Publishing in Japan
日本漫画的起源与发展 英文
OECD日本投入产出表2005
18 Electrical machinery & apparatus, nec 19 Radio, television & communication equipment 20 Medical, precision & optical instruments 21 Motor vehicles, trailers & semi-trailers
批注本地保存成功开通会员云端永久保存去开通
Country Japan Year 2005 1/4 Intermediate
1 Agriculture, 2 Mining and hunting, forestry quarrying and fishing (energy)
The eBook industry in Japan
10
Number of eBook Titles in Japan
( Source: Impress R&D eBook Marketing Report 2007 )
The number of eBook titles have increased steadily and reached 130 thousand in 2006
PC site cooperates with 5 major providers and 5 eMony accounts
"Digital Book 2008" International Digital Publishing Forum
21
Business scheme of eBookBank distribution
2
Market scale of Paper and Digital Publishing in Japan
( 19,842 Million US$ )
Paper publishing Market (Books, Magazine) Digital publishing Market (CD, DVD, eBook)
Panasonic Siguma Book (2004-)
"Digital Book 2008" International Digital Publishing Forum
5
The History of Major eBook Players in Japan
1995 1999 2000 2001 2002 2004 2004 PAPYLESS started PC eBook site Sharp started PDA eBook EBI started PC comic eBook web Bitway started PC eBook web Shincho started mobile eBook web Celsys developed mobile comic viewer NTTsolmare started mobile comic web
去日本购物英语作文带翻译
Shopping in Japan is a unique and exciting experience that offers a blend of traditional and modern retail environments.Heres an English essay about the experience, followed by its translation into Chinese.Title:A Journey Through Japanese ShoppingJapan,a country known for its meticulous attention to detail and blend of the old and new, offers a shopping experience like no other.From the bustling streets of Tokyos Shibuya to the serene alleys of Kyotos Nishiki Market,the variety of shopping venues is as diverse as the products they sell.The Department StoresJapanese department stores are a shoppers paradise.They are not just places to buy clothes and cosmetics,but also a cultural experience.The staff is incredibly polite and attentive,often exceeding customer expectations with their service.The stores are wellorganized,with each floor dedicated to a specific category of products,making navigation a breeze.The Electronics DistrictAkihabara in Tokyo is the heart of Japans electronics industry.Here,you can find the latest gadgets and gizmos,from highend cameras to the smallest electronic components. The district is a haven for tech enthusiasts and offers a glimpse into the future of technology.The Traditional MarketsFor a more traditional shopping experience,the markets of Japan are a mustvisit.Nishiki Market in Kyoto,for instance,is a foodies dream.Rows of stalls sell everything from fresh seafood to traditional Japanese sweets.The quality and variety of products are unmatched,and the atmosphere is lively and inviting.The Convenience StoresJapans convenience stores,or konbini,are a testament to the countrys efficiency and innovation.These stores are open24/7and offer a wide range of products from food and drinks to daily necessities.They are a convenient option for travelers and locals alike.The Souvenir ShopsWhen it comes to souvenirs,Japan has a plethora of options.From the intricately crafted kimono fabrics to the delicately painted pottery,there is something for everyone.These shops are often found near tourist attractions and are perfect for picking up a piece of Japanese culture to take home.In conclusion,shopping in Japan is not just about buying items its about immersing oneself in the culture and experiencing the unique blend of tradition and modernity that the country offers.标题：日本购物之旅日本，一个以其对细节的一丝不苟和新旧融合而闻名的国家，提供了一种独特的购物体验。
英文国家介绍日本课件
The four seasons are distinct, with hot and humid summers and cold and snowy winters.
Affected by the ocean, Japan has a mild climate with relatively small annual temperature differences.
Meiji Restoration: In 1868, Japan underwent the Meiji Restoration and began to embark on the path of capitalism, rapidly rising to become a world power.
Nagoya
An important city in central Japan, it is the capital of Aichi Prefecture and an important industrial and transportation hub.
Sapporo
Located in Hokkaido, it is the largest city on the island and is known for its unique winter culture and rich outdoor activities.
Japan is an island country in the Pacific Ocean, facing China, North Korea, South Korea, and other countries across the East China Sea, Yellow Sea, Korean Strait, and Sea of Japan to the west.
试论影响当前中日关系的文化与心理因素
试论影响当前中日关系的文化与心理因素刘利华(广东金融学院公共管理系 广州510521)[关键词]中日关系;民间认知;文化认同;民族心理[摘 要]在国际关系中,人们一般总是把政治、经济和军事作为国与国关系的首要考量因素,而把文化认同、民族心理等要素置于次要地位。
但相对于前者的易变性、表层性,文化和心理要素更能在深层次上发挥潜在的影响作用。
中日作为同属东亚文明圈的两个大国,两国关系的发展一波三折,令人困惑。
究其原因,除却双方之间的现实利益冲突之外,在更深层次上,它与中日民族间的文化及心理认同的差异是分不开的。
[中图分类号]D82212 [文献标识码]A [文章编号]1008-6099(2009)04-0056-05The Cultura l and Psycholog i ca l Factors I m pacti n gthe Curren t S i n o2Japanese Rel a ti on sL iu L ihua(Depart m ent of Public Adm inistrati on,Guangdong University of Finance,Guangzhou510521,China) Keywords:Sino2Japanese Relati ons;Civil Cogniti on;Cultural I dentity;Nati onal Psychol ogyAbstract:I n the internati onal relati ons,political,econom ic and m ilitary power are al w ays put in higher p lace than cultural and nati onal p sychol ogy,etc..Ho wever,compared with the variability and superficiality of the f or mer, s p irit and culture of one nati on p lay a potential r ole effectively.It is puzzling that the Sino2Japanese relati ons are al2 ways full of t w ists and turns,though they are the t w o maj or powers in East A sia.Besides the realistic conflict of na2 ti onal interest,the reas ons lie on the cultural and p sychol ogical differences bet w een China and Japan. 2007年以后,随着双方政治高层“破冰”和“融冰”之旅的展开,中日关系迎来了战略合作的“暖春”。
日本地区介绍作文英语
Japan,an island nation in East Asia,is known for its rich history,advanced technology,and unique cultural heritage.Here is an introduction to the various regions of Japan,highlighting their distinct characteristics and attractions.1.Hokkaido:The northernmost island of Japan,Hokkaido is famous for its natural beauty, including lavender fields in summer and snow festivals in winter.It is also known for its seafood,especially crab and salmon.2.Tohoku:This region,located in the northeastern part of Honshu,is known for its hot springs,skiing resorts,and the scenic beauty of the three sacred mountains:Dewa Sanzan. The Tohoku region is also famous for its rice,apples,and sake.3.Kanto:The Kanto region includes the bustling metropolis of Tokyo,the capital city of Japan.Tokyo is a hub of technology,fashion,and pop culture.Nearby are historical cities like Kamakura,known for the Great Buddha statue,and Nikko,famous for Toshogu Shrine.4.Chubu:The central region of Japan,Chubu,is home to the Japanese Alps and Mount Fuji,the countrys highest peak and a symbol of Japan.The region is known for its hot springs,such as Hakone,and cultural cities like Kanazawa,famous for its samurai district and Kenrokuen Garden.5.Kansai:The Kansai region,including the cities of Osaka,Kyoto,and Nara,is the cultural heart of Japan.Kyoto,the former capital,is renowned for its temples,shrines, and traditional geisha culture.Osaka is known for its vibrant food scene and the Osaka Castle,while Nara is famous for its ancient temples and friendly deer.6.Chugoku:This western region of Honshu is known for its scenic coastline,including the Seto Inland Sea,and its historical cities.Hiroshima,the largest city in the region,is a symbol of peace with its Peace Memorial Park and Museum.The region is also famous for its traditional crafts,such as Bizen pottery.7.Shikoku:The smallest of Japans four main islands,Shikoku is known for its88temple pilgrimage route and the Naruto whirlpools.The island is also famous for its citrus fruits and Udon noodles.8.Kyushu:The southernmost of Japans main islands,Kyushu is known for its hot springs, volcanoes,and warm climate.The city of Fukuoka is famous for its ramen,while Kagoshima is known for its blacksand beaches and Sakurajima volcano.9.Okinawa:A chain of islands south of Kyushu,Okinawa is known for its subtropical climate,coral reefs,and Ryukyu Kingdom heritage.The islands offer a unique blend of Japanese and Okinawan culture,with traditional Ryukyuan music and dance.Each region of Japan offers a unique blend of natural beauty,cultural heritage,and modern amenities,making it a diverse and fascinating country to explore.。
日本食品安全英文
