Bifurcations and Chaos in the Six-Dimensional Turbulence Model of Gledzer

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William-Blake-个人及作品风格介绍

William-Blake-个人及作品风格介绍

His life
Turning point:1803
Changing of his mind and art
An altercation with a private who in the Royal dragoons
His life
His last life: Blake's last years were spent at Fountain Court off the Strand (the property was demolished in the 1880s, when the Savoy Hotel was built). On the day of his death (12 August 1827), Blake worked relentlessly on his Dante series.
法国大革命
A period of great achievement
The British Industrial Revolution
英国工业革命
The manual workshop
Factories that use big machines
Farmers lost land, a large number of skilled workers lost their jobs, handicraftsmen lost their status.
The American war of independence and the French revolution swept across Europe and America, and there was an anti-feudal and anti-colonialism struggle in Britain.

我奇怪的想法英文作文

我奇怪的想法英文作文

我奇怪的想法英文作文The Curious Mind: A Journey Through Unusual Thoughts.In the vast expanse of the universe, our minds are tiny islands floating on a sea of infinity. They are the repositories of our thoughts, dreams, and imaginations, and sometimes, they are the birthplaces of strange and unusual ideas. These ideas, often labeled as "weird" or "strange" by society, are actually the most fascinating aspects of our existence. They push the boundaries of our understanding, challenge our perceptions, and force us to question the world we know.For me, one such strange idea has always fascinated me: the concept of parallel universes. The idea that there could be an infinite number of worlds, each with its own laws of physics, history, and culture, is mind-boggling. What if, somewhere out there, there is a universe where gravity works in reverse, or where the sun shines at night? Or perhaps a universe where history unfolded differently,and the outcomes of major events were entirely different?The concept of parallel universes is not just a figment of my imagination; it has been explored by physicists, philosophers, and writers alike. The idea gained popularity in the 20th century with the development of quantum physics, which suggested that the universe might be made up of multiple realities that coexist simultaneously. This theory, known as the Many-Worlds Interpretation, proposed thatevery possible outcome of a quantum event occurs in a separate universe.While the scientific community is still debating the validity of this theory, it has sparked a wave ofcreativity among writers and artists. It has given us a platform to explore the limitless possibilities ofexistence and to imagine worlds that are entirely different from our own. Novels, movies, and TV shows have beeninspired by the concept of parallel universes, allowing usto escape the confines of our reality and immerse ourselves in exciting new worlds.Another strange idea that intrigues me is the concept of time travel. The idea that we could travel through time, visit the past or future, has fascinated humans for centuries. From the time-traveling heroes of sciencefiction novels to the philosophical debates about the nature of time, this concept has always captivated our imaginations.The possibility of time travel raises a number of fascinating questions. Could we change the course ofhistory by interfering with past events? Would we even be able to recognize the future if we saw it? And what wouldit mean to travel through time and find ourselves in a world that is entirely different from the one we left?These are questions that science has yet to answer, but they are questions that continue to inspire us to push the boundaries of our understanding. The concept of time travel may never become a reality, but it remains a powerful tool for exploring our understanding of the universe and our place within it.In conclusion, strange ideas are not just figments of our imaginations; they are windows to a world beyond our comprehension. They challenge our perceptions, push the boundaries of our understanding, and inspire us to question everything we know. Whether it's the concept of parallel universes or the possibility of time travel, these ideas force us to reevaluate our understanding of the world and our place within it. As we continue to explore the vast expanse of the universe and the infinite possibilities of our minds, these strange ideas will continue to guide us on our journey through existence.。

2024届浙江省温州市普通高中高三第二次适应性考试英语试题(含解析)

2024届浙江省温州市普通高中高三第二次适应性考试英语试题(含解析)

