莎士比亚十四行诗Sonnet
莎士比亚sonnet及其翻译
SONNET 106 十四行诗第106首 [英] 莎士比亚When in the chronicle of wasted time 我看到往昔年代的史书－I see descriptions of the fairest wights, 对风流人物的详尽绘述，And beauty making beautiful old rhyme 美艳成就了古老的诗赋－In praise of ladies dead, and lovely knights, 赞翩翩骑士和绝代尤物；Then in the blazon of sweet beauty's best, 那么，这些对绝色的夸耀， Of hand, of foot, of lip, of eye, of brow, 手足与朱唇、靓眸与眉毛，I see their antique pen would have express'd 依稀这表述之古风笔调－Even such a beauty as you master now. 宛然你而今的潇洒风貌。
So all their praises are but prophecies 故所有的赞词，仅在预示－Of this our time, all you prefiguring; 预述你的一切，且系此时；And, for they look'd but with divining eyes, 而他们只是以慧眼瞩视，They had not skill enough your worth to sing: 却无力去歌颂你的价值。
For we, which now behold these present days, 而我们，见到了当今时代，Have eyes to wonder, but lack tongues to praise. 不由惊艳失语，目瞪口呆。
－by William Shakespeare (1564－1616)附1］：卞之琳译本－过往世代的记载里常常见到前人把最俊俏人物描摹尽致，美貌如何使古老的诗句也美妙，配得上歌颂美女和风流骑士，看人家夸赞美貌是怎样的无比，什么手，什么脚，什么嘴，什么眼，什么眉，我总是看出来他们古雅的手笔差不多恰好表现了你的秀美。
莎士比亚十四行诗最好的翻译版本
莎士比亚十四行诗最好的翻译版本
莎士比亚的十四行诗在英语中的原始形式，即抑扬格（iambic pentameter），给了他的诗歌独特的节奏和韵律。
因此，为了保持其韵律和诗意，在翻译莎士比亚的十四行诗时，译者经常采用相似的节奏和韵律。
以下是莎士比亚十四行诗“Shall I compare thee to a summer's day?”（Sonnet 18）的一种常见翻译版本，由齐赛尔（Géza Tholkosich）完成：
我将你同夏日相比较，夏日更凉爽、更和顺;
但你歌颂的夏天会凋谢，永生却成了你的基础，
有时瞬息即逝的金光会变暗，时间的石穿越花园
冲走了坚固的山峰，只有美丽的种子可以长存。
从往昔的死亡中你已转生，得以重生、常年盛世，
受到艰辛岁月的磨砺，常显得美丽自信勇敢
只要那甜美芬芳永存，你也将保持青春美丽。
但随岁月的流逝，你将继续成长，直至永远不死。
这首诗表达了对传统美丽的赞美，并将其与人类的衰老和死亡形成鲜明对比。
尽管人类会衰老和死去，但美丽的艺术作品可以永远存留，永远保持新鲜和美丽。
尽管这只是其中一种译文选择，但它保留了原始诗歌的节奏和韵律，并尝试在目标语言中传达莎士比亚的意义和表达方式。
对于莎士比亚的诗歌翻译，不同的译者可能会采用不同的翻译策略和风格，所以有很多版本可供选择，每个人都会有自己喜欢的版本。
莎士比亚十四行诗第十八首
莎士比亚十四行诗第十八首Sonnet 18 铁冰译文1 Shall I compare thee to a summer's day 我该不该把你比作怡人的夏天？2 Thou art more lovely and more temperate: 你却比她更加可爱更加温情。
3 Rough winds do shake the darling buds of May, 五月的娇蕊总是被狂风吹断，4 And summer's lease hath all too short a date: 夏天也只是一道短暂的美景。
5 Sometime too hot the eye of heaven shines, 苍穹的目光有时会过于灼热，6 And often is his gold complexion dimm'd; 那金色的脸庞也常黯淡无光。
7 And every fair from fair sometime declines, 人间一切瑰丽终将失去秀色，8 By chance, or nature's changing course, untrimm'd; 湮没于不测风云和世事沧桑。
9 But thy eternal summer shall not fade, 但是，你常青的夏季永不消逝，10 Nor lose possession of that fair thou owest; 你拥有的美丽也将永不折损，11 Nor shall Death brag thou wander'st in his shade, 或许死神的阴影会笼罩着你，12 When in eternal lines to time thou growest; 你却和这不朽的诗句千古长存。
13 So long as men can breathe, or eyes can see, 只要人类还在呼吸、眼睛还在欣赏，14 So long lives this, and this gives life to thee. 我的诗就会活着，令你生命绽放。
莎士比亚第十八首十四行诗
莎士比亚的第十八首十四行诗是一首非常著名的诗，也是他最为人们熟知的一首。
这首诗的主题是爱与时间，诗人用简洁而富有感情的语言表达了对爱和时间的思考。
以下是对这首诗的分析：
诗的开头，“Sonnet 18”指的是这首诗是一首十四行诗，这是莎士比亚写的一组共154首的十四行诗中的第18首。
“Rough winds do shake the darling buds of May”描述的是五月的花在狂风中摇曳的景象，这可以看作是对美丽但脆弱生命的象征。
“And summer's lease hath all too short a date”则提到了夏天的短暂，暗示时间的无情流逝。
“Sometimes too hot the eys of heaven shines”和“And often is his gold complexion dimmed”进一步描述了自然景观的变化，表达了时间的无情和生命的短暂。
然而，尽管诗中充满了对生命无常和时间流逝的描绘，但最后几行却表达了乐观和永恒的观点。
“But thy eternal summer shall not fade”和“Nor shall death barge his all-corrective shallop”暗示了即使在时间的长河中，爱可以永存。
总的来说，莎士比亚在这首诗中通过自然景观的变化和生命的短暂，表达了对时间无情流逝的哀叹和对生命无常的感慨。
然而，他又以乐观和充满希望的态度暗示了爱的永恒。
莎士比亚十四行诗有名的几首
莎士比亚十四行诗有名的几首莎士比亚创作了许多著名的十四行诗，其中几首包括：1.《十四行诗116》("Sonnet 116") - "Let me not to the marriage of true minds"2. 《十四行诗18》("Sonnet 18") - "Shall I compare thee to a summer's day?"3. 《十四行诗29》("Sonnet 29") - "When, in disgrace with fortune and men's eyes"4. 《十四行诗130》("Sonnet 130") - "My mistress' eyes are nothing like the sun"5. 《十四行诗73》("Sonnet 73") - "That time of year thou mayst in me behold"6. 《十四行诗79》("Sonnet 79") - "Whilst I alone did call upon thy aid"7. 《十四行诗138》("Sonnet 138") - "When my love swears that she is made of truth"8. 《十四行诗147》("Sonnet 147") - "My love is as a fever, longing still"9. 《十四行诗152》("Sonnet 152") - "In loving thee thou know'stI am forsworn"10. 《十四行诗154》("Sonnet 154") - "The little Love-god lying once asleep"。
莎士比亚十四行诗Sonnet18ppt
通过对爱情、生命和时间的思考，莎士比亚也引发了读者对社会价值观的反思，即人们应该如何看待和评价爱情、 生命和时间等基本问题。
05
Sonnet 18的表演和演绎
舞台表演
莎士比亚的Sonnet 18在舞台上通常由一位演员以诗歌朗诵的形式呈现， 通过声音的抑扬顿挫、节奏和情感表达来传达诗中的意境和情感。
03
Sonnet 18在世界文学史上占据着举足轻重的地位，为世界文 学的发展和繁荣做出了重要的贡献。
04
Sonnet 18的解读和启示
对爱情的思考
爱情是永恒的
Sonnet 18中，莎士比亚赞美了爱情超越时间、死亡和季节的力量，表达了爱情 永恒不变的主题。
爱情的复杂性和矛盾性
诗中通过对比春天和黑夜、白昼和死亡等对立的概念，展现了爱情的复杂性和矛 盾性，即爱情既美好又痛苦，既充满希望又充满失望。
情感和主题表达
情感
这首诗表达了诗人对美丽事物的深深眷恋，以及对时间无情流逝的无奈和哀怨。
主题表达
通过细腻的情感表达和深入的主题探讨，这首诗展现了莎士比亚对人性、生命 和美的深刻思考。
03
Sonnet 18的文学价值
在莎士比亚作品中的地位
莎士比亚十四行诗是英国文学史上的重要遗产， 而Sonnet 18是其中的杰作之一。
主题、结构和语言。
03
该诗对浪漫主义、现代主义和后现代主义等文学流派
都有一定的影响，为世界文学的发展做出了贡献。
在世界文学史上的地位
01
Sonnet 18在世界文学史上具有重要地位，被广泛认为是英语 文学中的经典之作。
02
