Stylistics 6

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(最新整理)Stylistics(英语文体学)

(最新整理)Stylistics(英语文体学)

II. What is style?
style as rhetoric — Gorgias(风格即 修辞);
style as form — Aristotle(风格即形 式);
style as eloquence — Cicero (风格即 雄辩术);
proper words in proper places —
2021/7/26
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Langue(语言)(Longman Dictionary P382)
The French word for “language”. The
term was used by the linguist Saussure

to mean the system of a language, that is the arrangement of sounds and
interpretation of the text; or in order to
relate literary effects to linguistic
‘causes’ where these are felt to be
relevant…. Stylisticians want to avoid
situationally-distinctive uses of
language, with particular reference to
literary language, and tries to establish
principles capable of accounting for the
saying the right thing in the most effective way — Enkvist(以最有效 的方式讲恰当的事情) ;

Stylistics

Stylistics
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西方古代的文体学研究

古希腊时期
智者派(The Sophists, 500 - 300 B.C.) Oratory–Persuasion in public - Verbal Artistry– Embellishment
–Probability - Neutrality in Truth and Virtue – Logos and Pathos 柏拉图(Plato,427-347 B.C.)
Criticism of style over substance – Emphasis on ethical
application in training of rhetoric (or style)
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西塞罗和昆提良的文体层次说

High or grand style:calling for strong emotions and elevated

However, in Linguistic Criticism, Roger Fowler makes the point that, in non-theoretical usage, the word stylistics makes sense and is useful in referring to an enormous range of literary contexts, such as John Milton‟s „grand style‟, the „prose style‟ of Henry James, the „epic‟ and „ballad style‟ of classical Greek literature, etc. (Fowler, 1996: 185).

Stylistics 中文

Stylistics 中文

些)等。
IF: A wolf, after all, is a wolf though it has artful disguises. F: A wolf, after all, is a wolf in spite of (despite) it has artful disguises.
3. IF: He tried to prevent the marriage but it took place all the same. F: He endeavoured to prevent the marriage ; however, they married notwithstanding. 3. 非正式文体常用副词做状语;而正式文体常 用由介词和与该副词同根的词够成的介词短 语: IF: He spoke confidently. F: He spoke in a confident manner. F: He spoke with confidence.
Syntactically, more verb phrases are used in
informal style while single verbs of equivalent meaning are used in formal style. IF : The criminals finally turned themselves in. F: The criminals finally surrendered. IF: I can’t put up with your bad manners. F: I cannot tolerate your bad manners. IF: He tried to make good use of his abilities in the new job. F: He endeavoured to utilize his abilities in the new position.

Stylistics and translation IIi

Stylistics and translation IIi
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• If we wish to communicate in English successfully, we too need to develop a “semi-instinctive sense of style”. Stylistics may help us speed up this process of acquisition by giving us access to different language varieties any by encouraging us to participate the problem-solving activity and to do practical analysis by ourselves so as to facilitate our sensitivity to language variation. • Analyzing translation/interpreting problems
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• With a sense of style, we can arrive at a better understanding of a text/utterance. • Let us look at the following example. • [1.17] • Policeman: What‟s your name, boy? • Black physician: Dr. Poussaint. I‟m a physician. • Policeman: What‟s your first name, boy? • Black physician: Alvin.
• 徒 留 我 孤单 在湖面 成双 • (lexical deviation; semantic deviation) • 你的笑容已泛黄 • (semantic deviation)

文体学

文体学

• 定义3: David Crystal • Investigating English Style • There are four commonly occurring senses of the term STYLE: • 1)some or all the language habits(i.e. speech and writing habits) of one person: Shakespeare, James Joyce, Hemingway.
• Familiarize yourself with different figures of speech, such as • oxymoron, paradox, synecdoche, metonymy, metaphor, irony, ambiguity, over/understatement, alliteration, rhyme, assonace, consonace, onomatopoeia, repetition, parallelism etc.
• • • • • • • •
Part Four: Some Practical Varieties 1. Coversation 2. Public speaking 3. English for Science and Technology 4. Journalese 5. Advertising 6. Literary English 7. Legal documents
• • • • •
Part Three: Situational Varieties 1 Varieties in relation to regions 2 Varieties in relation to media 3 Varieties in relation to attitude 4 Varieties in relation to social factors

Chapter One Style and Stylistics

Chapter One Style and Stylistics

Chapter One Style and Stylistics•E.g.(1)•“Take an egg, and make a perforation in the base and a corresponding one in the apex. And then, apply the lips to the aperture, and by forcibly inhaling the breath, the shell is entirely discharged of its contents.”•“It fair beats all how folks do things nowadays. When I was a gal, they made a hole in each end and sucked.”•E.g.(2)•(1) My beloved parent has joined the heavenly choir.•(2) My dear father has passed away.•(3) My father has died.•(4) My old man has kicked the bucket.I. Concepts of Style(1) A person’s distinctive language habits, or the set of individual characteristics of language usee.g. Hemingway‟s styleHenry James‟s styleMark Twain‟s style(2). Some or all of the language habits shared by a group of people at one time,or over a period of time.e.g. Elizabethan stylethe style of legal documentthe style of news reporting(3). A characteristic of “good” or “beautiful” literary writings.e.g. ornate styleterse styleplain style(4) Style may refer to the effectiveness of a mode of expression, which is implied in the definition of style as …saying the right thing in the most effective way‟ or …good manners‟, as a …clear‟ or …refined‟ style advocated in most books of composition.Definition of style•we will see some most influential and representative views of style.(英语文体学要略p11)•Style as form. (Aristotle)(form and content )•Style as eloquence.(Cicero)(skill to use language persuasively)(the relation with rhetoric)•Style is the man. (Buffon)•Style as personal idiosyncrasy.(Murry)•Saying the right thing in the most effective way.(Enkvist)•Style as the choice between alternative expressions. (Enkvist)•Style as equivalence. (Roman Jacobson)(between form and function)•Style as foregrounding. (Leech Mukarovsky)•Style as deviation.(Mukarovsky & Spitzer)•Style as prominence.(Halliday)•Style as the selections features partly determined by the demands of genre, form, themes, etc. (Traugott & Pratt)•Style as linguistic features that communicate emotions and thought.(Enkvist)(见教材:P5-7) •Manner indicating prominent linguistic features, devices or patterns, most (or least) frequently occur in a particular text of a particular variety of language.•The manner of expression in writing or speaking which changes at all times according to the actual situational elements, e.g., the participants, time, place, topic, etc, of the communicative event, from very formal to very informal. (见教材P5)•e.g. (After a quarrel between the two lovers)With a flow of words, she started to argue with him, then she checked herself and said calmly, “Listen, John, I imagine you‟re tired of my company. There‟s no sense in having tea together. I think I‟d better leave you right here.”“That‟s fine,” he said. “Good afternoon.”“Good-bye.”•文体的理解虽说众说纷纭,但在当今比较有影响的文体理论主要有三种:把文体看做选择,包括对意义何语言形式的选择;而是变异说,把文体视为变异,即语言在常规的基础上产生的意义及形式的变化;三是突出说,把文体看做突出,或者称为前景化,指特定的语言成分在其他部分或者说是背景的衬托下得到突出或强调。

Topic 1 What is stylistics about

Topic 1 What is stylistics about

Hi-White I’m a smoker…I’m smiling. (brand name of a kind of toothpaste)
Business Brains Take Virgin Trains
Choices at different ‘levels’ of language 不同层面的语言选择
L(a le af fa ll s) one l iness (e.e. cummings)
Choices at different ‘levels’ of language 不同层面的语言选择
Lexis: 词汇层面 ------the structure and use of individual words.
Semantics: 语义层面 ------meaning relationships within phrases, clauses, sentences and texts.