02
Food Safety Standards and Guidelines
National Standards
Food Sanitation Law
Outlines the fundamental principles of food safety in Japan, including standards for food processing, storage, and transportation
Emergency Response Planning
Preparation Planning
Development of plans and procedures to respond to food safety emergencies, including the rapid identification and containment of contained products
Recovery and Lessons Learned
Following an emergency, implementation of recovery plans to minimize the impact on consumers and the food industry, as well as a review of the response to identify areas for improvement in future emergency planning and response effects
03
Risk Assessment and Management
Hazard Identification and Analysis
Iljin catalogue-日进简介
Headquarters527, Samseong-ro, Gangnam-gu, Seoul, KoreaTel. 82-2-553-1795 Fax. 82-2-566-5621/ 553-1799URL. Date of Issue. 201606Wherever you need us, We are thereTomorrow02 Vision 04 Message from the CEO 06 Automotives Business 12 Industrial Business 16 New Value R & D 18 World Class Quality 20 Eco Friendly 23Worldwide LocationsContents19731970's -Foundation Phase1973. 07Established ILJIN CORPORATION.1978. 12Established ILJIN FORGING (Currently ILJIN BEARING).1978. 12Started supplying transmission parts to Hyundai Motor Company.1990's -Growth Phase1994.01ILJIN INDUSTRIAL (Presently ILJIN BEARING) signed a technological tie-up agreement with KOYO in Japan.1994.06Started automotive bearing business and installed equipment to manufacture generation 2 wheel bearings.1997.07Established ILJIN INDIA.1999.07~11Started supplying wheel bearings, ball joints, tie rod ends and stabilizer links to Ford, Australia.2010's - The SecondTake-off Phase2010.09Established ILJIN ALABAMA.2011.05Established BEARING ART.2013.06Completion of BEARING ART Young-ju.2014.09Established North America R&D Center.2015.06Established CHONGQING ILJIN.2016.01Established ILJIN GLOBAL INDIA.2016.01Established Europe R&D Center.2000's -Global Growth2000.04ILJIN INDUSTRIAL (Currently ILJIN BEARING) developed Generation 3 Wheel Bearings.Started providing Generation 3 wheel bearings to Federal Mogul.2001.11Generation 3 wheel Bearings were selected as the next world-class product by Korean Government.2002.01Established ILJIN AUSTRALIA.2002.03Awarded key wheel bearing programs by 2 North American OEM’s.2002.10Established BEIJING ILJIN.2003.03Established ILJIN USA and Tech Center.2005.11Established ILJIN SLOVAKIA.2006.11Established TIANJIN ILJIN.2008.02Established ILJIN AMERICA. (Currently ILJIN USA SC)2008.04Established ILJIN GmbH.(Currently ILJIN BEARING GmbH)History1980's -Take-off Phase1982.08Established BLOXWICH KOREA(Currently ILJIN GLOBAL) as a joint venture company.1986.01Established DONG-A INDUSTRIAL (Currently ILJIN Corp.).1986.02Exported "center link" parts to Moog, USA.1988.11Started manufacturing ball joints and tie rod ends.Since establishment in 1973, ILJIN has led the global wheel bearingmarket through growth and innovation. We strive for the highest level of customer satisfaction through customer focus, a top-down quality focus, based on "creative innovation management." Today ILJIN is a world class company that realizes the highest customer values.We provide world class solutions that meet our customers’ needs.02 / 03Make It Happen· P erform all work with professionalism and commitment.·S haring information amongst team members, departments and within the corporation.· M utual cooperation and collaboration facilitates rapid, high quality solutions.Thebusiness cultureHello.Welcome to ILJIN, where our focus is on creating the ultimate customer satisfaction through the supply of the best quality products at the lowest cost.ILJIN was established in 1973 and has grown to be a world-class automotive component design and manufacturing company. We began our company as a forging supplier and further evolved into chassis and wheel bearing businesses. We have now expanded into powertrain and industrial bearings to meet the needs of the global marketplace.ILJIN has expanded its R&D centers with a network connecting Korea, the U.S. and Germany. This network allows us to respond to our customers on a 24 hours 7 days a week real time basis. In addition, ILJIN concentrates its competencies toward the development of environmentally friendly, lightweight, fuel efficient, and EV focused components. Currently our company is also investing in new technologies in Railcar bearings and Aircraft landing gear bearings.We have emerged as a progressive, quick-reacting company that continuously develops diversified products for new and existing markets. ILJIN is now one of the leading bearing companies in the world – driven by our business culture of “Creativity”, “Teamwork”, with a “Make it Happen” spirit.ILJIN strives to be a world-class company prioritizing customer satisfaction based not only on creative thinking and innovative technologies, but through the passion and challenging spirit of the entire ILJIN team.Thank you.CEO/Chairman Sang Il LeeMessage from the CEO04 / 0506 / 07Starting with the production of transmission gears and hot-forged automotive parts,ILJIN has developed technologies, taken on constant challenges, and played a major rolein the production of wheel bearings and the development of steering and chassis parts.Currently, we are supplying parts to automobile companies not only in Korea, butalso in the USA, Europe, China, India, and so on, as ILJIN emerges as a global business.ILJIN will continue moving forward to become synonymous with the world's bestautomotive parts by ensuring quality excellence, global cost competitiveness andtechnical competitiveness.2-1)PRODUCTS(BEARINGS)Technology driven!The world has become smaller as technology grows. ILJIN has become a leader in the automotive industry by driving our products towards improved safety and performance.08 / 09Wheel Bearings· Both Non-Driven/Driven application · Integrated with hub and shaft· Integrated with outboard inner race and hub shaft · Minimized change in bearing clearance· Excellent serviceabilityWheel bearings are installed on automotive wheels, and are used to support axle loads and send power to the wheels. There are two basic types of wheel bearings : Ball(Double Row Angular Contact Ball Bearing) and Roller(Double Row Tapered Roller Bearing) for passengercars through heavy truck applications, with integral ABS encoder and sensor technologies.Gen.1Gen.2Gen.3· Both driven and non-driven applications.· Close tolerance between knuckle & hub.· Non-Driven application.· Good serviceability.Double Row Angular Contact Ball Bearing Double Row TaperedRoller Bearing· L CA (Lower Control Arm) is a suspension component installed between knuckle and body (cross member) and is used to keep wheels aligned in all positions.· B all joint connects the steering knuckle to the control arm, allowing it up-and-down/rotational movement. It is installed on the steering knuckle or the control arm.· T ie Rod End connects the steering gear box and the steering knuckle. It allows up-and-down/steering movement of the stabilizer· T his is an assembly of wheel components in the vehicle front axle assembly. It is connected to the knuckle, hub assembly, disk, caliper and various links, and supports driving, steering and suspension functions.· C ABJ (Cross Axis Ball Joint) is installed on Knuckle or Arm, and allows the wheels' articulation(up/down).· S tabilizer Link is designed to minimize roll angle so that riding performance improves. Installed at the end of the stabilizer, it allows up-and-down movement of the stabilizer.· U CA (Upper Control Arm) is a suspension component installedbetween knuckle and body and is used to keep wheels aligned in all positions.· H ybrid Ball Joint/CABJ is installed on Knuckle or Arm and allows the wheels' articulation (up/down). It is effective in enhancing lateral stiffness and alignment of chassis.