The prince of Egypt影评

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小王子影评英语

小王子影评英语The Little Prince is a timeless story that holds a special place in the hearts of readers of all ages. Written by Antoine de Saint-Exupéry, this novella explores themes of love, friendship, loneliness, and the nature of human relationships. The story follows a young prince who travels from planet to planet in search of understanding and meaning in life. As he encounters various adults who have lost touch with their inner child, he learns valuable lessons about the importance of innocence, imagination, and connection.《小王子》是一部永恒的故事，深受各个年龄段读者的喜爱。

安东尼·德·圣-埃克苏佩里创作了这部中篇小说，探讨了爱、友谊、孤独以及人类关系的本质。

故事围绕一名年轻王子展开，他从一个星球到另一个星球寻找生活中的理解和意义。

当他遇到与内在童心失联的各种成年人时，他学到了有关天真、想象力和联系的宝贵教训。

The Little Prince is not just a children's story, but a philosophicalwork that delves into deeper meanings of life and existence. Through the interactions between the Little Prince and characters like the Fox and the Rose, readers are encouraged to reflect on their own valuesand priorities. The story presents a contrast between the materialistic world of adults and the simple, pure perspective of the Little Prince. This juxtaposition forces readers to reconsider what truly matters in life and what it means to live authentically.《小王子》不仅仅是一部儿童故事，而是一部深入探讨生活和存在意义的哲学作品。

埃及王子影评 review by Maria Garcia

埃及王子The Prince of Egypt 英文影评review by Maria Garcia2007-08-24 07:36:32 来源：Internet 浏览次数：1662 文字大小：【大】【中】【小】简介：In an era when 'entertainment value' is often the only measure of success or failure, it isn't any wonder the movie musical has been reincarnated as an animated feature. Billed as 'family entertai ...关键字：埃及王子The Prince of EgyptIn an era when 'entertainment value' is often the only measure of success or failure, it isn't any wonder the movie musical has been reincarnated as an animated feature. Billed as 'family entertainment,' these films probably won't provide any cathartic moments; on the other hand, you can usually take the children and be reasonably amused-The Rugrats Movie is a good example. However, when the animated musical meanders into the murky waters of what some regard as religious mythology, and what others consider the origin of their religious identity, it reaches the outer realm of its credibility. Witness DreamWorks' second animated feature release, The Prince of Egypt, which traces the life of Moses up to the time of the Exodus (the journey of the Hebrews from Egypt). Whether or not Moses and Aaron actually lived, and whether in fact the Jews existed in large numbers in Egypt at the time of Rameses II-both the topic of historical debate-is perhaps beside the point. The Exodus marked the beginning of Judaism as an organized religion, and it was the birth of monotheism or, in Western history, the shift from the Ancient to the Modern world. Myth or reality, Moses' life is entrenched in the canon of so many disciplines-including psychology and philosophy-that perhaps he's a reasonable subject for all sorts of storytelling. Despite its masterful animation, and a glib version of Old Testament (a Christian designation) events, The Prince of Egypt leaves you feeling like you've witnessed something that misses the mark. It begins with the popular story of how Moses was set adrift in a reed basket to be found by an Egyptian queen. Unlike its Biblical equivalent, in this version Moses doesn't learn he's a Hebrew until he's an adult. By then, it's difficult for him to break his familial tie to Rameses, his 'brother' and the future Pharaoh, until he mistakenly kills an Egyptian foreman. The foreman is beating a Hebrew slave laboring in a new temple. In the Bible, Moses' act is a crime of passion that sends him into a period of wandering and contemplation. Here, it's fear that compels him to leave his palace home-hardly the stuff of great drama. But who wants drama? This is supposed to be family entertainment, isn't it?An army of animators, a costume designer and some new technology that allows animators to combine 2D and 3D elements in a scene really do differentiate The Prince of Egypt-the crane shot of an Egyptian temple at the beginning of the film is one example of what the new technology, invented by DreamWorks and Silicon Graphics, can achieve. Animators also created new techniques which allow crowd scenes to look far more realistic than they have in other animated films. Spectacular scenes like the Passover, the dream sequence in which hieroglyphics become animated, and the parting of the waters, combine to make The Prince of Egypt a memorable visual experience. While the songs don't qualify as toe-tapping melodies, they're often cleverly used toadvance the plot, as they are in the Passover sequence. (Listen for Michelle Pfeiffer as Tzipporah, and Ralph Fiennes as Rameses-the only actors who sing their own songs.)DreamWorks is banking on adults buying movie tickets for animated features. While The Prince of Egypt can boast 'adult themes'-racism, revenge, sibling disputes and divine intervention-what it doesn't have is the ability to involve adults emotionally. It's rare to feel anything for an animated character. Parents may perceive the film as an opportunity to introduce children to Biblical themes, but children are likely to become bored by a story about adults, and young children could be disturbed by brief, but nonetheless disturbing, events such as the death of the first-borns or the bloodying of the waters. Richard Schickel's concluding sentence in a 1966 review of The Bible-'Read the book'-is worth mentioning here: The themes inherent in the story of Moses, for the religious and for the non-religious, have been the subject of so much scholarly debate in so many disciplines that to make it the inspiration for an animated musical is, in some ways, to do the story a disservice. Recounting the life of Moses in a visual medium by simply focusing on the events of his life is to greatly misunderstand his accomplishment. When God handed Moses the Ten Commandments, he demanded that the Hebrews avoid graven images of him and of nature. God was delivering the Hebrews from idolatry, from the empty worship of physical objects, opening up the possibility of imagination, psychic awareness, and the modern idea of an interior life. In an ironic twist too glaring to ignore, in The Prince of Egypt the picture is all.。

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《埃及王子》影视动画分析
一、影片定位：打破原有动画传统
• 梦工厂三巨头对于一种有别于传统的好莱坞传统风格，摆脱迪斯尼那种以儿童为对象的讨好和趣味的立意达成了共识。在一个全新的、严肃的创作理念的驱动下，《埃及王子》应运而生，并且达到美国动画长久以来从没有达到过的一个目标——那就是让它将美国动画带到另一个新的领域。
• 梦工厂在《埃及王子》上的苦心经营不仅仅处于商业的考虑，更是从动画艺术性上作出了可喜的探索，力图打破传统童话色彩的动画格局与规模，塑造一种动画的史诗性。
一、影片定位：打破原有动画传统
• 《埃及王子》是将最新的动画技术、最成熟的好莱坞剧作、大众流行音乐以及全明星包装等等带有浓重现代色彩的商业模式有机结合，形成了商业元素和严肃题材相协调的道路，无疑为动画题材的开拓和推动整个动画发展历史写下了华彩的一笔。
一、影片定位：打破原有动画传统
• 正如杰夫瑞· 卡森伯格所说：“非动画片的类型很多，有文艺片、喜剧、动作片、恐怖片等等。我认为动画片也可以有各种不同的故事类型。我非常希望也深深相信动画片能被用来说各种不同的故事，而且动画片不止是给小孩子看的卡通。”
一、影片定位：打破原有动画传统
• 《埃及王子》被认为是电影史上最伟大的动画片。
二、影片让美国Leabharlann 画严肃起来• 影片非常严谨地遵循剧情电影的模式，融入正剧的手法来叙述故事。
• 主题设置成人化
–影片采用的是宗教性的故事，内容涉及非常庞杂，如讲到了自由和解放、自我回归、人的成长、大义和亲情、信仰……
–贯穿影片始终的主题“信仰才是得救之道”
二、影片让美国动画严肃起来
• 矛盾冲突的复杂化
–本片的矛盾冲突纷繁复杂，有社会环境存在矛盾，有人物之间的矛盾，有人物内心的矛盾……

