tolife secular education and literature.Benjamin Franklin (1)●Main Works: Poor Richard’s AlmanacAutobiography●Style: he developed an utilitarian and didactic style.●His style is characterized by simplicity, frankness, wit, clarity, logic and order. Autobiographyan account of a person’s life written with the writer’s own life or A book written by someone about their own life. When a person focuses on his individual life, esp. his individual history, we call the retrospective narration the person wrote in prose “AutobiographyThomas Paine (1)●Main works:The American CrisisCommon SenseThe rights of manThe Age of ReasonThomas Jefferson (1)Style: dignity, flexibility, clarity, command of generalizationPhilip Freneau (1)●Main Works:The Rising Glory of America (1772)The British Prison Ship (1781)The Wild Honey Suckle (1786) The Indian Burying Ground (1788)Rhyme(押韵)Rhyme is the repetition of the stressed vowel sound and all succeeding sounds.Meter (格律)Meter refers to the regular pattern of stressed and unstressed syllablesFoot(音步)Foot is a unit of poetic meter of stressed and unstressed syllableAlliteration(头韵)the repetition of a speech sound in a sequence of nearby words. The term is usually applied only to consonants(The sun sank slowly. The speaker alliterates the “s’s” in that line.)Features of romanticism in EnglandIt is an expression of the ideology and sentiment of those discontented with, and opposed to, the development of capitalism and an expression of dissatisfaction with the bourgeois society.。
periods of american literature
The three greatest realistic writers in America
William Dean Howells 1837 --- 1920
Howells and Twain
Henry James
Masters of Realism
masters
William Howells
New working relations and conditions A new system of social and cultural values
Money
Henry Ford’s Model T car, which transformed America, and American way of life: 1. 2. 3. 4. 5. Mobility of population Personal freedom ( a moving home) Highway and super highway Fast food and fast drinks Enhancement of individualism
Homework
1.
What are the four periods of American literature?
2. Give a survey of the American romanticism?
Preview
1. What in Irving’s life attracts you? 2. Try to locate Irving’s location in American literature. 3. Read through Rip Van Winkle and think about its main idea, theme and literary style.
General_Introduction_of_American_Literary_History
Washington Irving
James Fenimore Cooper William Cullen Bryant
Edgar Allan Poe
Nathaniel Hawthorne
The Foundation of English Colonies in North America(1607--1733)
战争事件
18世纪70年代英国进一步执行高压 政策,1770年波士顿惨案发生。 1773年茶税法引起波士顿倾茶事件。 1774年颁布了5项不可容忍的法令, 从政治上军事上加紧对殖民地的控制 与镇压。 1772-1774年,各殖民地普遍成立通 讯委员会,领导抗英斗争。 1774年9月,在费城召开了第1届大陆 会议,通过了和英国断绝一切贸易关 系的决议。 1775年4月18日,在波士顿附近的莱 克星顿和康科德,殖民地爱国者揭开 了独立战争的序幕。
Puritan Literature
Over the years in the new homeland the Puritans built a way of life that stressed hard work, thrift, piety, and sobriety. Literature of the New England Settlements is mainly a literary expression of the Puritan idealism. It is based on the Biblical myth of the Garden of Eden. The pious and self-disciplined Puritans worked with courage and hope toward building a new Garden of Eden in America. They looked even the worst of life in the face with a tremendous amount of optimism.
1.Periods of American Literature
Periode
1. The Colonial Period (1607-1765) 2. The Period of Reason and Revolution (1765-the end of 18thC.) 3. Romanticism(1800-1865) 4. Realism (1865-1918) 5. Modern Period (1918- )
The writing style of this period is fresh, simple and direct; the rhetoric is plain and honest, with a influence of the Bible. The best writers of this period include Edward Taylor and Anne Bradstreet.
Essentially, American literature during this period reflected the beginnings of a struggle for American national character. These original impulses found expression in the diaries, journals, poems and sermons of the day.
