Moonlight over the Lotus Pond 荷塘月色 翻译批评 翻译比较

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《荷塘月色》英译文对比赏析

《荷塘月色》英译文对比赏析
Liquid: 1)existing as or having characteristics of a liquid; especially tending to flow 2)clear and bright Cascade: rush down in big quantities, like a cascade
月光如流水一般,静静地泻在这一片叶子和花上。
朱译:The moon sheds her liquid light silently over the leaves and flowers.
杨译:Moonlight cascaded like water over the lotus leaves and flowers.
叶子和花仿佛在牛乳中洗过一样;又像笼着轻纱的梦。
朱译:…look as if they had just been bathed in milk, or like a dream wrapped in a gauzy hood. 杨译:A light blue mist floating up from the pool made them seem washed in milk or caught in a gauzy dream.
这时候最热闹的,要数树上的蝉声与水里的蛙声;但热闹 是它们的,我rs, I have nothing.
杨译:But this animation was theirs alone, I had no part in it.
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荷塘月色译本对比分析
题目:荷塘月色
朱纯深:Moonlight over the Lotus Pond 杨宪益夫妇:The Lotus Pool By Moonlight

散文汉译英佳作赏析:朱自清《荷塘月色》

散文汉译英佳作赏析:朱自清《荷塘月色》

散文汉译英佳作赏析:朱自清《荷塘月色》荷塘月色Moonlight over the Lotus Pond朱自清Zhu Ziqing这几天心里颇不宁睁。

今晚在院子里坐着乘凉,忽然想起日日走过的荷塘,在这满月的光里,总该另有一番样子吧。

月亮渐渐地升高了,墙外马路上孩子们的欢笑,已经听不见了;妻在屋里拍着闰儿,迷迷糊糊地哼着眠歌。

我悄悄地披了大衫,带上门出去。

It has been rather disquieting these days. Tonight, when I was sitting in the yard enjoying the cool, it occurred to me that the Lotus Pond, which I pass by every day, must assume quite a different look in such moonlit night. A full moon was rising high in the sky; the laughter of children playing outside had died away; in the morn, my wife was patting the son, Run-er, sleepily humming a cradle song. Shrugging on an overcoat, quietly, 1 made my way out, closing the door behind me.沿着荷塘.是一条曲折的小煤屑路。

这是一条幽僻的路;白天也少人走,夜晚更加寂寞。

荷塘四面,长着许多树,翁翁郁郁的。

路的一旁,是些杨柳,和一些不知道名字的树。

没有月光的晚上,这路上阴森森的,有些怕人。

今晚却很好,虽然月光也还是淡淡的。

Alongside the Lotus Pond nuns a small cinder footpath. It is peaceful and secluded here, a place not frequented by pedestrians even in the daytime; now at night, it looks mare solitary, in a lush, shady ambience of trees all around the pond. On the side where the path is, there are willows, interlaced with some others whose names I do not know. The foliage, which, in a moonless night, would loom somewhat frighteningly dark, looks very nice tonight, although the moonlight is not more than a thin, grayish veil.路上只我一个人,背着手踱着。