奇迹建立在信仰之上

奇迹建立在爱与信仰之上--------《埃及王子》影评《埃及王子》是梦工厂耗资一亿美金并花费四年时间精心制作的一部关于圣经题材的动画片。

该片的制作过程中使用了最先进的电脑动画，动用了来自35个国家的350名首席画师、动画师和技术师。

为了更忠实于原作，美术指导更是亲自去埃及取景以呈现古埃及风貌。

因为内容涉及宗教题材，该片还邀请到了数百位历史和宗教学者为其担任顾问。

更有好莱坞当红影星方•基墨和桑德拉•布洛克做其幕后配音以及乐坛中的两大天后玛利亚•凯莉和惠特尼•休斯顿献唱该片的主题曲。

其准备之充分，阵容之强大被当时的影评人士认为是电影史上最伟大的动画片，而且极有可能打破动画片从未涉入奥斯卡提名的历史。

影片以圣经《旧约•出埃及记》的1到14章的内容为蓝本展开。

故事发生在法老统治下的埃及，由于希伯来人数量增多，法老担心这样会撼动他的统治，便下令把所有希伯来人刚生出的男婴扔到河里。

一位希伯来妇女为了保护自己刚生下的男婴，便将其放入竹篮中，依依不舍的把竹篮放进尼罗河里，让其顺水飘走到安全的地方。

竹篮在神的庇佑下飘到了埃及皇宫附近的小河，被在河边散步的王后发现后带走认作自己的孩子，并给他取名为摩西斯。

从此摩西斯便与王子兰姆西斯一同生活在王宫，也没有人来质疑摩西斯的身份都以为他就是王后的亲生儿子。

长大后的摩西斯在一次宫廷宴会后与自己的亲姐姐相遇，在姐姐的提示下得知了自己的真实身世，并为法老对待希伯来人的奴役态度感到悲叹。

一次意外让他失手打死了奴役希伯来人的埃及长官，由于内心的谴责不安，他选择自我放逐。

无意中来到了米甸，并因解救了米甸祭司的女儿而被邀请留住在此，摩西斯也在此成家立业。

一次牧羊途中他接受神谕并被神选派为解救压迫中的希伯来人的代表。

那时新法老即兰姆西斯刚即位更加加重了奴役希伯来人的重担，摩西斯深感肩负的重任，带着神赐予的力量经历了一番苦难后终将希伯来人从埃及人残酷血腥的奴役中解放出来，并带领着他们走出埃及。

国王的演讲影评_观后感

精心整理国王的演讲影评_观后感【第1篇】——在那个暴风雨前夜的时代背景下的一个片面里，描绘人一性一。

从那个片面的角度中，诉说那个不平凡的时代。

也许，你深知凡华体系下，整个欧洲沉湎着如暴风雨前夜般一阴一森的平静。

是“到访，笔道。

这些细腻描写的瞬间无疑也为影片增色不少。

国王的演讲是本年度最有秀的电一影之一，也是近几年鲜见的优质的历史电一影。

值得一看。

【第2篇】国王的演讲是一部很不错的传记电一影，不错到了即使是社一交一网络这样的大热影片也不敢轻视其夺奖前景。

如果说社一交一网络给我们展示了纯正的美国梦，那么国王的演讲真正告诉了我们成功的背后的艰辛。

说到二战，欧洲战场，我们更多注意的是艾森豪威尔将军的气势，是丘吉尔的智慧，是轮椅上罗斯福的炉边讲话，我们很少知道这个乔治六世也是一位演讲家。

，本片获奖良多，最近在制片人工会中击败了社一交一网络赢得最佳影片的称号可以说是名副其实。

如果说国王的演讲能斩获几个奥斯卡小金人，我觉得也不是幻想。

本片确实给我么展现了一段不为人知的历史，不过我也为欧洲人的宽容与求实感到惊叹，一个国王的口吃，并不是一个光彩的事情，但是他们敢于搬上银幕，难道还不说明他们王室的民一主与亲民吗?而看过本片，我们也只能说乔治六世是个勇敢的人，而不会嘲笑他，因为他敢于走到麦克风后，敢于发表一场场的演讲，即使他并不擅长。

【第3篇】看完电一影《国王的演讲》，除了令人能记住的是那位在演讲时就口吃的英国国王乔治六世，还有就是他和Lionel，一位全力帮助乔治六世克服口吃的普通平民，形成来。

，而是绝不放弃希望。

于是她找到了Lionel。

Lionel的居所幽黑，其人一性一格固执，颇有一点神秘色彩，而其房间的布置，多少带着点魔幻色彩，彰显了主人公特立独行的个人风格。

Bertie和Lionel的第一次见面可不是在宾客俱欢的友好气氛中进行，两人各自固执己见。

在争执中，在彼此的试探中两人委婉地附加着半点的妥协，才使这第一次见面磕磕碰碰地走到了终点。

埃及王子影评 (2)

