肖申克的救赎The Shawshank Redemption
肖申克的救赎剧本The Shawshank Redemption
看电影学英语The Shawshank Redemption-Lawyer: Mr Dufresne, describe the confrontation you had with your wife the night she was murdered.confrontation: 对审 murder: 谋杀Mr Dufresne，描述一下你太太被谋杀当晚，你曾和她谈过些什么？-Andy: It was very bitter. She said she was glad I knew, that she hated all the sneaking around.bitter: 苦的,痛苦的 sneaking: 秘密的，不公开的一些很糟糕的话，她说她很高兴我已知道，她不想再偷偷摸摸了。
And she said that she wanted a divorce in Reno.divorce: 离婚 Reno: 里诺(美国有名的“离婚城市”, 在内华达州西部, 凡欲离婚者, 只须在该市住满三个月, 即可离婚)她说她想离婚。
-Lawyer: What was your response?response: 反应你当时有什么反应？-Andy: I told her I would not grant one.grant：同意我对她说我不会同意的，-Lawyer: I'll see you in hell before I see you in Reno. Those were your words, according to your neighbors.neighbor: 邻居 hell: 地狱“在我看见你在雷诺市前，下地狱吧！”你的邻居曾听你说过这些话吧？-Andy: If they say so. I really don't remember. I was upset.upset:不高兴随他们怎么说，我当时很不开心，什么都不记得了。
《肖申克的救赎》(The Shawshank Redemption)
It finally does, dying away like a siren until all that's left
is the shallow gasping and panting of post-coitus. We hear
FADE TO BLACK: 1ST TITLE UP
5 INT -- COURTROOM -- DAY (1946) 5
THE JURY listens like a gallery of mannequins on display, pale-faced and stupefied.
D.A. (O.S.)
ANDY
I went to a few bars first. Later, I decided to drive to Mr. Quentin's
home and confront them. They weren't there...so I parked my car
in the turnout...and waited.
ANDY
It was very bitter. She said she was glad I knew, that she hated all the sneaking around. She said she wanted a divorce in Reno.
D.A.
What was your response?
He can hear them fucking from here.
He raises a bottle of bourbon and knocks it back. The radio
肖申克的救赎英文介绍(The_Shawshank_Redemption)
Red,who was sentenced to life imprisonment because of murder in 1927 and was dying to parole(假释) but to fail.As time went by,he has become the authority figures(权威人物) in the Shawshank prison.As long as you have the money to pay, he was able to get whatever you want.
When red was released on parole, he found the gift which Andy left him, and overcome the psychological crisis(心理危机) after the parole to find Andy. The two friends finally meet...
Tommy,a thief, knew the truth of Andy's wife and her lover's death .The excited Andy found the warden and hoped his help. But the warden killed Tommy secretly.He wanted Andy to stay in prison for his account.
肖申克的救赎2The.Shawshank.Redemption.
[00:00.00]And by the weekend he was due back[00:01.70]we had enough rocks saved up to keep him busy till rapture. [00:06.24]Also got a big shipment in that week.[00:09.01]Cigarettes...[00:10.35]...chewing gum...[00:11.58]...sipping whisky...[00:13.25]...playing cards with naked ladies on them. You name it.[00:16.85]And of course, the most important item:[00:21.46]Rita Hayworth herself.[01:00.63]Heads up. They're tossing cells.[01:03.10]Heads up. They're tossing cells![01:07.40]119[01:10.74]123[01:22.85]On your feet.[01:26.32]Face the wall.[02:02.00]Turn around and face the warden.[02:10.50]Pleased to see you reading this.[02:13.91]Any favorite passages?[02:16.71]"Watch ye, therefore, for you know not[02:19.28]when the master of the house coming."[02:22.65]Mark 13:35.[02:25.55]I've always liked that one.[02:28.35]But I prefer[02:30.49]"I am the light of the world.[02:32.83]Ye that followeth me shall have the light of life."[02:36.33]John, chapter 8, verse 12.[02:39.23]I hear you're good with numbers.[02:41.47]How nice.[02:43.70]Man should have a skill.[02:48.17]Explain this.[02:50.38]It's called a rock blanket. It's for shaping and polishing rocks. [02:54.88]A little hobby of mine.[03:07.66]It's pretty clean.[03:09.36]Some contraband here, but nothing to get in a twist over.[03:16.80]I can't say I approve of this.[03:20.44]But I suppose...[03:23.98]exceptions can be made.[03:36.36]Lock them up![03:40.59]I almost forgot.[03:42.60]I'd hate to deprive you of this.[03:45.50]Salvation lies within.[03:47.63]Yes, sir.[03:57.24]Tossing cells was just an excuse.[04:00.28]Truth is[04:01.71]Norton wanted to size Andy up.[04:17.86]My wife made that in church group.[04:22.87]Very nice, sir.[04:25.74]You enjoy working in the laundry?[04:28.88]No, sir. Not especially.[04:30.91]Perhaps we can find something more[04:33.61]befitting a man of your education.[04:44.12]Hey, Jake. Where's Brooks? 52 00:04:46,000 --> 00:04:47,123 Andy? [04:47.46]I thought I heard you out here.[04:50.90]I've been reassigned to you.[04:52.73]I know, they told me.[04:55.90]Ain't that a kick in the head?[04:58.17]Well, I'll give you the dime tour.[05:00.67]Come on.[05:03.24]Well, here she is.[05:05.18]The Shawshank Prison Library.[05:07.85]National Geographics[05:10.75]Reader's Digest condensed books[05:13.75]and Louis L'Amour.[05:15.92]Look magazine.[05:18.09]Erle Stanley Gardners.[05:20.69]Every evening I load up the cart and make my rounds.[05:24.36]I enter the names on this clipboard here.[05:27.53]Easy, peasy, Japanese.[05:31.00]- Any questions? - Brooks, How long have you been in librarian? [05:35.11]I come here in '05, and they made me librarian in 1912.[05:40.45]And in all that time have you ever had an assistant?[05:42.88]No. Not much to it, really.[05:46.05]Why me? Why now?[05:47.72]I don't know.[05:49.22]But it'd be nice to have some company down here for change. 75 00:05:53,227 --> 00:05:55,253 Dufresne[06:03.50]That's him. That's the one.[06:13.45]I'm Dekins.[06:15.01]I was[06:17.32]thinking about maybe setting up some kind of trust fund for my kids' educations.[06:25.09]I see.[06:31.66]Why don't we have a seat and talk them.[06:37.84]Brooks, Do you have a piece of paper and a pencil?[06:52.15]Thanks.[06:54.12]So[06:56.96]Mr Dekins[06:59.53]And then Andy says, "Mr Dekins[07:01.83]do you want your sons to go to Harvard or Yale?"[07:05.03]He didn't say that![07:06.43]As God is my witness![07:09.20]Dekins just blinked for a second[07:11.14]then laughs his ass off. Afterward, he actually shook Andy's hand. [07:14.71]- My ass! - Shook his hand.[07:17.21]I tell you, I near soiled myself![07:20.31]All Andy needed was a suit and tie and a jiggly hula gal on his desk [07:24.78]he'd have been "Mr Dufresne," if you please.[07:27.59]Make a few friends, Andy?[07:30.52]I wouldn't say "friends."[07:32.39]I'm a convicted murderer who provides sound financial planning.[07:36.43]It's a wonderful pet to have.[07:38.97]Got you out of the laundry, didn't it?[07:41.30]It might do more than that.[07:43.44]How about expanding the library, Get some new books in there?[07:46.34]If you ask for something, ask for a pool table.[07:50.64]How do you expect to do that? I mean[07:53.85]get new books in here, "Mr Dufresne, if you please."[07:57.28]Ask the warden for funds.[08:00.22]Son, son...six wardens I've been through here in my tenure, and I've learned [08:04.72]one of a immutable, universal truth:[08:07.26]Not one of them born[08:08.86]whose asshole wouldn't pucker up tighter than a snare drum yes when you ask for funds.[08:14.67]- The budget's stretched thin as it is. - I see.[08:17.77]Perhaps I could write to the State Senate and request funds directly from them.[08:21.41]Perhaps they have only three ways to spend the taxpayer's hard-earned when it come to prisons.[08:25.71]More walls, more bars, more guards.[08:28.35]Still, I'd like to try, with permission. I'll write a letter a week. [08:31.22]- They can't ignore me forever. - Sure can.[08:34.22]But you write your letters if it makes you happy.[08:37.19]I'll even mail them for you. How's that?[08:41.46]So Andy started writing a letter a week[08:44.46]just like he said.[08:50.24]And just like Norton said[08:53.07]Andy got no answers.[09:02.75]The following April, Andy did tax returns for half the guards at Shawshank.[09:08.99]Year after that, he did them all[09:11.49]including the warden's.[09:15.16]Year after that, they rescheduled the start of the intramural season[09:18.83]to coincide with tax season.[09:22.84]The guards on the opposing teams all remembered to bring their W-2s. [09:27.51]So Moresby Prison[09:29.04]issued you a gun, but you actually had to paid for it.[09:31.54]Damn right, the holster too.[09:33.45]See that's tax-deductible. You can write that off.[09:36.12]Yes, sir! Andy was a regular cottage industry.[09:39.85]In fact, it got so busy at tax time, he was allowed a staff.[09:44.62]Hey, Red! Could you hand me a stack of 1040s?[09:47.29]Got me out of the wood shop a month out of the year, and that was fine by me.[09:53.37]And still, kept sending those letters.