A broad iron line in the ChandraHETG spectrum of 4U 1705-44
Nation and Narrative
American Banks” provides a detailed yet clear distillation of the reasons for stability amid
crisis within the Canadian financial system. The lecture puts meat on the bones of the
attributed, on the Canadian side at least, to the efforts of the British military and their
We begin with the First Thomas O. Enders Memorial Lecture, established to honor the
former ambassador and the positive influence he had on Canada–US relations. Delivered
practices produced through these institutions have, up to now, been instrumental in shap-
ing sensibilities of diversity, inclusion, internationalism, and responsible stewardship in
their important lines to Canada’s story.
Fittingly, in this issue, in addition to six excellent and diverse general articles (each
世界十大最美感的桥梁
世界十大最美感的桥梁10. 郝久古桥(Khaju Bridge):伊朗, 伊斯法罕伊朗,伊斯法罕。
除了让人瞠目的石基之外,色彩鲜明的瓦片及17世纪的独创绘画,也让这座桥惹人注目。
而且它同时发挥三项功能--通道、拦河坝及休闲场所。
9. Pont du Gard加尔桥8. Bridge of Sighs叹息桥叹息桥是英格兰剑桥的一座廊桥,属于剑桥大学圣约翰学院,建于1831年,跨越康河。
建筑师是亨利·哈钦森。
它得名于威尼斯的叹息桥,虽然它们在建筑上几乎没有什么共同点,除了它们都是廊桥以外。
这座桥是剑桥的主要旅游景点之一,据说维多利亚女王喜欢它胜过该市其他所有景点。
维基百科开放时间: 1831 年地址: St John's College, Cambridge CB2 1TP英国7. Iron BridgeIron Bridge. Photo:Iron bridge at night. Notice how the bridge and its reflection make aperfect circle.The Iron Bridge, spanning the Severn river in Shropshire, England, isn't a particularly large or ornate bridge, but it does have something that made it unique: it's the first bridge made completely out of cast iron.In the 18th century, Shropshire was rich in iron and coal - indeed, there were more iron factories within two-mile radius of the town than any other city in the world. It was also there that iron was first smelt with coke. So it was only natural that the bridge would be made out of iron, a stronger alternative to wood. (Photo of the railing: Architect Thomas Farnolls Pritchard proposed a single arch bridge that would let boats pass underneath, but he died before the bridge was built. The construction of the Iron Bridge was carried out by a local master ironworker named Abraham Darby III. About 400 tons (363 tonnes) of cast iron was used, with about 800 separate castings. The Iron Bridge has 5 arch ribs, each cast in two halves. It only took three months to put the parts together (which they did using screws instead of bolts!).The ease and speed of the Iron Bridge's construction helped convince engineers of the versatility and strength of iron, and helped usher in the Industrial Revolution era. Darby, however, didn't fare so well: he severely underestimated the cost to build the bridge, and remained in debt for the rest of his life. (Source)6. Covered BridgesThe West Montrose Covered Bridge on the Grand River, Ontario, Canada. It's known locally as the Kissing Bridge. Photo: gojumeister [Flickr]Pisgah Covered Bridge in southern Randolph County, North Carolina. It was washed away by a flood in 2003, but rebuilt with 90% of the original wood. It's now one of two historic covered bridges left in the state. Photo:jimmywayne22 [Flickr]Thomas Malone Covered Bridge in Beaver Creek State Park, Ohio.Photo: c0reyann [Flickr]Covered bridges are simply that: bridges that have enclosed sides and roof. Though technically the Bridge of Sigh, Ponte Vecchio, and the Wind and Rain Bridges in this list are covered bridges, this term usually means simple, single-lane bridges in rural settings.Before they are made famous by the 1995 Clint Eastwood film The Bridges of Madison County, "kissing bridges" or "tunnels of love" have been the pride and joy of many small towns across Europe and especially Northern America where more than ten thousands of such bridges were built.In the 19th century, timber was plentiful and cheap (or, in many cases, free). So it's natural that these bridges were made of wood. But why were they covered? Well, lovers aside, the real reason was much more practical: the wooden beams of the bridge lasted longer when protected from the elements.Unfortunately, due to neglect, theft of lumber, vandalism, and fire, most covered bridges in the United States and Canada have disappeared.5. Ponte VecchioPonte Vecchio. Photo: G|o®g|OPonte Vecchio at night. Photo: MrUllmi [Flickr]The Ponte Vecchio is a medieval bridge over the Arno River. Actually, it's much more than a bridge - it's a street, a marketplace, and a landmark of Florence, Italy.The Ponte Vecchio that we know today was built in 1345 by Taddeo Gaddi after an older span was destroyed in a flood. To finance the bridge, lots along the roadway were rented out to merchants, especially butchers and tanners, to hawk their wares.In 1565, Duke Cosimo I de Medici ordered an architect named Giorgio Vasari to construct a roofed passageway. Soon after, jewelers, goldsmiths, and merchants of luxury goods pushed out the butchers out of Ponte Vecchio. Centuries of haphazard additions gave the bridge's distinctive, irregular appearance today.During World War II, after having survived many floods, the bridge faced its gravest threat: German bombers were blowing up bridges in Florence. It was a direct order from Hitler that spared Ponte Vecchio from certain destruction.It is said that the word "bankruptcy" came from Ponte Vecchio. When a merchant failed to pay his debt, the table ("banco") he used to sell hiswares was broken ("rotto") by soldiers. Not having a table anymore ("bancorotto"), meant the seller was bankrupt.4. The Wind and Rain BridgeChengyang Bridge. Photo: mazakii that genius [Flickr]The wind and rain bridges were a type of bridge built by the Dong people (a minority ethnic group) in China. Because they live in the lowlands and the valleys with many rivers, the Dong people are excellent bridge builders. They are called "wind and rain" bridges because the covered bridges not only let people cross the river, but also protect them from the elements.The Dong people don't use nails or rivets to build these bridges - instead, they dovetail all of the wood. The largest and most magnificent is the Chenyang Bridge, spanning the Linxi River near the Dong village of Maan. The bridge is about 100 years old, and like all wind and rain bridges, it was built without a single nail.3. Brooklyn BridgeBrooklyn Bridge. Photo: Dennis Gerbeckx [Flickr]Brooklyn Bridge at sunrise. Photo: LemonSunrise [Flickr]In 1855, engineer John Roebling started to design a bridge that at the time would be the longest suspension bridge in the world, with towers beingthe tallest structures in the Western Hemisphere: the Brooklyn Bridge in New York.Today, the Brooklyn Bridge is one of the main crossings of the East River and one of the most heavily trafficked bridges in the world. But in the late 19th century, it took Roebling more than 14 years to convince the city to build the bridge.After he got approval, Roebling was surveying a site when his foot was crushed by a ferry. Three weeks before the scheduled groundbreaking, he died of tetanus. His son, an engineer named Washington Roebling took over the project.In 1872, while working on caissons to set the foundation for the towers, Washington fell ill with caisson disease (a decompression sickness commonly known as "the bends") that left him barely able to see, talk, or write. His wife, Emily Warren Roebling, rose to the occasion - she learned engineering on the fly and for nine years went to the job site to deliver her husband's directions. Washington himself was said to watch the construction from his room through a binocular.When the Brooklyn Bridge was opened, Emily was honored with the first ride over the bridge. She held a rooster, a symbol of victory, in her lap. Washington himself rarely visited the bridge till his death in 1926.One interesting note about the Brooklyn Bridge: it stood fast while other bridges built around the same time had crumbled. Engineers credit Roebling for designing a bridge and truss system six times as strong as he thought it needed to be!2. Tower BridgeTower Bridge at twilight. Photo: Diliff [wikipedia]Tower Bridge at night. Photo: Andreas L [Flickr]It's funny to think about ancient traffic jams, but that was why the Tower Bridge in London, England was built. By the end of the 19th century, the development of the eastern part of London caused such a load on the London Bridge that the city decided to build a new bridge.Construction of the Tower Bridge started in 1886, led by architect Sir Horace Jones and engineer Sir John Wolfe Barry. The design was a bascule (draw) bridge with two towers built on piers, so the bridge wouldn't interefere with the port facilities nearby.A year after construction was started, Jones died and his replacement, George D. Stevenson along with Barry decided to modify the design a little bit. Instead of the original brick facade design, the Tower Bridge had a more ornate Victorian Gothic style meant to harmonize it with the nearby Tower of London.When the bridge opened in 1894, the public was aghast. H. Heathcote Statham, Fellow of the Royal Insitute of British Architect, wrote the familiar sentiment as thus: "The Tower Bridge ... represents the vice of tawdriness and pretentiousness, and of falsification of the actual facts of the structure." (Source: Waddell, J., Bridge Engineering, Google Books) But over time, people warmed up to the bridge. Indeed, the Tower Bridge grew to be one of London's most recognizable landmarks. Even one of its loudest critics, architectural critic E ric de Maré conceded: the British people "have grown fond of the old fraud ... and we must admit that it has carried on its task with admirable regularity and efficiency." (Source: Dupré, J., Bridges; 1997 Black Dog & Leventhal Publishers)1. Golden Gate BridgeGolden Gate Bridge in HDR as the first big storm of the season hits SanFrancisco.Photo: vgm8383 [Flickr]Golden Gate Bridge at sunset. Photo: mischiru [Flickr]Golden Gate Bridge at night. Photo: justinwyne [Flickr]The Golden Gate Bridge is such an iconic symbol of San Francisco (and of suspension bridge in general) that it's hard to imagine a time when it didn't exist. But before it was built, most people thought it was an impossible task.In 1916, the idea of a bridge to cross the Golden Gate, a narrow strait that separated San Francisco Peninsula and the Marin Headlands, was conceived. Though it was almost immediately dismissed as the cost was estimated to be $100 million (astronomical for the time), a veteran bridge builder named Joseph Strauss lobbied for more than two decades to have it built.The Golden Gate Bridge faced tough opposition: the Department of War thought it would interfere with ship traffic and the Southern Pacific Railroad opposed it as competition to its ferry service. At first, even the public didn't like the bridge ... because Strauss' original design was deemed too ugly! But Strauss finally won, and after 22-years of drumming up support, the bridge was built. (Photo: SF Museum)Strauss insisted that the project take worker's safety seriously. It was the first major bridge project that used hard hats and a safety net. During the course of construction, 19 people were saved by the net to become members of the Halfway to Hell Club. (Source)The color of the Golden Gate Bridge is actually not red - it's an orange vermillion called International Orange. The color was chosen specifically because it complements the bridge's natural surrounding yet enhances its visibility in the fog.Construction took more than four years, at a cost of $27 million. The Golden Gate Bridge actually came in $1.3 million under budget (though 5 months late). For his work, Strauss got $1 million ... and a lifetime bridge pass!We'll be the first to acknowledge that this list is far from complete. Modern beauties like the Millau Viaduct, the Erasmusbrug, or the Tsing Ma Bridge aren't on it. (Well, we did say "classic" bridges ...)Nor is this the only "top 10 bridges" list on the Web. Though many of our picks are the same, there are enough differences between this list and others (like Frikoo's 18 Stunning Bridges From Around the World, and Dark Roasted Blend's World's Most Interesting Bridges Part 1and Part 2) that you should also check them out.Finally, there are thousands of bridges in the world and hundreds of major bridges that are sources for local prides. If your town's favorite span isn't included here, please don't get mad. Instead, let us know in the comment so interested readers can find them.。