Choices at different ‘levels’ of language
不同层面的语言选择
Other areas: 其他层面 -----interaction, relationships with other texts, background knowledge, etc.
Culture-specific:
1.20% Discount on Ladies Spring Collections. It’s going to Be a Mad March Here at Simpson Piccadilly.
2.Cigarettes by John Player
Splish, splash, squeeze, rub, spill, oops, steam, wait, drip, drop, phooey. Or Acuvue. (contact lens)

文学批评导引第6章 文体学批评

文学批评导引第6章 文体学批评

第六章文体学批评文体(style)与文体学(stylistics)批评⏹文体的概念:广义是指语言中的各种语言变体;狭义指文学文体,包括文学语言的艺术性特征、文本的语言特色或表现风格、作家的语言习惯以及特定的创作流派或文学发展阶段的语言风格等。

⏹文体学是研究各种文体中语言的表达方式和表达效果的一门学科。

广义研究各种问题的语言表达;狭义则集中研究文学文体的语言。

⏹文体学批评:是一种运用现代文体学的理论和方法,从研究文学文本的语言性质、特征入手,对文学文本进行审美把握的批评理论和实践活动。

⏹现代文体学批评的基本特征:以语言分析为本位;具有较强的可操作性;强调客观性和实证性。

韦勒克、沃伦《文学理论》论“文体学”有人试图把文体学仅仅看做语言学的一个分支,但是,文体学不论算不算一门独立的学科,都有自己明确的问题要讨论。

其中的一部分问题看来属于所有(或实际上所有)人类的口语的范畴。

从这一广义出发,文体学研究一切能够获得某种特别表达力的语言手段,因此,比文学甚至修辞学的研究范围更广大。

所有能够使语言获得强调和清晰的手段均可臵于文体学的研究范畴内:一切语言中,甚至最原始的语言中充满的隐喻;一切修辞手段;一切积压法结构模式。

王佐良论文体学研究用现代语言学的方式来研究文体是一个成就,然而在文学语言面前,特别是形象语言面前,语言学家都望而却步了。

……在这种时候,人们不由得不想到那门老的,可以至少上溯亚里斯多德的修辞学,想到在二十世纪对于文学语言进行了精湛分析的文学批评家(I.A. Richards, William, Empsom, CleanthBrooks等人,想到Curtius与Learis等)把刷新文学语言同欧洲或英国文化前途联系起来的有抱负的文学研究者了。

难道这些人的努力都是完全无助于文体学研究的吗?还是要等时间来促成一个既包括语言学又包括文艺学的新的综合呢?本章导航⏹第一节文体学批评概述⏹第二节文体学批评的理论特征⏹第三节文体学批评的操作方法⏹第四节文体学批评评述第一节文体学批评概述一、中国古代的文体学批评二、西方古代的文体学批评三、现代文体学批评的兴起与发展一、中国古代的文体学批评⏹先秦⏹“辞尚体要”、“修辞立其诚”、“辞达而已矣”⏹魏晋六朝⏹“四科八类”(曹丕)、对文体及风格所作的十种归类(陆机)、“四声八病”、《文心雕龙》对文章体例所作的系统分析(刘勰)。

谈论文学要知道哪些英语单词

谈论文学要知道哪些英语单词

谈论文学要知道哪些英语单词谈论文学要知道哪些英语单词文学是以语言文字为工具,形象化地反映客观现实、表现作家心灵世界的艺术,包括诗歌、散文、小说、剧本、寓言童话等,是文化的重要表现形式,以不同的形式即体裁,表现内心情感,再现一定时期和一定地域的社会生活。

文学就在我们生活里。

但你和外国人谈论文学时,一定要知道下面这些英语单词。

1).author n.作者,作家The author of this novel must be a detective这本小说的作者一定是一个侦探。

2).write v.书写,写作If you miss me, please write letters to me如果你念我,就请给我写信。

3).literature n.文学,文学作品As far as literature is concerned.I am very fond of classics就文学作品而言,我很喜欢古典作品。

4).work n.作品If my memory serves me right, the famous sonnet is Shakespeare's work如果我没记错的话,这首著名的十四行诗是莎士比亚的作品。

5).stylistics n.文体学,风格学Stylistics is a branch of linguistics文体学是语言学的一个分支。

6).poetry n.诗歌,诗集l often recite poetry as possible as I can in my spare time在我有空时,我经常尽可能的多背诗。

7).antithesis n. 对句,对偶The foreign friend is puzzled about the antithesis那个外国朋友看不懂对句。

8).verse n.诗,韵文From whom did you quote these verses?你从谁那里引用了这些诗句?9).ballad n.歌谣,民谣My mother likes ballads while I like pop music我妈妈喜欢民谣,但是我喜.欢流行音乐。

文体学与翻译概论

文体学与翻译概论
Chapter 2 A Brief Introduction of Stylistics and Translation
文体学与翻译概论
1.What Is Stylistics?
•Leabharlann •• • • • • • • • •
• •
Language is a medium of Communicating information and Conveying feelings. Considering different communicative environments, modes, objects and purposes, communicators opt different language varieties (语言“变体”)or corresponding methods which have different language functions so as to achieve their purposes. These varieties are the “styles” .(文体或语体) For instance, we may classify the writings into “EST( English for Science and Technology), English for Advertising, English for Press, English for Tourism, etc. As for “文体”, Liu Xie, a famous literary critic in ancient China, once mentioned that “若总其归涂, 则数穷八体:一曰典雅,二曰远奥,三曰精约,四曰显附,五曰繁缛,六曰壮丽,七 曰新奇,八曰清靡。”In the middle 1970s, many scholars made the application of modern linguistics and literary studies to the exploring study of various styles or various types of writings, which brought us a new discipline---Stylistics.(文体学) Simply defined, STYLISTICS is a discipline that studies the ways in which language is used; it is a discipline that studies the styles of language is used.

Stylistic Devices(全)

Stylistic Devices(全)