该诗以其卓越的艺术价值和深邃的思想内涵，成为了世界各 地学者和读者研究和欣赏的对象。
莎士比亚sonnet106及其翻译
莎士比亚sonnet106及其翻译SONNET 106 十四行诗第106首[英] 莎士比亚When in the chronicle of wasted time 我看到往昔年代的史书－I see descriptions of the fairest wights, 对风流人物的详尽绘述，And beauty making beautiful old rhyme 美艳成就了古老的诗赋－In praise of ladies dead, and lovely knights, 赞翩翩骑士和绝代尤物；Then in the blazon of sweet beauty's best, 那么，这些对绝色的夸耀，Of hand, of foot, of lip, of eye, of brow, 手足与朱唇、靓眸与眉毛，I see their antique pen would have express'd 依稀这表述之古风笔调－Even such a beauty as you master now. 宛然你而今的潇洒风貌。
So all their praises are but prophecies 故所有的赞词，仅在预示－Of this our time, all you prefiguring; 预述你的一切，且系此时；And, for they look'd but with divining eyes, 而他们只是以慧眼瞩视，They had not skill enough your worth to sing: 却无力去歌颂你的价值。
For we, which now behold these present days, 而我们，见到了当今时代，Have eyes to wonder, but lack tongues to praise. 不由惊艳失语，目瞪口呆。
莎士比亚十四行诗原文译文探析
莎士比亚十四行诗原文译文探析莎士比亚（William Shakespeare）是英国文学史上的一位伟大的戏剧家和诗人，他的作品流传于世并对后世文学产生了深远的影响。
莎士比亚的十四行诗是他众多杰作中的一部分，他以其深刻的思想和优美的诗句赢得了世人的赞誉。
在这篇文章中，我们将对莎士比亚的十四行诗进行原文、译文以及探析。
我们先来看一首莎士比亚的十四行诗原文：Sonnet 18接下来是这首诗的译文：第18首十四行诗我是否应该把你比作夏日？你比夏日更可爱更温和：狂风摇曳着五月娇艳的花蕾，夏日的期限太短暂了：太阳有时候照得太热烈，有时候他那金色的容颜也黯淡无光；天生的美丽有时会减退，不管是偶然或是自然的变化所致；但是你那永恒的夏天绝不会褪色，也不会失去你拥有的那份美丽；死亡也不能夸耀说你属于他的阴影，当你那永恒的形象随时间而增长；只要有人们的呼吸或者眼睛还能看到，这首诗就将长存，这首诗给了你生命。
莎士比亚的十四行诗常常采用押韵的手法，并且以iambic pentameter的形式出现。
这首Sonnet 18即为莎士比亚的经典之作，通过比喻把描绘出了诗人对爱人的赞美之情。
诗的开篇即以修辞设问来呈现，作者在问自己是否应该将心上人比作夏日，然后通过下文的赞美，表达出对心上人更为深切的赞美之情。
他认为心上人的美丽胜过夏日，夏日虽然美丽，却不如心上人温和可爱。
由此，诗中呈现了作者对心上人的赞美之情。
在诗的后半部分，诗人使用了“永恒的夏天”来包含对心上人的赞美之语，不管是风吹雨打，都不会改变。
随后，诗人再以修辞手法呼唤死亡无法摧毁对心上人的赞美之情，并肯定了这份美丽将长存与时间，给了心上人永生。
通过以上对原文和译文的对比分析，我们不难发现莎士比亚的十四行诗所蕴含的深刻情感。
诗人通过对夏日和心上人的比较，抒发了对心上人深切的赞美之情，并以永恒的夏天来喻示继续深切的情感长存。
这首诗也正是莎士比亚情感抒发的一个缩影，其深情款款的语言和艺术手法让我们感受到了莎士比亚伟大的文学魅力。
十四行诗116-威廉·莎士比亚
Sonnet 116 by William Shakespeare⼗十四⾏行行诗116 威廉·莎⼠士⽐比亚Let me not to the marriage of true minds admit impediments. 会有任何障碍；爱算不不得真爱，Love is not love which alters when it alteration finds,若是⼀一看⻅见⼈人家改变便便转舵，Or bends with the remover to remove:或者⼀一看⻅见⼈人家转弯便便离开。
O no! it is an ever-fixed mark哦，决不不！爱是亘古⻓长明的塔灯，That looks on tempests and is never shaken;它定睛望着⻛风暴暴却⺎兀兀不不为动；It is the star to every wandering bark,爱⼜又是指引迷⾈舟的⼀一颗恒星，Whose worth's unknown, although his height be taken.你可量量它多⾼高，它所值却⽆无穷。
Love's not Time's fool,爱不不受时光的播弄弄，though rosy lips and cheeks within his bending sickle's compass come:尽管红颜和皓⻮齿难免遭受时光的毒⼿手；Love alters not with his brief hours and weeks,爱并不不因瞬息的改变⽽而改变，But bears it out even to the edge of doom.它巍然矗⽴立直到末⽇日的尽头。
If this be error and upon me proved,我这话若说错，并被证明不不确，I never writ, nor no man ever loved.就算我没写诗，也没⼈人真爱过。
莎士比亚十四行诗精选
莎士比亚的十四行诗是一组优美的抒情诗，共154 首，创作于1592 年至1598 年之间。
这些诗歌以爱情、友谊、时间和人生为主题，表达了诗人对生活的思考和感悟。
以下是一些精选的莎士比亚十四行诗：
1. "Sonnet 18"（第十八首十四行诗）：这首诗被认为是莎士比亚十四行诗中最著名的一首，它以生动的比喻和优美的语言赞美了爱人的美丽，表达了诗人对爱情的永恒追求。
2. "Sonnet 116"（第一百一十六首十四行诗）：这首诗探讨了爱情的真实和坚定，诗人认为真正的爱情不会因为时间、变化或逆境而动摇。
3. "Sonnet 29"（第二十九首十四行诗）：这首诗表达了诗人在面对人生困境时的自我反思和对未来的希望。
4. "Sonnet 73"（第七十三首十四行诗）：这首诗以人生的衰老和时间的流逝为主题，表达了诗人对时光荏苒的感慨和对生命的思考。
莎士比亚的十四行诗以其优美的语言、深刻的思想和情感表达而著称，对后世的诗歌创作产生了深远的影响。
这些诗歌不仅展示了诗人的文学才华，也反映了他对人生、爱情和友谊的独特见解。
第十四行诗130-威廉·莎士比亚
Sonnet 130 by William Shakespeare第⼗十四⾏行行诗130 威廉·莎⼠士⽐比亚My mistress' eyes are nothing like the sun; Coral is far more red than her lips' red;我情妇的眼睛⼀一点不不像太阳；珊瑚⽐比她的嘴唇还要红得多：If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head.雪若算⽩白，她的胸就暗褐⽆无光，发若是铁丝，她头上铁丝婆娑。
I have seen roses damask'd, red and white, but no such roses see I in her cheeks;我⻅见过红⽩白的玫瑰，轻纱⼀一般；她颊上却找不不到这样的玫瑰；And in some perfumes is there more delight than in the breath that from my mistress reeks.有许多芳⾹香⾮非常逗引⼈人喜欢，我情妇的呼吸并没有这⾹香味。
I love to hear her speak, yet well I know that music hath a far more pleasing sound;我爱听她谈话，可是我很清楚⾳音乐的悦⽿耳远胜于她的嗓⼦子；I grant I never saw a goddess go; My mistress, when she walks, treads on the ground:我承认从没有⻅见过⼥女女神⾛走路路，我情妇⾛走路路时候却脚踏实地：And yet, by heaven, I think my love as rare as any she belied with false compare.可是，我敢指天发誓，我的爱侣胜似任何被捧作天仙的美⼥女女。
SONNET莎士比亚十四行诗全文
