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Encounter RTL Compiler命令参考手册(中文版)说明书

Encounter RTL Compiler命令参考手册(中文版)说明书

July 20092003-2009 Cadence Design Systems, Inc. All rights reserved.Portions © Concept Engineering GmbH. Used by permission.Printed in the United States of America.Cadence Design Systems, Inc. (Cadence), 2655 Seely Ave., San Jose, CA 95134, USA.Product Encounter™ RTL Compiler contains technology licensed from, and copyrighted by: Concept Engineering GmbH, and is 1998-2006, Concept Engineering GmbH. All rights reserved.Open SystemC,Open SystemC Initiative,OSCI,SystemC,and SystemC Initiative are trademarks or registered trademarks of Open SystemC Initiative, Inc. in the United States and other countries and are used with permission.Trademarks:Trademarks and service marks of Cadence Design Systems,Inc.contained in this document are attributed to Cadence with the appropriate symbol. For queries regarding Cadence’s trademarks, contact the corporate legal department at the address shown above or call 800.862.4522. All other trademarks are the property of their respective holders.Restricted Permission:This publication is protected by copyright law and international treaties and contains trade secrets and proprietary information owned by Cadence.Unauthorized reproduction or distribution of this publication,or any portion of it,may result in civil and criminal penalties.Except as specified in this permission statement,this publication may not be copied,reproduced,modified,published,uploaded,posted,transmitted, or distributed in any way, without prior written permission from Cadence. Unless otherwise agreed to by Cadence in writing, this statement grants Cadence customers permission to print one (1) hard copy of this publication subject to the following conditions:1.The publication may be used only in accordance with a written agreement between Cadence and itscustomer.2.The publication may not be modified in any way.3.Any authorized copy of the publication or portion thereof must include all original copyright, trademark,and other proprietary notices and this permission statement.4.The information contained in this document cannot be used in the development of like products orsoftware, whether for internal or external use, and shall not be used for the benefit of any other party, whether or not for consideration.Patents:Cadence Product Encounter™RTL Compiler described in this document,is protected by U.S.Patents [5,892,687]; [6,470,486]; 6,772,398]; [6,772,399]; [6,807,651]; [6,832,357]; and [7,007,247]Disclaimer:Information in this publication is subject to change without notice and does not represent a commitment on the part of Cadence. Except as may be explicitly set forth in such agreement, Cadence does not make, and expressly disclaims, any representations or warranties as to the completeness, accuracy or usefulness of the information contained in this document. Cadence does not warrant that use of such information will not infringe any third party rights,nor does Cadence assume any liability for damages or costs of any kind that may result from use of such information.Restricted Rights:Use,duplication,or disclosure by the Government is subject to restrictions as set forth in FAR52.227-14 and DFAR252.227-7013 et seq. or its successorContentsAlphabetical List of Commands. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17Preface. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 About This Manual. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Additional References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 How to Use the Documentation Set. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25 Reporting Problems or Errors in Manuals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26 Customer Support. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26 Cadence Online Support . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26 Other Support Offerings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26 Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27 Man Pages. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27 Command-Line Help . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28 Getting the Syntax for a Command . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28 Getting the Syntax for an Attribute. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28 Searching for Attributes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29 Searching For Commands When Y ou Are Unsure of the Name . . . . . . . . . . . . . . . .29 Documentation Conventions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30 T ext Command Syntax. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .301Navigation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31 basename. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32 cd . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33 dirname . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35 dirs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36filter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..37find . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39 inout_mate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44 ll . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45ls. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46 popd. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50 pushd . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51 pwd. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52 vdir_lsearch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53 what_is. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .542General . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .57 alias . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..58 all_inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .59 all_outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .60 apropos . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .61 clear . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..62 date . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63 enable_transparent_latches. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64 exec_embedded_script . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .65 exit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..67 get_attribute. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .68 get_liberty_attribute . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .71 get_read_files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .72 help. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..73 include . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .74 lcd. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .75 license . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .76 license checkin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .77 license checkout. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .78 license list. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .79 lls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .80 lpopd. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81 lpushd. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .82 lpwd . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83 man . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .84 more. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .85quit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .87 rc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .88 redirect. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .92 reset_attribute . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .94 resume. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .96 sdc_shell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .97 set_attribute . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .98 shell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .101 suppress_messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .102 suspend . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .103 unsuppress_messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1043GUI Text. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .105 General GUI T ext Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .106 gui_hide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .107 gui_info. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .107 gui_raise. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .107 gui_reset. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .107 .gui_selection. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .108 gui_show . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .108 gui_status. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .108 gui_update . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .108 HDL Viewer GUI Text Commands. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .109 gui_hv_clear. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .110 gui_hv_get_file. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .110 gui_hv_load_file. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .110 gui_hv_set_indicators. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .111 Schematic Viewer GUI T ext Commands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .112 gui_sv_clear. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .113 gui_sv_get_instance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .113 gui_sv_grey . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .113 gui_sv_highlight . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .114 gui_sv_load . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .115 Physical Viewer GUI T ext Commands. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .116gui_pv_airline_add. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .117 gui_pv_airline_delete. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .118 gui_pv_airline_display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .118 gui_pv_airline_raw_add. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .119 gui_pv_clear. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .119 gui_pv_highlight. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .120 gui_pv_highlight_update . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .122 gui_pv_label. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .122 gui_pv_redraw . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .123 gui_pv_selection. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .123 gui_pv_snapshot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .123 gui_pv_zoom_fit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .125 gui_pv_zoom_in. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .125 gui_pv_zoom_out. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .125 gui_pv_zoom_to. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1254Chipware Developer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .127 cwd. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .128 cwd check. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .129 cwd create_check. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .133 cwd report_check. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .135 hdl_create. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .137 hdl_create binding . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .138 hdl_create component . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .140 hdl_create implementation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .142 hdl_create library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .144 hdl_create operator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .145 hdl_create package . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .146 hdl_create parameter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .148 hdl_create pin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1505Input and Output. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .153 decrypt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .155encrypt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .156 export_critical_endpoints . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .159 read_config_file . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .161 read_cpf. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .162 read_def. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .163 read_dfm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .164 read_dft_abstract_model . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .166 read_encounter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .167 read_hdl. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .168 read_io_speclist. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .172 read_netlist. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .173 read_saif. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .175 read_sdc. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .176 read_spef. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .178 read_tcf . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .179 read_vcd. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .180 restore_design . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .181 write_atpg. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .183 write_bsdl. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .184 write_compression_macro. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .185 write_config_template . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .186 write_def. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .187 write_design. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .188 write_dft_abstract_model. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .189 write_do_ccd . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .190 write_do_ccd compare_sdc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .191 write_do_ccd generate. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .192 write_do_ccd propagate. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .193 write_do_ccd validate. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .195 write_do_clp. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .196 write_do_lec. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .198 write_do_verify cdc. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .200 write_encounter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .202 write_et_atpg . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .205 write_et_bsv. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .206 write_et_mbist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .207write_et_rrfa. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .208 write_ets. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .209 write_ett . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .210 write_forward_saif . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .211 write_hdl. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .212 write_io_speclist. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .215 write_saif . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .216 write_scandef. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .217 write_script. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .218 write_sdc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .221 write_sdf. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .224 write_set_load . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .227 write_spef. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .228 write_tcf . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .229 write_template . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2306Constraints . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .233 clock_uncertainty . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .234 create_mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .237 define_clock. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .240 define_cost_group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .245 derive_environment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .246 external_delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .248 generate_constraints . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .252 multi_cycle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .254 path_adjust. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .259 path_delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .263 path_disable. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .266 path_group. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .269 propagate_constraints . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .272 specify_paths. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .274 validate_constraints . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2807Elaboration and Synthesis. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .283 elaborate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .284 remove_assigns_without_optimization. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .286 remove_inserted_sync_enable_logic. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .288 retime. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .289 set_remove_assign_options. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .291 synthesize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2948Analysis and Report. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .301 all_connected. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .304 all des. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .305 all des inps. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .306 all des insts. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .307 all des outs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .308 all des seqs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .309 all lib. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .311 all lib bufs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .312 all lib ties. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .313 analyze_library_corners. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .314 check_design. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .316 clock_ports. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .321 compare_sdc . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .322 fanin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .323 fanout . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .326 report . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .328 report area . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .332 report boundary_opto. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .334 report buskeepers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .335 report cdn_loop_breaker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .336 report cell_delay_calculation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .338 report checks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .339 report clock_gating. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .342。

基于区域和边界融合的CV模型研究

基于区域和边界融合的CV模型研究

基于区域和边界融合的CV模型研究孟宇婷;高建瓴【摘要】针对传统CV模型利用全局信息作为拟合项导致不能准确分割灰度不均匀目标边界的问题,提出一种结合区域信息的CV模型.通过在全局拟合能量项中引入区域灰度信息构造新的拟合项,计算拟合曲线附近区域灰度信息的相似性特征来推动曲线的演化,在最终的能量泛函中加入边缘信息,终止曲线的演化.实验表明:改进后的CV模型能够准确分割灰度不均匀图像的目标边界,并对噪声和初始轮廓具有较强的鲁棒性.【期刊名称】《通信技术》【年(卷),期】2018(051)009【总页数】5页(P2087-2091)【关键词】CV模型;区域灰度相似性;边缘检测函数;全局项【作者】孟宇婷;高建瓴【作者单位】贵州大学大数据与信息工程学院,贵州贵阳 550025;贵州大学大数据与信息工程学院,贵州贵阳 550025【正文语种】中文【中图分类】TP391.410 引言图像分割是图像处理中的一个重要环节,目的在于提取图像中含有重要特征或信息的目标区域。

