让CD机尽情挖掘CD中的音乐信息评Vibrato的碳纤维CD压

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图说VIBRATO

FASHION星尤魅彩style2016年，一个国产音响品牌进入人们的视野，它就是VIBRATO!这是一个前期酝酿了6年的品牌，是"文杰工作室”(以下简称NSR)的匠心制作。

创始人是在音响界浸淫30多年的资深从业人员，也是众多世界著名音响品牌的代理商，阅机无数。

他在6年前聚合了几个志同道合的人士，决心做出中国人的极品音响器材，他们都是在各自领域有独当一面的能力，并且对音响有着满腔热忱与执着追求之人。

在这6年里，NSR研制的产品包括放大器、数字播放器与音箱等等Hi-End级的音响产品，6年的不断改进，应该说产品趋于成熟，但是NSR并不急于将产品推出市场，直到2016年1月才正式推出VIBRATO Model One数字合并功放，VIBRATO的里程也正式开启。

下面就由小编带你看看VIBRATO的那些代表性产品。

文/尧辰FA5HDN style集合数字音乐播放、解码、功放的VIBRATO NMA：这是_台继承魏富、Model One诸多优点的机器，保留了置轴Model One的声音特色和上佳的素质，只是在设计和制作上做了妥协，SWING书架式音箱是VIBRATO旗下的首款音箱，也是目前它家唯一一款音箱产品。

SWING采用两分频设计，配置有1只5寸中低音单元和2只0.5寸高音单元。

从正面看上去，SWING的设计和通常的倒相式书架音箱无异，只是顶部多了一只朝上的高音单元，并且采用独有的双倒相孔设计。

78彳刘IRBii庠文杰工作室对于数字播放是有独到的见解与解决方案的，并且将其实施到VIBRATO NMP. NMT 两款数字播放器上。

NMT 是高格式纯数字输出播放器，NMP 是高格式数字文件播放器，一款只有数字输出，一款数字与模拟输出并存，选择哪款就看你的需要了。

数码播放器可对应播放目前主流的高格式音乐文件以及DSD 文件。

79FA5HIDM星光魅彩styleVIBRAT。

数字解码前级，是一台内置DAC和耳机放大器的模拟前级放大器。

Acoustimass 5 系列 V 和 Acoustimass 3 系列 V 立体扬音器系统用户指

Regulatory InformationThis symbol means the product must not be discarded as household waste, and should be delivered to an appropriate collection facility for recycling. Proper disposal and recycling helps protect natural resources, human health and the environment. For more information on disposal and recycling of this product, contact your local municipality, disposal service, or the shop where you bought this product.Bose Corporation hereby declares that this product is in compliance with the essential requirements and other relevant provisions of Directive 1999/5/EC and all other applicable EU directive requirements. The complete declaration of conformity can be found at: /compliance.Names and Contents of Toxic or Hazardous Substances or ElementsPart Name Toxic or Hazardous Substances and ElementsLead (Pb)Mercury (Hg)Cadmium (Cd)Hexavalent (CR(VI))Polybrominated Biphenyl (PBB)Polybrominated d iphenylether (PBDE) PCBs X00000Metal parts X00000Plastic parts000000Speakers X00000Cables X000000: Indicates that this toxic or hazardous substance contained in all of the homogeneous materials for this part is below the limit requirement in SJ/T 11363-2006.X: Indicates that this toxic or hazardous substance contained in at least one of the homogeneous materials used for this part is above the limit requirement in SJ/T 11363-2006.Please complete and retain for your records.The serial numbers are located on the connector panel of the Acoustimass® module.Serial Number: _________________________________________________________________________________________________________________________ Model Number:_________________________________________________________________________________________________________________________ Purchase date: _________________________________________________________________________________________________________________________ Please keep your receipt together with this owner’s guide.©2015 Bose Corporation. No part of this work may be reproduced, modified, distributed, or otherwise used without written permission.2 - EnglishTable of Contents IntroductionAbout your Bose® Acoustimass® stereo speaker system (4)System features (4)Unpacking the system (4)Setting UpPlacement guidelines (5)Sample system placement (5)Connecting the speakers to the Acoustimass module (6)Mounting the speakers (6)Connecting the Acoustimass module to your receiver or amplifier (7)Before plugging in your receiver or amplifier (7)Checking the system (7)Understanding automatic system protection (7)Care and MaintenanceTroubleshooting (8)Cleaning (8)Customer service (8)Limited warranty (8)Accessories (8)Technical informationCompatibility (9)Wire recommendations (9)English - 3About your Bose® Acoustimass® stereo speaker systemThe Bose Acoustimass stereo speaker system delivers spacious, true sound from small, h igh-performance speakers for consistent audio performance regardless of content, source or room layout.System Features• Bose Acoustimass speaker technology delivers full, natural audio performance.• Hideaway Acoustimass module provides impactful bass sound.• Speakers can be mounted on the wall, table stands or floor stands (kits available separately).Unpacking the systemCarefully unpack the carton and confirm that the following parts are included:WARNING: This product contains magnetic material. Contact your physician if you have questions on whether this might affect the operation of your implantable medical device.Acoustimass module Rubber feet(2) speaker wires(2) speaker cablesAcoustimass 5 system(2) Direct/Reflecting® series II speakers Acoustimass 3 system(2) Virtually Invisible® series II speakersNote: If part of the system is damaged, do not use it. Contact your authorized Bose dealer or Bose Customer Service. Refer to thec ontact sheet in the carton.Introduction4 - EnglishSetting Up Placement guidelinesPlace the system outside of and away from metal cabinets, other audio/video components and direct heat sources.Acoustimass® Module• Stand the module on its rubber feet along a wall within 5 ft. (1.5 m) of the corner. To increase bass, move the module closer to a corner.• Choose a stable and level surface. Vibration can cause the module to move, p articularly on smooth surfaces like marble,glass or highly polished wood.• Leave at least 2 in. (50 mm) of space between the opening and the wall.• Place at least 2 ft. (0.6 m) from any TV to avoid magnetic interference with the TV image. Move it farther away if you stillnotice interference.Speakers• Place the speakers 3 - 15 ft. (1- 4.6 m) apart.• Place the speakers at least 6 in. (.15 mm) away from any CRT (picture tube) TV.Sample system placementAcoustimass 5 systemNote: Attach the rubber feet to the Acoustimass module to protect your floor.CAUTION: Do not place the Acoustimass module on its front or back panel when in use.English - 56 - EnglishConnecting the speakers to the Acoustimass moduleUse the two provided speaker cables to connect your speakers to the Acoustimass module.CAUTION: Turn off and unplug all components before making the connections.1. Insert the left speaker cable’s L plug into the left speaker, with the label facing down.2. Insert the right speaker cable’s R plug into the right speaker, with the label facing down.CAUTION: Do not connect your amplifier or receiver directly to the speakers. Connect the speakers to the A coustimass module to avoiddamaging your system.3. Connect the other end of the left speaker cable to the L (left) OUTPUTS TO CUBE SPEAKERS terminal on the connector panel ofthe Acoustimass module.A. Insert the marked wire into the positive (+) terminal (with the red marking).B. Insert the unmarked wire into the negative (–) terminal (with the black marking). 4. Repeat step 3 for the right speaker cable, connecting its wires to the R (right) terminal.–R+–L +OUTPUTSTO CUBE SPEAKERS–R +–L +INPUTSFROM AMP OR RECEIVERMounting the speakersYou can place system speakers on wall brackets, table stands or floor stands. You can also use additional speaker wire and a Bose connector to increase the distance between the speakers and the A coustimass module. To purchase these accessories, contact your local Bose dealer or visit w CAUTION: Do not use any other hardware to mount the speakers.Setting UpRLAcoustimass 3 systemAcoustimass 5 systemEnglish - 7Setting UpConnecting the Acoustimass ® module to your receiver or amplifierThe speaker wires without plugs connect the Acoustimass module to your receiver or amplifier. Your speaker system works withr eceivers or amplifiers rated from 10 to 200 watts per channel with 4 to 8 ohm impedance. Refer to your receiver or amplifier owner’s guide.CAUTION: Incorrect wiring results in little or no bass output and could damage the system.1. Connect the speaker wires to the INPUTS FROM AMP OR RECEIVER terminals on the Acoustimass module’s rear panel:A. Connect the marked wire to the positive (+) terminal of the L (left) pair of input terminals.B. Connect the unmarked wire to the negative (–) terminal of the L (left) pair of input terminals.C. Repeat steps A and B with the other speaker wire for the R (right) pair of input terminals.–R +–L +OUTPUTSTO CUBE SPEAKERS–R +–L +INPUTSFROM AMP OR RECEIVER2. Connect the other ends of the cables to the speaker terminals of your amplifier or receiver.A. Connect the marked wire connected to the L (left) pair of input terminals on the module to the LEFT positive (+) terminal on youramplifier or receiver. B. Connect the unmarked wire connected to the L (left) pair of input terminals on the module to the LEFT negative (–) terminal onyour amplifier or receiver.C. Repeat steps A and B with the wire connected to the R (right) pair of input terminals on your Acoustimass module and theRIGHT pair of input terminals on your amplifier or receiver.–R+–L +OUTPUTSTO CUBE SPEAKERS–R+–L +INPUTSFROM AMP OR RECEIVERBefore plugging in your receiver or amplifier:• Ensure no strands of wire from any terminal are brushing against any other terminal. Such “bridged” wires create short circuits which can damage your receiver or amplifier.• Check all connections to avoid damaging your speakers. Make sure the speakers are connected to the module and not directly to the amplifier or receiver.Checking the systemWith your amplifier and Acoustimass ® module powered, your system should respond accordingly:• With the balance control on your amplifier turned to the left, sound comes from the Acoustimass module and left speaker only.• With the balance control turned to the right, sound comes from the Acoustimass module and right speaker only.• With the balance control in the center position, music with bass should be the same or louder with the control in the center than to the left or right.If your system does not respond as described, check all the wires for proper positive to positive and negative to negative connections. If your system still doesn’t respond properly, see “Troubleshooting” on page 8.Understanding automatic system protectionWhen played at high volume, your Acoustimass systems’ automatic protection circuit activates to prevent damage to the system from electrical stress or overload. When this happens, you may notice a slight decrease in volume. This indicates that the power input may have exceeded safe levels. Setting the volume at or above this level for sustained periods is not r ecommended.Care and MaintenanceTroubleshootingProblem What to doDistorted or no sound• Disconnect the amplifier or receiver from the system, and reconnect the Acoustimass® module to another amplifieror receiver that is working properly. If the system now works, the problem is in your amplifier or receiver.• Power off the amplifier or receiver and check all the connections between the speakers, the module, and amplifieror receiver.• Refer to your amplifier or receiver’s owner’s guide for more troubleshooting information.• See “Checking your receiver or amplifier’s speaker channels”.Checking your receiver or amplifier’s speaker channelsIf one of the speakers does not play or sounds distorted, your amplifier or receiver’s speaker channel may be defective.1. Disconnect both speaker cables from the amplifier or receiver.2. Reconnect the cable from the Acoustimass® module’s L INPUTS to the amplifier or receiver’s right speaker terminals.3. Disconnect both speaker cables from the amplifier or receiver. Reconnect the cable from the Acoustimass® module’s L INPUTS tothe amplifier or receiver’s right speaker terminals.4. Set the amplifier or receiver’s balance control all the way to the right and power it on. If the left speaker now plays properly, youramplifier or receiver’s left speaker channel may be defective.5. Repeat to check your right speaker, reconnecting the cable from the module’s R INPUTS to the amplifier or receiver’s left speakerterminals.CAUTION: DO NOT connect the other speaker to the potentially defective channel. If the channel is defective, it could d amage your Acoustimass system.Cleaning• Clean the surface of the system with a soft, dry cloth.• Do not use any sprays near the system. Do not use any solvents, chemicals, or cleaning solutions containing alcohol, ammonia or abrasives.• Do not allow liquids to spill into any openings.• You can vacuum the speaker grilles. To avoid damaging the drivers located directly behind the grille, use light pressure only.Customer serviceFor additional help, contact Bose® Customer Service. Refer to the contact sheet in the carton.Limited warrantyYour system is covered by a limited warranty. Details of the limited warranty are provided on the product registration card that is in the carton. Please refer to the card for instructions on how to register. Failure to register will not affect your limited warranty rights.The warranty information provided with this product does not apply in Australia or New Zealand. See our website at.au/warranty or /warranty for details of the Australia and New Zealand warranty.8 - EnglishTechincal Information CompatibilityCompatible with receivers or amplifiers rated from 4 – 8 ohmsCompatible with receivers or amplifiers rated from 10 – 100 watts per channelIEC rating: 50 watts per channelWire recommendationsBased on maximum frequency response deviation of ±0.5 dB.Gauge Length18 (0.75 mm2)30 ft (9 m) maximum16 (1.5 mm2)45 ft (14 m) maximumEnglish - 9。

