Rock and Roll
雅思口语Part2答案范文:最喜欢的歌手

雅思口语Part2答案范文:最喜欢的歌手关于音乐的话题,一直以来在雅思口语试题中都占有一席之地。
从Part 1中考察考生“最喜爱的音乐类型”、“小时候听过的歌曲”,到Part 2当前的考题“最喜爱的歌手或者乐队”,都考到考生就音乐领域的专业词汇表达,下面是雅思口语Part2答案:最喜欢的歌手,跟小编一起来了解下吧。
雅思口语Part2答案:最喜欢的歌手Bryan Adams is my favourite singer and I like his songs very much. His full name is Bryan Guy Adams and he was born around 1959 in Canada. Besides his identity as a singer, he is also a producer, actor, activist and photographer.He is a very successful and renowned singer around the world for the last three decades. Though rock music lovers mostly like his songs, a vast number of people whose first preference of music falls in other categories, also like him a lot. He is mainly a vocalist and song player but he can play a number of musical instruments including guitar, piano, bass guitar, harmonica and dobro. He is basically a rock singer and undoubtedly he is one of the best rock singers over a long time.His music touches the hearts of millions of people around the world and though he is mainly a rock singer, he has fans of different ages and of different music choices. His vocal, musical performance and lyrics makes his an enviable and admirable singer.I like him mostly because of his distinguishable and remarkable vocal. He is the leader of rock songs of his time. The lyrics and music are extraordinary and whenever I listen to his songs, it gives me sensational feelings. Many of his songs have become parts of my life and memory. He is such a singer whocan amuse me with most of his songs. Because of the rich lyrics and pleasant voice, he has become my most favourite singer.Similar Cue Card T opicsYour ability to talk about this Cue Card would enable you to talk about the following Cue Cards as well:1. Describe a famous singer from our country.2. Describe a singer you really like.3. Describe someone you would like to meet someday.4. Describe a successful actor/ singer or writer you know.雅思口语音乐类话题:最喜爱的歌手根据实际课堂反馈得出,许多学生当被问到喜欢什么类型的歌曲时,往往最常见的答案就是pop music。
舞女泪歌词原唱完整版下载,韩宝仪抖音热门歌曲舞女泪歌词

舞女泪歌词原唱完整版下载,抖音热门歌曲舞女泪歌词==========舞女泪歌词原唱完整版如下============ Tango rock and roll
伦巴恰恰恰
Tango rock and roll
伦巴恰恰恰
一步踏错终身错
下海伴舞为了生活
舞女也是人
心中的痛苦向谁说
为了生活的逼迫
颗颗泪水往肚吞落
难道这是命注定
一生在那风尘过
伴舞摇呀摇搂搂又抱抱
人格早已酒中泡
夜夜
Tango cha cha rumba
Rock and roll
谁叫我是一个舞女
一步踏错终身错
下海伴舞为了生活
舞女也是人
心中的痛苦向谁说
为了生活的逼迫
颗颗泪水往肚吞落
难道这是命注定
一生在那风尘过
伴舞摇呀摇搂搂又抱抱人格早已酒中泡
夜夜
Tango cha cha rumba Rock and roll
谁叫我是一个舞女
为了生活的逼迫
颗颗泪水往肚吞落
难道这是命注定
一生在那风尘过
伴舞摇呀摇搂搂又抱抱人格早已酒中泡
夜夜
Tango cha cha rumba Rock and roll
谁叫我是一个舞女《舞女泪》-韩宝仪韩宝仪 - 舞女泪
作词:林俊民
作曲:林俊民。
rock的用法总结大全

rock的用法总结大全你们知道rock的意思么?rock的用法的用法是又是怎样的呢?今日我给大家带来了rock的用法 ,盼望能够关心到大家,一起来学习吧。
rock的用法总结大全rock的意思n. 岩石,石头,摇滚乐,棒糖,v. 摇摆,摇动,震动vi. 演奏摇滚乐,随摇滚乐起舞变形:过去式: rocked; 如今分词:rocking; 过去分词:rocked;rock用法rock可以用作名词rock作“礁石”“巨石”解时,是可数名词,常用作复数形式; 作“岩,岩层”“摇摆舞,摇滚乐”解时,是不行数名词。
rock还可作“小石头”解,主要用于美式英语中,是不行数名词。
rock的基本意思是“(使)来回摇摆”,指物体在外力作用下来回摇摆,多指猛烈摇动将其高高抬起,并常含有塌落危急的意味。
引申可表示为“使震惊”“使受震动”等。
rock用作名词的用法例句The ship struck on a rock and sank.船触礁漂浮。
The deer is standing on the edge of the rock.那只鹿正站在岩石的边缘。
The 1970s were best known for rock music.20世纪70年月以摇滚乐而著名。
rock可以用作动词rock的基本意思是“(使)来回摇摆”,指物体在外力作用下来回摇摆,多指猛烈摇动将其高高抬起,并常含有塌落危急的意味。
引申可表示为“使震惊”“使受震动”等。
rock既可用作及物动词,也可用作不及物动词。
用作及物动词时,接名词、代词作宾语; 用作不及物动词时,常与介词连用。
rock是物质名词,表示“石”。
在英式英语中a rock指“一块岩石”或者“一块大石头”,约有一百斤重,不指那种三两重的小石头。
不过,在美式英语中,a rock也可以指“一块小石头”的意思。
rock用作动词的用法例句The news of the presidents death rocked the nation.总统过世的消息震惊了全国。
rock的用法总结大全