Stylistic Devices (Rhetorical Devices, Figures of Speech)Stylistic devices make your speeches, essays etc. more interesting and lively and help you to get and keep your reader‟s / listener‟s attention.Stylistic DevicesAlliteration : repetition of initial consonant soundThe initial consonant sound is usually repeated in two neighbouring words (sometimes also in words that are not next to each other). Alliteration draws attention to the phrase and is often used for emphasis.Examples:Repetition of initial consonant sounds means that only the sound must be the same, not theconsonants themselves.Examples:▪killer command▪fantastic philosophy▪ A neat knot need not be re-knotted.If neighbouring words start with the same consonant but have a different initial sound, the words are not alliterated.Examples:▪ a Canadian child▪honoured and humbled (the …h‟ in honoured is silent)Allusion is used to explain or clarify a complex problem. Note that allusion works best if you keep it short and refer to something the reader / audience is familiar with, e.g.:▪famous people▪history▪(Greek) mythology▪literature▪the bibleIf the audience is familiar with the event or person, they will also know background and context. Thus, just a few words are enou gh to create a certain picture (or scene) in the readers‟ minds. The advantages are as follows:▪We don‟t need lengthy explanations to clarify the problem.▪The reader becomes active by reflecting on the analogy.▪The message will stick in the reader's mind.Examples:▪the Scrooge Syndrome (allusion on the rich, grieve and mean Ebeneezer Scrooge from Charles Dicken‟s “Christmas Carol”)▪The software included a Trojan Horse. (allusion on the Trojan horse from Greek mythology) ▪Plan ahead. It was not raining when Noah built the Ark. (Richard Cushing) (allusion on the biblical Ark of Noah)Many allusions on historic events, mythology or the bible have become famous idioms.Examples:▪to meet one‟s Waterloo (allusion on Napoleons defeat in the Battle of Waterloo)▪to wash one‟s hands of it. (allusion on Pontius Pilatus, who sentenced Jesus to death, but washed his hands afterwards to demonstrate that he was not to blame for it.)▪to be as old as Methusalem (allusion on Joseph‟s grandfather, who was 969 years old according to the Old Testament)▪to guard sth with Argus‟s eyes (allusion on the giant Argus from Greek mythology, who watched over Zeus‟ lover Io.)The same word or phrase is used to begin successive clauses or sentences. Thus, the reader's / listener's attention is drawn directly to the message of the sentence.Example:▪Every child must be taught these principles. Every citizen must uphold them. And every immigrant, by embracing these ideals, makes our country more, not less, American. (2)▪If we had no winter, the spring would not be so pleasant; if we did not sometimes taste of adversity, prosperity would not be so welcome. (Anne Bradstreet)▪The beginning of wisdom is silence. The second step is listening. (unknown)▪ A man without ambition is dead. A man with ambition but no love is dead. A man with ambition and love for his blessings here on earth is ever so alive. (Pearl Bailey)Anaphora is often used in conjunction with parallelism or climax.Antithesis emphasises the contrast between two ideas. The structure of the phrases / clauses is usually similar in order to draw the reader's / listener's attention directly to the contrast.Examples:▪That's one small step for a man, one giant leap for mankind. (Neil Armstrong)▪To err is human; to forgive, divine. (Pope)▪It is easier for a father to have children than for children to have a real father. (Pope)Hyperbole : deliberate exaggerationUsed sparingly, hyperbole effectively draws the attention to a message that you want to emphasise.Example:▪I was so hungry, I could eat an elephant.▪I have told you a thousand times.The author / speaker raises a question and also gives an answer to the question. Hypophora is used to get the audience's attention and make them curious. Often the question is raised at the beginning of a paragraph and answered in the course of that paragraph. Hypophora can also be used, however, to introduce a new area of discussion.Example:▪Why is it better to love than be loved? It is surer. (Sarah Guitry)▪How many countries have actually hit […] the targets set at Rio, or in Kyoto in 1998, for cutting greenhouse-gas emissions? Precious few. (6)Litotes is a form of understatement which uses the denied opposite of a word to weaken or soften a message.Examples:▪That's not bad. (instead of: That's good/great.)▪Boats aren't easy to find in the dark. (4) (instead of: Boats are hard/difficult to find in the dark.)Metaphor compares two different things in a figurative sense. Unlike in a simile (A is like B.), “like” is not used in metaphor (A is B.).Example:▪Truths are first clouds, then rain, then harvest and food. (Henry Ward Beecher)▪Through much of the last century, America's faith in freedom and democracy was a rock in a raging sea. Now it is a seed upon the wind, taking root in many nations. (2)Metonomy (unlike metaphor) uses figurative expressions that are closely associated with the subject in terms of place, time or background. The figurative expression is not a physical part of the subject, however (see synecdoche).Examples:▪The White House declared … (White House = US government / President)▪The land belongs to the crown. (crown = king / queen / royal family / monarchy)▪Empty pockets never held anyone back. Only empty heads and empty hearts can do that.(Norman Vincent Peale)▪(empty pockets = poverty; empty heads = ignorance / dullness / density; empty hearts = unkindness / coldness)▪the spit-and-polish command post (meaning: shiny clean) (3)First-person narratorThe narrator tells the story from his / her point of view (I). It is a limited point of view as the reader will only know what the narrator knows. The advantage of the first person narration is that the narrator shares his / her personal experiences and secrets with the reader so that the reader feels part of the story.Example:▪Charlotte Bronte: Jane EyreThird-person narratorThe narrator is not part of the plot and tells the story in the third person (he, she). Usually the narrator is all-knowing (omniscient narrator): he / she can switch from one scene to another, but also focus on a single character from time to time.Example:▪Charles Dickens: Oliver TwistThe third-person narrator can also be a personal narrator (point of view of one character) who tells the story in the third person (he, she), but only from the central character's point of view. This point of view is rarely used.Example:▪James Joyce: UlyssesThe pronounciation of the word imitates a sound. Onomatopoeia is used because it's often difficult to describe sounds. Furthermore, a story becomes more lively and interesting by the use of onomatopoeia.Examples:▪The lion roared.▪The steaks sizzled in the pan.▪The bomb went off with a bang.Successive clauses or sentences are similarly structured. This similarity makes it easier for the reader / listener to concentrate on the message.Example:▪We are bound by ideals that move us beyond our backgrounds, lift us above our interest, and teach us what it means to be citizens. (2)▪The mediocre teacher tells, The good teacher explains. The superior teacher demonstrates.The great teacher inspires. (William A. Ward)▪The mistakes of the fool are known to the world, but not to himself. The mistakes of the wise man are known to himself, but not to the world. (Charles Caleb Colton)▪Tell me and I forget. Teach me and I may remember. Involve me and I will learn. (Benjamin Franklin)Note: When writing, parallelism is a useful device for instructions. Due to the parallel structure, the reader can concentrate on the message and will immediately know what to do (see examples below).Example 1 (no parallelism):▪Open the book first.▪You must read the text now.▪There are pictures in the book–Look at them.▪The questions must be answered.Example 2 (parallelism):▪Open the book.▪Read the text.▪Look at the pictures.▪Answer the questions.You surely agree that the second instruction is easier to follow (and to remember) than the first one. The change of structure in the first example is confusing and distracts the reader from the actual message. It might be okay withsimple messages like the ones we used here. But following more complex instructions is really hard if they are not in parallel structure.The normal progression of a sentence is interrupted by extra information or explanations enclosed in commas, brackets or dashes. The extra information can be a single word, a phrase or even a sentence.Examples:▪We (myself, wife Lorraine and daughters Caroline and Joanna) boarded our boat 'Lynn', a Duchess class vessel barely a year old, at Black Prince Holidays' Chirk boatyard. (4)▪The boats have remarkably few controls and we were given a thorough briefing about 'driving' ours–along with advice on mooring, lock operation and safety considerations–by Pauline, who even set off with us for a few minutes to ensure we were confident. (4)Personification:attribution of human characteristics to animals, inanimate objects or abstractionsAnimals, inanimate objects or abstractions are represented as having human characteristics(behaviour, feelings, character etc.). Personification can make a narration more interesting and lively.Examples:▪Why these two countries would remain at each other's throat for so long. (3)▪I closed the door, and my stubborn car refused to open it again.▪The flowers nodded their heads as if to greet us.▪The frogs began their concert.Repetition : repeating words or phrasesWords or phrases are repeated throughout the text to emphasise certain facts or ideas.Examples:▪Down, down, down. Would the fall never come to an end! »I wonder how many miles I've fallen by this time?« she said aloud. […]Down, d own, down. There was nothing else to do, so Alice soon began talking again. […] (5)▪America, at its best, matches a commitment to principle with a concern for civility. A civil society demands from each of us good will and respect, fair dealing and forgiveness. […]America, at its best, is also courageous. Our national courage […]America, at its best, is compassionate. In the quiet of American conscience, we know that deep, persistent poverty is unworthy of our nation's promise. […] (2)Rhetorical Question : question without a direct answerThe author / speaker raises a question, but doesn't answer it directly as he/she sees the answer (usually Yes or No) as obvious.Rhetorical questions are used to provoke, emphasise or argue.Examples:▪When public money brings windfalls to a few, why should the state not take a share? (6)▪But was the best way to win them over to threaten to ignore them altogether? Like so many things this week, the adminitstration's diplomacy needs a smoother touch. (6) (Note that thesentence following the question is not an answer to it.)Simile : direct comparisonTwo things are compared directly by using 'like' (A is like B.).Other possibilities are for example:▪ A is (not) like B▪ A is more/less than B▪ A is as … as B▪ A is similar to B▪ A is …, so is B▪ A does …, so does BExamples:▪conrete box-style buildings are spreading like inkblots (3)▪The rabbit-hole went straight on like a tunnel (5)▪Personality is to a man what perfume is to a flower. (Charles Schwab)▪My friend is as good as gold.Synechdoche is some kind of generalization or specification that uses a part, a member or a characteristic of what is meant. The following possibilities are common:Part used instead of the wholeExample:▪Turning our long boat round […] on the last morning required all hands on deck… (hands = people) (4)Whole used instead of a partExample:Specific term used instead of a general one:Example:A statement is deliberately weakened to sound ironical or softened to sound more polite.Note that understatement is a common feature of the English language (especially British English) used in everyday-life situations.Examples:▪I know a little about running a company. (a successful businessman might modestly say.)▪I think we have slightly different opinions on this topic. (instead of: I don't agree with you at all.)。