碳纤维振膜

碳纤维振膜
碳纤维振膜是一种用于声音产生的材料，通常用于制造高级扬声器的振膜。

碳纤维材料具有轻质、高强度、高刚性和耐腐蚀等优点，使得振膜能够快速响应并产生清晰、细腻的声音。

碳纤维振膜的制作过程通常是将碳纤维编织成所需的形状，然后将其粘结在一起，形成薄而轻的振膜。

碳纤维的排列方向、纤维直径和厚度等因素会影响振膜的声学性能。

相比传统的纸浆振膜和金属振膜，碳纤维振膜具有更高的刚性和更低的内阻尼，这使得声音传递更加清晰和细节丰富。

此外，由于碳纤维振膜的质量轻且韧性好，它能够实现更快的响应速度和更高的声音输出。

碳纤维振膜通常用于高端音响设备和耳机中，以提供高品质的声音体验。

这种材料也在其他领域中有广泛应用，如航空航天、汽车和体育器材等。

总的来说，碳纤维振膜是一种高性能的声音产生材料，用于制造高品质的音响设备和耳机。

它的优点包括轻质、高强度、高刚性和耐腐蚀等，能够实现快速响应、高清晰度和细腻的声音。

音乐专业术语中英文对照

……为背景AGC automatic gain control 自动增益控制AHD audio high density 音频高密度唱片系统AI advanced integrated 预汇流AI amplifier input 放大器输入AI artificial intelligence 人工智能AI azimuth indicator 方位指示器A-IN 音频输入A-INSEL audio input selection 音频输入选择Alarm 警报器ALC automatic level control 自动电平控制ALC automatic load control自动负载控制Alford loop 爱福特环形天线Algorithm 演示Aliasing 量化噪声，频谱混叠Aliasing distortion 折叠失真Align alignment 校正，补偿，微调，匹配Al-Si-Fe alloy head 铁硅铝合金磁头Allegretto 小快板，稍快地Allegro 快板，迅速地Allocation 配置，定位All rating 全（音）域ALM audio level meter 音频电平表ALT alternating 震荡，交替的ALT alternator 交流发电机ALT altertue 转路ALT-CH alternate channel 转换通道，交替声道Alter 转换，交流电，变换器AM amperemeter 安培计，电流表AM amplitude modulation 调幅（广播）AM auxiliary memory 辅助存储器Ambience 临场感，环绕感ABTD automatic bulk tape degausser磁带自动整体去磁Ambient 环境的Ambiophonic system 环绕声系统Ambiophony 现场混响，环境立体声AMLS automatic music locate system自动音乐定位系统AMP ampere 安培AMP amplifier 放大器AMPL amplification 放大AMP amplitude 幅度，距离Amorphous head 非晶态磁头Abort 终止，停止（录制或播放）A-B TEST AB比较试听Absorber 减震器Absorption 声音被物体吸收ABX acoustic bass extension 低音扩展AC accumulator 充电电池AC adjustment caliration 调节-校准AC alternating current 交流电，交流AC audio coding 数码声，音频编码AC audio center 音频中心AC azimuth comprator 方位比较器AC-3 杜比数码环绕声系统AC-3 RF 杜比数码环绕声数据流（接口）ACC Acceleration 加速Accel 渐快，加速Accent 重音，声调Accentuator 预加重Access 存取，进入，增加，通路Accessory 附件（接口），配件Acryl 丙基酰基Accompaniment 伴奏，合奏，伴随Accord 和谐，调和Accordion 手风琴ACD automatic call distributor 自动呼叫分配器ACE audio control erasing 音频控制消磁A-Channel A（左）声道Acoumeter 测听计Acoustical 声的，声音的Acoustic coloring 声染色Acoustic image 声像Across 交叉，并行，跨接Across frequency 交叉频率，分频频率ACST access time 存取时间Active 主动的，有源的，有效的，运行的Active crossover 主动分频，电子分频，有源分频Active loudsperker 有源音箱Armstrong MOD 阿姆斯特朗调制ARP azimuth reference pulse 方位基准脉冲Arpeggio 琶音Articulation 声音清晰度，发音Artificial 仿……的，人工的，手动（控制）AAD active acoustic devide 有源声学软件ABC auto base and chord 自动低音合弦Architectural acoustics 建筑声学Arm motor 唱臂唱机Arpeggio single 琶音和弦，分解和弦ARL aerial 天线ASC automatic sensitivity control 自动灵敏度控制ASGN Assign 分配，指定，设定ASP audio signal processing 音频信号处理ASS assembly 组件，装配，总成ASSEM assemble 汇编，剪辑ASSEM Assembly 组件，装配，总成Assign 指定，转发，分配Assist 辅助（装置）ASSY accessory 组件，附件AST active servo techonology 有源伺服技术A Tempo 回到原速Astigmatism methord 象散法B band 频带B Bit 比特，存储单元B Button 按钮Babble 多路感应的复杂失真Back 返回Back clamping 反向钳位Back drop 交流哼声，干扰声Background noise 背景噪声，本底噪声Backing copy 副版Backoff 倒扣，补偿Back tracking 补录Back up 磁带备份，支持，预备Backward 快倒搜索Baffle box 音箱BAL balance 平衡，立体声左右声道音量比例，平衡连接Balanced 已平衡的Balancing 调零装置，补偿，中和Balun 平衡=不平衡转换器Banana jack 香蕉插头Banana bin 香蕉插座Banana pin 香蕉插头Banana plug 香蕉插头Band 频段，Band pass 带通滤波器Bandwidth 频带宽，误差，范围Band 存储单元Bar 小节，拉杆BAR barye 微巴Bargraph 线条Barrier 绝缘（套）Base 低音Bass 低音，倍司（低音提琴）Bass tube 低音号，大号Bassy 低音加重BATT battery 电池Baud 波特（信息传输速率的单位）Bazooka 导线平衡转接器BB base band 基带BBD Bucket brigade device 戽链器件（效果器）B BAT Battery 电池BBE 特指BBE公司设计的改善较高次谐波校正程度的系统BC balanced current 平衡电流BC Broadcast control 广播控制BCH band chorus 分频段合唱BCST broadcast （无线电）广播BD board 仪表板Beat 拍，脉动信号Beat cancel switch 差拍干扰消除开关Bel 贝尔Below 下列，向下Bench 工作台Bend 弯曲，滑音Bender 滑音器BER bit error rate 信息差错率BF back feed 反馈BF Backfeed flanger 反馈镶边BF Band filter 带通滤波器BGM background music 背景音乐Bias 偏置，偏磁，偏压，既定程序Bidirectional 双向性的，8字型指向的Bifess Bi-feedback sound system 双反馈系统Big bottom 低音扩展，加重低音Bin 接收器，仓室BNG BNC连接器（插头、插座），卡口同轴电缆连接器Binaural effect 双耳效应，立体声Binaural synthesis 双耳合成法Bin go 意外现象Bit binary digit 字节，二进制数字，位Bitstream 数码流，比特流Bit yield 存储单元Bi-AMP 双（通道）功放系统Bi-wire 双线（传输、分音）Bi-Wring 双线BK break 停顿，间断BKR breaker 断电器Blamp 两路电子分音Blanking 关闭，消隐，断路Blaster 爆裂效果器Blend 融合（度）、调和、混合Block 分程序，联动，中断Block Repeat 分段重复Block up 阻塞Bloop （磁带的）接头噪声，消音贴片BNC bayonet connector 卡口电缆连接器Body mike 小型话筒Bond 接头，连接器Bongo 双鼓Boom 混响，轰鸣声Boomy 嗡嗡声（指低音过强）Boost 提升（一般指低音），放大，增强Booth 控制室，录音棚Bootstrap 辅助程序，自举Both sides play disc stereo system双面演奏式唱片立体声系统Bottoming 底部切除，末端切除Bounce 合并Bourclon 单调低音Bowl 碗状体育场效果BP bridge bypass 电桥旁路BY bypass 旁通BPC basic pulse generator 基准脉冲发生器BPF band pass filter 带通滤波器BPS band pitch shift 分频段变调节器BNC bayonet connector 卡口电缆连接器Body mike 小型话筒Bond 接头，连接器Bongo 双鼓Boom 混响，轰鸣声Boomy 嗡嗡声（指低音过强）Boost 提升（一般指低音），放大，增强Booth 控制室，录音棚Bootstrap 辅助程序，自举Bottoming 底部切除，末端切除Bounce 合并Bourclon 单调低音Bowl 碗状体育场效果BP bridge bypass 电桥旁路BY bypass 旁通BPC basic pulse generator 基准脉冲发生器BPF band pass filter 带通滤波器BPS band pitch shift 分频段变调节器BR bregister 变址寄存器BR Bridge 电桥Break 中止（程序），减弱Breathing 喘息效应base resolve 基本解析度Bridge 桥接，电桥，桥，（乐曲的）变奏过渡Bright 明亮（感）Brightness 明亮度，指中高音听音感觉Brilliance 响亮BRKRS breakers 断路器Broadcast 广播BTB bass tuba 低音大喇叭BTL balanced transformer-less 桥式推挽放大BTM bottom 最小，低音BU backup nuit 备用器件Bumper 减震器Bus 母线，总线Busbar 母线Buss 母线Busy 占线BUT button 按钮，旋钮BW band width 频带宽度，带度BYP bypass 旁路By path 旁路BZ buzzer 蜂音器C cathode 阴极，负极C Cell 电池C Center 中心C Clear 清除C Cold 冷（端）CA cable 电缆Cable 电缆Cabinet 小操纵台CAC coherent acoustic coding 相干声学编码Cache 缓冲存储器Cal calando 减小音量CAL Calendar 分类CAL Caliber 口径CAL Calibrate 标准化CAL Continuity accept limit 连续性接受极限Calibrate 校准，定标Call 取回，复出，呼出Can 监听耳机，带盒CANCL cancel 删除CANCL Cancelling 消除Cancel 取消Cannon 卡侬接口Canon 规则Cap 电容Capacitance Mic 电容话筒Capacity 功率，电容量CAR carrier 载波，支座，鸡心夹头Card 程序单，插件板Cardioid 心型的CATV cable television 有线Crispness 脆声Category 种类，类型Cartridge 软件卡，拾音头Carrkioid 心型话筒Carrier 载波器Cart 转运Cartridge 盒式存储器，盒式磁带Cascade 串联Cassette 卡式的，盒式的CAV constant angular velocity 恒角速度Caution 报警CBR circuit board rack 板架CC contour correction 轮廓校正CCD charge coupled device 电荷耦合器件CD compact disc 激光唱片CDA current dumping amplifier 电流放大器CD-E compact disc erasable 可抹式激光唱片CDG compact-disc plus graphic 带有静止图像的CD唱盘CD constant directional horn 恒定指向号角CDV compact disc with video 密纹声像唱片CE ceramic 陶瓷Clock enable 时钟启动Cell 电池，元件，单元Cellar club 地下俱乐部效果Cello 大提琴CEMA consumer electronics manufacturer'sassociation （美国）消费电子产品制造商协会CENELEC connector 欧洲标准21脚AV连接器Cent 音分Central earth 中心接地CES consumer electronic show（美国）消费电子产品展览会CF center frequency 中心频率Cross fade 软切换CH channel 声道，通道Chain 传输链，信道Chain play 连续演奏Chamber 密音音响效果，消声室CHAN channel 通道Change 交换Chapter 曲目Chaper skip 跳节CHAE character 字符，符号Characteristic curve 特性曲线Charge 充电Charger 充电器Chase 跟踪Check 校验CHC charge 充电CH - off 通道切断Choke 合唱Choose 选择Chromatic 色彩，半音Church 教堂音响效果CI cut in 切入CIC cross interleave code 交叉隔行编码CIRC circulate 循环CircuitCL cancel 取消Classic 古典的Clean 净化CLR clear 归零Click 嘀哒声Clip 削波，限幅，接线柱CLK clock 时钟信号Close 关闭，停止CLS 控制室监听Cluster 音箱阵效果CLV ceiling limit value上限值CMP compact 压缩CMPT compatibility 兼容性CMRR common mode rejection ratio 共模抑制比CNT count 记数，记数器CNTRL central 中心，中央 CO carry out 定位输出Coarse 粗调Coax 同轴电缆Coaxial 数码同轴接口Code 码，编码Coefficient 系数Coincident 多信号同步Cold 冷的，单薄的Color 染色效果COM comb 梳状（滤波）COMB combination 组合音色COMBI combination 组合，混合COMBO combination 配合，组合Combining 集合，结合COMM communication 换向的，切换装置Command 指令，操作，信号COMMON 公共的，公共地端Communieation speed 通讯速度选择COMP comparator 比较器COMP compensate 补偿Compact 压缩Compander 压缩扩展器Compare 比拟Compatibility 兼容Compensate 补偿Complex 全套设备Copmoser 创意者，作曲者Compressor 压缩器COMP-EXP 压扩器Compromise （频率）平衡Computer 计算机，电脑CON concentric cable 同轴电缆CON console 操纵台CON controller 控制器Concentric 同轴的，同心的Concert 音乐厅效果Condenser Microphone 电容话筒Cone type 锥形（扬声器）CONFIG 布局，线路接法Connect 连接，联络CORR correct 校正，补偿，抵消Configuration 线路布局Confirmation 确认Consent 万能插座Console 调音台Consonant 辅音Constant 常数CONT continuous 连续的（音色特性）CONT control 控制，操纵Contact 接触器Content 内容Continue 连续，继续Continue button 两录音卡座连续放音键Contour 外形，轮廓，保持Contra 次八度Contrast 对比度Contribution 分配Controlled 可控的Controller 控制器CONV conventional 常规的CONV convert 变换CONV