rock的用法总结大全你们知道rock的意思么?rock的用法的用法是又是怎样的呢?今天给大家带来了rock的用法,希望能够帮助到大家,一起来学习吧。
rock的用法总结大全rock的意思n. 岩石,石头,摇滚乐,棒糖,v. 摇晃,摇动,震动vi. 演奏摇滚乐,随摇滚乐起舞变形:过去式: rocked; 现在分词:rocking; 过去分词:rocked;rock用法rock可以用作名词rock作“礁石”“巨石”解时,是可数名词,常用作复数形式; 作“岩,岩层”“摇摆舞,摇滚乐”解时,是不可数名词。
rock还可作“小石头”解,主要用于美式英语中,是不可数名词。
rock的基本意思是“(使)来回摆动”,指物体在外力作用下来回摇摆,多指猛烈摇动将其高高抬起,并常含有塌落危险的意味。
引申可表示为“使震惊”“使受震动”等。
rock用作名词的用法例句The ship struck on a rock and sank.船触礁沉没。
The deer is standing on the edge of the rock.那只鹿正站在岩石的边缘。
The 1970s were best known for rock music.20世纪70年代以摇滚乐而闻名。
rock可以用作动词rock的基本意思是“(使)来回摆动”,指物体在外力作用下来回摇摆,多指猛烈摇动将其高高抬起,并常含有塌落危险的意味。
引申可表示为“使震惊”“使受震动”等。
rock既可用作及物动词,也可用作不及物动词。
用作及物动词时,接名词、代词作宾语; 用作不及物动词时,常与介词连用。
rock是物质名词,表示“石”。
在英式英语中a rock指“一块岩石”或者“一块大石头”,约有一百斤重,不指那种三两重的小石头。
不过,在美式英语中,arock也可以指“一块小石头”的意思。
rock用作动词的用法例句The news of the president's death rocked the nation.总统过世的消息震惊了全国。
关于摇滚发展史(英语)

