COMPARISON OF A FLAT PHANTOM TO A FACE PHANTOM FOR SAR MEASUREMENTS

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Lesson 11 修辞与翻译

Comparison: simile + metaphor Simile: an obvious indicator of resemblance（喻词） between the subject/tenor (本体)and the reference/vehicle (喻体)：像，好像，仿佛，如… as, like, as if, as though… metaphor: no obvious indicator of resemblance（喻词） between the subject/tenor (本体)and the reference/vehicle (喻体)：是，变成，成了… be, become, turn into…
瞧瞧你干的好事！ Look at what you have done! The French and the English were so ardent about art that they sent their armies to search for invaluable paintings and sculptures all around the world. 英国人和法国人号称热爱艺术，不惜派出军队在世界各地搜罗珍贵的绘画和雕刻作品。
2. Understatement
She was not a girl without ambition. 她可不是一个胸无大志的女孩。（她是个很有抱负的女孩子。）
这可不是闹着玩儿的事儿，弄不好会出人命的。 This is no trifling matter and it could cost someone’s life if not dealt properly. （比较：It’s case involving human matter.）

超心形指向性专业型双鹅颈式会议话筒

HYPERCARDIOID CONDENSER GOOSENECK MICROPHONE10 dB20k10k 5k 2k 1k 50020010050Optional Accessories:AT8474 universal isolation mount.AT8473 quick-mount stand adapter.AT8506 four-channel 48V phantom power supply (AC powered).AT8668 quick-mount plug-in micro-phone desk stand.AT8801/EU single-channel 48V phantom power supply (AC pow-ered).Polar PatternFrequency ResponseMachida • Tokyo • JapanSPECIFICATIONSELEMENT Fixed-charge back platepermanently polarized condenser POLAR PATTERN Hypercardioid FREQUENCY RESPONSE 80-20,000 Hz LOW-FREQUENCY ROLL-OFF 80 Hz, 18 dB/octaveOPEN CIRCUIT SENSITIVITY -40 dB (10.0 mV) re 1V at 1 Pa IMPEDANCE250 ohmsMAXIMUM INPUT SOUND LEVEL 138 dB SPL, 1 kHz at 1% T.H.D.DYNAMIC RANGE (typical)109 dB, 1 kHz at Max SPL SIGNAL-TO-NOISE RATIO 65 dB, 1 kHz at 1Pa SWITCHESFlat, roll-offPHANTOM POWER REQUIREMENTS 11-52V DC, 4 mA typical WEIGHT 135 gDIMENSIONS457.2 mm - long8.4 mm - head diameter,18.9 mm - base diameter OUTPUT CONNECTOR Integral 3-pin XLRM-typeACCESSORIES FURNISHED AT8109 two-stage foam windscreen OPTIONAL INTERCHANGEABLE ELEMENTSESE-O omnidirectional (360°)ESE-C cardioid (120°)ESE-ML MicroLine ® (90°)ES917aH is a wide-range miniature c o n d e n s e r m i c r o p h o n e w i t h a h y p e r c a r d i o i d p o l a r p a t t e r n. I t i s d e s i g n e d f o r q u a l i t y s o u n d reinforcement, professional recording, elevision and other demanding sound pickup applications. The small-diameter double gooseneck design permits highly flexible positioning while maintaining a smooth, wellcontoured appearance. An included snap-on foam windscreen effectively reduces wind noise and “popping.”T h e E S 917a H i s e q u i p p e d w i t h UniGuard ® RFI-shielding technology, which offers outstanding rejection of radio frequency interference (RFI). The microphone is RoHS compliant – free from all substances specified in the EU directive on hazardous substances.The microphone's hypercardioid polar pattern provides a 100° angle of acceptance. Additional interchangeable elements with omnidirectional (360°), cardioid (120°) and MicroLine ® (90°) pickup patterns are available.The integral power module can be powered from any external 11V to 52V DC phantom power supply. A recessed switch in the power module permits choice of flat response or low-frequencyroll-off (via integral 80 Hz high-pass UniSteep ® filter) to help control undesired ambient noise.The microphone is enclosed in a rugged housing with a low-reflectance black finish. It features an XLRM-type connector insert at its base, allowing it to be plugged directly into an XLRF-type panel jack or microphone cable. An AT8474 low-profile isolation mount or AT8473 stand clamp is optional to permit attachment of the XLR mic base to a standard ⅝"-27 or ⅜"-16 threaded mic stand or mounting flange.The ES917aH stands 457.2 mm from the table or podium. The model output is low impedance balanced. The output connector mates with XLRF-type cable connectors. The balanced signal appears across Pins 2 and 3, while the ground (shield) connection is Pin 1. Output is phased so that positive acoustic pressure produces positive voltage at Pin 2, in accordance with industry convention.The integral 80 Hz high-pass UniSteep ® filter provides easy switching from a flat frequency response to a low-end roll-off. The roll-off position reduces the pickup of low-frequency ambient noise (such as traffic, airhandling systems, etc.), room reverberation and mechanically coupled vibrations. To engage the UniSteep ® filter, use the end tip of a paperclip or other small pointed instrument to slide the switch toward the “bent” line.Avoid leaving the microphone in the open sun or in areas where temperatures exceed 43°C for extended periods. Extremely highhumidity should also be avoided.10 dB20k10k 5k 2k 1k50020010050指向特性频率特性Machida • Tokyo • Japan超心形指向性专业型双鹅颈式会议话筒ES917aH 是一枚阔频宽的电容式超心形指向性话筒，高质量的收音效能，设计于增强收音、专业录音、电视广播、会议等高要求的收音应用。

伤感经典英文语录

伤感经典英文语录1、Love one another and you will be happy. It's as simple and as difficult as that.2、You are the joy of youth. Read it backwards.3、It's nice to be alone.4、Life is not over, the pillar has fallen.5、What kind of heartbreak can you cry without tears.6、How can I get rid of it, the whim of fate.7、You're so lonely, but you say it's nice to be alone.8、Someone's name is always in your heart and can't be touched.9、I tried my best to lead an ordinary life.10、What I get and lose is my own.11、Under the setting sun, a fairy tale world.12、How could I let go, after you turn around.13、Life is short, but love is long.14、Lost love, at least we still have sugar.15、Ignorance of your own ignorance is double ignorance.16、The flower language of Platycodon grandiflorum. Love that never stops.17、Do you really want to meet someone again.18、It's better to forget each other in the lake.19、What's wrong with rice, but I can't go back.20、Lost heart for three years, I am a lover.21、As I grew older, I found that fewer people I could trust.22、You are not brave, no one will be strong for you.Because I can't get it, I pretend I don't want it.24、When the water is cold, you can drink it. When your heart is cold, it's hard to be hot.25、The name of love.26、Life is six words, no matter how.27、Life won't be easier, but you can be stronger.28、It turns out, it's not that I'm bad, but that I'm not as good as her.29、Snow covered the pain, leaving only pale.30、Say miss you, you don't believe; say good night, you don't understand.31、Love and hate entanglement into a silk thread, a wisp of entanglement in my heart.32、In this world, there is nothing important except life and death.33、The girl has been cherishing things that don't belong to her.34、Have missed, no longer forced.35、No one loves people, no matter how beautiful they will be.36、The highest level of love is able to withstand the dull time.37、I left it all to myself and let it be.38、Your childishness and my stubbornness have become history.39、To test a lie with a lie is only a lie.40、Weight is not more than , either flat chest or short.41、Dear, I miss the warmth of being hugged by you.42、I continue to be alone.43、Under the muddy light, we have no outline.44、We are so close to ambiguity, but so far away from love.45、Thank you for never thinking I'm not good enough.46、Do not treat each enthusiasm, do not please any indifference.47、I pretend it doesn't matter, but I find you really don't care.48、It takes courage to discard and space to treasure.49、You have to be quiet, excellent, and strong.50、A sad mood, a few years away.51、If I can't find the umbrella I like, I'd rather be in the rain.52、Sorry, I won't fall in love with anyone again.53、I will not talk about the future even if I insist on it.54、The wonderful flowers are so happy that they have nothing to say after graduation.55、It's the feeling of heartache again, repeated.56、I'll blow out whoever takes me as a spare tire.57、As soon as he entered the Marquis gate, he was a passer-by.58、Do not love me, just forget to love me.59、If you don't sleep well, you're in a bad mood. Don't come to me if you have nothing.60、Is time rare, or am I not worth it.61、The bitter wine turns the willow to leave now, no wind, no moon and no you.62、There's no predestination between you and me.63、Mature, is to face everything with a smile.64、It's better not to meet, so that we can not fall in love.65、Every day's story, every night, in memory.66、If there is no you, where the memories come from.67、Most afraid of habit into dependence, reluctant, inseparable.68、If I can't love you, I will be you.69、Let's break up. Let's just say nothing happened.70、To be happy with him, to smile and say to me, are you so happy?71、Happiness, for me, so far away.72、Because of you, so I am happy, so I am happy.73、Don't talk about eternity, only when you are scattered can you see desolation.74、We are more mature than our peers.75、Some forgive, just don't want to lose.76、What is lost and recovered is always second-hand.77、Between the fingers, around sadness.78、I can't go far away, nor can I grow up with you.79、It's true faith to put down the fate, Dharma and Buddhism of the world.80、The soul of the flute rings around the female face, and the phantom appears in the water ripples.81、After you leave, thousands of people are like you, but none of them are you.。

