1. Introduction 3 Moving Cast Shadow Detection

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皮影戏介绍英文作文初中

皮影戏介绍英文作文初中

皮影戏介绍英文作文初中全文共3篇示例,供读者参考篇1Chinese shadow play, also known as shadow puppetry, is a traditional form of storytelling and entertainment that originated in ancient China. It has a history of over 2000 years and is considered one of the earliest forms of puppetry in the world. The art of shadow play involves using puppets made of animal skin or paper to create shadow images on a screen, accompanied by music and narration.The puppets used in Chinese shadow play are typically made from thin, translucent materials such as leather or paper. They are intricately cut and decorated with colorful designs to represent various characters and objects. These puppets are manipulated by puppeteers who stand behind a white screen, using rods and strings to create movements and gestures that are cast as shadows onto the screen.The performances of Chinese shadow play usually revolve around traditional folk tales, legends, and myths. The stories are often accompanied by music played on traditional instrumentssuch as drums, gongs, and flutes. The puppeteers also provide voiceovers and sound effects to enhance the storytelling experience.One of the most famous shadow play performances in China is the "Legend of the White Snake," which tells the tale of a powerful and malevolent snake demon who falls in love with a human man. The story is full of drama, romance, and supernatural elements, making it a favorite among audiences of all ages.Chinese shadow play has been recognized by UNESCO as an Intangible Cultural Heritage of Humanity, preserving and promoting this ancient art form for future generations to enjoy. It continues to be performed in traditional theaters, cultural events, and festivals across China and around the world.In conclusion, Chinese shadow play is a unique and captivating art form that has been passed down through generations. It combines storytelling, puppetry, music, and visual effects to create a magical and immersive experience for audiences. Through its rich history and cultural significance, Chinese shadow play remains a cherished part of China's cultural heritage.篇2Introduction to Shadow PlayShadow play, also known as shadow puppetry, is a traditional form of puppetry that has been performed in various cultures around the world for centuries. It is believed to have originated in China during the Han Dynasty more than 2,000 years ago. The art form involves manipulating flat, opaque figures made of leather or paper against a translucent screen to create shadows that tell a story.In China, shadow play is called "pi ying xi" (皮影戏), with "pi" meaning leather and "ying" meaning shadow. The figures used in Chinese shadow play are often made from animal hides, which are intricately cut and painted with vibrant colors. These figures are then mounted on bamboo sticks and manipulated by puppeteers behind a backlit screen.The stories told in Chinese shadow play are usually based on traditional folklore, myths, and legends. The most popular tales include the legend of the Monkey King, the story of the cowherd and the weaver girl, and the adventures of the Eight Immortals. The performances are accompanied by traditional music, singing, and narration to enhance the audience's immersion in the story.Shadow play has spread to other parts of Asia, including Indonesia, India, Malaysia, and Thailand, where it has evolved to incorporate local customs and traditions. Each culture has its own unique style of shadow play, with distinct techniques, figures, and storytelling conventions.In recent years, shadow play has seen a resurgence in popularity as a form of cultural heritage preservation and artistic expression. Many contemporary artists and performers are experimenting with new technologies and storytelling techniques to bring this ancient art form to a modern audience.In conclusion, shadow play is a captivating and enchanting form of puppetry that continues to fascinate audiences around the world. Its rich cultural history, intricate craftsmanship, and timeless stories make it a cherished art form that will continue to endure for generations to come.篇3The Introduction of Shadow PlayShadow play, also known as shadow puppetry, is an ancient form of storytelling and entertainment that dates back to over 2,000 years ago in China. It involves manipulating translucentpuppets made of leather or other materials behind a backlit screen to create dynamic and engaging visual narratives.The puppets used in shadow play are typically intricately designed and crafted, with joints that allow for articulation and movement. These puppets are placed between a source of light and a screen, which can be made of paper, fabric, or other materials that allow light to pass through but are opaque enough to create shadows.The puppeteers, who are skilled in the art of shadow play, stand behind the screen and manipulate the puppets using rods and strings to create a variety of movements and gestures. By moving the puppets closer to or further away from the light source, the puppeteers can control the size of the shadows and create a sense of depth and perspective in the performance.Shadow play performances are often accompanied by music, singing, and narration to enhance the storytelling experience. The stories depicted in shadow play performances can range from traditional folk tales and legends to contemporary adaptations of popular stories and myths.One of the most famous examples of shadow play is the Chinese tradition of shadow puppetry, which has been passed down through generations and continues to be a beloved formof entertainment in many parts of China and other countries in Asia. In addition to its cultural significance, shadow play also serves as a valuable educational tool for teaching history, morality, and cultural values to audiences of all ages.In recent years, shadow play has experienced a resurgence in popularity as a form of visual arts and entertainment. Many artists and performers around the world are innovating new ways to incorporate shadow play techniques into modern theatrical productions, films, and multimedia installations.Overall, shadow play is a timeless and captivating art form that continues to inspire and delight audiences with its creative storytelling and dazzling visual effects. Whether experienced in a traditional village setting or a contemporary theater, shadow play is sure to leave a lasting impression on all who witness its magic.。

艺术设计英语(第二版) 课后答案

艺术设计英语(第二版) 课后答案

English for Art DesignUnit 1 IntroductionLesson 1 Art in ChinaLook and Learn(横向从左至右)1. figure2. new year painting3. landscape4. bird-and-flower painting5. calligraphy6. muralDialogueA. 1. “Haven’t seen you for a long time.”2. the Art Museum to visit a Chinese brush painting and calligraphy exhibitionB. calligraphy / museum / exhibition / favorite / enjoyableReading (横向从左至右)A.Xuan paper 毛笔brush 帛silk 宣纸B.c a b dLesson 2 Art in the Western WorldLook and Learn (横向从左至右)1. Picasso2. Van Gogh3. Dali4. Seurat5. Monet6. Henri RousseauDialogueA. 1. No2. Yes3. No4. YesB. Florence Baroque ImpressionismA. 1. c 2. a 3. cB. 1. The Last Supper 2. Mona Lisa 3. Self-portraitUnit 2 PaintingLesson 1 Common Building Materials Look and Learn (横向从左至右)1. highlight2. core shadow3. mid-tone4. cast shadow5. reflected lightDialogueA. 1. Yes2. Yes3. No4. YesB. 1. c 2. d 3. b 4. AReadingA. 1. cone 2. sphere 3. cylinder 4. cubeB. 1. d2. b3. cLesson 2 ConcreteLook and Learn (横向从左至右)1. rectangle2. line3. oval4. triangle5. circle6. squareDialogueA. 1. Ann is going to the Sun Park.2. Ann would like to have a sketch there.3. She can get there by bus.B. Practice in pairs.A. graphite pencils 写生本charcoals 铅笔sketchbook 炭笔B.freehand / sketchbook / experience / essential / proportion / perspectiveLesson 3 ColorLook and Learn1. color wheel2. complementary colors3. analogous colors4. primary colors5. secondary colors6. tertiary colorsDialogueA. 1. Yes2. No3. No4. YesReadingA. tint / shade / toneB. 1. hue / value / saturation2. gray scale3. purity4. Light / brightLesson 4 Pattern and Formation Look and Learn1. repetition2. anomaly3. concentration4. radiation5. similarity6. graduation7. texture8. contrastA. 1. He is thinking of using it to decorate as cushions.2. No, it doesn’t.B.cushion 座垫floor cushions 茶几垫tea table mat 垫子ReadingA. balance / unity / emphasis / harmony / relationship / proportion / rhythmB.1. balance gives us the feeling that all parts of the works are in harmony2. rhythm makes the artwork seem active3. emphasis catches our attention at first4. unity fits every element in the artwork together5. proportion adds emphasis and balance among the elements as a wholeUnit 3 DesignLesson 1 Graphic DesignLook and Learn(横向从左至右)1. logo2. website3. business card4. advertisement5. poster6. product packagingDialogueA. 1. Yes2. No3. No4. YesB. 1. the first poster2. the second posterReadingA. 1. talk to your clients to gather as much information as you can.2. softwares3. fonts, size, arrangementB. 1. talk to your clients to gather as much as information as you can2. a harmonious looking centered on the theme is more beautiful3. you can modify the images depending on softwares4. the choice of fonts, size and arrangement should be considered carefullyLesson 2 Interior DesignLook and Learn(横向从左至右)1. living room2. dining room3. bedroom4. study room5. bathroom6. KitchenDialogueA. 4 3 5 1 2 6B.1.frame the headboard with a canopy to draw the eye up and create the illusion of a high ceiling2.try to hang the curtains above the top of the window frame.3.pick an oversize mirror to make the room appears larger.4.choose the vertical stripe wall papere the dark color wall paper for one single wall.ReadingA.B. considerinteriordecorativemoodcategoryLesson 3 Industrial Product DesignLook and Learn(横向从左至右)1. household Appliance2. furniture3. electronic appliance4. transportationDialogueA. 1. Yes2. No3. No4. YesB.inconvenientwirelesspersonalizeportableefficiencyReadingA.1.艺术的基本概念2.尽管这个计划构思很好,但是因资金不足而流产3.可用性测试B.Usability 应力分析stress analysis 材料工程materials engineering 可用性Lesson 4 Fashion Design Look and Learn(横向从左至右)1. bloomers2. rompers3. harem pants4. bell-bottomed pants5. pencil pants6. straight trousersDialogueA. 1. No2. Yes3. Yes4. NoB. 1. princess dress2. shirt dress3. empire dressReadingA. 1. b 2. c 3. cB. 1. Jeannet suit2. The Camellia flower accessory3. The double C logoLesson 5 AnimationLook and Learn(横向从左至右)1.extra long shot2. long shot3. medium long shot4. medium shot5. close-up6. extreme close-upDialogueA. 1. She saw a film with one of her friends.2. Kung Fu Panda.B.awesomeattentionattractiveanimationReadingA. 1. computer animation 2. stop motion 3. traditional animationB. 1. takes much time and requires a team of animators2. requires patience3. make the process easier and fasterUnit 4 Software for DesigningLesson 1 Software for Graphic Design: Photoshop & CorelDRAW Look and Learn(横向从左至右)1. blur tool2. brush tool3. eraser tool4. magic wand tool5. marquee tool6. move toolDialogueA. 1. No2. No3. No4. YesB. a c bReadingA. vector graphics editor 平面设计image processing software 矢量绘图软件graphic design 图形图像处理软件Lesson 2 Software for 3D-Design: 3DS Max Look and Learn(横向从左至右)box cone toruscylinder sphere tubegeosphere teapot pyramidDialogueA. 1. Yes2. No3. No4. YesB. 1.bookcase 2. sofa 3. study tableReadingA.1.Create panel2.Modify panel3.Hierarchy panel4.Motion panel5.Display panel6.Utilities panelB. renderingmodelingcommandmodifyhierarchyutility。