埃及王子影评1. 简介《埃及王子》（The Prince of Egypt）是一部由梦工场动画工作室制作，于1998年上映的美国动画电影。

影片由布伦达·查普曼和斯蒂芬·席尔伯格共同执笔，并由布伦达·查普曼和史蒂夫·席尔伯格共同执导。

影片以摩西的故事为基础，讲述了他在埃及长大的故事，以及他领导希伯来人逃离奴役的旅程。

2. 剧情梗概影片以埃及为背景，主要讲述了两个主要角色：摩西和拉美西斯的故事。

他们两个是皇室兄弟，却因为摩西发现了自己的真实身份并站在了奴隶一方，从而成为对手。

故事从两个兄弟在一起长大的时候开始，展示了他们渐行渐远的过程。

摩西发现自己的犹太人身份后，对奴役的痛苦和争议就开始了。

他试图与法老争论对希伯来人的不公对待，但遭到了法老的强烈反对。

在一场被法老撤销的决斗中，摩西杀死了一名埃及士兵，为此被流放到了流亡之旅，直到他在沙漠中遇到了一个神秘的燃烧的灌木丛。

神通过燃烧的灌木丛告诉摩西，他被选中去拯救希伯来人。

在神的指引下，摩西回到埃及，与拉美西斯展开了一场来势汹汹的大战。

最终，希伯来人成功逃离埃及的奴役，在红海分开之际获得自由。

3. 影片亮点3.1 动画和视觉效果《埃及王子》在动画和视觉效果方面展现了梦工场工作室的一流水准。

通过精美的角色设计和光影处理，影片成功地再现了古埃及的壮丽景观和宏伟建筑。

从热闹的巴士底广场到广阔的红海，每一个画面都令观众感到震撼和心旷神怡。

3.2 音乐和歌曲影片中的音乐和歌曲也是其亮点之一。

音乐总监汉斯·季默创作了一系列动人的配乐，为影片赋予了情感和力量。

其中，歌曲《不再孤单》（When You Believe）更是成为了影片的代表作，并赢得了奥斯卡最佳原创歌曲奖。

3.3 剧情深度与故事触动《埃及王子》不仅仅是一部简单的动画电影，它提供了更深层次的故事和触动。

影片通过摩西和拉美西斯之间的关系展现了友情、家庭和信仰的复杂性。

埃及王子

《埃及王子》这个故事讲述的是古埃及法老发现自己的国家中希伯来人随着时间的增加越来越多，他开始感到不安，对希伯来人充满了猜疑，总觉得他们会威胁到法老的统治地位。

于是压迫所有的希伯来人，让他们都去当奴隶，并吩咐将所有希伯来人生下的男孩扔到河里。

某天，一个希伯来妇女生了一个漂亮的男孩，为了让自己的孩子能够幸免于难，她将他放到一个篮子中放进了尼罗河，让之随流飘荡。

而皇后在河边捡到了这个漂亮的男孩，将他带回宫殿抚养，取名摩西。

摩西和王子兰姆蒂斯一起长大，两人成了最好的兄弟。

而后摩西知道自己是希伯来人，却不愿接受这个事实。

他十分不喜欢法老对希伯来人的暴政，一次他为了阻止一名埃及人残害希伯来人而将失手将他打死。

为了逃避法老的惩罚，摩西逃到了米甸地。

不久法老去世，兰姆蒂斯成了新法老。

摩西原本以为兰姆蒂斯会一改以往法老对希伯来人的暴政，没想到兰姆蒂斯反而变本加厉。

在神的指示下，摩西了解到自己的使命，于是他决定要带领这群希伯来人走出困境。

这部动画是以《圣经旧约》中的“出埃及记”的故事为蓝本的，其中包含了许多现代电影元素。

这是一个能让现在的人们感动与共鸣的故事，里面交织着激发观众强烈情感的故事情节，它宣扬了人性的光辉。

本片高超的画工，还有发人深思的结局都给影片增加了不少好感。

该片以动画片的形式生动地演绎了这个被称作西方世界中有史以来的伟大故事。

《埃及王子》的主题超越了一般动画片的意义，它选择了一个史诗般的故事，同时也是一个沉重的话题，它是人们对信仰自由、对人生选择的思考。

首先，在《埃及王子》中角色的塑造我们将之分为两大类：埃及人和希伯来人。

这两部分在人物造型时所用的线条就已经不同。

埃及人所用的是硬朗的线条，而希伯来人的线就比较柔和松散。

而且两者的出处也不相同。

埃及人的造型很明显可以看出来是取自于埃及的壁画和雕塑；埃及壁画人物的身体构造特点如长颈、宽肩、窄臀都被挪用过来，五官的造型也非常的相似，只是略微增加了棱角。

众所周知，埃及壁画中几乎所有人物都会遵循“正面律”（丹麦考古学家兰格定义）的规则：头做侧面，眼睛作正面，肩胸作正面，腰部以下作侧面。

埃及王子影评 review by ROGER EBERT

埃及王子The Prince of Egypt 英文影评review by ROGER EBERT2007-08-24 07:33:59 来源：Internet 浏览次数：550 文字大小：【大】【中】【小】简介：Not long ago I saw the first of the great screen epics about Moses and his people, the 1923 silent version of Cecil B. de Mille's "The Ten Commandments." Everyone must be familiar with de Mille's ...关键字：埃及王子The Prince of EgyptNot long ago I saw the first of the great screen epics about Moses and his people, the 1923 silent version of Cecil B. de Mille's "The Ten Commandments." Everyone must be familiar with de Mille's 1956 sound version, which plays regularly on television. Now here is "The Prince of Egypt," an animated version based on the same legends. What it proves above all is that animation frees the imagination from the shackles of gravity and reality, and allows a story to soar as it will. If de Mille had seen this film, he would have gone back to the drawing board.The story of Exodus has its parallels in many religions, always with the same result: God chooses one of his peoples over the others. We like these stories because in the one we subscribe to, we are the chosen people. I have always rather thought God could have spared man a lot of trouble by casting his net more widely, emphasizing universality rather than tribalism, but there you have it. Moses gives Rameses his chance (free our people and accept our God) and Rameses blows it, with dire results for the Egyptian side."The Prince of Egypt" is one of the best-looking animated films ever made. It employs computer-generated animation as an aid to traditional techniques, rather than as a substitute for them, and we sense the touch of human artists in the vision behind the Egyptian monuments, the lonely desert vistas, the thrill of the chariot race, the personalities of the characters. This is a film that shows animation growing up and embracing more complex themes, instead of chaining itself in the category of children's entertainment.That's established dramatically in the wonderful prologue scenes, which show the kingdom and Hebrew slaves building pyramids under the whips of the Pharaoh's taskmasters. The "sets" here are inspired by some of the great movie sets of the past, including those in de Mille's original film and D.W. Griffith's "Intolerance." A vast Sphinx gazes out over the desert, and slaves bend to the weight of mighty blocks of stone. In crowd scenes, both here and when the Hebrews pass through the Red Sea, the movie uses new computer techniques to give the illusion that each of the countless tiny figures is moving separately; that makes the "extras" uncannily convincing.The film follows Moses (voice of Val Kilmer) from the day when he is plucked from the Nile by the queen (Helen Mirren) to the day when he returns from the mountain with the Ten Commandments. What it emphasizes more than earlier versions is how completely the orphan child is taken into the family of the Pharaoh (Patrick Stewart); he is a well-loved adopted son who becomes the playmate and best friend of Rameses (Ralph Fiennes), the Pharaoh's son. As boys, they get in trouble together (one drag race in chariots, which speed excitingly down collapsing scaffolds, results in the destruction of a temple). And when Rameses is named regent, his first actis to name Moses as royal chief architect.But something within Moses knows that the Egyptians are not his people. After he happens to meet his real brother and sister, Aaron (Jeff Goldblum) and Miriam (Sandra Bullock), and learns the truth about his heritage, he runs away into the desert. At an oasis, Moses encounters a former slave girl, whom he had helped to escape from the Pharoah's empire, and who is the daughter of the Hebrew high priest Jethro (Danny Glover). While staying with them, Moses hears the voice from the Burning Bush: "I am that I am, the God of your fathers." For Moses, accepting this god means renouncing untold power and riches, and Rameses (now the Pharaoh) is first incredulous, then angered. "I am a Hebrew," Moses sternly informs him, "and the God of the Hebrews came to me and commands that you let my people go." When Rameses disagrees (and doubles the slaves' workload), God unleashes a series of punishments. Fire rains from the sky, locusts descend in clouds, and all the first-born are killed. All leads up to the spectacular parting of the Red Sea, an event made for animation; unlike de Mille's oddly unconvincing vertical walls of water, the parting here has an almost physical plausibility; we can see how the water parts and where it goes. The movie is not shy about being entertaining, but it maintains a certain seriousness. In place of the usual twosomes and threesomes of little characters doing comic relief, we get two temple magicians (voices of Steve Martin and Martin Short), and a duet ("Playing With the Big Boys"). Moses turns his staff into a snake to impress Rameses, and magicians show how the trick has been done. It's not that easy to explain the fire and the locusts.The more movies I see, the more grateful I am for new films that go to the trouble of creating astonishing new images. One of the reasons I was so enthusiastic, earlier in 1998, about "Dark City," "What Dreams May Come" and "Babe: Pig in the City" is that they showed me sights I had never imagined before, while most movies were showing me actors talking to one another. (Those who found "Dreams" cornball were correct, but they missed the point.) "The Prince of Egypt" is the same kind of film (as were, on quite a different scale, "A Bug's Life" and "Antz"). It addresses a different place in the moviegoer's mind, one where vision, imagination and dream are just barely held in rein by the story. One imagines de Mille had a film like this in his mind, before he had to reduce it to reality.。