2024届浙江省温州市普通高中高三第二次适应性考试英语试题学校:___________姓名:___________班级:___________考号:___________一、阅读理解Art Gallery of NSW(New South Wales) ExhibitionLouise Bourgeois: Has the Day Invaded the Night or Has the Night Invaded the Day?25 November 2023-28 April 2024Day and night, love and rage, calm and chaos. Enter a world of emotional extremes in this exhibition of the art of Louise Bourgeois, one of the most influential artists of the past century. Born in Paris in 1911 and living and working in New York until her death in 2010, Bourgeois is well-known for her fearless exploration of human relationships across a seven-decade career.Louise Bourgeois: Has the Day Invaded the Night or Has the Night Invaded the Day? reveals the extraordinary reach and intensity of Bourgeois’ art, from unforgettable sculptures of the 1940s to her tough yet tender weaving works of the 1990s and 2000s. It also reveals the psychological tensions that powered her search, through a dramatic presentation in two contrasting exhibition spaces. Moving from the well-lit rooms of “Day” to the darkened area of “Night”, viewers will encounter more than 120 works, including many never seen before in Australia.Tickets can be booked online via the exhibition or event page on our website, or in person at the welcome desk at the Art Gallery. Tickets cannot be exchanged, but if something unexpected happens that prevents you from attending, you can change the date of your reservation in your confirmation email.1.What do we know about Louise Bourgeois?A.Her art is conservative.B.She was an emotional artist.C.She was raised in Paris.D.Her art explores human relationships. 2.What does the exhibition feature?A.Various themes.B.Contrasting layout.C.Intensive colors.D.Extraordinary paintings.3.What can you do if you can’t attend the exhibition?A.Reschedule the date.B.Cancel the booking.C.Claim the money back.D.Exchange the event.Do I think the sky is falling? Sort of.My husband and I were recently in Egypt, where the temperature was a bit warm for my tiny princess self. So, we left Egypt. Back home, my dearest friends struggled with health stuff, with family craziness...The game of life is hard, and a lot of us are playing hurt.I ache for the world but naturally I’m mostly watching the Me Movie, where balance and strength are beginning to fail. What can we do as the creaking elevator of age slowly arrive? The main solution is to get outside every day, ideally with friends. Old friends — even thoughts of them — are my comfort.Recently I was walking along a beach with Neshama. We go back 50 years. She is 84, short and strong. Every so often, she bent down somewhat tentatively (踌躇地) and picked up small items into a small cloth bag.“What are you doing?”“I’m picking up micro litter. I try to help where I can.”I reminded her of an old story. A great warhorse comes upon a tiny sparrow (麻雀) lying on its back with its feet in the air, eyes tightly shut with effort. The horse asks it what it’s doing.“I’m trying to help hold back the darkness.”The horse laughs loudly, “That is so funny. What do you weigh?”And the sparrow replies, “One does what one can.”This is what older age means. We do what we can.We continued our walk. Neshama bent tentatively to pick up bits of litter and started to slip, but I caught her and we laughed. We are so physically vulnerable in older age, but friendship makes it all a rowing machine for the soul. We can take it, as long as we feel and give love, and laugh gently at ourselves as we fall apart. We know by a certain age the great lie in our life — if you do or achieve this or that, you will be happy and rich. No. Love and service make us rich.4.What does the author say about her present life?A.She leads a balanced life.B.She enjoys meeting old friends.C.She is really into movies.D.She struggles with family crises.5.Why did the author mention the sparrow?A.To confirm Neshama’s fear.B.To offer her comfort.C.To change Neshama’s mind.D.To show her approval.6.What does the underlined “it” in the last paragraph refer to?A.Physical weakness.B.The great lie.C.The rowing machine.D.The broken soul.7.What largely determines happiness in older age according to the author?A.Achieving important life goals.B.Enjoying life as you can.C.Living a life of love and service.D.Loving what is being done.Bonobos often form friendly relationships with other bonobo s in separate social groups — the first time this has been seen in non-human primates (灵长类). This is in line with humans, but in contrast to chimpanzees, another primate, which frequently kill chimps in other groups. The findings challenge the idea that humans evolved (进化) from violent apes, says Surbeck at Harvard University. “This potential to form cooperative links between different groups is not uniquely human and it might have occurred earlier than we thought,” he says.Many animals cooperate, but they seem to do so only with those within their social circle, or in-group. Hostile (敌对的) interactions between groups are common among animals, including chimpanzees, so scientists have often assumed that hostility towards other social groups in humans is natural, says Samuni, also at Harvard. However, humans also often cooperate with people in different social circles, for example, by trading or teaching.Bonobos are one of our closest living relatives. They are less studied than chimpanzees, but are known to be more peaceful, says Surbeck. To learn more about interactions between groups, Surbeck and Samuni observed 31 adult bonobo s from two social groups in Congo over a two-year period. The pair documented 95 encounters between the groups, which represented about 20% of their total observation time. Unlike chimpanzees observed in previous studies, they showed cooperation with out-group members. In fact,10% of all mutual grooming (梳毛) and 6% of all food sharing occurred among members of different social groups.While bonobo s that groomed others usually got an immediate benefit, food sharing rarely resulted in a gift in return. This suggests that their actions were “not just motivated byselfish interests or immediate rewards”, Surbeck and Samuni report.Otten, a researcher from the Netherlands, finds the study “exciting”, especially as it “challenges the idea of human exceptionalism” with regard to out-group cooperation. Otten says the bonobo s that were most cooperative within their groups were the same ones that cooperated more with out-group members. This agrees with findings from humans. “Scholars used to believe that in-group ‘love’ goes together with out-group ‘hate’, but recent research suggests that often in-group cooperators are also out-group cooperators,” he says.8.What is the focus of the study on bonobos?A.Their social behavior.B.Their survival skills.C.Their evolutionary process.D.Their intelligence level.9.What can be learnt about the bonobos?A.They are humans’ closest relatives.B.They can be taught to cooperate.C.They interact friendly beyond groups.D.They share food for immediate rewards. 10.How was the study conducted?A.By comparing different primates.B.By observing bonobos’ interactions.C.By listing group members’ motivations.D.By analysing statistics of previousstudies.11.How does Otten find the study?A.Forward-looking.B.Groundbreaking.C.Controversial.D.One-sided.Studies have shown the mere exposure effect, also referred to as the familiarity principle, inspires our decisions. It is a helpful psychological mechanism that helps us sustain our energy and focus our attention on other things. Getting used to new things takes effort and it can be exhausting. So unless we have a terrible experience, we are likely to buy from companies we’ve got used to. That is why companies spend so much money on advertising and marketing and why insurance companies openly charge existing customers more than new ones.It’s not the case that we only desire things we already know. Some studies suggest when invited to share our preferences, we sometimes see less familiar options as more desirable. But when acting on that preference, we fall back to what we know. This might explain why sometimes the things we want and the things we do don’t quite match up. We might evenreturn to companies that treated us poorly in the past or stay in bad relationships.It’s easy to paint the familiarity principle as an enemy or something to battle as if it is something that holds us back from living our dreams. But this attitude might be overwhelming because it tends to encourage us toward big-picture thinking. Where we imagine that change requires a substantial dramatic swing that we don’t feel ready for. Some articles suggest the solution to familiarity frustration is complete exposure to novelty. While this can appear effective in the short run, we may only end up replacing one problem with another. It also risks overwhelm and burnout.So what if we can work with the familiarity principle instead? Familiarity is something we can learn to play with and enjoy. It is a setting for creativity and a pathway to expansion. We can broaden the zone of familiarity bit by bit. If we think of familiarity as something that can expand, we can consider changing the conditions in and around our lives to make more space for our preferences to take root and grow gently. From here, we will start to make decisions, drawing from an ever-deepening pool of valuable options.12.What allows insurance companies to charge old customers more?A.The improved service.B.The advertising cost.C.The familiarity principle.D.The law of the market.13.What can be learned from paragraph 2?A.Our preferences affect our decisions.B.Familiarity tends to generate disrespect.C.The familiarity principle is a double-edged sword.D.There can be a mismatch between desires and actions.14.What is the author’s attitude towards the solution in some articles?A.Disapproving.B.Tolerant.C.Objective.D.Reserved. 15.Which of the following is the best title for the text?A.Step Out Of Your Familiarity Zone B.Spare A Thought For Your Preference C.Gently Expand Your Familiarity Zone D.Give Priority To The Mere Exposure EffectHow to Plot a Short StoryA great short story drops the reader into its world swiftly and holds their attention all the way through. 16 It can be as simple as knowing a few key moments you want towork your way toward. You’ll wind up with things you never imagined at the start. Follow these steps to plot your next story.Brainstorm. You don’t need to have multiple short story ideas ready to go at a moment’s notice. 17 When that idea comes to you, sit down and flesh it out. Make note of any characters, settings, or bits of dialogue that you see.18 The foundations of your main conflict or theme often form a short story’s rising action. To create tension and movement, you must know exactly what your character wants and what would prevent them from getting it. Conflicts can be internal or external, so imagine at what stage the reader will be meeting your character.Create a brief outline. Sketch out (草拟) the flow of events your short story will contain, including interactions between characters and key moments. Write down identifying characteristics. But when it comes to drafting, pick your moments of backstory carefully.19Pick a point of view. Many short stories work well in first-person because of their brevity (简洁). 20 If your story needs to be told in second-person or third-person, that works, too. Regardless of which POV you choose, it’s usually best to center that narrative around one main character to ensure a consistent read on the situation at hand.A.Select the right character.B.Write out the central conflict.C.All you need is one solid concept.D.But there’s no hard and fast rule saying yours must.E.Short stories allow the freedom to experiment because of their freestyle.F.Plotting a short story doesn’t have to involve a detailed list of plot points.G.To make the cut, a piece of information must contribute to the story’s central events.二、完形填空What I will be hosting, to be exact, is a series of meditation retreats (冥想静修) to be held this spring. During each retreat, about a hundred 21 will come here from all over the world for a period of a week to ten days to deepen their meditation practices. Some of them are 22 , but many have never been to India. My role is to take care of these people during their 23 here. For most of the retreat, the participants will be in24 . For some of them, it will be the first time they’ve 25 silence as a devotional practice, and it can be intense. However, I will be the one person they are 26 to talk to if something is going wrong.I can help them. I am so 27 to help. All the listening skills I learned as a (n)28 bartender, all the antennas (直觉) I’ve ever developed throughout my lifetime that have taught me how to 29 what people are feeling — they were all accumulated 30 I could help ease these good people into the difficult task they’ve 31 . I am so consumed by 32 at their bravery. These people have 33 their families and lives for a few weeks to go into silent retreat with a crowd of perfect 34 in India. Not everybody does this in their 35 .21.A.employees B.retirees C.interviewees D.devotees 22.A.passers-by B.old-times C.trouble-makers D.peace-lovers 23.A.work B.stay C.tour D.lecture 24.A.doubt B.memory C.silence D.surprise 25.A.treated B.interpreted C.described D.experienced 26.A.commanded B.reminded C.forced D.allowed 27.A.equipped B.moved C.wanted D.motivated 28.A.talkative B.sympathetic C.aggressive D.innocent 29.A.read B.record C.express D.reveal 30.A.so that B.now that C.in case D.even if 31.A.put aside B.taken on C.turned down D.got over 32.A.guilt B.satisfaction C.wonder D.embarrassment 33.A.contributed to B.relied on C.left behind D.prayed for 34.A.strangers B.opponents C.friends D.roommates 35.A.job B.adventure C.dream D.lifetime三、语法填空阅读下面短文,在空白处填入1个适当的单词或括号内单词的正确形式。

《哈利波特与火焰杯》第14章《穆迪教授的第一堂课》中英文对照学习版

《哈利波特与火焰杯》第14章《穆迪教授的第一堂课》中英文对照学习版

中英文对照学习版Harry Potter and the Goblet of Fire《哈利波特与火焰杯》Chapter FourteenThe Unforgivable Curses第14章穆迪教授的第一堂课The next two days passed without great incid ent, unl ess you counted Neville melting his sixth caul dron in Potions. Professor Snape, who seemed to have attained new l evels of vindictiveness over the summer, gave Nevill e detention, and Nevill e returned from it in a state of nervous collapse, having been mad e to disembowel a barrelful of horned toads.接下来的两天平平淡淡,没有什么事故,除非算上纳威在魔药课上把坩埚烧化的事,这已经是他烧化的第六只坩埚了。