生物光声层析成像中不均匀和不稳定照明解决方法

第14卷第2期 2021年3月文章编号 2095-1531(2021)02-0307-13生物光声层析成像中不均匀和不稳定照明解决方法孟琪5孙正^(1•华北电力大学电子与通信工程系，河北保定071003;2.华北电力大学河北省电力物联网技术重点实验室，河北保定071003 )摘要:在生物组织光声层析成像(Photoacoustic Tomography, PAT)算法中，为了简化问题，通常假设在均匀和稳定照明的理想情况下，重建组织的初始声压分布图、光吸收能量分布图和光学特性参数分布图。

但在实际应用中，当光在生物组织中传播时,会出现光衰减和光通量分布不均匀的情况，导致重建精度下降。

本文对非理想条件下用于补偿由不均匀和不稳定照明所致PA T 成像误差的主要方法进行归纳和总结，讨论不同方法的优势和不足。

关键词:光声层析成像；图像重建；不稳定照明；光通量；光吸收系数;光衰减中图分类号:R445;TP391.41 文献标志码:Adoi ： 10.37188/C0.2020-0142Solutions to inhomogeneous and unstable illumination inbiological photoacoustic tomographyMENG Qi 1.2, SUN Zheng 1'”(1. Department o f E lectronic and Communication Engineering,North China Electric Power University^ Baoding 071003, China ；2. Hebei Key Laboratory o f P ower Internet o f Things Technology,North China Electric Power University, Baoding 071003, China)* Correspondingauthor,E-mail,******************.cnAbstract: In biological Photoacoustic Tomography (PAT ), the images of initial pressure , optical depositionand optical properties are usually reconstructed from acoustic measurements based on an ideal assumption of uniform and stable illumination for simplicity . However , in practical applications , optical attenuation and in homogeneous distribution of light fluence in tissues may occur after the imaging target is illuminated by short laser pulses , which results in inaccurate image reconstruction and reduced image quality . This paper summar izes current methods for reducing errors caused by inhomogeneous and unstable illumination in PAT under non-ideal conditions and discusses the advantages and limits of these methods .Key words: photoacoustic tomography ； image reconstruction ； unstable illumination ； light fluence ； optical ab sorption coefficient ； optical attenuation中国光学 Chinese OpticsVol. 14 No. 2Mar. 2021收稿日期:2020-08-12;修订日期:2020-09-21基金项目：国家自然科学基金资助项目（No. 62071181)Supported by National Natural Science Foundation of China (No. 62071181)308中国光学第14卷1引言光声层析成像（Photoacoustic Tomography，PAT)是一种新型的生物医学成像方法，它结合了光学成像的高对比度和超声成像的高分辨率' 可应用于眼科[2]、胃肠疾痢31、脑科学[41、心脏病学151和皮肤病学等。

对比手法英文作文开头

对比手法英文作文开头Title: A Comparative Approach: Exploring the Art of Contrast。

In the realm of literature and composition, employing the technique of contrast serves as a powerful tool for elucidating ideas, themes, and perspectives. Through the skillful juxtaposition of contrasting elements, writers can effectively highlight nuances, provoke thought, and engage readers on a deeper level. In this discourse, we embark on a journey to explore the intricacies of contrast in English composition, delving into its various forms, functions, and significance.At its essence, the art of contrast revolves around the comparison of distinct entities or concepts to underscore their differences or similarities. This technique not only enriches the narrative texture but also facilitates a more profound understanding of the subject matter at hand. Whether through the sharp dichotomy of opposing forces orthe subtle interplay of complementary elements, contrast infuses vitality and dynamism into literary works.One of the quintessential forms of contrast is the juxtaposition of characters within a narrative. By presenting characters with divergent traits, motivations, or worldviews, writers can effectively underscore thematic tensions and conflicts. For instance, in F. ScottFitzgerald's "The Great Gatsby," the stark contrast between the enigmatic Jay Gatsby and the pragmatic Tom Buchanan illuminates the underlying themes of illusion versusreality and the corrupting influence of wealth.Moreover, contrast can manifest through the portrayal of settings or environments within a story. The juxtaposition of disparate landscapes, such as the bustling metropolis juxtaposed with the serene countryside, can serve as a metaphorical device to underscore thematic contrasts, such as urbanization versus nature or chaos versus tranquility. Charles Dickens masterfully employsthis technique in "A Tale of Two Cities," where the stark contrast between the cities of London and Paris serves as abackdrop to explore themes of revolution, sacrifice, and redemption.In addition to its narrative functions, contrast plays a pivotal role in argumentative and expository writing. When presenting contrasting viewpoints or arguments,writers can effectively highlight the complexity of an issue and encourage critical thinking among readers. Through the artful juxtaposition of opposing perspectives, writers can construct compelling arguments that acknowledge the multiplicity of viewpoints surrounding a particular topic. This technique is particularly evident in academic discourse, where scholars engage in dialectical analysis to dissect complex issues and arrive at nuanced conclusions.Furthermore, contrast can be deployed at various levels of linguistic and stylistic composition to enhance the overall impact of a piece of writing. From the use of contrasting imagery and symbolism to the employment of antithetical sentence structures, writers employ a myriad of linguistic devices to create resonance and depth intheir works. For instance, the juxtaposition of light anddarkness in Shakespeare's "Romeo and Juliet" not only serves as a metaphor for the lovers' tumultuousrelationship but also underscores broader thematic dichotomies such as love versus hate and life versus death.In conclusion, the art of contrast represents a fundamental aspect of English composition, enrichingliterary works with depth, complexity, and resonance. Whether through the juxtaposition of characters, settings, arguments, or linguistic devices, contrast serves as a powerful tool for elucidating themes, provoking thought, and engaging readers on a profound level. As writers continue to explore the nuances of this technique, they unlock new possibilities for expression and insight, perpetuating the timeless allure of contrast in the realm of literature and composition.。

各种奇怪的声音作文英语

各种奇怪的声音作文英语Title: Strange Sounds: An Exploration。

Have you ever found yourself immersed in an environment where peculiar noises dance around you, teasing your senses and stirring your imagination? From the gentle rustling of leaves to the mysterious hums of the night, strange sounds surround us, sparking curiosity and wonder. In this essay, we delve into the realm of these enigmatic sounds, exploring their origins, meanings, and the profound impact they have on our lives.One of the most captivating aspects of strange soundsis their ability to evoke a myriad of emotions and thoughts within us. Consider the haunting melody of a distant train whistle in the dead of night. Its mournful tone conjures images of solitary journeys, lost loves, and untold stories shrouded in darkness. Similarly, the rhythmic tapping of rain against the windowpane can transport us to a realm of introspection and contemplation, as we listen to nature'ssymphony echoing through the night.Moreover, strange sounds often serve as harbingers of the unknown, igniting our primal instincts and heightening our senses. The sudden screech of an owl piercing the silence of the forest evokes a primal fear, reminding us of our vulnerability in the face of the wilderness. Likewise, the eerie howl of the wind on a desolate moor carries whispers of ancient mysteries and forgotten tales, stirring the imagination with visions of spectral apparitions and otherworldly encounters.But not all strange sounds inspire fear or melancholy; some hold the promise of joy, excitement, and adventure. The infectious laughter of children at play resonates with the pure, unbridled joy of youth, infusing the air with a sense of warmth and innocence. Similarly, the jubilant chirping of birds heralds the arrival of spring, awakening dormant spirits and filling the world with renewed vitality and hope.Intriguingly, the meaning and significance of strangesounds vary greatly depending on cultural context and personal experience. What may be perceived as ominous in one culture could be regarded as auspicious in another. For instance, the low rumble of thunder may be interpreted as a sign of impending doom in some societies, while in others, it is seen as a cleansing force, purifying the earth and bringing forth new life.Furthermore, advancements in technology have introduced a plethora of new and unfamiliar sounds into our lives, further enriching our auditory landscape. The hum of machinery, the beep of electronic devices, and the whirring of engines have become ubiquitous in modern society, shaping our perceptions and interactions with the world around us. Yet, amidst the cacophony of urban life, the allure of nature's symphony still beckons, reminding us of the inherent beauty and complexity of the natural world.In conclusion, strange sounds are a fascinating aspect of the human experience, capable of evoking a wide range of emotions, thoughts, and sensations. Whether haunting or harmonious, they serve as reminders of theinterconnectedness of all things and the inexhaustible wonders of the world we inhabit. So, the next time you find yourself captivated by an unfamiliar sound, take a moment to listen, for within its mysterious melody lies a world of untold stories waiting to be discovered.。

两首诗的对比英语作文

两首诗的对比英语作文In the realm of literature, poetry stands as a testament tothe human condition, often encapsulating profound emotionsand thoughts within a structured form. This essay aims to compare two distinct poems, each with its unique style, theme, and emotional resonance, to explore the diverse ways poets express their visions.The first poem under consideration is "Do Not Go Gentle into That Good Night" by Dylan Thomas. This villanelle is afervent plea from a son to his father, urging him to fight against the dying of the light, which is a metaphor for death. Thomas employs a powerful refrain, "Do not go gentle intothat good night," which recurs throughout the poem, creatinga sense of urgency and defiance against the inevitable. The poem's structure, with its strict pattern of rhyme and repetition, mirrors the intensity of the message it conveys. The use of imagery, such as "rave about," "blaze," and "snuff," evokes a passionate struggle against the end of life.In contrast, the second poem, "The Road Not Taken" by Robert Frost, presents a contemplative moment where the speaker stands at a fork in the road, musing over the choices madeand the ones not taken. Frost's poem is characterized by its narrative style and the exploration of the concept of free will. The poem is structured in four quatrains with an ABAAB rhyme scheme, which lends a rhythmic quality to thereflective tone. The central metaphor of the two divergingroads in a yellow wood encapsulates the human experience of decision-making and the consequences of those decisions. Frost's language is more subdued, using nature as a backdrop to the speaker's internal dialogue, with phrases like "two roads diverged in a wood" and "I took the one less traveled by" to illustrate the moment of choice.Comparing these two poems reveals the poets' different approaches to profound life themes. Thomas's work is a passionate outcry against the acceptance of death, while Frost's is a quiet reflection on the paths we choose in life. "Do Not Go Gentle into That Good Night" is a call to arms, urging the reader to resist passively succumbing to fate. In contrast, "The Road Not Taken" invites the reader to ponder the significance of the decisions we make and the roads we do not walk down.In terms of emotional impact, Thomas's poem is more immediate and visceral, with its urgent refrain and vivid imagery. Frost's poem, however, offers a more subtle and lasting impression, encouraging the reader to engage in introspection and consider the impact of life's choices. Both poems are powerful in their own right, but they achieve their effects through different means: one through the force of its plea and the other through the gentle nudge of its narrative.In conclusion, the comparison of "Do Not Go Gentle into That Good Night" and "The Road Not Taken" showcases the breadth of human emotion and the diversity of poetic expression. While Thomas's poem is a vibrant and forceful declaration against the end of life, Frost's poem is a thoughtful meditation onthe choices that define our existence. Both poems are enduring examples of the poetic craft, each offering a unique perspective on the human condition and inviting readers to reflect on their own experiences and the paths they have chosen to follow.。

