the silence of the lambs
费城故事 知识点总结 视听说资料
Philadelphia is a 1993 American drama film and one of the first mainstream Hollywood films to acknowledge HIV/AIDS, homosexuality and homophobia. It was written by Ron Nyswaner and directed by Jonathan Demme. The film stars Tom Hanks and Denzel Washington.
Ⅳ. Critic Reviews for Philadelphia
Philadelphia by Roger Ebert/ January 14, 1994
More than a decade after AIDS was first identified as a disease, "Philadelphia"(the first high-profile Hollywood film to take the AIDS plague seriously,)marks the first time Hollywood has risked a big-budget film on the subject. No points for timeliness here; made-for-TV docudramas(文献电视片)and the independent film "Longtime Companion" have already explored the subject, and "Philadelphia" breaks no new dramatic ground. Instead, it relies on the safe formula of the courtroom drama to add suspense and resolution to a story that, by its nature, should have little suspense and only one possible outcome.
历届奥斯卡金像奖最佳男主角.
历届奥斯卡金像奖最佳男主角.第77届奥斯卡最佳男主角（2004-2005）杰米-福克斯(JAMIE FOXX)《灵魂歌王》(RAY)第76届最佳男主角（2003-2004）：肖恩·潘（《神秘之河》）SeanPe第75届最佳男主角（2002-2003）：阿德里安-布劳迪Adrien Brody《钢琴师》（ACTOR IN A LEADING ROLE）第74届最佳男主角（2001-2002）:登泽尔-华盛顿(DenzelWashington),《训练日》(TrainingDay)第73届最佳男主角（2000-2001）：拉塞尔-克罗（《角斗士》）第72届最佳男主角（1999-2000）：凯文·斯贝西 Kevin Spacey （《American Beauty 美国丽人》）第71届最佳男主角（1998-1999）：罗伯特*贝尼尼《生活是美好的》《Life is Beautiful》第70届最佳男主角（1997-1998）：杰克*尼克尔森（《尽善尽美》）第69届最佳男主角（1996-1997）杰弗里*拉什（《夏因》）1998----Robert Benigni(罗拔图贝尼尼), 一个快乐的传说)1997----Jack Nicholson(积尼高逊), 《As Good As It Gets》(猫屎先生)1996----eoffrey Rush(谢菲路殊), 《Shine》(闪亮的风采)1995----Nicolas Cage(尼古拉斯基治), 《Leaving Las Vegas》(两颗绝望的心)1994----T om Hanks(汤汉斯), 《Forrest Gump》(阿甘正传)1993----T om Hanks(汤汉斯), 《Philadelphia》(费城故事)1992----Al Pacino(阿尔柏仙奴), 《Scent of a Woman》(女人香) 1991----Anthony Hopkins(安东尼鹤坚斯), 《The Silence of the Lambs》(沉默的羔羊)1990----Jeremy Irons(谢洛美艾朗斯), 《Reversal of Fortune》(豪门孽债)1989----Daniel Day Lewis(丹尼戴尔路易斯), 《My Left Foot》(无悔今生)1988----Dustin Hoffman(德斯汀荷夫曼), 《Rain Man》(手足情未了)1987----Michael Douglas(米高德格拉斯), 《Wall Street》(华尔街)1986----Paul Newman(保罗钮曼), 《The Color of Money》(金钱本色)1985----William Hurt(威廉赫特), 《Kiss of the Spider Woman》(蜘蛛女之吻)1984----F. Murray Abraham(梅利亚布罕), 《Amadeus》(莫扎特传)1983----Robert Duvall(罗拔杜维), 《Tender Mercies》1982----Ben Kingsley(宾京士利), 《Gandhi》(甘地传)1981----Henry Fonda(亨利芳达), 《On Golden Pond》(金池塘) 1980----Robert De Niro(罗拔迪尼路), 《Raging Bull》(狂牛)1979----Dustin Hoffman(德斯汀荷夫曼), 《Kramer vs. Kramer》(克蓝玛对克蓝玛)1978----Jon Voight, 《ing Home》(荣归)1977----Richard Dreyfuss, 《The Goodbye Girl》(再见女郎)1976----Peter Finch(彼德芬治), 《Network》(电视台风云)1975----Jack Nicholson(积尼高逊), 《One Flew Over the Cuckoo's Nest》(飞越疯人院)1974----Art Carney(艾兹基利), 《Harry and Tonto》(老人与猫) 1973----Jack Lemmon(积林蒙), 《Save the Tiger》(救虎记)1972----Marlon Brando(马龙白兰度), 《The Godfather》 (教父) 1971----Gene Hackman(真赫曼), 《The French Connection》(密探霹雳火)1970----Gee C. Scott(佐治史葛), 《Patton》(铁血将军巴顿)1969----John Wayne(尊荣), 《True Grit》(独眼龙双枪歼四虎)1968----Cliff Robertson(奇里夫罗拔臣), 《Charly》 (畸人查理) 1967----Rod Steiger, 《In the Heat of the Night》(月黑风高杀人夜)1966----Paul Scofield(保罗史高菲), 《A Man for All Seasons》1965----Lee Marvin(李马荣), 《Cat Ballou》(女贼金丝猫)1965----Rex Harrison(力士夏里逊), 《My Fair Lady》(窈窕淑女) 1964----Sidney Poitier(薛尼波特), 《Lilies of the Field》 (桃李满门)1963----Gregory Peck(格力哥利柏), 《To Kill a Mockingbird》(怪屋疑云)1961----Maximilian Schell, 《Judgment at Nuremberg》1960----Burt Lancaster(毕兰加士打), 《Elmer Gantry》(龙虎干戈)1959----Charlton Heston(查尔登希士顿), 《Ben-Hur》 (宾虚)1958----David Niven(大卫尼云), 《Separate Tables》(鸳鸯谱)1957----Alec Guinness(亚力健力士), 《The Bridge on the River Kwai》(桂河桥)1956----Yul Brynner(尤伯连纳), 《The King and I》(国王与我) 1955----Ernest Bnine, 《Marty》(君子好逑)1954----Marlon Brando(马龙白兰度), 《On the Waterfront》(码头风云)1953----William Holden(威廉荷顿), 《Stalag 17》(战地军魂)1952----Gary Cooper(加利谷巴), 《High Noon》(龙城歼霸战) 1951----Humphrey Bogart(堪富利保加), 《The African Queen》(东非狂暴记)1950----Jose Ferrer(爱路扶连), 《Cyrano de Bergerac》(风流剑客)1949----Broderick Crawford, 《All the King's Men》1948----Laurence Olivier(罗兰士奥利花), 《Hamlet》(王子复仇记)1947----Ronald Colman(朗奴高文), 《A Double Life》1946----Fredric March, 《The Best Years of Our Lives》1945----Ray Milland, 《The Lost Weekend》1944----Bing Cro ... y(冰哥罗士比), 《Going My Way》(与我同行)1943----Paul Lukas(保罗卢卡斯), 《Watch on the Rhine》1942----James Cagney, 《Yankee Doodle Dandy》1941----Gary Cooper(加利谷巴), 《Sergeant York》1940----James Stewart(占士史超域), 《The Philadelphia Story》(旧欢新宠)1939----Robert Donat(罗拔唐尼), 《Goodbye, Mr. Chips》(万世师表)1938----Spencer Tracy, 《Boys Town》1937----Spencer Tracy, 《Captains Courageous》1936----Paul Muni, 《The Story of Louis Pasteur》1935----Victor McLaglen, 《The Informer》1934----Clark Gable(奇勒基宝), 《It Happened One Night》(一夜风流)1932/33----Charles Laughton, 《The Private Life of Henry VIII》(英宫艳史)1930/31----Lionel Barrymore, 《A Free Soul》1929/30----Gee Arliss, 《Disraeli》1928/29----Warner Baxter, 《In Old Arizona》1927/28----Emil Jannings, 《The Last mand》。
the-cask-of-Amontillado-翻译
the-cask-of-Amontillado-翻译the cask of Amontillado Edgar Allan Poe阿芒提拉多的水桶埃德加艾伦坡福吐纳托对我百般迫害，我都尽量忍在心头，可是一旦他胆敢侮辱我，我就发誓要报仇了，您早就摸熟我生性脾气，总不见得当我说说吓唬人。
总有一天我要报仇雪恨；这个注意坚定不移，既然拿定主意不改，就没想到会出危险。
我不仅要给他吃吃苦头，还要干得绝了后患。
报仇的自己得到报应，这笔仇就没了清。
复仇的不让冤家知道是谁害他，这笔仇也没了清。
不消说，我一言一语，一举一动都没引起福吐纳托怀疑是存心不良。
还是照常对他笑脸相迎，可他没看出如今我是想到要送他命才笑呢。
福吐纳托这人在某些方面虽令人尊重，甚至令人敬畏，可就是有个弱点。
他自夸是品酒老手。
意大利人没几个具有真正行家的气质。
他们的热诚，多半都用来随机应变，看风使舵，好让英国和奥地利的大财主上当。
谈到古画和珠宝方面，福吐纳托跟他同胞一样，夸夸其谈，不过谈到陈酒方面，倒是真正识货。
这点我跟他大致相同——对意大利葡萄酒，我也算内行，只要办得到的话，就大量买进。
在热闹的狂欢节里，有天傍晚，正当暮色苍茫，我碰到了这位朋友。
他亲热的招呼我，因为他肚里灌饱了酒。
这家伙扮成小丑，身穿杂色条纹紧身衣，头戴圆尖帽，上面系着铃铛。
我看见他真是高兴极了，不由想握着他的手久久不放。
我对他说：“老兄啊，幸会，幸会。
你今天气色真是好到极点。
我弄到一大桶所谓白葡萄酒（西班牙蒙蒂利亚生产的一种甜酒），可我不放心。
”“怎的？”他说，“白葡萄酒？一大桶？不见得吧！在狂欢节期间哪弄得到？”“我不放心，”我答道，“我真笨透了，居然没跟你商量，就照白葡萄酒的价钱全付清了。
找又找不到你，可又生怕错过这笔买卖。
” “白葡萄酒！”“我不放心。
”“白葡萄酒！”“我一定得放下这条心！”“白葡萄酒！”“瞧你有事，我正想去找卢克雷西呢。
只有他才能品酒。
他会告诉我——”“可有些傻瓜硬说他眼力跟你不相上下呢。
《沉默的羔羊 The Silence of the Lambs (1991)》影评
《沉默的羔羊》：人性深处的较量电影《沉默的羔羊》是改编自托马斯·哈里斯同名小说，由乔纳森·德米执导的一部经典犯罪惊悚片。
该影片不仅因其扣人心弦的情节和精湛的角色塑造而备受赞誉，还因为在心理分析、道德抉择以及人性探索方面所展现出的艺术深度获得了国际性的广泛认可。
电影讲述了年轻的联邦调查局特工克洛伊·斯塔林（在电影中改为克拉丽斯·斯特林）为了追查一名连续杀人犯“野牛比尔”，求助于被关押在美国政府精神病医院中的连环杀手汉尼拔·莱克特博士的故事。
一、概述（一）剧情背景与人物关系《沉默的羔羊》围绕着一位年轻的FBI学员克拉丽斯和一个聪明且危险的心理学专家汉尼拔·莱克特之间的故事。
克拉丽斯为了破案向被囚禁的变态杀人狂汉尼拔求助，他们之间产生了微妙而复杂的关系。
整个电影通过对话、心理分析和悬疑情节，逐步揭示了“野牛比尔”恐怖犯罪背后的动机。
（二）关键事件与转折点影片开篇即引入克拉丽斯在FBI训练学院的表现：她以一种不屈的精神面对挑战，并努力争取成为少数几个合格的女性特工之一。
当她被指派调查“野牛比尔”的案件时，其背景和动机开始浮出水面。
“野牛比尔”对女性身体进行扭曲、破坏的行为让克拉丽斯感到震撼。
与此同时，汉尼拔作为监狱里的囚犯，在与克拉丽斯的交谈中逐渐显露出自己的智慧和洞察力。
他通过分析“野牛比尔”的行为模式，为克拉丽斯提供了关键线索，帮助她更接近目标。
然而，“野牛比尔”也并非简单可被控制的角色——他在电影中期策划了一场对汉尼拔及其看守的袭击事件，成功逃出了监狱。
“野牛比尔”逃脱后继续其犯罪活动，并在最后将受害者藏匿于某处以准备实施最终的大胆谋杀。
然而，在“野牛比尔”的计划中存在漏洞：他并未完全理解莱克特医生对他的研究。
因此，在电影的高潮部分，汉尼拔利用他对心理学的理解和自身的高智商从监狱越狱，并追捕“野牛比尔”救出了被绑架的女孩。
（三）情感与心理冲突整部电影中，克拉丽斯面临了巨大的压力和挑战：她不仅需要克服性别偏见和个人恐惧，还需要在调查过程中保持理智。
经典电影台词Top100
经典电影台词Top100■经典电影台词Top1001、“坦白地说，我不在乎。
” 《乱世佳人》Frankly, my dear, I don't give a damn.GONE WITH THE WIND19392、“我会给他一个他无法拒绝的条件。
” 《教父》I'm going to make him an offer he can't refuse.THE GODFATHER19723、“你不理解！我可能有社会地位，我可能成为一个竞选者、我可能已经成了个上等人，而不是一个游民，像现在这副样子。
” 《码头风云》You don't understand! I coulda had class. I coulda been a contender. I could've been somebody, instead of a bum, which is what I am.ON THE WATERFRONT19544、“托托，我觉得我们已经不在堪萨斯州了。
” 《绿野仙踪》Toto, I've got a feeling we're not in Kansas anymore.THE WIZARD OF OZ19395、“就看你了，孩子。
” 《卡萨布兰卡》Here's looking at you, kid.CASABLANCA19426、“向前走，创造我自己的日子。
” 《拔云见日》Go ahead, make my day.SUDDEN IMPACT19837、“一切就续，德米勒先生，我做好准备拍我的特写了。
” 《日落大道》All right, Mr. DeMille, I'm ready for my close-up.SUNSET BLVD.19508、“愿原力与你同在。
” 《星球大战》May the Force be with you.STAR WARS19779、“系好你的安全带，这将会是一个不平坦的夜晚。
中英文《沉默的羔羊》电影经典台词
中英文《沉默的羔羊》电影经典台词Hannibal Lecter: You know what you look like to me, with your good bag and your cheap shoes? You look like a rube. A well scrubbed, hustling rube with a little taste. Good nutrition has given you some length of bone, but you're not more than one generation from poor white trash, are you, Agent Starling? And that accent you've tried so desperately to shed? Pure West Virginia. What's your father, dear? Is he a coal miner? Does he stink of the lamb? You know how quickly the boys found you... all those tedious sticky fumblings in the back seats of cars... while you could only dream of getting out... getting anywhere... getting all the way to the FBI.汉尼拔：你知道我是怎么看你的？你拿着不错的包却穿着廉价的鞋，看上去像个乡巴佬。
一个整洁干净而强加进一点品味的乡巴佬。
良好的营养让你的骨骼生长，可你还是贫穷白人的后代，是吧，斯塔琳特工？你拼命想摆脱你的口音，纯正的西弗吉尼亚口音。
亲爱的，你的父亲是做什么的？他是矿工？他带着羔羊的臭味？你知道男孩们多快就找到了你……所有那些在汽车后座上令人乏味的笨手笨脚……你梦想逃离，去投奔联邦调查局。
美国电影学会评选的“百佳电影台词”完整英文版(强力推荐,免费下载)
美国电影学会评选的“百佳电影台词”英文版chosen by leaders of the entertainment community, in a three-hour television event, that aired on the CBS Television Network in June 2005.1. "Frankly, my dear, I don't give a damn," "Gone With the Wind," 1939.《乱世佳人》第1名：“坦白说，亲爱的，我不在乎。
”——《乱世佳人》（1939年）毫无疑问，即使那些没有看过《乱世佳人》的人，也会对白瑞德给郝思嘉的这句临别之言印象深刻。
《乱世佳人》中这句经典的台词在评选中一举夺魁。
2. "I'm going to make him an offer he can't refuse," "The Godfather," 1972.《教父》第2名：“我要开出一个他无法拒绝的条件。
”——《教父》（1972年）3. "You don't understand! I coulda had class. I coulda been a contender.I could've been somebody, instead of a bum, which is what I am," "On the Waterfront," 1954. 《码头风云》第3名：“你不明白！我本可以进入上流社会。
我本可以成为一个上进的人。
我本可以当个有脸面的人物，而不是像现在这样当个小混混。
"”——《码头风云》（1954年）4. "Toto, I've got a feeling we're not in Kansas anymore," "The Wizard of Oz," 1939. 《绿野仙踪》第4名：“托托，我有一种感觉我们再也回不了家了。
The Silence of the Lambs沉默的羔羊英语读后感700字
The Silence of the Lambs沉默的羔羊英语读后感700字The silent lamb wasn't the first thriller I saw, but it left me with the deepest impression, rooted in my mind, and settled down. No matter how thin the film is to the text, I remember it over and over again. Young trainee investigator Starling starts with a simple task interview Dr.Lecter, and explores clues to hunt down buffalo Bill from case files under Dr.Lecter's cue. The reasoning process and the interference of Dr.Lecter Starling hidden in mockery, memories, Chilton and all, readers need to like Shi Dalin, a step by step carefully, to see the results. Starling's fear and cruelty, Dr.Lecter's "art of crime", and his disgusting motives, step by step introduce tourists into the two world full of fear, and make the reader's emotion and the mood of the characters in the book rise and fall.Dr.Lecter in the book is doctor of psychiatry, and he is also a rare object of psychological research with abnormal psychological crux. And the other two killers are also psychological patients. Abnormal Psychology was originallytranslated as "abnormal psychology". From the people's curiosity, it is always attractive to describe the works of "psychological perversion". Therefore, the silent lamb series has become a popular thriller suspense reasoning work.Clarice is a FBI student, but she has the trait of perseverance, calmness and tact. Childhood, family poverty, lost her father, orphaned wandering childhood, let her fear of everything around. She escaped from the farm because she couldn't bear the screaming of the lamb, and it was painful for her. These lambs can't change the fate of being slaughtered, because they're too weak. Clarice saw all this and felt the weakness of his own strength. She fled the farm, into the orphanage, began to study hard, again and again to challenge themselves, in