convertible 可转换的Copy 复制Correlation meter 相关表Coupler 耦合Cover 补偿Coverage 有效范围CP clock pulse 时钟脉冲CP control program 控制程序CPU 中央处理器CR card reader 卡片阅读机CRC cyclic redundancy check 循环冗余校验Create 建立，创造Crescendo 渐强或渐弱Crispness 清脆感CRM control room 控制室CROM control read only memory 控制只读存储器Crossfader 交叉渐变器Cross-MOD 交叉调制Crossover 分频器，换向，切断Cross talk 声道串扰，串音Crunch 摩擦音C/S cycle/second 周/秒CSS content scrambling system 内容加密系统CST case style tape 盒式磁带CT current 电流CTM close talking microphone 近讲话筒CU counting unit 计数单元Cue 提示，选听Cue clock 计时钟Cueing 提示，指出Cursor 指示器，光标Curve （特性）曲线Custom 常规CUT 切去，硬切换D double 双重的，对偶的D drum 鼓，磁鼓DA delayed action 延迟作用D/Adigital/analog 数字/模拟DAB digital audio broadcasting 数字音频广播Damp 阻尼DASH digital audio stationar head 数字固定磁头Dashpot 缓冲器，减震器DAT digital audio tape 数字音频磁带，数字录音机DATA 数据DATAtron 数据处理机DATE 日期DB(dB) decibel 分贝DB distribution 分线盒DBA decibel asolute 绝对分贝DBA decibel adjusted 调整分贝DBB dynamic bass boost 动态低音提升DBK decibels referred to one kilowatt 千瓦分贝DBm decibel above one milliwatt in 600 ohms 毫瓦分贝DBS direct broadcast satellite 直播卫星DBX 压缩扩展式降噪系统DC distance controlled 遥控器DCA digital command assembly 数字指令装置DCE data circuit terminating equipment数据通讯线路终端设备DCF digital comb filter 数字梳状滤波器DCH decade chorus 十声部合唱DCP date central processor 数据中心处理器DD direct drive 直接驱动DD dolby digital 数字杜比DDC direct digital control 直接数字控制DDS digital dynamic sound 数字动态声DDT data definition table 数据定义表Dead 具有强吸声特性的房间的静寂DEC decay 衰减，渐弱，余音效果Decibel 分贝Deck 卡座，录音座，带支加的，走带机构Deemphasis 释放Deep reverb 纵深混响De-esser 去咝声器DEF defeat 消隐，静噪Delete 删除Delivery end 输入端DEMO demodulator 解调器Demo 自动演奏Demoder 解码器Density 密度，声音密度效果Detune 音高微调，去谐DepFin 纵深微调Depth 深度Denoiser 降噪器Design 设计Destroyer 抑制器DET detector 检波器Deutlichkeit 清晰度DEV device 装置，仪器DEX dynamic exciter 动态激励器DF damping factor 动态滤波器DFL dynamic filter 动态滤波DFS digital frequency synthesizer 数字频率合成器DI data input 数据输入Diagram 图形，原理图Dial 调节度盘Difference 不同，差别DIFF differential 差动Diffraction 衍射，绕射Diffuse 传播Diffusion 扩散DIG digit 数字式Digital 数字的，数字式，计数的Digitalyier 数字化装置DIM digital input module 数字输入模块DIM diminished 衰减，减半音Dimension 范围，密度，尺寸，（空间）维，声像宽度Din 五芯插口（德国工业标准）DIN digital input 数字输入DIR direct 直接的，（调音台）直接输出，定向的Direct box 指令盒，控制盒Direct sound 直达声Directory 目录Direction 配置方式Directional 方向，指向的Directivity 方向性DIS display 显示器DISC disconnect 切断，开路DISC discriminator 鉴相器Disc 唱盘，唱片，碟Disc holder 唱片抽屉Disc recorder 盘片式录音机Dischage 释放，解除Disco 迪斯科，迪斯科音乐效果Discord 不谐和弦Disk 唱盘，碟DISP display 显示器，显示屏Dispersion 频散特性，声音分布Displacement 偏转，代换Distortion 失真，畸变DIST distance 距离，间距DIST district 区间Distributer 分配器，导向装置DITEC digital television camera 数字摄像机Dim 变弱，变暗，衰减DIV divergence 发散DIV division 分段DIV divisor 分配器Diversity 分集（接收）Divider 分配器Divx 美国数字视频快递公司开发的一种每次观看付费的DVD DJ Disc Jocker 唱片骑士DJ dust jacket 防尘罩DJ delay 延迟DLD dynamic linear drive 动态线性驱动DLLD direct linear loop detector 直接线性环路检波器DME digital multiple effector 数字综合效果器DMS date multiplexing system 数据多路传输系统DMS digital multiplexing synchronizer数字多路传输同步器DMX data multiplex 数据多路（传输）DNL dynamic noise limiter 动态噪声抑制器DNR dynamic noise reduction 动态降噪DO dolly out 后移DO dropout 信号失落DOB dolby 杜比DOL dynamic optimum loudness 动态最佳响度Dolby 杜比，杜比功能Dolby Hx Pro dolby Hx pro headroom extension system 杜比Hx Pro动态余量扩展系统Dolby NR 杜比降噪Dolby Pro-logic 杜比定向逻辑Dolby SR-D dolby SR digital 杜比数字频谱记录Dolby Surround 杜比环绕Dome loudspeaker 球顶扬声器Dome type 球顶（扬声器）DOP doppler 多普勒（响应）Double 加倍，双，次八度Doubler 倍频器，加倍器Double speed 倍速复制direct output 直接输出Down 向下，向下调整，下移，减少DPCM differential pulse code modulation 差动脉冲调制DPD direct pure MPX decoder 直接纯多路解调器DPL dolby pro logic 杜比定向逻辑DPL duplex 双工，双联DPLR doppler 多普勒（系统）effect 德.波埃效应Dr displacement corrector 位移校准器，同步机DR distributor 分配器DR drum 磁鼓Drain 漏电，漏极DRAM direct read after write 一次性读写存储器Drama 剧场效果DRAW 只读追忆型光盘取字时间校准器DRCN dynamic range compression and normalization动态范围压缩和归一化Drive 驱动，激励节奏同步校准器DRPS digital random program selector数字式节目随机选择器DDrum 鼓Drum machine 鼓机Dry 干，无效果声，直达声DS distortion 失真DSC digital signal converter 数字信号转换器DSL dynamic super loudness 低音动态超响度，重低音恢复DSM dynamic scan modulation 动态扫描速度调制器DSP digital signal processor 数字信号处理器DSP display simulation program 显示模拟程序DSP digital sound processor 数字声音处理器DSP digital sound field processor 数字声场处理器DSP dynamic speaker 电动式扬声器DSS digital satellite system 数字卫星系统DT data terminal 数据终端DT data transmission 数据传输DTL direct to line 直接去线路DTS digital theater system 数字影剧院系统DTS digital tuning system 数字调谐系统DTV digital television 数字Dual 对偶，双重，双Dub 复制，配音，拷贝，转录磁带Dubbing mixer 混录调音台Duck 按入，进入Dummyload 假负载DUP Duplicate 复制（品）Duplicator 复制装置，增倍器Duration 持续时间，宽度Duty 负载，作用范围，功率Duty cycle 占空系数，频宽比DUX duplex 双工DV device 装置，器件DVC digital video cassette 数字录象带DVD digital video disc 数字激光视盘DX 天线收发开关，双重的，双向的DYN dynamic 电动式的，动态范围，动圈式的Dynamic filter 动态滤波（特殊效果处理）器Dynamic Microphone 动圈话筒Dynamic range 动态范围Dynode 电子倍增器电极early warning 预警E earth 真地，接地E error 错误，差错（显示）EA earth 地线，真地EAR early 早期（反射声）Earphone 耳机Earth terminal 接地端EASE electro-acooustic simulators for engineers工程师用电声模拟器，计算机电声与声学设计软件Eat 收取信号EBU european broadcasting union 欧洲广播联盟EC error correction 误差校正ECD electrochomeric display 电致变色显示器Echo 回声，回声效果，混响ECL extension zcompact limitter 扩展压缩限制器ECM electret condenser microphone 驻极体话筒ECSL equivalent continuous sound level 等级连续声级ECT electronec controlled transmission 电控传输ED edit editor 编辑，编辑器Edit 编辑Edge tone 边棱音EDTV enhanced definition television增强清晰度（一种可兼容高清晰度）E-DRAW erasable direct after write 可存可抹读写存储器EE errors excepted 允许误差EFF effect efficiency 效果，作用Effector 操纵装置，效果器Effects generator 效果发生器EFM 8/14位调制法EFX effect 效果EG envelope generator 包络发生器EIA electronec industries association（美国）电子工业协会EIAJ electronic industries association Japan 日本电子工业协会EIN einstein 量子摩尔（能量单位）EIN equivalent input noise 等效输入噪声EIO error in operation 操作码错误Eject 弹起舱门，取出磁带（光盘），出盒EL electro luminescence 场致发光ELAC electroacoustic 电声（器件）ELEC electret 驻极体Electret condenser microphone 驻极体话筒ELF extremely low frequency 极低频ELEC electronec 电子的Electroacoustics 电声学EMI electro magnetic interference 电磁干扰Emission 发射EMP emphasispo 加重EMP empty 空载Emphasis 加重EMS emergency switch 紧急开关Emulator 模拟器，仿真设备EN enabling 启动Enable 赋能，撤消禁止指令Encoding 编码End 末端，结束，终止Ending 终端，端接法，镶边ENG engineering 工程Engine 运行，使用ENG land 工程接地Enhance 增强，提高，提升ENS ensemble 合奏ENS envelope sensation 群感Eensemble 合奏Eensemble 合奏ENT enter 记录Enter 记入，进入，回车Entering 插入，记录Entry 输入数据，进入ENV envelope 包络线Envelopment 环绕感EOP electronic overload protection 电子过载保护EOP end of program 程序结束EOP end output 末端输出EOT end of tape 磁带尾端EP extend playing record 多曲目唱片EP extended play 长时间放录，密录EPG edit pulse generator 编辑脉冲发生器EPS emergency power supply 应急电源EQ equalizer 均衡器，均衡EQ equalization 均衡EQL equalization 均衡Equal-loudness contour 等响曲线Equipped 准备好的，已装备Equitonic 全音Equivalence 等效值ER erect 设置ER error 错误，误差ERA earphone 耳机Eraser 抹去，消除Erasing 擦除，清洗Erasure 抹音Erase 消除，消Er early 早期的ERCD extended resolution CD 扩展解析度CD EREQ erect equalizer均衡器（频点）位置（点频补偿的中点频率）调整ERF early reflection 早期反射（声）Ernumber 早期反射声量Error 错误，出错，不正确ES earth swith 接地开关ES electrical stimulation 点激励Escqpe 退出ETER eternity 无限Euroscart 欧洲标准21脚AV连接器Event 事件EVF envelope follower包络跟随器（音响合成装置功能单元）EX exciter 激励器EX exchange 交换EX expanding 扩展EXB expanded bass 低音增强EXC exciter 激励器EXCH exchange 转换Exclusive 专用的Excursion 偏移，偏转，漂移，振幅EXP expender 扩展器，动态扩展器EXP export 输出Exponential horn tweeter 指数型高音号角扬声器Expression pedal表达踏板（用于控制乐器或效果器的脚踏装置）EXT extend 扩展EXT exterior 外接的（设备）EXT external 外部的，外接的EXT extra 超过EXTN extension 扩展，延伸（程控装置功能单元）Extract 轨道提出EXTSN extension 扩展，延伸（程控装置功能单元）F fast 快（速）F feedback 反馈F forward 向前F foot 脚踏（装置）F frequency 频率F function 功能Ffactor 因子，因素，系数，因数Fade 衰减（音量控制单元）Fade in-out 淡入淡出，慢转换Fader 衰减器Fade up 平滑上升FailureFall 衰落，斜度Faraday shield 法拉第屏蔽，静电屏蔽FAS full automatic search 全自动搜索Fast 快速（自动演奏装置的速度调整钮）Fastener 接线柱，闭锁Fat 浑厚（音争调整钮）Fattens out 平直输出Fault ，损坏Fader 衰减器，调音台推拉电位器（推子）Fading in 渐显Fading out 渐显False 错误Fancier 音响发烧友Far field 远场FatEr 丰满的早期反射FB feedback 反馈，声反馈FB fuse block 熔丝盒fiver by 清晰FBO feedback outrigger 反馈延伸FCC federal communications commission（美国）联邦通信委员会FD fade depth 衰减深度FD feed 馈入信号FDR fader 衰减器FeCr 铁铬磁带Feed 馈给，馈入，输入Feeder 馈线Feed/Rewind spool 供带盘/倒带盘Ferrite head 铁氧体磁头F.