人教版高中英语选择性必修第二册精品课件 Unit 1 Section C

人教版高中英语选择性必修第二册精品课件 Unit 1 Section C

基础落实•必备知识全过关
重点单词 必记写作词汇
1. cast 2. shadow 3. rainbow 4. pour 5. concrete
6. outstanding
vt.投射;向……投以(视线、笑容等);投掷 n.阴影;影子;背光处 n.彩虹 vt.倒出;倾泻;斟(饮料) n.混凝土 adj.混凝土制的;确实的;具体的 adj.优秀的;杰出的;明显的
原因状语从句 宾语从句 China needed its own powerful air force to protect anddefend the country.
[尝试翻译] 然而,在1932年淞沪会战爆发后,钱学森做出了把他的专业改为航空专业的 决定,因为他意识到中国需要自己强大的空军来保护和保卫国家。
Activity 5 诵读佳句 学练写作 1.Read the texts carefully and find the sentence(s) to describe Qian Xuesen’s determination. Nevertheless,Qian did not let that discourage him from taking on the challenge. 2.Read the texts carefully and find the sentence(s) to describe ng’s courage. He was willing to say what others were afraid to say,and to dream of what others were afraid to dream about.
music and drawing,which gave him 10. inspiration

人教版新教材高中英语选择性必修二词汇默写(英译汉)

人教版新教材高中英语选择性必修二词汇默写(英译汉)

76. vivid 77. the big bang theory 选择性必修二 Unit 2 1. complex 2. recall 3. qualification 4. qualify 5. ambition 6. ambitious 7. adaptation 8. comfort 9. tutor 10. cite 11. participate 12. participate in 13. presentation 14. speak up 15. feel at home 16. engage 17. engage in 18. involve 19. get involved in 20. messenger 21. edition 22. culture shock 23. zone 24. comfort zone 25. overwhelming 26. homesickness 27. motivated 28. motivation 29. advisor 30. reasonable 31. expectation 32. applicant 33. firm 34. exposure 35. expose 36. insight 37. departure
默写:英译汉
36. finding 37. initial 38. vaccine 39. framework 40. theoretical framework 41. solid 42. cast 43. shadow 44. rainbow 45. pour 46. concrete 47. plasma 48. aerospace 49. patriotic 50. mechanical 51. mechanic 52. break out 53. aviation 54. defend 55. jet 56. assistant 57. in charge of 58. missile 59. leadership 60. trace 61. outstanding 62. gifted 63. come down 64. abstract 65. steady 66. concept 67. astronomer 68. astronomy 69. telescope 70. besides 71. brilliant 72. furthermore 73. above all 74. fault 75. shift

Detection and tracking of moving cast shadows

Detection and tracking of moving cast shadows

I Introduction
II Detection of Changes Caused by Shadows
In 13], image signal changes caused by moving cast shadows are detected based on four assumptions: (1) Shadow causing light source is strong with respect to other light. This implies that the frame di erence is large in regions changed by cast shadows 12]. Thus, a change detection is applied to a current and to a preceding image from the image sequence 11]. In this paper, camera and background are assumed to be static. Thus, the change detection mask contains only image regions changed by moving objects or moving cast shadows. If camera or background are moving, a global motion compensation may be performed as described in 9]. Three more assumptions are used to retain only those changes that are caused my moving cast shadows. (2) Shadows are on a dominant background. Then, image regions changed by moving cast shadows should have the same motion as the background. If camera and background are static, this means zero motion. Changed image regions with zero motion are detected by two steps. First, in the current and in the preceding image edges are detected. Second, the edges are classi ed into moving edges, if the corresponding frame di erence has high frequencies. Other edges are classi ed as static edges. Changed image regions with zero motion are de ned to be regions with no edges or regions with static edges. 10] 11]. (3) The background has a smooth shape. This implies that the illumination incident on the background is spatially smooth 12]. Then, image regions changed by moving cast shadows should have a smooth frame ratio between the current and the preceding image. The frame ratio is tested for smoothness by evaluating its variance that is calculated for each pel in a local neighborhood. (4) The cast shadows have a penumbra. At certain scene geometries, a cast shadow has thick contours, called penumbra, with a soft illumination transition 6] 15]. Thus, image regions changed by moving cast shadows should preferably have thick contours. 2

2020职称英语词汇C开头:cast a shadow over是什么意思及反义词

2020职称英语词汇C开头:cast a shadow over是什么意思及反义词

2020职称英语词汇C开头:cast a shadow over是什么意思及反义词英语句子The tragedy cast a shadow over their lives.这个悲剧在他们的生命中投下了一片阴影。

The sad news cast a shadow over her face.这个不幸的消息使她脸色阴沉。

As long as it remained unsolved, it cast a shadow over the relations between us.这个问题不解决,在我们两国和两国人民之间总是存有着阴影。

The tragedy cast a shadow on/over their lives,ie made them gloomy and depressed.这个悲剧在他们的生命中投下了一片阴影(使他们愁闷、沮丧).The office block to the west casts its shadow over our balcony朝西的那幢办公大楼遮住了我们阳台的光线。

相似短语cast a shadow over vt.投下阴影,遮光cast a shadow 投影蒙上阴影cast shadow 投影shadow cast 投影cast over 绕针相似单词cast v. [T] 1. 投,掷,抛,扔,撒 2. 投射(光、影、视线等)(+at/on) 3. 脱落;蜕(皮);丢弃 4.(动物)早产 5. 投(票);抽(签);掷(骰子) 6. 选派...扮演角色,为(戏剧、角色)选派演员(+as/in) 7. 浇铸 8. 计算;把...加起来 9. 解雇,辞退;剔除(牲畜) 10. 制定;编排;分类整理 v.[I] 1. 投;抛垂钓鱼钩(cast-iron a. 铸铁的,坚固的,严格的cast-off adj. 脱圈castability 铸造性; 铸造质量; 可铸性castalia n. 诗之泉;灵感的源泉。

tiktok 书籍 英文版的影子日记

tiktok 书籍 英文版的影子日记

tiktok 书籍英文版的影子日记Title: The Shadow Diary: An English Edition Inspired by TikTokIntroduction:In the digital age, TikTok has become a platform where stories are born, shared, and multiplied."The Shadow Diary" is a captivating book that embraces the essence of this era, translating the brief snippets of life on TikTok into a compelling narrative.This English edition aims to provide readers with an immersive experience, exploring themes of identity, self-reflection, and the shadows that follow us in our daily lives.Chapter 1: The Birth of ShadowsThe diary opens with the protagonist, a young content creator, pondering the concept of shadows.In today"s world of social media, our online personas are like shadows, sometimes following our true selves closely, other times drifting away into uncharted territories.This chapter delves into the inception of the shadow diary, a project aimed at documenting the contrasts between our public faces and private thoughts.Chapter 2: The Dancer in the SpotlightWe meet a TikTok sensation, a dancer who seems to be living the dream.However, behind the perfectly synchronized dances and the adoring comments lies a story of struggle and self-doubt.The shadowdiary exposes the dancer"s innermost fears, revealing that even the brightest lights cast shadows.Chapter 3: The Comedian"s TragedyIn this chapter, we encounter a comedian who has gained fame for making millions laugh.The shadow diary takes us on a journey through the comedian"s personal life, where humor serves as a mask for pain and heartache.It"s a stark reminder that behind every joke lies a story untold.Chapter 4: The Influencer"s SecretHere, we follow an influencer who seems to have it all: the perfect body, a luxurious lifestyle, and a massive following.The shadow diary exposes the dark side of this seemingly perfect life, uncovering the influencer"s battle with self-image and the relentless pursuit of perfection.Chapter 5: The Shadow WithinThis chapter focuses on the readers themselves, encouraging them to reflect on their own shadows.Through thought-provoking questions and introspective exercises, the shadow diary becomes a tool for self-discovery, asking readers to confront and embrace their own inner darkness.Chapter 6: Embracing the ShadowsThe final chapter emphasizes the importance of accepting ourshadows as an integral part of who we are.It encourages readers to find balance between their public personas and private selves, acknowledging that our shadows can be a source of strength and creativity if we learn to understand and embrace them.Conclusion:"The Shadow Diary" concludes by reminding us that social media platforms like TikTok are mirrors reflecting our society"s collective consciousness.By exploring the shadows cast by these digital lives, we can gain a deeper understanding of ourselves and others, ultimately leading to a more compassionate and connected world.ote: The above content is a creative interpretation of the task title and does not claim to represent any existing book or publication.。

大学英语作文闪光句型

大学英语作文闪光句型

大学英语作文闪光句型Certainly! Here are some shining sentence patterns you can incorporate into your college English composition:1. Introduction:In today's society, it is undeniable that...With the rapid development of technology, the issue of... has become increasingly prominent.It goes without saying that...2. Presenting Arguments:Firstly, it is important to consider...Moreover, it should be noted that...Furthermore, there is compelling evidence to suggestthat...Additionally, one cannot overlook the fact that...Equally important is the idea that...3. Providing Examples:For instance, in the field of [subject], recent studies have shown that...A case in point is...To illustrate this point, let us consider the example of...Consider, for example, the case of...4. Contrasting Ideas:On the contrary, some argue that...However, it must be acknowledged that...Nevertheless, it is important to recognize that...Conversely, others contend that...5. Concluding Thoughts:In conclusion, it is evident that...To sum up, the importance of [subject] cannot be overstated.Ultimately, it is imperative that we...All things considered, it is clear that...6. Making Recommendations:Moving forward, it is essential that steps be taken to address...In light of these findings, it is recommended that...To mitigate this issue, it is advisable to...7. Emphasizing Importance:It is imperative that we recognize the significance of...The importance of [subject] cannot be overstated.It is crucial that immediate action be taken to address...8. Expressing Certainty:There is no doubt that...It is undeniable that...Without a shadow of a doubt...9. Expressing Uncertainty:While it may seem clear-cut, there are nuances to consider...It is worth noting that there is still much debate surrounding...The issue is complex and cannot be easily simplified to...10. Offering Solutions:To address this issue, one possible solution is to...A potential course of action could be to...Implementing [solution] could lead to significant improvements in...Remember, the effective use of these sentence patternscan greatly enhance the coherence and persuasiveness of your writing. Happy composing!。