《埃及王子》之《Deliver Us》赏析

影片开篇是大气磅礴的《Deliver Us》。

1、整体
开始时的音乐孤单而显得压抑，如同进攻前的号角，之后男声合唱有力地进入，在管弦乐之下还可以听到隐约的中东音乐，然后是轻柔的女声独唱与男声合唱交替展开。

《Deliver Us》始终在紧张中发展，而合唱和独唱中的和声则让音乐显得迭荡起伏，在电影中起到了铺设氛围的作用，表达出法老统治下的底层人民渴望救赎，渴望得到一片属于自己的土地的心声。

2、分段
（1）0：55——1:34
音乐是一段画外音乐，孤单而显得压抑，听起来就像进攻前的号角，音乐给人的感觉旷远悠长，还带着中东的风格，而画面是薄云渐开，烈日当头，音乐与画面是一种音画游离的关系。

（2）1：35——2:10
音乐中男声合唱开始加入，电影中宏大的工地劳动场面和希伯来人的悲苦生活开始展现。

音乐是一段画外音乐，希伯来人劳动时的动作、劳动号子似的歌词和音乐与画面吻合，节奏一致，音乐与画面同步。

（3）2:11——2:55
音乐仍是画外音乐，但开始慢慢转入音画平行，音乐与画面开始表现希伯来人被奴役时的悲苦，同时也表现他们在悲苦中对上帝的祈祷，祈祷上帝能够帮助自己，让上帝拯救他们，去往“流着奶与蜜的土地”,带有一点抒情作用。

（4）3:07——4:10
经过一小段的过渡音乐，女声独唱加入，之后与男声合唱交替展开。

这时画内音乐与画外音乐同时存在，电影情节随着埃及士兵的搜查和摩西亲生母亲带着摩西逃亡显得迭荡起伏，并以给人感觉越来越旷远的“To the Promised land”结束。

同时，音乐开始归于平和，为摩西亲生母亲把他送入河中漂流而去，做了情绪上的一种铺垫。

马戏之王影评观后感

马戏之王影评观后感《马戏之王》是一部来自国外的歌舞类电影，影片画面精致，剧情丰富，网友们对这部影片的评价也还算不错，下面大家一起来看看网友们到底是怎么说的吧！一在《爱乐之城》之前，业界一般会认为音乐歌舞片在国内没有市场。

202X年2月，当汤姆·霍普导演的《悲惨世界》在国内上映的时候，还是休·杰克曼、罗素·克劳、安妮·海瑟薇、阿曼达·塞弗里德和埃迪·雷德梅恩等人的全明星阵容，票房惨淡收场。

大家觉得可能是歌唱的缘故，对白都是演员唱出来的，加上中国本来就没有歌舞片的传统和群众基础，大众不习惯这样的类型。

至于《马戏之王》能不能打破这个魔咒，让我们看它首周末的票房成绩就行。

这部电影在奥斯卡上，最终提名了一项最佳原创歌曲奖。

去年凭借《爱乐之城》拿下奥斯卡的Benji Pasek和Justin Paul，今年再次凭片中一首《This is me》提名。

不过和《爱乐之城》相比，《马戏之王》才是纯正的好莱坞歌舞片，有着很多场面宏大的歌舞场景，看上去很唬人。

我个人偏好音乐歌舞片，第一时间买票去看了点映，两张IMAX场的电影票花了160元，结果又过了一天，票补之后的特惠票价就变成了20元一张，感觉很坑。

最后我给了两星，失望不是因为电影票买贵了，失望的点主要有三，而且每一点都是致命的。

首先，就是音乐。

当年《悲惨世界》上映的时候，片子就一直在宣传，说演员在现场拍摄的时候都是真唱，收录的也是同期声。

我不是要求所有的歌舞片，都要同期声演唱，但像《马戏之王》这种后期修声到失真，混音效果又糟糕到跟演员的表演有割裂感，就已经严重的影响到电影的观看了。

小男孩Ziv Zaifman一开始唱《A Million Dreams》的时候，已经假成一出MV大串烧了。

当他饰演狼叔小时候的小演员Ellis Rubin根本就不会唱，他在现场也就是对对口型。

我们看歌舞片的时候，常被演员的唱功震撼到，像《悲惨世界》里唱《I Dreamed A Dream》的安妮·海瑟薇，或者2006年《梦女孩》里唱《I Am Changing》的詹妮弗·哈德森那样，她们某种程度上都是靠这样一首歌的演唱拿了奥斯卡最佳女配角。

