Analysis of The Tyger and The Lamb by WILLIAM BLAK

合集下载

从功能文体学的角度分析《牧师的黑面纱》

从功能文体学的角度分析《牧师的黑面纱》

奴隶制下的压迫与爱——浅析托尼•莫里森的《宠儿》方言电视节目收视群体特点及社会影响分析On the Use of Satire and Humor in Pygmalion浅议商标品牌的翻译王尔德童话《夜莺与玫瑰》中的唯美主义人文主义思想在《皆大欢喜》中的运用论中国神话和希腊神话的文化差异中美家庭教育文化对比及其根源分析浅谈国际商务谈判礼仪任务型教学法在初中英语口语教学中的应用研究美国电影中的大众文化价值观研究初中英语说写技能综合教学研究路易莎•梅•奥尔科特《小妇人》中的女性话语旅游翻译中的跨文化语用失误探析《玛莎•奎斯特》中玛莎性格的根源与身体器官有关的中英文习语对比研究《紫色》的妇女主义解读从《人生的枷锁》中三个女性看毛姆的婚爱观澳大利亚传记文学中的土著文化:以《我的位置》为例从接受美学角度分析企业简介汉英翻译狄更斯小说《远大前程》中的批判现实主义特点解读意象图式研究解析哈代《远离尘嚣》中的悲剧因素爵士时代美国东西部的差距在盖茨比的人生悲剧中所扮演的角色如何培养大学生英语阅读理解技能《吉姆老爷》中吉姆的性格分析西方饮食文化给中国餐饮业经营者带来的若干启示国际商务谈判中的文化差异分析《飘》的成长主题解读英汉思维模式差异的对比研究从《绝望主妇》各主角看美国家庭问题身势语在国际商务谈判中的应用《了不起的盖茨比》中黛西的人物性格分析商标翻译中的文化要素非言语交际在中西文化中的差异《了不起的盖茨比》中美国梦的破灭Foreignization as a Translation Approach--On the Translation of Culture-Loaded Words and Expressions in Wei-ch’eng中英色彩词的文化内涵异同分析从女性主义视角解读《疯狂主妇》简析《卡斯特桥市长》中亨查德的悲剧命运《宠儿》中塞斯的性格分析浅析中西饮食隐含的文化差异及其中式菜肴名称翻译策略A Contrastive Analysis of Table Manners and Culture between China and Western Countries从安利(中国)的成功看直销模式在我国的发展浅析《雾都孤儿》中象征手法的运用理智胜于情感从《嘉莉妹妹》看本性与理性的斗争罗伯特弗罗斯特田园诗歌意象的象征意义浅析《警察与赞美诗》中欧亨利的写作风格从功能翻译理论谈中餐菜单的英译《威尼斯商人》中的种族及宗教冲突浅析商务英语的语言特点及翻译论《莫瑞斯》中E. M. 福斯特的自由人文主义思想《爱玛》中身份和同辈的压力体验式教学模式在初中英语阅读教学中的应用从生态女性主义视角解读《喜福会》A Study of Narrative V oice in Jodi Picoult’s My Sister’s Keeper论教师的非语言行为在课堂教学中的作用跨文化交际背景下英语禁忌语探析英文商标的汉译母语在小学英语学习中的正迁移浅议我国民营企业薪酬管理商务英语信函中礼貌策略初探浅析《苔丝》中的象征主义英汉谚语中“爱”的情感隐喻对比研究(开题报告+论)论商务谈判中的文化因素从翻译等值理论看文化词的翻译Analysis of the Character Satan in Paradise LostA Brief Analysis of China English and Its Future方位词的文化内涵与翻译大学生英语听力两种辅助活动实证研究初中英语教学中的角色扮演探究《紫色》中的妇女主义者形象汽车广告功能分析《葬花吟》两英译本的比较研究《雾都孤儿》中南希的人物性格分析A General Analysis of Mr.Xu Y uanzhong’s Translation Art of Language V ariation in Classic PoemsA Study of Stylistic Features and Translation of Journalistic English分析《宠儿》中塞丝的创伤与愈合Gone with the Wind: From Novel to Film不一样的颤栗—东西方恐怖片的比较论《奥兰多》中双性同体观关于农村初中生在英语课堂教学中注意力的调查研究Analyzing the Development of English Color Term and Its Chinese TranslationOn the Female Initiation Theme in Little Women目的论指导下的导游词英译策略研究模糊语在英语广告中的语义分析中小学辅导机构英语教学模式——一对一教学与小班课堂教学教案的比较分析英汉基本色彩词的种类、特点与其文化映现对比肯克西《飞越疯人院》的女性主义批评中国英语与中式英语之比较瓦尔登湖畔的隐士:反抗与变革空间介词在英汉时间表达中的隐喻性用法对比研究从好莱坞电影看美国的文化霸权浅析欧•亨利短篇小说中的写作风格语码转换的面子维护策略从社会语言学角度分析美国黑人英语乌托邦和老子道家思想的比较研究从奈达的功能对等理论看《老友记》字幕中的幽默翻译春节与圣诞节的对比研究浅析国际商务谈判成功之道解析《麦田里的守望者》中霍尔顿的性格特征及其成因简析《蝇王》的象征主义中学英语教师课堂反馈对学生焦虑的影响课堂英语教学与网络英语教学的对比英语新词汉译原则研究提高高中生英语听力的策略和技巧从语言角度分析《功夫熊猫》中中西文化的交融功能对等理论在中文菜单翻译中的应用A Comparison of the English Color Terms试论商务英语与普通英语的异同——商务英语书面语的特点移民影响下的美国文化特点分析On Dickinson’s Choice of Nature as the Theme of Her Poems论《绯闻女孩》中的美国社会文化特征论中西方建筑风格的文化差异从世纪后服饰发展比较中西文化差异浅析虚词在英语写作中的重要性浅谈英语委婉语的作用和原则英汉基本颜色词文化内涵之对比研究《追风筝的人》作为成长小说的的体裁分析Jane Austen’s V iews on Marriage Reflected in Pride and Prejudice电影《海上钢琴师》的浪漫主义解读论《海浪》中体现的死亡意识和生命意识从叶芝的诗歌看象征主义的发展美国牛仔形象演变和西部电影发展的研究对比研究中西文化中的委婉语我之歌——弗洛伊德精神分析视角下的艾德娜之死论证北美独立战争的合法性—重读托马斯.潘恩的《常识》Beowulf: A Christianity Guided Pagan EpicA Contrastive Study of English and Chinese Gratitude Expressions形合与意合对比研究及翻译策略中西饮食文化的差异中英酒俗对比从《老人与海》看海明威的硬汉精神《第二十二条军规》中尤索林的观察者与实践者角色评析A Comparison of the English Color Terms逆成构词的分类及其认知机制和规律浅析《恋爱中的女人》的圣经意象原型——从原型批评角度解读从日常交际礼貌用语失误看中西方文化差异从民族文化心理差异角度看功能对等论在商标翻译中的运用How to Arouse the Students’Interests in English Learning谈英语教学中导入文化背景知识的必要性《美国丽人》中折射出的父母对青少年行为和心理的影响中西方创世神话文化的比较论中美商务谈判中个人主义和集体主义价值观冲突及对策论《纯真年代》的女性意识对英文广告中模糊语言美学功能的理论探究A Comparison of the English Color Terms《乞力马扎罗的雪》中概念隐喻分析The Proper Application of Body Language in Middle-School English Teaching 《小王子》中的象征意蕴的分析The Application of Games in English Teaching for Y oung Learners《简爱》与《谢利》中女主人公的对比分析研究浅析文化差异对中西商务谈判的影响On the Influence of Religion on Chinese and British Culture浅析艾伦坡小说《黑猫》中的哥特式风格爱默生的超验主义和老子的道家思想对比《冰与火之歌》的人文主义分析书面语言输入与输出对英语词汇习得的影响An Analysis on the Tree Image on Sethe’s Back in Beloved海明威《印第安人营地》新解《天黑前的夏天》中女主人公凯特的自我救赎之路中西方传统女权主义思想异同比较——王熙凤与简爱之人物性格对比分析英汉习语渊源对比及其常用分析方法A Comparison of the English Color Terms论有效开展小学英语对话教学的策略论概念隐喻视角下的隐喻翻译大学英语教师课堂话语礼貌现象研究论中西旅游文化的差异性从语境视角分析电影字幕英译中翻译English Teaching and Learning in China's Middle School礼貌原则在商务英语业务关系信函中的应用从礼貌原则看《威尔与格蕾丝》的对话论色彩在《红字》中的运用与艺术效果从目的论角度剖析电影片名翻译中西葬礼文化的对比研究从《透明的东西》探讨纳博科夫的时间意识跨文化交际中英汉成语翻译初探汉英“眼”概念隐喻的对比研究对中西方礼貌原则差异的研究Charlotte Bronte’s Concept of Marriage--Comment on Jane Eyre from angle of true love 中外服装品牌英文标签语言的跨文化研究从《夜莺与玫瑰》看王尔德唯美主义的道德观解析《拉帕西尼之女》中贝雅特丽丝浅析英语语言中的性别歧视现象中学英语口语教学中的互动试比较《汤姆索亚历险记》与《哈克贝利芬历险记》中主人公性格异同点《了不起的盖茨比》的叙事技巧分析英语新闻的用词和翻译浅析菲利普从妥协走向庸常的原因—反刍毛姆《人性的枷锁》《喧哗与骚动》中凯蒂悲剧的分析英语语言中的性别歧视The Analysis of the Representative Images in The Waste Land《献给艾米丽的玫瑰》中的象征主义爱米莉•狄金森诗歌中的植物隐喻谈归化与异化翻译的融合--以谚语翻译为例试论任务型教学法在英语阅读教学中的应用英语谚语中关系分句之先行词he高频使用之探析。

英国文学集天真之歌(songsofinnocence)

英国文学集天真之歌(songsofinnocence)