英语作文能用到的好词好句初一下册

英语作文能用到的好词好句初一下册

英语作文能用到的好词好句初一下册全文共3篇示例,供读者参考篇1Good words and phrases are essential for writing a compelling English composition. In this document, I will introduce some good words and phrases that can be useful for writing essays in the first semester of the first grade.1. Introduction- It goes without saying that...- In this day and age...- With the rapid development of...- Nowadays, people are becoming more aware of...2. Body- On the one hand...- On the other hand...- Furthermore...- Additionally...- Moreover...- In addition to...- Not only... but also... - Similarly...- Likewise...- In contrast...- However...- Nevertheless...- Despite...- Although...- In conclusion...3. Conclusion- To sum up...- All in all...- In a nutshell...- In conclusion...- To conclude...4. Expressing opinions- Personally, I believe...- From my perspective...- In my opinion...- I strongly feel that...- I am convinced that...- It is my firm belief that... 5. Giving examples- For example...- Such as...- Like...- Including...- In particular...- To illustrate...6. Expressing cause and effect - As a result...- Consequently...- Therefore...- Thus...- Due to...- Consequently...- Because of...7. Expressing agreement- I agree with...- I share the same opinion...- I concur with...- I couldn't agree more...8. Expressing disagreement- I disagree with...- I don't share the same opinion...- I have a different perspective...These are just a few examples of good words and phrases that can be helpful when writing English compositions. By incorporating these expressions into your writing, you can make your essays more engaging and persuasive. So, next time you sitdown to write an essay, remember to use these good words and phrases to enhance your writing.篇2English Writing: Good Words and Phrases for Grade 7 First SemesterAs students embark on their journey into the world of English writing in the first semester of Grade 7, it is important to equip them with a range of good words and phrases to enhance their compositions. Below, we have compiled a list of key vocabulary and expressions that can be incorporated into various types of writing assignments, such as narratives, descriptions, and persuasive essays.Narrative Writing:1. Once upon a time...2. Suddenly, out of the blue...3. As the clock struck midnight...4. With bated breath...5. The suspense was palpable...6. In the blink of an eye...7. All of a sudden...8. Time seemed to stand still...Descriptive Writing:1. The sun cast a warm, golden glow over the landscape...2. The scent of fresh flowers wafted through the air...3. The bustling city streets teemed with activity...4. The tranquil waters glistened in the sunlight...5. A sense of serenity washed over me...Persuasive Writing:1. It is imperative that we take action now...2. It is clear beyond a shadow of a doubt that...3. We cannot afford to turn a blind eye to...4. It is incumbent upon us to address this issue immediately...5. We must stand united in our resolve to...In conclusion, by incorporating these good words and phrases into their writing, Grade 7 students can elevate the quality of their compositions and effectively convey their ideasand emotions to their readers. With practice and perseverance, they can become proficient writers and communicators in the English language.篇3As a first-year junior high school student, learning English is essential for me to improve my language skills and communicate effectively with others. In the first semester of junior high school, I have come across many good words and sentences that can greatly enhance the quality of my English compositions. Here are some of the phrases and expressions that I have learned and used in my writing:- In my opinion, I believe that...- It goes without saying that...- As far as I'm concerned...- It is widely acknowledged that...- It is worth noting that...- Furthermore, ...- Moreover, ...- Additionally, ...- On the contrary, ...- In contrast, ...- However, ...- Nevertheless, ...- Therefore, ...- Consequently, ...- In conclusion, ...These phrases not only make my writing more coherent and logical, but also help me express my ideas and opinions more effectively. In addition, I have also learned how to use descriptive language to create vivid images in my compositions. For example:- The majestic mountains towered over the landscape.- The serene lake reflected the clear blue sky.- The old castle stood in ruins, its walls crumbling with age.By incorporating these descriptive words and phrases into my writing, I am able to paint a picture in the reader's mind and make my compositions more engaging and interesting. Furthermore, I have also improved my ability to use varioussentence structures and grammar rules to create more sophisticated and refined sentences. For example:- Not only did she win the race, but she also broke the record.- Despite the rain, they continued with their outdoor picnic.- Having finished her homework, she went out to play with her friends.By practicing and mastering these sentence structures, I am able to produce more complex and coherent sentences that showcase my language proficiency. In conclusion, the English words and phrases that I have learned in the first semester of junior high school have greatly enriched my writing skills and enabled me to express myself more effectively. I look forward to learning more in the following semesters and continuing to improve my English composition abilities.。

findmyshadow英文歌曲

findmyshadow英文歌曲

findmyshadow英文歌曲标题:Exploring the Meaning of the English Song "Find My Shadow"引言概述:"Find My Shadow" is a captivating English song that has gained popularity among music enthusiasts. This article aims to delve into the meaning behind the lyrics of the song, exploring its themes and messages. The article will be structured as follows: an introduction to the song, five main points elaborating on the song's content, and a conclusion summarizing the key takeaways.正文内容:1. The Journey of Self-Discovery1.1 The search for identity: "Find My Shadow" reflects the protagonist's quest to understand their true self and find their place in the world.1.2 Embracing individuality: The song encourages listeners to embrace their unique qualities and not be afraid to stand out from the crowd.1.3 Overcoming obstacles: The lyrics depict the challenges faced during the journey of self-discovery, highlighting the importance of perseverance and resilience.2. Emotions and Relationships2.1 Love and heartbreak: "Find My Shadow" explores the complexities of romantic relationships, delving into themes of love, loss, and the pain of separation.2.2 Self-reflection and growth: The song emphasizes the significance of introspection and personal growth in navigating relationships and overcoming emotional hardships.2.3 Connection and understanding: Through its lyrics, the song encourages listeners to seek genuine connections with others, fostering empathy and understanding.3. Empowerment and Resilience3.1 Inner strength: "Find My Shadow" inspires individuals to tap into their inner strength and believe in their abilities to overcome challenges.3.2 Self-empowerment: The song promotes self-empowerment, encouraging listeners to take control of their lives and make choices that align with their values and aspirations.3.3 Building resilience: The lyrics highlight the importance of resilience in the face of adversity, urging listeners to bounce back from setbacks and continue pursuing their dreams.4. Freedom and Liberation4.1 Breaking free from constraints: "Find My Shadow" encourages listeners to break free from societal norms and expectations, embracing their true selves without fear of judgment.4.2 Embracing change: The song emphasizes the transformative power of embracing change and stepping out of one's comfort zone.4.3 Liberation through self-expression: The lyrics promote the idea that self-expression is liberating, encouraging listeners to find their voice and express their thoughts and emotions freely.5. Hope and Inspiration5.1 Pursuit of dreams: "Find My Shadow" inspires listeners to pursue their dreams relentlessly, reminding them that anything is possible with determination and perseverance.5.2 Overcoming adversity: The song instills hope by showcasing stories of individuals who have triumphed over adversity, serving as a reminder that challenges can be overcome.5.3 Spreading positivity: Through its uplifting lyrics, the song aims to spread positivity and inspire listeners to make a positive impact in their own lives and the lives of others.总结:In conclusion, "Find My Shadow" is a powerful English song that explores various themes, including self-discovery, emotions and relationships, empowerment and resilience, freedom and liberation, and hope and inspiration. The song's thought-provoking lyrics encourage listeners to embrace their true selves, overcome obstacles, and pursue their dreams with unwavering determination. By resonating with its audience on a deep emotional level, "Find My Shadow" has undoubtedly left a lasting impact on listeners worldwide.。

shadow的用法总结大全

shadow的用法总结大全

shadow的用法总结大全shadow的意思想必大家都有所了解吧,那你们想知道shadow的用法吗?今天我给大家带来了shadow的用法,希望能够帮助到大家,一起来学习吧。

shadow的用法总结大全shadow的意思n. 阴影,影子,鬼,幽灵,隐蔽处vt. 投阴影于,使朦胧,跟踪,尾随,预示vi. 渐变,阴沉adj. 影子内阁的,阴影的,非正式的变形:过去式: shadowed; 现在分词:shadowing; 过去分词:shadowed;shadow用法shadow可以用作名词shadow表示“阴影,阴暗”时,是不可数名词; 表示“人或物的影子”时,是可数名词。

shadow指投射到平面上的黑暗部分,作“部分黑暗”“半暗”解时,常用复数形式。

shadow还可喻指“不祥之兆”。

shadow用作名词的用法例句The tree cast its shadow on the wall.树影映在墙上。

His shadow followed him along the road.他的影子一路上跟着他。

The scandal cast a shadow on his career.这件丑闻给他的事业投上了一层阴影。

shadow可以用作动词shadow用作动词意思是“投影于…之上”“遮蔽光亮”,指一物体使另一物体模糊不清。

引申可表示“变阴暗”“变朦胧”“紧跟着”“盯梢”等。

shadow既可用作及物动词,也可用作不及物动词。

用作及物动词时,接名词、代词作宾语。

用作不及物动词时,多与介词into连用。

shadow用作动词的用法例句Figmentary fears can shadow our whole existence.想像中的恐惧能使我们整个生活蒙上阴影。

He employed a detective to shadow his wife.他雇用了一名私人侦探去跟踪他的夫人。

If there is no shadow, spring is on the way.如果它没有看到影子,则预示着春天即将到来。

shadow 翻译

shadow 翻译

shadow 翻译翻译:影子、阴影用法:1.名词指被物体遮挡而在其背面形成的不照亮的区域,也可以指由物体产生的比周围暗淡的区域。

2.动词指跟随一个或多个人或物体,或在某个位置或情况下跟踪或监视他们。

双语例句:1. The shadow of the mountains created a cool relief from the afternoon sun.山的阴影为下午的阳光带来了宜人的凉意。

