British literature
UnitBritishLiterature(英国文学)必备学习
美式论文、报告写作技巧编者按:美式教育地特点即是课程内容强调学生参与及创新运用,因此,报告便成了常见地考核学生学习成果地方式,比如实验报告、学期报告、专题报告、研究报告及论文<含毕业论文)等.研究生presentation 及seminar 地机会更是占很大地比重,有些甚至占学期成绩很大比例.如何完成报告、论文同时得到良好地成绩,是本文提供给有志留学地有心人参考地目地. 美国大学生由於自小已养成自动寻找答案习惯,在启发式地教育环境下,写报告、论文对他们来说比较不陌生,虽然专业知识上美国学生不见得比外籍学生强,但是表达能力由於自小培养,加上英语能力地优势,常比外籍学生在报告、论文方面有较隹地利基.反之中国学生比较缺乏报告写作地训练,因此如果在留学过程中无法适应美式教育会比较辛苦,其实论文、报告地写作要领其实不难,只要把握技巧就可水到渠成.通常论文由篇首(Preliminaries>,本文(Texts>以及参考资料(References>三部分构成;而这三大部分各自内容如下:(一> 篇首:封面(Title>序言(Preface>谢词(Acknowledge>提要(Summary>目录(Tables and Appendixes>(二> 本文:引言(Introduction>主体,含篇(Part>、章(Chapter>、节(Section> 、以及注释 (Footnotes>(三>参考资料:参考书目(References or Bibliography>附录资料(Appendix>.进行论文或报告写作之前,先要确定想要表达地主题,主题确定后,将其具体表达,即为题目.题目可以提供研究者:一.研究地方向二.研究地范围三.资料搜集地范围四.预期研究成果通常在确定题目之後就开始找资料从事研究,建议在找资料之前最好去问教授有哪些参考资料来源可供参考引用.构思为确定写作大纲或Proposal 地先前步骤, 大纲是论文、报告地骨干, Proposal 是研究地架构、流程及范围地说明书.如何构思大纲或Proposal为论文、报告写作前地必要准备工作.好地论文或研究报告,要基于在完整、详实地资料上,而参考资料除了和教授商借之外,最主要地来源就是图书馆了,一般参考资料来源可分成教科书或手册、政府机构地报告、科技或商业方面地杂志,及会议性质地资料.此外现代地电脑资料库也可帮助收集资料,在国外可利用学校地电脑连线资料库寻找自己需要地资料.当一切准备就绪,即可开始着手写报告,一般报告还分大报告如期末、专题等报告,及小报告如 Seminar 式地报告.就算是小报告,也至少应含(一>TITLE PAGES :包含主题名称、作者、日期(二>Summary:即主要地结论(三>Introduction:包括理论背景及内容(四>Technical Sections:是论文地主体,为最重要地部份应再细分为几个片断.(五>Conclusions:即扼要地结论(六>Appendixes:复杂公式地导引及叁考资料和电脑程式地报表可附加在此项美式报告地撰写通常要打字,两行式,行间若有未拼完地字要以音节来连接.写报告通常需要用到电脑,如有计算数字统计图表地需求,也常会用到程式软体如PASCAL、LOTUS,统计分析软体如SAS,也是不可或缺地,电脑绘图在今日已成为工商界及学术界地重要工具,文书处理更是最基本地要求,因此Word for Window、Powerpoint、Excel便成了颇受欢迎地工具.此外在英文语法、文法上地润饰与修改,如能请老美帮忙会比较好.论文、报告完成后有时会需要做解说(Presentation>,用英文来讲演对中国人来说算是一大挑战,通常课堂讲演时间为十五分钟到三十分钟,若是论文囗试则至少一小时.投影机及麦克风地使用对讲演地效果有很大帮助,正式讲演前多预习几次,时间宜控制适中,上台时忌讳低头拿着报告照念,需留意听众地反应,切中主题,避免太多数字地导引.Unit 6British Literature (英国文学>一、本单元重点内容1. Beowulf {贝奥武夫(一首古英文史诗地名字,同时也是此诗中地英雄地名字>}2. The Canterbury Tales by Geoffrey Chaucer (杰弗里·乔叟地《坎特伯雷故事集》>3. Stories about King Arthur (关于亚瑟王和他地骑士们地故事>4. William Shakespeare (威廉·莎士比亚>5. the Romance writers in the 19th century (19世纪浪漫派作家>6. The Brontes (布朗特三姐妹>7. Charles Dickens (查理·狄更斯>8. Sir Walter Scott (瓦尔特·司各特>9. Robert Louis Stevenson (罗伯特·路易斯·斯蒂文森>10. Modernism (现代主义>11. Postmodernism (后现代主义>12. Joseph Conrad (约瑟夫·康拉德>13. Virginia Woolf (维吉尼亚·吴尔夫>14. wrence (D.H.·劳伦斯>15. E.M Foster (EM·福斯特>二、本单元重、难点辅导1. early writing1>. British literature concerned with Christianity: Anglo-Saxons’ illustrated versions of the bible: the most famous--- the Book of Kells2>. Beowulf --- a long poem, one of the oldest of these early “Old English”(AD 6th C. —AD 11thC.地盎格鲁˙撒克逊地英语> literary works (古英语文学作品指8th C. AD—11th C. AD>3>. Canterbury Tales by Geoffrey Chaucer (1340-1400>The most important work in Middle English (中古英语:11th C. AD—15th C. AD> Literature. It’s made up of a series of stories told by 31 pilgrims to entertain eac h other on their way to the Christian Church at Canterbury in south-east England. It’s quite noticeable for its diversity, not only in the range of social status among the pilgrims, but also in style of the stories they tell.杰弗里·乔叟地《坎特伯雷故事集》是中古英语文学中最重要地作品.故事讲述了31个朝圣者结伴到英格兰东南部地坎特伯雷去朝圣.途中,每个人讲一个故事,来缓解旅途地劳顿. 值得注意地是,这部故事集体现地多样性,这些朝圣者来自不同地阶层,几乎涵盖了当时地所有社会阶层,他们讲故事地风格也各不相同. (中古英语:指11世纪到15世纪地英语>4>. the stories of King Arthur and his knightsKing Arthur was the King of England in the 5th Century and was the central figure of many legends. History of the Kings of Britain published in 1138 well established King Arthur in literary form. The book invented material to fill the broad gaps in the historical record. The stories of King Arthur’s court, his knights and th eir famous round table and the search for the Holy Grail were mainly based on a very few vague “facts”. The ruined castle at Tintagel in Cornwall mentioned in the legends of King Arthur is now a popular tourist destination.2. Elizabethan Drama (伊丽莎白一世:1533.9.7—1603.5.24>---a general flowering of cultural and intellectual life in Europe during 15th and16th C. which is known as “The Renaissance”--- drama: the most successful and long-lasting expressions of this development--- the 1st professional theatre opened in London in 1576--- thegreattrio (the best of the famous playwrights>1> Christopher Marlowe (克里斯托弗·马洛>—the earliest of the trio Dr Faustus《浮士德博士》2> William Shakespeare (1564--1616>— an English dramatist and poet in the Elizabethan age. He is generally regarded as the greatest playwright in English literature. His plays fall into three categories: tragedies (Hamlet, Romeo and Juliet, etc.>, comedies (Merchant of Venice, The Dreams of the Midsummer Nigh t, etc.> and history plays (Henry VI, Charles II etc. >威廉·莎士比亚是伊丽莎白时期地英国剧作家和诗人.他通常被认为是英国文学中最伟大地剧作家.他地作品分为三类:悲剧、喜剧和历史剧,悲剧有《哈姆莱特》、《罗密欧与朱丽叶》等,喜剧有《威尼斯商人》、《仲夏夜之梦》等,历史剧有《亨利6世》《查理二世》等.3> Ben Jonson3. the 19th C. literatureRoughly the first third of the 19th century makes up English literature’s romantic period. Writers of romantic literature are more concerned with imagination and feeling than with the power of reason.粗略地讲,19世纪地前30几年构成英国文学地浪漫主义时期.浪漫派作家更多地关注人类地想象力和情感,而不是理性地力量.A volume of poems called Lyrical Ballads written by William Wordsworth and Samuel Taylor Coleridge is regarded as the romantic poetry’s “Declaration of Independence.” Keats, Byron and Shelley, the three great poets, brought Romantic Movement to its height. The spirit of Romanticism also occurred in the novel.威廉·华兹华斯和塞缪尔·泰勒·柯勒律治合编地《抒情歌谣集》被认为是浪漫派诗歌地“独立宣言”.济慈,拜伦和雪莱这三位伟大地诗人把浪漫主义运动推向高潮.浪漫主义地精神在小说中也有体现.The Romantics saw themselves as free spirits, emphasizing nature, originality, the emotional and personal, rather than the “rational” in their work. This was a change fr om the emphasis on imitating classical (meaning Ancient Greek and Roman> conventions and forms.---novels1>. Jane Austen—6 novels Sense and Sensibility, Pride and Prejudice, Emma2>. Bronte sisters—daughters of the vicar of a village church in Yorkshire. Though poor, they were educated and respectable. They all died young, but were remembered long after their death for their contribution to English literature. —Charlotte (Jane Eyre>, Emily (WutheringHeights> and Ann.她们是约克郡一个乡村教会地牧师地女儿,分别叫夏洛特,爱M莉和安.虽然很穷,但她们都受过良好地教育,非常受人尊敬.她们很年轻就去世了,但是因为她们对英国文学地贡献,在她们去世后那么久都没有被人遗忘.夏洛特地名篇是《简爱》,爱M莉地名篇是《呼啸山庄》.为了书出版,她们都得用男性化地笔名.3>. Elizabeth Gaskell (盖斯凯尔,a woman writer> (friend of Charlotte。
英国文学用英语怎么说
英国文学用英语怎么说英国文学源远流长,经历了长期、复杂的发展演变过程。
在这个过程中,文学本体以外的各种现实的、历史的、政治的、文化的力量对文学发生着影响。
那么你知道英国文学用英语怎么说吗?接下来跟着店铺来学习一下吧。
英国文学的英语说法1:English literature英国文学的英语说法2:British literature英国文学相关英语表达:英国文学作品选读 Selected Readings of British Literature英国文学选读 selected readings in british literature英国文学讲座 Lecture on English Lite英国文学及写作 English Literature and Composition中古时期英国文学 Old and Medieval British Literature英国文学的英语例句:1. He secured the appointment of professor of English literature in the university.他获聘为该大学的英国文学教授.2. The work is one of the great monuments of English literature.此作品是英国文学的不朽名作之一.3. That was the high summer of English literature.那是英国文学的黄金时代.4. Are you majoring in English Literature?你是在专修英国文学吗 ?5. His speciality is English literature.他的专业是英国文学.6. Dickens'novels have enriched English literature.狄更斯的小说丰富了英国文学.7. He has a formidable knowledge of English literature.他有丰富的英国文学知识.8. His specialty is English literature.他的专业是英国文学。
British Literature(1)
meter(格律/韵律):foot number & foot pattern in a line. foot: division or unit of a line, each has one strong syllable
and one or more weak syllables.