电影简介

ቤተ መጻሕፍቲ ባይዱ
主题音乐《When You Believe》由《风中奇缘》金像填词家史提芬舒华执笔，配以《狮子王》金像作曲家汉斯洗马的妙韵旋律，再加上乐坛两位天后惠妮· 休斯顿及玛利亚· 凯莉合唱，令电影生色不少。
背景音乐
影片开篇是大气磅礴的《Deliver Us》，开始孤单而显得压抑的一段音乐如同进攻前的号角，之后男声合唱有力地进入，在管弦乐之下还可以听到隐约的中东音乐，然后是轻柔的女声独唱与男声合唱交替展开。
电影评论:该片以《圣经》旧约中‘出埃及记’的故事为创作蓝本耗资近一亿美元历时四年才完工，在制作过程中不但动用了最先进的电脑动画而且还有数百位历史及宗教学者为本片担任顾问，有方.基墨和桑德拉.布洛克等好莱坞当红影星的幕后配音，更有乐坛中的两大天后玛莉亚.凯莉和惠特尼. 休斯顿为该片演唱主题曲《when you believe》，此曲为影片增添了别样的岁月情怀，并且荣获奥斯卡奖。本部影片在制作过程中并未因循守旧地照搬原著，其中也作了一些较大的改动，其中最大的一处便是把圣经中摩西与法老兰姆西斯之间的冲突改成了一段兄弟恩怨，只是双方各为其主罢了。在片中摩西与兰姆西斯始终都是肝胆相照的好兄弟，即使双方的立场逆转之后，两人仍是彼此关心，这使影片变得更加人性化。摩西从奴隶到王子再到传教士的传奇故事几千年来一直被人们所传诵，人们赞颂着摩西对耶和华（上帝）的忠诚和他对和平、自由的向往与追求。本片以动画片的形式生动地演绎了这个被称作西方世界中有史以来最伟大的故事。摩西从奴隶到王子再到传教士的传奇故事几千年来一直被人们多传诵，金黄的宫殿，灰黄的墓塔，这部电影以太阳的颜色做基调，上演了一出族裔情仇。寓教于乐目标：对和平、自由的向往与追求。在西方世界中有史以来最伟大的故事中，这个主题得到了最好的体现。

