景德镇御窑博物馆,江西,中国

景德镇御窑博物馆,江西,中国
朱锫
【期刊名称】《世界建筑》
【年(卷),期】2017(000)009
【总页数】2页(P94-95)
【作者】朱锫
【作者单位】
【正文语种】中文
这几张草图是设计最初构思阶段朦胧想法的记录，是几度在景德镇游历感悟兴奋时的随笔，试图捕捉在大脑中快速闪现的想法，思考御窑遗址、历史遗存、城市肌理与博物馆的关系。

古瓷窑原型反复出现在最初的草图中，一方面，瓷窑的原型可以让御窑博物馆根植于景德镇的历史、传统和气候的泥土之中，重塑窑、瓷、人的血缘同构关系。

另一方面，瓷窑原型的原始、朴素、简单、无柱空间所蕴含的当代性，又为当地人塑造了既熟悉又陌生的、与传统不同的新经验。

草图的快速、含糊、不明确性，恰好可以启发我们手随心动，去捕捉自己心中最有感受的部分，启发我们一步一步明确设计的走向。

□
Recording an original vague concept in the early stage,these sketches were derived from those exciting moments when traveling Jingdezhen. I tried to capture the idea flashing into my mind so as to consider the relationship among the relic of imperial kiln, historical heritage, urban fabric and the
museum.
The prototype of ancient kilns repeatedly appeared in those early sketches. On the one hand, the prototype established a dialogue between the imperial kiln museum and the local context (history, tradition and the climate) and reshaped the isomorphic relations among kiln, porcelain and human. On the other hand, the contemporaneity in the column-free space with primitiveness and simplicity, generated a brand new experience that was diferent from the traditions for local people, familiar but strange.
The rapidness, vagueness and ambiguity of sketches just can encourage to eye-hand and even hand-mind coordination,and moreover, to capture the most touching part in our mind,leading to a clearer design direction step by step.□
项目信息/Credits and Data
建筑设计/Architect: 朱锫建筑事务所，清华大学建筑设计研究院有限公司/Studio Zhu-Pei, Architectural Design and Research Institute of Tsinghua University 主持建筑师/Design Principal: 朱锫/ZHU Pei
设计团队/Project Team: 韩默，由昌臣，刘伶，吴志刚，Shuhei Nakamura，张顺，何帆，柯军，卢霞，杨圣晨，杜扬，陈奕达，贺成龙，张海城，王立言，付之航，陈嘉禾，伍海英/HAN Mo, YOU Changchen, LIU Ling, WU
Zhigang,Shuhei Nakamura, ZHANG Shun, HE Fan, KE Jun, LU Xia,YANG Shengchen, DU Yang, CHEN Yida, HE Chenglong, ZHANG Haicheng, WANG Liyan, FU Zhihang, CHEN Jiahe, WU Haiying
基地面积/Site Area: 9752m2
建筑面积/Floor Area: 9420m2。