斯内普教授的报复心理似乎在暑假里又创新高,他毫不客气地罚纳威关禁闭。

纳威只好去给一大桶长角的癞蛤蟆开膛破肚,回来的时候,他的神经几乎要崩溃了。

‘You know why Snape's in such a foul mood, d on't you?’ said Ron to Harry, as they watched Hermione teaching Nevill e a Scouring Charm to remove the toad guts from und er his fingernails.“你知道斯内普的脾气为什么这样糟糕,是吧?”罗恩对哈利说,这时他们正看着赫敏教纳威念一种除垢咒,可以清除他指甲缝里的癞蛤蟆内脏。

艾略特 作品及个人简介

艾略特 作品及个人简介
8/13/2013
Analysis of Prufrock • Title • His character • Irony • Major Themes of “Prufrock” • Poetic Form
8/13/2013
Title
• In the drafts, the poem had the subtitle Prufrock among the Women. Eliot said "The Love Song of" portion of the title came from "The Love Song of Har Dyal," a poem by Rudyard Kipling. On the origin of the name "Prufrock", there was a "Prufrock-Litton Company" in St Louis at the time Eliot lived there, a furniture store.
8/13/2013
Education
• After working as a philosophy assistant at Harvard from 1909 to 1910, Eliot moved to Paris, where from 1910 to 1911, he studied philosophy at the Sorbonne. • From 1911 to 1914, he was back at Harvard studying Indian philosophy and Sanskrit. • By 1916, he had completed a doctoral dissertation for Harvard on Knowledge and Experience in the Philosophy of F. H. Bradley, but he failed to return for the viva voce exam

美国文学英文版本1

美国文学英文版本1

Examples of almost every oral genre can be found in American Indian literature: lyrics, chants, myths, fairy tales, humorous anecdotes, incantations, riddles, proverbs, epics, and legendary histories. Accounts of migrations and ancestors abound, as do vision or healing songs and tricksters' tales. Certain creation stories are particularly popular. In one well-known creation story, told with variations among many tribes, a turtle holds up the world. In a Cheyenne version, the creator, Maheo, has four chances to fashion the world from a watery universe. He sends four water birds diving to try to bring up earth from the bottom. The snow goose, loon, and mallard soar high into the sky and sweep down in a dive, but cannot reach bottom; but the little coot, who cannot fly, succeeds in bringing up some mud in his bill. Only one creature, humble Grandmother Turtle, is the right shape to support the mud world Maheo shapes on her shell -- hence the Indian name for America, "Turtle Island."

历史魔幻主义英语

历史魔幻主义英语

历史魔幻主义英语The Enchantment of Historical Mysticism in EnglishThe realm of history has long been a tapestry of intricate narratives, woven together by the threads of human endeavor, triumph, and tragedy. Yet, within this rich tapestry, there exists a captivating dimension that transcends the boundaries of the tangible – the realm of historical mysticism. This enchanting interplay between the factual and the fantastical has captivated the imaginations of writers, scholars, and enthusiasts alike, giving rise to a literary genre that blends the verifiable with the enigmatic.At the heart of historical mysticism lies the recognition that the past is not merely a chronological record of events, but a canvas upon which the human spirit has left indelible marks. The stories that emerge from the annals of history are not merely a collection of facts and dates, but rather a testament to the boundless creativity and ingenuity of the human mind. It is in this space that the lines between the real and the imagined become blurred, where the extraordinary and the ordinary coexist in a harmonious dance.One of the key aspects of historical mysticism is the exploration ofthe unknown and the unexplained. Writers in this genre often delve into the shadowy realms of ancient civilizations, uncovering hidden secrets and unearthing mysteries that have long eluded the grasp of conventional historical scholarship. From the enigmatic pyramids of Egypt to the lost cities of the Amazon, these narratives invite readers to embark on a journey of discovery, where the boundaries between reality and fantasy are constantly challenged.The appeal of historical mysticism lies in its ability to transport readers to worlds that are both familiar and foreign, to weave together the tangible and the intangible in a captivating tapestry of storytelling. By blending historical facts with imaginative speculation, these works of fiction and non-fiction offer a unique perspective on the human experience, inviting readers to ponder the nature of truth, the power of belief, and the enduring mysteries that continue to captivate the human mind.One notable example of the intersection between history and mysticism is the enduring fascination with the legend of the Holy Grail. This sacred relic, said to be the cup used by Jesus Christ during the Last Supper, has captured the imagination of countless writers, scholars, and enthusiasts over the centuries. From the medieval romances of Chrétien de Troyes to the modern-day interpretations of Dan Brown, the search for the Holy Grail has become a symbol of the human quest for spiritual enlightenment and the pursuit of thedivine.Similarly, the enigmatic figure of Merlin, the legendary wizard and advisor to King Arthur, has been the subject of numerous literary and cinematic adaptations. Merlin's ability to transcend the boundaries of time and space, to wield the powers of magic and prophecy, has made him a enduring icon of historical mysticism. Through these narratives, readers are invited to explore the interplay between the rational and the supernatural, the known and the unknowable.In the realm of historical mysticism, the boundaries between fact and fiction are often blurred, creating a space where the extraordinary and the ordinary coexist. This genre of literature and scholarship has the power to challenge our preconceptions, to inspire us to question the nature of reality, and to explore the mysteries that have captivated the human imagination for centuries.As we delve deeper into the enchanting world of historical mysticism, we are reminded of the enduring power of the human spirit to transcend the limitations of the tangible, to seek out the extraordinary within the ordinary, and to uncover the hidden truths that lie beneath the surface of our shared history. Through these narratives, we are invited to embark on a journey of discovery, to embrace the unknown, and to revel in the boundless possibilities that arise when the factual and the fantastical converge.。

Six Days of Creation and the Sabbath

Six Days of Creation and the Sabbath

Six Days of Creation and the SabbathIn the beginning when God created the heavens and the earth, the earth was a formless void and the darkness covered the face of the deep, while a wind from God swept over the face of the waters. Then God said, “ Let there be light”; and there was light. And God saw that the light was good; and God separated the light from the darkness. God called the light Day, and the darkness he called Night. And there was evening and there was morning, the first day.And God said, “Let there be a dome in the midst of the waters, and let it separate the waters from the waters.” So God made the dome and separated the waters that were under the dome from the waters that were above the dome. And it was so. God called the dome Sky. And there was evening and there was morning, the second day.And God said, “Let the waters under the sky be gathered together into one place, and let the dry land appear.” And it was so. God called the dry land earth, and the waters that were gathered together he called Seas. And god saw that it was good. Then God said, “Let the earth put forth vegetation: plants yielding seed, and fruit trees of every kind on earth that bear fruit with the seed in it.” And it was so. The earth brought forth vegetation: plants yielding seed of every kind, and trees of every kind bearing fruit with the seed in it. And God saw it was good. And there was evening and there was morning, the third day.And God said, “Let there be lights in the dome of the sky to separate the day from the night; and let them be for signs and for seasons and for days and years, and let them be lights in the dome of the sky to give light upon the earth.”And it was so. God made the two great lights- the greater light to rule the day and the lesser light to rule the night- and the stars. God set them in the dome of the sky to give light upon the earth, to rule over the day and over the night, and to separate the light from the darkness. And God saw it was good. And there was evening and there was morning, the fourth day.And God said, “Let the waters bring forth swarm of living creature, and let birds fly above the earth across the dome of the sky.” So God created the great sea monsters and every living creature that moves, of every kind, with which the waters swarm, and every winged bird of every kind. And God saw it was good. God blessed them, saying, “Be fruitful and multiply and fill the waters in the seas, and let birds multiply on the earth.” And there was evening and there was morning, the fifth day.And God said, “Let the earth bring forth living creatures of every kind: cattle and creeping things and wild animals of the earth of every kind.” And it was so. God made the wild animals of the earth of every kind, and the cattle of every kind, and everything that creeps upon the ground of every kind. And God saw that it was good.Then God said, “Let us make humankind in our image, according to our likeness; and let them have dominion over the fish of the sea, and over the birds of the air, and over the cattle, and over the wild animals of the earth and over every creeping things that creeps upon the earth.”So God created humankind in his image, in the image of God he created them; male and the female he created them.God blessed them, and God said to them, “Be fruitful and mutiply, and fill the earth and subdue it; and have dominion over the fish of the sea and over the birds of the air and over every living things that moves upon the earth.” God said, “see, I have given you every plant yielding seed this is upon the face of the earth, and every tree with seed in its fruit; you shall have them for food. And to every beast of the earth, and to every bird of the air, and to everything that creeps on the earth, everything that has the breath of life, I have given every green plant for food,” and it was so. God saw everything that he had made, and indeed, it was very good. And there was evening and there was morning, the sixth day.Thus the heavens and the earth were finished, and all their multitude. And on the seventh day God finished the work that he had done, and he rested on the seventh day from all the work that he had done. So God blessed the seventh day and hallowed it, because on it God rested from all the work that he had done in creation.These are the generations of the heavens and the earth when they were created.。

