VIII. Sexual Pleasure as a Key Component of Integral Sexual Health

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弗吉尼亚伍尔芙简介(VirginiaWoolf)

弗吉尼亚伍尔芙简介(VirginiaWoolf)

Mental Illness
• In May 1895, Virginia’s mother died ,Her death caused Virginia to have a mental breakdown at age 13. A second severe breakdown followed the death of her father. During this time, Virginia first attempted suicide and was institutionalized. According to nephew and biographer, “All that summer she was mad .”The death of her close brother in November 1906 had a similar effect on Woolf. These were the first of her many mental collapses that would sporadically(零星 的) occur throughout her life, until her suicide in March 1941 .
Born with the tendency to homosexual ity
She loathed sexual life as well as pregnancy
Sexually abused by her halfbrothers
Inherent factors
THale Waihona Puke e sexual abuse to which she was subjected by their half-brothers

和谐寝室的关系作文英语

和谐寝室的关系作文英语

In the tapestry of college life,the dormitory stands as a vibrant thread, weaving together the fabric of daily interactions,shared experiences,and the forging of lifelong friendships.The harmony within a dormitory is not merely a matter of coexistence but a symphony of mutual respect, understanding,and support that plays a pivotal role in shaping the college experience for its inhabitants.A harmonious dormitory relationship is akin to a welltuned orchestra, where each member contributes their unique melody to create a harmonious whole.Take,for instance,the story of Alex,a freshman who moved into a dormitory with three strangers.Initially,the differences in their personalities and habits seemed like a recipe for discord.However, they soon discovered the power of communication and compromise.Alex,an early riser,was initially disturbed by his roommates latenight study sessions.Instead of harboring resentment,he initiated a conversation about their schedules and preferences.This open dialogue led to the establishment of quiet hours,a simple yet effective solution that allowed everyone to pursue their academic goals without disturbing others.Another roommate,Sarah,was an introvert who valued her privacy.Her roommates respected this by creating a designated study space for her, where she could focus without interruption.In return,Sarah made an effort to participate in group activities,fostering a sense of inclusion and camaraderie.The dormitory also became a melting pot of diverse cultures,withroommates hailing from different parts of the world.They embraced this diversity by hosting cultural nights,where they shared their traditions, cuisines,and stories.These events not only enriched their understanding of each others backgrounds but also created a sense of belonging and unity.Conflicts,of course,were inevitable.However,the roommates approached these challenges with a mindset of problemsolving rather than blame.For example,when disagreements arose over the division of chores,they opted for a rotating schedule,ensuring fairness and preventing resentment from festering.The importance of empathy was also highlighted in their interactions. When one roommate faced personal challenges,such as a family crisis or academic stress,the others offered a listening ear,words of encouragement,and practical support.This culture of empathy and solidarity transformed their living space into a sanctuary of comfort and solace.Moreover,the roommates recognized the value of setting boundaries and respecting each others space.They established house rules that promoted a clean and organized environment,which in turn,contributed to a more peaceful and productive atmosphere.The story of this dormitory is not just about cohabitation it is a testament to the power of collaboration,empathy,and respect in fostering a harmonious living environment.It serves as a reminder that a dormitory isnot merely a place to sleep and study but a community where individuals can grow,learn,and thrive together.In conclusion,a harmonious dormitory relationship is a tapestry woven from threads of communication,understanding,and mutual respect.It is a dynamic space where individuals from diverse backgrounds come together to create a shared experience that enriches their lives and contributes to their personal development.As the roommates in this story have demonstrated,with open hearts and open minds,a dormitory can truly become a home away from home.。

heforshe演讲翻译及原文

heforshe演讲翻译及原文

今天,我们正在发起一场名为“他为她”的运动。

我站到大家面前,是因为我需要你们的帮助。

我们希望终结性别不平等——为此,我们需要所有人都参与其中。

这是联合国第一个此类运动:我们希望通过努力,激励尽可能多的男人,以及男孩子们成为性别平等的倡导者。

而且,我们不只是要来谈论这个话题,更是要确保性别平等能成为事实。

六个月前,我被任命为联合国妇女亲善大使。

随着我谈论女性主义的次数增加,我越发意识到,“争取女性权益”已经时常被当作是“厌恶男性”的代名词。

如果说,有什么是我确切知道的话,那就是,这样的误解必须停止。

必须郑重声明,女性主义的定义是:“相信男性和女性应该被赋予平等的权利和机会。

它是关于两性在政治、经济和社会上享有平等地位的理论。

”我是这样开始质疑那些基于性别的假设的。

8岁时,我感到困惑:为什么我想在表演给家长们看的剧目里担任导演会被说成“专横”,而男孩子们却不会;14岁时,我开始被媒体报道的某些元素性别化;15岁时,我的女性朋友们开始退出各自的运动队,因为她们不希望显得“肌肉发达”;18岁时,我的男性朋友们无法表达他们的感受。

我认定自己是一名女性主义者,而且我认为这个身份不难理解。

但我最近的调查告诉我,女性主义已经成为了一个不受欢迎的词。

显然,我已经被列入了那些在世人眼中态度过于强势、过于激进、拒人千里、厌恶男性、毫无魅力的女性队伍中。

为什么这个词如此令人不快?我来自英国,身为女性,我认为我有资格和我的男性同行们获得一样的报酬。

我认为我有资格为自己的身体做决定。

我认为女性有资格代表我参与政治以及我的国家的决策制定。

我认为我有资格在社会上获得和男性同等的尊重。

但遗憾的是,我可以说,世界上没有一个国家的所有的女性都能指望获得上述权利。

世界上也没有一个国家能说,他们已经实现了性别平等。

这些权利,我认为全人类都该享有的,而我,只是众多幸运儿中的一个。

我的生命纯粹是个特例。

因为我的父母没有因为我生为女儿而减少对我的爱,我的学校没有因为我是女孩而限制我,我的导师们没有因为终有一日我可能要生孩子而认为我会在事业上走不远。

Ian_Denchasy-Art_of_Oral_Sex__Bring_Your_Partner_to_New_Heights_of_Pleasure-Quiver(2007)

Ian_Denchasy-Art_of_Oral_Sex__Bring_Your_Partner_to_New_Heights_of_Pleasure-Quiver(2007)