吉林省长春市2022年中考英语试题(原卷版)
中小学教学参考资料教学设计教育论文随堂检测2020年长春市初中毕业学业水平考试英语一、基础知识I.在下列各句的空白处填入一个适当的词,使句子意思完整、语法正确。
1. Life is ____________ of new things. Be brave, please.2. I don't want to ____________ on my parents a lot.3. Look ____________ of the window. It's raining heavily.4. Now Tom is happier and more popular ____________ before.5. There are seven days in a ____________ and twelve months in a year.II.用括号内所给单词的适当形式填空。
6. Sharing a problem is like ____________(cut)it in half.7. Meimei celebrated her ____________(ten) birthday at home last Monday.8. I was doing the dishes when my mobile phone ____________(sudden)rang.9. Nowadays it is ____________(help)for everyone to learn how to use computers.10. Many ____________(tour)around the country come to Changbai Mountain every year. III.单项选择。
11. The Smiths usually have ____________ picnic in the park on Sundays.A. aB. /C. theD. an12. This piece of music ____________ very beautiful. It's my favorite.A. smellsB. looksC. soundsD. tastes13. My friend advises me ____________ comedies to relax myself.A. watchB. to watchC. watchingD. watched14. A smile costs nothing, but it gives so ____________.A little B. few C. many D. much15. We usually know about the history of a city in the ____________.A. museumB. factoryC. bankD. hospital16. The sign "No Smoking" in the subway means passengers ____________ smoke.A. canB. shouldC. mustn'tD. needn't17. ____________ interesting movie it is! I really love it.A. WhatB. What anC. HowD. What a18. I ____________ five books since I joined the book clubA. am readingB. will readC. was readingD. have read19. —____________ do you do volunteer work?—Once a month. I think it is meaningful.A. How oftenB. How farC. How manyD. How long20. Zhong Nanshan is a medical expert ____________ saves lives and is always honest.A. whichB. whoC. whatD. whose21. The 2022 Olympic Winter Games ____________ in Beijing and Zhangjiakou.A. holdB. heldC. is heldD. will be held22. Students often ____________ their best wishes on the blackboard before graduation.A. cut downB. pull downC. write downD. die down23. —Kate, could you tell me ____________ the toy bear?—Oh, I bought it at a night market near Guilin Road.A. where you boughtB. where did you buyC. when you boughtD. when did you buy24. ____________ on doing sports every day, and you'll have a healthy body.A. KeepB. To keepC. KeepsD. Keeping25. —I'm afraid I can't finish the task.—____________, Mike. Believe in yourself.A. Thank youB. Come onC. You're welcomeD. Have fun二、交际运用IV.根据对话内容,运用方框中所给的句子选项补全对话。
高英the trail that rocked the world 翻译
A buzz ran through the crowd as I took my place in the packed court on that sweltering July day in 1925. The counsel for my defense was the famous criminal lawyerClarence Darrow. Leading counsel for the prosecution was William Jennings Bryan, thesilver-tongued orator, three times Democratic nominee for President of the United States,and leader of the fundamentalist movement that had brought about my trial.在一九二五年七月的那个酷热日子里,当我在挤得水泄不通的法庭里就位时,人群中响起一阵嘁嘁喳喳的议论声。
我的辩护人是著名刑事辩护律师克拉伦斯?达罗。
担任主控官的则是能说会道的演说家威廉詹宁斯布莱恩,他曾三次被民主党提名为美国总统候选人,而且还是导致我这次受审的基督教原教旨主义运动的领导人。
A few weeks before I had been an unknown school-teacher in Dayton, a little town inthe mountains of Tennessee. Now I was involved in a trial reported the world over.Seated in court, ready to testify on my behalf, were a dozen distinguished professorsand scientists, led by Professor Kirtley Mather of Harvard University. More than 100reporters were on hand, and even radio announcer s, who for the first time in historywere to broadcast a jury trial. Don't worry, son, we'll show them a few tricks, Darrowhad whispered throwing a reassuring arm round my shoulder as we were waiting for thecourt to open.几个星期之前,我还只是田纳西州山区小镇戴顿的一名默默无闻的中学教员,而现在我却成了一次举世瞩目的庭审活动的当事人。
研究生英语泛读翻译第十四单元
失意时期的伦勃朗新的创作荷兰在17世纪是欧洲最兴旺的国家。
但到了世纪中叶,部分由于耗资巨大的战争,泡沫破裂了。
荷兰的艺术市场在最高峰时崩溃了。
有人说:“哦,那只是阶段性的衰落。
”并非如此,荷兰艺术的黄金时代就此结束了。
伦勃朗(Rembrandt)受的打击尤其严重。
十年前他曾是一个明星,想买他绘画的客户能排出一英里长。
当时的阿姆斯特丹人就像是今天的纽约人一样,对艺术渴望的有钱人在家里挂上伦勃朗的绘画是必须的,曾经是必须的。
于是伦勃朗把自己变成了一架艺术制造机,雇佣了大批助手来赶制他的作品,他变的十分富有。
他还变得随心所欲。
他倾其所有去借贷。
除了制造艺术,他也自己销售,他不仅经营自己的绘画,而且卖其他艺术家的作品。
他购买了一幅鲁宾斯的作品,然后转手加价。
他还兜售那些与自己的作品十分相似的,学徒的绘画。
衰落的经济使一切都分崩离析。
客户不见了,债主上门了。
他破产了,不再流行了,成了失败者。
可能其他艺术家认为荷兰的经济恢复只是个时间问题,但我猜想伦勃朗不是这么想的。
他不再像以前那样去画了,他失去的太多了。
他走上了一条自己的路。
这些是我几天前去大都会艺术博物馆参观荷兰绘画时的感想。
我自从在2007年看了“伦勃朗的时代”那次画展后再没有看过这些绘画,说实在的,我那时对这样的艺术有点腻烦了。
但是艺术给人的感受不是从一而终的,而是根据周围的变化而变化。
我现在从一个经济崩溃的角度看这些荷兰绘画。
一个触礁的市场,繁荣假象的幻灭,使这种艺术给人以不同的感受。
这次伦勃朗给我的不同感受尤其震撼,其实我一直是个会被突然的不同发现感动的人。
就像是你多年熟悉的老朋友,你认为他们的所做所为不会出乎你的预料,但是你错了。
因为他们从未像你想的那样一样过。
我对维米尔(Vermeer, 荷兰17世纪画家——译者按)的作品没有这样的感受。
我在博物馆里再次看到的维米尔的绘画与我记忆中的维米尔基本一致。
是不是由于在他的作品中,每一个构图都是那样精确的决定,每个主体都是同样的摆放,每个人物都有清晰的线条,就像是押韵顺口的诗词或是固有的想法那样在脑中挥之不去。
古老的建筑物拍照英语作文
In the heart of bustling cities or nestled within the tranquility of rural landscapes,ancient buildings stand as silent witnesses to the passage of time.They are not just structures but stories,each brick and stone carrying the weight of history.My fascination with these architectural marvels has led me on countless photographic expeditions,capturing their essence and sharing it with the world.One such journey took me to a medieval castle,its towering walls and crenelated battlements a testament to the strength and grandeur of a bygone era.As I approached the castle,the first rays of dawn bathed the stone in a warm,golden light,casting long shadows that danced across the cobblestone courtyard.The air was crisp and fresh,the silence only broken by the distant chirping of birds.I began my exploration with the outer walls,their rough,weathered surface a stark contrast to the smooth,polished stones within.Each nook and cranny held a story,a glimpse into the lives of those who had walked these paths centuries ago.I carefully composed my shots,framing the ancient stones against the backdrop of the vibrant sky,capturing the interplay of light and shadow that brought the castle to life.As I ventured deeper into the castle,I was struck by the intricate details of the architecture.The ornate carvings on the archways,the delicate tracery of the windows,each element a masterpiece of craftsmanship.I was particularly drawn to the grand hall,its high,vaulted ceiling and massive stone fireplace a symbol of the castles former grandeur.The light filtering through the stained glass windows cast a kaleidoscope of colors across theroom,creating a mesmerizing effect.My camera became an extension of my eyes,capturing the subtle nuances of the ancient building.The way the light played off the stone,the texture of the walls,the shadows cast by the towering pillars.Each shot was a study in contrast,a dance of light and darkness that brought out the castles timeless beauty.One of the most striking features of the castle was the spiral staircase,a dizzying ascent of narrow steps that wound their way to the top of one of the towers.I carefully made my way up,each step a testament to the passage of countless feet over the years.The view from the top was breathtaking,a panoramic vista of the surrounding countryside,the castles dominion over the landscape evident even today.As the day drew to a close,the setting sun cast a warm,golden glow over the castle,its light filtering through the windows and illuminating the interior.The shadows lengthened,the play of light and darkness becoming more pronounced.I took a final series of shots,capturing the castle in its twilight splendor,a fitting end to a day of exploration and discovery.In capturing these ancient buildings through my lens,Ive come to appreciate the stories they tell,the lives theyve touched,and the history they embody.Each photograph is a snapshot of a moment in time,a glimpse into the past that connects us to the present.Its a reminder of our shared heritage,a celebration of the human spirits enduring legacy.Through my photographs,I hope to inspire others to appreciate the beauty and significance of these ancient structures.To see beyond the stone and mortar,to connect with the stories they hold,and to understand the role they play in shaping our world.For in preserving these architectural treasures,we are not just saving buildings,we are saving stories,and in doing so,we keep the past alive for future generations to explore and appreciate.。
rays of hope in rising rudeness课文译文
rays of hope in rising rudeness课文译文粗鲁现象虽增,希望之光初显粗鲁是现代生活中常见的现象。
“你不喜欢,也得忍着”,或者“管好你自己的事”,或者“闪开”。
这种粗鲁的语言和态度在公共场合越来越常见——在公路上、在电影院排队的队伍中、在公共交通工具上。
不管是有人在公共场所吸烟,还是有人插队,这样的例子几乎数不胜数。
世界范围内,人们普遍认为大城市的居民比较小城镇和农村的居民更为粗鲁。
如果你走在世界上任何一座大都市的街上,你都会遇到那种出租车司机,他们把人行通道上的“行人通行”信号当作他们去撞行人膝盖的自动邀请。
最近,一位愤怒的行人用踢出租车的方式回应了这样的粗鲁行为,结果却招致该出租车司机下车追赶他。
还有,几乎每天都会发生这样的事:办公室职员不得不和一个用手机大声打电话的人同乘一部电梯,而这个人完全不顾自己已经明显干扰到了电梯里的其他乘客。
最近,有个在电梯里打手机的人告诉电梯里反对他大声打电话的乘客说:“如果你不喜欢,出去换乘另一部电梯。
”在纽约和其他城市里,安安静静地步行己成为过去的事了。
这是谁的错?是那些打手机声音太大的人的错,也是那些令人讨厌的按喇叭的司机的错。
在一些大城市里,地铁站里挤满了通勤的上班族。
大家互相推搡,争抢座位,吓坏了老人、小孩、残疾人和孕妇。
经常听到有人在公共汽车或地铁上非常大声地打电话,着实令周围的人厌烦。
原文:Rays of hope in rising rudenessRudeness is a common element of modern life. "If you don’t like it, lump it." Or "Mind your own business." Or “Get out of the way." This kind of talk and attitude is cropping up more often in public experiences - on the highways, in theater lines, on public transport. Whether it is people smoking in public, or people cutting in line, the examples are almost endless.It is generally thought around the world that the inhabitants of large cities are ruder than their fellow citizens from smaller towns or the countryside. Walk down streets of any major capital around the world and you will encounter taxi drivers who believe a "Walk" sign at a walkway is an automatic invitation to bump their cars against pedestrians’ knees. Recently, an angry pedestrian reacted by kicking a cab, prompting the driver to get out and give chase. And hardly a day goes by without a reluctant office worker riding an elevator with someone talking loudly on the cell phone, despite the obvious disturbance to fellow passengers. "If you don’t like it, get out and switch to another elevator," one ce ll phone user recently told another passenger who objected to his loud voice. In New York and other cities, quiet walks are a thing of the past. Who is to blame? The cell phone users talking loudly as well as the annoying drivers behind beeping car horns. In some big cities, subway terminals are bulging with herds of commuters, elbowing their way to grab seats,intimidating the old, the young, the disabled and the pregnant. It’s common to hear people on the bus or subway talking on their cell phones very loudly, being a nuisance to those around them.。
肖申克的救赎全集
WE EMERGE into the prison laundry past a guard, WIDENING for
a final view of the line. The giant steel "mangler" is slapping down in brutal rhythm. The sound is deafening.
the next time.