荷塘月色两种英文翻译版本

荷塘月色两种英文翻译版本

荷塘月色这几天心里颇不宁静。

今晚在院子里坐着乘凉,忽然想起日日走过的荷塘,在这满月的光里,总该另有一番样子吧。

月亮渐渐地升高了,墙外马路上孩子们的欢笑,已经听不见了;妻在屋里拍着闰儿,迷迷糊糊地哼着眠歌。

我悄悄地披了大衫,带上门出去。

沿着荷塘,是一条曲折的小煤屑路。

这是一条幽僻的路;白天也少人走,夜晚更加寂寞。

荷塘四面,长着许多树,蓊蓊郁郁的。

路的一旁,是些杨柳,和一些不知道名字的树。

没有月光的晚上,这路上阴森森的,有些怕人。

今晚却很好,虽然月光也还是淡淡的。

路上只我一个人,背着手踱着。

这一片天地好像是我的;我也像超出了平常的自己,到了另一世界里。

我爱热闹,也爱冷静;爱群居,也爱独处。

像今晚上,一个人在这苍茫的月下,什么都可以想,什么都可以不想,便觉是个自由的人。

白天里一定要做的事,一定要说的话,现在都可不理。

这是独处的妙处,我且受用这无边的荷香月色好了。

曲曲折折的荷塘上面,弥望的是田田的叶子。

叶子出水很高,像亭亭的舞女的裙。

层层的叶子中间,零星地点缀着些白花,有袅娜地开着的,有羞涩地打着朵儿的;正如一粒粒的明珠,又如碧天里的星星,又如刚出浴的美人。

微风过处,送来缕缕清香,仿佛远处高楼上渺茫的歌声似的。

这时候叶子和花也有一丝的颤动,像闪电般,霎时传过荷塘的那边去了。

叶子本是肩并肩密密地挨着,这便宛然有了一道凝碧的波痕。

叶子底下是脉脉的流水,遮住了,不能见一些颜色;而叶子却更见风致了。

月光如流水一般,静静地泻在这一片叶子和花上。

薄薄的青雾浮起在荷塘里。

叶子和花仿佛在牛乳中洗过一样;又像笼着轻纱的梦。

虽然是满月,天上却有一层淡淡的云,所以不能朗照;但我以为这恰是到了好处——酣眠固不可少,小睡也别有风味的。

月光是隔了树照过来的,高处丛生的灌木,落下参差的斑驳的黑影,峭楞楞如鬼一般;弯弯的杨柳的稀疏的倩影,却又像是画在荷叶上。

塘中的月色并不均匀;但光和影有着和谐的旋律,如梵婀玲上奏着的名曲。

荷塘的四面,远远近近,高高低低都是树,而杨柳最多。

荷塘月色 (朱自清) 的三个译本(朱纯深 译;杨宪益、戴乃迭 译;李明 译)的对比

荷塘月色 (朱自清) 的三个译本(朱纯深 译;杨宪益、戴乃迭 译;李明 译)的对比
荷塘月色 朱自清
Moonlight over the Lotus Pond 朱纯深 译 Moonlight over the Lotus Pond 杨宪益、戴乃迭 译 Moonlight over the Lotus Pond 李明 译
第一段


①这几天心里颇不宁静。
[朱译] ①I have felt quite upset recently. [杨戴译] ①The last few days have found me very restless. [李明译]①These days have found me quite in turmoil.

②今晚在院子里坐着乘凉,忽然想起日日走过的 荷塘,在这满月的光里,总该另有一番样子吧。
[朱译] ②Tonight, when I was sitting in the yard enjoying the cool, it occurred to me that the Lotus Pond, which I pass by everyday, must assume quite a different look in such moonlit night. [杨戴译] ②This evening as I sat in the yard to enjoy the cool, it struck me how different the lotus pool [I pass every day] must look under a full moon. [李明译] ②Tonight as I was sitting in my yard enjoying the cool, I suddenly thought of the lotus pond I pass by every day: on such a fully-moonlit night, it must assume a different outlook.

荷塘月色 中英对照

荷塘月色 中英对照

荷塘月色Moonlight over the Lotus Pond朱自清Zhu Ziqing这几天心里颇不宁静。

今晚在院子里坐着乘凉,忽然想起日日走过的荷塘,在这满月的月光里,总该另有一番样子吧。

月亮渐渐地升高了,墙外马路上孩子们的欢笑,已经听不见了;妻在屋里拍着闰儿,迷迷糊糊地哼着眠歌。

我悄悄地披了大衫,带上门出去。

It has been rather disquieting these days. Tonight, when I Was sitting in the y ard enjoying thecool, it occurred to me that the Lotus Pond, which I pass by e very day, must assume quite adifferent look in such moonlit night. A full moo n was rising high in the sky; the laughter ofchildren playing outside had died away; in the room, my wife was patting the son, Run-er,sleepily humming a c radle song. Shrugging on an overcoat, quietly, I made my way out, closingthe door behind me.沿着荷塘,是一条曲折的小煤屑路。

这是一条幽僻的路;白天也少人走,夜晚更加寂寞。

荷塘四面,长着许多树,蓊蓊郁郁的。

路的一旁,是些杨柳,和一些不知道名字的树。

没有月光的晚上,这路上阴森森的,有些怕人。

今晚却很好,虽然月光也还是淡淡的。

Alongside the Lotus Pond runs a small cinder footpath. It is peaceful and se cluded here, aplace not frequented by pedestrians even in the daytime; now at night, it looks more solitary,in a lush, shady ambience of trees all around the pond. On the side where the path is, thereare willows, interlaced with so me others whose names I do not know. The foliage, which, in amoonless nigh t, would loom somewhat frighteningly dark, looks very nice tonight, although themoonlight is not more than a thin, grayish veil.路上只我一个人,背着手踱着。