· T his assembly is designed to improve opening/closing performance of doors for better safety. It distributes loads and thereby prevents accidental opening/ closing of the automobile’s doors.Powertrain10 / 11Powertrain comprises of bearings used for automotive transmission and axle: these include tapered roller bearings, angular contact ball bearings,and deep groove ball bearings. These bearings support radial directional /axial loads generated by gears and withstand lubricant contaminants.Ball JointTie Rod EndCorner ModuleCABJStabilizer LinkUpper Control ArmHybrid Ball Joint/CABJDoor CheckerChassis & SuspensionChassis & Suspension components are designed to connect the body of the automobile to the wheels. These parts help maintain proper strength, and absorb road impact to enhance comfort. Additionally, Chassis & Suspension enhance the vehicle’s handling characteristicsand make it easier to control the vehicle when external/internal forces are applied on road wheels (e.g., driving, braking or steering).LightweightLower Control Arm· T he Single Row Tapered Roller Bearing with Steel Cage is applied to the output shaft and differential. It supports one side of axial, radial and moment loads.- Optimized design for longer life and high load.- Improved bearing life under contaminated environment from the special heat treatment application.· T he Double Row Angular Contact Ball Bearing with Flange is a flange type bearing that supports both axial, radial and moment loads.· T he Single Row Tapered Roller Bearing with Plastic Cage is a single taper rolling bearing with plastic cage. It is applied to the output shaft and differential and it supports one side of axial, radial and moment loads.- Realization of low torque for improving fuel efficiency - Optimized design for low noise and weight reduce-Improved bearing life under contaminated environment from the special heat treatment application.Single Row Tapered Roller Bearing with Steel CageDouble Row Angular Contact Ball Bearing with FlangeSingle Row Tapered Roller Bearing with Plastic CageIndustrialBusiness12 / 13Pitch Bearing Yaw Bearing 14 / 15· T RB’s are used in many industrial applications including gear boxes, construction equipment, farm equipment, and mining.[Pitch Bearing] Pitch bearing connects the blade (wing) with the hub which is rotated by wind. It also rotates the angle of each wing.[Yaw Bearing] The yaw bearing connects the nacelle (wind-turbine body) to the tower supporting it.· A ngular contact ball bearings are used in excavator travel reducers. They are usually mounted in a groupof two or more opposing preloaded units and are designed to carry combined loads, in both axial and radial directions. They are also applied to general machinery and industrial equipment.· R ailroad car axle bearings ensure a smooth ride reducing the frictional resistance to the rotation axis of the rail. These highly convenient bearings have a simple structure and are easy to maintain and reduce friction, which increases fuel economy. They are self contained, pre-greased, sealed and pre-adjusted.Taper Roller Bearing (TRB) Slewing Bearing Angular Contact Ball Bearing (ACBB) Railway BearingIndustrial BearingsILJIN is committed to providing world class quality products for our customers.16 / 17R&D centerOur R&D centers continuously focus on improving our design, analysis, prototyping, testing, and processing technologies. This allows us to optimize designs and manufacture at lower costs with short lead times to achieve high competitiveness globally.In addition, we design based on customers` needs through design and automated analysis simulations, while ensuring high product quality with low manufacturing cycle times for maximizing customers'satisfaction.Advanced R&DOur advanced R&D develops high technology & high value products, including bearings for automotive, construction machinery, railways. We test and measure rolling fatigue in our bearings and assess maintenance in all external environments.Chassis R&DOur chassis R&D provides the best designs to satisfying customers’ needs using computer simulations to reduce costs, guarantee quality and minimize manufacturing cycle times. In addition, we focus on lightening products’ weights and developing products integrating electronics, while developing hybrid, carbon and glass fiber chassis parts.ILJIN R&D creates value for our customersILJIN makes large investments in R&D to provide the best products for our customers. We have adopted the most advanced research technologies and employed highly talented employees to create customer satisfaction.Our R&D focuses on creative new solutions that help our customers achieve their targets. In automotive, we are reducing friction in seals, using new mechanisms to reduce weight, and downsizing designs - all to improve fuel economy, CO 2 emissions and overall performance.New ValueR&D18 / 19ILJIN's global approach to consistent high qualityILJIN is able to provide world-class and cutting-edge products through its implementation of IMS (ILJIN Management System) at all global locations. Through IMS the principles of transparency, simplicity, quick response, and sustainability are our main focus. Our system fosters and promotes a unique company culture, creativity, make it appen, and responsibility throughout all business functions. Combined with customer driven certifications, IMS gives ILJIN a competitive advantage in serving customers globally.World ClassQualityIMS is also implemented into our manufacturing process. These processes are driven and shaped by the core principles surrounding IMS. Building on these principles has allowed us to develop and refine leading manufacturing processes. The results of these processes are world-class products serving automotive and industrial markets.Our IMS had yielded favorable results which are proven through customer awards and certifications. With our culture of continuous improvement focused on ethical and sustainable principles, ILJIN will ensure a path of global growthand continued customer satisfaction.that our business operates in an environmentally friendly manner.Our locations also work with the surrounding local environment in mind. We operate under all local laws and ordinances in order to positively impact our direct surroundings. With each step foward in technology, our processes become more refined and environmentally friendly.ILJIN recognizes its social and environmental responsibilities globally and works to perform aboveand beyond all expectations.Creating innovative technology to ensure a sound environmental futureILJIN cares about the environment. Because all raw materials are derived from the environment, ILJIN knows that environmental care and a profitable business must go hand-in-hand. ILJIN locations hold ISO 14001certification. This certification strictly ensuresEcoFriendly20 / 21Worldwide LocationsILJIN continuously expands globally in order to supply the highest quality products at the lowest cost, while partnering with our customers.ILJIN AUSTRALIATIANJIN ILJIN CHONGQING ILJINILJIN BEARING GmbHILJIN SLOVAKIAILJIN INDIAPUNETEHRANILJIN GLOBAL INDIABEIJING ILJINBEIJING ILJIN SHANGHAI1st Plant, 2nd PlantBeijing PlantYancheng BranchSales OfficeSales OfficeSales OfficeHEADQUARTERSILJIN GLOBALILJIN GLOBALILJIN GLOBAL ILJIN BEARINGILJIN Corp.BEARING ARTBEARING ART527, Samseong-ro, Gangnam-gu, Seoul, Korea Tel. 82-2-553-1795 Fax. 82-2-553-1799HEADQUARTERS602105 B1 & B2 Sipcot Industrial Park, Irrungattukottai, Sriperumbudur Taluk, Kancheepuram District, Tamilnadu, IndiaTel. 91-44-4710-2000 Fax. 91-44-4710-2147129/2,Pashan Sus Road, Pune, Maharashtra 411 021ILJIN INDIAILJIN GLOBAL INDIA3043 112 Lambeck Drive, Tullamarine, VIC 3043, AustraliaTel. 61-3-8347-6000 Fax. 61-3-9310-4114#1, 8B03-08, Changshou Development District, Chongqing, ChinaILJIN AUSTRALIACHONGQING ILJIN14 Downing Drive, Phoenix City, AL 36869, USA Tel. 1-334-297-4494 Fax. 1-334-297-4122ILJIN ALABAMA65760 Duesseldorfer Strasse 13, D-65760 Eschborn, GermanyTel. 49-6196-76105-100 Fax. 49-6196-76105-200ILJIN BEARING GmbHSALES OFFICE97216 Pravenec 422, 972 16 Pravenec, Slovakia Tel. 421-(0)46-544-0102 Fax. 421-(0)46-544-1073ILJIN SLOVAKIAJecheon 1st Plant16, Bio valley 1-ro, Jecheon-si, Chungbuk, Korea Tel. 82-43-652-8711 Fax. 82-43-652-6644Jecheon 2nd Plant165, Hanbang expo-ro, Bongyang-eup, Jecheon-si, Chungbuk, KoreaTel. 82-43-652-8711 Fax. 82-43-652-6644Jecheon 3rd Plant170, Hanbang expo-ro, Jecheon-si, Chungbuk, Korea Tel. 82-43-652-8711 Fax. 82-43-652-6644Y oungwol Plant241, Bamjae-ro, Buk-myeon, Y eongwol-gun, Gangwon-do, KoreaTel. 82-33-372-9851 Fax. 82-33-372-9849Gyeongju Plant310, Anhyeon-ro, Hyeongok-myeon, Gyeongju-si, Gyeongbuk KoreaTel. 