[10:01.00]Red, Andy 138 00:10:03,314 --> 00:10:04,338 It's Brooks.[10:05.48]Watch the door.[10:07.21]Please, Brooks, just[10:08.81]- Calm the fuck down. - goddamn it! Stay back![10:11.05]- Stay back, goddamn it! - What's hell going on?[10:13.55]You tell me, just One second he's fine, now coming the knives shit. [10:16.66]Brooks! We can talk about this, right?[10:18.72]Nothing left to talk about! Dman it's all talked out! I'm gonna cut his fuckin' throat![10:22.73]Heywood? Why? What's he done to you?[10:24.66]It's a paid time![10:26.83]I got no choice.[10:28.57]Brooks, you not gonna hurt Heywood. We all know that, even Heywood knows that[10:31.07]- Right, Heywood? - I know that sure.[10:33.77]You know you not gonna hurt him because He's a friend of yours, and Brooks is a reasonable man.[10:37.38]Right, guys?[10:39.41]So put the knife down. Brooks, just look at me.[10:42.18]Put the knife down. 154 00:10:45,186 --> 00:10:46,316 Brooks[10:46.35]Look at his neck, for God's sake.[10:49.19]Brooks, look at his neck. He's bleeding.[10:52.43]It's the only way[10:54.09]It's the only way they'd let me stay.[10:56.43]Come on, this is crazy. You don't wanna do this.[10:59.03]Come on, put it down.[11:08.88]Hey, come on 161 00:11:09,880 --> 00:11:11,370 Take it easy.[11:12.04]You'll be all right.[11:14.65]Him? What about me?[11:16.45]Crazy old fool guy damn near cut my throat![11:19.05]Oh, shit, Heywood. You've had worse from shaving.[11:21.15]What the hell did you do to set him off anyway?[11:23.46]I do nothing. I come in here to say fare-thee-well.[11:26.29]Ain't you heard? His parole's come through.[11:31.30]I just don't understand what happened in there, that's all. [11:34.30]Old man's crazy as a rat in a tin shithouse is what.[11:37.30]Oh, Heywood, That's enough out of you.[11:39.41]- Heard he had you shitting your pants. - Fuck you.[11:42.41]Aren't you knock it off?[11:44.58]Brooks set no bug.[11:49.85]He's just institutionalized.[11:52.99]"Institutionalized," my ass.[11:55.12]The man's been in here 50 years, Heywood, 50 years![11:59.33]This is he only knows.[12:01.26]In here, he's an important man[12:03.76]an educated man.[12:05.66]Outside, he's nothing.[12:08.47]Just a used-up con with arthritis in both hands.[12:12.17]Probably couldn't get a library card if he tried.[12:15.44]You know what I'm trying to say?[12:17.44]Red, I do believe you're talking out of your ass.[12:21.61]You believe whatever you want, Floyd[12:24.45]But I tell you these walls are funny.[12:28.45]First you hate them.[12:31.96]Then you get used to them.[12:35.79]Enough time passes...[12:38.46]you get so you depend on them.[12:41.47]That sense "institutionalized."[12:43.87]Shit.[12:45.37]- I could never be like that. - Oh, yeah?[12:49.01]Sit till you've been here as long as Brooks.[12:51.74]Goddamn right.[12:55.88]They send you here for life[12:58.48]that's exactly what they take.[13:02.56]Part that counts, anyway.[13:12.16]I can't take care of you no more, Jake.[13:16.27]You go on now.[13:19.17]You're free.[13:21.94]You're free.[13:42.53]Good luck, Brooksie.[14:22.17]Dear fellas:[14:23.94]I can't believe how fast things move on the outside.[14:29.44]Watch it, old-timer! Want to get killed?[14:33.35]I saw an automobile once when I was a kid but[14:37.48]now they're everywhere.[14:43.59]The world went and got itself in a big damn hurry.[15:03.71]The parole board got me into this halfway house[15:07.78]called "The Brewer"[15:09.65]and a job[15:11.02]bagging groceries at the Food-Way.[15:15.52]It's hard work and I try to keep up[15:18.16]but my hands hurt most of the time.[15:20.83]Make sure your man double-bags.[15:23.00]Last time, he didn't double-bags and the bottom near came out.[15:25.70]Make sure you double-bag like the lady says. Understand?[15:28.83]Yes, sir. Surely will.[15:30.40]I don't think the store manager likes me very much.[15:36.94]Sometimes after work, I go to the park and feed the birds.[15:41.68]I keep thinking[15:43.42]Jake might just show up and say hello.[15:47.35]But he never does.[15:50.56]I hope, wherever he is, he's doing okay and making new friends.[15:59.03]I have trouble sleeping at night.[16:02.07]I have bad dreams like I'm falling.[16:05.60]I wake up scared.[16:08.04]Sometimes it takes me a while to remember where I am.[16:13.78]Maybe I should get me a gun and rob the Food-Way so they'd send me home. [16:18.98]I could shoot the manager while I was at it. Sort of like a bonus. [16:24.99]I guess I'm too old for that sort of nonsense anymore.[16:29.23]I don't like it here.[16:31.16]I'm tired of being afraid all the time. I've decided...[16:36.00]...not to stay.[16:48.58]I doubt they'll kick up any fuss...[16:51.35]...not for an old crook like me.[17:57.32]"I doubt they'll kick up any fuss, not for an old crook like me. [18:02.62]P.S. Tell Heywood I'm sorry I put a knife to his throat.[18:06.66]No hard feelings. Brooks."[18:19.47]He should have died in here.[18:26.98]What the fuck have you done?[18:28.58]It's a goddamn mess, I'll tell you that.[18:36.79]- What's all this? - You tell me. Fucks, they're all addressed to you. [18:41.79]Take it[18:51.67]"Dear Mr. Dufresne:[18:54.31]In response to your repeating inquiries[18:56.48]the state has allocated the enclosed funds for your library project." [19:01.51]This is $ 200.[19:03.55]"In addition, the library district has generously responded[19:07.75]with a charitable donation of used books and sundries.[19:10.52]We trust this will fill your needs. We now consider the matter closed. [19:14.86]Please stop sending us letters."[19:16.90]I want all this cleared out before the warden gets back[19:19.80]Yes, sir.[19:25.24]Good for you, Andy.[19:29.37]Wow![19:31.71]It only took six years.[19:35.21]From now on, I'll write two letters a week instead of one.[19:38.15]I believe you're crazy enough. Now you'd better get this stuff out [19:41.75]like the captain he said.[19:42.79]I've got to pinch a loaf.[19:44.39]When I come back[19:46.06]this is all gone, all right?[20:36.58]Andy, do you hear that?[21:46.71]Dufresne![21:50.42]Andy, let me out![21:58.82]I have no idea to this day what those two Italian ladies were singing about. [22:04.06]Truth is, I don't want to know.[22:06.50]Some things are best left unsaid.[22:12.57]I like to think they were singing about something so beautiful [22:15.51]it can't be expressed in words[22:17.84]and makes your heart ache because of it.[22:22.41]I tell you, those voices soared[22:25.18]higher and farther than anybody in a gray place dares to dream.[22:29.69]It was like some beautiful bird flapped into our drab little cage [22:33.26]and made those walls dissolve away.[22:36.46]And for the briefest of moments[22:38.86]every last man at Shawshank felt free.[22:44.44]It pissed the warden off something awful.[22:48.41]Open the door.[22:52.31]Open it up![22:55.38]Dufresne, open this door![22:59.45]Turn that off![23:07.73]I am warning you. Dufresne. Turn that off![23:23.98]Dufresne[23:27.91]You're mine now.[23:36.89]Andy got two weeks in the hole for that little stunt.[23:40.33]On your feet.[23:43.55]- Hey, look who's this. - Maestro![23:47.72]You couldn't play something good, huh? Like Hank Williams?[23:51.73]They broke the door down before I could take requests.[23:54.73]- Was it worth two weeks? - Easiest time I ever did.[23:58.07]- No such thing as easy time in the hole. - A week in the hole is like a year.[24:02.47]- Damn straight. - I had Mr Mozart to keep me company.[24:05.98]So they let you tote that record player down there, huh?[24:11.38]It's in here.[24:13.58]In here.[24:15.95]That's the beauty of music. They[24:18.25]can't get that from you.[24:24.13]Haven't you ever felt that way about music?[24:28.30]Well, I played a mean harmonica as a younger man.[24:32.47]Lost interest in it at all.[24:34.37]Didn't make much sense in here.[24:36.31]Here's where it makes the most sense.[24:38.84]You need it so you don't forget.[24:41.48]Forget?[24:43.05]Forget that there are...[24:46.35]...places...[24:48.28]...in the world that aren't made out of stone.[24:53.12]There's something...[24:54.96]...inside...[24:56.63]...that they can't get to...[24:58.79]...that they can't touch.[25:00.70]That's yours.[25:03.67]What are you talking about?[25:06.30]Hope.[25:08.60]Hope.[25:11.87]Let me tell you something, my friend.[25:14.68]Hope is a dangerous thing.[25:18.15]Hope can drive a man insane.[25:21.22]It's got no use on the inside.[25:23.55]You'd better get used to that idea.