The spectrum of charmed mesons from dynamical anisotropic lattices

合集下载

14行诗英语

14行诗英语

14行诗英语The 14-Line PoemPoetry has long been a cherished form of artistic expression, captivating the hearts and minds of readers and writers alike. The 14-line poem, often referred to as a sonnet, holds a special place in the literary landscape, boasting a rich history and a unique structure that has inspired countless poets throughout the ages.At its core, the 14-line poem is a concise and powerful medium that allows the poet to explore a single theme or idea in depth. The traditional structure, which originated in Italy during the 13th century, typically follows a specific rhyme scheme and meter, creating a harmonious and rhythmic flow that carries the reader through the poem's narrative.One of the most striking features of the 14-line poem is its ability to convey complex emotions and ideas within a compact form. The poet must carefully select each word and phrase, crafting a tapestry of language that is both visually and intellectually engaging. The structure, with its three quatrains and a final couplet, provides a framework for the poet to develop a central theme or argument,building towards a climactic resolution or insight.The enduring popularity of the 14-line poem can be attributed to its versatility and adaptability. While the traditional Petrarchan and Shakespearean sonnets have become iconic, poets have also experimented with variations on the form, such as the Spenserian and the Curtal sonnet, each with its own unique twist on the classic structure.In the hands of a skilled poet, the 14-line poem can be a powerful tool for exploring the human experience in all its complexity. From the depths of love and loss to the contemplation of philosophical questions, the sonnet has the ability to capture the essence of the human condition in a concise and captivating manner.One such example is William Shakespeare's famous "Shall I compare thee to a summer's day?", a timeless ode to the enduring power of love. In just 14 lines, Shakespeare weaves a tapestry of imagery and emotion, comparing the beauty of his beloved to the fleeting nature of summer, and ultimately proclaiming the immortality of love through the enduring medium of poetry.Similarly, John Keats' "On First Looking into Chapman's Homer" is a masterful exploration of the transformative power of literature. Through vivid descriptions and a sense of awe, Keats transports thereader to the moment of discovery, when the beauty and wonder of Homer's epic poetry is revealed to him for the first time.The 14-line poem has also been a favored form for poets exploring more abstract or philosophical themes. In "Ozymandias," Percy Bysshe Shelley presents a powerful meditation on the transience of human power and the inevitable decay of empires. By juxtaposing the towering grandeur of a once-great ruler with the desolate reality of his fallen kingdom, Shelley crafts a poignant commentary on the fleeting nature of human ambition and the enduring power of art.Beyond the traditional themes of love, nature, and philosophy, the 14-line poem has also been used to address social and political issues. In "Nuns Fret Not at Their Convent's Narrow Room," William Wordsworth offers a reflection on the power of constraint and limitation, suggesting that it is within the confines of form that true creativity and insight can flourish.In the contemporary era, the 14-line poem continues to captivate and inspire new generations of poets. From the haunting lyricism of Sylvia Plath's "Daddy" to the intricate wordplay of Seamus Heaney's "Digging," the sonnet form remains a vital and enduring part of the literary landscape.As we delve into the rich tapestry of the 14-line poem, we arereminded of the timeless power of language to express the full range of human experience. Whether exploring the depths of emotion or the complexities of the human condition, the sonnet remains a testament to the enduring artistry of poetry and the enduring fascination of the written word.。

小学下册第10次英语第1单元真题试卷

小学下册第10次英语第1单元真题试卷

小学下册英语第1单元真题试卷英语试题一、综合题(本题有100小题,每小题1分,共100分.每小题不选、错误,均不给分)1.What do we call the process of capturing sunlight to produce energy?A. Solar EnergyB. Wind EnergyC. Hydroelectric EnergyD. Biomass EnergyA2.What is the name of the famous theme park in California?A. Universal StudiosB. DisneylandC. SeaWorldD. Busch GardensB3.What do you call the place where you buy books?A. LibraryB. BookstoreC. SchoolD. OfficeB4.What do we call a large area of water surrounded by land?A. LakeB. PondC. RiverD. OceanA5.He _____ (runs/jumps) very fast.6.The flowers in the garden are _______ and fresh.7.________ (植物扩散模式) is fascinating.8.The process of sublimation goes directly from solid to ______.9.What is the capital city of Bangladesh?A. DhakaB. ChittagongC. KhulnaD. Sylhet10. A raccoon is known for its black ______ (面具).11.An acid-base neutralization reaction produces ______.12.We go to school by _____ (车).13.The _____ (电脑) is new.14.What is the opposite of "near"?A. CloseB. FarC. RightD. Left15. A parakeet's social behavior makes it a friendly ________________ (伴侣).16.My favorite drink is ________ (热巧克力) in winter.17.She likes to collect ___. (stickers)18.My favorite dish is ______ (意大利菜).19.The first manmade object to orbit Earth was _______.20.We go ___ (shopping/hiking) on weekends.21.I have a toy _______ that can wiggle and dance.22.What do you call a large area covered with ice?A. GlacierB. IcebergC. SnowfieldD. IcecapA23.The __________ (海上丝绸之路) connected Asia to Europe.24.What is the opposite of "hot"?A. WarmB. ColdC. CoolD. SunnyB25.The dog is ___ (barking/silent).26.The formula for calculating density is mass divided by ______.27.What is the color of an orange fruit?A. GreenB. PurpleC. OrangeD. Blue28.What is the color of a typical fire?A. BlueB. RedC. YellowD. Both B and C29. e of Hastings took place in _______. (1066年) The Batt30.We visit the ______ (科学实验室) for hands-on activities.31.What do you wear on your head?A. ShoesB. HatC. GlovesD. BeltB32. A process that separates mixtures is called ______.33.Who is the author of "Harry Potter"?A. J.K. RowlingB. J.R.R. TolkienC. Roald DahlD. Mark TwainA34.What is the term for a young aardvark?A. KitB. PupC. CalfD. HatchlingC35.The _______ can be a fun way to express creativity.36.All living things need ______ to survive.37.The dog is _____ (barking/sleeping) in the yard.38.What is 5 x 1?A. 1B. 5C. 10D. 1539. A ________ (刺客) can blend into its surroundings for protection.40.What is the primary function of the heart?A. To digest foodB. To pump bloodC. To filter wasteD. To provide energyB To pump blood41.What do you call the study of living things?A. BiologyB. ChemistryC. PhysicsD. Geography42.Many plants have _____ that provide them with nutrients from the sun. (许多植物具有光合作用的能力,从阳光中获取营养。

勇敢的心电影观后感英文

勇敢的心电影观后感英文

As a seasoned film critic, I find it a privilege to delve into the cinematic experiences that leave an indelible mark on the viewers psyche. Braveheart, directed by and starring Mel Gibson, is one such film that resonates with a profound sense of history, heroism, and human spirit. This epic historical drama, released in 1995, is a testament to the power of storytelling when it is steeped in the rich tapestry of Scotlands struggle for freedom.From the moment the opening credits roll, accompanied by James Horners hauntingly beautiful score, Braveheart immerses the audience in the raw and rugged landscape of medieval Scotland. The films narrative unfolds through the eyes of its protagonist, William Wallace, a man whose life is a relentless pursuit of liberty and justice. Gibsons portrayal of Wallace is nothing short of iconic, capturing the essence of a man driven by love, loss, and an unwavering commitment to his peoples freedom.The films visual storytelling is equally compelling. The cinematography by John Toll is breathtaking, capturing the stark beauty of the Scottish highlands and the brutality of medieval warfare. The battle scenes are expertly choreographed, creating a visceral experience that leaves the viewer both awestruck and heartbroken. The climactic Battle of Stirling Bridge is a masterclass in cinematic tension, showcasing the strategic brilliance of Wallace and the ferocity of his warriors.One cannot discuss Braveheart without acknowledging its historical inaccuracies. While the film takes some liberties with the facts, it is important to remember that it is a work of fiction inspired by history. The films primary purpose is not to provide a strict account of historical eventsbut to evoke an emotional response and ignite a passion for the ideals of freedom and justice.The performances in Braveheart are uniformly excellent. Patrick McGoohan as the cruel King Edward I, Sophie Marceau as the compassionate Princess Isabelle, and James Cosmo as the loyal Campbell, all contribute to a rich ensemble that brings depth and nuance to the story. The dialogue, though occasionally anachronistic, is powerful and evocative, with lines such as Every man dies, not every man really lives that have become ingrained in popular culture.What sets Braveheart apart from other historical dramas is its ability to balance the grand spectacle of war with intimate moments of humanity. The love story between Wallace and Murron MacClannough, played by Catherine McCormack, is tender and tragic, providing a poignant counterpoint to the films larger themes of war and sacrifice.Braveheart is not without its flaws. Some critics argue that the film romanticizes violence and simplifies complex historical events. However, these criticisms do not detract from the films overall impact. Braveheart is a powerful cinematic experience that speaks to the enduring human desire for freedom and the courage to fight for what is right.In conclusion, Braveheart is a film that has stood the test of time, its themes and imagery as relevant today as they were over two decades ago. It is a visual and emotional tour de force that challenges the viewer to consider the true cost of freedom and the sacrifices made by those whohave fought for it. As a film critic, I can attest that Braveheart is not just a movie it is an experience that will stay with you long after the credits have rolled.。