&B. forward and back 前后FET field effect technology 场效应技术FF flip flop 触发器FF fast forward 快进FG flag generator 标志信号发生器FI fade in 渐进Field 声场Field pickup 实况拾音File 文件，存入，归档，数据集，（外）存储器Fill-in 填入FILT filter 滤波器Final 韵母Fine 微调Fingered 多指和弦Finger 手指，单指和弦FIN GND 接地片Finish 结束，修饰FIP digital frequency display panel 数字频率显示板FIR finite-furation impulse response有限冲激响应（滤波器）Fire 启动Fix 确定，固定Fizz 嘶嘶声FL fluorescein 荧光效果Flange 法兰音响效果，镶边效果Flanger 镶边器Flanging 镶边Flash 闪光信号Flat 平坦，平直Flat noise 白噪声Flat tuning 粗调Flex 拐点FLEX flexible cord 软线，塞绳FLEX frequency level expander 频率扩展器FLEXWAVE flexible waveguide 可弯曲波导管FLG flanger 镶边器Flip 替换，调换Floating 非固定的，悬浮式的Floppy disc 软磁盘FLTR filter 滤波器Fluorescent display 荧光显示器Flute 长笛Flutter 一种放音失真，脉冲干扰，颤动FLW follow 跟踪，随动FLY 均衡器FM fade margin 衰落设备FM frequency modulation 调频广播FM/SW telescopic rod aerial 调频/短波拉杆天线FO fade out 渐隐Focus 焦点，中心点Foldback 返送，监听Foot(board) 脚踏板（开关控制）Fomant 共振峰Force 过载，强行置入Format 格式，格式化，规格，（储存器中的）信息安排Forward 转送FPR floating point routine 浮点程序FPR full power response 全功率响应FR frequency 频率FR frequency response 频率响应Frame 画面，（的）帧Frames 帧数Free 剩余，自由Free echoes 无限回声（延时效果处理的一种）Free edge 自由折环（扬声器）FREEQ frequency 频率fast rewind 快倒Freeze 凝固，声音骤停，静止Frequency divider 分频器Frequency shifter 移频器，变频器Fricative 擦音Front 前面的，正面的Front balance 前置平衡Front process 前声场处理FRU field replaceable unit 插件，可换部件FS frequency shift 频移，变调FS full short 全景FT facility terminal 设备（输出）端口FT fine tuning 微调FT foot 脚踏装置FT function tist 功能测试FT frequency tracke 频率跟踪器FTG fitting 接头，配件FTS faverate track selection 最佳声迹选择Full 丰满，饱和Full auto 全自动Full effect recording 全效果录音Full range 全音域，全频G gate 门（）G ground 接地GA general average 总平均值Gain 增益，提衰量Game 卡拉OK音响效果Gamut 音域Gap 间隔，通道Gate 噪声门，门，选通Gated Rev 选通混响（开门的时间内有混响效果）GB 吉字节Gear 风格，格调GEN generator （信号）发生器General 综合效果Generator 信号发生器GEQ graphie equalizier 图示均衡器GD ground 接地Girth 激励器的低音强度调节Glide strip 滑奏条（演奏装置）GLLS-sando 滑降（演奏的效果）Global 总体设计GM genertal MIDI 通用乐器数字接器GND ground 地线，接地端 GP group 编组GPR general purpose receiver 通用接收机GPI general purpose interface 通用接口设备Govern 调整，控制，操作，运转GR group 组合Gramophone 留声机，唱机Graphic equalizer 图示均衡器，图表均衡器GRND ground 接地Groove 光盘螺旋道的槽Group 编组（调音台），组Growler 线圈短路测试仪GT gate 门，噪声门GT gauge template 样板GTE gate 门（）GTR gate reverb 门混响Guard 保护，防护装置GUI graphical user interface 图形用户接口Guitar 吉它Guy 拉线Gymnasium 体育馆效果Gyrator 回旋器HQAD high quality audio disc 高品位音频光盘HR handing room 操作室HR high resistance 高阻抗（信号端子的阻抗特性）HRTF head-related transfer function 人脑相关转换功能HS head set 头戴式耳机HS hybrid system 混合系统HT home theater 家庭影院，家庭剧场Hubrid 混合网络，桥接岔路Hum 交流哼声，交流低频（50Hz）噪声Hum and Noise 哼杂声，交流噪声Humidity 湿度，湿气HUT homes using TV 家用HVDS Hi-visual dramatic sound 高保真现场感音响系统HX headroom extension 动态余量扩展（系统）（一种杜比降噪系统），净空延伸H horizonal 水平（状态）H hot 热（平衡信号端口的“热端”）Hall 厅堂效果Handle 手柄，控制HAR harmonec 谐波Hard knee 硬拐点（压限器）Harmonic 谐波Harmonic distortion 谐波失真Harmonic Generator 谐波发生器Harmonize （使）和谐，校音Harmony 和谐Harp 竖琴Hash 杂乱脉冲干扰Hass effect 哈斯效应HD harmonic distortion 谐波失真HDCD high definition compatible digital高分辨率兼容性数字技术HDTV hight definiton television 高清晰度Head 录音机磁头，前置的，唱头Head azimuth 磁头方位角Head gap 磁头缝隙Headroom 动态余量，动态范围上限，电平储备Headphone 头戴式耳机Headset 头带式耳机Heavy metel 重金属HeiFin 垂直微调Hearing 听到，听觉Heat sink 散热板Help （对程序的）解释HF high frequency 高频，高音Hi hign 高频，高音HI band 高频带Hi-end 最高品质，顶级Hi-BLEND 高频混合指示High cut 高切High pass 高通Highway 总线，信息通道Hi-Fi high fidelity 高保真，高保真音响Hiss 咝声Hi-Z 高阻抗HL half reverb 大厅混响Hoghorn 抛物面喇叭Hoisting 提升Hold 保持，无限延续，保持时间Holder 支架，固定架Hold-off 解除保持Home 家庭，实用Home theatre 家庭影院Horizontal 水平的，横向的Horn 高音号角，号筒，圆号Hornloaded 号角处理Hot 热端，高电位端Hour 小时Howling 啸叫声Howlround 啸叫headphone 头戴式耳机HPA haas pan allochthonous 哈斯声像漂移HPF high pass filter 高通滤波器HQ high quality 高质量，高品位Hyper Condenser 超心型的HZ hertz 赫兹H hard 硬的（音响效果特征）IC integrated circuit 集成ID identification 识别ID identify 标志Idle 空载的，无效果的IDTV improved definition television改进清晰度系统IEC international electrical commission国际电工委员会IEEE institute of electrical&electronic engineers 电气及电子工程师学会IF intermidiate frequency 中频的I/F interface 接口IHF the institute of high fidelity 高保真学会IIR infinite-duration impulse response无限冲激响应IKA Interactive knee adapt互调拐点适配，软拐点 I/O input/output 输入/输出IM impulse modulation 脉冲调剂IM image 影象IMD intermodulation distortion 互调失真IMP impedance 阻抗IMP impedence 阻抗IMP interface message processor 接口信息处理机Improper 错误的IN inductor 感应器IN input 输入IN inverter 反演器，倒相器Inactive 暂停，失效的INC incoming 引入线INC increase 增高INCOM intercom 内部通话（系统）In phase 同相IND index 索引，标志，指数IND indicator 指示器Indicator 显示器，指示器Indirect 间接Inductance 电感Induction 感应，引入INF infinite 无限大Infrared 红外线的Infra-red remote control 红外线遥控INH inhibit 抑制，禁止Initial 声母，初始化In/Out 加与不加选择（相当于旁路）开关，接通开关Infinite 无限的，非限定的Increase 增加Initial Delay 早期延时，初次延时Inject 注入，置入 Inlead 引入线Inlet 引入线，插入 In-line 串联的，在线的INP input 输入（端口）INV invertor 倒相器，翻转器，反相器，变换器Inverse 倒相Inverseve Rev 颠倒式混响效果Invert 轮流，反转I/O in/out输入/输出（接口），信号插入接口 I/Oinstead of 替代IPE integrated parameter editing 综合参量编辑IR infrared sensor 红外线传感器IROA impulse response optimum algorithm脉冲响应最佳算法IS information separators 信息分隔字符IS in service 不中断服务ISO International Standardization Organization 国际标准化组织K key 按键Karaoke 卡拉OK，无人伴奏乐队KB key board 键盘，按钮Kerr 克耳效应，（可读写光盘）磁光效应Key 键，按键，声调Keyboard 键盘，按钮Key control 键控，变调控制Keyed 键控Key EQ 音调均衡kHz Kiloherts 千赫兹Kikll 清除，消去，抑制，衰减，断开Killer 抑制器，断路器Kit 设定Knee 压限器拐点Knob 按钮，旋钮，调节器KP key pulse 键控脉冲KTV karaoke TV 拌唱（节目）KX key 键控Lesion ，损害Leslie 列斯利（一种调相效果处理方式）LEV level 电平LEVCON level control 电平控制Level 电平，水平，级LF low frequency 低频，低音LFB local feedback 本机反馈，局部反馈LFE lowfrequency response 低频响应LFO low frequency oscillation 低频振荡信号LGD long delay 长延时LH low high 低噪声高输出LH low noise high output 低噪声高输出磁带 large hall 大厅效果Lift 提升（一种提升地电位的装置）Lift up 升起Labial 唇音L left 左（立体声系统的左声道）L line 线路L link 链路L long 长（时间）LA laser 激光（镭射）Lag 延迟，滞后Lamp 灯，照明灯Land 光盘螺旋道的肩，接地，真地Lap dissolve 慢转换Lapping SW 通断开关Large 大，大型Large hall 大厅混响Larigot 六倍音Laser 激光（镭射）Latency 空转，待机Launching 激励，发射Layer 层叠控制，多音色同步控制LCD liquid crystal display 液晶显示LCR left center right 左中右LD laser vision disc 激光视盘，影碟机LD load 负载LDP input 影碟输入LDTV low definition television低分辨率数字LCD projictor 液晶投影机Lead 通道，前置，输入Lead-in 引入线Leak 漏泄Learn 学习LED light emitting deivce 发光辐射器，发光器件M main 主信道M master 主控M memory 存储器M mix 混频M moderate 适中的M music 音乐Mac manchester auto code 曼切斯特自动码MADI musical audio digital interface 音频数字接口Main 主要的，主线，主通道，电源MAG magnet 磁铁Magnetic tape 磁带Magnetic type recorder 磁带录音机Main 电源，主要的Major chord 大三和弦Make 接通，闭合Makeup 接通，选配Male 插头，插件MAN manual 手动的，手控Manifold technology （音箱）多歧管技术Manipulate 操作，键控MANP 手动穿插Manual 手动的，人工的，手册，说明书March 进行曲Margin （电平）余量Mark 标志，符号，标记Mash 压低，碾碎Masking 掩蔽Master 总音量控制，调音台，主盘，标准的，主的，总路MAR Matrix 矩阵，调音台矩阵（M），编组Match 匹配，适配，配对Matrix quad system 矩阵四声道立体声系统MAX maximum 最大，最大值MB megabytes 兆字节Mb/s megabytes per second 兆字节/秒MC manual control 手控，手动控制MCH multiple chorus 多路合唱MCR multiple cjhannel amplification reverberation 多路混响增强MD mini disc 光磁盘唱机，小型录放唱盘MD moving coil 动圈式MDL modulation delay 调制延时MEAS measure 测量，范围，测试Measure 乐曲的，小节Meas edit 小结编辑MECH mechanism 机械装置MED medium 适中，中间（挡位）Medley 混合Mega bass 超重低音MEM memory 存储器，存储，记忆Member 部件，成员Menu 菜单，目录，表格MEQ mono equalizer 单声道均衡器Merge 合并，汇总，融合Meridian 顶点的，峰值Measure 小结Megaphone 喇叭筒Mel 美（音调单位）Menu 菜单，节目表Message 通信，联系Metal 金属（效果声）Metal tape 金属磁带Meter 电平表，表头，仪表Metronome 节拍器MF matched filter 匹配滤波器MF maveform 波形MF middle frequency 中频，中音MFL multiple flange 多层法兰（镶边）效果MFT multiplprogramming with a fixed number of tasks 任务数量固定的多通道程序设计MIC micro 微米MIC microphone 话筒，麦克风，传声器Michcho level 话筒混响电平Micro monitor amp 微音监听放大器MICROVERB microcomputer reverb 微处理机混响MID middle 中间的，中部的，中音，中频MIDI music instrument digital interface电子乐器数字接口MIN minimum 最小，最小值MIN minute 分钟MIND master integrated network device一体化网络总装置Minitrim 微调Minitrue 微机调整。