埃及王子英文影评

The Prince of Egypt neither skims over nor dwells upon the least happy elements of the story. Overall, it's a story of triumph and adventure - of oppression ended and freedom begun. The comedy elements that have become an integral part of animated features are downplayed. The Pharaoh's two chief priests are sly and fatuous, and some of their antics are amusing, but they offer little more than occasional, momentary comic relief. For the most part, The Prince of Egypt plays it straight. As for the other "necessary" aspect of the successful animated feature - the musical numbers - The Prince of Egypt features about a half-dozen. And, while none are as memorable as those from the early entries intoDisney's recent wave, they fold nicely into the story.The animation in The Prince of Egypt is truly top-notch, and is easily a match for anything Disney has turned out in the last decade. The artists effectively mix hand-drawn and computer-generated images to good effect, the colors are rich and vibrant, and the characters' lip movements are in synch with the soundtrack. The final product is polished, with a number of standout sequences (the chariot race, the plagues, and the parting of the Red Sea). While last year's Anastasia managed to come close to Disney's visual elegance, The Prince of Egypt matches it. This impressive achievement uncovers yet another chink in Disney's once-impregnable animation armor.As far as vocal talents are concerned, the film makers have gathered an impressive cast, with even the minor characters being voiced by recognizable names. The plum roles of Moses and Ramses, the leader of the captive Hebrews and the King of Egypt, belong to Val Kilmer and Ralph Fiennes, respectively. Michelle Pfeiffer supplies the voice of Moses' wife, Zipporah; Sandra Bullock is his sister, the prophetess Miriam; Jeff Goldblum is his brother, Aaron; and Danny Glover is his father-in-law, Jethro. Other voices include Patrick Stewart and Helen Mirren as Ramses' parents, and the team of Martin Short and SteveMartin as the foolish Egyptian priests.Jeffrey Katzenberg (the former Disney honcho who is the "K" in "Dreamworks SKG") has gone out of his way to emphasize that The Prince of Egypt is not a religious movie, despite the nature of the source material. This is not intended to be a big budget BibleStory cartoon, but a rousing animated adventure. However, even without resistance from religious groups, The Prince of Egypt still faces a significant obstacle: the large number of family-oriented features clogging the theaters this holiday season. Nevertheless, even in a field that includes A Bug's Life, Babe: Pig in the City, The Rugrats Movie, and Mighty Joe Young, this movie is worth a trip to the local multiplex by viewers of all ages, races, andreligious persuasions.Taken from the Old Testament，here’s a film that’s a testimony to the serious art of animated film making. "The Prince of Egypt" may be animated，but it’s certainly no cartoon. It’s a Biblical epic，along the lines of "Ben Hur" and "The Greatest Story Ever Told，" that’s a serious ret elling of the story of Moses based onthe Book of Exodus.The story centers on Moses，who was adopted by the Queenwhen he was an infant; and his brother Rameses. Ramesesand Moses are the best of friends，although Rameses oftencomplains that Moses is the real troublemaker whenRameses receives the blame.When Moses happens to meet Miriam，his sister，he first hears about his real Hebrew heritage and family. And the disbelieving young man cannot believethat he，a prince of Egypt，had such origins.When he leaves his brother and royal family behind，Mosesbegins the simple life of a shepherd. Along the way hemeets the spirited Zipporah，who encourages him in hismission to free his people from slavery.This is high-quality material all the way through，from the mind-bending animation to the story line to the wonderful soundtrack that includes gorgeous ballads，lullabies and songs of celebration. Oscar winners Hans Zimmer ("The Lion King") and Stephen Schwartz ("Pocahontas") wrote the six original songs that include "Deliver Us，" sung by the Hebrew slaves，along with the beautiful "When You Believe" that’s bound for hit-dom by WhitneyHouston and Mariah Carey.Not surprisingly，the Dream Works animation，which contains computer-generated effects，is outstanding. Especially memorable is a fantasy sequence in which hieroglyphics act out a past that Moses doesn’t want to believe or face. And the parting of the Red Sea is simply majestic to behold. In keeping with a season that emphasizes faith，this is a thoughtful，earnest show that’s well wrought and well timed.Before I watched this movie, I was very impressed with the trailer for the film. It did an amazing job of hyping the film up to be a Lord of the Rings style epic with battles bigger then the world has ever seen. Now, I like my battles, and as far as I am concerned, the bigger the better, so this movie definitely appealed to me.Then I headed out to see this movie on opening night....After it was all said and done, I sat down to write this review, and I had a very hard time with it. I did not like this movie at all, but yet I had a hard time expressing my distaste properly. This was mostly a result of a couple of difficulties I had. First, I expected an ENTIRELY different movie then what Troy actually provided and second, I had several friends that basically thought the film was the second coming of Christ, which was not the opinion I had at all.I basically decided that this movie deserved a second viewing before I actually sat down to put my thoughts into words...So once again I found myself heading to see Troy....This time, after the smoke cleared, I definitely found that I enjoyed the movie a lot more. I think the reason for that is that my expectations were no longer skewed, and I actually sat back and tried to enjoy the film rather then pick out what I didn't like. It didn't quite elevate me to the coming of Christ level but the second viewing was definitely the key for the final review that this movie gets from me.Troy is a movie loosely based on the centuries old battle of Troy. Greeks vs. the Trojans. Where as the actual battle is said to have lasted 10 years, this movie foolishly attempts to wrap it up in a matter of weeks, and just seems forced. Basically, the story begins with the sons of Troy leaving with the wife of the Spartan King the morning after forging a pact of peace with him. This infuriates the King, who seeks the help of Agamemnon, the King of Kings who commands an army consisting of all the men of Greece to fight the Trojans. He takes that army to the door step of the Trojans, where the most epic battle of all time takes place...Fighting along side the Greeks, but in defiance of their King is Achilles (played by Brad Pitt), an ultimate warrior respected by the Greeks and feared by the Trojans. Leading the defense of Troy is Prince Hector (played by Eric Bana) who is looked upon as a god by his fellow Trojans, but whose common sense in battle is constantly overruled by the King of Troy who follows the "will of the gods".My biggest problem with this film is the over hype and then under-delivery, of the so-called Epic battles. Now, don't get me wrong, one battle in particular has more people in one place then I think have ever been portrayed in any other film. The scene where 50,000 Greeks (on film it looks like 50 million) come marching over the sand sounding like an earthquake is truly one of the best scenes of all time. Where each of the battles truly fails is that once they get going, they are halted in mere minutes. The longest battle of the film, when the Greeks march to Troy, doesn't last any more then 20 minutes, before the film is ground to a halt once again with nothing but dialog and naked Brad Pitt **** (and they show way, WAY, too much of that...). One fight specifically has thousands and thousands of soldiers battling it out, but they stop the battle not more then 5 minutes later, as the commanders of both armies decide that enough blood has been spilled. That may have been how things were done in the past, but it just seemed like a convenient reason to stop another over hyped battle before its time...The absolute best moment in this film, however, is the one on one battle between the greatest warrior of the Greeks (Achilles) and the greatest warrior of Troy (Prince Hector). This battle is beautifully filmed with close up, in your face action that makes you feel like the battle between the two warriors is actually occurring before you. Using everything but the kitchen sink to fight, this battle lasts easily longer then half the full on war battles, and is almost worth the price of admission all by itself. If they had just used more moments like those, this film definitely could have reached more of its potential. Ultimately, this movie just doesn't live up the hype. From the point where Achilles and Hector finish their battle, the movie pretty much loses everything else of interest in watching. The only battle remaining is that of the Greek soldiers sneaking from the Trojan horse, and murdering the Trojans in their sleep. Very anti-amazing to say the least!!! The final 20-30 minutes of this film is nothing but dead air, and adds absolutely nothing but completion to the story. It was dry, had too much dialog, and ended up being a horrendous way to end the film...All in all, this movie just didn't live up to the hype. It got a little better in a second viewing, but just didn't capitalize on all its potential. Maybe the next director to tackle this story can learn from the mistakes of this film, yet still capture everything that Troy does right...When they do; we are all in for a treat...The movie becomes more involving in the second half, if only because the battle scenes are pleasing to look at and astonishing in their scope. There is also a wonderful scene�easily the most poignant in the film�where King Priam comes to enemy Achilles to p lead for the body of his son back. Veteranactor Peter O'Toole, who has not been recently given nearly enough dramatic work to do, easily delivers the best performance, bringing distinct levels of honor, regret, and pathos to King Priam when all the characters surrounding him don't seem to have three dimensions. The climax, in which Sparta fools its opponents and finds a way to get past the walls of Troy, is arresting and primal in a way that the other fighting sequences miss the boat on. The majority of "Troy" is simply plodding.By the end of "Troy," audiences are likely to react with indifference. What is on view diverts the viewer's attention, for the most part, but there is nobody to latch onto and care about, nor does what either side is fighting for seem worth it. Sparta merely seems to want to prove they are stronger than Troy, while Troy retaliates out of duty and for the concern of Helen. But why? Helen, as played by newcomer Diane Kruger, is a blank slate, a boring, pretty face without a personality or soul. "Troy" yearns to be an epic for the ages, something along the lines of 2000's "Gladiator," but it is more reminiscent of a cheesy Harlequin romance that just so happens to have lots of big battles and expensive effects.3What's most impressive about Wolfgang Petersen's Troy isn't its rousing super-battles, the grandiose scale of its sets or its expert cinematography. We know that Hollywood has the ability to pull off such large-scale trickery. And, after such successful epics as Peter Jackson's Lord of the Rings trilogy, such sights and sounds should come as no surprise, considering what is capable with today's moviemaking technology. What's most impressive about Troy is that it comes across as an effective and even insightful character study, even if it can never transcend the feeling that you're just watching a big, expensive magic trick.The screenplay by David Benioff does an excellent job in conjuring up atwo-and-a-half-hour Cliff Notes version of Homer's poem. Disposing of the gods as characters with active roles in the war, the script's story arc is only interested in key plot points, which does wonders in maintaining a consistent narrative pace. Benioff wrote the source novel and screenplay for Spike Lee's excellent 25th Hour, so it's appropriate that he would be more interested in the inner turmoil of a few key characters rather than staging battles that go on for 20 minutes. The most memorable scene in the film isn't a fight, but rather a quiet, desperate moment between Achilles and Trojan king Priam (PeterO'Toole). It's a meeting that probably never happened, but it goes a long way in developing the film's underlying themes of honor, respect and ultimately something of an anti-war message.。

