从生态女性主义看《他们眼望上苍》中珍妮的婚姻观开题报告双语版

Overseas Study:According to a domesticseniorexpert’sstudies on Hurston, the professor ofSichuan University Cheng Xilin’scollection ofdata,from the early 1970s,the number of works on Hurston research were as much as 70besidesa large number of papers,(Only known bythedata,it is inevitable that there aresomeomissions). Into the 21st century,there arealmostsome new works being published on Hurstonevery year, such asHurston's Their Eyes Were Watching God:a Casebook,which is written by Cheryl Wall, and published in 2000; Sharon L. Jones’Rereading the Harlem Renaissance: Race，Class, and Gender in the Fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy Wesr, 2002; Martin Japtok’sPostcolonial Perspectives on Women 's Writers, 2003; And Diana Miles’Women, violence & testimony in the works of Zora Neale Hurston,2003.Most of the criticsstudiedthis novelTheir Eyes Were Watching Godthrough thefeminist view, and regarded it as the reference oflater American feminist works. In the 1990s, more critics analyzed it from the perspective of cultural criticism and cross-cultural studies. Sandra Bauchte-Parquez praised the novel as a powerful spiritual and artistic resource for the restoration and preservation of folklore in American literature; Sigrid King explored the bookin the rituals and naming forces of the problem; Joseph Wuer and Michael Oke Wardsaw this bookas a representative, which represents a classic exclusion problem, women’s fight for the right to speak, African-American literaturetraditions and cultural criticism, and argued that it led to the literary career of Alice Walker, Gloria Nell and Toni Morrison. In addition, there is a serious discussion of the distinctive African American aesthetics shown in this novel, which deprives the power of the dominant discourse and thus highlights the process of black cultural construction. Other critics see this work as a modern novel that incorporates realism, legendary literature, mythology, religion, psychology, and nostalgia.
摘要第一章绪论11佐拉尼尔赫斯顿12他们眼望上苍的创作背景13文献综述131国外研究现状132国内研究现状133本研究的意义第二章生态女性主义理论21概念22发展史第三章小说中的女性与自然31女性与自然之间的关系311梨树与蜜蜂312大路313骡子314土地315暴风雨与疯狗32父权制社会下的性别歧视与自然歧视在小说里的体现321被压迫的女性322被征服的自然第四章珍妮婚姻观的形成过程41第一次婚姻珍妮自我意识与女性意识的萌发42第二次婚姻珍妮女性观与婚姻观的发展43第三次婚姻最终实现自我独立44追求男女平等及和谐的婚姻关系第五abstractchapterintroduction11zoranealehurston12backgroundoftheireyeswerewatchinggod13literaturereview131theliteraturereviewabroad1
国内研究：与国外相比，国内的赫斯顿研究望尘莫及，起步很晚，对赫斯顿的介绍和研究到今天也不到20年的历史。1986年人民文学出版社出的《美国文学简史》用了近一页的篇幅介绍赫斯顿和她的《他们眼望上苍》,2005年2月上海外语教育出版社出版的由汪义群主编、程锡麟撰写的《赫斯顿研究》是目前国内关于赫斯顿研究最为详细全面的专著。此外，近几年来我国研究赫斯顿的《他们眼望上苍》的学术论文不断增多。李秀芝（2008）在《<他们眼望上苍>中珍妮的成长》一文中论述了《他们眼望上苍》中的女主角珍妮，通过自己的三次婚姻，在不断的放弃和选择中，逐渐成长起来，实现了对婚姻的自由追求。最终打碎了压在黑人女性身上的重重枷锁，建立起全新的形象和人格。胡佳佳（2013）在《<他们眼望上苍>中珍妮女性意识的觉醒》一文中从马克思女性主义的视角分析珍妮的成长，展现了珍妮在父权制社会中的从属地位及她在压迫中女性意识的觉醒。
研究意义：《他们眼望上苍》是美国黑人女作家佐拉·尼尔·赫斯顿的经典之作，在美国黑人文学史上具有里程碑意义。本文通过从生态女性主义视角系统分析《他们眼望上苍》里女主人公珍妮的婚姻观，使读者加深对作品本身以及作者所要传达的思想的理解，并借经典文学的无穷魅力传递生态女性思想。
Their Eyes Were Watching Codis a classic work of Zora Neale Hurston, and it reputes as a milestone in the history of African-American literature. This paper analyzes the heroine Janie’s view of marriage from the perspective of ecofeminism systematically, the significanceof which is to help readers achieve a better understanding of the work itself and the thought that Hurston really wanted to express, and to transmit the ecofeminism thought by virtue of the charm of classical literature.