SONNET #1by: William ShakespeareFROM fairest creatures we desire increase,That thereby beauty's rose might never die,But as the riper should by time decease,His tender heir might bear his memory;But thou, contracted to thine own bright eyes,Feed'st thy light's flame with self-substantial fuel,Making a famine where abundance lies,Thyself thy foe, to thy sweet self too cruel.Thout that are now the world's fresh ornamentAnd only herald to the gaudy spring,Within thine own bud buriest thy contentAnd, tender churl, mak'st waste in niggarding.Pity the world, or else this glutton be,To eat the world's due, by the grave and thee. SONNET #2by: William ShakespeareWHEN forty winters shall besiege thy browAnd dig deep trenches in thy beauty's field,Thy youth's proud livery, so gazed on now,Will be a tottered weed of small worth held:Then being asked where all thy beauty lies,Where all the treasure of thy lusty days,To say within thine own deep-sunken eyesWere an all-eating shame and thriftless praise.How much more prasie deserved thy beauty's useIf thou couldst answer, 'This fair child of mineShall sum my count and make my old excuse,'Proving his beauty by succession thine.This were to be new made when thou art oldAnd see thy blood warm when thou feel'st cold. SONNET #3by: William ShakespeareLOOK in thy glass, and tell the face thou viewestNow is the time that face should form another,Whose fresh repair if now thou renewest,Thou dost beguile the world, unbless some mother.For where is she so fair whose uneared wombDisdains the tillage of thy husbandry?Or who is he so fond will be the tombOf his self-love, to stop posterity?Thou art thy mother's glass, and she in theeCalls back the lovely April of her prime;So thou through windows of thine age shalt see,Despite of wrinkles, this thy golden time.But if thou live rememb'red not to be,Die single, and thine image dies with thee. SONNET #4by: William ShakespeareUNTHRIFTY loveliness, why dost thou spendUpon thyself they beauty's legacy?Nature's bequest gives nothing but doth lend,And, being frank, she lends to those are free.Then, beateous niggard, why dost thou abuseThe bounteous largess given thee to give?Profitless userer, why dost thou useSo great a sum of sums, yet canst not live?For, having traffic with thyself alone,Thou of thyself thy sweet self dost deceive:Then how, when Nature calls thee to be gone,What acceptable audit canst thou leave?Thy unused beauty must be tombed with thee,Which, usèd, lives th' executor to be.SONNET #5by: William ShakespeareTHOSE hours that with gentle work did frameThe lovely gaze where every eye doth dwellWill play the tyrants to the very sameAnd that unfair which fairly doth excel;For never-resting time leads summer onTo hideous winter and confounds him there,Sap checked with frost and lusty leaves quite gone,Beauty o'ersnowed and bareness everywhere.Then, were not summer's distillation leftA liquid prisoner pent in walls of glass,Beauty's effect with beauty were bereft,Nor it nor no remembrance what it was:But flowers distilled, though they with winter meet,Leese but there snow; their substance still lives sweet. SONNET #6by: William ShakespeareTHEN let not winter's ragged hand defaceIn thee thy summer ere thou be distilled:Make sweet some vial; treasure thou some placeWith beauty's treasure ere it be self-killed.That use is not forbidden usuryWhich happies those that pay the willing loan;That's for thyself to breed another thee,Or ten times happier be it ten for one.Ten times thyself were happier than thou art,If ten of thine ten times refigured thee:Then what could death do if thou shouldst depart,Leaving thee living in posterity?Be not self-willed, for thou art much too fairTo be death's conquest and make worms thine heir. SONNET #7by: William ShakespeareLO, in the orient when the gracious lightLifts up his burning head, each under eyeDoth homage to his new-appearing sight,Serving with looks his sacred majesty;And having climbed the steep-up heavenly hill,Resembling strong yough in his middle age,Yet mortal looks adore his beauty still,Attending on his golden pilgrimage;But when from highmost pitch, with weary car,Like feeble age he reeleth from the day,The eyes, fore duteous, now converted areFrom his low tract and look another way:So thou, thyself outgoing in thy noon,Unlooked on diest unless thou get a son. SONNET #8by: William ShakespeareMUSIC to hear, why hear'st thou music sadly?Sweets with sweets war not, joy delights in joy:Why lov'st thou that which thou receiv'st not gladly, Or else receiv'st with pleasure thine annoy?If the true concord of well-tunèd sounds,By unions married, do offend thine ear,They do but sweetly chide thee, who confoundsIn singleness the parts that thou shouldst bear.Mark how one string, sweet husband to another,Strikes each in each by mutual ordering;Resembling sire and child and happy mother,Who, all in one, one pleasing note do sing;Whose speechless song, being many, seeming one,Sings this to thee, 'Thou single wilt prove none.' SONNET #9by: William ShakespeareIS it for fear to wet a widow's eyeThat thou consum'st thyself in single life?Ah, if thou issueless shalt hap to die,The world will wail thee like