S1-03_Best_Friendok
suju 百科
09月20日 Super Junior第二张专辑《Don't Don》发行11月06日 Super Junior出道两周年纪念日11月09日正式发售「Super Junior Vol.2 - Don't Don（Repackage）」CD+DVD版加入一些未公开的DVD影像11月11日 SBS 「人体探险队」首播 Super Junior首次全体参演节目（08.02.03结束）11月22日参加台韩友好音乐会11月27日 Super Junior《Don't Don》（Digital Disc版本）正式发售12月11日希澈、强仁、神童参与动画片「艾尔文与花栗鼠」配音并参加首映前活动2008年04月08日 Super Junior-M正式在中国出道05月19日《Super Show》CD发行06月05日Super Junior-Happy出道09月10日希澈、强仁出演的音乐剧「仙那度」首次演出09月30日《Super Show》 DVD发行11月05日Super Junior-T在日本出道11月06日 Super Junior出道三周年纪念日11月27日强仁主演的电影《纯情漫画》上映12月10日第二本写真集《Boys In City Season 2. Tokyo》发行2009年03月12日 Super Junior第三张专辑《Sorry Sorry》发行03月13日 Super Junior以《Sorry Sorry》和《喜欢你的理由（Why I Like You）》在KBS2的Music Bank正式回归【《Sorry Sorry》打榜（音乐银行、人气歌谣、M!Countdown）共夺冠10次】05月01日中国北京鸟巢“成龙和他的朋友们”演唱会嘉宾05月14日 Super Junior第三张再版专辑《It's You》发行06月12日泰国Channel V音乐频道亚洲音乐排行榜《Sorry Sorry》连续8次夺冠06月27日二度赴台参加第20届金曲奖07月10日泰国Channel V音乐频道亚洲音乐排行榜《It's You》三连冠07月15日日版《Sorry Sorry》发行，发行当日销量冠军11月06日 Super Junior出道四周年纪念日音乐剧话剧2008年音乐剧《仙那度》——希澈、强仁2009年音乐剧《AKILLA》——晟敏2009年音乐剧《南汉山城》——艺声2010年音乐剧《洪吉童》——晟敏、艺声2010年音乐剧《Spamalot火腿骑士》——艺声2010年话剧《午睡》——起范2011年音乐剧《Jack the Ripper》——晟敏2011年音乐剧《三剑客》——圭贤2011年音乐剧《狼的诱惑》——厉旭2011年音乐剧《Fame》——银赫2012年音乐剧《Catch me if you can》——圭贤2012年音乐剧《宫》——强仁[3]编辑本段影音作品MV2005年MV《Miracle》——SuperJunior2005年MV《Twins》——SuperJunior2006年MV《U》——SuperJunior2006年MV《Marry U》——SuperJunior2007年MV《Don't Don》——SuperJunior2007年MV《Wonder Boy》——SuperJunior2007年MV《来过倒》——SuperJunior-T2007年MV《幸福》——SuperJunior2007年MV《The One I Love》——SuperJunior-K.R.Y2008年MV《Dancing Out》——SuperJunior2008年MV《迷》——SuperJunior -M2008年MV《One Love》——SuperJunior2008年MV《Pajama Party》——SuperJunior-Happy2008年MV《Cooking Cooking》——SuperJunior-Happy2008年MV《U》——SuperJunior -M2009年MV《Super Girl》—SuperJunior-M2009年MV《到了明天》——SuperJunior-M2009年MV《Sorry Sorry》——SuperJunior2009年MV《Sorry Sorry-Answer》——SuperJunior2009年MV《It's You》——SuperJunior2010年MV《Bonamana》——SuperJunior2010年MV《Victory Korea》——SuperJunior2010年MV《No Other》——SuperJunior2011年MV《Mr.Simple》——SuperJunior2011年MV《A-Cha》——SuperJunior2012年MV《Sexy, Free & Single》——SuperJunior2012年MV《SPY》——SuperJunior[1][以下MV专指SuperJunior中个别或部分成员为其他艺人所参演的全MV]2005年MV《Show me your love》——东方神起&Super Junior（少圭贤）2006年天上智喜MV《My Everything》——金起范2006年BoA MV《Key Of