英国⽂学集天真之歌(songsofinnocence)William Blake天真之歌(songs of innocence)This article is about the William Blake poem. For other uses, see Lamb (disambiguation)Blake's illustration of "The Lamb""The Lamb" is a poem by William Blake, published in Songs of Innocence in 1789. Like many of Blake's works, the poem is about Christianity.BackgroundLike the other Songs of Innocence and Experience, The Lamb was intended to be sung; William Blake's original melody is now lost. It was made into a song by Vaughan Williams. It was also set to music by Sir John Tavener, who explained, "The Lamb came to me fully grown and was written in an afternoon and dedicated to my nephew Simon for his 3rd birthday." American poet Allen Ginsberg set the poem to music, along with several other of Blake's poems.[1]The Lamb can be compared to a more grandiose Blake poem: The Tyger in Songs of Experience. Critical analysis suggests that both poems, "The Lamb" and "The Tyger," question the Christian belief that God is good; if God is responsible for creating both the good things in life (the lamb) and the evil things (the tyger), how can God be good and moral?[original research?]The lamb in the poem may be compared to Jesus Christ, who is also known as "The Lamb of God".[2]Poetic structureThis poem has a simple rhyme scheme : AA BB CC DD AA AA EF DD FE AAThe layout is set up by two stanzas with the refrain: "Little Lamb who madethee?/Dost thou know who made thee?"In the first stanza, the speaker wonders who the lamb's creator is; the answer lies at the end of the poem. Here we find a physical description of the lamb, seen as a pure and gentle creature.In the second stanza, the lamb is compared with the infant Jesus, as well as between the lamb and the speaker's soul. In the last two lines the speaker identifies the creator: God.Holy Thursday (Songs of Innocence)Holy Thursday is a poem by William Blake, from his book of poems Songs of Innocence. (There is also a Holy Thursday poem in Songs of Experience, which contrasts this song.)The poem depicts a religious event carried on on a Holy Thursday, in which rows of clean children dressed in cheerful clothes walk into Saint Paul cathedral in a sort of procession, guided by beadles. Citizens of London town, including the aged man, sit and observe the ceremony while thousands of little boys and girls elevate their hands and a song is raised to Heaven.The poem is a criticism of the Foundling Hospital. Orphans at the hospital would be cleaned and marched annually to Saint Paul cathedral to sing. This was seen as a treat for the orphans. The bleak reality of their lives is depicted in Holy Thursday (Songs of Experience).The Chimney Sweeper is the title of two poems by William Blake, published in Songs of Innocence in 1789 and Songs of Experience in 1794.[1] In the earlier poem, a young chimney sweeper recounts a dream had by one of his fellows, in which an angel rescues the boys from coffins and takes them to a sunny meadow; in the later poem, an apparently adult speaker encounters a child chimney sweeper abandoned in the snow while his parents are at church.The PoemsSongs of InnocenceWhen my mother died I was very young,And my father sold me while yet my tongueCould scarcely cry 'weep! 'weep! 'weep! 'weep!So your chimneys I sweep, and in soot I sleep.There's little Tom Dacre, who cried when his head,That curled like a lamb's back, was shaved: so I said,"Hush, Tom! never mind it, for when your head's bare,You know that the soot cannot spoil your white hair."And so he was quiet; and that very night,As Tom was a-sleeping, he had such a sight, -That thousands of sweepers, Dick, Joe, Ned, and Jack,Were all of them locked up in coffins of black.And by came an angel who had a bright key,And he opened the coffins and set them all free;Then down a green plain leaping, laughing, they run, And wash in a river, and shine in the sun.Then naked and white, all their bags left behind,They rise upon clouds and sport in the wind;And the angel told Tom, if he'd be a good boy,He'd have God for his father, and never want joy.And so Tom awoke; and we rose in the dark,And got with our bags and our brushes to work.Though the morning was cold, Tom was happy and warm; So if all do their duty they need not fear harm.经验之歌(Songs of Experience)(1)2010年01⽉12⽇星期⼆上午09:41IntroductionHear the voice of the Bard!Who Present, Past, & Future sees Whose ears have heard,The Holy Word,That walk'd among the ancient trees. Calling the lapsed SoulAnd weeping in the evening dew: That might control,The starry pole;And fallen fallen light renew!O Earth O Earth return!Arise from out the dewy grass; Night is worn,And the mornRises from the slumberous mass, Turn away no more:Why wilt thou turn awayThe starry floorThe watry shoreIs giv'n thee till the break of day. 经验之歌序诗听那⾏吟诗⼈的声⾳!他看见现在、过去和未来。