a makeless wife;The world will be thy widow, and still weepThat thou no form of thee hast left behind,When every private widow well may keep,By children's eyes, her husband's shape in mind.Look what an unthrift in the world doth spendShifts but his place, for still the world enjoys it;But beauty's waste hath in the world an end,And, kept unused, the user so destroys it:No love toward others in that bosom sitsThan on himself such murd'rous shame commits SONNET #10by: William ShakespeareFOR shame, deny that thou bear'st love to anyWho for thyself art so unprovident:Grant, if thou wilt, thou art beloved of many,But that thou none lov'st is most evident;For thou art so possessed with murd'rous hateThat 'gainst thyself thou stick'st not to conspire,Seeking that beauteous roof to ruinateWhich to repair should be thy chief desire.O, change thy thought, that I may change my mind;Shall hate be fairer lodged than gentle love?Be as thy presence is, gracious and kind,Or to thyself at least kind-hearted prove:Make thee another self for love of me,That beauty still may live in thine or thee.SONNET #11by: William ShakespeareAS fast as thou shalt wane, so fast thou grow'stIn one of thine, from that which thou departest;And that fresh blood which youngly thou bestow'stThou mayst call thine when thou from youth convertest.Herein lives wisdom, beauty, and increase;Without this, folly, age, and cold decay.If all were minded so, the times should cease,And threescore year would make the world away.Let those whom Nature hath not made for store,Harsh, featureless, and rude, barrenly perish:Look whom she best endowed she gave the more,Which bounteous gift thou shouldst in bounty cherish.She carved thee for her seal, and meant therebyThou shouldst print more, not let that copy die. SONNET #12by: William ShakespeareWHEN I do count the clock that tells the timeAnd see the brave day sunk in hideous night,When I behold the violet past primeAnd sable curls all silvered o'er with white,When lofty trees I see barren of leaves,Which erst from heat did canopy the herd,And summer's green all girded up in sheavesBorne on the bier with white and bristly beard;Then of thy beauty do I question makeThat thou among the wastes of time must go,Since sweets and beauties do themselves forsakeAnd die as fast as they see others grow;And nothing 'gainst Time's scythe can make defense Save breed, to brave him when he takes thee hence. SONNET #13by: William ShakespeareO , THAT you were yourself, but, love, you areNo longer yours than you yourself here live:Against this coming end you should prepare,And your sweet semblance to some other give.So should that beauty which you hold in leaseFind no determination; then you wereYourself again after yourself's deceaseWhen your sweet issue your sweet form should bear.Who lets so fair a house fall to decay,Which husbandry in honor might upholdAgainst the stormy gusts of winter's dayAnd barren rage of death's eternal cold?O, none but unthrifts! Dear my love, you knowYou had a father -- let your son say so.SONNET #14by: William ShakespeareNOT from the stars do I my judgment pluck,And yet methinks I have astronomy;But not to tell of good or evil luck,Of plagues, of dearths, or season's quality;Nor can I fortune to brief minutes tell,Pointing to each his thunder, rain, and wind,Or say with princes if it shall go wellBy oft predict that I in heaven find;But from thine eyes my knowledge I derive,And, constant stars, in them I read such artAs truth and beauty shall together thriveIf from thyself to store thou wouldst convert:Or else of thee this I prognosticate,Thy end is truth's and beauty's doom and date. SONNET #15by: William ShakespeareWHEN I consider everything that growsHolds in perfection but a little moment,That this huge stage presenteth nought but showsWhereon the stars in secret influence comment;When I perceive that men as plants increase,Cheerèd and checked even by the selfsame sky,V aunt in their youthful sap, at height decrease,And wear their brave state out of memory:Then the conceit of this inconstant staySets you most rich in youth before my sight,Where wasteful Time debateth with DecayTo change your day of youth to sullied night;And, all in war with Time for love of you,As he takes from you, I ingraft you new.SONNET #16by: William ShakespeareBUT wherefore do not you a mightier wayMake war upon this bloody tyrant, Time?And fortify yourself in your decayWith means more blessèd than my barren rime?Now stand you on the top of happy hours,And many maiden gardens, yet unset,With