魔戒1-中英文台词对照翻译

魔戒1-中英文台词对照翻译

魔戒首部曲之魔戒现身HDrip-加长版这世界改变了The world is changed.我从水中触摸到I feel it in the water.我从地上感觉到I feel it in the earth.我从空气中嗅到I smell it in the air.过去的一切Much that once was...都已失落...is lost.现在没有人记得了For none now live who remember it.这一切都从铸造魔戒开始It began with the forging of the Great Rings.精灵族得到三只戒指Three were given to the Elves.'他们能够长生不老也是最有智慧、最公平的种族Immortal, wisest and fairest of all beings.矮人族分到七只戒指Seven to the Dwarf-lords.'他们很会挖掘矿坑是山洞的巧心工匠Great miners and craftsmen of the mountain halls. 而人类…And nine...则分到九只戒指...nine rings were gifted to the race of Men...他们比别人更贪图权力...who, above all else, desire power.中土世界每只戒指都拥有统治每个种族的力量For within these rings was bound the strength and will to govern each race.但他们都受到欺骗But they were all of them deceived.因为还铸造了另一只For another ring was made.魔多在魔多末日火山的烈焰中In the land of Mordor, in the fires of Mount Doom...黑暗魔君索伦暗中铸造了可以奴役世界的…...the Dark Lord Sauron forged in secret a Master Ring...至尊魔戒...to control all others.他在至尊魔戒中注入他的邪恶、残酷And into this Ring he poured his cruelty, his malice...以及统治天下的可怕欲望...and his will to dominate all life.一只驾驭一切的至尊魔戒One Ring to rule them all.一个接一个One by one...中土世界的自由之土感受到至尊魔戒的力量...the Free Lands of Middle-earth fell to the power of the Ring.但是有些人群起反抗But there were some who resisted.组成了精灵和人类的最后同盟对抗魔多的邪恶兵团 A Last Alliance of Men and Elves marched against the armies of Mordor.他们在险恶的末日火山为中土世界的自由奋战And on the slopes of Mount Doom, they fought for the freedom of Middle-earth.胜利终于在望Victory was near.但是至尊魔戒的力量But the power of the Ring...无人能敌...could not be undone.就在这时候It was in this moment...当大家都失去希望之际...when all hope had faded...人皇之子埃西铎拾起他父亲的宝剑...that Isildur, son of the king, took up his father's sword.黑暗魔君索伦, 中土世界自由人民之敌终于被击败Sauron, the enemy of the Free Peoples of Middle-earth, was defeated.至尊魔戒落入埃西铎手中The Ring passed to Isildur...他只有一次机会永远摧毁邪恶...who had this one chance to destroy evil forever.但是人心But the hearts of Men...很容易受到蛊惑...are easily corrupted.而且至尊魔戒力量不受到控制And the Ring of Power has a will of its own.它背叛了埃西铎It betrayed Isildur...最后害死了他...to his death.不该被遗忘的东西And some things that should not have been forgotten...也遗失了...were lost.历史成为传说History became legend...传说成为神话...legend became myth.两千五百年来And for two and a half thousand years...至尊魔戒的下落无人得知...the Ring passed out of all knowledge.命运巧妙的安排Until, when chance came...让它蛊惑一个新的持有者...it ensnared a new bearer.我的宝贝My precious.至尊魔戒落入咕鲁手中The Ring came to the creature Gollum...他把它带到迷雾山脉的洞穴中...who took it deep into the tunnels of the Misty Mountains.他的身心完全被魔戒占据And there it consumed him.它落到我手中It came to me.这是我的, 我的爱, 是我的My own. My love. My own.我的宝贝My precious.它让咕鲁得到违反自然的长寿The Ring brought to Gollum unnatural long life.五百年来它扭曲他的心智For years it poisoned his mind.它在咕鲁阴暗的洞穴中静静地等待And in the gloom of Gollum's cave, it waited.黑暗再度笼罩大地Darkness crept back into the forests of the world.谣传东方升起邪恶力量Rumor grew of a shadow in the East...人们心中产生无比的恐惧...whispers of a nameless fear.于是至尊魔戒知道And the Ring of Power perceived...它即将再度现身...its time had now come.它舍弃了咕鲁It abandoned Gollum.但是出乎至尊魔戒的意料之外But something happened then the Ring did not intend. 它被一个料想不到的人捡到It was picked up by the most unlikely creature imaginable. 这是什么?What's this?一个哈比人A Hobbit.夏尔的比尔博巴金斯Bilbo Baggins of the Shire.一只戒指A ring.不见了!Lost!我的宝贝不见了!My precious is lost!不久的将来For the time will soon come...哈比人将决定世界的命运...when Hobbits will shape the fortunes of all.瑞文戴尔年The nd day of September...月日...in the year ...哈比屯以夏尔历法计算...by Shire-reckoning.夏尔哈比屯西区, 巴榭路, 袋底洞Bag End, Bagshot Row, Hobbiton, Westfarthing...伊利雅德夏尔...the Shire...中土世界...Middle-earth.世界第三纪元The Third Age of this world."去而复返:There and Back Again.'哈比人的故事"A Hobbit's Tale.比尔博巴金斯著By Bilbo Baggins."去而复返:哈比人的故事" 比尔博巴金斯著现在…Now...该从何说起呢?...where to begin?是了Ah, yes..."关于…"Concerning...关于哈比人…哈比人"...Hobbits."哈比人一直都在夏尔的四区开恳种植、安居乐业Hobbits have been living and farming in the four Farthings of the Shire...数百年来...for many hundreds of years...都乐于受到世人遗忘...quite content to ignore and be ignored...也就是世上的其他人种...by the world of the Big Folk.毕竟中土世界充满不计其数的奇怪生物Middle-earth being, after all, full of strange creatures beyond count...哈比人的存在微不足道...Hobbits must seem of little importance...他们并非骁勇善战的武士...being neither renowned as great warriors...也不算是聪明绝顶的智者...nor counted among the very wise.佛罗多, 有人在敲门Frodo! Someone at the door.老实说, 有人说In fact, it has been remarked by some...哈比人唯一的热爱就是食物...that Hobbits' only real passion is for food.但这是很不公平的说法A rather unfair observation...因为我们也很喜欢酿啤酒...as we have also developed a keen interest in the brewing of ales...和抽烟草...and the smoking of pipe-weed.但是我们真正的最爱But where our hearts truly lie...就是和平宁静...is in peace and quiet...还有肥沃的土地...and good, tilled earth.每一个哈比人都热爱从土里长出来的东西For all Hobbits share a love of things thatgrow.别人一定会觉得我们的日子过得太悠闲And, yes, no doubt to others, our ways seem quaint.但是今天更是印证了我的想法But today of all days, it is brought home to me.'能过朴实简单的生活真的是一种幸福It is no bad thing to celebrate a simple life. 生日快乐比尔博巴金斯佛罗多, 快去开门Frodo, the door!讨厌, 那小子呢?Sticklebacks. Where is that boy?佛罗多Frodo!外面风景多美丽Down from the door where it began我要踏上这旅程And I must follow if I can眼前道路无止尽The road goes ever on and on蜿蜒崎岖又漫长Down from the door where it began虽然路程尚遥远Now far ahead the road has gone-我必须继续前进-你迟到了- And I must follow if I can - You're late.巫师绝对不会迟到佛罗多巴金斯A wizard is never late, Frodo Baggins.也不会早到他一定是按照计划准时到Nor is he early. He arrives precisely when he means to.见到你真好, 甘道夫It's wonderful to see you, Gandalf!我怎么会错过你比尔博叔叔的生日?You didn't think I'd miss your Uncle Bilbo's birthday?那老不死还好吧?How is the old rascal?听说生日宴会非常盛大I hear it's going to be a party of special magnificence.你也知道比尔博他把这儿搞得鸡飞狗跳You know Bilbo. He's got the whole place in an uproar.这样他应该高兴了Well, that should please him.夏尔有一半人都被邀请Half the Shire's been invited.另外一半也不请自来And the rest of them are turning up anyway.夏尔的哈比人如往常一样过着日子And so life in the Shire goes on...从古到今都一样...very much as it has this past Age...自给自足、快乐幸福没有什么太大的改变...full of its own comings and goings, with change coming slowly.也许也不会有所改变If it comes at all.因为夏尔的一切历久弥新For things are made to endure in the Shire...一代一代地传下去...passing from one generation to the next.巴金斯家族一直都有成员住在山丘下的…There's always been a Baggins living here under the Hill...袋底洞...in Bag End.以后也一定会有And there always will be.不过说实话最近比尔博有点怪To tell you the truth, Bilbo's been a bit odd lately. 跟以前比起来更古怪I mean, more than usual.他成天把自己关在书房He's taken to locking himself in his study.我每次趁他不注意偷看都看到他总是在研究地图He spends hours poring over old maps when he thinks I'm not looking.它跑哪儿去了?Where's it gone?他一定在搞什么名堂He's up to something.-好吧, 你不说拉倒-什么?- All right, then. Keep your secrets. - What?我知道你一定脱不了关系But I know you have something to do with it.真是的Good gracious me.在你出现前巴金斯家族一向都很规矩Before you came along, we Bagginses were very well thought of.这倒是真的Indeed.我们从不冒险或犯规Never had any adventures or did anything unexpected.如果你指的是那只恶龙那件事与我无关If you're referring to the incident with the dragon, I was barely involved.我只是推了你叔叔一把All I did was give your uncle a little nudge out of the door. 不管怎样你都正式被列为捣乱份子Whatever you did, you've been officially labeled a disturber of the peace.真的吗?Oh, really?甘道夫! 甘道夫!Gandalf! Gandalf!放烟火, 甘道夫Fireworks, Gandalf!-甘道夫-放烟火, 甘道夫- Gandalf! - Fireworks, Gandalf!甘道夫?Gandalf?-你回来了, 我好高兴-我也是, 好孩子- I'm glad you're back. - So am I, dear boy. 我也是So am I.不要, 多谢了No, thank you!我不欢迎访客、祝寿者或远亲We don't want any more visitors, well-wishers or distant relations!那么一个老朋友呢?And what about very old friends?甘道夫?Gandalf?-比尔博巴金斯-甘道夫老友- Bilbo Baggins. - My dear Gandalf!见到你真好岁大寿, 谁会相信?Good to see you. years old! Who would believe it? 你一点都没老You haven't aged a day.进来吧Come on, come in!欢迎Welcome, welcome.来吧Oh, here we are.喝杯茶? 或是小酌两杯?Tea? Or maybe something a little stronger?我还有几瓶年的陈年好酒I've got a few bottles of the Old Winyard left. .很好的年份, 几乎跟我一样老Very good year. Almost as old as I am.我老爸珍藏的, 开一瓶如何?It was laid down by my father. What say we open one, eh? 我喝茶就好, 谢谢Just tea, thank you.你上礼拜就该到了I was expecting you sometime last week.你一向都想来就来、就走就走Not that it matters. You come and go as you please. Always have and always will.只是我有点措手不及家里只有冻鸡和腌黄瓜You caught me a bit unprepared. We've only got cold chicken and a bit of pickle...还有乳酪, 不行, 太寒酸了There's some cheese here. No, that won't do.我有覆盆子果酱、苹果馅饼We've got raspberry jam, an apple tart...但是好像还不太够哦, 不, 我没问题But not much for afters. Oh, no, we're all right. 我找到一些海绵蛋糕I've just found some sponge cake.孤山我可以煮几个蛋…I could make you some eggs if you'd...-茶就行了, 谢谢-好吧- Just tea, thank you. - Oh, right.-你介意我吃吗?-你尽管吃吧- You don't mind if I eat, do you? - No, not at all. 比尔博巴金斯Bilbo! Bilbo Baggins!说我不在家I'm not at home!塞克维尔巴金斯It's the Sackville-Bagginses.-我知道你在家-他们在打我房子的主意- I know you're in there! - They're after the house.我这么老不死他们一直都不原谅我They've never forgiven me for living this long.我被这些像苍蝇成天黏著我的亲戚I've got to get away from these confounded relatives, hanging on the bell all day...吵得一刻不得安宁...never giving me a moment's peace.我好想再看到高耸的山脉I want to see mountains again. Mountains, Gandalf!然后找一个安静的地方写书啊, 茶滚了And then find somewhere quiet where I can finish my book. Oh, tea.-你真的要实现你的计划?-对, 一切都在计划中- So you mean to go through with your plan? - Yes, yes. It's all in hand.我全都安排好了All the arrangements are made.谢谢你Oh, thank you.佛罗多起了疑心Frodo suspects something.当然了他可是巴金斯家的人Of course he does. He's a Baggins...不是硬瓶家的笨小孩...not some blockheaded Bracegirdle from Hardbottle.你会告诉他吧?You will tell him, won't you?-你会告诉他吧?-他很喜欢你- Yes, yes. - He's very fond of you.我知道I know.我开口的话他一定会跟我去He'd probably come with me if I asked him.但他还是衷心深爱夏尔的家园I think in his heart, Frodo's still in love with the Shire. 绿油油的树林和草地The woods, the fields.潺潺的溪流Little rivers.我老了, 甘道夫I am old, Gandalf.虽然我看起来并不老但是我的心老了I know I don't look it, but I'm beginning to feel it in my heart.我的意志变得很薄弱I feel thin.一切都索然无味Sort of stretched...就像面包上的牛油涂得不够多...like butter scraped over too much bread.我需要一个很长的假期I need a holiday. A very long holiday.我并不打算回来And I don't expect I shall return.我打定主意不回来In fact, I mean not to.老托比种的南区最好的烟草Old Toby. The finest weed in the Southfarthing.甘道夫老友Gandalf, my old friend...这将是令人难忘的一晚...this will be a night to remember.你好Hello, hello.小胖博哲很高兴见到你, 欢迎Fatty Bolger. Lovely to see you. Welcome, welcome.山姆, 快去邀萝丝跳舞Go on, Sam. Ask Rosie for a dance.-我想再喝一杯啤酒-不行啦- I think I'll just have another ale. - Oh, no, you don't. 去呀Go on!我站在那儿So there I was...面对三个可怕的食人妖...at the mercy of three monstrous trolls.它们吵著…And they were all arguing amongst themselves...要怎么把我们煮来吃...about how they were going to cook us.是一口就把我们给吞了或是一个接著一个把我们压扁Whether it be turned on a spit, or to sit on us one by one, squash us into jelly.他们喋喋不休吵个没完没了They spent so much time arguing the whithertos and the whyfors...结果天亮的第一道曙光...that the sun's first light crept over the top of the trees... 把它们都变成石头...and turned them all to stone!快点Quickly.飞走了Up they go!最大的那个啦No, the big one.