2. She noticed a shadow moving outside the window.她注意到窗外有一个影子在移动。

3. He worked in the shadows, never drawing attention to himself.他潜伏在阴影里,从不引人注目。

4. The sunset cast long shadows over the beach.日落在海滩上投下了长长的影子。

5. The politician's shady dealings were finally exposed to the public.政客的不光彩行为终于被公众揭露。

6. The giant tree provided ample shade on the hottest days of summer.这棵巨树在最热的夏日为人们提供了丰沛的阴凉。

7. The murderer lurked in the shadows, waiting for his next victim.凶手潜伏在影子里,等待他的下一个受害者。

8. The child was terrified of the dark shadows that seemed to creep across the walls.孩子非常害怕那些似乎在墙上游荡的黑暗阴影。

9. The artist used intricate shading techniques to create depth and texture in his paintings.艺术家使用精致的渲染技巧在他的画作中创造深度和质感。

你的影子在一天内有什么变化英文作文

你的影子在一天内有什么变化英文作文

你的影子在一天内有什么变化英文作文全文共3篇示例,供读者参考篇1Title: Changes in Your Shadow Throughout the DayIntroductionHave you ever paid attention to how your shadow changes throughout the day? Your shadow is a reflection of yourself and it changes its size, shape, and position as the sun moves across the sky. In this essay, we will explore the various changes that your shadow undergoes in a day.Morning ShadowsIn the early morning, when the sun is low on the horizon, your shadow is long and stretched out. This is because the light rays from the sun hit the Earth at a low angle, causing your shadow to appear elongated. As the sun rises higher in the sky, your shadow becomes shorter and more defined. Bymid-morning, your shadow is at its shortest.Afternoon ShadowsAs the sun reaches its peak in the sky, your shadow starts to lengthen again. This time, however, it appears shorter and wider than the morning shadow. This is because the sun is now at a higher angle, casting a more direct light on you. Your shadow will continue to lengthen throughout the afternoon as the sun starts to move towards the horizon.Evening ShadowsIn the evening, as the sun sets, your shadow becomes long and stretched out again. This time, it is similar to the morning shadow but with a softer, more golden hue. As the sun disappears below the horizon, your shadow slowly fades away into the darkness of the night.ConclusionThroughout the day, your shadow undergoes various changes in size, shape, and position as the sun moves across the sky. By paying attention to these changes, you can gain a better understanding of how light and shadows work. So next time you are outside, take a moment to observe how your shadow changes throughout the day. It may surprise you with its beauty and complexity.篇2Title: Changes in Your Shadow throughout the DayIntroduction:Have you ever paid attention to the changes in your shadow throughout the day? Your shadow isn't just a dark outline of your body on the ground, but it also changes in length, direction, and intensity as the sun moves across the sky. In this essay, I will explore the different ways in which your shadow changes throughout a day.Morning:As the sun rises in the morning, your shadow will be longest and most stretched out. This is because the sun is low on the horizon, casting a long shadow behind you. The angle of the sun's rays also affects the length of your shadow, with a shallower angle producing a longer shadow. As the morning progresses, your shadow will gradually shorten as the sun rises higher in the sky.Noon:At noon, when the sun is directly overhead, your shadow will be at its shortest. This is known as the solar noon, when the sun is at its highest point in the sky. Your shadow will appear directly below you, almost disappearing into the ground. This is becausethe sun's rays are shining straight down, creating the shortest possible shadow.Afternoon:In the afternoon, as the sun starts to descend in the sky, your shadow will begin to lengthen once again. The angle of the sun's rays will change, causing your shadow to move in the opposite direction from the morning. This changing angle of the sun produces a moving shadow, shifting across the ground as the sun sets.Evening:As the sun sets in the evening, your shadow will be longest and stretched out once again. This is similar to the morning, with the low angle of the setting sun casting a long shadow behind you. The intensity of the shadow will also change, with the light becoming more golden and warm as the sun nears the horizon.Conclusion:Throughout the day, your shadow undergoes numerous changes in length, direction, and intensity as the sun moves across the sky. By observing these variations, we can gain a better understanding of how the position of the sun affects our environment and the world around us. Next time you go outside,take a moment to notice how your shadow changes throughout the day, and appreciate the beauty of this natural phenomenon.篇3Throughout the day, our shadow undergoes various changes as the position of the sun shifts in the sky. From the moment the sun rises in the morning to the time it sets in the evening, our shadow constantly evolves in terms of length, direction, and intensity.In the early hours of the morning, when the sun is just starting to rise, our shadow is long and stretched out, reaching its maximum length as it is cast directly opposite to the direction of the sun. This is known as the "morning shadow," and it can often appear exaggerated due to the low angle of the sun in the sky. As the day progresses and the sun climbs higher, our shadow shortens, becoming more compact and defined. This is the "noon shadow," when our shadow is at its shortest and most concentrated.As the afternoon wears on and the sun begins to descend towards the horizon, our shadow once again lengthens, stretching out as the sun's angle decreases. This is the "evening shadow," and it can appear elongated and distorted as the sun'srays become more oblique. Finally, as the sun sets and darkness falls, our shadow disappears altogether, merging with the growing darkness of the night.In addition to changes in length, our shadow also changes direction throughout the day. In the morning, our shadow is cast in a westerly direction, as the sun rises in the east and moves across the sky to the west. At noon, our shadow is directly beneath us, pointing due north. In the afternoon, our shadow shifts to the east as the sun moves towards the horizon in the west. And in the evening, our shadow once again points due north as the sun sets in the west.Furthermore, the intensity of our shadow also varies throughout the day. In the morning and evening, when the sun is low in the sky, our shadow can appear dark and well-defined, with sharp edges and clear outlines. However, at midday, when the sun is directly overhead, our shadow may appear fainter and less distinct, as the sun's rays are more diffused and scattered.Overall, the changes in our shadow throughout the day are a fascinating reminder of the constant movement of the sun and its influence on our surroundings. By observing these changes, we can gain a greater appreciation for the dynamic nature of light and shadow, as well as the cyclical rhythm of the naturalworld. So next time you see your shadow shifting and changing, take a moment to marvel at the beauty and complexity of this everyday phenomenon.。

制作皮影的材料作文英语

制作皮影的材料作文英语

制作皮影的材料作文英语The Art of Shadow Puppetry: A Craft of Tradition and Creativity。

Shadow puppetry, a traditional form of storytelling and entertainment, has captivated audiences for centuries with its magical allure and captivating narratives. The craft of creating shadow puppets involves a delicate balance of artistic skill, cultural heritage, and creative imagination. In this essay, we will explore the materials used in making shadow puppets, the techniques involved, and the rich cultural significance behind this ancient art form.Introduction to Shadow Puppetry。

Shadow puppetry, also known as shadow play, is an ancient form of storytelling that originated in various cultures around the world, including China, India, Indonesia, Turkey, and Greece. It involves manipulating puppets made of translucent materials behind a light sourceto cast shadows on a screen, creating intricate andlifelike silhouettes that depict characters, animals, and scenes from folklore, mythology, and everyday life.Materials Used in Making Shadow Puppets。

人教版选修2词汇表单词英译汉默写

人教版选修2词汇表单词英译汉默写

选择性必修2词汇表单词英译汉默写(新人教版)56.assistant57.in charge of58.missile59.leadership60.trace61.outstanding62.giftede down64.abstract65.steady66.concept67.astronomer68.astronomy69.telescope70.besides71.brilliant72.furthermore73.above all74.fault75.shift76.vivid77.QueenVictoria78.Cambridge79.non-Newtonian fluid80.the JetPropulsion 81.StephenHawking 82.the big bangtheory83.Fred Hoyle Unit 2plex85.recall86.qualification87.qualify88.ambition89.ambitious90.adaptationfort92.tutor93.cite94.participation95.participate96.participate in97.presentation98.speak up99.feel at home 100.engage 101.engage in 102.involve 103.get involvedin104.messenger 105.edition 106.culture shock 107.zonefort zone 109.overwhelming110.homesickness 111.motivated 112.motivation 113.motivate 114.advisor 115.reasonable 116.expectation 117.applicant 118.firm119.exposure 120.expose 121.insight 122.departure 123.setting 124.grasp125.dramatic 126.expense 127.cost an armand a leg 128.tremendous 129.behave 130.surroundings 131.surrounding 132.mature 133.depressed 134.depress 135.boom136.strengthen 137.deny138.optimistic 139.gain 140.perspective petence petent 143.envoy 144.cooperate 145.angle 146.outlook 147.belt148.initiative 149.sincerely 150.budget 151.side with 152.logical 153.as far as Iknow 154.as far as I amconcerned 155.in summary 156.generallyspeaking 157.outcome 158.Room 159.Aisha 160.the Belt andRoadInitiative Unit3 161.cuisine 162.prior163.prior to164.consist 165.consist of 166.pepper 167.recipe 168.bold 169.chef 170.peppercorn 171.vinegar 172.stuff 173.slice 174.slice...off 175.onion mb mb kebab 178.elegant 179.dim sum 180.exceptional 181.minimum 182.consume 183.temper 184.vegetarian 185.junk 186.junk food 187.garlic 188.bacon 189.ham 190.sausage 191.cabbage 192.bean curd 193.brand 194.olive 195.fig196.ingredient 197.dessert 198.dough 199.stable 200.haggis 201.canteen 202.cafeteria 203.bun204.chilli 205.pork206.red braisedpork207.pearl 208.somewhat 209.madam 210.calorie 211.association 212.regardless 213.regardless of 214.category 215.vitamin 216.fibre/fiber 217.quantity 218.dairy 219.moderation 220.ideal 221.fundamental 222.chew 223.consistent 224.modest225.trick226.overall 227.JeanAnthelmeBrillat-Savarin228.Kazak 229.St Andrews Unit 4 230.airline 231.bay232.craft233.antique 234.pleasant 235.arise236.massive 237.literally 238.breath 239.take one'sbreath away 240.bound 241.scenery 242.awesome 243.spectacular 244.peak245.highlight 246.goat247.grizzly bear 248.drill249.freezing 250.freezing cold 251.freeze 252.mall253.prairie 254.anticipate 255.bunch 256.a bunch of 257.thunder 258.frost259.curtain 260.border 261.duration 262.harbour 263.enrol264.quarry 265.idiom266.contrary 267.contrary to 268.anyhow 269.alongside 270.proceed 271.proceed to 272.shore273.astonish 274.misty275.mist276.steel277.dusk278.advertisement 279.accent 280.photographer281.owe282.owe to 283.toast284.cobblestone 285.coherent 286.Halifax 287.Vancouver ke Louise 289.Jasper290.Toronto 291.Edmonton 292.Winnipeg 293.Ontario 294.ButchartGardens ke Huron 296.Quebec 297.Montreal 298.Niagara Falls 299.St Lawrence 300.Jean-Philippe 301.Nova Scotia Unit 5 302.technique 303.leafletan305.toxin306.ray307.sense of touch 308.radiation 309.acidlimeter 311.minor yer313.electric 314.electric shock 315.victim 316.swollen 317.swell318.blister 319.underneath 320.nerve321.fabric 322.loose323.urgent 324.ease325.paramedic 326.swallow 327.wrap328.bathtub 329.bath330.slip331.mosquito 332.elderly 333.carpet 334.operator 335.ambulance 336.delay337.needle 338.IV needle 339.vital sign340.ward341.drown 342.sprain343.ankle344.bleeding 345.bleed346.panic347.interrupt 348.scream 349.fellow 350.diner351.choke352.steak353.throat354.desperate 355.slap356.help...to one’s feet357.practical 358.obstruction 359.fist360.grab361.tightly 362.tight363.motion 364.face up/down 365.justify 366.welfare 367.collapse 368.manual 369.sleep in 370.out of shape 371.foggy 372.suburb 373.membership 374.Taylor 375.CPR376.mouth-to-mouth rescuebreathing 377.Heimlichmanoeuvre。