Rhyme: The repetition of sounds in two or more words close to each other in a poem. internal rhyme: Spring, the sweet spring, is the year’s pleasant king. Man proposes, God disposes. alliteration: the initial sounds of two or more words are the same. Farewell, my friends! Farewell, my foes! end rhyme: 1. couplet(双韵): aabbccdd… 2. triplet: aaa 3. quatrain(四行体)押韵有aabb, abab, abba, abcb, aaba approximate rhyme: look-lack, prove-love
Beowulf《贝奥武夫》 Romance
1. Old English Period (449-1066)
大不列颠岛的土著居民aborigines是来自比利牛斯半 岛的伊比利亚人Iberian,他们以创造了巨石文化而著 称。 后来,凯尔特人Celtic从大陆进入大不列颠岛,同化 了土著居民,形成盎格鲁-撒克逊人的最早基础。 449年, 日耳曼人Teuton中的盎格鲁人Anglo、撒克逊 人Saxon进入不列颠。他们同化、消灭了一部分凯尔 特人,将另一部分凯尔特人驱赶到西南和西北部的山 区。 1066年,来自法国的诺曼人Norman征服了不列颠, 他们在英法百年战争后融合在盎格鲁-撒克逊人中。
Chapter 6 British Literature
《泰晤士报》的英文名称The Times,中 文直译过来应该是《时报》。然而它的 译名却变成与读音相近、但毫无关联的 “泰晤士河”(River Thames)一样。 由于约定俗成的关系,错译保留至今。 现今世界各地有许多名为Times的报章, 如《纽约时报》(The New York Times)。为了区分出来,《泰晤士报》 有时被英语使用者称为《伦敦时报》 (The London Times)。《泰晤士报》 是世界上第一张以“Times”命名的报纸。
William Wordsworth (1770-1850) Belief: “spontaneous overflow of powerful feeling”
Lyrical Ballads 《抒情诗集》 My heart leaps up when I behold《我心 飞扬》 I wandered lonely as a cloud《我似行云 天自游》
distinct movements in the decorative and visual arts, literature, theatre, music, and architecture that draw upon Western classical art and culture (usually that of Ancient Greece or Ancient Rome). These movements were dominant at various times between the 18th and 20th centuries.
Periods
1. 2. 3. 4. 5. 6. 7. 8.
The The The The The The The The old English Period (450 - 1066) Middle Ages Period (1066 - 1485) Renaissance (1500 - 1660) neo-classical period (1660-1785) romantic period (1785 - 1830) Victorian period (1832-1901) modern period (1914 - 1945) post modern period (1945 - )
英国文学简介--General Introduction to British Literature
Sir Gawain and the Green Knight, 1375-1400
Medieval Literature
Geoffrey Chaucer He is regarded as the father of English
poetry. The Canterbury Tales is his
3. 17th Century British Literature
John Bunyan He is a religious novelist whose
style was modeled after that of the English Bible. His language is concrete and vivid. His masterpiece, The Pilgrim's Progress, is the most successful religious allegory.
英国文学简史1.British Literature
… Literature of other colonial countries
1. INTRODUCTION (Cont.)
● Writing
➢ Also a style of thinking from a poet’s, a novelist’s, or a dramatist’s perspective upon the living situations of each other
fundamental view points, values (principles, beliefs), visual angles, as well as the critical ideas about such angles, in the British culture. ➢ To know more not only about the surface-layer culture, but the deep-seated culture of the British people.
century ~ mid-18th century) (5) The Literature in the Romantic Period (1798~1832) (6) The Literature in the Realism Period (1830s~1918) (7) The Literature in the Modernism Period (1918~1945) (8) The Literature in the Contemporary Period (1945~)
synthesis of the findings into a unity” (“文学必须是对经验的分析和
对新发现的综合统一。”)
英国文学英语作文
英国文学英语作文British literature is a diverse and rich tradition that spans centuries. From the epic poetry of Beowulf to the modernist novels of Virginia Woolf, British literature has continually evolved and reflected the changing cultural and social landscape of the country.One of the most influential periods in Britishliterature is the Romantic period, which saw the rise of poets such as William Wordsworth, Samuel Taylor Coleridge, and Lord Byron. These poets were known for their focus on nature, emotion, and individualism, and their works continue to be studied and celebrated today.In addition to poetry, British literature is also known for its influential novels. From the Gothic horror of Mary Shelley's "Frankenstein" to the social commentary of Charles Dickens' "Oliver Twist," British novels have explored a wide range of themes and subjects.Another important aspect of British literature is its plays. The works of William Shakespeare, in particular, have had a profound impact on literature and theater around the world. His plays, such as "Hamlet," "Macbeth," and "Romeo and Juliet," continue to be performed and studied, and his influence can be seen in the works of countless playwrights and screenwriters.In conclusion, British literature is a vibrant and diverse tradition that has had a profound impact on the world. From the poetry of the Romantic period to the novels of the Victorian era and the plays of Shakespeare, British literature continues to be studied, celebrated, and reinterpreted by readers and scholars around the globe.。
英国文学简介--General Introduction to British Literature
Sir Gawain and the Green Knight, 1375-1400
Medieval Literature
Geoffrey Chaucer He is regarded as the father of English poetry. The Canterbury Tales is his masterpiece. He presents, for the first time in English literature, a comprehensive realistic picture of the medieval English society and creates a whole gallery of vivid characters from all works of life. It was Chaucer who made London dialect the foundation for modern English speech. His characterization is vivid.
Reading British literary works can enable us to gain deeper insights into its culture.
Different stages of British Literature
1. Medieval Literature (approximately from 500 BC to 1485) Beowulf Beowulf, a typical example of Old English poetry, is regarded as the greatest national epic of the AngloSaxons. The epic describes the heroic deeds of a Scandinavian hero, Beowulf, in fighting against the monster Grendel, his revengeful mother, and a fire-breathing dragon. The poem conveys a hope that the righteous will triumph over the evil.
英美国家概况Unit 6 British Literature (英国文学)
一、本单元重点内容
1. Beowulf {贝奥武夫(一首古英文史诗的名字,同时也是此诗中的英雄的名字)}
2. The Canterbury Tales by Geoffrey Chaucer (杰弗里·乔叟的《坎特伯雷故事集》)
1). British literature concerned with Christianity: Anglo-Saxons’ illustrated versions of the bible: the most famous--- the Book of Kells
2). Beowulf --- a long poem, one of the oldest of these early “Old English”(AD 6th C. —AD 11th C.的盎格鲁˙撒克逊的英语) literary works (古英语文学作品指8th C. AD—11th C. AD)
2. Elizabethan Drama (伊丽莎白一世:1533.9.7—1603.5.24)
---a general flowering of cultural and intellectual life in Europe during 15th and16th C. which is known as “The Renaissance”
7. Charles Dickens (查理·狄更斯)
8. Sir Walter Scott (瓦尔特·司各特)
9. Robert Louis Stevenson (罗伯特·路易斯·斯蒂文森)
10. Modernism (现代主义)
Unit 6 British Literature
British LiteratureEarly writing:The major literature competition is the annual Booker Prize.Much early British writing was concerned with Christianity: Anglo-Saxons produced beautifully illustrated versions of the Bible: the most famous of these is the Book of Kells.One of the oldest of these early “Old English”literary works is long poem from Anglo-Saxon times called Beowulf.One work from Norman Conquest times often studied today by middle school and college students is The Canterbury Tales by Geoffrey Chaucer, who was the first court poet to write in English.主要文学竞争在于一年一度的布克文学奖。
大多早期的英国作品关心基督教:盎格鲁-撒克逊人制作精美插图版本的圣经:其中最著名的是凯尔斯书。
这些早期的最古老的古英语文学作品之一是长诗来自盎格鲁-撒克逊时代叫做贝奥武夫。
今天被广泛中学和大学学生学习研究的是由诺曼征服时期杰弗里·乔叟写的《坎特伯雷故事集》---是第一个由法院诗人用英语写的。
Early than 10661.Concerned with Christianity.2.Little read by people outside university.3.Written in “old English”.From 1066 to 11381.Written in royal court became French.2.Words in French or Latin.From 1138 to 14701.Works of history but invented material to fill the board gaps in the history records.2.King Arthur’s story became popular.Beowulf《北奥武夫》The Canterbury Tales 《坎特伯雷故事集》History of the Kings of Britain 《英国列王史》Le Morte D’Arthur《亚瑟王之死》Elizabethan DramaThere was a general flowering of cultural and intellectual life in Europe during the 15th and 16th century which is known as “The Renaissance”.Christopher Marlowe’s most famous play is The Tragical History of Doctor Faustus, the story of a man who sold his soul to the devil in return for power.William Shakespeare is probably the best-known literary figure in the world.Thetragedies include Romeo and Juliet, Hamlet, Othello, King Lear, and Macbeth.Among the comedies are The Taming of the Shrew, A Midsummer Night’s Dream, Twelfth Night, and The Tempest.在欧洲的15世纪到16世纪有一个文化和精神百花齐放的时代那就是著名的“文艺复兴”。
Unit_6_British_Literature
哈姆雷特
• 《哈姆雷特(Hamlet)》是由威廉· 莎士比 亚创作于1599年至1602年间的一部悲剧作 品。戏剧讲述了叔叔克劳狄斯谋害了哈姆 雷特的父亲,篡取了王位,并娶了国王的 遗孀乔特鲁德;哈姆雷特王子因此为父王 向叔叔复仇。
• 奥赛罗是威尼斯公国一员勇将。他与元老 的女儿苔丝狄梦娜相爱。因为两人年纪相 差太多,婚事未被准许。两人只好私下成 婚。奥赛罗手下有一个阴险的旗官伊阿古, 一心想除掉奥赛罗。他先是向元老告密, 不料却促成了两人的婚事。他又挑拨奥赛 罗与苔丝狄梦娜的感情,说另一名副将凯 西奥与苔丝狄梦娜关系不同寻常,并伪造 了所谓定情信物等。奥赛罗信以为真,在 愤怒中掐死了自己的妻子。当他得知真相
. Christopher Marlowe(15641593 )克里斯托弗· 马洛
His style is thought to have been a great influence on Shakespeare. Most famous play: The Tragical
History of Dr. Faustus.
《凯尔斯书》
• 《凯尔斯书》是爱尔兰中世纪手抄本中 最精美的一部,其美丽的插图作品、彩色 装饰字母代表了中世纪爱尔兰凯尔特美术 的最高成就。《凯尔斯书》手抄本出现在8 世纪。现藏爱尔兰都柏林,三一学院图书 馆。
夫》
• One of the oldest of these early “Old English” literary works is long poem from Anglo-Saxon times called Beowulf. • 这些早期的最古老的古英语文学作品之一 是长诗来自盎格鲁-撒克逊时代叫做贝奥武 夫。
的时代那就是著名的“文艺复兴”。
AnIntroductionto-British-Literature(英国文学精品PPT课件
John Milton (1572-1631) Paradise Lost: the first English Epic.