ADVERTISING DEVICE

专利名称：ADVERTISING DEVICE 发明人：JANSEN, Henry申请号：ZA2012/000035申请日：20120517公开号：WO2012/159133A3公开日：20130613专利内容由知识产权出版社提供专利附图：摘要：The invention provides a device for advertising (10), which device includes a post (12), which post (12) is configured to have attached thereto a plurality of slats (18) extending horizontally away from the post (12) and in a vertical plane along the post (12) with each slat (18) being pivotably dependable from a horizontal axis (20) to depend inthe vertical plane when no wind is present and to be pivoted out of the plane by wind. One embodiment shows a support structure for slats (18) in the form of a frame (30). The device (10) further includes LED lighting strips (32) to illuminate the slats (18), in use, during the night. The device (10) further includes a platform (34) provided with solar panels (36) and chargeable electrical power storage means within the post (12).申请人：JANSEN, Henry地址：Kidger No. 3 Dan Pienaar 9301 Bloemfontein ZA国籍：ZA代理人：HAHN & HAHN INC. et al.更多信息请下载全文后查看。

基于Virtual Lab的汽车消声器声学性能优化

基于Virtual Lab的汽车消声器声学性能优化摘要：探讨采用声学有限元软件virtual lab分析消声器声学性能的方法，对市面上的一款内部结构复杂的汽车消声器的插入损失和传递损失进行分析，采用对消声器隔板增加穿孔板结构的方法对原消声器进行了改进，尝试对其声学性能进行优化，优化结果表明了改进措施的有效性。

abstract: in this paper, the method is presented to analyzethe acoustical performance of a muffler with complicatedchambers on the market by using the acoustic fem softwarevirtual lab. insert loss and transmission loss of the mufflerare calculated, and the original acoustical performance isimproved through adding additional perforated structure. the comparison of the insert loss and transmission loss of themodified and original mufflers demonstrates theeffectiveness of the optimization scheme.关键词：有限元；声学分析；消声器；传递损失key words: fem；acoustics analysis；muffler；transmissionloss中图分类号：u46 文献标识码：a 文章编号：1006-4311（2012）11-0045-020 引言消声器的声波符合平面波的规律，早从1950年代开始其相关的理论研究。

V-Piano TurboStart - 1 产品说明书

Writeable presets to store the user’s own custom settings internal or save via external USB Memory Key Ambience control, along with 12 types of advance spatial effects, allows the player to model the sound and reverb
Have the piano player sit and play it!
Demo Vintage Pianos…
Show “Vintage Piano 1” (Preset 001), which is modeled after an American-built piano, with a very expressive and “bell-like” tonal quality…see p. 3 of Demo Guide or press V-LINK + TRANSPOSE buttons to access demo
that allows de-tuning of a designated keyboard range or even specific notes…see Demo Guide p. 4
Hammer Voicing…
Adjust the hardness of the (virtual) hammer felt by touching the F2 button and spinning the dial up or down Approx. +75 makes the felt harder and produces a more metallic, percussive tone…approx. -80 makes the felt