对比手法写景色的作文

对比手法写景色的作文英文回答：When it comes to describing scenery, the use of comparison is a powerful technique that can help paint a vivid picture in the reader's mind. Comparing different elements of nature or landscapes can bring out the beauty and uniqueness of each scene.For example, when I think of a serene lake at sunset, I can't help but compare it to a giant mirror reflecting the colors of the sky. The calm water acts as a perfect canvas for the vibrant hues of the setting sun, creating a breathtaking sight that is both peaceful and mesmerizing.On the other hand, if I were to describe a dense forest in the early morning, I might compare it to a mysterious labyrinth filled with secrets waiting to be discovered. The towering trees and thick undergrowth create a sense of mystery and adventure, making it feel like a world of itsown.By using comparisons like these, I can convey the beauty and atmosphere of different landscapes in a way that is engaging and evocative. It allows the reader tovisualize the scene in their mind and feel a deeper connection to the natural world.中文回答：当谈到描述景色时，对比手法是一种强大的技巧，可以帮助读者在脑海中描绘出生动的画面。

骑自行车尴尬的事初中英语作文

骑自行车尴尬的事初中英语作文全文共3篇示例，供读者参考篇1An Embarrassing Bicycle IncidentIt was a sunny spring day, and I was feeling excited to ride my bike to school. I had just gotten a cool new mountain bike for my birthday, and I couldn't wait to show it off to my friends. Little did I know, that day would become one of the most embarrassing of my entire middle school career.I hopped on my bike and started pedaling down the street, the fresh morning breeze whipping through my hair. I loved the feeling of freedom that riding a bike gave me. As I approached the intersection near the school, I noticed the crossing guard wavingChildren to cross the street. Rather than dismounting my bike like I probably should have, I decided to show off a bit.I picked up speed and bunny-hopped the curb, sailing across the crosswalk with my wheels barely touching the ground. As I landed, I heard a loud popping sound and felt my seat start to shift beneath me. The seat post had snapped in half, likely from too much air-time during my attempted stunt.Suddenly, I found myself seated directly on the bike's metal frame, pedaling furiously with my tailbone taking the full brunt of each bump in the road. The pain was intense and caught me completely off-guard. I must have looked absolutely ridiculous - a kid manically pedaling along with their rear end just inches off the pavement.As if that weren't bad enough, when I finally made it to the school's bike racks, I realized I had another problem. With no seat on my bike, I couldn't lock it up properly. The U-lock wouldn't reach around the frame without the seat there to give it height.I briefly considered just leaving my bike unlocked and hoping for the best. But after purchasing it with my hard-earned birthday money, I knew I couldn't risk it getting stolen. So I did the only thing I could think of - I carried the stupid bike, all 30 pounds of it, into school with me.You can imagine the looks and comments I got from other students as I hauled my broken bike down the hallway toward my locker. "Nice bike, loser!" and "Why'd you bring your bike inside?" were a few of the kinder remarks. My face burned with embarrassment as I tried my best to ignore the jeers and laughter.When I finally made it to class, I had to explain the whole ridiculous situation to my teacher, who looked bemused but surprisingly understanding. She allowed me to store the bike in the back corner of the room for the rest of the day. So there sat my once-prized possession, a sad reminder of my failure looming over my shoulder for every lecture and test.The final insult came at the very end of the school day. When the dismissal bell rang, I hefted my bike back over my shoulder and began the long march home. About halfway there, the bike's metal frame dug into my shoulder blade just right, causing me to completely lose my grip. The bike went clattering to the pavement in a far-too-public location.A group of girls from my class just happened to be walking by at that moment. They saw the whole mortifying scene unfold and broke into hysterical laughter, doubling over and howling as tears streamed down their faces. Their unrestrained cackles echoed in my brain, making the embarrassment cut even deeper. I'm quite sure my face must have been roughly the shade of a ripe tomato as I quickly re-shouldered the bike and beat a hasty retreat.When I finally made it home, sweaty and exhausted from hauling around the busted bike all day, the first thing I did wascall the shop and order a new seat post. While waiting for it to arrive, I kept my bike locked up at home, refusing to subject myself to any further ridicule.To this day, more than a decade later, I still cringe at the memory of that day. Anytime I see a kid popping a bunny-hop or grinding a curb on their bike, I think back to my own stunt gone terribly wrong and feel a phantom pain in my tailbone. It was an embarrassment I wouldn't wish on any middle schooler.Looking back now, I can certainly laugh at the absurdity of the whole situation. But in that moment, as a self-conscious teenager just trying to look cool in front of his peers, the embarrassment was absolutely mortifying. I learned a valuable lesson about overconfidence that day, and made sure to take it a bit easier on the stunts after that. Sometimes it's better to just keep your wheels on the ground.篇2An Embarrassing Bike RideIt was a sunny spring day, and I was feeling great as I hopped on my bicycle to ride to school. The weather was perfect – not too hot and not too cold. I loved riding my bike on nice days like this. It was such a refreshing way to start the morning comparedto being crammed into a car or bus. As I pedaled along thetree-lined streets, I could smell the blossoms and fresh cut grass.I practiced popping little wheelies, feeling like a kid again instead of an awkward middle school student.I was about halfway to school when I saw her up ahead –Brittany Harrison, one of the prettiest and most popular girls in my grade. My heart started racing just looking at her long blonde hair blowing in the breeze as she stood on the sidewalk talking to a couple of her friends. They all looked so cool and confident in their stylish outfits. I immediately becameself-conscious of my disheveled appearance in my worn-outt-shirt, gym shorts, and beat-up sneakers.I thought about taking a different route to avoid them, but it was too late – Brittany had already spotted me. I couldn't turn around now without looking like a total loser. I tried to play it cool, giving them a friendly head nod as I approached. But then disaster struck.As I tried to do a little bunny hop over a crack in the sidewalk, I hit it at just the wrong angle. The next thing I knew, I was flying over the handlebars, my bike clattering to the ground with me landing hard right at Brittany's feet! In a panic, I must haveinadvertently clipped her leg with my foot because she went tumbling down too, dropping her books and bags everywhere."Oh my god, are you okay?" I asked, feeling mortified as I scrambled to my feet, my face blushing furiously."You idiot! Look what you did!" she screamed, gesturing to the grass stains on her cute sundress.Her friends started cracking up laughing at the ridiculous scene. I desperately wanted to melt into the concrete, wishing I could just disappear. Why do these humiliating things always happen to me in front of people I'm trying to impress?"I'm so sorry, it was just an accident," I mumbled, quickly grabbing my bike and trying to beat a hasty retreat. But the bike chain had come loose, and as I bent down to fix it, I realized my shoelaces were untied. In my flustered state, I tripped over the laces, landing flat on my face in the street!The hysterical laughter from Brittany and her friends was almost too much to bear. Tears started welling up in my eyes from humiliation as I finally gathered up my bike and stormed off down the street, trying my best to maintain at least a shred of dignity. Fat chance of that after sprawling out at Brittany's feet not once, but twice!When I finally made it to school, I could barely concentrate in class. I kept replaying the mortifying scene over and over again in my mind, cringing each time. I'm sure videos of my wipeout were already spreading like wildfire all over social media. By lunchtime, everyone would know what a total klutz I am. I dreaded facing Brittany again after almost taking her out on my bike. She must think I'm the biggest loser on the planet.As I slumped down at a vacant lunch table, bag over my face, I overheard a couple girls giggling and whispering, "Did you see that video of Ben wiping out in front of Brittany this morning?"Here we go, I thought, preparing for total and complete mockery. To my surprise though, one of the girls said, "That was actually pretty impressive how he ate it not once, but twice like that! He's got some serious guts to keep on riding after embarrassing himself like that in front of Brittany and her crew. I don't know if I could have handled that.""Yeah, you gotta admire his resilience," her friend replied. "Not many guys would have the confidence to just get up and keep going like that after faceplanting in front of their crush. Ben's pretty badass!"I couldn't believe what I was hearing. All this time, I had assumed being the subject of a viral embarrassing video was theworst thing that could happen to a middle schooler. But from their perspective, it actually made me look...cool? Suddenly, I didn't feel like quite as much of a loser.I learned an important lesson that day – true confidence isn't about never making mistakes or embarrassing yourself. It's about how you handle it and keep on going, even in the most cringeworthy situations. Yeah, my bike wipeout was absolutely mortifying in the moment. But by getting back up, dusting myself off, and continuing on my way, it took a lot moreself-assurance than just giving up or trying to hide from the embarrassment.From that point on, I stopped worrying so much about what other people think or trying so hard to look cool all the time. I just focused on being more confident in myself and not getting bent out of shape over little setbacks or embarrassments. Because you know what? We all have those awkward, humiliating moments – every single one of us. It's not about avoiding them, but embracing them with humor and grace. That's true confidence.篇3An Embarrassing Bike RideI'll never forget the day I experienced one of the most embarrassing moments of my young life. It was a sunny spring afternoon, and I had just finished classes at Smith Middle School. My best friend Jake and I decided we wanted to go downtown to grab some food and hang out like we did most days after school.The only problem was that my mom was working late, so I didn't have a ride. Jake said it was no big deal though, and that we could just ride our bikes downtown. It was only about a15-minute bike ride from the suburbs where we lived. I hadn't ridden my bike much lately, but I agreed since it was such a nice day.I got my old blue Huffy out of the garage and did my best to pump up the tires, which were looking a little flat. Once I got them filled up, I was ready to go. Jake and I headed out, riding side-by-side down the neighborhood streets.At first, everything was totally fine. We were cruising along at a good pace, and I was feeling pretty confident on my bike. Maybe a little too confident... That's when things started to go wrong.We came up to a pretty steep downhill stretch, and Jake took off ahead of me. Not wanting to be shown up, my competitiveinstincts kicked in. I leaned forward, pedaling hard to pick up speed and try to catch him.That's when I heard a bizarre "pop-flap-flap-flap" kind of sound coming from my bike. I looked down to see that my chain had come loose and was bouncing all over the place! I tried pulling the brakes, but it was too late - the chain had totally jammed up my back wheel.Before I knew what was happening, my bike went into a violent shaking motion, almost vibrating with how stuck the chain was. I couldn't control it at all, and the next thing I knew, I had been thrown clear off the bike!I went flying off to the side, hitting the grass pretty hard and getting the wind knocked out of me. My bike kept going for a few more feet before clattering to the ground in a heap of bent metal and rubber.I must have made quite a spectacular crash, because I looked up to see Jake doubled over laughing so hard he could barely breathe. A couple of cars had even stopped, with the drivers looking over in concern to see if I was okay.As I tried to catch my breath and pull myself up off the grass, incredibly embarrassed, I saw that the entire chain had comeloose and was now twisted around the rear wheel. The back tire was bent at an awkward angle, and I could see that the frame had been bent too from the force of the impact."Dude, are you alright?" Jake managed to get out between gasping laughs. I just shook my head, my face blushing redder than a tomato. Not only had I just taken an incredibly graceless spill right in front of my best friend, but my bike was now completely totaled too.The drivers who had stopped got out and came over to check on me, thankfully seeing that I was just shaken up with a few cuts and bruises. One guy commented, "I haven't seen a wipeout like that since my kid tried to jump his bike off the stairs!"As people started to gather around the scene of the accident, I felt like I wanted to just disappear into the ground from embarrassment. Here I was, now the focus of tons of strangers' attention after making a total fool of myself in epic fashion.Jake was finally able to compose himself enough to come help me pick up what was left of my mangled bike. "I can't believe you just ate it like that dude! That was insane!" he kept saying over and over.We got my poor Huffy lifted up, the crumpled chain hanging off it limply. I gave Jake an annoyed look. "Yeah, thanks for stating the obvious," I grumbled. "Now how am I gonna get this piece of junk home?"That's when one of the stopped drivers, a nice middle-aged man, spoke up. "Tell you what, I've got a pickup truck right here. Why don't you toss that bike in the back, and I can give you boys a ride wherever you need to go?"Enormously grateful for the saving grace, I gratefully accepted. As Jake and I heaved the twisted remains of my bicycle into the man's truck bed, he leaned over with a friendly smile."Don't feel too bad, kid. Everybody eats pavement with their bike sometimes when they're learning. At least you provided some entertainment for all of us passersby today!" He let out a hearty chuckle.Jake and I climbed into the truck cab, and I gave the man my address. As he drove us home, I sat in awkward silence, replaying the catastrophic bike crash over and over in my head. So much for my plans of cruising into town looking cool.When we pulled up to my house, I thanked the man profusely for his help. He just smiled and waved it off. "No problem at all! Just try to keep the rubber side down next time!"As Jake and I unloaded my demolished bike from the truck, I shot him a look. "Not a word about this to anyone, got it?" He put his hands up defensively but couldn't stop a grin from spreading across his face."Whatever you say, Mr. Stoker Stuntman!"I groaned, pretty sure this embarrassing incident would give Jake teasing material for ages. I wheeled the bent and twisted metal of what had previously been my trusty bicycle into the garage, wondering how I'd be able to face showing my face at school on Monday.At least I had learned an important lesson that day - that bike maintenance is important, and that you should never let overconfidence make you do something reckless. But most importantly, I learned that the only thing worse than a painful bike crash is having it happen in such a public, embarrassing way!。