An Introduction to British Literature (英国文学概论)
★ The Restoration and Eighteenth Century(1660—1789)
Henry Fielding(1707-1754)The real father of English novel. Joseph Andrews(1742) ,Tom Jones (1749)
Picaresque Novel(流浪汉小说) a kind of realistic and ironical novel in which the adventures of the trampers are described. Among the Picaresque novels, the best are Don Quixote , Daniel Defoe's Moll Flanders, Henry Fielding’s Tom Jones , mark Twain’s the Adventures of Huckleberry Finn
An Introduction to British Literature (英国文学概论)
British Literature英国文学名词解释,整理背诵
British Literature英国文学名词解释,背诵第一章:Old and Medieval British Literature(中古时期英国文学)Alliteration (头韵): It is the repetition of the initial consonant sounds in poetry. In 0ld English alliterative meter, alliteration is the principal organizing device of the verse line, such as in Beowulf.Ваllаd (民谣): It is a relatively short narrative poem, written to be sung, with a simple and dramatic action. The ballads tell of love, death, the supernatural, or a combination of these. Two characteristics of the ballad are incremental repetition and the ballad stanza. Incremental repetition repeats one or more lines with small but significant variations that advance the action. The ballad stanza has four lines; commonly, the first and third lines contain four feet or accents, the second and fourth lines contain three feet. Ballads often open abruptly, present brief description and use concise dialogue.Old English period (the Anglo-Saxon period): 1) The Old English period, extended from the invasion of Celtic England by Germanic tribes (the Angles, Saxons, and Jutes) in the first half of the fifth century to the conquest of England in 1066 by the Norman French under the leadership of William the Conqueror. 2)Only after they had been converted to Christianity in the seventh century did the Anglo-Saxons, whose earlier literature had been oral, begin to develop a written literature.Consonance (假韵): It refers to the repetition of similar consonant sounds in a group of words. Sometimes the term refers to the repetition of consonant sounds in the middle or at the end of words. Sometimes the term is used for slant rhyme (or partial rhyme)in which initial and final consonants are the same but the vowels different: litter/ letter , green/groan.Couplet (两行诗): It refers to the two consecutive lines of poetry that rhyme. A heroic couplet is an iambic r pentameter couplet.Epic (史诗): Epic, in poetry, refers to a long work dealing with the actions of gods and heroes,Imagery (意象) : Words or phrases that create pictures or images in the readers‘mind. Images can appeal to other senses as well: touch, taste, smell and hearing.Kenning (隐喻表达法): In old English poetry, an elaborate phrase that descries persons, thing or events in a metaphorical and indirect way.Legend (传奇): A song or narrative handed down from the past. Legend differs from myths on the basis of the elements of historical truth they contain.Ottava Rima ( 八行体): A form of eight-line stanza, the rhyme scheme is abababcc.Romance (罗曼史/骑士文学): Any imagination literature that is set in an idealized world and deals with heroic adventures and battles between good characters and villains or monsters. Originally, the term referred to a medieval tale dealing with the loves and adventures of kings, queens, knights and ladies, and including unlikely or supernatural happenings. Sir Gawain and the Green Knight (高文爵士与绿衣骑士) is the best of medieval romances. John Keats‘The Eve of St. Agnes (圣爱格尼斯节前夕) is one of the greatest metrical romances ever written.Simile (明喻): A comparison made between two things through the use of a specific word of comparison, such as like, as, than or resemble, and the comparison must be between two essentially unlike things.Understatement (含蓄): It is a figure of speech in literature writing. It deliberately represents something as very much less in magnitude or importance than it really is, or is ordinarily considered to be. The effect usually is ironic.Middle English period: The four and a half centuries between the Norman Conquest in 1066, which effected radical changes in the language, life, and culture of England, and about 1500, when the standard literary language had become recognizably modern English, that is, similar to the language we speak and write today.Arthurian legend: It is a group of tales (in several languages) that developed in the Middle Ages concerning Arthur, semi-historical king of the Britons and his knights. The legend is a complex weaving of ancient Celtic mythology with later traditions around a core of possible historical authenticity.第二章:British Literature of the Renaissance Period (文艺复兴时期英国文学)Allegory (寓言): A tale in verse or prose in which characters, actions, or settings represent abstract ideas or moral qualities. An allegory is a story with two meanings: a literal meaning and a symbolic meaning.Aphorism (格言): A concise, pointed statement expressing a wise or clever observation about life.Blank verse (无韵体诗): Verse written in unrhymed iambic pentameter. It is the verse form used in some of the greatest English poetries, including that of William Shakespeare and John Milton.Comedy (喜剧): In general, a literary work that ends happily with a healthy ,amicable armistice between the protagonist and society.Essay (散文): A piece of prose writing, usually short, that deals with a subject in a limited way and expresses a particular point of view. An essay may be serious or humorous, tightly organized or rambling, restrained or emotional. The two general classifications of essay are: the informal essay and the formal essay. An informal essay is usually brief and is written as if the writer is talking informally to the readers about some topic, using a conversational style and a personal or humorous tune. By contrast, a formal essay is tightly organized, dignified in style and serious in tone.Foreshadowing (预兆): The use of hints or clues in a narrative lo suggest what will happen later. Writers use foreshadowing to create interest and to build suspense. Sometimes foreshadowing also prepares the reader for the ending of the story.Humanism ( 人文主义): Humanism is the essence of the Renaissance. It emphasizes the dignity of human beings and the importance of the present life. Humanists voiced their beliefs that man was the center of the universe and man did not only have the right to enjoy the beauty of the present life , but had the ability to perfect himself and to perform wonders.Paradox(似非而是): A statement or expression so surprisingly self-contradictory as to provoke us into seeking another sense or context in which it would be true.Morality Play (道德剧) : An outgrowth of Miracle Plays. Morality Play was popular in the 15th and 16th centuries. In it, virtues and vices were personified.Meter (格律) : A generally regular pattern of stressed and unstressed syllables in poetry. The analysis of the meter is called scansion.Miracle Play (奇迹剧) : A popular religious drama of medieval England. Miracle Plays were based on stories of the saints or sacred history.Narrative poem (叙述诗): A Narrative poem refers w a poem that tells a story. It may consist of a series of incidents, as in Homer's The Iliad and The Odysseus, and John Milton's Paradise Lost.Pastoral (牧歌): A type of poem that deals in an idealized way with shepherds and rustic life. Two pastoral poems are Christopher Marlow's The Passionate Shepherd to His Lover and Sir Walter Raleigh's The Nymph’s Reply to the Shepherd.Ralegh’s poem might be called anti-pastoral because of its realistic tone.Poetry (诗歌): The most distinctive characteristics of poetry are form and music. Poetry is concerned with not only what is said but how it is said. Poetry evokes emotions rather than express facts. Poetry means having a poetic experience. Imagination is also an essential quality of poetry. Poetry often leads us to new perceptions, new feelings and experiences of which we have not previously been aware.Quatrain (四行诗): Usually a stanza or poem of four lines. A quatrain can also be any group of four lines unified by a rhyme scheme. Quatrains usually follow an abab, abba or abcb rhyme scheme.Renaissance (文艺复兴): The term originally indicated a revival of classical (Greek and Roman) arts and sciences after the dark ages of medieval obscurantism. Humanism is the essence of Renaissance. The real mainstream of English Renaissance is the Elizabethan drama with William Shakespeare being the leading dramatist.Soliloquy (独白): In drama, an extended speech delivered by a character alone on stage. The character reveals his or her innermost thoughts and feelings directly to the audience, as if thinking aloud.Sonnet (十四行诗): A fourteen-line lyric poem, usually written in rhymed iambic pentameter.A sonnet generally expresses a single theme or idea.Spenserian Stanza (斯宾塞诗节):A nine-line stanza with the flowing rhyme scheme: ababbcbcc. The first eight lines are written in iambic pentameter. The ninth line is written in iambic hexameter and is called an alexandrine.Stanza (诗节):It’s a structural divi sion of a poem, consisting of a series of verse line which usually comprise a recurring pattern of meter and rhyme.Terza rima (三行体): An Italian verse form consisting of a series of thee-line stanzas in which the middle line of each stanza rhymes with the first and third lines of the following stanza.Tragedy (悲剧): In general, a literary work in which the protagonist meets an unhappy or disastrous end. Unlike comedy, tragedy depicts the actions of a central character who is usually dignified or heroic.Trochee (抑扬格):A metrical foot used in formal poetry. It consists of a stressed syllable followed by an unstressed one.University Wits (大学才子):University Wits refers to a group of scholars during the Elizabethan Age who graduated from cither Oxford or Cambridge. They came to London with the ambition to become professional writers. Some of them later became famous poets and playwrights. They were called" University Wis". Robert Greene, Thomas Kyd, Jhon Lyly and Christopher Marlowe were among them. They paved the way, to some extent, for the coming of Shakespeare.Utopia (乌托邦): It is written in a conversation form between More and Hythloday, a returned voyager. It is divided into two books. The first book contains a long discussion on the social conditions of England. The second book describes in detail an ideal communist society, Utopia.Francis Bacon: Francis Bacon (1561-1626), was an English philosopher, statesman, scientist, lawyer, jurist, author and pioneer of the scientific method. He served both as Attorney General and Lord Chancellor of England. Although his political career ended in disgrace, he remained extremely influential through his works, especially as philosophical advocate and practitioner of the scientific method during the scientific revolution. His essays are famous for its brief and wise quotations and the most widely-read works are his essays “Of Studies”, “Of Truth” and “Of Death”.第三章:The 17th Century -The Period of Revolution and Restoration (17世纪资产阶级革命和王朝复辟时期)Assonance (押韵): The repetition of similar vowel sounds, especially in poetry. Assonance is often employed to please the ear or emphasize certain sounds.Carpe Diem (及时行乐):A tradition dating back to classical Greek and Latin poetry and particularly popular among English Cavalier poets. Carpe Diem means literally “seize the day”, that is, “live for today”.Didactic literature (教诲文学):Didactic literature is said to be didactic if it deliberately teaches some moral lessons. The use of literature for such teaching is one of its traditional justifications.Elegy (挽歌): A poem of mourning, usually over the death of an individual. An elegy is a type of lyric poem, usually formal in language and structure, and solemn or even melancholy in tone.Genre (体裁):A literary species or form, e. g·, tragedy, epic, comedy, novel, essay, biography and lyric poem.Metaphor (暗喻): A figure of speech that makes a comparison between two things that are basically dissimilar. Unlike simile, a metaphor does not use a connective word such as like, as, or resemble in making the comparison.Metaphysical poetry (玄学派诗歌) : The poetry of John Donne and other 17th century poets who wrote in a similar style. Metaphysical poetry is characterized by verbal wit and excess, ingenious structure, irregular meter, colloquial language, elaborate imagery, and a drawing-together of dissimilar ideas.Conceit (奇想): Conceit is a far-fetched simile or metaphor; a literary conceit occurs when the speaker compares two highly dissimilar things. Conceit is extensively employed in John Donne's poetry.Paradise Lost: Paradise Lost is an epic poem in blank verse by the 17th-century English poetJohn Milton:The poem concerns the Christian story of “the Fall of Man”: the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden. Milton's purpose, stated in Book I, is to " justify the ways of God to men and elucidate the conflict between God's eternal foresight and free will.blank verse: Blank verse is a type of poetry, distinguished by having a regular meter, but no rhyme. In English, the meter most commonly used with blank verse has been iambic pentameter (as used in Shakespearean plays). The first known use of blank verse in the English language was by Henry Howard, Earl of Surrey. Christopher Marlowe was the first English author to make full use of the potential of blank verse, and also established it as the dominant verse form for English drama in the age of Elizabeth I and James I. The major achievements in English blank verse were made by William Shakespeare, who wrote much of the content of his plays in unrhymed iambic pentameter, and Milton, whose Paradise Lost was written in blank verse.