叶子南《高级英汉翻译理论与实践》(第3版)-翻译练习(上)【圣才出品】

叶子南《高级英汉翻译理论与实践》(第3版)-翻译练习(上)【圣才出品】

叶子南《高级英汉翻译理论与实践》(第3版)-翻译练习(上)【圣才出品】第二部分翻译实践篇详解一、非文学类文本(社会人文)1. Van GoghAlthough art historians have spent decades demystifying Van Gogh’s legend ①, they have done little to diminish his vast popularity. Auction prices still soar, visitors still overpopulate Van Gogh exhibitions, and The Starry Night remains ubiquitous on dormitory and kitchen walls②. So complete is Van Gogh’s global apotheosis that③Japanese tourists now make pilgrimages to Auvers to sprinkle their relatives’ ashes on his grave. What accounts for the endless appeal of the Van Gogh myth? It has at least two deep and powerful sources④. At the most primitive level, it provides a satisfying and nearly universal revenge fantasy disguised as the story of heroic sacrifice to art⑤. Anyone who has ever felt isolated and unappreciated can identify with Van Gogh and hope not only for a spectacular redemption⑥but also to put critics and doubting relatives to shame. At the same time, the myth offers an alluringly simplistic conception of great art as the product, not of particular historical circumstances and the artist’s painstaking calculations, but of the naive and spontaneous outpourings of a mad, holy fool⑦. The gaping d iscrepancy between Van Gogh’s long-suffering life and his remarkable posthumous fame remains a great and undeniable historical irony. But the notion that he was an artistic idiot savant⑧is quickly dispelled by even the most glancingexamination of the arti st’s letters. It also must be dropped after acquaintingoneself with the rudimentary facts of Van Gogh’s family background, upbringing, and early adulthood.The image of Van Gogh as a disturbed and forsaken artist is so strong that one easily reads it ba ck into⑨his childhood and adolescence. But if Van Gogh had died at age twenty, no one would have connected him with failure or mental illness. Instead he would have been remembered⑩by those close to him as a competent and dutiful son with a promising career in the family art-dealing business. He was, in fact, poised to surpass his father and to come closer to living up to the much-esteemed Van Gogh name?.The Van Goghs were an old and distinguished Dutch family who could trace their lineage in Holland back to the sixteenth century. Among Vincent’s five uncles, one reached the highest rank of vice-admiral in the Navy and three others prospered as successful art dealers. Van Gogh’s grandfather, also named Vincent, had attained an equally illustrious status as an intellectually accomplished Protestant minister. The comparatively modest achievements of the artist’s father, Theodorus, proved the exception, not the rule?. Although Theodorus was the only one of grandfather Vincent’s six sons to follow him into the ministry, he faltered as a preacher? and could obtain only modest positions in provincial churches. It was for this reason that Theodorus and his new wife, Anna, found themselves in Groot Zundert, a small town near the Belgian border. Vincent was born a few years after their arrival.Van Gogh enjoyed a relatively uneventful childhood save for the birth of fivesiblings (three by the time he was six and two more by his fourteenth year)? and his attendance at two different boarding schools. In rural Zundert he took long walks in the Brabant countryside and developed a naturalist’s love of animals and plants. At his two boarding schools, he excelled at his studies and laid down the foundation for his lifelong facility in French and English. The family’s decisi on to apprentice him at sixteen to Uncle Vincent’s art gallery in The Hague was far from a nepotistic last resort. Uncle Vincent, called “Cent,” had transforme d an art supply store into a prestigious art gallery and had become a senior partner in Goupil et Cie., one of the largest art-dealing firms in Europe. Vincent had not better opportunity for advancement than working at The Hague branch of Goupil’s. And it was a testament to Vincent’s abilities that the childless “Uncle Cent” took a paternal interest in him and arranged for his position as Goupil’s youngest employee?.Vincent’s duties progressed from record keeping and correspondence chores in the back office to dealing, if only in a subordinate way?, with clients. This confronts us with the nearly unt hinkable image of the “socially competent” Vincent?. But such was the case at this stage in his life. The same man whose eccentricity would one day make young girls scream in fright dressed appropriately and charmed customers with his enthusiasm for art?. Vincent also ingratiated himself with the local artists of The Hague School and earned his colleagues’respect. Although his status as Uncle Cent’snephew and protege must have smoothed his way, Vincent appears to have been genuinely dedicated and effectiveat Goupil’s. His boss, Tersteeg, sent home glowing reports? and after four years at The Hague he was promoted to the London branch.From Van Gogh and Gauguin, by Bradley Collins 【参考译文】梵高尽管艺术史家们数十年来一直在淡化梵高传奇的神秘色彩①,但梵高受欢迎的程度几乎丝毫未减。

纳撒尼尔·霍桑作品《拉帕齐尼的女儿》与圣经的联系

纳撒尼尔·霍桑作品《拉帕齐尼的女儿》与圣经的联系

纳撒尼尔·霍桑作品《拉帕齐尼的女儿》与圣经的联系发布时间:2021-04-22T10:36:23.800Z 来源:《教育学文摘》2021年第3期作者:卿瑜[导读] 纳撒尼尔·霍桑是十九世纪美国文学史上具有代表性的浪漫主义小说家卿瑜重庆工业职业技术学院ABSTRACT: Nathaniel Hawthorne was a representative romantic writer in the 19th century American literature, who was praised as “the first great novelist of American nation.” He was greatly affected by Calvinism believed that the “ Original Sin” was the source of evil. In his story Rappaccini’s Daughter, he exquisitely displayed his idea about evil in human nature. Also, many Biblical Similarities can be found in the story. The purpose of this paper is to introduce, compare, and discuss the story in order to find its close ties with the Holy Bible.KEY WORDS: Nathaniel Hawthorne, Original Sin, evil, Holy Bible摘要: 纳撒尼尔·霍桑是十九世纪美国文学史上具有代表性的浪漫主义小说家。

人们称赞他为“美国第一位伟大的小说家。

” 霍桑深受加尔文主义的影响认为“原罪”是人类恶性的根源。

chaos,solitons and fractals

chaos,solitons and fractals

¼ ¼
ðc À aÞx1 À ax1z1; Àbz1 þ x1y1;
ð2Þ
and the response system is given as follows
8 >< x_ 2 ¼ aðy2 À x2Þ þ u1ðtÞ;
>:
y_ 2 z_ 2
¼ ¼
ðc À aÞx2 À ax2z2 þ u2ðtÞ; Àbz2 þ x2y2 þ u2ðtÞ;
article info
Article history: Accepted 20 March 2009
Communicated by: Prof. Ji-Huan He
abstract
In this paper, we address chaos synchronization problems of a new 3D chaotic system via three different methods. Active control and backstepping design methods are adopted when system parameters are known, and adaptive control method is applied when system parameters are unknown. The corresponding sufficient conditions to achieve synchronization between two identical systems are obtained based on the Lyapunov stability theory. Numerical simulations are presented to demonstrate the effectiveness and feasibility of the analytical results.