order to hide the fear inside. Her hard work and hard work are reflected in the eyes of the boss. And as a FBI student, she was given an opportunity to investigate terrorist murders. Of course, that's what she wants. She wants to succeed, and she wants to change the identity of the weak in her subconscious. So she accepted the task without hesitation. The appearance of a strong girl, in front of the ogre Hannibal,nowhere to hide. In a simple transaction, she was forced to recall her childhood experience, tears streaming down her face. Clarice was eager to solve the case and rescue the hostages. She didn't realize that it was not only a career instinct, but also a struggle of her subconscious, struggling in the scream of the lamb. Hannibal discovered this, and knew that she would stick to the buffalo Bill. According to Freud on the stage in the development of personality, the young Clarice was destitute, wake up one morning to slaughter the lamb scream. She tried to save them, picked up one of them fled, but the result is she was sent to the orphanage, the lamb was slaughtered. Since then, this experience has become Clarisse's nightmare, she often woke up in the dark, heard the screams of the lamb. "Perhaps Clarice himself did not find, but subconsciously, she is the" lamb "formed some kind of identity, lamb screams became a symbol of victimhood. So the screams of the lamb often sneak into Crabbe's nightmare and become her subconscious.Throughout the film, the role is divided into two kinds: Metamorphosis and the brave. In the face of the metamorphosis such as Hannibal and buffalo Bill, Crabbe and Catherine wereforced to fight against them with their courage and wisdom. Although Hannibal escaped, Catherine was rescued, and buffalo Bill was killed. Cola Lisi finally rescued the lamb by his own efforts, and realized the justice in his heart. The cry of the lamb may finally stop.版权作品，未经《99作文网》书面授权，严禁转载，违者将被追究法律责任。
100部奥斯卡片名中英翻译—爱看电影的进来
100部奥斯卡⽚名中英翻译—爱看电影的进来1. ⽆处为家[Nowhere in Africa] （德国/2003年出品/彩⾊/有声）2. 魔戒3：王者⽆敌[The Lord of the Rings: The Return of the King] （美国/2003年出品/彩⾊/有声）3. 科伦拜恩的保龄[Bowling For Columbine] （美国/2002年出品/彩⾊/有声）4. 对她说[Hable con ella/Talk to Her] （西班⽛/2002年出品/彩⾊/有声）5. 弗⾥达[Frida] （美国/2002年出品/彩⾊/有声）6. 毁灭之路[Road to Perdition] （美国/2002年出品/彩⾊/有声）]7. 8英⾥[8 Mile] （美国/2002年出品/彩⾊/有声）8. 改编剧本[Adaptation] （美国/2002年出品/彩⾊/有声）9. 指环王2[THE LORD OF THE RINGS: THE TWO TOWERS] （美国/新西兰/2002年出品/彩⾊/有声）10. 美丽⼼灵[A Beautiful Mind] （美国/2001年出品/彩⾊/有声）11. 千与千寻[Spirited Away] （⽇本/2001年出品/彩⾊/有声）12. 格林奇⼤闹圣诞节[How The Grinch Stole Christmas] （美国/2001年出品/彩⾊/有声）13. 卧虎藏龙[Crouching Tiger Hidden Dragon] （中国台湾/2001年出品/彩⾊/有声）14. 成名之路[Almost Famous] （美国/2000年出品/彩⾊/有声）15. ⾓⽃⼠[Gladiator] （美国/2000年出品/彩⾊/有声）16. 永不妥协[ERIN BROCKOVICH] （美国/2000年出品/彩⾊/有声）17. 男孩别哭[Boys Don‘t Cry] （美国/1999年出品/彩⾊/有声）18. 美国丽⼈[American Beauty] （美国/1999年出品/彩⾊/有声）19. 美丽⼈⽣[Life Is Beautiful] （意⼤利/1998年出品/彩⾊/有声）20. 莎翁情史[Shakespeare In Love] （美国/英国/1998年出品/彩⾊/有声）21. 拯救⼤兵瑞恩[Saving Private Ryan] （美国/1998年出品/彩⾊/有声）22. 泰坦尼克号[Titanic] （美国/1997年出品/彩⾊/有声）23. 英国病⼈[The English Patient] （美国/1996年出品/彩⾊/有声）24. 勇敢的⼼[Brave Heart] （美国/1995年出品/彩⾊/有声）25. 狮⼦王[Lion King] （美国/1994年出品/彩⾊/有声）26. 阿⽢正传[Forrest Gump] （美国/1994年出品/彩⾊/有声）27. 烈⽇灼⼈[Burnt by the Sun] （法国/俄国/1994年出品/彩⾊/有声）28. ⾟德勒的名单[Schindler‘s List] （美国/1993年出品/⿊⽩/有声）29. 钢琴课[The Piano] （澳⼤利亚/1993年出品/彩⾊/有声）30. 杀⽆赦[Unforgiven] （美国/1992年出品/彩⾊/有声）31. 沉默的羔⽺[The Silence of the Lambs] （美国/1991年出品/彩⾊/有声）32. 与狼共舞[Dances With Wolves] （美国/1990年出品/彩⾊/有声）33. 好家伙[Goodfellas] （美国/1990年出品/彩⾊/有声）34. 死亡诗社[Dead Poets Society] （美国/1989年出品/彩⾊/有声）35. 为黛茜⼩姐开车[Driving Miss Daisy] （美国/1989年出品/彩⾊/有声）36. ⾬⼈[Rain Man] （美国/1988年出品/彩⾊/有声）37. 末代皇帝[The Last Emperor] （意⼤利/英国/中国/1987年出品/彩⾊/有声）38. 野战排[Platoon] （美国/1986年出品/彩⾊/有声）39. ⾛出⾮洲[Out Of Africa] （美国/1985年出品/彩⾊/有声）40. 乱[Ran] （⽇本、法国/1985年出品/彩⾊/有声）41. 蜘蛛⼥之吻[Kiss of the Spider Woman] （巴西/美国/阿根廷/1985年出品/彩⾊/有声）42. 看得见风景的房间[A Room With A View] （英国/1985年出品/彩⾊/有声）43. 莫扎特[Amadeus] （美国/1984年出品/彩⾊/有声）44. 母⼥情深[Terms Of Endearment] （美国/1983年出品/彩⾊/有声）45. ⽢地[Gandhi] （英国/美国/印度/1982年出品/彩⾊/有声）46. 芳妮和亚历⼭⼤（瑞典/1982年出品/彩⾊/有声）47. ⾦⾊池塘[On Golden Pond] （美国/1981年出品/彩⾊/有声）48. ⽕的战车[Chariots Of Fire] （英国/1981年出品/彩⾊/有声）49. 普通⼈[Ordinary People] （美国/1980年出品/彩⾊/有声）50. 锡⿎[Tin Drum, The] （德国/1979年出品/彩⾊/有声）51. 克莱默夫妇[Kramer Vs. Kramer] （美国/1979年出品/彩⾊/有声）52. 现代启⽰录[Apocalypse Now] （美国/1979年出品/彩⾊/有声）53. 猎⿅⼈[The Deer Hunter] （美国/1978年出品/彩⾊/有声）54. 安妮??霍尔[Annie Hall] （美国/1977年出品/彩⾊/有声）55. 洛基[Rocky] （美国/1976年出品/彩⾊/有声）56. 愤怒的公⽜[Raging Bull] （美国/1975年出品/彩⾊/有声）57. 飞越疯⼈院[One Flew Over The Cuckoo‘s Nest] （美国/1975年出品/彩⾊/有声）58. 教⽗（续集）[The Godfather Part 2] （美国/1974年出品/彩⾊/有声）59. 骗[The Sting] （美国/1973年出品/彩⾊/有声）60. 呼喊与细语[Cries and Whispers] （瑞典/1972年出品/彩⾊/有声）61. 教⽗[The Godfather] （美国/1972年出品/彩⾊/有声）62. 法国贩毒⽹[The French Connection] （美国/1971年出品/彩⾊/有声）63. 巴顿将军[Patton] （美国/1970年出品/彩⾊/有声）64. 对⼀个不容怀疑的公民的调查（意⼤利/1970年出品/彩⾊/有声）65. 午夜⽜郎[Midnight Cowboy] （美国/1969年出品/彩⾊/有声）66. 奥利弗[Oliver!] （英国/1968年出品/彩⾊/有声）67. 冬狮[The Lion In Winter] （英国/1968年出品/彩⾊/有声）68. 2001年太空漫游[2001：Space Odyssey] （英国/1968年出品/彩⾊/有声）69. 猜猜谁来吃晚餐[Guess Who’s Coming To Dinner] （美国/1967年出品/彩⾊/有声）70. 毕业⽣[The Graduate] （美国/1967年出品/彩⾊/有声）71. 炎热的夜晚[In The Heat Of The Night] （美国/1967年出品/彩⾊/有声）72. 永远⾛红的⼈[A Man For All Seasons] （美国/1966年出品/彩⾊/有声）73. ⽇⽡⼽医⽣[Doctor Zhivago] （美国/1965年出品/彩⾊/有声）74. ⾳乐之声[The Sound of Music] （美国/1965年出品/彩⾊/有声）75. 窈窕淑⼥[My Fair Lady] （美国/1964年出品/彩⾊/有声）76. 汤姆??琼斯[Tom Jones] （英国/1963年出品/彩⾊/有声）77. 埃及艳后[Cleopatra] （美国/1963年出品/彩⾊/有声）78. 阿拉伯的劳伦斯[LAWRENCE OF ARABIA] （美国/1962年出品/彩⾊/有声）79. 西区故事[West Side Story] （美国/1961年出品/彩⾊/有声）80. 穿过⿊暗的玻璃[Through a Glass Darkly] （瑞典/1961年出品/⿊⽩/有声）81. 公寓[The Apartment] （美国/1960年出品/⿊⽩/有声）82. 宾虚[Ben-Hur] （美国/1959年出品/彩⾊/有声）83. 琪琪[Gigi] （美国/1958年出品/彩⾊/有声）84. 桂河⼤桥[The Bridge On The River Kwai] （英国/1957年出品/彩⾊/有声）85. 环球旅⾏⼋⼗天[Around The World In 80 Days] （美国/1956年出品/彩⾊/有声）86. 马蒂[Marty] （美国/1955年出品/彩⾊/有声）87. 在江边[On The Waterfront] （美国/1954年出品/⿊⽩/有声）88. 永垂不朽[From Here to Eternity] （美国/1953年出品/⿊⽩/有声）89. 戏中之王[The Greatest Show on Earth] （美国/1952年出品/彩⾊/有声）90. 罗马假⽇（美国/1952年出品/彩⾊/有声）91. ⼀个美国⼈在巴黎[An American In Paris] （美国/1951年出品/彩⾊/有声）92. 欲望号街车[Streetcar Named Desire] （美国/1951年出品/彩⾊/有声）93. 罗⽣门[Rashomon] （⽇本/1950年出品/⿊⽩/有声）94. 彗星美⼈[All About Eve] （美国/1950年出品/⿊⽩/有声）95. 当代奸雄[All the King‘s men] （美国/1949年出品/⿊⽩/有声）96. 偷⾃⾏车的⼈[the bicycle thief] （意⼤利/1948年出品/⿊⽩/有声）97. 王⼦复仇记[Hamlet] （1948年出品/⿊⽩/有声）98. 红菱艳[The Red Shoes] （英国/1948年出品/彩⾊/有声）99. 君⼦协定[Gentleman‘s Agreement] （美国/1947年出品/⿊⽩/有声）100. 孤星⾎泪[Great Expectations] （英国/1946年出品/⿊⽩/有声）。
The Silence of the Lambs_沉默的羔羊英语读后感700字
The Silence of the Lambs_沉默的羔羊英语读后感700字The silent lamb wasn't the first thriller I saw, but it left me with the deepest impression, rooted in my mind, and settled down. No matter how thin the film is to the text, I remember it over and over again. Young trainee investigator Starling starts with a simple task interview Dr.Lecter, and explores clues to hunt down buffalo Bill from case files under Dr.Lecter's cue. The reasoning process and the interference of Dr.Lecter Starling hidden in mockery, memories, Chilton and all, readers need to like Shi Dalin, a step by step carefully, to see the results. Starling's fear and cruelty, Dr.Lecter's "art of crime", and his disgusting motives, step by step introduce tourists into the two world full of fear, and make the reader's emotion and the mood of the characters in the book rise and fall.Dr.Lecter in the book is doctor of psychiatry, and he is also a rare object of psychological research with abnormal psychological crux. And the other two killers are also psychological patients. Abnormal Psychology was originally translated as "abnormal psychology". From thepeople's curiosity, it is always attractive to describe the works of "psychological perversion". Therefore, the silent lamb series has become a popular thriller suspense reasoning work.Clarice is a FBI student, but she has the trait of perseverance, calmness and tact. Childhood, family poverty, lost her father, orphaned wandering childhood, let her fear of everything around. She escaped from the farm because she couldn't bear the screaming of the lamb, and it was painful for her. These lambs can't change the fate of being slaughtered, because they're too weak. Clarice saw all this and felt the weakness of his own strength. She fled the farm, into the orphanage, began to study hard, again and again to challenge themselves, in order to hide the fear inside. Her hard work and hard work are reflected in the eyes of the boss. And as a FBI student, she was given an opportunity to investigate terrorist murders. Of course, that's what she wants. She wants to succeed, and she wants to change the identity of the weak in her subconscious. So she accepted the task without hesitation. The appearance of a strong girl, in front of the ogre Hannibal, nowhere to hide. In a simple transaction, she was forced to recall her childhoodexperience, tears streaming down her face. Clarice was eager to solve the case and rescue the hostages. She didn't realize that it was not only a career instinct, but also a struggle of her subconscious, struggling in the scream of the lamb. Hannibal discovered this, and knew that she would stick to the buffalo Bill. According to Freud on the stage in the development of personality, the young Clarice was destitute, wake up one morning to slaughter the lamb scream. She tried to save them, picked up one of them fled, but the result is she was sent to the orphanage, the lamb was slaughtered. Since then, this experience has become Clarisse's nightmare, she often woke up in the dark, heard the screams of the lamb. "Perhaps Clarice himself did not find, but subconsciously, she is the" lamb "formed some kind of identity, lamb screams became a symbol of victimhood. So the screams of the lamb often sneak into Crabbe's nightmare and become her subconscious.Throughout the film, the role is divided into two kinds: Metamorphosis and the brave. In the face of the metamorphosis such as Hannibal and buffalo Bill, Crabbe and Catherine were forced to fight against them with their courage and wisdom. Although Hannibalescaped, Catherine was rescued, and buffalo Bill was killed. Cola Lisi finally rescued the lamb by his own efforts, and realized the justice in his heart. The cry of the lamb may finally stop.。
沉默的羔羊 英语课前演讲
Appreciation movie——
《 The Silence Of The Lambs 》
Act 1: Dr Lecter be transferred
John (Douglas) always felt this is must take a picture of the scene, Roger Corman role solely responsible for scheduling and all of this
Appreciation movie——
《 The Silence Of The Lambs 》
Act 1: Dr Lecter be transferred In the two police officers to search his body, when check to his mouth, the metal tester set off alarms. Someone said, "there are exceptions, but someone said," that is filling the trace of ", hence they spared the check his teeth. Dr Lecter is really a very terrible characters.
Appreciation movie——
《 The Silence Of The Lambs 》
Act 2: final meeting
Charles officer (figure below) since 1977 were involved in the shooting a film I each, he is like a super star, I think he is very excellent actor. His strong bodily form, suggest that he has great strength, will not give up easily.
