论元杂剧中的道姑形象

论元杂剧中的道姑形象
王梦琪
【期刊名称】《德州学院学报》
【年(卷),期】2012(028)005
【摘要】在元杂剧中出现了一系列的道姑形象，与传统的道姑不同，她们多情聪明，充满了世俗情欲，思凡恋世，有时还担任着做媒的任务。

这些道姑形象的出现，与元代开放、宽松、多元的文化环境，世人对女子的态度，当时的女子无力自谋生活以及创作者要满足当时市民的审美趣味有关。

这些道姑形象推动了故事情节的发展，丰富了元杂剧的人物群像，对后世的小说戏曲还有一定的影响。

%In Yuan Drama, there appeared a series of Taoist nuns images, which are different from tradi-tional ones. These Taoist nuns in Yuan Drama are passionate, smart, with secular lust and real love. sometimes they even served as matchmakers. The reason why these phenomenon appeared in Yuan Dram is not only because the opening, loose and multicuhural environment in Yuan Dynasty, but also the peo- ple's attitude to them. And the fact that woman cannot make a independence life as well as the creators to satisfy the public aesthetic interest are also the reasons to this phenomenon. These images not only pro-mote the plot development, enrich the characters of Yuan Drama, but also effect the later novels and dra-mas.
【总页数】4页(P37-40)
【作者】王梦琪
【作者单位】西南大学文学院,重庆北碚400715
【正文语种】中文
【中图分类】I206.2
【相关文献】
1.元杂剧中的女道姑:迷失在道庵中的爱情和肉欲 [J], 赵晓寰;王倩
2.《牡丹亭》中石道姑人物形象意义探析 [J], 王鹂
3.元杂剧与电影中红娘形象的比较研究 [J], 章蕾;
4.《牡丹亭》中石道姑形象略辨 [J], 黄德荣
5.论元杂剧《李逵负荆》中李逵形象的复杂性 [J], 银西航
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