西南大学《英语文体学引论》复习思考题及答案

西南大学《英语文体学引论》复习思考题及答案

西南大学《英语文体学引论》复习思考题及答案(0099) 《英语文体学引论》复习思考题I. Explain in brief the following terms. (10 points; in test it contains 10 terms)1. stylistics2. style3. dialect4. morpheme5. phoneme6. language7. register 8. acoustic phonetics 9. auditory phonetics10. syllable 11. general stylistics 12. literary stylistics13. form 14. content 15. phonological analysis16. lexical analysis 17. syntactical analysis 18. discoursal analysis19. paralinguistic features 20. social dialect 21. taboo22. whispery voice 23. breathy voice 24. creaky voice25. falsetto 26. common core words 27. technical words28. standard words 29. non- standard words 30. spoken words31. literary words 32. extension 33. specialization34. elevation 35. degradation 36. metaphor37. litotes 38. irony 39. compound sentence40. periodic sentence 41. loose sentence 42. elliptical sentence43. inverted sentence 44. antithesis 45. parallelism46. repetition 47. deviation 48. cataphora49. progressive conjunction 50. field of discourseII. Answer the following questions. (50 points; in test itcontains 5 questions)1. What is the relationship between form and content?2. What are the differences between language and speech?3. What is the methodology of stylistic analysis? What are the levels of stylistic analysis?4. Define paralinguistic features. What are they?5. What are the three ways of studying the sound of language?6. What are the four typical meters in English poetry?7. What is the relationship between sound and meaning?8. What is the relationship between style and the choice of words, according to thestylisticians?9. How many kinds of word meanings may be classified? And what are they?10. What are the three basic components of the English vocabulary?11. Functionally speaking, what are the four types of English sentences?12. What are the conjunctions used in combining English sentences?13. What are the gestures may be used in a casual conversation?14. What are the three types of substitution? Can you give some examples?15. What is the relationship between dialect and register?16. Name at least five kinds of figures of speech in English.17. Can you give some examples of rhetorical questions?18. What are the stylistic features of the Bible?19. What are the five kinds of reference in the English language?20. What are the three factors of register?21. Give examples to illustrate power relationship and solidarity relationship.22. What are the non-linguistic features of casual conversation?23. What are the linguistic features of the language of news reporting?24 .What are the linguistic features of the language of advertisement?25. What is the relationship between literary language and ordinary language?III. Stylistic analysis (20 points):1. Explain the connotative meaning of the italicized words or expressions in the followingsentences (12 points; in test it may or may not appear; it contains 3 words or expressions):.1) Don’t trust her; she is a snake i n the grass.2) The enemy will attack us tomorrow morning, but we are still not well prepared. TheDa mocles’ sword is hanging over us.3) We have to consult him, you know, he is the real Titan in our class.4) News from Pentagon today says …5) She knows nothing about the cruelty of the world. She isa lily.6) Hamlet, according to some psycho-analysis theory, is a character who has theOedipus complex.7) He is a wolf in sheep’s clothing. Don’t believe what he says.8) The doctor told him it is not cancer, however, it is only a white lie.9) He is always ready to help people when they are in need. He’s a real Robin Hood.10) Their policy is all sticks and no carrots.11) 0China never stands on the side of Chauvinism.12) Children are flowers of our country.2. What possible social relationships exist between the participants in the followingsentences? (12 points; in test it may or may not appear)1) Excuse me, could you tell me the right time, please?2) What time is it, please?3) What’ the time?3. Indicate what kind of figures of speech is used in the following examples? (8 points; intest it may or may not appear; it contains 2 items)The young hunter was as strong as a lion.Life is but a brief candle.from the cradle to the graveMany hands make light work.She’s as old as a mountain.A victorious defeatHe is a fool. He never knows where his personal interest lies. His whole heart is concerned about the interest of other people.Belinda smiled, and all the world was gay.The drunkard loves his bottle better than his wife.My love is a red, red rose.4. Try to analyze the following sentence and point out its stylistic value (12 points; it mayor may not appear in test; if it appears, it contains onesentence)1) It is a truth universally acknowledged that a single man in possession of a fortunemust be in want of a wife. (J. Austin. Pride and Prejudice)2) I came, I saw, I conquered. (Julius Caesar)3) O, my luve is like a red, red roseThat’s newly sprung in June;O, my luve is like the melodieTha t’s sweetly play’d in tune.(Robert Burns, A Red, Red Rose)4) A grief ago (Dylan Thomas)5) “Don’t be such a harsh parent, father!”“Don’t father me!”(0099) 《英语文体学引论》复习思考题答案I. Explain in brief the following terms (10 points; in test it contains 10 terms):1. stylistics: the study or the investigation of style.2. style: the linguistic habit of a particular person(s) or characteristic of typical situations.3. dialect: a subtype of language which may be determined by geographical locality orparticular social groupings.4. morpheme: the smallest unit in a language that carries meaning.5. phoneme: the smallest sound unit in a specific language capable of semantic distinction.6. language: a system of arbitrary vocal symbols used for human communication.7. register: language determined by situation.8. acoustic phonetics: a branch of phonetics dealing with thephysical properties of thespeech sounds of a language.9. auditory phonetics: the study of how the sound of speech is received by the hearer.10. syllable: a vowel sound either with or without a consonant or consonants in clusters.11. general stylistics:the investigation of the linguistic features of all kinds of language use.12. literary stylistics: the study of the linguistic features of literature in particular, such asthose of poetry, novels and dramas.13. form: the particular way of expressing the message.14. content: the message or information or the communicative value that is encoded orloaded in a linguistic expression.15. phonological analysis: it is chiefly concerned about the sound patterns of a piece ofliterature, especially those of poetry.16. lexical analysis: it is chiefly concerned about the internal structure and the stylisticcoloring and the semantic relationship of the words in the text.17. syntactical analysis: it is chiefly concerned about how the words in a text are puttogether to produce meaning and other kinds of message.18. discoursal analysis: it is concerned about how sentences are joined together to produce acohesive and coherent text.19. paralinguistic features: the vocal effects caused by different shaping of the vocal cordsand openings20. social dialect: it is determined by the social groupings that a person belongs to.21. taboo: words forbidden to be used in public because of their being dirty or offensive22. whispery voice: utterance without any vocal cord vibration at all. Emphasizing contrast.23. breathy voice: utterance where there is too much breath for the needs of the articulation.24. creaky voice: a slow crackle of vocal cord vibrations at a low pitch, like a stick being runalong a fence.25. falsetto: a switch of the voice from one vocal register toa higher one; usually found onlyin males.26. common core words: refer to those words used in everyday life.27. technical words: refer to those words used in special professions.28. standard words: words that are used in the standard dialect.29. non-standard words: words labeled as slangs, vulgarisms and colloquialisms in thedictionary. the cultural and social implications of a word simile: a comparison between two things with emphasis on the similarity or likeness between them30. spoken words: words that most often used in face-to- face, casual and everydayconversations.31. literary words: words used in formal writings or literature.32. extension: a specific word comes to mean a general idea.33. specialization: the change of the word meaning may move in the opposite direction, aword with general reference is narrowed to a specific reference.34. elevation: words of derogatory association become words of favorable association.35. degradation: neutral words or words of favorable association degenerated intoderogatory words.36. metaphor: a covert comparison37. litotes: understatement38. irony: a figure of speech that takes the form of saying or implying the opposite of whatone feels to be the case39. compound sentence: a sentence made up of two or more simple sentences, joinedtogether by conjunctions or punctuations40. periodic sentence: one that is not grammatically complete until the end is reached41. loose sentence: one that may be brought to a grammatical close before the end is reached42. elliptical sentence: one in which either the subject or the predicate or part of thepredicate is missing43. inverted sentence: one in which the subject position is filled by other sentence elements44. antithesis: a figure of speech in the formula of X conj. Y with a contrast between them45. parallelism: a rhetorical device in which two or more thantwo similar syntacticstructures with different words are placed side by side46. repetition: a rhetorical device in which identical words are used but not necessarily inidentical position47. deviation: violation of standard use of the language48. cataphora: If the referred item comes after the referring item in a text, then it is a case ofcataphora.49. progressive conjunction: one sentence that joined by the use of conjunctive words ofaddition or progression50. field of discourse: the topic under discussion or the nature of the activity in whichlanguage is involvedII. Answer the following questions (50 points; in test it contains 5 questions):1. What is the relationship between form and content?One way of talking about style is to make a distinction between form and content.Content is the message or information or the communicative value that is encoded or loaded in a linguistic expression. Form is the particular way of expressing the message.The form is the style which may be different from case to case although the meaning may remain the same. For example, the Chinese term 开始may be expressed indifferent English words, such as start, begin and commence, but each suggests a different style.2. What are the differences between language and speech?Another way of talking about style is to make a distinctionbetween language and speech, which may be translated in Chinese as 语言and 言语. This distinction was first proposed by Saussure, the founder of the modern linguistics. According to Saussure, there are four major differences between language and speech.A. Language is abstract whereas speech is concrete. Language is abstract in the sensethat it has only psychological instead of physical existence. Language is notsomething that you can bring to the classroom and examine under the microscope,not something you can hear, see, smell , touch or taste. Speech is concrete in thesense that it has physical properties. Either can be heard in the spoken form or seenin the written form.B. Language is potential whereas speech is actual. Language is potential in the sensethat it is a kind of can-mean system, while speech is something that has an actualmeaning.C. Language is code whereas speech is message(语言是一个代码系统,言语才是信息). Language is a set of symbols that can be used to transmit information. Speechis the actual use of the language in an act of communication in a particular situationfor a particular purpose. It carries a real message.D. Language is stable and systematic whereas speech is subject to personal andsituational constraint. For example, the word book in the English language alwaysrefers to some printed matter. But in speech it may be used to refer to anything thatthe speaker wants to refer to by the use of it as long as it is understandable. Thecommon example is the sentence: He is a walking dictionary(a kind of book)meaning that he is very knowledgeable.3. What is the methodology of stylistic analysis? What are the levels of stylistic analysis?The major methodology for stylistic analysis is linguistic analysis. It tries to be objective or scientific in its analysis. According to the advocates of this methodology, anyone using this methodology to analyze a given text of literature will reach roughly the same conclusion.Levels of analysisSince stylistic analysis is a kind of linguistic analysis, naturally, how many levels of structure we have in a language correspondingly how many levels of structure at which we may do stylistic analysis.1) PhonologicalPhonological analysis is chiefly concerned about the sound patterns of a piece of literature, especially those of poetry.2) LexicalLexical analysis is chiefly concerned about the internal structure and the stylistic coloring and the semantic relationship of the words in the text.3) SyntacticalSyntactical analysis is chiefly concerned about how the wordsin a text are put together to produce meaning and other kinds of message.4) DiscoursalDiscoursal analysis is concerned about how sentences are joined together to producea cohesive and coherent text.4. Define paralinguistic features. What are they?Definition: the vocal effects caused by different shaping of the vocal cords and openings.Kinds and the