Silence of the Lambs, (1991)
Silence of the Lambs, (1991)1991, R-rated, 118 minutesNovel by Thomas HarrisDirected by Jonathan DemmeAwards: Best Picture, Best Actor, Best Actress, Best Director, Best Screenplay, Nominated for Best Film Editing and SoundCastClarice Starling Jodie FosterDr. Hannibal Lecter Anthony HopkinsJack Crawford Scott GlennJames Gumb/Buffloe Bill Ted LevineDr. Fredrick Chilton Anthony HealdCatherine Martin Brooke SmithSergeant Boyle Charles NapierSenator Ruth Martin Diane BakerArdelia Mapp Kasi LemmonsFBI Director Hayden Burke Roger CormanPilcher Paul LazarRoden Daniel ButlerSergeant Tate Danny DarstSwat Commander Chris IsaakPaul Krendler Ron VawterLamar Tracey WalterFBI Instructor Lawerence BonneyAgent Burroughs Lawerence WrentzBarney Frankie FaisonCreditsDirector Jonathan DemmeProducers Kenneth Utt, Edward Saxon, Ron BozmanExecutive Producers Gary GoetzmanEditor Craig McKay A.C.E.Cinematographer Tak FujimotoProduction Designer Kristi ZeaScreenplay Ted TallyCostumes Colleen AtwoodSet Designer Karen O‟HaraArt Direction Tim GalvinChapter 2: Opening credits/The Yellow Brick RoadBiography for Jonathan Demme, (Director)Date of birth 22 February 1944, Baldwin, Long Island, New York, USA, Spouse Evelyn Purcell and Joan HowardTrade mark∙Frequently uses Tak Fujimoto, as his director of photography.∙Characters looking directly into the camera∙Frequently uses New Order songs in the score of his movies.Trivia∙Awarded honorary degree by Wesleyan University (June 3, 1990)Biography from Leonard Maltin's Movie Encyclopedia:Quirky, engaging filmmaker who looks at genre films from a skewed perspective. Aformer critic and publicist, he got his start, as did so many others, with prolific producerRoger Corman, writing and/or producing such epics as Angels Hard as They Come (1971)and Black Mama, White Mama (1972). He directed three films for Corman: Caged Heat(1974, which he also wrote), Crazy Mama (1975), and Fighting Mad (1976, which he also wrote), all sex-and-violence mellers, but leavened with an offbeat sense of humor. His first film on his own was Citizens' Band (1977), a piquant study of CB radio operators. Despite rave reviews, it did no business at all (one New York theater ran it for free and still nobody came), even after its title was changed to Handle With Care.After a superb Hitchcock-style thriller, Last Embrace (1979), came Melvin and Howard (1980), a fantasia on the life of would-be Howard Hughes beneficiary Melvin Dummar. Despite more glowing notices and two Oscars, it too was a complete bust. Demme's first brush with Big Hollywood Stars, the Goldie Hawn vehicle Swing Shift (1984) was a career low point, but he bounced back with the extraordinary Talking Heads concert film, Stop Making Sense (also 1984). His reputation (and the grosses) grew with the unhinged comedy-thrillers Something Wild (1986) and Married to the Mob (1988), as well as Miami Blues (1990), which he produced. (He also directed another performance film, Spalding Gray's Swimming to Cambodia in 1987.) His commercial breakthrough finally came with the outstanding nail-biter The Silence of the Lambs (1991), which earned him an Oscar as Best Director. Typical of Demme's generosity toward young filmmakers, he spoke of exciting new talent in the directing ranks while giving his thank-you speech. Since then he's directed an extremely personal documentary about a most unusual member of his family, Cousin Bobby (1992), executive produced Household Saints (1993), and tackled the difficult subject of AIDS in Philadelphia (1993). Copyright © 1994 Leonard Maltin, used by arrangement with Signet, a division of Penguin Putnam, Inc.Director - filmography1.Manchurian Candidate, The (2004)2.Agronomist, The (2003)3.Truth About Charlie, The (2002)4.Beloved (1998)5.Storefront Hitchcock (1998)6.SUBWAYStories: Tales from the Underground (1997) (TV)plex Sessions, The (1994)8.Philadelphia (1993)9.Cousin Bobby (1992)10.Silence of the Lambs, The (1991)11.Famous All Over Town (1988)12.Married to the Mob (1988)13."Trying Times" (1987) TV Series14.Swimming to Cambodia (1987)15.Something Wild (1986)16."Alive From Off Center" (1984) TV Series17.Stop Making Sense (1984)18.Swing Shift (1984)19.Who Am I This Time? (1982) (TV)20.Melvin and Howard (1980)st Embrace (1979)22.Columbo: Murder Under Glass (1978) (TV)23.Handle with Care (1977)24.Fighting Mad (1976)25.Crazy Mama (1975)26.Caged Heat (1974)Producer - filmography1.Manchurian Candidate, The (2004) (producer)2.Agronomist, The (2003) (producer)3.Beah: A Black Woman Speaks (2003) (producer)4.Adaptation. (2002) (producer)5.Truth About Charlie, The (2002) (producer)6.Maangamizi: The Ancient One (2001) (executive producer)7.Opportunists, The (2000) (executive producer)8.Beloved (1998) (producer)9.Uttmost, The (1998) (producer)10.Shadrach (1998) (executive producer)11.SUBWAYStories: Tales from the Underground (1997) (TV)12.Courage and Pain (1996) (producer)13.Into the Rope (1996) (producer)14.Mandela (1996) (producer)15.That Thing You Do! (1996) (producer)16.Devil in a Blue Dress (1995) (executive producer)17.Roy Cohn/Jack Smith (1994) (executive producer)18.One Foot On a Banana Peel, the: (1994) (producer)19.Philadelphia (1993) (producer)20.Household Saints (1993) (executive producer)21.Amos & Andrew (1993) (executive producer) (uncredited)22.Women & Men 2: In Love There Are No Rules (1991) (TV)23.Miami Blues (1990) (producer)24.Something Wild (1986) (producer)25.Hot Box, The (1972) (producer)26.Angels Hard as They Come (1971) (producer)Writer - filmography1.Truth About Charlie, The (2002) (screenplay)2.Stop Making Sense (1984)dies and Gentlemen, the Fabulous Stains (1981)4.Fighting Mad (1976)5.Caged Heat (1974)6.Hot Box, The (1972) (script)7.Black Mama, White Mama (1972) (story)8.Angels Hard as They Come (1971)Jodie Foster was the second choice that Jonathan Demme had for this role. Jodie came into an audition interview session and explained how this role was similar to the type of roles which she had been so successful at and that she was interested in this female character, which was a role reversal. Meaning that here we have a woman as a hero rather than a victim, pursuer rather than pursued.When Ted Tally was writing the screenplay for the film, he suggested Jodie Foster for role of Clarice Starling. Foster had been lobbying hard for the part from the start but when Jonathan Demme was hired to direct the film, he felt she was wrong for the part and wanted Michelle Pfeiffer instead. Pfeiffer turned the part down because she felt the film was too violent. Demme then agreed to meet Foster and hired her after only one meeting because he said he could see her strength and determination for the part that he felt was perfect for the character of Clarice. When Jonathan Demme took over as director, he offered the role of Clarice first to Michelle Pfeiffer and also to Meg Ryan. Robert Duvall was considered for the role of Hannibal Lecter,and Jeremy Irons turned it down. The role of Hannibal Lecter was originally offered to Brian Cox (who played the role in Manhunter (1986)).The inspiration for the Silence of the Lambs was the real life relationship between University of Washington criminology professor and profiler Robert Keppel and real life serial killer Ted Bundy. Bundy helped Keppel in his investigation of the Green River Serial Killings in Washington. While Bundy was executed 24 January 1989, the Green River Killings went unsolved until 2001 when Gary Ridgway was arrested. On 5 November 2003, Ridgway pleaded guilty to 48 counts of aggravated first degree murder in a King County, Washington (Seattle) courtroom.Jodie Foster, Jonathan Demme and Scott Glenn - and a few other cast and crew members - did a great deal of research at the FBI training facility in Quantico, Virginia. They studied under criminal profiling agents, learned about firearms and agent training, and sat in on a number of classes.Biography for Jodie Foster (Clarice Starling)Date of birth 19 November 1962, Los Angeles, California, USA, Birth name Alicia Christian Foster Height 5' 3½"Mini biography Jodie Foster started her career at the age of two. For four years shemade commercials and finally gave her debut as an actress in the TV series"Mayberry R.F.D." (1968). In 1975 Jodie was offered the role of the prostitute Iris inthe movie Taxi Driver (1976). This role, for which she received an Academy Awardnomination in the "Best Supporting Actress" category, marked a breakthrough in hercareer. In 1980 she graduated as the best of her class from the College LycéeFrançais and began to study English Literature at Yale University, from where shegraduated magna cum laude in 1985. One tragic moment in her life was March 30th,1981 when John Warnock Hinkley Jr. attempted to assassinate the President of theUnited States, Ronald Reagan. Hinkley was obsessed with Jodie and the movie TaxiDriver (1976) in which Travis Bickle, played by Robert De Niro, tried to shootpresidential candidate Palantine. Despite the fact that she never took acting lessons,she received two Oscars before she was thirty years of age. She received her firstaward for her part as Sarah Tobias in Accused, The (1988) and the second one forher performance as Clarice Starling in Silence of the Lambs, The (1991).Trivia∙Majored in literature at Yale; graduated magna cum laude in 1985∙Received honorary Doctorate from Yale University. [1997]∙John F. Hinckley Jr. claimed that he attempted to kill President Reagan in order to impress her.∙Graduated in 1980 as the class valedictorian from the private academy Lycée Français in Los Angeles.∙Made her acting debut in a Coppertone suntan lotion commercial when she was 3 years old. Has said that her only regret is that she would love to live life without knowing what it's like to be famous.∙Received an Honorary Degree from Smith College in Northampton, Massachusetts.∙Gave the Class Day speech at Yale in 1993 and received an honorary Doctor of Fine Arts degree from Yale in 1997.∙Got the role of Clarice Starling in Silence of the Lambs, The (1991) after Michelle Pfeiffer turned it down.∙Measurements: 34B-24-33 1/2 (Souce: Celebrity Sleuth magazine)∙Has been in a serious relationship with Cydney Bernard since they met in 1993 on the set of the movie Sommersby (1993).Biography from Leonard Maltin's Movie Encyclopedia: Intense, talented young woman whose determination and artistic daring have made her one of the top actresses in Hollywood. Foster's career began early; as a child model and performer, she was managed by her mother-who, among other accomplishments, got young Jodie a modeling job as one of the bare-bottomed tykes in the Coppertone ads. Her first film was Napoleon and Samantha (1972), a Disney outing that cast her as a runaway. By the time she was a teenager, Foster already had several Hollywood pictures to her credit, including One Little Indian (1973), Tom Sawyer (1973), Alice's Adventures in Wonderland (1975), and Echoes of a Summer (1976), in addition to three interesting films: an early Martin Scorsese picture, Alice Doesn't Live Here Anymore (1974), playing a tough tomboy; Bugsy Malone (1976), a gangster spoof cast entirely with children, in which she plays a tough dame who's pelted with whipped cream "bullets" in the finale; and Freaky Friday (1977), an amusing Disney comedy in which she switched identities with onscreen mom Barbara Harris. (She also costarred with Helen Hayes and David Niven in another 1977 Disney comedy, Candleshoe) Scorsese, impressed with Foster, cast her as a teenaged prostitute opposite Robert De Niro in Taxi Driver (1976). Foster's startling performance in that film brought her more attention than she ever could have imagined. In addition to earning an Oscar nomination for Best Supporting Actress, her portrayal made Foster the object ofobsessive fixation for one John Hinckley, who attempted to assassinate President Reagan on her behalf. By then, Foster had enrolled at Yale University, where she studied literature (and not acting: Foster is an instinctual actress and has never received formal theatrical training). During school vacations, she managed to appear in several features, including Carny (1980), Foxes (1980), and The Hotel New Hampshire (1984), before graduating in 1985. Already fascinated by behind-the-camera work, Foster coproduced one of her starring vehicles, 1986's Mesmerized She delivered mature, accomplished performances in the little-seen Siesta (1987), Five Corners and Stealing Home (both 1988). But it was as a lower-class rape victim defending her character in The Accused (1988) that Foster galvanized audiences and won herself a Best Actress Oscar-a feat she repeated in 1991 for her portrayal of federal agent Clarice Starling in the megahit thriller The Silence of the Lambs making her one of Hollywood's hottest properties. Having made her directorial debut with an episode of TV's "Tales from the Darkside," she entered the feature-film arena with Little Man Tate (1991). As director and star, Foster turned in an exceptional job, telling the story of a child prodigy-a character with whom she could certainly empathize. Her cameo in Woody Allen's Shadows and Fog (1992) brought Foster back to a role she'd played at age 12: a prostitute. She costarred with Richard Gere in Sommersby (1993) giving another affecting performance, and appeared in 1994's Maverick. Foster scored another Best Actress nomination for her portrayal of a backwoodswoman in Nell (1994), the first film made by her own company, Egg Productions. She then directed Home for the Holidays.Copyright © 1994 Leonard Maltin, used by arrangement with Signet, a division of Penguin Putnam, Inc.Actress - filmography1.Tusker (2004) (voice)2.Flightplan (2005)3.Un long dimanche de fiançailles (2004) Elodie Gordes4.Panic Room (2002) Meg Altman5.Dangerous Lives of Altar Boys, The (2002) Sister Assumpta6.Anna and the King (1999) Anna Leonowens7.Contact (1997) Eleanor Ann 'Ellie' Arroway8.Nell (1994) Nell Kellty9.Maverick (1994) Mrs. Annabelle Bransford10.Sommersby (1993) Laurel11.Shadows and Fog (1992) Prostitute12.Little Man Tate (1991) Dede Tate13.Silence of the Lambs, The (1991) Clarice Starling14.Catchfire (1990) Anne Benton15.Rabbit Ears: The Fisherman and His Wife (1989) Storyteller16.Accused, The (1988) Sarah Tobias17.Stealing Home (1988) Katie Chandler18.Siesta (1987) Nancy19.Five Corners (1987) Linda20.Mesmerized (1986) Victoria21.Sang des autres, Le (1984) Hélène22.Hotel New Hampshire, The (1984) Frannie Berry23.Svengali (1983) (TV) Zoe Alexander24.O'Hara's Wife (1982) Barbara O'Hara25.Carny (1980) Donna26.Foxes (1980) Jeanie27.Candleshoe (1977) Casey Brown28.Casotto (1977) Teresina Fedeli29.Moi, fleur bleue (1977) Isabelle Tristan, AKA Fleur bleue30.Little Girl Who Lives Down the Lane, The (1976) Rynn 31.Freaky Friday (1976) Annabel Andrews32.Bugsy Malone (1976) Tallulah33.Taxi Driver (1976) Iris Steensma34.Echoes of a Summer (1976) Deirdre Striden35.Secret Life of T.K. Dearing, The (1975) (TV) T.K.36.Alice Doesn't Live Here Anymore (1974) Audrey37."Paper Moon" (1974) TV Series Addie Pray38.Smile, Jenny, You're Dead (1974) (TV) Liberty Cole39."Bob & Carol & Ted & Alice" (1973) Elizabeth H (1973)40.One Little Indian (1973) Martha McIver41.Rookie of the Year (1973) (TV) Sharon Lee42."Addams Family, The" (1973) TV Series Pugsly Addams43.Alexander, Alexander (1973) (TV) Sue44.Tom Sawyer (1973/I) Becky Thatcher45."Amazing Chan and the Chan Clan, The" (1972) (voice)Anne46.Kansas City Bomber (1972) Rita47.Napoleon and Samantha (1972) Samantha48.Menace on the Mountain (1970) (TV) Suellen McIver Producer - filmography1.Flora Plum (2005) (producer)2.Dangerous Lives of Altar Boys, The (2002) (producer)3.Waking the Dead (2000/I) (executive producer)4.Baby Dance, The (1998) (TV) (executive producer)5.Home for the Holidays (1995) (producer)6.Nell (1994) (producer)7.Mesmerized (1986) (co-producer)Director - filmography1.Flora Plum (2005)2.Home for the Holidays (1995)3.Little Man Tate (1991)4."Tales from the Darkside" (1984) TV SeriesThe opening scene was to be a woman crashing through a door and taking on a terrorist in a rehearsal situation, similar to the scene which follows this one, however,Jodie Foster was able to convince them that she needed to be seen intraining first.Jonathan Demme stated that Jodie was in such great physical shape forthis role, she was able to climb that rope fence with the same amount ofenergy on take twenty as she did on the first take.00:2:54 This gentleman running here is a real FBI agent who acted inthe film, the sign on the tree is what is really located here on theirtraining track, it was not a set decoration.0:03:03 The motto for the FBI is present on this tree, HURT, AGONY, PAIN, LOVE IT, of course this was the same motto for my failed marriage.0:03:29 Jodie Foster attended this school in Quantico, West Virginia, to learn how to (1) shoot, (2) finger printing and (3) autopsies and to meet the individuals who study here.Jodie Foster enrolled in John Douglas‟s class on Serial Killers and their patterns. What Jodie Foster learned by attending and visiting this school is that there are people in this world that really do want to make this world a better and safer place for all of us. They want to be part of the solution and not a part of the problem with society today. Jodie Foster herself stated that she is a service oriented personality. She always had to have good grades in school, she always had to be on time, never missing anything, and is she was late she would break out in hives. Which is nice because it matches the character of Clarice Starling in the film, there are several similarities to the character she is playing and Jodie Fosters real