《荷塘月色》英译文对比赏析

《荷塘月色》英译文对比赏析

译者简介
朱纯深,英国诺丁汉大学博士,现为香 港城市大学中文、翻译及语言学系教授, 长年从事与翻译有关的教学研究工作。主 要译作有:《自深深处》《古意新声》 《似余(煜)者死 》等。 杨宪益戴乃迭夫妇,著名翻译家。合 作翻译全本《红楼梦》、全本《儒林外史》 等多部中国历史名著,在国外皆获得好评, 产生了广泛影响。
裹”之意,动作意味过于浓烈,置于此时安详、宁静的之 氛围中,略少几分贴切。
第六段:月光是隔了树照过来的,高处丛生的灌木, 落下参差的斑驳的黑影,峭楞楞如鬼一般;弯弯的杨 柳的稀疏的倩影,却又像是画在荷叶上。
朱译:The moonlight is streaming down through the foliage, casting bushy shadows on the ground from high above, dark and checkered, like an army of ghosts; whereas the benign figures of the drooping willows, here and there, look like paintings on the lotus leaves.
(选词角度) upset: afflicted with or marked by anxious uneasiness or trouble or grief; thrown into a state of disarray or confusion 表 示陷入了一种彷徨困惑焦虑不安的状态,心 情难以平静;而restless: unable to relax or be still; worried and uneasy 简单表示精神不能放 松,焦虑,结合作者的写作背景,upset更能 体现作者当时的心境。

荷塘月色 三个译文

荷塘月色 三个译文

荷塘月色---译文对比(三种英译文)朱自清这几天心里颇不宁静。

今晚在院子里坐着乘凉,忽然想起日日走过的荷塘,在这满月的光里,总该另有一番样子吧。

月亮渐渐地升高了,墙外马路上孩子们的欢笑,已经听不见了;妻在屋里拍着闰儿,迷迷糊糊地哼着眠歌。

我悄悄地披了大衫,带上门出去。

沿着荷塘,是一条曲折的小煤屑路。

这是一条幽僻的路;白天也少人走,夜晚更加寂寞。

荷塘四面,长着许多树,蓊蓊郁郁的。

路的一旁,是些杨柳,和一些不知道名字的树。

没有月亮的晚上,这路上阴森森的,有些怕人。

今晚却很好。

虽然月光也还是淡淡的。

曲曲折折的荷塘上面,弥望的是田田的叶子。

叶子出水很高,像亭亭的舞女的裙。

层层的叶子中间,零星地点缀着些白花,有袅娜地开着的,有羞涩地打着朵儿的;正如一粒粒的明珠,又如碧天里的星星,又如刚出浴的美人。

微风过处,送来缕缕清香,仿佛远处高楼上渺茫的歌声似的。

这时候叶子与花也有一丝的颤动,像闪电般,霎时传过荷塘的那边去了。

叶子本是肩并肩密密地挨着,这便宛然有了一道凝碧的波痕。

叶子底下是脉脉的流水,遮住了,不能见一些颜色;而叶子却更见风致了。

月光如流水一般,静静地泻在这一片叶子和花上。

薄薄的青雾浮起在荷塘里。

叶子和花仿佛在牛乳中洗过一样;又像笼着轻纱的梦。

虽然是满月,天上却有一层淡淡的云,所以不能朗照;但我以为这恰是到了好处——酣眠固不可少,小睡也别有风味的。

月光是隔了树照过来的,高处丛生的灌木,落上参差的斑驳的黑影,峭楞楞如鬼一般;弯弯的杨柳的稀疏的倩影,像是画在荷叶上。

塘中的月色并不均匀;但光与影有着和谐的旋律,如梵婀玲上奏着的名曲。

荷塘的四面,远远近近,高高低低都是树,而杨柳最多。

这些树将一片荷塘重重围住;只在小路一旁,漏着几段空隙,像是特为月光留下的,树色一例是阴阴的,乍看像一团烟雾;但杨柳的丰姿,便在烟雾里也辨得出。

树梢上隐隐约约的是一带远山,只有些大意罢了。

树缝里也漏着一两点路灯光,没精打采的,是瞌睡人的眼。

荷塘月色(译文赏析)-个人赏析标记版

荷塘月色(译文赏析)-个人赏析标记版

10.诗歌翻译后9899结构,注重韵律和简练化倾向,有中文诗歌特点,同时含义表达清晰,难能可贵。

今晚若有采莲人,这儿的莲花也算得“过人头”了;只不见一些流水的影子,是不行的;这令我到底惦着江南了——这样想着,猛一抬头,不觉已是自己的门前;轻轻地推门进去,什么声息也没有,妻已睡熟好久了。