摇滚发展史(摇滚音乐的开始)Chuck Berry invented rock and roll in 1955. Berry was a black man playing black music. But times had changed: white kids were listening to rhythm and blues throughout the Northeast, and white musicians were playing rhythm and blues side to side with country music. The music industry soon understood that there was a white market for black music and social prejudice, racial barriers, could nothing against the forces of capitalism. Rock and roll was an overnight success. The music industry promoted white idols such as, but the real heroes were the likes of Chuck Berry, who better symbolize the synergy between the performer and the audience. The black rockers, and a few white rockers, epitomized the youth's rebellious mood, their need for a soundtrack to their dreams of anticonformism. Their impact was long lasting, but their careers were short lived. For one reason or another, they all stopped recording after a brief time. Rock and roll was inherited by white singers, such as Presley, who often performed songs composed by obscure black musicians. White rockers became gentler and gentler, thereby drowning rock and roll's very reason to exist. Buddy Holly was the foremost white rocker of the late Fifties, while cross-pollination with country music led to the vocal harmonies of the Everly Brothers and to the instrumental rock of Duan Eddy.The kids' malaise returned, with a much taller wave, when folksingers started singing about the problems of the system. Kids who had not identified with Woody Guthrie's stories of poor people, identified immediately with folksingers singing about the Vietnam war and civil rights. Bob Dylan was arguably the most influential musician of the era. He led the charge against the Establishment with simple songs and poetic lyrics. A generation believed in him and followed his dreams. Music became the expression of youth's ambitions.At the same time, the story of commercial rock music took a bizarre turn when it hit the coast of California: the Beach Boys invented surf music. Surf music was just rock and roll music, but with a spin: very sophisticated vocal harmonies. California had its own ideas about what rock and roll should be: a music for having fun at the beaches and at the parties. The Beach Boys' vocal harmonies, a natural bridge between rockers and doo-wop, turned out to be a fantastic delivery vehicle for the melodic aspect of rock and roll, that black musicians usually buried in their emphatic shouting.The Sixties (60年代)The times were ripe for change, but a catalyst was still needed."Mersey-beat" changed the story of rock music forever. Mersey-beat came out of nowhere, but it came with the power of history. Britain had had a lousy music scene throughout the early Sixties. Mainly, British rockers were mimicking Presley. Mainstream Britain did not identify with rock and roll, was not amused by their "rebel" attitudes, did not enjoy their frenzy rhythm. To a large extent, though, the seeds had already been planted. Britain had an underground before America did: the blues clubs. Throughout the Fifties, blues clubs flourished all over England. London was the epicenter, but every major English city had its own doses of weekly blues. Unlike their rock counterparts, who were mere imitators, the British blues musicians were true innovators: in their hands, blues became something else. They subjected blues to a metamorphosis that turned it into a "white" music: they emphasized the epic refrains of the call and response, they sped up Chicago's rhythm guitars, they smoothed down the vocal delivery to make it sound more operatic, they flexed the choruses, enhanced the organ arrangements, added vocal harmony. In a few years, British blues musicians were playing something that was as deeply felt as the American blues, but had a driving power that no other music on Earth had.In the early Sixties veterans of that scene, or disciples of that scene, led to the formation of bands such as the Rolling Stones, the Yardbirds and the Animals. The Rolling Stones became "the" sensation in London and went on to record the most successful singles of the era. The Yardbirds were the most experimental of them all, and became the training ground for three of the greatest guitarists ever: Eric Clapton, Jeff Beck and Jimi Page. From their ashes two blues bands were born, the Cream and the Led Zeppelin, that in a few years will revolutionize rock music again.Liverpool did not have a great underground scene but had a more commercial brand of rock bands. The producer George Martin was instrumental in creating the whole phenomenon, with both Gerry And The Pacemakers and the Beatles, the band that went on to achieve world-wide success. The smiling faces of the Liverpool kids were in stark contrast with the underground club's angry blues animals. But the two complemented each other. "Beatlemania" stole the momentum from the blues scene and understood how to turn that music into a mass-media attraction. Rock music as a major business was born.The most influential bands of the second generation were the Kinks and the Who. Both went on to record concept albums and "rock operas" that paraphrased the British operetta at the sound of rock music. While Kinks were still proponents of melodic rock, the Who's manically amplified guitars were already pointing towards a noisier and less gentle future. The Rolling Stones, the Kinks and the Who represent the triad of British rock bands of the mid 1960s that would influence entire generations of rock bands for decades. The Who were composing autobiographical songs of the angry and frustrated urban youth. The Rolling Stones were composing autobiographical songs of the decadent punks of theworking class. The Kinks were composing realistic vignettes of ordinary life in bourgeois England. The three together provide a complete picture of the time.Cream and Led Zeppelin upped the ante when they started playing very loud blues. Cream's lengthy solos and Led Zeppelin's fast riffs created the epitome of "hard rock".The impact of British electricity on the American scene was equivalent to an earthquake. Kids embraced electric guitars in every garage of the United States and started playing blues music with a vengeance.On the East Coast it was Dylan again who led the charge. His first electric performances were met with disappointment by his fans, but soon "folk-rock" boomed with the hits of the Byrds and Simon And Garfunkel.The psychedelic movement that had been growing across the country somehow merged with the wave of electric rockers and the protest movement. They became one both in New York and in San Francisco. The Velvet Underground and the Fugs turned rock and roll into an intellectual operation.On the West Coast both San Francisco and Los Angeles reacted to the boom of rock and roll in typically eccentric manners. San Francisco, that was becoming the mecca of the hippies, begat "acid-rock", and Los Angeles, whose milieu had produced countless literary and cinematic misfits, begat Frank Zappa and Captain Beefheart, two of the most influential musicians of the century. Zappa and Beefheart recorded some of the most experimental records ever and turned rock and roll into a major, serious art. San Francisco's bands, led by the Jefferson Airplane and the Grateful Dead, endorsed complex harmony and improvised jams, thereby moving rock music towards the intellectual excesses of jazz music. Blue Cheer and Quicksilver laid the foundations for hard-rock.Psychedelic rock was spreading across the country, and spilling over into Britain. Soon America produced the Doors and England produced the Pink Floyd, two bands whose influence will be gigantic. Texas psychedelia went unnoticed, but bands like Red Crayola were far ahead of their time. Detroit was also left out of the main loop, but nonetheless the MC5 and the Stooges helped move rock music one notch up the ladder of noise.The boom of rock music in the United States helped resurrect the blues. Jimi Hendrix and Janis Joplin became stars, while countless white blues musicians flooded the clubs of Chicago and San Francisco. The Band, Creedence Clearwater Revival and the Doobie Brothers reached new peaks in the revisitation of traditional white and black music. In the south this revival movement will lead to the boom of "southern rock" and the likes of the Allman Brothers and Lynyrd Skynyrd.Country music was still a Nashville monopoly, but several artists were merging it with eastern meditation, jazz improvisation and rock's freedom. Sandy Bull, Robbie Basho and John Fahey were playing long instrumental tracks that easily rank with the most ambitious pieces of the avantgarde.In the meantime, black music was going through a metamorphosis of its own. Soul music turned into a form of party music with Tamla Motown's acts such as the Supremes, and rhythm and blues mutated in a feverish genre called "funk" for obscene performers such as James Brown.In Britain, rock music took more of a European feel with the underground movement that was born out of psychedelic clubs. Canterbury became the center of the most experimental school of rock music. The Soft Machine were the most important band of the period, lending rock music a jazz flavor that would inspire "progressive-rock". Among the eccentric and creative musicians that grew up in the Soft Machine were Robert Wyatt, David Aellen, and Kevin Ayers. Their legacy can be seen in later Canterbury bands such as Henry Cow, no less creative and improvisational.Progressive-rock took away rock's energy and replaced it with a brain. Traffic, Jethro Tull, Family and later Roxy Music developed a brand of soul-rock that had little in common with soul or rock and roll: long, convoluted jams, jazz accents, and baroque arrangements derailed the song format. King Crimson, Colosseum, Van Der Graaf Generator, early Genesis, Yes and started playing ever more complex, theatrical and hermetic pieces. Arrangements became more and more complex, insturmentalists become more and more skilled. Electronic instruments were employed frequently. Bonzo Dog Doo Dah Band, Third Ear Band and Hawkwind created genres that at the time had no name (decadent cabaret, world-music and psychedelic hard rock).The paradigm soon spilled into continental Europe, that gave its first major rock acts: Magma, Art Zoyd, Univers Zero.Even Britain's folksingers sounded more like French intellectuals than oldfashioned storytellers. The folk revival of the Sixties was mainly the creation of a fistful of three collectives: the Pentangle, the Fairport Convention and the Incredible String Band. But around them singer songwriters like Donovan, Cat Stevens, Nick Drake , John Martyn, Syd Barrett and Van Morrison established new standards for musical expression of intimate themes.The 1960s were the "classic" age of rock music. The main sub-genres were defined in the 1960s. The paradigm of rock music as the "alternative" to commercial pop music was established in the 1960s. Wild experimentation alloweds rock musicians to explore arange of musical styles that few musicians had attempted before 1966. Captain Beefheart and the Velvet Underground also created a different kind of rock music within rock music, a different paradigm within the new paradigm, one that will influence alternative musicians for decades. More than musical giants like Bob Dylan and Jimi Hendrix, humble musicia ns like Captain Beefheart, the Velvet Underground and the Red Crayola may be the true heroes of the 1960s.The Seventies (70年代)The deaths of the Doors' Jim Morrison, of Janis Joplin, of Jimi Hendrix and countless others, sort of cooled down the booming phenomenon. After the excesses of the mid Sixties, a more peaceful way to rock nirvana had already been proposed by Bob Dylan and others when they rediscovered country music. And "country-rock" became one of the fads of the Seventies, yielding successful bands such as the Eagles. Reggae became a mainstream genre thanks to Bob Marley. Funk became even more absurd and experimental with George Clinton's bands. Hard rock begat heavy metal, that soon became a genre of its own (Blue Oyster Cult, Kiss, Aerosmith, AC/DC, Rush, Journey, Van Halen). The Seventies were mostly a quiet age, devoid of the nevrastenic battage of the Sixties.At the turn of the decade, the main musical phenomenon was the emergence of a new generation of singer songwriters that were the direct consequence of the previous generation's intellectual ambitions. Leonard Cohen, Tim Buckley, Nico, Lou Reed, Todd Rundgren, Joni Mitchell, Neil Young, Tom Waits, and the most famous of all, Bruce Springsteen, established a musical persona that unites the classical composer and the folksinger.In Britain, the early Seventies saw the proliferation of hard rock and progressive-rock and their branching into several sub-genres. British musicians gave rock and roll an "intellectual" quality that made it the cultural peer of European cinema and literature. British rock was dragged down by the same stagnation that afflicted American rock. The momentum for innovation was rapidly lost and the new genres created by British musicians either languished or mutated into commercial phenomena. Musical decadence led to decadence-rock, personified by dandies David Bowie and Marc Bolan. Eccentric remnants of progressive-rock such as Robert Fripp and Peter Gabriel started avantgarde careers that were to lead to an expanded notion of rock music. New musicians such as Kate Bush and Mike Oldfield helped liberate rock music from the classification in genres and opened the road to more abstract music. But the single most influential musician was Brian Eno, who first led Roxy Music to innovate progressive-rock and then invented ambient music.Largely neglected at the time, German rock was probably twenty years ahead of British rock. Kraftwerk, Amon Duul, Tangerine Dream, Klaus Schulze, Faust, Neu Can made some of the most important albums of the era, and of the entire history of rock music. They laid the foundations for popular electronic music, for modern instrumental rock, even for new age music and for disco-music.The mid-Seventies were largely a decade of consolidation, rather than innovation, but two phenomena erupted that would have a strong impact: disco-music and punk-rock.Disco-music was the first genre to use electronic instruments for commercial, mass-scale music. The beat of dance music would never be the same again. Orchestral arrangements became as ordinary as a guitar solo. Punk-rock had an even greater impact, because it came with the emancipation of the record industry from the "majors". Thousands of independent record labels promoted underground artists and soon the music scene was dramatically split between mainstream rock (descendant of Presley and Beatles) and alternative rock (descendant of Zappa and Grateful Dead). Punk-rock per se was fast, loud rock and roll music, but it quickly became a moniker for all angry music of the time.From the ashes of decadent acts such as the New York Dolls, the Ramones madepunk-rock more than a sound, they made it a religion.New York punks were as intellectual as the folksingers of twenty years before. Patti Smith, Television, Suicide and Feelies were the main acts of the "new wave". The new wave was truly a new wave of creativity, that harked back to the mid Sixties, when bands were competing to innovate.Pop Metal 流行金属在重金属摇滚中加入流行音乐之元素,可说是重金属摇滚和流行音乐妥协结合的折中产品,是极易为主流市场之音乐消费者所接受的重金属摇滚乐。
美国流行音乐