The Art of Oral SexGeneral IntroductionPeople have been using their mouths to stimulate each other sexually for about as long as there have been people. How about kissing each other? Men have been kissing women on their necks, ears, breasts, backs, thighs, and any where else they can think of that'll arouse them sexually ever since they found out it works. It didn't take long for some enterprising man to find out that kissing a woman's vulva worked, did it ever. The Latin word cunnilingus was coined t o describe licking the vulva.Men were not alone in searching for ways to arouse the opposite sex. Some equally enterprising woman found out that men liked for her to suck their penis, it worked just as well. The Latin word fellatio was coined to describe sucking the penis.Let's define and use the more common words to describe men and women's genitalia and the various sexual acts. Pinus, cock; vulva, pussy; vagina, cunt; Coitus, fuck; cunnilingus, eating pussy; fellatio, sucking cock, blowjob; performing cunnilingus or fellatio, giving head; ejaculate, cum or shoot his load; orgasm, cum or climax; pubic hair, women muff or bush, men bush.Many men and women, today probably most, use some form of oral massage or kissing of the sex organs as a normal part of foreplay to warm up their partners prior to fucking. They probably don't think of that as "giving head," and I would agree that it's not. It's simply a part of the foreplay used to prepare each other for fucking and hopefully achieving a sexual climax.Giving head, on the other hand, is used by one to bring the other to climax by use of, primarily, the mouth and tongue. For those couples who develop the required skills and self restraint, both can cum together using the 69 position. For me, although the sensations of a man's cock thrusting in my cunt are great and I do love a good fuck, cuming together during 69 is more emotionally satisfying than cuming together by fucking.You have to develop an understanding of the intimate feelings and emotions that occur while you're performing oral sex and during a climax, and how to respond to those feelings. Giving head is much more intimate than fucking and, if approached with the right attitude, can be more emotionally satisfying. Both the man and woman need to become familiar with what the other's emotional needs are, not just what it takes to make each other cum.Only in the movies does a man grab a woman and say, take your clothes off, I want to fuck, or vise-versa. You have to pick a time and place other than the kitchen where the baby has just thrown a bowl of food all over your wife, although it might be a welcome distraction right abought then. Giving head requires at least as much emotional preparation as fucking. For the subject to even come up, one partner has to have built up the desire. That partner then has to build up the desire in the other partner.Getting the other to let you bring them to orgasm is generally the easiest. If you just want to eat her pussy or she just wants to suck your cock, then all that's required is a willingness to submit, and this is important, with the expectation of achieving orgasm. Getting the other to bring you to orgasm requires the art of gentle persuasion. If you just want her to suck your cock or she just wants' you to eat her pussy, a slightly different situation exists. A woman can probably convince a man to eat her pussy without much effort. All that's generally required is for him to be in a reasonably good mood. If he just wants her to suck his cock, and she wasn't alr eady thinking about sex, then he's going to have to get her in the proper mood first.You'll find out that no matter who starts, the other will probably end up getting head also, either that or you'll end up fucking. Given this inevitable result, it's nice if both of you can build each other up first. Once you're both ready, he should give her head first, or you should use 69. A man comes down from his climax too quickly, and takes too long to build back up sufficiently to move right into doing a good job of eating pussy, unless he had that on his mind from the beginning.It's fairly easy for a man to learn to do a good job of eating a woman's pussy. If he's sensitive, gentle and pays attention to what's in this book, she'll love it.About the only problem the uninitiated man has is over the perceived bad smell and taste of a woman's secretions. Many men, and women, think that the tastes and odors associated with a woman's pussy are offensive. This isn't so, the natural fragrance and taste of the fresh secret ions from a clean healthy woman are usually beautiful and erotic to a man. This question needs to be settled at the very beginning. A couple should take turns tasting and smelling her pussy's natural fluids when she's fresh and clean. Once a man tries it, the taste and smell of a woman's sex will excite him and he'll look forward to it. When a man fingers a woman and then smells, licks, sucks the juice off his finger and sighs as if in heaven, she'll forget this problem and he can dive right in.It's more difficult for a woman to become a good cock-sucker, but the rewards can be worth the effort. There are three basic problems that confront a woman, the first two are, how much of his cock should she take into her mouth, and what does she do with his cum. The answers to the first two are, all of it, and swallow it. The third problem is, how does she get all of that cock in her mouth. The answer to the third is in the following lessons.As you'll see later, the shaft of a man's cock isn't overly sensitive to touch on any particular spot, but it does respond to pressure, and there are a lot of nerve endings when you include all of it. Don't forget that much of the pleasure we derive from sex is in the mind, it's psychological, emotional. When a man feels a woman's warm soft mouth and tongue giving his cock a workout, feels her trying to suck his balls out through it, sees her look up at him as her lips slide down over it until her face is buried in his bush, the overall feeling is hard to describe. When you take all of this into account, she should take all of his cock into her mouth and throat at appropriate times while she's giving head.It's not a big deal with most men if a women doesn't want to swallow his cum, he just doesn't want her to take his cock out of her mouth until he's finished cuming. When he's fucking you, you feel that you're drawing him into yourself when you cum, part of his sexual makeup is a mirror image of yours, he feels that he's being drawn into you when he cums. He needs for you to keep his cock in your mouth, continuing to increase the intensity of your fellatio, until he cums and his climax lets down. It's a real letdown for him if you take his cock out of your warm soft mouth just as he's reaching the climax that you've both worked so hard for and jack him off into a wet towel.I said that the rewards can be worth the effort. Lying there with a man's throbbing cock buried deep in your throat and your face buried in his bush can feel almost as good as having it in your cunt, and a lot more intimate. Feeling a man cum in her mouth while she carries him through the end of his orgasm and then swallowing it after he's finished becomes a sensual thing for a woman, part of her natural desire to participate in his orgasm to the fullest extent, drawing his love juices into her as he climaxes. You'll find out that taking his cum into your mouth and swallowing it can be an intensely intimate act for both, it can be a significant symbolic gesture of love.Good sex isn't just the pleasure of reaching a climax, it's when you share each other's climax, it's when a woman's efforts to bring her man to climax excite her to the point where she could almost cum, sometimes his climax drives her over the top. It's the same for the man. When a man is passionately eating out a woman's pussy, he's got a hard-on that won't quit. He wants to bury his face in her muff and thrust his tongue into her cunt, join with her body. It's not unusual for a man to get so worked up emotionally while he's eating a woman's pussy that he cums while he's doing it, and none of his sex organs are involved except his mind.Sex should not be all oral. When the opportunity presents itself, like when you're passionately eating her out, she's starting on her second orgasm and is really hot, y ou've got a hard-on that just won't quit and she's lying at the edge of the bed with you between her legs. You look down and see that if you just got up on your knees your cock would find itself in her cunt, go ahead and shove it in there and give each other a good fuck. Some women say that they feel lonesome when they're receiving head, they want to be held and kissed. This is why moving from eating her pussy smoothly into fucking her can be very satisfying, it's also a good reason for 69.This book is in two parts, the first, how to eat pussy, the second, how to suck cock. A final section gives an example of how to blend the best of both sexual worlds, oral and coitus. I hope you learn your lessons well and have many years of pleasure putting what you lear n into practice.The Art of CunnilingusorHow to Eat PussyIntroductionThis section is for men who want learn how to properly eat a woman's pussy, or who've heard that it might not be all that bad to put their face down there, and for women who want to get their man to eat them period, improvement in performance can come later.I am not an expert. I am simply a woman who knows what she likes, and has had all too many experiences with men who didn't seem to have the vaguest idea what they were doing between her legs.Eating a woman's pussy is about the most wonderful thing you can do for her. It makes her feel loved, admired, sexy, and of course it makes her cum like crazy. Many women prefer it to intercourse, and for most, it's the easiest way to cum with a man. You may have the littlest cock on the planet, but if you give great head, you'll be appreciated as a fabulous lover. Yes, it's that important. Besides, lots of women expect it these days so you might as well get to know what you're doing. Studies show that 90 percent of married couples under 25 give head and for couples over 50, at least 55 percent of the men are eating pussy, with 95 percent of the men and 82 percent of the women enjoying it.Many guys seem to have a strange love/hate relationship with women's genitalia. Guys that can't wait to get their cock into one are often reluctant to put their face "down there." For every guy who says he loves to eat pussy, there's another one who's squeamish. Women know this, and it affects their ability to lie back and enjoy the experience.This is for you gals. Before you can get him to eat pussy for the first time, you need to get him worked up about the idea, that is, get him to think about sex for a few minutes, but don't do anything to make him cum yet. He's got a sex switch in his brain that turns on when he sees a woman, especially a naked one, and turns off as soon as he cums, this is why who does what first can be very important in the beginning, less so as the two of you mature. Fortunately, it won't take much to get him to eat you the first time, just undress and ask him to, let him look at your pussy for a while, show him your clit and let him play with it, promise him a good fuck afterwards or a blowjob if you've read the second section, if he seems the least bit interested straddle his head and rub your bush over his face.What's Down There?This is for you guys. Most men don't really know what they've been sticking their cock into. Many women also don't appreciate what they have, and can't understand why a man would think that it was beautiful, let alone want to put his face in it.Why would a man like to eat pussy? Most men I know who really love women and want make having sex with them a joint endeavor rather than a conquest, also like to eat pussy. They don't want to just eat her, they want to bring her to a great climax and then build her up for a fuck that neither will forget, or maybe get a good blowjob if that's what she wants to do. I think that there are two basic reasons. First, many men want to give their woman the most sexual satisfaction they can, they enjoy pleasing her and will go to great lengths to do so, the more their woman likes what they are doing to her, the harder their cocks get until sometimes they cum just from eating her. The second is the role that the mouth, tongue, taste and smell play in sex. Why do people kiss? They receive pleasure from the interaction that takes place during a kiss. The mouth, lips and tongue are some of the more erogenous zones of the body and are active rather than passive, you do something with them. You nibble on her ears, kiss and suck on her nipples, kiss her navel, why not kiss and suck on the most sexual part of her body, her pussy.The tastes and odors of the fresh secretions from a clean healthy woman's pussy are also erotic to many men. Put this all together and your mouth in her pussy is where it's at guys.Now that you've got your woman out of the shower, on the bed, and fairly well warmed up (or she's got you there), stop and look at what you see. Leave the lights on, or get a flashlight or something, so that you can examine her carefully. Take a good look at what's between her legs. Beautiful, isn't it? There's nothing that makes a woman more unique than her pussy. I know. I've see n plenty of them. They come in all different sizes, colors and shapes; some are tucked inside like a little girl's cunnie and some have thick luscious lips that come out to greet you. Some are nested in brushes of fur and others are covered with transparent fuzz.The first thing you see is her muff. It should be the same color as the rest of her hair but who knows these days. It has a slightly different texture than the hair on her head and can cover a large or small area but usually just up over the mons area, that fleshy mound over her pelvic bone, and down each side of her pussy to its lower end. It usually does not spread out to her thighs and has sparse growth partially onto the outer lips.Don't worry, looking at it won't make you go blind. Nestled in the midst of her muff are the outer, or major, lips of her pussy (they are vertical on all women). They are not overly sensitive to touch on the outside (but it's a good place to start), about the same as the shaft of your cock. They extend from the upper part of the hood that covers her clit to more or less the bottom of her pussy. They're thick and luscious in the middle and thin out at each end blending into her body. Some are almost closed while others are open to varying extents, allowing the inner pleasures to peep through. They don't generally come together completely at the top, exposing the upper cone of the clitoral hood, and less so at the bottom, giving you a glimpse of the bottom of the vaginal entrance where the lower parts of the inner lips surround it.Underneath the outer lips are the inner, or minor, lips. These are much thinner, more sensitive and fun to play with. At the top they form the cone-shaped hood that protects the sensitive clit, closing in under the clit and then coming back out to continue down to the bottom of the vaginal entrance. They tend to blossom out between the outer lips, especially near the bottom.Between the underside of the clit and the bottom of the vaginal opening lies the vestibule, your new playground. Although the clit's hood is a part of the inner lips, they appear to only cover the vestibule. The urethra and vagina open into the vestibule. Excluding the obvious first place role of the clit, it's the vestibule and the entrance to the vagina where a lot of the ac tion takes place.I've saved the best for last, the clitoris or clit, accent on the first syllable. Most of you know it, but for those who don't, it's THE woman's sex organ, period. It may feel great to be fucked vaginally or otherwise, but if the stimulation isn't right there, on the clit, you're ignoring the place that's going to make her cum, and presumably that's why you're reading this, right? It's right there at the top juncture of her inner lips, a small knob of pink flesh. This is where it's at boys, and don't forget it. Almost any licking and sucking of the labia or vaginal entrance are going to feel just dandy; just remember that's pleasurable, teasing, not the main event. I can't tell you how many guys have thrust their tongues up my cunt thinking that that was going to make me cum. They were wrong. Of course, with a little manual stimulation . . . but I'm getting ahead of myself.Women feel differently about how much direct stimulation they can take on their clit. Some women will adore it if you suck hard on their exposed clits, others will shriek in pain. You may encounter a woman who is completely unable to take direct stimulation of her clit; the goal is still the same, but you'll have to stimulate it indirectly, such as through her labia. IMPOR TANT NOTE: Often, what is unacceptably rough at first, may be fine after she's very excited. The fact is, most women really need a good bit of stimulation before a targeted attack on their clit, but once they're ready, that's where you want to devote your attention.Back off for now, rest your head on her thigh and just admire the view. Learn to appreciate your woman's unique qualities and tell her what makes her special. Describe what you see, in poets' words if you can, but in any way you can as long as it's with love and admiration.PositionsYou can give head to your woman in just about any position she can get herself into, floating on her back in a swimming pool with her legs around your neck, standing on a picnic table, however, some positions are obviously better than others. Giving good head to your woman on a lazy summer afternoon can take an hour or more if you play it right. That means that you both have to be in comfortable positions to enjoy it, or even endure it. That usually means a lying, s itting or reclining position. She has to be able to spread her legs comfortably and hold them in that position. She should not have to have the weight of your body on her, or hers on you. She also needs to be able to put her hands on your head and pull it against her. You need to be able to make eye contact with her while you are eating her. You have to be able to press your mouth to and your tongue in all of her pussy, including holding it deep in her cunt without getting a crick in your neck. You also have to be able to easily place your hands on her pussy and your fingers in her cunt.The obvious place to start is a bed. She can recline comfortably against some pillows and watch you work. You can lie on your stomach between her legs, however, you'll have to tilt your head too far back to get your tongue in her cunt comfortably. Putting a couple of pillows under her hips to tilt her pelvis up will help with that problem. This is probably one of the better positions. Another good one, maybe the best, is for her to slide her hips to the edge of the bed and rest her feet on two overstuffed chairs that are spread apart enough for you to rest between them. They can be turned so that she can rest her knees against the arms or backs. A couple of pillows under her h ead and she can reach your head and watch to her harts content. You can rest on a soft cushion on the floor, your head resting on her thigh, sucking on her clit for hours and have easy access to all of your afternoon's pleasures.And then there's 69. . . . 69 is one of my favorite positions. On the plus side, you both get to enjoy the sublime sensations of getting head simultaneously. The upside down positioning of a woman's pussy and your mouth is an easy fit and there's more room for your hands. On the ne gative side, it's a less than ideal position for a woman to suck cock and you may not feel comfortable with your nose in her anus when you French kiss her cunt. I also love for a man to reach down, thrust his tongue deep in my cunt and then slowly lap it back up to my clit which doesn't work well upside down. Plus, if you need to read this book, you may be better off concentrating your energies on pleasing her without too much distraction at first. But even for experienced 69'ers, it's easy to short-change your partner. "It feels soooo good, I'm just gonna stop for a second and concentrate on what you're . . . aaaarrrgghhh." Get the picture? Some show of willpower is in order.She can also straddle your face which can be a lot of fun, but be prepared to get very wet. There are endless varieties of positions where you can press your face up to her pussy, some of which strike me as more acrobatic than erotic, but feel free to experiment.Getting StartedFor you gals who need instruction . . . just lie back and enjoy it, it'll grow on you. When he does something you like, tell him. Hold his head gently with your hands and guide him, talk to him, he'll love it.Now for the men. So there you are, staring at it - the mysterious hole from whence you came, and into which you hope to cum again . . .The key here is to go slow, ask questions, really explore her body. Body language often tells what feels best, but I promise, she'll appreciate your attentiveness if you ask outright. If she seems shy, get her to guide your hands and mouth with her own hands, and pay attention. Most women are shy about their bodies. Even if you've got the world's most gorgeous woman in bed with you, she's going to worry about how you like her body. Tell her it's beautiful, tell her which part s you like best, tell her anything, but get her to trust you enough to let you down between her legs. Women are a good deal more verbal than men, especially during lovemaking. They respond more to verbal love, which means, the more you talk to her, the easier it will be to get her off. So all the time you'repetting and stroking her beautiful pussy, talk to her about it. There's nothing more exciting to a woman than to know that her partner finds her delicious. Don't be coy; tell her.Many men, and women, feel that the tastes and odors associated with a woman's pussy are offensive. This isn't so, the natural fragrance and secretions of a healthy woman are beautiful and erotic, especially to a man. You both need to settle this question at the very beginning. Take turns tasting and smelling her pussy's natural fluids when she's fresh and clean. When you finger her and then smell, lick, suck the juice off your finger and sigh as if in heaven, she'll forget this problem and you can dive right in.What if your sweet lady doesn't smell or taste very sweet? Don't suffer. (Don't complain, either.) Take a nice hot shower or bath together. Lather up both of your bodies and slide them together. It's like a whole body fuck. Soap up her pussy, washing between her outer and inner lips. Spread her lips apart and gently wash her clit. Hey, don't stop - this feels great! Run your soapy hand down the crack of her ass, and rub a finger all around her anus, washing the entrance/exit well. But don't put those soapy fingers up her cunt. Instead, rinse them off well and stick one or two inside, making a circular motion. Think about washing the inside of a tall glass - same thing.She may prefer to use a douche, if she does, help her do it, you can get your fingers in her cunt later. Now wasn't that fun? Now you can feel free to let your tongue wander anywhere it pleases . . . Even though your woman wants you to eat her, she may still be somewhat hesitant about your going down on her. Don't just dive right in, warm her up with some serious kissing and cuddling. Move over on top of her and put your legs between hers. Use your elbows to keep some of your weight off her. Slowly work your way down her body, caressing, licking and kissing her ears, eyes, throat, breasts, navel, and wherever she likes. Press your body down on her muff and slide it around as you move down, getting her used to something being on it besides your hand and cock. Lap your tongue on down from her navel to the inside of her thigh. Raise her legs over your shoulders and rest your cheek on her muff while you continue to lick and kiss her thigh. Lick the crease between her thigh and pussy. Brush your lips over her muff as you turn your head over to work on her other thigh. Look up at her, make eye contact and smile while you rub your cheek over her pussy. When you see her facial expression begin to change to one of anticipation and feel her tilt her pussy up toward you, you know she's forgotten all about her hesitancy and you can start getting into the good stuff.So now what? You've found a comfy spot to play, you've been kissing passionately, your tongues darting around in each other's mouths like playful otters. You've moved on down to some of the other interesting parts of her body and she's starting to groan, ready for you to eat her now, grinding her pelvis against you. STOP. I know it was just starting to get good. But was she really groaning and humping you, or was it your own excitement you were detecting?I strongly prefer to be excited before a guy starts plunging his tongue into my inner recesses. Use your judgment, women, even more so than men, love to be teased. The inner part of her thigh is one of her more tender spots. Lick it, kiss it, make designs on it with the tip of your tongue. Come dangerously close to her pussy, then float away. Make her anticipate it. Now lick the crease where her leg joins her pussy.Nuzzle your face into her muff. Brush your lips over her pussy without pressing down on it to further excite her until she's arching up her back trying to get you to eat her. Of course, if she really was groaning and grinding, go for it . . . I also don't particularly enjoy a guy endlessly nibbling my inner thigh while my clit is quivering in anticipation.Moisten your fingers and open her outer lips, examine them, taste the texture of the inner side with your tongue. See if her clit is starting to peek out from under its hood. Play with her inner lips with your lips and tongue. Open her inner lips and examine the vestibule. See if you can find her meatus, the opening for her urethra. Its sort of like the opening in the head of your cock that she plays with, now play with hers with your tongue. Look at the hole your cock has been playing around in. The entrance to her cunt looks like an open flower with its lower petals blending into the larger lowermost petals of the inner lips. Taste its juices with your tongue, they should be flowing now. Slip your tongue farther in and feel the texture, move it around in her cunt and watch her response.But I'm getting ahead of myself again.The TongueI want to repeat, there's almost nothing you can do with your tongue that won't feel terrific, so relax!I promise, you may be confused and uncertain, but she's in heaven. Any licking and sucking of her lips, cunt, or clit are going to feel just great, and I'd no sooner tell guys to "do it exactly like this" than I would tell every chef to follow the same recipe. But for those who are compelled to RTMF, here are a few techniques that you might like to try:Play around in the vestibule, try lapping her pussy from her cunt up to her clit, leaving your tongue soft and jaw relaxed. This is a good way to start your tonguing. Run your tongue between the inner and outer lips on one side, while holding the two together with your lips. Good job, now do the other side. Fuck her cunt with your tongue - in and out, around and around, etc. This feels nice. Not wonderful or incredible or earthshaking, nice. Keep your tongue in her cunt for a while, moving the tip around and around and . . . That feels better, now lick up to her clit again and kiss it, watch her shudder. Feel the texture of the tip of her clit with your tongue, notice the taste of it. Spend some time slowly licking your tongue over all of her pussy, savoring the various tastes and textures. Spread her outer lips with your hand. Then, with your tongue pointed and stiff, gently flick here and there. Feel free to roam, but keep coming back to her clit.This drives some women wild, and others can't take it. Some may prefer that you always leave your tongue soft, so when you try this, pay attention to whether those moans are ecstasy or pain.The following techniques should not be introduced until your partner is really hot (i.e., she's no longer coherent). These are very intense actions which may be "too much" for some women, even when nearing orgasm.With her clit still exposed, give it a quick little suck - pulling it into your mouth briefly and letting it go. This is a lot like licking a bit of cake batter off of your pinky. This feels incredible, and is a fine thing to do if you feel like torturing her (see PUTTING IT ALL TOGETHER below).Take her exposed clit into your mouth and gently (at first, anyway) suck on it, simultaneously flicking your tongue over and around it. This can be done very lightly or very aggressively, and combined with fingering, will usually rapidly produce an intense orgasm.Another choice technique involves rolling your tongue into a tube. If you can't do this with your tongue, you can't learn it - it's genetic. For those who can, this works best in an inverted or 69 position. Roll your tongue into a tube around the shaft of her clit. Slide it up and down; in effect, your tongue makes a tiny cunt for her clit to fuck. This also is likely to bring her over the edge.FingersFingers are valuable adjuncts to eating pussy. Most women masturbate by pressing a finger or fingers over their clit, possibly "thru" the skin of their lips, and vigorously rubbing in a circular or back-and-forth direction. You can do this too, ask her, or better yet, have her show you how she likes it done. You'll never be a good lover until you can bring your woman to climax with your hands. When you fuck her from behind, or really in any position which doesn't allow her to simultaneousl y rub her clit against your body, reach down or around and rub her clit. I know it's distracting, but just do it anyway. One important point to note: make sure that your fingers are well lubricated and most of all, your nails cut, I mean cut back to the quick and sanded smooth. The slightest hangnail can be very painful when raked over that tender flesh. There's nothing more uncomfortable (and sometimes downright painful) than a dry finger or hangnail roughly rubbed across one's clit.Of course, that's not all you can do with your fingers. One technique which is very exciting is to spread her lips wide apart with one hand, and with your index finger straight like a pencil, flick the side of it rapidly across her clit. This motion alone will often bring a wom an to orgasm. Combining this with the addition of some tongue action elsewhere is nothing short of bliss.Sticking one or more fingers inside her cunt can also be wonderful. How many fingers you use depends on the woman. Some women don't want you to stick your finger in their cunt at all, some like only one (at least at first), some like their cunt to be full so the more the better (within reason). You can simply move them in and out (this feels best with at least two or three fingers pushed in hard) or wiggle them around. A particularly intense motion is to face your hand so that you have two fingers inside her with your palm facing the front of her body. Now move your fingers rapidly, as if waving hello. You're aiming to stimulate a particular part of the woman's vagina - namely the lower。