The rake connects, snapping off over somebody's skull. They beat the hel
Half the time it landed him in the infirmary...
44 INT -- RED'S CELL -- NIGHT (1947) 44
Red unfolds the slip of paper. Penciled neatly on it is a single word: "Thanks."
45 INT -- PRISON LAUNDRY -- DAY (1947) 45
...and CAMERA DRIFTS FROM THE ROOM, leaving the dark place and the dingy act behind...MOVING up empty corridors, past
康德拉文本选段翻译
The steersman dug his paddle into the stream, and held hard with stiffened arms, his body thrown forward.掌舵的人身体前倾,用力摇晃着船桨, The water gurgled aloud;湖水在身边潺潺地流动 and suddenly the long straight reach【河段】 seemed to pivot on its centre,忽然间笔直的河流好像开始绕着小船旋转 the forests swung in a semicircle, 岸边的深林摇晃成一个半圈形and the slannting beams of sunset touched the broadside of the canoe with a fiery glow, throwing the slender and distorted shadows of its crew upon the streaked glitter of the river.日落西山,炙热的斜阳轻轻灼烧着小船。
波光粼粼的湖面倒映着晃动扭曲的人影。
The white man turned to look ahead. The course of the boat had been altered at right-angles to the stream, and the carved dragon-head of its prow was pointing now at a gap in the fringing bushes of the bank.那个白人扭头望向前方,发现小船早已右转向溪流的方向驶去,雕着龙头的船头指向着岸边灌木生长的间隙处。
It glided through, brushing the overhanging twigs, and disappeared from the river like some slim and amphibious creature leaving the water for its lair in the forests.小船轻轻地划着,穿过低垂的枝条,从河流上消失,宛如轻巧敏捷的动物从水中林中回到林中的洞穴。
钢铁是怎样炼成的中点题的话
钢铁是怎样炼成的中点题的话英文回答:How the Steel Was Tempered, a seminal work of socialist realism by Nikolai Ostrovsky, chronicles the arduous journey of a young revolutionary during the Russian Civil War. Its titular phrase, "kak zakalyalas stal," echoes the transformative power of adversity in forging unyielding character.The novel's protagonist, Pavel Korchagin, is a precocious and idealistic youth whose unwavering faith in the revolution sustains him through countless trials. As a Bolshevik commissar, he faces relentless hardship on the battlefields, enduring injury, imprisonment, and the loss of loved ones. Yet, amidst the horrors of war, his spirit remains unyielding.Ostrovsky's portrayal of Korchagin's resilience epitomizes the Marxist concept of "dialecticalmaterialism," which posits that the struggle against adversity propels social progress. Through Korchagin's experiences, the author illustrates how adversity can forge a revolutionary vanguard capable of transforming society.The novel's title, "How the Steel Was Tempered," encapsulates this process of transformation. The metaphor of steel, a strong and durable material, represents the revolutionary's character. The tempering process, involving heating and cooling the steel, symbolizes the challenges and hardships that forge an unbreakable spirit.In the crucible of the civil war, Korchagin's resolve is tested time and again. His physical and emotional wounds serve as the forge in which his mettle is tested. By enduring these trials, he emerges as a hardened revolutionary, unwavering in his commitment to the cause.Ostrovsky's work transcends the realm of mere fiction. It is a testament to the transformative power of adversity, a beacon of hope for those who struggle against oppression, and an enduring reminder of the indomitable spirit thatresides within us.中文回答:如何炼成钢,尼古拉·奥斯特洛夫斯基的社会主义现实主义代表作,讲述了一位年轻革命家在俄国内战中的艰苦历程。
Unit4BreakingboundariesDevelopingideas课文翻译及重点检测课件-
5.Mulan disguised herself as a man so she could fight on the battlefield
(战场).
6.Only a small portion (一部分) of the budget is spent on books. 7.The former plan has been given up altogether (完全)since the new
trouble. 7.The civil war (内战) claimed a total of over 20,000 lives. 8.He does wholesale business, while his brother is engaged in
(从事于)
retail business.
statesmen in the early American history.
3.Finally, the two companies failed to negotiate a mutually (mutual)
acceptable new contract.
4.We can build a harmonious (harmony) society on condition that everyone
(《葛底斯堡演讲》——亚伯拉罕·林肯)
词汇
Ⅰ.重点单词 1.mount the stage 2.civil rights 3.civilian life 4.on the battlefield 5.a joint effort 6.mutual respect and understanding
develops in harmony with the people.(harmony)
Lecture III The Neoclassical Period
The Bourgeoisie Revolution (1640-1648):
Oliver Cromwell --- a commonwealth The Restoration of King Charles II (1660) The Great Plague (1665): taking 70,000 lives in London alone The Great London Fire: destroying a large part of the city and leaving 2/3 homeless The Glorious Revolution (1689): William of Orange “The Bill of Rights” --- a country of constitutional monarchy
It was an expression of struggle of the
bourgeoisie against feudalism. Its purpose was to enlighten the whole world with the light of modern philosophical and artistic ideas. The enlighteners celebrated reason or rationality, equality and science. They held that rationality or reason should be the only, the final cause of any human thought and activities.
The burghers wanted free trade but the and commerce and imposed heavy taxes on the merchants. One way was to grant or sell monopolies.
罗伯特 .布朗宁Robert Browning
My Last Duchess
Lucrezia de Medici, Duchess to Alphonse II of Ferrara
Setting: Italian Renaissance
It was a time when morally dissolute men like the Duke in this poem exercised absolute power. A time that produced magnificent art like the Duchess's portrait. The poem clearly refers to the historical Alfonso II, Duke of Ferrara (a city in northeast Italy), whose first wife died suspiciously within two years of their marriage
That's my last Duchess painted on the wall
Stress "That's" and Ferrara reduces a woman, once his spouse, to something he casually points out, a thing on a wall. Emphasize "my" and Ferrara reveals his sense of owning her. Pause over "last" and we might infer that duchesses, to him, come in sequence, like collectibles that, if necessary, having become obsolescent, are to be replaced. If "Duchess" gets the stress, he implies that he acquires, not just works of art, but persons; and that Duchesses are no different from paintings. The line suggests self-satisfaction.
光谱阅读America's First Railroad
光谱阅读America's First Railroad 阅读理解America's first transcontinental railroad,completed 150 years ago today at Promontory Summit in Utah,connected thevast United States and brought America into the modern age.Chinese immigrants contributed greatly to this notable achievement,but the historical accounts that followed often ignored their role.Between 1863 and 1869,as many as 20,000 Chinese workers helped build the dangerous western part of the railroad,a winding ribbon of track known as the Central Pacific Railroad.At first,the Central Pacific Railroad's directors wanted a whites-only workforce.When not enough white men signed up,the railroad began hiring Chinese menfor the backbreaking pany leaders were skeptical of the newrecruits'ability to do the work,but they proved themselves not only capable but even superior to the other workers.Chinese workers cut through dense forests,filled deep narrow steep-sided valleys,constructed long trestles(架桥)and built enormous retaining walls(土)-some of which remain complete and undamaged today.All work was done by hand using carts,shovels and picks but no machinery.However,progress came at great cost:an estimated 1,200Chinese laborers died along the Central Pacific Railroad.Despite these facts,Chinese workers were often left out of the official story because of their identity of foreigners.On the transcontinental railroad's 100th birthday,the Chinese workers were still not honored.It was another fifty years later that their role was gradually highlighted.To celebrate the railroad's 150th anniversary in 2019,the California state assembly passed a resolution in 2017 to recognize and honor the Chinese railroad workers by designating May 10,2017,and every May 10 thereafter,as California Chinese Railroad Workers Memorial Day.1.What might be the best title for the text?A.The Birth of the Central Pacific Railroad Cost DearlyB. May 10-A Special Day for Chinese ImmigrantsC. Chinese Workers' Contributions Gained RecognitionD. The 150th Anniversary of the Central Pacific Railroad2. What does "they"in Paragraph 2 refer to?A. Chinese laborers.B. White workers.C. Company leaders.D. Railroad directors.3. Why does the author make such detailed descriptions in Paragraph 3?A. To prove Chinese workers' superior skills.B. To stress the danger and difficulty of the work.C. To describe the grand scenery along the railroad.D. To show notable achievements made by Chinese workers.4. What does the text intend to tell us?A. None so blind as those who won't see.B. No pains, no gains.C. Truth will come to light sooner or later.D. Doing is better than saying.答案本文是一篇说明文。
【英文文学】Danger at the Drawbridge
【英文文学】Danger at the DrawbridgeCHAPTER 1 AN ASSIGNMENT FOR PENNYPenny Parker, leaning indolently against the edge of the kitchen table, watched Mrs. Weems stem strawberries into a bright green bowl.“Tempting bait for Dad’s jaded appetite,”she remarked, helping herself to the largest berry in the dish. “If he can’t eat them, I can.”“I do wish you’d leave those berries alone,”the housekeeper protested in an exasperated tone. “They haven’t been washed yet.”“Oh, I don’t mind a few germs,”laughed Penny. “I just toss them off like a duck shedding water. Shall I take the breakfast tray up to Dad?”“Yes, I wish you would, Penny,”sighed Mrs. Weems. “I’m right tired on my feet this morning. Hot weather always did wear me down.”She washed the berries and then offered the tray of food to Penny who started with it toward the kitchen vestibule.[2]“Now where are you going, Penelope Parker?”Mrs. Weems demanded suspiciously.“Oh, just to the automatic lift.”Penny’s blue eyes were round with innocence.“Don’t you dare try to ride in that contraption again!”scolded the housekeeper. “It was never built to carry human freight.”“I’m not exactly freight,”Penny said with an injured sniff. “It’s strong enough to carry me.I know because I tried it last week.”“You walk up the stairs like a lady or I’ll take the tray myself,”Mrs. Weems threatened. “I declare, I don’t know when you’ll grow up.”“Oh, all right,”grumbled Penny good-naturedly. “But I do maintain it’s a shameful waste of energy.”Balancing the tray precariously on the palm of her hand she tripped lightly up the stairway and tapped on the door of her father’s bedroom.“Come in,”he called in a muffled voice.Anthony Parker, editor and owner of the Riverview Star sat propped up with pillows, reading a day-old edition of the newspaper.“’Morning, Dad,”said Penny cheerfully. “How is our invalid today?”“I’m no more an invalid than you are,”returned Mr. Parker testily. “If that old quack, Doctor Horn, doesn’t let me out of bed today—”[3]“You’ll simply explode, won’t you, Dad?”Penny finished mischievously. “Here, drink your coffee and you’ll feel less like a stick of dynamite.”Mr. Parker tossed the newspaper aside and made a place on his knees for the breakfast tray.“Did I hear an argument between you and Mrs. Weems?”he asked curiously.“No argument, Dad. I just wanted to ride up in style on the lift. Mrs. Weems thought it wasn’t a civilized way to travel.”“I should think not.”The corners of Mr. Parker’s mouth twitched slightly as he poured coffee from the silver pot. “That lift was built to carry breakfast trays, but not in combination with athletic young ladies.”“What a bore, this business of growing up,”sighed Penny. “You can’t be natural at all.”“You seem to manage rather well with all the restrictions,”her father remarked dryly.Penny twisted her neck to gaze at her reflection in the dresser mirror beyond the footboard of the big mahogany bed.“I won’t mind growing up if only I’m able to develop plenty of glamour,”she said speculatively. “Am I getting any better looking, Dad?”[4]“Not that I’ve noticed,”replied Mr. Parker gruffly, but his gaze lingered affectionately upon his daughter’s golden hair. She really was growing prettier each day and looked more like her mother who had died when Penny was a little girl. He had spoiled her, of course, for she was an only child, but he was proud because he had taught her to think straight. She was deeply loyal and affectionate and those who loved her overlooked her casual ways and flippant speech.“What happened to the paper boy this morning?”Mr. Parker asked between bites of buttered toast.“It isn’t time for him yet, Dad,”said Penny demurely. “You always expect him at least an hour early.”“First edition’s been off the press a good half hour,”grumbled the newspaper owner. “When I get back to the Star office, I’ll see that deliveries are speeded up. Just wait until I talk with Roberts!”“Haven’t you been doing a pretty strenuous job of running the paper right from your bed?”inquired Penny as she refilled her father’s cup. “Sometimes when you talk with that poor circulation manager I think the telephone wires will burn off.”