If there were somebody gathering lotuses tonight, she could tell that the lilies here are high enough to "reach over her head"; but, one would certainly miss the sight of the water. So my memories drift back to the South after all. Deep in my thoughts, I looked up, just to find myself at the door of my own house. Gently I pushed the door open and walked in. Not a sound inside, my wife had been fast asleep for quite a while.
1927年7月,北京清华园
Qinghua Campus, Beijing July, 1927.。

荷塘月色英译文对比赏析

荷塘月色英译文对比赏析

2) heave(especially literary)a rising and falling movement Opaque: not clear enough to see through or allow light through
opaque 又是将“凝碧”一词中的“凝”字发挥的淋漓尽 致。朱译trembling描述局部荷叶的动态;
朱译:The moon sheds her liquid light silently over the leaves and flowers. 杨译:Moonlight cascaded like water over the lotus leaves and flowers.
Liquid: 1)existing as or having characteristics of a liquid; especially tending to flow 2)clear and bright 在句中修饰 “月光”除了有液态的意思外,还有清澈明亮的意思。 用liquid一词,月光的流动,清澈,灵性就跃然纸上了。 Cascade: rush down in big quantities, like a cascade 强调 像瀑布一样倾泻而下,不太符合原文中表达的月光静 静洒在荷塘上的意思。
(选词角度) upset: afflicted with or marked
by anxious uneasiness or trouble or grief; thrown into a state of disarray or confusion 表 示陷入了一种彷徨困惑焦虑不安的状态,心 情难以平静;而restless: unable to relax or be still; worried and uneasy 简单表示精神不能放 松,焦虑,结合作者的写作背景,upset更能 体现作者当时的心境。

散文欣赏(汉译英):朱自清《荷塘月色》

散文欣赏(汉译英):朱自清《荷塘月色》

散文欣赏(汉译英):朱自清《荷塘月色》荷塘月色(Moonlight over the Lotus Pond)朱自清(Zhu Ziqing)这几天心里颇不宁睁。

今晚在院子里坐着乘凉,突然想起日日走过的荷塘,在这满月的光里,总该另有一番样子吧。

月亮慢慢地攀高了,墙外公路上孩子们的欢乐,已经听不见了;妻在屋里拍着闰儿,迷模糊糊地哼着眠歌。

我静静地披了大衫,带上门出去。

It has been rather disquieting these days. Tonight, when I was sitting in the yard enjoying the cool, it occurred to me that the Lotus Pond, which I pass by every day, must assume quite a different look in such moonlit night. A full moon was rising high in the sky; the laughter of children playing outside had died away; in the morn, my wife was patting the son, Run-er, sleepily humming a cradle song. Shrugging on an overcoat, quietly, 1 made my way out, closing the door behind me.沿着荷塘.是一条曲折的小煤屑路。

这是一条幽僻的路;白天也少人走,夜晚更加孤独。

荷塘四周,长着很多树,翁翁郁郁的。

路的一旁,是些杨柳,和一些不知道名字的树。

没有月光的晚上,这路上阴森森的,有些怕人。

今晚却很好,虽然月光也还是淡淡的。

Alongside the Lotus Pond nuns a small cinder footpath. It is peaceful and secluded here, a place not frequented by pedestrians even in the daytime; now at night, it looks mare solitary, in a lush, shady ambience of trees all around the pond. On the side where the path is, there are willows, interlaced with some others whose names I do not know. The foliage, which, in a moonless night, would loom somewhat frighteningly dark, looks very nice tonight, although the moonlight is not more than a thin, grayish veil.路上只我一个人,背着手踱着。