对比模仿英语作文

对比模仿英语作文Lost in the maze of my thoughts, wandering aimlessly through the corridors of uncertainty. The echoes of doubts reverberate in the hollow chambers of my mind, drowning out the whispers of reason.A burst of laughter, genuine and infectious, echoing through the crowded room. It's like a melody, weaving its way through the cacophony of voices, leaving behind a trail of smiles in its wake.Raindrops cascade down the windowpane, tracingintricate patterns against the glass. Each drop a tiny universe, reflecting the world outside in its shimmering surface.The taste of nostalgia lingers on my tongue,bittersweet and comforting. Memories swirl like wisps of smoke, dancing in the dim light of recollection.The city streets pulse with life, a symphony of honking horns and bustling footsteps. Each passerby a protagonistin their own story, weaving in and out of the narrative of urban existence.In the quiet embrace of solitude, I find solace. The world fades away, leaving behind only the gentle rhythm of my own heartbeat.The pages of my notebook are a canvas, waiting to be filled with the colors of my imagination. Each word a brushstroke, painting a portrait of emotions too complex to express.The first light of dawn breaks through the darkness, illuminating the world with a golden hue. It's a reminder that even in the darkest of times, there is always a glimmer of hope on the horizon.。

第一次套被子英语作文心情500字

第一次套被子英语作文心情500字英文回答：For the first time ever, I was tasked with the daunting challenge of putting on a duvet cover. The prospect filled me with equal parts anticipation and trepidation. As I gingerly unfurled the duvet cover, its generous expanse seemed to mock my meager attempts at containment.Undeterred, I spread the duvet flat on my bed, careful to align the corners precisely. With the corners secured, I embarked on the delicate dance of inserting the duvet into the cover. It was like attempting to capture an elusive phantom, the duvet slithering and sliding at every turn.Patience and perseverance prevailed, and eventually, I managed to coax the duvet into its snug embrace. However, my triumph was short-lived, for the real test lay in securing the buttons. With trembling fingers, I fumbled with the tiny fastenings, fearing that any false move wouldsend the duvet flying.After several frustrating attempts, I finally managed to secure the last button, a sense of weary satisfaction washing over me. As I stepped back to admire my handiwork, I couldn't help but feel a surge of accomplishment. Though the task had initially seemed insurmountable, I had emerged victorious.With my newfound confidence, I eagerly invited my friends to witness my triumph. They marveled at the neatly dressed bed, their astonished exclamations echoing my own sense of pride. In that moment, I realized that even the most daunting tasks can be overcome with a little determination and a dash of ingenuity.中文回答：第一次套被套，我怀着激动和忐忑的心情开始了这项挑战。

高考英语修辞手法效果分析单选题30题

高考英语修辞手法效果分析单选题30题1.The moon is like a silver plate in the sky. What figure of speech is used in this sentence?A.SimileB.MetaphorC.PersonificationD.Hyperbole答案：A。

本题中“月亮像天空中的银盘”，很明显是明喻（Simile），即用“like”等词把两个不同的事物进行比较。

选项B 隐喻（Metaphor）是直接把一个事物说成另一个事物，本题不是。

选项 C 拟人Personification）是把物当人写，本题也不是。

选项 D 夸张Hyperbole）是故意夸大或缩小，本题也不符合。

2.The wind whispered through the trees. What figure of speech is used here?A.SimileB.MetaphorC.PersonificationD.Hyperbole答案：C。

“风在树林中低语”，把风当作人来写，是拟人Personification）。

选项 A 明喻不符合，没有用“like”等词进行比较。

选项B 隐喻也不是。

选项D 夸张不沾边。

3.The snow is a white blanket covering the earth. What figure ofspeech is this?A.SimileB.MetaphorC.PersonificationD.Hyperbole答案：B。

“雪是覆盖大地的白色毯子”，直接把雪说成毯子，是隐喻（Metaphor）。

选项 A 明喻需要有“like”等词。

选项C 拟人不对，这里没有把物当人写。

选项D 夸张不符合。

4.The flower danced in the breeze. What figure of speech is employed?A.SimileB.MetaphorC.PersonificationD.Hyperbole答案：C。

运用对比突出人物形象的作文

运用对比突出人物形象的作文英文回答：When it comes to contrasting the portrayal of characters in literature, there are often two distinct types that stand out: the hero and the villain. These two archetypes are polar opposites, representing the epitome of good and evil. While the hero is typically depicted as courageous, selfless, and virtuous, the villain is often cunning, malicious, and morally corrupt. This stark contrast in character traits serves to highlight the moral dilemmas and conflicts that drive the narrative forward.One example of a hero in literature is Harry Potter from J.K. Rowling's famous series. Harry is portrayed as a brave and selfless individual who fights against the forces of evil. Despite facing numerous challenges and personal losses, he never wavers in his commitment to protect his loved ones and the wizarding world. His unwavering loyalty and determination make him a relatable and inspiringcharacter for readers.On the other hand, a classic example of a villain is the character of Iago from Shakespeare's play "Othello." Iago is a master manipulator who uses deceit and treachery to destroy the lives of those around him. He is driven by envy and a desire for revenge, making him a truly despicable character. Despite lacking any redeeming qualities, Iago's cunning and intelligence make him a formidable adversary for the protagonist, Othello.中文回答：在文学作品中，对比突出人物形象时，通常有两种截然不同的类型，英雄和反派。