图像分割的精确往往决定后期图像处理与分析的准确度,而针对目前图像处理中目标区域所呈现的目标结构复杂、噪声大、灰度不均匀等特性,传统的图像分割算法如基于边缘检测的分割算法、基于阈值的分割算法等对图像的分割达不到预期效果。

近年来,基于形变模型的分割算法成为当前的研究热点。

该模型的优点在于通过计算能量泛函的最小值,使拟合曲线逐渐趋近于目标边界,最终达到拟合。

基于形变活动轮廓模型一般分为基于边缘模型和基于区域模型两种。

基于边缘模型利用图像的梯度信息来控制曲线的演化,基于区域模型利用区域灰度信息来控制曲线演化。

而基于区域的活动轮廓模型相比于边缘模型来说,更适合分割复杂、噪声较大的图像,原因在于其通过引入水平集函数来表示目标轮廓,从而达到准确分割目标图像的目的。

CV模型、LBF模型和PC模型等,都是基于区域的活动轮廓模型。

2001年,Chan等人提出Chan-Vese模型[1],通过计算目标区域与背景区域的灰度信息来控制曲线的拓扑变化,使得复杂结构的目标得以准确分割且对初始轮廓有较高的鲁棒性。

图像处理和计算机视觉中的经典论文

图像处理和计算机视觉中的经典论文

前言:最近由于工作的关系,接触到了很多篇以前都没有听说过的经典文章,在感叹这些文章伟大的同时,也顿感自己视野的狭小。

想在网上找找计算机视觉界的经典文章汇总,一直没有找到。

失望之余,我决定自己总结一篇,希望对 CV领域的童鞋们有所帮助。

由于自
己的视野比较狭窄,肯定也有很多疏漏,权当抛砖引玉了
1990年之前
1990年
1991年
1992年
1993年
1994年
1995年
1996年
1997年
1998年
1998年是图像处理和计算机视觉经典文章井喷的一年。

大概从这一年开始,开始有了新的趋势。

由于竞争的加剧,一些好的算法都先发在会议上了,先占个坑,等过一两年之后再扩展到会议上。

1999年
2000年
世纪之交,各种综述都出来了
2001年
2002年
2003年
2004年
2005年
2006年
2007年
2008年
2009年
2010年
2011年
2012年。

视频监控与视频分析第六章 图像分割2

视频监控与视频分析第六章 图像分割2
9 1. Find path from source to sink with positive capacity 2. Push maximum possible flow through this path 3. Repeat until no path can be found
2 1
v1
5
2
v2
Solve the dual maximum flow problem
Source
Compute the maximum flow between Source and Sink
9
Constraints Edges: Flow < Capacity
2 1
v1
5
2
v2
Nodes: Flow in = Flow out
0 1
v1
3
2
v2
0
Sink
Algorithms assume non-negative capacity
Maxflow Algorithms
Flow = 6
Source
Augmenting Path Based Algorithms
5 1. Find path from source to sink with positive capacity 2. Push maximum possible flow through this path 3. Repeat until no path can be found
(流值,容量)
(0,5)
v1 (6,10) v0 (0,3) (0,2) v5 (0,3) (0,4) v4 (0,5) (6,6) v2

(0,3)

9-1-图像分割-概述

9-1-图像分割-概述

Berkeley segmentation database:
/Research/Projects/CS/vision/grouping/segbench/
Top-down segmentation
E. Borenstein and S. Ullman, “Class-specific, top-down segmentation,” ECCV 2002 A. Levin and Y. Weiss, “Learning to Combine Bottom-Up and TopDown Segmentation,” ECCV 2006.
图像识别与人工智能研究所,多谱信息处理国家重点实验室
图像分割
陶文兵
华中科技大学图像识别与人工智能研究所 多谱信息处理技术国家重点实验室
分割的目的和意义
图像分割是计算机视觉研究中的基础问题和难点之一
图像分割就是把图像分成各具特性的区域并提取出感兴趣目标
小 语义符号 操 作 对 象 数 据 大 原始图像 图像理解 目标识别 图像分析 特征提取 图像分割 低 高 语 义 抽 象 程 度
Top-down segmentation
Normalized cuts
Top-down segmentation
E. Borenstein and S. Ullman, “Class-specific, top-down segmentation,” ECCV 2002 A. Levin and Y. Weiss, “Learning to Combine Bottom-Up and TopDown Segmentation,” ECCV 2006.
Types of segmentations

加速器验收测试和常规QA

加速器验收测试和常规QA

IEC Report 977
20
疗 放 09
备 设





训 班
7
Stability of Calibration(稳定性校 准)
One day 2% One week 2% Stability in dynamic beam therapy (动态束治 疗), preset vs. delivered:
Assuming the secondary electrons are generated in the forward direction and the number of ions(离子) is proportional to the chord length of the electrons in the cavity, the shift is 8r/3π (= 0. 85r). IAEA code recommends values of shift to be 0.5r for electron beams and Co60, 0.75r for high energy photon beams, 0.35r for Cs137, and 0 for orthovoltage x-rays. TG51 recommends the shift to be 0.5r for photon
Penetrative quality (渗透质量) mfr. Deviation (偏差) from stated value 3%, 3mm Relative surface dose (相对表面剂量) for10x10 cm field (野) mfr. Relative surface dose for maximum field (最大野) mfr.

GE多排螺旋CT临床应用操作指南(第二版)

GE多排螺旋CT临床应用操作指南(第二版)

扫描方法
1 扫描前嘱病人禁食,憋尿,不建议检查前口服造影剂, 静脉造影剂用量约80-100ml。
2 肾脏常规先扫描一个动脉期和静脉期,然后在注射造影 剂后大约4-5分钟扫描一次全尿路,最后待膀胱充盈较好后, 注射后约15分钟甚至更长时间再扫一次全尿路(依据尿路 通畅情况可调整延迟时间)或盆腔。
3 然后将扫描数据拆薄到1.25mm或0.625mm的层厚即可。
尊敬的用户,感谢您购买和使用美国GE公司 的CT产品。GE的CT产品凭借其优质的图像 和强大的功能,给中国的广大医务人员提供 了丰富的临床诊断信息,并搭建了一个广泛 的影像医疗科研平台。为了方便您的日常使 用并加强CT临床应用技术的研究与合作,我 们参照英文资料并结合自己的实践经验,组 织编写了GE CT临床应用操作指南供广大GE 用户参阅。
1 选中薄层序列,进入VR界面,点击Segment,选 择 Auto Select,点击Any Structure,将源图像清除 后把出血灶“加”出来,并对照旁边的2D图像,保 证“绿线”把出血灶全部包括进去。
33 / GE /
2 点击VR下面的Advanced VR Settings,将阈值下限调为50HU以下(也可 用鼠标中键直接调整),使出血灶显示出来。 3 点击Display菜单中的体积测量 ,将鼠标点在出血灶所在视窗上,即 可显示出血量。
7 如左图所示用左键点击Display中的体积测量 图标,再点击小结 节所在的视窗,即可得到该结节的体积。
14 / GE /
CT 尿路造影(CTU)
CT尿路造影运用先进的多期扫描及后重建技术,采用VR、MIP、 CPR等多种后处理方法,全方位为泌尿系统的多种疾病提供直观清
晰的影像学信息,已全面替代传统的KUB + IVP。

区域生长代码

区域生长代码
* LONG lmageHeight -源图像高度(象素数)
*int nThreshold-区域生长门限
*int seedx-区域生长种子的横坐标
*int seedy-区域生长种子的纵坐标
*int mode-区域生长种子的选取类型
*返回值:
* BOOL -运算成功返回TRUE,否则返回FALSE。
* \说明:
*本函数的处理结果是将生长后的区域表示为黑色像素,未生长区域表示为白色像素。
*区域生长一般包含三个比较重要的问题:
*1.种子点的选取
*2.生长准则
*3.终止条件
*可以认为,这三个问题需要具体分析,而且每个问题解决的好坏直接关系到
*区域生长的结果。
*************************************************************************/
2.2腐蚀
形态学中的腐蚀操作可以去除图像中小的部分和不相关的细节[5]。比如用边长10的矩形结构取腐蚀图像,则边长小于10的部分和细节都会被消除掉。
腐蚀是为了确定肝的位置。由于肝在腹部脏器中是最大的,因此选择较大的参数进行腐蚀时会将其它的部分(肌肉、其它的脏器)消除腐蚀掉。这样剩下的部分肯定是肝的实质部分。所以用腐蚀的方法可以选到区域生长的种子。而且这样选取种子的方式是完全自动的,选择的种子区域也较大,节省了下一步区域生长的时间。
关键词:肝区提取;区域生长;形态学
Abstract:In this paper, an algorithm is proposed to extracting the liver region. The algorithm uses the morphologic method to extract the seed of the region growth algorithm. In order to prevent growing to other viscera, the algorithm restricts the region growth algorithm base on the shape of the liver. It is proved to be useful that extracting the liver from abdomen CT images. In these CT images, the CT values of most viscera are close to each other. So this algorithm is useful for father analyzing the liver.