corresponding stylistic effects.1) Whispery voice: utterance without any vocal cord vibration at all. Emphasizingcontrast.2) Breathy voice: utterance where there is too much breath for the needs of thearticulation, the effect being one of mild ‘puffing and blowing’. Expressing surprise and astonishment.3) Creaky voice: a slow crackle of vocal cord vibrations at a low pitch, like a stickbeing run along a fence.4) Falsetto: a switch of the voice from one vocal register to a higher one; usually foundonly in males.5. What are the three ways of studying the sound of language?A. articulatory phoneticsThe study of the sounds of a language with special attention to the speaker: the movement of the lungs, vocal cords, tongue, the lips and other organs which produce and control the noisy outward breathing.B. acoustic phoneticsThe study of the physical properties of the sound waves in the air when being transmitted from the speaker to the hearer.C. auditory phoneticsThe study of how the sound of speech is received by the hearer6. What are the four typical meters in English poetry?In English poetry, stress is usually used in the realization of meter. The followings arethe four most typical meters.1) Iamb: Iamb is a metric foot consisting of an unstressed syllable followed by astressed syllable.2) Trochee: Trochee is a metric foot consisting of a stressed syllable followed by anunstressed syllable.3) Anapest: Anapest is a metric foot composed of two unstressed syllables followed byone stressed one.4) Dactyl: Dactyl is a metric foot composed of one stressed syllable followed by twounstressed ones7. What is the relationship between sound and meaning?According to Saussure, the relationship between sound and meaning is arbitrary in the sense that why a certain meaning takes a particular sound has no reason and it is completely accident. But in literature, the writers always try to arrange the words in sucha way as to make the patterns of sound to directly suggest the meaning.8. What is the relationship between style and the choice ofwords, according to thestylisticians?The stylisticians’ attitude: they lay emphasis on the adaptability to the sit uation.Standard, non-standard, black, dialectal, slang, archaisms are equally good in their expressiveness. There is no distinction of one being superior and other being inferior.9. How many kinds of word meanings may be classified? And what are they?According to the linguists, a word has various kinds of meaning. The first kind of meaning is denotative meaning.1) Denotative (概念意义)The kind of meaning we can get from the dictionary. It can also be termed as dictionary meaning, conceptual meaning, logical meaning and referential meaning.This is the most basic meaning that we understand a word has.2) Stylistic = social (社会意义)The kind of meaning associated with a particular social situation in which a particular word is often used. e.g begin, start, commence3) Affective meaning(情感意义)It is the emotional, attitudinal and evaluative coloring of a word. e.g. cunning and clever. Both mean the skillful handling of a delicate or difficult situation. But they reveal different attitudes and evaluation of the speaker.4) Collocative (搭配意义)Some words may have the same dictionary meaning, but they collocate withdifferent words, as shown by the pair or synonyms of prettyand handsome.5) Connotative (内涵意义)the cultural and social implications of a word.10. What are the three basic components of the English vocabulary?The three basic components of the English vocabularyA Anglo-Saxona. Members of the familyb. Parts of the bodyc. Natured. Timee. One-syllabled verbsB Frencha. Government and Lawb. Army and military activitiesc. Religiond. CostumesC Latina. Medicineb. Lawc. Theologyd. Sciencee. Literature11. Functionally speaking, what are the four types of English sentences?1) Declarative 2) Interrogative3) Exclamatory 4) Imperative12. What are the conjunctions used in combining English sentences?1) Progressive conjunction (推进性连接): by the use ofconjunctive words of additionor progression, such as and, furthermore, moreover, etc.2) Contrastive conjunction (对照性连接): by the use of conjunctive words of contrastor transition, such as but, whereas, while, on the contrary, on the other hand, etc.3) Temporal conjunction (时间性连接): by the use of conjunctive words of temporalsequence, such as then, later, afterwards, at last, or finally, etc13. What are the gestures may be used in a casual conversation?Facial expressions, eye-contact, body positions, distance, physical touch, soundmodification, clothing, and environment14. What are the three types of substitution? Can you give some examples?A. Nominal substitution (名词性替代)1) The meaning of one/ones e.g. You bought a red pencil, I’d like a blue one.2) The use of the “same”Example:A: I want a cup of teaB: The same.3) T he use of “kind, sort”. e.g. American food is not t he same as the English kind.B. Verbal substitution (动词性替代)Do you like Chinese food?Yes, I do.He likes Chinese food. So do I.C. Clausal substitution (分句性替代)1) The use of “so” “not”Example: A: Do you think he will come tomorrow?B: Yes, I think so./ No, I think not.2) LimitationClausal substitution applies only to sentences, where the predicate verb of amain clause is one of the following verbs:believe, be afraid, expect, fear, hope, imagine, say, tell, think, suppose.15. What is the relationship between dialect and register?Another way of talking about style, is to make a distinction between dialects and registers.A: Speaker orientedDialects are speaker oriented. What kind of speaker speaks what kind of dialect.Dialects may be regional or social. Regional dialect (地域方言)is determined by the geographical locality the speaker lives in. The social dialect is determined by the social groupings that a person belongs to.B: Situation orientedRegister is situational oriented. Register is the language determined by situation, and because of this we have such registers as formal English, informal English, classroom English, legal English, etc.16. Name at least five kinds of figures of speech in English.Simile, metaphor, metonymy, synecdoche, irony, overstatement, etc.17. Can you give some examples of rhetorical questions?Idea: a rhetorical question is one which does not really need an answer, or the answer is obviousExamples:Is that a reason for despair?Can any one doubt the wisdom of this action?Is no one going to defend me?What difference does it make then?18. What are the stylistic features of the Bible?1. 1. Biblical simplicity2. Full of balanced sentences3. The use of concrete words4. Short paragraphs5. Heavy use of and to begin a new paragraph6. Syntactical features1) simple and complete sentences2) the use of old forms of personal pronouns3) the second personal pronoun take the verb of –est as in shouldest,gavest,etc.,and the third person doth and hath which are absent in other styles of writing4) negation takes the form of“verb+not” without the use of auxiliaries19. What are the five kinds of reference in the English language?According to relative positions of the referring item and the referred item, reference may be classified into the following kinds.1) Anaphora(后照应)In a case of reference, if the referred item (a word or a phrase) come before the referring item in a text, then it is a case of anaphora.Example: Mr. Wang is an engineer, he graduated from Beijing University.2) Cataphora(前照应)On the other hand, if the referred item comes after the referring item in a text, then it is a case of cataphora. As in the example:I was introduced to them; it was John Leathwall and his wife.3) Exophora(外照应)If the interpretation of an item in a text depends on something in the immediate environment, then it is a case of exophora.Example: Did the gardener water those plants?4) Paraphora(平行照应)An item which refers to something in another text.Example: He is the Shylock Holmes in our class.5) Homophora(自照应)When the class is composed of only one member, then any mention of it is a case of homophora.Example: The moon moves around the earth.20. What are the three factors of register?1) Field of discourse —the topic under discussion or the nature of the activity inwhich language is involved.2) Tenor of discourse —the kind of social relationships between the participants in aconversation.3) Mode of discourse —the medium along which the message is being transmitted.21. Give examples to illustrate power relationship and solidarity relationship.Power relationship is a kind of vertical relationship in the sense that the two participants in the conversation hold unequalauthority. For example, the relations between boss and employee, or between parents and children, or between teacher and students.Solidarity relationship is a horizontal relationship in that participants in a conversation hold equal authority. For example, the relations between playmates, classmates, friends, etc.22. What are the non-linguistic features of casual conversation?1) Unpreparedness or low degree of preparedness2) Frequent change of roles3) Monitoring4) Simultaneity in space and time5) Topic drifting6) Channel limitation7) Gestures23. What are the linguistic features of the language of news reporting?In news reporting one can find some characteristics in syntax, lexis, and textual structure.A. SyntaxThere is a heavy use of complex sentences and a heavy use of non-finite verb phrases. The subjects of sentences are usually very complicated. Compared with the verb phrases in the previous discussed varieties, the composition of the verb phrases in newspaper reporting is even simpler, mainly simple present or past tense. The structure of the noun phrases in news reporting is very complicated. There is a remarkable increase in the number of modifiers for an average sentence in the variety of newspaper reporting. And the modifiers themselves tend to be more complicatedly structured.B. LexisThere is rare use of pronouns, but by contrast, there is a remarkable increase of the use of proper nouns. The degree of complication in the aspect of word structure is about the same as that in public speech. Both in terms of the number of letters in an average word and the number of morphemes in an average word. Although the word structure in the style of newspaper reporting tends to be complicated, it is ever ready to use short instead of big word wherever possible, especially in headlines.Compound words are used frequently. Moreover, non phrases which actually express actions or state and heavily used, and they are derived from verb phrases in order to make the sentences more compact and save space without lowering the amount of information conveyed.C. Textual structureIn textual structure, one of the most outstanding characteristic is straightforwardness.24. What are the linguistic features of the language of advertisement?A. Syntax:In terms of syntax, the language of advertisement is simple in structure for easy understanding, and colloquial in style for familiarity, intimacy and solidarity. There is a higher frequency of imperative and interrogatives. As to structure, according to statistics, we have the lowest rate of occurrence of passive in comedies, the second lowest is in ads. There is also a heavy use of pre-modifiers, possessive’s, comparative and superlative adjectivesB. Lexis:There is a heavy use of compounds. Simple, short, innerstructure and a high percentage of active, affirmative, commendatory and large quantities of proper names could be found in the vocabulary of advertisement.C. Rhetorical devices:One can easily find a lot of parallelism, reiteration and alliteration.25. What is the relationship between literary language and ordinary language?1) The kind of language people use in daily conversation is the ultimate source of thelanguage of literature.2) Ordinary language follows the norm of convention, and the purpose is to beunderstood fully.3) Literary language is not the mechanical copy of ordinary language, but refined andprocessed.4) Literary language has some linguistic deviation.III. Stylistic analysis (20 points):1. Explain the connotative meaning of the italicized words or expressions in the followingsentences (12 points; in test it may or may not appear; it contains 3 words or expressions):1) Don’t trust her; she is a snake in the grass.Snake is a kind of animal, because of prejudice and cultural conventions now oftenused to refer to a person who is cunning and untrustworthy2) The enemy will attack us tomorrow morning, but we are still not well prepared. TheDamocles’ sword is hanging over us.Damocles’ sword is an allusion to Greek mythology. Damocles was invited to abanquet in the court. In the midst of the entertainment, Damocles looked up and sawsuspended above his head by a single thread a naked sword. By extension, it comesto mean an immediate danger.3) We have to consult him, you know, he is the real Titan in our class.Titan is a name used to refer to a class of gods huge in physical size. By extension,it comes to mean a person of great strength or influence.4) News from Pentagon today says …Pentagon is a huge building in Washington in which the U.S. Department ofDefense exercises its functions, now often used to refer to the ministry itself5) She knows nothing about the cruelty of the world. She isa lily.Lily is a flower and by cultural conventions a symbol of purity and innocence in thewest.6) Hamlet, according to some psycho-analysis theory, is a character who has theOedipus complex.According to psycho-analysis theory, Oedipus complex refers to the sexual love ofan infant for the parent of the opposite sex, with jealousy of the other parent, oftenin an unconscious way. In this play, Hamlet is believed to have。

