2020-2021学年耒阳市第二中学高三英语第二次联考试题及答案
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2020-2021学年耒阳市第二中学高三英语第二次联考试题及答案
第一部分阅读(共两节,满分40分)
第一节(共15小题;每小题2分,满分30分)
阅读下列短文,从每题所给的A、B、C、D四个选项中选出最佳选项
A
How to Look at Shape
Take a seat at the virtual(虚拟的) table. At our new, monthly membership program, you'll join MoMA staff and fellow members for lively discussions about our collection and exhibitions. Ask questions, share your thoughts, and broaden the mind. A live Q&A, with Michelle Kuo and Anny Aviram, about shape and its role in MoMA's collection is also arranged.
Draw, Write, and Connect with Others
Experiment with drawing and writing exercises as ways to connect with others, even when physically distant, in this 45-minute online workshop. This workshop is part of the Creativity Lab at Home plan. This session is led by Francis Estrada, Assistant Educator, and Hannah Fagin, Coordinator. Ifs open to anyone, but registration is limited and space is available on a first-come, first-served basis.
Storytelling Through Art
There are many ways to tell a story — through words through theater and dance, or through visual art, for example. Discover how artist Jacob Lawrence shared the history of an important event by combining words and art in a series of paintings calledThe Migration Series. For kids ages seven to fourteen. Parent participation is encouraged in this online event. Don' miss the opportunity to spend meaningful time with them.
The Human Shelter
In 2016, MoMA opened Insecurities: Tracing Displacement and Shelter, an exhibition that examined how contemporary architecture arid design addressed ideas of shelter in light of global refugee(难民) emergencies. Danish Boris Benjamin Bertram documented the exhibition, and the result is a movie by him asking what makes a home, and, perhaps more importantly, when shelter becomes home. This online event is part of Member events.
1.What is special about How to Look at Shape?
A.It provides an interactive part.
B.It is accessible to everyone.
C.It is organized by Michelle Kuo.
D.It focuses on MoMA's new collection.
2.Which event is family-friendly?
A.The Human Shelter.
B.How to Look at Shape.
C.Storytelling Through Art.
D.Draw, Write, and Connect with Others.
3.In which aspect might Bertram do well?
A.Shelter design.
B.Storytelling.
C.Art education.
D.Film-making.
B
Hi, Momis a hit inChina. Since its release in early February the movie has earned more than 5 billion yuan at the box office. It is currently the second-highest-grossing film ever released in the country, and may yet overtakeWolf Worrior2, an action film from 2017.
Written and directed by Jia Ling, the film is adapted from her comedy routine from 2016 which explored her relationship with her mother, who died in an accident when Ms. Jia was 19. At a time when many people have been separated from their families, the themes of grief and filial piety (孝道) inHi, Mombring agreement.
The film’s impressive box office income is also a reminder of the health of the industry inChinacompared withHollywood. In the West cinemas remain closed due to lockdown or operate at limited capacity; inChina, where many restrictions have been lifted, between 50% and 75% of seats are available to book. During the Spring Festival, Chinese cinemas made an estimated $1.5 billion in ticket sales – 71% of takings at the American box office in all of 2020.
With cinemas shut, film-sales agent stopped bringingHollywoodmovies to market. That has given locally made films a chance to excel. Since 2013, domestic films have taken around 60% of total box office earnings. In 2021, that number may get closer to 100%.
4. What can be inferred from the first paragraph aboutHi, Mom?
A. It will be a success.
B.Wolf Worrior2 will be released after it.
C. It is better than Wolf Worrior 2.
D. It may be the first-highest-grossing film inChina.
5. Which statement is NOT true according to the text?
A. The film industry inChinais developing better than that inHollywood.
B. The film is based on a real story.
C. You can’t go to cinema because there are many restrictions.
D. Many people can’t see their families often nowadays.
6. What is the author’s attitude towards local films?