新视野大学英语第三版B4U5教案

新视野大学英语第三版B4U5教案

新视野大学英语读写教程第四册教案B4U5Unit 5Why culture counts*Teaching Objectives:Students will learn to use English to1. To talk about a stereotype of Chinese language and culture2。

To further understand the text3。

To apply the phrases and sentence patterns4。

To master the paragraph (essay)writing skill*Time Allotment: each unit 8 classes1st-——2nd classes: Part I Warming up1.Lead-in :2.Understanding of the text:including Topic Sentence,Key Words,Logic Words, Reading Clues etcorder to help students have a better understanding about the passage by asking some questions about it。

3rd-—4th classes:Part II Text Study3.Reading in Depth: Structure Analysis, Summary,Difficult sentences analysisnguage Focus:More practice in Language Points (language pointsexplanation, Sentence Patterns,Useful Expressions)5th—6th classes:Part III Reflection5.Critical thinking:More speaking practice in discussion related to stereotypes ofa foreign country and how to deal with cultural differences。

描述一张照片的英语作文大学生

描述一张照片的英语作文大学生

描述一张照片的英语作文大学生Title: Capturing a Moment in Time1. IntroductionIn the heart of every photograph lies a story, frozen in time, waiting to be unfolded. The photo I cherish most is not just a mere representation of light and shadow, but a testament to a moment that encapsulates my university experience, my growth, and the beauty of human connections. It was taken during a sunset on the campus lawn, a perfect blend of nature's grandeur and the warmth of student life.引言每一张照片的中心都隐藏着一个故事,这些故事被时间定格,等待着被展开。

我最珍惜的照片不仅仅是光影的简单呈现,而是对一个时刻的见证,这个时刻凝聚了我的大学经历、我的成长以及人际关系的美丽。

它是在校园草坪上的日落时分拍摄的,完美地融合了自然的壮丽和学生生活的温馨。

2. The SettingThe photo was captured on a warm summer evening, when the sun was bidding farewell to the horizon in a blaze of orange and pink. The campus lawn, usually a hive of activity during the day, had transformed into a serene canvas for the evening. Students had gathered there, some studying, others engaging in light conversations, all bathed in the glow of the setting sun.背景这张照片是在一个温暖的夏日傍晚拍摄的,当时太阳正在橙色和粉色的余晖中与地平线告别。

[英语作文]皮影戏传承

[英语作文]皮影戏传承

[英语作文]皮影戏传承Title: The Legacy of Shadow Puppetry: Preserving an Ancient Art FormIntroductionThe art of shadow puppetry, known as "piyingxi" in Chinese culture, has been a cherished form of storytelling for centuries. This intricate and enchanting performance involves the manipulation of leather figures against a backlit screen, casting their shadows to tell tales of history, mythology, and daily life. However, with the advent of modern entertainment, the tradition of shadow puppetry faces the challenge of survival. In this essay, we will explore the significance of preserving this ancient art form and the efforts being made to ensure its continued legacy.The Historical Significance of Shadow PuppetryOriginating during the Han Dynasty in China, shadow puppetry has spread throughout Asia and beyond, becoming a vital part of cultural expression. It has served not only as entertainment but also as a vehicle for moral education, social commentary, and the preservation of folklore. Each region developed its unique style, with different character designs, movements, and storytelling techniques, contributing to the rich tapestry of this art form.Challenges to the TraditionAs with many traditional arts, shadow puppetry faces challenges in the contemporary world. The rise of digital media and the internet has significantly altered the landscape of entertainment, leading to a decline in interest and support for these age-old performances. Additionally, the craftsmanship involved in creating the puppets requires specialized skills that are increasingly rare to find. The lack of younger generations taking up the mantle poses a threat to the future of this art form.Efforts to Preserve and Promote Shadow PuppetryRecognizing the importance of preserving shadow puppetry, various organizations and individuals have initiated efforts to keep this tradition alive. Some key initiatives include:1. Education and Training: Offering workshops and courses to teach the craft of making and performing with shadow puppets, thus inspiring a new wave of artists.2. Cultural Events: Including shadow puppetry in festivals and cultural exchanges to raise public awareness and generate interest among diverse audiences.3. Digital Preservation: Creating online archives and virtual exhibitions to document and share the history and artistry of shadow puppetry with the global community.4. Collaborations: Partnering with contemporary artists and performers to create hybrid shows that blend traditional techniques with modern themes, thereby appealing to a wider demographic.5. Government Support: Encouraging policymakers to recognize and support shadow puppetry as an integral part of national heritage, providing funding for preservation and development.ConclusionShadow puppetry is more than a mere entertainment; it is a bridge between the past and present, a repository of cultural values, and a testament to human creativity. The ongoing efforts to preserve and promote this ancient art form are crucial for maintaining our connection to historical roots and ensuring that future generations can continue to enjoy and learn from this treasured practice. As we move forward, it is essential to remember that the legacy of shadow puppetry is not just an artifact of antiquity but a living, breathing tradition waiting to be passed on. By supporting and celebrating this art form, we honor the masters of old and inspire new generations to carry on the timeless stories cast by light and shadow.。