The Literature of Colonial America
(1607-1765)
The North American literature began with the settlement of the English puritans in the early part of the 17th century.
the history of american literature
A brief introduction of Americanliterature historyIntroductionAlthough the history of America just has around 200 years, it has made many great achievements in all the fields of human civilianization. And American Literature is one among them. From the time that Europeans laughed at America without its own literature to the time that the 10th American writer got the Nobel Prize in Literature, American literature is widely accepted in the whole world.Generally speaking, American literature can be divided into 5 parts: the Early American Literature, American Romanticism, American Realism and Naturalism, American Modernism, and American Post-modernism. Each period has an intimate relationship with some historical events.The early American literature, to some degree, is a descendant of European literature. From the period of Romanticism, American literature began to form its own features. As the industrialization developing, American society become more and more complicated, so literature in this land gradually varies in style. The theories of Romanticism, Realism and Naturalism are borrowed from Europe. But the situation inverts since the age of Modernism. America becomes the original land of both Modernism and Post-modernism. From then on, American literature has established its own stage on the world literature stage.1 The American Romanticism (1810-1865)1) Period and BackgroundThe American Romantic period stretched from 1810 to 1865, which was crucial to the development of American literary traditions. It saw miraculous achievements in American literature. Both the outside and inside environmentin the country contributed to the booming of American Romanticism.For one hand, American Romanticism came from Europe. At the end of 18th century, Romanticism gained its strength in Western Europe after the Industrial Revolution. Many American literary creations were inspired by the European Romanticists like William Wordsworth, Byron. To some degree, a lot of literary works in that era were created by imitating European’s.For the other hand, politically, the country has gradually developed its new social order which contributed to building a democratic country. Economically, the Industrial Revolution was spread all around the country; as a result that America became a land of wealth and hope. People in such a circumstance began to seek the American own value to secure their existence. Owning to reasons above, the American Romanticism began to root in this fertile soil. 2) The Early RomanticismIn the early romanticism writers mainly focused on feelings when the country was founded newly. The vast land provides people’s great passion on building their country. The themes in works usually were something on human rights and individualism. Heroes would die at the ending for protecting country. Washington Irving and William Cullen Bryant were representatives of this part.There was a group of poets called “fireside poets” because they often read their poems when families or friends sat around a fire. The poets were haunted with the traditional European culture. The most famous one was Henry Wadsworth Longfellow.3) The TranscendentalismTranscendentalism was the most important part of American Romanticism. It was put forward by Ralph Waldo Emerson. The major concepts about transcendentalism could be summarized as following four points: first, it stresses the power of intuition. Second, it takes nature as symbolic of spirit of god. Third, it emphasizes the significance of the individual. Fourth, religion is an emotional communication between an individual soul and the universal”over-soul”. In this period, there are a large amount of successful writers and poets, such as, George Putnam, Ralph Waldo Emerson, Henry David Thoreau, Walt Whitman and Emily Dickinson.4) A Special Group: the GothicThe Transcendentalists believed the kindness of human’s nature, while the Gothic writers thought the evilness of human’s nature. Edgar Allan Poe belonged to the group. M ost Poe’s works were illustrated in the Gothic way like Tell-tale Heart and the Black Cat. Nathaniel Hawthorne also belonged to this group. The criticism toward Puritanism often appeared in his works. His works, like Young Goodman brown, the Scarlet Letter, showed it clearly.5) The Features of Literary WorksThis literary period was regarded as 1st American Renaissance. It was not only because American writers used American as subjects in their works but because all the literary forms (except for drama), like fiction, non-fiction prose and poetry occurred.At this moment, America began to have its own literature works. It is writers or poets from Washington Irving who make contribution to this quick development. And different literary style owns its special function on it. For example, the fictions tending to explore in to the hidden recession of the spirit of the individuals was that America was lacking in settled and traditional community life.Although American romanticism was divided into four parts, anyway works all belonging to this era, had some features in common. Firstly, all of them are close to nature. Secondly, individualism, equality, freedom and simplicity were