英语文体学教案

英语文体学教案

第一章1.1 Definition of StylisticsStylistics has long been considered as a highly significant but very discussible branch of learning. It is concerned with various disciplines such as linguistics, semantics, pragmatics and literature. The word stylistics( ‘styl’ component relates stylistic to literary criticism, and the ‘istics’ component to linguistics). So stylistics is the bridge of linguistics and literature. Stylistics is the study of literary discourse from a linguistic orientation.” (文体学是从语言学的角度研究文学语篇)Stylistics is an interdisciplined branch of learning which studies various differences between formal and informal, between deviant and normal, between magnificent and plain, between professional and popular, between foreign and domestic, between this and that individual.1.2 The Development of StylisticsThe date when stylistics became a field of academic inquiry is difficult to determine. However stylistics is often considered as both an old and a young branch of learning. It is old, because it orig inated from the ancient “rhetoric”. The famous ancient Greek philosophers Socrates, Plato and Aristotle all contributed a lot to this branch of learning. It is young ,because the word “stylistics” first appeared only in 1882, and the first book on stylistics was written by a French scholar Charles Bally in 1902 and was published in 1909: Traite de Stylistique Francaise. This book is often considered as a landmark of modern stylistics. Consequently, a number of more coherent and systematic works of both a theoretical and a practical nature were published in the field.The subject of study in Bally’s time was oral discourse. Bally considered that apart from the denotative meaning expressed by the speaker4, there was usually an “overtone” which indicated differ ent “feelings”, and the task of stylistics was to find out the linguistic devices indicating these feelings.Later , the German scholar L.Spitzer(1887-1960), began to analyze literary works from a stylistic point of view, and therefore, Spitzer if often co nsider4ed as the “father of literary stylistics”.From the beginning of the 1930s to the end of the 1950s stylistics was developing slowly and was only confined to the European continent. From the end of the 1950s to the present time, modern stylistics has reached its prosperity.1.3 Definitions of StyleSo style is an integral part of meaning. It gives us additional information about the speaker’s/writer’s regional and social origin, education, his relationship with the his/her reader, his feelings, emotions or attitudes. Without a sense of style we cannot arrive at a better understanding of an utterance1).Written---spoken in terms of channel2)The Differences between Formal and Informal Language3)modern----archaic in terms of time4)normal----deviated in terms of degree of novelty5). common---professional in terms of technique(专业)Homework:1.What’s stylistics?2.What does stylistics study?3.Say something about the development of stylistics.4.Give examples to explain “Proper words in proper places makes the true definition of a style.”5.What does style study?6.Give example to illustrate the differences between spoken-- written,formal–informal, modern–archaic, norm—deviated, common---professional.第二章1. Definition of meanings of meaningAccording to Leech (1974 English linguists), meanings of meaning can be broken into seven kinds:1).Denotative meaningIt refers to literal meaning, refers to diction meaning.(super meaning) 词的概念意义。