masterbate

masterbate

masterbateTitle: Mastering the Art of Self-Pleasure: A Comprehensive GuideIntroduction:Masturbation, also commonly known as self-pleasure or self-stimulation, is a natural and healthy sexual activity that is practiced by people of all genders and ages. Despite its universal presence, it is still a topic that can be shrouded in myths, misinformation, and cultural taboos. This comprehensive guide will uncover the facts, techniques, benefits, and considerations related to masturbation, helping individuals better understand and explore this intimate aspect of their sexuality.I. Understanding Masturbation:1. Defining Masturbation:- Masturbation refers to the act of pleasuring oneself sexually, typically involving the stimulation of one's own genitals to achieve sexual release or orgasm.2. Myth Busting:- Addressing common misconceptions surrounding masturbation, including negative cultural beliefs and religious taboos.3. Cultural Perspectives:- Exploring how different cultures and societies view and approach masturbation.4. Normalizing Masturbation:- Emphasizing that masturbation is a normal and healthy sexual expression, devoid of shame or guilt.II. Physical and Mental Health Benefits:1. Stress Relief:- Highlighting how masturbation can reduce stress, promote relaxation, and release tension.2. Sleep Improvement:- Exploring how masturbation can enhance sleep quality by triggering the release of endorphins and promoting a sense of tranquility.3. Mood Enhancement:- Discussing the positive impact of masturbation on mental well-being, including the release of dopamine and serotonin, which can uplift mood and reduce anxiety and depression.4. Improved Body Image and Self-Esteem:- Exploring how self-pleasure can help individuals develop a positive relationship with their bodies and improve self-image and self-confidence.III. Techniques and Tips:1. Exploring Arousal:- Identifying the factors that contribute to sexual arousal, including physical, mental, and environmental stimuli.2. Understanding Sensation:- Discussing techniques to enhance pleasure, such as maintaining a relaxed state, exploring erogenous zones, and experimenting with different forms of touch.3. Lubrication:- Highlighting the importance of lubrication during masturbation and suggesting various lubricant options.4. Vibrators and Sex Toys:- Providing an overview of the wide range of sex toys available for self-pleasure and tips on their safe and effective use.IV. Solo versus Partnered Masturbation:1. Benefits of Solo Masturbation:- Exploring how solo masturbation allows individuals to discover their own bodies and preferences, enabling better communication and satisfaction in future intimate relationships.2. Partnered Masturbation:- Discussing the potential benefits of including masturbation as a shared sexual activity within a relationship, promoting intimacy, and enhancing communication.V. Considerations and Precautions:1. Hygiene:- Emphasizing the importance of maintaining clean hands and hygiene practices during masturbation to prevent infections and promote overall health.2. Frequency:- Providing guidance on how to find a healthy balance and avoid excessive or compulsive masturbation.3. Privacy and Safety:- Offering tips for ensuring privacy, creating a safe and comfortable environment, and protecting personal information when engaging in self-pleasure.4. Age and Consent:- Highlighting the importance of age-appropriate education about masturbation while respecting cultural and legal norms regarding consent.Conclusion:By delving into the realm of masturbation, this comprehensive guide aims to dispel myths, address taboo narratives, and empower individuals to embrace their sexual selves. It is imperative to recognize and normalize masturbation as a healthy and natural aspect of human sexuality that can contribute to overall well-being and personal growth. While techniques and preferences may vary from person to person, the guide provides a foundation for individuals to discover their own pleasure and explore a deeper understanding of their bodies.。

京剧英语作文

京剧英语作文

Peking Opera,also known as Jingju,is a traditional form of Chinese theater that combines music,vocal performance,mime,dance,and acrobatics.It originated in the late 18th century and has since become one of the most influential and representative genres of Chinese opera.Historical BackgroundPeking Opera was formed during the Qing Dynasty,evolving from a combination of various regional operas,particularly the Hui opera troupes from Anhui and Hubei provinces.It was during the reign of Emperor Qianlong that these troupes were invited to perform in Beijing,leading to the birth of Peking Opera.Main Characteristics1.Singing Style:Peking Opera is characterized by its distinct singing style,which includes various regional dialects and musical forms.The most common styles are Xipi and Erhuang,each with its unique melody and rhythm.2.Roles:Performers are categorized into different roles,known as Sheng,Dan,Jing, Chou,and Mu.Each role type has specific makeup,costumes,and performance techniques.Sheng male roles:Includes the leading role,the martial role,and the old man role. Dan female roles:Includes the young female lead,the virtuous woman,and the old woman.Jing painted face roles:Typically portrays powerful or supernatural characters. Chou clown roles:Provides comic relief.Mu extra roles:Often used for crowd scenes or as nonspeaking characters.3.Performance Techniques:Peking Opera is known for its elaborate hand gestures,facial expressions,and body movements.These techniques are used to convey emotions and tell stories without the need for spoken dialogue.4.Costumes and Makeup:The costumes are vibrant and intricate,often reflecting the characters social status or personality.Makeup is used to enhance facial features and to symbolize certain character traits.5.Music:The music in Peking Opera is a blend of traditional Chinese instruments, including the pipa,erhu,and gongs.The music serves to set the mood and to accompany the singing and acting.Cultural SignificancePeking Opera is not just a form of entertainment but also a cultural treasure that reflects the history,values,and aesthetics of Chinese society.It has been passed down through generations and continues to be a vital part of Chinas cultural heritage.Modern DevelopmentIn recent years,there have been efforts to modernize Peking Opera to attract younger audiences.This includes incorporating contemporary themes and staging innovative performances that blend traditional elements with modern techniques.ConclusionPeking Opera is a unique and complex art form that offers a window into the rich cultural history of China.It is a testament to the creativity and artistry of the Chinese people and continues to captivate audiences both in China and around the world.。