[实用参考]《Reputation》专辑歌词

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《Reputation》专辑歌词-Taylor-Swift

《Reputation》专辑歌词-Taylor-SwiftReputationLook What You Made Me DoI don't like your little gamesDon't like your tilted stageThe role you made me play of the fool No I don't like youI don't like your perfect crimeHow you laugh when you lieYou said the gun was mineIsn't coolNo I don't like you oohBut I got smarter I got harder in the nick of timeHoney I rose up from the dead I do it all the timeI got a list of names and yours is in red underlinedI check it once then I check it twice oohOoh look what you made me doLook what you made me doLook what you just made me doLook what you just made meOoh look what you made me doLook what you made me doLook what you just made me doLook what you just made me doI don't like your kingdom keysThey once belonged to meYou asked me for a place to sleep Locked me out and threw a feast what The world moves on another day another drama dramaBut not for me not for me all I think about is karmaAnd then the world moves on but one thing's for sureMaybe I got mine but you'll all get yoursBut I got smarter I got harder in the nick of timeHoney I rose up from the dead I do it all the timeI've got a list of names and yours is in red underlinedI check it once then I check it twice oohOoh look what you made me doLook what you made me doLook what you just made me doLook what you just made meOoh look what you made me doLook what you made me doLook what you just made me doLook what you just made me doI don't trust nobody and nobody trusts meI'll be the actress starring in your bad dreamsI don't trust nobody and nobody trusts meI'll be the actress starring in your bad dreamsI don't trust nobody and nobody trusts meI'll be the actress starring in your bad dreamsI don't trust nobody and nobody trusts meI'll be the actress starring in your bad dreamsLook what you made me doLook what you made me doLook what you made me doI'm sorry the old Taylor can't come to the phone right nowWhyOh 'cause she's dead ohhOoh look what you made me doLook what you made me doLook what you just made me doLook what you just made meOoh look what you made me doLook what you made me doLook what you just made me doLook what you just made me doOoh look what you made me doLook what you made me doLook what you just made me doReady for ItKnew he was a killer first time that I saw himWonder how many girls he had loved and left hauntedBut if he's a ghost then I can be a phantomHoldin' him for ransomSome some boys are tryin' too hard He don't try at all thoughYounger than my exes but he act like such a man soI see nothing better I keep him forever Like a vendetta-taI-I-I see how this is gon' goTouch me and you'll never be aloneI-Island breeze and lights down low No one has to knowIn the middle of the night in my dreamsYou should see the things we do baby In the middle of the night in my dreamsI know I'm gonna be with youSo I take my timeAre you ready for itMe I was a robber first time that he saw meStealing hearts and running off and never saying sorryBut if I'm a thief then he can join the heistAnd we'll move to an island-andAnd he can be my jailer Burton to this TaylorEvery lover known in comparison is a failureI forget their names now I'm so very tame now Never be the same now nowI-I-I see how this is gon' goTouch me and you'll never be aloneI-Island breeze and lights down low No one has to knowNo one has to knowIn the middle of the night in my dreamsYou should see the things we do baby In the middle of the night in my dreamsI know I'm gonna be with youSo I take my timeAre you ready for itOoh are you ready for itBaby let the games beginLet the games beginLet the games beginBaby let the games beginLet the games beginLet the games beginI-I-I see how this is gon' goTouch me and you'll never be aloneI-Island breeze and lights down low No one has to knowIn the middle of the night in my dreamsYou should see the things we do baby In the middle of the night in my dreamsI know I'm gonna be with youSo I take my timeIn the middle of the nightBaby let the games beginLet the games beginLet the games beginAre you ready for itBaby let the games beginLet the games beginLet the games beginAre you ready for itCall it what you wantMy castle crumbled overnightI brought a knife to a gunfightThey took the crown but it's alright All the liars are calling me one Nobody's heard from me for months I'm doing better than I ever was Cause my baby's fit like a daydream Walking with his head downI'm the one he's walking toSo call it what you want yeah call it what you want toMy baby's fly like a jet streamHigh above the whole sceneLove's me like I'm brand newSo call it what you want yeah call it what you want toAll my flowers grew back as thorns Windows boarded up after the storm He built a fire just to keep me warm All the drama queens taking swings All the jokers dressing up as kings They fade to nothing when I look at himAnd I know I make the same mistakes every timeBridges burn I never learnAt least I did one thing right I did one thing rightI'm laughing with my loverMaking forts under coversTrust him like a brotherYeah you know I did one thing right Starry eyes sparking up my darkest nightMy baby's fit like a daydream Walking with his head downI'm the one he's walking toSo call it what you want yeah call it what you want toMy baby's fly like a jet streamHigh above the whole sceneLove's me like I'm brand newCall it what you want call it what you want call itSo call it what you want yeah call it what you want toI want to wear his initial on a chain around my neckChain round my neckNot because he owns meBut cause he really knows meWhich is more than they can sayI recall late NovemberHolding my breath slowly I said you don't need to save meBut would you run away with meYesMy baby's fit like a daydream Walking with his head downI'm the one he's walking toCall it what you want call it what you want call itSo call it what you want yeah call it what you want toMy baby's fly like a jet streamHigh above the whole sceneLoves me like I'm brand newCall it what you want call it what you want call itSo call it what you want yeah call it what you want toCall it what you want call it what you want call itCall it what you want call it what you want call itCall it what you want call it what you want call itCall it what you want call it what you want call itCall it what you want call it what you want call itCall it what you want yeah call it what you want toDancing with Our Hands TiedI I loved you in secretFirst sight yeah we love without reasonOh twenty-five years oldOh how were you to knowAnd my my love had been frozen Deep blue but you painted me golden Oh and you held me closeOh how was I to know II could've spent forever with your hands in my pocketsPicture of your face in an invisible locketYou said there was nothing in the world that could stop itI had a bad feelingAnd darling you had turned my bed into a sacred oasisPeople started talking putting us through our pacesI knew there was no one in the world who could take itI had a bad feelingBut we were dancingDancing with our hands tied hands tiedYeah we were dancingLike it was the first time first time Yeah we were dancingDancing with our hands tied hands tiedYeah we were dancingAnd I had a bad feelingBut we were dancingI I loved you in spite ofF-Fears that the world would divide usSo baby can we danceOh through an avalancheAnd say say that we got itI'm a mess but I'm the mess that you wantedOh 'cause it's gravityOh keeping you with meI could've spent forever with your hands in my pocketsPicture of your face in an invisible locketYou said there was nothing in the world that could stop itI had a bad feelingBut we were dancingDancing with our hands tied hands tiedYeah we were dancingLike it was the first time first time Yeah we were dancingDancing with our hands tied hands tiedYeah we were dancingKnew we had our hands tiedAnd I had a bad feelingBut we were dancingI'd kiss you as the lights went out Swaying as the room burned downI'd hold you as the water rushes inIf I could dance with you againI'd kiss you as the lights went out Swaying as the room burned downI'd hold you as the water rushes inIf I could dance with you again Dancing with our hands tied handstiedYeah we were dancingLike it was the first time first time Yeah we were dancingDancing with our hands tied hands tiedYeah we were dancingOohAnd I had a bad feelingBut we were dancingHands tied hands tieDelicateThis ain't for the bestMy reputation's never been worse so You must like me for meWe can't makeAny promises now can we babeBut you can make me a drinkDive bar on the east side where you at Phone lights up my nightstand in the blackCome here you can meet me in the backDark jeans and your Nikes look at youOh d**n never seen that color blue Just think of the fun things we could do'Cause I like youThis ain't for the bestMy reputation's never been worse so You must like me for meYeah I want you We can't makeAny promises now can we babeBut you can make me a drinkIs it cool that I said all thatIs it chill that you're in my head'Cause I know that it's delicate delicateIs it cool that I said all thatIs it too soon to do this yet'Cause I know that it's delicateIsn't it isn't it isn't it isn't itIsn't it isn't it isn't itIsn't it delicateThird floor on the west side me and youHandsome you're a mansion with a viewDo the girls back home touch you like I doLong night with your hands up in my hairEchoes of your footsteps on the stairs Stay here honey I don't wanna share 'Cause I like youThis ain't for the bestMy reputation's never been worse so You must like me for meYeah I want youWe can't makeAny promises now can we babeBut you can make me a drinkIs it cool that I said all thatIs it chill that you're in my head'Cause I know that it's delicate delicateIs it cool that I said all thatIs it too soon to do this yet'Cause I know that it's delicateIsn't it isn't it isn't it isn't itIsn't it isn't it isn't itIsn't it delicateSometimes I wonder when you sleepAre you ever dreaming of me Sometimes when I look into your eyes I pretend you're mine all the d**n time'Cause I like youIs it cool that I said all thatIs it chill that you're in my head'Cause I know that it's delicate delicateYeah I want youIs it cool that I said all thatIs it too soon to do this yet'Cause I know that it's delicate delicate'Cause I like youIs it cool that I said all thatIsn't itIs it chill that you're in my headIsn't it isn't it'Cause I know that it's delicateIsn't itYeah I want youIs it cool that I said all thatIsn't itIs it too soon to do this yetIsn't it isn't it'Cause I know that it's delicateIsn't it delicateDon't Blame MeDon't blame me your love made me crazyIf it doesn't you ain't doin' it right Lord save me my drug is my babyI'll be usin' for the rest of my lifeI've been breakin' hearts a long time andToyin' with them older guysJust playthings for me to use Something happened for the first time in The darkest little paradise shakin' Pacin' I just need youFor you I would cross the lineI would waste my timeI would lose my mindThey say she's gone too far this time Don't blame me your love made me crazyIf it doesn't you ain't doin' it right Lord save me my drug is my babyI'll be usin' for the rest of my lifeDon't blame me your love made me crazyIf it doesn't you ain't doin' it rightOh lord save me my drug is my baby I'll be usin' for the rest of my lifeMy name is whatever you decideAnd I'm just gonna call you mineI'm insane but I'm your baby your babyEchoes love your name inside my mindHalo hiding my obsessionI once was poison ivy but now I'm your daisyAnd baby for you I would fall from graceJust to touch your faceIf you walk awayI'd beg you on my knees to stayDon't blame me your love made me crazyIf it doesn't you ain't doin' it right Lord save me my drug is my babyI'll be usin' for the rest of my lifeDon't blame me your love made me crazyIf it doesn't you ain't doin' it rightOh lord save me my drug is my baby I'll be usin' for the rest of my lifeI get so high ohEvery time yeah every time you'relovin' meYou're lovin' meTrip of my life ohEvery time yeah every time you're touchin' meYou're touchin' meEvery time yeah every time you're lovin' meOh lord save meMy drug is my babyI'd be usin' for the rest of my life Usin' for the rest of my life ohDon't blame me your love made me crazyIf it doesn't you ain't doin' it right doin' it right noLord save me my drug is my babyI'll be usin' for the rest of my life oh Don't blame me your love made me crazyIf it doesn't you ain't doin' it right you ain't doin' itOh lord save me my drug is my baby I'll be usin' for the rest of my life I'll be usin'I get so high ohEvery time yeah every time you're lovin' meYou're lovin' meOh lord save meMy drug is my babyI'll be usin' for the rest of my lifeDressOut secret momentsIn a crowded roomThey've got no ideaAbout