第四章: The 18th Century- -The Age of Enlightenment in England (18世纪英国启蒙运动阶段)Aside (旁白): In drama, line spoken by a character in an undertone or directly to the audience. An aside is meant to be heard by the other characters onstage.Classicism (古典主义运动): A movement or tendency in art, literature, or music that reflects the principles manifested in the art of ancient Greece and Rome. Classicism emphasizes the traditional and the universal, and the places value on reason, clarity, balance, and order. Classicism, with its once for reason and universal themes, is traditionally opposed to Romanticism, which is concerned with emotions and personal themes.Enlightenment Movement (启蒙运动):Enlightenment is an intellectual movement that originates in Europe and comes to America in the 18th century. It stresses the power of human reason, the importance of methods and discoveries instead of God. Its purpose is to enlighten the whole world with the light of modern philosophical and artistic ideas. It celebrates reason or rationality, equality and science. It advocates universal education.Denouement (结局): The outcome of a plot. The denouement is that part of a play, short story, novel, or narrative poem in which conflicts are resolved or unraveled, and mysteries and secrets connected with the plot are explained.Epistolary novel (书信体小说): An epistolary novel is a novel told through the medium of letters written by one or more of the characters. The usual form is the letter, but diary entries, newspaper clipping and other documents are sometimes used. The epistolary novel's reliance on subjective points of view makes it the forerunner of the modern psychological novel.Farce (闹剧):A type of comedy based on a ridiculous situation, often with stereotyped characters. The humor in a farce is largely slapstick--that is, it often involves crude physical action. The characters in a farce are often the butts of practical jokes.Fiction (小说) : Prose narrative based on imagination, usually a novel or a short story.Gothic Romance (哥特小说): A type of novel that flourished in the lat-18th and early-19th century in England. Gothic romances are mysteries, often involving the supernatural and heavily tinged with horror, and they are usually against dark backgrounds of medieval ruins and haunted castles.The Graveyard School (墓地派诗歌): The Graveyard School refers to a school of poets of the 18th century whose poems are mostly devoted to a sentimental lamentations or meditation on life, past and present, with death and graveyard as themes. Thomas Gray is considered to be the leading figure of this school and his Elegy Witten in a Country Churchyard is his most representative work.Mock epic (讽刺史诗): A comic literary form that treats a trivial subject in the grand, heroic style of the epic. A mock epic is also referred to as a mock heroic poem.Neoclassicism (新古典主义): A revival in the 17th and 18th centuries of classical standards of order, balance, and harmony in literature. John Dryden and Alexander Pope were major exponents of the neoclassical school.Novel (小说): A book-length fictional prose narrative, having many characters and often a complex plot.Pre-romanticism (前浪漫主义): It originated among the conservative groups of men and letters as a reaction against Enlightenment and found its most manifest expression in the "Gothic Novel”. The term arose from t he fact that the greater part of such romances were devoted to the medieval times.Refrain (叠句): A word phrase, line or group of lines repeated regularly in a poem, usually at the end of each stanza. Refrains are often used in ballads and narrative poems to create a songlike rhythm and to help build suspense. Refrains can also serve to emphasize a particular idea.Satire (讽刺): A kind of writing that holds up to ridicule or contempt the weaknesses and wrong doings of individuals, groups, intuitions, or humanity in general. The aim of satirists is to set a moral standard for society, and they attempt to persuade the readers to see their points of view through the force of laughter.Sentimentalism (感伤主义): Sentimentalism came into being as a result of a bitter discontent on the part of certain enlighteners in social reality. It is a pejorative term to describe false orsuperficial emotion, assumed feeling, self-regarding postures of grief and pain. In literature, it denotes " pathetic indulgence”.Theme (主题): The general idea or insight about life that a writer wishes to express in a literary work. All the elements of a literary work- plot, setting, characterization, and figurative language---contribute to the development of its theme.English Enlightenment: With the advent of the 18th century in England, there sprang into life a progressive intellectual movement known as the Enlightenment or the Age of Reason. The enlighteners held the common faith in human rationality, eternal justice and natural equality. The great enlighteners in Britain were those great writers like Alexander Pope, Joseph Addison, Jonathan Swift and Samuel Johnson.British neoclassicism: In English literature, the stylistic trend between the Restoration and the advent of romanticism at the beginning of the 19th century is referred to as neoclassicism. The term " neoclassicism” is derived from the convictions of the leading poet-critics of the age that literary theory and practice should follow the models established by Greek and Latin writers. These critics held that writers should emphasize types rather than individual characteristics; adhere to " nature " by aspiring to order and regularity; and strictly observe the unities of time, place, and action in dramatic composition. Major British neoclassicists are John Dryden, Alexander Pope and Samuel Johnson."A Modest Proposal":"A Modest Proposal" is a famous satire written by Jonathan Swift. Assuming the cool tone of an impartial outsider, the author suggests that children of the poor Irish people be sold at one year old as food for the English nobles, Written with much conciseness and terseness, the " proposal" is by far the most consummate artistic expression of Swift’s indignation toward the terrible oppression and exploitation of the Irish people by the English ruling class.Picaresque novel: 1) Derived from the Spanish word picara, meaning " rogue" or " rascal”, the term generally refers to a basically realistic and often satiric work of fiction chronicling the career of an engaging, lower-class rogue-hero, who takes to the road for a series of loose, episodic adventures, sometimes in the company of a sidekick. 2) Well-known examples of the picaresque novel are Cervantes Don Quixote (1605) and Henry Fielding's Tom Jones (1749).第五章The Age of Romanticism (浪漫主义时期的英国文学)Byronic hero (拜伦式的英雄) :Byronic hero refers to a proud, mysterious rebel figure of noble origin. With immense superiority in his passions and powers, he would carry on his shoulders the burden of righting all the wrongs in a corrupt society, and would rise single-handedly against any kind of tyrannical rules either in government, in religion, or in moral principles with unconquerable wills and inexhaustible energies.Canto (篇/章): A section or division of a long poem. In English poetry , Alexander Pope's The Rape of the Lock (《夺发记》)and Byron's Don Juan (《唐璜》) are divided into cantos.Fable (寓言): A fable is a short story, often with animals as its characters. It illustrates a moral.Lake Poets (湖畔派诗人); Romantic poets such poets as Willian Wordsworth, Samuel Taylor Coleridge and Robert Southey who lived in the Lake District came to be known as the Lake School or Lake poets.Lyric (抒情诗): Lyric is a poem, usually a short one, which expresses a speaker’s personal thought and feelings. The elegy, ode, and Bonnet are all forms of the lyric.Ode (颂歌) : Usually a lyric poem of moderate length, with a serious subject, an elevated style, and an elaborate stanza pattern. The ode often praises people, the arts of music and poetry, natural scenes, or abstract concepts, The Romantic poets used the ode to explore either personal or general problems; they often started with a meditation on something in nature ,as Keats' Ode to a Nightingale or Shelley's Ode to the West Wind.Romanticism (浪漫主义): A movement that flourished in literature, philosophy, music, and art in Western culture during most of the 19th century, beginning as a revolt against classicism. Romanticism gave primary concern to passion, emotion, and natural beauty. The English Romantic period is an age of poetry.tercet: Tercet refers to a unit of three verse lines, usually rhyming either with each other or with neighboring lines and three-line stanzas of terza rima and of the villanelle are known as tercets.Charles Lamb: Charles Lamb (1775- -1834) was an English essayist, best known for his Essays of Elia and children's book Tales from Shakespeare, which he produced with his sister, Mary Lamb. Lamb has been referred to as the most lovable figure in English literature, and his influence on the English essay form surely cannot be overestimated.第六章The Victorian Period- English Critical Realism (维多利亚时期英国批判现实主义文学)Allusion (暗指/典故): A reference to a person, a pace, an event or a literary work that a writer expects the readers to recognize and respond to. An allusion may be drawn from history, geography, literature or religion.Antagonist (反面人物): A person or force opposing the protagonist in a narrative; a rival of the hero or heroine.Character (角色):In appreciating a short story, characters are indispensable elements. Characters are the persons presented in a dramatic or narrative work. Forst divides characters into two types: flat character, which is presented without much individualizing detail; and round character, which is complex in temperament and motivation and is represented with subtle particularity.Critical Realism (批判现实主义): The Critical Realism of the I9h century flourished in the 1840s and in the beginning of the 1850s. The realists first and foremost set themselves the task of criticizing capitalist society from a democratic viewpoint and delineated the crying contradictions of bourgeois reality. But they did not find way to eradicate social evils. Charles Dickens is the most important critical realist.Dramatic Monologue (戏剧独白): A kind of narrative poem in which one character speaks to one or more listeners whose replies are not given in the poem. The occasion is usually a crucial one in the speaker's personality as well as the incident that is the subject of the poem. Robert Browning's My Last Duchess is a typical example.Flashback (倒叙): A scene in a short story, novel, play or narrative poem that interrupts the action to show an event that happened earlier.Narration (叙述) : Like description, narration is a part of conversation and writing. Narration is the major technique used in expository writing, such as autobiography Successful narration must grow out of good observation, to-the-point selection from observation and clear arrangement of details in logical sequence, which is usually chronological. Narration gives an exact picture of things as they occur.Narrator (陈述者) : One who narrates or tells a story. A story may be told by a first-person narrator, someone who is either a major or minor character in the story. Or a story may be told by a third-person narrator, someone who is not in the story at all. Narrator can also refer to a character in a drama who guides the audience through the play, often commenting on the action and sometimes participating in it.Psychological Novel (心里小说):It refers to a kind of novels that dwell on a complex psychological development and present much of the narration through the inner workings of a character's mind. Thackeray's characterization of Rebecca Sharp is very much psychological.Point of view (叙述角度): The perspective from which the story is told. The most obvious point of view is probably the first person or "I". The omniscient narrator knows everything, may reveal the motivations, thoughts and feelings of the characters, and gives the reader information. With a limited omniscient narrator, the material is presented from the point of view of a character, in the third person. The objective point of view presents the action and the characters' speech, without comment or emotion. The reader has to interpret them and uncover their meanings. A narrator may be trustworthy or untrustworthy, involved or uninvolved.Plot (情节): Plot is the first and most obvious quality of a story. It is the sequence of events or actions in a short story, novel, play or narrative poem. For the readers, the plot is the underlying patter in a work of fiction, the structural element that gives it unity and order. For the writer, the plot is the guiding principle of selection and arrangement. Conflict, a struggle of some kind, is the most important element of plot.Protagonist (正面人物): It refers to the hero or central character who is often hindered by some opposing force either human or animal in accomplishing his or her objectives.Bildungsroman (成长小说): Bildungsroman defines a genre of the novel which focuses on the psychological and moral growth of the protagonist from youth to adulthood, and in which characters' change is thus extremely important. In a Bildungsroman, the goal is maturity. Charles Dickens' David Copperfield is a classic Bildungsroman.Victorian period: 1) Chronologically the Victorian period roughly coincides with the reign of Queen Victoria who ruled over England from 1836 to 1901. The period has been generally regarded as one of the most glorious in the English history. 2) In this period, class struggle was very tense. As a result, a new literary trend- critical realism appeared. The criticism of the 19th century flourished in the forties and in the early fifties. The critical realists described with much vividness and great artistic skill the chief traits of the English society and criticized the capitalist system from a democratic view point. In this period, the novel became the most widely read and the most vital and challenging expression of progressive thought. The Victorian age also produced a host of great prose writers. The poetry of this period was mainly characterized by experiments with new styles and new ways of expression. 3) Victorian literature as a product of its age, naturally took on its quality of magnitude and diversity. It was many-sided and complex, and reflected both romantically and realistically the great changes that were going on in people's life and thought.第七章:The 20th Century British Literature (20世纪英国文学)Aestheticism or the Aesthetic Movement (唯美主义): It began to prevail in Europe in the middle of the 19th century. The theory of " art for art's sake" was first put forward by the French poet Theophile Gautier. They declared that art should serve no religious, moral or social purpose. The two most important representatives of aestheticists in English literature are Walt Pater and Oscar Wilde.Black comedy or Black humor (黑色幽默): It is mostly employed to describe baleful, naive, or inept characters in a fantastic or nightmarish modern world playing out their roles in what Ionesco call a" tragic fare”, in which the events are often simultaneously comic, horrifying, and absurd. Joseph Heller’s Catch-22 can be taken as an example of the employment of this technique.。
An Introduction to British Literature (英国文学)
An Introduction to British Literature (英国文学概论)
★ The estoration and Eighteenth Century(1660—1789)
The golden age of English literature; 3 periods 1660—1700 The beginning of Neo-classical John Dryden (1631--1700) All for Love (1677) An Essay of dramatic Poesy (1668) 1700—1744 The Prime of Neoclassical Alexander Pope (1688--1744) The Rape of Lock (1714) Jonathan Swift(1667--1745) Gulliver’s Travels(1726) Daniel Defoe (1660--1731) Robinson Crusoe 1745—1784 The decline of Neoclassical (The age of prose) Dr. Samuel Johnson (1709--1784) Preface The lives of the Poets Edward Gibbon (1732--1794) The Decline and Fall of Roman Empire
An Introduction to British Literature (英国文学 概论)
★ The Early Seventeenth Century (1603--1660)
Metaphysical poetry (玄学派诗歌) : John Donne (1572--1631) Songs and Sonnets Andrew Marvel (1621--1678) The Garden George Herbert (1593--1633) The Temple The Cavalier poets(骑士派诗人) Ben Johnson (1573--1637) Song to Celia John Suckling(1609--1641) Robert Herrick (1591-1674) John Milton (1572-1631) Paradise Lost: the first English Epic.