82-54-770-7500 Fax. 82-54-770-7579ILJIN GLOBAL1st Plant4419, Saneop-ro, Gyeongju-si, Gyeongbuk, Korea Tel. 82-54-770-5555 Fax. 82-54-770-55492nd Plant70, Gongdan-ro, Gyeongju-si, Gyeongbuk, Korea Tel. 82-54-770-5555 Fax. 82-54-770-55493rd Plant85, Gongdan-ro, Gyeongju-si, Gyeongbuk, Korea Tel. 82-54-770-5555 Fax. 82-54-770-5549ILJIN BEARINGSouth KOREABeijing Plant101200 #15 Xinggu W. RD, Xinggu Industrial Zone, Pinggu, Beijing, ChinaTel. 86-10-6995-0789 Fax. 86-10-6995-0689Y ancheng Branch224007 51 Lao Shan RD, Yancheng, Jiangsu, China Tel. 86-515-8902-5201 Fax. 86-515-8899-9050BEIJING ILJINMichigan28055 Haggerty Road, Novi, MI 48377-2902, USA Tel. 1-248-848-1020 Fax. 1-248-848-0566South Carolina1705 Poplar Dr Ext Greer, SC 29651-6518, USA Tel. 1-864-848-4801 Fax. 1-864-848-4811ILJIN USA1st Plant301700 NO.12 Quan Da Road WuQing Development Area, TianJin, ChinaTel. 86-22-8219-2555 Fax. 86-22-8219-25002nd Plant301700 NO. 16. Xin Ping Road WuQing Development Area, TianJin, ChinaTel. 86-22-8295-5001 Fax.86-22-8219-2500TIANJIN ILJIN1st Plant45, Y urim-ro, 13 beon-gil, Gyeongju-si, Gyeongbuk, Korea Tel. 82-54-770-7500 Fax. 82-54-770-75192nd Plant247-80 Hwasangongdan-gil, Gyeongju-si, Gyeongbuk, KoreaTel. 82-54-770-7500 Fax. 82-54-770-7519ILJIN Corp.Gyeongju Plant310, Anhyeon-ro, Hyeongok-myeon, Gyeongju-si, Gyeongbuk, KoreaTel. 82-54-770-7500 Fax. 82-54-770-7579Y oungju Plant105, Bangu-ro, Jangsu-myeon, Y eongju-si, Gyeongbuk, KoreaTel. 82-70-4161-5000 Fax. 82-54-631-8713BEARING ARTILJIN USA (MICHIGAN)ILJIN ALABAMAILJIN USA (SOUTH CAROLINA)PUNE (INDIA)411045 C - 304, Gold Coast Society, Baner Road , Pune , IndiaTel. 91-20-41244059SHANGHAI (CHINA)200120 Room2302, Hongjia Tower, No.388 Fushan Road, Pudong New Area, Shanghai, China Tel. 86-21-6886-9844 Fax. 86-21-688-69214TEHRAN (IRAN)Baran Complex, 10th Banafsheh St., Austria SQ., 22nd District, Tehran, Iran Tel. 98-21-4475-0874We work for the future rather than for convenience.We strive to produce products & solutions that enhance our every day lives.Our future is based on technologies that are environmentally friendly.22 / 23ILJIN is a global leader.Customer focused Technology focused Environment focusedILJIN Global technologies advancing excellence in the world.。
日本SCI期刊
JOURNAL OF THE MATHEMATICAL SOCIETY OF JAPAN 0025-56450.449JOURNAL OF THE METEOROLOGICAL SOCIETY OF JAPAN 0026-11650.793JOURNAL OF THE OPERATIONS RESEARCH SOCIETY OF JAPAN 0453-45140.2JOURNAL OF THE PHYSICAL SOCIETY OF JAPAN 0031-90152.212JOURNAL OF THE SOCIETY OF RHEOLOGY JAPAN 0387-15330.194JOURNAL OF SYNTHETIC ORGANIC CHEMISTRY JAPAN 0037-99800.628JARQ-JAPAN AGRICULTURAL RESEARCH QUARTERLY 0021-35510.439JAPANESE CIRCULATION JOURNAL-ENGLISH EDITION 0047-1828JAPANESE HEART JOURNAL 0021-4868JAPANESE JOURNAL OF APPLIED ENTOMOLOGY AND ZOOLOGY 0021-49140.413JAPANESE JOURNAL OF APPLIED PHYSICS PART 1-REGULAR PAPERS SHORT NOTES & REV 0021-49221.247JAPANESE JOURNAL OF CANCER RESEARCH 0910-5050JAPANESE JOURNAL OF CLINICAL ONCOLOGY 0368-28111.269JAPANESE JOURNAL OF CROP SCIENCE 0011-1848JAPAN JOURNAL OF INDUSTRIAL AND APPLIED MATHEMATICS 0916-70050.302JAPANESE JOURNAL OF INFECTIOUS DISEASES63041.074JAPANESE JOURNAL OF OPHTHALMOLOGY 0021-51550.888JAPANESE JOURNAL OF PHARMACOLOGY 0021-5198JAPANESE JOURNAL OF PHYSICAL FITNESS AND SPORTS MEDICINE 0039-906X0.023JAPANESE JOURNAL OF PHYSIOLOGY 0021-521X1.042JAPANESE JOURNAL OF TOXICOLOGY AND ENVIRONMENTAL HEALTH 0013-273XJAPANESE JOURNAL OF VETERINARY RESEARCH 0047-19170.762NIPPON NOGEIKAGAKU KAISHI-JOURNAL OF THE JAPAN SOCIETY FOR BIOSCIENCE BIOTE 0002-1407PROCEEDINGS OF THE JAPAN ACADEMY SERIES A-MATHEMATICAL SCIENCES 0386-21940.238PROCEEDINGS OF THE JAPAN ACADEMY SERIES B-PHYSICAL AND BIOLOGICAL SCIENCES 0386-22080.81PUBLICATIONS OF THE ASTRONOMICAL SOCIETY OF JAPAN 0004-62642.525SEKIYU GAKKAISHI-JOURNAL OF THE JAPAN PETROLEUM INSTITUTE 0582-4664SOLVENT EXTRACTION RESEARCH AND DEVELOPMENT-JAPAN 1341-72150.477TRANSACTIONS OF THE JAPAN SOCIETY FOR AERONAUTICAL AND SPACE SCIENCES 0549-38110.155TETSU TO HAGANE-JOURNAL OF THE IRON AND STEEL INSTITUTE OF JAPAN 0021-15750.384YAKUGAKU ZASSHI-JOURNAL OF THE 0031-0.347PHARMACEUTICAL SOCIETY OF JAPAN6903。
Japanese books
The Elkin CollectionJapanese Books + other language editionsPicture books:1. Amada, Mitsuhiro. Classical Cats, with CD. Alis, 1994. (CD includesreading by Stuart Atkin (card to Judith)2. Carlson, Natalie Savage. Marie Louise’s Heyday, illustrated by JoseAruego and Ariane Dewey. Yugaku-sha Ltd, 1975. [Japanese edition]3. Carlson, Natalie Savage. Runaway Marie Louise, illustrated by JoseAruego and Ariane Dewey. Yugaku-sha Ltd, 1977. [Japanese edition]4. Iwasaki, Chihiro. Chihiro’s Album of words and p ictures. Englishtranslation by Dorothy Britton. Kodansha, 19895. Joyce, James. The Cat and the Devil. Shogakukan Co. Ltd, 1976.[Japanese edition]6. Nishiuchi, Minami….. (signed to Judith, August 1997.7. Ozaki, Yei Theodora, compiler. The Japanese Fairy Book. Charles E.Tuttle Company,1978.8. Takahashima. A Child in Prison Camp. Tundra Books, 1971.9. Watanabe, Shigeo. “I Can Take A Walk By Myself” Japanese edition.Dai Nippon, 1983.10. Yamada, Aik Kaisei-sha, 1987 [In Japanese but with private translationincluded]Dictionaries and general information11. An English Dictionary of Japanese Culture. Yuhikaku PublishingCompany, 198612. KEEP: the Kenkyusha Encyclopaedia of English Photographs. (withcontributions by Stuart Atkin). Kenkyusha, 1992.13. Kenkyusha’s Junior Ap proach: English-Japanese Dictionary.Kenkyusha, 1989. (signed to the Elkins by Stuart Atkin, Stuart’scontributions to dictionary marked)14. Kenkyusha’s New Approach:English-Japanese Dictionary. Kenkyusa,1988. (with contributions from Stuart Atkin)15. The Public Library Guidelines: IFLA/UNESCO Guidelines forDevelopment, edited by Philip Gill. Japanese edition, 2002.16. Stuart, Paul Meredith. Nihonsense. The Japan Times, 1987.Fiction17. Kuroyanagi, Tetsuko, Totto-chan: the little girl at the window, translatedby Dorothy Britton. Kodansha, 1982.General Books about Japanese children’s literature18. Chibbett, David. The History of Japanese Printing and book illustration.Kodansha International, 1977(signed to Judith from Stuart, Christmas1979)Additional Titles (in Japanese)19. Plus 13 titles (to be translated) including:20. Sugita…Hippo21. The Mighty Prince22. Plus magazine about Japanese picture books signed by the publisher,Michiko Takemura, to JudithBooks translated or edited by Stuart Varnam Atkin (Judith Elkin’s brother)23. Krakower, Marsha and Stuart Atkin, The House That Jack Built andother tales.24. Mother Goose : Tape (recordsings of voice of Stuart Atkin.)25. Mr Shakespeare’s Tales of Japan, written and illustrated by StuartAtkin and dedicated to his parents, 1981.Kodansha Bilingual Comics:26. Great Teacher Onizuka, translated by Stuart Atkin and Yoko Toyazaki,Vols 1-3, 1999.27. The Tale of Genjie, vol. 1-4, translated by Stuart Atkin and YokoToyazaki, 2000. (signed0Kodansha English Library Series:28. Beauty and the Beast, retold by Stuart Atkin, illustrated by TaroHiguchi, 1996. (signed to Judith from Stuart)29. Cinderella and other stories, retold by Stuart Atkin, illustrated bySetuko Mashima, 1994. (signed to Judith from Stuart).30. Collodi, Carlo. Pinocchio, retold by Stuart Atkin, illustrations by MitsuraTakahashi, 1995. (signed to the Elkins from Stuart).31. Hugo, Victor. Les Miserables, retold by Stuart Atkin, illustrations byYoko Mill, 2001. (Signed to Judith by Stuart)32. The Little Book of Black Tea, illustrations by Rie Matsubara. 1995.(signed by Stuart)33. The Little Mermaid and other stories, retold by Stuart Atkin, illustratedby Yukiko Miki, 1994. (signed To the Elkins by Stuart)34. Little Red Riding Hood and other stories, retold by Stuart Atkin,illustrated by Yoko Imoto, 2003. (signed to Naomi from Stuart)35. Once Upon a time in England, illustrated by Setsuko Mashima, 1992.(signed by Stuart)36. Shakespeare’s Romeo and Juliet, retold by Stuart Atkin,, 1994. (Signedto the Elkins by Stuart)Ladder Series (IBC Publishing)37. Akimoto, Ryohei. Quill: the life of a guide dog, photographs by RyoheiAkimoto, text by Kengo ishigiro, translated by Yoko Toyazaki andStuart Varnam-Atkin, 2006.38. Dickens, Charles. A Christmas Carol, adapted by Stuart Varnam-Atkin,2005. (signed to Naomi)39. Miyazawa, Kenji. Gorsch the Cellist, translated by Stuart Varnam Atkin,2005.40. Miyazawa, Kenji. Matasaburo of the Wind, translated by Stuart VarnamAtkin, 2005.41. Miyazawa, Kenji. The Night of the Milky Way Train, translated by StuartVarnam Atkin, 2005.42. Miyazawa, Kenji. The Nighthawk Star, translated by Stuart VarnamAtkin, 2005.43. Shakespeare’s Stories, the Winter’s Tale, by Stuart Varnam-Atkin,2006. (card inserted to Judith)44. Yoro, Takeshi. The Wall of Fools, translated by Stuart Varnam Atkin,2003. (signed to Naomi from Stuart)Mr Men Library and CD (CD by Stuart Atkin)45. Mr. Tickle, Mr. Happy, Mr. Greedy and Mr. Nosey.46. Mr. Small, Mr. Topsy-Turvy, Mr. Uppity, Mr. Silly47. Mr. Daydream, Mr. Jelly, Mr. Noisy, Mr. Forgetful48. Mr. Muddle, Mr. Fussy, Mr. Dizzy, Mr. Bounce.49. Mr. Impossible, Mr. Strong, Mr. Clumsy, Mr. Grumpy.50. Mr. Rush, Mr. Nonsense, Mr. Tall, Mr. Quiet, Mr. Worry.51. Mr. Mischief, Mr. Skinny, Mr. Wrong, Mr. Clever, Mr. Busy.52. Mr. Perfect, Mr. Slow, Mr. Brave, Mr. Cheerful, Mr. Grumble.Long, Long Ago…in Japan (Readers Stuart Atkin and Michael Bannard)53. Volumes 1, 2, 3, 5, 6, 8, 10 on cassette54. Volumes 1, 2, 3, 4, 5, 6, on record.55. Edward Lear’s Nonsense (cassette) on which Michael Bannard PlaysEdward Lear, with the help of Stuart Atkin (as Girogio, the Pobble, etc.) Ehon MagazineWith articles by Judith Elkin: 2, date?; 6: date?; 8: November 1983; 9, 1984.。