Moody Blue
Burning Love Way Down
Heavy Metal
重金属
Coryphaeus
Guitar 吉他
主唱者
Drum-set
Keyboard Bass
架子鼓
键盘 贝斯
Crazy 疯狂
Passion 激情
Country music
乡村音乐
Bill Haley
Bill Haley was called the father of rock, founder of the rock. Bill Haley 被称之 为摇滚乐之父,也 是摇滚乐的创始人。
Elvis Aaron Presley 猫王
Recommend songs 推荐曲目
乡村音乐是一种当代的流行音乐,起源于美国南部与阿帕拉契山区。 乡村音乐的根源可追溯至1920年代,融合了传统民谣音乐、凯尔 特音乐、福音音乐及古时音乐。乡村音乐的曲调,一般都很流畅、 动听,曲式结构也比较简单。
Jimmie Rodgers
——Country music's father
Jimmie Rodgers to American country music's infleer in the U.S. economy is the weakest, but he spent time and often focus on the performance of the poorest regions, and his latest album often be bought by some not bounteous villagers .He is people hero. He is honored as “the father of country music” 吉米· 罗杰斯对美国乡村音乐的影响是巨大的,虽然他的演艺生涯大部分是 在美国经济最不景气的时期度过,但他的演出常集中在最贫穷的地区,而 且生活并不宽裕的村民经常购买他的最新唱片。他也是老百姓心中的英雄,
【rock的用法总结大全】atpresent用法