thetyger诗歌鉴赏

thetyger诗歌鉴赏

thetyger诗歌鉴赏诗歌《The Tyger》是英国诗人威廉·布莱克的一首著名诗歌,它以其独特的风格和深邃的主题而闻名。

这首诗以其精湛的韵律和节奏,以及富有象征和隐喻的意象,表达了诗人对生命、创造力和神性的深刻思考。

首先,从诗歌的韵律和节奏来看,《The Tyger》以其独特的四行格式和ABAB 的韵脚而引人注目。

这种结构不仅赋予诗歌一种稳定、和谐的节奏,也强调了诗歌的主题——火眼金睛、敢于翱翔的翅膀、敢于攫火的手掌等元素,以及它们所代表的创造力和力量。

其次,布莱克在诗歌中运用了丰富的象征和隐喻。

这首诗中的“Tyger”代表了生命中的神秘和奇妙,以及创造的无限可能。

它引发了对生命的敬畏和对未知的探索。

同时,诗人也通过描绘“Tyger”的外部形态和内在创造力,暗示了人类对神性和宇宙的理解。

此外,诗歌中还出现了其他具有象征意义的形象,如海洋、天空、火焰等。

这些形象在诗中相互交织,共同构建了一个充满力量和美丽的创造物。

通过这些形象,诗人表达了对生命和创造的赞美,以及对人类内在潜力和力量的肯定。

最后,从主题和情感的角度来看,《The Tyger》表达了诗人对生命、创造力和神性的独特见解。

布莱克通过这首诗,探索了生命的意义和价值,以及人类如何与宇宙建立联系。

他试图唤醒人们内心深处的创造力,激励他们去探索未知的世界,并勇敢地面对生活中的挑战。

总的来说,《The Tyger》是一首充满力量和美丽的诗歌。

通过其独特的韵律、节奏和意象,布莱克表达了对生命、创造力和神性的深刻思考。

这首诗不仅激发了人们对未知的探索和对生命的敬畏,也给予了人们追求内在潜力和力量的勇气。

美国文学毕业论文选题

美国文学毕业论文选题

美国文学毕业论文选题:1.从《最后的莫西干人》看殖民者对印第安人的压迫The Oppression of the Indians by the Colonists in The Last of the Mohicans2.浅析《智血》中的女性哥特色彩On Female Gothic Flavor of Wise Blood3.论《竞选州长》的写作技巧The Writing Skills of Running for Governor4.浅析《心是孤独的猎手》的孤独主题The Theme of Loneliness in The Heart Is a Lonely Hunter5.论《奥吉?马奇历险记》的反传统风格On the Unconventional Style of The Adventures of Augie March6.浅析《螺丝在拧紧》中的哥特成分An Analysis of the Gothic Elements in The Turn of the Screw7.季诺碧亚和普里西拉的原型分析Archetypes of Zenobia and Priscilla8.《推销员之死》中的“美国梦”分析American Dreams in Death of a Salesman9.论《榆树下的欲望》中《圣经》场景的投影和颠覆A Projection and Overturn of Biblical Scene in Desire Under the Elms10.浅析《夜访吸血鬼》中的吸血鬼形象Analysis of the Vampire in Interview with the Vampire11.《冷山》的主题思想分析The Themes of Cold Mountain12.浅析《野性的呼唤》中个人英雄主义On the Individualism of The Call of the Wild13.两个关于幽灵的故事——对《厄舍古屋的倒塌》和《蝴蝶梦》的比较研究Two Stories Of Specter :The Contrast Analysis of the Fall of the House of Ursher and Rebecca 14.霍尔顿悲剧成因分析Analysis on the Causes of Holden ' s Tragedy15.浅析《野性的呼唤》中的自然主义The Brief Analysis of Naturalism in The Call of the Wild16.从《老人与海》看海明威作品中的硬汉形象—桑提亚哥On the Image of a Tough Guy in The Old Man and the Sea —Santiago17.试析《S.》中厄普代克对女权运动的态度On Updike ' s Attitude towards Feminism in S.18.《飘》中女主角斯嘉丽的性格分析An Analysis of the Characters of Scarlett in Gone with the wind19.从变态心理学的视角分析电影《沉默的羔羊》An Analysis of the Silence of the Lambs —From the Perspective of Abnormal Psychology 20.《紫颜色》中艾伯特人物分析An Character Analysis of Albert in The Color Purpl21.浅析弗罗斯特的诗歌特色On the Features of Robert Frost ' s Poetry22. 论海明威作品《太阳照样升起》中的女性形象On the Images of Women in Hemingway`s The Sun Also Rises23. 美国自然文学在斯蒂芬 ?克莱恩的作品中体现American Naturalism Reflected in Stephen Crane' s Works24. 浅谈海明威的作品《太阳照常升起》中 “迷惘的一代 ”‘ The Lost Generation ' in Hemingway ' s The Sun Also Rises25. 《小妇人》中四姐妹的人物塑造 On the Characterization of the Four Sisters in Little Woman26. 美国黑人文化身份的困境:评托妮 ?莫里森的《柏油娃》The Dilemma of Black American Cultural Identity: on Toni Morrison' 27. 《看不见的人》的爵士乐风格Jazz Style in Invisible Man28. 论《一个干净明亮的地方》的写作技巧On the Techniques of A Clean,Well-Lighted Place29. 托妮 ?莫里森笔下的微笑意象 The Smile Image in Toni Morison' s Writing30. 成长的艰辛 — 《麦田里的守望者》的主题分析 Difficulties in Growing Up: A Thematic Analysis of The Catcher in the Rye31. 《小镇畸人》中的怪人形象The Image of Grotesques in Winesburg, Ohio32. 《赫索格》的艺术表现手法Techniques of Artistic Expression in Herzog33. 浅谈纳博科夫的《洛丽塔》中的病态心理On Insanity in Lolita by Nabokov34. 《汤姆叔叔的小屋》中女性意识力量The Female Consciousness in Uncle Tom's Cabin35. 论《愤怒的葡萄》中体现的《圣经》元素On the Elements of the Bible in the Grapes of Wrath36. 书信体叙述模式在《紫色》中的运用The Epistolary Narration in The Color Purple37. 托尼莫里森作品中人物名字的意义The Meaning of Names in Toni Morisson's Novels38. 论小说《在路上》中垮掉的一代A Survey on the Beat Generation from On the Road39. 论《永别了 ,武器》中的悲剧策略Analysis on the Tragic Strategy of A Farewell to Arms The Tragic Spirit in Death Salesman 40. 孤独与失落的守望 — 析《麦田里的守望者》Waiting in Perplexity and Degradation —— Analysis of The Catcher in The Rye 41. 论海明威《一个干净明亮的地方》中的虚无主义The Analysis on Nihilism in Hemingway' s Short Story A C-lleigahnt,e Wd Pelllace42. 试析《哈克贝利 ?费恩历险记》中的人性刻画 On the Humanity Reflected in The Adventures of Huckleberry Finn43. 唐人街文化分析 —— 以水仙花与朱路易作品为例Analysis of Chinatown Culture — Taking the Works of Sui Sin Far and Louis Chu as thes Tar Boyof aExample44.意象派诗歌中东方审美因素的分析On the Analysis of Oriental Aesthetic Elements in the Imagist Poetry45.《这个杀手不太冷》的主人公性格分析Character Analysis of “ LEON”46.论马丁?伊登和杰伊?盖茨比的比较研究A Comparative Study between Martin Eden and Jay Gatesby47.浅析《鸡蛋的胜利》中运用象征手法表现美国梦On the American Dream Expressed by Symbolism by The Triumph of the Egg48.从《教父》看两代人不同的家庭观The Discrepancy of Family Values between Two Generations in The Godfather49.《推销员之死》中的矛盾与冲突Conflict and Contradiction —On Death of a Salesman50.论霍桑作品中的象征手法-以《年轻人古德曼?布朗》为例On the Symbolism in Hawthorne's Works---taking Young Goodman Brown as a example 51.浅谈《厄舍古屋的倒塌》的叙事视角On the Narrative Point of View in The Fall of the House of Usher52.论《厄舍古屋倒塌》中的哥特元素On Gothic Elements in “ The Fall of the House of Usher ”53.解析《第二十二条军规》中的黑色幽默On the Black Humor in Catch-2254.论《所罗门之歌》的主题55.论《推销员之死》的悲剧观56.从休斯到莫里森浅析美国黑人文学的嬗变57.浅析爱伦?坡的侦探小说58.浅析《汤姆叔叔的小屋》主人公性格59.《嚎叫》——垮掉的一代的预言60.从愤怒的葡萄中看美国大萧条61.杰克伦敦的自然主义——通过作品《野性的呼唤》和《白牙》分析其自然主义倾向62.《哈克贝利?费恩历险记》的写作特点分析63.《愤怒的葡萄》中《圣经》的象征意义64.海勒斯与卡米拉的爱情对比分析65.浅析王熙凤与斯嘉丽的异同66.从生态女权主义角度来解读托妮?莫里森的《宠儿》67.《最蓝的眼睛》中非裔美国人的自我憎恨68.“心之罪”与“魂之恶”——比较研究《红字》与《厄榭尔府的倒塌》69.杰克?伦敦的《野性的呼唤》中的自然主义元素70.论简爱中的女性意识71.汤姆.索亚,哈克.贝丽芬和马克吐温的时代观72.海明威的女性意识73.论嘉莉妹妹成功的原因74.从《喧哗与骚动》中凯莉的悲剧看女性的社会地位75.透视《宠儿》中美国黑人女性的悲剧与成长76.浅析《心是孤独的猎手》中人物异化的生存状态77.论小男孩在《老人与海》中的作用78.浅析《论自助》中人生自主的源泉79.浅析马克?吐温小说的地方色彩主义特点On the Characteristics of Dickinson 's Poems80.哈克贝利?费恩的性格分析An Analysis of the Characteristics of Huckleberry Finn81.浅析《欲望号街车》的主题An Analysis of the Theme of A Streetcar Named Desire82.狄金森诗歌的特点之浅析On the Characteristics of Dickinson 's Poems83.浅析狄金森诗歌中的死亡主题On the Death Theme of Dickinson 's Poems84.从凯蒂的悲剧中看20世纪初女性的社会地位From Caddy 's Tragedy to View Women 's Social Status in the Early 20th Century 85.《乱世佳人》对21世纪女性的启示An Analysis of the Inspiration of Gone with the Wind to the 21st Century Women 86.解读《献给艾米丽的一朵玫瑰》中的悲剧元素On Tragic Elements in A Rose for Emily87.浅析《麦田里的守望者》中霍顿的性格特点An Analysis of Holden 's Characteristics in The Catcher in the Rye88.斯嘉丽:“旧”时代的“新”女性Scarlett O ' Hara, A “New” Woman PIne riod“ Old”89.“无形”困境——对《看不见的人》的主题分析“ Invisible Plight An” A nalysis of the theme of Invisible Man90.情感与理智——浅析《飘》中的婚姻观Emotion and Intellect -- An Analysis of View of Marriage in Gone with the Wind91.浅析《欲望号街车》中布兰奇的悲剧根源On the Origin of Blanche 's Tragedy eintc Aa rS Ntraemed Desire92.论对《哈克贝利?费恩历险记》的种族主义误读On Racist Misperception of The Adventures of Huckleberry Finn93.从《喜福会》透视中美文化冲突与融合On the Cultural Conflicts and Blending Embodied in The Joy Luck Club94.浅析惠特曼的写作技巧A Brief Analysis of the Writing Techniques of Whitman95.对《宠儿》中叙事方法的分析An Analysis of the Narrative Tactics in Beloved96.浅析《赫索格》中的犹太情结A Brief Analysis of the Jewish Complex in Herzog97.抗争与守望:论《小镇畸人》中的畸形人物Struggle and Watch: A Study of the Grotesques in Winesburg, Ohio98.浅析《嘉莉妹妹》中的自然主义特征A Brief Analysis of Naturalistic Features in Sister Carrie99.浅析《看不见的人》中黑人的被漠视境遇An Analysis of Blacks ' Invisible Situation in Invisible Man100.浅析欧?亨利短篇小说的结尾艺术与人文关怀A Brief Analysis of the Twist Ending and the Humanity Cares in O. Henrys Short Stories 101.浅析《看不见的人》中的布鲁斯神韵An Analysis on the Spirit of the Blues in Invisible Man102.哈克贝利?费恩的性格分析An Analysis of the Characteristics of Huckleberry Finn103.伊迪斯?华顿《纯真年代》中的女性意识Feminine Consciousness in Edith Wharton ' s The Age of Innocence104.《嘉莉妹妹》中的早期自然主义Dreiser ' s Early Naturalism in Sister Carrie105.论《夜色温柔》中美国梦的破灭On the Collapse of American Dream in Tender is the Night106.艾米莉?狄更森诗歌之主题研究On the Themes of Emily Dickinson ' s Poems107.对《推销员之死》对话的语用分析A Pragmatic Analysis of the Dialogues in Death of a Salesman108.《红字》中的象征意义The Symbolism in The Scarlet Letter109.浅析《美国悲剧》中罗贝塔的悲剧性On the Tragedy of Roberta in An American Tragedy110.论《洛丽塔》中的彼岸世界On the “ Otherworld ” of Lolita111.通过《飘》看女人的觉醒Gone with the Wind and the Awakening of Women112.浅析托尼?莫里森《宠儿》中的魔幻现实主义的应用Magic Realism in Tony Morrison ' s Beloved113.《看不见的人》中的社会问题分析Analysis of Social Problems in Invisible Man114.论《秀拉》中女性的自我寻找Self-realization of the Females in Sula115.浅析《了不起的盖茨比》比中颜色的象征意义The Symbolic Meaning of Color Words in The Great Gatsby116.从《嘉莉妹妹》看女性价值观变迁Changes of Female ' s Values in Sister Carrie117.浅析多斯? 帕索斯在“美国”三部曲中的写作手法Techniques Employed in U.S.A by John Dos Passos118.爱伦?坡小说中的恐怖因素Horror Elements in Edgar Allen Poe ' s Fiction119.浅析《我有一个梦想》的修辞手法与主题表现An Analysis of Rhetoric Method and Theme of I Have a Dream120.浅析《芒果街上的小屋》中的女性形象Analysis on the Female Images in The House on Mango Street121.浅析欧?亨利的黑色幽默On O. Henry ' s Black Humor122.欧?亨利短篇小说中的反衬艺术The Art of Making Contrasts in O? Henry's Short Stories123.论《了不起的盖茨比》中的美国梦On the American Dream in The Great Gatsby124.圣经对美国小说的影响The Influence of Bible in American Novel125.《白鲸》的生态解读Ecological Analysis of Moby-Dick126.论《汤姆?索亚历险记》的魅力所在The Charms of the Adventures of Tom Sawyer127.《老人与海》的象征主义Symbolism in The Old Man and the Sea128.《汤姆叔叔的小屋》主要人物性格分析Analysis of the Protagonists ' Character in Uncle Tom ' s Cabin129.基督教在《汤姆叔叔的小屋》中的体现Christianity in Uncle Tom's Cabin130.论T.S.艾略特《荒原》中的宗教思想A Discussion of the Religious Ideas in The Waste Land of T. S. Eliot131.论《推销员之死》的悲剧精神The Tragic Spirit in Death of a Salesman132.《秘密花园》现代主义主题分析On the Modernist Themes in The Secret Garden133.简析艾伦?金斯堡《嚎叫》中的“垮掉的一代”Brief Analysis of the Beat Generation in Allen Ginsber g' s Howl134.“嘉莉妹妹”—西方女性的缩影Sister Carrie —the Miniature of Western Women135.伊迪丝?华顿的《纯真年代》中的女性意识Feminine Consciousness in Edith Wharton ' s The Age of Innocence136.解析《红字》中A 的象征意义On the Symbolic Meaning of A in The Scarlet Letter137.《小妇人》—一曲新女性的赞歌Little Women, a Celebration of New Women138.梭罗的《瓦尔登湖》中蕴含的深层生态学思想Deep Ecological Thoughts Contained in Thoreau ' s Walden139.从《喧哗与骚动》中浅析20 世纪初女性的社会地位Analysis of Women ' s Social Position in Early 20th Century from The Sound and the Fury 140.浅析海明威的《一个干净明亮的地方》A Brief Discussion of Hemingway Cle'ans a And Well-lighted Place141.论《美国悲剧》中萝贝塔的悲剧性The Tragedy of Roberta in American Tragedy142.马克?吐温短篇小说的幽默与讽刺Humor and Irony in Mark Twain ' s Short Story143.论马克?吐温小说的讽刺144.浅析马克吐温的《败坏了哈得莱堡的人》中的讽刺艺术145.论《觉醒》的主题和特点146.透过《嘉莉妹妹》看世纪之交的美国消费文化147.从女性主义视角解读《紫色》148.论《麦田里的守望者》中读者对艺术真实的认同与重建149.《宠儿》中黑人女性的社会地位150.浅析艾米莉?狄金森的爱情诗151.《白鲸》所反映出的生活态度152.浅析《嘉莉妹妹》中的新女性形象153.论《土生子》中的种族主义154.《喜福会》中母爱主题的阐释155.从庞德的作品品读意象派风格156.从超验主义重新解读《小妇人》157.评莫里森《最蓝的眼睛》的艺术特色158.论《老人与海》的悲剧色彩159.小男孩在《老人与海》中的作用160.浅谈尼采思想对杰克?伦敦及其小说《马丁? 伊登》的影响161.论《白象似的群山》中海明威独特的写作风格162.对海明威短篇小说艺术特色的研究163.从《嘉莉妹妹》看美国梦的幻灭。