me and youThere is an indentationIn the shape of youMade your mark on me A golden tattooAll of this silence and patience pining and anticipationMy hands are shaking from holding back from you Ah ah ahAll of this silence and patience pining and desperately waitingMy hands are shaking from all this Ha ha ha haSay my name and everything just stopsI don't want you like a best friend Only bought this dress so you could take it off, take it offHa ha ha haCarve your name into my bedpost Cause I don't want you like a best friendOnly bought this dress so you could take it off, take it offHa ha ha haInescapable,I'm not even going to try And if I get burned at least we were electrifiedI'm spilling wine in the bathtubYou kiss my face and we're both drunkAnyone thinks that they know usBut they know nothing aboutAll of this silence and patience pining and anticipationMy hands are shaking from holding back from youAh ah ahAll of this silence and patience pining and desperately waitingMy hands are shaking from all this Ha ha ha haSay my name and everything just stopsI don't want you like a best friend Only bought this dresssoyou could take it off, take it off Ha ha ha Carve your name into my bedpostCause I don't want you like a best friendOnly bought this dress so you could take it off, take it offHa ha ha ha ha ha haOnly bought this dress so you could take it off Ha ha haOnly bought this dress so you could take it offFlash back when you met meYour buzz cut and my hair bleached Even in my worst timesYou could see the best of meFlash back to my mistakesMy rebounds my earthquakesEven in my worst lighsYou saw the truth of meAnd I woke up just in timeNow I wake up by your sideMy one and only my lifelineAnd I woke up just in timeNow I wake up by your sideMy hands shake and I can't explain thisHa ha ha haSay my name and everything just stopsI don't want you like a best friend Only bought this dress so you could take it off, take it off Ha ha ha ha Carve your name into my bedpost Cause I don't want you like a best friendOnly bought this dress so you could take it off, take it off Ha ha ha ha There is an indentationIn the shape of youOnly bought this dress so you could take it offYou made your mark on me,golden tattooOnly bought this dress so you could take it offEnd Game I wanna be your end gameI wanna be your first stringI wanna be your A-TeamI wanna be your end game, end game Big reputation, big reputationOoh, you and me, we got big reputationsAah, and you heard about meOoh, I got some big enemies (yeah) Big reputation, big reputationOoh, you and me would be a big conversationAah, and I heard about you (yah) Ooh, you like the bad ones, tooYou so dope, don't overdoseI'm so stoked, I need a toastWe do the most, I'm in the ghost like I'm whippin' a boatI got a reputation, girl, that don't precede me (yah)I'm a call away whenever you need me (yeah)I'm in a G5 (yeah), come to the A-Side (yeah)I got a bad boy persona, that's what they like (what they like)You love it, I love it, too, 'cause you my type (you my type)You hold me down and I protect you with my lifeI don't wanna touch you, I don't wanna beJust another ex-love you don't wanna seeI don't wanna miss you (I don't wanna miss you)Like the other girls doI don't wanna hurt you, I just wanna beDrinking on a beach with you all over meI know what they all say (I know what they all say)But I ain't tryna playI wanna be your end gameI wanna be your first stringI wanna be your A-TeamI wanna be your end game, end game Now well, when I was young, we connectedWhen we were little bit older, both sprungI got issues and chips on both of my shouldersReputation precedes me and rumors are knee-deepThe truth is, it's easier to ignore it, believe meEven when we'd argue, we'd not do it for longAnd you understand the good and bad end up in a songFor all your beautiful traits and the way you do it with easeFor all my flaws, paranoia and insecuritiesI've made mistakes and made some choices, that's hard to denyAfter the storm, something was born on the 4th of JulyI've passed days without fun, this end game is the oneWith four words on the tip of my tongue, I'll never say itI don't wanna touch you, I don't wanna beJust another ex-love you don't wanna seeI don't wanna miss you like the other girls doI don't wanna hurt you, I just wanna beDrinking on a beach with you all over meI know what they all say, yeah, but I ain't tryna play I wanna be your end gameI wanna be your first stringI wanna be your A-TeamI wanna be your end game, end game Big reputation, big reputationOoh, you and me, we got big reputationsAh, and you heard about meOoh, I got some big enemiesHey, big reputation, big reputation Ooh, you and me would be a big conversationAh, and I heard about youOoh, you like the bad ones, tooI hit you like bangWe tried to forget it, but we just couldn'tAnd I bury hatchets, but I keep maps of where I put 'emReputation precedes me, they told you I'm crazyI swear I don't love the drama, it loves meAnd I can't let you go, your hand prints on my soulIt's like your eyes are liquor, it's like your body is goldYou've been calling my bluff on all my usual tricksSo here's a truth from my red lipsI wanna be your end gameI wanna be your first string (Me and you)I wanna be your A-Team (Be your A-Team)I wanna be your end game, end game I wanna be your end gameI wanna be your first stringI wanna be your A-TeamI wanna be your end game, end gameGetaway CarIt was the best of times the worst of crimesI struck a match and blew your mind But I didn't mean itAnd you didn't see itThe ties were black the lies were white In shades of grey in candlelightI wanted to leave himI needed a reasonX marks the spot where we fell apart He poisoned the well I was lyin' to myselfI knew it from the first Old Fashioned we were cursedWe never had a shotgun shot in the darkYou were drivin' the getaway carWe were flyin' but we'd never get far Don't pretend it's such a mystery Think about the place where you first met meRidin' in a getaway carThere were sirens in the beat of your heartShould've known I'd be the first to leaveThink about the place where you first met meIn a getaway car oh-ohNo they never get far oh-ahhNo nothing good starts in a getaway carIt was the great escape the prison breakThe light of freedom on my faceBut you weren't thinkin'And I was just drinkin' Well he was runnin' after us I was screamin' "go go go"But with three of us honey it's a side showAnd a circus ain't a love storyAnd now we're both sorry we're both sorryX marks the spot where we fell apart He poisoned the well every man for himselfI knew it from the first Old Fashioned we were cursedIt hit you like a shotgun shot to the heartYou were drivin' the getaway carWe were flyin' but we'd never get far Don't pretend it's such a mystery Think about the place where you first met meRidin' in a getaway carThere were sirens in the beat of your heartShould've known I'd be the first to leaveThink about the place where you first met meIn a getaway car oh-ohNo they never get far oh-ahhNo nothing good starts in a getaway carWe were jet-set Bonnie and Clyde Until I switched to the other sideTo the other si-i-i-i-ideIt's no surprise I turned you in'Cause us traitors never winI'm in a getaway carI left you in the motel barI put the money in a bag and I stole the keysThat was the last time you ever saw meDrivin' the getaway carWe were flyin' but we never get far don't pretendDon't pretend it's such a mystery Think about the place where you first met meRidin' in a getaway carThere were sirens in the beat of your heart should've knownShould've known I'd be the first to leaveThink about the place where you first met meIn a getaway car oh-ohNo they never get far oh-ahhNo nothing good starts in a getaway carI was ridin' in a getaway carI was cryin' in a getaway carI was dyin' in a getaway carSaid goodbye in a getaway carRidin' in a getaway carI was cryin' in a getaway carI was dyin' in a getaway carSaid goodbye in a getaway carKing of My HeartI'm perfectly fine I live on my ownI made up my mind I'm better off bein' aloneWe met a few weeks agoNow you try on callin' me baby like tryin' on clothesSo prove to me I'm your American QueenAnd you move to me like I'm a Motown beatAnd we rule the kingdom inside my room'Cause all the boys and their expensive carsWith their Range Rovers and their JaguarsNever took me quite where you do And all at once you are the one I have been waiting forKing of my heart body and soul ooh whoaAnd all at once you're all I want I'll never let you goKing of my heart body and soul ooh whoaAnd all at once I've been waiting waitingOoh whoa ooh whoaAnd all at once you are the one I have been waiting waitingBody and soul ooh whoaAnd all at onceLate in the night the city's asleep Your love is a secret I'm hoping dreaming dying to keepChange my prioritiesThe taste of your lips is my idea of luxurySo prove to me I'm your American QueenAnd you move to me like I'm a Motown beatAnd we rule the kingdom inside my roomInside my room oh'Cause all the boys and their expensive carsWith their Range Rovers and their JaguarsNever took me quite where you do Where you doAnd all at once you are the one I have been waiting forKing of my heart body and soul ooh whoaAnd all at once you're all I want I'll never let you goKing of my heart body and soul ooh whoaAnd all at once I've been waiting waitingOoh whoa ooh whoaAnd all at once you are the one I have been waiting waitingBody and soul ooh whoaAnd all at onceIs the end of all the endingsMy broken bones are mendingWith all these nights we're spending Up on the roof with a school girl crush Drinking beer out of plastic cupsSay you fancy me not fancy stuff Baby all at once this is enoughAnd all at once you are the one I have been waiting forKing of my heart body and soul ooh whoaAnd all at once you are the one I have been waiting forKing of my heart body and soul ooh whoaAnd all at once you're all I want I'll never let you goKing of my heart body and soul ooh whoaAnd all at once I've been waiting waitingOoh whoa ooh whoaAnd all at once 'cause you're the one I have been waiting waitingBody and soul ooh whoaAnd all at once I Did Something BadI never trust a narcissistBut they love meSo I play 'em like a violinAnd I make it look oh so easy'Cause for every lie I tell themThey tell me threeThis is how the world worksNow all he thinks about is meI can feel the flames on my skin Crimson red paint on my lipsIf a man talks sh*t then I owe him nothingI don't regret it one bit 'cause he had it comingThey say I did something bad ah Then why's it feel so goodThey say I did something bad ahBut why's it feel so goodMost fun I ever had ahAnd I'd do it over and over and over again if I couldIt just felt so good goodRa ta ta ta ta ta ta ta ta ta ta death trapRa ta ta ta ta ta ta ta ta ta ta death trapRa ta ta ta ta ta ta ta ta ta ta death trapDeath trap trap trapI never trust a playboyBut they love meSo I fly 'em all around the worldAnd I let them think they saved me They never see it comin'What I do nextThis is how the world worksYou gotta leave before you get leftI can feel the flames on my skinHe says don't throw away a good thingBut if he drops my name then I owe him nothin'And if he spends my change then he had it comin'They say I did something bad ah Then why's it feel so goodThey say I did something bad ahBut why's it feel so goodMost fun I ever had ahAnd I'd do it over and over and over again if I couldIt just felt so good goodRa ta ta ta ta ta ta ta ta ta ta death trapRa ta ta ta ta ta ta ta ta ta ta death trapIt just felt so goodRa ta ta ta ta ta ta ta ta ta ta death trapDeath trap trap trapThey're burning all the witches even if you aren't oneThey got their pitchforks and proof Their receipts and reasonsThey're burning all the witches even if you aren't oneSo light me up light me up light me up light me upLight me up go ahead and light me up light me up Light me up light me up light me up light me upLight me up light me up light me up They say I did something bad ah oh Then why's it feel so good so good They say I did something bad ahBut why's it feel so goodMost fun I ever hadMost fun I ever hadAnd I'd do it over and over and over again if I couldIt just felt so good good goodRa ta ta ta ta ta ta ta ta ta ta death trapRa ta ta ta ta ta ta ta ta ta ta death trapOh you say I did something bad ah Then why's it feel so good goodSo bad why's it feel so goodWhy's it feel why's it feel so good bad It just felt so good goodSo It Goes...See you in the darkAll eyes on you my magicianAll eyes on usYou make everyone disappear and Cut me into piecesGold cage hostage to my feelings Back against the wallTrippin' trip-trippin' when you're gone'Cause we break down a littleBut when you get me alone it's so simple'Cause baby I know what you know We can feel itAnd all our pieces fallRight into placeGet caught up in the moments Lipstick on your faceSo it goes。