抱腹太太, 很高兴见到你欢迎, 欢迎Mrs. Bracegirdle, how nice to see you. Welcome, welcome.这都是你的小孩吗?Are all these children yours?老天爷, 你还真能生呀Good gracious, you have been productive.比尔博?Bilbo?塞克维尔巴金斯Sackville-Bagginses!快躲起来Quickly, hide!谢了, 好侄子Thank you, my boy.你真是个好孩子, 佛罗多You're a good lad, Frodo.我一直都很自私I'm very selfish, you know.我真的很自私自利Yes, I am. Very selfish.你爸妈死后我收养了你不过并不是出于好心I don't know why I took you in after your mother and father died...but it wasn't out of charity.我想是因为…I think it was because...在这么多亲戚里头...of all my numerous relations...只有你有一种冒险的精神...you were the one Baggins that showed real spirit.比尔博, 你是不是偷喝了老爹自己酿的啤酒?Bilbo, have you been at the Gaffer's home brew?没有No.但是这并不重要Well, yes, but that's not the point.重要的是…The point is, Frodo...你一定会过得很好...you'll be all right.-插好了-你应该把它插在地上- Done! - You're supposed to stick it in the ground. -插好了呀-要插在外面啦- It is in the ground. - Outside!这都是你的馊主意This was your idea.比尔博Bilbo.当心那只飞龙Bilbo, watch out for the dragon!这儿有一千年没出现飞龙了Nonsense. There hasn't been a dragon in these parts for a thousand years.-这儿有一千年没出现飞龙了-再来一次- That was good. - Let's get another one.梅里亚达克.烈酒鹿和彼利坚.图克Meriadoc Brandybuck and Peregrin Took.我就知道I might've known.致词, 比尔博Speech, Bilbo!致词!Speech!致词!Speech!亲爱的巴金斯家和波芬家My dear Bagginses and Boffins...图克家和烈酒鹿家...Tooks and Brandybucks...葛卢伯家、丘伯家...Grubbs, Chubbs...吹号者家...Hornblowers...博哲家...Bolgers...抱腹家...Bracegirdles...-和傲脚家-是傲足啦...and Proudfoots. - Proudfeet!今天是我岁生日Today is my th birthday!生日快乐Happy birthday!但是年的时光太短了我真想多跟你们在一起But alas, eleventy-one years is far too short a time to live among...这么杰出优秀的哈比人...such excellent and admirable Hobbits.我只认识你们一丁点I don't know half of you half as well as I should like...而你们一丁点也不值得我喜欢...and I like less than half of you half as well as you deserve.我要做一件事I have things to do.这件事我拖了太久I've put this off far too long.很遗憾我要宣布宴会结束了I regret to announce this is the end!我要走了I'm going now.我要向大家道别I bid you all a very fond farewell.再见Goodbye.你一定觉得这招很高明I suppose you think that was terribly clever.你没看到他们的表情吗?Come on, Gandalf. Did you see their faces?世上有很多神奇戒指但是不该随便乱用There are many magic rings in this world, and none of them should be used lightly.我只是开个玩笑It was just a bit of fun.不过就像平常一样, 你说的对Oh, you're probably right, as usual.-你会照顾佛罗多吧?-当然会- You will keep an eye on Frodo, won't you? - Two eyes. 我会好好照顾他As often as I can spare them.-我要把一切都留给他-那只戒指呢?- I'm leaving everything to him. - What about this ring of yours?-那也要留下来吗?-当然- Is that staying too? - Yes, yes.我用信封装好放在壁炉上面It's in an envelope over there on the mantelpiece.不对, 等一下…No. Wait, it's...它在我的口袋...here in my pocket.真奇怪, 不是吗?Isn't that...? Isn't that odd, now?是呀, 有何不可呢?Yet, after all, why not?-我何不留著它?-你应该把戒指留下来- Why shouldn't I keep it? - I think you should leave the ring behind.有这么困难吗?Is that so hard?没有呀Well, no.当然有And yes.现在我突然不想把它给别人Now it comes to it, I don't feel like parting with it. 它是我的, 是我找到的It's mine. I found it! It came to me!-你也没必要动肝火吧-这全是你的错- There's no need to get angry. - Well, if I'm angry, it's your fault!它是我的It's mine.我一个人的My own.-我的宝贝-宝贝?- My precious. - Precious?以前也有别人这么叫过它It's been called that before, but not by you.这是我的戒指, 与你无关What business is it of yours what I do with my own things? 那只戒指你留着够久了I think you've had that ring quite long enough.-你只想独吞它-比尔博巴金斯!- You want it for yourself! - Bilbo Baggins!别把我当成一个江湖术士Do not take me for some conjurer of cheap tricks.我并不想抢你的东西I am not trying to rob you.我只想帮助你I'm trying to help you.我们都认识这么久了All your long years, we've been friends.请你像以前一样相信我Trust me as you once did.放手吧Let it go.你说得对You're right, Gandalf.戒指一定要留给佛罗多The ring must go to Frodo.天色晚了, 路还很长It's late. The road is long.是时候了Yes, it is time.比尔博Bilbo, the ring is still in your pocket.戒指还在你的口袋我替我的书想到一个结尾I've thought up an ending for my book:"他从此快乐地生活下去直到他寿终正寝""And he lived happily ever after to the end of his days."你一定会的, 老友And I'm sure you will, my dear friend.再见了, 甘道夫Goodbye, Gandalf.再见了, 比尔博Goodbye, dear Bilbo.眼前道路无止尽…The road goes ever on and on后会有期了Until our next meeting.它是我的, 我一个人的It's mine. My own.我的宝贝My precious.黑暗中的谜语Riddles in the dark.比尔博Bilbo!比尔博Bilbo!我的宝贝My precious.宝贝Precious.他走了, 对吧?He's gone, hasn't he?他一直都说要离开这儿He talked for so long about leaving...没想到他真的走了...I didn't think he'd really do it.甘道夫?Gandalf?比尔博的戒指Bilbo's ring.他去和精灵住在一起He's gone to stay with the Elves.他把袋底洞留给你He's left you Bag End.还有他所有的财产Along with all his possessions.戒指是你的了The ring is yours now.-把它藏起来-你要去哪儿?- Put it somewhere out of sight. - Where are you going? -我一定要去办些事-什么事?- There are some things that I must see to. - What things? -我有一些疑问一定要得到解答-你才刚到- Questions. Questions that need answering. - You've only just arrived.我不明白I don't understand.我也不明白Neither do I.你要保密Keep it secret.把它藏起来Keep it safe.夏尔!Shire!巴金斯!Baggins!"第二纪元的年"The year of the Second Age.以下是埃西铎的记载刚铎之王…Here follows the account of Isildur, High King of Gondor...以及找到至尊魔戒的过程"...and the finding of the Ring of Power.""我终于拿到手了"It has come to me.这只至尊魔戒将是我的镇国之宝The One Ring. It shall be an heirloom of my kingdom. 我的后代将永远对它效忠All those who follow in my bloodline shall be bound to its fate...我绝不容许魔戒受到任何损伤...for I will risk no hurt to the Ring.这是我的宝贝It is precious to me...我经过多少痛苦才得到它...though I buy it with great pain.戒环的刻痕逐渐褪色The markings upon the band begin to fade.那些赤焰般的文字现在全部消失The writing, which at first was as clear as red flame, has all but disappeared.只有火焰能让秘密显现"A secret now that only fire can tell."夏尔Shire.巴金斯Baggins.巴金斯家族都住在哈比屯There's no Bagginses around here. They're all up in Hobbiton. 在那边That way.我的身心已疲惫To heal my heart and drown my woe阵阵风雨不停歇Rain may fall and wind may blow但是我仍有…But there still be好长的路要走Many miles to go雨滴声音多美妙Sweet is the sound of the pouring rain大珠小珠落玉盘And the stream that falls From hill to plain不管雨水或清泉Better than rain or rippling brook都比不上这儿的啤酒Is a mug of beer inside this Took最近有一些陌生人经过夏尔There's been some strange folk crossing the Shire.包括矮人族和更可怕的坏人Dwarves and others of a less than savory nature.一场大战即将来临War is brewing.山里头来了一群妖魔鬼怪The mountains are fair teeming with goblins.这些只是谣传或是小孩子的童言童语而已Far-off tales and children's stories, that's all that is.你越来越像比尔博巴斯金别跟他一样疯言疯语You're beginning to sound like that old Bilbo Baggins. Cracked, he was.佛罗多先生, 你叔叔是有点疯Young Mr. Frodo here, he's cracking.我以他为荣And proud of it.-干杯, 老爹-干杯- Cheers, Gaffer. - Cheers.夏尔以外的事跟我们无关It's none of our concern what goes on beyond our borders. 你们只要不去惹麻烦麻烦就不会找上门Keep your nose out of trouble, and no trouble'll come to you.-晚安了, 小伙子-晚安- Good night, lads. - Good night.晚安了, 美丽的姑娘Good night, sweet maiden of the golden ale.他最好别打她的主意Mind who you're sweet-talking.放心啦, 山姆萝丝知道他是个浑人Don't worry, Sam. Rosie knows an idiot when she sees one.真的吗?Does she?-晚安, 山姆-晚安, 佛罗多先生- Good night, Sam. - Good night, Mister Frodo.你有守密吗? 它安全吗?Is it secret? Is it safe?你在做什么?What are you doing?把手伸出来Hold out your hand, Frodo.很冰凉It's quite cool.你看到什么?What can you see?你看到什么吗?Can you see anything?没有Nothing.什么也没有There's nothing.等等Wait.上面有刻痕There are markings.好像是精灵文, 我看不懂It's some form of Elvish. I can't read it.很少人看得懂There are few who can.这是魔多的古文字我现在不能念出来The language is that of Mordor, which I will not utter here.魔多!Mordor!它说的是In the common tongue, it says:"至尊戒, 驭众戒"One Ring to rule them all...至尊戒, 寻众戒...One Ring to find them...魔戒至尊引众戒...One Ring to bring them all...禁锢众戒黑暗中"...and in the darkness bind them."这只至尊魔戒This is the One Ring...是黑暗魔君索伦用末日火山的烈焰铸成...forged by the Dark Lord Sauron in the fires of Mount Doom.埃西铎从索伦手中夺过来Taken by Isildur from the hand of Sauron himself.比尔博找到它Bilbo found it.-在咕鲁的洞穴中-是的- In Gollum's cave. - Yes.比尔博六十年来不动声色持有至尊魔戒For years, the Ring lay quiet in Bilbo's keeping...他因此而延长了寿命延迟了老化...prolonging his life, delaying old age.但是状况已经改变了邪恶在魔多蠢蠢欲动But no longer, Frodo. Evil is stirring in Mordor.至尊魔戒被唤醒了The Ring has awoken.它听到主人的召唤It's heard its master's call.但是索伦已经被消灭了But he was destroyed. Sauron was destroyed.不, 佛罗多No, Frodo.索伦的灵魂没有死The spirit of Sauron endured.他的生命和至尊魔戒紧紧相系His life force is bound to the Ring, and the Ring survived. 至尊魔戒仍然幸存Sauron has returned.他的半兽人大军与日俱增His Orcs have multiplied.他在魔多也重建了要塞巴拉多His fortress at Barad-d? R is rebuilt in the land of Mordor.索伦只要得到至尊魔戒就能让黑暗再度笼罩大地Sauron needs only this Ring to cover all the lands in a second darkness.他在搜寻至尊魔戒He is seeking it.全心全意、不择手段地搜寻Seeking it. All his thought is bent on it.同时至尊魔戒也渴望For the Ring yearns above all else...回到它主人的手中...to return to the hand of its master.他们本为一体They are one...至尊魔戒和黑暗魔君...the Ring and the Dark Lord.佛罗多Frodo...绝对不能让他找到至尊魔戒...he must never find it.好All right.那就把它藏起来再也不提We put it away. We keep it hidden. We never speak of it again. 没人知道它在这儿, 是吧?No one knows it's here, do they?是不是? 甘道夫Do they, Gandalf?有一个人知道比尔博得到至尊魔戒There is one other who knew that Bilbo had the Ring. 我到处在找咕鲁I looked everywhere for the creature Gollum.但是魔君先找到他But the enemy found him first.他不晓得被拷打了多久I don't know how long they tortured him.但是在可怕的哀嚎和呻吟声中他们听出两个名字:But amidst the endless screams and inane babble, they discerned two words.'夏尔Shire!巴金斯Baggins!夏尔Shire.巴金斯他们会找到这里来Baggins. But that would lead them here!什么人?Who goes there?你拿去, 甘道夫Take it, Gandalf!-拿去-不行- Take it! - No, Frodo.-你一定要拿去-你不能把魔戒给我- You must take it! - You cannot offer me this ring! -我要把它给你-别引诱我, 佛罗多- I'm giving it to you! - Don't tempt me, Frodo! 我不敢拿I dare not take it.我更不能保护它Not even to keep it safe.你要了解Understand, Frodo...我只希望利用至尊魔戒行善事...I would use this Ring from a desire to do good.但是它透过我将释放无法想像的邪恶力量But through me, it would wield a power too great and terrible to imagine.-它不能留在这儿-没错- But it cannot stay in the Shire! - No.的确不能No, it can't.我该怎么做?What must I do?-你一定要尽快离开-我该去哪里?- You must leave. And leave quickly. - Where? Where do I go?离开这儿, 赶到布理村Get out of the Shire. Make for the village of Bree.布理Bree.-那你呢?-我会等你- What about you? - I'll be waiting for you...在跃马旅店...at the inn of the Prancing Pony.-魔戒在那儿安全吗?-我不知道, 佛罗多- And the Ring will be safe there? - I don't know, Frodo.我无法回答你I don't have any answers.我必须去见巫师长他有智慧及力量, 相信我I must see the head of my order. He is both wise and powerful. Trust me, Frodo.他知道该怎么做He'll know what to do.你不能用巴金斯这名字You'll have to leave the name of Baggins behind you.这名字在夏尔之外不安全That name is not safe outside the Shire.白天赶路, 别走大道Travel only by day. And stay off the road.我可以穿过农田I can cut across country easily enough.好孩子My dear Frodo.哈比人真不可思议Hobbits really are amazing creatures.只要一个月就能了解他们You can learn all that there is to know about their ways in a month.但一百年后And yet, after a hundred years...他们仍然让你吃惊不已...they can still surprise you.趴下来Get down.可恶的山姆卫斯詹吉你一直在偷听吗?Confound it all, Samwise Gamgee! Have you been eavesdropping?我才没有偷听什么我只是在窗外除草而已I haven't been dropping no eaves. Honest. I was cutting the grass under the window.现在除草未免太晚了A little late for trimming the verge, don't you think?-我听到说话声-你听到什么? 快说- I heard raised voices. - What did you hear? Speak!。