了解英国文学的英语作文
了解英国文学的英语作文British literature is a treasure trove of literary masterpieces that have captivated readers for centuries. From the works of William Shakespeare to the modern-day novels of J.K. Rowling, British literature encompasses a wide range of genres and styles. The richness and diversity of British literature are evident in the various themes and characters portrayed in these literary works.One of the most prominent features of Britishliterature is its exploration of human emotions and the complexities of human nature. Characters in British literature often grapple with inner conflicts and struggle to find their place in the world. This exploration of the human psyche adds depth and realism to the stories, making them relatable to readers from all walks of life.Another characteristic of British literature is its keen observation of society and its critique of social norms and conventions. Many British authors have used theirworks as a platform to comment on the political and social issues of their time. From George Orwell's dystopian novel "1984" to Charles Dickens' portrayal of the harsh realities of Victorian society in "Oliver Twist," British literature has served as a mirror to society, reflecting its flaws and inspiring change.British literature is also known for its wit and humor. From the witty banter of Shakespeare's comedies to the satirical novels of Jane Austen, British authors have a knack for using humor to entertain and engage readers. This light-heartedness provides a welcome respite from the sometimes heavy themes explored in these works.In addition to its exploration of human nature,critique of society, and use of humor, British literatureis also characterized by its rich language and poetic imagery. British authors have a way with words, using vivid descriptions and powerful metaphors to create a sensory experience for readers. Whether it's the haunting beauty of the moors in Emily Bronte's "Wuthering Heights" or the enchanting world of Narnia in C.S. Lewis' "The Chroniclesof Narnia," British literature transports readers todifferent worlds through its evocative language.In conclusion, British literature is a vibrant and diverse body of work that continues to captivate readers around the world. Its exploration of human emotions,critique of society, use of humor, and rich language makeit a treasure trove of literary gems. Whether you're a fanof classic literature or contemporary novels, British literature offers something for everyone. So pick up a book, immerse yourself in the world of British literature, andlet your imagination soar.。
英国文学 英语作文
英国文学英语作文British Literature。
British literature is one of the most celebratedliterary traditions in the world. It has given us some of the most iconic works of literature, such as Shakespeare's plays, Dickens' novels, and Austen's novels. The literature of Britain has had a profound impact on the world, and continues to influence contemporary writers to this day.The earliest works of British literature date back to the Anglo-Saxon period, with the epic poem Beowulf being one of the most famous examples. This was followed by the Middle English period, which saw the emergence of Chaucer's Canterbury Tales. The Renaissance period saw the emergence of Shakespeare, who is widely considered to be the greatest playwright in the English language. His plays, such as Hamlet, Macbeth, and Romeo and Juliet, are still performed around the world today.The eighteenth and nineteenth centuries saw the emergence of the novel as a popular form of literature,with writers such as Jane Austen, Charles Dickens, and the Bronte sisters producing some of the most enduring works of British literature. Austen's novels, such as Pride and Prejudice and Sense and Sensibility, are celebrated fortheir wit, social commentary, and memorable characters. Dickens' novels, such as Oliver Twist and Great Expectations, are known for their vivid depictions of Victorian London and their social criticism.The twentieth century saw the emergence of modernist writers such as Virginia Woolf, James Joyce, and T.S. Eliot. Woolf's novels, such as Mrs. Dalloway and To the Lighthouse, are celebrated for their innovative narrative techniquesand their exploration of the inner lives of their characters. Joyce's novel Ulysses is considered to be oneof the most important works of modernist literature, while Eliot's poem The Waste Land is a landmark of modernist poetry.Contemporary British literature continues to be vibrantand diverse, with writers such as Zadie Smith, Kazuo Ishiguro, and Salman Rushdie producing works that reflect the changing face of Britain and the world. Smith's novels, such as White Teeth and On Beauty, explore issues of race, identity, and multiculturalism in contemporary Britain. Ishiguro's novels, such as The Remains of the Day and Never Let Me Go, are known for their subtle explorations of memory, identity, and the human condition. Rushdie's novels, such as Midnight's Children and The Satanic Verses, are celebrated for their imaginative storytelling and their exploration of themes such as identity, religion, and politics.In conclusion, British literature is a rich and diverse tradition that has had a profound impact on the world. From the epic poems of the Anglo-Saxon period to the contemporary novels of Zadie Smith and Salman Rushdie, British literature continues to inspire and challenge readers around the world.。
British Literature
A survey OfBritish LiteratureI. What is British literatureBritish literature refers to literature associated with the United Kingdom, Isle of Man, Channel Island s, as well as to literature from England, Ireland, Scotland and Wales, prior to the formation of the UK. By far the largest part of British literature is written in the English language, but there are bodies of written works in Latin, Welsh, Scottish Gaelic, Scots, Cornish, Manx and other languages. Northern Ireland has a literary tradition in English, Ulster Scots and Irish. Irish writers have also played an important part in the development of English-language literature.Ulster ['ʌlstə] n. 乌尔斯特, 原为爱尔兰一地区, 今为北爱尔兰及爱尔兰共和国所分割II. Early Celtic literatureFor a comparatively small country, Ireland has made a large contribution to world literature in all its branches. The Irish literature that is best known outside the country is in English, but the Irish language also has the most significant body of written literature, both ancient and recent, in any Celtic language, in addition to a strong oral tradition of legends and poetry.The Ulster Cycle written in the 12th century, is a body of medieval Irish heroic legends and sagas[ˈsɑ:gə] (n.英雄传奇) of the traditional heroes of the Ulaid in what is now eastern Ulster and northern Leinster, particularly counties Armagh, Down and Louth. The stories are written in Old and Middle Irish, mostly in prose, interspersed [ˈintəˈspə:s](v.散布,点缀) with occasional verse passages. The language of the earliest stories is dateable to the 8th century, and events and characters are referred to in poems dating to the 7th.III. Old English literature 449–1066The earliest form of English literature developed after the settlement of theSaxon s ['sæksn] and other Germanic [dʒə:'mænik] tribes in England after the withdrawal of the Romans and is known as Old English or Anglo-Saxon.Cædmon is the earliest English poet whose name is known. Cædmon's only known surviving work is Cædmon's Hymn, probably dating from the late 7th century. The poem is one of the earliest attested examples of Old English and is, with the runic Ruthwell Cross and Franks Casket inscriptions, one of three candidates for the earliest attested example of Old English poetry. It is also one of the earliest recorded examples of sustained poetry in a Germanic language.The epic poem Beowulf is the most famous work in Old English. A hero of the Geats, Beowulf battles three antagonists [ænˈtægənist](n.敌手,对手): Grendel, Grendel's mother, and a Dragon. The only surviving manuscript is the Nowell Codex. The precise date of the manuscript is debated, but most estimates place it close to the year 1000.Chronicles contained a range of historical and literary accounts; one notable example is the Anglo-Saxon Chronicle which contains various heroic poems inserted throughout.The Anglo-Saxons were converted to Christianity after their arrival in England. A popular poem, The Dream of the Rood, was inscribed upon the Ruthwell Cross. Judith is a retelling of the story found in the Latin Bible's Book of Judith of the beheader of the Assyrian general Holofernes. The Old English Martyrology [.mɑ:tə'rɔlədʒi] (n. 殉教史) is a Mercian collection of hagiographies. Ælfric of Eynsham was a prolific 10th century writer of hagiographies and homilies.IV. Late medieval literatureThe linguistic diversity of the islands in the medieval period, with each of the languages producing literatures at various times which contributed to the rich variety of artistic production, made British literature distinctive and innovative( [ˈinəuveitiv] a.革新的,新颖的).Latin literature circulated among the educated classes. Gerald of Wales's most distinguished works are those dealing with Wales and Ireland, with his late 12th century two books in Latin on his beloved Wales the most important: Itinerarium Cambriae and Descriptio Cambriae which tell us much about Welsh history and geography.Following the Norman Conquest of 1066, the development of Anglo-Norman literature in the Anglo-Norman realm introduced literary trends from Continental Europe such as the chanson de geste. However, the indigenous([inˈdidʒənəs]adj.本土的)development of Anglo-Norman literature was precocious in comparison to continental literature: Geoffrey Gaimar produced the earliest rhymed chronicle; Benedeit, the earliest adventure narrative inspired by Celtic sources; Jordan Fantosme, the earliesteyewitness historiography ([.histɔ:ri'ɔgrəfi] n. 编史, 史料编纂法); Philippe de Thaun, the earliest scientific literature.Religious literature continued to enjoy popularity. Hagiographies(/.hægi'ɔgrəfi/ n. 圣徒传, 圣徒言行录)continued to be written, adapted and translated: for example, The Life of Saint Audrey, Eadmer's contemporary biography of Anselm of Canterbury, and the South English Legendary.The Roman de Fergus was the earliest piece of non-Celtic vernacular([vəˈnækjulə] n.本国语,地方语) literature to come from Scotland. As the Norman nobles of Scotland assimilated to indigenous culture they commissioned Scots versions of popular continental romances, for example: Launcelot o the Laik and The Buik o Alexander.While chroniclers such as William of Malmesbury and Henry of Huntingdon attempted to weave such historical information they had access to into coherent narratives, other writers took more creative approaches to their material.Geoffrey of Monmouth was one of the major figures in the development of British history and the popularity for the tales of King Arthur. He is best known for his chronicle Historia Regum Britanniae (History of the Kings of Britain) of 1136, which spread Celtic motifs to a wider audience, including accounts of Arthur's father Uther Pendragon, wizard Merlin, and sword Caliburnus (named as Excalibur[eks'kælibə(r), n. 亚瑟王之神剑] in some manuscripts of Wace).Culhwch and Olwen is a Welsh tale about a hero connected with Arthur and his warriors, and is the longest of the surviving Welsh prose tales. It is perhaps the earliest extant Arthurian tale and one of Wales' earliest extant prose texts.Wace, the earliest known Jersey poet, developed the Arthurian legend and chronicled the Dukes of NormandyThe 12th century Jersey poet Wace is considered the founder of Jersey literature and contributed to the development of the Arthurian legend in British literature. His Brut showed the interest of Norman patrons in the mythologising of the new English territories of the Anglo-Norman realm by building on Geoffrey of Monmouth's History, and introduced King Arthur's Round Table to literature. His Roman de Rou placed the Dukes of Normandy within an epic context.The Prophecy of Merlin is a 12th-century poem written in Latin hexameters by John of Cornwall, which he claimed was based or revived from a lost manuscript in the Cornish language. Marginal notes on Cornish vocabulary are among the earliest known writings in the Cornish language.At the end of the 12th century, Layamon's Brut adapted Wace to make the first English language work to discuss the legends of Arthur and the Knights of the RoundTable. It was also the first historiography written in English since the Anglo-Saxon Chronicle.The Chronicle of the Kings of Alba is a short chronicle of the Kings of Alba. It was written in Hiberno-Latin but displays some knowledge of contemporary Middle Irish orthography and probably put together in the early 13th century by the man who wrote de Situ Albanie. The original text was without doubt written in Scotland, probably in the early 11th century, shortly after the reign of Kenneth II, the last reign it relates.Early English Jewish literature developed after the Norman Conquest with Jewish settlement in England. Berechiah ha-Nakdan is known chiefly as the author of a 13th century set of over a hundred fables, called Mishle Shualim, (Fox Fables), which are derived from both Berachyah's own inventions and some borrowed and reworked from Aesop's fables, the Talmud, and the Hindus.The