基于测地线活动轮廓模型的图像联合分割算法

基于测地线活动轮廓模型的图像联合分割算法

基于测地线活动轮廓模型的图像联合分割算法佚名【摘要】为了辅助医生对肿瘤治疗方案和靶区形状的设计,我们研究了PET/CT 图像联合自动分割,将计算机自动分割的结果作为一个较客观的依据.传统的测地线活动轮廓模型( GAC)具有边缘演化迅速,对弱边界也能准确分割的优点,但是该算法只能利用一种模态的图像信息进行分割.本研究算法在传统的测地线活动轮廓模型基础上进行改进,重新设计其边缘函数,综合利用了CT信息与PET信息,使算法利用两种模态的医学图像信息进行联合分割.由于边缘函数中结合了两种信息,所以算法的演化收敛速度有一定的提升,分割出的边缘也更加合理,较单一PET图像分割算法具有更准确的边界.【期刊名称】《生物医学工程研究》【年(卷),期】2018(037)004【总页数】6页(P398-403)【关键词】PET/CT;测地线活动轮廓模型;边缘函数;水平集方法;图像分割【正文语种】中文【中图分类】R3181 引言对PET/CT图像分割,可辅助医生制定准确的放疗靶区,用以治疗肺癌。

实际上,现阶段数字图像处理技术已经相当成熟,完全可以依靠计算机来进行多模态肿瘤图像的融合和靶区分割,从而辅助医生确定肿瘤的位置和大小,更好的制定放疗计划,提高患者的治疗成效。

活动轮廓模型是图像分割中的经典算法[1],主要分为两大类:基于区域的活动轮廓分割模型和基于边缘的活动轮廓分割模型。

基于区域的活动轮廓分割模型中最常用的是Chan-Vese (CV)模型[2]和Regionscalable Fitting(RSF)[3]模型。

CV模型利用的是图像的全局信息,算法收敛速度快,但是不适用于灰度不均的图像。

RSF模型在CV的基础上进行改进,同时结合了图像的全局和局部能量,解决了对灰度不均图像分割效果不好的问题,但其缺点是由于局部项的影响,算法不易找到全局最优解[4-5]。

基于边缘的活动轮廓模型中最常见的是测地线活动轮廓[6](geodesic active contour,GAC) 模型,其优点是对复杂图像的分割效果较好,但是分割结果会出现边界泄漏的问题[7-8]。

matlab基于区域轮廓的代码

matlab基于区域轮廓的代码

基于区域的活动轮廓算法matlab代码2011-06-11 21:25% Region Based Active Contour Segmentation%% seg = region_seg(I,init_mask,max_its,alpha,display)%% Inputs: I 2D image% init_mask Initialization (1 = foreground, 0 = bg)% max_its Number of iterations to run segmentation for% alpha (optional) Weight of smoothing term% higer = smoother. default = 0.2% display (optional) displays intermediate outputs% default = true%% Outputs: seg Final segmentation mask (1=fg, 0=bg)%% Description: This code implements the paper: "Active Contours Without % Edges" By Chan Vese. This is a nice way to segment images whose% foregrounds and backgrounds are statistically different and homogeneous. %% Example:% img = imread('tire.tif');% m = zeros(size(img));% m(33:33+117,44:44+128) = 1;% seg = region_seg(img,m,500);%% Coded by: Shawn Lankton ()%------------------------------------------------------------------------function seg = region_seg(I,init_mask,max_its,alpha,display)%-- default value for parameter alpha is .1if(~exist('alpha','var'))alpha = .2;end%-- default behavior is to display intermediate outputsif(~exist('display','var'))display = true;end%-- ensures image is 2D double matrixI = im2graydouble(I);%-- Create a signed distance map (SDF) from maskphi = mask2phi(init_mask);%--main loopfor its = 1:max_its % Note: no automatic convergence testidx = find(phi <= 1.2 & phi >= -1.2); %get the curve's narrow band%-- find interior and exterior meanupts = find(phi<=0); % interior pointsvpts = find(phi>0); % exterior pointsu = sum(I(upts))/(length(upts)+eps); % interior meanv = sum(I(vpts))/(length(vpts)+eps); % exterior meanF = (I(idx)-u).^2-(I(idx)-v).^2; % force from image information curvature = get_curvature(phi,idx); % force from curvature penaltydphidt = F./max(abs(F)) + alpha*curvature; % gradient descent to minimize energy%-- maintain the CFL conditiondt = .45/(max(dphidt)+eps);%-- evolve the curvephi(idx) = phi(idx) + dt.*dphidt;%-- Keep SDF smoothphi = sussman(phi, .5);%-- intermediate outputif((display>0)&&(mod(its,20) == 0))showCurveAndPhi(I,phi,its);endend%-- final outputif(display)showCurveAndPhi(I,phi,its);end%-- make mask from SDFseg = phi<=0; %-- Get mask from levelset%---------------------------------------------------------------------%---------------------------------------------------------------------%-- AUXILIARY FUNCTIONS ----------------------------------------------%---------------------------------------------------------------------%---------------------------------------------------------------------%-- Displays the image with curve superimposedfunction showCurveAndPhi(I, phi, i)imshow(I,'initialmagnification',200,'displayrange',[0 255]); hold on; contour(phi, [0 0], 'g','LineWidth',4);contour(phi, [0 0], 'k','LineWidth',2);hold off; title([num2str(i) ' Iterations']); drawnow;%-- converts a mask to a SDFfunction phi = mask2phi(init_a)phi=bwdist(init_a)-bwdist(1-init_a)+im2double(init_a)-.5;%-- compute curvature along SDFfunction curvature = get_curvature(phi,idx)[dimy, dimx] = size(phi);[y x] = ind2sub([dimy,dimx],idx); % get subscripts%-- get suba=rand(1)*9scripts of neighborsym1 = y-1; xm1 = x-1; yp1 = y+1; xp1 = x+1;%-- bounds checkingym1(ym1<1) = 1; xm1(xm1<1) = 1;yp1(yp1>dimy)=dimy; xp1(xp1>dimx) = dimx;%-- get indexes for 8 neighborsidup = sub2ind(size(phi),yp1,x);iddn = sub2ind(size(phi),ym1,x);idlt = sub2ind(size(phi),y,xm1);idrt = sub2ind(size(phi),y,xp1);idul = sub2ind(size(phi),yp1,xm1);idur = sub2ind(size(phi),yp1,xp1);iddl = sub2ind(size(phi),ym1,xm1);iddr = sub2ind(size(phi),ym1,xp1);%-- get central derivatives of SDF at x,yphi_x = -phi(idlt)+phi(idrt);phi_y = -phi(iddn)+phi(idup);phi_xx = phi(idlt)-2*phi(idx)+phi(idrt);phi_yy = phi(iddn)-2*phi(idx)+phi(idup);phi_xy = -0.25*phi(iddl)-0.25*phi(idur)...+0.25*phi(iddr)+0.25*phi(idul);phi_x2 = phi_x.^2;phi_y2 = phi_y.^2;%-- compute curvature (Kappa)curvature = ((phi_x2.*phi_yy + phi_y2.*phi_xx -2*phi_x.*phi_y.*phi_xy)./...(phi_x2 + phi_y2 +eps).^(3/2)).*(phi_x2 + phi_y2).^(1/2);%-- Converts image to one channel (grayscale) double function img = im2graydouble(img)[dimy, dimx, c] = size(img);if(isfloat(img)) % image is a doubleif(c==3)img = rgb2gray(uint8(img));endelse % image is a intif(c==3)img = rgb2gray(img);endimg = double(img);end%-- level set re-initialization by the sussman method function D = sussman(D, dt)% forward/backward differencesa = D - shiftR(D); % backwardb = shiftL(D) - D; % forwardc = D - shiftD(D); % backwardd = shiftU(D) - D; % forwarda_p = a; a_n = a; % a+ and a-b_p = b; b_n = b;c_p = c; c_n = c;d_p = d; d_n = d;a_p(a < 0) = 0;a_n(a > 0) = 0;b_p(b < 0) = 0;b_n(b > 0) = 0;c_p(c < 0) = 0;c_n(c > 0) = 0;d_p(d < 0) = 0;d_n(d > 0) = 0;dD = zeros(size(D));D_neg_ind = find(D < 0);D_pos_ind = find(D > 0);dD(D_pos_ind) = sqrt(max(a_p(D_pos_ind).^2, b_n(D_pos_ind).^2) ... + max(c_p(D_pos_ind).^2, d_n(D_pos_ind).^2)) - 1;dD(D_neg_ind) = sqrt(max(a_n(D_neg_ind).^2, b_p(D_neg_ind).^2) ... + max(c_n(D_neg_ind).^2, d_p(D_neg_ind).^2)) - 1;D = D - dt .* sussman_sign(D) .* dD;%-- whole matrix derivativesfunction shift = shiftD(M)shift = shiftR(M')';function shift = shiftL(M)shift = [ M(:,2:size(M,2)) M(:,size(M,2)) ];function shift = shiftR(M)shift = [ M(:,1) M(:,1:size(M,2)-1) ];function shift = shiftU(M)shift = shiftL(M')';function S = sussman_sign(D)S = D ./ sqrt(D.^2 + 1);。