重新认识Wadia的CD 数码技术对音质的提升

重新认识Wadia的CD 数码技术对音质的提升客观来说, 之前对于一直喜欢甜美声底的我来说对wadia的声音似乎总没有让人占用的欲望,尤其对早期wadia 的印象, 声音跟坦克似的霸气. 总感觉缺乏美感.CD机发展了近30年, 似乎2000年后CD数码技术已相当成熟, 对于CD 这种古老16 bit PCM格式已很难有实质性的提升. 通过前些日子知.源工作室维修了一位朋友WADIA 近年生产的CD机,让我对WADIA 至今仍孜孜不倦地努力通过数码技术来提升CD机音质的做法而深感敬佩, 特别是最终的声音表现让我彻底改变了对wadia的传统看法. 由于这台CD机是时有时无噪音的软故障, 洞察故障原因需要首先对全机的各个电路做全面的分析与了解, 期间查阅了厂家的许多资料, 并通过与wadia厂家的技术人员沟通, 了解到wadia的数码技术不仅有很多独到之处, 后期模拟处理也采用及其发烧的处理方式, 经过维修更换原厂部件后仔细聆听了几天, 一个简单的声音描述是透且润, 尤其音场的逼真再现及细致度与细节让人一耳朵就能听出不是一般的CD机，虽然CD机的数码技术相比其他数码高科技在技术的复杂度方面属小儿科，但由于CD系统对声音重播需要即时输出的特性，且数码转模拟时也不可能达到理论的数学模型，因此无一HiendCD机能避免去通过各种数码与模拟校声手段来调整最后的声音，例如CD 压片都是16比特的数字信号，现很多CD机都对读取到的16比特数据进行扩展到24比特，实际上多出的那8比特并不是原来音乐信号的取样数据，而是无序的01而已，至于采用什么样的添充数据与处理方法，就涉及到各厂家的数码功底与校声水平了，而这个一定少不了大量的时间与人力成本了。

当然采取芯片厂家标准的推荐DSP算法除外，而wadia一定不是这样的厂家，下面分别列出这些技术亮点，同时这里也感谢wadia原厂技术专家与我多次的技术沟通，值得花些时间把它们整理出来，也算给wadia宣传一把，同时也与同好分享技术乐趣。

CLA-76 翻译

WAVES CLA-76使用说明Chapter 1 – Introduction1.1 WelcomeThank you for choosing Waves! In order to get the most out of your Waves processor, please take the time to read through this manual.In conjunction, we also suggest that you become familiar with . There you will find an extensive Answer Base, the latest Tech Specs, detailed Installation guides, new SoftwareUpdates, and current information on Authorization and Registration.By signing up at , you will receive personalized information on your registered products, reminders when updates are available, and information on your authorization status.1.2 产品介绍关于the CLA-76CLA-76是模仿音乐历史上最著名的硬件压缩/限制器之一，它使用独特的晶体管作为增益控制器，起初大约制造了8000台，在后来也经历了至少13次的修改。

Waves就是模仿改版中备受赞许的两款:改版B,也称作银版蓝纹，我们模仿的这台是Cla的个人最爱.改版D-LN (低噪音),也称为黑版，这应该是所有经典压缩效果器中最著名的一款了这两台设备最主要的不同是在增益模块和Time常数上有细微的差别，在谐波失真和低噪方面也是一样。

音乐产业在音乐创作与制作环节的技术创新考核试卷

（）
9.______和______是两种常用的立体声声像定位技术，它们分别通过时间和强度的差异来营造空间感。
（）（）
10.______是指音乐作品在流媒体平台上的播放次数，它是音乐人收入的一个重要来源。
（）
四、判断题（本题共10小题，每题1分，共10分，正确的请在答题括号中画√，错误的画×）
1.在音乐制作中，采样率越高，音频质量越差。（）
8.多轨录音是指在同一时间内录制多个音轨的过程。（）
9.在音乐制作中，自动化混音可以手动调整每个音轨的音量、声像和效果器参数。（）
10.音乐产业的技术创新主要依赖于音乐创作者的才华和创意。（）
五、主观题（本题共4小题，每题10分，共40分）
1.请描述数字音频工作站（DAW）在音乐创作与制作过程中的作用，并举例说明至少三种不同的DAW软件及其特点。
C. CD（频率差）
D.混响
9.在音频效果器中，以下哪个效果器主要用于调整声音的节奏？（）
A.延迟
B.混响
C.压缩
D.节拍器
10.以下哪个软件常用于音乐制作中的音频剪辑与混音？（）
A. Ableton Live
B. Adobe Premiere
C. Steinberg Cubase
D. AutoCAD
A.数字信号处理
B.环境声学设计
C.灯光设计
D.视频映射
14.以下哪些是音乐制作人需要考虑的法律问题？（）
A.音乐版权
B.隐私权
C.商标法
D.合同法
15.以下哪些是音乐制作中的创新趋势？（）
A.云端音乐制作
B.便携式录音设备
C.人工智能音乐创作
D.传统四轨磁带录音
16.以下哪些是影响音乐作品传播的因素？（）