美国大峡谷的英文介绍

Although three million people come to see the GRAND CANYON OF THE COLORADO every year, it remains beyond the grasp of the human imagination. No photograph, no set of statistics, can prepare you for such vastness. At more than one mile deep, it's an inconceivable abyss; at between four and eighteen miles wide it's an endless expanse of bewildering shapes and colors, glaring desert brightness and impenetrable shadow, stark promontories and soaring, never-to-be-climbed sandstone pinnacles. Somehow it's so impassive, so remote you could never call it a disappointment, but at the same time many visitors are left feeling peculiarly flat. In a sense, none of the available activities can quite live up to that first stunning sight of the chasm. The overlooks along the rim all offer views that shift and change unceasingly from dawn to sunset; you can hike down into the depths on foot or by mule, hover above in a helicopter or raft through the whitewater rapids of the river itself; you can spend a night at Phantom Ranch on the canyon floor, or swim in the waterfalls of the idyllic Havasupai Reservation. And yet that distance always remains the Grand Canyon stands apart. Until the 1920s, the average visitor would stay for two or three weeks. These days it's more like two or three hours of which forty minutes are spent actually looking at the canyon. The vast majority come to the South Rim it's much easier to get to, there are far more facilities (mainly at Grand Canyon Village), and it's open all year round. There is another lodge and campground at the North Rim, which by virtue of its isolation can be a lot more evocative, but at one thousand feet higher it is usually closed by snow from mid-October until May. Few people visit both rims; to get from one to the other demands either a two-day hike down one side of the canyon and up the other, or a 215-mile drive by road. Finally, there's a definite risk that on the day you come the Grand Canyon will be invisible beneath a layer of fog, thanks to the 250 tons of sulphurous emissions pumped out every day by the Navajo Generating Station, seventy miles upriver at Page. Admission to the park, valid for seven days on either rim, is $20 per vehicle or $10 for pedestrians and cyclists.。

乒乓球英语词汇

乒乓球英语词汇乒乓球在1988年首次进入奥运会成为正式比赛工程。

乒乓球是中国的国球，在历届奥运会上都为中国军团奉献了金牌。

自从1988年汉城奥运会乒乓球首次成为正式比赛工程以来，在已经产生的20枚金牌中，中国队获得了16枚！2008年奥运会上，王励勤、王皓、怡宁、郭跃等人都将是金牌的有力争夺者。