Japan简介
• Since the 1950s, manga have steadily become a major part of the Japanese publishing industry, and also
become increasingly popular worldwide. Manga and
Japanese food namely "heshi", originated in Japanese islands, and gradually developed into unique Japanese characteristics dishes. Staple food with rice, noodles, often matches with such as Japanese wine. "heshi" with delicate and celebrated, when cooking try to keep the original material itself.
knowledge and skills of Japanese 15-year-olds as sixth best in the world.
• The world would not be the same without the
many things that have come from Japan
human.
manga-influenced comics, among original works, exist in other parts of the world, particularly in Taiwan, South Korea, and the People's Republic of China, notably Hong Kong.
一次难忘的旅行英语作文
Traveling is an experience that can leave indelible memories,and my unforgettable journey was a trip to the ancient city of Kyoto in Japan.Here is a detailed recount of that trip,written in English.The journey began with a flight to Osaka,from where I took a train to Kyoto.The anticipation of exploring a city rich in history and culture was palpable.As the train pulled into Kyoto Station,the blend of traditional and modern architecture was a sight to behold,setting the tone for the rest of the trip.The first order of business was to find my accommodation,a quaint ryokan located in the heart of the city.A ryokan is a traditional Japanese inn,and staying in one was an integral part of the cultural immersion I sought.The ryokan was a serene retreat,with tatamimatted rooms and sliding doors that opened to a beautiful garden.The following day was dedicated to exploring the citys historical sites.I visited the Fushimi Inari Shrine,famous for its thousands of vermilion torii gates that form a tunnel up the sacred Mount Inari.Walking through the torii gates was a surreal experience,as if I was stepping through a portal to another world.Next,I ventured to the Kinkakuji,the Golden Pavilion.The sight of the pavilion,covered in gold leaf and reflecting on the pond below,was breathtaking.The intricate details of the architecture and the surrounding gardens were a testament to the artistry of the Japanese.The Arashiyama Bamboo Grove was another highlight of the trip.The towering bamboo stalks created a natural tunnel that was both calming and aweinspiring.The sound of the wind rustling through the bamboo was a melody that resonated with the tranquility of the place.No trip to Kyoto would be complete without experiencing its culinary delights.I indulged in kaiseki,a traditional multicourse Japanese dinner,at a local restaurant.Each dish was a work of art,meticulously prepared and presented,offering a symphony of flavors that danced on my palate.The Gion district was the final stop of the day.The narrow streets lined with machiya, traditional wooden townhouses,were a step back in time.I was fortunate to catch a glimpse of a geisha,adding a touch of mystery and elegance to the evening.The trip was not just about sightseeing it was about experiencing the essence of Japanese culture.From the warm hospitality of the ryokan staff to the respectful silence in theshrines,every aspect of the trip was a lesson in the subtleties of Japanese society.As the trip came to an end,I boarded the train back to Osaka with a heart full of memories.Kyoto had left an indelible mark on me,a reminder of the beauty that lies in the preservation of tradition amidst the relentless march of time.This journey was truly unforgettable,a testament to the power of travel to enrich ones life with new experiences and perspectives.。
JapaneseFashionIllustrationinmedia
Japanese Fashion Illustration in MediaSachiko NAGASAWA* and Shin’ya NAGASAWA*** Bunka Fashion Research Institute, Bunka Women’s UniversityTokyo,Japan,*****************.jp** Graduate School of Commerce, Waseda UniversityTokyo,Japan,******************Abstract: We define fashion illustration as a general term for pictures which express fashion.Fashion illustration is made public and circulated through media. In this paper, we start fromtracing back to the origin of fashion illustration in Japan. We think it is in Edo period that the veryfirst fashion illustration has started to be published especially through mass media. And we surveyJapanese fashion illustration from the aspect of announced media and to clarify the meaningoverall. As a result, we found that there is an intimate relation between fashion illustration andmedia. As we discussed above, fashion illustration is affected by media’s progress, since fashionillustration is published and distributed through media.Key words: Fashion illustration, history, Design Methodology, culture.1. IntroductionWe define the term “fashion illustration” as pictures which express fashion. In this thesis, we start from tracing the origins of Fashion illustration in Japan. We think it was in the Edo period that the very first fashion illustration started to be published, especially through mass media. Then we are going to look at Japanese fashion illustration from the viewpoint of released media and attempt to clarify its significance in a comprehensive manner.2. The Various Kinds of MediaMedia in which fashion illustration is published are as follows:(1) Personal Media(2) Mass Media(3) Multi Media(4) Inter-active MediaIn principle, an illustration is a picture that assumes its function in society through the mass media, and it is classified in the field of graphic design. Therefore, illustration works discussed within this theme of fashion illustration are mainly those presented through the mass media.3. History of clothing fashion illustrations in Japan as published in the mass media3.1 Ukiyo-e prints in the Edo periodThe two subjects of Ukiyo-e are Bijin-ga and Yakusha-e, both showing the latest fashions at the time, such as the colors and patterns of Kimonos and how to wear them, hairstyles, make-up and mannerisms.It can be said that Ukiyo-e was the fashion illustration of the Edo period, and the large-scale printing and circulation through woodblock printing was the mass media of the Edo period.1. 2. 