郭沫若翻译思想与作品评析

郭沫若翻译思想与作品评析
Tyger, tyger, burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?
In what distant deeps or skies
Burnt the fire of thine eyes?
-
一株树,他的饥渴的嘴
吮吸着大地的甘乳。
-
一株树,他整日望着天
高攀着叶臂,祈祷无语。
-
一株树,夏天在他的发间
会有知更鸟砌巢居住。
-
一株树,白雪躺在他胸上,
他和雨是亲密的伴侣。
-
诗是我辈愚人所吟,
树只有上帝才能赋。
THE OUTCAST(冥冥)By A.E --郭沐若译文
Sometimes when alone
Winter moon《冬月》By Evelyn Scott郭沬若译
冬月
初月如银钩,
吹过冰岩沼;
如钩初月白,
吹渡寒郊草。
-
Winter moon
By Evelyn Scott伊夫林.斯科特
-
A little white thistle moon
Blown over the cold crags and fens;
地板也不怕冷。
门户就是半开着,
也不怕有甚眼睛。
-
哦,种地回来的人们!
请把脚步放轻,放轻。
玛莉亚要把青披衫,
盖上宝宝的身!
Trees-- By Joyce Kilmer树郭沬若译(17)
I think that I shall never see

Analysis of The Tyger and The Lamb

Analysis of The Tyger and The Lamb

Compare The Tyger and The LambBoth of them are written by William Blake, the tiger from Songs Of Experience, and the Lamb from Songs Of Innocence. Blake wrote "The Tyger" during his more radical period. He wrote most of his major works during this time railing against oppressive institutions like the church or the monarchy, or any and all cultural traditions which stifled imagination or passion.” The Lamp" wrote into his another poetry collection Songs of Innocence, in which contains idyllic poems. Many of those idyllic poems deal with childhood and innocence.In the Tiger, the poem is more about the creator of the tiger than it is about the tiger itself. The poet was at a loss to explain how the same God who made the lamb could make the tiger. So, the theme is: humans are incapable of fully understanding the mind of God and the mystery of his handiwork. In the Lamb, Blake in the songs of innocence,with childish life's point of view,shows a full of love and kindness, compassion and happy world, the lamb is one of the poetry anthology. The poem has just 20 lines, but depicts the character of gentleness vividly. "The Lamb" is one of those idyllic poems which asks the Lamb who made "thee" ,just like "The Tyger", praises how soft and cute it is, then tells it thatGod made it and how wonderful that is. Compare the former with the latter poem, Blake enhanced the meaning of both. These poems focus on evil and the importance of understanding the evil around in hope of attaining a state of innocence.It is said that human souls have two sides: a good side, and an evil side. "The Lamb" and "The Tyger”.。

英文诗歌分析全文Lamb、tyger、rose

英文诗歌分析全文Lamb、tyger、rose

The lamb1 "The Lamb" is a poem by William Blake, published in Songs of Innocence in 1789. Like many of Blake's works, the poem is about Christianity. The whole collection is pervaded with a breath of simplicity and fancy.Poetic structure1rhyme scheme: AA BB CC DD AA AA EF GG FE AA“The Lamb” has two stanzas, each containing five rhymed couplets.2 The layout is set up by two stanzas with the refrain: "Little Lamb who made thee? Dost thou know who made thee?"In the first stanza, the speaker wonders who the lamb's creator is; the answer lies at the end of the poem. Here we find a physical description of the lamb, seen as a pure and gentle creature. In the second stanza, the lamb is compared with the infant Jesus, as well as between the lamb and the speaker's soul. In the last two lines the speaker identifies the creator: God.Rhetorical devices1 The poem begins with the question, “Little Lamb, who made thee?” The speaker, a child, asks the lamb about its origins: how it came into being, how it acquired its particular manner of feeding, its “clothing” of wool, its “tender voice.”2 In the next stanza, the speaker attempts a riddling answer to his own question: the lamb was made by one who “calls himself a Lamb,” one who resembles in his gentleness both the child and the lamb.Repetition in the first and last couplet of each stanza makes these lines into a refrain, and helps to give the poem its song-like quality. The flowing soft vowel sounds contribute to this effect, and also suggest th e bleating of a lamb or the lisping character of a child’s chant.Theme1 The lamb is a common metaphor for Jesus Christ, who is also called the "The Lamb of God"2 Blake in the songs of innocence,with childish life's point of view,shows a full of love and kindness, compassion and happy world. The poem has just 20 lines, but depicts the character of gentleness vividly.3 The poet’s description about the lamb’s kindness and gentleness, aims to express their feeling of life and nature, and the yearning for the universe and harmonious understanding.4 He not only sings praise of gentle lamb, but also the mystical power that can create the lamb. Here the God, Jesus and the Lamb are just the one thing.The TygerTyger! ︳Tyger! ︳burning ︳ brightIn the ︳ forests ︳of the ︳night,What im ︳mortal ︳hand or ︳eyeCould ︳frame thy ︳ fearful ︳symmetry?Analysis: In the this verse, the author compares the fierceness of a tiger to a burning presence in dark forests. He wonders what immortal power could create such a fearful beast.*Line 1 is an example of synecdoche(提喻), a literary device used when a part represents the whole or the whole represents a part. In line 1 "Tyger! Tyger! burning bright" alludes to the predator's eyes.In what ︳ distant ︳deeps or ︳skiesBurnt the ︳ fire of ︳ thine eyes?On what ︳wings dare ︳he as ︳pireWhat the ︳hand, dare ︳seize the ︳ fire?Analysis: Here the poet compares the burning eyes of the tiger to distant fire that only someone with wings could reach. The poet wonders where such a powerful fire could have comeAnd what ︳shoulder, ︳and what ︳art,Could ︳twist the ︳sinews ︳ of thy ︳ heartAnd when ︳ thy heart ︳began to ︳beat,What dread ︳hand?and ︳what dread ︳ feet?Analysis: In the third stanza we have a metaphor giving us a vision a skillful and powerful blacksmith creating the tiger's beating heart awakening a powerful beast.The phrase “...twist the sinews of thy heart" is also an allusion to a hardheartedness that a beast of prey must have towards the creatures it kills.What the︳ hammer?︳ what the ︳ chain?In what︳ furnace︳ was thy ︳ brain?What the︳ anvil?︳ what dread ︳ graspDare its ︳ deadly ︳ terrors ︳ clasp?Analysis: This verse continues the allusion to a creator, who, having made the fearsome beast, must confront with the sheer terror of a tiger's natureWhen the ︳ stars threw ︳ down their ︳ spears,And wa ︳ter’d hea ︳ven with ︳ their tears,Did he ︳smile his ︳ work to ︳see?Did he ︳ who made ︳the Lamb ︳make thee?Analysis: In the fifth stanza,the author, with beautiful rhetoric (personification),describes a marvelous creation process likening starlight to a symbolic destructive process.The author wonders whether the creator of the fierce and predatory tiger could make the docile, gentle lamb. He sees a conflict between the creation of heartless, burning predator and its potential victim, the lamb.Tyger! ︳Tyger! ︳burning ︳brightIn the ︳ forests ︳of the ︳ nightWhat im ︳mortal ︳hand or ︳eyeDare ︳ frame thy ︳fearful ︳symmetry?Analysis: The final verse is but a reprise, almost a chorus. It serves the purpose of repeating the wondrous question of the tiger's creation and gives the reader another chance to enjoy the rhetorical and already answered question, "What immortal hand or eye?"The answer lies in the reader's interpretation of creation: Did God create the fearsome along with the gentle? Why does He allow the tiger to burn in the dark forest, while the lamb gambols in the glen under the stars of that very creation? The author leaves it up to the reader to decide. The important thing is the question, not the answer.Background information: The Tyger" is a poem by the English poet William Blake. It was published as part of his collection Songs of Experience in 1794. The Cambridge Companion to William Blake (2003) calls it "the most anthologized poem in English."解析题目:His choice of "tyger" has usually been interpreted as being for effect, perhaps to render an "exotic or alien quality of the beast", or because it's not really about a "tiger" at all, but a metaphor.The Meter: trochee tetrameter. (the poem is in trochaic tetrameter)The poem is comprised of six quatrains (A quatrain is a four-line stanza) in rhymed couplets. The Rhyme Scheme:aa bb with a near rhyme(近似韵)ending the first and last stanzas, drawing attention to the tiger's "fearful symmetry."Rhetorical devices1 Repetition of "Tyger" in line 1, "dare" in lines 7 & 8, "heart" in lines 10 & 11, "what" in lines12, 13, & 15, "Did he" in lines 19-20, and several repeats in stanzas 1 &2 establish the poem's nursery rhyme like rhythm.2Alliteration in "The Tyger" abounds and helps create a sing-song rhythm. Examples include the following:"b urning b right" (1) "f rame thy f earful (4) "d istant d eeps" (5) "w hat w ings" (7) "b egan to b eat" (11) "d are its d eadly" (16) "h e wh o" (20)3 Symbolism:(1) the tiger represents the dangers of mortality; (powerful force with terror, mystery and violence eg: fearful symmetry, dread hand, obscure in symbolic meaning)(2)the fire imagery symbolizes trials(3) the forest of the night represents unknown realms or challenges;(4) the blacksmith represents the Creator;(5) the fearful symmetry symbolizes the existence of both good and evil, the knowledge that there is opposition in all things, a rather fearful symmetry indeed.* SymbolsThe Lamb: GodDistant Deeps: HellThe Tiger: Evil (or Satan)Skies: Heaven4Metaphor: Compare the tiger’s eyes to fire.5 Anaphora: Repetition of what at the beginning of sentences or clauses. (首语重复法) Example: What dread hand and what dread feet? / What the hammer? what the chain?ThemeThe poem is more about the creator of the tiger than it is about the tiger itself. The poet was at a loss to explain how the same God who made the lamb could make the tiger. So, the theme is: humans are incapable of fully understanding the mind of God and the mystery of his handiwork.COMPARISON between the lamb and the tyger1 "The Tyger" is the sister poem to “The Lamb" “Songs of Innocence”, a reflection of similar ideas from a different perspective, but it focuses more on goodness than evil.2 Both are creation poems3 Structure of the “The Lamb” is more obviously singular when compared with the complexity of “The Tiger,” whose complexity is achieved through layered questions without answers, while the Lamb poses a simple, singular question and then directly answers it.The sick roseO Rose, thou art sick. 啊玫瑰你病了The invisible worm 那看不见的虫That flies in the night 在夜里飞翔In the howling storm 在呼啸的暴风雨中Has found out thy bed 发现了你深红色Of crimson joy, 快活的床And his dark secret love 他黑色的秘恋Does thy life destroy. 摧毁了你我的生命Analysisrhyme scheme: abcb (2 quatrains or 2 stanzas)images: rose, worm, storm, bed1 Line 1: The form of address—"O rose"—is called an apostrophe. The rose here could be a metaphor for love or passion2 Line 2-3: "Invisible" might be a metaphor for the worm's quiet act of destruction.3 Line 4: The speaker mentions a "howling storm," which gives the poem a more ominous tone. "Howling" reminds us of dogs or wolves; the sounds of those animals are here a metaphor for the storm4 Line 5-6: "Bed" might refer to a plot of ground in which the rose is growing, which it's not a literal bed with pillows, but a metaphor for the plot of ground. Or bed can refer to the rose's petals, which is a place where insects rest or sleep. In addition, the worm manages to worm his way into the rose's bed, which suggests some kind of sexual act.5 Lines 7-8: The speaker describes how the worm "destroys" the rose with his "dark secret love." It is an example of personification, where human characteristics or emotions (love) are attributed to non-human things (namely the worm).The Rose The rose exists as a beautiful object that has become infected by a worm; also as aliterary rose, the conventional symbol of love. It symbolizes innocence, nature and even pre-industrial England fall under this more encompassing category. The speaker opens by apostrophizing the rose, immediately setting a tone of despair that is intensified by the epithet of “sick”. The rose resides in a “bed”, which is a pun denoting both a flower bed and a human one. The sexual undertones are elevated by the evocation of “crimson joy”, which is almost paradox as the said color is distinctly sinister, often used to describe the appearance of blood and therefore tying into the poem’s suggestions of death. A literal death is not suggested, however, but a figurative one, as the rose's life is irreparably "destroy[ed]"The Worm The worm, meanwhile, symbolizes the destruction of this unspoiled state, its appearance evoking biblical images of the serpent in Eden. Worms are usually earthbound, and symbolize death and decay, therefore suggesting that it symbolizes something more sinister than death - in this case, the fall of mankind. The “bed” into which the worm creeps denotes both the nat ural flowerbed and also the lovers’ bed. The rose is sick, and the poem implies that love is sick as well, and it can also refer to the moral corruption. The “crimson joy” and the “dark secret love” imply both sexual pleasure and shame, which Blake thought was perverted and unhealthy.。