Pro-Ject Phono Debut Carbon EVO 用户指南说明书

INSTRUCTIONS FOR USE Debut Carbon EVO2© Pro-Ject Audio Systems · Pro-Ject Debut Carbon EVO · Revision 2020.08.05Pro-Ject Debut Carbon EVOControls, features and connections(1) Motor with TPE damped flange(2) Stepped drive pulley(3) Drive belt(4) Sub-platter(5) Platter TPE damping and felt mat(6) Tonearm counterweight 6a Downforce scale(7) Tonearm lift lever(8) Tonearm rest and removable transport lock(9) Tonearm tube 9a Tonearm base(10) Lid(11) Lid hinges(12) Hinge fasteners(13) Phono output sockets and earth connection(14) Power supply socket(15) Anti-skating weight(16) Anti-skating weight support hoop(17) Anti-skating weight adjustment scale(18) Height adjustable feet with TPE damping(19) Speed selector(20) Headshell with finger lift and fitted Ortofon 2M RED or Sumiko Rainier cartridge(21) Single adapterSignal cable Connect IT E RCA (not shown)78 rpm round belt (not shown)© Pro-Ject Audio Systems · Pro-Ject Debut Carbon EVO · Revision 2020.08.05 3© Pro-Ject Audio Systems · Pro-Ject Debut Carbon EVO · Revision 2020.08.054 Dear music lover,Thank you for purchasing a Pro-Ject Audio record player.In order to achieve maximum performance and reliability with this record player you should study these instructionsfor use carefully.Warning of a hazard for the user, the unit or possible misuse. Important notice.The following instructions for adjusting the cartridge are provided in case the cartridge isreplaced by a different model at a later date.During assembly and adjustment of the deck small parts could be lost if not carefully placed in a suitable receptacle. Before starting to assemble, get familiar with the parts listed above and correspondingly numbered in the technical drawings above.Safety instructionsThe power supply is used to connect and disconnect the unit from the mains. Make sure that the plug is easily accessible at all times. Hold the plug when unplugging the power cord. Never handle the power cord while your hands are wet or damp.Avoid letting liquids enter the device. Never place any item containing liquid, like a flower vase, on or near the device. Never spill any liquid on the device. Never place any naked flame sources, like lighted candles, on or near the device. The product shall not be used in damp or wet locations, next to a bathtub, sink, swimming pool or any other similar conditions.Keep plastic bags away from children to prevent any risk of suffocation.Set-upThe deck is supplied partially disassembled and carefully packaged for safe transport. Carefully remove all parts from the transport packaging.Make sure the surface you wish to use the turntable on is level (use a spirit level) before placing the turntable on it. Remove the transport lock (8) from the tonearm. Store it in the original packaging so it is available for any future transportation.Fit the drive belt (3) around the hub (4) and the smaller diameter part of the motor pulley (2). Avoid getting sweat or grease on the belt as these will deteriorate the performance and reduce the belt's lifespan. Use absorbent kitchen paper to remove any oil or grease from the outer edge of the hub and the belt. Fit the platter (5) and felt mat over the spindle of the hub (4).Cartridge downforce adjustmentThe counterweight (6) supplied is suitable for cartridges weighing between 5 – 8.5g (Ortofon 2M Red, Sumiko Rainier - weight no. 08).Pushing carefully, turn the counterweight (6) onto the rear end of the tonearm tube (9), so that the downforce scale (6a) shows towards the front of the player. Lower the armlift and position the cartridge in the space between arm rest and platter. Carefully rotate the counterweight (6) until the armtube balances out. The arm should return to the balanced position if it is moved up or down. This adjustment must be done carefully. Do not forget to remove the cartridge protection cap if fitted.Once the arm is correctly balanced return it to the rest. Hold the counterweight (6) without moving it, and gently revolve the downforce scale ring (6a) until the zero is in line with the anti-skating prong (17). Check whether the arm still balances out.Rotate the counterweight counter clockwise (seen from the front) to adjust the downforce according to the cartridge manufacturer's recommendations. One mark on the scale represents 1 mN (= 0.1g / 0.1 Pond) of downforce.Please note: Adjust the downforce prior to installing the anti-skating weight.The recommended downforce for the Ortofon 2M RED cartridge is 17.5mN.The recommended downforce for the Sumiko Rainier cartridge is 20mN.Anti-skating force adjustmentThe anti-skating force must be adjusted corresponding to the downforce asfollows:Downforce Groove in the stub (17)10 - 14mN 1st from bearing rings15 - 19mN 2nd " " "20mN and bigger3rd " " "Slip the loop of the anti-skating weight's thread over the second groove of the stub to set the correct anti-skating force for the factory-fitted cartridge. Feed the thread through the loop of the wire support (15).Connection to the amplifierThe record player has gold plated female RCA Phono sockets (13) so you can substitute the interconnect cables supplied with higher quality cables such as the Pro-Ject Connect IT C, CC or Si interconnect cables for connection to the amplifier if you wish.Use the Phono input (sometimes labelled gram, disc or RIAA) on your amplifier. Make sure that the phono input offers correct matching and amplification for the type of cartridge used. Line inputs (such as CD, Tuner, Tape or Video) are not suitable.Take care to connect the left and right channels correctly. The right channel is usually marked red, the left channel black or white. Check the manual supplied with your amplifier for relevant information. The earthing wire of the tonearm lead should be connected to the earth terminal on your amplifier (if provided).If your amplifier does not have an input suitable for phono cartridges you will require a separate phono amplifier stage for MM or MC cartridges which is then connected between the record player and a free line level input of the amplifier.For detailed product information regarding Pro-Ject Audio interconnect cables and phono amplifiers please refer to the Pro-Ject web site .The recommended load impedance for the factory fitted cartridges is: 47kohms/MM-input Mains power connectionThe turntable is supplied with the universal power supply with 3 exchangeable sockets adapters suitable for all countries. Select the correct adapter for your country and insert the adapter to the exchangeable part of the power supply.Connect the low voltage plug from the power supply to the socket (14) on the rear of the record player before connecting the power supply to the mains.Fitting the lidFit the lid (dust cover 10) carefully over the hinge prongs and adjust the screws (12) until the lid stays open where you want it to without being too stiff to open or close.Switching on and off, changing replay speedThe turntable is equipped with a three-position switch for ON/OFF and electronic speed change. To play records at 33 r.p.m. press this switch (19) to the left side. To play records at 45 r.p.m. press this switch (19) to the right side. To be able to play 78 r.p.m. the flat drive belt has to be removed and the round drive belt has to be fitted around the sub-platter (4) and the larger diameter part of the motor pulley (2). To do so, the platter (5) has to be removed.After the round drive belt, has been fitted, pressing the ON/OFF switch to the right selects 78 r.p.m.© Pro-Ject Audio Systems · Pro-Ject Debut Carbon EVO · Revision 2020.08.05 5Useful tipsThe record player should be positioned on a low-resonance surface such as wood or multiple layer ply board to avoid structural vibrations disturbing replay.Adjusting the azimuth** The cartridge needle must be vertical in the record groove in order to trace the groove wall modulations correctly.A small screw at the bearing end of the arm allows incorrect azimuth to be corrected if your needle is not mounted exactly perpendicular to the cartridge body (which is often the case).Slacken off the screw just enough to be able to revolve the arm tube without applying force. Please note: do not remove the screw completely!With the aid of a good magnifying glass adjust the needle until it is vertical in the groove (i.e. perpendicular to the record's surface). Ideally this should correspond to the top surface of the cartridge body being parallel to the record surface.When you are satisfied that the needle is vertical retighten the screw carefully.Please note: Under no circumstances should the arm tube be adjusted with the needle still in therecord groove! Irreparable damage may be caused to the cantilever suspension! The arm must belifted to make each adjustment and lowered afterwards to check it.Fitting and connecting the cartridge** All cartridges with half inch mounting holes can be fitted. Leaving the needle's protection cover on, fit the cartridge to the headshell using the screws supplied with the cartridge by passing one screw through each slot in the headshell (20). Do not tighten the nuts yet.Connect the tonearm wires to the cartridge pins as follows:white left channel positive (L+)red right channel pos. (R+)green right channel return (R -)blue left channel return (L -)The full sound quality of the record player can only be achieved if the cartridge is correctly adjusted. Particular tools like the Pro-Ject alignment tool are required to accomplish this job properly.6© Pro-Ject Audio Systems · Pro-Ject Debut Carbon EVO · Revision 2020.08.05If you are not well acquainted with the adjustment of cartridges you are advised to call upon the willing help of your Pro-Ject dealer to accomplish this task for you.Please note: Adjusting a cartridge and tonearm calls for the greatest care in order to avoid damaging the cartridge or tonearm bearings. Leave this work to your dealer if you are in any way unsure of the necessary steps and precautions to be taken.Maintenance and cleaningYour record player requires little or no regular maintenance. Remove dust with a slightly moistened antistatic cloth. Never use a dry cloth because this will create static electricity which attract more dust! Antistatic cleaning fluids are available at specialist stores but must be applied sparingly to avoid damage to rubber parts. It is recommended to fit the needle cover before cleaning or maintenance is carried out to avoid damage.Always disconnect the record player from the mains power supply as a precaution before maintenance! Technical specifications Pro-Ject Debut Carbon EVO/ Pro-Ject 8.6ccNominal speeds 33/45 r.p.m. *** 78 r.p.m. optionalSpeed variance 33: ±0.50% 45: ±0.60%Wow and flutter 33: ±0.17% 45: ±0.15%Signal to noise 68dBEffective tonearm mass 6gEffective tonearm length 8.6 " (218.5mm)Overhang 18,5mmPower consumption 4W/0W in Stand-ByOutboard power supply 15V / 0 – 0.8mA DC (set at 0.5mA), universal power supply Dimensions (W x H x D) 415 x 118 x 320mm, dust cover open 415 x 365 x 405mmWeight 5,6kgDimensions packaging (W x H x D) 488 x 235 x 393mmWeight incl. packaging 8.0kgTechnical specifications MM-Sumiko RainierFrequency range 12-25.000HzChannel separation 25dB/1kHzOutput voltage 5mVRecommended load impedance 47kohms/amplifier connection – MM-inputCompliance/stylus type 10µm/mN – ellipticalRecommended tracking force 20mNWeight 6.5gTechnical specifications MM-Cartridge Ortofon 2M RedFrequency range 20-22.000HzChannel separation 22dB/1kHzOutput voltage 5.5mVRecommended load impedance 47kohms/amplifier connection – MM-inputCompliance/stylus type 20µm/mN – ellipticalRecommended tracking force 17.5mNWeight 7.2g© Pro-Ject Audio Systems · Pro-Ject Debut Carbon EVO · Revision 2020.08.05 7© Pro-Ject Audio Systems · Pro-Ject Debut Carbon EVO · Revision 2020.08.058 Potential incorrect use and fault conditionsPro-Ject turntables are manufactured to the highest standards and undergo strict quality controls before leaving the factory. Faults that may possibly occur are not necessarily due to material or production faults but can sometimes be caused by incorrect use or unfortunate circumstances. Therefore, the following list of common fault symptoms is included.The platter doesn't turn although the unit is switched on:The unit is not connected to the mains power supply.No mains at the socket.Drive belt is not fitted or has slipped off.No signal through one or other channel or both channels:No signal contact from the cartridge to the internal tonearm wiring or from that to the arm lead or from that to the phono box or between that and the amplifier. This could be due to a faulty plug, broken wire or solder joint or simply loose plug/socket connection.Phono input not selected at amplifier.Amplifier not switched on.Amplifier or speakers defective or muted.No connection to the loudspeakers.Strong hum on phono input:No earth connection from cartridge or arm or arm cable to amplifier, or earth loop.Distorted or inconsistent sound from one or both channels:Record player is connected to wrong input of amplifier, or MM/MC switch incorrectly set. Needle or cantilever damaged.Wrong r.p.m., drive belt overstretched or dirty, platter bearing without oil, dirty or damaged.ServiceShould you encounter a problem which you are not able to alleviate or identify despite the above information, please contact your dealer for further advice. Only when the problem cannot be resolved there should the unit be sent to the responsible distributor in your country.Guarantee repairs will only be effected if the unit is returned correctly packaged. For this reason we recommend keeping the original packaging.Never return a record player without making sure that is it safely disassembled and correctly packaged in the original packaging according to the diagrams on the last page of this user guide. Please remove these parts and pack them separately: lid (10), counterweight (6), anti-skating weight (15) platter (5) and belt (3). Fit the cartridge protection cap. Insert the transport lock for the tonearm (8) prior to carefully packaging the record player.WarrantyThe manufacturer accepts no responsibility for damage caused by not adhering to these instructions for use and/or by transportation without the original packaging. Modification or change to any part of the product by unauthorized persons release the manufacturer from any liability over and above the lawful rights of the customer.PRO-JECT is a Registered Trademark of H. Lichtenegger. This guide was produced by: Pro-Ject Audio Systems Copyright © 2020. All rights reserved. The information was correct at the time of going topress. The manufacturer reserves the right to make changes to the technical specification without prior notice as deemed necessary to uphold the ongoing process of technical development.© Pro-Ject Audio Systems · Pro-Ject Debut Carbon EVO · Revision 2020.08.05 9。

音响AV圣经网路版 B开头技术名词

Back-EMFBack-ElectroMotive Force反電動勢。

喇叭單體是靠著擴大機輸入的音樂訊號來驅動，驅動的原理就是把訊號輸入音圈，而音圈是處於強力磁場中，當音樂訊號變動時，就產生磁力切割作用，使得音圈推動振膜開始做前後往復運動。

反之，如果擴大機沒有輸出訊號給喇叭單體，但是喇叭單體卻仍然還在往復運動時，也會因為音圈的運動而切割磁場，產生電壓。

而這不該有的電壓會沿著喇叭線回輸到擴大機輸出端，讓擴大機推動喇叭時顯得「軟腳」，這種從喇叭回輸到擴大機的電能就稱為反電動勢。

反電動勢必須有效壓制，喇叭才能推得好，而壓制反電動勢的方法就是避免使用擴大機輸出端回送到輸入端的回授，或者是盡量降低輸出端回送到輸入端的回授，這樣反電動勢就不會隨著回授而傳到輸入端。

Balanced這裡的平衡指的是擴大機的平衡線路或平衡訊號線、平衡端子等，而非聲音聽感的平衡性。

平衡這個字雖曰平衡，但卻會帶來很多的問題。

首先是到底平衡式擴大機有比非平衡式擴大機好嗎？再來，我們在音響廣告上可以看到「Fully Balanced」、「Differential Balanced」、「True Balanced」等名詞，到底哪一種才是真的平衡式設計呢？還有，平衡訊號線是否就比單端訊號線（也就是RCA端子的線）好呢？有關這幾個問題，我想從最簡單的先說起吧！在往下寫之前，我要先提醒各位，所謂的平衡設計主要是談前級的線路設計，後級的功率級如果作成平衡式，那就變成橋接了。

倒是輸入級因為要承接從前級輸入的平衡訊號，所以必須設計成平衡式。

平衡訊號線是否比單端訊號線還好？答案是肯定的。

第一個好處是接駁端子比較好，平衡訊號線採用×LR端子，它的接觸性與可靠性都高於單端的RCA端子。

第二個好處最重要，那就是平衡線雜訊比單端線低很多。

為什麼？因為單端設計的訊號線內部只有二條，也就是一正一負（地端），這負端不僅是音樂訊號的返回路徑，同時也是前、後二部機器之間地端、機殼、屏蔽的連接線。

刻cd

[转帖]刻录音频CD软件之大比拼 FEURIO PK Burnatonce与Burrrn试用了三十多款音乐刻录软件，除了一小部分不能刻录，其它都能刻录。

每一款软件刻的声音都不同，让我非常吃惊。

本人刚开始用的是NERO，刻出来一听，原来是那个样，声音有毛刺，不过声音还是能放得开。

之后，无意中看到有评论说软件刻出的声音有不同，本人觉得有意思，就试用了几款软件。

听了之后，令人兴奋。

本人听音乐无数，家里藏有100元左右进口碟五六百张，90％是古典碟，一张盗版碟都没有，刻碟只为送给亲戚。

音响发烧店是我经常去的地方，各种音响品牌都听过，而且也经常摆位。

本人也有幸听过多场现场音乐会。

说了这么多，只是给大家一些看法。

这些软件可分为三类：1、声音出不来，似乎被压抑，代表是Burnatonce与Burrrn；2、声音放得开，圆润有弹性，代表是FEURIO；3、声音干净，数码声突出，代表是Easy Audio/DataCD/DVD Burner。

本人列出喜欢的几款软件：FEURIO：声音圆润，放得开，最突出的是实体感强。

声音结实有力度，是FEURIO比别的软件强的地方。

本人经过注册，没有暴音。

以下的软件，都经过注册，使用上没有问题。

DeepBurner PRO：声音圆润，放得比FEURIO还要开，音场宽而深，用它来刻古典是再好不过，而FEURIO刻人声最好。

但是，DeepBurnerPRO圆润度不如FEURIO。

Cheetah CD Burner：声音圆润，比DeepBurner PRO稍蒙了一点，声音也没有DeepBurner PRO干净，但非常耐听，声音平衡度没有问题。