emphasized. Thirdly, Puritanism was attacked.2 The American Realism and Naturalism (1865-1914) 1) Period and BackgroundRanging from 1865 to 1914, it is the period of American Realism andNaturalism. They dominated the spirit of American literature, especially American fictions.The 50 years between the end of the Civil War and the outbreak of world war Ⅰis a period full of changes, in every aspect of American life, politically, economically, culturally, and religiously. The scale of the change was so vast that it indicated a fundamental redirection in the nature and ideology of the American society.With the appearance of industrialism the nature of labor changed. However, beyond people’s expectation, after the Civil War, ordinary people’s life was not improved at all but became tougher and tougher, although the national economy increased rapidly. All the fortune went into capitalists hands, as a result that the social gap broadened, and the polarization between the rich and the poor became larger and larger. Some acute writers realized it and began their realistic creations so that a great literary era was coming.2) The American Realism (1865-1890s)Realism is, in a broadest sense, simply to actuality in literature. Williams dean Howells defined it: “realism is nothing less than the truth treatment of material”. Hence the subject of realistic fiction tends to be contemporary, ordinary, and middle-class.The representatives in this era were William dean Howells, Mark Twain, and Henry James. The three literary giants in that period stood for three realistic styles: genteel realism, psychological realism and Local Colorism. Howells was good at writing the tradition of genteel realism, who called for the treatment of the “smiling aspect of life”. James was famous for psychological realism with theme of the ideology of the new world and old world. And Mark Twain reached the mount of the Local Colorism which was the description of local places and people he knew best.3) The American Naturalism (1890s-1914)When Charles Darwin’s evolutionary theory: the struggle for existence,survival of the fittest, natural selection and the amoral world appeared, it offered people to think the new world in a totally new perspectives. Finally they found answers to their puzzles. It is Frank Norris who introduced Naturalism into American land. Naturalists advocated writing like the way of scientists conducting experiment. The process should be as the followings:In naturalistic a work, fatalism and pessimism were the characteristics. In naturalists view, people’s fates were determined by three things: Heredity, Environment and Chance. The famous Naturalists in America were Frank Norris, Stephen Crane, Theodore Dreiser, and Jack London. The slum girls were very common protagonists. And in many works human were described like animals who only knew to eat and sleep like McTeague. Naturalists usually did not give comments on the protagonists in their work.All in all, American Naturalists did share some similarities in theme and technique. In theme, they represented the lower classes’lives truthfully and broke into such forbidden regions as violence, death, and sex; in technique, their works exhibit honest skills and artistry.4) A Comparison between American Realism and NaturalismSome people regarded Naturalism as an extension of Realism, while others viewed it as a bridge between Realism and Modernism. Anyway, these two periods have their unique writing styles. Here is a chart of comparison between the two as the following:From the chart, we can see their differences clearly. First, Realists chose a very genteel way to describe the harsh reality which naturalists disapprove of. In Naturalists’ minds, people’s attention can be attracted only by using some extraordinary case, like a focusing camera. Second, realists use a rational way to reveal reality, and Naturalists prefer to the physiological method. In short, the purpose of these two is to reveal life reality. Naturalism use a more power way instead of Realism’s genteel way.3 The American Modernism (1914-1945)1) Period and BackgroundBetween the beginning of WWⅠand the end of WWⅡ, America entered into a new literary era: Modernism. As the science highly developed, lots of inventions were produced; Life in the early 20th century was totally different from the life before. In an addition, America experienced many big events like WWⅠand the Great Depression. People found the either realism or naturalism could not meet their feelings towards the world because their views towards life greatly changed by the modern invention and the world war’s huge influence. All of these left its shading in the literature works.We should say American modernism held a very historical meaning in American literary history. First, it was the first time that the literary theory formed originally in this land. Second, all forms of literary works were built. They were realistic fiction, southern literature, African literature, modern poetry and drama. Among all the literary forms, American experienced the Harlem and Southern literature Renaissance. Third, from then on, the Nobel Prize in Literature began to favor this country.2) The Realistic FictionRealistic fictions in Modernism mainly mentioned in the time of 1920s and 1930s. In the two decades, American economy experienced huge ups and downs. Literary works during that time