2019版外研版(新教材)高中(选择性必修)第四册单词

2019版外研版(新教材)高中(选择性必修)第四册单词

2019高中(选择性必修)第四册单词Unit 11.take action 采取行动2.boyhood[ˈbɔihud] n.少年时代;童年;男孩们,男青少年们3.ambition [æmˈbiʃən]n.雄心;热望;野心的目标;志气;抱负4.trainee [treiˈniː] n.受训者5.correspondent [ˌkɔrisˈpɔndənt] n.通信者;采访员;通讯记者;商务关系者6.bullfighting[ˈbulfaitiŋ]n.斗牛7.historical [hisˈtɔrikəl] a.有关历史的;8.detective [diˈtektiv] n.侦探,探员9.ultimately [ˈʌltimitli] ad.最后;根本地;终于10.d ot[dɔt] n.小点,圆点11.b ackwards [ˈbækwədz] ad.向后;朝相反方向12.a dmission [ədˈmiʃən]n.准许进入;承认,供认13.m ake up one’s mind 做出决定,拿定主意14.pass up 放过,放弃,错过(机会)15.h ave second thoughts(对原先的决定)犹豫,产生怀疑16.p ut off 推迟...使...延期17.r eject ...out of hand 坚决拒绝.....,彻底否决18.w eigh up 仔细考虑,权衡19.p articipation [pɑːˌtisiˈpeiʃən]n.参与;分享20.c omplex [ˈkɔmpleks]a.复杂的;合成的21.d iverge [daiˈvəːdʒ] vi.(道路等)分岔,(意见等)分歧,分开22.u ndergrowth[ˈʌndəgrəuθ] n.(长在大树或周边的)下木层,下层灌木丛23.n umerous[ˈnjuːmərəs] a.极多的;为数众多的24.c ommercial[kəˈməːʃəl]a.商业的;商务的;商业性的;大量生产的n.商业广告25.t houghtful [ˈθɔːtful]a.深思的,思索的;26.s ymbolize [ˈsimbəlaiz]vt.作为…的象征;用符号代表27.a lternative[ɔːlˈtəːnətiv] n.可供选择的事物28.d ilemma[diˈlemə] n.左右为难的状况,进退两难的境地,困境29.a rise [əˈraiz] vi.(由......)引起,起来;升起;出现;30.c ircumstance [ˈsəːkəmstəns] n.情况;现状31.m ixture [ˈmikstʃə] n.混合;混合物;32.a ffection[əˈfekʃən] n.喜爱,钟爱33.q ualified[ˈkwɔlifaid]a.合格的,胜任的,有资格的34.f luency [ˈfluənsi] n.熟练,流利,流畅35.s incerely [sinˈsiəli] ad.诚恳地;真挚地,衷心地36.y ours sincerely 谨上,敬上,谨启(用于以某人名字开头的正式信件的末尾)37.r efreshment [riˈfreʃmənt] n.茶点,点心和饮料38.s hift [ʃift] n(工厂,医院等轮班制中的)当班时间,变换,轮班,转移Unit 21.be reunited with(使)重聚2.weaken[ˈwiːkən]vt.使弱;弄脆3.pessimistic [ˌpesiˈmistik]a.悲观的,悲观主义的4.anticipate [ænˈtisipeit] vt.预期;希望;预料5.possession[pəˈzeʃən] 财产,财务6.abnormal[æbˈnɔːməl] a.异常的;反常的;变态的7.widespread[ˈwaidˈspred]a.分布广的;流传甚广的;普及的8.recognition [ˌrekəgˈniʃən] n.承认,认可;认识9.phrase[freiz] n.短语;习惯用语;成语;10.cooperate [kəuˈɔpəreit]vi.合作;协力;相助11.fee [fiː] n.工作酬金;费用,服务费12.university fee 大学学费13.outstretched [ˈautstretʃt] a.伸展开的14.cram[kræm]vt.填塞;拥挤15.pure [pjuə] a.纯的;清洁的;纯粹的,纯净的16.transparent[t rænsˈpeərənt] a.透明的17.vexed [vekst] a.生气的;恼火的18.absurd [əbˈsəːd] a.荒谬的;不合理的;19.lean [liːn] vi.倾斜;侧身;依赖;偏向20.Madame [ˈmædəm]夫人,女士,太太21.stroke[strəuk]v.轻抚,抚摩22.instinctively[inˈstiŋktivli] ad.本能地;直觉地23.despair[disˈpeə] n.绝望;使人绝望的人24.luxury [ˈlʌkʃəri] n.豪华;奢侈品;豪华奢侈的生活或环境Unit 31.gateway [ˈgeitwei] n.门口,入口;关口;通路2.oasis [əuˈeisis]n.沙漠中之绿洲3.glorious [ˈglɔːriəs] a.光荣的;荣耀的4.boast[bəust]v.夸耀;自夸;夸张;5.grotto[ˈgrɔtəu] n.洞穴;岩穴6.testimony [ˈtestiməni] n.证言;口供;证据7.statue [ˈstætjuː] n.雕像,塑像,铸像8.mural [ˈmjuərəl] n.壁饰;壁画9.religious [riˈlidʒəs] a.宗教的;虔诚的10.Apsaras [æp'sɑ:rəs] n. 飞天11.immortal[iˈmɔːtl] n.不死之人;神仙a.不朽的;不死的;永世的12.heavenly[ˈhevnli].天空的;天国的13.peak[piːk] n.山峰;顶点;顶峰;尖顶14.Taoist priest 道士15.scroll[skrəul] n.卷物;卷轴16.ceramics [siˈræmiks] n.(pl.)陶器;窑;陶瓷器;陶瓷艺品17.crossroads n. 十字路口, 交叉路口, 聚会的中心地点18.expo[ˈekspəu] n.展览会,博览会19.strengthen [ˈstreŋθən] vt.使坚强;加强;巩固20.coverage [ˈkʌvəridʒ] n.某事物所包含之范围;21.scholar [ˈskɔlə] n.学者22.department [diˈpɑːtmənt] n.部,局,处,科;(大学的)系;23.institute [ˈinstitjuːt] n.学会;协会;学院;(研究)所,院;24.I Ching 易经25.The Analects 论语26.Sinologist [sɪ'nɒlədʒɪst] n. 汉学家27.temp le[ˈtempl] n.寺庙;太阳穴28.tune [tjuːn] n.节奏;歌曲;曲调旋律29.shepherd [ˈʃepəd]n.牧羊人;牧师30.historian [hisˈtɔːriən]n.历史学家,史学家31.prior[ˈpraiə] a.先前的,较早的32.Prior to 在.....之前,先于.....33.genius [ˈdʒiːnjəs] n.天才;天才人物34.chamber [ˈtʃeimbə] n.房间;寝室35.romance[rəuˈmæns] n.爱情故事;传奇故事36.kingdom [ˈkiŋdəm] n.王国;领域;王土37.stratagem[ˈstrætidʒəm] n.计谋,诡计;战略;38.enormous [iˈnɔːməs] a.;巨大的;庞大的Unit 41.forehead[ˈfɔrid] n.前额;额;2.blank[blæŋk] a.无表情的,木然的,空白的;完全的3.dizzy [ˈdizi] a.头晕目眩的;昏乱的;迷惑的4.chairwoman[ˈtʃeəˌwumən] n.女主席;女议长5.sunrise [ˈsʌnraiz] .日出,黎明,拂晓6.potential[pəˈtenʃəl]a.可能的;潜在的n.潜力,可能性7.bug[bʌg] n.突然地兴趣,迷恋8.enterprising [ˈentəˌpraiziŋ] a.富有进取心的;冒险性的;有创业精神的9.input[ˈinput] n.输入(资料);投入10.obstacle [ˈɔbstəkl] n.障碍(物);故障;妨害物11.phase [feiz] .n.阶段;时期12.manufacturer [ˌmænjuˈfæktʃərə] n.制造者;制造商;制造厂13.cosmetics[kɔzˈmetiks]n.(pl.)化妆品14.purchase [ˈpəːtʃəs] vt.购买;获得15.distribution [ˌdistriˈbjuːʃən] n.分发;分配;分布;销售16.bonus [ˈbəunəs] n.奖金;额外酬金;红利;17.entrepreneurial[,ɔntrəprə'nə:riəl]adj. 企业家的,创业者的,具有创业精神的18.guidance [ˈgaidəns] n.向导,指导;辅导;19.consultant[kən'sʌltənt] n. 顾问;咨询者20.conventional[kənˈvenʃənl] a.传统的;常见的;习惯的;常规的21.discriminate[disˈkrimineit] v.辨别;歧视,不公正待遇22.equator[iˈkweitə] n.赤道23.estate[isˈteit] n.庄园24.superior [sjuˈpiəriə] a.优越的;优良的,质量上乘的d[maild] a.轻的;温和的;不浓烈的26.calorie [ˈkæləri] n.卡(热量单位)27.subjective [sʌbˈdʒektiv] a.主观的28.freshman [ˈfreʃmən] (pl.freshmen)大学一年级学生;初学者29.make ends meet 使收支仅能相抵30.afloat[əˈfləut] adj.经济上周转的开,不欠债的31.interfere [ˌintəˈfiə] vi.干涉;介入;32.interfere with 妨碍,阻止33.rational [ˈræʃənl] a.理智的;有理性的;合理的34.exceed[ikˈsiːd] vt.超过;超出35.go into debt 陷入债务之中,负债36.financial[faiˈnænʃəl] a.经济上的;财政的;金融的37.accumulate[əˈkjuːmjuleit] vt.积聚;积累;堆积38.automatically[ˌɔːtəˈmætikəli] ad.自动地;机械地;无意识地39.toddler [ˈtɔdlə] n.初学走路的孩子;40.sorrow [ˈsɔrəu] n.悲痛;遗憾;忧愁;不幸;伤心事41.frustration[frʌsˈtreiʃən] n.懊丧,懊恼,沮丧42.hire[ˈhaiə] vt.(短期)租入;租出43.designer clothes 名牌服装44.rent out 出租(房屋,房间,土地等)45.thereby [ˈðeəˈbai] ad.因此,由此46.supervision [ˌsjuːpəˈviʒən] n.监督,管理47.expense [iksˈpens] n.消费;花费48.at the expense of 以损害...为代价49.abuse[əˈbjuːz] vt.滥用;虐待50.theft[θeft]n.偷窃51.purse[pəːs] n.钱包;皮包Unit 51.civilisation[ˌsivilaiˈzeiʃən] n.=civilization,文化;文明;开化;2.intrigue[inˈtriːg]vt.引起…兴趣和好奇;激起...的兴趣3.bury[ˈberi] vt.埋葬;将...埋在下面4.pyramid[ˈpirəmid] n.金字塔;5.astronomy[əsˈtrɔnəmi]6.canal[kəˈnæl] n.运河;沟渠7.tropical[ˈtrɔpikəl] a.热带的;很热的;适合热带的8.cyclone[ˈsaikləun] n.暴风;飓风;旋风;气旋9.megadrought[me'ɡɒdrɔːt]n.百年不遇的干旱;巨大的干旱10.d ownfall[ˈdaunfɔːl] n.降下;衰落11.r uin [ˈruːin] n残垣断壁,废墟,破坏;灭亡12.f all into ruin(因无人照料而)衰落,败落13.a bandon [əˈbændən] vt.离弃;放弃14.d ismiss[disˈmis] vt.拒绝考虑,否定15.e xpansion[iksˈpænʃən]n.扩大,扩充;扩张,膨胀16.g ateway [ˈgeitwei] n.逃跑,逃走17.m ake a gateway 逃跑,逃走18.r un for one’s life逃命19.c heck out 调查,检查20.t est the waters试水,试探21.s teer clear of 避开...从...处脱身22.r etreat[riˈtriːt] v.退却;撤退23.s ubdue [səbˈdjuː] vt.抑制;克制(情绪)24.t he unknown 不为人知的地方,人类尚未到达的地方25.s et out 动身踏上(漫长的)旅途26.u ncharted [ˈʌnˈtʃɑːtid] a.图上没有标明的;未知的27.d elve [delv] v.探索,探究28.t hrow oneself into 积极投入到...中29.t hink twice再三考虑,谨慎考虑30.s hrink[ ʃriŋk ] vi.退缩,畏缩31.s hrink from 避免做,不愿做32.l ook into 调查(问题)33.i nvestigation[inˌvestiˈgeiʃən] n.研究;调查,审查34.s hipwreck[ˈʃiprek]n.船舶失事,海难;毁灭35.a rchaeological [ˌɑːkiəˈlɔdʒikəl] a.考古学的,考古学上的36.c oral[ˈkɔrəl] n.珊瑚37.m illimeter [ˈmiliˌmiːtə] n.毫米(千分之一米)38.b arreleye 管眼鱼39.u pwards[ˈʌpwədz] ad向上地;上升地40.t rench[trentʃ] n.海沟,战壕;沟渠41.e quivalent[iˈkwivələnt] a.相等的;相当的,等同的42.s tack[stæk] vt.堆积于;把…叠成堆,摞起43.f urthermore[ˌfɜːðə'mɔː(r)]adv.而且;此外44.n otable [ˈnəutəbl] a.显著的;值得注意的;卓越的45.s ubstance[ˈsʌbstəns] n.物质;实质;主旨46.v essel [ˈvesl] n.船只;舰47.d rilling [ˈdriliŋ] n.钻探;勘探48.v ol (=volume[ˈvɔljuːm]) n.书本;容积;卷;册Unit 61.become accustomed to习惯于(做)某事2.notion[ˈnəuʃən] n.想法;意见;观念3.hazardous [ˈhæzədəs] a.不安全的;有风险的;危险的,4.unexceptional [ˈʌnikˈsepʃənəl] a.平常的;普通的5.shuttle[ˈʃʌtl] n.往返汽车(列车,飞机);航天飞机6.the space shuttle 航天飞机7.excursion [iksˈkəːʃən] (有特定目的的)短期出行8.rekindle[ˈriːˈkindl] vt.再点燃…,使…再燃烧9.tragically ['trædʒɪkli] ad.悲剧地;悲惨地10.i nstantaneously [ˌɪnstənˈteɪniəsli] ad.瞬间地,即刻地,瞬时地11.s hadow [ˈʃædəu] n.坏影响;影子12.c ast a shadow on 给.....蒙上阴影13.s cream [skriːm] vi.尖声喊叫;呜呜地叫;大声说话14.s uspend[sə'spend]vt.暂停,中止15.c rew[kruː] n.全体航员;全体乘务员16.s imulated[ˈsimjuleitid] a.模拟的,假装的;实验的17.l ifelike[ˈlaiflaik] a.逼真的;生动的18.s ubmit[səbˈmit] vt.提交,使屈服;使服从;建议;听从;提出19.a wesome [ˈɔːsəm] a.很好的,了不起的,引起敬畏的;威严的;20.t elescope [ˈteliskəup] n.望远镜21.t he naked eye肉眼22.a ngle[ˈæŋgl] n.斜置23.g alaxy[ˈgæləksi] n.星系24.c osmic[ˈkɔzmik] a.宇宙的;广大无边的;25.c onceivably [kənˈsiːvəbli] ad.想得到地;可想像地26.s ubatomic['sʌbə'tɔmik] a. 亚原子的, 原子内的,27.p article[ˈpɑːtikl] n.微粒;粒子28.i nvisible [inˈvizəbl]a.看不见的;不露面的;29.s traightforward[streitˈfɔːwəd] a.正直的;简单的30.s elf-discipline[ˈselfˈdisiplin] n.自律,自我约束31.f etch [fetʃ] vt.拿来;使发生;打击32.m uscle [ˈmʌsl] n.肌肉;体力33.p epper[ˈpepə] n.胡椒;辣椒34.s neeze[sniːz] vi.打喷嚏而喷出35.d isc [disk] n.=disk,平圆形的表面,圆盘状的东西。