Chapter 1 Style and Stylistics

Chapter 1 Style and Stylistics

Some Senses of style
9) Style is the relation among
linguistic entities that are stable in terms of wider spans of text than the sentence. (Nils Erik Enkvist) 10) Style is the linguistic features that communicate emotion or thought. (John Middleton Murry)
(2) Stylistics study helps cultivate a sense
of appropriateness. (grammar: correctness; stylistics: appropriateness);
• Who speaks what language to whom and when
General stylistics
Genres: news reports, advertisements, public speeches, scientific treatises, legal documents and other practical styles… Attitudes: formal and informal language Media of communication: spoken English, written English, e-discourse Regions: British English, American English and other regional dialects Social groups: standard and non-standard language ( varieties of language)

chapter_1_Style_and_Stylistics_教案

chapter_1_Style_and_Stylistics_教案

■Course: English Stylistics■Time: Sep.6-30■Course material: English Stylistics: A New Course Book《新编英语文体学教程》董启明编著外语教学与研究出版社■Teaching procedure: Part One Theoretical Preliminaries(理论预备) and Major Varieties(主要变体)of EnglishChapter 1 Style and StylisticsIntroductionWhat is Language? And in which aspects of language does stylistics focus on?A. Language is the primary object of the study of linguistics, and linguists construct theories of language in general or of particular languages from differing points of view. The discussion of the concepts of style should focus on some essential aspects of language on which most linguists agree.B. Language is viewed as a system of different types of linguistic organization such as phonology, syntax and lexicon. The English language consists of its pattern of sounds, sets of grammatical rules and a large body of vocabulary.C. Language is also a social phenomenon, or institution, whereby people communicate and interact with each other. A language of a particular society is part of the society’s culture. Language activities operate within social activities. The language of a participant in a social activity reflects his social characteristics (such as his status, ethnic group, age and sex). It also reflects his awareness of the various factors of a social situation in which he finds himself. He should adjust his language in accordance with the medium of communication (speech or writing), the setting (private or public), the relationship with the addressee (in terms of the degree of intimacy or social distance), and the purpose (to inform, to persuade, etc.).2. Varieties 变体of Language(variety=style)A. Varieties in relation to regions---- British/American EnglishB. Varieties in relation to media----Spoken English/Written EnglishC. Varieties in relation to attitude----degrees of formality/politeness/ impersonality/accessibilityD. Varieties in relation to social factors----Women’s English/Black English/T aboo and EuphemismE. Varieties in relation to social Genre----The English of Conversation / Public speaking / News reporting/Advertising/Literary English (The Novel/Poetry)/ Science and Technology/Legal Documents3. Varieties analysis theory----Stylistics (文体学)★Essence of stylistics : Appropriate use of language is considered the key to effective communication.e.g. How to suck an egg? (Example and Analysis: Page 3)★Analysis : The difference lies in the fact that the young student used some big and formal words, such as perforation(齿孔,hole) ,apex (顶点,最高点top), aperture(小孔,缝隙,opening), inhaling(吸气)discharged(流出), which made her utterance difficult to understand, especially by an old woman without much education, while the old woman used informal words, such as gal, hole, end and suck. As a result, her utterance is easy to understand.★Note: Different styles should be used on different occasions, and the key to the effective use oflanguage is “appropriateness”, and the key to effective communication is the ability to use language appropriately, otherwise we cannot achieve our purpose of communication.1.2 Definitions of Style/Stylistics/Text1. TextDefinition: A TEXT is any passage, spoken or written, of whatever length, that forms a unified whole. It may be the product of a single speaker/writer (e.g. a sign, a letter, a news report, a statue, a novel), or that of several speakers (e.g. a piece of conversation, a debate).For example,Two boys stood near a jeweller’s shop. They saw a man break the shop win dow and steal all the watches. They ran after him, because they took him for a thief.Analysis:A text is realized by a sequence of language units, whether they are sentences or not. The connection among parts of a text is achieved by various cohesive devices, and by semantic and pragmatic implication. In the text you may notice the following modifications, which serve as 1) grammatical cohesive devices:(a) the use of the definite article on second mention, e.g.a shop---- the shop a man---- the man(b) the substitution of pronouns for nouns. e.g.two boys---- they(c) the use of conjunction. e.g.They ran after him, because…2) the lexical cohesion in the text is realized by the collocation of the words that are in some way or other typically associated with one another, e.g. steal all the watches; took him for a thief2. StyleDefinition----Manners indicating prominent linguistic features, devices or patterns, most (at least) frequently occur in a particular text of a particular variety of language.Analysis:①Manners (appropriateness) [Study Aims]indicating prominent②a) linguistic features (phonological /lexical /syntactic /grammatical/semantic features),b) devices orc) Patterns(文体/语体常规“型式”) [Study Scope]③most (or least) frequently occur (words/sentences percentage) [Study Approach]in a particular④text(语篇、篇章、文本) of a particular⑤variety of language. [Study Material]StylisticsDefinition----Stylistics is a branch of linguistics which studies style in a scientific way concerning the manners/linguistic features of different varieties of language at different levels.A branch of linguistics which studies style in a scientific and systematic way [Study Approach] concerning the manners/linguistic features [Study Aims] of different varieties of language [Study Scopes] at different levels [Study Scopes].1.4 The Development of StylisticsTable 1 In the WestTimeRepresentativesWorks1.Ancient “rhetoric(修辞)”famous ancient Greek philosophers Socrates, Plato and Aristotle, et al.all contributed a lot to this branch of learning.2. Root of Stylistics1) Word “stylistics” first appeared only in 1882.2) First book on stylistics -----landmark of modern stylisticswritten by a French scholar Charles Bally, student of the famous modern linguist Ferdinand de Saussure in 1902.published in 1909, entitled Traite de Stylistique Francaise.3) “Father of stylistics”German scholar L. Spitzer (1887-1960), began to analyze literary works from a stylistic point of view.3. Modern Stylistics---4 periodsFrom the end of the 1950s to the present time.1) the end of the 1950s---- the end of the 1960s.Formalist Stylistics was the prevailing trend.2) in 1970sFunctionalist Stylistics predominated.3) in 1980sDiscourse Stylistics flourished.4)in 1990sSocio-Historical / Socio-Cultural Stylistics or Contextualized Stylistics developed quickly.5) in 21 centurystylistics has enjoyed further development, The trend is interdisciplinary study, and narrative(叙事) stylistics, cognitive stylistics, feminist(女权主义) stylistics, etc., will get further developed.Table 2 In ChinaTimeRepresentativesWorks1. Ancient time刘勰in the Southern Dynasty南北朝period.a work of literacy criticism----The Carving of the Literary Mind by Liu Xie (465-532)《文心雕龙·刘勰》2. Modern Chinese Stylistics1) Root of Stylistic StudyChen Wangdao’s(陈望道)Principle of Rhetoric(《修辞学发凡》)(1932) indicated the beginning of modern Chinese stylistics.2) The study of modern western stylistics in ChinaA. the founding of the People’s Republic of China to the year 1976. ( fundamental stage ).some scholars, such as Wang Zuoliang(王佐良), Xu Guozhang(许国璋), Xu Yanmou, Yang Renjing, et al., began to study stylistics in its modern sense.In 1963, Wang Zuoliang published an article entitled “On the Study of English Style”(王佐良,1980).B. from 1977 up to the present time.It was also Professor Wang Zuoliang who took the lead in the research of modern stylistics. In this period, more and more academic works were published. The following list exemplifies the achievementsWang Zuoliang, 1980.《英语文体学论文集》. 北京:外语教学与研究出版社Introduction to English Stylistics----Wang Zuoliang & Ding Wangdao, 1987.《英语文体学引论》. 王佐良,丁往道. 北京:外语教学与研究出版社《文心雕龙·刘勰》摘录《说文》云:“体,总十二属也,从骨。