deeply reflected the influence.In 1920s American economy reached the most prosperous time, and it was also called the Jazz Era, when people began to change their life style especially for women, for example women asked for liberation who was no longer to be “ladies”. Two most influential satirists, H. L. Mencken and Sinclair Lewis, concerned for changes in manners and morals.The 1930s, for many Americans, was a time of disaster. The economic recession let lots of workers be laid off. And a big drought broke out in 1933 which made a great many farmers become dispossessed. Under such a circumstance, a new type of writers developed a close relationship with working class and spoke out on behalf of the oppressed and the suffering. These writers were cataloged into the left-wing writers. John Steinbeck, John Dos Passos were two of this group. And Steinbeck’s the Grapes of Wrath clearly reflected people’s sufferings. And Renaissance became the speaker of 1930s.3) Lost Generation LiteratureGertrude stein mentioned “the Lost Generation” firstly when she remarked Ernest Hemingway. Latter Hemingway wrote it on his novel The Sun Also Rise.“the Lost Generation”usually held two important features: WWⅠand the sense of life being dislocated and fragmented.Before WWⅠmany Americans, especially the young, regarded war as an honor, while after WWⅠ, the imagination was wrong. What they obtained was not the honor but a kind of disillusioned with pain both in physical and spiritual. Most writers belonging to this group had experience in the battle field. After the war, they could not adjust themselves to the new social ideas, so most of them chose to live overseas to heal their wounded heart. In short, they felt “Lost”.Figures identified with the Lost Generation included authors and artists such as Ernest Hemingway, F. Scott Fitzgerald, Ezra Pound, Sherwood Anderson, Waldo Pierce, John Dos Passos, John Steinbeck, Erich Maria Remarque and Cole Porter.4) Southern LiteratureSouthern literature is defined as literature about the southern America. It was called southern literary renaissance which was the product of the creative tension between the southern past and the pressures of the modern world. The writers engaged in southern literature are called southern writers. They portrayed the southern subject matters, southern characters, southern setting, and southern dialect to explore the human life nationally or even universally.Literature in this period has become not only distinguished but very diverse. It has produced a lot of outstanding writers such as William Faulkner, Caroline Gordon, and Tennessee Williams. They successfully connected the southern history with modern society. And it gave a new view angle to see the southern.5) Modern PoetryModernist poetry once was defined by combining Ezra Pound’s bold stylistic experimentation and T. S. Eliot’s view of existence together. It was that” replaced the logical exposition of thoughts with collages of fragmentary images and complex allusions”, however, the definition ignored the diversity of American modern poetry. What we can do is to collect some of the major developments and to list some of the leading active figures during this period.American poets can be catalyzed into three parts. One is represented by Pound, William Carlos Williams and H. D. Another is led by Eliot, followed by ransom and Allen Tage. The conflict of these two poetic lines threads through the whole development of modern American poetry. The last one is a group of traditional poets such as Robert Frost and Edwin Arlington Robinson.6) African American LiteratureThe first half o the 20th century witnessed the rise of African American literature. With the efforts of many black generations, African American Literature finally entered the national literary stage. it mainly included poetry prose and fiction. When African American Literature is mentioned, Harlem Renaissance must be pointed out, which was a black people’s community. It was a major place for American literature’s creation.As for poetry, it mainly created in the first two decades of 20th century, falling into three categories. The first category shows an obvious influence of sentimental romanticism and detachment form reality in the south. The second is created by those black poets who rose to rebel against white mainstream tradition by refusing sentimentalism and escapism of romanticism and elegant language. The last one demonstrates a combination of politics and aesthetics focusing on the racial experience.Prose is not a main form in African American Literature. Sometimes writers would write some prose like Booker T. Washington and W. E. B. Du Bois. There were also some fictions usually showing a concern on the racial identity. For example, the Autobiography of an Ex-colored Man by James Weldon Johnson was one of them.7) The Modern American DramaAt this moment, Modern American Drama began to occur. It referred to a period during which American playwrights sought to overturn 19th century formal constraints. Instead of focusing on the morality, modern American dramatists of examined human relationships with ruthless candor; portraying moral ambivalence that challenged the status. Inspired by psychological nuance and dream-like symbolism, O’Neill, as well as other playwrights, formed a new kind of drama.4 The American Post-modernism (1945—)1) Period and