混沌理论chaos theory(中英文)

混沌理论chaos theory(中英文)
Chaos Theory: A Brief Introduction
What exactly is chaos? The name "chaos theory" comes from the fact that the systems that the theory describes are apparently disordered, but chaos theory is really about finding the underlying order in apparently random data. When was chaos first discovered? The first true experimenter in chaos was a meteorologist, named Edward Lorenz. In 1960, he was working on the problem of weather prediction. He had a computer set up, with a set of twelve equations to model the weather. It didn't predict the weather itself. However this computer program did theoretically predict what the weather might be.
This effect came to be known as the butterfly effect. The amount of difference in t he starting points of the two curves is so small that it is comparable to a butterfly flapping its wings. The flapping of a single butterfly's wing today produces a tiny change in the state of the atmosphere. Over a period of time, what the atmosphere actually does diverges from what it would have done. So, in a month's time, a tornado that would have devastated the Indonesian coast doesn't happen. Or maybe one that wasn't going to happen, does. (Ian Stewart, Does God Play Dice? The Mathematics of Chaos , pg. 141) This phenomenon, common to chaos theory, is also known as sensitive dependence on initial conditions. Just a small change in the initial conditions can drastically change the long -term behavior of a system. Such a small amount of difference in a measurement might be considered experimental noise, background noise, or an inaccuracy of the equipment. Such things are impossible to avoid in even the most isolated lab. With a starting number of 2, the final result can be entirely different from the same s ystem with a starting value of 2.000001. It is simply impossible to achieve this level of accuracy - just try and measure something to the nearest millionth of an inch! From this idea, Lorenz stated that it is impossible to predict the weather accurately. However, this discovery led Lorenz on to other aspects of what eventually came to be known as chaos theory. Lorenz started to look for a simpler system that had sensitive dependence on initial conditions. His first discovery had twelve equations, and he wa nted a much more simple version that still had this attribute. He took the equations for convection, and stripped them down, making them unrealistically simple. The system no longer had anything to do with convection, but it did have sensitive dependence on its initial conditions, and there were only three equations this time. Later, it was discovered that his equations precisely described a water wheel. At the top, water drips steadily into containers hanging on the wheel's rim. Each container drips steadily from a small hole. If the stream of water is slow, the top containers never fill fast enough to overcome friction, but if the stream is faster, the weight starts to turn the wheel. The rotation might become continuous. Or if the stream is so fast that the heavy containers swing all the way around the bottom and up the other side, the wheel might then slow, stop, and reverse its rotation, turning first one way and then the other. (James Gleick, Chaos - Making a New Science, pg. 29)

有关龙的英语作文

有关龙的英语作文

有关龙的英语作文Title: The Magnificent Dragon: A Mythical Creature of Legend。

Dragons, creatures of myth and legend, have capturedthe imagination of humanity for centuries. Their presencein folklore, literature, and popular culture has made them iconic symbols of power, wisdom, and mystery. In this essay, we delve into the rich tapestry of dragon lore, exploring their origins, characteristics, and enduring significance.The concept of dragons spans across diverse culturesand civilizations, with each culture imbuing thesecreatures with unique traits and symbolism. In Western mythology, dragons are often portrayed as fearsome, fire-breathing beasts, hoarding treasure in their lairs and terrorizing villages. However, in Eastern cultures like China and Japan, dragons are revered as benevolent beings associated with rain, prosperity, and protection.One of the earliest recorded depictions of dragons can be found in ancient Mesopotamian mythology, where they were portrayed as serpentine creatures with the ability to wreak havoc upon the earth. As civilizations evolved, so too did the portrayal of dragons, with each culture adding its own interpretation and embellishments to the myth.The physical appearance of dragons varies widely across different cultures. In Western mythology, dragons are often depicted as large, reptilian creatures with scales, wings, and sharp claws. Their ability to breathe fire adds totheir fearsome reputation. In contrast, Eastern dragons are portrayed as more serpentine in nature, with long, sinuous bodies, often adorned with colorful scales and flowing manes. They are frequently depicted as flying without wings, relying instead on their mystical powers to traverse the skies.Beyond their physical attributes, dragons are endowed with a myriad of symbolic meanings. In many cultures, dragons are associated with strength, courage, and protection. They are often depicted as guardians oftreasure or wise custodians of ancient knowledge. In Chinese culture, the dragon is one of the twelve animals of the Chinese zodiac, symbolizing good fortune and auspiciousness.The symbolism of dragons extends beyond folklore and mythology into various aspects of human society. In heraldry, dragons are often used as symbols of power and nobility, adorning coats of arms and flags. In literature, dragons frequently appear as formidable adversaries to heroes and protagonists, challenging them to overcometrials and tests of courage.In recent times, dragons have become ubiquitous in popular culture, appearing in books, movies, and video games. From the majestic dragons of J.R.R. Tolkien'sMiddle-earth to the fearsome creatures of George R.R. Martin's "Game of Thrones," these mythical beasts continue to captivate audiences around the world.But what is it about dragons that continues to fascinate us? Perhaps it is their enigmatic nature, theirpotent blend of beauty and danger, or their embodiment of primal forces beyond human comprehension. Whatever the reason, the allure of dragons endures, transcending time and culture.In conclusion, dragons occupy a unique place in the pantheon of mythical creatures, embodying both terror and wonder in equal measure. From ancient legends to modern-day fantasies, these magnificent beasts continue to capture our imagination and inspire awe. Whether viewed as symbols of strength and protection or as fearsome adversaries to be vanquished, dragons remain an indelible part of human mythology, reminding us of the enduring power ofstorytelling and the boundless depths of human imagination.。

斐德若篇英文版

斐德若篇英文版

斐德若篇英文版Fidelio - English VersionIntroductionFidelio is an opera by Ludwig van Beethoven, composed in 1804. It is a powerful and moving work that embodies the spirit of freedom and triumphs over adversity. This article will provide a brief overview of the plot, characters, and the significance of Fidelio in the world of opera.Plot SummaryFidelio tells the story of Leonore, a brave and determined woman, who disguises herself as a man named Fidelio to rescue her husband Florestan. Florestan, an unjustly political prisoner, is held captive by Don Pizzaro, the cruel governor of the prison.Act 1The opera begins with a powerful overture that sets the dramatic tone for the entire piece. We are introduced to Florestan, who is suffering in the dark and isolated prison cell. Leonore, disguised as Fidelio, gains employment as a prison guard and befriends Rocco, the jailer. Meanwhile, Marzelline, Rocco's daughter, falls in love with Fidelio, unaware of her true identity.Act 2Leonore learns of Florestan's impending execution and hatches a plan to save him. She convinces Rocco to let her accompany him into the dungeons to visit the prisoners. Leonore encounters Florestan and, in a heart-wrenching duet, reveals her true identity to him. Don Pizzaro arrives,intending to kill Florestan, but Leonore intervenes, pointing a gun at Pizzaro and saving her husband's life.Act 3The final act features a celebration of justice and freedom. Don Fernando, the minister of state, arrives unexpectedly and discovers the villainous actions of Don Pizzaro. Florestan is freed, and Leonore's extraordinary courage is recognized. The opera concludes with a triumphant chorus, praising the power of love and the victory of justice.Characters- Leonore/Fidelio: The devoted wife who disguises herself as a prison guard to save her husband.- Florestan: Leonore's husband, unjustly imprisoned for political reasons.- Don Pizzaro: The cruel prison governor who despises Florestan and plans his execution.- Rocco: The jailer who becomes friends with Leonore and eventually helps her in her mission to rescue Florestan.- Marzelline: Rocco's daughter, who falls in love with Fidelio, unaware of her true identity.- Don Fernando: The minister of state who arrives at the prison and brings justice to the situation.Significance of FidelioFidelio is a testament to the power of love, courage, and the triumph of justice. It resonates with audiences not only for its beautiful music but also for its timeless themes. Beethoven's opera highlights the importance of fighting against oppression and standing up for what is right, even in the face of danger.Additionally, Fidelio broke new ground in the world of opera. It was one of the first major works to explore the concept of the female hero, defying gender norms and showcasing the strength and determination of women. This portrayal of Leonore/Fidelio as a courageous and resourceful character was revolutionary for its time and had a significant impact on subsequent operas.ConclusionFidelio remains a beloved and iconic opera that continues to captivate audiences around the world. Its powerful story, memorable characters, and stirring music showcase Beethoven's genius and his ability to convey deep emotions through his compositions. Fidelio serves as a timeless reminder of the strength of the human spirit and the enduring power of love and justice.。