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3Moving Cast Shadow DetectionWei Zhang 1, Q.M. Jonathan Wu 1 and Xiangzhong Fang 2University of Windsor 1, Shanghai Jiao Tong University 2Canada 1, China 21. IntroductionMoving shadow detection is an important topic in computer vision applications, includingvideo conference, vehicle tracking, and three-dimensional (3-D) object identification, andhas been actively investigated in recent years. Because, in real world scenes, moving castshadows may be detected as foreground object and plauge the moving objectssegmentation. For example, in traffic surveillance situation, shadows cast by movingvehicles may be segmented as part of vehicles, which not only interfere with the size andshape information but also generate occlusions (as Fig. 1 illustrates). At the same time,moving cast shadow detection can provide reference information to the understanting of theillumination in the scenes. Therefore, an effective shadow detection algorithm can greatlybenefit the practical image analysis system.Fig. 1. Examples of moving cast shadows. Source:Vision Systems:Segmentation and Pattern Recognition,ISBN 987-3-902613-05-9,Edited by:Goro Obinata and Ashish Dutta,pp.546,I-Tech,Vienna,Austria,June 2007O p e n A c c e s s D a t a b a s e w w w .i -t e c h o n l i n e .c o mVision Systems - Segmentation and Pattern Recognition48Fig. 2. Illumination model of moving cast shadows: the umbra, penumbra, and geometricrelationship.Essentially, shadow is formed by the change of illumination conditions and shadowdetection comes down to a problem of finding the illumination invariant features. From theviewpoint of geometric relationship, shadow can be divided into umbra and penumbra(Stander et al., 1999). The umbra corresponds to the background area where the direct lightis almost totally blocked by the foreground object, whereas in the penumbra area, the light ispartially blocked (as Fig. 2 illustrates). From the viewpoint of motion property, shadow canbe divided into static shadow and dynamic shadow. Static shadow is cast by static objectwhile dynamic shadow is cast by moving object. In video surveilance application, staticshadows have little effect on the moving objects segmentation. Therefore, we concentrate onthe detection of dynamic/moving cast shadows in the image sequence captured by staticcamera in this chapter.2. Illumination property of cast shadowFor an image acquired by camera, the intensity of pixel f(x,y)can be given as:f(x,y)= i(x,y)×r(x,y) (1) where i(x,y) represents the illumination component and r(x,y) represents the reflectancecomponent of object surface. i(x,y) is computed as the amount of light power per receivingobject surface area and can further be expressed as follows (Stander et al., 1999).­⋅ °⋅⋅®° ¯a p a p a +c cos(j) ;+t(x,y)c cos(j) c illuminated area i(x,y)=c penumbra areac umbra area(2)where-c p intensity of the light source;-Ǘangle enclosed by light source direction and surface normal;-c a intensity of ambient light;-t transition inside the penumbra which depends on the light source and scene geometry,and 0 t(x,y) 1.Many works have been put forward in the literature for moving shadow detection. FromMoving Cast Shadow Detection 49 the viewpoint of the information and model utilized, these methods can be classified into three categories: color model, textural model, and geometric model. Additionally, statistical model is used to tackle the problem. Most of the state-of-the-art are based on the reference image and we consider it has been acquired beforehand. Let the reference image and shaded image be B and F, respevtively. In the following part of this chapter, we introduce each categories of methods for moving cast shadow detection.Fig. 3. The distribution of the background difference and background ratio in HSV color space: shadow pixels and foreground pixels.3. Colour/Spectrum-based shadow detectionThe color/spectrum model attempts to describe the color change of shaded pixel and find the color feature that is illumination invariant. Cucchiara et al. (Cucchiara et al., 2001; Cucchiara et al., 2003) investigated the Hue-Saturation-Value (HSV) color property of castVision Systems - Segmentation and Pattern Recognition 50shadows, and it is found that shadows change the hue component slightly and decrease the saturation component significantly. The distribution of F V (x, y)/B V (x, y), F S (x, y)-B S (x, y), and |F H (x, y)-B H (x, y)| are given in Fig. 3 for shadows pixels and foreground pixels, respectively. It can be found that shadow pixels cluster in a small region and have distinct distribution compared with foreground pixels. The shadows are then discriminated from foreground objects by using empirical thresholds on HSV color space as follows.V S S H H S H V F (x,y))F (x,y)-B (x,y)))F (x,y)-B (x,y))B (x,y)(α≤ ≤β ((≤τ (≤τAND AND (3) By using above method, the shadow pixels can be discriminated from foreground pixels effectively. This method has been included in the Sakbot system (Statistical and Knowledge-Based Object Tracker).Salvador et al. (Salvador et al. 2004) proposed a normalized RG B color space, C 1C 2C 3, to segment the shadows in still images and video sequences. The C 1C 2C 3 is defined as follows.123R(x,y)C (x,y)=arctan;max(G(x,y),B(x,y))G(x,y)C (x,y)=arctan ;max(R(x,y),B(x,y))B(x,y)C (x,y)=arctan ;max(R(x,y),G(x,y)) (4) After integrating the intensity of neighbouring region, the shadow is detected as the pixels change greatly in C 1C 2C 3 colour space. Considering the shadow decrease the intensity of RGB component in a same scale, it can be found that C 1C 2C 3is illumination invariant.Fig. 4. A scatter plot in the color ratios space of a shaded pixels set. The line corresponds to the equal ratio in RGB components.Moving Cast Shadow Detection 51 Siala et al. (Siala et al., 2004) consider the pixel’s intensity change equally in RG B colour components and a diagonal model is proposed to describe the color distortion of shadow in RG B space. The color distortion is defined as (d R=F R/B R, d G=F G/B G, d B=F B/B B), and the color distortion of shaded pixel is distributed near the line d R=d G=d B (as show in Fig. 4), which does not hold for foreground objects. Therefore, the shadow pixels are discriminated from foreground objects according to the distance between pixel’s color distortion and the line d R=d G=d B.Horprasert et al. (Horprasert et al., 1999) proposed a computational color model which separates brightness from the chromaticity component using brightness distortions (BD) and chromaticity distortions (CD), which are defined as follows.(5) CD(x,y)Vision Systems - Segmentation and Pattern Recognition 52In which (μR , μG , μB ) and (ǔR ,ǔG ,ǔB ) are the arithmetic means and variance of the pixel's red, green, and blue values computed over N background frames. By imposing thresholds on the normalized color distortion (NCD) and normalized brightness distortion (NBD), the pixels are classified into original background, shaded background, highlight background, and moving foreground objects as follows.CD alo a1a2Foreground : ƯCD >Ǖ OR ƯBD <Ǖ, else Background :ƯBD <ǕƣƯD ƯBD <Ǖ, else Shadow :ƯBD <0, else Highlight :otherwise­°°® °°¯ (6) The strategy used in Eq. (6) is depicted in Fig. 5.Nadimi, S. & Bhanu, B (Nadimi, S. & Bhanu, B., 2004) employed a physical approach for moving shadow detection in outdoor scenes. A dichromatic reflection model and a spatio-temporal albedo normalization test are used for learning the background color and separating shadow from foreground in outdoor image sequences. According to the dichromatic reflection model, pixel value F(x,y) in the outdoor scene can be represented as follows.12(x,y),1(x,y),1(x,y),2(x,y),1ƦnjƦnjF(x,y)=K L (nj)f(l,e,s)d nj+K L (nj)d nj;³³ (7)in which the first and second items correspond to the intensiy caused by the sun and sky; K (x,y), 1 and K (x,y), 2 are the coefficient of reflectances due to sun and sky; L (x,y), 1 and L (x,y), 2 are intensity of the illumination sources of sun and sky; f(l,e,s) is geometric term; l is the incident angle of illumination; e is the angle for viewing direction; s is the angle for specular reflection. The spatio-temporal albedo H between pixel F(x,y) and its neighboring pixel (take F(x+1,y) as example) is defined as follows.1212t+1t t+1t 12t+1t t+1t R -R Ʃ(F(x,y),F(x +1,y)) =;R +R F (x,y)-F (x,y)F (x +1,y)-F (x +1,y)R =;R =;F (x,y)+F (x,y)F (x +1,y)+F (x +1,y) (8) Pixel F(x,y) and F(x+1,y) is assumed to have the same reflectance if the following condition is satisfied:1 if Ʃ(F(x,y),F(x +1,y))<T C[F(x,y),F(x +1,y)]=;0 Ʊtherwise­ ®¯ (9) Cavallaro et al. (Cavallaro et al., 2005) detected shadow by exploiting color information in a selective way. In each image the relevant areas to analyze are identified and the color components that carry most of discriminating information are selected for shadow detection.Color model has shown its powerfulness in shadow detection. Nevertheless, the foreground objects may have similar color with the moving shadows, and it becomes not reliable to detect moving shadows by using only the color information of the isolated points.Moving Cast Shadow Detection 53 4. Texture-based shadow detectionThe principle behind the textural model is that the texture of foreground objects is different with that of the background, while the texture of shaded area remains the same as that of