3. Figure 1. Ukiyo-e print, “Toji Zensei Bijin Zoroi (A set of Great Beauties of the Present) / Echizenya uchi Morokoshi, Ayano Orino (Morokoshi of Echizenya, Ayano, Orino),” by Utamaro Kitagawa, around 1794. Figure 2. Bijin-ga poster (a poster of beautiful woman) of Mitsukoshi Gofuku-ten by Hisui Sugiura, 1914 Figure 3. Jojou-ga (lyrical painting of a girl) by Yumeji Takehisa, 19153.2 Bijin-ga posters of beautiful women from the Meiji era to the Taisho eraThe significance of Bijin-ga posters, from media point of view, is as follows:1- Bijin-ga helped to improve technological progress in multicolored (polychrome) planography.2. Bijin-ga presented new images, which were a mixture of Japanese and Western styles. And those imagesbecame widespread.3.3 Jojou-ga – lyrical paintings during the Meiji, Taisho, and at the beginning of the Showa era From a media point of view, Jojou-ga created an image of girls of this era as a visual art, and became a source of forward movements. In 1902 (the 35th year of Meiji) Japan’s first technical journal on girls, "Shoujo-kai", or Girls’ World, was first published. This was followed by the appearance of one girls’ magazine after another. At this time, many illustrators who produced Jojou-ga became prominent.3.4 The binding of books and magazines from the Meiji era to the pre-World War II Showa era The binding of books and magazines is also one form of media for which fashion illustration is often used. From the Meiji era to the pre-WW II period, we can find works by artists who also made Bijin-ga posters and Jojou-ga in many bindings.3.5 Illustrations on stationary and daily goods from the Meiji era to the middle of the Showa era It is thought that the significance of fashion illustration in the appendices of girls’ magazines, seen from the aspect of media, was the development a colorful world that resembled the flamboyant girl in an age before the fancy goods store, and to give girls dreams.4. The history of fashion in the media and Japanese fashion illustration4.1 The fashion plates of fashion magazinesPost-war revival – fashion illustration is also used by mass media fashion magazines in the 1950's. It is thought that the purpose of the fashion magazine’s fashion plate was to present an introduction to new fashion designs and how to make the clothes, etc. in the form of visual information; to show it, and to circulate it.4. 5. Figure 4. Cover of “Blouse Collection” by Junichi Nakahara in 1953Figure 5. Fashion Illustration by Isao Yajima who was very active in the international fashion scene, in 19974.2 Stylebook production and fashion platesJunichi Nakahara was a great artist who made a large contribution to the fashion culture of the Showa era though the use of mass media. A very active illustrator in the pre-war period, Junichi Nakahara established the Himawarisya Co. Ltd. and started the women’s magazine Soleil (later Soreiyu) in 1946 (the 21st year of Showa). These magazines were created for his own original world and ideological fulfillment, and his aesthetics, which aimed to nurture beautiful, gentle and wise women who understood about beautiful living [1].4.3 Fashion illustrations of fashion magazines and technical journalsIn the 1960's the fashion illustration was also used by mass media, such as current fashion magazines and technical journals.Upon entering the 1960's, the publishing of fashion plates that detail fashion decreased in Japan too, as fashion Photography developed. Fashion illustration dispensed with the explanation picture, and strengthened the element of image communication. Japanese illustrators active in overseas mass media such as overseas fashion magazines and fashion technical journals came to exist, too.The fashion illustration is also used by technical journal in the fashion industry in Japan. There are a lot of examples in which the fashion illustration is used as an image of the next season, as well as an explanatory drawing of current trends.4.4 Posters of fashion-related companies and fashion illustrations in pamphletsThe posters the fashion-related businesses, such as fashion illustration apparel manufacturers, the fashion buildings, and pamphlet from department stores, catalogues, pamphlets, fliers, etc. are all forms of mass media in which fashion illustrations are published. The fashion illustration plays an important role in sales promotions, in-store exhibitions, and assist presentations such as fashion shows.4.5 Fashion illustrations of book and magazinesFashion illustrations are also widely used by present-day mass media books, magazines, etc. Illustrations were given freedom as a result of the necessity for photographs to be used as informative illustrations, and thus be-came able to pursue the art of expression freely across the board. Therefore, the content of expression has diver-sified to illustrations in the field of the fashion, and the techniques have diversified from hand drawings to CG.4.6 Fashion illustration of clothesClothes on which fashion illustrations are printed now exist. It is also a form of mass media by which these fashion illustrations are published. In some ways, fashion illustrations applied to clothes convey the design message more effectively than the clothing itself.4.7 Fashion illustrations on stationery and goodsStationery and miscellaneous goods on which fashion illustrations are printed exist even today. This is also another form of mass media by which fashion illustrations are released.4.8 Fashion illustration on websitesIn the 21st t century, a lot of fashion illustration is digitalized and then published on websites. In the content of works, the composition of images in addition to conventional still pictures and the release of animations, etc. are seen here and there. We can predict still further developments for the future.5. ConclusionsIn this paper, we took a general view of fashion illustrations from the aspect of media, and we considered their significance. As a result, we found that there is a close relationship between fashion illustration and the mass media, and fashion illustrations are affected by media’s progress and features, since fashion illustrations are published and circulated through media. Therefore, the development and the transformation of new media in addition to past media will influence the means of expression and works of fashion illustrations in the future. Those who produce works need to acquire the fundamental techniques of fashion illustration, make an effort to acquire the latest technology corresponding to progress and the transformation of media, and produce attractive works.This study is financially supported by the Grant-in-Aid for Scientific Research (C) 20520136, (B) 21330101 of the Ministry for Education, Science, Sports, and Culture. We would like to express our gratitude for their support.6. References[1] Takahashi, Y. ed. (1999), Live Beautifully, Junichi Nakahara, Heibonsha, pp.139-155, Tokyo.Reference IllustrationsFigure 1)Gensyokku Ukiyoe Daihyakka Jiten Henshu iinkai ed. (1980), Genshoku Ukiyoe Daihyakka Jiten (Ukiyo-e encyclopedia) vol.7 work 2 Kiyonaga - Utamaro, Taishukan Publishing Co., Ltd., p.99, Tokyo. Figure 2)Takashina, et al. eds. (1993), Collected Works of Japanese Art, vo.24, Kodansha, FigureNo.194,Tokyo. Figure 3)Takehisa, Y. ed. (1957), Yumeji Shigasyu (Art & Poetry book of Yumeji), Nobarasha Co. p.171, Tokyo. Figure 4) Nakahara, J. ed. (1953), Blouse Collection, Himawarisya Co. Ltd., Front Cover,Tokyo.Figure 5) Private Collection, 1997.。
使用番号的具体流程英文
使用番号的具体流程1. Introduction番号(Fān hào) is a unique identification system used in certain industries, particularly in the adult entertainment industry in Japan. It serves as a means of organizing and categorizing different media content. This document aims to outline the specific process of using a 番号 and its associated workflow.2. Selecting a 番号When using a 番号, the first step is to select an appropriate one for the content you are dealing with. The 番号 typically consists of a combination of letters and numbers that represent specific attributes or categories. It is important to choose a 番号 that accurately reflects the nature of the content.3. Registering a 番号Once a 番号 has been selected, the next step is to register it. Registration can usually be done through an online platform or a designated registration authority. The registration process may involve providing relevant information about the content, such as title, genre, and performers. It is important to provide accurate and detailed information during the registration process.4. Labeling the ContentAfter the 番号 has been registered, it is necessary to label the content with the assigned 番号. This can be done by including the 番号 on the cover or packaging of printed media, or by embedding it in the metadata of digital content. Proper labeling ensures that the content can be easily identified and categorized.5. Distribution and PublishingOnce the content has been labeled with the 番号, it can be distributed or published. Whether it is through physical distribution or online platforms, the 番号serves as a reference for consumers and industry professionals to identify and locate the content. It is important to ensure that the 番号 is clearly visible or easily accessible to potential users.6. Monitoring and EnforcementAs the use of 番号 is regulated within the industry, monitoring and enforcement of proper usage is important. Unauthorized use of a 番号 or mislabeling content canresult in legal consequences. Therefore, it is crucial to regularly check for proper usage of the assigned 番号 and take necessary actions to ensure compliance.7. Updating or Retiring a 番号Over time, the need to update or retire a 番号 may arise. This can be due to changes in the content, re-categorization, or other reasons. When such circumstances occur, the 番号 registration should be updated accordingly or retired from use. It is important to keep the 番号 database up-to-date to ensure accuracy and avoid confusion.8. ConclusionThe usage of 番号 plays a significant role in categorizing and organizing content within certain industries. By following the specific workflow outlined in this document, one can ensure the proper selection, registration, labeling, distribution, and monitoring of a 番号. It is essential to adhere to the regulations and guidelines governing the use of 番号 to maintain compliance and integrity within the industry.。