西风颂波西.比希.雪莱.ppt

西风颂波西.比希.雪莱.ppt
41 Thy voice, and suddenly grow gray with fear, 它们突然因 为恐惧而悸动 42 And tremble and despoil themselves: oh hear! 战栗着消逝, 听啊!
Part four
IV 第四部分 43 If I were a dead leaf thou mightest bear; 如果我是一片你 可以带走的落叶 44 If I were a swift cloud to fly with thee; 如果我是一片你可 以引领的浮云 45 A wave to pant beneath thy power, and share 如果我是一 个在你的威力下喘息的浪头, 46 The impulse of thy strength, only less free 分享你雄健的脉 搏,只不过 47 Than thou, O uncontrollable! If even 没有你那样的自由,你 这不可控制的家伙! 48 I were as in my boyhood, and could be 如果我还是一个孩 子, 49 The comrade of thy wanderings over Heaven, 可以和你结 伴在九天漫游
Part four
50 As then, when to outstrip thy skiey speed 那时,超越你天界的神 速也不算是神奇 51 Scarce seem'd a vision; I would ne'er have striven 我就不会像现 在这样
52 As thus with thee in prayer in my sore need. 痛切得向你祈求 53 Oh, lift me as a wave, a leaf, a cloud! 啊,带走我!像带走每一个浪 涛,每一片树叶,每一道浮云 54 I fall upon the thorns of life! I bleed! 我扑向这生命的荆棘,为之流 血。 55 A heavy weight of hours has chain'd and bow'd 时势的艰难压制捆 绑着的这个人 56 One too like thee: tameless, and swift, and proud. 也象你一样: 狂放,迅捷,而骄傲!

Spectrum of light scattered from a deformed Bose-Einstein condensate

Spectrum of light scattered from a deformed Bose-Einstein condensate

a r X i v :q u a n t -p h /9907084v 1 26 J u l 1999Spectrum of light scattered from a “deformed”Bose–Einstein condensateStefano Mancini †and Vladimir I.Man’ko ‡†Dipartimento di Fisica and Unit`a INFM,Universit`a di Milano,Via Celoria 16,I-20133Milano,Italy ‡P.N.Lebedev Physical Institute,Leninskii Prospekt 53,Moscow 117924,Russia (Date:May 25,1999)Abstract The spectrum of light scattered from a Bose–Einstein condensate is studied in the limit of particle-number conservation.To this end,a description in terms of deformed bosons is invoked and this leads to a deviation from the usual predict spectrum’s shape as soon as the number of particles decreases.PACS number(s):03.65.Fd (Algebraic methods),03.75.Fi (Bose condensation),42.50.Ct (Quantum statistical description of interaction of light and matter)The recent achievements of Bose–Einstein condensate(BEC)with a gas of atoms confined by a magnetic trap[1]has stimulated renewed interest in the question as to what signatures Bose–Einstein condensation imprints in the spectrum of light scattered from atoms in such a condensate[2,3].As well known,to deal with the dynamics of BEC gas the Bogolubov approxima-tion in quantum many-body theory[4]is an efficient approach,in which the creation and annihiliation operators for condensated atoms are substituted by c-numbers.One shortcoming of this method is that the total atomic particle-number may not be con-served after the approximation.Or a symmetry may be broken.To remedy this default,Gardiner[5]suggested a modified Bogolubov approximation by introducing phonon operators which conserve the total atomic particle number N and obey the bosonic commutation relation in the case of N→∞.In this sense,this phonon oper-ator approach gives an elegant infinite atomic particle-number approximation theory for BEC taking into account the conservation of the total atomic number.Along this line,the case offinite number of particle has been recentely investi-gated[6],and the algebraic method of treating the effects offinite particle number in the atomic BEC has been developed.It results a physical and natural realization of the quantum group theory[7]in the BEC systems,whose possibility was already suggested in[8],thought in a different manner.Here,we shall use the deformed algebra to study the response of a condensate withfinite number of atoms to the laser light and focus our attention on steady-state excitation.We consider a system of weakly interacting Bose gas in a trap and a classical radiationfield interacting with these two-level atoms,where b†,b denote the creation and annihiliation operators for the atoms in the excited state;a†,a,the creation and annihiliation operators for the atoms in the ground state.These operators satisfy theusual bosonic commutation relations.The Hamiltonian of the model readsH=¯h̟b†b+¯h g(t)b†a+g∗(t)ba† ,(1) where g(t)is a time-dependent coupling coefficient for the(classical)laserfield coupled to those two states with level difference¯h̟.Usually,the time dependence of g(t)is given by g exp(−iΩt),withΩbeing the frequency of the laser beam.Note that,with the above Hamiltonian,the total atomic particle number N= b†b+a†a is conserved.In the thermodynamic limit N→∞,the Bogolubov approxi-mation[4]is usually applied,in which the ladder operators a†,a of the ground state√are replaced by a c-numberN c g(t)b†+h.c.+ kΩk c†k c k+¯hN c−Γb(t)+√N c [3],whereγis the one-atom linewidth[9].Finally,b in(t)is the vacuum noise operatorb†in(t)b in(t′) = b in(t)b in(t′) =0,b in(t)b†in(t′) =δ(t−t′).(4)The solution of Eq.(3)is well known [9],and in the steady-state regime it becomesb (t ) ≡β=−ig √Γ+i ∆,(5)δb (ω)=√Γ+i ∆b in (ω),(6)where the semiclassical approximation b (t )=β+δb (t )has been used.In (6),δb (ω)is the Fourier component of the operator δb (t ).The spectrum of the light scattered from the atoms is given by the correlation of the operators b †(t )and b (t )[3].Hence,in the steady state,the spectrum of fluctuations δb †(ω)δb (ω′) results zero everywhere,by virtue of (6)and (4).This means that in the long time limit,only the equal time correlations survive.Let us now come back to the Bogolubov approximation [4].It destroyes the sym-metry of Hamiltonian (1),i.e.,the conservation of the total particle number is violated because [N,H ]=0.Then,to preserve the property of the initial model,it is possible to determine the following phonon operators [5]B =1N a †b ,B †=1N ab †.(7)These operators obey a deformed algebra [6].In fact,a straightforward calculation leads to the following commutation relationB,B † =1−2ηb †b ,(8)where we have introduced a small operator parameter η=1/N ,which for sufficientely large number of atoms is considered as c -number.The algebra defined by Eq.(8)belongs to the f -deformed algebra [10],where in general the deformed operator is related to the undeformed one through an operator valued function f asB =bf (b †b ).(9)In our particular case,we havef (b †b )=and for small deformation we getB≈b 1−ηN g(t)B†+h.c.+ kΩk c†k c k+¯h√Ng b†+b −¯h √2 b†b2+b†2b+ kΩk c†k c k+¯h√NgηN−Γb(t)+√NgηN−Γβ.(15)Of course,the solution of the above equation will be different from that of Eq.(5)(we refer to the latter asβ∞),but they approach each other as soon as N increases,as can be seen in Fig.1.The dynamics of the smallfluctuations is given by∂tδb(t)=Aδb(t)+Bδb†(t)+√Ngη(β+β∗),(17)B=i√Ξ(ω) [iω−A∗]b in(ω)+B b†in(ω) ,(19)whereΞ(ω)=|A|2−|B|2−ω2−iω(A+A∗).(20) Finally,the spectrum,by means of Eqs.(19),(20)and(4),readsS(ω)= dω′ δb†(ω)δb(ω′) =|B|2may lead(in the limiting case of small number of particles)to observable effects on a probe lightfield.Beyond the oversimplified model used,we retain the measurement of the light spectrum in presence of few condensed atoms a promising experimental challenge.On the other hand,the use of a BEC with small number of atoms would be the subject of next generation experiments[13].The same aim could be pursued in elementary particlefield as well.In fact,the BEC may also describe thefinal state of pions in high-energy-heavy-ion collisions[14,15].AcknowledgementsV.I.Man’ko is grateful to Russsian Foundation for Basic Research under the Project No.99-2-17753.References[1]M.H.Anderson J.R.Ensher,M.R.Matthews,C.E.Wieneman,E.A.Cornell,Science269,198(1995);K.B.Davies,M.-O.Mewes,M.R.Andrews.N.J.van Druten,D.S.Durfee,D.M.Kurn,W.Ketterle,Phys.Rev.Lett.75,3969(1995);C.C.Bradley,C.A.Sackett,J.J.Tollett and R.G.Hulet,Phys.Rev.Lett.75,1687(1995).[2]M.Levenstein and L.You,Phys.Rev.Lett.71,1339(1993);L.You,M.Lewensteinand J.Cooper,Phys.Rev.A50,R3565(1994);R.Graham and D.F.Walls,Phys.Rev.Lett.76,1774(1996).[3]J.Javanainen,Phys.Rev.Lett.72,2375(1994);75,1927(1995).[4]N.N.Bogolubov,J.Phys.(Moscow)2,23(1947).[5]C.W.Gardiner,Phys.Rev.A56,1414(1997).[6]C.P.Sun,S.Yu and Y.B.Gao,eprint qunt-ph/9809079.[7]L.C.Biedenharn,J.Phys.A22,L873(1989);A.J.Macfarlane,J.Phys.A22,4581(1989).[8]S.Mancini,V.I.Man’ko and P.Tombesi,Physica Scripta57,486(1998).[9]C.W.Gardiner,Quantum Noise(Springer,Heidelberg,1991).[10]V.I.Man’ko,G.Marmo,F.Zaccaria and E.C.G.Sudarshan,Physica Scripta55,528(1997).[11]S.Mancini,Physica Scripta59,195(1999).[12]B.R.Mollow,Phys.Rev.188,1969(1969).[13]G.M.Tino,private communication.[14]Proceedings of the Quark Matter’96Conference,(P.Braun-Munzinger et al.,eds.),Nucl.Phys.A610,1c-565c(1996);Proceedings of the Strangeness in Hadronic Matter’96Conference,(T.Csorgo et al.,eds.),Heavy Ion Physics4,1–440(1996).[15]T.Cs¨o rgo and J.Zimanyi,eprint hep-ph/9705432,eprint hep-ph/9705433.FIGURE CAPTIONSFig.1.A plot of the quantity||β|−|β∞||as a function of N.Values of the parameters are:∆=0and g=2.5γ.Furthermore,arg[β]=arg[β∞]=π/2∀N.Fig.2.The spectrum S as a function ofωand N.Values of parameters as in Fig.1.Nβοβο||||| − |501502503500.10.20.3240NFig.2 S. Mancini and V. I. Man'ko Spectrum of light scattered..........。

有关星星之火可以撩源的英语作文

有关星星之火可以撩源的英语作文

有关星星之火可以撩源的英语作文Starlight has always been a source of fascination for humanity, inspiring poets, scientists, and dreamers alike. From ancient times to the present day, the beauty and mystery of the stars have captured our imagination and driven us to explore the cosmos.One of the most famous quotes about the stars comes from the Roman poet Ovid: "Dripping fire from the sky, the stars, shining beacons of eternity." This poetic image reflects the awe and wonder that the stars have always inspired in us. But what is the source of this divine fire that lights up the night sky?In modern science, we now know that stars are born from clouds of gas and dust that collapse under their own gravity, forming dense cores that eventually ignite into nuclear fusion. This fusion process releases vast amounts of energy, which radiates out into space as light and heat, giving the star its fiery glow.But for ancient peoples, the origin of the stars was a matter of myth and legend. Many cultures believed that the stars were the souls of the dead, watching over us from the heavens. Others saw them as gods and goddesses, guiding our fate and destiny.Regardless of their origins, the stars have always been a source of inspiration and wonder for humanity. They remind us of our place in the universe, of the vastness and beauty of creation. They remind us that we are all connected, all part of the same cosmic dance.So the next time you look up at the night sky, remember that the stars are not just balls of gas and dust. They are the source of that divine fire that lights up our world, igniting our imaginations and inspiring us to reach for the stars.。