personality.0:04:13 John Douglas, an FBI agent who worked on this production as a consultant, stated that only about one out of a dozen agents is a woman, and so this is illustrated in the elevator shot.Jonathan Demme stated that he had a strong loyalty to the book, by Thomas Harris, which was his guiding point in making the film, and the strength that is seen on screen, comes from the book.Factual errors: Clarice claims to have double-majored in criminology and psychology at the University of Virginia. Criminology has never been a major offered at UVA.Continuity: Jack Crawford's collar pops in and out of his vest during a conversation with Clarice Starling.Biography for Thomas Harris (author)Date of birth 1940, Jackson, Mississippi, USAMini biography Thomas Harris was born in 1940 in Jackson, Mississippi, USA. He was raised in thenearby town of Rich where his father worked as a farmer. He earned his bachelor's degree in Englishfrom Baylor University in Texas in 1964. While attending school he also worked for the localnewspaper. After graduating, Harris traveled Europe for a time. Back in the USA, he worked for theAssociated Press out of New York. Not coincidentally, his duties for the press included coveringmurders and other crimes. This helped fuel his imagination in the fictional world and he began towrite macabre stories for magazines that began to show his attention for detail that would make hissubsequent novels so popular. In 1975 he wrote his first novel, Black Sunday, about a diabolical plotto kill thousands with a blimp during the Superbowl. Perhaps ahead of his time, the terrorism of 11September, 2001 led to many stadiums being turned into no-fly zones due to fears of a similar attack.The book was turned into a film - Black Sunday (1977) - a very short two years after being published.Following its success, he devoted his career entirely to fictional novelization. In 1981, Harris wrotehis first book in the Hannibal Lector trilogy, Red Dragon. Though the character of Lector did notbecome famous (or infamous, as the case may be) for another decade, the book did spark a loosely-based movie, Manhunter (1986), which was quickly dismissed at first, grossing back only about halfits cost. Then in 1988, Harris wrote another novel about the character Lector, The Silence of the Lambs. This time he gave the character more of a presence, although he still did not dominate the book. When this was turned into a film three years later as Silence of the Lambs, The (1991), it became an instant hit and swept the "big 5" at the Academy Awards, becoming only the third movie to do so. After the success of The Silence of the Lambs in both movie and book form, there became a growing demand among fans - and film producer Dino De Laurentiis - for there to be another chapter in the Hannibal Lector series. It took 11 years between novels, but Harris finally delivered again in 1999 with best-selling novel Hannibal. It was made into a film two years later in Hannibal (2001) and, although dismissed by some critics and fans for straying from the book in parts, it set opening records in box office sales for an R-rated film. Because of the large box office take and the fact that Anthony Hopkins, who won an Oscar for his role in the second Lector film, did not play Lector in Manhunter (1986), De Laurentiis and Harris came to terms to make a second version of the first book, this time properly titled Red Dragon (2002). This film version was more in keeping with the book thanthe first film was. Unable to escape from being known as the man who created Lector, Harris again agreed to make not only another novel on the character, but to write the material for the film adaptation as well. This will be known as Lecter Variation: The Story of Young Hannibal Lecter, The (2005) . Harris currently resides in Miami, Florida and Sag Harbor, New York, USA.TriviaWhile he was in Italy researching for his book "Hannibal", Thomas Harris attended to the trial of the serial killer known as the Monster of Florence.Writer - filmography1.Lecter Variations, The (2005) (announced)2.Red Dragon (2002) (novel Red Dragon)3.Hannibal (2001) (novel Hannibal)4.Silence of the Lambs, The (1991) (novel)5.Manhunter (1986) (novel Red Dragon)6.Black Sunday (1977) (novel)Chapter 3 (0:04:48) “You don‟t want Hannibal Lecter in your head”Then Secretary of Labor, Elizabeth Dole's, Washington, D.C. office doubled for that of the F.B.I. director's office in the movie. Scott Glenn's character of Jack Crawford was based on real-life detective John Douglas. Douglas spent time with Glenn to coach him.John Douglas explains that a serial killer kills and then he goes through a cooling off period. That period can last hours, days and years. The reason it can be an extensive period of time is because they have picked up trophies and souvenirs form the victims. That may include; body parts, clothing or jewelry. In between each of their kills, they will use their trophy item as source of fantasy to relive the crime that they have committed.0:05:19 When the FBI profiles a case, they spread out the victims photographs on the wall, which you are about to see on screen. They will look at the crime scene photos and the autopsies photos of the victims; they are looking for a clue a signature by the killer. Now Clarice should be used to these types of photographs in the office, as she would have studied such shots in school. 0:06:19 In the movie she is a graduate of the University of Virginia, so she is coming from the academic environment, Jodie Foster is a graduate of Yale University with a degree in Literature, now she is getting down to the dirt of the job.Scott Glenn is actually portraying John Douglas, the FBI agent who helped with this film. Jodie Foster stated that Scott is not at all like John. John was light, funny, has dimples, tall and handsome, but when you meet John Douglas you find it hard to believe that this is what he does for a living, when you meet Scott Glenn, you believe that this could be hiscareer.Biography for Scott Glenn (Agent Crawford)Date of birth 26 January 1941, Pittsburgh, Pennsylvania, USA, Height 6' 2"Mini biography Scott Glenn was born January, 26, 1941, in Pittsburgh, Pennsylvania. As he grew up inAppalaches, his health was poor; he was bed-ridden for a year and doctors predicted he would limp for the rest ofhis life. During long periods of illness Glenn was reading a lot and "dreaming of becoming Lord Byron". Hechallenged his illness by intense training programs and eventually got rid of his limp. After school Glenn enteredWilliam and Mary College where he majored in English. He spent three years in the Marines and then tried tocombine his passion for storytelling with his passion for adventures by working for five months as criminalreporter in "Kenosha Daily Tribune". Glenn planned to become an author but found out he had "problems withdialogs", so he decided to overcome it by studying acting. In 1966 he headed to New York where he joined GeorgeMorrison acting class. He helped in directing student plays to pay for his studies and appeared onstage in La MaMa Experimental Theatre Club productions. Soon after arriving to New York, Glenn became a fan of martial arts. In 1968 he joined The Actors Studio and began working in professional theatre and TV. In 1970 James Bridges offered him his first movie work in Baby Maker, The (1970). Glenn left for L.A. where he spent seven "most miserable years of his life". He couldn't find interesting film roles and, doing brief TV stints, he felt "like a person who had to paint the Sistine Chapel with a house-painter's brush". On a brighter side, he worked episodically with Jonathan Demme (Angels Hard as TheyCome (1971), Fighting Mad (1976)), Robert Altman (Nashville (1975)) and Francis Ford Coppola (Apocalypse Now (1979 ). In 1978 Glenn got tired of Hollywood and moved his family to Ketchum, Idaho., where he worked as barman, huntsman and mountain ranger for two years (occasionally acting in Seattle stage productions). James Bridges once more changed the course of Glenn's life in 1980 when he offered him the role of Travolta's rival in Urban Cowboy (1980) and made him a star. Glenn's acting abilities and physical presence helped him to excel both in action (Silverado (1985), Challenge, The (1982)) and drama (Right Stuff, The (1983), Countdown to Looking Glass (1984) (TV), River, The (1984)) as he alternately played good guys and bad guys. In the beginning of the 90s his career was at its peak - he appeared in such indisputable masterpieces as Silence of the Lambs, The (1991), Hunt for Red October, The (1990)and Player, The (1992). Later he gravitated toward more kinky stuff, such as black Freudian farce Reckless (1995/I), tragicomedy Edie & Pen (1997) and Ken Loach's socio-political declaration Carla's Song (1996). Today Glenn alternates mainstream (Courage Under Fire (1996), Absolute Power (1997)), with independent projects (Lesser Prophets (1997) and Larga distancia (1998), written by his daughter Dakota Glenn) and TV (Naked City: A Killer Christmas (1998) (TV)). Spouse Carol Schwartz, 1967-present, two childrenBiography from Leonard Maltin's Movie Encyclopedia: Hollywood doesn't crank out many Westerns these days more's the pity for this muscular, craggy featured actor (and ex-Marine), who's shown he's a natural in the saddle in such oaters as Cattle Annie and Little Britches (1981), Silverado (1985), and the rodeo drama My Heroes Have Always Been Cowboys (1991). Though active in the 1970s, with small parts in films ranging from Nashville (1975) and Apocalypse Now (1979) to Angels Hard as They Come (1971) and Fighting Mad (1976), Glenn made a major impression on viewers as the vicious barfly in Urban Cowboy (1980). (Months earlier, he'd impressed everybody else by rescuing three small children from drowning.) Since then, he's wisely varied his roles, appearing as a swordsman/boxer in The Challenge a tough-but-fair track coach in Personal Best (both 1982), astronaut Alan Shepard in The Right Stuff an alien man hunter in The Keep (both 1983), a sleazy land-grabber in The River (1984), an ailing ex-boyfriend in Miss Firecracker (1989), a determined sub captain in The Hunt for Red October (1990), a coolly efficient FBI agent in The Silence of the Lambs and a bigoted firefighter in Backdraft (both 1991). More recently he appeared in Tall Tale (1995). Glenn's sober-sided screen persona may limit his choice of roles; he has been warm and casual, but you'd be hard pressed to see him in a performance described as "light" or "breezy." Nonetheless, he merits our continued attention and appreciation.Copyright © 1994 Leonard Maltin, used by arrangement with Signet, a division of Penguin Putnam, Inc.Actor - filmography1."Gone But Not Forgotten" (2004) (mini) Peter Lake2.Homeland Security (2004/I) (TV) Joe Johnson3.Puerto Vallarta Squeeze (2003) Clayton Price4.Painted House, A (2003) (TV) Eli 'Pappy' Chandler5.Shipping News, The (2001) Jack Buggit6.Seventh Stream, The (2001) (TV) Owen Quinn7.Buffalo Soldiers (2001) Sgt. Lee8.Training Day (2001) Roger9.Vertical Limit (2000) Montgomery Wickst Marshal, The (1999) Cole11.Virgin Suicides, The (1999) Father Moodyrga distancia (1998) Senor Grem13.Naked City: A Killer Christmas (1998) (TV) Sgt. Muldoon14.Naked City: Justice with a Bullet (1998) (TV) Sgt. Muldoon15.Firestorm (1998) Wynt Perkins16.Lesser Prophets (1997) Iggy17.Edie & Pen (1997) Harry Hawkins18.Absolute Power (1997) Bill Burton, Service19.Carla's Song (1996) Bradley20.Courage Under Fire (1996) Tony Gartner21.Reckless (1995/I) Lloyd22.Tall Tale (1995) J.P. Stiles23.Flight of the Dove, The (1994) William Rickman24.Night of the Running Man (1994) David Eckhart25.Slaughter of the Innocents (1994) Stephen B26.Past Tense (1994) (TV) Gene Ralston27.Extreme Justice (1993) Dan Vaughn28.Shadowhunter (1993) (TV) Cain, John29.Women & Men 2: In Are No Rules (1991) Henry30.Backdraft (1991) John 'Axe' Adcox31.My Heroes Have Always Been Cowboys (1991) 32.Silence of the Lambs, The (1991) Jack Crawford33.Hunt for Red October, The (1990) Mancuso34.Miss Firecracker (1989) Mac Sam35.Outside Woman, The (1989) (TV) Jesse Smith36.Intrigue (1988) (TV) Crawford37.Off Limits (1988) Col. Dexter Armstrong38.Verne Miller Story, The (1987) Verne Miller39.Man on Fire (1987) Creasy40.As Summers Die (1986) (TV) Willie Croft41.Wild Geese II (1985) John Haddad42.Silverado (1985) Emmett43.River, The (1984) Joe Wade44.Countdown to Looking Glass (1984) (TV) Michael Boyle45.Keep, The (1983) Glaeken Trismegestus46.Right Stuff, The (1983) Capt. Alan Shepard Jr.47.Challenge, The (1982) Rick48.Personal Best (1982) Terry Tingloff49.Cattle Annie and Little Britches (1981) Bill Dalton50.Urban Cowboy (1980) Wes Hightower51.Apocalypse Now (1979) Lt. Richard M. Colby52.More American Graffiti (1979) Newt53.She Came to the Valley (1979) Bill Lester54.Fighting Mad (1976) Charlie Hunter55.Nashville (1975) Pfc. Glenn Kelly56.Hex (1973) Jimbang57.Gargoyles (1972) (TV) James Reeger58.Angels Hard as They Come (1971) Long John59.Baby Maker, The (1970) Tad Jacks60."Edge of Night, The" (1956) Calvin (1969)Stunts - filmography1.Backdraft (1991) (stunts)0:07:48 Jodie Foster states that this was her favorite character she has ever played. This is a woman who is not very flashy, but someone you can respect, a person who speaks very carefully. Here is a set-up, Crawford sets Clarice up here. He states you don‟t want him in your mind, but that is exactly what is going to happen, it is what he dares not do with Lecter, so he sends a woman rookie。
thesoundofsilence 赏析
歌曲赏析（别嫌长）Paul. Simon & Art.Garfunkel是掘起於60年代中期的二人组合唱团，当时流行乐坛正吹起一股电子合成乐风，但Simon & Garfunkel却坚持自然曲风，独树一格。
El Condor Pasa(老鹰之歌)、Bridge Over Troubled Water(恶水大桥)，以及这首电影“Graduates(毕业生)”的主题曲The Sound of Silence(寂静之声)，均是耳熟能详的代表作。
六O年代对美国而言是个多事之秋的年代，历经了一连串的动荡与不安。
对内，反种族歧视民权意识高涨；对外背负著『越战』沉重的包袱。
内忧外患之际，美国人的精神领袖约翰·肯尼迪(John F.Kennedy)总统於1963年11月22日在德州的达拉斯遇刺身亡，举世震惊，全国悲恸。
由黑人人权领袖马丁路德金博士(Martin Luther King Jr.)所领导的反暴力反种族歧视正如火如荼的展开，国内反越战的声音也甚嚣尘上。
美国人民的梦在肯尼迪总统倒下的一刻，也跟著粉碎了！就在这样的时空背景下，美国的民谣歌手保罗·西蒙(Paul Simon )创作了这首家喻户晓、发人深省的歌曲：寂静之声(The Sound Of Silence)，献给了动荡的六O年代。
只可惜这样一首针砭时弊的好歌，於1964年发行时，却得不到青睐，人们依旧是听而不闻(hearing without listening) 。
若非一位DJ特别钟爱这首歌，增加这首歌在电台播放的频率，哥伦比亚唱片公司也不会考虑将这首歌重新编曲，以单曲发行。
然而冥冥中似乎注定，才华洋溢如保罗赛门是不该被时代埋没的。
於是史上最优美的二重唱西蒙与加丰科(Simon & Garfunkel)便在这首重新编曲的『寂静之声』中浴火重生。
六O年代对美国而言是个多事之秋的年代，历经了一连串的动荡与不安。
the_cask_of_Amontillado_翻译
the cask of Amontillado Edgar Allan Poe阿芒提拉多的水桶埃德加艾伦坡福吐纳托对我百般迫害，我都尽量忍在心头，可是一旦他胆敢侮辱我，我就发誓要报仇了，您早就摸熟我生性脾气，总不见得当我说说吓唬人。
总有一天我要报仇雪恨；这个注意坚定不移，既然拿定主意不改，就没想到会出危险。
我不仅要给他吃吃苦头，还要干得绝了后患。
报仇的自己得到报应，这笔仇就没了清。
复仇的不让冤家知道是谁害他，这笔仇也没了清。
不消说，我一言一语，一举一动都没引起福吐纳托怀疑是存心不良。
还是照常对他笑脸相迎，可他没看出如今我是想到要送他命才笑呢。
福吐纳托这人在某些方面虽令人尊重，甚至令人敬畏，可就是有个弱点。
他自夸是品酒老手。
意大利人没几个具有真正行家的气质。
他们的热诚，多半都用来随机应变，看风使舵，好让英国和奥地利的大财主上当。
谈到古画和珠宝方面，福吐纳托跟他同胞一样，夸夸其谈，不过谈到陈酒方面，倒是真正识货。
这点我跟他大致相同——对意大利葡萄酒，我也算内行，只要办得到的话，就大量买进。
在热闹的狂欢节里，有天傍晚，正当暮色苍茫，我碰到了这位朋友。
他亲热的招呼我，因为他肚里灌饱了酒。
这家伙扮成小丑，身穿杂色条纹紧身衣，头戴圆尖帽，上面系着铃铛。
我看见他真是高兴极了，不由想握着他的手久久不放。
我对他说：“老兄啊，幸会，幸会。
你今天气色真是好到极点。
我弄到一大桶所谓白葡萄酒（西班牙蒙蒂利亚生产的一种甜酒），可我不放心。
”“怎的”他说，“白葡萄酒一大桶不见得吧！在狂欢节期间哪弄得到”“我不放心，”我答道，“我真笨透了，居然没跟你商量，就照白葡萄酒的价钱全付清了。
找又找不到你，可又生怕错过这笔买卖。
” “白葡萄酒！”“我不放心。
”“白葡萄酒！”“我一定得放下这条心！”“白葡萄酒！”“瞧你有事，我正想去找卢克雷西呢。
只有他才能品酒。
他会告诉我——”“可有些傻瓜硬说他眼力跟你不相上下呢。
”“快，咱们走吧。
”“上哪儿”“上你地窖去。
TheSilenceoftheLamb.沉默的羔羊.中英双语字幕