极品基老伴 第二季 4 集 中英文对照台词

极品基老伴 第二季 4 集 中英文对照台词

Whoever thought? 谁曾想到You and I getting married. 你我竟要完婚了Did you ever think you'd live to see the day? 你想过你能撑到这一天吗I wasn't even sure I'd live to brush my teeth this morning. 我都没想到能撑到今早刷牙Did you brush them? 那你刷牙了吗I'll get around to it. 朕自会拨冗为之I've still got so much planning to do. 我还有好多要打算的Food, drinks. 食物酒水- The ceremony. - Now don't get carried away, Stuart. 典礼-别太忘乎所以了斯图尔特Remember, we're only spending 记住我们的预算that money from my incontinent-pad commercial. 只能从我的"老年尿不湿"广告费里出But don't you have that audition tomorrow? 可你明天不还有场试镜吗The big crime drama? 那部犯罪大戏We could use that money, too. 我们也可以用那笔钱Yes, but I haven't got the part yet. 话虽如此但我毕竟还没拿下But it is for six episodes. 不过这角色能演整整六集呢I play the owner of a book shop, 我演一个书店老板who is attacked by teenagers with a crowbar. 他被一个熊孩子拿撬棍袭击了I know that's something I'd like to see. 这么解气正合我意Thank you. 谢谢And I promise I won't get too carried away. 而且我保证不会忘乎所以的We'll keep it a simple celebration with all the people we love. 我们一切从简请我们爱的人参加就好了...Yes, spending time with the people we love is the most important thing. 对和我们爱的人共度才重要Oh, look. There's Violet. 看呐那是维奥莱特Quick, hide. 赶紧藏起来I hope she didn't see us, 希望她没发现我们I don't want her to think we're terrible people. 我可不想让她觉得咱们不待见她I think she already knows that. 我想她早有这个觉悟了I've invited her over for tea later. We can have a proper chat. 我邀请她一会来喝茶可以好好聊聊Yes, or we can send her an email. 行或者给她发个邮件就行Oh, hello, Violet. 你好啊维奥莱特We were just talking about you. 我们刚才还在说你Oh, that's never good. 准没好话Hello, Vi. I'd get up and give you a kiss, 你好小维我本想起来亲你的but you're all the way over there. 但是鞭长莫及啊It seems so odd, 邪了门了but I could have sworn I saw you both on the street just now. 可我发誓刚才在街上看见你俩了No. 不可能No, we've been in all morning, I'm afraid. 我们整个上午都宅在家里But you're wearing your coat. 但你穿着外套呢- Are you calling us liars? - No. I'm sorry. 你是说我们糊弄你吗-不是啊对不起How horrid of me. 我是有多不可理喻To be accused of lying and in our own home! 竟然在自己家里被指责撒谎Don't push it, Freddie. 别搓火弗雷迪So, how are the wedding plans coming? 那么婚礼策划得怎么样了Tell me everything. 跟本宫详细唠唠Do you remember your wedding? 你还记得你的婚礼吗Yes, of course. 当然啊Well, just think the opposite of that. 我们会搞得截然相反But my wedding was lovely. 但我的婚礼很美好啊It was just everything that followed that was so unpleasant. 只是后面的画面太美我不敢看Wasn't my wedding lovely, Freddie? 我的婚礼不美吗弗雷迪It was shit. 恶心成翔But I looked fabulous, didn't I? 但人家打扮得还是很动人的对吧Maybe don't ask any more questions, dear. 你还是别问了亲爱的Oh hello, Ash, how are you feeling? 你好艾什还好吗Not so great. 并不好I guess it will take a while 我大概要花点时间to get over being dumped by the love of my life. 从被真爱甩了的阴影里走出来Well, of course it will take a while, Ash. 你当然需要时间艾什I'll give you...one more hour. 朕再宽限你一个小时吧So, here we are, Ash, 既然如此艾什both of us newly single. 我们都刚刚落单What do you suppose fate is trying to tell us? 你觉得命运在向我们暗示什么That you should close your legs. 暗示你应该把腿合上I think we should both start dating again, don't you? 我觉得我们又可以策马奔腾了不是吗I've already met somebody online, 我在网上相中了一个who I think I can get really serious with. 估计我会掏心窝子去处的Do you know anything about him? 你了解他吗I know he owns a computer. 我知道他有台电脑At this point, that's enough. 就目前来看足矣I don't think I'll be ready to date again for a long time. 我恐怕累觉不爱了Well, I have some news that might cheer you up, Ash. 我有件事能让你打起精神来艾什How would you like to be my best man? 你想当我的伴郎吗- I'd love to, Freddie. - Oh, would you? I couldn't tell, 乐意之极啊弗雷迪-是吗没看出来because you didn't say how honoured you were. 你都没说你有多荣幸And that I could have picked anyone, but I chose YOU. 况且朕本可以选别人但偏偏钦点了你I'm really honoured. 荣幸之至Well, then, act like it. 那就表现出来I'm gonna throw you a wicked stag do. 我会给你办一个销魂单身派对We can have it in my flat. 就在我的公寓开It's a little small. I hope that's OK? 麻雀虽小五脏还俱全啊Yes, anything's fine, just make certain 没问题那都不是事儿不过要确保it's one of the best nights of my life. 那一夜让我觉得这辈子没白活The stag do is for both of us, right, Ash? 单身派对我俩都能去是吗艾什I just thought... 我还以为...you just thought what? - that you were The woman. 你以为什么-以为你是新娘子And I suppose you have something to ask me, Stuart? 那你肯定有求于我吧斯图尔特Do you mean, 'Why do you 你是说问你"为什么smell of alcohol at ten o'clock in the morning?' 早上十点就浑身酒气吗"'Would I be your maid of honour?' 我能做你的伴娘吗Well, I suppose so. 我想可以吧I'm really touched that you would ask me, darling. 你盛情邀请让我感激涕零啊亲爱的You actually asked you. 明明是你自说自话I believe it's 'matron' of honour, dear. 我觉得"大娘"更适合你亲爱的Or if there's anything older than 'matron', 或者要是有再老一点的称呼then it would be that. 那就是它了Well, my, I shall need some help planning this wedding. 妈呀我需要有人帮我策划婚礼了I heard my ex-girlfriend Chloe is an event planner now. 我听说我前任克洛伊在做活动策划Maybe I can talk to her and she'll give you a discount. 也许我跟她说说她能给你们打个折呢That would be wonderful! 那就太好了So far, all the money we have to spend is from 目前为止我们的预算从弗雷迪Freddie's adult nappy commercial. 做成人尿不湿广告的钱里扣I wet myself at my grandson's birthday party. 我在我孙子的生日聚会上尿了I went method on that one. 我刚刚用的是体验派技法Aren't there any other acting jobs coming in? 就没有别的角色空缺吗Well, if we're lucky, 恩如果走运的话Freddie is going to get attacked with a crowbar. 弗雷迪将会被撬棍击中Fingers crossed. 祝我好运Freddie! 弗雷迪Shouldn't you be leaving for your audition? 你是不是该去试镜了We really need you to get that job. 你真得拿到那角色才行Yes, all right, all right. 行行I was doing my vocal exercises and a tooth came out. 我刚在吊嗓子呢没想到一颗牙蹦出来了I've shoved a peppermint in there instead. Can you tell? 我在那儿塞了一颗薄荷糖看得出来吗Not at all. 浑然天成It actually looks better. 比你那口老牙更好You should do them all like that. 你该把你的牙全换了Hi. You remember Chloe? 嗨还记得克罗伊吗Of course. 当然Yes. How are you, dear? 亲爱的你好吗I'm on three types of medication 上次一别之后since the last time you saw me, so I'm really fantastic. 我用着三种药呢所以感觉棒棒哒Good, because you were a real arsehole. 太好了你之前可病得不轻So, congratulations. 那么恭喜啦I hear you're in the market for a wedding planner. 我听说你们打算聘一位婚礼策划What are you staring at? 你看什么呢Nothing. 没什么I just forgot how pretty you are. 只是我不曾记得你如此动人And I forgot how handsome you are. 我也忘记了你如此英俊Knock it off. - Sorry. 打住-抱歉Now we're looking to keep this very simple. 我们想婚礼一切从简Not that simple, Freddie. 也不能太过简单弗雷迪It is our wedding, after all. 毕竟是我们的婚礼I just don't want you dipping into our savings. 我只是不想动用我们的积蓄We don't have any savings. 我们没什么积蓄Oh, Christ, we're really living right on the edge, aren't we? 苍天呐我们都快成破产夫夫了是不Please, sit. 请坐Since Chloe's just starting out, 克洛伊事业才刚起步she's willing to do you a deal on her fee. 因此她愿意给你们一个友情价Well, what if, instead, 这如果I were to give you access to some of my celebrity friends? 我能介绍一些名流朋友给你呢Helen, Benedict, 比如海伦本尼迪克特Mags...Maggie Smith. 玛格斯...玛吉·史密斯Judi Dench and I are very close. 朱迪·丹奇和我可铁了In fact I'm just off to an audition now. 其实我现在就要去试镜的Do you know the television program Broadchurch? 你知道电视剧"小镇疑云"吗Yes. 知道Well, this is a complete rip-off of that. 我们的这部就是它的狗血版So it's bound to be just as successful. 注定要火啊Wow, if I could plan events for celebrities, 哇如果我能给名流们做策划that would be amazing. 简直碉堡了OK. Yes. 好行I'll do it for free. 我免费帮你们策划We might actually need a small fee from you as well, dear. 亲我们可能还得要你出点钱From me? 我出钱Really? 坑谁呢Really. We're helping you to establish your business. 真的我们帮你打开门路Fair's fair. 双赢啊I guess. 说不准啊And, remember, Ash, I don't want you to 记住艾什我不想要你go to a lot of trouble for my stag do. Anything is fine. 为我的单身趴太过劳心劳力随便什么都成I was thinking punch and mini sausage rolls. 我想搞一点潘趣酒和迷你香肠卷Keep thinking. 再费点心吧I'm off. Don't wait up. 我走了别傻等But it's only midday. 这才中午呢I'd still prefer if you weren't conscious when I returned. 我还是希望我回来的时候你已魂游别处Alastair. - Freddie. 阿拉斯泰尔-弗雷迪Malcolm. - Freddie. 马尔科姆-弗雷迪Colin. - Freddie. - Rowan. - Freddie. 科林-弗雷迪-罗温-弗雷迪Trevor. - Freddie. 特雷弗-弗雷迪I thought you were dead. 我还以为你死了I'm not. 没呐Who's the empty chair for? 这空椅子为谁准备的Benjamin. 班杰明He's dead. 他死了I knew it was one of us. 我就知道得挂一个Firstly, I want you to know 首先我要告诉你how happy I am that you're planning our wedding. 我真庆幸有你做我们婚礼的策划And how easy I'm going to be to work with. 我也很平易近人的So... let's start with a hug. 所以...我们先抱一个Thank you, that's such a relief. 谢谢我轻松多了I drew up some ideas. 我草拟了一些计划Just tell me what you think. We'll take it from there. 跟我说说你怎么看然后我们就开始Oh, that sounds wonderful, dear. 哦亲爱的听起来好棒哒I hate everything. 全都不入流Even the paper it's written on. 就连这纸也是Oh, OK. 哦好吧It would be perfect if we were planning a crap wedding. 如果我们要举办"浑礼"这倒是很好的Can I have another glass of water? 我能再要一杯水吗I think I need to double up on my medication. 我想我得加倍药量Yes, that's a good idea. 可以太好了You can take more than they tell you, you know. 你完全可以多吃点不必遵医嘱Have another one. 不妨再来一片Can you maybe give me an idea of what you do like? 你能说说你到底喜欢什么吗Do you remember Princess Di's wedding? 你记得戴安娜王妃的婚礼吗I like that. 那我中意That's a bit tricky on this budget. 这预算有点不够啊Oh, Freddie's at an audition that he's perfect for. 哦弗雷迪正在参加一个十拿九稳的试镜Once he gets the job, 他一拿到那角色we'll have lots more money to spend on the wedding. 我们的婚礼预算就会多很多That would be really helpful, 这真真是极好的because, right now, it's a bit tight. 因为现在手头有点紧We might need more money from you, then. 那我们得多收你点费啊Hello, Stuart. - I just brought 嗨斯图尔特-我给你的婚礼you a little something for your wedding. 备了一份薄礼- Oh, thank you, Penelope. - I'm just so happy for you. 哦谢谢佩内洛普-真为你高兴Hello, sweetheart. 嗨甜心She's a little young, though, isn't she? 她是不是太小了点I'm not marrying her. I'm marrying Freddie. 我不是跟她结婚是和弗雷迪That's weird. 奇了怪了I don't think you'll want this gift, then. It's a negligee. 那我觉得你可能不会想要这礼物这是件女式睡衣No, that's fine. 别伦家穿嘛And just let me say again, 请允许我重申一次what an honour it has been to perform for you gentlemen 为君表演真是荣幸之至and that it would be a privilege 在谋杀镇被少年所欺to be brutalised by teenagers on Murder Town. 也真是待遇优渥And I tip my cap 我挥一挥帽子and I take my leave, goodbye and thank you. 轻轻地走了留下问候与谢意And, as I said before, I'd be happy to do it again, 对了之前说过如果你们另有指示if you'd like to give me any other direction. 我会很高兴再演一遍Still no? 还是没有Wonderful. Well, then, I'm off and... 极好那么我走了...thank you 谢谢and goodbye. 再见Trevor. - Freddie. 特雷弗-弗雷迪Rowan. - Freddie. 罗温-弗雷迪Colin. - Freddie. 科林-弗雷迪Malcolm. - Freddie. 马尔科姆-弗雷迪What happened to Alastair? 阿拉斯泰尔呢Jeez! 额的神啊How long was I in there? 我在里面是呆了多久How are the preparations coming for Freddie's stag do? 弗雷迪的单身趴准备得咋样了Need any help? 需要什么帮助吗That would be great. 非常需要Oh, I was kind of banking on you saying no. 我还以为你会说不需要呢Let's forget I asked. 当我没问吧You know, I was thinking of inviting Leonard to the party. 我想请莱纳德来参加派对- Who's Leonard? - My online boyfriend. 谁是莱纳德-我的网恋对象It's getting quite serious. 我们很认真的He even confided in me that Leonard was a fake name. 他甚至都跟我坦白莱纳德是他的马甲了- What's his real name? - I've no idea. 那他真名叫什么-我不知道I didn't want to push. 我不想逼太紧You know, I was thinking 我在想of asking my ex-girlfriend Chloe to come, too. 要不要叫上我的前任克罗伊Well, I guess we are both ready to be dating again. 好吧我看我们都已经做好准备约约约了- Yeah, I guess so. - Look there's Stuart! 看似如此-看斯图尔特来了- Jeez! - Stuart! 天爷啊-斯图尔特Stuart, darling. - Violet. 斯图尔特亲耐滴-维奥莱特Ash. 艾什I didn't even see you both. 我都没看见你俩What a happy surprise. 好巧啊I was just out running errands for the wedding. 我正准备出去准备婚礼呢I expect you must be pretty busy yourself, 我想你作为伴娘with your maid of honour duties. 应该也很忙吧I've had no time, darling. 我很忙亲爱的I've been swamped helping Ash with the stag do. 我在帮艾什准备单身趴Where's Chloe? I thought she was gonna be with you all day? 克罗伊呢我以为她一直跟你们在一起呢Oh, she had to go and see her doctor. 她去看医生了Apparently, she's developed a nervous tic 她似乎得了神经性痉挛that she needs to have addressed. 必须得去看看了Oh, look, there's Freddie! 看弗雷迪来了I bet he got the role. 他肯定拿到那个角色了Freddie. Freddie! 弗雷迪弗雷迪Stuart. 斯图尔特Violet. Ash. 维奥莱特艾什I didn't even see you all there. What a happy surprise. 我都没看到你们真是巧啊Oh, shut up. I knew we did it to them. 闭嘴我知道我们会无视他们I didn't know we did it to each other. 可我没想到我们居然无视彼此了Yes, well we do. 是啊我们太机智了Look, there's Penelope. 佩内洛普来了Penelope! Penelope! 佩内洛普佩内洛普Bollocks. 我勒个去Mini sausage roll? - No, thank you. 迷你小香肠要不要-不用了谢谢Mini sausage roll? - thank you. 迷你小香肠要不要-谢谢Sorry, they're still kind of frozen. 抱歉好像还有点冰Are you having a good time, Freddie? 玩得开心不弗雷迪Not yet, no. 不开心I've added some fruit to the punch. 我给潘趣酒里加了点水果I think it makes it a bit more festive. 这样更喜庆Corpses would make it more festive. 再来几具尸体都能平添喜庆呢By the way, Chloe, this is what you should be doing. 顺便提一句克罗伊这些事应该由你来做Thinking of ways to enhance all our wedding events. 想办法把婚礼的各项活动都搞起来Isn't that what we're paying you for? 我们掏钱雇你不就为这个I'm paying you. 掏钱的是我好吧I'm really pushed right up against you, Ash. 我们贴得好紧啊艾什I don't even know where to put my hands. 我的手都不知道该往哪放了Not there! 别放那儿Your flat is so charming, Ash. 你的公寓还真醉啊艾什I can't believe we've never been up here before. 不敢相信我们居然从未来过- It's not too small? - No. 不小吗-不I think it's the perfect amount of space. 我觉得大小刚刚好You've just trodden on my foot! Why are you always on top of me? 你踩到我脚了为什么总是硬上我We're all crammed in this tin like sardines. 我们都挤在这个沙丁鱼罐头里Where the bloody hell am I supposed to be, the ceiling? 我能去哪儿挂天花板上吗Just letting you know, if anyone exhales, 你们听着谁要敢呼气I'll go right out of the window. 我就立马从窗户跳下去Erm, Stuart, I was wondering 斯图尔特我想问一下if there was any word on the budget for the wedding. 你们准备花多少钱办婚礼So far, we can only afford a very limited guest list. 到目前为止我们的资金只够请寥寥几位客人How limited? - just The two of you. 有多寥寥-就你俩Well, Freddie's about to book a big job. 弗雷迪很快就会有一个新工作了He had a brilliant audition. 他上次试镜表现很突出- Didn't you, Freddie? - They're all brilliant. 是不是弗雷迪-大家都很突出Anyway, I'm sure I'll get it, 但是我肯定能通过unless they want to go with a bigger name. 除非他们想要一个更有名气的Which would be any other name. 那你的名就肯定被弃了Freddie, I hope this isn't a bad time and there's no rush at all, 弗雷迪我希望这不会显得太突兀but I was wondering 但是我在想when I might be getting those celebrity contacts. 我什么时候才能联系上那些名流呢You're very aggressive and it's making me uncomfortable. 你逼得太紧了这样我很不舒服Now, if you'll excuse me, 不介意的话I'm going to eat an hors d'oeuvre off the bed 我要去床上来道开胃小菜to make this evening even more depressing. 好让这个晚上更加郁闷Are you OK? 你还好吧Yes, yes, fine. I'm not stressed at all. 很好很好我叫不紧张What happened there? 这是怎么了That? I've been pulling my hair out in clumps. 那个吗我的头发一撮一撮的掉Is it really noticeable? 很明显吗Maybe just that one bit where you can see your head. 其他还好能看见头皮那块挺明显的You're going to do a great job, I'm certain of it. 你一定会成功的我相信你Thanks. 谢谢I forgot how good you felt. 我都忘了拥抱你的感觉有多好Oh, I forgot how good you felt. 我也忘了拥抱你的感觉有多好Knock it off. - Sorry. 省省吧-对不起This is what I imagined it 这跟我想象里would look like living inside a pair of underpants. 住在烂尾楼里的情形差不多Well, Jeremy. 杰里米I see. 我明白了Well, I'm disappointed, too. 我也很失望I don't understand. 我只是不明白I gave the writer such insightful notes. 我的表演如此内涵Are you certain you told them 你确定你告诉过他们if necessary they could really hit me with the crowbar? 如果需要他们真的可以拿撬棍敲我吗All right. 好吧Thank you. 谢谢你You've done such a lovely job on the party, Ash. 你这单身趴操办得不错啊艾什Thanks, Stuart. 谢谢夸奖斯图尔特I hate all this. Remember? 我受够了这一切记住没I want you thinking... 我希望你能多想想[英国作家]{\r 伊夫林·沃{meets Paris in the '20s. 二十年代的巴黎盛夏的那种感觉Is that clear? 说得够明白吧Is it me? Am I not speaking English? 是我表达不清楚吗普通话不标准吗Sounds as if he's speaking bitch. 听上去简直就不是人话啊Yes, yes, it's clear! 是的是的很清楚I think I'll try the punch. 我来试试潘趣酒Needs a little something. 还欠了一点儿料Getting closer. 尚且不足Stuart! 斯图尔特Can I have a talk with you? 我要跟你说点事儿Oh, please tell me you want to leave. 拜托说你也想离开这儿吧No, it's not that, although I am having a horrible time. 不是这个事儿虽然我的确感觉身处炼狱Well, What is it? - Well, I... 好吧那是什么事-这个嘛我- You've got the job? - Yes, I've got the job. 你拿下那个角色了吗-是的我拿下了Oh, marvellous. 简直棒呆Chloe, dear, our budget's gone up, 克罗伊亲爱的咱手头宽裕了so now we can talk about the fireworks display 终于可以来商量焰火表演的事宜and the Freddie and Stuart ice statues. 还有我们的情侣冰雕So, Ash, it seems like you and Chloe 艾什看样子你和克罗伊are getting quite close this evening. 今晚的进展飞速呀I think I really like her, Violet. 我觉得我真的喜欢她维奥莱特Then do something about it. 那就展开行动吧Soon. 快点Before Stuart kills her. 在斯图尔特整死她以前You're right. I will. 你说的对我会的What about you, Violet? I thought... 你怎么样维奥莱特我觉得..Not-Leonard was coming tonight. 非莱纳德今晚不会出现了He just texted me. He'll be here in a minute. 他刚给我发了短信说马上就到Isn't it wonderful? 是不是超棒啊Isn't what wonderful? 什么东西超棒了啊He's got a mobile phone. 他还有手机哎Between that and a computer, 手机潮客而非电脑宅男I think I've really hit the jackpot this time. 我感觉自己这次简直中大奖了- Well, here's to us. - Here's to us, darling. 好吧敬我们-敬我们亲爱的One more? - Sure. 再来一杯-好的Actually...Why don't we use these? 不如我们换个杯子喝吧I just wanted everybody to know 我希望大家都知道that Freddie has landed a big role, 弗雷迪拿下了一个重要角色where he gets almost battered to death by teenagers. 表演被小屁孩儿们殴打得半死And I couldn't be prouder. 我感到十分骄傲Congratulations. 祝贺Now that we finally have the money for a proper wedding, 现在我们终于有钱来筹划一场体面的婚礼Chloe, I want you to move forward on the 50 white doves 克罗伊我希望你着手准备婚礼上放飞的50只白鸽[英国歌手]{\r 还要邀请莎丽·贝希{Stop, stop, I didn't get the role. 住口停下来我没拿到那个角色- What? - I didn't get the part. 什么-我没得到那个角色Why would you lie to me? 那干嘛对我撒谎Oh, I don't know. Because I knew how important it was to you. 我不知道因为我知道那个对你很重要吧Of course it's important! We need the money! 当然很重要了我们需要钱啊- All right, calm down. - Don't you tell me to calm down. 好了冷静下来-别跟我谈什么冷静- I'm not the one who lied. - I only lied 我又没撒谎-我之所以撒谎because you made it impossible for me to tell the truth. 是因为你让我觉得真相太难以启齿Don't you make this my fault. 别把错推到我身上You two remind me so much of these guys that live downstairs. 你们俩让我想起了住在楼下的那一对儿Extraordinary. 简直太像了Excuse me. Are you Violet? 打扰一下你是维奥莱特吗Yes. 是的I'm Andrew. 我是安德鲁Erm, I'm sorry, I'm waiting for Leonard. 不好意思我等的是莱纳德I'm also Leonard. 同时也是莱纳德Oh, how wonderful! 那真是超棒哎This is kind of an awkward moment. 现在场面有点难堪I'll fill you in as we go along. 我待会儿跟你细说Since when have I made it so impossible 我什么时候开始让你觉得for you to tell the truth? 真相难以启齿了呢Since you started getting so carried away with the wedding. 从你对婚礼过分倾注热情开始How much are we paying Chloe? 我们付了克罗伊多少钱Nothing! I had to borrow money to take this job, 一分没有为了这份工作我还得去借钱and I still don't have any celebrity contacts. 而且到现在也没给我哪个名流的联系方式He doesn't know any celebrities! 他一个名流也不认识Every single person he knows is in this room. 这屋子里已经包含了他的全部社交圈How dare you! I have an angry voicemail 大胆狂言我有一封来自朱迪·丹奇的message from Dame Judi Dench 愤怒语音邮件which begs to differ. 情感饱满充沛呢You stinking turd! 你个臭大粪That's Freddie, he's a sweetie. 那个是弗雷德他可爱又贴心I'll introduce you later. 回头再向你介绍Perfect! Because you lied, 很好因为你的谎言now we can't have a proper wedding. 现在我们没法举办一个像样的婚礼了That's not the worst thing in the world. 不举办地球也照样转You have to ruin everything, Freddie, 你就是不搞砸一切不罢休弗雷德so, of course, you ruined this. 婚礼当然也不能放过Better watch what you're saying, Stuart, 注意你的措辞斯图尔特or there's no going back. 有些话覆水难收I think I know what I'm saying, Freddie. 我知道自己在说什么弗雷德This punch is really fucking strong. 这个潘趣酒的酒劲也太他妈大了I don't know why we're racing into this, anyway. 我根本都不明白我们怎么会走到今天How long have we even known each other? 我们认识多久了How old is Moses? 跟摩西的岁数差不多吧I'm tired of this, 我受够了I'm done with you, you miserable old shit! 我和你玩完儿了你这坨可悲的老狗屎That's Stuart, he's a real c. 那个是斯图尔特他可亲又温柔I'll introduce you later to him.回头再向你介绍Good. So no wedding. 很好婚礼取消- No wedding. - Oh, thank God! 婚礼取消-谢天谢地We're through, Freddie! 我们结束了弗雷德We're through when I say we're through. 我说结束才结束And I say we're through! 现在我说"结束了"There really was no good time for introductions. 现在真不是互相介绍的好时候In my defence, that's the first party I've ever hosted. 我为自己开脱一下这毕竟是人家第一次组织派对嘛Who wants to dance with me? 谁来陪我翩翩起舞I will. 我来Now it's actually fun. 现在才好玩起来I know. Right? 就是啊对吧Morning. 早上好Morning, darling. 早上好亲爱的。