Charming Cosmos

Charming Cosmos

Charming CosmosThe universe has always been a source of wonder and fascination for humanity. Its vastness and complexity have intrigued scientists, philosophers, and artists alike. One can simply gaze at the night sky and be captivated by the beauty of the cosmos. The Charming Cosmos brings together the marvels of the universe and the human imagination, creating a mesmerizing tapestry of cosmic enchantment.In this age of technology, we have gained unprecedented access to the mysteries of the cosmos. Telescopes and space probes have allowed us to explore distant galaxies, study celestial bodies, and unravel the secrets of the universe. Through these endeavors, we have come to appreciate the immense scale and breathtaking beauty of the cosmos.The Charming Cosmos is not only about scientific exploration, but also about the artistic interpretations that have emerged from our understanding of the universe. Artists have long been inspired by the celestial realm, creating works that capture its grandeur and allure. Paintings, sculptures, and music have all been influenced by the wonders of the cosmos, reflecting the awe and wonder it evokes in us.Moreover, the Charming Cosmos has also become a symbol of human curiosity and the pursuit of knowledge. It represents our desire to push the boundaries of what we know and discover new frontiers. From ancient civilizations observing the movement of stars to modern-day space missions, the quest to understand the cosmos has driven us forward as a species.The beauty of the Charming Cosmos lies not only in its visual splendor but also in its scientific significance. Studying the cosmos allows us to gain insights into the origins of the universe, the nature of matter and energy, and the possibilities of life beyond Earth. It raises profound questions about our place in the universe and the existence of other intelligent beings.As we continue to explore the Charming Cosmos, we are confronted with the realization of our own insignificance in the grand scheme of things. The vastness of the universe puts our individual lives into perspective, reminding us of the fleeting nature of our existence. Yet, it also instills in us a sense of wonder and humility, as we contemplate the infinite possibilities that lie beyond our reach.In conclusion, the Charming Cosmos is a testament to the beauty, mystery, and awe-inspiring nature of the universe. It encompasses the scientific discoveries, artistic creations, and philosophical contemplations that have emerged from our exploration of the cosmos. As we gaze at the night sky and contemplate the wonders of the universe, let us embrace the enchantment that the Charming Cosmos offers and continue to be inspired by its timeless allure.。

2023年专四阅读详解与其诅咒黑暗不如燃起蜡烛

2023年专四阅读详解与其诅咒黑暗不如燃起蜡烛

星期3 WednesdayBetter to light one candle than to curse the darkness.与其诅咒黑暗, 不如燃起蜡烛。

Text AHalf a dozen radio stations about the face of the globe crackled sparks of electricity from capital and into millions of humble homes; peace came through the air and was simultaneous over all the face of the earth.The great ceremony on the battleship Missouri in Tokyo Bay was anticlimax.The greatest fleet in the world lay amidst the greatest ruins in the world under a dark and cheerless covering of clouds.The USS Iowa was on one side of the Missouri, the USS South Dakota on the other.A tattered flag with thirty-one stars was hung on one of the turrets of the battleship —the flag of the infant republic, which Commodore Perry brought with him to the same bay almost a hundred years before.Above the mainmast fluttered the battle flag of the Union of today.The deck was crowded with the American technicians.There were a Russian with a red band about his cap and a Tass newsreel man who insisted on crawling in among the main actors to get his shots; there was a Canadian general who spoiled his part and signed on the wrong line; there was a carefully tailored Chinese general from Chungking.Half a dozen Japanese were piped over the side of the Missouri, but for the purpose of history and in every man’s memory there were only two —the general, Umezu, and the statesman,Shingemitsu.Umezu was dressed in parade uniform, all his ribbons glistening, and his eyes blank, but you could see the brown pockmarks on his cheeks swelling and falling in emotion.Shingemitsu was dressed in a tall silk hat and a formal morning coat as if he were attending a wedding or a funeral.He had a wooden leg, and he limped along the deck; when he began to climb to the veranda deck where the peace was to be signed, he clutched the ropes and struggled up with infinite pain and discomfort.Shingemitsu and Umezu were brought forward, and, after a few carefully chosen words beautifully spoken by General MacArthur, they signed their names to a document marking an end to the Japanese Empire.When they had signed, the generals and admirals of all the other nations put their signatures to the document, and peace, if peace it was, had come.1.The document was signed on[A] the USS Iowa. [B] the USS South Dakota.[C] the battleship Missouri. [D] didn’t mention.2.In the second paragraph, “A tattered flag with thirty-one stars”is of[A] USS. [B] the infant USA.[C] today’s USA. [D] the greatest fleet.3.When portraying Umezu and Shingemitsu, the author focused on all the following EXCEPT[A] facial expression. [B] appearance.[C] motions. [D] inner activity.4.By saying “and peace, if peace it was, had come”, the author implied that[A] he valued the signature ceremony.[B] he was sure of the peace coming.[C] he suspected that the signature meant the real end of war.[D] he believed the signature ceremony would bring peace.Text BLeft unfettered(无拘无束的), Anthony Konieczka, 9 years old, would happily thumb away at his Game Boy Advance or PlayStation 2 from the minute he gets up to the moment he crawls into bed, 14 bleary-eyed(睡眼惺忪的)hours later.Anthony’s basement is stocked with traditional toys —board games, puzzles, art supplies —and as far as he is concerned, they are relics of Christmases past.His sister Michaely, 6 years old, still likes dressing her Barbies.But once she starts playing Game Boy it’s hard to get her away.Play patterns like this could grab another Christmas for the toy department.Through September, toy sales were down 5% compared with the first nine months of last year, according to the NDP Group.Meanwhile, the video-game industry is heading for another record year.Thanks to hot new games like Halo 2 for the Xbox, the industry is light-years ahead of the toy business when it comes to buzz.With distractions such as instant messaging, cell phone games and iPods angling for kids’minds and allowances, the digital revolution is making life miserable for the toy industry.While some hard-to-find toys emerge every holiday season, toymakers are heading into this one without a monster hit.Indeed, there has not been a Furby-style frenzy in years.Of 10 toy segments only two, arts and crafts and dolls, have generated sales growth over a recent 12 month period.Some of the weakest categories like construction sets and action figures are the ones aimed at boys, who suffer the most blisters from the video games.Analysts expect one of the top stocking stuffers this season to be not a traditional toy but the new generation of Nintendo’s Game Boy, the DS, which hit stores last week.The deeper issue is that shifts in play patterns are forcing toymakers to fight for shelf space in a tightening market.Boys in particular seem to be abandoning traditional toys at earlier ages in favor of consumer electronics, trendy video games, PC software and the Internet.The notion that kids are growing more sophisticated and tech-savvy (懂技术的), a trend called “age compression”, has bedeviled toy companies for at least a decade.Action figures, for instance, usedto be considered healthy for boys up to age 12.Now the items are mainly marketed to boys 4 to 6.A recent study found that nearly half of the U.S children start on video games at 4 to 5 years old —and 20% at age 3 or younger.Toy companies, of course, have long seen this coming.Mattel attempted to get into educational software in the late 1990s, spending $3.6 million to buy the Learning Company.But it turned out to be a blunder and led to more than $400 million in ter on Mattel got back to building basic brands like Barbie and Hot Wheels.But Barbie’s sales slump may also be a victim of kids growing older at younger ages.Several of the toys expected to sell well this season are, in fact, those that incorporate video gaming and DVD technologies.Mattel’s Fisher-Price introduced a game system called InteracTV this year, featuring DVDs with characters like Dora the explorer.Hasbro came out with a portable color video player called VideoNow and has been putting classic games like Battleship and Yahtzee into hand-held electronic format.5.At the beginning of the passage, the author implies that[A] video games are designed only for boys.[B] girls are usually not interested in video games.[C] both Anthony and Michaely are good at playing PlayStation 2.[D] children would not like to stop playing Game Boy once they start.6.We learn from the passage that in this holiday season[A] it is hard to find traditional toys in the market.[B] toymakers are planning to design monster toys.[C] no hit toys will come onto the market.[D] Furby will become popular among children.7.The sales of construction sets are decreasing because[A] they are not healthy toys for children.[B] they are very weak and easily broken.[C] they are hard to find on shelves of toy stores.[D] they are aimed at boys who are easily attracted by the video games.8.What has been bothering toymakers for almost ten years?[A] The Internet addiction.[B] The trend of age compression.[C] The sales of action figures.[D] The new generation of Game Boy.9.It is predicted that in this season the popular toys would be[A] hot new game Halo 2 for the Xbox.[B] arts and crafts and dolls.[C] action figures designed for boys aged from 4 to 6.[D] toys that integrate video gaming with DVD technologies.Text CSpace is a dangerous place, not only because of meteors(流星) but also because of rays from the Sun and other stars.Radiation is the greatest known danger to explorers in space.Doses of radiation are measured in units called “rem”.We all receive radiation here on the Earth from the Sun, from cosmic rays and from radioactive minerals.The “normal”dose of radiation that we receive each year is about 100 millirem; it varies according to where you live, and this is a very rough estimate.Scientists have reason to think that a man can put up with far more radiation than this without being damaged; the figure of 60 rem has been agreed on.The trouble is that it is extremely difficult to be sure about radiation damage —a person may feel perfectly well, but the cells of his or her sex organs may be damaged, and this will not be discovered until the birth of children or even grandchildren.Early space probes showed that radiation varies in different parts of space around the Earth.It alsovaries in time because, when great spurts of gas shoot out of the Sun, they are accompanied by a lot of extra radiation.Some estimates of the amount of radiation in space, based on various measurements and calculations, are as low as 10 rem per year, while others are as high as 5 rem per hour! Mission to the Moon have had to cross the Van Allen belts of high radiation and, during the outward and return journeys, the Apollo 8 crew accumulated a total dose of about 200 millirem per man.It was hoped that there would not be any large solar flares during the times of Apollo moon walks because the walls of the lunar excursion modules (LEMs) were not thick enough to protect the men inside, though the command modules did give reasonable protection.So far, no dangerous doses of radiation have been reported, but the Gemini(双子座)orbits and the Apollo missions have been quite short.We simply do not know yet how men are going to get on when they spend weeks and months outside the protection of the atmosphere, working in a space laboratory or in a base on the Moon.Drugs might help to decrease the damage done by radiation, but no really effective ones have been found so far.At present, radiation seems to be the greatest physical hazard to space travelers, but it is impossible to say just how serious the hazard will turn out to be in the future.10.What make space a dangerous place?[A] The radioactive meteors.[B] The Sun and other stars.[C] Rays from the earth.[D] Rem.11.According to the passage, which of the following is NOT true?[A] The “normal” dose of radiation we receive is generally accepted as safe.[B] Scientists are certain that 60 rem of radiation won’t damage man.[C] Harm of radiation is not likely to be seen immediately.[D] We don’t know exactly the seriousness of radiation damage.12.Missions to the moon are dangerous to the explorers because[A] they have to cross the high radioactive area.[B] solar flares may damage the LEMs.[C] they have to stay in space for a long time.[D] they will probably run into meteors.13.How will men effectively protect themselves when they spend long periods in space?[A] By taking special drugs.[B] By wearing special suits.[C] By using a protective blanket.[D] No effective solution has been found yet.14.The example of Apollo is to show[A] the Apollo mission was very successful.[B] protection from space radiation is no easy job.[C] astronauts don’t care about radiation damage.[D] radiation is not a threat to well-protected space explorers.15.The best title for this passage would be[A] The Atmosphere and Our Environment[B] Research on Radiation[C] Effects of Space Radiation[D] Important Protection against RadiationText DA simple computer program that teaches children to distinguish between sounds can dramatically boost their listening skills.It can allow them to progress by the equivalent of two years in just a few weeks, the game’s creator claims.The game, called Phonomena, was devised by David Moore of the University of Oxford, U.K., as an aid for children with language problems, but he says his latest trials also show that itcan help any child.Other experts, however, are reserving judgment until independent tests are carried out.Phonomena is designed to improve children’s ability to distinguish between different phonemes(音素), the basic sounds that form the building blocks of language.Up to a fifth of all children are thought to have problems hearing the differences between some sounds, says Moore, who heads the U.K.Medical Research Council’s Institute of Hearing Research.In the game, children have to distinguish between pairs of phonemes such as the “i”sound from the word “bit”and the “e”from “bet”.They are played one phoneme followed by two more examples, and asked which one matches the first sound.As the game progresses, the phonemes are gradually “morphed”(改变) to make them more and more similar, making it increasingly difficult to distinguish between them.With 44 phonemes in English, there are potentially more than 1,000 different pairs, but the game concentrates on just 22 pairs of the commonest and most similar-sounding phonemes.In the latest trials, 18 children aged between eight and ten played the game three times a week for four weeks.Their language abilities were compared before and after exposure to the game using a standard listening test.The team found a dramatic improvement in their language abilities, with listening ages up by an average 2.4 years compared with 12 children who did not play the game.In earlier trials on children with learning difficulties, the speech and language therapists who tested the game reported similar improvements.But Ted Wragg, an expert in education at the U.K’s University of Exeter, warns that such trials can produce misleading results.The improvements could be due to the efforts and attention of teachers and therapists, rather than the game itself.There is a history in education of people and companies making claims about learning products that do not stand up to scrutiny, he says.It is a bit like teaching someone to catch a ball, Moore adds.“Sensory performance is no different from motor performance.As far as we know, the neural processes driving them both arethe same.”And just as playing catch improves hand-eye coordination in other tasks, Moore thinks the phoneme training boosts children’s general language skills.The advantage of using computers, he says, is each game can be tailored to a child’s abilities.An oxford-based company called MindWeavers has been set up to commercialize the game.Similar computer0based language tools already exist, such as those developed by Scientific Learning of Oakland, California.But these are geared exclusively towards children with speech and language problems and involve intensive training.“We don’t believe you need to do this Draconian(严酷的) amount of training for it to do good,”says Moore.He is also exploring the use of phoneme training as an aid to adults learning a foreign language.16.At first, the Phonomena game is designed for[A] adults.[B] disabled children.[C] children with language problems.[D] all children.17.We can infer from the passage that in the game[A] one fifth of the children have difficult distinguishing between sounds.[B] children are asked to tell the differences between similar sounds.[C] the phonemes are becoming increasingly difficult to distinguish.[D] 44 phonemes in English are involved.18.In Ted Wragg’s opinion,[A] the trial results are not reliable and reasonable.[B] the game is helpful to children with language problems.[C] the trial results are accurate.[D] the trial results show that the game is useless.19.What is the advantage of using computers in Phonomena game?[A] It can provide customized service.[B] It can provide multimedia service.[C] Children can play the game at home.[D] It can improve child’s ability.20.What’s the limitation of the existing computer-based language tools?[A] They are designed exclusively for children.[B] They require too much training.[C] They are too harsh.[D] They do nothing good to language skills.语境词汇Text A1.crackle sparks of electricity <喻>通过电波传递2.anticlimax n.令人扫兴的结尾3.tatter v.扯碎,使变破烂:a tattered flag 一面破旧的国旗4.mainmast n.主桅5.pipe v.召集, 召唤6.the veranda deck 舰艇上的游廊7.clutch v.抓住,抓紧Text B1.thumb v.以拇指摆弄n.大拇指2.blister n.水泡, 气泡v.使起水泡3.angle v.谋取;垂钓n.角;角度, 观点4.hit n.成功的尝试;击中v.打(击)5.frenzy n.狂乱;极度的激动6.trendy a.时髦的, 流行的n.新潮人物,穿着时髦的人7.bedevil vt.使苦恼;折磨8.slump n.经济衰退;消沉v.倒下,陷落;下跌Text C1.radiation n.放射, 辐射;放射物, 放射线2.cosmic n.宇宙的;广大的, 无限的3.probe n.太空探测器;探查v.查究, 调查4.spurt n.喷射;忽然的加速、增强vi.喷出, 涌出5.accumulate v.积累, 聚集;增长6.excursion n.郊游,远足,游览Text D1.distinguish vt.&vi.区分, 辨别2.phoneme n.音素, 音位2.exposure n.暴露, 揭露;曝光, 曝光时间3.scrutiny n.细察, 详审4.sensory a.知觉的, 感觉的, 感觉器官的5.tailor vt.使合适, 修改n.裁缝6.exclusively ad.仅仅,专门地;排他地,独占地难句突破Text A1.There were a Russian with a red band about his cap and a Tass newsreel man who insisted on crawling in among the main actors to get his shots; there was a Canadian general who flubbed his part and signed on the wrong line; there was a carefully tailored Chinese general from Chungking. 【分析】并列复合句。