（维吉尼亚州匡蒂科附近森林）3史达琳！Starling!4克劳福要见你Crawford wants to see you in his office.5谢谢Thank you, sir.6（伤害）7（苦难）8（痛苦）9（喜欢它）10-克丽丝-你好-Clarice. -Hey.11（行为科学组）12找克劳福吗？Looking for Crawford?13他快回来了在他的办公室等一会吧He should be back soon. Why don't you wait in his office?14（比尔剥下第五个人的皮）15史达琳Starling.16-克丽丝，早安-早安，克劳福先生-Clarice M. Good morning. -Morning, Mr. Crawford.17抱歉突然把你召离课堂Sorry to pull you off the course at such short notice.18你的导师说你是班里的高材生Your instructors say you're in the top quarter of your class.希望是吧，他们还没有公布成绩l hope so. They haven't posted any grades yet.20有一个任务要办，于是我想起你A job's e up, and l thought about you.21这不是正式的任务较像一份有趣的差事Not a job, really, more of an interesting errand.22坐下Sit down.23是，长官Yes, sir.24我记得你出席过我在维吉尼亚大学的讲座l remember you from my seminar at UVA.25你追问我本局在胡佛年代的公益记录You grilled me on the bureau's civil rights record in the Hoover years. 26我给了你甲等l gave you an A.27是甲下A minus, sir.28双主修，心理学及犯罪学以优异成绩毕业Double major, psych and criminology, graduated magna.29在瑞辛格疗养院做过夏季实习Summer internships at the Reitzinger Clinic.30它说你毕业后想在行为科学组替我工作lt says when you graduate you want to work for me in Behavioral Science.31是的，我很想Yes, very much, sir. Very much.32我们正在访问被囚禁的连环杀手We're interviewing all serial killers in custody...33作变态行为的分析...for a psycho-behavioral profile.34对一些悬案会有很大帮助lt could be a real help in unsolved cases.35他们大都乐意跟我们谈Most of them have been happy to talk to us.36你会否很易受惊的？Do you spook easily, Starling?37不会Not yet, sir.38我们最想见的那个人拒绝合作The one we want most refuses to help.39我想你去精神病院找他l want you to go after him in the asylum.40那个人是谁？Who's the subject?41-心理医生汉尼拔莱特-食人狂魔汉尼拔-The psychiatrist, Hannibal Lecter. -''Hannibal the Cannibal.'' 42我想他不会跟你交谈l don't expect him to talk to you...43但无论如何我们都得尝试...but l have to be able to say we tried.44若他不合作，我要如实报告lf he won't cooperate, l want straight reporting.45他的容貌和监狱里的状况如何？How's he look? How's his cell?46他有没有素描、绘画？如果有，他都画些什么？ls he sketching, drawing? lf he is, what's he sketching?47这是莱特的档案...Here's a dossier on Lecter...48问卷副本和你的XX...copy of our questionnaire and an l.D. for you.49周三早上八点把你的报告交给我Have your memo on my desk by 0800, Wednesday.50好的Okay.51对不起，为什么这样急？Excuse me, sir, but why the urgency?52莱特已经坐牢很多年了Lecter's been in prison for years.53他和水牛比尔是否有关连？ls there some connection between him and Buffalo Bill?54但愿有，我要你非常留意l wish there were. Now, l want your full attention, Starling.55-知道-要非常小心应付莱特汉尼拔-Yes, sir. -Be very careful with Hannibal Lecter.56精神病院的奇顿医生会给你讲解接见程序Dr. Chilton at the asylum will go over all the physical procedures used.57无论如何不可偏离程序Do not deviate from them for any reason whatsoever.58你不可向他透露私人事情You're to tell him nothing personal.59你不想汉尼拔莱特知道你的思想的You don't want Hannibal Lecter inside your head.60执行你的任务但千万别忘记他的身份Just do your job but never forget what he is.61是什么？And what is that?62他是个魔头，一个变态狂人Oh, he's a monster, a pure psychopath.63可以生擒一个已很难得了lt's so rare to capture one alive.64从研究角度来说莱特是我们最有价值的资产From a research point of view, Lecter is our most prized asset.65我们有很多探员来这里的We get a lot of detectives here...66但我记不起有这样漂亮的一个...but l must say l can't remember one as attractive.67你会在巴尔的摩过夜吗？Will you be in Baltimore overnight?68如果你有适当的向导这可以是个很好玩的城市Because this can be quite a fun town if you have the right guide.69我肯定这是个了不起的城市l'm sure this is a great town, Dr. Chilton...70但我要见莱特医生下午还要回去报告...but l must talk to Dr. Lecter and report back this afternoon.71是的，那么我们快点吧l see. Well, let's make this quick, then.72我们尝试研究他，但他太高深了一般的测试都不适用We've tried to study him, but he's too sophisticated for the standard tests.73他很讨厌我们的Oh, my, does he hate us.74他觉得我是他的报应He thinks l'm his nemesis.75克劳福真是聪明，他利用你Crawford's very clever, isn't he, using you?76-什么意思？-找个漂亮的女郎来引诱他-What do you mean, sir? -Pretty young woman to turn him on.77我相信这八年来莱特都没见过女人而你正合他的胃口l don't believe Lecter's seen a woman in eight years, and you are his taste.78恕我直言So to speak.79我毕业于维吉尼亚大学它不是一间仪态学校l graduated from UVA. lt's not a charm school.80很好，你该能记着那些规矩了Good. Then you should be able to remember the rules.81不要触摸或接近那块玻璃只可传递柔软的纸X给他Do not touch or approach the glass. Pass him nothing but soft paper. 82不可有铅笔或原子笔纸X上不可有钉书钉或夹子No pencils or pens, no staples or paper clips in his paper.83只可用那个活动食物架传送Use the sliding food carrier, no exceptions.84不可接受他给你的东西lf he passes you anything, do not accept.85-明白吗？-明白-Do you understand? -Yes, l understand, sir.86我让你看看为何我们要有这些戒备l'm going to show you why we insist on such precautions.87在1981年7月8日的下午On the afternoon of July 8, 1 981 ...88他说胸口痛，被带往医疗室...he plained of chest pains and was taken to the dispensary.89为方便做心电图他的口罩被除下His mouthpiece was removed for an EKG.90当护士靠近他身边时他对她做了这个When the nurse leaned over him, he did this to her.91医生们算是重整了她的下颚和救回她一只眼睛The doctors managed to reset her jaw, more or less. Save one of her eyes.92即使在他吃她的舌头时他的脉搏从没超过85His pulse never got above 85, even when he ate her tongue.93-我把他关在这里-奇顿医生-l keep him in here. -Dr. Chilton.94若莱特觉得你是他的敌人，那么...lf Lecter feels that you're his enemy, then....95若我单独去的话我们运气可能会好一点Maybe we'll have more luck if l go by myself.96你认为如何？What do you think?97你若在我办公室时提出来就可省掉我的时间了You might have suggested this in my office and saved me the time.98是的，但我会错过了你同行的乐趣Yes, sir, but then l would have missed the pleasure of your pany, sir.99她完事后带她出去吧When she's finished, bring her out.100你好，我是巴尼他说过了，不要走近那块玻璃Hi, l'm Barney. He told you, don't get near the glass?101对，他说过了我是克丽丝史达琳Yes, he did. Clarice Starling.102幸会，你可以把大衣挂在那里Nice to meet you. You can hang your coat there if you like.103好的，谢谢你Okay. Thank you, l will.104他在最尽头的那个牢房He's past the others. The last cell.105靠右走吧You keep to the right.106-我放了一X椅子给你-很好，谢谢你-l put out a chair for you. -Yes, that's very good, thank you.107我会看着，你不会有事的l'll be watching. You'll do fine.108我可以闻到你的私处l can smell your cunt.109早安Good morning.110莱特医生，我叫克丽丝史达琳可否跟你谈一会？Dr. Lecter, my name is Clarice Starling. May l speak with you? 111你是克劳福的人，是吗？You're one of Jack Crawford's, aren't you?112是的l am, yes.113可否看看你的证件？May l see your credentials?114当然可以Certainly.115靠近一点，劳烦你Closer, please.116近一点Closer.117一周内后就到期了你不是真的联邦调查局探员吧That expires in one week. You're not real FBl, are you?118我仍在受训l'm still in training at the academy.119-克劳福派个见习生来见我？-是的，我是个学生-Jack Crawford sent a trainee to me? -Yes, l'm a student. 120我是来向你学习的l'm here to learn from you.121也许你可以决定我是否够资格这样做Maybe you can decide if l'm qualified enough to do that. 122你很不老实呢，史达琳探员That is rather slippery of you, Agent Starling.123请坐Sit. Please.124告诉我，迈克斯对你说了什么？Now then, tell me. What did Miggs say to you?125隔壁的"多面人迈克斯"''Multiple Miggs'' in the next cell.126他向你发出嘶嘶声他说了些什么？He hissed at you. What did he say?127他说"我可以闻到你的私处"He said, ''l can smell your cunt.''128是吧l see.129我可闻不到l myself cannot.130你用爱肤恩润肤膏You use Evyan skin cream.131有时你会涂点香水And sometimes you wear L'Air du Temps.132但今天没有But not today.133这些画是你画的吗？Did you do all these drawings?134那是从观景楼远望的大教堂That is the Duomo, seen from the Belvedere.135你知道佛罗伦斯吗？Do you know Florence?136那些细节都是来自记忆的吗？All that detail just from memory, sir?137史达琳探员，我只有记忆，没有景观Memory, Agent Starling, is what l have instead of a view.138你可在这份问卷上给我们一些见解Perhaps you'd care to lend us your view on this questionnaire, sir. 139不...你做得很好No, no, no. You were doing fine.140你很有礼，而且能容纳礼貌You had been courteous and receptive to courtesy.141你对迈克斯的尴尬说话也表现得很信任You had established trust with the embarrassing truth about Miggs. 142至于你这份拙劣的问卷And now this ham-handed segue into your questionnaire.143就不行了lt won't do.144我只是要求你看看它你做不做随便你l'm only asking you to look at this. Either you will or you won't. 145对，若克劳福要从学校找人帮忙Yeah. Jack Crawford must be very busy indeed...146他一定很忙了...if he's recruiting help from the student body.147忙于追捕那个新手水牛比尔吧Busy hunting that new one, Buffalo Bill.148他真是个坏孩子What a naughty boy he is.149你可知道为何他被称为水牛比尔？Do you know why he's called ''Buffalo Bill''?150请告诉我，报纸上没有说Please tell me. The newspapers won't say.151是来自堪萨斯城凶案组的一个笑话lt started as a joke in Kansas City Homicide.152他们说"这个人喜欢剥他猎物的皮"They said, ''This one likes to skin his humps.''153史达琳探员，你认为为什么...Why do you think...154他要剥她们的皮？...he removes their skins, Agent Starling?155用你的敏锐来振奋我一下吧Thrill me with your acumen.156这样做令他兴奋lt excites him.157大部分的连环杀手都会保存受害人身上的东西作为纪念品Most serial killers keep trophies from their victims.158-我可没有-对-l didn't. -No.159你吃了他们No, you ate yours.160把那个传过来吧You send that through now.161你以为凭这份拙劣的东西便可以分析我？You think you can dissect me with this blunt little tool?162不是！我相信你的学识...No! l thought that your knowledge--163你很有野心，是不是？You're so ambitious, aren't you?164可知道你拿着那个高级皮包和穿着廉价鞋子像个什么？You know what you look like, with your good bag and your cheap shoes? 165像个土包子You look like a rube.166一个干净、忙碌带点品味的土包子A well-scrubbed, hustling rube with a little taste.167虽然你衣食无忧地成长...Nutrition has given you some length of bone...168你不外乎是个白种低下层的人...but you're not more than one generation from white trash...169是不是，史达琳探员？...are you, Agent Starling?170你极力想摆脱口音...The accent you've tried so desperately to shed...171地道的西维吉尼亚州腔调...pure West Virginia.172你父亲是个矿工吗？ls your father a coal miner?173那盏灯可有令他满身臭气？Does he stink of the lamp?174我知道那些男孩怎样迅速搭上你在汽车后座里乱摸l know how quickly the boys found you, all those tedious, sticky fumblings (175)你却想着走出去...in the back seats of cars, while you dreamed of getting out.176走去天涯海角Getting anywhere.177直走到联邦调查局Getting all the way to the FBl.178你很有观察力You see a lot, doctor.179但你能否用你敏锐的观察力...But are you strong enough to point that...180来分析自己？...high-powered perception at yourself?181怎么样？What about it?182不如你探究一下自己把观察所得写下来Why don't you look at yourself and write down what you see? 183或者你害怕这样做吧Or maybe you're afraid to.184曾经有一个人口调查员想测试我A census taker once tried to test me.185我把他的肝配蚕豆吃了l ate his liver with some fava beans...186还有美味的红酒呢...and a nice Chianti.187小史达琳，你飞回学校去吧You fly back to school now, little Starling.188飞吧...Fly, fly, fly.189我咬我的手腕...l bit my wrist...190让我可以死掉...so l could die.191看这些血Look at the blood!192吓到你了Gotcha.193迈克斯！你这个混蛋！Miggs! You stupid fuck!194史达琳探员！回来！史达琳探员Agent Starling! e back! Agent Starling! Agent Starling!195我不会让那种事情再发生我讨厌不礼貌的l would not have had that happen. Discourtesy is ugly to me. 196-那么做这个测验吧-不做，但我会令你开心的-Then do this test! -No, but l will make you happy.197-我会给你一个大好机会-什么？-l'll give you a chance at your love. -What?198升职，听着你自我反省一下，克丽丝史达琳Advancement. Listen. Look deep within yourself, Clarice Starling. 199找出我从前的病人莫菲小姐Go seek out Miss Mofet, an old patient of mine. M-O-F-E-T. 200我相信迈克斯不会这么快发作的...l don't think Miggs could manage again so soon...201虽然他是疯的，快去...even though he is crazy. Go now!202你好，比尔Hi, Bill.203-爸爸-克丽丝-Daddy! -Hey, Clarice.204-爸爸，你有没有抓到坏人？-没有，他们跑掉了-Did you get any bad guys, Daddy? -No, angel. They all got away. 205该死Ah, shoot.206联邦调查局，举手，别动！FBl! Hands up! Don't move!207转过身来，把双手放在后面好的Turn around. Hands behind your back. Thumbs up.208史达琳，你已经死了You're dead, Starling.209强生，进入和指挥都做得很好史达琳，你哪里有危险？Johnson, good entry, good mand. Starling, where's your danger area? 210-在角落-你有没有检查过它？-ln the corner. -Did you check it?211-没有，长官-所以你已经死了-No, sir. -That's why you're dead.2123109？3-1 -0-9?213打破门或窗闯入或者撤退Breaking doors or windows to enter or exit.214404号规条呢？Rule 404?215（巴尔的摩心理医生获得最高荣誉）216（著名心理医生被控谋杀）217（食人狂魔审讯带来新的恐怖）218克丽丝，你的，是教官Clarice, phone. lt's the guru.219克劳福？谢谢，雅戴Crawford? Thanks, Ardelia.220-史达琳？-长官-Starling? -Sir.221迈克斯死了Miggs is dead.222死了？Dead?223怎会的？How?224守卫听到汉尼拔莱特下午时对他低声说话The orderly heard Lecter whispering to him all afternoon.225他们在夜间巡查时发现他吞掉自己的舌头They found him at bed check. He'd swallowed his tongue.226史达琳？Starling?227我还在听，我只是...Yeah. l'm still here, sir. l just--228我不知道对这件事该有何感想l don't know how to feel about this.229你不用感想什么莱特这样做只是为了自娱You don't have to feel any way. Lecter did it to amuse himself. 230我明白今天很难受Look, l know it got ugly today...231但你提到莫菲，有后续行动吗？...but you mentioned a name, ''Mofet.'' Any follow-up on her? 232他在被捕前把大部分病人的病历销毁了He destroyed most of his patients' histories prior to capture (233)所以没有莫菲的记录...so there's no record of anyone named Mofet.234我觉得"你自己"这个参考资料对莱特来说太造作了But l thought the ''yourself' reference was too hokey for Lecter (235)我想起他是来自巴尔的摩便翻查簿...so l figured he's from Baltimore, and l looked in the phone book. 236那里有一间叫"你自己"的自助式仓库And there's a ''Your Self' storage facility...237在巴尔的摩市外围...right outside of downtown Baltimore, sir.23831号仓已经租了十年...Unit 31 was leased...239租金是全数预缴的...for 1 0 years, prepaid in full.240合约是以一个...The contract was in the name...241是莫菲赫斯达小姐的人定的...of a Miss Hester Mofet.242自从1980年就没有人来过了？So nobody's been in here since 1 980?243以我所知是没有Not to my knowledge.244我的顾客都很重视私隐权的Privacy is a great concern to my customers.245对，我答应不会扰乱任何东西Yes, l won't disturb anything, l promise.246我很快便会离开l'll be out of here before you know it.247-要帮忙吗？-好的-May l help you? -Yes, actually.248这里Here.249-它被卡着-明天可以叫我的儿子来-lt's stuck. -We could return tomorrow with my son.250他怎么样？What about him?251我本可叫我的司机帮你但他讨厌体力劳动l would ask my driver to help you, but he detests physical labor. 252是吧Right.253你别走开，我很快回来You stay here. l'll be back in one minute.254它被卡着，请你把那支电筒给我lt's stuck. Will you hand me that flashlight?255如果这道门跌下来...lf this door should fall down...256或者有什么意外......or anything else...257这是我们巴尔的摩办公室的...this is the number for our Baltimore office.258他们知道你跟我在一起的They know that you're with me.259-如果有意外就找他们吧-好的，史达琳小姐-Call them if anything should happen. -Yes, Miss Starling. 260克丽丝，他们在等你Clarice. Here, they're waiting for you.261小心Watch your step.262"莫菲赫斯达"是拼字猜谜吧？Hester Mofet. lt's an anagram, isn't it, doctor?263意思是"我其余的东西"Hester Mofet: ''The rest of me''?264那表示车库是你租的？''Miss The Rest Of Me,'' meaning that you rented that garage? 265谢谢Thank you.266你止血了Your bleeding has stopped.267怎么...？How did...?268没有大碍的lt's nothing.269只是皮外伤lt's just a scratch.270莱特医生，那瓶里的头颅是谁的？Dr. Lecter, whose head is in that bottle?271为什么你不问我关于水牛比尔的事？Why don't you ask me about Buffalo Bill?272你知道他的事？Do you know something about him?273如果我看过档案可能知道的你可以替我拿l might if l saw the case file. You could get that for me.274谈谈莫菲小姐吧你要我去找他Let's talk about Miss Mofet. You wanted me to find him.275他的真名是班哲文赖普是我的前病患His real name is Benjamin Raspail. A former patient of mine...276他的恋爱对象，有点怪异...whose romantic attachments ran to, shall we say, the exotic.277我没有杀他，只是把他藏起来就像我发现他时的样子l did not kill him, merely tucked him away, very much as l found him (278)在他错过了三次约会之后...after he'd missed three appointments.279若你没有杀他，那么是谁杀？lf you didn't kill him, who did?280谁知道？对他来说是件好事Who can say? Best thing for him, really.281他的治疗没有功效His therapy was going nowhere.282他的裙子、化妆...His dress, makeup....283赖普是个异性装扮癖好者？Raspail was a transvestite?284生活上？不是只是普通的躁狂抑郁ln life? Oh, no. Garden variety manic-depressive.285乏味，非常乏味Tedious, very tedious.286现在我把他看成是一个实验l now think of him as an experiment.287一个没经验的杀手尝试转变A fledgling killer's first effort at transformation.288你看到他时有何感觉？How did you feel when you saw him, Clarice?289初时很害怕，后来...Scared at first, then...290便很振奋...exhilarated.291克劳福在提拔你，是吗？Jack Crawford is helping your career, isn't he?292看来你们互相倾慕呢Apparently, he likes you and you like him too.293我从没有想过l never thought about it.294你认为克劳福对你有遐想吗？Do you think Jack Crawford wants you, sexually?295他年纪大很多你对他可有想入非非？He is much older, but do you think he visualizes scenarios, exchanges? 296跟你做爱？Fucking you?297我没有兴趣这是迈克斯会说的那种话That doesn't interest me. lt's the sort of thing that Miggs would say. 298不再是了299谢谢你，巴尼Thank you, Barney.300你的画呢？What happened to your drawings?301惩罚，为了迈克斯那件事像那个传道节目... Punishment, you see, for Miggs. Just like that gospel program. 302你离开后他们就会调高声音When you leave, they'll turn the volume way up.303奇顿医生喜欢这些折磨伎俩Dr. Chilton does enjoy his petty torments.304你说转变是什么意思？What did you mean by ''transformation,'' doctor?305克丽丝，我在这里八年了l've been in this room for eight years now, Clarice.306我知道在我有生之年他们都不会释放我l know they will never ever let me out while l'm alive.307我想要的是一个景观What l want is a view.308我想要一个看到树和水的窗户l want a window where l can see a tree or even water.309我想去一间远离奇顿医生的联邦监狱l want to be in a federal institution far away from Dr. Chilton. 310你说"没经验的杀手" 是什么意思？What did you mean by ''fledgling killer''?311你是否说他已经再次杀人？Are you saying he's killed again?312我根据案件的证据给你对水牛比尔...l'm offering you a psychological profile on Buffalo Bill (313)...based on the case evidence.314我会帮你抓到他的l'll help you catch him, Clarice.315你知道他是谁，是不是？You know who he is, don't you?316告诉我谁把你的病人斩首了Tell me who decapitated your patient, doctor.317愿意等待的人都有好报的All good things to those who wait.318我已经等了但杰克能等多久？l've waited, Clarice. But how long can you and old Jackie-boy wait? 319我们的小比尔一定正在找寻着下一位特别的女士了Our little Billy must already be searching for that next special lady. 320（田纳西州孟斐斯市）321小猫咪Hey, little cheeper.322我快来了l'll be right there.323天啊！Jeez!324要我帮忙吗？Can l help you with that?325可以吗？Would you?326当然可以Sure.327谢谢你Thank you.328不用客气，你好像是伤残人士That's all right. You look kind of handicapped.329是的，我搬到这里但搬不上货车Yeah. l got it this far, l just can't get it up in the truck by myself. 330来吧，抓着，上！Here, grab this. Up!331好的Okay.332把它放下吧，很好Just set it down. That's good.333你上车，我想把它推进去Get in the truck. l want to push it all the way up.334真的很谢谢你l really appreciate this. Thank you.335放到后面去Just go all the way back.336行了吗？Okay. ls this good?337行了，很好Yeah, that's good.338-真好-好的-That's great. -Okay.339你大概穿十四号吧？Say, are you about a size 1 4?340什么？Sorry?341（十四号）342好Good.343好极了...Oh, good. Good.344抓着Holds!345一！Ones!346史达琳！Starling!347出去，我们走吧Outside. Let's go.348仙蒂，进场代替史达琳，来吧Cindy, in the ring for Starling. Let's go!349收拾你的装备Pack your field gear.350-我们会跟克劳福一起去-去哪里？-You're going with Crawford. -Where?351在西维吉尼亚发现了一名女子尸体Found a girl's body in West Virginia.352她在水里一周了看来是水牛比尔做的Been in the water a week. Looks like Buffalo Bill. 353（西维吉尼亚州克莱县）354（联邦调查局）355让她们活上三天我们不明白原因Keeps them alive for three days. We don't know why. 356死前没有强奸或虐待的迹象No evidence of rape or physical abuse prior to death. 357这些伤口都是死后造成的All the mutilation you see there is postmortem.358三天...Okay, three days...359然后他开枪射死她们剥皮和弃尸...then he shoots them, skins them and dumps them.360每个尸体弃置在不同的河上Each body in a different river.361河水冲走了证据The water leaves us no trace evidence of any kind.362那是第一个，费迪嘉拜姆That's Fredrica Bimmel, the first one.363她的尸体是唯一被他沉下去的Her body was the only one he weighted down.364实际上，她是第三个被发现的So actually, she was the third girl found.365继她之后，他变得懒惰了After her, he got lazy.366好的，我们看看Okay, let's see.367圆圈是那些女子被掳走的位置箭嘴是尸体被发现的地点Circles where the girls were abducted. Arrows where their bodies were found. 368今天这个被冲到这里来在西维吉尼亚州埃尔克河被发现This new one today washed up here. Elk River, West Virginia.369史达琳，仔细看看告诉我你有什么发现Look at him, Starling. Tell me what you see.370他是个白种男人Well, he's a white male.371连环杀手倾向于在自己的族群中猎杀Serial killers tend to hunt within their own ethnic groups.372他不是个流浪者他有自己的独立房子He's not a drifter. He's got his own house, not an apartment.373-为什么？-他下毒手时，需要私人地方-Why? -What he does with them takes privacy.374他年约三、四十岁，孔武有力He's in his 30s or 40s. He's got real physical strength.375还有中年人的自制能力谨慎而准绳bined with an older man's self-control. He's cautious, precise.376他从来不冲动，也不会罢休And he's never impulsive. He'll never stop.377为什么？Why not?378他已经迷上了这回事而且越来越熟练He's got a real taste for it now, and he's getting better at his work. 379不错呢，有问题吗？Not bad, Starling. Questions?380有的Yes, sir.381你没有提及我报告里的任何资料You haven't mentioned anything about the information in my report (382)或者莱特医生的提议...or Dr. Lecter's offer, sir.383我正在考虑中l'm considering it.384所以你派我去病院That's why you sent me in there, isn't it?385找他协助缉捕水牛比尔？To get his help on Buffalo Bill, sir?386如果那是事实...Well, if that was the case, then...387我希望可以早点知道罢了...l just wish l was in on it, that's all.若以真正目的派你去莱特会识破的lf l'd sent you in there with a real agenda, Lecter would have known it. 389他会把你玩弄，什么也不会说He would have toyed with you, then turned to stone.390（格里殡仪馆）391打扰了，柏金斯警长？Excuse me, Sheriff Perkins?392这些是联邦调查局人员These are the FBl people.393柏金斯警长，我是杰克克劳福这是泰瑞和史达琳Sheriff Perkins, Jack Crawford, FBl. Special Agent Terry, Agent Starling. 394感谢邀请我们来到你们的管辖区We appreciate being invited to your jurisdiction.395是州政府检察部找你们的Somebody from the state attorney's office called you.396我们会通力合作，但现在...We'll extend you every courtesy, but right now--397警长Sheriff...398我认为该在私底下谈论这类性罪行的细节...this type of sex crime has aspects l'd just as soon discuss in private. 399你明白吧？Know what l mean?400奥加，去教堂叫区医生来Oscar, fetch Dr. Akin from the chapel.401我们在后面这里We're back here.402叫拉玛弹奏完毕后过来Tell Lamar to e on when he's finished playing his music.是的，我们稍后会传过来Yeah, we'll be sending in a minute.404行了lt's working.405我要组成六线联系芝加哥、底特律...l need a six-way link up. Chicago, Detroit--406什么？...What? What?407对不起Excuse me.408对不起，各位警官先生，听着Excuse me, officers and gentlemen. Listen here, now.409我们要替她做一些事情There's things we need to do for her.410你们把她带来了这里她的家人会感谢...Y'all brought her this far, and her folks would thank you if they could (411)你们的善意和体谅...for your kindness and your sensitivity.412请离开吧，让我们照顾她好了Please, go on now, and let us take care of her.413走吧Go on, now.414谢谢Thank you.415谢谢Thank you.416很好Okay, good.417是的，埃尔克河，准备传送Yeah, that's right. Elk River. Stand by for transmission. 418瑞Ray.419大家来看看她吧Doctor, Lamar. Let's take a look at her.420天啊Jesus....421史达琳，行了Okay, Starling.422胸骨上有星形的伤口Star-shaped contact entrance wound over the sternum. 423上面有个枪口印记A muzzle stamp at the top.424-死于非命-死于非命-Wrongful death. -Wrongful death.425她要被送去克拉斯顿的病理学家那里She'll have to go to the state pathologist's at Claxton. 426我还是回去那个丧礼了Well, l better get back to that service.427利玛会帮你们的Lamar will help you.428老天爷Lord Almighty.429你还观察到什么？What else do you see, Starling?430她不是当地人Well, she's not local.431她穿了三个耳洞，还有...Her ears are pierced three times and there's...432闪亮的指甲油，看来是城市人...glitter nail polish. lt looks like town to me.433她有两只指甲断了Two of her fingernails are broken off...434指甲下有泥土和沙粒...and there's dirt or grit under them.435她好像想爬过一些什么似的lt looks like she's tried to claw her way through something.436瑞，替她的牙齿拍照稍后传真到失踪人口组Ray, get pictures of her teeth. We'll fax them to Missing Persons. 437好的Right.438再拍一XLet's do another.439她喉咙里有东西She's got something in her throat.440当尸体被捞出水面时When a body es out of the water...441口里总会有些树叶之类的东西...lots of times there's leaves and things in the mouth.442那是什么？What is that?443豆荚吗？Some kind of seedpod?444不，是一只虫茧No, sir. That's a bug cocoon.445没可能自己走进去的There's no way that could get way down in there.446除非有人把它塞进去Not unless somebody shoved it in there.。