论文题目 (Title)
Analysis of Janie’s View of Marriage inTheir Eyes Were Watching GodfromthePerspective ofEcofeminism
从生态女性主义看《他们眼望上苍》中珍妮的婚姻观
中心论点(Thesis Statement)：
本文通过对《他们眼望上苍》中女主人公珍妮的成长轨迹和三次婚姻的深入分析，揭示了自然唤醒珍妮自我意识和女性意识的过程即婚姻观的形成历程以及赫斯顿想要传递的解放女性与自然、追求两性平等和谐的生态女性主义思想。
This thesis puts emphasis on thein-depth analysis of the heroineJanie’s growth and three marriages. It reveals the process of nature waking Janie’s self-awareness and feminist consciousness, that is, the process of Janie’s view of marriage developing,and Hurston’s ecofeminism thought whichseeks equality and harmony between men and women andadvocates women emancipation and the liberation of nature.
female, the paper aims at revealing Janie’s enlightened and natural view of marriage that starts, grows, andmatures as part of her view of the nature, and the eco-feminism that seeks equality and harmony between men and women andadvocates women emancipation and the liberation of nature.
本研究的理论意义（国内外文献综述）:
国外研究:根据国内一位资深的赫斯顿研究专家四川大学程锡麟教授搜集整理的资料表明，从70年代初起，除了大量的论文之外，关于赫斯顿研究的专著多达70多部
(仅程教授搜集的书面材料所知，难免还有遗漏)，进入21世纪，几乎每年都有关于赫斯顿研究的新论著出版，如：谢丽尔·沃尔(Cheryl Wall )编，《赫斯顿的<他们的眼睛望着上帝>：专题资料汇编》(Hurston's Their Eyes Were Watching God:a Casebook, 2000 )；莎伦·L·琼斯(Sharon L. Jones )，《重读哈莱姆文艺复兴：杰西·福赛特、佐拉·尼尔·赫斯顿和多萝西·韦斯特小说中的种族、阶级和性属》(Rereading the Harlem Renaissance: Race，Class, and Gender in the Fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy Wesr,2002 )；马丁·雅普托克(Martin Japtok )，《从后殖民视角看女作家》(Postcolonial Perspectives on Women 's Writers,2003 )；力及证词》(Women, violence & testimony in the works of Zora Neale Hurston,2003 )。在对《他们眼望上苍》的研究中，多数批评家都采用了女性主义的观点来看待这部小说，把这部小说视为后来美国女性主义作品的互文本。90年代，更多的批评家从文化批评和跨文化研究的角度去分析它。桑德拉·包奇特·帕奎斯赞扬这部小说展示了在美国文学中民俗文化的恢复作用和储存的价值，是一种强大的精神和艺术资源；西格丽德·金探讨了此书中的仪式和命名力量的问题；约瑟夫·乌尔果和迈克尔·奥克沃德把此书视为一种代表，它代表了被经典排除的问题、女性争取发言权、非裔美国人寻求文学传统和文化批评的有效性问题，还认为，是这部书引发了艾丽斯·沃克、格洛丽亚·内勒和托尼·莫里森等人的文学生涯。此外，还有对这部小说中所显示的鲜明的美国黑人美学的严肃讨论，认为它剥夺了主流话语的力量，从而突出了黑人文化建构的过程。其他批评家把此作品视为融合了现实主义、传奇文学、神话、宗教、心理学和怀旧情绪的一部现代小说。
本研究目的和意义(ResearchPurpose andSignificance of This Thesis):
研究目的：本文通过解析书中人类与自然、男性与女性的关系，旨在揭示赫斯顿在小说中所传递的源于自然、长于自然、成于自然的婚姻观以及主张解放妇女与自然、追求两性平等和谐的生态女性主义思想。
Through an analysis of the connection between human and nature, male and