Heart》——李东海2006年张力尹MV《Timeless》（上集/下集）——韩庚、崔始源2007年Magolpy MV《飞行少女》——金希澈、强仁、神童2007年少女时代MV《Kissing You》——李东海2008年张力尹MV《星愿I will》《幸福的左岸》——韩庚、崔始源2009年首尔市宣传曲MV《Seoul Song》——Super Junior&少女时代2009年林依晨MV《萤火虫》——李东海、崔始源2009年张力尹MV《晴天，雨天》——李东海2010年TRAX MV 《心冷的男人》——金希澈2010年SISTAR MV 《SHADY GIRL》——金希澈2010年少女时代MV《HOOT》——崔始源2010年厉旭、Beige MV《当与朋友相爱时》——厉旭2010年尹钟信、圭贤MV《晚秋》——圭贤2010年TRAX MV《窗》——圭贤2012年FIX MV《Please Don't Say》——银赫2012年乐天免税店广告MV《So I'm Loving You》——Super Junior&高圆圆2012年Younique Unit MV《MAXSTEP》——银赫(SJ)、孝渊(少女时代)、泰民(SHINee)、Henry(SJ-M)、KAI、鹿晗(EXO)2013年MV《Promise You》——SuperJunior-K.R.Y演唱会DVDSUPER JUNIOR 1st PREMIUM EVENT in JAPAN发行日期：2008年09月24日语言：韩语格式：DVD唱片公司：avex traxSUPER JUNIOR The 1st ASIA TOUR CONCERT ALBUM SUPER SHOW发行日期：2008年09月30日语言：韩语格式：DVD唱片公司：SM EntertainmentSUPER JUNIOR 1st PREMIUM LIVE in JAPAN发行日期：2009年08月02日语言：韩语格式：DVD唱片公司：avex traxSUPER JUNIOR The 2nd ASIA TOUR CONCERT ALBUM SUPER SHOW 2 发行日期：2010年10月29日语言：韩语格式：DVD唱片公司：SM EntertainmentSUPER JUNIOR ASIA TOUR SUPER SHOW 3 LIVE in JAPAN发行日期：2011年11月16日语言：韩语格式：DVD唱片公司：avex traxSUPER JUNIOR The 3rd ASIA TOUR CONCERT ALBUM SUPER SHOW 3 发行日期：2012年03月02日语言：韩语格式：DVD唱片公司：SM EntertainmentSUPER JUNIOR WORLD TOUR SUPER SHOW 4 LIVE in JAPAN发行日期：2012年10月31日语言：韩语格式：DVD唱片公司：SM Entertainment[1]编辑本段出版作品演唱会书籍《Super Junior Super Show 3 Concert Book》发行时间：2011年07月01日取景地点：Super Junior The 3rd ASIA TOUR Super Show 3 首尔站公演现场写真页码：188P写真规格：300 x 210 mm附赠明信片：14P海报：1P《Super Junior Super Show 4 Concert Book》发行时间：2012年08月30日取景地点：Super Junior The WORLD TOUR Super Show 4 公演现场写真页码：191P写真规格：302 x 220 x 18mm附赠明信片：10P海报：1P写真集Boys In City Season 1_Kuala Lumpur发行时间：2006年08月04日取景地点：马来西亚写真页码：140P附赠：VCD（Music Video）Boys In City Season 2_Tokyo发行时间：2008年12月10日取景地点：日本东京写真规格：134P (224 x 308mm)日历规格：14P (210 x 250mm)Boys In City Season 3_Hong Kong发行时间：2010年04月15日再版时间：2010年04月30日取景地点：中国香港写真规格：436P (180 x 220mm)附赠明信片：64P写真花絮DVD：时长42分钟解说：晟敏、圭贤海报：1PBoys In City Season 4_Paris发行时间：2012年11月6日取景地点：法国巴黎写真规格：360P (210 x 297 mm)附赠海报规格：2P (840 x 600mm)附赠明信片书规格：20P (210 x 297 mm)附赠2013年历手帐规格：160P (158 x 113mm)附赠写真花絮DVD：时长30分钟附赠磁扣锦盒规格：310 x 230 x 60mm[1]编辑本段广告代言宣传大使2007年～至今韩国红十字会献血宣传大使——Super Junior2008年韩泰建交50周年宣传大使——Super Junior2008年韩国红十字会献血宣传大使——Super Junior2009年Hi Seoul首尔市旅游——Super