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Zhou Huabin, professor of Peking opera painted face expert said, “Each and every nation has its own concept of colors and their symbolic meanings. We call this particular concept a preference for color or color cult.The colors used in the facial make－up in Peking opera are many. But the principal colors are red, yellow, blue, white, black, gold, and silver. Each of these colors has its own symbolic meaning. ”
That’s all
ThHale Waihona Puke Baidunk
you!
Facial make－up enables audiences to know at a glance from the distance the personality of the character portrayed and to know his social status when near.
Red, yellow, white, black, purple, green and silver are the main colors used for facial designs to represent different characters. For instance, red stands for loyal, courageous and upright people; white for sinister and cunning officials; and golden and silvery colors for gods and ghosts. The facial designs for the Jing roles are made by painting, powdering and coloring in the basic forms of Zheng Lian (keeping the basic face pattern), San Kuai Wa Lian (threesection face) and Sui Lian (fragmentary face). These types are widely used to represent generals, officials, heroes, gods and ghosts.
Facial Design
Chinese opera performers mainly have two methods of makeup: masks and facial painting. The frequent onstage change of masks, without the audience noticing, is a special technique, known as changing faces. Opera facial painting falls into four main categories -- personality makeup (facial designs, painted faces or Lian Pu), decorative makeup (decorated faces), mood makeup (changing facial designs), and pictographic makeup (animallike facial designs).
Introduction
Beijing opera types of facial makeup in operas are based on certain personality, temperament or some special types of figures for the use of certain colors. Red has expressed his Warriors of strong types of facial makeup in operas such as Guan Yu, concubines Victoria, regular book; Black said the types of facial makeup in operas ming criticized people, integrity, bravery and even reckless, such as Zheng and Zhang Fei, Li; Yellow types of facial makeup in operas that vicious brutality, such as Yu Chengdu, and Dian Wei. Blue or green types of facial makeup in operas that some of the figures represented irritable, such as Dou Ambassador, Ma Wu; General treacherous court official said the types of facial makeup in operas white, bad guys, such as Cao Cao, Zhao higher
That’s all
ThHale Waihona Puke Baidunk
you!
Facial make－up enables audiences to know at a glance from the distance the personality of the character portrayed and to know his social status when near.
Red, yellow, white, black, purple, green and silver are the main colors used for facial designs to represent different characters. For instance, red stands for loyal, courageous and upright people; white for sinister and cunning officials; and golden and silvery colors for gods and ghosts. The facial designs for the Jing roles are made by painting, powdering and coloring in the basic forms of Zheng Lian (keeping the basic face pattern), San Kuai Wa Lian (threesection face) and Sui Lian (fragmentary face). These types are widely used to represent generals, officials, heroes, gods and ghosts.
Facial Design
Chinese opera performers mainly have two methods of makeup: masks and facial painting. The frequent onstage change of masks, without the audience noticing, is a special technique, known as changing faces. Opera facial painting falls into four main categories -- personality makeup (facial designs, painted faces or Lian Pu), decorative makeup (decorated faces), mood makeup (changing facial designs), and pictographic makeup (animallike facial designs).
Introduction
Beijing opera types of facial makeup in operas are based on certain personality, temperament or some special types of figures for the use of certain colors. Red has expressed his Warriors of strong types of facial makeup in operas such as Guan Yu, concubines Victoria, regular book; Black said the types of facial makeup in operas ming criticized people, integrity, bravery and even reckless, such as Zheng and Zhang Fei, Li; Yellow types of facial makeup in operas that vicious brutality, such as Yu Chengdu, and Dian Wei. Blue or green types of facial makeup in operas that some of the figures represented irritable, such as Dou Ambassador, Ma Wu; General treacherous court official said the types of facial makeup in operas white, bad guys, such as Cao Cao, Zhao higher