个人有趣英文简介

个人有趣英文简介

个人有趣英文简介Sure, here's a fun and engaging personal English introduction that showcases your personality and interests in a creative way:Hello there, sunshine seekers and fellow adventurers! Allow me to introduce myself as a cosmic curator of quirky curiosities and accidental philosopher, strolling through life with a smile as wide as the galaxy and a heart full of wanderlust.Born and bred with a touch of mischief and a dash of creativity, I've always been the one who sees the world through rose-tinted spectacles—even if those spectacles are sometimes adorned with a pair of silly googly eyes. I'm the kind of person who can turn a mundane Monday into a madcap adventure just by adding a sprinkle of imagination and a dash of humor.When I'm not busy plotting my next escape (to a far-flung corner of the globe or simply the library's hidden nook), you'll find me lost in the pages of a good book, lost in thought about the mysteries of the universe, or simply lost—in the best possible way—chasing rainbows and collecting moments that sparkle like fairy dust.Music is my soul's symphony, and I believe every song has the power to transport you to another dimension, even if it's just for a fleeting moment. My playlist is a melting pot of genres, from bluesy jazz that whispers secrets in the night to upbeat pop tunes that make you want to dance in the rain.As a self-proclaimed wordsmith (or, as my cat would say, 'meowth-smith'), I find joy in weaving tales that inspire, entertain, or simply make you chuckle. Whether it's penning a heartfelt poem, crafting a witty social media caption, or dreaming up the next great novel, I'm always on the hunt for the perfect words to paint a picture in your mind.So, here's to living life to the fullest, embracing our quirks, and chasing those fleeting moments of magic. Let's make some memories worth repeating, shall we?This introduction aims to be both personal and entertaining, showcasing your unique perspective on life, your passions, and your sense of humor.。

男性性权利英文作文

男性性权利英文作文

男性性权利英文作文Men's sexual rights are often overlooked in discussions about gender equality. It's important to recognize that men also have the right to make decisions about their own bodies and sexuality.Society often expects men to conform to traditional gender roles, which can limit their sexual freedom. Men should have the right to express their sexuality in a way that feels authentic to them, without fear of judgment or discrimination.Men should have access to comprehensive sexual health care, including reproductive health services and information about contraception. It's important for men to have the resources they need to make informed decisions about their sexual health.Men should have the right to say no to sex, just as women do. Consent is crucial in any sexual encounter, andmen should feel empowered to set their own boundaries and have those boundaries respected.Men should have the right to seek support and resources if they experience sexual violence or harassment. It's important to break down the stigma surrounding male victims of sexual abuse and ensure that they have access to the help they need.Men should have the right to express their emotions and vulnerabilities without being shamed or ridiculed. Society often puts pressure on men to suppress their feelings, but it's important for men to have the freedom to be open and honest about their emotional experiences.Men should have the right to be free from stereotypes and expectations about their sexual performance. These pressures can have a negative impact on men's mental and emotional well-being, and it's important to challenge these harmful norms.。

vita sesualis翻译 -回复

vita sesualis翻译 -回复

vita sesualis翻译-回复"vita sesualis"是拉丁语,意为“性生活”。

人类的性生活是一个复杂而多样化的主题,涉及到个人的身体健康、心理幸福和人际关系等方面。

在这篇文章中,我们将一步一步地回答关于性生活的问题,并探讨与之相关的主题。

第一步:性教育和性健康性教育是指为了提供有关性生活的知识和技巧而进行的教育。

性教育可以帮助人们理解性别、性别身份、性取向和性行为。

性教育还可以促进人们的性健康,包括预防性病、避免不安全的性行为和保持性器官的健康。

第二步:性行为和安全措施性行为是指涉及性器官之间的身体互动。

安全措施是指为了减少性行为对身体健康造成的风险而采取的措施。

其中最常见的安全措施之一是使用避孕套,它可以防止不必要的怀孕和性病传播。

其他常用的安全措施包括定期进行性健康检查和了解自己的伴侣的性健康状况。

第三步:性欲和性心理健康性欲是指人们对性行为的欲望。

性心理健康是指人们对自己的性别和性身份感到满意和舒适的状态。

性欲和性心理健康同时也涉及到了对性行为的合理期望、性心理问题的解决以及与他人进行有效的沟通。

第四步:性取向和性自我接受性取向是指人们对于性别认同和吸引力的个人感受。

性自我接受是指接受自己的性别和性取向,并对此感到自豪和满意。

性取向和性自我接受是人们在性生活中感到幸福和满意的重要因素。

第五步:性关系和亲密关系性关系是指与他人在性方面的接触和互动。

亲密关系是指在性关系中以及平日生活中与他人建立的情感联系。

性关系和亲密关系是性生活中的重要组成部分,可以增强个人的快乐感和满足感,并促进人际关系的健康和稳定。

第六步:性的幸福和满意感性的幸福和满意感是指人们对于自己的性生活感到满意和幸福的程度。

这取决于个人的性健康、性心理健康、性关系以及对自己的性别和性取向的接受程度。

性的幸福和满意感是一个综合性的指标,可以通过改善性教育、促进性健康和建立亲密关系来达到。

在人类的生命中,性生活是一个重要且不可忽视的主题。

两性健康文化沙龙会演讲稿范文

两性健康文化沙龙会演讲稿范文

两性健康文化沙龙会演讲稿范文英文回答:Dear esteemed guests,。

I am honored to have the opportunity to speak to youall today about an important topic: sexual health.Sexual health is a fundamental aspect of our overall well-being. It encompasses not only our physical and reproductive health, but also our emotional, mental, and social well-being.Unfortunately, we still live in a world where sexual health is often stigmatized and taboo. This stigma can lead to young people not having access to accurate information about sex, which can put them at risk for unplanned pregnancy, sexually transmitted infections, and other sexual health problems.It is also important to recognize the intersectionality of sexual health with other forms of oppression. Sexual health is not just about individual choices, but is also influenced by social and economic factors, such as poverty, racism, and homophobia.To improve sexual health, we must address the root causes of these inequities. We need to work to create a more just and equitable society, where everyone has access to the resources they need to make healthy choices about their sexual health.One way to promote sexual health is through comprehensive sex education. Sex education should be medically accurate, inclusive, and age-appropriate. It should cover a range of topics, including abstinence, contraception, and sexually transmitted infections.Another important way to promote sexual health is through access to affordable and confidential sexual and reproductive health services. These services include contraception, abortion, and STI testing and treatment.We must also work to change the way we talk about sex. We need to create a more open and honest dialogue about sexual health, so that young people feel comfortable talking to their parents, teachers, and other adults about sex.By working together, we can create a world where everyone has the knowledge and resources they need to make healthy choices about their sexual health.中文回答:尊敬的各位来宾:我荣幸地有机会向大家谈论一个重要的话题,两性健康。

婚前性行为英文作文

婚前性行为英文作文

婚前性行为英文作文I think it's a personal choice whether to engage in premarital sex. Some people believe in waiting until marriage, while others feel it's important to exploresexual compatibility before making a lifelong commitment. Each person's values and beliefs about sex are shaped by their upbringing, culture, and personal experiences.There are many factors to consider when decidingwhether to have sex before marriage. It's important tothink about the emotional, physical, and psychological implications of engaging in sexual activity. Communication with your partner about your boundaries, desires, and concerns is crucial in making an informed decision.It's also important to consider the potential consequences of premarital sex, such as unplanned pregnancy, sexually transmitted infections, and the impact on your relationship. Taking precautions, such as using contraception and getting tested for STIs, can help reducethese risks.Ultimately, the decision to have premarital sex is a personal one and should be based on mutual consent, respect, and understanding between partners. It's important to prioritize both your physical and emotional well-being when making this decision.Regardless of your choice, it's important to approachthe topic of premarital sex with an open mind and without judgment. Everyone's experiences and beliefs about sex are valid, and it's important to respect and support eachother's decisions.。

名人谈性

名人谈性

名人谈性
# 我认为性是用钱能买到的最美妙的事情。

——Tom Clancy
# 性事好比打桥牌,如果没有一个好对手,你最好有一手好牌。

——Woody Allen
# 在性问题上持男女平等态度,等于是让你的狗去动物标本制作间度假。

——Matt Barry
# 90岁时的性?你想象一下用根绳子去打台球。

——George Burns
# 女人能伪造高潮,而男人能伪造全部的男女关系。

——Sharon Stone
# 我的女朋友在性爱过程中总会发笑。

——Steve Jobs[苹果创始人-__-]
# 我老妈骂我“狗娘养的”时候从未觉得不对劲。

——Jack Nicholson
# 克林顿撒谎了,一个男人也许不记得他去过哪个公园,但是他绝不会忘记他上过谁。

——Barbara Bush
# 离婚这个词在拉丁文里意味着把一个男人的JJ从钱包里扯出来。

——Robin Williams[哪个唱歌的?]
# 当女人抱怨经前综合症时,我知道这个月的自由时间到了。

——Roseanne[能看懂这个的是色狼-__-]
# 对于XX,女人需要一个理由,男人只需要一个地方。

——Billy Crystal
# 现在有一种新的医学危机。

医生们说很多男人对于乳胶TT有过敏反应,它们导致剧烈的高潮。

但是那有什么问题?——Dustin Hoffman
# 上帝给男人一个大脑和一根JJ,但是只给了仅能供应一端的血液。

——Robin Williams[又是这小子…]。

731电影观后感

731电影观后感

As a seasoned film critic, I often find myself delving into the depths of cinema to explore the nuances of storytelling, the artistry of filmmaking, and the emotional resonance of performances. Watching 731, a film that has stirred up a whirlwind of controversy and debate, was an experience that left me with a profound sense of introspection and a renewed appreciation for the power of cinema to provoke thought and challenge our understanding of history.The film 731 is a stark and unflinching portrayal of the atrocities committed by the Japanese Imperial Armys Unit 731 during World War II. It is a period of history that is often overlooked or glossed over in mainstream narratives, and the film does not shy away from presenting the gruesome reality of the experiments conducted on human subjects. The opening scenes are a stark reminder of the horrors of war, with the desolate landscape and the haunting cries of the victims setting the tone for the rest of the film.One of the most striking aspects of 731 is its unflinching depiction of the inhumane medical experiments conducted by the Japanese military. The film does not shy away from showing the graphic details of these experiments, which include vivisections, amputations, and other forms of physical and psychological torture. The cinematography is raw and visceral, immersing the viewer in the brutal reality of the situation and evoking a visceral response.The performances in 731 are equally powerful, with the actors delivering raw and emotionally charged portrayals of their characters. The lead actor,in particular, delivers a haunting performance as a member of Unit 731 who grapples with the moral implications of his actions. His internal struggle is palpable, and the audience cant help but empathize with his plight.However, its not just the performances and the visuals that make 731 a compelling film. The screenplay is also meticulously crafted, providing a nuanced exploration of the complexities of war and the moral dilemmas faced by those caught in its crossfire. The dialogue is sharp and poignant, with the characters grappling with their own beliefs and the harsh realities of their situation.One of the most impactful scenes in the film is the confrontation between a Japanese officer and a Chinese prisoner. The officer, torn between his duty to his country and his moral compass, is forced to make a decision that will forever change his life. The prisoner, on the other hand, delivers a powerful monologue about the futility of war and the human cost of the atrocities committed in its name. This scene is a testament to the power of cinema to provoke thought and challenge our preconceived notions about history.Despite its controversial subject matter, 731 is a film that deserves to be seen and discussed. It is a stark reminder of the atrocities committed during World War II and a testament to the resilience of the human spirit in the face of unimaginable horrors. The film also serves as a cautionary tale about the dangers of unchecked power and the importance of holding those in positions of authority accountable for their actions.In conclusion, 731 is a powerful and thoughtprovoking film that challenges our understanding of history and forces us to confront the darker aspects of human nature. It is a film that demands our attention and invites us to engage in a dialogue about the moral implications of war and the responsibility we all share in ensuring that such atrocities are never repeated. As a film critic, I can confidently say that 731 is a film that will stay with me for a long time, and I highly recommend it to anyone seeking a thoughtprovoking and emotionally resonant cinematic experience.。