[25:28.26]Like Brooks did?[25:55.12]Sit down.[26:01.46]Says here that you've served 30 years of a life sentence. [26:05.93]You feel you've been rehabilitated?[26:08.20]Oh, yes, sir.[26:10.70]Without a doubt.[26:13.20]I can honestly say I'm a changed man.[26:17.61]No danger to society here.[26:20.08]God's honest truth.[26:24.18]Absolutely rehabilitated.[26:36.27]Thirty years.[26:39.58]Jesus, when you say it like that...[26:42.35]You wonder where it went.[26:46.59]I wonder where 10 years went.[26:53.73]Here.[26:55.19]A little parole rejection present.[26:59.20]Go ahead and open it.[27:02.00]Had to go through one of your competitors.[27:04.24]I hope you don't mind. I wanted it to be a surprise.[27:17.42]It's very pretty.[27:20.62]Thank you.[27:24.39]You gonna play it?[27:30.43]No.[27:35.30]Not right now.[27:54.39]Roll in![28:10.69]"A new girl for your 10 years Anniversary" Red 350 00:28:31,695 --> 00:28:32,923 Lights out![29:07.53]Andy was as good as his word.[29:10.03]He wrote two letters a week instead of one.[29:14.87]In 1959, the state senate finally clued in to the fact[29:19.20]they couldn't buy him off with just a $ 200 check.[29:22.54]Appropriations Committee voted an annual payment of $500[29:27.05]just to shut him up.[29:29.15]And you'd be amazed how far Andy could stretch it.[29:32.35]He made deals with book clubs, charity groups.[29:35.49]He bought remaindered books by the pound[29:38.76]Treasure Island.[29:40.83]Robert Louis[29:42.36]Stevenson.[29:43.60]Fiction, adventure.[29:47.53]What's next?[29:48.77]I got here Auto Repair and[29:52.57]Soap Carving.[29:53.94]Trade skills and hobbies, those go Under "Educational," Stack right behind you.[29:57.38]The Count of Monte Crisco. (from France)[29:59.71]That's "Cristo," you dumb shit.[30:03.11]By Alexandree[30:04.58]Dumass.[30:06.18]Dumb ass.[30:09.52]Dumb ass?[30:13.49]Dumas, you Know that's about?[30:17.73]You'd like it. It's about a prison break.[30:19.90]We ought to file that under "Educational" too, oughtn't we?[30:24.67]The rest of us did our best to pitch in when and where we could. [30:29.34]By the year Kennedy was shot[30:31.34]Andy had transformed a storage room smelling of rat turds and turpentin [30:36.15]into the best prison library in New England[30:39.95]complete with a fine selection of Hank Williams.[30:50.26]That was also the year Warden Norton[30:52.40]instituted his famous "Inside Out" program.[30:55.80]You may remember reading about it.[30:58.10]It made all the papers and got his picture in Look magazine.[31:01.41]It's no free ride[31:02.91]but rather a genuine progressive advance[31:06.34]in corrections and rehabilitation.[31:09.18]Our inmates, properly supervised[31:11.92]will be put to work outside these walls[31:14.75]performing all manner of public service.[31:17.59]These men can learn the value of an honest day's labor[31:21.03]while providing a valuable service to the community[31:25.03]and at a bare minimum of expense to Mr. And Mrs. John Q. Taxpayer. [31:30.17]Of course Norton failed to mention to the press[31:32.70]that "bare minimum of expense" is a fairly loose term.[31:36.37]There are 100 different ways to skim off the top.[31:39.61]Men, materials, you name it.[31:42.45]And oh, my Lord, how the money rolled in![31:45.55]This keeps up, you gonna put me out of business.[31:48.29]With this pool of slave labor, you gonna underbid any contractor in town. [31:53.29]We're providing a valuable community service here.[31:56.46]That's fine for the papers, but I've got a family to feed.[32:02.80]Sam, we go back a long way.[32:05.64]I need this highway contract. I don't get it and I go under. That's a fact. [32:11.48]Now you taste some of this fine pie[32:13.51]my missus baked specially for you, and you think about that.[32:25.12]I wouldn't worry too much about this contract.[32:28.06]Seems to me I've already got my boys committed elsewhere.[32:33.10]You be sure and thank Maisie for this fine pie.[32:37.27]And behind every shady deal[32:39.77]behind every dollar earned[32:42.67]there was Andy, keeping the books[32:46.14]Two deposits.[32:47.65]Maine National and New England First. Night drops as always, sir. [33:21.98]Get my stuff to the laundry. Two suits for dry-clean and a bag of whatnot. [33:26.78]Tell them if they over-starch my shirts again, they gonna hear about it from me.[33:30.52]How do I look?[33:32.89]- Very nice. - Big charity to-do up Portland way.[33:35.59]Governor gonna be there.[33:38.53]You want the rest of this?[33:41.33]Woman can't bake worth shit.[33:44.50]Thank you, sir.[33:48.67]- He's got his fingers in a lot of pies, from what I hear. - What you hear isn't half of it.[33:52.11]He's got scams you haven't dreamed of. Kickbacks on his kickbacks.[33:57.15]There's a river of dirty money running through this place.[33:59.72]Can be a problem having all that money. Cause sooner or later you're gotta have to explain where it came from.[34:03.76]That's where I come in.[34:06.12]I channel it. Filter it. Funnel it.[34:08.63]Stocks, securities, tax-free municipals.[34:11.80]I send the money out into the real world, and when it comes back... [34:15.53]- Clean as a virgin's honeypot, huh? - Cleaner.[34:19.10]By the time Norton retires, I'll have made him a millionaire.[34:25.04]Jesus. If they ever catch on him, he gonna wind up wearing a number himself.[34:29.65]Oh, Red, I thought you had more faith in me than that.[34:32.55]I know you're good, but all that paper leaves a trail.[34:35.79]Now anybody gets curious, FBI, IRS...[34:39.39]...whatever.[34:40.83]It'll lead to somebody.[34:42.33]Sure it is, but not to me, and certainly not to the warden.[34:50.57]All right, who?[34:51.77]Randall Stevens.[34:53.91]Who?[34:55.04]The "silent" silent partner.[34:57.24]He's the guilty one, the man with the bank accounts.[35:00.51]It's where the filtering process starts.[35:02.88]They trace anything, just only lead to him.[35:06.35]But who is he?[35:07.79]He's a phantom, an apparition. Second cousin to Harvey the Rabbit. [35:12.86]I conjured him[35:14.23]out of thin air.[35:16.39]He doesn't exist, except on paper.[35:22.20]You can't just make a person up.[35:24.77]Sure you can, if you know how the system works and where the cracks are. [35:28.37]It's amazing what you can accomplish by mail.[35:31.54]Mr. Stevens has a birth certificate[35:34.38]driver's license, Social Security number[35:36.78]You're shitting me.[35:37.98]If they trace any accounts, they gonna wind up chasing[35:41.55]a figment of my imagination.[35:43.49]Well, I'll be damned![35:46.82]Did I say you were good?[35:48.93]Shit, you are Rembrandt.[35:51.30]The funny thing is[35:53.23]on the outside, I was an honest man, straight as an arrow.[35:57.74]I had to come to prison to be a crook.[36:08.95]Ever bother you?[36:11.68]I don't run the scams. I just process the profits.[36:15.02]A fine line, maybe[36:17.59]but I also built that library[36:19.86]and used it to help guys get their high school diploma.[36:23.09]Why do you think he lets me do all that?[36:25.53]To keep you happy and doing the laundry.[36:27.93]Money instead of sheets.[36:29.77]Well, I work cheap. That's the tradeoff.[36:49.62]Tommy Williams came to Shawshank in 1965[36:52.49]on a two-year stretch for B and E.[36:54.96]That's Breaking and Entering to you.[36:57.56]Cops caught him sneaking TV sets out the back door of a JC Penney. [37:02.23]Young punk.[37:03.73]Mr Rock 'n' Roll[37:05.57]cocky as hell.[37:07.31]Come on, old boys. Moving like molasses![37:09.94]Making me look bad.[37:11.91]We liked him immediately.[37:13.95]So I'm backing out the door, all right? and I got the TV like this. [37:17.98]A big old thing. I couldn't see shit. Suddenly, here's this voice. [37:22.25]"Freeze, kid, hands in the air."[37:24.42]I was standing there, holding onto that TV. Finally the voice says: [37:29.09]"You hear what I said, boy?" I say, "Yes, sir. I sure did.[37:33.10]But if I drop this fucking thing, you get me on destruction of property too."[37:41.04]You done some stretch in Cashman, right?[37:43.84]Yeah, that was an easy piece of time, let me tell you.[37:48.08]Weekend furloughs. Work programs.[37:50.21]Not like here.[37:51.48]Sounds like you done time all over New England.[37:54.35]I've been in and out since I was 13.[37:56.95]Name it, chances are I've been there.[37:59.36]Perhaps It's the time you tried a new profession.