BackgroundAmerican Post-modernism began at 1945, the ending of WWⅡ. From WWⅡto now, America gradually became a superpower world in the world. From 1950s on, there was an important event in each decade. Here is a chart to list the main events in each decade.Others things happened like the Beat Generation, the self-session of gays, ht inventing of computers and so on. Under such circumstance emerge and develop American post-modernism.Post-modernism is eclectic: it deliberately combines incongruous styles and revives bits and pieces form the past to create “a collage of differences” by rejecting uniformity and homogeneity. It is also pluralistic. This diversity is expressed by mixing incompatible styles, by imposing one theme on another that is completely unrelated, and by grouping apparently widely different themes. It involves not only a continuation, sometimes carried to extreme, of the counter-traditional experiments of modernism, but also diverse attempts to break away from modernist forms, as well as to overthrow the elitism of modernist “high art” by turning to the models of “mass culture”.1) Postmodern FictionPost-modernism is not an inclusive description of all literature since 1950s or 1960s, but is applied selectively to those works in wide reference to fiction, including meta-fiction, black humor, and avant-pop literature.2) Realistic FictionFiction was the best achievement in 20th century, and realistic fiction is the best achievement of fiction. Among the entire American writer who got the Noel Prize in Literature, almost all the novelists belonged to realism. It showed the realistic fiction’s vigor.Realistic fiction in modern time absorbed some new art, form and practices into it. Themes were shifted to reflect the major social issues and personal life in a broad social background especially, the spiritual life, the introverted character, the spiritual emptiness. The themes of many fictions were related to war, such as Norman Mailer’s the Armies of the Night. Technically, realism tended to more ironic. It was heightened by means of intensifying violence. As the media development, the language in fiction was deeply influence. Many famous realistic novelists occurred like J.D. Salinger, Sylvia Plath, Richard Yates, Norman mailer and James Jones.3) Postmodern PoetrySince so many big events happening, human perceptions, sensibility and values all have been altered. Such a environment encouraged the younger generation to rebel against the tradition. Bounded by the restrictions and inhibitions of the new criticism, and the hardship to follow the traditionalism, internationalism, intellectualism and impersonality of ht high modernist style, people found no leeway for anything reflective, meditative and conversational. Therefore, they cased their interest on new and fashionable ways which always easily attracted notice and made a stir. As regards thematic concerns, post-modernism poetry portrayed daily experiences, events and emotions. 4) Ethic LiteratureAfter WWⅡ,5) New Development in American DramaUpon the achievements of such outstanding dramatists like Eugene O’Neil, since WWⅡAmerican drama has been appreciating a steady growth, specifically in tragedy and tragicomedy. The new generation of dramatists, on one hand, stick to traditional realism in themes constantly searching for the meaning of life in a world. On the other hand, modern drama is extremely experimental as far as the theatrical techniques are concerned. Arthur miller, Tennessee Williams and Edward Albee are the three giants in drama ConclusionIn this paper, except for the Early American Literature the other four parts have been mentioned. Through this brief summary, I have learned two things. First, a country’s history and literary has an intimate connection between. Each literary movement was related to some historical event. Second, sometimes we don’t have to divide a period in a clear way. For example, is the Theodore Dreiser a naturalist or a realist? After by looking for some books and discussing with some teachers, it proved there was no an exact answer about it. In litetary works, exceptions will usually appear.References[1] 王卓,李权文. 《美国文学史》[M] 华中师范大学出版社, 2010[2] 赵红英. 《美国文学简史》[M] 中国传媒大学出版社,2010[3] 毛信德. 《美国小说发展史》[M] 浙江大学出版社,2004[4] 史志康. 《美国文学背景概观》[M] 上海外语教育出版社,1996。
美国文学第一讲introduction PPT
Periods of American Literature
1. The early A. literature (Colonial period & early national and revolutionary period ) (1607-1783)
2. The age of Romanticism (1783-1865) 3. The age of Realism & Naturalism (1865-
Literature Root and Flower, Foreign
Language Teaching and Research Press,
1988
Shared mailbox
Code: 20090214
5. Walt Whitman & His poems (Week 11) 6. Emily Dickinson& Her poems (Week 12) 7. Nathaniel Hawthorne & The Minister’s
Black Veil (Week 14) 8. Herman Melville & Moby Dick (Week 15) 9. Edgar Allan Poe & His Works (Week 17)
Week 14 The Minister’s Black Veil Week 15 Herman Melville Week 16 Edgar Allan Poe Week 17 To Helen
Requirement of the course
You are supposed to do your HOMEWORK Final marks: class performance (40%)+ final
(1)Introduction
6. Suggested readings
“The Scarlet Letter” “The Adventures of Huckleberry Finn” “ The Old Man and the Sea”
Assignments:
1. What were the first three British settlements on American continents? 2. What are the core elements of Puritanism? 3. What are the effects of Puritanism on the current American life?