virtuous wish would bear your living flowers,Much liker than your painted counterfeit:So should the lines of life that life repairWhich this time's pencil or my pupil pen,Neither in inward worth nor outward fairCan make you live yourself in eyes of men.To give away yourself keeps yourself still,And you must live, drawn by your own sweet skill."Sonnet #16" was originally published in Shake-speares Sonnets: Never before Imprinted (1609).SONNET #17by: William ShakespeareHO will believe my verse in time to comeIf it were filled with your most high deserts?Though yet, heaven knows, it is but as a tombWhich hides your life and shows not half your parts.If I could write the beauty of your eyesAnd in fresh numbers number all your graces,The age to come would say, 'This poet lies--Such heavenly touches ne'er touched earthly faces.'So should my papers, yellowed with their age,Be scorned, like old men of less truth than tongue,And your true rights be termed a poet's rageAnd stretchèd metre of an antique song.But were some child of yours alive that time,You should live twice--in it and in my rime."Sonnet #17" was originally published in Shake-speares Sonnets: Never before Imprinted (1609).SONNET #18by: William ShakespeareShall I compare thee to a summer's day?Thou art more lovely and more temperate.Rough winds do shake the darling buds of May,And summer's lease hath all too short a date.Sometime too hot the eye of heaven shines,And often is his gold complexion dimmed;And every fair from fair sometime declines,By chance, or nature's changing course, untrimmed:But thy eternal summer shall not fadeNor lose possession of that fair thou ow'st,Nor shall Death brag thou wand'rest in his shadeWhen in eternal lines to time thou grow'st.So long as men can breathe or eyes can see,So long lives this, and this gives life to thee."Sonnet #18" was originally published in Shake-speares Sonnets: Never before Imprinted (1609).SONNET #19by: William ShakespeareDevouring time, blunt thou the lion's paws,And make the earth devour her own sweet brood;Pluck the keen teeth from the fierce tiger's jaws,And burn the long-lived phoenix in her blood;Make glad and sorry seasons as they fleet'st,And do whate'er thou wilt, swift-footed Time,To the wide world and all her fading sweets,But I forbid thee one most heinous crime:O, carve not with thy hours my love's fair brow,Nor draw no lines there with thine antique pen;Him in thy course untainted do allowFor beauty's pattern to succeeding men.Yet do thy worst, old Time: despite thy wrong,My love shall in my verse ever live young."Sonnet #19" was originally published in Shake-speares Sonnets: Never before Imprinted (1609).SONNET #20by: William Shakespeare (1564-1616)WOMAN'S face, with Nature's own hand painted,Hast thou, the master-mistress of my passion;A woman's gentle heart, but not acquaintedWith shifting change, as is false women's fashion;An eye more bright than theirs, less false in rolling,Gilding the object whereupon it gazeth;A man in hue all hues in his controlling,Which steals men's eyes and women's souls amazeth.And for a woman wert thou first created,Till Nature as she wrought thee fell a-doting,And by addition me of thee defeatedBy adding one thing to my purpose nothing.But since she pricked thee out for women's pleasure,Mine be thy love, and thy love's use their treasure."Sonnet #20" was originally published in Shake-speares Sonnets: Never before Imprinted(1609).SONNET #21by: William Shakespeare (1564-1616)O is it not with me as with that MuseStirred by a painted beauty to his verse,Who heaven itself for ornament doth useAnd every fair with his fair doth rehearse;Making a couplement of proud compareWith sun and moon, with earth and sea's rich gems,With April's first-born flowers, and all things rareThat heaven's airs in this huge rondure hems.O let me, true in love, but truly write,And then believe me, my love is as fairAs any mother's child, though not so brightAs those gold candles fixed in heaven's air:Let them say more that like of hearsay well;I will not praise that purpose not to sell."Sonnet #21" was originally published in Shake-speares Sonnets: Never before Imprinted (1609).SONNET #22by: William Shakespeare (1564-1616)MY glass shall not persuade me I am oldSo long as youth and thou are of one date;But when in thee time's furrows I behold,Then look I death my days should expiate.For all that beauty that doth cover theeIs but the seemly raiment of my heart,Which in they breast doth live, as thine in me:How can I then be elder than thou art?O