[38:03.46]What I mean is[38:05.36]you don't seem to be a very good thief. Maybe You should try something else. [38:09.03]Yeah, what the hell you know about it, Capone?[38:12.67]What are you in for?[38:14.54]Me?[38:17.98]A lawyer fucked me.[38:23.55]Everybody's innocent in here. Don't you know that?[38:34.43]As it turned out, Tommy had himself a young wife and a new baby girl. [38:39.40]Maybe it was the thought of them on the streets[38:41.73]or his child growing up not knowing her daddy.[38:44.54]Whatever it was[38:46.24]something lit a fire under that boy's ass.[38:52.51]Thinking maybe I should try for my high school equivalency.[38:55.58]Hear you helped a couple of fellas with that.[38:59.45]I don't waste time with losers, Tommy.[39:03.09]I ain't no goddamn loser.[39:07.33]- You mean that? - Yeah.[39:10.83]You really mean that?[39:13.30]Yes, sir, I do.[39:14.87]Good. Because if we do this[39:17.03]we do it all the way, a hundred percent, nothing half-assed.[39:21.24]Thing is, see[39:24.31]I don't read so good.[39:27.01]"Well."[39:30.11]You don't read[39:32.08]so well.[39:35.95]We'll get to that.[39:41.89]So Andy took Tommy under his wing.[39:44.23]Started walking him through his ABC's.[39:49.00]Tommy took to it pretty well too.[39:51.47]Boy found brains he never knew he had.[39:56.57]Before long, Andy started him on his course requirements.[40:00.21]He really liked the kid.[40:02.08]Gave him a thrill to help a youngster crawl off the shit heap.[40:06.15]But that wasn't the only reason.[40:09.12]Prison time is slow time.[40:11.79]So you do what you can to keep going.[40:14.73]Some fellas collect stamps.[40:17.19]Others build matchstick houses.[40:20.26]Andy built a library.[40:23.43]Now he needed a new project.[40:26.24]Tommy was it.[40:28.37]It was the same reason he spent years shaping and polishing those rocks. [40:32.91]The same reason he hung his fantasy girlies on the wall.[40:37.05]In prison[40:38.58]a man will do most anything to keep his mind occupied.[40:43.09]By 1966, right about the time Tommy was getting ready to take his exams [40:48.19]it was lovely Raquel.[41:06.94]Time.[41:13.98]Well?[41:16.59]Well, it's for shit.[41:19.22]I wasted a fucking year of my time with this bullshit.[41:22.26]It's probably not that bad you think.[41:23.96]It's wrost. I didn't get a thing right. It might as well have been in Chinese.。
肖申克的救赎--Report-of-the-Film—the-Redemption-of-Shawshank
Report of the Film—the Redemption ofShawshankGroup members: 肖静田宁宁马朵朵张玛莉Background Information1. Brief introduction of the leading role1. The political background1. The content background1. Classic lines1. Brief introduction of the leading role:Tim Robbins(蒂姆·罗宾斯) :Born in October 16, 1958 in U.S. He is a famous American film actor. At the same time, he also is a director, screenwriter and film producer. As an actor, he has “Super Big Game Player” in Cannes ，the Golden Globe Award double winner in 1992 and in 2004 with “Mystic River“. He also won the seventy-sixth Oscar Award for Best Supporting Actor. As a director and screenwriter, in 1996, with the work “Walking" which he made in 1995, he received three nominations of Oscar and in the same year ,in the Berlin film festival, he got four awards.2＆3 The political and content background:The story happened in 1947. In that age, the society was black and lack of the fairness of the judicial system.Banker Andy wanted to kill his wife and her lover after drinking because his wife was having an affair. However, before he did something, the coincidence is somebody shot his wife and her lover in the night. He was accused of murder, and also was sentenced to whole life imprisonment, which means he would spend the rest of his life at the Shawshank prison. So the film is about what was happened on Andy mentally and physically at the Shawshank prison4 Classic linesIt takes a strong man to save himself,and a great man to save another.坚强的人只能救赎自己，伟大的人才能拯救他人Get busy living,or get busy dying.忙活，或者等死。
On the Salvation of the Humanity The Shawshank Redemption
黄冈师范学院本科生毕业论文论文题目: On the Salvation of the Humanity——The Shawshank Redemption作者：专业班级：指导教师：学号：2011年4月20日郑重声明本人的毕业论文（设计）是在指导教师张纪英的指导下独立撰写完成的。
毕业论文（设计）没有剽窃、抄袭、造假等违反学术道德、学术规范的侵权行为，本人愿意承担由此产生的各种后果，甚至法律责任；并可以通过网络接受公众的质疑。
特此郑重声明。
毕业论文作者：2011年4 月20 日黄冈师范学院外国语学院本科毕业论文（设计）开题报告论文题目On the Salvation of the Humanity——The Shawshank Redemption学生姓名学号专业班级_ 导师姓名 ___ _ 职称 __2010年12月一、本课题研究的目的及其意义目的：通过对电影《肖申克的救赎》中不同人物性格的描写以及对比分析，通过描写主人公安迪在19年的囚禁生活下仍然充满希望, 不懈地追求自由, 并且坚持帮助自己狱友的故事, 表现出人性救赎的主题。
希望是人间最美好的东西，希望通过本文的写作，让读者感受自由和希望的力量，对生活有一种新的积极的态度。
并使读者对电影有更深的理解，升华读者的价值观和人生观。
意义：《肖申克的救赎》是一部令人震撼的优秀影片, 它是著名编剧导演弗兰克·达拉邦特在1994年拍摄的电影作品。
这部影片透过监狱这样一个特殊的背景, 不仅让观众看到了美国司法界的内幕, 而且还让观众看到逆境并不能使人放弃对自由渴望,对美好生活的向往。
《肖申克的救赎》是一部优秀的励志之作。
面对挫折、艰难、失败, 是消沉还是奋进, 是坚持还是放弃, 《肖申克的救赎》给了我们一个明确的答案。
自由, 希望, 是整部影片的灵魂, 是“希望”救赎了“自由”、希望是贯穿整部影片的灵魂。
影片给人带来的诸多的人生思考, 最值得大家去关注。
肖申克的救赎-英文版
恐惧让你沦为囚犯。希望让你重获自由。
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A strong man to save himself, and a great man to save another.
一个坚强的人只能 救赎自己,伟大的人 才能拯救他人。
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These walls are funny. First you hate them， then you get used to them. Enough time passes，you get so you depend on them. That's institutionalized.
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这些墙很有趣。一 开始你恨它,然后你 对它就习惯了。你 相当的时间过去后, 你还会依赖它。这 就叫体制化。
It comes down to a simple choice: get busy living or get busy dying.
可以归结为一种简单的选择:要么忙于 生存,要么赶着去死。
希望是件好东西,没准儿是 件最好的东西,好东西是不 会消失的。
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The Shawshank Redemption
肖申克的救赎
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Hope is a good thing
希望是个好东西
Get busy to live? Or get busy to die?
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是要忙着去生？ 还是忙着去死？
Fear can hold you prisoner. Hope can set you free.
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Some birds are not meant to be caged. Their feathers are just too bright.
肖申克的救赎中英双语
《肖申克的救赎》剧本-中英文对照By Frank DarabontBased upon the storyRita Hayworth and Shawshank Redemptionby Stephen King1 INT －－CABIN －－NIGHT (1946) ：：内景－－小屋－－夜晚A dark, empty room. ：：一所黑黑的、空洞的房子The door bursts open. A MAN and WOMAN enter, drunk and giggling, horny as hell. No sooner is the door shut than they’re all over each other, ripping at clothes, pawing at flesh, mouths locked together. ：：门突然被撞开，一个男人和一个女人醉意地走了进来，吃吃地笑着，很是暧昧。
不等门关上，他们就缠在了一块，互相撕扯着衣服，搓摸着对方的身体，两张嘴紧紧地粘在了一起。
He gropes for a lamp, tries to turn it on, knocks it over instead. Hell with it. He’s got more urgent things to do, like getting her blouse open and his hands on her breasts. She arches, moaning, fumbling with his fly. He slams her against the wall, ripping her skirt. We hear fabric tear. ：：男人摸索着想打开台灯，却弄翻了它。
顾不上管台灯，他有更急的事要做，他掀起她的上衣，用手按住她的乳房。
她仰着身子，呻吟着，慌乱地解着他的钮扣。
英文presentation肖申克的救赎(附演讲稿).ppt
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Andy dug a big hole on the wall for 19 years and hid it with a poster, just beyond our imagination. He crawled through 500 yards and then a pipe full of shitsmelling dirty water .Finally he got freedom. You know, out of this movie, the dirty water is just chocolates. If i were Andy ,i can enjoy the chocolates, so why not crawl through it? But 19 years, dig a big hole.Will you do it ? Anothing thing is , do you think Andy is just keeping digging every day during the 19 years? Of course not. I think this is the most amazing part of the movie. He played music ,every man felt free;he expanded the library by writing one letter one week to the government to ask for funds; he helped Tommy to read from ABC's. What's more,he helped the guards do tax returns, even including Norton.Of course, he would help Norton,because Norton killed Tommy.Tommy can prove his innocence.Out of the prison ,Andy mailed norton's illeagal things to the government, and then his judgment cometh that right soon.he killed himself. Now let's appreciate some classic dialogues.Just when Andy was out of the prison,Red has also changed himself,his attitude towards life ,he felt regret for his crime. But Red was faced with the same situation with Brooks,that is Institutionalized.But because of Andy, Red found a different way of life,full of hope .Andy once said,"hope is a good thing,maybe the best of things and no good thing ever dies."so he decided to go to Buxton and start a new life.They met again in the coast of Pacafic Ocean. Because time is limited, i can't mention all the details of the movie.You'd better watch it yourself,everyone of you could fing something inside.Thank you!