改进的先验形状模型构造及其人脸图像分割

改进的先验形状模型构造及其人脸图像分割

改进的先验形状模型构造及其人脸图像分割葛其睿;张荣国;胡静;刘小君【摘要】In deAling with obscured bAckground segmentAtion And tArget grAy similArity or loss of dAtA,in CV(ChAn And Vese)model on the bAsis of introducing the prior shApe informAtion. TrAditionAl prior shApe item only with rotA-tion,scAling And trAnslAtion invAriAnce,segmentAtion result is not very ideAl in fAce imAge thAt is occluded or of rich expression. Combining with level set imAge segmentAtion bAsed on the shApe stAtistics,the following two points Are done:(1)A new mAth segment model is constructed,which joines locAl invAriAnt to X,Y direction tensile And sheAr properties bAsed on CV model bAsis;(2)A new construction method of shApe energy term thAt mAkes evolving sur-fAce stAble is presented,which considers the globAl And locAl chAnge. ExperimentAl results demonstrAte thAt our model cAn Achieve good segmentAtion towArds fAce imAges with greAt pose vAriAtion in cluttered bAckground.%在处理分割被遮挡、背景与目标灰度相似或数据丢失的目标时,需在 CV(ChAn And Vese)模型的基础上引入先验形状信息。

CATIA复合材料零件设计教程英文

CATIA复合材料零件设计教程英文
24. Core Sampling Export p. 106
23. Drawing
Drawing Generation Defining General Sheet: Solid active Defining General Sheet: Explode active Defining Sheet for Table Integration
General CPD presentation Live demo
Parameters Group of Zones Zones Transition Zones Ex 1 – 2 – 3
Connection Generator Impose Thickness Point Stack-Up from Zones Import Laminate Ex 4 - 5 Solids from Zones Plies from Zones Ex 6 – 7 – 8 – 9
Creating Plies Group Automatically Creating Plies Group Manually
15. Manual Plies Creation
Defining Geometry Defining Attributes
16. Core
Defining Core Modifying Core
p. 100
p. 101 p. 102
9
Copyright DASSAULT SYSTEMES
Table of Contents (6/8)
22. Core Sample
22. Core Sampling Analysis p. 104
23. Core Sampling Storage p. 105

General Examination(一般检查)

General Examination(一般检查)


The second number is the diastolic(舒张的) blood pressure reading, and it represents the pressure in the arteries when the heart is at rest.
Vital signs---blood pressure
Sex


In female: estrogen and male hormone
In male: male hormone

Sex is involved in some specific disease female: SLE thyroid chlorosis (萎黄病) male: haemophilia (血友病)


Body temperature

Oral(口腔) Rectal(肛门)


Axillary(腋下)
Body temperature

Oral Place the thermometer under the tongue and close the mouth using the lips hold the thermometer tightly
Infant and children: rickets(佝偻病) diphtheria(白喉)
measles(麻疹)

Children and adolescence: tuberculoses(结核), rheumatopyra(风湿热) Elder: carcinoma and sclerosis
Body temperature

Axillary It is the least accurate method Place the thermometer in the armpit(腋窝), with the arm pressed against the body for 5 ~10 min before reading Read the thermometer by gripping the end opposite the bulb so that the numbers are facing you Roll the thermometer back and forth between your fingers until you see a silver reflection in the column