The Tyger

The Tyger

在第一节中,作者假想自己在夜晚的森林中邂逅老虎,被 它那威严的目光所慑服。既有造物,必有造物主,哪个万 能的造物主能塑造出老虎那可怕的对称身体? In what /distant /deeps or/ skies Burnt the /fire of/ thine eyes? On what /wings dare /he as/pire? What the /hand dare /seize /the fire? 你炯炯的两眼中的火 燃烧在多远的天空或深渊 他乘着怎样的翅膀搏击? 用怎样的手夺来火焰?
The introduction of author
威廉· 布莱克(William Blake,1757-1827),英国 诗人、版画家,英国浪漫主义运动的先驱。他 出生于伦敦一个缝纫用品商家庭,除了初级艺 术教育外,未受过正规教育。布莱克的诗多是 配他的蚀刻画的,主要有《天真之歌》与《经 验之歌》等诗集。这两个诗集分别描写儿童天 真未凿时期的欢快安宁和成人落入经验世界后 的痛苦。要充分理解布莱克的思想,必须把这 两部诗集对照着看。布莱克并不被同时代人所 充分理解,被认为是个半疯人。直到20世纪40 年代,加拿大文学批评大家弗莱的名著《可怖 的对称》(The Fearful Symmetry)出版后, 人们才又重新注意这位湮没无闻的诗人,并出 版了很多研究他的著作与论文
又是怎样的膂力,怎样的技巧,
把你的心脏的筋肉捏成? 当你的心脏开始搏动时,
What dread/ hand? and /what dread f/eet? 使用怎样猛的手腕和脚胫? 作者把造物主描绘成一个铁匠的形象,他锻造了他的杰作--老虎。隐含在这一 系列问题后面的,是作者对造物主的敬畏和恐惧心情
在第五节里,作者的语气一变,又问道,当天上的众天使(群星)击败了撒旦率领的 反叛天使时,他们没有欢呼雀跃,反而"泪飞顿作倾盆雨",为堕落的诸天使感到痛心疾 首。有评家认为,布莱克诗中的星星是理性、法律和秩序的象征和化身。最后一节重 复开头一节,使全诗转了一圈又回到起首的问题上去,说明造物的神秘非凡人能解。 Tyger! Tyger! burning bright In the forests of the night, What immortal hand or eye, Dare frame thy fearful symmetry? 老虎!老虎!黑夜的森林中 燃烧着的煌煌的火光, 是怎样的神手或天眼

(完整word版)Analysis of The Tyger 分析The Tyger

(完整word版)Analysis of The Tyger 分析The Tyger

Analysis of The Tyger byBackground:"The Tyger” ,one of William Blake(1759-1827)’s most famous poem published in a collection of poems called Songs of Experience ,Blake wrote ”The Tyger" during his more radical激进 period. He wrote most of his major works during this time railing against oppressive institutions like the church or the monarchy, or any and all cultural traditions which stifled imagination or passion。

His choice of "tyger” has usually been interpreted as being for effect, perhaps to render an "exotic or alien quality of the beast",or because it's not really about a ”tiger” at all, but a metaphor。

The Meter and The Rhyme Scheme:(the poem is in trochaic tetrameter)The poem contains six quatrains(A quatrain is a four—line stanza) ; and its rhyme is assonant (谐音), and follows perfectly the pattern aabb due to, in the case of the first and the sixth stanzas, the word ‘symmetry' is pronounced in such a way that it rhymes with ‘eye'。

The-Tyger英文赏析备课讲稿

The-Tyger英文赏析备课讲稿

The Tyger and The lamb:In The Tyger Blake points to the contrast between these two animals: the tiger is fierce, active, predatory, while The Lamb is meek, vulnerable and harmless. The reference to the lamb in the penultimate stanza reminds the reader that a tiger and a lamb have been created by the same God, and raises questions about the implications of this. It also invites a contrast between the perspectives of "experience" and "innocence" represented here and in the poem "The Lamb." "The Tyger" consists entirely of unanswered questions, and the poet leaves us to awe at the complexity of creation, the sheer magnitude of God's power, and the inscrutability of divine will. The perspective of experience in this poem involves a sophisticated acknowledgment of what is unexplainable in the universe, presenting evil as the prime example of something that cannot be denied, but will not withstand facile explanation, either. The open awe of "The Tyger" contrasts with the easy confidence, in "The Lamb," of a child's innocent faith in a benevolent universe.Theme:The poem is more about the creator of the tiger than it is about the tiger itself. The poet was at a loss to explain how the same God who made the lamb could make the tiger. So, the theme is : humans are incapable of fully understanding the mind of God and the mystery of his handiwork.Symbolism:Black writing his poems in plain an direct language. He presents his view in visual images rather that abstract ideas. Symbolism in wide range is a distinctive feature of his poetry. The Tyger, included in Songs of Experience, is one of Blake's best-known poems. It seemingly praises the great power of tiger, but what the tiger symbolizes remains disputable: the power of man? Or the revolutionary force? Or the evil? The poem is highly symbolic with a touch of mysticism and it is open to various interpretations. The tiger initially appears as a strikingly sensuous image. However, as the poem progresses, it takes on a symbolic character, and comes to embody the spiritual and moral problem the poem explores: perfectly beautiful and yet perfectly destructive, Blake's tiger becomes the symbolic center for an investigation into the presence of evil in the world. Since the tiger's remarkable nature exists both in physical and moral terms, the speaker's questions about its origin must also encompass both physical and moral dimensions. The poem's series of questions repeatedly ask what sort of physical creative capacity the "fearful symmetry" of the tiger bespeaks; assumedly only a very strong and powerful being could be capable of such a creation.Background:"The Tyger" just might be William Blake’s most famous poem. Published in a collection of poems :Songs of Experience in 1794, Blake wrote "The Tyger" during his more radical period. He wrote most of his major works during this time, often railing against oppressive institutions like the church or the monarchy, or any and all cultural traditions – sexist, racist, or classist – which stifled imagination or passion. The French revolution is a revolution against the feudalism, it has profound effects on the Britain. It brings the thoughts of “liberty”, “equality”, “fraternity” to the English. After the industrial revolution, the contradictions of the British social class becomes more serious. People found that the industry and technology just brought them with pain instead of happiness. So more and more people became disappointe d about the society. That’s why William Blake has changed his writing style during this time. Blake published an earlier collection of poetry: the Songs of Innocence in 1789. Once Songs of Experience came out five years later, the two were always published together. In general, Songs of Innocence contains idyllic poems, many of which deal with childhood and innocence. Idyllic poems have pretty specific qualities: they’re usually positive, sometimes extremely happy or optimistic and innocent. They also often take place in pastoral settings :think countryside; springtime; harmless, cute wildlife; sunsets; babbling brooks; wandering bards; fair maidens, and many times praise one or more of these things as subjects. William Blake published the Songs of Experience in 1794, often railing against oppressive institutions like the church or the monarchy, or any and all cultural traditions –sexist, racist, or classist –which stifled imagination or passion. The Songs of Innocence was published in 1789. In general, Songs of Innocence contains idyllic poems, many of which deal with childhood and innocence. Idyllic poems have pret ty specific qualities: they’re usually positive, sometimes extremely happy or optimistic and innocent. They also often take place in pastoral settings :think countryside; springtime; harmless, cute wildlife; sunsets; babbling brooks; wandering bards; fair maidens, and many times praise one or more of these things as subjects. The themes of the two collections are extremely different.The first and last stanzas are identical except the word "could" becomes "dare" in the second iteration. Kazin says to begin to wonder about the tiger, and its nature, can only lead to a daring to wonder about it. Blake achieves great power through the use of alliteration ("frame" and "fearful") combined with imagery, (burning, fire, eyes), and he structures the poem to ring with incessant repetitive questioning, demanding of the creature, "Who made thee?". In the second stanza the focus moves from the tiger, the creation, to the creator – of whom Blakes wonders "What dread hand? & what dread feet?" . "The Tyger" is six stanzas in length, each stanza four lines long. Much of the poem follows the metrical pattern of its first line and can be scanned as trochaictetrameter catalectic. A number of lines, however—such as line four in the first stanza—fall into iambic tetrameter.The first and last stanzas are identical except the word "could" becomes "dare" in the second iteration. Kazin says to begin to wonder about the tiger, and its nature, can only lead to a daring to wonder about it. Blake achieves great power through the use of alliteration ("frame" and "fearful") combined with imagery, (burning, fire, eyes), and he structures the poem to ring with incessant repetitive questioning, demanding of the creature, "Who made thee?". In the second stanza the focus moves from the tiger, the creation, to the creator – of whom Blakes wonders "What dread hand? & what dread feet?".[1] "The Tyger" is six stanzas in length, each stanza four lines long. Much of the poem follows the metrical pattern of its first line and can be scanned as trochaic tetrameter catalectic. A number of lines, however—such as line four in the first stanza—fall into iambic tetrameter.The Tyger" is the sister poem to "The Lamb" (from "Songs of Innocence"), a reflection of similar ideas from a different perspective (Blake's concept of "contraries"), with "The Lamb" bringing attention to innocence. "The Tyger" presents a duality between aesthetic beauty and primal ferocity, and Blake believes that to see one, the hand that created "The Lamb", one must also see the other, the hand that created "The Tyger”. The Songs of Experience were written as a contrary to the "Songs of Innocence" – a central tenet in Blake's philosophy, and central theme in his work The struggle of humanity is based on the concept of the contrary nature of things, Blake believed, and thus, to achieve truth one must see the contraries in innocence and experience. Experience is not the face of evil but rather another facet of that which created us. Kazin says of Blake that, "Never is he more heretical than ... where he glories in the hammer and fire out of which are struck ... the Tyger".[1] Rather than believing in war between good and evil or heaven and hell Blake thought each man must first see and then resolve the contraries of existence and life; in the "The Tyger" he presents a poem of "triumphant human awareness", and "a hymn to pure being", according to Kazin.。