The Shawshank Redemption 肖申克的救赎
The Shawshank Redemption / 肖申克的救赎此片展示了一个有所作为的男人，身上所具备的几个品格：1.有专业特长和适当的爱好2.有毅力3.审时度势，行动有策略4.抓住机会，冒险一搏5.永远怀有希望6.自制力和自省7.对他人有益8. 不畏强暴，反击邪恶个人认为此片可作为男人必看的励志佳片。
IV影片对白ANDY: My wife used to say I'm a hard man to know. Like a closed book.Complained about it all the time. She's beautiful. God, I loved her. But Ijust didn't know how to show it, that's all. I killed her, Red. I didn't pullthe trigger. But I drove her away. That's why she died. Because of me,the way I am.RED: That doesn't make you a murderer. Bad husband, maybe. Felt bad about it if you want to. But you didn't pull the trigger.ANDY: No. I didn't. Somebody else did, and I wound up in here. Bad luck, I guess.RED: Yeah.ANDY: It floats around. Has to land on somebody. It was my turn, that's all. I was in the path of the tornado. I didn't expect the storm would last as long as it has. You think you'll ever get out of here?RED: Me? Yeah. One day when I got a long, white beard and two or three marbles rolling around upstairs. They'll let me out.ANDY: Tell you where I'd go. Zihuatanejo.RED: Zihua...?ANDY: Zihuatanejo. It's in Mexico. A little place on the Pacific Ocean. You know what the Mexicans say about the Pacific? They say it has no memory. That's where I want to live the rest of my life. A warm place with no memory. Open up a little hotel right on the beach. Buy some worthless old boat and fix it up new. Take my guests out charter fishing.RED: Zihuatanejo?ANDY: In a place like that, I could use a man that knows how to get things.RED: I don't think I could make it on the outside, Andy. I've been in here most of my life. I'm an institutional man now. Just like Brooks was.ANDY: Well, you underestimate yourself.RED: I don't think so. In here I'm the guy who can get things for you, sure, but outside all you need is the Yellow Pages. Hell, I wouldn't even know where to begin. Pacific Ocean? Shit! About to scare me to death, somethin' that big.ANDY: Not me. I didn't shoot my wife and I didn't shoot her lover, and whatever mistakes I made I've paid for them and then some. That hotel, that boat... I don't think that's too much to ask.RED: I don't think you ought' a be doing this to yourself, Andy! This is shitty pipe dreams! I mean Mexico's in the way the hell down there, and you're in here, andthat's the way it is!ANDY: Yeah, right. That's the way it is. It's down there, and I'm in here. I guess it comes down to a simple choice, really. Get busy living... or get busy dying.妙词佳句，活学活用1. tornado龙卷风。
肖申克的救赎.THE.SHAWSHANK.REDEMPTION
THE SHAWSHANK REDEMPTIONbyFrank DarabontBased upon the storyRita Hayworth and Shawshank Redemptionby Stephen King1 INT -- CABIN -- NIGHT (1946)A dark, empty room.The door bursts open. A MAN and WOMAN enter, drunk andgiggling, horny as hell. No sooner is the door shut thanthey're all over each other, ripping at clothes, pawing atflesh, mouths locked together.He gropes for a lamp, tries to turn it on, knocks it overinstead. Hell with it. He's got more urgent things to do, likegetting her blouse open and his hands on her breasts. Shearches, moaning, fumbling with his fly. He slams her againstthe wall, ripping her skirt. We hear fabric tear.He enters her right then and there, roughly, up against thewall. She cries out, hitting her head against the wall but notcaring, grinding against him, clawing his back, shivering withthe sensations running through her. He carries her across theroom with her legs wrapped around him. They fall onto the bed.CAMERA PULLS BACK, exiting through the window, travelingsmoothly outside... 2 EXT -- CABIN -- NIGHT (1946) 2...to reveal the bungalow, remote in a wooded area, thelovers' cries spilling into the night......and we drift down a wooded path, the sounds of ruttingpassion growing fainter, mingling now with the night sounds ofcrickets and hoot owls......and we begin to hear FAINT MUSIC in the woods, tinny andincongruous, and still we keep PULLING BACK until......a car is revealed. A 1946 Plymouth. Parked in a clearing.3 INT -- PLYMOUTH -- NIGHT (1946) 3ANDY DUFRESNE, mid-20's, wire rim glasses, three-piece suit.Under normal circumstances a respectable, solid citizen; hardlydangerous, perhaps even meek. But these circumstances are farfrom normal. He is disheveled, unshaven, and very drunk. Acigarette smolders in his mouth. His eyes, flinty and hard, areriveted to the bungalow up the path.He can hear them fucking from here.He raises a bottle of bourbon and knocks it back. The radioplays softly, painfully romantic, taunting him:You stepped out of a dream...You are too wonderful...To be what you seem...He opens the glove compartment, pulls out anobject wrappedin a rag. He lays it in his lap and unwraps it carefully ---- revealing a .38 revolver. Oily, black, evil.He grabs a box of bullets. Spills them everywhere, all overthe seats and floor. Clumsy. He picks bullets off his lap,loading them into the gun, one by one, methodical and grim.Six in the chamber. His gaze goes back to the bungalow.He shuts off the radio. Abrupt silence, except for the distantlovers' moans. He takes another shot of bourbon courage, thenopens the door and steps from the car.4 EXT -- PLYMOUTH -- NIGHT (1946) 4His wingtip shoes crunch on gravel. Loose bullets scatter tothe ground. The bourbon bottle drops and shatters.He starts up the path, unsteady on his feet. The closer hegets, the louder the lovemaking becomes. Louder and morefrenzied. The lovers are reaching a climax, their sounds ofpassion degenerating into rhythmic gasps and grunts.WOMAN (O.S.)Oh god...oh god...oh god...Andy lurches to a stop, listening. The woman cries out inorgasm. The sound slams into Andy's brain like an icepick. Heshuts his eyes tightly, wishing the sound would stop. It finally does, dying away like a siren until all that's leftis the shallow gasping and panting ofpost-coitus. We hearlanguorous laughter, moans of satisfaction.WOMAN (O.S.)Oh god...that's sooo good...you'rethe best...the best I ever had...Andy just stands and listens, devastated. He doesn't look likemuch of a killer now; he's just a sad little man on a dirtpath in the woods, tears streaming down his face, a loaded gunheld loosely at his side. A pathetic figure, really. FADE TO BLACK: 1ST TITLE UP5 INT -- COURTROOM -- DAY (1946) 5THE JURY listens like a gallery of mannequins on display,pale-faced and stupefied.D.A. (O.S.)Mr. Dufresne, describe theconfrontation you had with yourwife the night she was murdered.ANDY DUFRESNEis on the witness stand, hands folded, suit and tie pressed,hair meticulously combed. He speaks in soft, measured tones:ANDYIt was very bitter. She said shewas glad I knew, that she hated allthe sneaking around. She said shewanted a divorce in Reno.D.A.What was your response?ANDYI told her I would not grant one.D.A.(refers to his notes)I'll see you in Hell before I seeyou in Reno. Those were the words you used, Mr. Dufresne, accordingto the testimony of your neighbors.ANDYIf they say so. I really don't remember. I was upset.FADE TO BLACK: 2ND TITLE UPD.A.What happened after you and your wife argued?ANDYShe packed a bag and went to stay with Mr. Quentin.D.A.Glenn Quentin. The golf pro at the Falmouth Hills Country Club. The man you had recently discovered was her lover.(Andy nods)Did you follow her?ANDYI went to a few bars first. Later,I decided to drive to Mr. Quentin's home and confront them. They weren't there...so I parked my carin the turnout...and waited.D.A.With what intention?ANDYI'm not sure. I was confused. Drunk. I think mostly I wanted to scare them.D.A.You had a gun with you?ANDYYes. I did.FADE TO BLACK: 3RD TITLE UPD.A.When they arrived, you went upto the house and murdered them?ANDYNo. I was sobering up. I realizedshe wasn't worth it. I decided tolet her have her quickie divorce.D.A.Quickie divorce indeed. A .38caliber divorce, wrapped in a handtowel to muffle the shots,isn't that what you mean? And then you shot her lover!ANDYI did not. I got back in the carand drove home to sleep it off. Along the way, I stopped and threw my gun into the Royal River. I feelI've been very clear on this point.D.A.Yes, you have. Where I get hazy, though, is the part where the cleaning woman shows up the next morning and finds your wife and her lover in bed, riddled with .38caliber bullets. Does that strikeyou as a fantastic coincidence, Mr. Dufresne, or is it just me?ANDY(softly)Yes. It does.D.A.I'm sorry, Mr. Dufresne, I don'tthink the jury heard that.ANDYYes. It does.D.A.Does what?ANDYStrike me as a fantastic coincidence.D.A.On that, sir, we are in accord...FADE TO BLACK! 