4ms Company Tapographic Delay用户手册说明书

4ms Company Tapographic Delay用户手册说明书

Tapographic D elayfrom4ms C ompany a nd M atthias P uechUser M anual1.0–N ovember3,2017for f irmware v1.0Table o f C ontentsIntroduction3 B ackground4 W hat’s a m ulti-tap d elay?4 W hat’s a t apography?6 Installation6 G etting s tarted:Y our f irst T D p atch7Create a n ew T apography7 Editing y our T apography8 Saving y our W ork8 Explore t he K nobs8 Explore t he S witches8 Explore t he B uttons9 Sequencer M ode9 Controls9 Signal p ath12 Editing t apographies13 Entering T aps13 ADD/OFF/INS S witch13 RES/AMP/LPF S witch14 Upper B utton R ow14 Settings M enu14 Navigating t apographies16 Loading a t apography16 Saving a t apography16 S equencer m ode17 Advanced f eatures17 Velocity n ormalization j umper17 F irmware u pdate18 C alibration19 F actory t apographies19Banks A-D19 R eset a b ank t o f actory d efault21 Acknowledgments21IntroductionThe T apographic D elay i s a c omplex m ulti-tap d elay i n t he E urorack f ormat w ith a u nique interface d esigned f or l ive p erformance.I t e xcels a t t ransforming t he s implest a udio(a drone,a p ercussive s ound)i nto c omplex r hythmic s tructures,m eshes o f o rganic t extures, lush h armonic m ille-feuilles,l iquid a nd r esonant e ffects…p lus e verything w e h ave n ot explored y et!Have y ou e ver g ot t ired o f t he m onotonous r epetitions t hat y our s tandard d elaypedal/module p roduced?H ave y ou e ver w ished f or a m ore c omplex r hythmic s tructure t han just d ecaying r epetition?I f y es,y ou h ave c ome t o t he r ight p lace:t he T apographic D elay i s an a dvanced e ffect t hat l ets y ou h andle r epetition i n a x c ompletely n ovel w ay.I t i s i n a w ay to a t raditional d elay w hat a f ull r hythmic s equencer(with p attern r ecall,v elocity c ontrol, tactile i nput)i s t o a s imple c lock.W ith t he T D,y ou i nteractively d efine t he r hythm t hat t he repetitions w ill f ollow:a v elocity-sensitive s ensor a llows y ou t o r ecord,e dit,m odify,a nd sequence y our o wn a rrangements o f d elays.I n a s ense,t he T D i s t he c onverse o f t he classic F rippertronics s ound-on-sound s etup p opularized b y R obert F ripp i n t he70’s:y ou don't p lay t he g uitar,y ou p lay t he t ape l oop!The T apographic D elay i s a n e xpressive e xperimental i nstrument m eant t o b e p layed i n real-time,r ather t han a s et-and-forget e nd-of-chain e ffect.I nteract w ith i t!E xperiment!P ush it t o i ts l imits!●Velocity-sensitive f orce s ensor t o t ap t he d elay c onfigurations(t apographies)●Up t o32t aps,e ach w ith i ts o wn d elay t ime,a mplitude/filter a nd p anning●Low-pass f ilter o r r esonant(pingable)b and-pass f ilter o n e ach t ap●Morphing b etween d elay c onfigurations,w ith a djustable m orph t ime●Two d ifferent f eedback p aths:a R epeat t oggle a nd a F eedback k nob●Save a nd r ecall u p t o24d elay c onfigurations(4b anks o f6s lots e ach)●Tapography s equencer w ith f orward,r andom w alk o r r andom d irections●Synchronization t o a n e xternal c lock,w ith c lock d ivider/multiplier●Gate o utput t hat p lays t he c urrent r hythm o f d elays●Maximum d elay t ime o f174s econds(almost3m inutes)●16b its/48kHz w ith32b its f loating-point i nternal p rocessing,1.3ms s oftware l atency●Mono-in,s tereo-out o peration●18HP E urorack m odule●Current c onsumption:125mA o f+12V;32mA o f-12V.(10-to-16pin c able i ncluded)●0.98"(25mm)m aximum d epth w ith p ower c able●Dry f requency r esponse:20Hz-5kHz:+/-0.1dB.@10kHz:-2.3dB.@20kHz:-7.8dB●Audio i nputs m ax22Vpp.A udio o utputs s oft-limit a t m ax17Vpp●Trigger/clock i nputs:+2V m inimum,+12V m aximum●Gate(trigger)o utput:+8V,4ms p ulse w idthB ackgroundW hat’s a m ulti-tap d elay?The b est w ay t o u nderstand t he c oncepts u nderlying t he T apographic D elay i s t o r emember the e xperimentations w ith r eel-to-reel t ape d ecks.I magine a s etup w ith t wo t ape r ecorders and a s trip o f t ape g oing f rom o ne t o t he o ther.T he f irst t ape r ecorder i s s et t o r ecord y our input a udio c ontinuously;t he s econd i s s et t o p lay w hat’s o n t he t ape t o y our s peakers.A s the t ape p asses t hrough t he w rite-head a nd t hen r ead-head o f t he t wo m achines,a d elay i s introduced b etween i nput a nd o utput:a p articular s ignal w ill a ppear a t t he o utput o f t he system s ome t ime a fter i t w ent i nto t he s ystem.T his d elay i s p roportional t o t he d istance between t he t wo m achines(and t he t ape s peed,w hich w e c onsider c onstant h ere).I f y ou use a m ixer t o s um t he“dry”i nput a nd t he“wet”o utput,y ou w ill h ear a r epetition:t he original s ignal,t hen i ts d elayed c opy s ome t ime a fter.Figure1:C lassic d elay s ystemIf n ow y ou r einject t he o utput o f t he s ystem b ack i nto i ts i nput,m aterial w ill b e p layed b ack, then r ewritten o n t ape,t hen p layed b ack a gain,a nd s o o n…I t w ill r epeat a t r egular i ntervals indefinitely,u ntil i t d ies o ut d ue t o s ignal a ttenuation a nd/or d istortion.T his i s f eedback.This s ituation a nd i ts t wo c ontrols,f eedback a mount a nd d ry/wet,d escribe t he w orkings o f typical d elays,w hether t hey u se a ctual a nalog t ape o r m emory c hips.Now,l et’s m ake t he t opology a b it m ore c omplicated b y i ntroducing m ore t han o ne r ead head o n t he p ath o f t he t ape.E ach o f t hese r ead h eads i s c alled a t ap:i t i s w here y ou t apinto t he t ape s ignal.O ur t raditional d elay c onfiguration a bove i s j ust t he p articular c ase o f a 1-tap d elay(one r ead h ead);b ut i f y ou p lace n t aps,a nd s um t hem a ll t ogether w ith t he input,y ou w ill n ow h ear n+1r epetitions(the d ry s ignal,t hen t he n r epetitions).Figure2:C lassic m ulti-tap d elayMore i nterestingly,t he i nterval b etween e ach r epetition w ill v ary w ith t he d istance b etween each r ead h ead(tap)o n t he t ape!E ven m ore i nterestingly,i f y ou n ow f eed t he s um o f a ll taps b ack i nto t he i nput,t he“rhythm”g ets m ore a nd m ore c omplex a s t ime p asses.F or instance,w ith t wo t aps p laced a t1a nd1.618s econds f rom t he w rite h ead,w e g et t his:A m ulti-tap d elay i s t herefore c onceptually a s mall s tep f rom t he u sual s ingle-tap d elay,b ut can g ive m ore c omplex s onic r esults,d epending o n t he r elative d elay t imes(distances)o f the t aps,t heir a mplitudes,t he a mount o f f eedback,t he m odulation o f t he d elay t imes…Since m ulti-tap d elays a re a bout t iming a nd r hythm,w hy n ot l et y ou e nter t hese p arameters yourself,b y t apping t he r hythmic p attern o n a s ensor.W elcome t o a w orld o f t apographies! W hat’s a t apography?It’s a w ord w e i nvented.A t apography i s t he p articular c onfiguration o f a m ulti-tap d elay including t he t iming a nd t he r elative i ntensity o f e ach t ap.A s ignals e ngineer w ould probably c all i t a n i mpulse r esponse(like o n a c onvolution r everb,o nly d iscrete),b ut a tapography c ontains a b it m ore i nformation.P recisely,a t apography i s a c ollection o f t aps, where e ach t ap h as t he f ollowing i nformation:●Time,i.e.t he d istance i n s econds s eparating i t f rom t he w rite h ead●Velocity(intensity)●A p arameter t he v elocity i s m apped t o(amplitude,l ow-pass c utoff,o r b and-passfrequency)●Panning i n t he s tereo f ieldThe T apographic D elay a llows y ou t o r ecord,e dit,s equence,s ave a nd r ecall t hese tapographies,a nd o f c ourse,h ear t hem i n a ction.Installation1.Remove t he T apographic D elay(TD)f rom t he b ox a nd a nti-static b ag.T he R AM c hipon t he T D m ay b e d amaged b y s tatic e lectricity;t ake c are n ot t o t ouch t he c ircuitboard.2.Connect t he f ree e nd o f t he p ower c able t o a E urorack p owerheader o n y our p ower s upply d istribution s ystem,w ith t he r edstripe t owards t o t he-12V.T he o ther e nd o f t he p ower c able i sa10-pin c onnector w hich s hould a lready b e c onnected t o t heTD.T he r ed s tripe o n t he p ower c able s hould b e o rientedtowards t he b ottom o f t he m odule(the b ottom i s m arked b y awhite s tripe a nd t he w ord“POWER”).N ote:T he T D i sreverse-polarity p rotected,b ut i f a m odule i s i ncorrectlyconnected,i t c ould d amage s omething e lse o n t he p ower b us.3.Securely s crew t he T D t o t he r ails o f y our c ase.4.Power t he s ystem o n.Y ou w ill s ee a c olored a nimation o n t heupper b uttons.G etting s tarted:Y our f irst T D p atchCreate a n ew T apography1.For y our f irst p atch w ith t he T apographic D elay,p repare a s imple s ound s ource.A s hortmelodic s equence o f p ercussive s ound(envelope w ith v ery s hort a ttack a nd~0.5sexponential d ecay)i s a g ood c hoice.M ake s ure t o c lock i t r elatively s low,p erhaps o ne note e very t wo o r t hree s econds.N ow,p atch t his s ound s ource t o t he A udio I n o f t he TD a nd m onitor b oth A udio O ut j acks i n s tereo.2.Put t he c ontrols i n t hese d efault p ositions:●Level a t70%(adjust d ownward i f y ou h ear c lipping)●Time a t50%●Feedback a t0%●Modulation a t0%●Dry/Wet a t50%●Morph a t50%●Bottom l eft s witch f lipped u p t o A DD●Bottom r ight s witch f lipped c enter t o A MP3.Take a l ook a t t he t op r ow o f b uttons:i f m ost o f t he b uttons a re r ed,y ou a re i n S EQ(sequencer)m ode.W e’ll d iscuss S EQ m ode l ater,b ut f or n ow l et’s g o i nto E DIT m ode: hold b utton4(M ODE)a nd t hen p ress b utton5(E DIT).W hen t he t op r ow o f b uttons a re no l onger r ed,y ou’re r eady f or t he n ext s tep.4.Hold t he R epeat/Clear b utton f or0.5s ec t o c lear a ny e xisting t apography.Y ou s houldnow o nly h ear y our d ry i nput.5.Tap s everal t imes(say,5t imes)o n t he s ensor,i n a r hythm o f y our c hoosing.W atch a ndlisten c arefully t o w hat h appens.●On t he f irst t ap,t he r ed T ap L ED l ocated a bove t he s ensor l ights u p,i ndicating t hatthe m odule i s n ow r ecording a t apography.●Each s ubsequent t ap m akes t he r ow o f b uttons f lash i n w hite,i ndicating t hat a n ewtap h as b een e ntered.T he m ore b uttons l ight u p,t he s tronger i ts v elocity i s.●Each i nput s ound i s n ow r epeated,a ccording t o t he r hythm y ou t apped o n t hesensor.F or i nstance,i f y ou d id“tap...t aptap…t ap”o n t he s ensor a nd t he i nputaudio g oes“pling”,y ou w ill h ear“pling…p lingpling...p ling”.T he v elocity o f t he t aps determines t he v olume o f t he“plings”.Congratulations,y ou r ecorded y our f irst t apography!Editing y our T apographyYou c an c lear i t b y h olding d own t he R epeat/Clear b utton f or h alf a s econd,t hen r ecord a new o ne b y t apping s ome m ore o n t he s ensor(or v ia C V).Careful:if you forget to clear and tap the sensor once more,you will add a new tapto the existing tapography,only far,far away from the rhythm you first entered!Since then,maybe70seconds have elapsed so your resulting tapography will sound l ike:“tap…t aptap…t ap…[70s econds o f s ilence]…t ap”.If y ou e nter m ore t han t he m aximum o f32t aps,t he u pper r ow o f b uttons w ill s tart p ulsing purple i nstead o f w hite,i ndicating t hat o lder t aps a re s tarting t o d isappear t o m ake r oom f or the n ew o nes.If y ou m ade a m istake,y ou c an d elete t he l ast t ap e ntered b y p ressing t he D elete b utton.Notice t hat t he D elete b utton f lashes t o r eflect t he p attern y ou t apped i n.E ach t ime t he button f lashes,t he G ate O ut e mits a s hort t rigger.U se t his o utput t o t rigger e vents somewhere e lse i n y our s ystem.Saving y our W orkWhen y ou a re s atisfied w ith y our t apography,y ou c an s ave i t t o a n e mpty s lot.B ank D i s empty w hen t he m odule l eaves t he f actory.G o t o t his b ank b y h olding t he s econd b utton (marked B ANK)a nd q uickly p ressing t he s ixth b utton(marked D).N ow,s ave y our tapography i nto s lot1:h old B utton1u ntil i t b links r ed,r elease i t a nd q uickly p ress i t a gain to c onfirm.Y ou h ave s aved t he t apography!T he b utton l ights u p g reen t o i ndicate t hat t his first s lot i s l oaded.T o l oad a nother s lot,j ust p ress i ts c orresponding b utton.Explore t he K nobsNow,e xplore t he e ffect o f t he k nobs:T urn L evel u p a nd d own t o h ear h ow t he l evel o f t he input c hanges.N ow t urn T ime.T his k nob s cales t he d elay t imes o f a ll t he t aps,m aking y our whole t apography s horter o r l onger,m aintaining t he t ime r atios b etween t aps.T he p itch w ill shift t emporarily w henever t his k nob m oves,l ike o n a t ape d elay.F eedback f eeds t he s um of a ll t aps b ack i nto t he i nput.T urn t his k nob w ith c are:i t c an v ery e asily b loom t o v ery h igh levels a nd d amage y our e ars,o r w orse,y our s peakers.M odulation s ets t he a mplitude a nd frequency o f t he L FOs w hich m odulate e ach t ap t ime,i ndependently.T urn i t a ll t he w ay down t o d isable i t;n ow t urn i t s lowly u p a nd l isten f or b endy,w ow-and-flutter s ounds t hat increase i n a mplitude a nd d ecrease i n s peed a s y ou t urn i t u p.A s u sual,D ry/Wet c ontrols the m ix o f y our i nput a nd o utput s ignal.Each c hange i n t he a ctive t apography c an b e i nstant o r g radual.T he M orph k nob s ets t he time i t t akes f or a t ap t o f ade i n o r o ut w hen y ou i nsert/delete i t,o r w hen y ou l oad a n ew tapography.T ry t urning M orph u p a nd t hen p ress a b utton o n t he t op r ow t o s elect a n ew tapography.S ee h ow t he n ew t apography’s b utton f lashes g reen f or a w hile?T hat i ndicates you a re“morphing”f rom t he c urrent t apography t o t he n ew o ne.Explore t he S witchesThe t wo s witches a t t he b ottom o f t he f aceplate d etermine w hat h appens w hen e ach n ew tap i s e ntered.F or a d etailed d escription o f t hese,s ee t he E ntering t aps s ection b elow. Briefly,t he l eftmost s witch(A DD/OFF/INS)d etermines w hat h appens w hen y ou t ap t he sensor(or f ire a t rigger i nto t he T ap j ack).W hen i t’s s et t o A DD,m ore t ime i s a dded