荷塘月色两种英文翻译版本

荷塘月色两种英文翻译版本

荷塘月色这几天心里颇不宁静。

今晚在院子里坐着乘凉,忽然想起日日走过的荷塘,在这满月的光里,总该另有一番样子吧。

月亮渐渐地升高了,墙外马路上孩子们的欢笑,已经听不见了;妻在屋里拍着闰儿,迷迷糊糊地哼着眠歌。

我悄悄地披了大衫,带上门出去。

沿着荷塘,是一条曲折的小煤屑路。

这是一条幽僻的路;白天也少人走,夜晚更加寂寞。

荷塘四面,长着许多树,蓊蓊郁郁的。

路的一旁,是些杨柳,和一些不知道名字的树。

没有月光的晚上,这路上阴森森的,有些怕人。

今晚却很好,虽然月光也还是淡淡的。

路上只我一个人,背着手踱着。

这一片天地好像是我的;我也像超出了平常的自己,到了另一世界里。

我爱热闹,也爱冷静;爱群居,也爱独处。

像今晚上,一个人在这苍茫的月下,什么都可以想,什么都可以不想,便觉是个自由的人。

白天里一定要做的事,一定要说的话,现在都可不理。

这是独处的妙处,我且受用这无边的荷香月色好了。

曲曲折折的荷塘上面,弥望的是田田的叶子。

叶子出水很高,像亭亭的舞女的裙。

层层的叶子中间,零星地点缀着些白花,有袅娜地开着的,有羞涩地打着朵儿的;正如一粒粒的明珠,又如碧天里的星星,又如刚出浴的美人。

微风过处,送来缕缕清香,仿佛远处高楼上渺茫的歌声似的。

这时候叶子和花也有一丝的颤动,像闪电般,霎时传过荷塘的那边去了。

叶子本是肩并肩密密地挨着,这便宛然有了一道凝碧的波痕。

叶子底下是脉脉的流水,遮住了,不能见一些颜色;而叶子却更见风致了。

月光如流水一般,静静地泻在这一片叶子和花上。

薄薄的青雾浮起在荷塘里。

叶子和花仿佛在牛乳中洗过一样;又像笼着轻纱的梦。

虽然是满月,天上却有一层淡淡的云,所以不能朗照;但我以为这恰是到了好处——酣眠固不可少,小睡也别有风味的。

月光是隔了树照过来的,高处丛生的灌木,落下参差的斑驳的黑影,峭楞楞如鬼一般;弯弯的杨柳的稀疏的倩影,却又像是画在荷叶上。

塘中的月色并不均匀;但光和影有着和谐的旋律,如梵婀玲上奏着的名曲。

荷塘的四面,远远近近,高高低低都是树,而杨柳最多。

荷塘月色两种英文翻译版本

荷塘月色两种英文翻译版本

荷塘月色这几天心里颇不宁静。

今晚在院子里坐着乘凉,忽然想起日日走过的荷塘,在这满月的光里,总该另有一番样子吧。

月亮渐渐地升高了,墙外马路上孩子们的欢笑,已经听不见了;妻在屋里拍着闰儿,迷迷糊糊地哼着眠歌。

我悄悄地披了大衫,带上门出去。

沿着荷塘,是一条曲折的小煤屑路。

这是一条幽僻的路;白天也少人走,夜晚更加寂寞。

荷塘四面,长着许多树,蓊蓊郁郁的。

路的一旁,是些杨柳,和一些不知道名字的树。

没有月光的晚上,这路上阴森森的,有些怕人。

今晚却很好,虽然月光也还是淡淡的。

路上只我一个人,背着手踱着。

这一片天地好像是我的;我也像超出了平常的自己,到了另一世界里。

我爱热闹,也爱冷静;爱群居,也爱独处。

像今晚上,一个人在这苍茫的月下,什么都可以想,什么都可以不想,便觉是个自由的人。

白天里一定要做的事,一定要说的话,现在都可不理。

这是独处的妙处,我且受用这无边的荷香月色好了。

曲曲折折的荷塘上面,弥望的是田田的叶子。

叶子出水很高,像亭亭的舞女的裙。

层层的叶子中间,零星地点缀着些白花,有袅娜地开着的,有羞涩地打着朵儿的;正如一粒粒的明珠,又如碧天里的星星,又如刚出浴的美人。

微风过处,送来缕缕清香,仿佛远处高楼上渺茫的歌声似的。

这时候叶子与花也有一丝的颤动,像闪电般,霎时传过荷塘的那边去了。

叶子本是肩并肩密密地挨着,这便宛然有了一道凝碧的波痕。

叶子底下是脉脉的流水,遮住了,不能见一些颜色;而叶子却更见风致了。

月光如流水一般,静静地泻在这一片叶子和花上。

薄薄的青雾浮起在荷塘里。

叶子和花仿佛在牛乳中洗过一样;又像笼着轻纱的梦。

虽然是满月,天上却有一层淡淡的云,所以不能朗照;但我以为这恰是到了好处——酣眠固不可少,小睡也别有风味的。

月光是隔了树照过来的,高处丛生的灌木,落下参差的斑驳的黑影,峭楞楞如鬼一般;弯弯的杨柳的稀疏的倩影,却又像是画在荷叶上。

塘中的月色并不均匀;但光与影有着和谐的旋律,如梵婀玲上奏着的名曲。

荷塘的四面,远远近近,高高低低都是树,而杨柳最多。

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Moonlight over the Lotus Pond----------on the part of rhetoric and synaesthetic The translation has two versions, one is by YangXianyi, and the other is by ZhuChunshen. I love ZhuChunshen’s translation the best. Zhu’s translation gives a more deep description of the original text, and is more artistic and form-focused. Compare Zhu’s translation with Yang’s translation, Yang’s translation is in a straightway and is more easy to understand, the words he choose is more common. However, in Zhu’s translation he focus on the original version, choose ever word carefully and properly. In a rhetoric angle, Zhu’s version is more based on the original one. Let’s have a look on the translation of the comparison and analogy.The original text uses a lot of fancy and aesthetic figures of speeches. Zhu chooses proper words to show the image of the original text. For example:月光如流水一般,静静地泻在这一片叶子和花上。

薄薄的青雾浮起在荷塘里。