collection also contains fables conveying the same plots and morals as those of Marie de France. The development of Jewish literature in mediaeval England ended with the Edict of Expulsion of 1290.Matthew Paris wrote a number of works in the 13th century. Some were written in Latin, some in Anglo-Norman or French verse. His Chronica Majora is an oft-cited historical source.In the later medieval period a new form of English now known as Middle English evolved. This is the earliest form which is comprehensible to modern readers and listeners, albeit not easily. Middle English Bible translations, notably Wyclif's Bible, helped to establish English as a literary language. Romances appear in English from the 13th century, with King Horn and Havelock the Dane, based on Anglo-Norman originals such as the Romance of Horn.William Langland's Piers Plowman is considered by many critics to be one of the early great works of English literature along with Chaucer's Canterbury Tales and Sir Gawain and the Green Knight (most likely by the Pearl Poet) during the Middle Ages. It is also the first allusion to a literary tradition of the legendary English archer, swordsman, and outlaw Robin Hood.Geoffrey Chaucer, father of English literatureThe most significant Middle English author was Geoffrey Chaucer who was active in the late 14th century. Often regarded as the father of English literature, Chaucer is widely credited as the first author to demonstrate the artistic legitimacy of the vernacular English language, rather than French or Latin. The Canterbury Tales was Chaucer's magnum opus, and a towering achievement of Western culture. The first recorded association of Valentine's Day with romantic love is in Chaucer's Parlement of Foules 1382, and sending Valentine's Day cards became hugely popular in Britain in the late 18th century, a practice that has since spread to other nations.The multilingual audience for literature in the 14th century can be illustrated by the example of John Gower, who wrote in Latin, Middle English and Anglo-Norman.Women writers were also active, such as Marie de France in the 12th century and Julian of Norwich in the early 14th century. Julian's Revelations of Divine Love (circa 1393) is believed to be the first published book written by a woman in the English language, Margery Kempe (c. 1373 – after 1438) is known for writing The Book of Margery Kempe, a work considered by some to be the first autobiography in the English language, which chronicles, to some extent, her extensive pilgrimages to various holy sites in Europe and Asia.Dafydd ap Gwilym's main themes were love and nature. The influence of wider European ideas of courtly love, as exemplified in the troubadour poetry of Provençal, is seen as a significant influence on Dafydd's poetry. He was an innovative poet who was responsible for popularising the metre known as the "cywydd" and first to use it for praise. But perhaps his greatest innovation was to make himself the main focus of his poetry. By its very nature, most of the work of the traditional Welsh court poets kept their own personalities far from their poetry. Dafydd's work is full of his own feelings and experiences.Since at least the 14th century, poetry in English has been written in Ireland and by Irish writers abroad. The earliest poem in English by a Welsh poet dates from about 1470. The Latin and English poem Flen flyys written around 1475, is chiefly famous for containing in coded form the first known written usage in English of a particular profane term in the English language.Among the earliest Lowland Scots literature is Barbour's Brus (14th century). Whyntoun's Kronykil and Blind Harry's Wallace date from the (15th century). From the 13th century much literature based around the royal court in Edinburgh and the University of St Andrews was produced by writers such as Henrysoun, Dunbar, Douglas and Lyndsay. The works of Chaucer had an influence on Scottish writers.In the Cornish language Passhyon agan Arloedh ("The Passion of our Lord"), a poem of 259 eight-line verses written in 1375, is one of the earliest surviving works of Cornish literature. The most important work of literature surviving from the Middle Cornish period is An Ordinale Kernewek ("The Cornish Ordinalia"), a 9000-line religious drama composed around the year 1400. The longest single surviving work of Cornish literature is Bywnans Meriasek (The Life of Meriasek), a play dated 1504, but probably copied from an earlier manuscript.Le Morte d'Arthur, is Sir Thomas Malory's 15th century compilation of some French and English Arthurian romances, was among the earliest books printed in England, and was influential in the later revival of interest in the Arthurian legends.Thomas More book Utopia, illustration of imaginary island, 1516Sir Thomas More coined the word "utopia", a name he gave to the ideal, imaginary island nation whose political system he described in Utopia, written in Latin and published in 1516.The landmark work in the reign of James IV of Scotland was Gavin Douglas's Eneados, the first complete translation of a major classical text in an Anglian language, finished in 1513. Its reception however was overshadowed by the Flodden defeat that same year, and the political instability that followed in the kingdom. Another major work, David Lyndsay's Ane Pleasant Satyre of the Thrie Estaitis, later in the century, is a surviving example of a dramatic tradition in the period that has otherwise largely been lost. At the end of the 16th century, James VI of Scotland founded the Castalian Band, a group of makars and musicians in the court, based on the model of thePléiade in France. The courtier and makar Alexander Montgomerie was a leading member. However this cultural centre was lost after the 1603 Union of the Crowns when James shifted his court to London. From 1603, London was the unrivalled cultural capital of the isles.V. Early Modern English literature: Elizabethan and Jacobean erasThe English Renaissance dated from the early 16th century to the early 17th century. The sonnet form and other Italian literary influences arrived in English literature. The sonnet was introduced into English by Thomas Wyatt in the early 16th century.In the later 16th century English poetry was characterised by elaboration of language and extensive allusion to classical myths. The most important poets of this period included Edmund Spenser and Sir Philip Sidney.English Renaissance theatre was among the most important literary achievements of the English Renaissance. William Shakespeare, widely regarded as the greatest writer in the English language, wrote over 35 plays in several genres, including tragedy, comedy and history. Other major playwrights of the time included Ben Jonson, Christopher Marlowe, and Thomas Kyd.John Milton, religious epic poem Paradise Lost published in 1667.At the Reformation, the translation of liturgy and Bible into vernacular languages provided new literary models. The Book of Common Prayer and the Authorized King James Version of the Bible have been hugely influential. The King James Bible as one of the biggest translation projects in the history of English up to this time, was started in 1604 and completed in 1611. It represents the culmination of a tradition of Bible translation into English from the original languages that began with the work of William Tyndale (previous translations into English had relied on the Vulgate). It became the standard Bible of the Church of England, and some consider it one of the greatest literary works of all time.Philosopher Sir Francis Bacon wrote the utopian novel New Atlantis, and coined the phrase "Knowledge is Power".The prolific Jacobean playwright and poet Thomas Middleton's The Revenger's Tragedy, is an early example of illegitimacy in fiction. Other Jacobean playwrights include John Fletcher and John Webster.English poets of the early 17th century are crudely classified by the division into Cavalier poets and metaphysical poets, the latter being much concerned with religion. The division is therefore along a line approximating to secular/religious. Major poets of the 17th century included John Donne, Andrew Marvell, and George Herbert. Thomas Carew was among poets who wrote country house poems. John Milton's 1644 Areopagitica, is an influential and impassioned philosophical defence of the principle of a right to freedom of speech, written in opposition to licensing and censorship, as an eloquent defence of press freedom. Milton's religious epic Paradise Lost was first published in 1667.VI. 19th century English language literatureRomanticismMajor political and social changes at the end of the 18th century, particularly the French Revolution, prompted a new breed of writing known as Romanticism. William Wordsworth and Samuel Taylor Coleridge began the trend for bringing emotionalism and introspection to English literature, with a new concentration on the individual and the common man. The reaction to urbanism and industrialisation prompted poets to explore nature, for example the Lake Poets. The third major Lake poet, Robert Southey, enjoys lasting popularity, although perhaps his most enduring contribution to literary history is the immortal children's classic, The Story of the Three Bears, the basis of the original Goldilocks story.Around the same period, the iconoclastic printer William Blake, largely disconnected from the major streams of elite literature of the time, was constructing his own highly idiosyncratic poetic creations, while the Scottish nationalist poet Robert Burns was collecting and adapting the folk songs of Scotland into a body of national poetry for his homeland.The major "second generation" Romantic poets included George Gordon Byron, 6th Baron Byron. They flouted social convention and often used poetry as a political voice. Amongst Lord Byron's best-known works are the brief poems She Walks in Beauty, When We Two Parted, and So, we'll go no more a roving, in addition to narrative poems Childe Harold's Pilgrimage and Don Juan. Another key poet of the Romantic movement was John Keats, whose poems such as Ode to a Nightingale expound on his aesthetic theory of negative capability, and remain among the most celebrated byany author of the period. To Autumn is the final work in a collection of poems known as "Keats's 1819 odes". Percy Shelley, famous for his association with Keats and Byron, was the third major romantic poet of the second generation. Critically regarded as among the finest lyric poets in the English language, Shelley is most famous for such widely anthologized verse works as Ozymandias, and long visionary poems which include Prometheus Unbound. Shelley's groundbreaking poem The Masque of Anarchy calls for nonviolence in protest and political action. It is perhaps the first modern statement of the principle of nonviolent protest.[23]Mahatma Gandhi's passive resistance was influenced and inspired by Shelley's verse, and Gandhi would often quote the poem to vast audiences.[23][24]The 19th century novelAt the same time, Jane Austen was writing highly polished novels about the life of the landed gentry, seen from a woman's point of view, and wryly focused on practical social issues, especially marriage and money. Austen's Pride and Prejudice 1813, is often considered the epitome of the romance genre, and some of her other most notable works include Sense and Sensibility, Mansfield Park, Persuasion and Emma.Walter Scott's novel-writing career was launched in 1814 with Waverley, often called the first historical novel, and was followed by Ivanhoe. His popularity in England and further abroad did much to form the modern stereotype of Scottish culture. Other novels by Scott which contributed to the image of him as a Scottish patriot include Rob Roy. Scott was the highest earning and most popular author up to that time.Mary Shelley is best known for her novel Frankenstein 1818, infusing elements of the Gothic novel and Romantic movement. Frankenstein's chilling tale suggests modern organ transplants, tissue regeneration, that remind readers of the moral issues raised by today's medicine. Shelley's 1826 novel The Last Man is often identified as the first work of modern apocalyptic fiction.John William Polidori wrote The Vampyre 1819, creating the literary vampire genre. His short story was inspired by the life of Lord Byron and his poem The Giaour. Another major influence on vampire fiction is Varney the Vampire 1845, where many standard Vampire features originated — Varney has fangs, leaves two puncture wounds on the neck of his victims, has hypnotic powers, superhuman strength, and was also the first example of the "sympathetic vampire", who loathes his condition but is a slave to it.From the mid-1820s until the 1840s, fashionable novels depicting the lives of the upper class in an indiscreet manner, identifying the real people whom the characters were based, dominated the market. It was in the Victorian era (1837–1901) that the novel became the leading form of literature in English. Most writers were now more concerned to meet the tastes of a large middle-class reading public than to please aristocratic patrons. The 1830s saw a resurgence of the social novel, where sensationalized accounts and stories of the working class poor were directed towardmiddle class audiences to incite sympathy