【rock的用法总结大全】atpresent用法rock的用法总结大全rock的意思n. 岩石,石头,摇滚乐,棒糖,v. 摇晃,摇动,震动vi. 演奏摇滚乐,随摇滚乐起舞变形:过去式: rocked; 现在分词:rocking; 过去分词:rocked;rock用法rock可以用作名词rock作“礁石”“巨石”解时,是可数名词,常用作复数形式; 作“岩,岩层”“摇摆舞,摇滚乐”解时,是不可数名词。
rock还可作“小石头”解,主要用于美式英语中,是不可数名词。
rock的基本意思是“(使)来回摆动”,指物体在外力作用下来回摇摆,多指猛烈摇动将其高高抬起,并常含有塌落危险的意味。
引申可表示为“使震惊”“使受震动”等。
rock用作名词的用法例句The ship struck on a rock and sank.船触礁沉没。
The deer is standing on the edge of the rock.那只鹿正站在岩石的边缘。
The 1970s were best known for rock music.20世纪70年代以摇滚乐而闻名。
rock可以用作动词rock的基本意思是“(使)来回摆动”,指物体在外力作用下来回摇摆,多指猛烈摇动将其高高抬起,并常含有塌落危险的意味。
引申可表示为“使震惊”“使受震动”等。
rock既可用作及物动词,也可用作不及物动词。
用作及物动词时,接名词、代词作宾语; 用作不及物动词时,常与介词连用。
rock是物质名词,表示“石”。
在英式英语中a rock指“一块岩石”或者“一块大石头”,约有一百斤重,不指那种三两重的小石头。
不过,在美式英语中,arock也可以指“一块小石头”的意思。
rock用作动词的用法例句The news of the president's death rocked the nation.总统过世的消息震惊了全国。
The trees stood in an attitude of intentness, as if they waited longinglyfor a wind to e and rock them.树木纹丝不动,仿佛热切地期望着有一阵风来摇动它们。
rock的用法总结大全

rock的用法总结大全你们知道rock的意思么?rock的用法的用法是又是怎样的呢?今日我给大家带来了rock的用法,盼望能够关心到大家,一起来学习吧。
rock的用法总结大全rock的意思n. 岩石,石头,摇滚乐,棒糖,v. 摇摆,摇动,震惊vi. 演奏摇滚乐,随摇滚乐起舞变形:过去式: rocked; 现在分词:rocking; 过去分词:rocked;rock用法rock可以用作名词rock作“礁石”“巨石”解时,是可数名词,常用作复数形式; 作“岩,岩层”“摇摆舞,摇滚乐”解时,是不行数名词。
rock还可作“小石头”解,主要用于美式英语中,是不行数名词。
rock的基本意思是“(使)来回摇摆”,指物体在外力作用下来回摇摆,多指猛烈摇动将其高高抬起,并常含有塌落危急的意味。
引申可表示为“使震动”“使受震惊”等。
rock用作名词的用法例句The ship struck on a rock and sank.船触礁沉没。
The deer is standing on the edge of the rock.那只鹿正站在岩石的边缘。
The 1970s were best known for rock music.20世纪70年月以摇滚乐而著名。
rock可以用作动词rock的基本意思是“(使)来回摇摆”,指物体在外力作用下来回摇摆,多指猛烈摇动将其高高抬起,并常含有塌落危急的意味。
引申可表示为“使震动”“使受震惊”等。
rock既可用作及物动词,也可用作不及物动词。
用作及物动词时,接名词、代词作宾语; 用作不及物动词时,常与介词连用。
rock是物质名词,表示“石”。
在英式英语中a rock指“一块岩石”或者“一块大石头”,约有一百斤重,不指那种三两重的小石头。
不过,在美式英语中,a rock也可以指“一块小石头”的意思。
rock用作动词的用法例句The news of the presidents death rocked the nation.总统过世的消息震动了全国。
摇滚乐的英语作文

摇滚乐的英语作文Rock Music。
Rock music is a genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s. It has its roots in 1940s and 1950s rock and roll, rhythm and blues, and country music, and also drew on folk music, jazz, and classical music. The sound of rock often revolves around the electric guitar or acoustic guitar, and it uses a strong back beat laid down by a rhythm section of electric bass guitar, drums, and keyboard instruments such as organ, piano, or, since the 1970s, analog synthesizers and digital ones and computers since the 1990s. Along with the guitar or keyboards, saxophone and blues-style harmonica are sometimes used as soloing instruments. In its "purest form," it "has three chords, a strong, insistent back beat, and a catchy melody."Rock music has evolved into many subgenres since its inception, including rock and roll, psychedelic rock, hardrock, punk rock, heavy metal, alternative rock, indie rock, and more. Each subgenre has its own unique sound and characteristics, but they all share the common elements of a strong rhythm, electric instruments, and a rebellious, countercultural attitude.Rock music has had a huge impact on popular culture and has influenced countless musicians and artists across the world. It has been a driving force behind social and political movements, and its rebellious spirit has resonated with people of all ages and backgrounds. Rock music has also been a platform for addressing important issues and expressing emotions, making it a powerful and influential art form.One of the most iconic aspects of rock music is itslive performances. Rock concerts are known for their energetic and passionate atmosphere, with fans often singing along, dancing, and even moshing to the music. The connection between the performers and the audience is electric, creating an unforgettable experience for all involved.In conclusion, rock music is a dynamic and influential genre that has shaped the musical landscape for decades.Its diverse subgenres and rebellious spirit have made it a powerful force in popular culture, and its impact will continue to be felt for years to come. Whether you're a fan of classic rock or a devotee of modern indie rock, there's no denying the enduring appeal of this timeless genre.。
孤独摇滚英文版