the background.In (Xu et al., 2005), several techniques have been developed to detect moving cast shadows in a normal indoor environment. These techniques include the generation of initial change detection masks and canny edge maps, the detection of shadow region by multi-frame integration, edge matching, conditional dilation, and post-processing (as Fig.6 illustrates).Fig. 6. Moving cast shadow detection by using the edge information.McKenna et al. (McKenna et al., 2000) assumed cast shadow results in significant change in intensity without much change in chromaticity. Each pixel’s chromaticity is modeled using its means and variances, and each background pixel’s first-order gradient is modeled by using gradient means and magnitude variances. The moving shadows are then classified as background if the chromaticity or gradient information supports their classification. Leone et al. (Leone et al., 2006) represented textural information in terms of redundant systems ofVision Systems - Segmentation and Pattern Recognition54functions, and the shadows are discriminated from foreground objects based on a pursuitscheme by using an over-complete dictionary. Matching Pursuit algorithm (MP) is used torepresent texture as linear combination of elements of a big set of functions, and MP selectsthe best little set of atoms of 2D Gabor dictionary for features selection. Zhang et al. (Zhanget al., 2006) used the normalized coefficients of the orthogonal transformation for movingcast shadow detection. Five kind of orthogonal transforms (DCT, DFT, Haar Transform,SVD, and Hadamard Transform) are analyzed, and their normalized coefficients are provedto be illumination invariant in a small image block. The cast shadows are then detected byusing a simple threshold on the normalized coefficients (as Fig.7 illustrates).Zhang et al. (Zhang et al., 2006) use the ratio edge for shadow detection, which are definedas follows.Fig. 7. Moving cast shadow detection based on the normalized coefficients of orthogonaltransformation.ƪ(x,y)={F(x+i,y+j)| 0<i2+j2 r2} (10)(i,j) : F(i,j)ƪ(x,y); F(i,j) F(x,y)R(x,y)=∈¦ (11) According to the illumination model in Eq. (2), the ratio edge is proved to be illuminationMoving Cast Shadow Detection 55invariant. The shadow are then detected by imposeing a threshold on the ratio edge difference R D (x,y) defined as follows.B S 2D B(i,j)ƪ(x,y)(i,j) : F(i,j)ƪ(x,y)-;B(i,j)F(i,j)B(x,y)F(x,y)R (x,y)=∈∈§·¨¸©¹¦(12)Fig. 8. The textural property of ratio edge.in which ƪB (x,y) and ƪS (x,y) are the neighoring region of B(x,y) and F(x,y), respectively. The ratio edge of Eq. (12) is given in Fig.8, it can be seen that ratio edge can represent the quanlity of the texture in the neighboring region.Fung et al. (Fung et al., 2002) analyzed the characteristics of cast shadows in the luminance, chrominance, gradient density, and geometry domains, and a combined probability map isobtained which is called as shadow confidence score (SCS), as shown in Fig. 9.Fig. 9. Moving cast shadow detection based on shadow confidence score.From the edge map of the input image, each edge pixel is examined to determine whether it belongs to the vehicle region based on its neighboring SCSs. The cast shadows are identified as those regions with high SCSs, which are outside the convex hull of the selected vehicle’s edge pixels.Textural model may be the most promising technique for shadow detection, whereas the state-of-the-art of textural model are intricate in implementation. Moreover, in the56Vision Systems - Segmentation and Pattern Recognition homogeneous regions of the images, the textural information of the scenes may be very faint and cannot be captured by traditional methods.5. Geometry-based shadow detectionG eometric model makes use of the camera location, the ground surface, and the object geometry, etc., to detect the moving cast shadows.Fig. 10. The G aussian geometric shadow model used for the detection of pedestrian’s shadow.In (Hsieh et al., 2003), G aussian shadow model was proposed to detect the shadows of pedestrian. The model is parameterized with several features including the orientation, mean intensity, and center position of a shadow region (as Fig.10 illustrates), with the orientation and centroid position being estimated from the properties of object moments. Hsieh et al. (Hsieh et al., 2004; Hsieh et al., 2006) proposed a histogram-based method to detect different lane dividing lines from traffic video sequence. According to these lines, a line-based shadow modeling process is applied to eliminate the shadows of vehicles. Two kinds of lines are used, including the ones parallel and vertical to lane directions, which can be used to eliminate shadows in the different positions of vehicles. Yoneyama et al. (Yoneyama et al., 2003; Yoneyama et al., 2005) proposed joint 2D vehicle/shadow models to suppress the moving shadows of vehicles. The proposed 2D vehicle/shadow models are classified into six types (as Fig.11 illustrates) and the parameters of these models can be estimated by fitting the segmented vehicles with these models.Moving Cast Shadow Detection57Fig. 11. Six vehicle model types with the corresponding cast shadow.All these methods of geometric model strongly depend on the geometric relationships of the objects in the scenes, and when these geometric relationships change , these methods become ineffective.6. Statistical inference for shadow modelAnother useful tool for shadow detection is statistical model, which can further improve the performance of different shadow model. Most of these methods are based on the noise shadow model:B 2a p a p F(x,y)=Ʒ(x,y)(x,y)+dž(x,y); dž(x,y)~N(0,ǔ);c +t(x,y)c cos(j)Ʒ(x,y)=; 0Ʒ(x,y)1;c +c cos(j)⋅⋅⋅≤≤⋅ (13)in which t(x,y), c p , and c a are ones defined in Eq. (2).Toth et al. (Toth et al., 2004) use the quantity given in Eq. (14) for shadow detection, which is normally distributed with variance (1+1/Ʒ2)ǔ2.B BB 11(x,y)-F(x,y)=dž(x,y)-dž(x,y);Ʒ(x,y)Ʒ(x,y)(x,y)=(x,y)+dž(x,y);⋅⋅ (14)Each moving pixel is then classified into foreground object or shadow by performing a significance test. Wang et al. (Wang et al., 2003) modeled the background, shadow, and edge information as Gaussian distributions which are updated adaptively. A Bayesian frameworkVision Systems - Segmentation and Pattern Recognition 58is then utilized to describe the relationships among the segmentation label, background intensity, and edge information. Markov random field (MRF) is used to improve the spatial connectivity of the segmented regions. Nicolas et al. (Martel-Brisson, N. & Zaccarin, A., 2005) introduce Gaussian mixture model (GMM) for the detection of moving cast shadows. The proposed algorithm consists of identification the distributions that could represent shadows, modification the learning rates of the distributions to allow them to converge within the G MM, and build of a G MM for moving shadows by using identified distributions. Mikic et al. (Mikic et al., 2000) model the shadow pixel as a G aussian distribution with (μS,R , μS,G , μS,B ,ǔS,R ,ǔS,G ,ǔS,B ) being the mean and variance, while the illuminated pixel is also model as a Gaussian distribution with (μL,R , μL,G , μL,B ,ǔL,R ,ǔL,G ,ǔL,B )being the mean and variance. Let D=diag(d R ,d G ,d B ) being the camera response for the same point when it is shadowed. Therefore, we have the following relationships.S,R R L,R S,G G L,G S,B B L,B S,R R L,R S,G G L,G S,B B L,B μ=d μ,μ=d μ,μ=d μ;ǔ=d ǔ,ǔ=d ǔ,ǔ=d ǔ;(15)Fig. 12. Histogram of the normalized ratio edge difference for moving cast shadows and foreground, and comparison with Chi-square distribution.The distribution of foreground objects is assumed to be uniform distribution. A maximum posteriori probability (MAP) is then used to classify the pixel into background(C 1),shadow(C 2), and foreground(C 3) according to its color vector ǎ:i i i j jj=1,2,3p(ǎ|C )p(C )p(C |ǎ)=;p(ǎ|C )p(C )⋅⋅¦ (16) In (Zhang et al., 2006), the distribution of the normalized background difference of ratio edge in shaded background area is also analyzed and is approximated to be a chi-square distribution. Therefore, a significance test can be used for automatic shadow detection. The distribution of R D (x,y) in Eq.(12) is depicted for moving shadows and foreground objects in Fig. 12. It can be found that ratio edge difference of moving shadows has much different distribution compared with that of foreground objects. The distribution of R D (x,y) of movingMoving Cast Shadow Detection 59 shadows is also compared with Chi-square distribution in Fig. 12 and we can see that a good fitting can be reached.7. ConclusionIn this chapter, we have provided a brief overview of the works about moving cast shadow detection. The state-of-the-art methods have been categories into color model, textural model, and geometric model according to the information and model utilized, which have been disscussed systemically. Furthermore, all kinds of statistical models have been employed to tackle the problem, which are also analyzed in detail. From the results, we can see that different method is fit for different situation and it is very hard to get a method in common use. Therefore, the future work may be the fusion of different information by statistical model to realize robust shadow detection.8. ReferencesChien, S-Y., Ma, S-Y. & Chen L-G. (2002). 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