“So I’m a tyrant, am I?”“Oh, everyone knows your bark is worse than your bite, Dad. But you’ve certainly not been at your best the last few days.”Mr. Parker’s eyes roved about the luxuriously furnished bedroom. Tinted walls, chintz draperies, the rich, deep rug, were completely lost upon him. “This place is a prison,”he grumbled. [5]For nearly a week the household had been thrown completely out of its usual routine by the editor’s illness. Overwork combined with an attack of influenza had sent him to bed, there to remain until he should be released by a doctor’s order. With a telephone at his elbow, Mr. Parker had kept in close touch with the staff of the Riverview Star but he fretted at confinement.“I can’t half look after things,”he complained. “And now Miss Hilderman, the society editor, is sick. I don’t know how we’ll get a good story on the Kippenberg wedding.”Penny looked up quickly. “Miss Hilderman is ill?”“Yes, DeWitt, the city editor, telephoned me a few minutes ago. She wasn’t able to show up for work this morning.”“I really don’t see why he should bother you about that, Dad. Can’t Miss Hilderman’s assistant take over the duties?”“The routine work, yes, but I don’t care to trust her with the Kippenberg story.”“Is it something extra special, Dad?”“Surely, you’ve heard of Mrs. Clayton Kippenberg?”“The name is familiar but I can’t seem to recall—”“Clayton Kippenberg made a mint of money in the chain drug business. No one ever knew exactly the extent of his fortune. He built an elaborate estate about a hundred and twenty-five miles from here, familiarly called The Castle because of its resemblance to an ancient feudal castle. The estate is cut off from the mainland on three sides and may be reached either by boat or by means of a picturesque drawbridge.”[6]“Sounds interesting,”commented Penny.“I never saw the place myself. In fact, Kippenberg never allowed outsiders to visit the estate. Less than a year ago a rumor floated around that he had separated from his wife. There also was considerable talk that he had disappeared because of difficulties with the government over income tax evasion and wished to escape arrest. At any rate, he faded out of the picture while his wife remained in possession of The Castle.”“And now she is marrying again?”“No, it is Mrs. Kippenberg’s daughter, Sylvia, who is to be married. The bridegroom, Grant Atherwald, comes from a very old and distinguished family.”“I don’t see why the story should be so difficult to cover.”“Mrs. Kippenberg has ruled that no reporters or photographers will be allowed on the estate,”explained Mr. Parker.“That does complicate the situation.”“Yes, it may not be easy to persuade Mrs. Kippenberg to change her mind. I rather doubt that our assistant society editor has the ingenuity to handle the story.”“Then why don’t you send one of the regular reporters? Jerry Livingston, for instance?”[7]“Jerry couldn’t tell a tulle wedding veil from one of crinoline. Nor could any other man on the staff.”“I could get that story for you,”Penny said suddenly. “Why don’t you try me?”Mr. Parker gazed at his daughter speculatively.“Do you really think you could?”“Of course.”Penny spoke with assurance. “Didn’t I bring in two perfectly good scoops for your old sheet?”“You certainly did. Your Vanishing Houseboat yarn was one of the best stories we’ve published in a year of Sundays. And the town is still talking about Tale of the Witch Doll.”“After what I went through to get those stories, a mere wedding would be child’s play.”“Don’t be too confident,”warned Mr. Parker. “If Mrs. Kippenberg doesn’t alter her decision about reporters, the story may be impossible to get.”“May I try?”Penny asked eagerly.Mr. Parker frowned. “Well, I don’t know. I hate to send you so far, and then I have a feeling—”“Yes, Dad?”“I can’t put my thoughts into words. It’s just that my newspaper instinct tells me this story may develop into something big. Kippenberg’s disappearance never was fully explained and his wife refused to discuss the affair with reporters.”[8]“Kippenberg might be at the wedding,”said Penny, thinking aloud. “If he were a normal father he would wish to see his daughter married.”“You follow my line of thought, Penny. When you’re at the estate—if you get in—keep your eyes and ears open.”“Then you’ll let me cover the story?”Penny cried in delight.“Yes, I’ll telephone the office now and arrange for a photographer to go with you.”“Tell them to send Salt Sommers,”Penny suggested quickly. “He doesn’t act as know-it-all as some of the other lads.”“I had Sommers in mind,”her father nodded as he reached for the telephone.“And I have a lot more than Salt Sommers in my mind,”laughed Penny.“Meaning?”“Another big story, Dad! A scoop for the Star and this for you.”Penny implanted a kiss on her father’s cheek and skipped joyously from the room. CHAPTER 2 REPORTERS NOT WANTEDIn the editorial room of the Riverview Star heads turned and eyebrows lifted as Penny, decked inher best silk dress and white picture hat, clicked her high-heeled slippers across the bare floor. Jerry Livingston, reporter, stopped pecking at his typewriter and stared in undisguised admiration.“Well, if it isn’t our Bright Penny,”he bantered. “Didn’t recognize you for a minute in all those glad rags.”“These are my work clothes,”replied Penny. “I’m covering the Kippenberg wedding.”Jerry pushed his hat farther back on his head and grinned.“Tough assignment. From what I hear of the Kippenberg family, you’ll be lucky if they don’t throw the wedding cake at you.”[10]Penny laughed and went on, winding her way through a barricade of desks to the office of the society editor. Miss Arnold, the assistant, was talking over the telephone, but in a moment she finished and turned to face the girl.“Good morning, Miss Parker,”she said stiffly. An edge to her voice told Penny more clearly than words that the young woman was nettled because she had not been trusted with the story.“Good morning,”replied Penny politely. “Dad said you would be able to give me helpful suggestions about covering the Kippenberg wedding.”“There’s not much I can tell you, really. The ceremony is to take place at two o’clock in the garden, so you’ll have ample time to reach the estate. If you get in—”Miss Arnold placed an unpleasant emphasis upon the words—“take notes on Miss Kippenberg’s gown, the flowers, the decorations, the names of her attendants. Try to keep your facts straight. Nothing infuriates a bride more than to read in the paper that she carried a bouquet of lilies-of-the-valley and roses while actually it was a bouquet of some other flower.”“I’ll try not to infuriate Miss Kippenberg,”promised Penny.Miss Arnold glanced quickly at her but the girl’s face was perfectly serene.“That’s all I can tell you, Miss Parker,”she said shortly. “Bring in at least a column. For some reason the city editor rates the wedding an important story.”“I’ll do my best,”responded Penny, and arose.[11]Salt Sommers was waiting for her when she came out of the office. He was a tall, spare young man, with a deep scar down his left cheek. He talked nearly as fast as he walked.“If you’re all set, let’s go,”he said.Penny found herself three paces behind but she caught up with the photographer as he waited for the elevator.“I’m taking Minny along,”Salt volunteered, holding his finger steadily on the signal bell. “May come in handy.”“Minny?”asked Penny, puzzled.“Miniature camera. You can’t always use the Model X.”“Oh,”murmured Penny. Deeply embarrassed, she remained silent as the elevator shot them down to the ground floor.Salt loaded his photographic equipment into a battered press car which was parked near the loading dock at the rear of the building. He slid in behind the wheel and then as an afterthought swung open the car door for Penny.Salt seemed to know the way to the Kippenberg estate. They shot through Riverview traffic, shaving red lights and tooting derisively at slow drivers. In open country he pressed the accelerator down to the floor and the car roared down the road, only slackening speed as it raced through a town.[12]“How do you travel when you’re in a hurry?”Penny gasped, clinging to her flopping hat.Salt grinned and lifted his foot from the gasoline pedal.“Sorry,”he said. “I get in the habit of driving fast. We have plenty of time.”As they rode, Penny gathered scraps of information. The Kippenberg estate was located six miles from the town of Corbin and was cut off from the mainland on three sides by the joining of two wide rivers, one with a direct outlet to the ocean. Salt did not know when the house had been built but it was considered one of the show places of the locality.“Do you think we’ll have much trouble getting our story?”Penny asked anxiously.“All depends,”Salt answered briefly. He slammed on the brake so suddenly that Penny was flung forward in the seat.Another car coming from the opposite direction had pulled up at the side of the road. Penny did not recognize the three men who were crowded into the front seat, but the printed placard,Ledger which was pasted on the windshield told her they represented a rival newspaper in Riverview.“What luck, Les?”Salt called, craning his neck out the car window.[13]“You may as well turn around and go back,”came the disgusted reply. “The old lady won’t let a reporter or a photographer on the estate. She has a guard stationed on the drawbridge to see that you don’t get past.”The car drove on toward Riverview. Salt sat staring down the road, drumming his fingers thoughtfully on the steering wheel.“Looks like we’re up against a tough assignment,”he said. “If Les can’t get in—”“I’m not going back without at least an attempt,”announced Penny firmly.“That’s the spirit!”Salt cried with sudden approval. “We’ll get on the estate somehow if we have to swim over.”He jerked the press card from the windshield, and reaching into the back seat of the car, covered the Model X camera with an old gunny sack. The miniature camera he placed in his coat pocket.“No use advertising our profession too early in the game,”he remarked.Twelve-thirty found Penny and Salt in the sleepy little town of Corbin. Fortifying themselves with a lunch of hot dog sandwiches and pop, they followed a winding, dusty highway toward the Kippenberg estate.Presently, through the trees, marking the end of the road, an iron drawbridge loomed up. It stood in open position so that boats might pass on the river below. A wooden barrier had been erected across the front of the structure which bore a large painted sign. Penny read the words aloud. [14]“‘DANGEROUS DRAWBRIDGE—KEEP OFF.’”Salt drew up at the side of the road. “Looks as if this is as far as we’re going,”he said in disgust. “There’s no other road to the estate. I’ll bet that ‘dangerous drawbridge’business is just a dodge to keep undesirables away from the place until after the wedding.”Penny nodded gloomily. Then she brightened as she noticed an old man who obviously was an estate guard standing at the entrance to the bridge. He stared toward the old car as if trying to ascertain whether or not the occupants were expected guests.“I’m going over to talk with him,”Penny said.“Pretend that you’re a guest,”suggested Salt. “You look the part in that fancy outfit of yours.”Penny walked leisurely toward the drawbridge. Appraisingly, she studied the old man who leaned comfortably against the gearhouse. A dilapidated hat pulled low over his shaggy brows seemed in keeping with the rest of his wardrobe—a blue work shirt and a pair of grease-smudged overalls.A charred corn-cob pipe, thrust at an angle between his lips, provided sure protection against the mosquitoes swarming up from the river below.[15]“Good afternoon,”began Penny pleasantly. “My friend and I are looking for the Kippenberg estate. We were told at Corbin to take this road but we seem to have made a mistake.”“You ain’t made no mistake, Miss,”the old man replied.“Then is the estate across the river?”“That’s right, Miss.”“But how are guests to reach the place? I see the sign says the bridge is out of commission. Are we supposed to swim over?”“Not if you don’t want to,”the old man answered evenly. “Mrs. Kippenberg has a launch that takes the folks back and forth. It’s on the other side now but will be back in no time at all.”“I’ll wait in the car out of the hot sun,”Penny said. She started away, then paused to inquire casually: “Is this drawbridge really out of order?”The old man was deliberate in his reply. He blew a ring of smoke into the air, watched it hover like a floating skein of wool and finally disintegrate as if plucked to pieces by an unseen hand.