孤独摇滚英文版Lonely rock and roll, a rebel without a causeIn the night, I hear the kick drum pounding out of controlNo one can understand or feel the rhythm inside my soulNo one can hear my emotions in this relentless rock n rollMy life has become an endless chain of monotonyA pattern of silence is my only form of sanityThe darkness is thick, but I'm hoping I'll find a wayTo break free from the chains that bind me to this life of depravityI don't need anyones help, I'll make it on my ownI'll struggle through the darkness; I've got goals to achieve aloneI'll carry a torch as a symbol of my unyielding willMy resilience will be the catalyst for change and break the stillMy thoughts drift back to the past and its bittersweet highsThe vibrant melodies and rhythms that once were my lullabies The pain of loneliness and longing run deep throughout my veinsBut through the power of rock, I'll find another way to sustainLonely rock and roll, the music keeps me standing tall Though I may feel lonely, I'll never ever give it allI am a rebel in the night, with nothing left to loseI won't be pushed around, I won't be one of the abusedAnd so I take a stand against the darkness that surrounds My broken heart has healed, no longer will I be boundThe melody of rock n roll fills me with strength and might Time to get up and fight, time to take back my life!。
《舞女泪》歌词 韩宝仪

舞女泪
舞女泪- 韩宝仪
词:林俊民
曲:林俊民Tango rock and roll
伦巴恰恰恰Tango rock and roll
伦巴恰恰恰
啦...
一步踏错终身错
下海伴舞为了生活
舞女也是人
心中的痛苦向谁说
为了生活的逼迫
颗颗泪水往肚吞落
难道这是命注定
一生在那红尘过
伴舞摇呀摇搂搂又抱抱人格早已酒中泡
夜夜
Tango cha cha rumba rock and roll
谁叫我是一个舞女
啦...
一步踏错终身错
下海伴舞为了生活
舞女也是人
心中的痛苦向谁说
为了生活的逼迫
颗颗泪水往肚吞落
难道这是命注定
一生在那红尘过
伴舞摇呀摇搂搂又抱抱
人格早已酒中泡
夜夜
Tango cha cha rumba rock and roll
谁叫我是一个舞女
为了生活的逼迫
颗颗泪水往肚吞落
难道这是命注定
一生在那红尘过
伴舞摇呀摇搂搂又抱抱
人格早已酒中泡
夜夜
Tango cha cha rumba rock and roll
谁叫我是一个舞女
啦...
哈
以上就是关于舞女泪的歌词,感谢您的阅读!。
摇滚文案伤感英文句子

摇滚文案伤感英文句子1. Lost in the darkness, I found solace in the raw power of rock and roll.2. The lyrics of rock songs pierce my heart, reminding me of the pain I can't escape.3. The electric guitar wails in agony, echoing the depths of my broken soul.4. The rhythm of the drums pounds in sync with the ache in my heart.5. The rock and roll rebellion speaks to my lonely spirit, understanding my pain like no one else can.6. The raw energy of the stage mirrors the chaos within, providing an outlet for my wounded soul.7. As the bass thumps through my veins, the words of rock songs become the anthem of my despair.8. The screeching vocals embody the anguish I carry, echoing through the corridors of my mind.9. Every chord, every beat, immerses me in a world where melancholy is understood and embraced.10. The melodic riffs weave through the melancholic lyrics, creating a tapestry of heartache.11. The distorted guitars scream, giving voice to the pain I can't put into words.12. The emotion-filled lyrics of rock songs resonate with my shatteredheart, giving it a sense of understanding.13. The blistering solos encapsulate the torturous pain I feel, expressing it in a way I could never articulate.14. The introspective nature of rock music mirrors the depths of my own self-destructive thoughts.15. The haunting melodies serve as a balm for my wounded spirit, embracing my sadness rather than shying away from it.16. The rebellious nature of rock and roll echoes the anger and frustration that consume me.17. The thundering basslines reverberate through my bones, vibrating with the ache I can't escape.18. The lyrics of rock ballads dig deep into my soul, tearing open old wounds and bringing forth a flood of tears.19. The heavy riffs and pounding drums evoke a sense of darkness that resonates with the depths of my sorrow.20. The gritty vocals of rock singers tug at my heartstrings, reminding me of the pain I'm unable to forget.21. In the world of rock and roll, I find solace in the anguished lyrics that reflect my own sense of longing and despair.。
rocks俚语

rocks俚语Rocks俚语是一种广泛流行于年轻人中的俚语,主要用于表示某个人或事物的特点,或者表达一种态度或观点。
这些俚语通常具有隐含的意义,需要对其背景和文化有一定的了解才能理解。
以下是一些与rocks (rock) 相关的俚语及其参考内容。
1. Rock and Roll(摇滚乐)"Rock and roll" 是一种音乐风格,也是对个人或事物的形容词,表示酷或令人兴奋。
比如说,在年轻人中,可以用来形容某人举止酷劲十足,比如 "You rock and roll!" 或者 "You're rockingit!"。
2. Rockstar(摇滚明星)"Rockstar" 是一个形容词和名词,用来形容某人非常成功、受欢迎或令人钦佩。
例如,可以用来形容某人在某个领域表现出色,比如 "She's a real rockstar when it comes to coding!"3. Rock the boat(引起麻烦)"Rock the boat" 是一个动词短语,意味着做某事可能引起问题或麻烦。
比如,在工作环境中,如果某人做出新的决定或表达不同的意见,可能会被告知 "Don't rock the boat!" 表示不要引起麻烦。
4. Rock bottom(最低点)"Rock bottom" 是一个名词短语,表示某事物或情况已达到最低点。
比如,在描述经济或个人境况不好时,可以说 "I hitrock bottom" 或者 "The company's profits have hit rock bottom."5. On the rocks(处于困境)"On the rocks" 是一个动词短语,意味着某事物正在经历困境或处于濒临崩溃的状态。
摇滚