t o t he tapography.I n t he t ape m achine a nalogy,t his i s a kin t o s plicing m ore t ape t o t he e nd o f t he existing t ape.A DD m ode i s g reat f or c reating y our i nitial t apography,b ut i f y ou l eave t he switch s et h ere f or a w hile a nd t hen a dd m ore t aps,y ou’ll g et s ome v ery l ong s ilences. Often,o nce y ou’ve c reated a t apography y ou w ill w ant t o a dd m ore t aps i nside t he“tape loop”w ithout e xtending t he t ime(or a dding“more t ape”).T o d o t hat,f lip t he s witch t o I NS. In t his m ode,n ew t aps a re I NS e rted I NS i de t he t apography,w ithout m aking t he t apography longer.T he c enter p osition,O FF,s imply d isables t he s ensor a nd t he T ap t rigger j ack:n o new t aps c an b e a dded.The r ightmost s witch(R ES/AMP/LPF)s elects w hat k ind o f t ap i s i nserted.R ES m eans t he tap i s r un t hrough a r esonant b and-pass f ilter w ith t he v elocity c ontrolling t he f requency. LPF m eans t he t ap i s r un t hrough a l ow-pass f ilter,w ith t he v elocity c ontrolling t he c ut-off. AMP m eans t he t ap i s a ttenuated b ased o n t he v elocity.T ry a dding d ifferent t ypes o f t apsto a t apography.K eep i n m ind,t he V EL s etting i n t he m enu c hanges h ow t he v elocity o f your t aps c hanges t he f ilters:t ry d ifferent v alues a s y ou e xperiment(see S ettings M enu). Explore t he B uttonsRepeat w ill m ake t he i nput r epeat i ndefinitely,a ccumulating o n t op o f o lder m aterial.T urn i t on a nd l isten h ow i nput m aterial b uilds u p q uickly!H old t he D elete/Sync b utton f or a second,i t w ill t urn r ed t o i ndicate S ync m ode.I n t his m ode,t he t otal l ength o f t he tapography(from t he f irst t o t he l ast t ap)i s s caled t o t he c lock i nput i n E xt C lock.T ry t his out:p atch y our m aster c lock t o t he E xt C lock j ack,a nd e nter a r hythmic t apography(one where t ap t imes a re a ll m ultiples o f a c ommon t empo).N ow e nable S ync a nd l isten h ow t he tapography s yncs;T ime t hen b ecomes a m ultiplier/divider f or t his c lock.Sequencer M odeRemember w hen w e c hecked t o m ake s ure w e w eren’t i n S EQ m ode a t t he b eginning o f this t utorial?L et’s e xplore w hat S EQ m ode i s.O n t he t op r ow o f b uttons,h old d own t he4th button(M ODE)a nd p ress t he6th b utton(S EQ)s hortly.R elease t he b uttons a nd y ou’ll e nter Sequencer m ode.Y ou k now y ou’re i n s equencer m ode b ecause t he t op l ights h ave a r ed “background”.I n t his m ode,t apping t he s ensor w ill n ot e nter n ew t aps;i nstead i t w ill s elect the n ext t apography s aved i n t he c urrent b ank.N otice t hat t he p osition o f M orph i s honored,a s w ell a s t he v elocity o f y our t aps:t he s tronger y ou t ap o n t he s ensor,t he f aster the m orphing w ill b e b etween s lots.T he l eftmost s witch a lso c hanges m eaning i n t his mode,a nd d etermines t he d irection o f t his s equencer:O FF m eans f orward,I NS m eans random w alk,a nd A DD m eans r andom.T o e xit S equencer m ore,h old t he4th b utton(M ODE)a nd p ress t he5th b utton(E DIT).ControlsTap B uttons1t o6:l oad a nd s ave t apographies(see N avigating t apographies);d isplay a nd m odifythe s ettings(see T he S ettings M enu).Level k nob:s ets t he l evel o f t he s ignal g oing i nto t he d elay(does n ot i ncludethe d ry p ath,o nly t he w et p ath).F rom0%(no s ignal g oing i nto t he d elay)t o300%a mplification.Time k nob:s cales a ll t he t ap t imes i n t he c urrent t apography b y a f actor f romabout0.1t o a bout4(middle p osition i s1).I t e ffectively c ompresses o rexpands t he c urrent t apography i n t ime.W hile t he k nob i s m oving,p itchshifting w ill o ccur.T his f actor a lso a ffects w here n ewly e ntered t aps w ill b eplaced,a nd i t a lso a ffects t he v isual a nd g ate o utput.W hen S ync i s e ngaged,Time s elects t he m ultiplication/division o f t he i ncoming c lock o n E xt C lock.The d ivisions/multiplications a vailable a re:1/8,1/7,1/6,1/5,1/4,1/3,1/2,1,2,3,4,5,6,7,8,16.T he m iddle p osition c orresponds t o1(nodivision/multiplication o f t he i nput c lock).Feedback k nob: A mount o f t he s um o f a ll t aps t hat i s i njected b ack i nto t heinput. F rom 0% t o 120%. C areful: i n s ome s ettings, t he e ffect o f t his k nob can b e w ild .Modulation k nob: A mount a nd f requency o f t he i nternal L FOs m odulatingeach t ap t ime. E ach t ap h as a n i ndependent r andom L FO w hose s hape i s close t o a s ine w ave. W ith e nough m odulations, t he d elayed m aterial w ill b e pitched u p/down, j ust l ike w ow a nd f lutter o n a t ape r ecorder. F ullycounter-clockwise, f requency i s h igh (around 50Hz) b ut t he a mount o f modulation i s s o s mall t hat t here i s n o e ffect. F ully c lockwise, a mount i smaximum (+/- 0.5 s ec) b ut f requency i s s o s mall t hat t he L FOs a re s talled o n a p articular p osition. P ositions i n b etween m inimum a nd m aximum g ive intermediate a mplitudes a nd f requencies f or t he L FOs. T ip: A dding a b it o f modulation c an h elp a void h arsh b uildups w hen u sing F eedback.Dry/Wet k nob: c rossfades b etween t he u naffected i nput s ignal a nd t he s um of a ll t aps.Morph k nob: a mount o f t ime i t t akes t o t ransition f rom o ne t apographyconfiguration t o t he n ext, f rom 0 s econds t o a bout 12 s econds. A ny t ime t he tapography c hanges, M orph d ictates t he t ransition t ime. T his i ncludes a dding a t ap, r emoving a t ap, c learing t he e ntire t apography, e n/disabling R epeat, and r ecalling a t apography f rom a m emory s lot.Time, F eedback, M odulation, D ry/Wet C VBipolar C V i nputs f or t he r espective p arameters (-5V t o 5V). S ending a positive v oltage a dds t o t he k nob’s v alue; s ending a n egative v oltagesubtracts f rom t he k nob’s v alue. Gate O ut : e mits a t rigger p attern i n a l oop, a ccording t o t he c urrenttapography a nd t he c urrent T ime s etting. C an b e u sed t o t urn t he T D i nto a recordable t rigger s equencer. T riggers a re +8V, w ith 4 m illisecond p ulse w idth.Audio O ut 1 & 2: s tereo a udio o utputs. B y d efault, t aps a re a ssignedalternatively t o e ach o utput. S ee P anning S etting f or m ore d etails. I n some p anning s ettings, A udio O ut 1 i s c onsidered t he m ain o utputfor m ono u se.Audio I n (audio i nput). A ccepts f ull r ange o f m odular l evel s ignals (+/-11V)Repeat j ack(trigger i nput):t oggles t he c urrent s etting o f t he R epeat b uttonwhen a t rigger i s r eceived o n t his j ack.Tap/Next(trigger i nput):w hen a t rigger i s r eceived,h as t he s ame e ffect a s tapping t he s ensor w ith a v elocity r ead f rom t he V elocity C V j ack.I n S EQ (sequencer)m ode,i t i nitiates a t ransition t o t he n ext t apography s lot.Tap L ED:l ights u p w hen a t apography i s b eing r ecorded(i.e.w hen t he i nternalstopwatch i s r olling,s ee E ntering t aps b elow);i t i s o ff w hen t he s topwatch h as stopped.T he L ED f lashes w hen t he s topwatch r esets/loops.Velocity/Morph(CV i nput):t he v oltage o n t his i nput i s s ampled e very t ime atrigger i s r eceived o n t he T ap j ack.V alid r ange i s0V t o+8V.W hen u sed t o s et cutoff f requency o f t aps(R ES o r L PF s etting),t his i nput t racks1V/Oct o n a f ew octaves.I n S EQ m ode,t his c ontrols t he M orph a mount w hen a t rigger appears o n t he T ap/Next j ack.H igher v oltage=s lower t ransition.Ext C lock(clock i nput):W hen S ync i s e ngaged,t he c urrent t apography’slength w ill b e s ynced t o t he c lock i nput,m ultiplied o r d ivided b y a f actor s et b y the T ime k nob.ADD/OFF/INS s witch:s elects w here n ewly e ntered t aps w ill b e i nserted i nthe c urrent t apography.A DD m eans a fter t he c urrent t apography,I NS m eans inside i ts b ounds,O FF m eans t hat i t w ill n ot b e i nserted(useful t o i nhibitrecording,e.g.d uring p erformance o r t o d isable t he T ap j ack).S ee t heEntering t aps s ection f or m ore d etails.Repeat/Clear b utton:s hort p ress t oggles R epeat.W hen e nabled,a n additional t ap a t t he v ery e nd o f t he t apography i s f ed b ack i nto t he i nput a t unity g ain,e ffectively r epeating t he a udio i ndefinitely.T he l oop s ize i s f ixed when R epeat i s a ctivated a nd w ill n ot b e s caled w ith t he T ime k nob.H olding this b utton d own f or h alf a s econd c lears t he c urrent t apography b y d eleting a ll taps a t o nce(W arning:t here i s n o u ndo!).B oth f unctions a re s ubject t o M orph: taps w ill f ade i n/out i n a t ime d etermined b y t he M orph k nob.Tap s ensor:t he f orce-sensing r esistor(FSR)t hat r ecords t he v elocity-sensitive tap i nformation.U sed f or e ntering t aps a nd a dvancing t he s equencer.Delete/Sync b utton:s hort p ress d eletes t he l ast e ntered t ap(subject t oMorph t ime);l ong p ress t oggles S ync.T he b utton f lashes w hite e ach t ime a trigger i s e mitted t o G ate O ut;l ights u p r ed w hen S ync i s e ngaged.RES/AMP/LPF s witch:s elects h ow n ewly e ntered t aps w ill b e a ffected b y t heirvelocity.R ES m eans t he t ap’s o utput w ill g o t hrough t he a r esonant b and-passfilter w ith t he v elocity m apped t o t he c enter f requency.A MP m eans t he t ap’svelocity i s m apped t o t he v olume.L PF m eans t he t ap’s o utput w ill g o t hrougha n on-resonant l ow p ass f ilter w ith t he v elocity m apped t o t he r oll-offfrequency.S ee E ntering t aps s ection f or m ore d etails.Signal p athThere a re t wo i ndependent f eedbackpaths:The R epeat f eedback p ath r e-injects t hetap w ith t he l ongest t ime b ack i nto t heinput o f t he d elay l ine.I t d oes t hiswithout a lteration,t hat i s,a t u nity g ainwith n o f iltering.I f t he t apography i s5seconds l ong a nd R epeat i s o n,t he i nputsignal5s econds a go i s c ontinually b eingre-injected i nto t he i nput.S incere-injection i s a t u nity g ain,t he s ignalnever w eakens.O ne u se f or t he R epeatfeature i s t o s end a o ne-shot s ound(perhaps a s ingle p ercussive s ound)i ntothe T D.W ith R epeat o n,t he o ne-shotsound w ill c ontinue t o l oop,a nd y ou c anplay w ith t he t apography w ithout h avingto f ire t he o ne-shot s ound a gain.The F eedback p ath r e-injects t he s um o fall t aps.T his m eans t heir d elay t imes a ndfiltering/amplitude e ffects w ill a ll b e f edback i nto t he s tart o f t he d elay l ine.I ftaps a re n ot“aligned”,i.e.i f t heir t ime a re not m ultiples o f a b ase t empo,t hen F eedback w ill g radually c reate m ore a nd m ore complex r epetitions,u ntil i t f ills t he s onic s pace w ith a s mooth“tail”.J ust l ike i n a r oom w ith a m icrophone a nd a P A,F eedback i s n ot s traightforward t o c ontrol:d epending o n t he number o f a ctive t aps,i t m ight b e t oo w eak t o b uild u p a nd q uickly d ilute i nto s ilence,o r too s trong a nd r apidly b uild u p h arsh t ones.W e d id o ur b est t o m ake t he r ange o f t he Feedback k nob a s u seful a s p ossible d epending o n t he n umber o f a ctive t aps.Note:A s oft s aturation i s a pplied t o t he o utput a nd t o t he f eedback p ath.T herefore,a s layers o f s ound a ccumulate,c lipping w ill b e a nalog-like a nd p leasant t o t he e ar.Editing t apographiesEntering T apsWhen y ou t ap o n t he s ensor(or i nput a t rigger),y ou a dd t aps o n t he d elay l ine s o t hat t he tap t imes m imic t he r hythm t hat y ou t ap.L et u s s ee h ow t his w orks i n a b it m ore d etail. Keep i n m ind t his s ection o nly a pplies t o E DIT m ode(see t he S ettings M enu s ection).When y ou f irst t ap t he s ensor a fter a C lear,t he r ed T ap L ED l ights u p t o i ndicate t hat t he TD i s r eady t o r ecord n ew t aps.T he v elocity o f t his f irst t ap i s n ot t aken i nto a ccount:i t j ust tells t he T D t o s tart r ecording.I magine t hat a s topwatch s tarts c ounting t ime w hen t he T ap LED l ights u p.E ach s ubsequent t ap o n t he s ensor w ill p lace a n ew t ap o n t he d elay l ine a t the t ime i ndicated b y t he i maginary s topwatch.ADD/OFF/INS S witchOnce t he T ap L ED i s o n,t he l eftmost s witch c ontrols w hat h appens w hen y ou a dd a t ap:●ADD m eans t hat n ew t aps a re a ppended t o t he e nd t he t apography.E ach t apyou a dd i n A DD m ode m akes t he t otal t ime o f t he t apography l onger.T heimaginary s topwatch s imply c ounts u pwards,i ndefinitely.Example:i f y ou t ap i n a f ew t aps i n A DD m ode,t hen w ait10s econds,t hen t aponce m ore,i t w ill a dd a n ew t ap10s econds a fter t he p revious o ne.A DD m odeis h ow y ou a dd t ime t o a t apography.T he m aximum t ime y our t apography c anbe i s a bout3m inutes.●INS m eans t hat n ew t aps a re i nserted i nside t he b oundaries o f t he c urrenttapography.T he t otal t ime l ength o f t he t apography w ill n ot c hange.W henyou’re i n I NS m ode,t he i maginary s topwatch c ounts f rom0t o t he l ast t ap,a ndthen l oops b ack t o0.N ew t aps w ill b e i nserted w herever t hey f all i n t his“loop”.The t op b uttons s hows t he t aps a nd c an h elp y ou v isualize w here t he n ew t apwill b e i nserted w hen y ou t ap t he s ensor.Example:l et’s s ay y ou a lready e ntered a f ew t aps f or a t otal o f3s econds i nADD m ode.I f y ou s witch t o I NS m ode a nd t ap a n ew t ap,i t w ill b e i nsertedsomewhere w ithin t hose3s econds.●OFF m eans t hat t apping t he s ensor a nd t he T ap j ack w ill h ave n o e ffect.T hiscan b e u sed t o p rotect a t apography f rom a ccidental t aps a nd u nwanted g ates.RES/AMP/LPF S witchWhen a dding a t ap,t he r ightmost s witch s ets w hat p arameter t he v elocity i s m apped t o. The V EL m enu s etting d etermines h ow m uch v elocity i s m apped(See S ettings M enu:V EL section).●AMP:T he t ap’s o utput i s a ttenuated b y a n a mount d etermined b y t he t ap’svelocity.●RES:T he t ap’s o utput p asses t hrough a r esonant b and-pass f ilter.T he v elocityof t he t ap i s m apped t o t he c enter f requency o f t he f ilter:t he s tronger y ou t ap,the h igher t he p itch.。