4TH TITLE UPD.A.You claim you threw your gun intothe Royal River before the murderstook place. That's rather convenient.ANDYIt's the truth.D.A.You recall Lt. Mincher's testimony?He and his men dragged that riverfor three days and nary a gun was found. So no comparison can be made between your gun and the bulletstaken from the bloodstained corpsesof the victims. That's also rather convenient, isn't it, Mr. Dufresne?ANDY(faint, bitter smile)Since I am innocent of this crime,sir, I find it decidedly inconvenientthe gun was never found.FADE TO BLACK: STH TITLE UP6 INT -- COURTROOM -- DAY (1946) 6 The D.A. holds the jury spellbound with his closing summation:D.A.Ladies and gentlemen, you've heardall the evidence, you know all thefacts. We have the accused at thescene of the crime. We have footprints. Tire tracks. Bulletsscattered on the ground which bearhis fingerprints. A broken bourbon bottle, likewise with fingerprints.Most of all, we have a beautifulyoung woman and her lover lyingdead in each other's arms. They had sinned. But was their crime sogreat as to merit a death sentence?He gestures to Andy sitting quietly with his ATTORNEY.D.A.I suspect Mr. Dufresne's answer tothat would be yes. I furthersuspect he carried out thatsentence on the night of September21st, this year of our Lord, 1946,by pumping four bullets into hiswife and another four into Glenn Quentin. And while you think aboutthat, think about this...He picks up a revolver, spins the cylinder before their eyeslike a carnival barker spinning a wheel of fortune.D.A.A revolver holds six bullets, noteight. I submit to you this was nota hot-blooded crime of passion!That could at least be understood,if not condoned. No, this wasrevenge of a much more brutal andcold-blooded nature. Consider! Fourbullets per victim! Not six shotsfired, but eight! That means hefired the gun empty...and thenstopped to reload so he could shooteach of them again! An extra bulletper lover...right in the head.(a few JURORS shiver)I'm done talking. You people areall decent, God-fearing Christianfolk. You know what to do.FADE TO BLACK: 6TH TITLE UP7 INT -- JURY ROOM -- DAY (1946) 7CAMERA TRACKS down a long table, moving from one JUROR to thenext. These decent, God-fearing Christians are chowing down ona nice fried chicken dinner provided them by the county,smacking greasy lips and gnawing cobbettes of corn.VOICE (O.S.)Guilty. Guilty. Guilty. Guilty...We find the FOREMAN at the head of the table, sorting votes.FADE TO BLACK: 7TH TITLE UP8 INT -- COURTROOM -- DAY (1946) 8Andy stands before the dias. THE JUDGE peers down, framed by acarved frieze of blind Lady Justice on the wall.JUDGEYou strike me as a particularly icyand remorseless man, Mr. Dufresne.It chills my blood just to look atyou. By the power vested in me bythe State of Maine, I hereby orderyou to serve two life sentences,back to back, one for each of your victims. So be it.He raps his gavel as weCRASH TO BLACK: LAST TITLE UP.9 AN IRON-BARRED DOOR 9slides open with an enormous CLANG. A stark room waits beyond.CAMERA PUSHES through. SEVEN HUMORLESS MEN sit side by side ata long table. An empty chair faces them. We are now in:INT -- SHAWSHANK HEARINGS ROOM -- DAY (1947)RED enters, removes his cap and waits by the chair.MAN #1Sit.Red sits, tries not to slouch. The chair is uncomfortable.MAN #2We see by your file you've servedtwenty years of a life sentence.MAN #3You feel you've been rehabilitated?REDYes, sir. Absolutely. I've learnedmy lesson. I can honestly say I'm achanged man. I'm no longer a dangerto society. That's the God's honesttruth. No doubt about it.The men just stare at him. One stifles a yawn.CLOSEUP -- PAROLE FORMA big rubber stamp slams down: "REJECTED"in red ink.10 EXT -- EXERCISE YARD -- SHAWSHANK PRISON -- DUSK (1947) 10High stone walls topped with snaky concertina wire, set off atintervals by looming guard towers. Over a hundred CONS arein the yard. Playing catch, shooting craps, jawing at eachother, making deals. Exercise period.RED emerges into fading daylight, slouches low-key through theactivity, worn cap on his head, exchanging hellos and doingminor business. He's an important man here.RED (V.O.)There's a con like me in every prisonin America, I guess. I'm the guy whocan get it for you. Cigarettes, abag of reefer if you're partial, abottle of brandy to celebrate yourkid's high school graduation. Damnnear anything, within reason.He slips somebody a pack of smokes, smooth sleight-of-hand.RED (V.O.)Yes sir, I'm a regular Sears &Roebuck.TWO SHORT SIREN BLASTS issue from the main tower, drawingeverybody's attention to the loading dock. The outer gateswings open...revealing a gray prison bus outside.RED (V.O.)So when Andy Dufresne came to me in 1949 and asked me to smuggle Rita Hayworth into the prison for him, Itold him no problem. And it wasn't.CONFresh fish! Fresh fish today!Red is joined by HEYWOOD, SKEET, FLOYD, JIGGER, ERNIE, SNOOZE.Most cons crowd to the fence to gawk and jeer, but Red and hisgroup mount the bleachers and settle in comfortably.11 INT -- PRISON BUS -- DUSK (1947) 11Andy sits in back, wearing steel collar and chains.RED (V.O.)Andy came to Shawshank Prison inearly 1947 for murdering his wifeand the fella she was bangin'.The bus lurches forward, RUMBLES through the gates. Andy gazesaround, swallowed by prison walls.RED (V.O.)On the outside, he'd been vice-president of a large Portland bank.Good work for a man as young as hewas, when you consider howconservative banks were back then.TOWER GUARDAll clear!GUARDS approach the bus with carbines. The door jerks open.The new fish disembark, chained together single-file, blinkingsourly at their surroundings. Andy stumbles against the MAN infront of him, almost drags him down.BYRON HADLEY, captain of the guard, slams his baton intoAndy's back. Andy goes to his knees, gasping in pain. JEERSand SHOUTS from the spectators.HADLEYOn your feet before I fuck you upso bad you never walk again.13 ON THE BLEACHERS 13REDThere they are, boys. The HumanCharm Bracelet.HEYWOODNever seen such a sorry-lookin'heap of maggot shit in my life.JIGGERComin' from you, Heywood, you beingso pretty and all...FLOYDTakin' bets today, Red?RED(pulls notepad and pencil)Bear Catholic? Pope shit in the woods? Smokes or coin, bettor's choice.FLOYDSmokes. Put me down for two.REDHigh roller. Who's your horse?FLOYDThat gangly sack of shit, thirdfrom the front. He'll be the first.HEYWOODBullshit. I'll take that action.ERNIE Me too.Other hands go up. Red jots the names.HEYWOODYou're out some smokes, son. Takemy word.FLOYDYou're so smart, you call it.HEYWOODI say that chubby fat-ass...let'ssee...fifth from the front. Put medown for a quarter deck.REDThat's five cigarettes on Fat-Ass.Any takers?More hands go up. Andy and the others are paraded along,forced by their chains to take tiny baby steps, flinchingunder the barrage of jeers and shouts. The old-timers areshaking the fence, trying to make the newcomers shit theirpants. Some of the new fish shout back, but mostly they lookterrified. Especially Andy.RED (V.O.)I must admit I didn't think much ofAndy first time I laid eyes on him.He might'a been important on theoutside, but in here he was just alittle turd in prison grays. Lookedlike a stiff breeze could blow himover. That was my first impressionof the man.SKEETWhat say, Red?REDLittle fella on the end. Definitely.I stake half a pack. Any takers?SNOOZERich bet.REDC'mon, boys, who's gonna prove mewrong?(hands go up)Floyd, Skeet, Joe, Heywood. Four brave souls, ten smokes apiece. That's it, gentlemen, this window's closed.Red pockets his notepad. A VOICE comes over the P.A. speakers:VOICE (amplified)Return to your cellblocks forevening count.14 INT -- ADMITTING AREA -- DUSK (1947) 14The new fish are marched in. Guards unlock the shackles. Thechains drop away, rattling to the stone floor.HADLEYEyes front.WARDEN SAMUEL NORTON strolls forth, a colorless man in a graysuit and a church pin in his lapel. He looks like he couldpiss ice water. He appraises the newcomers with flinty eyes.NORTONThis is Mr. Hadley, captain of theguard. I am Mr. Norton, the warden.You are sinners and scum, that'swhy they sent you to me. Rulenumber one: no blaspheming. I'llnot have the Lord's name taken invain in my prison. The other rules you'll figure out as you go along.Any questions?CONWhen do we eat?Cued by Norton's glance, Hadley steps up to the con and screamsright in his face:HADLEYYOU EAT WHEN WE SAY YOU EAT! YOU PISS WHEN WE SAY YOU PISS! YOU SHIT WHEN WE SAY YOU SHIT! YOU SLEEP WHEN WE SAY YOU SLEEP! YOU MAGGOT- DICK MOTHERFUCKER!Hadley rams the tip of his club into the con's belly. Theman falls to his knees, gasping and clutching himself.Hadley takes his place at Norton's side again. Softly:NORTONAny other questions?(there are none)I believe in two things. Disciplineand the Bible. Here, you'll receiveboth.(holds up a Bible)Put your faith in the Lord. Yourass belongs to me. Welcome to Shawshank.HADLEYOff with them clothes! And I didn'tsay take all day doing it, did I?The men shed their clothes. Within seconds, all stand naked.HADLEYFirst man into the shower!Hadley shoves the FIRST CON into a steelcage open at thefront. TWO GUARDS open up with a fire hose. The con is slammedagainst the back of the cage, sputtering and hollering.Seconds later, the water is cut and the con yanked out.HADLEYDelouse that piece of shit! Nextman in!The con gets a huge scoop of white delousing powder thrown allover him. Gasping and coughing, blinking powder from his eyes,he gets shoved to a trustee's cage. The TRUSTEE slides a shortstack of items through the slot -- prison clothes and a Bible.All the men are processed quickly -- a blast of water, powder,clothes and a Bible...15 INT -- INFIRMARY -- NIGHT (1947) 15A naked CON steps before a DOCTOR and gets a cursory exam.A penlight is shined in his eyes, ears, nose, and throat.DOCTORBend over.The con does. A GUARD with a penlight in his teeth spreads hischeeks, peers up his ass, and nods. Andy is next up. He getsthe same treatment.16 INT -- PRISON CHAPEL -- NIGHT (1947) 16CAMERA TRACKS the naked newcomers shivering on hard wooden chairs, clothes on their laps, Bibles open.CHAPLAIN (O.S.)