分类
主要风格 经过整理的摇滚风格共158 类,但
如同有人说过,每个乐队或者每个 人就是一种风格,所以有时分太细 致是没太多的必要,但前提是我 们必须知道,世界上还有这么多风 格类型的音乐值得我们去聆听。
发展
其实早在30年代初期美国就有首歌叫做Rock&Roll,但
当时并没有这种音乐名称。此一名词出现最被大家认 识是DJ- Alan Freed于1951年在他的广播节目中首先使 用了『摇滚音乐会』这个名称,据说纽约现今仍尊称 他为摇滚乐之王。而又在比尔· 哈利-Bill Haley和他组 的彗星乐团-His Comets以一曲Rock Around The Clock于55年在排行榜呆了8周之久,在此曲大放异彩 的推波助澜下,Rock便为世人所熟知,是故有人称 1955年为Rock Era,而比尔· 哈利也得摇滚之父的雅号。
精神
关于“摇滚精神”和 “摇滚思想”:多数摇滚乐爱好者喜欢将摇滚描
述为一种精神,然而关于这种精神究竟是什么却众说纷纭。显然,摇 滚乐队们创作摇滚乐时,并不是先有了”摇滚精神“这一共识再进行 创作;而瀚海般的摇滚音乐里,涵盖的各种思想恐怕也难以一言概之。 较有代表性和影响力的摇滚精神大概有: 青年自主意识(包括对社会的反思或者反叛,基于其激烈程度不同); 爱与和平(无政府主义通常也与之联系在一起); 反宗教(在欧美等有宗教背景的国家); 享乐主义或者纵欲主义(以80年代的硬摇滚--流行金属--AOR时期为 代表); 悲观主义与虚无主义(以黑金属和厄运金属为代表)。 这些思想并不统一,有时甚至相互矛盾,因此摇滚精神实际上并不是 一种提纲、教条式的精神思想,而是建立在各个独立的乐队和具体的 作品之上。
系列思潮和文化运动,狭义上指摇滚乐曲。 “摇滚”是一个更广义的概念,它包括了伴随摇滚乐诞生而发轫的一 系列思潮和文化运动,它植根于摇滚乐,但却不仅仅局限于摇滚乐这 个音乐风格。比如60~70年代的嬉皮士(爱与和平,摇滚乐影响力最 大的一次社会运动)、70年代末的朋克和无浪潮(No-Wave)、朋克 之后的新浪潮(New Wave)(在文学等其他艺术上也同步出现)、90 年代初英国的锐舞文化(以电音为主要载体,涉及政治的一次青年运 动,也被视为摇滚文化的一个分支)。 摇滚乐是一种流行音乐风格,起源于二十世纪40年代至50年代的美国。 最初的摇滚乐是黑人布鲁斯、福音音乐、爵士乐与乡村乐的结合。摇 滚乐的元素可追溯到20年代的布鲁斯和30年代的乡村乐,然而其在50 年代才开始作为一种独立的音乐风格而广泛流行。 金属音乐由摇滚产生,但是金属并不属于摇滚
rock的用法总结大全

rock的用法总结大全你们知道rock的意思么?rock的用法的用法是又是怎样的呢?今天给大家带来了rock的用法,希望能够帮助到大家,一起来学习吧。
rock的用法总结大全rock的意思n. 岩石,石头,摇滚乐,棒糖,v. 摇晃,摇动,震动vi. 演奏摇滚乐,随摇滚乐起舞变形:过去式: rocked; 现在分词:rocking; 过去分词:rocked;rock用法rock可以用作名词rock作“礁石”“巨石”解时,是可数名词,常用作复数形式; 作“岩,岩层”“摇摆舞,摇滚乐”解时,是不可数名词。
rock还可作“小石头”解,主要用于美式英语中,是不可数名词。
rock的基本意思是“(使)来回摆动”,指物体在外力作用下来回摇摆,多指猛烈摇动将其高高抬起,并常含有塌落危险的意味。
引申可表示为“使震惊”“使受震动”等。
rock用作名词的用法例句The ship struck on a rock and sank.船触礁沉没。
The deer is standing on the edge of the rock.那只鹿正站在岩石的边缘。
The 1970s were best known for rock music.20世纪70年代以摇滚乐而闻名。
rock可以用作动词rock的基本意思是“(使)来回摆动”,指物体在外力作用下来回摇摆,多指猛烈摇动将其高高抬起,并常含有塌落危险的意味。
引申可表示为“使震惊”“使受震动”等。
rock既可用作及物动词,也可用作不及物动词。
用作及物动词时,接名词、代词作宾语; 用作不及物动词时,常与介词连用。
rock是物质名词,表示“石”。
在英式英语中a rock指“一块岩石”或者“一块大石头”,约有一百斤重,不指那种三两重的小石头。
不过,在美式英语中,arock也可以指“一块小石头”的意思。
rock用作动词的用法例句The news of the president's death rocked the nation.总统过世的消息震惊了全国。
摇滚音乐欣赏