现在谁才是小丑英语作文

现在谁才是小丑英语作文

现在谁才是小丑英语作文Title: Who is the Real Joker?In the vast realm of popular culture, one character stands out as an embodiment of chaos, anarchy, and madness the Joker. Created as a counterpart to the iconic superhero Batman, the Joker has fascinated audiences for decades with his unpredictable nature and enigmatic origins. However, despite numerous portrayals across various mediums, the question remains: who truly encapsulates the essence of the Joker?To delve into this inquiry, it's imperative to examine the diverse interpretations of the Joker throughout history. From the early comic book iterations to the silver screen adaptations, each portrayal brings forth unique nuances and dimensions to the character.Firstly, let's consider the comic book origins of the Joker. Debuting in the pages of DC Comics in 1940, theJoker was initially depicted as a menacing figure, acriminal mastermind with a penchant for elaborate schemes and theatricality. Over the years, his character evolved, becoming more complex and psychologically twisted. Writers and artists injected layers of ambiguity into his backstory, leaving his true identity shrouded in mystery. This ambiguity allowed for a multitude of interpretations, with each writer adding their own spin to the character's persona.The transition from comic books to the silver screen brought about new interpretations of the Joker, eachleaving an indelible mark on popular culture. Perhaps oneof the most iconic portrayals came from actor Heath Ledgerin Christopher Nolan's "The Dark Knight" (2008). Ledger's Joker was a chaotic force of nature, driven by a desire to watch the world burn. His performance earned widespread acclaim, with many considering it the definitive portrayalof the character.However, Ledger's Joker is just one of many interpretations seen on film. Jack Nicholson's portrayal inTim Burton's "Batman" (1989) showcased a more flamboyantand theatrical version of the character, drawinginspiration from the comic books of the time. Similarly, Joaquin Phoenix's portrayal in "Joker" (2019) offered agritty and grounded take on the character, exploring the psychological descent of a troubled individual into madness.Beyond film, the Joker has also made his mark in other mediums, including television, animation, and video games. Each adaptation brings something new to the table, whetherit's Mark Hamill's iconic voice acting in "Batman: The Animated Series" or the chilling portrayal by Cameron Monaghan in the video game "Batman: Arkham Knight."In essence, the question of who truly embodies the essence of the Joker is subjective and open to interpretation. Each actor, writer, and artist brings their own unique perspective to the character, adding to the rich tapestry of Joker lore. Whether it's the maniacal laughter, the twisted sense of humor, or the anarchic philosophy, the Joker continues to captivate audiences with his enigmatic presence.In conclusion, the identity of the real Joker is a complex and multifaceted question with no definitive answer. Instead, the character exists as a symbol of chaos and unpredictability, transcending any single interpretation or portrayal. As long as there are storytellers willing to explore the darker recesses of the human psyche, the Joker will continue to reign as one of the most compelling and enduring villains in popular culture.。

雷·布拉德伯里语录

雷·布拉德伯里语录

雷·布拉德伯里语录“Don’t think. Thinking is the enemy of creativity. It’s self-conscious, and anything self-conscious is lousy. You can’t try to do things. You simply must do things.”Ray Bradbury.In today's fast-paced world, we are constantly bombarded with information and distractions that can hinder our creativity. We are often told to think critically and analytically, but according to Ray Bradbury, this can actually stifle our creativity. In his famous quote, he urges us to stop overthinking and just let our creativity flow.Creativity is a powerful force that can drive innovation, solve problems, and bringjoy to our lives. However, it can be easily suppressed by self-doubt and overthinking. When we are too focused on trying to come up with the perfect idea or solution, we can become paralyzed by fear of failure. This self-consciousness can prevent us from taking risks and exploring new possibilities.Instead of overthinking, Bradbury encourages us to simply do things. This means allowing our ideas to flow freely without judgment or self-criticism. It means embracing our creativity and letting it guide us without the constraints of self-consciousness. By doing so, we can tap into our true potential and unlock new levels of innovation and imagination.So how can we apply Bradbury's wisdom to our own lives? One way is to practice mindfulness and being present in the moment. By focusing on the task at hand and letting go of our self-conscious thoughts, we can allow our creativity to flourish. This can be especially helpful in creative pursuits such as writing, painting, or problem-solving.Another way to embrace Bradbury's advice is to cultivate a mindset of curiosity and exploration. Instead of trying to force creativity, we can seek out new experiences and ideas that can inspire us. By being open to new possibilities and embracing uncertainty,we can break free from the limitations of overthinking and tap into our creative potential.In conclusion, Ray Bradbury's quote serves as a powerful reminder to let go of self-consciousness and embrace our creativity. By allowing our ideas to flow freely and being open to new experiences, we can unlock our true creative potential. So the next time you find yourself overthinking, remember Bradbury's words and simply let your creativity guide you.。