动画电影《埃及王子》影评

动画电影《埃及王子》影评《埃及王子》该片讲述了法老下令要淹死所有的希伯来男婴，幸运的摩西带领所有的以色列人越过红海，到海的另一方去过自由生活的故事。

以下是小编收集的《埃及王子》影评，仅供大家阅读参考!动画电影《埃及王子》影评一个史诗式的故事，重现了圣经传说中摩西分隔红海这一伟大的奇迹。

多年以前，埃及法老下令要淹死所有的希伯来男婴。

一位绝望的母亲把她的儿子放进篮子里顺河水漂走。

孩子被埃及王后捡到并抚养成为埃及王子，名叫摩西。

他和兄长雷明西斯一起幸福快乐的长大。

当摩西得知自己的身世后，一切发生了改变。

梦工厂为了带来一新耳目的视听场面，《埃及王子》动用了来自35个国家的350名首席画师、动画师及技术师，花了四年时间炮制出来。

美术指导亲自去埃及取景，以求更忠实的呈现古埃及风貌。

片中运用了大量的电脑特效，总计在1192个镜头中，有1180个是由电脑加工而成，可谓将当时的电脑特效发挥至极致：清凉的尼罗河，瑰丽的夕阳及摩西分红海，几乎都是由电脑完成的。

摩西分开红海那一段，虽然只有短短7分钟，但是由16位画师花上3年心血，经历318000个电脑制作小时完成。

这是动画中首次出现超高真实度的水。

据说当完成分红海这个镜头时，由于海水过于真实，动画师们不得不又将其改得稍假一些，以求与其它画面更加和谐。

历史短片《百花深处》影评这是一部彻底将严肃的宗教信仰化身成寓教于乐题材的动画作品，音乐的制作更是近十年动画音乐的绝佳典范，从动画惯用的百老汇音乐剧语法，配合故事题材背景的中东乐音、希伯来民谣，到史诗剧情片才会有的华丽大气魄，透过Hans Zimmer电子合成器与交响乐一番巧思铺排后，就会融合、互动、串联成一种壮阔格局，抑或是抓住中东音乐悠扬旋律里的思古幽情，挟浓烈情感凝聚成雷霆气势，加上《风中奇缘》词曲创作家Stephen Schwartz精简切中信仰、意志力的动人歌词，还有米歇尔.菲佛、以色列歌后Ofra Haza参与原声大碟的演唱，更听见中东音乐与百老汇音乐联姻而成的戏剧情感张力。

埃及王子观后感

埃及王子观后感篇一 : 《埃及王子》观后感今日又再看了一遍《埃及王子》（The Prince ofEgpyt）。

第一次看的时候就觉得这部影片的制作很厉害。

98年的动画电影放在现今3D动画时代来看，却丝毫不觉得逊色。

虽然觉得电影似乎强化了神祗的力量（不过可能电影想讲的应该是赞颂神吧）而有点不现实，但影片的动画特技更加令我震撼，特别是开头描绘的埃及建造各种石像、寺庙、金字塔等建筑，看的时候会感叹“哇塞，这动画水平太厉害了！埃及当时真的是这样壮观？”还有后面摩西带领希伯来人穿过大海时，画面真的很真实，就想真人电影那样。

第一次看完的时候就想，人家1998年的动画就做成这个水平了，中国要多少年才追上人家这个水平！除了电影画面做得很宏伟的感觉外，电影的歌也是很棒的！电影中很多歌，都是由片中人物根据他们身处的坏境而唱出他们的感觉，其中最出名当然就是WhenYou Believe，很多歌都很能颤动心灵，很动听。

篇二 : 《埃及王子》观后感《埃及王子》观后感在法老（国王）治理的埃及，由于生活在那里的希伯来人人丁日渐兴旺，老法老开始过分猜疑希伯来人，他命令让希伯来人去作奴隶，还吩咐他的子民将希伯来人所生的男孩都要丢到河里。

有位希伯来妇女生了一个儿子，她见儿子长得十分俊美不忍心将其杀死，于是将其放入了一个抹上石漆的蒲草箱中，然后恋恋不舍地将箱子放入尼罗河之中。

箱子顺流而下一直漂到了皇宫附近的小河，正巧埃及的王后在小河边散步发现了这个箱子，她打开箱子看到了这个漂亮的小男孩，王后不忍心再抛弃这个婴儿，于是她决定认这个婴儿作自己的儿子，并给这个孩子取名叫摩西。

从此摩西便与王子兰姆西斯一起生活在王宫，两人成了宫中最要好的伙伴，这里没有人知道摩西是希伯来人都以为他是皇后的亲生儿子。

逐渐长大的摩西对埃及人奴役希伯来人越来越看不惯，一次他竟然失手打死了一个欺负希伯来人的埃及人，摩西为了躲避法老的惩罚逃到了米甸地去居住。

没过多久老法老去世了，兰姆西斯即位成了埃及的新法老。

浅析宗教题材动画《埃及王子》

浅析宗教题材动画《埃及王子》徐嘉嘉（正德职业技术学院艺术设计系江苏·南京210000）中图分类号：J954 文献标识码：A 文章编号：1672-7894（2013）16-0156-02摘要本文从动画电影《埃及王子》的镜头和艺术性角度进行分析，再将该片的宗教题材与影片的视觉感进行对比，认为影片在视觉与特效上具有较高的水平，而故事情节因为限于宗教故事的限制而显得不够放松，没有发挥动画电影的想像力与挥洒自如的优势。

关键词动画电影埃及王子镜头分析宗教题材A Brief Analysis of the Religious-Themed Animation"The Prince of Egypt"// Xu JiajiaAbstract Through analyzing the scenes of "The Prince of Egypt", and comparing the religious theme of this film with the its visual impression, the writer holds that the film is of high level in visual and special effect impression, but the storyline is not relaxed due to its confinement to religious theme, and it restricts the imagina-tion animation films should possess.Key words animation film;"The Prince of Egypt";scene analysis; religious themeDreamWorks SKG，梦工厂电影公司，始建于1994年10月。

《埃及艳后》的观后感

《埃及艳后》的观后感1、《埃及艳后》的观后感“我的天呀!”女王在神圣的语言之火前惨叫一声，昏倒在地上。

我同情的看着这个可怜的女人，她一定会被这个不幸打垮，她只能带着儿子回到埃及了。

然而我错了，当凯撒---她的丈夫，当他的尸体在数万罗马民众前被焚烧的当夜，她有为自己找到了新的靠山，凯撒唯一信任的'部下安东尼。

“我的天呀!”我不禁发出了感叹，多么顽强而寡情的女人，她的丈夫才死两天，虽然她身着丧服，但那双“流淌着尼罗河”的眼睛却从未露出悲伤，当她在语言之火中看到凯撒被刺时的发出的惨叫，也可以理解为自己的去留福祸而焦灼。

但仔细想来，这种顽强是从她不寻常的经历中磨砺出来的，克里奥帕特拉17岁就继承了埃及王位，在内忧外患之中周旋，锻造了坚韧不服输的性格，在加上出身皇族的自信和高贵，使她能拥有非凡的胆略和勇气，她第一次见凯撒，就指着他骂他是野蛮人。