j开头的简短单词
j开头的简短单词1.j字开头的单词有那些jacketn.短大衣，夹克；马铃薯皮jailn.监狱，看守所jamn.果酱；堵塞vt.压紧；突然用力推Januaryn.一月jarn.罐子，坛子v.使受刺激，使震动jawn.颚，颌；夹v.喋喋不休，教训jazzn.爵士乐，爵士舞jealousa.妒忌的；猜疑的jeansn.工装裤，牛仔裤jetn.喷射；喷射流vi.乘喷气式飞机旅行；喷射jeweln.宝石，宝石饰品jobn.工作，职位；零活，一件工作；任务，职责joinv.参加；联合；和…在一起jointn.接合处；关节a.连接的，联合的joken.笑话vi.开玩笑journaln.日报，期刊，杂志；日记，日志；分类帐journalistn.记者，新闻工作者journeyn.旅行，旅途vi.旅行joyn.喜欢，欢乐；乐趣，趣事judgen.法官；裁判；鉴赏家v.判断；裁决；审判judgementn.判决，审判；判断力；判断，看法judgmentn.判断（力）；审判，判决；评价，意见juicen.（蔬菜、水果等的）汁，液，浆Julyn.七月jumpv./n.跳，跳跃，跳过；暴涨，猛增Junen.六月junglen.丛林，密林juniora.年少的；职位较低的n.晚辈；等级较低者juryn.陪审团justa.正义的；公正的ad.正好；只是；刚刚justicen.正义；司法，审判justifyvt.证明…是正当的，为…辩护2.j字开头的单词有那些一、just英[d??st]美[d??st]adv.刚才；仅仅；正好；正是；简直adj.公平的；公正的；适当的；精确的示例：Iamjustteasingyou;youneednotbenervous.我仅仅是在跟你闹着玩，你不要紧张。
二、job英[d??b]美[d?ɑ?b]n.工作；职业；职位；（一项）任务；活儿；职责；犯罪行为；物件示例：Idogetajobinatravelagency.我真的在旅行社找了份工作。
日本电影产业发展趋势
Japanese Film Industry TrendsJapanese Economy Division Summary• More cinema complexes mean continued high attendance and strong box office revenues.• Animated films form the core of Japanese movies shown overseas.• Hollywood is interested in remaking Japanese horror films.• Broadband and DVD have expanded the market for film content reuse.1. The MarketFilm attendance in Japan exceeded 160 million every year between 2001 and 2005, and box office revenues held at around ¥200 billion during the same period (Figs. 1 and 2). An increase in theaters (screens) is considered the main factor.Previously, the popularity of television was the major reason for the chronic decline in screens from a high of 7,457 in the 1960s. Fewer theaters resulted in a vicious cycle in which inconvenience and crowding drove even more customers away from movies. By 1993, only 20% (1,734 screens) remained.From 1995, however, more screens were built, reaching 2,825 by 2004 (Fig. 3). The spread of cinema complexes with multiple screens was a key factor in turning around attendance, as moviegoers liked having a range of movie choices in one location. Further, complexes located in suburban shopping areas began generating a new base of suburban customers. The gradual introduction of reserved seating (including online reservations) was another key development. Conventionally, theaters offered general admission only and sold more tickets than seats (because standing was allowed), meaning that people had to go early to wait in line for a seat. Finally, the spread of cinema chains has made it easier to circumvent major distribution companies, leading to more releases (Fig. 4) and higher attendance.Japanese films achieved an eight-year high in ratio of releases versus foreign films in 2005, and revenues rose 3.4% to ¥81.8 billion. Foreign film revenues fell 11.7% to ¥116.4 billion, and only one earned more than ¥10 billion (Harry Potter and the Goblet of Fire, ¥11.5 billion)1. Overall, attendance slumped 5.7% to 160.45 million and revenues fell 6.0% to ¥198.2 billion (Fig. 5), the first decline in either category since 2002.2. The IndustryThe major players in the Japanese film industry are production companies, distributors and exhibitors. The three major producers — Shochiku, Toei and Toho — either make or consign production of almost all domestic films. Other firms include small production companies affiliated with the Japan Film Makers Association. Distribution companies secure theaters for releasing films and undertake sales, while exhibitors operate theaters. Along with those directly operated by the three majors and their affiliates, independents and foreign-affiliated firms also operate cinemas. The three majors hold an overwhelming share because they control everything—production, distribution and theaters. Foreign films are handled either by major Hollywood production companies, which release films through affiliated distributors, or by Japanese distributors that purchase rights. The Hollywood majors basically use five distributors in Japan: Warner Entertainment Japan, Sony Pictures Entertainment, Buena Vista International Japan, United International Pictures and 20th Century Fox.The leading independent distributors of imported films are Asmik Ace Entertainment, Cinequanon, Gaga Communications, Humax, Nippon Herald Films and Toshiba Entertainment. Toho-Towa, which has relationships with the majors and their distribution divisions, also distributes foreign and Japanese films.1 There were four in 2004: The Last Samurai, Harry Potter and the Prisoner of Azkaban, Finding Nemo, and Lord of the Rings: The Return of the King.3. Movie TrendsReleases were divided almost equally between foreign and Japanese movies in 2005, but foreign films accounted for approximately 60% of revenues. Japanese revenues, however, have been rising. The 20 top-grossing films included nine Japanese movies, two more than in 2004 (Fig.7). More than 350 Japanese films were released in 2005, earning more than ¥800 billion, the highest since 2000, when the Motion Picture Producers Association of Japan switched from publishing distribution income to box office revenue).The animated feature Howl’s Moving Castle, directed by Hayao Miyazaki, grossed nearly ¥20 billion and was number one for a second straight year in 2005. Others earning over one billion yen included Pocket Monsters Mew and the Wave Guiding Hero: Lucario, Detective Conan: Strategy Above the Depths and Crayon Shin-chan: Buri Buri 3 Minutes Charge. Feature films based on TV cartoons proved popular (Fig. 8).Nana and Train Man, two hit movies about young love, are both adaptations of popular manga comics (as well as a novel, in the case of Train Man). Nana, ranking fourth with four billion yen in revenues, was adapted from a hit manga series for girls that had sold 32 million copies as of 2005, according to Shuppan Shihyo Nenpo (Publishing Indices Annual). Train Man, a story about an Internet friendship site and the young geeks who frequent it, was made into a movie after generating a huge following as a novel, manga and in other media.Hollywood studio blockbusters dominating the foreign-film box office included Harry Potter and the Goblet of Fire, Star Wars Episode III: Revenge of the Sith, Ocean’s Twelve and other sequels of popular series.4. Import/Export TrendsForeign films in JapanAccording to the Foreign Film Importers–Distributors Association of Japan, 375 foreign films were distributed in Japan in 2005 (Fig. 9). Of these, 153 were from the U.S.A. (40.8% of total), 61 South Korean (16.3%) and 23 French (6.1%). Foreign films, particularly from the U.S.A., have always been significant in Japan, yet South Korean films began making a strong showing in 2004. The size of the film market is determined largely by the number of topical or hit films, and the number of foreign releases, which can change drastically each year. South Korean releases, which increased from 29 to 61 in 2004, have ranked second only to U.S. releases in the wake of Winter Sonata, a highly popular South Korean TV drama that first aired in Japan in 2004. French films, meanwhile, have been on the decline.Hollywood films occupied most of the top spots, other than those taken by seven non-U.S. foreign films earning at least one billion yen in 2005 (Fig. 10). Science fiction, such as Harry Potter and the Goblet of Fire, Star Wars Episode III: Revenge of the Sith and War of the Worlds, was popular. Among South Korean films, love stories A Moment to Remember (¥3 billion), April Snow (¥2.75 billion) and Windstruck (¥2 billion) all earned at least ¥2 billion.Japanese films overseasAlthough data on Japanese films exported for release overseas is limited, exports were dominated by animated features, which