...maketh me to lie down in greenpastures. He leadeth me beside thestill waters. He restoreth my soul...17 INT -- CELLBLOCK FIVE -- NIGHT (1947) 17Three tiers to a side, concrete and steel, gray and imposing.Andy and the others are marched in, still naked, carryingtheir clothes and Bibles. The CONS in their cells greet themwith TAUNTS, JEERS, and LAUGHTER. One by one, the new men areshown to their cells and locked in with a CLANG OF STEEL.RED (V.O.)The first night's the toughest, nodoubt about it. They march you innaked as the day you're born, freshfrom a Bible reading, skin burningand half-blind from that delousingshit they throw on you...Red watches from his cell, arms slung over the crossbars,cigarette dangling from his fingers.RED (V.O.)...and when they put you in thatcell, when those bars slam home,that's when you know it's for real.Old life blown away in the blink ofan eye...a long cold season in hellstretching out ahead...nothingleft but all the time in the worldto think about it.Red listens to the CLANGING below. He watches Andy and a fewothers being brought up to the 2nd tier.RED (V.O.)Most new fish come close to madnessthe first night. Somebody alwaysbreaks down crying. Happens everytime. The only question is, who'sit gonna be?Andy is led past and given a cell at the end of the tier.RED (V.O.)It's as good a thing to bet on asany, I guess. I had my money onAndy Dufresne...18 INT -- ANDY'S CELL -- NIGHT (1947) 18The bars slam home. Andy is alone in his cell, clutching hisclothes. He gazes around at his new surroundings, taking itin. He slowly begins to dress himself...19 EXT -- SHAWSHANK PRISON -- NIGHT (1947) 19A malignant stone growth on the Maine landscape. The moonhangs low and baleful in a dead sky. The headlight of aPASSING TRAIN cuts through the night.20 INT -- RED'S CELL -- NIGHT (1947) 20Red lies on his bunk below us, tossing his baseball toward theceiling and catching it again. He pauses, listening. FOOTSTEPSapproach below, unhurried, echoing hollowly on stone.21 INT -- CELLBLOCK FIVE -- NIGHT (1947) 21LOW ANGLE. A CELLBLOCK GUARD strolls into frame.GUARDThat's lights out! Good night, ladies.The lights bump off in sequence. The guard exits, footstepsechoing away. Darkness now. Silence. CAMERA CRANES UP thetiers toward Red's cell.RED (V.O.)I remember my first night. Seems along time ago now.Red looms from the darkness, leans on the bars. Listens.Waits. From somewhere below comes faint, ghastly tittering.VOICES drift through the cellblock, taunting:VARIOUS VOICES (O.S.)Fishee fishee fisheeee...You'regonna like it here, new fish. Awhooole lot...Make you wish yourdaddies never dicked yourmommies...You takin' this down, newfish? Gonna be a quiz later.(somebody LAUGHS)Sshhh. Keep it down. The screws'll hear...Fishee fishee fisheeee...RED (V.O.)The boys always go fishin' withfirst-timers...and they don't quittill they reel someone in.The VOICES keep on, sly and creepy in the dark...22 INT -- VARIOUS CELLS -- NIGHT (1947) 22thru thru 252g ...while the new cons go quietly crazy in their cells. One manpaces like a caged animal...another sitsgnawing his cuticlesbloody...a third is weeping silently...a fourth is dry-heavinginto the toilet...26 INT -- RED'S CELL -- NIGHT (1947) 26Red waits at the bars. Smoking. Listening. He cranes his head,peers down toward Andy's cell. Nothing. Not a peep.HEYWOOD (O.S.)Fat-Ass...oh, Faaaat-Ass. Talk tome, boy. I know you're in there. Ican hear you breathin'. Now don'tyou listen to these nitwits, hear?27 INT -- FAT-ASS' CELL -- NIGHT (1947) 27 Fat-Ass is crying, trying not to hyperventilate.HEYWOOD (O.S.)This ain't such a bad place. I'llintroduce you around, make you feelright at home. I know some big ol'bull queers who'd love to make your acquaintance...especially that bigwhite mushy butt of yours...And that's it. Fat-Ass lets out a LOUD WAIL of despair:FAT-ASSOH GOD! I DON'T BELONG HERE! I WANNA GO HOME!28 INT -- HEYWOOD'S CELL -- NIGHT (1947) 28HEYWOODAND IT'S FAT-ASS BY A NOSE.'29 INT -- CELLBLOCK -- NIGHT (1947) 29 The place goes nuts. Fat-Ass throws himself screaming againstthe bars. The entire block starts CHANTING:VOICESFresh fish...fresh fish...freshfish...fresh fish...FAT-ASSI WANNA GO HOME! I WANT MY MOTHER.'VOICE (O.S.)I had your mother! She wasn't thatgreat!The lights bump on. GUARDS pour in, led by Hadley himself.HADLEYWhat the Christ is this happy shit?VOICE (O.S.)He took the Lord's name in vain!I'm tellin' the warden!HADLEY(to the unseen wit)You'll be tellin' him with my batonup your ass!Hadley arrives at Fat-Ass' cell, bellowing through the bars:HADLEYWhat's your malfunction you fatfuckin' barrel of monkey-spunk?FAT-ASSPLEASE! THIS AIN'T RIGHT! I AIN'T SUPPOSED TO BE HERE! NOT ME!HADLEYI ain't gonna count to three! Noteven to one! Now shut the fuck up'fore I sing you a lullabye!Fat-Ass keeps blubbering and wailing. Totalfreak-out. Hadleydraws his baton, gestures to his men. Open it.A GUARD unlocks the cell. Hadley pullsFat-Ass out and startsbeating him with the baton, brutally raining blows. Fat-Assfalls, tries to crawl.The place goes dead silent. All we hear now is the dullTHWACK-THWACK-THWACK of the baton. Fat-ass passes out. Hadleygets in a few more licks and finally stops.HADLEYGet this tub of shit down to theinfirmary.(peers around)If I hear so much as a mouse fartin here the rest of the night, byGod and Sonny Jesus, you'll allvisit the infirmary. Every lastmotherfucker here.The guards wrestle Fat-Ass onto a stretcher and carry him off.FOOTSTEPS echo away. Lights off. Darkness again. Silence.30 INT -- RED'S CELL -- NIGHT (1947) 30Red stares through the bars at the main floor below, eyesriveted to the small puddle of blood whereFat-Ass went down.RED (V.O.)His first night in the joint, AndyDufresne cost me two packs ofcigarettes. He never made a sound...31 INT -- CELLBLOCK FIVE -- MORNING (1947) 31LOUD BUZZER. The master locks are thrown -- KA-THUMP! The consstep from their cells, lining the tiers. The GUARDS hollertheir head-counts to the HEAD BULL, who jots on a clipboard.Red peers at Andy, checking him out. Andy stands in line,collar buttoned, hair combed.32 INT -- MESS HALL -- MORNING (1947) 32Andy goes through the breakfast line, gets a scoop of glop onhis tray. WE PAN ANDY through the noise and confusion...anddiscover BOGS DIAMOND and ROOSTER MacBRIDE watching Andy goby. Bogs sizes Andy up with a salacious gleam in his eye,mutters something to Rooster. Rooster laughs.Andy finds a table occupied by Red and his regulars, choosesa spot at the end where nobody is sitting. Ignoring theirstares, he picks up his spoon -- and pauses, seeing somethingin his food. He carefully fishes it out with his fingers.It's a squirming maggot. Andy grimaces, unsure what to do withit. BROOKS HATLEN is sitting closest to Andy. At age 65, he'sa senior citizen, a long-standing resident.BROOKSYou gonna eat that?ANDYHadn't planned on it.BROOKSYou mind?Andy passes the maggot to Brooks. Brooksexamines it, rollingit between his fingertips like a man checking out a finecigar. Andy is riveted with apprehension.BROOKSMmm. Nice and ripe.Andy can't bear to watch. Brooks opens up his sweater andfeeds the maggot to a baby crow nestled in an inside pocket.Andy breathes a sigh of relief.BROOKSJake says thanks. Fell out of hisnest over by the plate shop. I'mlookin' after him till he's oldenough to fly.Andy nods, proceeds to eat. Carefully. Heywood approaches.JIGGEROh, Christ, here he comes.HEYWOODMornin', boys. It's a fine mornin'.You know why it's fine?Heywood plops his tray down, sits. The men start pulling outcigarettes and handing them down.HEYWOODThat's right, send 'em all down. Iwanna see 'em lined up in a row,pretty as a chorus line.An impressive pile forms. Heywood bends down and inhalesdeeply, smelling the aroma. Rapture.FLOYDSmell my ass... HEYWOODGee, Red. Terrible shame, yourhorse comin' in last and all.Hell, I sure do love that horse ofmine. I believe I owe that boy abig sloppy kiss when I see him.REDGive him some'a your cigarettesinstead, cheap bastard.HEYWOODSay Tyrell, you pull infirmary dutythis week? How's that winnin' horseof mine, anyway?TYRELLDead.(the men fall silent)Hadley busted his head pretty good.Doc already went home for thenight. Poor bastard lay there tillthis morning. By then...He shakes his head, turns back to his food. The silencemounts. Heywood glances around. Men resume eating. Softly:ANDYWhat was his name?HEYWOODWhat? What'd you say?ANDYI was wondering if anyone knew hisname.HEYWOODWhat the fuck you care, new fish?(resumes eating)Doesn't matter what his fuckin'name was. He's dead.33 INT -- PRISON LAUNDRY -- DAY (1947)。
《肖申克的救赎》英语观后感the Shawshank Redemption