Queer, Queering, and Queer(ing) Futurity

Queer, Queering, and Queer(ing) Futurity

Queer, Queering, and Queer(ing) Futurity首都经济贸易大学/何磊The essay tries to reflect on “queer ” and (its) “future/futurity ” through a perspective from “outside.” The so-called “perspective from outside ” first implies that, it is a kind of thinking provoked by the encounter of different cultures, languages, views, and horizons. Also, the “outside ” reflection is mainly inspired by the experience of reading and translating theoretical works of different languages. As a young scholar doing research in the field of contemporary philosophy and critical theory, of which queer culture and queer theory constitute an important part, I am always inspired while sometimes confused and even shocked by the “queerness ” of the term “queer ”: it is such a kind of “singularity,” to use a Deleuzian terminology, an everlasting becoming that questions all the already-existing things, identities, notions, thoughts, even modes of thinking.For my own academic work, the “outside,” according to the aforementioned descriptions, always manifests itself in the questions which emerge in the process of translating from one language into another; I have found that, many concepts, notions, terms, if not all of them, have changed, even transformed after being translated into another language (English into Chinese in my case): some have spilt over their “original ” meanings, some just resist any once-for-all translation … and as we can see later, “queer ” is such a kind of concept which resists any easy translation. For me, such difficulties, changes, becomings are the places where queerness manifests (or we can say, comes out in a literally “queer ” way) itself. To put another way, translation or the process of translating is the arena of languages, where different languages, concepts, notions, views, perspectives wrestle with each other, where the phantom of “queer(ness)” pervades all the way, implicitly or explicitly.1.Queer TroubleFirst we shall review the semantic shifts of the term “queer.” We can see that queer is not merely an inclusive concept or so-called umbrella term, the term that has already extended from certain kinds of sexual groups, that is, so-called “non-straight ” people or sexual minorities, to almost everyone. That means, “queer ” has become equivalent to what cannot be included by any hegemonic order of mainstream normativity or dominant discourse; it could be interpreted as all the elements that mainstream politics wants to ignore, deny, conceal or avoid. Queer is often related to melancholia: “the effect of an ungrieved, unacknowledged loss (a sustaining of the lost object/Other as a psychic figure with the consequence of heightened identification with that Other.” (Butler, Bodies That Matter:179) But paradoxically as Butler reminds us, since “gender is formed (taken on, assumed) through the incorporative fantasy by which ” the same sex “is excluded as a possible object of love, an exclusion never grieved, but ‘preserved ’ through the heightening of ” same sex “identification itself,” it is so-called “straight ” people who are the strictest and the “truest ” melancholiacs. (BTM: 180) In this sense, it is hard to distinguish who is the real “queer.”Furthermore, as Butler points out, vulnerability and relationality (to others) is what constitutes us, thus, in the context of ever-shifting, unstable contemporary politics, as globalization has made great impact on the distribution of vulnerability of being attacked, our lives have become more precarious than ever. We are bodies swaying in the midst of raging storm. As Cassandra said, madness will come to you too, we everyone would be reduced to so-called “bare life ” under certain conditions; we would become “homo sacer ” in a civilized society, no matter we are in our homeland or not. “Homo sacer ” or “bare life ” here resonates with “queer ” in an implicit way, yet here “queer ” is not something necessarily related to certain sexual behavior or preference, we have to understand that, queer or queerness will not be necessarily related to sexuality. Rather, it is always a condition to which we are potentially exposed, whether sexually or politically. As Butler argues, Italian philosopher Giorgio Agamben is right when he points out that “bare life ” “underwrites the actual political arrangements in which we live, posing as a contingency into which any political arrangement might dissolve,” but he and his “general claims do not yet tell us how this power functions differently to target and manage certain populations ”. (Butler, Precarious Life: 68) Since the larger aims of power operates tacitly and differentially, it is easy to see and claim that minorities, whatever sexual, ethnical, religious or political minorities, are those who could be most easily exiled into a “suspension of their ontological status as subjects,” as well as those who could be most easily forced to enter a status “neither living […] nor dead ”. (PL: 67) It is for this reason that “queer ” resonates with “homo sacer ” or “bare life.” Also, it is easy to see while often concealed by “imaginary politics ”(politics that always aimed at imaginary illusions or faked utopias) that we everyone, as a living body or bodily life, has something that is not tamable or recognizable by political normativity, of course we everyone have got this kind of queerness in us, we all have the possibility of being deprived of the right to be different when “states of emergency ” areinvoked, thus “queer” or “queerness” has already become an underlying attribute belongs to everyone in contemporary politics. To put it in one sentence, everyone mortal is “queer.”In English, or in the Anglo-American context, the word “queer” has another semantic shift, from something that has nothing to do with sexuality or sexual orientation, to a form of hate speech, a derogatory term used to denigrate sexual minorities, then after all it has become a term reclaimed and used parodically and ironically by “queer” people. As Judith Butler points out, the term “queer” formerly “has operated as one linguistic practice whose purpose has been the shaming of the subject in names or, rather, the producing of a subject through that shaming interpellation.” But at last, this “shaming interpellation” has been turned “to signify a new and affirmative set of meanings,” it has become a term not only to denote those who cannot be easily categorized into any identity, but also to affirm or take pride in this kind of “temporary totalization,” a “necessary error.” (BTM: 172-175)The problem emerges when the term “queer” is translated into Chinese. When it is translated, according to its English pronunciation, as “ku-er” (酷儿: literally cool person) by Chinese scholars in late 1990s, the term has lost both of its semantic shifts, as well as its real history of queer people striving for their rights to be different. Due to the Chinese character (ku, literally means cool or cruel) used in the translation, “ku-er” has even got a meaning of “attitude,”“style,” or “fashion,” that has made the issue of “queer” become a little absurd and ironic. Even though some scholars try to provide a more appropriate translation, for instance, to translate “queer theory” as “guai-yi li-lun” (怪异理论: literally means “weird” or “strange” theory), the translation is still far from satisfaction.A sB u t l e r p u t s f o r w a r d,t h e s e m a n t i c s h i f t s,o r “temporality” in Butler’s terminology, of “queer” has evoked many questions: How does the semantic shift take place? Is it a simple reversal of valuations that retains and reiterates the abject history of the term? What are the conditions and limits of the reversal? Does it reiterate the logic of repudiation? Can the term overcome its constitutive history of injury? Why cannot other terms like “nigger” be subject to such an affirmation or reclamation? These inspiring questions are all woefully absent in Chinese context due to the predicament of the translation.2.Epistemology of QueeringIn the strictest sense, “queer” should question and even undo itself in order to move forward to future. The point leads to another topic discussed in the essay: future/futurity, which is not merely future for certain group(s), whether sexual, political or any other kind of group(s), but the futurity of queer(ness) and the queerness of futurity. That means, we should adopt “queer” and “queering” as a way of critique, as a kind of epistemology, in order to shed light on a queer future/futurity.Thus, first I want to discuss the “becoming-more”of “queer,” that is, queering as a kind of epistemology. Development is a movement moving forward, so “queer”will not stick to any stable meaning, let alone to any kind of “identity,” no matter it is used strategically or as something “real.” The development of “queer” manifests itself when the term is used as a verb, which is, to queer. Here, “queer”and “query” come together, merging into a new epistemology: queering. In our time, in a critical time when old “epistemology of closet” has become something being attacked front and rear, queer as a new way of thinking has begun to queering everything that is queer, that should be questioned and queered according to their own queerness, to question everything that has always been taken for granted yet never been construed or been reflected on queerly: gender normativity, safe sex and safety, ethnicity and, say, “Europe without ethnic minorities,” happiness, democrats and democracy, failure, to name few.Let us take Tim Dean’s book Unlimited Intimacy as an example for queering epistemology; in a thought-provoking way, it queers the plausibly innocent yet indeed hypocritical mode of thinking, which is constructed and formed by mainstream value and ideology. Rather than rejecting so-called “barebacking”or “bareback subculture” and stigmatizing or labeling it as “high risk” even “pathologic” behavior, Dean tries to, through a Lacanian psychoanalytical approach and with indeed a Barthesian “zero degree” perspective, argue that sex, sexual behaviors or orientations do not really matter, the points or the problems are self-formation, forms of contact, social discourse and its control or containment in relation to these behaviors. For him, there is some kind of profoundly democratic potentiality implied in the “cruising” behavior of post-modern fláneurs, as well as their utterly fearless and welcoming attitude towards so-called “risks” brought by “strange” people or even “strangeness” itself, the ethical value of that deserves our serious exploring. Meanwhile, Dean tries to make us rethink, in a queerly construed way, all those unreflected technical advances: How could Internet impact on sexual subculture and our ways of contact with others? How does online cruising represent a “regressive” or “degraded” way of contact?Sara Ahmed’s book The Promise of Happiness may be another example for us. The question of “(un)happiness”is closely related to or resonate the philosophical question of “Good,” which is controversial and hard to translate in Chinese too, or the modes of thinking about how we imagine or what we identify with good, good objects, good people, and goodthings. To perform unhappiness is a kind of resistance, a kind of “counter-performance” of the performativity of happiness, that is, a kind of resistance which resists the privileged modes of thinking: “an active disbelief in the necessary alignment of the happy with the good, or even in the transparency of the good itself.”Dean and Ahmed, as well as all those who use “queering”as an epistemology, make us reflect on some more profound question(s): Should the process of thinking or thought itself be happy or unhappy, safe or unsafe? The answer would be no if we turn to a kind of Deleuzian understanding. For French philosopher Gilles Deleuze, happiness, safety, stability, as well as pleasure may seem as kinds of obstacles for desire itself, those which would prevent desire from becoming-other and becoming-more. As he notes, he “cannot give any positive value to pleasure”because pleasure seems to him “to interrupt the immanent process of desire;” and it seems to him “to be on the side of strata and organization;” and pleasure is “in one and the same movement that desire is subject to the law from within and scanned by pleasure from without; in both cases, there is the negation of the field of immanence proper to desire”. (Deleuze in Grosz, Time Travels: 192)Can we say, according to the queering practices by those theorists, that so-called epistemology of queering is “to kill joy, […] is to open a life, to make room for life, to make room for the possibility, for chance” and after all its “aim […] is to make room” for new thoughts and even new modes of thinking? If so, then questioning, reflection, and “making room” for new should be implied in the name of “queering.”T h e p r o b l e m e m e rg e s o n c e a g a i n i n t r a n s l a t i n g “queering”: such a provocative term is hard to translate into Chinese! On the one hand, it is because in Chinese, “query”(zhi-yi: 质疑) has nothing to do with “queer” (ku-er), it is hard to find one word that can easily associate the two meanings together. On the other hand, here we meet a key problem, which is not a frustrating problem or trouble at all, but rather a provocative and inspiring problem or question, which could be called as “translation as a ‘queer’ problem” by me in this essay. The queerness of translation manifests itself not only in those difficulties that I’ve mentioned above, but also in the differences between the “original” language and another language, for example, the difference of temporality between different languages. As we shall see, the issue of temporality is closely related to another key topic in the essay, that is, future/futurity.I want to claim briefly that, this kind of difference, difference of temporality, can be proved helpful to us, since it can inspire us looking for utopian potentialities in languages; it can help us find out those virtualities that are always neglected and veiled by certain kind of ideology, whether metaphysics, patriarchy, or heteronormativity. And I believe that, to look for utopian potentialities is what we have to learn from so-called “linguistic turn” of the 20th Century philosophy.Let us take one example to see the difference of temporality between different languages. When discussing “the force of sexual difference,” Elisabeth Grosz, in an Irigarayan way, argues that:Sexual difference is that which has yet to take place, and thus exists only in virtuality, in and through a future anterior, the only tense that openly addresses the question of the future without preempting it in concrete form or in present terms. (TT: 175-176) It may be easy for English-speaking reader to understand that sexual difference exists only in and through a tense of “future anterior,” as long as you agree with Grosz’s point of view. But it may be puzzling for a reader with a completely different linguistic background, it may be inconceivable for a reader like me who speaks a language with no grammatical tense at all. When I try to “translate” this, no matter for what aim, for publishing it or just for understanding it myself, the queerness emerges, so do problems and questions: What is “future anterior”? Does it really matter for the existence of such a key issue as sexual difference? More important and interesting: If Elizabeth Grosz or Luce Irigaray were right for saying that sexual difference only exists in and through the tense of “future anterior,” what will it be or what is its position in a language without any grammatical tense at all?There seems no answer to these questions for the moment. But the example may be inspiring enough to make us rethink why translation could be a “queer” problem. Translation is a “queer” problem, because it is an encounter, an encounter not only between self and other, between different cultures, but also, more importantly, an encounter between different languages, difference horizons, or different modes of thinking from a perspective of Boasian anthropology, even between different temporalities (not only tense). So maybe it could be a good starting point for us to reconsider the “queer trouble”in Part One of this essay: Is the absence of the term queer’s “temporality” (in Butler’s terminology) totally a matter of absurdity? Is it merely a proof of cultural poverty of the Third World country such as China? Maybe the answer will be no. So shall we reconsider the problem like this: Could this situation, both linguistic and philosophical, be a kind of illumination for us, just like the absence of (Abrahamic) religious burden or constraint in China could potentially give us more possibilities or imaginations to think about the future of queer community rather than dwelling on its painful past, can we imagine some kind of queer future without a painfully overloaded collective memory?As Peggy Kamuf points out, meaning is not just a matter of the active intention of a subject but also of its reception at another’s address. The relationship between the subject’s intention and the other’s address may also be true for the relationship between different languages (in translation), and thus for the encounters between different thoughts and modes of thinking. So the value of translation (as a “queer” problem) lies in the fact that, just like the epistemology of queering, it could make us realize what the encounter of different subjects could provide us; something brand new, something unexpected and unimagined before is what we can expect from this kind of encounter.3.Queering FuturityThe problem of translation as a “queer” problem leads us to the question of so-called “fusion of horizons”: it is not merely the fusion of horizons from different sexual groups or indeed any groups, it has nothing to do with a future of democracy, pluralism, inclusion, recognition, as often conceived by mainstream political activists, but it has everything to do with the way in which we can go beyond the old modes of thinking to conceive a brand new future. So the fusion of different horizons will at least imply the fusion of different horizons of temporality, futurity and modes of thinking.As a theory or theoretical thinking seeking for everything new and thought-provoking, queer theory could keep on becoming-more only if we think over future and futurity seriously. Future is that cannot be determined in advance, and it is hard to control or contain, in this sense we can describe futurity as a “queer” thing, and “queer” should be implied in futurity. It seems quite unbelievable because the potentialities of Deleuzian “becoming” has always been concealed and veiled by mainstream political discourses, which is always functioning in the level of Lacanian “the imaginary,” and which is always attempting to territorialize the futurity of queer and to stifle its potentialities. And it is exactly what queer theory as well as queering epistemology has to query or queer. So the title of Part Three “Queering Futurity” has a threefold meaning: the futurity of queer(ing), futurity as a queer stuff, and what it is to queer futurity and to queer those ways of conceiving futurity.It is because “queer(ness)” and “future/futurity” are both something “not yet here” that they resonates with each other. Future is what cannot be determined in advance, but paradoxically, we know and we only know that, future is different, and it must be different from past and present. According to Irigaray, “difference” (sexual difference to her) is also something that does not belong to past and present but only to future. But ironically, what we have for now is just one archetype, one mode which boasts itself as “neutral” and “universal,”whether it appears in the form or name of “marriage,”“universal religion,” or “global democracy.”What makes “queer” theory as a contemporary form of critical theory more important and more valuable is the fact that hegemonic modes of thinking cannot lead us to any future that we desire and deserve. It seems extremely easy for queer people to know what does “different/difference” mean, since it is what we “are” in some sense; “difference,” if not “heterodoxy” or “heresy,” is another name for us. But it may be surely insufficient and unfruitful if we interpret this/these difference(s) merely according to the modes of the old world, the modes of where we get constituted and constrained, because that will inevitably territorialize us, as “same-sex marriage” does, to unfruitful and meaningless question, or in Butler’s term, “trouble,” of “Being.”So, as José Esteban Muñoz reminds us, “we are not yet queer,”“we have never been queer, yet queerness exists for us as an ideality that can be distilled from the past and used to imagine a future”. So we can say that queerness, queer theory, as well as queering epistemology are what “let’s feel that this world is not enough, that indeed something is missing.” As all those aforementioned theoretical practices have shown us, “queerness is also a [Butlerian] performative because it is not simply a being but a doing for and toward future.”In order to explore futurity, we should first explore the dimension of thought in queer theory, we should look for relations in places where are conceived as no problem or relation exists. Problems and questions, or indeed “events” in Deleuzian terminology, are the motivators for and towards future: “queer(ness)” is one of these problems but definitely not all, the problems we face in translating work are symptoms of the problem, and of course, as is familiar to us in the field of Gender Studies, the challenge that AIDS epidemic has brought to us is another problem which has made us think over temporality and futurity differently. As William Haver points out:[W]hat is called AIDS poses an essential threat not only to our commonplace assumptions about the capacity to manage or control the pandemic, but also to our equally commonplace assumptions about nature of the world, the social, the economic and the political - and thereby to the assumption that it is possible to posit the world as an object of knowing. It is therefore necessary to recognize that any serious and consequent engagement with what is called AIDS will be possible, if at all, only in a radical questioning of what we take, by and large, too often to be the unproblematic ground of knowing. Such and engagement therefore demands an openness to the radical insecurity of a futurity for which we must refuse to be prepared, an openness to a revolution that would be at once political,英语政治演讲语篇中的词汇重复模式及衔接功能兰州理工大学外国语学院/汪玲丽 史顺良【摘要】词汇重复是词汇衔接最直接最常见的手段,政治演说语篇中词汇重复起到了重要的衔接作用,也是政治演说语篇的重要特色。