style组成的单词

style组成的单词

style组成的单词以下是style组成的单词:1.stylish -时尚的,时髦的。

2.stylus -书写工具,尖头。

3.stylite -修道士,苦修者。

4.stylometry -风格测定学。

5.stylophone -塑料键盘乐器。

6.styled -经过设计的,有特定风格的。

7.styleless -没有风格的,没有样式的。

8.styling -造型,设计。

9.stylise -使有风格,使具有某种样式。

10.stylishly -时尚地,漂亮地。

11.stylesheet -样式表,用于定义网页外观的代码。

12.styledrawing -样式图,用于展示设计或计划的图纸。

13.stylism -风格主义,一种艺术或文化风格。

14.stylophonist -塑料键盘乐器演奏者。

15.stylopodium -笔杆,书写工具的柄部。

16.styledocument -样式文档,用于定义文本或网页的外观和格式的文档。

17.stylemanual -样式手册,提供写作和出版指南的手册。

18.stylishness -时髦,时尚感。

19.stylesheetlanguage -样式表语言,用于描述网页外观和格式的语言。

20.stylingiron -烫发器,用于塑造或保持头发形状的工具。

21.stylisection -风格部分,特定文化或时期的艺术或写作风格。

22.stylishlydressed -穿着时髦的,穿着讲究的。

23.stylishnumber -时尚款式号码,用于标识时尚款式或产品的编号。

24.stylishnessfactor -时髦度因子,衡量时尚感或流行度的指标。

25.stylishnesslevel -时髦程度,一个人或事物时尚感的表现程度。

这些单词都与“style”相关,涵盖了不同的词性和意义,展示了“style”在英语中的丰富含义和用途。

读Peter Verdonk的Stylistics一书中Perspective的概念及其应用

读Peter Verdonk的Stylistics一书中Perspective的概念及其应用

读Peter Verdonk的Stylistics一书中Perspective的概念及其应用摘要:Peter Verdonk的Stylistics一书中,Perspective是文体学文本分析的一个重要概念。

本文将解读Perspective原始意义,并介绍这一概念是如何引入文体学中;同时,在文本分析中这一概念的意义及在文本解读、新闻解读、文学评论、翻译、案犯供词分析等方面的应用。

关键词:Perspective文本分析案犯供词分析一、Perspective的原始意义在the free dictionary 中(),perspective的意思解释如下:1. A view or vista。

2. A mental view or outlook:“It is useful occasionally to look at the past to gain a perspective on the present.”(Fabian Linden)。

该词的原始意义即风景、视野,该意义和苏轼的《题西林壁》相契合:横看成岭侧成峰,远近高低各不同,不识庐山真面目,只缘身在此山中。

或说,苏轼所题诗正揭示出了perspective最早的概念,即看景的不同角度。

而后,卞之琳的《断章》,亦有同旨:你站在桥上看风景,看风景的人在楼上看你。

明月装饰了你的窗子,你装饰了别人的梦。

只是卞诗中的角度,比苏轼更多了一层意思,即看事情的角度。

可见中国诗人早已对Perspective这个抽象概念有所觉察。

在绘画中,也早已有画者利用这个概念,画出神秘的画,如那幅有的人第一眼看是位老人,有的人第一眼看是一位姑娘的画。

在此类画作中,不同视角看同一幅画,却有不同的解读,不同的是看画的perspective。

而电影作品,最早对此概念有所揭示的,当属日本导演黑泽明的《罗生门》:12世纪的日本,在平安京,一名武士金泽武被人杀害在丛林中。

案件相关的人,樵夫、强盗多囊丸、死者的妻子、借女巫来说话的死者的魂都在纠察署,提供了不同的证词。

6.Vocabulary and Stylistcs

6.Vocabulary and Stylistcs
• -----Chapter 1, The King’s English
• •
H. W. Fowler and F. G. Fowler (co-writer of Modern English Usage)
Comments of the General
• That is to say standard English should be put first in the choice of words, and those English such as non-standard, colloquial, literary, formal, informal, slang(俚语), and archaism (古语)should be careful in the choice of writing. • However, this rule is quite fit for the English beginners for it neglects another rule that language should be in accordance with context which contains subject, audience and purpose. • For example, it will be very funny if we use colloquial and slang English in academic discussions or legal documents. • And the same is true that we can’t say “Shut the door!”to our senior. • Contextualization requires proper words in proper situation and the texts of different styles demands different words which in their long time use acquires stylistic colouring. • So the style of a text determines choice of words and choice of words affects the text styles.
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Long before they developed writing, human beings produced graphic representations of the objects that surrounded them. The drawings and paintings that prehistoric people produced – like the cave paintings in Spain, France, the Sahara Desert – are representations of real life objects, not the words that represent these objects, though they contained the seeds of writing. At first people would communicate by using drawings.
3. Monologue? Spoken – No Written – Yes




4. Public? Spoken – No Written – Yes
-- Markers of informality -- Markers of formality

Suggested Distinctions Amongst Modes of Discourse




Though language is involved in both spoken and written communication, the two channels are fundamentally different in nature: Speaking developed in us, but we had to invent writing; Speaking has been with us hundred of millennia, but writing for only a few; Every physically and mentally healthy human being knows how to speak, but writing is an advanced technology, some might say a luxury.



In time, certain stylized representations of objects, like the drawing of 太阳 came to be associated with the words for those objects, this is what is called the primary symbolization. The drawing of 太阳, originally representing the sun as an object or concept, in time could have come to be associated with the sound of the word 太阳 – with [taiyang]. This use of a written symbol to represent a sound is the secondary symbolization, which is a great leap forward, a staggering leap in imagination, probably made only once in human history.

Crystal has an interesting classification of texts into Speech, Writing, and Mixed Medium. Within these sections there are further subdivisions.
SPEECH To be heard a. Now (the norm) b. Later (telephone answering machine) To be written down a. as if spoken (magazine interview) b. as if written (dictation of a letter) To be unheard (sotto voice speech) WRITING To be read (the norm) To be read aloud a. as if spoken (TV scripts) b. as if written (TV news-reading) MEDIUM MIXING (e.g. a lecturer talking about material that is written on the board or on a handout) --- simplified from Crystal 1995:292

As early as 3000 BC, the Egyptians had developed their own writing system. Around 2500 BC, writing also appeared in the valley of the Indus. Around 2000 BC, the Chinese began using pictograms as symbols for words rather than concepts. By 1500 BC, the world’s most technologically complex civilizations had developed systems to commit spoken language to visual representation. Use of literacy as a recording tool and as a means to communicate at a distance, could be more secure, more confidential, more good for building and maintaining large states: recording laws, transmitting orders, storing data on the citizenry.





Table of Difference Between Spoken and Written Language MEDIUM-RELATED LINGISTIC ASPECTS CHARACTERISTICS 1. Channel limitation? Spoken---No ---Inexplicitness Written---Yes ---Explicitness 2. Prepared? Spoken---No (1) Normal non-fluency (impromptu) (2) Lack of clear sentence boundaries, simple and loose (3)Lack of precision and novelty in word choice

speaking
spontaneously non-spontaneously writing


Written---Yes (Prepared)
(1) Fluency (2) Clear sentence boundaries, complex and compact structure (3) More careful choice of words
-- Monitoring, interaction features -- No features like above
Hale Waihona Puke There are several types of writing systems in use today. In syllabic writing(音节制语言), symbols represent syllables, such as The Vai, The Tamil; in logographic writing(语标制语言), symbols represent morphemes or words, such as Chinese; and in alphabetic writing (字母制语言), symbols represent phonemes, such as Russian. As early as 3500 and 2600 BC, writing occurred between the Tigris and Euphrates rivers known as Mesopotamia, from which writing appears to have spread both south and east.
Stylistics 6
Spoken vs Written Style

Human beings have possessed the ability to speak for hundreds of thousands of years. It arose as a part of our intellectual developments during evolution and as a response to the need to communicate as efficiently as these intellectual developments allowed. In contrast, writing was invented only recently. Human beings have been able to represent speech for a mere five or six thousand years. Even today many people go through life without ever learning to read and write.
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