and action towards pushing for legal and moral change. Elizabeth Gaskell's North and South contrasts the lifestyle in the industrial north of England with the wealthier south.Sir John Barrow's descriptive 1831 account of the Mutiny on the Bounty immortalised the Royal Navy ship HMS Bounty and her people. The legend of Dick Turpin was popularized when the 18th century English highwayman's exploits appeared in the novel Rookwood in 1834.Charles Dickens emerged on the literary scene in the 1830s, confirming the trend for serial publication. Dickens wrote vividly about London life and struggles of the poor, often, as in Oliver Twist, employing a popular style which would prove accessible to readers of all classes. The festive tale A Christmas Carol he called his "little Christmas book". Great Expectations is a quest for maturity. A Tale of Two Cities is set in London and Paris. Dickens early works are masterpieces of comedy, such as The Pickwick Papers. Later his works became darker, without losing his genius for caricature.The emotionally powerful works of the Brontë sisters: Charlotte's Jane Eyre, Emily's Wuthering Heights and Anne's Agnes Grey were released in 1847 after their search to secure publishers. William Makepeace Thackeray's satirised British society in Vanity Fair 1847, while Anthony Trollope's novels portrayed the lives of the landowning and professional classes of early Victorian England.Although pre-dated by John Ruskin's The King of the Golden River in 1841, the history of the modern fantasy genre is generally said to begin with George MacDonald, influential author of The Princess and the Goblin and Phantastes 1858. William Morris was a popular English poet who wrote several fantasy novels during the latter part of the 19th century.Literature for children was published during the Victorian period, some of which has become globally well-known, such as the works of Lewis Carroll, notably Alice's Adventures in Wonderland, while Anna Sewell wrote the classic animal novel Black Beauty.Wilkie Collins epistolary novel The Moonstone 1868, is often considered the first detective novel in the English language.[27]The Woman in White is regarded as one of the finest sensation novels.The novels of George Eliot, such as Middlemarch, were a milestone of literary realism, and combine high Victorian literary detail with an intellectual breadth that removes them from the narrow confines they often depict. Novels of Thomas Hardy and others, dealt with the changing social and economic situation of the countryside.Penny dreadful publications were an alternative to mainstream works, and were aimed at working class adolescents, introducing the infamous Sweeney Todd. The premier ghost story writer of the 19th century was Sheridan Le Fanu. His worksinclude the macabre mystery novel Uncle Silas 1865, and his Gothic novella Carmilla 1872, tells the story of a young woman's susceptibility to the attentions of a female vampire. Bram Stoker, author of seminal horror work Dracula, featured as its primary antagonist the vampire Count Dracula, with the vampire hunter Abraham Van Helsing his arch-enemy. Dracula has been attributed to a number of literary genres including vampire literature, horror fiction, gothic novel and invasion literature.H. G. Wells, who alongside Jules Verne, is referred to as "The Father of Science Fiction", invented a number of themes that are now classic in the science fiction genre. The War of the Worlds 1898, describing an invasion of late Victorian England by Martians using tripod fighting machines equipped with advanced weaponry, is a seminal depiction of an alien invasion of Earth. The Time Machine is generally credited with the popularization of the concept of time travel using a vehicle that allows an operator to travel purposefully and selectively. The term "time machine" coined by Wells, is now universally used to refer to such a vehicle.Sir Arthur Conan Doyle was born in Scotland of Irish parents but his Sherlock Holmes stories have typified a fog-filled London for readers worldwideSir Arthur Conan Doyle's Sherlock Holmes is a brilliant London-based "consulting detective", famous for his intellectual prowess, skillful use of astute observation, deductive reasoning and forensic skills to solve difficult cases. Holmes' archenemy Professor Moriarty, is widely considered to be the first true example of a supervillain, while Sherlock Holmes has become a by-word for a detective. Conan Doyle wrote four novels and fifty-six short stories featuring Holmes, from 1880 up to 1907, with a final case in 1914. All but four Conan Doyle stories are narrated by Holmes' friend, assistant, and biographer, Dr. John H. Watson.The Lost World literary genre was inspired by real stories of archaeological discoveries by imperial adventurers. H. Rider Haggard wrote one of the earliest examples, King Solomon's Mines in 1885. Contemporary European politics and diplomatic manoeuvrings informed Anthony Hope's swashbuckling Ruritanian adventure novels The Prisoner of Zenda 1894, and Rupert of Hentzau, 1898.F. Anstey's comic novel Vice Versa 1882, sees a father and son magically switch bodies. Satirist Jerome K. Jerome's Three Men in a Boat 1889, is a humorous account of a boating holiday on the river Thames. Grossmith brothers George & Weedon's Diary of a Nobody 1892, is also considered a classic work of humour.In the latter years of the 19th century, precursors of the modern picture book were illustrated books of poems and short stories produced by English illustrators Randolph Caldecott, Walter Crane, and Kate Greenaway. These had a larger proportion of pictures to words than earlier books, and many of their pictures were in colour. Some British artists made their living illustrating novels and children's books, include Arthur Rackham, Cicely Mary Barker, W. Heath Robinson, Henry J. Ford, John Leech, and。
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Epic: Epic is a long poem about the deeds of heroes, often of national signification. Alliteration: In alliterative verse, certain accented words in a line begin with the same consonant sound. There are generally four accents in a line, three of which show alliteration.)Part One: The Definition of Renaissance1.The Rise of bourgeoisie soon showed its influence on the sphere of cultural life,thus arising an intellectual movement known as Renaissance. It sprang first in Italy in the 14th century and then spread all over Europe.2.It stressed the importance of learning, esp, classical literature of Greece andRome. The writers adhered to science, and objected to ignorance and superstitions.3.The key-note of Renaissance is humanism.1.Hamlet1)To be or not to be, this is the questionA: These lines are quoted from “Hamlet” by W. Shakespeare.2)Analyze the character Hamlet3)Hamlet is a humanist, a man who is free from medieval prejudicesand superstitions. He has an unbound love for the world rather than forheaven. He cherished a profound respect for man, and a firm belief inman’s power over destiny. He loves good and hates evil. He cares fornothing but human worth and shows a contempt for rank and wealth.His intellectual genius is outstanding. He is a close observer of menand manners. Hamlet’s tragedy expresses the crisis of humanism at thattime.In brief, Hamlet is a hero of the Renaissance. His learning, wisdom,noble nature, limitation and tragedy are all representative of thehumanists at the turn of the 16th and the 17th century.2) Analysis of the character PortiaPortia is the most ideal woman character created by W. Shakespeare—a woman of Renaissance—beautiful, courteous, prudent and cultured.She is brave and more important, she is independent, In addition, she has optimistic spirit, even in the face of the most powerful enemy, for she is confident of her intellect and ability. She gets happiness from the true love and the true friendship and is ready to defend them with her wit. To a great extent, she is even cleverer and more capable than all the male characters in the play.All in all, Portia embodies all the elements of humanism, that is to say, love for the world and the happy life. Through Portia, Shakespeare expresses his belief in humanism and his confidence in the victory of the rising bourgeoisie.3)Analysis of the character ShylockA. Shylock, a Jewish usurer, Shakespeare shows us everything of Shylock’s meanness, greed and cruelty. In addition to being a greedy money-lender, he has suffered much in the hands of the Christians. His revolting bond is counterbalanced by Antonio’s arrogant treatment of him. So his loud protest against racialdiscrimination cannot be altogether ignored.6. The definition of SonnetSonnet is an exact form of poetry in 14 lines of iambic pentameter intricately rhymed. It was introduced to England from Italy by Sir Thomas Wyatt and Henry Howard.1.Paradise Lost1)ThemesA.The central theme is the heroic revolt of Satan against God’s authority.Through this poem, John Milton shows his extreme hatred of the darkEnglish society during the Restoration Period. Meanwhile, John Miltonpraises Satan’s rebellious idea and indomitable fighting spirit.2)Analysis of SatanA.Satan is a courageous rebel. He loves liberty by nature and revolts theabsolute monarchy—God. He is brave enough to challenge the authoritiesof God. Facing the powerful ruler—God, he is unbending andencouraging his followers to go on struggling. Shrewd and firm, he is aborn leader. In short, Satan is the real hero who dares to rise against Godstanding for feudal despots in the 17th century. Moreover, John Miltonsings of Satan’s rebellious idea and unyielding spirit, which is actuallythe poet’s spirit.I.Definition of The Enlightenment Movement or The Age of Reason in England1.The Enlightenment Movement was a bourgeois intellectual and culturalmovement which spread all over Europe in the 18th century. It was an expression of struggle of the bourgeoisie against feudalism, the enlighteners fighting against class inequality, prejudices and other survivals of feudalism.2.The enlighteners believed in the power of reason and social science. Reasonwas the only thing to depend on; the use of reason could bring about the improvement in society. Everything should be measured by reason. So the nature of the Enlightenment Movement was rationalism, and the 18th century was called the Age of Reason.3.The representatives of the Enlightenment Movement in English literaturewere Richard Steele, Joseph Addison and Alexander Pope, who cleared away the feudal ideals with bourgeois ideology.parison between Robinson Crusoe and Gulliver’s TravelsChapter Five Romantic PeriodI.Definition of Romanticism(1798—1832)1) At the turn of the 18th and 19th century Romanticism appeared in England under the impetus of Industrial Revolution and French Revolution, in 1798, the publication of the “Lyrical Ballads” By William Wordsworth and Samuel T. Coleridge marking its beginning.2) The Romantic poets love nature, praise the beauty of nature, and even combine themselves with it. They break away from Classicism and advocate the power of emotion and feelings, as Wordsworth said, “All good poetry is the spontaneous overflow of powerful feelings.” They adhere to the emancipation of individuality andpursue freedom ardently, fighting against oppression and exploitation.3) They often employ fantastic imagination, exaggeration in their poetry.4) The representatives of Romanticism are William Wordsworth, Samuel T. Coleridge, Percy B. Shelley, George G. Byron, and John Keats.II. William Wordsworth1.W. Wordsworth’s position in English literary historyW. Wordsworth was an important poet in the sense that he reacted against the stagnant poetic diction of neo-classicism of the 18th century and started the new tradition of romanticism by glorifying the world of nature and by the use of the simple language of the common people. In the heyday of Victorian morality Wordsworth was naturally very highly praised for his moral and philosophical speculations in his later poetry, but his fame rests chiefly upon his early poems on liberty, on simple rustic life in the countryside, and on nature.1)the theme is to be incidents and situations chosen from common life(generally “low and rustic life”)2)the language used is to be a selection of language really used by men3)regarding the treatment of the theme, ordinary things are to be presented inan unusual way (to throw over them a certain coloring of imagination)4)the poet is to trace in the chosen incidents and situations the primary lawsof human nature ( meaning the finding of the universal significance inhuman society)3.Selected reading: I Wandered Lonely as a Cloud4. Lyric: a poem that expresses a strong personal feeling in a songlike poem.2. “Ode to the West Wind”1)Theme of “Ode to the West Wind” auther is Percy B.ShelleyA. The poet praises the west wind, which sweeps away the dead leaves mercilessly and meanwhile scatters the winged seeds to “their dark wintry bed”. The west wind, “Destroyer and preserver”, sym bolizes the revolutionary forces that destroy the old world and establish a new happy world at the same time.B. The west wind brings “Angels of rain and lightning”, which suggests the coming of the revolutionary storm. During the coming of the revolutionary storm, the poet would like to fight bravely at the cost of his life like the west wind, trying to awaken the oppressed people by spreading the revolutionary thoughts, which expresses the poet’s passionate spirit of revolt and desire for struggle.C. “O,Wind, if Winter comes, can Spring be far behind?” The last line of the verse shows Shelley’s firm belief in the happy future and the final triumph of the people. 