龙的组成 英文故事

龙的组成 英文故事

龙的组成英文故事The Composition of Dragons: An English TaleDragons have long captivated the imagination of people across the world, inspiring countless stories, myths, and legends. These majestic creatures, with their powerful wings, sharp claws, and fiery breath, have become a symbol of strength, wisdom, and mystery. But what exactly are dragons made of? In this enchanting tale, we delve into the intricate composition of these mythical beasts.At the very core of a dragon lies a heart of pure energy, a beating force that pulses with the primal essence of the universe. This heart is the source of the dragon's immense power, a wellspring of raw, untamed power that can be harnessed and channeled in ways that defy the boundaries of the natural world. It is this heart that gives dragons their ability to conjure and control the elements, to breathe fire, and to soar through the skies with unparalleled grace and speed.Surrounding this powerful heart is a skeletal structure of the most resilient and durable materials known to the realm of dragons. Forged from a combination of ancient minerals and the very scales that cover the dragon's body, this skeleton is a marvel of naturalengineering, capable of supporting the massive bulk and weight of the creature while still allowing for the fluid, serpentine movements that are the hallmark of the dragon's form.The scales that adorn the dragon's body are not merely decorative, but rather, they are a protective armor that shields the creature from harm. These scales are composed of a unique blend of metals and crystals, each one imbued with its own enchantments and properties. Some scales may be as hard as diamonds, capable of deflecting the mightiest of blows, while others may be as flexible as the finest silk, allowing the dragon to twist and turn with ease.Beneath the scales, the dragon's flesh is a tapestry of sinews, muscles, and nerves, all working in perfect harmony to grant the creature its incredible strength and agility. The muscles of a dragon are unlike any found in the natural world, capable of contracting and expanding with a speed and power that defies the laws of physics. These muscles are fueled by a network of veins and arteries that carry the lifeblood of the dragon, a fluid that is as much magical as it is physical.The dragon's senses are equally remarkable, with eyes that can see for miles, ears that can detect the faintest of sounds, and a sense of smell that can track the scent of its prey across vast distances. These senses are enhanced by the presence of specialized organs, each oneattuned to a particular aspect of the dragon's environment. The dragon's eyes, for example, are equipped with a unique lens that allows them to see in the dark, while their nostrils are lined with sensitive receptors that can detect the slightest changes in the air.But perhaps the most awe-inspiring aspect of the dragon's composition is its ability to harness and control the elements. Within the dragon's body, there exists a network of channels and conduits that allow it to draw upon the raw power of the natural world, channeling it through its body and unleashing it in the form of devastating attacks. Whether it is the scorching flames that pour from its mouth or the bolts of lightning that crackle from its claws, the dragon's mastery of the elements is a testament to the incredible complexity and power of its very being.In the end, the composition of a dragon is a marvel of natural engineering, a perfect blend of physical, magical, and elemental forces that come together to create a creature of unparalleled strength and majesty. From its beating heart to its razor-sharp talons, every aspect of the dragon's being is a testament to the wonders of the natural world and the boundless creativity of the human imagination. And as we continue to explore and unravel the mysteries of these mythical beasts, we can only imagine what other secrets they may hold, waiting to be discovered.。

it was a beautiful morning that summer day阅读理解

it was a beautiful morning that summer day阅读理解

It Was a Beautiful Morning That Summer DayIntroductionThe summer day started with a breathtakingly beautiful morning. Thesun’s gentle rays filtered through the leaves, casting a warm golden glow over the surroundings. The air was crisp and refreshing, filledwith the sweet fragrance of blooming flowers. This article explores the captivating essence of that summer morning, delving into its sights, sounds, and emotions.A Serene Awakening1.The Sun’s Radiance2.Melodious Birdsong3.Refreshing BreezeThe sun rose steadily, painting the sky in hues of red, orange, and pink. Its radiant beams illuminated the landscape, creating a picturesque backdrop. As the first light of day washed over the earth, it awakened nature from its slumber.The air was filled with the delightful melody of birdsong, as colorful feathered creatures orchestrated a mesmerizing symphony. Their sweet tunes intertwined with the rustling leaves, creating a harmonious orchestra of sounds that elevated the morning to a state of bliss.A gentle breeze danced through the air, carrying with it a hint of the nearby sea. It brushed against the skin, offering a refreshing respite from the summer heat. The ebb and flow of this cool gust brought a sense of tranquility, nurturing a serene awakening in both nature and its observers.Nature’s Masterpiece Unveiled1.Blooming Flowers2.Verdant Foliage3.Majestic WildlifeThe morning sunlight illuminated the vibrant colors of the flowers that adorned the landscape. Dewdrops glistened on petals, accentuating their delicate beauty. Shades of pink, purple, and yellow painted a stunning tapestry that showcased nature’s artistic prowess.As the day came alive, the foliage transformed into an ocean of green. The leaves rustled gently, creating a soothing symphony that blended harmoniously with the surrounding nature. Each blade of grass, each tree, and each leaf seemed to vibrate with life, bringing a sense of peace and contentment.Captivating wildlife emerged from the depths of the forest, venturinginto the open. Graceful deer grazed in meadows, their elegant movements mesmerizing those fortunate enough to witness them. Birds soared through the sky, their wings spread wide, painting abstract patterns against the blue canvas. The harmony between these creatures and their environment was awe-inspiring.Embracing the Day1.Joy-filled Laughter2.Adventure Beckons3.Reflective SolitudeLaughter echoed through the morning air, as children and families embraced the warmth of the day. They reveled in the simplicity of life, basking in the sheer happiness that the beautiful morning bestowed upon them. Joyful conversations and carefree play filled the atmosphere, creating a lively ambiance that spread like wildfire.As the day held endless possibilities, adventure beckoned to those eager for new experiences. The promise of exploration and discovery filled the hearts of adventurers, igniting a flame of excitement within them. Whether it be hiking through lush trails or diving into crystal-clear waters, the summer day enticed individuals to venture beyond thefamiliar and embrace the unknown.In the midst of all the activity, some sought solace in reflective solitude. They found a sense of peace and clarity as they basked in the serenity of the morning. Sitting by the calm shores of a nearby lake or beneath the shade of a towering tree, they discovered the beauty in silence, using it as a catalyst for self-discovery and introspection.ConclusionThe beauty of that summer morning captivated all who experienced it. From the breathtaking sunrise to the vibrant bursts of nature, every element worked in harmony to create an extraordinary tapestry of sights, sounds, and emotions. It was a reminder that amidst the chaos of life, the simplicity of a beautiful morning can bring solace, inspiration, and an opportunity for personal growth.。

Mysteries of the Universe

Mysteries of the Universe

The mysteries of the universe are vast and awe-inspiring, encompassing everything from the nature of dark matter and dark energy to the origins of the cosmos and the possibility of extraterrestrial life. Some of the most intriguing mysteries include:1.Dark Matter and Dark Energy: These are two of the most enigmaticcomponents of the universe, comprising the majority of its mass and energy. Yet, their true nature and properties remain largely elusive, challenging our understanding of the fundamental forces at play in the universe.2.The Big Bang: The origin of the universe itself is a profoundmystery, with the Big Bang theory providing a framework forunderstanding the rapid expansion of space and the subsequentevolution of galaxies, stars, and planets. However, manyquestions remain about what preceded the Big Bang and what lies beyond the observable universe.3.Black Holes: These enigmatic cosmic phenomena have captivatedscientists and the public alike, as their extreme gravitational pull and mysterious interiors defy our current understanding of physics. The nature of the singularity at the heart of a black hole and the potential links to other cosmic mysteries aresubjects of ongoing research.4.Exoplanets and the Search for Life: The discovery of thousandsof exoplanets beyond our solar system has fueled speculationabout the potential for life elsewhere in the universe.Understanding the conditions necessary for life to exist and the likelihood of finding extraterrestrial civilizations are among the most tantalizing mysteries in astronomy.5.Quantum Mechanics and Gravity: The quest to reconcile theprinciples of quantum mechanics with the force of gravityrepresents a major frontier in theoretical physics, withprofound implications for understanding the behavior of matter at the smallest and largest scales.These mysteries, among many others, continue to inspire scientists and philosophers to push the boundaries of human knowledge and imagination, offering a glimpse into the profound complexities of the cosmos.。

TheEssenceofCharm英语阅读

TheEssenceofCharm英语阅读

TheEssenceofCharm 英语阅读Charm is the ultimate weapon, the supreme seduction, against which there are few defenses. If you&#39;ve got it, you need neither money, looks, nor pedigree. It&#39;s a gift, given only to give away, and the more used, the more there is. It is also a climate of behavior set for perpetual summer and thermostatically controlled by taste and tact.True charm is an aura, an invisible musk in the air; if you see it working, the spell is broken. Charm is dynamic, and cannot be turned on and off at will. As to its ingredients, there is no fixed formula. A whole range of mysteries goes into the caldron, but the magic it offers must be absolute-one cannot be almost or partly charmed.In a woman, charm is probably more exacting than in a man, requiring a wider array of subtleties. It is a light in the face, an air of exclusive welcome, an almost impossibly sustained note of satisfaction in one&#39;s company, and regret without fuss at parting. A woman with charm finds no man dull; indeed, in her presence he becomes not just a different person but the person he most wants to be. Such a woman gives life to his deep-held fantasies by adding the necessary conviction to his long suspicion that he is king.Of those women who have most successfully charmed me I remember chiefly their voices and eyes. Their voices were intimate and enveloping. The listening eyes, supreme charm in a woman, betrayed no concern with any other world than this, warmly wrapping one round with total attention and turning one&#39;s lightest words to gold. Theirs was a charm that must have continued to exist, like the flower in the desert, even when there was nobody。