猴子和豹子英语课外读物的读后感

猴子和豹子英语课外读物的读后感

猴子和豹子英语课外读物的读后感The tale of the monkey and the leopard is a riveting adventure that teaches us the value of wit over brute strength. The clever monkey outsmarts the leopard in a series of encounters, showcasing the power of intelligence.Each page turn reveals the monkey's cunning strategies, which are not only entertaining but also thought-provoking. The narrative is peppered with moments of suspense that keep young readers on the edge of their seats, eager to find out what happens next.The illustrations are vibrant and engaging, bringing the characters to life in a way that makes the story even more captivating. They add a visual dimension to the narrative, making it easier for children to immerse themselves in the world of the monkey and the leopard.The moral of the story is clear but not heavy-handed, allowing readers to draw their own conclusions. It subtly imparts the lesson that brains can often triumph over brawn, a valuable lesson for children of all ages.The language used in the book is age-appropriate and accessible, making it an excellent choice for English learners. It introduces new vocabulary in a context that is easy to understand, enhancing language acquisition.One of the most enjoyable aspects of the book is the dynamic between the characters. The leopard's arrogance and the monkey's humility create a compelling contrast that drives the plot forward.The story also serves as a gentle reminder of the importance of friendship and cooperation. The monkey's success is not solely due to his own efforts but also the support of his friends, emphasizing the value of community.In conclusion, "The Monkey and the Leopard" is a delightful read that combines exciting storytelling with valuable life lessons. It is a book that children will enjoy reading and re-reading, each time discovering something new.。

伊索寓言英语版之狼和绵羊

伊索寓言英语版之狼和绵羊

伊索寓言英语版之狼和绵羊伊索寓言英语版之狼和绵羊A wolf met a lamb that had walked away from the other sheep in the fold. He told the lamb that he wouldn’t hurt him. Secretly though, he planned to eat the lamb! But first he needed to find a good reason for eating the lamb.So he said to the lamb, "Sir, last year you rudely insulted me.""I don’t think that’s possible," bleated the lamb in a sad voice, "I was not even born then."So the wolf then said, "You eat the grass in my field.""No, good sir," replied the lamb, "I have not yet tasted grass."the wolf tried again. "You drink the water in my well," he growled."No!" exclaimed the lamb, "I never drank your water because my mother’s milk is both food and d rink to me."Suddenly the wolf jumped on the lamb and ate him up, saying, "Well! I won’t be hungry even though you argue against every one of my reasons for eating you."Moral: the tyrant will always find a reason for his tyranny.。

盗贼与小羊羔的读后感

盗贼与小羊羔的读后感

盗贼与小羊羔的读后感Reflections on "The Thief and the Lamb""The Thief and the Lamb" is a beautiful tale that explores the complexities of human nature and the fragile bond between enemies. Told through the eyes of a thief and a lamb, the story weaves a tapestry of trust, fear, and redemption.The thief, a hardened criminal, finds himself face to face with a helpless lamb. Instead of exploiting the lamb's vulnerability, the thief finds himself sympathizing with the innocent creature. This unexpected empathy leads him to question his own life choices and the path he has chosen.The lamb, on the other hand, is a symbol of purity and innocence. Its unwavering trust in the thief despite the danger it faces teaches us about the power of forgiveness and the importance of giving others a chance.The story beautifully illustrates how even the most hardened criminal can be moved by the innocence and purity of a lamb. It reminds us that everyone has a soft side, a part of them that can be reached and touched by kindness and empathy.The moral of the story is profound: judgment and prejudice should not be the sole basis for treating others. Instead, we should strive to understand their situations and offer them a chance to redeem themselves.In conclusion, "The Thief and the Lamb" is a timeless tale that teaches us about the importance of empathy, forgiveness, and understanding. It reminds us to look beyond first impressions and judge people based on their actions and character. By doing so, we can create a more compassionate and understanding world.译文:《盗贼与小羊羔》读后感《盗贼与小羊羔》是一个美丽的寓言,探讨了人性的复杂性和敌人之间脆弱的纽带。

英美文学The tyger

英美文学The tyger

ANALYSIS
Tiger, tiger, burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry?
In the first verse, the author compares the fierceness of a tiger to a burning presence in dark forests. He wonders what immortal(不朽的) power could create such a fearful beast.
• This verse continues the allusion to a creator, who, having made the fearsome beast, must confront with the sheer(绝对 的) terror of a tiger's nature.
ANALYSIS
William Blake
• British poet • (1757 – 1827)
Brief Introduction
威廉·布莱克,William Blake 18世纪末至19世纪初的英国诗人,是英国文 学史上最独特、最复杂的诗人,有人说他是 纯真的人,神圣的疯子,他因为厌恶刻板压 抑的正统学校气氛,而拒绝接受正规教育, 一生清贫,但具备最独立最可敬的人格、杰 出的天赋和非凡的才能;他生前没得到显赫 的声名,但毫不介意地沉溺于自己的艺术世 界和精神世界。
• When the stars threw down their spears And watered Heaven with their tears, Did he smile his work to see? Did he who made the Lamb make thee?

TheAnalysisofThePrinceandThePauper王子与贫儿分析

TheAnalysisofThePrinceandThePauper王子与贫儿分析

题目The Analysis of The Prince and The Pauper专业班级学号学生姓名指导教师成绩二O一一年十二月说明一、学生本人文责自大。

二、指导教师成绩评定参照以下几方面进行:一、选题的有效性、分析的科学性和体系的完整性;二、综合运用该骨干课理论和专业知识的深度、归纳、归纳及运用的能力;3、文字表达能力,文章的逻辑性。