2) Artistic features: The poet employs various writing techniques, such as metaphor, personification, contrast, etc. The language is vivid, clear, fresh, full of color and imagination.4. “Prometheus Unbound”1)Theme of “Prometheus Unbound”A. “Prometheus Unbound” is a lyrical drama by PercyB. Shelley.C. Prometheus bound becomes Prometheus unbound, this symbolizing the victory of mankind over tyranny and oppression.Chapter SixThe Victorian Age / Critical Realism in EnglandI.The Victorian Age (Victorianism) (1832—1901)1.From the 1830s the struggle between workers and capitalists became thefundamental contradiction in English society. In spite of the parliamentary reform in 1832, the living conditions of the workers did not grow better but became steadily worse. The great misery of the workers led to working-class movements, such as Chartist Movement.2. Ideologically, the Victorians experienced fundamental changes. The rapiddevelopment of science and technology, new inventions and discoveries in geology, astronomy, biology and anthropology drastically shook people’s religious convictions. Darwin’s The Origin of Species(1859) and The Descent of Man (1871) shook the theoretical basis of the traditional faith. On the other hand, Utilitarianism was widely accepted and practiced. Almost everything was put to the test by the criterion of utility, that is, the extent to which it could promote the material happiness.3. Using humor and satire, the 19th-century critical realistic novelists exposed theevils of society, sympathized the people of lower strata. But owing to their class limitation, they coul dn’t find a correct way to solve the social problems.1.The representatives of critical realism are Charles Dickens, William M. Thackeray,the Bronte sisters, Mrs. Gaskell and George Eliot.2.In short, the 19th-century realistic novels are the epic of the bourgeois society.II.The Critical RealismDuring Victorian Age, the struggle between the workers and the capitalists became the fundamental contradiction in English society. In this period appeared English critical realism. The major contribution of the critical realists lies in their novels. The writers expose the evil of the ruling class and criticize the dark aspects existing in society and human nature. They cherish profound love for the common people, showing sincere sympathy for them. But owing to their own class limitations they fail to find out the correct way to solve the social problems. The use of humor and satire is the prevailing feature of the English realistic novels.The representatives are Charles Dickens and W. M. Thackeray.III.Charlotte Bronte1.Theme of Jane Eyre1)Jane Eyre,C. Bronte’s masterpiece, tells the story of an orphan girl namedJane Eyre. She is ill-treated by her aunt Mrs. Reed and then is sent toLowood Charity School, which is really a prison for poor orphans.Maltreated by the authorities of the school and living a half-starved life, Janestays there for eight long years. Here the author criticizes the bourgeoissystem of education, the aim of which is to bring up obedient slaves for therich.2) C. Bronte sings of Jane Eyre as a noble-minded, new woman, who is inpursuit of independence and equality, heart and soul. She tries to find a joband works as a governess in order to live by her own hands. She alsomaintains that women should have equal rights with men.3)Also in the novel the author shows her sympathy for the sufferings of thepoor people. Yet her realism was colored by petty-bourgeois philanthropy. C.Bronte believes that by the improvement of the school system and teaching,most of the evils of capitalism can be removed. Therefore, owing to her classlimitations she can’t find the correct way to solve the social problems.2.Analysis of the character Jane EyreJane Eyre is an orphan girl, who is ill-treated by her aunt Mrs. Reed and then is sent to Lowood Charity School, which is really a prison for poor orphans. Maltreated by the authorities of the school and living a half-starved life, Jane stays there for eight long years. So to speak, Jane is a victim of the bourgeois system of education, the aim of which is to bring up obedient slaves for the rich. Though afflicted with the bourgeois system of education, she is a noble-minded, new woman, who is in pursuit of independence and equality, heart and soul. She tries to find a job and works as a governess in order to live by her own hands. She also maintains that women should have equal rights with men. She puts emphasis on the equality between men and women in love and marriage. She loves Rochester who really loves her, respects her demand for equal rights of women to men, and turns down the proposal of Rivers who uses her as a tool for serving him in delivering sermons and wants to marry her.3.Theme on marriageThe theme on marriage is that true love is the basis of marriage. An ideal marriage is based on the physical, mental, and social equality between man and woman concerned, guided by passionate love as well as moral principles and religion.1)The novel evolves around the love story of Jane Eyre and Rochester. Jane is arebellious, independent, passionate, kind woman; Rochester is also kind, generous and passionate, and a man of depth. Both of them are unconventional and look down upon the conventional viewpoints on love and marriage. So there exists an affinity between them.2)Rochester does not choose the beautiful Miss Ingram to be his wife for the latterloves him for what he has, not for what he is. Jane rejects John Rivers because Rivers wants her for the sake of religion.3)The novel attacks the marriage system of the capitalist society, which requires thatmarriage should be based on social status.4.Artistic features of Jane Eyre1)Jane Eyre has both realistic and romantic features.2)It is written in the first person and in a temporal order, thus giving readers asense of reality and kindness.3)The plot of the novel is simple, and most of the sentences are short, with theresult that the novel is easy for common readers to understand.4)The writer employs many writing techniques, such as contrast andsymbolism.5)In writing Jane Eyre, C. Bronte draws a great deal from her own lifeexperiences. For example, She successfully depicts the horrors of LowoodSchool in the light of her own miserable life in a charity school.1.Theme of Wuthering Heights1)The novel is a powerful attack on the bourgeois marriage system. The innocentlove between Heathcliff and Catherine is poisoned by class prejudice founded on wealth. The novel shows that true love in a class society is impossible of attainment.The writer sympathizes the victims of the bourgeois marriage system, but she cannot find a correct way to solve the social problem because of class limitations.2.Analysis of the character Heathcliff1)Wuthering Heights deals mainly with the story of Heathcliff, a gipsy waif,picked up by Mr. Earnshaw in the street. Heathcliff is a rebel against the bourgeois matrimonial system. His pure love is crushed by the class prejudice of the bourgeoise. So he is at first the oppressed, then he decides to have his revenge on his oppressors, but in the end, having had his revenge, he turns the oppressor.1.D ickens’s stylistic features1)The most distinguishing feature of Dickens’s fictional art is his successfulcharacter-portrayal. Not only are the major characters in his novels very carefully delineated and given distinctive individual characteristics, but in almost every one of his twenty-odd works of fiction we inevitably come across several rather minor figures who create in the reader’s mind strongimpressions of their personalities so that they are remembered long afterwards.Some of Dickens’s characters are really such “typical characters under typical circumstances” that they become proverbial or are representative of a whole group of similar persons, as for instance Mr. Podsnap and Podsnappery, Bounderby and Gradgrind, Dombey, Monsieur and Madame Defarge, Micawber and Uriah Heep.2)The penetrating effect of satire is frequently achieved by Dickens with thesuccessful use of irony or obvious exaggeration, generally applied to objects of ridicule, Dickens is not especially known for the construction of plot in his novels.3)Yet another thing about Dickens’s art in prose fiction is his adroit use oflanguage. Dickens is never careful about details, Dickens is one of the truly great masters in the whole development of English literature.2.Theme of “Oliver Twist”In Oliver Twist, Charles Dickens bitterly exposes the terrible conditions in the English workhouse and the cruelty, corruption of the oppressors, and their agents under the mask of philanthropy. At the same time, the author also feels sympathy for the miseries of the lower class. In the novel the author vividly depicts the London underworld, among which Oliver Twist is the only one who emerges happy and successful in the end. However, as a result of his petty-bourgeois outlook, Dickens doesn’t know what or who is responsible for such miseries and even cherishes illusions about the rich and the idle, thus showing his class limitation.1. Theme revealed by “Tess of the D’Urbervilles”In Tess of the D’Urbervilles, Thomas Hardy truthfully portrays the tragic lot of a pure country girl Tess who is ruined by the bourgeois society, which is responsible for the miseries and sufferings of the ordinary people. At the same time, the author criticizes the injustice of the state law and the prejudice of the society. In addition, the author shows his deep sympathy for the oppressed and the weak. But owing to his class limitations, he can’t find out a correct way to solve the social problem. As a result of his petty-bourgeois outlook, he can’t understand that it is not fate, but the unfavorable conditions of capitalism, should be responsible for the tragic lives of the people.2. An analysis of the character TessTess is an innocent, pure girl. She longs for good, for true love. In a word, Tess is a victim of the bourgeois society, which is responsible for the miseries and sufferings of the ordinary people.II. ModernismModernism in English literature prevailed during the 20s and 30s of the 20th century. It was a movement of experiments in writing. While modernist poetry arose as a break with the 19th-century Romanticism, modernist fiction represented a trend away from the tradition of the 19th-century Realism. Modernist fiction laid emphasis on the description of the characters’psychological activities, hence modernist fiction was also called modern psychological fiction. Alienation and loneliness are the basic themes of modernism. One of its pioneers is David H. Lawrence, who wrote novels under the influence of Freud’s theory of psychological analysis.1.The themes of “Sons and Lovers”“Sons and Lovers”, Lawrence’s first major work, is considered one of the revolutionary novels of the 20th century for its subject matter. With many-layered richness, “Sons and Lovers” contains some of Lawrence’s most characteristic themes: the dehumanizing effect of the bourgeois industrialization; the complexity of human relationships, especially those between husband and wife, mother and son, and man and woman; the emotional possession of one person by another; and the usual account of the spiritual liberation of the protagonist in search for identity and fulfillment as an artist.IV. Stream of consciousnessIn the 20th century a number of writers adopted the stream-of-consciousness method in writing novels. Stream of consciousness is a literary device which depicts the continuous flow of a person’s thoughts and feelings in his mind during the waking time. In doing so, the writers abandon the conventional usages of plot structure, characterization and description. In English literature James Joyce and Virginia Woolf are the two best-known novelists of this school.1.V. Woolf’s styleWoolf’s style has been highly praised for its richness, its lucidity, and its transparentness; but the most praised feature of her style is the quality of lyric poetry. Actually, Woolf’s main quest in style is for poetry and subtlety, for she holds that the complex inner thoughts and feelings of the characters can berendered only by the use of brilliantly evocative prose-poetry. Her novels usually operate on two planes: one is the plane of prose, on which the narrator presents a detached view of life with an elegant, somewhat ironic style; the other is the plane of poetry, on which the character s’ private meditations are revealed with a copious, hallucinatory tone that produces a strong poetic effect. “Between the Acts”is considered to be the most lyrical of all her books, not only in feeling but also in style. The historical pageant is written chiefly in verse; even the narrative passages are composed of a language heightened by various poetic devices which strengthen the emotional intensity. Thus, Woolf makes a special contribution to the novel of subjectivity by developing a rich and buoyant style of lyrical poetry with sharpened images, central symbols, profound allusions, and varied rhythms.。