太阳射电频谱图的自动轮廓检测与信息提取

太阳射电频谱图的自动轮廓检测与信息提取

太阳射电频谱图的自动轮廓检测与信息提取张岩;颜毅华;谭程明;赵翠【摘要】Radio spectral fine structure is an important observation phenomenon in the dynamic frequency spectrogram of solar radio burst.The data are applied with 2.6~3.8 GHz spectrum analyzer at the Huairou observatory on 21, Aprial 2002.The contour of radio spectral fine structure is detected by Level set.The level set is improved, and the missing of detection is solved.And then, the original image is changed into the binary image.The drift rates of radio spectral fine structure can be counted.The drift rates are very important, which provide valuable evidences to understand solar radio burst.%射电精细结构是太阳爆发动态频谱图中一个重要的观测现象.为了达到更好提取精细结构轮廓,解读物理信息的目的.基于国家天文台怀柔观测站的2.6~3.8 GHZ频谱仪于2002年4月21日观测到的爆发现象,采用Level set方法并加以改进,对原始图像进行轮廓提取,克服了以往此方法中存在遗漏检测的问题.此外对图像进行循环检测,取得了良好地检测结果.此后又对图像进行二值化提取,得到了二值化精细结构图像.最终统计出精细结构漂移率这一重要物理信息,为更好的理解太阳爆发机制提供了依据.【期刊名称】《现代电子技术》【年(卷),期】2011(034)002【总页数】4页(P71-74)【关键词】射电精细结构;频谱图;Level set;二值化图像【作者】张岩;颜毅华;谭程明;赵翠【作者单位】中国科学院研究生院,北京,100049;中国科学院国家天文台,北京,100012;中国科学院太阳活动重点实验室,北京,100012;中国科学院国家天文台,北京,100012;中国科学院太阳活动重点实验室,北京,100012;中国科学院国家天文台,北京,100012;中国科学院太阳活动重点实验室,北京,100012;中国科学院研究生院,北京,100049;中国科学院国家天文台,北京,100012;中国科学院太阳活动重点实验室,北京,100012【正文语种】中文【中图分类】TN919-340 引言在无线电波段进行射电观测是研究太阳的一个十分重要的手段。