《沉默的羔羊》SilenceOfTheLambs
《沉默的羔羊》SilenceOfTheLambs t h e s i l e n c e o f t h e l a m b sscreenplay byted tallybased on the novel bythomas harris2nd draftjuly 28, 1989notefor legal reasons, the names of threeof tom harris's characters have had tobe changed. it is my hope, and certainlytom's, that the original names can berestored in time for the making of thismovie.for the purposes of this draft, however,jack crawford has become 'ray campbell,'frederick chilton has become 'herbertprentiss,' and dr. hannibal lecter iscalled 'dr. gideon quinn.'fade in:int. grubby hotel corridor - day (dimly lit)a woman's face backs into shot, her head resting against grimywallpaper. she is tense, sweaty, wide-eyed with concentration.this is clarice starling - mid-20's, trim, very pretty. she wearskevlar body armor over a navy windbreaker, khaki pants. her thickhair is piled under a navy baseball cap. a revolver, clutched inher right hand, hovers by her ear. she raises a speedloader, inher left hand, locks it into her cylinder, twists and reloads.close ona guest room door, with a small, wired pack attached to its knob.suddenly, wish a sharp crack!, the knob explodes, and the doorbursts open.with clarice - moving shot -as she runs around a corner, through a cloud of smoke. sheshoulders aside the shattered door and rushes inside, gun atthe ready in both hands...cut to: int. hotel room - dayclarice's pov - moving - as she first sees, sitting on the edgeof a bed - a female hostage. black, late 20's, gagged, handsbehind her back. then, swivelling... she sees a startled male suspect - white, mid-20's - standing by a window with a riflein his hands. he is turning towards her...claricedrops into a combat crouch, gun extended, and shouts.claricefreeze! fbi!clarice's pov - slow motion -all natural sound suspended - as the suspect faces her witha strange, pleading expression. the rifle is rising in his hands,but oddly enough, it is held across his chest, not pointing. then another puzzling detail registers...the suspect's handsare taped to his gun, away from the trigger; he couldn't use it even if he tried. suddenly we hear a metallic click, which reg- isters with unnatural amplification, as -claricereacts, drops to the floor, rolling sideways, and -the 'hostage'pulls a revolver out from behind her back, still in slow motion, raising it in her untied hands. she fires repeatedly, flames leaping from the muzzle; the sound is an echoing roar in these close quarters, but -claricehas come up on one knee, beside an armchair, and is already firing back herself, two quick shots, which send -the 'hostage'pitching over the bed, backwards, to shudder and lie still in a haze of gunsmoke. clarice rushes to her, clamping one knee down on her gun hand, still keeping her covered in case of movement. hold for a few beats... then we hear the shrill blast of awhistle from somewhere, o.s., as normal action and sound are restored.brigham (o.s.)okay, people, good exercise...clarice relaxes, lowering her gun. the lights brighten.pulling back -we see that we're in some sort of auditorium, with the 'hotel room' and its 'corridor' built as a training set. john brigham walks onto this set, thumbing a stopwatch. mid-40's, ex-marine. his t-shirt's lettering says 'firearms instructor / fbi academy.'brigham (contd.)starling's reaction time was excellent.let's break. critique in five.a class of about forty young fbi trainees, of both sexes, be- gins to rise from their seats, mingling and chatting.claricenods amiably to the 'suspect', then gives her 'hostage' a hand up. it's ardelia mapp, her roommate. her broad, clever face breaks into a big smile, as they both remove ear plugs. clarice's voice has just a soft trace of southern accent.ardeliadamn, clarice, how'd you make me?clarice(indicating her gun)never cock. just squeeze.ardelia(grins)i love it when you talk dirty.as brigham joins them, clarice can't resist a star pupil's little smile of pride. he frowns good-naturedly.brighamwhat're you laughin' at, junior g-man?she got off four rounds to your two.he takes out a steel-coiled grip flexer, drops it onto her palm.brigham (contd.)one hundred reps, each hand, every day.now tidy up, the section chief wants tosee you.he nods a direction, then moves off. clarice, with her smile finally fading, looks out into the auditorium.special agent ray campbellsits on the top step of the aisle, looking down at her. he is 53, strongly built. he rises impassively, exits through the back door. he carries a think manila envelope under one arm.ardeliawho is helping clarice unbuckle her bullet-proof vest, follows her worried gaze.claricewhat'd i do?ardeliastay cool. just remember to callhim 'god.'cut to: ext. fbi academy grounds, quantico, virginia - daycampbell is watching a group of trainees on the firing range, as clarice joins him. he looks tired, haunted. between master and student, we sense a subtle, muted tug of sexuality.campbellstarling, clarice m., good morning.claricegood morning, mr. campbell.campbellyour instructors tell me you're doingwell. top quarter of the class.claricei hope so. they haven't posted anything.campbella job's come up and i thought about you.not really a job, more of - an interest-ing errand. walk me to my car, starling.they begin to cross the academy grounds. a group of trainees jogs by, in matching sweats, following a p.e. coach.campbell (contd.)we're trying to interview all of theserial killers now in custody, for apsychobehavioral profile. could be abig help in unsolved cases. most of themhave been happy to talk to us. they havea compulsion to boast, these people...do you spook easily, starling?claricenot yet.campbellyou see, the one we want most refusesto cooperate. i want you to go afterhim again today, in the asylum.claricewho's the subject?campbellthe psychiatrist - dr. gideon quinn.clarice stops walking, goes very still. a beat.claricethe cannibal...campbell doesn't respond, except to study her face.clarice (contd.)yes, well... okay, right. i'm glad forthe chance, sir, but - why me?campbellyou're qualified and available. and frankly,i can't spare a real agent right now.he walks on again, at a faster clip. she hurried to keep up.campbell (contd.)i don't expect him to talk to you, but ihave to be able to say we tried... quinnwas a brilliant psychiatrist, and heknows all the dodges.(hands her the manila envelope)dossier on him, copy of our question-naire, special id for you... if he won'ttalk, then i want straight reporting.how's he look, how's his cell look,what's he writing? the director himselfwill see your report, over your own signa-ture - if i decide it's good enough. iwant that by 0800 wednesday, and keep thisto yourself.they're reached his car. his driver stamps on a cigarette, climbs in behind the wheel. burroughs, his assistant, says something in- to a walkie-talkie, then opens the back door. but campbell pulls her aside, a hand on her shoulder. his intensity is scary.campbell (contd.)now. i want your full attention, starling.are you listening to me?clariceyes sir.campbellbe very careful with gideon quinn. dr.prentiss at the asylum will go over thephysical procedures used with him. do notdeviate from them, for any reason. youtell him nothing personal, starling. believeme, you don't want gideon quinn inside yourhead... just do your job, but never forgetwhat he is.clarice(a bit unnerved)and what is that, sir?prentiss (v.o.)oh, he's a monster. a pure psychopath...cut to: int. prentiss's office - baltimore state hospital for the criminally insane - dayclose on an i.d. card held in a male hand. clarice's photo, of- ficial-looking graphics. it calls her a 'federal investigator.'prentiss (contd., o.s.)it's so rare to capture one alive. froma research point of view, dr. quinn isour most prized asset...dr. herbert prentisslooks up from her card. a smarmy little peacock, behind a vast desk; he's conceived an instant, hopeless letch for clarice. he smiles, stroking her card with his beloved gold pen.prentiss (contd.)you know, we get a lot of detectives here,but i must say, i can't ever remember oneso attractive...new angle - reveals clarice -now wearing a more feminine skirt suit. hair neatly coiled, ele- gant shoulder bag, briefcase. he has rudely left her standing.prentiss (contd.)will you be in baltimore overnight...?because this can be quite a fun town,if you have the right guide.clarice tires, unsuccessfully, to hide her distaste for him.claricei'm sure it's a great town, dr. prentiss,but my instructions are to talk to quinnand report back this afternoon.prentiss(pause; sourly)i see.(beat)let's make this quick, then. i'm busy.cut to: int. asylum corridor - upper floor - dayclarice flinches as a heavy steel gate clangs shut behind her, the bolt shooting home. prentiss walks ahead of her.prentissquinn carved up nine people - that we'resure of - and cooked his favorite bits.we've tried to study him, of course - buthe's much too sophisticated for the stan-dard tests. and my, does he hate us! thinksi'm his nemesis... campbell's very clever,isn't he? using you.claricehow do you mean, dr. prentiss?prentissa pretty young woman, to turn him on? idon't believe quinn's ever seen a woman ineight years. and oh, are you ever his'taste' - so to speak.claricei graduated magna from uva, doctor.it's not a charm school.prentissgood. then you should be able to rememberthe rules.cut to: int. different corridor - lower floor - daya darker, even grimmer area. heavy grids over the lights. dis- tant slammings and faint, hoarse shouts. they walk briskly.prentissdo not reach through the bars, do nottouch the bars. you pass him nothing butsoft paper - no pens or pencils. nostaples or paperclips in his paper. usethe sliding food carrier, no exceptions.do not accept anything he attempts tohold out to you. do you understand me?claricei understand.prentissi'm going to show you why we insist onsuch precautions... on the afternoon ofjuly 8, 1981, he complained of chest painsand was taken to the dispensary. hismouthpiece and restraints were removedfor an ekg. when the nurse bent over him,he did this to her...he hands clarice a small, dog-eared photo. looking at it, sheis stopped in her tracks. this pleases prentiss.prentiss (contd.)the doctors managed to re-set her jaw,more or less, and save one of her eyes.his pulse never got over eighty-five,even when he ate her tongue.(pause; he smiles)i keep him in here.he turns, pushes a button. a steel door buzzes slowly open, and barney - a big, impassive orderly - awaits them in an anteroom. on its walls: restraints, mouthpieces, mace, tranquilizer guns.clarice(quickly blocking him)dr. prentiss - if quinn feels you're hisenemy - as you've said - them maybe i'llhave more luck by myself. what do you think?prentiss(annoyed)you might have suggested that in my office,and saved me the time.claricebut then i would've missed the pleasureof your company.she holds out the photo. a beat. he grabs it, jaw twitching.prentisswhen she's finished, bring her out.he turns on his heel, goes. barney smiles reassuringly.barneyhi, i'm barney. he told you, don'tget near the bars?clarice(shaking his hand)clarice starling. yes, he did.barneyokay. past the others, it's the lastcell. stay to the middle. i put out achair for you.sensing her tension, he indicates a nearby security monitor.barney (contd.)i'm watching. you'll do fine.clarice nods gratefully. she looks down the long corridor, takes a deep breath, walks into it. he watches her go.cut to: int. dr. quinn's corridor - daymoving shot - with clarice, as her footsteps echo. high to her right, surveillance cameras. on her left, cells. some are pad- ded, with narrow observation slits, others are normal, barred... shadowy occupants pacing, muttering... suddenly a dark figure in the next-to-last cell hurtles towards her, his face mashing grotesquely against his bars as he hisses.dark figurei c-can sssmell your cunt!clarice flinches momentarily, but then walks on.dr. quinn's cellis coming slowly into view... behind its barred front wall is a second barrier of stout nylon net... sparse, bolted-down furni-ture, many softcover books and papers. on the walls, extraordi- narily detailed, skillful drawings, mostly european cityscapes, in charcoal or crayon.claricestops, at a police distance from his bars, clears her throat.claricedr. quinn... my name is clarice starling.may i talk with you?dr. gideon quinnis lounging on his bunk, in white pajamas, reading an italian vogue. he turns, considers her... a face so long out of the sun, it seems almost leached - except for the glittering eyes, and the wet red mouth. he rises smoothly, crossing to stand be- fore her; the gracious host. his voice is cultured, soft.dr. quinngood morning.cutting between themas clarice comes a measured distance closer.claricedoctor, we have a hard problem in psych-ological profiling. i want to ask foryour help with a questionnaire.dr. quinn'we' being the behavioral science unit,at quantico. you're one of ray campbell's,i expect.claricei am, yes.dr. quinnmay i see your credentials?clarice is surprised, but fishes her id card from her bag, holds it up for his inspection. he smiles, soothingly.dr. quinn (contd.)closer, please... clo-ser...she complies each time, trying to hide her fear. dr. quinn's nostrils lift, as he gently, like an animal, tests the air.then he smiles, glancing at her card.dr. quinn (contd.)that expires in one week. you're notreal fbi, are you?claricei'm - still in training at the academy.dr. quinnray campbell sent a trainee to me?claricewe're talking about psychology, doctor,not the bureau. can you decide for your-self whether or not i'm qualified?dr. quinnmmmmm... that's rather slippery of you,officer starling. sit. please.she sits in the folding metal desk-chair. he waits politelytill she's settled, then sits down himself, faces her happily.dr. quinn (contd.)now then. what did miggs say to you?(she is puzzled)'multiple miggs,' in the next cell. hehissed at you. what did he say?claricehe said - 'i can smell your cunt.'dr. quinni see. i myself cannot. you use evyan skincream, and sometimes you wear l'air dutemps, but not today. you brought yourbest bag, though, didn't you?clarice(beat)yes.dr. quinnit's much better than your shoes.claricemaybe they'll catch up.dr. quinni have no doubt of it.clarice(shifting uncomfortably)did you do those drawings, doctor?dr. quinnyes. that's the duomo, seen from thebelvedere. do you know florence?clariceall that detail, just from memory...?dr. quinnmemory, officer starling, is what i haveinstead of view.a pause, then clarice takes the questionnaire from her case.claricedr. quinn, if you'd please consider -no, no, no. you were doing fine, you'd been courteous and receptive to courtesy, you'd established trust with the embar- rassing truth about miggs, and now this ham-handed segue into your questionnaire. it won't do. it's stupid and boring.claricei'm only asking you to look at this, doctor. either you will or you won't.dr. quinnray campbell must be very busy indeed if he's recruiting help from the student body. busy hunting that new one, buffalo bill... such a naughty boy! did campbell send you to ask for my advice on him?clariceno, i came because we need -dr. quinnhow many women has he used, our bill?claricefive... so far.dr. quinnall flayed...?claricepartially, yes. but doctor, that's anactive case, i'm not involved. if youcould -dr. quinndo you know why he's called buffalo bill? tell me. the newspapers won't say.claricei'll tell you if you'll look at this form.