英国文学复习

英国文学复习

1、Arcadia2、The Shepherds Cale ndar3、The Adva ncenient of Lear ning4、King Midas5、The Jew of Malta6、As You Like It7、Othello8、Julius Caesar9、Every Man in His Humour10、The Alchemist11.S ongs and Sonn ets12、The Temple13、Lycidas14、Sams on Agoni stes15、Grace Abo unding to the Chief of Sinners16、The Pilgrim's Progress17、Absalom and Achitophel18、Annus Mirabilis19、Paradise Rega ined20、The Hind and the Panther1、An glo-Sax on conq uest happe ned in the 5th century 、2、The first En glishme n are Anglo-Saxons 、3、The history of English literature began with Anglo-Saxon settlement in _______ Britain、4、Beowulf is the most important specimen of Old English literature 、5、The main stories of Beowulf are based on the folk lege nds of the primitive no rthern tribes 、6、Beowulf prese nts an all-r ound life picture of the tribal society ______ 、7、The use of alliteration, metaphors, understatements strong stresses _______ and predo minance of consonants is a notable feature of Beowulf 、8、The first known religious poet in En gla nd is Caedmon 、9、Whe n we talk about the Old En glish prose the first n ame that comesinto our mind is Venerable Bede 、10、The Anglo-Saxon Chronicle is Alfred the Great's most importantcon tributi on to the Old En glish prose literature 、11、The Norma n Conq uest brought the body of customs and ideals knownas chivalry into England 、12、After the Norma n Conq uest, the kni ghtly code, the roma ntic in terestin women tendern ess and revere nee paid to Virgin Mary were reflected inEn glish literature 、13、The prevaili ng literary form in the feudal En gla nd was the romanc _____ 、14、Sir Gawain and the Green Knight is the culmination of the romancesabout King Arthur 、15、William Langland wrote about social discontent and preached the equality of men and dignity of labour _______________ 、16、Piers Plowma n describes the n arrator's dream visions17、Chaucer is acclaimed not only as the father of English poetry butalso as the father of En glish ficti on 、18、The Roma unt of the Rose, the most popular poem of Middle Ages, wasone of Chaucer translations from French 、19、Being one of the forerunners of modernism, Chaucer praises man'senergy, in tellect, quick wit and love of life 、20、One of Chaucer's great contributions to English poetry is hisin troductio n of French poems to E nglish poetry 、31、The keynote of En glish Ren aissa nee was humanism 、32、Elizabethan poetry is remarkable for its variety, freshness,youthfu In ess and its roman tic feeli ng 、33、One of the great contributions made by Thomas Wyatt to Englishpoetry is the introduction of the sonnet ____ 、34 Henry Howard is credited with introducing the blank verse into Englishpoetry、35、Three cycles of sonnets were produced in the Renaissanee period 、The first one is Astrophel and Stella 、36、The Faerie Queene contains six stories about the adventures ofkni ghts, who are made to be allegorical characters by Fd mund Spen ser 、37、The dominating thoughts of The Faerie Queene are nationalism, humanism and Puritanism 、38 、It is likely that when writing Hamlet Shakespeare borrowed something from The Spanish Tragedy ___________________ 、39、Whe n Shakespeare wrote Ki ng Lear and Macbeth, he mai nly relied on Holin shed's Chroni cles 、40、In writ ing plays, Ben Jonson in sisted on adhere nee to the three unities、ine IILCrarure of41、The literature of the Revolution Period is different from theliterature of Elizabetha n Period 、42、The works of the Metaphysical Poets are characterised by mysticism _____ in content and fantasticality in form 、43、The poems by the Metaphysical poets are full of farfetched conceits、44、Joh n Milt on wrote the fin est pastoral elegy in En glish, Lycidas, to memorialise the tragic death of a Cambridge friend and classmate 、45、The stories of Paradise Lost were taken from the Old Testament _______ 、46、Paradise Lost was written in blank verse 、47、Milt on ' poetry is no ted for sublimity of thought and majesty of expression、48、In The Pilgrim sProgress, the allegorical narrative is based on theidea of a journey—、49、In describing the Vanity Fair, Bunyan draws a satirical picture notonly of London at the time of the Restoration but of the whole bourgeois society、50、Dryden's greatest work of literary criticism is An Essay of DramaticPoesy、T 1、After Anglo-Saxon conquest, seven small kingdoms appeared in Britain and later they were combined into a united kingdom named England、F 2、An glo-Sax on literature is exclusively a prose literature in oral form 、T 3、English poetry in the Anglo-Saxon period falls into two groups:non-religious and religious 、T 4、Beowulf is the oldest surv iving epic in the En glish Ian guage 、T 5、Beowulf reflects how people in the tribal society fought against nature、F 6、Caedmon's legendary life story is described by Bede in The An glo-Sax on Chro nicle 、F 7、Historia Ecclesiastica describes how religion was introduced and spread in England、T 8、Venerable Bede is the first scholar in English literature and has been regarded as the father of En glish lear ning 、F 9、The Ecclesiastical History of the English People is the best monument of the Old En glish prose 、T 10、Cyn ewulf took his poetical subject matter partly from the churchliturgy, but more largely from the homilies of Gregory the Great 、F 11、After Norman Conquest, three Ianguages were used in England、They were French used by the Norma ns, Lat in used by scholars and clergymen, and English used by Anglo-Saxons 、T 12 、The knight is described as the central character in the romance that is devoted to the church, the king and a fair lady 、F 13 、The cycle of romances about Rome mainly deals with the exploits and adventures of Charles the Great, King of the Franks and Emperor of the West Empire 、F 14 、Geoffrey Chaucer was a scholar, a lawyer, a businessman and a courtier, who shared all the stirring life of his age in his writings 、F 15 、Chaucer intended to write about 100 tales told by the 30 pilgrims in his masterpiece 、T 16 、The portraits of the 30 pilgrims drawn by Chaucer in the Prologueof The Canterbury Tales supply a miniature of the medieval English society 、F 17 、Being a rebel of the society of his time, Chaucer affirms man's right to pursue happiness and opposes the dogma of asceticism 、F 18 、Chaucer made a great contribution to making the dialect of London the foundation of modem English speech and establishing English as the literary language of the country 、F 19 、The 15th century has traditionally been described as the prosperous period in English literature 、T 20 、Le Morte d'Arthur reflects the social scene of the transitional period when feudalism was dying and capitalism was rising 、T 21 、English literature of the Revolution Period witnessed a conflictbetween the two antagonistic camps 、F 22 、The Revolution Period is also called Puritan Age 、In this periodliterary works show much romantic ardour 、T 23 、Cavalier Poets mostly wrote about the flitting joys of life and expressed the spirit of pessimism 、T 24 、In Milton's life and literary career the two dominant historical movements: Renaissance and Reformation combine and receive their most intense and intelligent expression 、T 25 、Many critics have noted that in Paradise Lost the picture of God surrounded by his angels resembles the court of an absolute monarch, while Satan and his followers bear close resemblance to a parliament 、F 26 、Samson 's miserable blind servitude among his enemies, his agonising longing for sight and freedom, and the last terrible triumph are all allusions to Satan's story 、T 27 、John Milton is the glorious pioneer to introduce blank verse into non-dramatic poetry 、T 28 、Since its first appearance, The Pilgrim s Progress has been the most widely read book and one of the most popular pieces of Christian writing that have appeared in English 、T 29 、In The Pilgrim 's Progress, the figures and places which the hero meet with on his joumey stand for the various experiences thatl 、Portia2 、Hamlet3 、Volpone4 、John Falstaff5 、Henry V6 、Iago7 、Shylock8 、Doctor Faustus1 、What are the characteristics of Anglo-Saxon literature?Anglo-Saxon literature is almost exclusively a verse literature in oral form 、Most of its creators remain unknown 、It is written down long afterits composition 、Two groups of poetry are found in Anglo-Saxon period 、Before Christianity was introduced, there was pagan poetry 、The representative is Beowulf 、After the introduction of Christianity, Christian poetry appeared 、The representatives are the poems composedby Caedmon and Cynewulf 、Prose arrived later than poetry 、It appearedin about the 8th century 、Venerable Bede and Alfred the Great are famous prose writers of that period2 、Briefly tell the story of BeowulfThe story of Beowulf consists of two parts 、The first deals with the heroic deeds of Beowulf through describing how Beowulf fights againstthe monster Grendel, and finally kills him and his mother 、The second part celebrates the heroic spirit and bravery of Beowulf through describing hisfight against a fire dragon that has done a lot of destruction to his kingdom and people 、Beowulf dragon and dies a heroic death 、3 、What are the writing features of Beowulf?1) Beowulf is a pagan poem though it has Christian flavour that the monastery scribe gave it when he wrote it down 、It is the result of pagan civilisation 、It shows an all-round picture of the tribal society 、2) It usesa lot of strong stresses 、Each line has four stresses, with two in each half line 、3) Alliteration is much used 、Three stresses of each line are made more emphatic through the use of alliteration 、4) Metaphors and understatements are much used in the whole poem 、4 、What is the theme of Beowulf?Beowulf indicates how the people in primitive society conquer the disasters and misfortunes that nature makes for human beings 、Beowulf, the hero of the story stands for man's energy and power, and man's indomitable spirit and bravery 、It also shows the struggle between virtue and vice 、Beowulf's triumph embodies the victory of virtue and goodness 、5 、In what aspects did the Norman Conquest affect English language and literature?6 、Give an introduction of Chaucer's masterpiece The Canterbury Tales 、7 、What is the social significance of The Canterbury Tales?8 、Discuss Chaucer's writing features 、9 、What does William Langland satirise in his masterpiece Piers Plowman?10 、What are the characteristics of Spenser's poetry?11 、What does Thomas More's Utopia describe?12 、What style do Francis Bacon's essays have?13 、What is the theme of Marlowe's tragedies?14 、What did Shakespeare write about in his early comedies?15 、Why is Hamlet regarded as the representative of humanism?16 、Why is Shakespeare considered to be one of the founders of realism in English literature?8 、In what aspects are Ben Jonson's plays in sharp contrast to Shakespeare's。