叶子和花仿佛在牛乳中洗过一样;又像笼着轻纱的梦.The moon sheds her liquid ligh t silently over the leave and flowers, which, in the floating transparency of a bluish haze from the pond, look as if they had just been bath ed in milk, or like a dream wrapped in a gauzy hood. (朱纯深)Moonlight cascaded like water over the lotus leaves and flowers, and a light blue mist floating up from the pool made them seem wash ed in milk or caught in a gauzy dream. (杨宪益)“如流水一般”, Zhu’s translation is “shed her liquid light”, give a vivid expression of the moonlight and more apropos with the original one. Yang’s translation is “cascaded like water”, this one even also describe the “流水”, however it lose the implication of the author.And in describe of “薄薄的轻雾”, Zhu’s translation uses this word “transparency” to depict the obscurity of the haze, and Yang use the word “light”, it shows the haze, however it lose the obscurity feeling of the original text, and it doesn’t come up to the former one to better perform the meaning of the author.For the description of “仿佛牛乳中洗过”, Zhu uses the word “bath”, it still has the meaning of “浸泡”, so it can better express the implication of the original text, in my opinion the word “bath” is more proper and content-focused than the word “wash”. Another example is “月光是隔了树照过来的,高处丛生的灌木,落下参差的斑驳的黑影,峭楞楞如鬼一般;弯弯的杨柳的稀疏的倩影,却又像是画在荷叶上。

”The moonlight is streaming down through the foliage, casting bushy shadows on the ground from high above, jagged and checkered, as grotesque as a party of specters; whereas the benign figures of the drooping willows, here and there, look like paintings on the lotus leaves. (朱纯深)As the moon shone from behind them, the dense trees on the hills threw checkered shadows, dark forms loomed like devils,and the sparse, graceful shadows of willows seemed painted on the lotus leaves. (杨宪益)“如鬼一般”,Zhu’s translation is “as grotesque as a party of specters”, Yang’s translation is “loomed like devils”. We can see that the word “grotesque as a party” is iconic to show the specters. Yang’s translation is more direct to understand, however it lose the sense of beauty.The translation also use another method—Synaesthetic. The synaesthetic can make people image the beauty of the scenery and build a pure and fresh imagery. Let’s take an example.微风过处,送来缕缕清香,仿佛远处高楼上渺茫的歌声似的。

Breezes sent aroma into my nostrils, just like vague songs heard from a distant building. (朱纯深)The breeze carried past gusts of fragrance, like the strains of a song faintly heard from a far-off tower. (杨宪益)Zhu Ziqing use the “清香” which belongs to the smell, he transform it into a auditory sense “渺茫的歌声”, we can see that the smell is rove and intermittence. The building is high so the songs is intermittence, so it can bring a vague feeling. It give the readers a different feeling.Another example: 塘中的月色并不均匀;光与影有着和谐的旋律,如梵婀(ē)玲上奏着的名曲。

The moonlight is not spread evenly over the pond, rather in a harmonious rhythm of light and shade, like a famous melody played on a violin. (朱纯深)The moonlight on the pool was not uniform, but light and shadow made up a harmonious rhythm like a beautiful tune played on a violin. (杨宪益)At here, it uses the violin to describe the moonlight, to use the auditory sense to depict the vision. We can see that the picture of the light and shade is as graceful as the melody. This can give the readers a space to image the obscurity and fragrant dream picture.From all the examples that I supported, we can see that Zhu want to follow and give a proper understanding of the original text, so he weight every word and every sentence with great care, they can better reflect the meaning of the author and make readers to have a better connection and resonance with the author.。

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