therefore, love, be of thyself so waryAs I, not for myself, but for thee will,Bearing thy heart, which I will keep so charyAs tender nurse her babe from faring ill.Presume not on thy heart when mine is slain;Thou gav'st me thine not to give back again."Sonnet #22" was originally published in Shake-speares Sonnets: Never before Imprinted (1609).SONNET #23by: William Shakespeare (1564-1616)AS an unperfect actor on the stage,Who with his fear is put besides his part,Or some fierce thing replete with too much rage,Whose strength's abundance weakens his own heart;So I, for fear of trust, forget to sayThe perfect ceremony of love's rite,And in mine own love's strength seem to decay,O'ercharged with burden of mine own love's might.O, let my books be then the eloquenceAnd dump presagers of my speaking breast,Who plead for love, and look for recompense,More than that tongue that more hath more expressed.O, learn to read what silent love hath writ:To hear with eyes belongs to love's fine wit."Sonnet #23" was originally published in Shake-speares Sonnets: Never before Imprinted (1609).SONNET #24by: William Shakespeare (1564-1616)MINE eye hath played the painter and hath stelledThy beauty's form in table of my heart;My body is the frame wherein 'tis held,And perspective it is best painter's art.For through the painter must you see his skillTo fine where your true image pictured lies,Which in my bosom's shop is hanging still,That hath his windows glazèd with thine eyes.Now see what good turns eyes for eyes have done:Mine eyes have drawn thy shape, and thine for meAre windows to my breast, wherethrough the sunDelights to peep, to gaze therein on thee.Yet eyes this cunning want to grace their art;They draw but what they see, know not the heart."Sonnet #24" was originally published in Shake-speares Sonnets: Never before Imprinted (1609).SONNET #25by: William Shakespeare (1564-1616)LET those who are in favor with their starsOf public honor and proud titles boast,Whilst I, whom fortune of such triumph bars,Unlooked for joy in that I honor most.Great princes' favorites their fair leaves spreadBut as the marigold at the sun's eye;And in themselves their pride lies burièd,For at a frown they in their glory die.The painful warrior famousèd for fight,After a thousand victories once foiled,Is from the book of honor rasèd quite,And all the rest forgot for which he toiled.Then happy I, that love and am belovedWhere I may not remove nor be removed."Sonnet #25" was originally published in Shake-speares Sonnets: Never before Imprinted (1609).SONNET #26by: William Shakespeare (1564-1616)LORD of my love, to whom in vassalageThy merit hath my duty strongly knit,To thee I send this written ambassageTo witness duty, not to show my wit;Duty so great, which wit so poor as mineMay make seem bare, in wanting words to show it,But that I hope some good coneit of thineIn thy soul's thought, all naked, will bestow it;Till whatsoever star that guides my movingPoints on me graciously with fair aspect,And puts apparel on my tottered lovingTo show me worthy of thy sweet respect:Then may I dare to boast how I do love thee;Till then not show my head where thou mayest prove me."Sonnet #26" was originally published in Shake-speares Sonnets: Never before Imprinted (1609).SONNET #27by: William Shakespeare (1564-1616)WEARY with toil, I haste to my bed,The dear repose for limbs with travel tired,But then begins a journey in my headTo work my mind when body's work's expired;For then my thoughts, from far where I abide,Intend a zealous pilgrimage to thee,And keep my drooping eyelids open wide,Looking on darkness which the blind do see;Save that my soul's imaginary sightPresents thy shadow to my sightless view,Which, like a jewel hung in ghastly night,Makes black night beauteous and her old face new.Lo, thus, by day my limbs, by night my mind,For thee and for myself no quiet find."Sonnet #27" was originally published in Shake-speares Sonnets: Never before Imprinted (1609).SONNET #28by: William Shakespeare (1564-1616)HOW can I then return in happy plightThat am debarred the benefit of rest,When day's oppression is not eased by night,And each, though enemies to either's reign,Do in consent shake hands to torture me,The one by toil, the other to complainHow far I toil, still farther off from thee?I tell the day, to please him, thou art brightAnd dost him grace when clouds do blot the heaven;So flatter I the swart-complexioned night,When sparkling stars twire not, thou gild'st the even.But day doth daily draw my sorrows longer,And