5. Outline of This Course (2)
Local Color Fiction: Naturalism: Modern Poetry: Modern Fiction Before 1945: Postwar Realism in Fiction: Twain Dreiser Pound Hemingway, Fitzgerald Salinger
Unit 1 A Brief Introduction of American Literature
1. What is literature?
According to Longman Dictionary, literature refers to written works which are of artistic value. In fact, such a definition is incomplete and vague. To put it exactly, literature is the study of human beings, of their personality and feelings in a certain social context.
美国文学欣赏1 Introduction
5) The “Chicago School” of Poetry
Masters
Sandburg
Lindsay
Robinson
6) The Rise of Black American Literature
Washington
Du Bois
Chestnutt
5. The period of modernism (1914 - 1945)
1) Modern poetry: experiments in form (Imagism)
Ezra Pound
T.S.Eliot
Robert Frost
Carlos Williams
Wallace Stevens
2) Prose Writing: modern realism (the Lost Generation) William Faulkner F.Scott Fitzgerald Ernest Hemingway 3) Novels of Social Awareness Richard Wright
美国文学美国文学史美国文学作品美国文学课后答案美国文学之父美国文学名著美国文学电影美国文学笔记美国文学特点美国文学复习
Commentary Readings in American Literature
For English Major Students
Part I. Introduction
Part I: answer the questions
4. The realistic period (1865 - 1914)
1) Midwestern Realism
William Dean Howells
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Prof. Dr. Josef Raab Nordamerikastudien Periods of American Literature2. The Pre-Colonial Period ( -ca.1620)•Settlement about 28,000 years ago (from Southern Asia via South Sea islands)•Another wave of migration about 14,000 years ago (via the Bering Straight)•1492: --18 mio. people in North America; 5 mio. of them in what is now the United States--300 cultural groups in North America, 200 languages spoken--no cultural/linguistic homogeneity, shifting alliances and enmitiesCentral Aspects of Native American Thought and Cultural Practice1.The power of words2.The significance of dreams3.Personality (of all elements of creation)4.Dualism5.Father Sky and Mother Earth6.The four world quarters7.Syncretic religion8.Hierarchy (spirit world -humans -animals -plants -physical geography -natural elements)9.Goal of harmony10.Anonymity (literary text is the cultural property ofthe whole tribe)Sample of Pre-Columbian American Literature:“Song of Creation”I have made the sun!I have made the sun!Hurling it highIn the four directionsTo the east I threw itTo run its appointed course.I have made the moon!I have made the moon!Hurling it highIn the four directionsTo the east I threw itTo run its appointed course.Pima Indians (Pre-Columbian)John Winthrop, “A Model ofChristian Charity”(1630)The Lord will be our God, and delight to dwell among us as His own people, and will command a blessing upon us in all our ways, so that we shall see much more of His wisdom, power, goodness and truth, than formerly we have been acquainted with. We shall find that the God of Israel is among us, when ten of us shall be able to resist a thousand of our enemies; when He shall make us a praise and glory that men shall say of succeeding plantations, "the lord make it like that of NEW ENGLAND." For we must consider that we shall be as a city upon a hill. The eyes of all people are upon us, so that if we shall deal falsely with our God in this work we have undertaken, and so cause Him to withdraw His present help from us, we shall be made a story and a by-word through the world.Benjamin Franklin, TheAutobiography(1771 ff.)Having emerged from the poverty and obscurity in which I was born and bred, to a state of affluence and some degree of reputation in the world, and having gone so far through life with a considerable share of felicity, the conducing means I made use of, which with the blessing of God so well succeeded, my posterity may like to know, as they may find some of them suitable to their own situations, and therefore fit to be imitated.That felicity, when I reflected on it, has induced me sometimes to