(he considers, then nods)it started as a bad joke in kansas city homicide. they said... this one likes toskin his humps.dr. quinnwitless and misleading. why do youthink he takes their skins, officer starling? thrill me with your wisdom.clariceit excites him. most serial killerskeep some sort of - trophies.i didn't.clariceno. you ate yours.a tense beat, then a smile from him, at this small boldness.dr. quinnsend that through.she rolls him the questionnaire, in his sliding food tray. he rises, glances at it, turning a page or two disdainfully.dr. quinn (contd.)oh, officer starling... do you think youcan dissect me with this blunt little tool?clariceno. i only hoped that your knowledge - suddenly he whips the tray back at her, with a metallic clang that makes her start. his voice remains a pleasant purr.dr. quinn (contd.)you're sooo ambitious, aren't you...?you know what you look like to me, withyour good bag and your cheap shoes? youlook like a rube. a well-scrubbed, hust-ling rube with a little taste... goodnutrition has given you some length ofbone, but you're not more than one gen-eration from poor white trash, are you -officer starling...? that accent you'retrying so desperately to shed - purewest virginia. what was your father, dear?was he a coal miner? did he stink ofthe lamp...? and oh, how quickly the boysfound you! all those tedious, stickyfumblings, in the back seats of cars,while you could only dream of getting out.getting anywhere - yes? getting all theway - to the f...b...i.his every word has struck her like a tiny, precise dart. but she squares her jaw and won't give ground.clariceyou see a lot, dr. quinn. but are youstrong enough to point that high-poweredperception at yourself? how about it...?look at yourself and write down the truth.(she slams the tray back at him)or maybe you're afraid to.you're a tough one, aren't you?claricereasonably so. yes.dr. quinnand you'd hate to think you were common.my, wouldn't that sting! well you're farfrom common, officer starling. all youhave is the fear of it.(beat)now please excuse me. good day.clariceand the questionnaire...?dr. quinna census taker once tried to test me. iate his liver with some fava beans anda nice chianti... fly back to school,little starling.he steps backwards, then returns to his cot, becoming as still and remote as a statue. frustrated, clarice hesitates, then finally shoulders her bag and goes, leaving the questionnaire in his tray. but after just a few steps, as she passes -migg's cell -she sees that creature at his bars again, hissing at her.miggsi b-bit my wrist so i c-can diiiieeee!s-ee how it bleeeeeeeeds?the dark figure suddenly flings his palm towards her, and - clariceis spattered on the face and neck - not with blood, but with pale droplets of semen. she gives a little cry, touching her fingers to the wetness. stunned, near tears, she forces her- self to straighten up and walk on, fumbling for a tissue. from behind her, dr. quinn calls out, very agitated.dr. quinn (o.s.)officer starling... officer starling!clarice slows, stops. she shudders, but makes the very diffi- cult choice to turn, walk back, stand again in front of -dr. quinn -who's shivering with rage. for an instant his face opens, and we catch a glimpse into hell itself. then he's composed again.dr. quinni would not have had that happen to you.discourtesy is - unspeakably ugly to me.then please - do this test for me.dr. quinnno. but i will make you happy... i'llgive you a chance for what you lovemost, clarice starling.claricewhat's that, dr. quinn?dr. quinnadvancement, of course.(beat)go to split city. see miss mofet, anold patient of mine. m-o-f-e-t...now go. go.(a smile)i don't think miggs could manage againso soon, even if he is crazy - do you?cut to: ext. the hospital - parking lot - daythe grim gothic pile of the asylum looms overhead as clarice rushes out the front doors. she is badly shaken, almost stumb- ling, as she rubs at her face. she looks around for, and fi-nally, with some relief, spots -her caran old pinto, parked nearby. this image begins to blur...close onher face, fighting tears, as the camera begins to whirl around her, almost dizzily. she is seeing, in her mind's eye -in flashbacka screen door banging open, on a wooden porch, and a 10-year old girl - the young clarice - rushing outside, down thefront steps, and running joyfully across her front yard to - moving angle - the girl's pov -a car - late 60's vintage - parked in the dirt road. a man, clarice's father, is just climbing out. he's tall, handsome,and has a marshal's badge pinned on his dark suit. he grins, seeing her, and spreads his arms wide asthe young claricerushes into them, and he sweeps her up in a hug, spinningher around, the camera spinning with them, and capturingboth their laughing faces, before we abruptly return to -the adult claricealone in the parking lot, sagging against her car. her faceis buried in her arms, she shoulders shaking. sound upcut -a steady, rapid series of gunshots, as wecut to: int. fbi academy firing range - dayclarice, in a combat stance, and wearing a sound-muffling headset, is squeezing off round after round ata moving target -the sillouette of a man, approaching along a track. her shots, tightly grouped, are all finding the center chest. the target stops, quite close to her, still swaying.claricestares at it, deftly working her speedloader. then she putsa final, emphatic shot right throughthe figure's foreheadcut to: int. fbi academy library - nightclose on a microfilm monitor - a grainy newsphoto of dr. quinn, scrawling past, with an accompanying story ('new horrors in cannibal trial'), dated 1980.clariceis punching keys on the terminal. other trainees study at nearby tables. she pauses, jotting a note on her pad, asardelia comes by, carrying an armful of books.ardeliaphone call, clarice. it's god.claricethanks, ardelia.moving angleas clarice rises, grabbing her notebook, and follows ardelia past high metal bookstacks.ardeliayou missed fourth amendment law.unlawful seizure, real juicy stuff.where were you all afternoon?claricepleading with a crazy man, with comeall over my face.ardelia stares at her, figures it's a put-on, laughs.ardeliadamn. wish i had time for a social life.clarice grins, as ardelia indicates a phone receiver restingon the check-out desk, then moves on. clarice picks it up.clarice(on phone)mr. campbell?cut to: int. campbell's house - study - nightcampbell, in a cardigan, sits in a wing chair in the book-lined study of his suburban home. he turns the pages ofclarice's memo as they talk. his tone is sharp.campbelli've read your interim memo on quinn.you sure you've left nothing out?intercutting -starlingit's all there, sir, practicallyverbatim.campbellevery word, starling? every gesture?starling(a bit heatedly)right down to the kleenex i used.(he is silent)sir, why? is something wrong?campbellhe mentioned a name, at the very end.'mofet...' any followup on her?starlingi spent all evening on the mainframe.quinn altered or destroyed most of hispatient histories, prior to capture. norecord of anyone named mofet. but 'splitcity' sounded like it might have havesomething to do with divorce. i trackedit down in the library's catalogue ofnational yellow pages.(glancing at her notes)it's a mini-storage facility outsidebaltimore, where quinn had his practice.she pauses, expecting some soft of approval for her cleverness.campbellwell? why aren't you there right now?starlingsir, that's a field job. it's outsidethe scope of my assignment. and i'vegot a test tomorrow on -campbelldo you recall my instructions to you,starling? what were they?starlingto complete and file my report by 0800wednesday. but sir -campbellthen do that, starling. do just exactlythat.starlingsir, what is it? there's something you'renot telling me.campbell(beat)miggs has been murdered.starling(startled, upset)murdered...? how?campbellthe orderly heard quinn whispering tohim, all afternoon, and miggs crying.they found him at bed check. he'dswallowed his own tongue... prentissis scared stiff the family will filea civil rights lawsuit, and he's try-ing to blame it on you. i told thelittle prick your conduct was flawless.(beat)starling...?starlingi'm here, sir, i just - i don't knowhow to feel about it.campbellyou don't have to feel any way aboutit. quinn did it to amuse himself.why not, what can they do? take awayhis books for awhile, and no jello...(a bit softer)i know it got ugly today. but this isyour report, starling - take it as faras you can. on your own time, outsideof class. now carry on.angle on clarice -as we hear the loud click of campbell hanging up. she stares at her receiver, stung by his abruptness.claricewell god damn it! you old creep. creeposon of a bitch. let miggs squirt youand see how you like it.she slams her receiver into its cradle.angle on campbell -as he flips aside her memo, then rises, wearily. he leaves his study, flicking off the lamp, and pads away in his slippers.cut to: int. campbell's bedroom - nighta private nurse, in white, stands marking a clipboard chart, as campbell enters his tidy bedroom.campbelli'll take over, patricia. you getsome rest.the nurse nods, hands him the chart, and goes. he glances atit, then sets it aside. he crosses to -bella campbell -who lies in an elevated hospital bed. nearby are an oxygentank and mask, floral arrangements. her breathing is shallow,very labored. campbell looks down at his comatose wife for along moment, tenderly brushes a strand of her hair back into place, then bends over to kiss her forehead. sound upcut -thunder and rain...dissolve to: ext. 'split city mini-storage' - dusk (raining)an orange neon sign, streaked with rain, identifies out loca- tion. it looms over a hurricane fence, topped with barbed wire. inside, row on row of garage-sized, cinderblock sheds.mr. yow (v.o.)unit 31 was leased for ten years. pre-paid in full... the contract is in thename of 'miss hester mofet.'cut to: ext. storage unit number 31 - duskclarice, kneeling before a closed, roll-up metal door, takes aflash photo of its sealed padlock. everett yow, a fat, 60ish chinaman, holds an umbrella over them both. he looks unhappy.clariceso no one's been in here since - 1980?she opens the padlock, using a fat ring of tagged keys, thensets aside both keys and lock.mr. yownot to my knowledge. privacy is a greatconcern to my customers. but, if you saythis is an fbi matter...。
The Silence of the Lamb.沉默的羔羊.中英双语字幕
（维吉尼亚州匡蒂科附近森林）3史达琳！Starling!4克劳福要见你Crawford wants to see you in his office.5谢谢Thank you, sir.6（伤害）7（苦难）8（痛苦）9（喜欢它）10-克丽丝-你好-Clarice. -Hey.11（行为科学组）12找克劳福吗？Looking for Crawford?13他快回来了在他的办公室等一会吧He should be back soon. Why don't you wait in his office? 14（比尔剥下第五个人的皮）15史达琳Starling.16-克丽丝，早安-早安，克劳福先生-Clarice M. Good morning. -Morning, Mr. Crawford.17抱歉突然把你召离课堂Sorry to pull you off the course at such short notice.18你的导师说你是班里的高材生Your instructors say you're in the top quarter of your class.希望是吧，他们还没有公布成绩l hope so. They haven't posted any grades yet.20有一个任务要办，于是我想起你A job's come up, and l thought about you.21这不是正式的任务较像一份有趣的差事Not a job, really, more of an interesting errand.22坐下Sit down.23是，长官Yes, sir.24我记得你出席过我在维吉尼亚大学的讲座l remember you from my seminar at UVA.25你追问我本局在胡佛年代的公民权益记录You grilled me on the bureau's civil rights record in the Hoover years.26我给了你甲等l gave you an A.27是甲下A minus, sir.28双主修，心理学及犯罪学以优异成绩毕业Double major, psych and criminology, graduated magna.29在瑞辛格疗养院做过夏季实习Summer internships at the Reitzinger Clinic.30它说你毕业后想在行为科学组替我工作lt says when you graduate you want to work for me in Behavioral Science. 31是的，我很想Yes, very much, sir. Very much.32我们正在访问被囚禁的连环杀手We're interviewing all serial killers in custody...33作变态行为的分析...for a psycho-behavioral profile.34对一些悬案会有很大帮助lt could be a real help in unsolved cases.35他们大都乐意跟我们谈Most of them have been happy to talk to us.36你会否很易受惊的？Do you spook easily, Starling?37不会Not yet, sir.38我们最想见的那个人拒绝合作The one we want most refuses to help.39我想你去精神病院找他l want you to go after him in the asylum.40那个人是谁？Who's the subject?41-心理医生汉尼拔莱特-食人狂魔汉尼拔-The psychiatrist, Hannibal Lecter. -''Hannibal the Cannibal.'' 42我想他不会跟你交谈l don't expect him to talk to you...43但无论如何我们都得尝试...but l have to be able to say we tried.44若他不合作，我要如实报告lf he won't cooperate, l want straight reporting.45他的容貌和监狱里的状况如何？How's he look? How's his cell?46他有没有素描、绘画？如果有，他都画些什么？ls he sketching, drawing? lf he is, what's he sketching?47这是莱特的档案...Here's a dossier on Lecter...48问卷副本和你的身份证...copy of our questionnaire and an l.D. for you.49周三早上八点把你的报告交给我Have your memo on my desk by 0800, Wednesday.50好的Okay.51对不起，为什么这样急？Excuse me, sir, but why the urgency?52莱特已经坐牢很多年了Lecter's been in prison for years.53他和水牛比尔是否有关连？ls there some connection between him and Buffalo Bill?54但愿有，我要你非常留意l wish there were. Now, l want your full attention, Starling.55-知道-要非常小心应付莱特汉尼拔-Yes, sir. -Be very careful with Hannibal Lecter.56精神病院的奇顿医生会给你讲解接见程序Dr. Chilton at the asylum will go over all the physical procedures used. 57无论如何不可偏离程序Do not deviate from them for any reason whatsoever.58你不可向他透露私人事情You're to tell him nothing personal.59你不想汉尼拔莱特知道你的思想的You don't want Hannibal Lecter inside your head.60执行你的任务但千万别忘记他的身份Just do your job but never forget what he is.61是什么？And what is that?62他是个魔头，一个变态狂人Oh, he's a monster, a pure psychopath.63可以生擒一个已很难得了lt's so rare to capture one alive.64从研究角度来说莱特是我们最有价值的资产From a research point of view, Lecter is our most prized asset.65我们有很多探员来这里的We get a lot of detectives here...66但我记不起有这样漂亮的一个...but l must say l can't remember one as attractive.67你会在巴尔的摩过夜吗？Will you be in Baltimore overnight?68如果你有适当的向导这可以是个很好玩的城市Because this can be quite a fun town if you have the right guide.69我肯定这是个了不起的城市l'm sure this is a great town, Dr. Chilton...70但我要见莱特医生下午还要回去报告...but l must talk to Dr. Lecter and report back this afternoon.71是的，那么我们快点吧l see. Well, let's make this quick, then.72我们尝试研究他，但他太高深了一般的测试都不适用We've tried to study him, but he's too sophisticated for the standard tests. 73他很讨厌我们的Oh, my, does he hate us.74他觉得我是他的报应He thinks l'm his nemesis.75克劳福真是聪明，他利用你Crawford's very clever, isn't he, using you?76-什么意思？-找个漂亮的女郎来引诱他-What do you mean, sir? -Pretty young woman to turn him on.77我相信这八年来莱特都没见过女人而你正合他的胃口l don't believe Lecter's seen a woman in eight years, and you are his taste. 78恕我直言So to speak.79我毕业于维吉尼亚大学它不是一间仪态学校l graduated from UVA. lt's not a charm school.80很好，你该能记着那些规矩了Good. Then you should be able to remember the rules.81不要触摸或接近那块玻璃只可传递柔软的纸张给他Do not touch or approach the glass. Pass him nothing but soft paper.82不可有铅笔或原子笔纸张上不可有钉书钉或夹子No pencils or pens, no staples or paper clips in his paper.83只可用那个活动食物架传送Use the sliding food carrier, no exceptions.84不可接受他给你的东西lf he passes you anything, do not accept.85-明白吗？-明白-Do you understand? -Yes, l understand, sir.86我让你看看为何我们要有这些戒备l'm going to show you why we insist on such precautions.87在1981年7月8日的下午On the afternoon of July 8, 1 981 ...88他说胸口痛，被带往医疗室...he complained of chest pains and was taken to the dispensary.89为方便做心电图他的口罩被除下His mouthpiece was removed for an EKG.90当护士靠近他身边时他对她做了这个When the nurse leaned over him, he did this to her.91医生们算是重整了她的下颚和救回她一只眼睛The doctors managed to reset her jaw, more or less. Save one of her eyes. 92即使在他吃她的舌头时他的脉搏从没超过85His pulse never got above 85, even when he ate her tongue.93-我把他关在这里-奇顿医生-l keep him in here. -Dr. Chilton.94若莱特觉得你是他的敌人，那么...lf Lecter feels that you're his enemy, then....95若我单独去的话我们运气可能会好一点Maybe we'll have more luck if l go by myself.96你认为如何？What do you think?97你若在我办公室时提出来就可省掉我的时间了You might have suggested this in my office and saved me the time.98是的，但我会错过了你同行的乐趣Yes, sir, but then l would have missed the pleasure of your company, sir. 99她完事后带她出去吧When she's finished, bring her out.100你好，我是巴尼他说过了，不要走近那块玻璃Hi, l'm Barney. He told you, don't get near the glass?101对，他说过了我是克丽丝史达琳Yes, he did. Clarice Starling.102幸会，你可以把大衣挂在那里Nice to meet you. You can hang your coat there if you like.103好的，谢谢你Okay. Thank you, l will.104他在最尽头的那个牢房He's past the others. The last cell.105靠右走吧You keep to the right.106-我放了一张椅子给你-很好，谢谢你-l put out a chair for you. -Yes, that's very good, thank you.107我会看着，你不会有事的l'll be watching. You'll do fine.108我可以闻到你的私处l can smell your cunt.109早安Good morning.110莱特医生，我叫克丽丝史达琳可否跟你谈一会？Dr. Lecter, my name is Clarice Starling. May l speak with you? 111你是克劳福的人，是吗？You're one of Jack Crawford's, aren't you?112是的l am, yes.113可否看看你的证件？May l see your credentials?114当然可以Certainly.115靠近一点，劳烦你Closer, please.116近一点Closer.117一周内后就到期了你不是真的联邦调查局探员吧That expires in one week. You're not real FBl, are you?118我仍在受训l'm still in training at the academy.119-克劳福派个见习生来见我？-是的，我是个学生-Jack Crawford sent a trainee to me? -Yes, l'm a student. 120我是来向你学习的l'm here to learn from you.121也许你可以决定我是否够资格这样做Maybe you can decide if l'm qualified enough to do that. 122你很不老实呢，史达琳探员That is rather slippery of you, Agent Starling.123请坐Sit. Please.124告诉我，迈克斯对你说了什么？Now then, tell me. What did Miggs say to you?125隔壁的"多面人迈克斯"''Multiple Miggs'' in the next cell.126他向你发出嘶嘶声他说了些什么？He hissed at you. What did he say?127他说"我可以闻到你的私处"He said, ''l can smell your cunt.''128是吧l see.129我可闻不到l myself cannot.130你用爱肤恩润肤膏You use Evyan skin cream.131有时你会涂点香水And sometimes you wear L'Air du Temps.132但今天没有But not today.133这些画是你画的吗？Did you do all these drawings?134那是从观景楼远望的大教堂That is the Duomo, seen from the Belvedere.135你知道佛罗伦斯吗？Do you know Florence?136那些细节都是来自记忆的吗？All that detail just from memory, sir?137史达琳探员，我只有记忆，没有景观Memory, Agent Starling, is what l have instead of a view.138你可在这份问卷上给我们一些见解Perhaps you'd care to lend us your view on this questionnaire, sir. 139不...你做得很好No, no, no. You were doing fine.140你很有礼，而且能容纳礼貌You had been courteous and receptive to courtesy.141你对迈克斯的尴尬说话也表现得很信任You had established trust with the embarrassing truth about Miggs. 142至于你这份拙劣的问卷And now this ham-handed segue into your questionnaire.143就不行了lt won't do.144我只是要求你看看它你做不做随便你l'm only asking you to look at this. Either you will or you won't. 145对，若克劳福要从学校找人帮忙Yeah. Jack Crawford must be very busy indeed...146他一定很忙了...if he's recruiting help from the student body.147忙于追捕那个新手水牛比尔吧Busy hunting that new one, Buffalo Bill.148他真是个坏孩子What a naughty boy he is.149你可知道为何他被称为水牛比尔？