形状导数

形状导数

Image Segmentation Using Active Contours: Calculus of Variations or Shape Gradients? Author(s): Gilles Aubert, Michel Barlaud, Olivier Faugeras, Stéphanie Jehan-Besson Source: SIAM Journal on Applied Mathematics, Vol. 63, No. 6 (Aug. - Sep., 2003), pp. 2128-2154 Published by: Society for Industrial and Applied MathematicsStable URL: /stable/4096078Accessed: 02/06/2009 10:02Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use.Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at/action/showPublisher?publisherCode=siam.Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission.JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact support@.Society for Industrial and Applied Mathematics is collaborating with JSTOR to digitize, preserve and extendaccess to SIAM Journal on Applied Mathematics.。

LabView部分视觉函数中文解说

LabView部分视觉函数中文解说

IMAQ Learn Pattern 2 VI在匹配阶段创建您要搜索的图案匹配的模板图像的描述,此描述的数据被附加到输入模板图像中。

在匹配阶段,从模板图像中提取模板描述符并且用于从检查图像中搜索模板。

Image:是一个您要搜索模板图像的参考检查图像。

Learn Pattern Setup Data(学习模式设置数据):是一个字符串,包含从本控件或从高级控件(IMAQ Advanced Setup Learn Pattern 2 VI)获得的信息。

如果此引脚没有连接,在学习阶段VI使用默认参数。

Learn Mask(学习面膜):是一个可选的屏蔽图像,此图片必须是U8模式的图像。

在VI中只学习那些在源图像中相应掩模为零的像素,非零像素被忽略。

不要设置这个参数来学习整个图像。

Template Image Out:是一个参考的模板,此模板图像包含的数据定义在匹配阶段的模板模式IMAQ Setup Learn Pattern 2 VI设置学习阶段,图案匹配过程中使用的参数。

执行IMAQ Learn Pattern 2 VI之前执行此VI。

Learn Mode:学习模板时,使用此引脚指定的不变性模式。

All (0)(默认值)提取移位和旋转不变匹配的模板信息Shift Information (1)提取平移不变性匹配的信息。

Rotation Information (2)提取旋转不变匹配的信息。

Learn Pattern Setup Data(学习模式设置数据):是一个字符串,包含学习阶段设置参数选择的信息。

此输出连接到IMAQ Learn Pattern 2 VI或IMAQ Advanced Setup Learn Pattern 2 VIIMAQ Setup Match Pattern 2 VIIMAQ设定匹配模式2 VI设置图案匹配的匹配阶段所使用的参数。

执行此VI前IMAQ Match Pattern 2 VI 或IMAQ Refine Matches VI。

基于分数阶CV模型的木材缺陷图像分割算法

基于分数阶CV模型的木材缺陷图像分割算法

基于分数阶CV模型的木材缺陷图像分割算法程玉柱;蔡云飞【摘要】针对木材虫眼、死节、活节等缺陷,提出了一种可调分数阶CV模型木材缺陷图像分割算法.将RGB彩色图像用PCA灰度化,在GACV模型的基础上,对边缘检测项用CRONE模板作分数阶微分处理,并耦合区域检测项迭代求解水平集函数,得到收敛的目标轮廓曲线.试验结果表明,提出的算法边缘定位能力强,可扩展性好,性能优于CV模型,能很好地提取木材缺陷目标.【期刊名称】《林业机械与木工设备》【年(卷),期】2018(046)004【总页数】5页(P44-47,51)【关键词】分数阶;CV;PCA;木材缺陷图像;图像分割【作者】程玉柱;蔡云飞【作者单位】南京林业大学机械电子工程学院,江苏南京210037;南京林业大学机械电子工程学院,江苏南京210037【正文语种】中文【中图分类】TP391.41木材缺陷检测是木材加工的重要工序之一,实现木材缺陷的自动检测与定位是高质量木材加工的前提,其中的木材缺陷图像分割是该技术的难点之一。

木材缺陷种类较多,木材表面形态、颜色各有差异,纹理多样,噪声较多,这些都增加了图像识别与分割的难度,目前还没有一个统一的识别及分割算法[1-2]。

CV模型是Chan和Vese于2001年提出的一种无边缘几何活动轮廓模型,目前已广泛应用于航空、医学、农林等领域的图像分割[3]。

分数阶微积分是将传统的整数阶扩展到了任意的实数阶,具有记忆性、非局域性和较强的非线性描述能力,最近几年得到了许多学者的广泛关注,其在图像处理中也取得了一些研究成果[4-8]。

木材缺陷图像分割是木材缺陷检测的重要步骤,本文针对木材单板节子与虫眼等缺陷图像,提出了一种可调分数阶微分CV图像分割算法,实现缺陷目标提取。

实验结果表明,该算法有效,且性能优于传统的CV模型。

1 数学模型1.1 CV模型CV模型是由Chan 和Vese提出的基于Mumford-Shah模型的主动轮廓模型,根据定义CV模型的能量泛函式为:ECV(C,c1,c2)=α·length(C)│u-c1│2dx│u-c2│2dx,x∈Ω(1)式中:图像u,u:Ω⊂R2→R为输入图像;C为封闭曲线,其中α≥0,β≥0,γ1>0,γ2>0,是固定参数。

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force = mu * curvature .* gradient_m - nu – lambda1 * (image - c1).^2 + lambda2 * (image - c2).^2;
We should normalize the force. abs(force) <= 1!
Main step: Phi=Phi+deltaT*force; deltaT is recommended between 0.01 and 0.9. Be careful deltaT<1!
Finite differences
for all (x, y) fx(x, y) = (Phi(x+1, y)-Phi(x-1, y))/(2*delta_s); fy(x, y) =… fxx(x, y) =… fyy(x, y) =… fxy(x, y) =…
delta_s recommended between 0.1 and 1.0
Computing c1 and c2
• The mean intensity of the image pixels inside and outside
colors() out = find(Phi < 0); in = find(Phi > 0); c1 = sum(Img(in)) / size(in); c2 = sum(Img(out)) / size(out);
•Representation: type of the description •Optimization: solving the equations
Chan and Vese model
Representation/optimization
Contour based gradient descent
Introduction
• Active Contour (Snake Model)
– Kass, Witkin and Terzopoulos [Kas88]
– – – –
- tension - rigidity Eext – external energy Problem is: infxE
Introduction
• The curve is moving with an F speed:
• The geometric active contour, based on a mean curvature (length) motion:
F t
g u 0 d = (fx.^2.+fy.^2);
curvature = (fx.^2.*fyy + fy.^2.*fxx 2.*fx.*fy.*fxy) ./ (grad.^1.5);
Be careful! Grad can be 0!
Force
gradient_m = (fx.^2.+fy.^2).^0.5;
Narrow band
It is useful to compute the level set function not on the whole image domain but in a narrow band near to the contour. Abs()<d Decreasing the computational complexity.
in (C) x, y : ( x, y) 0
C x, y : ( x, y) 0
out (C) x, y : ( x, y) 0
Replacing C with Φ
• Introducing the Heaviside (sign) and Dirac (PSF) functions
• “Cartoon” model
F (u, C) L(C) u 0 u d
MS
2
\C
u d
2
Level set formulation
• Considering the disadvantages of the active contour representation the model is solved using level set formulation • level set form -> no explicit contour
2
u 0 ( x, y) c1 H(( x, y))dxdy
u
out ( C )
0
( x , y) c 2 dxdy
2
2
0
u
0
( x , y) c 2 dxdy
2
u 0 ( x , y) c 2 (1 H(( x, y))) dxdy
Average intensities
2 y
2 yy x
( )
2 x
2 3/ 2 y
x y
p0 m0 2s 0 p 0 m 2s
xx yy xy
p 0 m 0 200 s 2 0 p 0 m 200 s pp mp pm mm

u
0

(1 H((x, y)))dxdy
Level set formulation of the model
Combining the above presented energy terms we can write the Chan and Vese functional as a function of Φ. Minimization F wrt. Φ -> gradient descent
Relation with the MumfordShah functional
• The Chan and Vese model is a special case of the Mumford Shah model (minimal partition problem)
– =0 and 1=2= – u=average(u0 in/out) – C is the CV active contour
Initialization
• We set the values of the level set function
– outside = -1 – inside = 1
• Any shape can be the initialization shape
init() for all (x, y) in Phi if (x, y) is inside Phi(x, y)=1; else Phi(x, y)=-1; fi; end for
inf F (u ) f ( x, u ( x), u ( x)) dx, u V
– In the case f:, f’=0 gives the extremum(s) – In the case of functionals similary F’=0, where F’=(F/u) is the first variation. – Most of the cases the solution is analyticly hard, in these cases we use gradient descent to optimise.
– Positive on homogeneous regions – Near zero on the sharp edges
g u 0
1 1 G u 0
p
Intoduction
• Level Set methods
– S.Osher and J. Sethian [Set89] – Embed the contour into a higher dimensional space
• We can calculate the average intensities using the step function
c1 ()

u
0
( x , y)H(( x , y))dxdy

H((x, y))dxdy
( x, y)(1 H(( x , y))) dxdy
c 2 ()
in ( C )
u 0 ( x, y) c1 dxdy 2
2
out ( C )
u 0 ( x, y) c 2 dxdy
2
• The minimization problem:
c1 ,c 2 ,C
inf Fc1 , c 2 , C
Chan and Vese model
• c1 and c2 are the average intensity levels inside and outside of the contour • Experiments:
L 0 x, y x, y dxdy

A 0 Hx, y dxdy

Replacing C with Φ
• The intensity terms
u
in ( C )
0
( x, y) c1 dxdy
2
2
0
u
0
( x, y) c1 dxdy
+Automatically handles the topological changes - Slower evaluation • (., t) level set function • Implicit contour (=0) • The contour is evolved implicitly by moving the surface
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