嘲讽他的士兵是怕黑的胆小鬼。

女王的一生充满了传奇色彩，她无与伦比的美貌和手段都是令两个极显赫的男子拜倒在她脚下的资本。

现在，关于她的传说已经远远地消失在比尼罗河更长的历史中了，她留给我们的不只是风华绝代的背影，还给我们更深的启示：在残酷的生活中，你必须坚强。

2、《你好，李焕英》观后感《你好，李焕英》观后感黑白的电视，军绿色的大衣。

破旧的瓷缸，一次贾晓玲的穿越经历却带给我了一场心灵的旅程。

贾晓玲是个从小就不让人省心的女孩，她从小到大一直以为自己就会给母亲惹麻烦，而不会让母亲开心。

就在她高考后，她打算让母亲高兴一回，便做了一本假的录取通知书，想让母亲为她骄傲一回，可最终还是被母亲发现了。

贾晓玲坐着母亲的自行车回家，并承诺要给母亲买车，让她高兴一回，可承诺还没实现，意外就发生了，就在回家的路上。

她们遭遇了车祸，母亲躺在了病床上。

随后，她们便一起穿越回了母亲年轻的时候，贾晓玲时时刻刻陪伴在母亲身旁，尽全力想让母亲高兴一回，弥补自己的遗憾，母亲也看破不说破，默默陪贾晓玲走完了剩下的日子，最后贾晓玲发现了母亲是与自己一起穿越来的事实，便抱头痛哭…虽说是讲述了贾晓玲的故事，可我还是在她身上看到了自己的影子。

《埃及王子》影评

《埃及王子》影评工商管理学院 11旅游管理0班李兰兰 20113328在壮丽却尽显压抑的音乐声中，动画拉开了帷幕。

Mud, Sand, Water, Straw, Faster …一片黄沙的暖色中，奴隶们忍受着鞭笞像牲口一般在烈日下劳作，让人感受不到暖意。

这就是埃及人奴役希伯来人的年代。

奴隶人口激增，法老（国王）为了巩固自己的统治，采用了最残酷的压制方式——下令将所有希伯来的男婴喂鳄鱼。

一位勇敢的母亲躲避了埃及士兵将孩子装在箱中，然后恋恋不舍地将箱子放入尼罗河之中，上天怜爱，河水将箱子送到了埃及公主处，公主见到可爱的孩子不忍抛弃，从此，这个孩子与他的兄长兰姆西斯快乐的在皇宫中成长，成为了桀骜不驯的埃及王子——摩西。

一个偶然的机会，摩西的姐姐告知他的真正身份！摩西不能忍受真实身世与现状的折磨，一次他竟然失手打死了一个欺负希伯来人的埃及人，摩西为了躲避法老的惩罚逃到了米甸地过起了平凡的生活。

老法老去世后，兰姆西斯继承王位，剥削更加严厉，奴隶的日子更加艰难。

神听到他的子民的呼唤，授神力与摩西，派他拯救希伯来人到应许之地！接着，影片进入了比较传奇的阶段，神屡发神谕帮助希伯来人逃离埃及，于是，一场心灵的纠葛在兄弟之间展开了。

因为兰姆西斯的固执，上帝惩罚了埃及，“血灾、蛙灾、虱灾、蝇灾、瘟灾、雹灾、蝗灾、黑暗之灾、一切投胎都得死”。

当看见自己的亲生儿子也死于这场灾难的时候，兰姆西斯无力地对摩西说，我，准许你和你的子民离开... 希伯来人在摩西的带领下，欢天喜地地离开，他们走向红海，然而背后突然出现的是后悔的兰姆西斯带领而来的军队。

就在这时，摩西再次听到了上帝的指令，用摩西之杖劈开了那汹涌的红海，闪出一条让希伯来人奔往自由的道路。

最终，希伯来人终于重获自由，来到应许之地，过上了幸福的生活！影片在温馨愉快的音乐中结束，意境悠远深长……看完这部影片，我感触颇深：场景的渲染，色彩的运用，细节的描写以及跌宕起伏的情节，还有高超的电脑特技与美妙的背景音乐，可以说无一不让人赞叹！最开始时，埃及人奴役希伯来人的画面描写，暖色的黄沙，炎炎的烈日，一遍又一遍的faster,就让人心灵一颤，之后母子分别时，婉转的《river lullaby》下小摩西渐渐松开母亲的手指头睡着了，随着箱子慢慢漂远，我们可以清晰地看到摩西母亲脸上的泪滴，这更让我们深刻体会了一位母亲不舍的心情。

埃及王子赏析

文化分析：圣经故事&美国精神
• 作为好莱坞影片，《埃及王子》很多细节都折射着美国文化，影片将美国百老汇的歌曲融入其中。勇敢、冒险和牺牲精神以及对自由的渴望和不懈追求是美国精神的符号，该片反映的主题——信仰的自由，也可以窥见自由的救赎精神是美国精神中永恒的主旋律。
• PS：摩西无疑扮演了美国“自由女神”的角色，一个完美的美国精神代言人，而美国的独立战争也是一条布满荆棘和泪水的坎坷道路，是现代版的“出埃及记”。
人物形象分析：“丑化”就是超越
• 女性造型上也有几何化的特征，长脸、长鼻子、尖下巴、短上额的母亲，以及高额头、菱形眼睛、大鼻子、高颧骨的卡米拉。
外景和色彩：如太阳般辉煌
• 《埃及王子》外景设计非常细腻而富有变化，在不同的段落配备了不同的外景：阳光下的峡谷灿烂如金，蓝色的尼罗河闪着亮白的光芒，奔流不息；灰蓝色远山连绵不绝，消失在绚丽如霞的天边；红黄色砂石的王宫建筑壮丽辉煌。整个影片把大自然渲染的如太阳般辉煌，弥漫着宗教的神圣感和神秘感。
穿越自由之海
——《埃及王子》赏析
题目
幕后花絮故事梗概主题分析人物形象分析外景和色彩音乐分析文化分析精彩场景分析
叙事结构分析、视听语言分析……
幕后花絮
• 《埃及王子》被誉为电影史上最为壮观的动画片，该片以《圣经》旧约中‘出埃及记’的故事为创作蓝本耗资近一亿美元历时四年才完工，在制作过程中不但动用了最先进的电脑动画而且还有数百位历史及宗教学者为本片担任顾问，有方.基墨和桑德拉.布洛克等好莱坞当红影星的幕后配音，更有乐坛中的两大天后玛莉亚.凯莉和惠特尼. 休斯顿为该片演唱主题曲《when you believe》，此曲为影片增添了别样的岁月情怀，并且荣获71届奥斯卡最佳原创音乐奖。