Do you know why he's called ''Buffalo Bill''?150请告诉我，报纸上没有说Please tell me. The newspapers won't say.151是来自堪萨斯城凶案组的一个笑话lt started as a joke in Kansas City Homicide.152他们说"这个人喜欢剥他猎物的皮"They said, ''This one likes to skin his humps.''153史达琳探员，你认为为什么...Why do you think...154他要剥她们的皮？...he removes their skins, Agent Starling?155用你的敏锐来振奋我一下吧Thrill me with your acumen.156这样做令他兴奋lt excites him.157大部分的连环杀手都会保存受害人身上的东西作为纪念品Most serial killers keep trophies from their victims.158-我可没有-对-l didn't. -No.159你吃了他们No, you ate yours.160把那个传过来吧You send that through now.161你以为凭这份拙劣的东西便可以分析我？You think you can dissect me with this blunt little tool?162不是！我相信你的学识...No! l thought that your knowledge--163你很有野心，是不是？You're so ambitious, aren't you?164可知道你拿着那个高级皮包和穿着廉价鞋子像个什么？You know what you look like, with your good bag and your cheap shoes? 165像个土包子You look like a rube.166一个干净、忙碌带点品味的土包子A well-scrubbed, hustling rube with a little taste.167虽然你衣食无忧地成长...Nutrition has given you some length of bone...168你不外乎是个白种低下层的人...but you're not more than one generation from white trash...169是不是，史达琳探员？...are you, Agent Starling?170你极力想摆脱口音...The accent you've tried so desperately to shed...171地道的西维吉尼亚州腔调...pure West Virginia.172你父亲是个矿工吗？ls your father a coal miner?173那盏灯可有令他满身臭气？Does he stink of the lamp?174我知道那些男孩怎样迅速搭上你在汽车后座里乱摸l know how quickly the boys found you, all those tedious, sticky fumblings (175)你却想着走出去...in the back seats of cars, while you dreamed of getting out.176走去天涯海角Getting anywhere.177直走到联邦调查局Getting all the way to the FBl.178你很有观察力You see a lot, doctor.179但你能否用你敏锐的观察力...But are you strong enough to point that...180来分析自己？...high-powered perception at yourself?181怎么样？What about it?182不如你探究一下自己把观察所得写下来Why don't you look at yourself and write down what you see? 183或者你害怕这样做吧Or maybe you're afraid to.184曾经有一个人口调查员想测试我A census taker once tried to test me.185我把他的肝配蚕豆吃了l ate his liver with some fava beans...186还有美味的红酒呢...and a nice Chianti.187小史达琳，你飞回学校去吧You fly back to school now, little Starling.188飞吧...Fly, fly, fly.189我咬我的手腕...l bit my wrist...190让我可以死掉...so l could die.191看这些血Look at the blood!192吓到你了Gotcha.193迈克斯！你这个混蛋！Miggs! You stupid fuck!194史达琳探员！回来！史达琳探员Agent Starling! Come back! Agent Starling! Agent Starling!195我不会让那种事情再发生我讨厌不礼貌的l would not have had that happen. Discourtesy is ugly to me. 196-那么做这个测验吧-不做，但我会令你开心的-Then do this test! -No, but l will make you happy.197-我会给你一个大好机会-什么？-l'll give you a chance at your love. -What?198升职，听着你自我反省一下，克丽丝史达琳Advancement. Listen. Look deep within yourself, Clarice Starling. 199找出我从前的病人莫菲小姐Go seek out Miss Mofet, an old patient of mine. M-O-F-E-T.200我相信迈克斯不会这么快发作的...l don't think Miggs could manage again so soon...201虽然他是疯的，快去...even though he is crazy. Go now!202你好，比尔Hi, Bill.203-爸爸-克丽丝-Daddy! -Hey, Clarice.204-爸爸，你有没有抓到坏人？-没有，他们跑掉了-Did you get any bad guys, Daddy? -No, angel. They all got away. 205该死Ah, shoot.206联邦调查局，举手，别动！FBl! Hands up! Don't move!207转过身来，把双手放在后面好的Turn around. Hands behind your back. Thumbs up.208史达琳，你已经死了You're dead, Starling.209强生，进入和指挥都做得很好史达琳，你哪里有危险？Johnson, good entry, good command. Starling, where's your danger area? 210-在角落-你有没有检查过它？-ln the corner. -Did you check it?211-没有，长官-所以你已经死了-No, sir. -That's why you're dead.2123109？3-1 -0-9?213打破门或窗闯入或者撤退Breaking doors or windows to enter or exit.214404号规条呢？Rule 404?215（巴尔的摩心理医生获得最高荣誉）216（著名心理医生被控谋杀）217（食人狂魔审讯带来新的恐怖）218克丽丝，你的电话，是教官Clarice, phone. lt's the guru.219克劳福？谢谢，雅戴Crawford? Thanks, Ardelia.220-史达琳？-长官-Starling? -Sir.221迈克斯死了Miggs is dead.222死了？Dead?223怎会的？How?224守卫听到汉尼拔莱特下午时对他低声说话The orderly heard Lecter whispering to him all afternoon.225他们在夜间巡查时发现他吞掉自己的舌头They found him at bed check. He'd swallowed his tongue.226史达琳？Starling?227我还在听，我只是...Yeah. l'm still here, sir. l just--228我不知道对这件事该有何感想l don't know how to feel about this.229你不用感想什么莱特这样做只是为了自娱You don't have to feel any way. Lecter did it to amuse himself. 230我明白今天很难受Look, l know it got ugly today...231但你提到莫菲，有后续行动吗？...but you mentioned a name, ''Mofet.'' Any follow-up on her? 232他在被捕前把大部分病人的病历销毁了He destroyed most of his patients' histories prior to capture (233)所以没有莫菲的记录...so there's no record of anyone named Mofet.234我觉得"你自己"这个参考资料对莱特来说太造作了But l thought the ''yourself' reference was too hokey for Lecter (235)我想起他是来自巴尔的摩便翻查电话簿...so l figured he's from Baltimore, and l looked in the phone book. 236那里有一间叫"你自己"的自助式仓库And there's a ''Your Self' storage facility...237在巴尔的摩市外围...right outside of downtown Baltimore, sir.23831号仓已经租了十年...Unit 31 was leased...239租金是全数预缴的...for 1 0 years, prepaid in full.240合约是以一个...The contract was in the name...241是莫菲赫斯达小姐的人定的...of a Miss Hester Mofet.242自从1980年就没有人来过了？So nobody's been in here since 1 980?243以我所知是没有Not to my knowledge.244我的顾客都很重视私隐权的Privacy is a great concern to my customers.245对，我答应不会扰乱任何东西Yes, l won't disturb anything, l promise.246我很快便会离开l'll be out of here before you know it.247-要帮忙吗？-好的-May l help you? -Yes, actually.248这里Here.249-它被卡着-明天可以叫我的儿子来-lt's stuck. -We could return tomorrow with my son.250他怎么样？What about him?251我本可叫我的司机帮你但他讨厌体力劳动l would ask my driver to help you, but he detests physical labor. 252是吧Right.253你别走开，我很快回来You stay here. l'll be back in one minute.254它被卡着，请你把那支电筒给我lt's stuck. Will you hand me that flashlight?255如果这道门跌下来...lf this door should fall down...256或者有什么意外......or anything else...257这是我们巴尔的摩办公室的电话号码...this is the number for our Baltimore office.258他们知道你跟我在一起的They know that you're with me.259-如果有意外就找他们吧-好的，史达琳小姐-Call them if anything should happen. -Yes, Miss Starling. 260克丽丝，他们在等你Clarice. Here, they're waiting for you.261小心Watch your step.262"莫菲赫斯达"是拼字猜谜吧？Hester Mofet. lt's an anagram, isn't it, doctor?263意思是"我其余的东西"Hester Mofet: ''The rest of me''?264那表示车库是你租的？''Miss The Rest Of Me,'' meaning that you rented that garage? 265谢谢Thank you.266你止血了Your bleeding has stopped.267怎么...？How did...?268没有大碍的lt's nothing.269只是皮外伤lt's just a scratch.270莱特医生，那瓶里的头颅是谁的？Dr. Lecter, whose head is in that bottle?271为什么你不问我关于水牛比尔的事？Why don't you ask me about Buffalo Bill?272你知道他的事？Do you know something about him?273如果我看过档案可能知道的你可以替我拿l might if l saw the case file. You could get that for me.274谈谈莫菲小姐吧你要我去找他Let's talk about Miss Mofet. You wanted me to find him.275他的真名是班哲文赖普是我的前病患His real name is Benjamin Raspail. A former patient of mine...276他的恋爱对象，有点怪异...whose romantic attachments ran to, shall we say, the exotic.277我没有杀他，只是把他藏起来就像我发现他时的样子l did not kill him, merely tucked him away, very much as l found him (278)在他错过了三次约会之后...after he'd missed three appointments.279若你没有杀他，那么是谁杀？lf you didn't kill him, who did?280谁知道？对他来说是件好事Who can say? Best thing for him, really.281他的治疗没有功效His therapy was going nowhere.282他的裙子、化妆...His dress, makeup....283赖普是个异性装扮癖好者？Raspail was a transvestite?284生活上？不是只是普通的躁狂抑郁ln life? Oh, no. Garden variety manic-depressive.285乏味，非常乏味Tedious, very tedious.286现在我把他看成是一个实验l now think of him as an experiment.287一个没经验的杀手尝试转变A fledgling killer's first effort at transformation.288你看到他时有何感觉？How did you feel when you saw him, Clarice?289初时很害怕，后来...Scared at first, then...290便很振奋...exhilarated.291克劳福在提拔你，是吗？Jack Crawford is helping your career, isn't he?292看来你们互相倾慕呢Apparently, he likes you and you like him too.293我从没有想过l never thought about it.294你认为克劳福对你有遐想吗？Do you think Jack Crawford wants you, sexually?295他年纪大很多你对他可有想入非非？He is much older, but do you think he visualizes scenarios, exchanges? 296跟你做爱？Fucking you?297我没有兴趣这是迈克斯会说的那种话That doesn't interest me. lt's the sort of thing that Miggs would say. 298不再是了Not anymore.299谢谢你，巴尼Thank you, Barney.300你的画呢？What happened to your drawings?301惩罚，为了迈克斯那件事像那个传道节目... Punishment, you see, for Miggs. Just like that gospel program. 302你离开后他们就会调高声音When you leave, they'll turn the volume way up.303奇顿医生喜欢这些折磨伎俩Dr. Chilton does enjoy his petty torments.304你说转变是什么意思？What did you mean by ''transformation,'' doctor?305克丽丝，我在这里八年了l've been in this room for eight years now, Clarice.306我知道在我有生之年他们都不会释放我l know they will never ever let me out while l'm alive.307我想要的是一个景观What l want is a view.308我想要一个看到树和水的窗户l want a window where l can see a tree or even water.309我想去一间远离奇顿医生的联邦监狱l want to be in a federal institution far away from Dr. Chilton. 310你说"没经验的杀手" 是什么意思？What did you mean by ''fledgling killer''?311你是否说他已经再次杀人？Are you saying he's killed again?312我根据案件的证据给你对水牛比尔...l'm offering you a psychological profile on Buffalo Bill...313作心理分析...based on the case evidence.314我会帮你抓到他的l'll help you catch him, Clarice.315你知道他是谁，是不是？You know who he is, don't you?316告诉我谁把你的病人斩首了Tell me who decapitated your patient, doctor.317愿意等待的人都有好报的All good things to those who wait.318我已经等了但杰克能等多久？l've waited, Clarice. But how long can you and old Jackie-boy wait? 319我们的小比尔一定正在找寻着下一位特别的女士了Our little Billy must already be searching for that next special lady. 320（田纳西州孟斐斯市）321小猫咪Hey, little cheeper.322我快来了l'll be right there.323天啊！Jeez!324要我帮忙吗？Can l help you with that?325可以吗？Would you?326当然可以Sure.327谢谢你Thank you.328不用客气，你好像是伤残人士That's all right. You look kind of handicapped.329是的，我搬到这里但搬不上货车Yeah. l got it this far, l just can't get it up in the truck by myself. 330来吧，抓着，上！Here, grab this. Up!331好的Okay.332把它放下吧，很好Just set it down. That's good.333你上车，我想把它推进去Get in the truck. l want to push it all the way up.334真的很谢谢你l really appreciate this. Thank you.335放到后面去Just go all the way back.336行了吗？Okay. ls this good?337行了，很好Yeah, that's good.338-真好-好的-That's great. -Okay.339你大概穿十四号吧？Say, are you about a size 1 4?340什么？Sorry?341（十四号）342好Good.343好极了...Oh, good. Good.344抓着Holds!345一！Ones!346史达琳！Starling!347出去，我们走吧Outside. Let's go.348仙蒂，进场代替史达琳，来吧Cindy, in the ring for Starling. Let's go!349收拾你的装备Pack your field gear.350-我们会跟克劳福一起去-去哪里？-You're going with Crawford. -Where?351在西维吉尼亚发现了一名女子尸体Found a girl's body in West Virginia.352她在水里一周了看来是水牛比尔做的Been in the water a week. Looks like Buffalo Bill. 353（西维吉尼亚州克莱县）354（联邦调查局）355让她们活上三天我们不明白原因Keeps them alive for three days. We don't know why. 356死前没有强奸或虐待的迹象No evidence of rape or physical abuse prior to death. 357这些伤口都是死后造成的All the mutilation you see there is postmortem.358三天...Okay, three days...359然后他开枪射死她们剥皮和弃尸...then he shoots them, skins them and dumps them.360每个尸体弃置在不同的河上Each body in a different river.361河水冲走了证据The water leaves us no trace evidence of any kind.362那是第一个，费迪嘉拜姆That's Fredrica Bimmel, the first one.363她的尸体是唯一被他沉下去的Her body was the only one he weighted down.364实际上，她是第三个被发现的So actually, she was the third girl found.365继她之后，他变得懒惰了After her, he got lazy.366好的，我们看看Okay, let's see.367圆圈是那些女子被掳走的位置箭嘴是尸体被发现的地点Circles where the girls were abducted. Arrows where their bodies were found. 368今天这个被冲到这里来在西维吉尼亚州埃尔克河被发现This new one today washed up here. Elk River, West Virginia.369史达琳，仔细看看告诉我你有什么发现Look at him, Starling. Tell me what you see.370他是个白种男人Well, he's a white male.371连环杀手倾向于在自己的族群中猎杀Serial killers tend to hunt within their own ethnic groups.372他不是个流浪者他有自己的独立房子He's not a drifter. He's got his own house, not an apartment.373-为什么？-他下毒手时，需要私人地方-Why? -What he does with them takes privacy.374他年约三、四十岁，孔武有力He's in his 30s or 40s. He's got real physical strength.375还有中年人的自制能力谨慎而准绳Combined with an older man's self-control. He's cautious, precise. 376他从来不冲动，也不会罢休And he's never impulsive. He'll never stop.377为什么？Why not?378他已经迷上了这回事而且越来越熟练He's got a real taste for it now, and he's getting better at his work. 379不错呢，有问题吗？Not bad, Starling. Questions?380有的Yes, sir.381你没有提及我报告里的任何资料You haven't mentioned anything about the information in my report (382)或者莱特医生的提议...or Dr. Lecter's offer, sir.383我正在考虑中l'm considering it.384所以你派我去病院That's why you sent me in there, isn't it?385找他协助缉捕水牛比尔？To get his help on Buffalo Bill, sir?386如果那是事实...Well, if that was the case, then...387我希望可以早点知道罢了...l just wish l was in on it, that's all.若以真正目的派你去莱特会识破的lf l'd sent you in there with a real agenda, Lecter would have known it. 389他会把你玩弄，什么也不会说He would have toyed with you, then turned to stone.390（格里殡仪馆）391打扰了，柏金斯警长？Excuse me, Sheriff Perkins?392这些是联邦调查局人员These are the FBl people.393柏金斯警长，我是杰克克劳福这是泰瑞和史达琳Sheriff Perkins, Jack Crawford, FBl. Special Agent Terry, Agent Starling. 394感谢邀请我们来到你们的管辖区We appreciate being invited to your jurisdiction.395是州政府检察部找你们的Somebody from the state attorney's office called you.396我们会通力合作，但现在...We'll extend you every courtesy, but right now--397警长Sheriff...398我认为该在私底下谈论这类性罪行的细节...this type of sex crime has aspects l'd just as soon discuss in private. 399你明白吧？Know what l mean?400奥加，去教堂叫区医生来Oscar, fetch Dr. Akin from the chapel.401我们在后面这里We're back here.402叫拉玛弹奏完毕后过来Tell Lamar to come on when he's finished playing his music.是的，我们稍后会传过来Yeah, we'll be sending in a minute.404行了lt's working.405我要组成六线联系芝加哥、底特律...l need a six-way link up. Chicago, Detroit--406什么？...What? What?407对不起Excuse me.408对不起，各位警官先生，听着Excuse me, officers and gentlemen. Listen here, now.409我们要替她做一些事情There's things we need to do for her.410你们把她带来了这里她的家人会感谢...Y'all brought her this far, and her folks would thank you if they could (411)你们的善意和体谅...for your kindness and your sensitivity.412请离开吧，让我们照顾她好了Please, go on now, and let us take care of her.413走吧Go on, now.414谢谢Thank you.415谢谢Thank you.416很好Okay, good.417是的，埃尔克河，准备传送Yeah, that's right. Elk River. Stand by for transmission. 418瑞Ray.419大家来看看她吧Doctor, Lamar. Let's take a look at her.420天啊Jesus....421史达琳，行了Okay, Starling.422胸骨上有星形的伤口Star-shaped contact entrance wound over the sternum. 423上面有个枪口印记A muzzle stamp at the top.424-死于非命-死于非命-Wrongful death. -Wrongful death.425她要被送去克拉斯顿的病理学家那里She'll have to go to the state pathologist's at Claxton. 426我还是回去那个丧礼了Well, l better get back to that service.427利玛会帮你们的Lamar will help you.428老天爷Lord Almighty.429你还观察到什么？What else do you see, Starling?430她不是当地人Well, she's not local.431她穿了三个耳洞，还有...Her ears are pierced three times and there's...432闪亮的指甲油，看来是城市人...glitter nail polish. lt looks like town to me.433她有两只指甲断了Two of her fingernails are broken off...434指甲下有泥土和沙粒...and there's dirt or grit under them.435她好像想爬过一些什么似的lt looks like she's tried to claw her way through something.436瑞，替她的牙齿拍照稍后传真到失踪人口组Ray, get pictures of her teeth. We'll fax them to Missing Persons. 437好的Right.438再拍一张Let's do another.439她喉咙里有东西She's got something in her throat.440当尸体被捞出水面时When a body comes out of the water...441口里总会有些树叶之类的东西...lots of times there's leaves and things in the mouth.442那是什么？What is that?443豆荚吗？Some kind of seedpod?444不，是一只虫茧No, sir. That's a bug cocoon.445没可能自己走进去的There's no way that could get way down in there.446除非有人把它塞进去Not unless somebody shoved it in there.。
胡桑品诗沃尔科特：《火山》
胡桑品诗沃尔科特：《火山》沃尔科特 / 诗西川 / 译乔伊斯害怕雷鸣，但是在他的葬礼上，却从苏黎世动物园传来了狮吼。
是苏黎世还是的里雅斯德？那无关紧要。
这都只是传说，就像乔伊斯之死是一个传说，或者像四起的谣言，说康拉德死了，说《胜利》具有反讽意味。
在夜的地平线边缘，从这悬崖上的小屋远眺，现在，直到黎明，遥远的海上石油钻塔闪耀着两点火光，它们像燃着的雪茄和喷火的火山口出现在《胜利》的结尾处。
一个人可以放弃写作，应着伟人们那缓慢燃烧的火光信号，不是去做他们理想的读者，而是陷入沉思，积极消化，不是企图重复或者超越它们，而是爱上那些杰作，并做世界上最伟大的读者。
这至少需要敬畏，这敬畏在我们的时代业已丧失。
太多的人看穿了一切，太多的人先知先觉，太多的人拒绝进入那胜利的静寂，那焚烧在果核的小小疼痛，太多的人和雪茄没什么两样，不过是竖立的烟灰，太多的人对雷鸣习以为常。
闪电多么平常，海洋怪兽无影无踪我们也不再去寻找！巨人们活在以往的好日子里。
那时他们制造上好的雪茄。
我必须仔细阅读。
希尼和沃尔科特作者简介沃尔科特（Derek Walcott，1930－2017)，生于圣卢西亚。
诗人，剧作家及画家。
被誉为“今日英语文学中最好的诗人”（布罗茨基语）。
在圣玛利大学和西印度的牙买加大学读过书，毕业后搬到特立尼达岛居住，并从此成为艺术评论家，后来往来于特立尼达和美国两地，在其作品中，探索和沉思加勒比海的历史、政治和民俗、风景，有强烈的历史感。
他的诗因“具有伟大的光彩，历史的视野，献身多元文化的结果”，获1992年诺贝尔文学奖。
尤其是以长诗著称，如《仲夏》、《另一种生活》、《奥美罗斯》、《浪子》、《铁波罗的猎犬》等。
胡桑点评为对抗这样的时代，沃尔科特设想了“最伟大的读者”，他们对世界拥有敬畏之心，犹如读者敬畏于“杰作”。
沃尔科特心目中有一种“伟人们那缓慢燃烧的火光信号”，这是一种对生命的领悟，同样是燃烧，这种燃烧（生存）是对必然性的敬畏和顺从，不是为了把自己变成灰烬，而是通过毁灭自己进入“胜利的静寂”。
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Bill had killed her within four days Catherine Baker Martin
there days
Plot
deal
Hannibal Lecter information skepticism
Hale Waihona Puke Clarice Starling
gives her some information
The Silence of the Lamps
——Thomas Harris
Author Introduction
Thomas Harris
Born Occupation Nationality Education Alma mater Genre Notable works
April 11, 1940 (age 76)
Film
The Silence of the Lambs began on November 15, 1989 and concluded on March 1, 1990. It was released on February 14, 1991, and grossed $272.7 million worldwide against its $19 million budget. It was only the third film, to win Academy Awards in all the top five categories: Best Picture, Best Actor, Best Actress, Best Director, and Adapted Screenplay.
Major Characters
• Catherine Baker Martin • One of the victims of “Buffalo Bill”, the daughter of a US Senator.
Plot
questionnaire clues Private life
Search and finally kill Buffalo Bill
Full-fledged FBI agent
rest
Starling reveals that:
after her father's death, she was sent to live with a cousin on a sheep and horse ranch. One night, she discovered the farmer slaughtering the spring lambs, and fled in terror with one of the slaughter horses whom she named Hannah. The farmer caught her and sent her to an orphanage, where she spent the rest of her childhood, along with Hannah.
Hannibal Lecter
Clarice Starling
mission
Jack Crawford
hunt Jame “Buffalo Bill” Gumb
Plot
Bill's sixth victim is found
the autopsy（验尸）
a pupa （蛹）
scalped（被剥皮）
Major Characters
• Clarice Starling
• a young FBI trainee（实 习生）/ agent
• an orphan，having a troubled and bleak childhood.
Major Characters
• Dr. Hannibal Lecter
Novelist American English language Baylor University Crime, horror, suspense Red Dragon The Silence of the Lambs Hannibal Hannibal Rising Black Sunday
• a former psychiatrist （精神病医生）and incarcerated （被监禁的） cannibalistic（食人肉的） serial killer
Major Characters
• Jack Crawford
•
the head of the FBI division that draws up psychological profiles of serial killers.
Major Characters
• Jame “Buffalo Bill” Gumb • a serial killer， whose methods of crimes involves kidnapping overweight women, starving them for about three or four days, killing and skinning them, and then dumping the remains in nearby rivers.
Frederick Chilton
( the asylum's administrator and Lecter's nemesis （主 要敌人）)
Senator Martin
Plot
Hannibal Lecter
ESCAPE
her worst memory
a final clue
Clarice Starling