Easy Audio CD Burner：声音接近DeepBurner PRO，但稍逊一点。

Easy Music CD Burner：声音比以上软件多了一点数码声。

给大家一点提示：刻完碟，要煲一下，听第一次声音出不来，第二或第三次声音才放得开。

音箱一定要摆好位，不让驻波形成，把低频收紧，不让它干扰其它各声部，一定要注意各声部的平衡。

处处体现技术精华Magnat MR 780解码合并机+Humidor书架箱

EDUIPmENT HEVIEUJ点指兵兵处处体现技术精华Magnat MR780解码合并机 +Humidor书架箱文/家祺图/小路产品代理：尊宝音响2祕Jiff前粪:Magnat MR780解码合并机与Humidor书架箱搭配起来颇为协调德国Magnat（密力）从事音响扬声器工业迄今已逾40余年之久，在德国国内外，Magnat都颇有名气。

上世纪70年代Magnat一大成名技术是压铸铝合金机架和无质离子高音的研发以及All Ribbon系列的面世。

All Ribbon10在1978年一经推出，就成为同级别中最畅销的型号。

1992年，美国VOXX集团接管了Magnat。

产品研发、发展战略和市场管理以及产品相关的决定仍由设在德国的公司总部管理。

基于美国集团雄厚的财力支持，Magnat在实验室和计量设备上追加投资。

投资最初反映在产品研发上，最先受益的是后来于1995年大获成功的Vintage系列。

经过多年努力，Magnat研发出其历史上最为辉煌的音箱Vintage 990o而现在作为全球领先的高品质家庭和汽车音频制造商，Magnat的产品行销全球超过50个国家。

现在的Magnat,已是一个综合的音响品牌，旗下有着Hi-Fi扬声器、家庭影院扬声器、功放解码、无线音箱、耳机产品都齐全，产品线十分宽广。

而且Magnat旗下产品风格多变，有着丰富的设计元素，可与不同的家居搭配出多种视觉效果。

前不久本刊测试过Magnat的一款使用了电子管的合并机RV4,采用十分传统的胆放造型，但其实内里十分新潮，数字接□齐全还带蓝牙。

而另一款使用电子管的MR780就采用不同的设计，方正而利落的拉丝金属面板，看起来就时尚感十足，一看就感受得出是新时代的设计，但又加上透出淡光的电子管点缀，造成时尚与复古的冲撞，令人眼前一亮。

接口齐全的胆石混合功放MR780是一台具有电子管前级放大器和高性能晶体管输出级的混合式合并机，前级放大级采用由俄罗斯制造已充分burn-in的ECC-81电子管，确保整个系统提供温暖而细腻的声音。

T200B音乐监听大师

T200B音乐监听大师HiVi T200B 隆重推出－献给 HiVi X3 家庭影院荣获美国“ THX ” 认证(点击放大)HiVi T200B professional music monitor system建立HDV Studio电脑影音编辑新标准型号：HiVi T200B类型：双声道专业监听级有源系统惠威 T200B 是惠威历史上做得最好的有源 2.0 声道监听级音箱，也是当前国内外市场上所有品牌的多媒体近场两声道音箱商品中，音质音色最好的产品——特别是整体声场平衡和大动态具有压倒性的优势。

”惠威 T200B 厂家已经预公布参数，在听取了广大媒体，发烧友，专家及代理商意见后，对T200B 做了上市前的最后定型工作，包括对扬声器、分频器进行微调优化，进一步降低了系统失真度，改善了频响相位特性，完成了 T200B 上市前的终极版本。

秉承惠威一丝不苟的企业理念，惠威承诺所有的T200B音箱在出厂时由惠威专业人员在惠威亚洲最大的专业消声室内逐只实际测量打印，这些实测频响曲线将作为给用户的一个最高品质保证附在包装箱内和每一只HiVi T200B音箱一起出厂，这也开创了世界多媒体产品品质保证先河。

为了让两只箱子的曲线匹配更好，T200B使用的单元在上生产线以前就要进行曲线的配对工作，这样才能让最终出厂的T200B （A/B）两箱的曲线更趋于一致，声场定位更加准确。

虽然惠威的工程师将会为此付出更多的辛劳，但这样能让每一位用户享受到惠威T200B的顶级品质待遇，同时还能让用户对惠威全亚洲最大专业消声室也有更直接的感触，因为您手里的T200B曲线数据就是在这个消声室中实地测得的。

HiVi T200B 适用范围：全功能专业 Studio 录音棚近场监听，顶级私人影音声频工作站，家庭数字娱乐系统，狂热Hi-End 电脑音乐发烧友， iPod / Mp3 音乐欣赏，时尚 DVD 家庭影院， HiFi 发烧音乐欣赏，震撼 XBOX 360 游戏，Hi-End Windows XP Media Center 系统。

音频剪辑与混音技术考核试卷

1.在音频剪辑中，将音频文件分割成不同部分的工具称为_________。
2.数字音频工作站（DAW）是用于录音、编辑和_________音频的软件。
3.常用的无损音频文件格式包括_________和_________。
4.在混音过程中，_________用于调整声音的响度。
5.音频的采样率决定了音频的质量，通常CD音质的采样率为_________Hz。
1.请简述音频剪辑的基本流程，包括必要的步骤和注意事项。
2.在混音过程中，如何平衡各个乐器和声音轨道的音量？请列举你常用的方法。
3.请解释什么是动态范围，以及为什么在音频制作中需要对其进行处理。
4.描述至少三种不同的音频效果器（如混响、延时、压缩器等），并说明它们在混音中的作用和适用场景。
标准答案
一、单项选择题
A.频率
B.颜色
C.分辨率
D.厚度
5.在混音过程中，以下哪个设备用于调整音量？（）
A.均衡器
B.压缩器
C.混响器
D.音量推子
6.以下哪个是立体声声像定位的一个关键因素？（）
A.延时
B.振幅
C.相位
D.频率
7.在音频剪辑中，以下哪个操作可用于删除不需要的音频部分？（）
A.剪切
B.粘贴
C.撤销
D.复制
8.以下哪个格式通常用于保存无损音频文件？（）
A.拉长器
B.混响器
C.合成器
D.环形调制器
16.以下哪些是音频剪辑中的基本工具？（）
A.选择工具
B.剪切工具
C.橡皮工具
D.画笔工具
17.以下哪些软件支持VST插件？（}
A. Pro Tools
B. Audacity

乐器声音的动态范围压缩考核试卷

7.使用动态范围压缩时，过度压缩可能导致声音失去______。
8.压缩器中的makeup gain是用来补偿信号在压缩过程中产生的______。
9.在处理人声时，为了保持自然感，通常会选择较慢的______时间和较快的释放时间。
10.在数字音频工作站中，动态范围压缩通常通过______来实现。
四、判断题（本题共10小题，每题1分，共10分，正确的请在答题括号中画√，错误的画×）
1.以下哪些因素影响乐器声音的动态范围？( )
A.音量大小
B.音色
C.演奏技巧
D.录音设备的质量
2.动态范围压缩在以下哪些场合中经常被使用？( )
A.广播
B.现场演出
C.录音室录音
D.电影配乐
3.以下哪些是压缩器的关键参数？( )
A.压缩阈值
B.压缩比率
C.攻击时间
D.频率响应
4.压缩器的哪些特性可以帮助平滑声音的动态变化？( )
B.电子压缩器的快速响应
C. FET压缩器的饱和特性
D.可变增益压缩器的线性特性
18.在动态范围压缩中，以下哪些技巧可以帮助保持声音的自然呼吸感？( )
A.使用较慢的攻击时间
B.使用较快的释放时间
C.设置适当的压缩比率
D.避免过高的压缩阈值
19.以下哪些因素可能导致声音在压缩后出现“泵动”效果？( )
乐器声音的动态范围压缩考核试卷
考生姓名：答题日期：得分：判卷人：
一、单项选择题（本题共20小题，每小题1分，共20分，在每小题给出的四个选项中，只有一项是符合题目要求的）
1.以下哪种乐器通常使用动态范围压缩最少？( )
A.钢琴
B.小提琴
C.定音鼓
D.口琴

挖掘一切细节Pathos Digit CD播放机

挖掘一切细节Pathos Digit CD播放机
《视听技术》编辑部
【期刊名称】《视听技术》
【年(卷),期】2008(000)004
【摘要】意大利Pathos目前共设计生产了两个型号的CD播放机，一个是旗舰Endorphin，另一个便是这款普及版Digit。

作为旗舰的Endorphin自然是不惜工本，整个唱盘的基座以重料铝合金制作，提供稳固及防震的摆放；特别的显示屏设计可作90度倾斜调节，以提供最清晰直接的观看效果；机械部分则采用经全面改造的Phi11psCD-PRO2机芯，配合双Crystal 4396 24bit Delta-SigmaDAC芯片、1g2kHz升频处理DAC电路及全平衡设计的纯A类模拟放大输出，输出缓；中级以两只俄制6H30电子管工作，
【总页数】1页(P34)
【作者】《视听技术》编辑部
【作者单位】无
【正文语种】中文
【中图分类】TN912.231
【相关文献】
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2.欧博摊出Reference CD2.3MKⅢ CD播放机CD播放机+无线数字界面1.0高格式数码音乐播放系统 [J],
3.介绍二款高品位CD播放机--金嗓子DP-55V CD和雅骏CD92 CD播放机 [J], 钱志远
4.PATHOS Digit CD播放机Luxman L-590All合并式功放Spendor S8e音箱[J], 成师
5.新款纯CD播放机登场马兰士新推出CD6002 CD播放机 [J],
因版权原因，仅展示原文概要，查看原文内容请购买。

索尼 D-EJ2000播放机说明书

微调杆
•按可在曲上加记 Bookmark。也可以输入 PGM（程式）播放用的选曲。
• 向 > 或 . 轻按可以选择 PGM 播放模式的曲子。
10
播放模式选择
反复播放曲子（重复播放）
您可以用正常播放、单曲播放、随机播放、加记了Bookmark（书签）的曲子和 PGM （程式）播放模式反复播放曲子。
播放模式选择
反复播放曲子（重复播放） ................. 11 播放单首曲子（单曲播放） ................. 11 任意顺序播放曲子（随机播放） ......... 11 给喜欢的曲子加记 Bookmark 以便选播
（播放加记书签曲子） .................... 12 按照喜欢顺序播放曲子
本 CD 播放机专用于播放符合激光光盘数码音讯系统说明的音讯光盘。最近，一部分唱片公司发行的带有版权保护技术的音讯光盘，其中有一部分，可能不能用本 CD 播放机播放。卸下 CD
要卸下 CD 时，请按着托盘中心的枢轴同时把 CD 取下。
9
播放模式选择
可以利用 P MODE/ （播放模式／反复）按钮和微调杆享各种各样播放选项。
wa P MODE/ （播放模式／反复）按钮（第 10-13，17 页）
注限使用附带的遥控器。不能用其他 CD 播放机所附带的遥控器去控制操作本 CD 播放机。
（接下页）
5
要用遥控器的夹子时请从遥控器上卸下夹子并改变夹子的方向。
要卸下时
要以相反方向装上时
,
也可让遥控器导线穿通夹子。
利用携带软袋可利用附带的携带软袋携带您的播放机和电池盒使用。如下图所示适当地装插在软袋
（第 8，16，17，19，20 页）