“Well, yes, and no,”he said. “It ain’t exactly sick but she sure is ailin’. I wouldn’t trust no heavy contraption on this bridge.”“Condemned by the state, I suppose?”“No, Miss, and I’ll tell you why. This here bridge doesn’t belong to the state. It’s a private bridge on a private road.”[16]“Odd that Mrs. Kippenberg never had it repaired,”Penny remarked. “It must be annoying.”“It is to all them that don’t like launches. As for Mrs. Kippenberg, she don’t mind. Fact is, sheain’t much afraid of the bridge. She drives her car across whenever she takes the notion.”“Then the bridge does operate!”Penny exclaimed.“Sure it does. That’s my job, to raise and lower it whenever the owner says the word. But the bridge ain’t fit for delivery trucks and such-like. One of them big babies would crack through like goin’over sponge ice.”“Well, I rather envy your employer,”said Penny lightly. “It isn’t every lady who has her own private drawbridge.”“She is kind of exclusive-like that way, Miss. Mrs. Kippenberg she keeps the drawbridge up so she’ll have more privacy. And I ain’t blamin’her. These here newspaper reporters always is a-pesterin’the life out of her.”Penny nodded sympathetically and walked back to make her report to Salt.“No luck?”he demanded.“Guess twice,”she laughed. “The old bridgeman just took it for granted I was one of the wedding guests. It will be all right for us to go over in the guest launch as soon as it arrives.”[17]Salt gazed ruefully at his clothes.“I don’t look much like a guest. Think I’ll pass inspection?”“Maybe you could get by as one of the poor relations,”grinned Penny. “Pull your hat down and straighten your tie.”Salt shook his head. “A business suit with a grease spot on the vest isn’t the correct dress for a formal wedding. You might get by but I won’t.”“Then should I try it alone?”“I’ll have to get those pictures somehow,”stated Salt grimly.“Maybe we could hire a boat of our own,”Penny suggested. “Of course it wouldn’t look as well as if we arrived on the guest launch.”“Let’s see what we can line up,”Salt said, swinging open the car door.They walked to the river’s edge and looked in both directions. There were no small boats to be seen. The only available craft was a large motor boat which came slowly downstream toward theopen drawbridge. Penny caught a glimpse of the pilot, a burly man with a red, puffy face.Salt slid down the bank toward the water’s edge, and hailed the boat.“Hey, you, Cap’n!”he called. “Two bucks to take me across the river.”[18]The man inclined his head, looked steadily at Salt for an instant, then deliberately turned his back.“Five!”shouted Salt.The pilot gave no sign that he had heard. Instead, he speeded up the boat which passed beneath the drawbridge and went on down the river.CHAPTER 3 GIFT TO THE BRIDE“Perhaps he didn’t hear you,”said Penny, peering after the retreating boat.“He heard me all right,”growled Salt as he scrambled back up the high bank.Noticing a small boy in dirty overalls who sat at the water’s edge fishing, he called to him: “Say, sonny, who was that fellow, do you know?”“Nope,”answered the boy, barely turning his head, “but his boat has been going up and down the river all morning. That’s why I can’t catch anything.”The boat rounded a bend of the river and was lost to view. Only one other craft appeared on the water, a freshly painted white motor launch which could be seen coming from the far shore.“That must be the guest boat now,”remarked Penny, shading her eyes against the glare of the sun. “It seems to be our only hope.”“Let’s try to get aboard and see what happens,”proposed the photographer.[20]They walked leisurely back toward the guard at the drawbridge, timing their arrival just as the launch swung up to the landing. With a cool assurance which Penny tried to duplicate, Salt stepped aboard, nodded indifferently to the wheelsman, and slumped down in one of the leather seats.Penny waited uneasily for embarrassing questions which did not come. Gradually she relaxed as the boatman took no interest in them and the guard’s attention was fully occupied with other cars which had driven up to the drawbridge.A few minutes later, two elderly women, both elegantly gowned, were helped aboard the boat bytheir chauffeur. One of the women stared disapprovingly at Salt through her lorgnette and then ignored him.“We’ll get by all right,”Salt whispered confidently.“Wait until Mrs. Kippenberg sees us,”warned Penny.“Oh, we’ll keep out of her way until we have our story and plenty of pictures. Once we’re across the river it will be easy.”“I hope you’re right,”muttered Penny.While Salt’s task of taking pictures might prove relatively simple, she realized that her own work would be anything but easy. She could not hope to gather many facts without talking to a member of the family, and the instant she admitted her identity she likely would be ejected from the grounds.[21]“I boasted I’d bring in a front page story,”she thought ruefully. “I’ll be lucky if I get a column of routine stuff.”The boat was moving slowly away from the landing when the guard at the drawbridge called in a loud voice: “Hold it, Joe!”Penny and Salt stiffened in their chairs, fearing they were to be exposed. But they were both greatly relieved to see that a long, black limousine had drawn up at the end of the road. The launch had been stopped so that additional passengers might be accommodated.Salt nudged Penny’s elbow.“Grant Atherwald,”he contributed, jerking his head toward a tall, well-built young man who had stepped from the car. “I’ve seen his picture plenty of times.”“The bridegroom?”Penny turned to stare.“Sure. He’s one of the blue-bloods, but they say he’s a little short on ready cash.”The young man, dressed immaculately in formal day attire, and accompanied by two other men, came aboard the launch. He bowed politely to the elderly women and his gaze fell questioningly upon Penny and Salt. But if he wondered why they were there, he did not voice his thought. [22]As the boat put out across the river Penny watched Grant Atherwald curiously. It seemed to her that he appeared nervous and preoccupied. He stared straight before him, clenching andunclenching his hands. His face was colorless and drawn.“He’s nervous and worried,”thought Penny. “I guess all bridegrooms are like that.”A sharp “click”sounded in her ear. Penny did not turn toward Salt, but she caught her breath, knowing what he had done. He had dared to take a picture of Grant Atherwald!She waited, feeling certain that the sound must have been heard by everyone in the boat. A full minute elapsed and no one spoke. When Penny finally glanced at Salt he was gazing serenely out across the muddy water, his miniature camera shielded behind a felt hat which he held on his knees.The boat docked. Salt and Penny allowed the others to go ashore first, and then followed a narrow walk which wound through a deep lane of evergreen trees.“Salt,”Penny asked abruptly, “how did you get that picture of Atherwald?”“Snapped it through a hole in the crown of my hat. It’s an old trick. I always wear this special hat when I’m sent out on a hard assignment.”“I thought a cannon had gone off when the shutter clicked,”Penny laughed. “We were lucky you weren’t caught.”[23]Emerging from behind the trees, they obtained their first view of the Kippenberg house. Sturdily built of brick and stone, it stood upon a slight hill, its many turrets and towers commanding a view of the two rivers.“Nice layout,”Salt commented, pausing to snap a second picture. “Wish someone would give me a castle for a playhouse.”They crossed the moat and found themselves directly behind Grant Atherwald again. Before the bridegroom could enter the house a servant stepped forward and handed him a sealed envelope.“I was told to give this to you as soon as you arrived, sir,”he said.Grant Atherwald nodded, and taking the letter, quickly opened it. A troubled expression came over his face as he scanned the message. Without a word he thrust the paper into his pocket. Turning, he walked swiftly toward the garden.“Salt, did you notice how queerly Atherwald looked—”Penny began, but the photographer interrupted her.“Listen,”he said, “we haven’t a Chinaman’s chance of getting in the front door. That boy inthe fancy knickers is giving everyone the once over. Let’s try a side entrance.”[24]Without attracting attention they walked quickly around the house and located a door where no servant had been posted. Entering, they passed through a marble-floored vestibule into a breakfast room crowded with serving tables. Salt nonchalantly helped himself to an olive from one of the large glass dishes and led Penny on toward the main hall where many of the guests had gathered to admire the wedding gifts.“Now don’t swipe any of the silver,”Salt said jokingly. “I think that fellow over by the stairway is a private detective.”“He seems to be looking at us with a suspicious gleam in his eyes,”Penny replied. “I hope we don’t get tossed out of here.”“We’ll be all right if Mrs. Kippenberg doesn’t see us before the ceremony.”“Do you suppose Mr. Kippenberg could be here, Salt?”“Not likely. It’s my guess that fellow will never be seen again.”“Dad doesn’t share your opinion.”“I know,”Salt admitted. “We’ll keep watch for him, but it would just be a lucky break if it turns out he’s here.”Mingling with the guests, they walked slowly about a long table where the wedding gifts were displayed. Penny gazed curiously at dishes of solid silver, crystal bowls, candlesticks, jade ornaments, tea sets and service plates encrusted with gold.“Nothing trashy here,”muttered Salt.[25]“I’ve never seen such an elegant display,”Penny whispered in awe. “Do you suppose that picture is one of the gifts?”She indicated an oil painting which stood on an easel not far from the table. So many guests had gathered about the picture that she could not see it distinctly. But at her elbow, a woman in rustling silk, said to a companion:“My dear, a genuine Van Gogh! It must have cost a small fortune!”When the couple had moved aside, Penny and Salt drew closer to the easel. One glance assured them that the painting had been executed by a master. However, it was the subject of the picturewhich gave Penny a distinct start.“Will you look at that!”she whispered to Salt.“What about it?”he asked carelessly.“Don’t you notice anything significant?”“Can’t say I do. It’s just a nice picture of a drawbridge.”“That’s just the point, Salt!”Penny’s eyes danced with excitement. “A drawbridge!”The photographer glanced again at the painting, this time with deeper interest.“Say, it looks a lot like the bridge which was built over the river,”he observed. “You think this picture is a copy of it?”[26]Penny shook her head impatiently. “Salt, your knowledge of art is dreadful. This Van Gogh was painted ages ago and is priceless. Don’t you see, the drawbridge has to be a copy of the picture?”“Your theory sounds reasonable,”Salt admitted. “I wonder who gave the painting to the bride? There’s no name attached.”“Can’t you guess why?”“I never was good at kid games.”“Why, it’s clear as crystal,”Penny declared, keeping her voice low. “This estate with the drawbridge was built by Clayton Kippenberg. He must have been familiar with the Van Gogh painting, and had the real bridge modeled after the picture. For that matter, the painting may have been in his possession—”“Then you think the picture was presented to Sylvia Kippenberg by her father?”Salt broke in quickly.“Yes, I do. Only a person very close to the bride would have given such a gift.”“H-m,”said Salt, squinting at the picture thoughtfully. “If you’re right it means that Clayton Kippenberg’s whereabouts must be known to his family. His disappearance may not be such a deep mystery to Mamma Kippenberg and daughter Sylvia.”“Oh, Salt, wouldn’t it make a grand story if only we could learn what became of him?”。
John Snow and the Broad Street Cholera Outbreak of 1854(1)