三、评定成绩按优秀、良好、中等、合格和不合格五级计分。

四、念书报告由学生本人依照学院统一制定的模版用运算机排版,一概利用统一封面包括说明页(A4),终归面打印。

The Analysis of The Prince and The PauperI. IntroductionRich with surprise and hilarious adventure, The Prince and the Pauper is a delightful satire of England's romantic past and a joyful boyhood romp filled with the same tongue-in-cheek irony that sparks the best of Mark Twain's tall tales.It was first published in 1881 in Canada before its 1882 publication in the United States. The book represents Twain's first attempt at historical fiction. Set in 1547, the novel tells the story of two young boys who are identical in appearance: Tom Canty, a pauper who lives with his abusive father in off in ,and , son of .Mark Twain (pseudonym of Samuel Langhorne Clemens, 1835-1910), was an American writer, journalist and humorist, who won a worldwide audience for his stories of the youthful adventures of Tom Sawyer and Huckleberry Finn. Clemens was born on November 30, 1835 in Florida, Missouri, of a Virginian family. In 1864 Twain left for California, and worked in San Francisco as a reporter. He visited Hawaii as a correspondent for The Sacramento Union, publishing letters on his trip and giving lectures. He set out on a world tour, traveling in France and Italy. Between 1876 and 1884 he published several masterpieces, Tom Sawyer (1881) and The Prince and The Pauper (1881). Life on the Mississippi appeared in 1883 and Huckleberry Finn in 1884. In the 1890s Twain lost most of his earnings in financial speculations and in the failure of his own publishing firm. Twain toured New Zealand,Australia, India, and South Africa. H During his long writing career, Twain also produced a considerable number of essays.II. A Summary of the BookThe Prince and the Pauper attracted my eyes because of its funny plot and its impressed methods that educated many people.The Prince and the Pauper tells the tale of two boys who trade clothing in one afternoon and, as a result, they trade lives at last. One is the heir to the throne of England, Edward Tudor. The other boy is Tom Canty, the son of a beggar and thief. Coincidentally, Tom Canty and Edward Tudor were born in London on the same day. Tom Canty is forced by his father to beg, and he is beaten severely if he returns empty-handed. Father Andrew provides him some respite from this life by telling him tales about the nobility.One day, Tom and Edward come across by accident. They exchange clothing and discover that they look very much alike. Then the prince rushes out of the palace. Edward is mocked by the crowd, all the while asserting that he is the son of the king. Then Edward wanders around until he is collared by John Canty. In the meantime, young Tom Canty has been left in the prince’s royal apartment in the palace. During that time, Tom adapted to this kind of life quickly.When Tom enjoyed his life, the real prince tried to get in the palace. The mob beat him. Miles Hendon appeared and protected him. The prince and Hendon are struggling with the crowd. After the death of Henry VIII, Tom Canty is elevated from prince to king.In Hendon’s rooms, the prince acts as usual and expects Hendon to serve him; Hendon does so without a protest. Hendon leaves to buy new clothes for him while the prince is still sleeping. When he returns, the prince is lured away by a boy who is a friend of Tom’s father’s. Tom makes good use of an interview with Humphrey Marlow to learn things; Tom uses opportunities to learn and remember important royal matters.The prince falls asleep on straw, he hears many tales of injustice. He declares such laws should be abolished and he was mocked by people. He tried to escape and finally he succeeded. Through this period he met a woman and two girls who helped him and believed him. And on the way Hendon never stopped to find him. Unfortunately, he was caught by Tom’s father again and he was forced to go out to steal and Hugo wanted him to be caught. Hendon appeared and saved the prince again.When they got Hendon’s home, Miles’s brother put them into prison. The prince discovers the poor conditions and injustice in the law. Finally, they are released and they turn back toward the prince is returning to London, Tom Canty is preparing for his coronationThe ceremony begins, just as the Archbishop of Canterbury is about to place the crown on Tom’s head, the real prince steps forward and forbids it. And it turns out that Edward is the real prince.At last Miles Hendon receives all his rights that Edward had promised to him. And so are Tom and his mother and sister. Edward amply rewards those who were land to him, punishes those who were not, and makes reparations to those who suffered from the cruel injustice of English laws.III. Comments on the BookI was deeply fall in love with this book and the main roles of this book. I think there are many perfect aspects and parts that had been written very well and it deserved us to analysis it.The Prince and the Pauper is unlike Twain’s greater novels, where there is a great deal of character development, in this novel the characters are scarcely developed. I t is on Twain’s ingenious plot devices. In this first chapter, the plot begins with the birth of two boys on the same day in the same town. One is very poor and unwanted, and the other is very rich and very much desired.Edward Tudor spent his life in the confines of the position he has daydreamed about the freedom experienced by boys such as Tom Canty. He is very innocent and kindhearted. When he saw his people under the pressure, he would save them without thinking. He is also very obstinate, no matter how other people laughed at him, he still persisted he was the King. He is very brave and talented, and during his legendary experience, he saved and helped many poor people. He had done many things that he had never done before. During the life in prison, he learned how to tolerant and stand.Tom Canty has been brought up in one of the most disreputable parts of London and had spent much time daydreaming about living the life of royalty. Under the pressure of his father and grandmother, he had to go out to beg for life, but he never try to steal something. When he became the King, he done many things to solve people problems and made many laws to people. At last, he gave the position back to Edward.Miles Hendon is a good friend of Edward Tudor, and he represents the best of Englishmen; he becomes his protector. He is also very kindhearted,justice and intelligent. Because of his kindhearted, he forgave his brother, because of his justice and intelligent, he saved and helped little prince. And at last, he realized little Edward is a real prince, and he received what he had done for his kindhearted.The Prince and the Pauper is one of Twain's most tightly plotted novels. In addition, this novel is strongly thematic. Mark Twain is particularly interested in contrasting the lives of the rich with the lives of the poor, the lives of the nobility with the lives of the lower classes. However, Mark Twain is also interested in showing that a person of noble birth is not different from a person of common birth.It is really an enlightened book. It showed us many life methods and reveals social reality. It shows the social reality in America at that time. Mark Twain use irony ably to critic the discrimination according to wealth, social position and so on. In this people eat people world, no one cares for others except for themselves, people don’t believe in each other.The real prince must have learned a lot. At first, he want to try to be freedom, he finally realized the ugly face of the other people, they judged people only by their appearances, so he have suffered many unexpected sorrows and have done many different things that he had never done. Finally, he changed to be a real man. Through him, I know expiring difficulties is a good way for a man out of a little boy. We should learn to thank for what we have suffered and learn to grow up from what we have suffered. Chance is always for those who prepared well.Tom Canty was just addicted to his daydreaming, it was just the vanity. But some time past, he suddenly felt it was a good feeling. His originalquality was raised up and leaded him to return the position back to the King. Power and other wealthy things are not easily to gain. When you got the highest power, you should use it to help those who need your help.Miles Hendon is a brave, kindhearted gentleman. When prince was in troubles, he always saved his life. Through him I thought a lot. Kind is always need at anytime in anywhere to anyone. By this role, I also learned forgave and tolerant again. Remember, one good return deserves another.In fact, everyone in the world is equal; we have the equal rights. How can we judge someone only by his appearance? No one can judge anyone who has high position or low position, because everyone is equal when we were born. No matter he is a prince or a pauper, they have the same rights to enjoy life and also have the same obligation to fulfill. I think if everyone had received same treatments and no discrimination, there would have more people who can express themselves very well and do many successful things that many people can not anticipate. Everyone has the rights to be himself.上车、下车; 时常有事故发生; 有时是意外惊喜,有时却是刻骨铭心的悲伤……3.降生人世,我们就坐上了生命列车。

贾平凹《天狗》英译本翻译策略分析

贾平凹《天狗》英译本翻译策略分析

贾平凹《天狗》英译本翻译策略分析摘要:《天狗》山中国现代作家贾平凹所著,英文版The Heavenly Houndlll中国文学出版社出版,李锐所译,属于熊猫丛书的一部分,出版于1991年。

原作语言风格朴实,书中有大量陕北民歌,反映了当地人民的生活面貌。

作为熊猫丛书的一部分,山中国译者所译,整体来看,基本忠实于原作,没有大段的删译、改译或增译现象,除个别词有意译外,基本做到了对应。

整体来看,由于译作为中国人所著,而且是由官方主导的译介行为,主要目的是向世界传播中国文学与文化,因此译者主要以异化为主,辅之以归化,有些较难翻译的词、方言等作了意译与删译处理,后文将会具体分析。

关键词:贾平凹;天狗;翻译策略一、度量单位的翻译以归化与异化相结合例1•路北半里为虎山,舞虎,石头ff。

译文:Half a li north of the road was Tiger Mountain, tigerless in reality, an d covered by jagged, precipitous rocks.“里”为中国特有的距离计量单位,译者在此并为把“里”转换为更常用的“米”,或许意在传播中国文化,但文中并为加注,会使外国读者感到困惑。

例2.于是这二年兴起打井,至少十丈深,多则三十丈。

译文:In recent years, though, there' d been a fair amount of well digging in the area. These wells were usually about thirty meters deep, although some went as far down as one hundred.一丈相当于3. 33米,译者在此采用归化的翻译策略,把中国古代的度量单位转换为米,易于外国读者理解。

二、文化负载词的翻译以异化为主例1.他睡在自家的炕上,百无聊赖。

狼和小羊的课文内容

狼和小羊的课文内容

狼和小羊的课文内容狼和小羊的课文内容《狼和小羊》这篇课文出自《伊索寓言》,那么,下面是小编给大家整理收集的狼和小羊的课文内容,供大家阅读参考。

狼和小羊的课文内容:狼来到小溪边,看见小羊在那儿喝水。

狼很想吃小羊,就故意找碴儿,说:“你把我喝的水弄脏了!你安的什么心?”小羊吃了一惊,温和地说:“亲爱的狼先生,我怎么会把您喝的水弄脏呢?您在上游,我在下游,水是不会倒流的呀!”狼气冲冲地说:“就算这样吧,你总是个坏家伙!我听说,去年你经常在背地里骂我,是不是?”可怜的小羊喊到:“啊,这是不可能的,去年我还没出生呢!”狼不想再争辩了,大声喊道:“你这个小坏蛋!骂我的不是你就是你爸爸,反正都一样!”说着,就往小羊身上扑去……英文版The wolf and the lambOnce upon a time a Wolf was lapping at a spring on a hillside, when, looking up, what should he see but a Lamb just beginning to drink a little lower down. ‘There’s my supper,’ thought he, ‘if only I can find some excuse to seize it.’ Then he called out to the Lamb, ‘How dare you muddle the water from which I am drin king?’‘Nay, master, nay,’ said Lambikin; ‘if the water be muddy up there, I cannot be the cause of it, for it runs down from you to me.’‘Well, then,’ said the Wolf, ‘why did you call me bad names this time last year?’‘That cannot be,’ said the Lamb; ‘I am only six monthsold.’‘I don’t care,’ snarled the Wolf; ‘if it was not you it was your father;’ and with that he rushed upon the poor little Lamb and ate her all up. But before she died she gasped out .’Any excuse will serve a tyrant.’附:狼和小羊教案一、教学目标:1、通过教学,使学生理解狼和小羊的三次对话,懂得像狼一样的坏蛋要做坏事,总是要找借口的,对这样的坏蛋只讲道理是不行的'。

《羔羊》和《老虎》诗评中英文对照(4篇)

《羔羊》和《老虎》诗评中英文对照(4篇)

此篇为本人亲手收集网络上各种资料汇总的《羔羊》和《老虎》诗评中英文对照威廉布莱克(William Blake,1757-1827)是英国十八、十九世纪的重要诗人。