night doth nightly make grief's strength seem stronger."Sonnet #28" was originally published in Shake-speares Sonnets: Never before Imprinted (1609).SONNET #29by: William Shakespeare (1564-1616)WHEN, in disgrace with Fortune and men's eyes,I all alone beweep my outcast state,And trouble deaf heaven with my bootless cries,And look upon myself and curse my fate,Wishing me like to one more rich in hope,Featured like him, like him with friend's possessed,Desiring this man's art, and that man's scope,With what I most enjoy contented least;Yet in these thoughts myself almost despising,Haply I think on thee, and then my state,Like to the lark at break of day arisingFrom sullen earth, sings hymns at heaven's gate;For thy sweet love rememb'red such wealth bringsThat then I scorn to change my state with kings."Sonnet #29" was originally published in Shake-speares Sonnets: Never before Imprinted (1609).SONNET #30by: William Shakespeare (1564-1616)WHEN to the sessions of sweet silent thoughtI summon up remembrance of things past,I sigh the lack of many a thought I sought,And with old woes new wail my dear time's waste:Then can I drown an eye, unused to flow,For precious friends hid in death's dateless night,And weep afresh love's long since cancelled woe,And moan th' expense of many a vanished sight.Then can I grieve at grievances foregone,And heavily from woe to woe tell o'erThe sad account of fore-bemoanèd moan,Which I new pay as if not paid before.But if the while I think on thee, dear friend,All losses are restored and sorrows end."Sonnet #30" was originally published in Shake-speares Sonnets: Never before Imprinted (1609).SONNET #31by: William Shakespeare (1564-1616)THY bosom is endearèd with all heartsWhich I by lacking have supposèd dead;And their reigns love, and all love's loving parts,And all those friends which I thought burièd.How many a holy and obsequious tearHath dear religious love stol'n from mine eye,As interest of the dead, which now appearBut things removed that hidden in thee lie!Thou art the grave where buried love doth live,Hung with the trophies of my lovers gone,Who all their parts of me to thee did give;That due of many now is thine alone.Their images I loved I vew in thee,And thou, all they, hast all the all of me."Sonnet #31" was originally published in Shake-speares Sonnets: Never before Imprinted (1609).SONNET #32by: William Shakespeare (1564-1616)IF thou survive my well-contented dayWhen that churl Death my bones with dust shall cover,And shalt by fortune once more resurveyThese poor rude lines of thy deceasèd lover,Compare them with the bett-ring of the time,And though they be outstripped by every pen,Reserve them for my love, not for their rime,Exceeded by the height of happier men.O, then vouchsafe me but this loving thought:'Had my friend's Muse grown with this growing age,A dearer birth than this his love had broughtTo march in ranks of better equipage;But since he died, and poets better prove,Theirs for their style I'll read, his for his love.'。
外国诗人的爱情诗
外国诗人的爱情诗
爱情是世界各国诗人创作灵感的永恒主题之一。
以下是一些外国诗人的著名爱情诗：
1.威廉·莎士比亚（William Shakespeare）：
《十四行诗》（Sonnet 18）：“你的容颜比夏天更美妙。
”
2.约翰·基茨（John Keats）：
《一封宇宙之恋》（Bright Star）：“在你的永恒目光中，我将安息。
”
3.伊丽莎白·巴雷特·勃朗宁（Elizabeth Barrett Browning）：
《从未见过你》（How Do I Love Thee? Let Me Count the Ways）：“我爱你的方式有多少？让我数数。
”
4.帕布罗·聂鲁达（Pablo Neruda）：
《我爱你的理由》（100 Love Sonnets）：“我爱你，因为不得不爱你是我的宿命。
”
5.罗伯特·富勒（Robert Frost）：
《你对我是什么》（What You Are to Me）：“你对我而言是什么？你是我听到的第一首诗。
”
6.埃米莉·狄金森（Emily Dickinson）：
《我的爱是如何开始的》（How Do I Love Thee?）：“我的爱是如何开始的，让我数数。
”
7.卡明斯（Kahlil Gibran）：
《卡尔·杰巴兰的爱情诗》（The Love Poems of Kahlil Gibran）：“在爱情的庭院里，我们将成为相对无言的和谐。
”
这些诗人通过各种形式和风格，表达了深沉、激情和甜蜜的爱情之情感。
每一首爱情诗都是对爱的赞美和探索。
shakespeare(sonnet) 英国文学 十四行诗
A
1
Who is Shakespeare?
A
2
艾汶河上斯特拉斯福：莎翁故居及塑像
A
3
莎翁部分作品：Some Works
A
4
Poems
• Poems: • I narrative: ballad, epic • II dramatic: dramatic monologue • III lyric (dealing with emotions, feelings): sonnet, ode,
happiness eyes
thine
yours the possessive pronoun
Verbs after second person subject should end with (e)st thou would(e)st thou hast thou wast thou didst thou singest thou growest
• The rhyme scheme is as follows: First stanza (quatrain): ABAB; Second stanza (quatrain): CDCD; Third stanza (quatrain): EFEF; Couplet: GG.
A
12
Early Modern English Grammar
A
11
Rime scheme
• Petrarchan (Italian) rime scheme: abba, abba, cd, cd, cd abba, abba, cde, cde
• The Shakespearean (English, or Elizabethan) sonnet is also called the English sonnet, with three four-line stanzas (quatrains) and a two-line unit called a couplet (对子).