防性侵作文英语

防性侵作文英语

防性侵作文英语Sexual assault is a heinous crime that affects millions of people around the world. It is a violation of one's body, mind, and soul, leaving behind lifelong scars and trauma. The issue of sexual assault has gained significant attention in recent years, with more people coming forward to share their stories and raise awareness about this critical issue. In this essay, we will discuss the importance of preventing sexual assault and the various measures that can be taken to ensure the safety of individuals.Firstly, it is crucial to understand the gravity of the situation and the impact it has on individuals. Sexual assault can happen to anyone, regardless of their age, gender, or sexual orientation. It can occur in various settings, such as schools, workplaces, public spaces, and even at home. The trauma that follows can lead to anxiety, depression, post-traumatic stress disorder (PTSD), and other mental health issues. Therefore, it is vital to take the necessary steps to prevent sexual assault from happening in the first place.One of the most effective ways to prevent sexual assault is through education. Education can help individuals understand what sexual assault is, how to recognize it, and how to prevent it. Schools, colleges, and universities can play a crucial role in educating students about sexual assault and consent. They can introduce age-appropriate curriculums that teach students about healthy relationships, boundaries, and respect for others. This can help create a culture of consent and respect, where individuals are aware of their rights and responsibilities.Another measure that can be taken to prevent sexual assault is through the use of technology. Technology can help individuals stay safe by providing them with tools that can be used to alert authorities or loved ones in case of an emergency. For instance, there are several safety apps available that can be used to send an SOS message to designated contacts in case of danger. Similarly, wearable devices such as smartwatches can be used to track an individual's location and alert authorities in case of an emergency.Furthermore, it is essential to create safe spaces for individuals who have experienced sexual assault. This can be done by establishing support groups, counseling services, andcrisis hotlines. These services can provide individuals with a safe and confidential space to share their experiences and seek help. It can also help survivors cope with the trauma and move towards healing.In addition to these measures, it is crucial to hold perpetrators accountable for their actions. This can be done through the criminal justice system, where perpetrators can be prosecuted for their crimes. However, it is also essential to change the culture that enables sexual assault to occur in the first place. This can be done by challenging harmful attitudes and behaviors that perpetuate rape culture. It can also involve holding institutions accountable for their role in preventing sexual assault.In conclusion, preventing sexual assault requires a concerted effort from individuals, institutions, and society as a whole. It is essential to educate individuals, use technology to stay safe, create safe spaces for survivors, hold perpetrators accountable, and challenge harmful attitudes and behaviors. By working together, we can create a world where sexual assault is not tolerated, and individuals can live free from fear and trauma.。

The Bloody Chamber

The Bloody Chamber

Style and themesAngela Carter's short stories challenge the way women are represented in fairy tales, yet retain an air of tradition and convention through her voluptuously descriptive prose. For example, in the opening tale "The Bloody Chamber" which is a retelling of Bluebeard, Carter plays with the conventions of canonical fairy tales; instead of the heroine being rescued by the stereotypical male hero, she is rescued by her mother.Carter effectively draws out the theme of feminism by contrasting traditional elements of Gothic fiction – which usually depicted female characters as weak and helpless – with strong female protagonists. By contrasting the barren and horrific atmosphere found typically within the Gothic to the strong heroines of her story, Carter is able to create sexually liberated female characters that are set against the more traditional backdrop of the fairy tale. In doing so, Carter reinvents the outdated fairy tales and offers insight on the archetypes and stereotypes of women in these well-known and celebrated stories.The stories deal with themes of women's roles in relationships and marriage, their sexuality, coming of age and corruption. Stories such as "The Bloody Chamber" and "The Company of Wolves" explicitly deal with the horrific or corrupting aspects of marriage and/or sex and the balance of power within such relationships. Themes of female identity are explored in the "Beauty and the Beast" stories such as "The Tiger's Bride". In one instance, Beauty: the story's heroine, is described as removing the petals from a white rose as her father gambles her away, a seeming representation of the stripping away of the false layers of her personality to find her true identity; an image that finds a mirror in the story's fantastical conclusion.As a whole, The Bloody Chamber can be treated as a collection of short stories that speak to a bigger narrative that deals with issues of feminism and metamorphosis instead a set of individual tales. Although each particular narrative deals with a different set of characters, the 'oppressed female seeking liberation' is a common theme and concept that is explored throughout the collection. The characters seem to blend into each other and become indistinguishable from one another when recognising this theme in the text. The stories are updated to more modern settings. The exact time periods remains vague, but they are clearly anchored intentionally. For example, in "The Bloody Chamber" the existence of transatlantictelephone implies a date 1930 or later. On the other hand, the mention of painters such as Gustave Moreau and Odilon Redon, and of fashion designer Paul Poiret (who designs one of the heroine's gowns) all suggest a date before 1945. "The Lady of the House of Love" is clearly set on the eve of the First World War, and the young man's bicycle on which he arrives at the tradition-bound vampire's house is a symbol of the encroaching modernity which fundamentally altered European society after 1914.BluebeardPlot summaryBluebeard is an aristocrat who has been married several times to women who have all mysteriously vanished. When Bluebeard visits his neighbor and asks to marry one of his children, the girls are terrified and get their younger sister to marry him. After hosting a wonderful banquet, he persuades her to marry him, which she does.Bluebeard announces that he must leave the country and gives the keys of the château to his wife. She is able to open any door in the house with them, which each contain his riches, save for a room that she is never to enter. He then goes away and leaves the house in her hands. Immediately, she is overcome with the desire to see what the forbidden room holds; and, despite warnings from one of her sisters, Anne, the girl ventures into the room.The wife immediately discovers the room is filled with blood and the corpses of his missing wives. Horrified, she drops the key and flees the room. She reveals her husband's secret to Anne, and they plan to both flee the next morning, but Bluebeard unexpectedly comes back and finds the bloody key. In a blind rage, he threatens to kill her on the spot, but she asks for one last prayer with her sister. At the last moment, as Bluebeard is about to deliver the fatal blow, the brothers of the wife and Anne arrive and kill Bluebeard. The wife inherits his fortune and castle, and has the dead wives buried. She uses the fortune to have her other siblings married, and eventually remarries herself and forgets about her horrible experience with Bluebeard. SourcesAlthough best known as a folktale, the character of Bluebeard appears to derive from legends related to historical individuals in Brittany. One source is believed to have been the 15th-centuryBreton nobleman and later confessed serial killer Gilles de Rais. However, Gilles de Rais did not kill his wife, nor were any bodies found on his property, and the crimes for which he was convicted involved the motiveless, brutal murder of children and not a punishment for perceived betrayal.Another possible source stems from the story of the early Breton king Conomor the Accursed and his wife Tryphine. This is recorded in a biography of St. Gildas, written five centuries after his death in the sixth century. It describes how after Conomor married Tryphine, she was warned by the ghosts of his previous wives that he murders them when they become pregnant. Pregnant, she flees; he catches and beheads her, but St. Gildas miraculously restores her to life, and when he brings her to Conomor, the walls of his castle crumble and kill him. Conomor is a historical figure, known locally as a werewolf, and various local churches are dedicated to Saint Tryphine and her son, Saint Tremeur. A third possible source of the character of Blue Beard was king of England Henry VIII, famous for killing two of his six wives. The character's blue beard is regarded as a symbol of his otherworldly origins.CommentariesBluebeard is slain in a woodcut by Walter CraneFor Iona and Peter Opie, the tale reads as a legend imperfectly recollected. For example, a gap occurs in the narrative between the wife's entrance into the forbidden chamber and Bluebeard's unexpected return, a time when her house guests vanish without explanation, and Bluebeard's willingness to wait a quarter of an hour before slaying his wife is out of character and poorly excused. Although no earlier retelling of the story has been discovered, it may be assumed one existed.[3]The fatal effects of feminine curiosity have long been the subject of story and legend. Lot's wife, Pandora, and Psyche are all examples of mythic stories where women's curiosity is punished by dire consequences. In an illustrated account of the Bluebeard story by Walter Crane, when the wife is shown making her way towards the forbidden room, there is behind her a tapestry of the serpent enticing Eve into eating the forbidden fruit in the Garden of Eden.In addition, hidden or forbidden chambers were not unknown in pre-Perrault literature. InBasile's Pentamerone, one tale tells of a Princess Marchetta entering a room after beingforbidden by an ogress, and in The Arabian Nights Prince Agib is given a hundred keys to a hundred doors but forbidden to enter the golden door, which he does, with terrible consequences. In the story of Prince Agib, the motive is clear: the forbidden door is a test. However, in "Bluebeard", the motive is less clear. It is not explained why Bluebeard would give a key to his wife that will reveal his horrific marital past. In an Indian story, an ogress looks after a prince while disguised as a beautiful woman and tells him not to enter the Tower, Pit or Kitchen, which will reveal her. In the Tower, an old man who has been tied up by her reveals who she is, in the pit are the bones of her victims, and the Kitchen contains three magical balls which the prince uses to escape the Ogress, with the final one a fire is caused which the Ogress runs into and burns to death in.The Bloody Chamber(based on Bluebeard)A teenage girl marries an older, wealthy French Marquis, whom she does not love. When he takes her to his castle, she learns that he enjoys sadistic pornography and takes pleasure in her embarrassment. She is a talented pianist, and a young man, a blind piano tuner, hears her music and falls in love with her. The woman's husband tells her that he must leave on a business trip and forbids her to enter one particular room while he is away. She enters the room in his absence and realises the full extent of his perverse and murderous tendencies when she discovers the bodies of his previous wives. Marquis returns home prematurely, discovers that she has entered the room and proceeds to try to add her to his collection of corpses through beheading. The brave piano tuner is willing to stay with her even though he knows he will not be able to save her. She is saved at the last moment at the end of the story by her mother, who shoots the Marquis just as he is about to murder the girl. The girl, her mother and the piano tuner go on to live together, and the girl uses her now considerable fortune to convert the castle into a school for blind children.读后感:从《染血之室》看安吉拉·卡特的女权观英国女作家安吉拉·卡特26年的写作生涯并不算长,但其丰厚的著作足以见证一个女性对父权制的倔强叛逆。

Silencing Sexual Harassment

Silencing Sexual Harassment

Silencing Sexual HarassmentIt is a landmark piece of legislation for millions of working women in India. But while the country’s first bill to stop sexual harassment of women at work helps create a safe working environment for women,it also lays itself open to misuse and misinterpretation.Under the Sexual Harassment of Women at Workplace (Prevention,Prohibition and Redressal)Bill 2012 passed by Parliament in February,all employers have to set up a committee to investigate harassment complaints within 90 days. Employers who fail to comply will be fined `50,000. The bill not only covers public and private companies but also temporary workers,agricultural labourers and domestic workers who are most vulnerable to sexual exploitation.But implementing the bill may not be easy. “A bill like this is very important,but we need a mature approach towards sexual harassment. We have to be careful in how we define sexual harassment. It is misunderstood,”says Kiran Mazumdar-Shaw,Chairman and Managing Director of biotechnology firm Biocon. “Today,if women are told thatthey are not performing,they confuse it with sexual harassment.”Morever,the definition of sexual harass- ment is open to interpretation. The bill says sexual harassment includes any physical,verbal or non-verbal conduct of a sexual nature,but is not limited to any conduct that creates a hostile work environment for women. Experts say it is often tough to pin down cases of sexual harassment. “It is a very grey debate,a lot of times it is unclear what comprises harassment,”says Sairee Chahal,Co-founder of Fleximoms,a company promoting flexible work solutions for women. “Corporates have to increase sensitisation. Most leadership teams don’t have women,that has to change.”The bill’s redressal system also leaves women vulnerable to intimidation. It allows companies to transfer women or send them on leave with their consent during a sexual harassment investigation. It also makes it mandatory for them to provide documentary proof for sexual harassment charges and provides no scope for further inquiry after an internal committee has settled a matter.Lawyers say proving sexual harassment is a big challenge. “Your male manager might just crack a joke which couldoffend you,”says Pooja Chandra,a partner at PCA Law Firm. “The legislation addresses a comp-lex problem in aone-dimensional manner.”。