《天真之歌》和《经验之歌》是布莱克最重要的两个诗作合集。

《天真之歌》象征人类初生状态的天真纯洁,《经验之歌》则描绘了经验状态下的世俗生活。

两组诗的意象多有对立之处,其中最明显也最受人关注的是羔羊与老虎的对立。

这一系列对立的形象象征看人类灵魂的两种对立状态。

在布莱克看来,世界正是在这种矛盾运动中不断地向前发展。

"天真"若不经过"经验"世界的锤炼便无法上升到更高的层次。

"天真"与"经验"之同的问题不仅困扰了布莱克的一生,也存在于几乎全都的人类历史之中,直到现在仍作为一个难以解决的问题摆放在我们面前。

现代人的痛苦正是在"天真"世界中感到压抑、彷徨和迷惑,在"经验"世界里向往单纯、和谐和美好。

如何达到一种全新的"有组织的天真状态",而不仅仅是《天真之歌》中所描绘的简单的纯洁和谐。

这也许应该是我们共同思考的问题。

William Blake (William Blake ,1757-1827) is a British eighteenth and nineteenth century poet. "Songs of Innocence" and "Songs of Experience" Black is the most important two poetry collections. "Songs of Innocence" symbol of the human newborn state of innocence, "Songs of Experience" depicts a secular life in the experience of the state. The two groups of poetic imagery and more confrontation at one of the most obvious is the paramount concern is the lamb and tiger opposition.The opposing image symbolizes this series see two opposing states of the human soul. In Blake's view, the world is in this contradictory movement continue to move forward. "Naive" if not the temper of the world after the "experience" will not be able to rise to a higher level. "Naive" and "experience" is not only plagued with the problem of Blake's life, there are also among almost all of human history, until now still be placed in front of us as a difficult problem to solve. Of modern pain it is "naive" World feel depressed, anxious and confused, longing for the simple, harmonious and beautiful world of the "experience". How to reach a new "organized the naive state", not just the "Songs of Innocence" depicts the simple pure harmony. This may be our common thinking.-------------------------------------------------------华丽的分割线----------------------------------------------------《羔羊》开篇用轻柔的韵脚对温顺的小羊羔提出询问: Little Lamb.who made thee Dost thou know who made thee作者刻意凸显小羊羔纯洁的毛色、温顺的天性和与世无争的性格。

  1. 1、下载文档前请自行甄别文档内容的完整性,平台不提供额外的编辑、内容补充、找答案等附加服务。
  2. 2、"仅部分预览"的文档,不可在线预览部分如存在完整性等问题,可反馈申请退款(可完整预览的文档不适用该条件!)。
  3. 3、如文档侵犯您的权益,请联系客服反馈,我们会尽快为您处理(人工客服工作时间:9:00-18:30)。

Analysis of The Tyger and The Lamb by WILLIAMBLAKEIntroduction"The Tyger" ,one of William Blake(1759-1827)’s most famous poem published in a collection of poems called Songs of Experience , Blake wrote "The Tyger" during his more radical period. He wrote most of his major works during this time railing against oppressive institutions like the church or the monarchy, or any and all cultural traditions which stifled imagination or passion."The Lamp" wrote into his another poetry collection Songs of Innocence, in which contains idyllic poems.Many of those idyllic poems deal with childhood and innocence. Idyllic poems have pretty specific qualities: they’re usually positive, sometimes extremely happy or optimistic and innocent. They also often take place in pastoral settings and many times praise one or more of these things as subjects.Those two masterpieces reflected poet's meditation about the nature of humanity."Without contraries is no progression. Attraction and repulsion, reason and energy, love and hate, are necessary to human existence" .Addressing the contrasts of different states of the human mind is the main concern of William Blake. As a British Romantic poet of the 18th century, William Blake addresses the contrasts of different states of the human mind in his works Songs of Innocence and Songs of Experience. The main poem from this collection, "The Lamb," epitomizes innocence and the relationship between the young and the divine. In singsong verse, a curious child questions the nature of a gentle lamb, and he learns what he already knows: God created the lamb. World events and life itself greatly affected Blake. In Songs of Experience (1794), the sequel to Songs of Innocence, he addresses his loss of "faith in the goodness mankind" caused by the fall of the French Revolution. The outstanding poem from this collection, "The Tyger," seeks the answer to the unknown: how can the god who created the peaceful lamb also be the creator of the fierce, destructive tiger? The speaker asks many questions, but receives no answer. That same year, Blake combined the two contrasting works into Songs of Innocence and Experience "The Tyger" just might be William Blake’s most famous poem. Published in a collection of poems :Songs of Experience in 1794, Blake wrote "The Tyger" during his more radical period. He wrote most of his major works during this time, often railing against oppressive institutions like the church or the monarchy, or any and all cultural traditions – sexist, racist, or classist – which stifled imagination or passion. Blake published an earlier collection of poetry:the Songs of Innocence in 1789. Once Songs of Experience came out five years later, the two were always published together. In general, Songs of Innocence contains idyllic poems, many of which deal with childhood and innocence. Idyllic poems have pretty specific qualities: they’reusually positive, sometimes extremely happy or optimistic and innocent. They also often take place in pastoral settings :think countryside; springtime; harmless, cute wildlife; sunsets; babbling brooks; wandering bards; fair maidens, and many times praise one or more of these things as subjects.The poems in Songs of Experience, on the other hand, wrestle with issues of what happens when that innocence is lost. "The Tyger" is often paired with the poem called "The Lamb" from Songs of Innocence.The former references the latter and reexamines the themes of "The Lamb" through the lens of experience. "The Lamb" is one of those idyllic poems which asks the Lamb who made "thee" ,just like "The Tyger", praises how soft and cute it is, then tells it that God made it and how wonderful that is. Blake's tone almost seems ironic , he actually means something very different than what he seems to be saying.Many scholars have argued just that, especially when paired next to his poems about the dangers of religious dogma. The content of these two poem as following shows:The TygerTyger! Tyger! burning brightIn the forests of the night,What immortal hand or eyeCould frame thy fearful symmetry?In what distant deeps or skiesBurnt the fire of thine eyes?On what wings dare he aspire?What the hand, dare sieze the fire?And what shoulder, & what art,Could twist the sinews of thy heart?And when thy heart began to beat,What dread hand? & what dread feet?What the hammer? what the chain?In what furnace was thy brain?What the anvil? what dread graspDare its deadly terrors clasp?When the stars threw down their spears,And water'd heaven with their tears,Did he smile his work to see?Did he who made the Lamb make thee?Tyger! Tyger! burning brightIn the forests of the night,What immortal hand or eyeDare frame thy fearful symmetry?The LampLittle Lamb who made theeDost thou know who made theeGave thee life & bid thee feed.By the stream & o'er the mead;Gave thee clothing of delight,Softest clothing wooly bright;Gave thee such a tender voice,Making all the vales rejoice:Little Lamb who made theeDost thou know who made theeLittle Lamb I'll tell thee,Little Lamb I'll tell thee:He is called by thy name,For he calls himself a Lamb:He is meek & he is mild,He became a little child:I a child & thou a lamb,We are called by his name.Little Lamb God bless thee.Little Lamb God bless thee.The former poem, tiger is associated with fire in color:the burning fire is in the color between red and orange, similar to the color of the tiger; secondly, the tiger’s eyes are like flames, and made of flames.This poem is not so much about the tiger as it really is, or as a zoologist might present it to us; it is the Tyger, as it appears to the eye of the beholder. Blake imagines the tiger as the embodiment of God's power in creation: the animal is terrifying in its beauty, strength, complexity and vitality. Meanwhile,concerning to the social background of those poems ,the tiger is symbolic of the revolutionary forces:the French people in the French Revolution to which Blake was a supporter. It could destroy the old system and establish a new one.But compare the former with the latter poem, Blake enhanced the meaning of both.These poems focus on evil and the importance of understanding the evil around in hope of attaining a state of innocence. In The Songs of Innocence Blake suggests that by recapturing the imagination and wonderment of childhood, we could achieve the goal of self-awareness.The poems thus present views of the world as filtered through the eyes and mind of a child.We can also infer that evil can bring forth the loss of innocence. Therefore, one existing similarity is that they both concern the loss of innocence.Many poems from each set are companion pieces to each other.The Lamb is an symbol of innocence,corresponding to The Tiger as the symbol of experience.Blake seeks for balance and harmony in this unbalanced world. Thus to express the dialectic unity of the beautiful and the ugly, the good and the evil, the white and the black in the world. The dialectic ideas are fully shown. Another shared theme between the two works, The Tiger and The Lamb, is the theme of creation and divine intervention. In both poems Blake questions multiple times about how each was created. In The Lamb, Blake suggests that the lamb was created by a godlike being. In The Tiger Blake questions if the tiger was created by the same being that created the lamb. Such curiosity is a common theme to both poems. Thus, through theinformation discussed, it can be seen that there exists a common comparison in two separate works by William Blake. The themes of both poems are in conjunction with each other. Therefore, according to theme it can be proven that there exists significant similarities in these works by William Blake.It is said that human souls have two sides: a good side, and an evil side."The Lamb" and "The Tyger," by William Blake, are both poems of deep meaning. They seem to explain both sides of human nature: the light and the dark, the yin and the yang, the good and the evil. They can also represent the transition from a child to an adult or even Heaven and Hell. "The Lamb" is a poem that is referring to the good side of the human soul, while "The Tyger" is referring to the dark side. The lamb brings to mind innocence,purity,children,or Jesus; the tiger brings to mind viciousness, cunning, danger, or death. Human beings are capable of malicious things, as well as loving things. It seems like Blake believed that this was part of God's grand design. He seems in awe of the fact that he who created the lamb, also created the tiger. There is also references to the "twisted sinews of the heart " and how that heartbeat leads the Tiger to raise his "dread hands" and "dread feet" to spread his terror, much like how the evil side of a human leads him to commit wrongs.Those who marvel at the creation of tigers beside lambs are those questioned in this poem. God has created the meekness of the lamb,in addition to the ferocity of the tyger.So,Blake is dismissing this"reasonable"contradiction,highlighting the fact that the simple religious expalnation can not constantly constitutes the reality of things.With his collections Songs of Innocence and Songs of Experience, William Blake analyzes the relationship between conflicting states of the human soul to show how each relies upon the other to benefit the progression of humanity."The Lamb" recreates the innocence well known to infancy and originates the hope and morals that blueprint the basis of an individual."The Tyger" then rectifies the assumed simplemindedness of its counterpart,"The Lamb," by asserting the importance of experience in developing humanity.Blake demonstrates how, through the varying distinctions of innocence and experience, two contrary states depend upon each other, though sometimes unknowingly.A person should not feel compelled to choose between the two, or label one as good and the other as bad. Learning and understanding the significance between the two, be it love and hate, war and peace, or something as mundanely simple as going and coming, enables individuals alone to comprehend their lives. As a whole, humanity could put itself at a greater advantage upon recognizing the balance of creation.ConclusionWilliam Blake is an important poet representing the pre-romanticism in English literature in whose masterpiece The Tiger the structural identicalness between the enlarged metaphor “tiger”and the deafening “anvil music”represents the splendid “making process of the tiger”.References:1.Hirsch, E. D., Jr. Innocence and Experience: An Introduction to Blake. YaleUniversity Press, 1964. 244-522.Mason, Michael, ed. William Blake: Selected Poetry. New York: Oxford University Press, 1996.3."William Blake." Wikipedia.4.Smith, Erica. "Critical Essay on 'The Lamb.'" Poetry for Students 12 (2001)。

相关文档
最新文档