have established a reputation for excellent visual and story quality. Japanese films in general have attracted considerable attention in the U.S., as evidenced by the increasing efforts of Hollywood studios to obtain remake rights to Japanese films. So far, most of the remade films have been horror movies (Fig. 11). Following the smash success of The Ring, the remake of the eponymous 2002 horror movie, a sequel remake, The Ring Two, was released in 2005. Other than horror films, Eight Below, the remake of Nankyoku Monogatari (Story of Antarctica), grossed more than $80 million following its U.S. release in February 2006.Japanese films released in the U.S. between 2005 and August 2006 (Fig. 12) included the animated features Howl’s Moving Castle, Steamboy by Katsuhiro Otomo and Appleseed, an original work by Masamune Shirow. Howl’s Moving Castle has topped the domestic box office for two years running since its November 2004 release in Japan and has also reached ninth placeall-time in the U.S., grossing $4.71 million. Meanwhile, Yuya Yagira of the hit Nobody Knows received the best actor award at the Cannes Film Festival, a first for a Japanese actor.Sources: Box OfficeMojo, Wowmax Media5. Industry topics“Let’s go to the movies!” campaignFour organizations—the Motion Picture Producers Association of Japan, Foreign Film Importer-Distributors Association of Japan, Japan Association of Theater Owners, and Motion Picture Association—launched the “Let’s go to the movies!” campaign in July 2004. The first phase introduced a discount on one of a couple’s two tickets to ¥1,000 if either person was 50 or older. The second phase introduced a plan that offered one discounted ¥1,000 ticket to each group of three or more high school students. Thanks to these offers, attendance rose. According to the campaign committee, 50-or-over couples’ share of moviegoers rose from under three percent two years ago to five or six percent recently. In 2005, the average theater admission in Japan was ¥1,235, almost as expensive as London or Paris (Fig. 13).Growing reuse of movie contentThe market is increasing for the reuse of movie content in television broadcasting, DVD/video sale/rental and Internet distribution. With the spread of broadband, more providers are offering film-distribution services over the web. The growing popularity of DVD players has also contributed to the expansion of secondary uses for movie content (Fig. 14).According to a study by the Institute for Information and Communications Policy on media software production and distribution, the market for terrestrial broadcasting, satellite broadcasting, DVD/video sales and rentals and Internet distribution totaled ¥588.3 billion in 2004. This was 2.8 times more than the ¥211 billion earned from theater releases. DVD/video rentals totaled ¥233.6 billion, or 40% of the market.6. Organization and Company WebsitesThis report, an updated version of Japan Film Industry Trends (May 2005), was compiled by JETRO using research data provided by Yano Research Institute.If you have questions, concerns or comments regarding this report, please email the Japanese Economy Division at ERC@jetro.go.jp.If you would like to see reports about other industries, please visithttp://www.jetro.go.jp/en/market/trend/industrial/。
日本高校图书馆联盟的营销策略应用——以JUSTICE为例
日本高校图书馆联盟的营销策略应用——以JUSTICE为例〔摘要〕高校图书馆联盟面临竞争激烈、成本增加、经费缩减及用户需求多样化等挑战，引入营销理论，有助于图书馆联盟提高购买力和谈判效果，推广图书馆的产品和服务，降低管理运营成本，实现组织目标。
笔者以JUSTICE为例，结合联盟组织结构，运用6P营销理论，调查日本高校图书馆联盟的营销策略，分析JUSTICE在成员关系、部门分工、成本控制、人员培训方面的特点，为我国图书馆联盟的发展提供参考。
〔关键词〕营销策略图书馆营销JUSTICE 高校图书馆联盟1 引言科特勒等将营销理论应用于非营利组织后，图书馆也逐渐引入营销思想[1]。
1983年，美国图书馆协会ALA定义了图书馆营销的概念。
1997年，国际图联专业委员会设立了“管理与市场营销分委会”（Management and Marketing Section），目前有150多个国家和地区的1500多所机构加入。
国际图联设置了国际营销奖（International Marketing Award），推动营销理论与实践在世界图书馆界的广泛发展[2]。
20世纪80年代以后，海外学术期刊价格高涨，到90年代后半期，期刊电子化发展迅速[3]。
出版商垄断学术市场，加之高校经费有限，各学科的教育科研活动需要学术信息的长期支持，导致国内外高校图书馆联盟面临竞争激烈、成本增加、经费缩减及用户需求多样化等挑战。
图书馆联盟引入营销理论，有助于在市场经济环境下提高购买力和谈判效果，宣传推广相关产品和服务，降低管理运营成本，从而服务更多机构和个人，实现组织目标。
日本JUSTICE作为世界四大图书馆联盟中虽成立最晚，但在国际图书馆界发展迅速。
笔者以JUSTICE为调查对象，研究日本高校图书馆联盟的营销策略。
2 JUSTICE概况2.1 联盟成立JUSTICE，全称Japan Alliance of University Library Consortia for E-Resource（日本大学图书馆电子资源联盟），因主要业务是电子资源联合采购，又被称为日本大学图书馆电子资源采购联盟。
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Table 1—New titles and number of copies published
New titles
Copies published (millions)
Year
(% growth)
New
General
2004
74,587(2.7%)
396
1,232
zine circulation Number of titles
Number of copies (millions)
Year
Monthlies Weeklies
Monthlies
Weeklies
2004
3,505
100
2,808
1,399
2005
3,536
106
2,818
1,329
2006
3,557
95
2,747
1,259
2007
3,543
101
2,668
1,236
2008
3,511
102
2,546
1,174
2009
3,439
100
2,381
1,058
Source: Shuppan Geppo 20010.1 Shuppan Kagaku Kenkyujo
Chapter 2 Major Players in the Publishing Industry
25
6 The Legal Environment of Publishing Industry
26
7 Activities for Reading Promotion
30
8 Electronic Publishing
32
9 Bestsellers 2003-2008
34
10 Libraries in Japan
An Introduction to
Publishing in Japan
2010–2011
JAPAN BOOK PUBLISHERS ASSOCIATION
An Introduction to Publishing in Japan 2010-2011
© Japan Book Publishers Association 2010
Printed in Japan
Preface
This booklet is intended to serve as a brief summary of and an introduction to the Japanese publishing world. As a result of rapid internationalization in recent years, there has been an increase in the number of opportunities for those of us in the Japanese publishing industry to make contact with people in the publishing industry in other countries. Contact with foreign publishers involves not only practical business matters but also discussion of the present publishing situation in Japan. The volume of information on Japanese publishing available to foreign publishers is far less than the amount of information about overseas publishing available to us in Japan, largely because of the barrier of the Japanese language. We at the JBPA believe that it is necessary to take advantage of every opportunity to broaden and deepen overseas knowledge about the Japanese publishing world and to further our understanding of our foreign counterparts. This booklet was produced with those two goals in mind. We hope it will be used as a handy reference tool at book fairs and other international gatherings.
February 2010 International Committee
Japan Book Publishers Association
Contents
1 The Outline of the Publishing Industry in Japan
7
2 Major Players in the Publishing Industry
9
3 Distribution and Sale of Publication
14
4 International Activities in Japanese Publishing Industry
18
5 Development of Infrastructure of Publishing Distribution
Edited by International Committee, Japan Book Publishers Association
Published by Japan Book Publishers Association 6, Fukuromachi, Shinjuku-ku, Tokyo 162-0828, Japan Tel: (03) 3268-1303 Fax: (03) 3268-1196 www.jbpa.or.jp
398
1,257
2006
77,722(1.6%)
402
2007
77,417(▲0.4%)
404
1,283 1,318
2008
76,322(▲1.4%)
397
1,318
2009
78,555(2.9%)
386
1,274
Source: Shuppan Geppo 2010.1 Shuppan Kagaku Kenkyujo
Even though the total sales of publications are decreasing, the number of new titles is not decreasing at the same rate. While the average sales per title are decreasing, publishers intend to keep their sales with publishing new titles. In some cases, wholesalers pay for the new titles to publishers before those books are actually sold at the bookstore. Of course, the term of payment offered by wholesaler depends on the relationship between publisher and wholesaler.
Chapter 1 The Outline of the Publishing Industry in Japan
The main characters of the publishing industry in Japan are as follows;
1. Approximately 70% of publications are distributed by a few wholesalers which cover the whole country. 2. Bookstores are able to stock publications without any risk because of the consignment system. 3. Readers are able to buy publications for fixed price anywhere in Japan because of the Resale Price Maintenance System. 4. Most medium-sized and large publishers in Japan produce both books and magazines, and both are distributed through the same channel. 5. Most of publishers are small or medium-sized company and their stocks are not listed on the market. Mergers and acquisitions of publishing companies seldom occur in Japan. 6. The market of publications in Japanese is mature and many books published abroad are translated into Japanese. On the other hand, the market of general books in English is relatively small.