姓名：李俊班级：英本二班学号：1050210085The Shawshank Redemption--How is a man reborn?This film, The Shawshank Redemption, is a special work. In this film there are no love stories, no handsome actors, no scenes which our actors fight vehemently, even no actresses.There are only some grubby guys in the prison. We watch them saying, working,and listen to them calling names by using the F-word. But at the end of the film we will find ourselves are deeply struck by this film. As we can see, it`s this film that encourages us most, gives us hopes to overcome difficulties in lives, lights our pathes to the success. Actually it`s not a crime and gangster film about lives in prison, but a heartening story just like the film Forrest Gump.In my words, this film tells a simple but significant story. That is "How can a man reborn?" If I put up this question to you, how can you answer it? Maybe hundreds answers will be spoken out. But the answer this film gives to us are three words: setback, friend,hope.If we write down the setbacks which our majorcharacter,Andy Dufresne, experienced, we can image how despondent he would be at that moment. He is accused of murdering his wife and the man whom she has an affair,but in fact he is innocent. He is abused by homosexuals in prison and has to help warden to launder the money. The differences between banker outside and prisoner inside give him unbearable pressure. And the cruellest thing is that he is serving two consecutive life sentences,which means he has to spend the rest of his life into the Shawshank Maximum Security Prison. All of these setbacks are too unfair for Andy. Most of us will be defeated if we were in such a terrible condition. But Andy don`t. He survives from this hell. He not only lives in this hell for almost 20 years,but also escapes from it eventually. Because of these setbacks,his escaping is so meaningful. Let me put it another way. If Andy didn`t experience such terrible setbacks,we would see his escaping as a ordinary thing that a prisoner cheats guards and breaks prison. But before he breaks the prison,Andy suffers many outbacks,so we see his escaping in a positive way. Andy fights against the prison and guardsfor his life,his future,and his belief. Think of the words said by Red,Andy`s cell mate,"Andy Dufresne who crawled through a river of shit and came out clean on the other side." It conveys too much.Red is Andy`s best friend in prison. I can suppose that it`s Red who gives encouragement to Andy and make Andy feels a little easy in prison at the beginning. Without Red,Andy may not live so long. It makes me think of proverb, "Go alone if you want to go fast,and go together if you want to go far." Red gives Andy too much,posters,hammers,and information. But the most important thing is friendship. And Andy does`t forget Red,too. When he prepares to escape,he tells Red something about the little box under the oak tree. Andy asks Red to promise to hold the hope of releasing. Red keeps his words and finally goes out and meets Andy again on the sunny seashore of Mexico. Redemption belongs to not only Andy, but also Red. Andy clings to hope and never gives up. He said,"Remember,hope is a good thing,maybe the best of things and good thing never dies." Hope keeps Andy different from others. He just walks leisurely as if hewere at the park. He holds the hope and passes the hope to his friends. Andy not only saves himself but also others. It is hard to say whether hope gives Andy strength or Andy makes hope appears in prison. Maybe both. I can`t image that Andy can dig the tunnel for almost 20 yeas. In other ways I can`t image that he can hold such a thin hope for 20 years. Perhaps we don`t find the strength out of hope,so we don`t grasp it.But Andy does, so he can make a difference. Maybe hope is indeed a good thing, and good thing never dies.。
Shawshank Redemption肖申克的救赎
㈠《Shawshank Redemption肖申克的救赎》1.You know some birds are not meant to be caged, their feathers are just too brig ht.你知道，有些鸟儿是注定不会被关在牢笼里的，它们的每一片羽毛都闪耀着自由的光辉。
2.There is something inside ,that they can't get to , that they can't touch. That's y ours.那是一种内在的东西, 他们到达不了,也无法触及的,那是你的。
3.Hope is a good thing and maybe the best of things. And no good thing ever die s.希望是一个好东西,也许是最好的,好东西是不会消亡的。
㈡《Forrest Gump 阿甘正传》1.Life was like a box of chocolates, you never know what you're gonna get.生命就像一盒巧克力，结果往往出人意料。
2.Stupid is as stupid does.蠢人做蠢事(傻人有傻福)。
3.Miracles happen every day.奇迹每天都在发生。
4.Jenny and I was like peas and carrots.我和珍妮形影不离。
5.Have you given any thought to your future?你有没有为将来打算过呢。
6．You just stay away from me please.求你离开我。
7．If you are ever in trouble, don't try to be brave, just run, just run away.你若遇上麻烦，不要逞强，你就跑，远远跑开。
[肖申克的救赎].The.Shawshank.Redemption.1994.BDRip.X264-TLF.eng
![[肖申克的救赎].The.Shawshank.Redemption.1994.BDRip.X264-TLF.eng](https://img.taocdn.com/s3/m/ea46eaea998fcc22bcd10d61.png)
68
00:05:58,911 --> 00:06:02,506
That means that he fired
the gun empty...
51
00:05:08,628 --> 00:05:11,597
A broken bourbon bottle,
likewise with fingerprints.
52
00:05:11,797 --> 00:05:13,355
And most of all...
53
00:05:13,566 --> 00:05:16,626
into the Royal River.
31
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I've been very clear on this point.
32
00:03:45,378 --> 00:03:49,439
I get hazy where the cleaning woman
5
00:02:23,663 --> 00:02:27,155
And she said that she wanted
a divorce in Reno.
6
00:02:27,400 --> 00:02:31,063
- What was your response?
- I told her I would not grant one.
shows up the following morning...
肖申克的救赎主要内容英文版
肖申克的救赎主要内容英文版内容概括：The sy takes place in 1947.Andy, the banker, wanted to shoot his wife and her lover after he was drunk because his wife had an extramarital affair.However, he did not start. Coincidentally, someone shot his wife and her lover that night.He was accused of murder and sentenced to life imprisonment, which means that he will spend the rest of his life in Shawshank prison.故事发生在1947年，银行家安迪因为妻子有，酒醉后本想用杀了妻子和她的情人，但是他没有下手，巧合的是那晚有人杀了他妻子和她情人，他被指控谋杀，被判无期徒刑，这意味着他将在肖申克监狱度过余生。
A thief was jailed for theft, and the warden was unwilling to help him with the death of Andy's wife and her lover.一名小偷因盗窃入狱，知道安迪妻子和她情人的死亡真相，狱长不愿帮他翻案。
After knowing the truth, Andy decided to get freedom through his own redemption, and finally escaped from prison successfully.安迪知道真相后，决定通过自己的救赎去获得自由，最后成功逃出监狱。
When the warden opened Andy's cell door the next day, he found that he had disappeared.当翌日典狱长打开安迪的牢门时，发现他已不翼而飞，预感到末日来临的典狱长在检察人员收到安迪投寄的罪证之前，畏罪。
肖申克的救赎-全英文[优质ppt]
![肖申克的救赎-全英文[优质ppt]](https://img.taocdn.com/s3/m/8c05d532b84ae45c3b358c6a.png)
Character Description
Red, for the 1927
murder was sentenced to life imprisonment,
several parole without success. Now he has become a “authority figures” in Shawshank prison. As long as you could afford to pay the money, he was able to get whatever you want.
on them. That's institutionalized.
When Red was released on parole, he found a gift Andy left him, and overcomes the parole
of psychological crisis. He choose get a busy living.
succeeded in the end.
Fear can hold you prisoner. Hope can set you free.
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Fear can hold you prisoner. Hope can set you free.
I have to remind myself that some birds don’t mean to be caged . Their feathers are just too bright. And when they fly away, the part of you that knows it was a sin to lock them up DOES rejoice. Still, the place you live in is that much more drab and empty that they’re gone. I guess I just miss my friend
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He took documental evidence of the laundering scheme with him, which he would later mail to a Portland newspaper. Using the alias Randall Stevens (the name under the illegal accounts) Dufresne visited a number of Portland-area banks, withdrawing approximately $370,000, money Norton intended to retire with.
In 1966 Dufresne attempted to win a new trial when fellow inmate Tommy Williams told the story of a former cellmate at another prison confessing to the murder of Dufresne's wife and lover.
Dufresne buried some money in a hayfield near Buxton, Maine, at a location only known to his prison friend Ellis Boyd "Red" Redding, then fled to Zihuatanejo, Mexico, where he operated a hotel with charter fishing services for guests. Dufresne was later joined by Redding after Red was paroled and discovered the money Andy left for him in the Buxton hayfield.
Andy Dufresne may lost his freedom in the jail,but he would never lost his hope in pursuing freedom,he is that kind of man ,whom is really brave,brave enough to never being " institutionalized",and never lose his hope.And he is also very knowledgable and wisdom,he knows how to gaze his hope ,and make his desire things come true,he rescued himself,and also rescued others.And he is also a helpful friend,he cherishes his friendship with Red.
Dufresne used his considerable intelligence and education to improve the prison library, which he named after former inmate and librarian Brooks Hatlen, and helped a number of convicts earn their high school diplomas. He also used his banking knowledge to start a money laundering scheme on behalf of prison warden Samuel Norton.
Hope is a good thing, maybe the best of things, and no good thing ever dies 希望是美好的，也许是人间至善，而美好的事物永不消逝.
These walls are kind of funny like that. First you hate them, then you get used to them. Enough time passed, get so you depend on them. That`s institutionalized. 监狱里的高墙实在是很有趣。刚入狱的时候，你痛恨周围 的高墙；慢慢地，你习惯了生活在其中；最终你会发现自 己不得不依靠它而生存。 这就是体制化。
Andy Dufresne (Character) from The Shawshank Redemptiorved as vice president of a Portland, Maine bank before being erroneously convicted of the murder of his wife and her lover, a golf pro, and was sentenced to two life terms. He was sent to Shawshank Prison in 1947.
Dufresne was the frequent target of sexual abuse from a prison clique known as the Sisters. His sage financial advice earned him protection from prison guards.
My point of view
Warden Norton squashed Dufresne's hopes out of fear that Andy would inform authorities of the money laundering despite Andy's promise to remain silent. After spending two months in an area of the prison known as "the hole", during which time Williams was assassinated, Dufresne escaped from Shawshank.