John Snow and the Broad Street Cholera Outbreak of 1854Cholera reached the British Isles in the early 1830s,and outbreaks would continue for the next fifty years.Today, it is well known that cholera is caused by thebacteria Vibria cholerae and is usually spread in poordrinking water. Early theories blamed the infection onmists and 'miasmas', which led to many of the earlyattempts to control cholera failing. In reality the poorsanitary conditions of a city's water supply was responsible. Early Victorian cities also included cowsheds mixed in amongst the houses. These combined with poor handling of human sewage (often merely a hole in the ground) led to a rapid contamination of the drinking water. Indeed, the famous Broad Street water pump (see below) was a shallow water pump that pumped water from the contaminated water table.In the 1850s, John Snow performed pioneering data analysis to prove his hypothesis that cholera was spread in the drinking water. This analysis if performed today, would come under the realms of GIS (Geographic Information Systems) and Data Mining. Some have claimed his Broad Street map as being the first example of GIS, even though it was performed with a pen and paper. Although this is an exaggeration, the Broad Street map it is an excellent example of the power of maps to clearly demonstrate relationships in complex scenarios. Snow's work with the London cholera outbreaks of the 1850s, is often cited as the beginning of modern epidemiology.Unfortunately word of this pioneering epidemiology was slow to spread, and the London cholera outbreaks would continue into the 1880s when all of the shallow water-pumps were finally decommissioned.This page looks at Snow's two most famous analysis cases that helped to prove his hypothesis that cholera infections occurred through drinking water.The Broad Street Outbreak, 1854This is the most famouspiece of data analysis performedby John Snow, and his promptaction undoubtedly saved manylives. The outbreak occurred inthe Soho District of London, in and around Broad Street.John Snow reasoned that if cholera was spread by a mist or miasma, as the prevailing theories suggested, then the cases should be uniformly distributed along the streets. To see if this was the case, he plotted each cholera case on a map, similar to the one on the left. He also plotted houses with multiple cases, which the modern map on the left does not show.As can be seen, the cases are not uniformly distributed, but instead are distributed in a tight cluster around a water pump located on Broad Street (now Broadwick Street). Snow went to the pump and took a water sample. Looking in his microscope, he found the water contained a bacteria which he had not seen before. Although he guessed these were responsible, this was before the infectious microbe work of Pasteur and Koch.He went back to the pump and removed the pump handle. The Broad Street cholera outbreak stopped almost literally overnight.Not noted on the map was some other evidence which helped to support the water pump hypothesis. A local workhouse was almost untouched (only five cases), due to it using water from its own uncontaminated well. The map also shows some outliers. Snow's investigations showed that these were due to people who would pass the well (eg. on the way to work) and take drink.The map above was produced with Microsoft® MapPoint®. If you are interested in using Microsoft MapPoint, see the website for all of your MapPoint consultancy and programming needs.The Grand Experiment, 1853-54Although John Snow is most famous for his analysis of the Broad Street outbreak, this analysis merely confirmed a theory he had been developing over the preceding years. One of his biggest tests was what he called his "Grand Experiment", and was carried out throughout the outbreak of 1853-54. He carefully analysed the cholera deaths in London, correlating them with the source of drinking water.As well as hand pumps such as at Broad Street, much of London's population received machine-pumped water similar to what we have today but without the treatment plants. Two companies supplied water like this. Due to new laws, the Lambeth Company had started to take its water from the River Thames about 20 miles up-stream of London, but the Southwark and Vauxhall Water Company was still taking its water from local wells and the Thames in Central London. This provided a perfect comparison for Snow.Snow's final summary table:No. of houses Deaths fromcholeraDeaths/10,000housesSouthwark and VauxhallCompany40,046 1,263 315 Lambeth Company 26,107 98 37Rest of London 256,423 1,422 59Hence, Snow showed a strong correlation between the cholera death rate and the water source. The data also shows that a water source up-river of the London was the safest option, whilst taking water directly from the Thames in Central London was more dangerous than other local water sources combined.。
英国文学选读名词解释
1.epic 史诗An epic is a long oral narrative poem that operates on a grand scale and deals with legendary or historical events of national or universal significance .Most epics deal with the exploits of a single individual and also interlace the main narrative with myths, legends, folk tales and past events; there is a composite effect, the entire culture of a country cohering in the overall experience of the poem . Epic poems are not merely entertaining stories of legendary or historical heroes; they summarize and express the nature or ideals of an entire nation at a significant or crucial period of its history.2.caesura 停顿a break or pause in a line of poetry, dictated by the natural rhythm of the languageand sometimes enforced by punctuation. In Old English verse, such as Beowulf, the caesura was used rather monotonously to indicate the half line.3.alliteration 头韵the repetition of the same sound or sounds at the beginning of two or more words that are close to each other. It is a feature of Beowulf and other Old English poems.4.alliterative verse 头韵诗poetry written in alliteration. Nearly all Old English verse, including Beowulf, is heavily alliterative, and the pattern is fairly standard –with either two or three stressed syllables in each line alliterating.5.kenning 隐喻语a metaphor usually composed of two words and used for description andassociation. Beowulf is full of kennings, such as “helmet bearer” for “warrior” and “swan road” for “sea”.6.protagonist 主角the principal character of a drama or fiction. Hamlet is the protagonist of William Shakespeare’s drama Hamlet.7.antagonist 反角In drama or fiction the antagonist opposes the hero or protagonist. In Hamlet Claudius is antagonist to Hamlet.8.romance 传奇a type of literature that was popular in the Middle Ages, usually containingadventures and reflecting the spirit of chivalry. Sir Gawain and the Green Knight was a great verse romance, but its author remains unknown.9.bob and wheel诗节末尾的短行与叠唱a rhyming section of five lines that concludes a stanza in Sir Gawain and theGreen Knight. The “bob” is a very short line, sometimes of only two syllables, followed by the “wheel”, longe r lines with three stresses and internal thyme.10.poet’s corner 诗人角a part of Westminster Abbey, London, which contains the tombs or monuments ofsome famous English poets, such as Geoffrey Chaucer and John Milton.11.heroic couplet 英雄双韵体Two successive lines o f rhymed poetry in iambic pentameter. Geoffrey Chaucer’smasterpiece The Canterbury Tale was written in heroic couplet.Named from its use by Dryden and others in the heroic drama of the late 17th century, the heroic couplet had been established much earlier by Chaucer as a major English verse-form for narrative and other kinds of non-dramatic portry: it dominated English poetry of the 18th century, notably in the couplets of Pope, before declining in importance in the early 19th century.12.ballad meter 民谣体traditionally a four-line stanza containing alternating four-stress and three-stress lines, usually with a refrain and the rhyme scheme of abcb. Robert Burns’ “A Red, Red Rose” is a great love ballad.13.refrain 叠句,副歌a phrase, line or lines repeated at intervals during a poem and especially at the endof a stanza. It is very often found in English ballads, such as Robert Burns’ “A Red, Red Rose”.14.English Renaissance 英国文艺复兴the literary flowering of England in the late 16th century and early 17th century, with humanism as its keynote. William Shakespeare’s Hamlet is considered the summit of this renaissance.Renaissance(文艺复兴)The word “renaissance” means rebirth or revival. It is commonly applied to the movement or period in western civilization , which marks the transition from the medieval to the modern world . It sprang up first in Italy in the 14th century and gradually spread all over Europe, the date differing for different countries. The Renaissance indicates a revival of classical (Greek and Roman) arts and sciences after the dark ages of medieval obscurantism. The study and propagation of classical learning and art was carried on by the progressive thinkers of the humanists. They held their chief interest not in ecclesiastical knowledge, but in man, his environment and doings and his brave fight for the emancipation of man from the tyranny of the church and religious dogmas.Because in the ancient Greek and Roman mythology were found the ideas of universal love, respect to human beings and approval of man’s power, ability and knowledge. And at the same time worldly enjoyment on the earth was affirmed. In short, man became the center of the world instead of God as upheld in the Middle Ages. The Renaissance Movement is a great revolution carried out in the fourteenth to the mid-seventeenth century Europe. It broke the chain and bondage of feudal and theological ties and brought human wisdom and capacity into full play.15.Elizabethan literature 伊丽莎白时代的文学literature written in the Elizabethan Age (1558-1603). William Shakespeare’s Romeo and Juliet was a masterpiece of this period.16.sonnet 十四行诗a fixed form consisting of fourteen lines of 5-foot iambic verse. It first flourishedin Italy in the 14th century. William Shakespeare was a great English sonnet writer famous for his 154 sonnets.17.iambic pentameter 五步抑扬格the basic line in English verse, with five feet in a line, usually an unaccented syllable followed by an accented syllable. It was probably introduced by Geoffrey Chaucer and certainly established by him in The Canterbury Tales.18.meter 格律the pattern of stressed and unstressed syllables in verse. In English verse a line may have a fixed number of syllables and yet have a varying number of stresses;the commonest meter is iambic. William Shakespeare’s so nnets are written in iambic.19.foot 音步a group of syllables forming a metrical unit. We measure feet in terms of syllablevariation: long and short syllables, stressed and unstressed. The commonest foot in English verse is iamb; the commonest line is five-foot line, called pentameter.William Shakespeare’s “Sonnet 18” contains fourteen iambic pentameter lines. 20.rhyme scheme 押韵格式the pattern of end-thymes in a stanza or poem, generally described by using letters of the alphabet to denote the recurrence of rhyming lines. For example, heroic couplets are “aabbcc” and so on.21.quatrain 四行诗节a stanza of four lines, rhymed or unrhymed. It is the commonest of all stanzaicforms in English poetry. Robert Burns’ “A Red, Red Rose” has four quatrains.22.image 意象a concrete representation of an object or sensory experience. Typically, such arepresentation helps evoke the feelings associated with the object or experience itself. Many images are conveyed by figurative language. An image may be visual, olfactory, tactile, auditory, gustatory, abstract and kinaesthetic. The rose in Robert Burns’ poem “A Red, Red Rose” is a beautiful image.23.poetic license 诗的破格the liberty allowed to the poet to wrest the language according to his needs in the use of figurative speech, archaism, rhyme, strange syntax, etc. An example is the last sentence of “A Red, Red Rose” by Robert Burns –“Tho’ it were ten thousand mile!”24.verse drama 诗剧drama written in the form of verse. It was most widely used in the Elizabethan Age. William Shakespeare’s dramas are all verse dramas, Hamlet being the most famous.25.blank verse 无韵诗,素体诗unrhymed iambic pentameter, the most widely used of English verse forms and usually used in English dramatic and epic poetry. William Shakespeare’s play Hamlet is written in blank verse.26.Globe Theatre 环球剧场One of the most famous of all theatres, it was built in 1599, with three stories. The roof was thatched, with the centre open to the sky. Many of William Shakespeare’s plays were performed in it. It was destroyed by fire in 1613, rebuilt the next year and finally demolished in 1644. Again it was rebuilt in 1997.27.essay 散文a composition, usually in prose, which may be of only a few hundred words or ofbook length and which discusses, formally or informally, a topic or a variety of topics. It is one of the most flexible and adaptable of all literary forms. Francis Bacon is a great essayist; his “Of Studies” is a model of good essay.28.English Romanticism 英国浪漫主义a literary movement that aimed at free expression of the writer’s ideas and feelingsand flourished in the early 19th century England. A great representative of this movement is Percy Bysshe Shelley, the author of “Ode to the West Wind”.ke poets 湖畔诗人are a group of English poets who all lived in the Lake District of England at the turn o f the nineteenth century. They are considered part of the Romantic Movement. The thr ee main