“性趣”英语

“性趣”英语

“性趣”英语英语词汇网对性器genitals可用以下的俚语形容。

family jewels (传家之宝)private parts (阴部)privates (阴部)secrets (阴部)secret parts (阴部)equipment (装备)gadget (道具)“传家之宝”的形容妙不可言,在我们也有用“宝贝”来形容。

Hard sex,当然能想象到是指“男人硬挺的东西”,同样的,也可以知道hot sex指的是什么。

privates字典上是指“高级住宅区的私邸”之意,但通常是指“性器”。

在 The Ballad of the Sad Cafe一书中,有如下的一句:He's so fat he hasn't seen his privates for twenty years.(他因为太胖,二十年来没有看到自己的那个东西。

)在足球等运动中说kick in privates,就是“踢到要害”。

在American Thesaurus of Slang中是以male pudendum与female pudendum指“男人性器”、“女人性器”,而所谓“pudendum”是意味着“可耻的地方”,也就是指“外阴部”。

此字的复数是pudenda,所以对性器的总称应该使用pudenda。

在此顺便一提的是男人的东西叫penis,女人叫venus;其发音是:penis [pi:nis] (阳物)venus [vi:n(s] (阴户)如果对P与V听不清楚,就不知道指的是哪一边了。

也许有人说字尾的nis与n(s) 不同,但这是以发音音标学习英语发音的人说的话。

如果前面有重音,后面的发音会很轻,所以就不容易分辨nis与n(s)了。

[[b]]penis[[/b]]形容男性的那个东西有很多种的说法。

以下列举笔者从各种小说收集,或直接从英美人口中听来的字。

bat and balls (球棒与球)nuts (睾丸)cock (阴茎、公鸡)Dick或Dickey (最常见的男人名字)dingbat (容易投掷的石、棒等)John或Johnnie (最常见的男人名字)joy stick (欢喜的手杖)pecker (啄击的东西)pencil (铅笔)pencil and tassel (铅笔与饰穗)ramrod (装药棒,以前用此在火枪填装火药)rod (手枪、棒)prick (扎刺的东西)pad (狗、猫等的前脚)short arm (短臂)arrow (箭)在“前言”中曾说道:Jack has a bat and two balls.即使含有严肃的意思,还是容易令人产生奇妙的联想,最好不要使用。

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Feminism & PsychologyDOI: 10.1177/09593535050497032005; 15; 44 Feminism Psychology Susan Pick, Martha Givaudan and Kathryn Flom Kline VIII. Sexual Pleasure as a Key Component of Integral Sexual Health The online version of this article can be found at: Published by:can be found at:Feminism & Psychology Additional services and information for/cgi/alerts Email Alerts:/subscriptions Subscriptions:/journalsReprints.nav Reprints:/journalsPermissions.nav Permissions:Special Feature: PICK et al.: Sexual Pleasure as a Key Component of Sexual Health45 different women for sex and for procreation (Pick et al., 1996a, 1996b). In this context, pleasurable sexual intercourse is exclusively masculine; women who possess sexual desire or agency are neither adequate for marriage nor to have children with (Rodríguez et al., 1995). Thus adolescent girls receive powerful messages stigmatizing their nascent sexual desire.This is not to say that all women in Latin America, or Mexico, lack sexual agency or are completely confined by patriarchal gender ideologies. Not all ‘traditional’ gender ideology is repressive: the indigenous culture of Juchitán, Oaxaca, for example, has strong matriarchal aspects, with women and men celebrating women’s power and sexuality (Rubin, 1998). Defying repressive social and sexual norms, a minority of women have sought sexual and emotional satisfaction in relationships with other women. Since the mid-1970s, lesbian (and gay men’s) social and political organizations have become increasingly active and visible in Mexico, and Mexicans seem to have become more accepting of same-sex relationships, or at least of young people’s sexual experimentation, over the past few decades (Gutmann, 1997). Recent political mobilization by women – often around issues like access to affordable housing, food, and health care –has challenged traditional roles and family structures (Ramos Escandón, 1994), and explicitly feminist organizations have emerged to promote the status of women, including taking steps to encourage women’s sexual empowerment (Rodríguez et al., 1996). Changing economic necessities and opportunities, and the resulting patterns of labour and migration, have led to a variety of heterodox family structures and sexual relationships (Hirsch, 2003).The resulting tension between sexual desire and perceived social norms leads to limited communication about sexuality and to anxiety about such interactions. Janda and O’Grady (1980) define sexual anxiety as a generalized expectation of external punishments that are non-specific, relating to the violation (or antici-pated violation) of norms perceived to be the socially prescribed acceptable stan-dards of social behaviour. The most important feelings associated with sexual anxiety are guilt, shame, tension or stress (Feeney et al., 1999; Gerrard, 1987), as well as fear and pressure (Merlo et al., 2001). The importance of sexual shame is highly gendered. In one study female Mexican adolescents reported that their highest levels of anxiety occurred when telling sexual partners that they wanted to have intercourse, and reported anxiety was significantly higher in females than in males when making out, kissing, caressing, and touching each others’ genitals (Merlo et al., 2001). The resulting lack of open communication about one’s sexuality leads to insufficient knowledge and inadequate skill formation to confront pressures, including pressure to initiate sexual activity in exchange for gifts or other favours (Stewart and Eckert, 1995). A second result is to promote sexual dependence and erotic passivity in women, which leads to a higher prob-ability of unplanned sex (Szasz, 2003).These feelings of embarrassment, shame, and guilt also reduce the initiative to look for reliable information related to sexuality, including contraception, there-fore reducing the possibility of safe-sex behaviour (IMIFAP, 1999). Adolescents46Feminism & Psychology 15(1) report that talking about sexuality or asking for a condom in a drugstore is associated with anxiety (Gonzalez and Pick, 1995). Sexually active adolescent girls fear that partners would interpret asking to use condoms during sex as evi-dence of their promiscuity or untrustworthiness, making them reluctant to do so (Piñones et al., 1992). Thus the association of male sexuality with pleasure, and ‘good’ female sexuality with marital monogamy and motherhood, reduces com-munication about, and knowledge of, sexual practices, which in turn contribute to low rates of contraceptive use and other unsafe behaviours among sexually active adolescents.The recent implementation of sexuality education in Mexico, for which there is wide support, helps to provide female (and male) adolescents with information about sexuality and sexual health and to end the shame and silence that surround sex. Polls conducted in Mexico showed that over 95 percent of the population wanted sexuality education in schools from the elementary level onwards (IMIF AP and Gallup, 1993), and parents’ reactions to sexuality education programs (Pick de Weiss et al., 1990) have provided enormous support for the programs. However, without the addition of a life skills component, the current curriculum is unlikely to significantly reduce adolescents’ risky sexual practices (IMIFAP, 2002).Many limitations of these programs can be traced to the inadequate education and preparation of Mexican adults, including parents and teachers, to talk about sex with young people. We found that even some groups of parents generally opposed to school-based sexuality education do want sexuality education for themselves and their children, but do not have the elements they want and need to provide it (Givaudan et al., 1998; Givaudan et al., 1999). Most adults have the same attitudes of shame and embarrassment about female sexuality as their children and students, but this has not been taken into account in the process of introducing sexuality education in schools. The new programs have only been introduced through official textbooks with four hours of limited training of teachers. In order to effectively educate children and adolescents about their sexuality within the formal educational system, teachers must receive extensive training in participatory pedagogical techniques and communication skills. And, especially because adolescents prefer to receive information about sex and sexu-ality within their families (Givaudan et al., 1994; Merlo et al., 2001), parents should have access to similar training in order to facilitate their role as educators within the home.IMIFAP’s integrated program for adolescents, ‘Planeandu tu vida’ (Planning your life), responds to some of these challenges and provides a proven alternative to the narrowly information-oriented school curriculum. ‘Planeando tu vida’ con-centrates on training the adults who will run the program. Through training, adults develop the sensitivities and skills needed to discuss difficult themes related to sexuality – such as how to manage one’s emotions in specific anxiety provoking situations, and how to deal with sexual pleasure and desire – with adolescents. The section of the program directly involving teenagers aims toSpecial Feature: PICK et al.: Sexual Pleasure as a Key Component of Sexual Health47 create spaces where adolescents can develop safe, healthy, informed (and pleasurable) sexualities. The program focuses on life skills and empowerment, emphasizing the development of self-esteem, the use of dialogue to resolve problems, autonomous and responsible decision making, and assertive com-munication, as well as more specific discussion of sexuality and contraception. Teenaged participants engage in a variety of activities that include role-play, and apply new information and skills rather than being passive recipients of informa-tion. Controlled evaluations of ‘Planeando tu vida’ have demonstrated that the program is quite successful in increasing the likelihood that teenagers will use condoms when they initiate sexual intercourse (IMIF AP, 2003; Pick de Weiss et.al., 1990). IMIFAP’s program ‘Yo quiero, yo puedo’ (I want, I love, I can) uses similar approaches and yields similar results with younger children (IMIF AP, 2003).We need to have a better understanding of the multiple and contradictory cul-tural messages about sexuality that adolescents receive, and how these messages are understood and acted upon differentially by boys and girls. We need to attend to the ways that class, location, and ethnicity – as well as gender – influence sexual norms and practices. We need to better understand and address the needs of adolescents, which too often go overlooked in sexuality education programs. We need to challenge cultural norms that continue to stigmatize female sexual empowerment and pleasure, which engender shame and silence – and conse-quently unsafe sexual practices – even as young women do engage in sexual experimentation. Progressive sexuality education, through formal and informal channels, in Mexico and elsewhere, has tremendous potential to validate women’s sexuality and encourage open communication about how to safely and responsibly pursue sexual pleasure.REFERENCESFeeney, J., Kelly, L., Gallois, C., Peterson, C. and Terry, D. (1999) ‘Attachment Style, Assertive Communication, and Safer-Sex Behavior’, Journal of Applied Psychology 29(9):1964–83.Gerrard, M. (1987) ‘Sex, Sex Guilt and Contraceptive Use Revisited: The 1980s’, Journal of Personality and Social Psychology52: 975–80.Givaudan, M., López, K. and Martínez, C. (1998) Evaluation of the Sex and Family Life Program for Parents: Learning to be Mother and Father.Washington, DC: The Summit Foundation.Givaudan, M., Ramón, J. and Pick, S. (1999) Training Elementary School Teachers in the Health and Family Life Program ‘Yo quiero, yo puedo’ in the Mexican States of Queretaro and Guanajuato.Washington, DC: The Moriah Foundation.Givaudan, M., Pick, S., Alvarez, M., Collado, M., Weiss, E. and Rao Gupta, G. (1994) Strengthening I ntergenerational Communication within the Family: An AI DS Pre-vention Strategy for Adolescents.Washington, DC: The International Center for Research on Women.48Feminism & Psychology 15(1) Gonzalez, C. and Pick., S.(1995) Estresores y respuestas de enfrentamiento en la sexual-idad de los adolescentes(Stress factors and responses related to adolescents sexuality).Geneva: World Health Organization.Gutmann, M. (1997) ‘Seed of the Nation: Men’s Sex and Potency in Mexico’, in R.Lancaster and M. Di Leonardo (eds) The Gender/Sexuality Reader: Culture, History, Political Economy, pp. 194–206. London and NewYork: Routledge.Hirsch, J.(2003) A Courtship After Marriage: Sexuality and Love in Mexican Trans-national Families.Berkeley, CA: University of California Press.IMIFAP (1999) Factores psicosociales que intervienen en el embarazo adolescente en el estado de Coahuila (Psychosocial factors affecting adolescent pregnancy in Coahuila).Coahuila: System of Integral Family Development (DIF).IMIF AP (2002) ‘Yo quiero, yo puedo: programa complementario de prevención de consumo de sustancias psicoactivas dirigido a estudiantes de primaria’ (I want to, I can: complementary program of psychoactive substance consumption prevention for elementary school students), accessed 7 October 2002. Available: .mx/ espanol/resumenes/resumen02.pdfIMIFAP (2003) IMIFAP Annual Report 2002. Mexico: IMIFAP.IMIFAP and Gallup (1993) First National Poll about Sexuality Education. New York: The Prospect Hill Foundation.Janda, I. and O’Grady, K. (1980) ‘Development of a Sex Inventory’, Journal of Con-sulting and Clinical Psychology48(2): 169–75.Merlo, P., Camacho, M., Givaudan, M. and Pick, S.(2001) La ansiedad sexual y el efecto de las emociones en la salud sexual de los adolescentes (Sexual anxiety and the effect of emotions on the sexual health of adolescents). Geneva: World Health Organization. Pick, S., Givaudan, M. and Aldaz, E.(1996a) Adolescent Sexuality: A Qualitative Study in Mexico City. New York: The Rockefeller Foundation.Pick, S., Givaudan, M. and Aldaz, E.(1996b) Conducta sexual y prevención del SIDA en hombres y mujeres de la ciudad de México(Sexual behavior and AIDS prevention among men and women in Mexico City). Washington, DC: The International Agency for Development.Pick, S., Givaudan, M. and Brown, J. (2000) ‘Quietly Working for School-based Sexuality Education in Mexico: Strategies for Advocacy’, Reproductive Health Matters8(16): 92–101.Pick de Weiss, S., Andrade, P. and Townsend, J. (1990) Planeando tu vida: Desarrollo y prueba de un programa de educación para la vida(Planning your life. Development and testing of a family life education program for young adults). New York: The Population Council.Piñones, P., Aldana, E., Estévez, P. and Atkin, L.C.(1992) Un programa educativo con metodología participativa para adolescentes embarazadas (An educational program with participatory methodology for pregnant adolescents).Cuernavaca, Morelos: Third National Congress on Public Health Research.Ramos Escandón, C. (1994) ‘Women’s Movements, Feminism, and Mexican Politics’, in Jane S. Jacquette (ed.) The Women’s Movement in Latin America: Participation and Democracy, pp. 199–222. Denver, CO: Westview Press.Rodríguez, G., Corona, E. and Pick de Weiss, S.(1996) ‘Educación para la sexualidad y la salud reproductiva (Education for sexuality and reproductive health), in K. Tolbert and A. Langer (eds) La salud reproductiva de la mujer en México: una agenda para la。

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