莎士比亚的第十八首十四行诗
莎士比亚的第十八首十四行诗莎士比亚的第18首十四行诗是他的一首著名Sonnet（十四行诗），以下是该诗的原文：Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date: Sometime too hot the eye of heaven shines, And often is his gold complexion dimmed; And every fair from fair sometime declines, By chance or nature's changing course untrimmed; But thy eternal summer shall not fade Nor lose possession of that fair thou owest; Nor shall Death brag thou wanderest in his shade, When in eternal lines to time thou growest: So long as men can breathe or eyes can see, So long lives this, and this gives life to thee.这首诗是一首表达爱情赞美的十四行诗，诗人将心爱之人与夏日做了比较，认为她比夏天更加美丽和温和，不会随着时间的流逝而变淡，也不会被死亡所征服，因为她将永远存在于这首诗中。
这首诗以其深情而著名，被广泛阅读和欣赏。
莎士比亚 十四行诗
莎士比亚十四行诗莎士比亚十四行诗如下：1、shakespeare sonnet 12莎士比亚十四行诗when i do count the clock that tells the time,and see the brave day sunk in hideous night;when i behold the violet past prime,and sable curls all silver'd o'er with white: when lofty trees i see barren of leaves,which erst from heat did canopy the herd,and summer's green, all girded up in sheaves,born on the bier with white and bristly beard; then of thy beauty do i question make,that thou among the wastes of time must go,since sweets and beauties do themselves forsake, and die as fast as they see others grow;and nothing 'gainst time's scythe can make defence save breed, to brave him when he takes thee hence.翻译：当我数着壁上报时的自鸣钟，见明媚的白昼坠入狰狞的夜，当我凝望着紫罗兰老了春容，青丝的卷发遍洒着皑皑白雪;当我看见参天的树枝叶尽脱，它不久前曾荫蔽喘息的牛羊;夏天的青翠一束一束地就缚，带着坚挺的白须被舁上殓床;于是我不禁为你的朱颜焦虑:终有天你要加入时光的废堆，既然美和芳菲都把自己抛弃，眼看着别人生长自己却枯萎;没什么抵挡得住时光的毒手，除了生育，当他来要把你拘走。
莎士比亚十四行诗_Sonnet_18
莎士比亚十四行诗_Sonnet_18
莎士比亚的十四行诗《Sonnet 18》是一个典型的爱情诗歌，描绘了一个男人对他所爱的女人的深情表达。
这首诗非常有名，因为它的语言优美，情感深沉，而且它以一种独特的方式表达爱情。
诗歌开头，莎士比亚问：“夏天真是如此美好吗？”然后他列举了夏季的缺点，如小鸟走失和温暖的天气过快地消退。
接着，莎士比亚把夏天和他所爱的女人相比较，认为她比夏天更美，更可爱。
“但我亲爱的比这夏季更加美好，更加温暖。
”他写道。
在诗的下半部分，莎士比亚继续表达他对这个女人的爱。
他说，即使时间流逝，这个女人的美貌也不会消失。
他写道，“你的美丽将永存于此，并且你的一切将继续存留在我记忆之中。
”
莎士比亚通过诗歌来赞美他所爱的女人，措辞优美，充满感情。
他把夏季的短暂和不稳定与他所爱的女人的美丽和稳定相比较，强调了他的爱情之深。
诗歌的最后两行是著名的，“你的美貌将永垂不朽”，这表明这个女人在他心中的位置是不会改变的。
总之，莎士比亚的十四行诗《Sonnet 18》表达了一种深情的爱情，是被人们广泛引用的经典之作。
它展现了莎士比亚的语言造诣和文学天赋，更引领了爱情诗歌的一股风潮。
英诗名篇翻译——莎士比亚十四行诗sonnet18-2
莎士比亚十四行诗Sonnet 181. 诗人简介莎士比亚〔William Shakes Beare，1546-1616〕, 英国戏剧家和诗人。
出生于英国沃里克郡斯特拉福镇一个富裕的市民家庭，13岁时因家道中落而辍学。
从此走上单独谋生之路。
他当过肉店学徒，也曾在乡村学校教过书，还干过其他各种职业，这使他增长了许多社会阅历。
22岁时分开家乡前往伦敦，先在剧院门前为贵族顾客看马，后逐渐成为剧院的杂役、演员、剧作家和股东。
莎士比亚是16世纪后半叶到17世纪初英国最著名的作家，也是欧洲文艺复兴时期人文主义文学的集大成者，本·琼斯称莎士比亚为“时代的灵魂〞，马克思称他为“人类最伟大的天才之一〞，恩格斯盛赞其作品的现实主义精神与情节的生动性、丰富性。
在西方世界，一般人家必备的两本书，一本是?圣经?，一本就是?莎士比亚全集?。
1984年选举世界10名伟大作家，莎士比亚名列第一。
他被誉为“奥林匹亚山上的宙斯〞，而他的戏剧那么被公认为是不可企及的典范。
英国有句谚语：“宁可不要100个印度，也不能没有莎士比亚。
〞由此可见莎士比亚在英国人心中至高无上的文学地位。
莎士比亚一生共写有37部戏剧，154首十四行诗、两首长诗和其他诗歌。
莎剧创作可分为3个时期。
第一时期〔1590～1600〕以写作历史剧、喜剧为主，有9部历史剧、10部喜剧和2部悲剧。
?约翰王?、?理查三世?、?理查二世?、?亨利四世?、?亨利五世?、?亨利六世?等历史剧概括了英国历史上百余年间的动乱，塑造了一系列正、反面君主形象，反映了莎士比亚反对封建割据，拥护中央集权，谴责暴君暴政，要求开通君主进展自上而下改革，建立和谐社会关系的人文主义政治与道德理想。
?错误的喜剧?、?驯悍记?、?维洛那二绅士?、?爱的徒劳?、?仲夏夜之梦?、?威尼斯商人?、? 温莎的风流娘儿们?、?无事生非?、?皆大欢喜?和?第十二夜?10部戏剧那么大都以爱情、友谊、婚姻为主题，主人公多是一些具有人文主义智慧与美德的青年男女，通过他们争取自由和幸福的斗争，歌颂进步、美妙的新人新风，同时也温和地揭露和嘲讽旧事物的衰朽和丑恶，如禁欲主义的虚矫、清教徒的伪善和高利贷者的贪鄙等。