say, that were it offered to my choice, I should have no objection to a repetition of the same life from its beginning, only asking the advantages authors have in a second edition to correct some faults of the first.Edgar Allan Poe, “The Raven”(1845)Ah, distinctly I remember it was in the bleak December,And each separate dying ember wrought its ghost upon the floor. Eagerly I wished the morrow;—vainly I had sought to borrow From my books surcease of sorrow—sorrow for the lost Lenore—For the rare and radiant maiden whom the angels named Lenore—Nameless here for evermore.Mark Twain, Adventures ofHuckleberry Finn(1884)The widow she cried over me, and called me a poor lost lamb, and she called me a lot of other names, too, but she never meant no harm by it. She put me in them new clothes again, and I couldn’t do nothing but sweat and sweat, and feel all cramped up. Well, then, the old thing commenced again. The widow rung a bell for supper, and you had to come to time. When you got to the table you couldn’t go right to eating, but you had to wait for the widow to tuck down her head and grumble a little over the victuals, though there warn’t really anything the matter with them, —that is, nothing only everything was cooked by itself. In a barrel of odds and ends it is different; things get mixed up, and the juice kind of swaps around, and the things go better.After supper she got out her book and learned me about Moses and the Bulrushers, and I was in a sweat to find out all about him; but by and by she let it out that Moses had been dead a considerable long time; so then I didn’t care no more about him, because I don’t take no stock in dead people.Stephen Crane, “The Open Boat”(1897)At last, from the top of each wave the men in the tossing boat could see land. Even as the lighthouse was an upright shadow on the sky, this land seemed but a long black shadow on the sea. It certainly was thinner than paper. "We must be about opposite New Smyrna," said the cook, who had coasted this shore often in schooners. "Captain, by the way, I believe they abandoned that life-saving station there about a year ago.""Did they?" said the captain.The wind slowly died away. The cook and the correspondent were not now obliged to slave in order to hold high the oar. But the waves continued their old impetuous swooping at the dingey, and the little craft, no longer under way, struggled woundily over them.William Faulkner, Absalom,Absalom! (1936)Then hearing would reconcile and he would seem to listen to two separate Quentins now—the Quentin Compson preparing for Harvard in the South, the deep South dead since 1865 and peopled with garrulous outraged baffled ghosts, listening, having to listen, to one of the ghosts which had refused to lie still even longer than most had, telling him about old ghost-times; and the Quentin Compson who was still too young to deserve yet to be a ghost, but nevertheless having to be one for all that, since, he was born and bred in the deep South the same as she was—two separate Quentins now talking to one another in the long silence of notpeople, in notlonguage, like this: It seems that this demon—his name was Sutpen—(Colonel Sutpen)—Colonel Sutpen. Who came out of nowhere...Philip Roth, The Human Stain(2000)Did he get, from his decision, the adventure he was after, or was the decision in itself, the adventure? Was it the misleading that provided his pleasure, the carrying off of the stunt that he liked best, the traveling through life incognito, or had he simply been closing the door to a past, to people, to a whole race that he wanted nothing intimate or official to do with? Was it the social obstruction that he wished to sidestep? Was he merely being another American and, in the great frontier tradition, accepting the democratic invitation to throw your origins overboard if to do so contributes to the pursuit of happiness? Or was it more than that? Or less?。