都市怪谈说明线索是假的英文作文

都市怪谈说明线索是假的英文作文

都市怪谈说明线索是假的英文作文Debunking the Clues":Urban Legends: Debunking the CluesUrban legends, those captivating tales that seem to spread like wildfire, have long captured the public's imagination. These stories, often shrouded in mystery and intrigue, are typically passed down through generations, gaining momentum and evolving as they travel from one person to another. While some may be rooted in a kernel of truth, many urban legends are nothing more than elaborate hoaxes, designed to thrill and entertain.One of the most common tactics employed by urban legend purveyors is the use of seemingly credible evidence or clues to lend an air of authenticity to their tales. These clues can take many forms, from alleged eyewitness accounts to purported photographic or video evidence. However, upon closer examination, it becomes clear that these clues are often nothing more than clever fabrications, carefully crafted to mislead and deceive.Take, for example, the urban legend of the "Hookman," a chilling taleof a escaped mental patient with a hook for a hand who attacks young couples parked in secluded areas. This legend has been circulating for decades, with various iterations and embellishments. One of the most persistent clues associated with this legend is the supposed sound of a scratching noise coming from the car, which is later revealed to be the Hookman's hook scraping against the vehicle.While this detail may seem convincing at first glance, it is easily debunked. The scratching noise is simply a common auditory illusion, caused by the natural creaking and settling of a parked car as it cools down. The sound is not the result of any supernatural or sinister presence, but rather a mundane, everyday occurrence. By attributing this ordinary sound to the presence of a dangerous killer, the urban legend perpetrators create a sense of fear and unease that is ultimately unfounded.Another common tactic employed in urban legends is the use of photographic or video evidence to lend credibility to the claims. In the digital age, it has become increasingly easy to manipulate and edit images and videos, making it difficult to distinguish between genuine and fabricated content. This has led to a proliferation of urban legends that purport to be supported by visual proof, such as the infamous "Slender Man" phenomenon.The Slender Man legend, which originated on an online forum,quickly gained traction and spawned a vast array of user-generated content, including alleged photographs and videos of the elusive, faceless figure. However, a closer examination of these "evidence" reveals that they are nothing more than clever digital manipulations, created by skilled artists and hoaxsters to perpetuate the legend.One particularly infamous example is the "Slender Man stabbing" incident, in which two young girls claimed to have been influenced by the Slender Man legend to commit a violent attack on a classmate. While the incident was undoubtedly tragic, the connection to the Slender Man legend was ultimately deemed to be a fabrication, with no direct evidence linking the crime to the urban legend.Similarly, the urban legend of the "Loch Ness Monster" has been fueled by a series of purported photographic and video evidence, all of which have been thoroughly debunked by experts. The most famous of these, the "Surgeon's Photograph" taken in 1934, was later revealed to be a hoax, created using a model and some clever photographic techniques.In the digital age, where information and misinformation can spread with lightning speed, it is more important than ever to approach urban legends with a critical eye. While the clues and evidence presented may seem convincing, it is crucial to thoroughly investigate the claims and separate fact from fiction. By doing so, wecan not only debunk the urban legends that captivate our imaginations but also gain a deeper understanding of the human tendency to believe in the extraordinary, even in the face of overwhelming evidence to the contrary.In conclusion, urban legends are a fascinating and enduring phenomenon, but they are often built upon a foundation of false clues and fabricated evidence. By recognizing the tactics used to perpetuate these legends, we can better navigate the murky waters of misinformation and maintain a healthy skepticism towards claims that seem too good to be true. Ultimately, the true power of urban legends lies not in their veracity, but in their ability to capture our collective imagination and spark our curiosity about the unknown.。

Part-3-The-Period-of-Revolution-and-Restoration

Part-3-The-Period-of-Revolution-and-Restoration

Literature of the Revolution Period
❖ The spirit of unity and the feeling of patriotism ended with the reign of Elizabeth I, and England was convulsed with the conflict between the two antagonistic camps, the Royalists and the Puritans. English literature of the period was very much concerned with the tremendous social upheaval of the time.
❖ Puritanism was the religious doctrine of the revolutionary bourgeoisie during the English Revolution.
John Donne (约翰·邓恩)
❖ Leading figure of the “metaphysical school”.
生活拮据,但就是在这种恶劣环境下,他将一腔心血投 注于创作,写下了不朽于世的三大史诗。
❖ 弥尔顿把人文主义向前推进,贯彻到革命实践中 去,同时又是恩格斯所说的“第一个为弑君辩护 的人”,是18世纪启蒙思想家们的先辈。弥尔顿 是文艺复兴运动和启蒙运动之间的桥梁。
❖ 弥尔顿在革命期间积极投身到反对国王和国教的 斗争中,发表过一系列政论小册子,《论英国教 会的教纪改革》和《论教会必须反对主教制》首 先向教会开炮;最著名的散文小册子是《论出版 自由》,在政治史和新闻史上影响深远。弥尔顿 以他的这些散文作品表现了坚决拥护革命、反对 封建复辟的精神,作品风格雄健、富有战斗性, 堪称17世纪欧洲散文的冠冕。
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arXiv:nlin/0605038v2 [nlin.CD] 26 May 2006
Typeset with jpsj2.cls <ver.1.2>
Letter
Bifurcations and Chaos in the Six-Dimensional Turbulence Model of Gledzer
Makoto Umeki∗
Department of Physics, Graduate School of Science, University of Tokyo, 7-3-1 Hongo, Bunkyo-ku, Tokyo, 113-0033 Japan
The cascade-shell model of turbulence with six real variables originated by Gledzer is studied numerically using Mathematica 5.1. Periodic, doubly-periodic and chaotic solutions and the routes to chaos via both frequency-locking and period-doubling are found by the Poincar´e plot of the first mode v1. The circle map on the torus is well approximated by the summation of several sinusoidal functions. The dependence of the rotation number on the viscosity parameter is in accordance with that of the sine-circle map. The complicated bifurcation structure and the revival of a stable periodic solution at the smaller viscosity parameter in the present model indicates that the turbulent state may be very sensitive to the Reynolds number.
v˙i = 2i−5vi+1vi+2 − 2i−7vi−1vi+1
−2i−8vi−1vi−2 − ν4i−2vi + fi.
(8)
The present model possesses a single parameter ν, changed between the range about 5 · 10−25 · 10−3. Three ways of giving the initial condition are considered in order to examine multiple stable states. Case (I) is the origin; vi(0) = 0. Case (II) [or (III)] is the final computed values of the slightly smaller [or larger] value of the viscosity ν.
ki. ν denotes the kinematic viscosity, the forcing is assumed to be time independent, and
v0 = v−1 = vn+1 = vn+2 = 0. In order to conserve the energy E =
of the model to the half with the same extent of the wavenumber, compared with the GOY
2/19
J. Phys. Soc. Jpn.
Letter
model. Letting k0 = 2−4, the model becomes
fi = 0 for i ≥ 3, the equation for the total energy with the forcing and the viscosity becomes
n
E˙ /2 = f1v1 + f2v2 − ν ki2vi2.
(7)
i=1
If we consider the sufficiently large values of vi such that |vi| > |fi|/(νki2) for the forced modes
=
v˙i
=
c1,ivi+1vi+2 + c2,ivi−1vi+1
+c3,ivi−1vi−2 − νki2vi + fi,
(1)
where vi (fi) is the velocity (forcing) of the i-th mode in the space of a discretized wavenumber
n i=1
vi2
and
the
enstrophy
n i=1
ki2vi2
in
the
case
of
ν
=
fi
=
0
as
Gledzer
(1973)
required
for
the
model
to
be
analogous
to the two-dimensional turbulence, the coefficients of the nonlinear terms cj,i for j = 1, 2, 3
and i = 1, · · · , n need to satisfy the following relations:
c2,i+1
=

ki2+2 − ki2 ki2+2 − ki2+1
c1,i,
(2)
c3,i+2
=

ห้องสมุดไป่ตู้
ki2+1 − ki2 ki2+1 − ki2+2
c1,i.
(3)
If the wavenumber and the nonlinear coefficient c1,i are selected as ki = c1,i = k0qi, the above
which do not satisfy (6), model ling the 3D turbulence in the sense that the conservation law
holds only for energy, not for enstrophy.
Assuming that the forces are applied only on the first and second modes f1 = f2 = 1 and
i = 1, 2, the right hand side becomes negative and the solution is proved to be finite. The
present model deals with real variables and therefore it is possible to reduce the dimensions
KEYWORDS: bifurcation, chaos, turbulence, shell model, Mathematica
Many of turbulent phenomena in motions of fluids are considered to be understandable by investigating ordinary differential equations which are models faithful to the Navier-Stokes (NS) equations. Recent progress of computer hardware and software, however, may still not be enough to make clear the route and the characteristics of turbulence. Another prompt way to smatter turbulence is to omit the theoretical derivation of nonlinear models, to give up the full numerical simulation and to fall back on simpler models analogous to the NS equation. In this context, the cascade-shell models by Gledzer (1973)1 and its complex version (Ohkitani and Yamada (OY 1989),2 so-called the GOY model; see also Frisch (1995),3 Kato and Yamada (2003),4 Biferale(2003)5 for further references) have been studied numerically from the viewpoint of turbulence statistics. In the present investigation, the bifurcation approach is made to the Gledzer’s cascade-shell model of turbulence with six real variables. Biferale et al. (1995)6 has found the limit-cycle and torus attractors in the GOY model with a fixed viscosity along with loss of the stability of the Kolmogorov 1941 fixed point when the parameter ǫ related to the helicity exceeds critical values about 0.386 and 0.396, respectively. In contrast with the bifurcation found by Biferale et al. (1995)6 in GOY interpreted as the Ruelle-Takens scenario, a detailed study of the circle map in the Gledzer model in this paper indicates that the bifurcation of torus attractors is in accordance with that of the sine-circle map. Another similar study of the five-mode truncation model of the NS equation is made by Franceschini
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