乒乓球的英文叫“table tennis〞，中文最早是“桌上网球〞。

到1900年左右，出现了赛璐珞制的球，由于拍与球撞击发出“乒〞而落台时发出“乓〞的声音，故而又称“乒乓球〞。

下面我们就来看看乒乓球工程的有关词汇：人员规那么发球与接球握拍击球抽杀旋转推挡远近与快慢打法场地与器材1.乒乓球运动：table tennis; ping-pong; paddle2.乒乓外交：ping-pong diplomacy3.团体赛：team event4.男子团体赛：men's team event5.女子团体赛：women's team event6.单项比赛：individual event7.单打：singles8.男子单打：men's singles9.女子单打：women's singles10.双打：doubles11.男子双打：men's doubles12.女子双打：women's doubles13.混合双打：mixed doubles14.斯韦思林杯〔男子团体奖杯〕：Swaythling Cup15.考比伦杯〔女子团体奖杯〕：Marcel Corbillon Cup16.勃莱德杯〔男子单打奖杯〕：St. Bride Vase17.盖斯特杯〔女子单打奖杯〕：G. Geist Prize18.伊朗杯〔男子双打奖杯〕：Iran Cup19.波普杯〔女子双打奖杯〕：W. J．Pope Trophy20.赫杜赛克杯〔混合双打奖杯〕：Heydusek Prize人员21.乒乓球运发动：table tennis player; paddler22.裁判员：umpire23.主裁判；裁判组长：chief umpire24.裁判长：referee25.副裁判长：deputy referee26.检录长：chief recorder规那么27.团体赛两队之间的一场比赛：team match; tie28.团体赛两队队员之间的一场比赛：individual match29.每局11分制：11-point scoring system30.轮换发球法：expedite system31.主队队员抽签代号：ABC32.客队队员抽签代号：XYZ33.选择方位与发球权：choice of ends and service34.交换场地换边：change sides35.换发球：change service36.发球违例：service fault37.拦击：volley38.连击：double hit39.两跳：double bounce40.界球：inside41.出界：out; outside; over the table42.落网：net; hit into the net43.擦网球： net ball44.擦网好球：net in45.擦网出界：net out46.擦网重发：let47.擦边球：edge [touch] ball；touch48.擦边缘以下的球：edger49.局末平分后的分数：extra point发球与接球50.发球：serve；service51.发球员：server52.发球员的右半区：server's right half court53.发球员的左半区：server's left half court54.下蹲式发球：squatting [crouching position] service55.无遮挡发球：no-hiding service56.高抛式发球：high toss service57.发轻球：light service58.发短球：short service59.发底线球：deep service60.发平击球：flat service61.正手发球：forehand service62.反手发球：backhand service63.发反手斜线球：backhand crosscourt service64.发斜线急球：fast cross table service65.发弹击式急球：flip service66.发怪球：freak service67.发旋转球：spin service68.发不转球：knuckle service; serve without spin69.发上旋球：topspin service70.发下旋球：backspin service71.发奔球：deep topspin service72.发侧旋球：sidespin service73.发快速旋转球：heavy spin service74.发球时用手指转球：finger spin75.合法发球：good service76.发球得分：service ace[winner; point]77.发球失误：lose one's serve; missed service78.发球落网：fall79.发球出界：service out80.发球未触及本区台面：volleyed service81.接球：receive; reception82.接球失误：receive miss83.接球员：receiver84.接球员的右半区：receiver's right half court85.接球员的左半区：receiver's left half court86.接发球：service reception [return]87.接发球得分：kill a service握拍88.执拍手：racket hand89.非执拍手：free hand90.直握：pen-hold grip91.直拍运发动：pen-holder92.横握：tennis［shake-hand；knife-hold; open; orthodox; Western] grip93.横拍运发动：open-grip player; tennis-holder94.深握：deep [Seemiller] grip击球95.击球：hit; stroke;strike;shot96.轻击：tap97.还击回球：return98.合法还击：good return99.击球部位：striking spot on the ball 100.触球：impact with the ball101.触球点〔点在球上〕：point of contact 102.正手侧：forehand side103.正手击球：forehand stroke104.反手侧：backhand side105.反手击球：backhand stroke106.拍形：shape of bat107.拍面垂直：bat in vertical position 108.拍面前倾：bat tilted forward109.拍面稍前倾：bat tilted slightly forward 110.拍面后仰：bat tilted backward111.拍面稍后仰：bat tilted slightly backward 112.调整拍形：angle the bat113.挥拍幅度：amplitude of swing114.挥拍速度：speed of swing115.挥拍路线：path of the bat116.随挥动作：follow-through117.飞行路线：line [path] of flight; trajectory 118.飞行最高点：zenith of flight119.球反弹的顶点：top of the bounce120.高球：lob; high ball; balloon shot121.直线球：straight [down-the-line]shot122.斜线球：cross [angled; diagonal]shot123.曲线球：curved stroke124.飘球：floater125.落点控制得好的球：placement; well-placed shot126.追身球：body(-chasing) hit127.超身球：passing shot128.时机球：sitter; easy ball129.打出界：overhit; hit out130.步法：footwork131.单步：single step132.并步：level step133.跨步：striding step134.跳步：jumping step135.小碎步：random little step136.侧身步：sideway step137.混乱的步伐：confused footwork138.站位：positioning139.近台〔身体离台约30-50厘米〕：short court; close to the table 140.中台〔身体离台约50-100厘米〕：middle court141.远台〔身体离台1米以上〕：back court; off [far from] the table 142.站位姿势：stance抽杀143.抽球：drive144.平抽球：flat drive145.反手抽球：backhand drive146.跳起抽球：jump smash147.扣球：smash148.扣杀［死］：kill; deal a fatal［lethal] blow149.侧身攻：pivot attack; forehand attack from backhand court 150.突然起板：sudden [surprise］attack151.猛击：hard hit; slag; wham；slam旋转152.旋转：spin153.旋转球：screw; spinning ball154.不转球：plain [knuckle] ball155.上旋：topspin156.左侧上旋：left-side topspin157.右侧上旋：right-side topspin158.下旋：back[under]spin159.左侧下旋：left-side backspin160.右侧下旋：right-side backspin161.急下旋：fast [quick] backspin162.侧旋：sidespin；English163.左侧旋：left sidespin164.右侧旋：right sidespin165.回跳：backward bound166.低旋球：bottom-spin167.加转：impart spin to the ball168.刁钻的旋转球：vicious spin169.抵消旋转：counteract [offset] spin170.削球：chop; cut; slice; chisel171.削球手：chop player172.削短球：short chop173.削得薄：cut thin174.削下旋球：backspin chop175.对搓：chopping the chop; trade [exchange] chops 176.弧圈球：loop (drive)177.弧圈球选手：looper178.提拉：lift179.前冲弧圈球：fast[accelerated]loop180.高吊弧圈球：high loop181.强旋转弧圈球：heavy-spin loop182.加转高吊弧圈球：high-spin[super]loop183.不转弧圈球：dummy loop推挡184.推：push185.挡：block186.推挡：push-and-block; semi-push and semi-drive; semi-volley 187.轻推挡球：stop ball188.加力推：accentuated push189.减力挡：cushion block; stop-block shot190.快挡：fast block远近与快慢191.短[吊近网]球：short [drop] shot; dink192.长[远；底线]球：deep [long] ball; end-line shot193.近抽：close drive194.远抽：long [off-table] drive195.近削：close-to-table [short-range] chop196.远削：long chop197.台抽球：drive over the table198.台削球：chop over the table199.滚网球：net-cord ball200.打到对方台角的球：corner201.快［急］球：quick [fast] ball202.快拉：quick lift203.快拨：quick flick204.快点：quick point205.快带：quick bringing206.抖腕球；弹球：flick207.改变速度：change speed打法208.打法：playing method；play;game209.风格：style of play210.快、准、狠、变、转：speed，accuracy, aggressiveness, variation and spin 211.争取主动：gain control [domination] over the game; force the pace212.前三板：first three strokes213.发球抢攻：attack after service; third-ball attack; service-led offensive214.相持球：sustained [protracted]rally; post-third-ball strokes; persistent trade of shots 215.对攻［抽]：exchange drives216.攻击型打法：offensive play217.攻击型选手：attacking player218.防守型打法：defensive play219.防守型选手：defensive player220.以削为主的打法：all cut221.削中反攻：counterattack during chops222.左推右攻：backhand block and forehand attack223.正反手结合进攻：forehand and backhand attacks224.反手攻结合侧身攻：backhand and pivot attacks225.快攻结合弧圈球：fast attack and loop226.弧圈球结合快攻：loop and fast attack227.直拍横打：pen-hold backhand attack with reverse surface228.近台打法：close-to-table play229.近台快攻：close-to-table fast attack230.近台防守：short［close-to-table] defense231.近网区：net zone232.近网球打法：net play233.以短回短：return short with short234.远台打法：far-from-table play235.远台防守：far-from-table [long-range] defense236.放高球防守：balloon [high lobbing] defense237.打回头；远台反攻：hit back from a long distance; far-from-table counterattack 238.长短结合：long drives bined with drop shots；long-and-short play; rocking tactics 239.变线：change direction of shots240.两面攻：two-winged attack; attack on both sides241.滑板：feint play242.拉中路杀两角：corner smash after lift to the middle243.拉两角杀相反方向：smash after lift to opposite corner244.多球训练： multi-ball practice245.共同练习：joint practice场地与器材246.比赛场区：playing area247.挡板：barriers；surrounds248.记分器：score indicator249.球台［桌］：table250.中线：center[middle; service center; doubles] line 251.左半区：left half court252.右半区：right half court253.本方球台：home court254.对方球台：opponent's court255.台面：playing surface256.网：net257.网架：net brace258.网柱：pole; support259.乒乓球：table tennis [ping-pong]ball260.大球〔直径40毫米〕：big ball261.乒乓球发射机：robot machine262.乒乓球拍：table tennis bat[racket; paddle] 263.拍柄：handle264.拍身：blade265.拍面：racket surface266.木版面：wooden face267.胶合板：veneer268.双面胶板：double-glue bat269.胶皮：gum；rubber (covering)270.合成胶：synthetic rubber271.胶粒：pimple272.胶膜：paint sheet273.胶水：glue274.海绵胶拍：sponge (bat)；sandwich; soft rubber275.橡胶拍：rubber bat276.胶粒球拍：pimpled rubber277.正胶拍：pimples-[pips-]out bat; sandwich [outward-pimpled] rubber278.反胶拍：pimples-[pips-]in bat；inverted sandwich[inward-pimpled] rubber; reversed(-glue) bat 279.长胶拍：long-pimpled bat280.两面不同性能的球拍：different rubber bat281.两面不同颜色的球拍：two-color bat282.防弧圈拍：anti-loop bat283.反旋转拍：anti-spin [Phantom] rubbe。

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I. Introduction
III. Methodology
In the contemporary mobile communication technology, 1. Take measurements in flat phantom and face phantom withDASY4 system mobile phones are no longer just terminals to make call for different kind of phones. s as when them were invented, but also to send 2. Take CW (continuous wave) measurement in the messages, play 3D games, make video calls and surf two phantoms the internet. With all sorts of functions in modern mobile 3. Simulate three different models (flat model, SAM phone, people use mobile in front of themselves more and brook model) in Empire, record the SAR frequently than put it aside ears to make phone calls. outcomes at different distance. In this case, the measure of the radiation by handsets 4. Compare the results between measurement s and in front of people becomes quite noticeable. In this simulation, make discussion and conclusion. project, the comparison of the two different phantoms Fig.3. Flat model in simulation of measurements have been done. The researcher also compared the results with simulation outcomes in Empire XCcel 6.0. Due to the fault of the DASY4 system, the measurement Eventually, the author results in this project could not be accurate, however; through discussed about the results simulation outcomes we also find some disciplines. the accuracy of We found that using face phantom and flat phantom both exceed the two phantoms. the SAR of really head, however; when Fig.4. SAM head in simulation measuring farther distance (over 20mm), face phantom is better than using flat phantom, because flat would under estimate Fig.1.Measurements in flat phantom the real SAR value. 1g SAR with 1800MHz dipole Collect results of the Specific Absorption Rate (SAR) due to the two phantoms using DASY4 Measurement system with different variables. By comparing the measurement results with the simulation outcomes, define the accuracy of the two phantoms, specifically in distance area.Βιβλιοθήκη IV. Conclusion
II. Aim
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Fig.5. Brook head in simulation
COMPARISON OF A FLAT PHANTOM TO A FACE PHANTOM FOR SAR MEASUREMENTS
Name: Long Liu(B120139) MSc Mobile Communication System Supervisor: Dr Chinthana Panagamuwa