figures of what has become known as the Lakes School are William Wordswo rth, Samuel Taylor Coleridge, and Robert Southey.30.poet laureate 桂冠诗人A poet honored for his artistic achievement or selected as most representative of his countryor era; in England, a court official appointed by the sovereign, whose original duties included the composition of odes in honor of the sovereign’s birthday and in celebration of state occasions of importance. William Wordsworth became poet laureate in 1843.31. Humanism(人文主义)Broadly, this term suggests any attitude which tends to exalt the human element or stress the importance of human interests, as opposed to the supernatural , divine elements ---or as opposed to the grosser, animal elements.In a more specific sense, humanism suggests a devotion to those studies supposed to promote human culture most effectively----in particular, those dealing with the life,thought, language, and literature of ancient Greece and Rome. It proclaimed that man is the most important noble creature in the world; the goal of life is to enjoy oneself in this present world instead of afterlife. According to the humanists ; both man and world are hindered by external checks from infinite improvement. Man could mould the world according to his desires, and attain happiness by removing all external checks by the exercise of reason. In literary history the most important use of the term is to designate the revival of classical culture which accompanied the Renaissance.32. Ode(颂歌) Long, often elaborate formal lyric poem of varying line lengths dealing with a subject matter and treating it reverently. It aims at glorifying an individual, commemorating an event, or describing nature intellectually rather than emotionally. Conventionally, many odes are written or dedicated to a specifie subject. For instance,Ode to the West Wind is about the winds that bring change of season in England. Ode to the Nightingale is about the nightingale that lures the poet temporarily away from his great misery. The earliest English odes include the Epithalamion and the Prothalamion,or marriage hymns by poet Edmund Spenser. 33. Romanticism(浪漫主义)The term refers to the literary and artistic movements of the late 18th and early 19th century. Romanticism rejected the earlier philosophy of the Enlightenment, which stressed that logic and reason were the best response humans had in the face of cruelty, stupidity, superstition, and barbarism. Instead ,theRomantics asserted that reliance upon emotion and natural passions provided a valid and powerful means of knowing and a reliable guide to ethics and living.The Romantic movement typically asserts the unique nature of the individual, the privileged status of imagination and fancy, the value of spontaneity over “artifice” and “convention”, the human need for emotional outlets, the rejection of civilized corruption, and a desire to return to natural primitivism and escape the spiritual destruction of urban life Their writings are often set in rural, or Gothic settings and they show an obsessive concern with “innocent”characters----children, young lovers, and animals. The major Romantic poets included William Blake, William Wordsworth, John Keats , Percy Bysshe Shelley, and Lord Gordon Byron.34. Aestheticism( 美学主义)The basic theory of the Aesthetic movement----“art for art’s sake”----was set forth by a French poet, Theophile Gautier. The first Englishman who wrote about the theory of aestheticism was Walter Pater, the most important critical writer of the late 19th century. The chief representative of the movement in England was Oscar Wilde,with his Picture of Dorian Gray. Aestheticism places art above life, and holds that life should imitate art, not art imitate life. According to the aesthetes, all artistic creation is absolutely subjective as opposed to objective. Art should be free from any influence of egoism. Only when art is for art’s sake,can it be immortal They believed that art should be unconcerned with controversial issues, such as politics and morality, and that it should be restricted to contributing beauty in a highly polished style. This was one of the reactions against the materialism and commercialism of the Victorian industrial era, as well as a reaction against the Victorian convention of art for morality’s sake, or art for money’s sake.35. Stream of Consciousness(意识流)(psychol organized by William James) individual conscious experience regarded as continuously moving forward in time in an uneven flow. In creative writing the interior monologue makes use of this to reveal character and comment on life.(由威廉·詹姆士创立的心理学)个人的内心体验以不平衡的方式不断流动着。
昆明“PEP”2024年10版小学三年级F卷英语第3单元期中试卷
昆明“PEP”2024年10版小学三年级英语第3单元期中试卷考试时间:100分钟(总分:120)B卷考试人:_________题号一二三四五总分得分一、综合题(共计100题共100分)1. 填空题:My ________ (玩具名称) can jump high.2. 填空题:I have a ________ that makes me smile.3. 听力题:I like _____ (喝) orange juice.4. 填空题:The _____ (土壤质量) affects plant growth significantly.5. 听力题:We have a ______ (test) in science tomorrow.6. 选择题:What is the color of an emerald?A. BlueB. RedC. GreenD. Yellow答案:C7. 选择题:What do we call the force that pulls objects toward each other?A. MagnetismB. GravityC. FrictionD. Tension答案:B8. 选择题:What do we call the act of engaging in critical thinking?A. AnalysisB. EvaluationC. ReflectionD. All of the Above答案:D9. 选择题:Which planet is closest to the sun?A. EarthB. MarsC. MercuryD. Venus答案: C10. 选择题:What is the name of the famous river in France?A. SeineB. LoireC. RhôneD. Garonne11. 填空题:My brother wants a pet ______ (小狗) to play with.12. 填空题:My favorite movie is ______.13. 听力题:A balanced chemical equation shows that matter is _____.14. 填空题:我的朋友喜欢 _______ (活动). 她觉得这很 _______ (形容词)15. 小龙虾) scuttles across the riverbed. 填空题:The ____16. 填空题:I can ______ (开发) my talents through practice.17. 选择题:What do you call someone who studies the stars?A. GeologistB. BiologistC. AstronomerD. Meteorologist答案:C18. 选择题:What is the name of our planet?A. MarsB. VenusC. EarthD. Jupiter19. 填空题:The scientist, ______ (科学家), conducts important experiments.20. 听力题:The study of how rocks and minerals interact is called ______ geology.21. 听力题:My uncle is a skilled ____ (artist).22. 小蜥蜴) basks in the sun. 填空题:The ___23. 听力题:The chemical formula for butanoic acid is ______.24. 听力题:The soup is too ___. (hot)25. 听力题:A _______ is a common houseplant.26. 填空题:My favorite season is _______ (春天).27. 填空题:This boy, ______ (这个男孩), is good at puzzles.28. 选择题:What is the name of the process by which stars form?A. Nuclear FusionB. Stellar EvolutionC. Star FormationD. Nebular Hypothesis29. 看图写单词,补全句子。
连接着地中海和大西洋的摩洛哥
Morocco is lying in the northwest of Africa, lapped by the Mediterranean and the Atlantic. Going through the center of Casablanca, the capital of Morocco, we find ourselves in a forest of buildings in glass and cement. With more than four million inhabitants, Casablanca is the industrial and financial center of Morocco. Mohammed V Square is the heart of the city and the symbol of modernization of the country. The metropolis attracts a steady flow of immigrants from the countryside who find opportunities for work. Thus, streets of Casablanca present a peculiar mixture of the super-modern and ancestral tradition. The mosque of Ben Youssef stands out against the uniform panorama of Marakech. Marakech's focal point and a great outdoor theatre is the square of Jemaa-el-Fna.The square is the customary meeting place for the city's inhabitants. The mellah, which was the main Jewish quarter in Morocco. Afer 1956, the year of the declaration of independence of modern Morocco, almost all the 16,000 Jews of Marraken emigrated, leaving the quarter of the Muslims. The mellah is a neighborhood of essentially local importance: everyday products, including spices, pulses and cereals, are sold in its shops and from its open-air stalls. We are in the area of the dyers, one of the most picturesque and photographed parts of the city. The dyes used are often vegetable or mineral origin - and therefore natural - like poppy, saffron and quartzite. The souk is divided into many different zones which are called after the products that are made or sold there. Some have made-up names, like the souk of the donkeys, so called because it's where they manufacture and sell panniers and carrier-baskets. In the evening, Jemaa-el-Fna square turns into a huge open-air restaurant. Improvised stalls offer the hundred delicious specialities of Morroccan cuisine. The acrid smell of lamb kebabs and the sweet smell of cakes soaked in honey predominate over everything else. Fez, which is enclosed inside its circle of walls, covers the sides of a hill with its houses, mosques, palaces and markets, so that there are significant differences in level between one quarter and another. The Bab Boujeloud gate stands out from the other gates of the old city because of the bright color of its enamel covering. The main commercial street that leads to the medina starts from here. Fez became the capital of the kindom at the beginning of the 9th century. The elegant and sophisticated gates of Fez,the details on the balconies and the windows and the ceramic decorations of the mosques are presenting how splendid it was during a couple of hundreds years. 摩洛哥位于⾮洲的西北部,连接着地中海和⼤西洋。
- 1、下载文档前请自行甄别文档内容的完整性,平台不提供额外的编辑、内容补充、找答案等附加服务。
- 2、"仅部分预览"的文档,不可在线预览部分如存在完整性等问题,可反馈申请退款(可完整预览的文档不适用该条件!)。
- 3、如文档侵犯您的权益,请联系客服反馈,我们会尽快为您处理(人工客服工作时间:9:00-18:30)。
a r X i v :a s t r o -p h /0503224v 1 9 M a r 2005Draft version February 2,2008Preprint typeset using L A T E X style emulateapj v.4/9/03A BROAD IRON LINE IN THE CHANDRA/HETG SPECTRUM OF 4U 1705–44T.Di Salvo 1,R.Iaria 1,M.M ´e ndez 2,L.Burderi 3,vagetto 1,N.R.Robba 1,L.Stella 3,M.van der Klis 4Draft version February 2,2008ABSTRACTWe present the results of a Chandra 30ks observation of the low mass X-ray binary and atoll source 4U 1705–44.Here we concentrate on the study of discrete features in the energy spectrum at energies below ∼3keV,as well as on the iron K αline,using the HETG spectrometer on board of the Chandra satellite.Below 3keV,three narrow emission lines are found at 1.47,2.0,and 2.6keV.The 1.47and 2.6keV are probably identified with Ly-αemission from Mg XII and S XVI,respectively.The identification of the feature at ∼2.0keV is uncertain due to the presence of an instrumental feature at the same energy.The iron K αline at ∼6.5keV is found to be intrinsically broad (F W HM ∼1.2keV);its width can be explained by reflection from a cold accretion disk extending down to ∼15km from the neutron star center or by Compton broadening in the external parts of a hot (∼2keV)Comptonizing corona.We finally report here precise X-ray coordinates of the source.Subject headings:accretion,accretion disks –stars:individual:4U 1705–44—stars:neutron —X-rays:stars —X-rays:binaries —X-rays:general1.introductionBroad emission lines (FWHM up to ∼1keV)at ener-gies in the range 6.4–6.7keV are often observed in the spectra of Low Mass X-ray Binaries (hereafter LMXBs),both in systems containing black hole candidates (see ler et al.2002)and in systems hosting an old ac-creting neutron star (see e.g.Barret 2001for a review).These lines are identified with the K αradiative transi-tions of iron at different ionization stages.Sometimes an iron absorption edge at energies ∼7−8keV has been detected.These features are powerful tools to in-vestigate the structure of the accretion flow close to the central source;in particular,important information can be obtained from detailed spectroscopy of the iron K αemission line and absorption edge,since these are de-termined by the ionization stage,geometry,and velocity field of the reprocessing plasma.To explain the large width of these lines it has been proposed that they originate from emission reprocessed by the accretion disc surface illuminated by the primary Comptonized spectrum (Fabian et al.1989).In this model,the combination of relativistic Doppler effects arising from the high orbital velocities and gravitational effects due to the strong field in the vicinity of the neu-tron star smears the reflected features.Therefore the line will have a characteristically broad profile,the de-tailed shape of which depends on the inclination and on how deep the accretion disk extends into the neutron star potential (e.g.Fabian et al.1989;Stella 1990).An alternative location of the line emitting region is the inner part of the so-called Accretion Disk Corona1Dipartimento di Scienze Fisiche ed Astronomiche,Universit`a di Palermo,via Archirafi36-90123Palermo,Italy;email:dis-alvo@gifco.fisica.unipa.it2National Institute for Space Research,Sorbonnelaan 2,3584CA Utrecht,the Netherlands3Osservatorio Astronomico di Roma,via Frascati 33,00040Monteporzio Catone (Roma),Italy4Astronomical Institute “Anton Pannekoek”,University of Am-sterdam and Center for High-Energy Astrophysics,Kruislaan 403,NL 1098SJ Amsterdam,the Netherlands(ADC),probably formed by evaporation of the outer lay-ers of the disk illuminated by the emission of the cen-tral object (e.g.White &Holt 1982).In this case the width of the line is explained by thermal Comptoniza-tion of the line photons in the ADC.This produces a genuinely broad Gaussian distribution of line photons,with σ≥E Fe (kT e /m e c 2)1/2,where E Fe is the centroid energy of the iron line and kT e is the electron tempera-ture in the ADC (see Kallman &White 1989;Brandt &Matt 1994for more detailed calculations).This mecha-nism can explain the width of the iron line for tempera-tures of the emitting region of few keV.The presence of several unresolved components,which can eventually be resolved by the high resolution X-ray instruments on board Chandra and XMM-Newton,can also contribute to broaden the line.4U 1705–44is a very interesting source of the atoll class (see Hasinger &van der Klis 1989)which also shows type-I X-ray bursts.As in other similar sources,the en-ergy spectrum of 4U 1705–44can be described as the sum of a (dominating)Comptonized component,a black-body,and an emission line at ∼6.4keV.We selected this source for a Chandra observation because a broad (1.1keV FWHM)iron emission line at 6.5keV has been previ-ously reported (White et al.1986;Barret &Olive 2002).One of the goals of our Chandra observation was to study the iron line profile to discriminate among the various models that have been proposed to explain the large line width.The Chandra/HETGS observation demonstrates that the iron line is intrinsically broad (1.2keV FWHM);possible broadening mechanism are discussed.2.observations4U 1705–44was observed using the High-Energy Transmission Grating Spectrometer (HETGS)on board of Chandra starting on 2001July 1.Part of the obser-vation,for a total integration time of 24.4ks,was per-formed in Timed Graded mode,while a short part of the observation,∼5ks,was performed in Continuous Clock-ing mode.The HETGS consists of two types of transmis-sion gratings,the Medium-Energy Grating (MEG)and2the High-Energy Grating(HEG).The HETGS affords high-resolution spectroscopy from1.2to31˚A(0.4-10 keV)with a peak spectral resolution ofλ/∆λ∼1000at12˚A for HEGfirst order.The dispersed spectra were recorded with an array of six charged coupled de-vices(CCDs)that are part of the Advanced CCD Imag-ing Spectrometer(ACIS-S;Garmire et al.2003;see /cdo/about3it is apparent that the iron line is intrinsically broad and shows a complex profile.The addition of a broad(σ∼0.5keV)Gaussian line centered at6.5keV proves necessary,giving∆χ2=167 for the addition of three parameters.We also added three narrow emission lines tofit the other low energy residu-als mentioned above.The addition of Gaussian emission lines at∼1.5,2.0,2.6keV gives a reduction of theχ2 by27,29,and32units,respectively,for the addition of three parameters.The errors in the normalizations of these features give a detection at about3σconfidence level.This is not a highly significant detection,and needs a confirmation with future observations.However,the fact that the energies of these features are close to the energies of Lyαtransitions of H-like ionization stages of the most abundant ions emitting in the observed range (that are Mg XII,Si XIV,and S XVI,respectively)adds further confidence that these lines may be real.Data and residuals in units ofσwith respect to this best-fit model are shown in Figure1.The bestfit model is reported in Table1together with the discrete features mentioned above as well as the identification of the line,when pos-sible.The spectral analysis of thefirst order HEG spectra of 4U1705–44from the part(∼5ks)of the Chandra obser-vation performed in Continuous Clocking mode confirms the bestfit model found for the Timed Graded spec-tra.In particular,the bestfit continuum model is again given by the comptt model,which gives aχ2/dof= 867/1097.The addition of a broad Gaussian emission line at6.6±0.1keV(σ=0.4±0.1keV,EW=138eV) improves thefit giving aχ2/dof=831/1094.The residuals in the K-shell iron line range are quite complex(see Fig.2),showing a broad feature centered at∼6.5keV.We therefore try tofit this feature with the line profile expected from a thin Keplerian accretion disk. Substituting the Gaussian line with the diskline model (Fabian et al.1989),we obtain an equivalently goodfit,χ2(d.o.f.)=3164/3252using the diskline model.The line bestfit parameters for the diskline model are given in Table2.4.discussionWe have analysed a Chandra30ks observation of the X-ray burster and atoll source4U1705–44.The posi-tion of the zero-th order image of the source provides improved X-ray coordinates for4U1705–44(RA=17h 08m54s.47,DEC=-44◦06′07′′.35),which significantly differ(by about0.15arcmin)from the coordinates pre-viously reported for this source.We performed a spectral analysis of the HEGfirst or-der spectra of4U1705–44.The continuum emission is wellfitted by the Comptonization model comptt,with an equivalent hydrogen column of∼1.4×1022cm−2,and an overabundance of Si by a factor∼2with respect to Solar abundance(which might be of instrumental origin).The inferred unabsorbedflux of the source in the0.1–10keV range is∼1.0×10−8ergs cm−2s−1,corresponding to a luminosity of3.3×1037ergs s−1assuming a distance to the source of7.4kpc(Haberl&Titarchuk1995).The Comptonization continuum is quite soft,with an electron temperature of kT e∼2.3keV and an optical depth of τ∼18for a spherical geometry.We have detected a broad emission feature at6.4−6.5keV,which we interpret as K-shellfluorescent emis-sion of lowly ionized iron.The high energy resolution of the HEG shows that the line is intrinsically broad (F W HM∼1.2keV),in agreement with previous mea-sures(see e.g.Barret&Olive2002).Therefore the most probable origin of this line is an accretion disk(in this case the large width of the line would be due to Doppler and relativistic smearing effects)or a hot corona(in this case the large width of the line would be due to Compton broadening).In the case the line is produced by reflection in an ac-cretion disk we estimate that the required inner radius of the disk is∼7R g or∼15km for a1.4M⊙neutron star.Note that the quite small inner radius of the disk inferred from this model is in agreement with the quite soft X-ray spectrum of4U1705–44during the Chan-dra observation,which would probably place the source in the banana state of its X-ray color-color diagram.In this model,the inclination of the disk with respect to the line of sight is constrained in the range55◦−84◦.Al-ternatively,Comptonization in the corona could explain the large width of the line.Detailed calculations give σFe=0.019E FeτT(1+0.78kT e),whereτT is the Thomp-son optical depth and kT e is in keV(Kallman&White 1989,see also Brandt&Matt1994).Assuming an av-erage electron temperature of kT e=2.3keV,as derived from thefit of our data to the Comptonization model, we can explain the width of the iron line for a Thomson optical depth ofτT∼1.4.Therefore,it is possible that the line is produced in the outer region of the Comp-tonizing corona,where the optical depth might be lower (assuming that the temperature remains constant).This is not unreasonable given that any contribution to the line produced inside the Comptonizing region,where the optical depth can be as high as10(see Tab.1),would be completely smeared by Comptonization.Therefore, as expected,we only see that part of the line that is produced in the outer Comptonizing region. Unfortunately with these data we are not yet able to discriminate between the two possible origins of the iron line and its broadening proposed above.Higher statis-tics or detection of line variability would be needed for this.Naturally,what would definitively discriminate be-tween the two proposed models is the detection of a double peak in the iron line profile;this would exclude the Comptonization of line photons model and would indicate the relativistic/Doppler effects as the origin of the line broadening.This detection would be possible with higher statistics(large effective areas or long expo-sures).Hence,more XMM-Newton and Chandra obser-vations(better if simultaneous)would be ideal to this aim.Snapshots observations at different intensity levels and/or spectral states of the source would also be useful to study the variability of the line parameters with the position of the source in the X-ray color-color diagram and/or the frequency of the so-called kiloHertz quasi-periodic oscillations(kHz QPOs).If the source position in the color-color diagram track is indeed determined by the mass accretion rate(see e.g.Hasinger&van der Klis 1989)and the frequencies of the kHz QPOs are related to the Keplerian frequency at the inner edge of the accre-tion disk(as envisaged by most of the current models,see ler,Lamb,&Psaltis1998;Stella&Vietri1999), then one would expect that the radius of the disk as de-4termined from the line profile(fitted with a diskline model)should change accordingly.These kind of studies could give other pieces of evidence in favour of one or the other model.Tofit discrete residuals at low energies with respect to the continuum model we added to the model several Gaussian lines.In Table1we report the most significant of these features,together with a possible identification of the line.The lines at1.5and2.6keV are identified with Lyαtransitions from H-like Mg at1.4726keV(or,less probably,L-shell transitions from highly ionized iron,Fe XXII–Fe XXIV)and S at2.6227keV,respectively.The identification of the line at∼2.0keV is more uncertain due to the presence of a systematic feature at∼2.07keV.Note,however,that this line is quite close to the Lyαtransition of Si XIV at2.0061keV.Finally,we note that there seems to be a correlation between the energy and the width of these lines,with the Gaussianσincreasing with the centroid energy of the line.If the line width is due to velocity dispersions,we have calculated that ∆E/E0=v/c∼2.7−3.6%(where we have used for∆E the FWHM),slightly increasing with the energy of the line,from Mg XII to S XVI,as expected if more ionized elements are produced closer to the central X-ray source.This work was partially supported by the Ministero della Istruzione,della Universit´a e della Ricerca(MIUR).REFERENCES[]Arnaud,K.A.,1996in Astronomical Data Analysis Software and Systems V,A.S.P.Conference Series,Vol.101,G.H.Jacoby and J.Barnes,eds.,p.17[]Barret,D.2001,Advances in Space Research,28,307[]Barret,D.,&Olive,J.F.2002,ApJ,576,391[]Brandt,W.M.,&Matt,G.1994,MNRAS,268,1051[]Davis,J.E.2001,ApJ,562,575[]Fabian,A.C.,et al.1989,MNRAS,238,729[]Garmire,G.P.,Bautz,M.W.,Ford,P.G.,Nousek,J.A.,Ricker,G.R.2003,SPIE,4851,p.28-44[]Haberl,F.,&Titarchuk,L.1995,A&A,299,414[]Hasinger,G.,&van der Klis,M.1989,A&A,225,79[]Kallman,T.,&White,N.E.1989,ApJ,341,955[]Liu,Q.Z.,van Paradijs,J.,van den Heuvel,E.P.J.2001,A&A, 368,1021[]Miller,J.M.,Fabian,A.C.,Wijnands,R.,et al.2002,ApJ,578, 348[]Miller,J.M.,et al.2002,American Astronomical Society,34,1206 []Miller,M.C.,Lamb,F.K.,&Psaltis,D.,1998,ApJ,508,791[]Stella,L.1990,Nature,344,747[]Stella,L.,&Vietri,M.,1999,Phys.Rev.,82,L17[]Titarchuk,L.1994,ApJ,434,570[]White,N.E.,&Holt,S.S.1982,ApJ,257,318[]White,N.E.,et al.1986,MNRAS,218,1295Fig.1.—Top panel:HEGfirst order spectra of4U1705–44together with the best-fit model(see Table1).The discrete features included in the best-fit model and described by Gaussians are also shown.Note that,for seek of clarity,we have rebinned the data in the plot with respect to the energy resolution used for the spectral analysis.Bottom panel:Residuals in units ofσwith respect to the bestfit model.6Fig.2.—Residuals in units ofσwith respect to the simple Comptonization continuum when the iron line and other low energy Gaussians are not included in the model.7Table1Results of the fitting of the4U1705–44HEG first order spectra in the1.3–10keV energy band.N H(×1022cm−2)1.42±0.06Si/Si⊙2.0±0.2kT0(keV)0.50±0.02kT e(keV)2.29±0.09τ17.7±0.7Flux(1.3–10keV,erg cm−2s−1)7.82×10−9Finalχ2(d.o.f.)3168/3255The model consists of a Comptonized spectrum modeled by comptt,and four Gaussian emission lines.kT0is the temperature of the seed photon(Wien)spectrum,kT e the electron temperature andτthe optical depth in a spherical geometry.For the discrete features,I is the intensity of the line and EW is the corresponding equivalent width.Uncertainties are given at90%confidence level.8Table2Iron line parameters from the diskline model.Energy(keV)6.40±0.04(<11)R in(R g)7+4−1R out(R g)410+230−130Inclination(deg)59+25−4Index2.1±0.2I(10−2cm−2s−1)1.8±0.3Finalχ2(d.o.f.)3164/3252。