我喜欢月亮的英语作文

我喜欢月亮的英语作文

我喜欢月亮的英语作文The moon has always been a source of fascination and inspiration for me. Its serene glow and its everchanging phases have captivated my imagination since childhood. Here is a composition about my love for the moon.Title My Love for the MoonFrom the moment I was old enough to gaze up at the night sky the moon has held a special place in my heart. It is a celestial body that has not only been a constant companion but also a muse for poets artists and dreamers across the ages.The Beauty of the MoonThe moons beauty is unparalleled. On clear nights its silvery light illuminates the darkness casting a soft glow that seems to breathe life into the world below. The moons phases are a testament to the cycle of life and change. From the delicate crescent to the full round orb each phase is a reminder of the beauty in transformation.The Moon in Literature and ArtThroughout history the moon has been a central theme in literature and art. It has been personified as a goddess in Greek mythology inspiring stories of love adventure and mystery. In art the moons light has been captured in countless paintings often symbolizing enlightenment or the passage of time.The Moons Influence on NatureThe moons gravitational pull influences the tides creating a rhythmic dance between the land and the sea. This natural phenomenon is a reminder of the moons power and its intimate connection with our planet. The nocturnal creatures that rely on the moons light for navigation and hunting add another layer of wonder to its presence.Personal Connection with the MoonOn a personal level the moon has been a source of comfort and inspiration. During timesof solitude its light has been a reassuring presence reminding me that I am not alone. When I am lost in thought or creativity the moons tranquility helps me find clarity and focus.ConclusionIn conclusion my love for the moon is a love for its beauty its influence and its presence in our lives. It is a symbol of constancy amidst change a beacon of light in the darkness and a muse for the human spirit. As I continue to look up at the night sky the moon will always hold a special place in my heart a celestial reminder of the magic and mystery of the universe.This composition is a reflection of the deep connection and admiration one can have for the moon highlighting its aesthetic cultural and personal significance.。

作文猜猜他是谁唱的英语

作文猜猜他是谁唱的英语

In the realm of music,there are songs that resonate with listeners on a profound level,evoking emotions and memories that are uniquely personal.One such song that has captured the hearts of many is Guess Whos Back,a track that has been covered by various artists over the years. This piece delves into the enigmatic nature of the songs original singer, exploring the various renditions and the impact they have had on the music industry and the hearts of listeners.The song Guess Whos Back has a history that is as intriguing as the melody itself.Its a tale of mystery and talent,where the identity of the original artist remains shrouded in a veil of speculation.The song has been performed by a multitude of artists,each bringing their own flavor and interpretation to the lyrics and melody.The question of who originally sang it is a topic of heated debate among music enthusiasts and scholars alike.The songs lyrics are a narrative of a return,a comeback story that speaks to the resilience and determination of an individual who has faced adversity and is now ready to reclaim their place in the spotlight.The powerful message of the song has resonated with audiences,making it a timeless piece that continues to be relevant and impactful.One of the most notable versions of Guess Whos Back comes from a legendary artist who has a reputation for delivering powerful performances with a magnetic stage presence.This artists rendition of the song is characterized by a deep,soulful voice that carries the weight of the lyrics,making listeners feel every word.The passion and emotion conveyedthrough this version have made it a favorite among fans,and it has become a benchmark for other artists attempting to cover the song.Another interpretation that stands out is by a contemporary artist known for their unique style and innovative approach to music.This rendition takes the original song and infuses it with a modern twist,blending elements of various genres to create a fresh and exciting sound.The artists distinct voice and innovative arrangement have garnered critical acclaim and have introduced the song to a new generation of listeners.The impact of Guess Whos Back extends beyond the music charts and into the cultural zeitgeist.The song has been featured in films,television shows, and commercials,further cementing its status as a cultural icon.Its universal themes of resilience and triumph have made it a goto anthem for those seeking inspiration and motivation.Moreover,the song has sparked numerous discussions and debates among music aficionados.The quest to uncover the original singer has led to the discovery of lesserknown artists and has shed light on the rich tapestry of the music industry.This pursuit has also highlighted the importance of recognizing and celebrating the contributions of all artists, regardless of their level of fame or notoriety.In conclusion,the song Guess Whos Back is more than just a catchy tune it is a testament to the power of music to inspire,connect,and endure.The various renditions by different artists have showcased the songs versatility and its ability to be reinterpreted and reinvented while still retaining itscore message.The ongoing quest to identify the original singer adds an element of intrigue and excitement to the songs legacy,making it a fascinating topic for music lovers and casual listeners alike.As the song continues to be covered and celebrated,its legacy will undoubtedly grow, and its impact will be felt for generations to come.。

晨光拨开暮色英语作文开头

晨光拨开暮色英语作文开头

晨光拨开暮色英语作文开头英文回答:As the ethereal glow of dawn gently brushes away the remnants of the fading night, a new chapter in the grand tapestry of existence unfolds. The ethereal symphony of birdsong intertwines with the rustling of leaves, heralding the dawn of a day filled with boundless possibilities and untold stories.The world awakens from its slumber, as if emerging from a dream into a vibrant canvas. The hushed stillness of the night gives way to the murmuring chatter of life, as creatures great and small bestir themselves. The air crackles with anticipation, promising a day brimming with uncharted adventures and endless wonders.With the rising sun as our guide, we embark on our own journeys, our hearts alight with a spirit of discovery. The morning holds an enigmatic allure, inviting us to unravelits secrets and embrace the unknown. Its gentle embrace whispers promises of inspiration, fulfillment, and the realization of our deepest aspirations.中文回答:当晨光的柔光轻柔地扫过夜色的最后一丝残痕,存在宏伟挂毯中的新篇章徐徐展开。

呐喊爱德华蒙克英语作文

呐喊爱德华蒙克英语作文

Edward Munchs The Scream is one of the most iconic and recognizable paintings in the history of art.Created in1893,it captures a moment of intense emotional turmoil, with a figure standing on a bridge with its hands on its face,mouth wide open in a silent scream.The painting is a vivid representation of the anguish and existential dread that Munch himself experienced throughout his life.Born in1863in Norway,Munch had a troubled childhood marked by the deaths of his mother and sister from tuberculosis.These early experiences of loss and suffering deeply affected him and would later become a recurring theme in his art.The Scream is a prime example of Expressionism,an art movement that emerged in the early20th century.Expressionist artists sought to convey intense emotions and inner psychological states through bold colors,distorted forms,and dramatic compositions. Munchs use of a swirling,turbulent sky and the elongated,distorted figure in The Scream perfectly embodies these Expressionist ideals.The paintings impact has been immense,both within the art world and beyond.It has been widely reproduced and parodied,and its image has become synonymous with feelings of anxiety and despair.The figure in The Scream has even been featured on everything from tshirts to coffee mugs,a testament to the paintings enduring popularity and cultural significance.Despite its fame,The Scream has also been the subject of controversy.In2012,two versions of the painting were stolen from the Munch Museum in Oslo,Norway,only to be recovered two years later.The theft and subsequent recovery of the paintings highlighted the high value and demand for Munchs work,as well as the challenges of preserving and protecting such iconic pieces of art.In conclusion,Edward Munchs The Scream is a powerful and evocative work that continues to resonate with audiences more than a century after its creation.Its striking imagery and emotional intensity have made it a defining work of Expressionism and a symbol of the human experience of fear and anguish.Whether admired for its artistic merits or recognized for its cultural impact,The Scream remains a testament to Munchs enduring legacy as an artist and a visionary.。

英语阅读:The Essence of Charm

英语阅读:The Essence of Charm

英语阅读:The Essence of CharmCharm is the ultimate weapon, the supreme seduction, against which there are few defenses. If youve got it, you need neither money, looks, nor pedigree. Its a gift, given only to give away, and the more used, the more there is. It is also a climate of behavior set for perpetual summer and thermostatically controlled by taste and tact.True charm is an aura, an invisible musk in the air; if you see it working, the spell is broken. Charm is dynamic, and cannot be turned on and off at will. As to its ingredients, there is no fixed formula. A whole range of mysteries goes into the caldron, but the magic it offers must be absolute-one cannot be "almost" or "partly" charmed.In a woman, charm is probably more exacting than in a man, requiring a wider array of subtleties. It is a light in the face, an air of exclusive welcome, an almost impossibly sustained note of satisfaction in ones company, and regret without fuss at parting. A woman with charm finds no man dull; indeed, in her presence he becomes not just a different person but the person he most wants to be. Such a woman gives life to his deep-held fantasies by adding the necessary conviction to his long suspicion that he is king.Of those women who have most successfully charmed me I remember chiefly their voices and eyes. Their voices were intimate and enveloping. The listening eyes, supreme charm in a woman, betrayed no concern with any other world than this, warmly wrapping one round with total attention and turning ones lightest words to gold. Theirs was a charm that must have continued to exist, like the flower in the desert, even when there was nobody there to see it.A womans charm spreads round her that particular glow of well-being for which any man will want to seek her out and, by making full use of her nature, celebrates the fact of his maleness and so gives him an extra shot of life. Her charm lies also in that air of timeless maternalism, that calm and pacifying presence, which can dispel a mans moments of frustration and anger and restore his failures of will.Charm in a man, I suppose, is his ability to capture the complicity of a woman by a single-minded acknowledgment of her uniqueness. Here again it is a question of being totally absorbed, of really forgetting that anyone else exists, for nothing more fatally betrays than the suggestion of a wandering eye. Silent devotion is fine, but seldom sufficient; it is what a mansays that counts, the bold declarations, the flights of fancy, the uncovering of secret virtues. A man is charmed through his eyes, a woman by what she hears, so no man need to be too anxious about his age: As wizened V oltaire once said: "Give me a few minutes to talk away my face and I can seduce the Queen of France."But charm isnt exclusively sexual; it comes in a variety of cooler flavors. Most children have it--till they are told they have it--and so do old people with nothing to lose; animals, too, of course. With children and smaller animals, it is often in the shape of the head and in the chaste unaccusing stare; with young girls and ponies, a certain stumbling awkwardness, a leggy inability to control their bodies. But all these are passive and appeal by capturing ones protective instincts.Charm is the ultimate weapon, the supreme seduction, against which there are few defenses. If youve got it, you need neither money, looks, nor pedigree. Its a gift, given only to give away, and the more used, the more there is. It is also a climate of behavior set for perpetual summer and thermostatically controlled by taste and tact.True charm is an aura, an invisible musk in the air; if yousee it working, the spell is broken. Charm is dynamic, and cannot be turned on and off at will. As to its ingredients, there is no fixed formula. A whole range of mysteries goes into the caldron, but the magic it offers must be absolute-one cannot be "almost" or "partly" charmed.In a woman, charm is probably more exacting than in a man, requiring a wider array of subtleties. It is a light in the face, an air of exclusive welcome, an almost impossibly sustained note of satisfaction in ones company, and regret without fuss at parting. A woman with charm finds no man dull; indeed, in her presence he becomes not just a different person but the person he most wants to be. Such a woman gives life to his deep-held fantasies by adding the necessary conviction to his long suspicion that he is king.Of those women who have most successfully charmed me I remember chiefly their voices and eyes. Their voices were intimate and enveloping. The listening eyes, supreme charm in a woman, betrayed no concern with any other world than this, warmly wrapping one round with total attention and turning ones lightest words to gold. Theirs was a charm that must have continued to exist, like the flower in the desert, even when there was nobody there to see it.分页标题#e#You know who has charm. But can you acquire it? Properly, you cant, because its an originality of touch you have to be born with. Or its something that grows naturally out of another quality, like the simple desire to make people happy. Certainly, charm is not a question of learning palpable tricks, like wrinkling your nose, or having a laugh in your voice. On the other hand, there is an antenna, a built-in awareness of others, which most people have, and which care can nourish.But in a study of charm, what else does one look for? Apart from the ability to listen--rarest of all human virtues--apart from warmth, sensitivity, and the power to please, there is a generosity which makes no demands. Charm spends itself willingly on young and old alike, on the poor, the ugly, the dim, the boring, on the last fat man in the corner. It reveals itself also in a sense of ease, in casual but perfect manners, and often in a physical grace which springs less from an accident of youth than from a confident serenity of mind. Any person with this is more than just a popular fellow; he is also a social healer.Charm, in the end, is a most potent act of behavior, the laying down of a carpet by one person for another to give hisexistence a moment of honor. It is close to love in that it moves without force, bearing gifts like the growth of daylight. It snares completely, but is never punitive. It disarms by being itself disarmed, strikes without wounds, wins wars without casualties--though not, of course, without victims.。