☆主唱——麦克· 信田 (Mike Shinoda):兼管 RAP说唱、节奏、取样、 吉他、键盘和音乐制作, 也帮其他歌手跨刀创作, 是乐团里的队长,也创 立自己的Side Project 黑暗堡垒,与2005年底 发布专辑《the rising tied》;
Linkin Park 林肯公园乐队成员
摇滚代表人物——猫王
当大幕刚刚拉开,一位身 穿粉红色宽松上衣、大红 喇叭裤、白色皮靴的演唱 者走上舞台时,台下马上 出现一片欢腾,他就是以 摇滚乐蜚声世界,使歌迷 们如痴如醉的摇滚乐歌 王——普莱斯利——歌迷 们心目中的英雄! 据说,由于他在演出时的 风格似猫般潇洒活跃,所 以歌迷们昵称他为“猫 王”。
☆采样——约瑟夫· 韩 (Joseph Hahn) 韩裔美国人,担任团上 专辑音乐MV导演,也是 团上的副队长,擅长绘 图,因此专辑封面由他 一手包办,在团内又名 〈Mr. Hahn〉/Joe〉;
Linkin Park 经典歌曲
It's Goin' Down It's Goin' Down这首歌曲是联合公园为唱盘刽子手跨 刀制作和配唱的单曲,这首歌曲收录于唱盘刽子手的 "从头做起"专辑,此单曲MV也是由联合公园操刀制作。 而此歌曲也在联合公园推出的LP Underground 4.0有 组曲Live版本,搭配组曲的歌曲有Step Up(收录于 混合理论EP)和Nobody's Listening(收录于天空之 城—美特拉)在加上此单曲It's Goin' Down,组合成 的组曲歌名叫做Step Up/Nobody's Listening/It's Goin' Down 。
十大三人乐队

十大三人乐队今天的主题是三人乐队,Top 10 Rock Trios,四人、五人的乐队最为常见,人更多的时候也是有很多,但是少到两三个人的时候,就对每一个乐手有着更高的要求,这样的乐队至少有一人要身兼数职。
著名的两人乐队有The White Stripes、The Black Keys等。
今天我们要看一下三人乐队↓第一名,Rush,(1968-2018),加拿大前卫摇滚、硬摇滚乐队,2013年入驻摇滚名人堂。
乐队五十年的历史共创作19张录音室专辑,以复杂的音乐结构和科幻、幻想、哲学的主题闻名,经历了硬摇滚、前卫摇滚、合成器摇滚、以吉他为主的摇滚乐等几个时期。
乐队经典阵容由:Geddy Lee(主唱、键盘、贝斯)、Alex Lifeson(吉他)、Neil Peart(鼓、打击乐)组成。
鼓手Neil Peart在2020年1月7日去世。
第二名,The Police,(1977–1984 · 1986 ·2007–2008),英国新浪潮、后朋克乐队,2003年入驻摇滚名人堂,被滚石杂志评为“史上最伟大的100组艺人”第70名。
英国新浪潮运动代表乐队,摇滚风格受朋克、雷鬼和爵士影响,乐队共有5张录音室专辑。
乐队经典阵容由:Sting(主唱、贝斯)、Andy Summers(吉他)、Stewart Copeland(鼓、打击乐)组成。
第三名,The Jimi Hendrix Experienced,(1966–1969),美国-英国迷幻摇滚、蓝调摇滚乐队。
1992年入驻摇滚名人堂,Jimi Hendrix被滚石杂志评为“史上最伟大的100组艺人”第6名。
吉他第一人Jimi Hendrix的乐队,乐队为硬摇滚和迷幻摇滚为大众接受起了至关重要的作用,乐队共有3张录音室专辑。
乐队经典阵容由:Jimi Hendrix(主唱、吉他)、Noel Redding(贝斯)、Mitch Mitchell(鼓)组成。
Rock_and_Roll2

The Beatles
• The Beatles,二十世纪最知名的英国摇 , 滚乐队, 年成立於利物浦, 滚乐队,1956年成立於利物浦,成员包括 年成立於利物浦 John Lennon (约翰 列侬 约翰·列侬 约翰 列侬1940-1980),节 , 奏吉他、键盘乐及主唱; 奏吉他、键盘乐及主唱;Paul McCartney (保罗 麦卡特尼 保罗·麦卡特尼 保罗 麦卡特尼1942- ),低音吉他、键盘 ,低音吉他、 乐及主唱;以及George Harrison (乔治 乐及主唱;以及 乔治· 乔治 哈里森1943-2001),主吉他、西达琴、钢 哈里森 ,主吉他、西达琴、 琴及和音。 琴及和音。1962年,Ringo Starr〔林戈 年 〔林戈· 斯塔尔, 斯塔尔,原名 Richard Starkey,1940~ ) 加入,负责鼓及和音。 加入,负责鼓及和音。1970年,乐队解散 年 四人分道扬镳。 ,四人分道扬镳。
One day, an eighteen-year-old truck driver came to Sam Phillips’s studio to record a song for his mother. The young man was Elvis Presley. Phillips produced Presley's first real record in 1954. Many experts consider it to be the first rock and roll song. It is called "That's All Right.“ Elvis Presley is considered the King of Rock and Roll. He died long ago, but his music did not die with him and continues to influence American culture.
Rock and Roll

Elvis Presley
Love me tender, love me true; All my dream fulfill, For my darling, I love you. And I always will. Love me tender, love me dear; Tell me your are mine, I'll be yours through all the years, Till the end of time. Love me tender, love me true; All my dreams fulfill, For my darling, I love you. And I always will.
During the 1980s, many rock performers began to show their music in short films called music videos. These videos may include music, acting, dancing, and unusual special effects. Singer and dancer Michael Jackson made several very successful music videos. In 1982,MTV began showing music videos from his album "Thriller." These included the video for his song "Beat It." The videos helped make" Thriller" the biggestselling album in popular music history. And Michael Jackson became one of the most popular performers in the history of rock music.