世界名画的英语作文

世界名画的英语作文

题目:The Enchantment of Starry Night: An Ode to Vincent van Gogh's MasterpieceVan Gogh's canvas pulsates with life, each brushstroke a testament to his fervent belief in color as the ultimate means of expression. "Starry Night" depicts a small village nestled beneath a swirling, tempestuous sky, where the heavens appear to dance in a cosmic waltz. The sky, painted in shades of deep blue-violet, is punctuated by luminous, fiery stars that blaze against the nocturnal backdrop, their light casting an ethereal glow upon the sleepy hamlet below.What sets "Starry Night" apart is its extraordinary dynamism. Unlike typical depictions of night scenes, which often aim for serenity or stillness, Van Gogh's interpretation throbs with vitality. The cypress trees, twisted and reaching towards the sky like dark sentinels, add to the composition's sense of restless energy. Their forms echo the swirling patterns above, creating a harmonious dialogue between earth and cosmos.This masterpiece is not just a visual representation but also a psychological landscape, mirroring the inner turmoil and profound sensitivity of its creator. The intense application of paint, thick and impasto in parts, reflects Van Gogh'semotional intensity and his desire to convey a deeper truth beyond mere appearances. It is said that he painted from memory and imagination rather than direct observation, infusing the work with a dreamlike quality that resonates deeply with viewers."Starry Night" stands as a pinnacle of Post-Impressionism, demonstrating how artists could break free from the constraints of realism to explore the subjective world of emotions and sensations. Van Gogh's radical use of vivid, unnatural colors and expressive brushwork was groundbreaking, influencing generations of artists to come. His ability to transform a seemingly ordinary night scene into a swirling vortex of emotion and beauty is a testament to his genius.Today, housed in the Museum of Modern Art in New York City, "Starry Night" continues to captivate millions of visitors each year. It serves as a timeless reminder of the power of art to transcend time and space, connecting us to the universal human experiences of wonder, longing, and the eternal dance between light and darkness."Starry Night" is more than just a painting; it is a window into the soul of Vincent van Gogh and a testament to the transformative potential of art. Its enduring legacyunderscores the capacity of creative vision to illuminate the darkest corners of our existence, offering a glimpse of the sublime amidst the chaos of life.。

  1. 1、下载文档前请自行甄别文档内容的完整性,平台不提供额外的编辑、内容补充、找答案等附加服务。
  2. 2、"仅部分预览"的文档,不可在线预览部分如存在完整性等问题,可反馈申请退款(可完整预览的文档不适用该条件!)。
  3. 3、如文档侵犯您的权益,请联系客服反馈,我们会尽快为您处理(人工客服工作时间:9:00-18:30)。

a r X i v :0801.0973v 1 [h e p -l a t ] 7 J a n 2008The spectrum of charmed mesons from dynamical anisotropic latticesA.´OCais Centre for the Subatomic Structure of Matter,School of Chemistry &Physics,The University of Adelaide,Adelaide,SA 5005,AustraliaM.B.Oktay ∗,S.M.Ryan,M.J.Peardon School of Mathematics,Trinity College,Dublin 2,IrelandJ.I.SkullerudDepartment of Mathematical Physics,NUI Maynooth,Co.Kildare,IrelandWe present our preliminary analysis for the chamonium and D s spectra obtained from N f =2dynamical anisotropic lattices.We use 123×80lattices with lattice spacing a t =7.35GeV −1and anisotropy of six.Meson correlators are computed using all-to-all propagators together with variational analysis.1.INTRODUCTIONIn recent years,there has been renewed interest in charm physics.Many new states such as the X(3872),the Y(4260)and the D sJ have been observed [1,2,3,4,5]and their precise measurement including J P C numbers,has become an important topic both experimentally and theoretically.In principle,lattice QCD should be able to answer these questions from first principles but it requires high precision numerical simulations.In this region of the quark mass relativistic effects could be im-portant.However,simulations of the charm quark with isotropic lattices are expensive.In this study we use a relativistic anisotropic lattice formulation with N f =2dynamical quarks to study charmonium and D s spectra.In this formulation,the lattice is dis-cretized along the spatial,a s ,and temporal,a t ,direc-tions with ξ=a s /a t ≫1.Anisotropic lattices have the advantage of having small discretization errors in the temporal direction whilst keeping the computa-tional cost down.In addition,keeping a small tem-poral lattice spacing allows us to increase the number of time slices which in turn makes it easier to iden-tify the plateau regions in effective mass plots.It is difficult to achieve this using isotropic lattices since the heavy hadron correlators with a charm or bottom quark have a signal that decays rapidly.Our aim is to be able to extract the excited spectra with small statistical errors.Our lattice actions are described in section 2.In section 3we summarize the parameters and the inter-polating operators used in the simulation.In section 4we discuss the method to obtain excited spectra.In conclusion,we discuss our results and future plans.ξ0g5(1+w )3u 8S Ω(2t )s−13u 2s u 2tΩt −12x,i>j 1−P ij (x )P ij (x +ˆt ).This action has lead-ing discretization errors of O (a 4s ,a 2t ,αs a 2s ).The O (a 3s ,a t ,αs a s )-improved anisotropic quark ac-tion [8]is given byS q =¯ψ γ0∇0+ iµr γi ∇i 1−12∆i 0+sa 3si∆2i +m 0ψ,(2)where r and s are the Wilson parameters and µr =(1+ra t m 0/2).The derivatives are defined as ∇µψ(x )=1a 2µU µ(x )ψ(x +ˆµ)+U †µ(x −ˆµ)ψ(x −ˆµ)−2ψ(x )],(4)and ξ0q is the bare quark anisotropy.In order to max-imize the plaquette stout links [7]are used.We used the same quark action to simulate light sea quarks and heavy valence quarks.Our sea quark mass in this simulation is close to the strange quark mass.11.5Table I Simulation parameters.Configurationsa t m sea =a t m light =−0.057)Dilutiontime,space(even/odd),(D s )Physics123×80N f∼0.17fma −1tJ PCSTATE0−+ηc ,η′c3S 1γj ,γjis i1+−h c ,h ′c3P01, γ·p 1++χc 1,χ′c 13P 2γ× p ,γ1p 1−γ2p 21D 2γ5(s 1−s 2),γ5(2s 3−s 1−s 2)2−−13D 22γ3t 3−γ1t 1−γ2t 23−−13D 3Hybridγ× u4.ANALYSISTime diluted all-to-all propagators introduce ran-dom noise at each time slice which makes it difficult toindentify a plateau region in the effective mass plots which fluctuate more than point-to-all propagators.However,we fit the correlators and a better picture can be obtained from “sliding window”plots (or tmin plots).For a fixed value of some t max ,we vary the tmin value and plot the fitted mass.This is illustrated in Figs.1and 2for the J/ψand D s 0−and 1−states,respectively [14,15].We choose our fits based on theχ2/N d f (<2),fit range (where the fits are stable)and the fit quality (Q >0.2).These values are chosen from our earlier simluations with smaller lattices.Most of our results have better χ2and Q values.We performed the same analysis for the ¯c c and D s systems.Our preliminary spectra are shown in fig-ures 3and 4.t minF i t t e d M a s s (a t M )Figure 1:Sliding window plots for the J/ψobtainedfrom the variational analysis.The plot shows the groundstate in the lattice T −1uirreducible representation which corresponds to the continuum J =1state.The higher lying states determined in this channel are assumed to be radial excitations of the J/Ψ.This is under investigation.t minF i t t e d M a s s (a t M )Figure 2:Sliding window plot for the D s 0−and 1−states.The corresponding experimental value of the 1−−0−splitting is 143.8MeV.5.Conclusions and OutlookWe have presented our preliminary results for the charmonium and D s systems from N f =2dynamical anisotropic lattices.All-to-all propagators are essen-tial in this study and allow us to use a wide range of operators and the variational analysis.For the char-monium system we have good signals for the S,P and D waves and the 1−+hybrid.We are planning to ex-pand the simulation to include the 1−−D-waves and other hybrids.We found the hyperfine splitting in this system to be small.The effect of the chromomagnetic term,c B Σ·B ,disconnected diagrams and stout link smearing are being investigated as possible reasons for this.The D s system is simulated with a low level of di-lution.A simulation with a higher level of dilution for this system,with a wider range of operators,isbeingm /G e VJ PC0- +1- -2S+1L J 1+ -1+ +0+ +2+ +2 - +2- -3- -1- +1S 03S 11P 13P 03P 11P 21D 23D 23D 3HYBRIDFigure 3:Preliminary charmonium spectrum for the S,P,D waves and the hybrid 1−+.The results of this study are the blue and red bands.The highest lying radial excitations identified in each channel are coloured red to indicate that these are not free of further excited-statecontamination.(M -M 0-) G e V+K 00K+*+K 0*0K +D Spectrum (preliminary)Figure 4:Preliminary D s spectrum for the S and P waves.The results of this study are shown by the blue and red bands.As in the charmonium case the highest lying radial excitations identified in each channel are coloured red to indicate that these are not free of further excited-state contamination.The blue dots represent the UKQCD (N f =2)results [16].performed.Both simulations are performed at single lattice spacing where the sea quark mass is around the strange quark mass.Simulations with finer lat-tices spacings are currently under investigation.The results clearly demonstrate the power of the all-to-all propagators combined with a variational analysis.We have extracted a large number of orbital and radial excitations in the charmonium and D s systems.Fur-ther work is also underway to address the continuum spin-identification of these lattice determinations.AcknowledgmentsThis work was supported by the IITAC project, funded by the Irish Higher Education Authority under PRTLI cycle3of the National Development Plan and by SFI grants04/BRG/P0275,04/BRG/P0266and 06/RFP/PHY061and IRCSET grant SC/03/393Y. References[1]S.K.Choi et al.[Belle Collaboration],Phys.Rev.Lett.91,262001(2003)[arXiv:hep-ex/0309032].[2]B.Aubert et al.[BABAR Collabora-tion],Phys.Rev.Lett.95,142001(2005) [arXiv:hep-ex/0506081].[3]K.Abe et al.[Belle Collaboration],Phys.Rev.Lett.94,182002(2005)[arXiv:hep-ex/0408126].[4]B.Aubert et al.[BABAR Collabora-tion],,Phys.Rev.Lett.90,242001(2003) [arXiv:hep-ex/0304021].[5]D.Besson et al.[CLEO Collaboration],AIP Conf.Proc.698,497(2004)[arXiv:hep-ex/0305017].[6]C.Morningstar and M.J.Peardon,Nucl.Phys.Proc.Suppl.83,887(2000) [arXiv:hep-lat/9911003].[7]C.Morningstar and M.J.Peardon,Phys.Rev.D69,054501(2004)[arXiv:hep-lat/0311018]. [8]J.Foley,A.O’Cais,M.Peardon and S.M.Ryan[TrinLat Collaboration],Phys.Rev.D73,014514 (2006)[arXiv:hep-lat/0405030].[9]R.Morrin,M.Peardon and S.M.Ryan,PoSLAT2005,236(2006)[arXiv:hep-lat/0510016].[10]J.Foley,K.Jimmy Juge,A.O’Cais,M.Pear-don,S.M.Ryan and J.I.Skullerud, mun.172,145(2005) [arXiv:hep-lat/0505023].[11]M.Luscher and U.Wolff,Nucl.Phys.B339,222(1990).[12]C.Michael,Nucl.Phys.B259,58(1985).[13]cock,C.Michael,P.Boyle and P.Rowland[UKQCD Collaboration],Phys.Rev.D54,6997 (1996)[arXiv:hep-lat/9605025].[14]K.J.Juge,A.O’Cais,M.B.Oktay,M.J.Pear-don and S.M.Ryan,PoS LAT2005,029(2006) [arXiv:hep-lat/0510060].[15]K.J.Juge,A.O.Cais,M.B.Oktay,M.J.Pear-don,S.M.Ryan and J.I.Skullerud,PoS LAT2006,193(2006)[arXiv:hep-lat/0610124].[16]A.Dougall,R.D.Kenway,C.M.Maynard andC.McNeile[UKQCD Collaboration],Phys.Lett.B569,41(2003)[arXiv:hep-lat/0307001].。

相关文档
最新文档