Junior2009年Korea Sparkling韩国旅游——Super Junior2011年韩食亲善大使——Super Junior2011年～至今Seoul Summer Sale首尔购物节——Super Junior 2011年～至今韩国观光宣传大使——Super Junior2011年联合国儿童基金会慈善大使——东海2012年首尔江南区的宣传大使——Super Junior广告2005年巧克力棒——希澈2005年泡面——希澈、起范2005年Dior唇膏——东海、起范2006年～2008年Ivy Club 校服——Super Junior，众演员2006年SPRIS服饰——希澈2006年～2007年NII服装——Super Junior，众演员2006年Olympus——东海2006年TEUOSANIANG冰激凌——利特、东海2007年1677付费电话——希澈、强仁、神童2007年ODUGII泡面——希澈、起范2007年Sunkist饮料——Super Junior2007年泰国12puls护肤品、香水——始源2007年奥迪TT 汽车——始源2007年～至今泰国12Plus化妆品系列产品——Super Junior2007年SPRIS秋季服饰——希澈、起范2008年EVISU 牛仔裤——始源2008年森马休闲服饰——Super Junior-M2008年～2010年泰国Y AMAHA FINO——Super Junior2008年Sunkist Sweetie——Super Junior2008年Mychew口香糖——起范2008年高达塑料模型——起范2009年百事可乐——Super Junior-M2009年～至今Kyochon客怡村炸鸡——Super Junior2009年农心膨化食品“迷你星星”——Super Junior2009年MOVE up线上游戏——Super Junior2009年Send Bill——Super Junior2009年LG通信——起范2009年OPPO手机——Super Junior-M2009年Amore太平洋专业品牌“happy bath”——东海、圭贤2009年～至今SPAO服饰——Super Junior2009年InfinitelyYours, Seoul无穷乐趣/无穷魅力——Super Junior2010年～至今泰国Maxim隐形眼镜——东海2011年Circle K Sunkus 便利超商——Super Junior2011年美国苹果公司iPhone游戏- Super Junior Shake——Super Junior 2012年菲律宾BENCH服饰——东海、始源2012年韩国LG系列产品Optimus Glare 擎天翼动——Super Junior2012年中国兰芝保养品——Super Junior2012年韩国首尔市华克山庄——Super Junior2012年韩国乐天免税店——Super Junior2012年韩国Bonrich宝瑞淇食品——Super Junior-M[1]编辑本段综艺活动韩国综艺节目SBSStarKing（全体）金正恩的巧克力（全体，少起范）至亲笔记（利特、希澈、强仁、晟敏、银赫、厉旭、圭贤）有！没有！（利特、神童、银赫、东海）因为喜欢·做个好爸爸（希澈）夜心万万（希澈、强仁、神童、银赫、始源、起范、艺声）对决8VS1（希澈、银赫、起范）1000 Songs（利特、希澈、强仁、神童、晟敏、银赫、东海、始源）奇迹的胜负师（强仁、东海）真实游戏（利特、希澈）华丽的外出（利特、强仁、艺声、晟敏、银赫、东海、厉旭）了不起的外出第3季（利特、艺声、强仁、神童、晟敏、银赫、东海）X-Man（希澈、强仁、始源、起范）NEW X-Man（希澈、始源、强仁、神童）情书（希澈、晟敏、东海、始源、起范）人体探险队（全体）转呀转呀（希澈）选择男女（希澈、强仁、东海）超级海盗船（Super Viking）（强仁、东海）爆裂！精神统一（东海、始源、起范）Change（强仁）Star Wars（强仁、神童）BanJun Drama（晟敏）S-match（利特、强仁、神童、晟敏、东海）希望（利特、艺声、强仁、神童、银赫、晟敏）想象PLUS（希澈、强仁）饥饿体验24小时（利特）Full House（全体）强心脏（利特、银赫、神童、东海、希澈、圭贤、始源、晟敏）主要是特学院（利特、银赫、神童）Oh!Brothers!（利特）美好的早晨（缺希澈、强仁、始源、起范）KBS对决唱歌真好SJ特辑（缺澈范）DreamTeam2 ( 银赫）miracle（利特、银赫、神童）我有叔叔了（利特、强仁、神童、银赫）香槟酒（利特、希澈、强仁）余裕满满(缺澈范)Happy Together（希澈）对决! 喜爱歌曲明星金钟维他命（利特、强仁）女杰6（利特、希澈、神童、始源、起范）美女们的唠叨（利特、希澈、强仁、神童）Sponge（利特、希澈、东海、起范）Happy Together Friends（希澈、强仁）Zoozoo Club（利特、银赫、东海）逃出危机（利特）家庭娱乐馆（利特、神童）谁啊谁会做的好（SuperJunior - Happy）Country Koko-Gimme Gimme（利特、银赫）Game show了不起的对决（强仁、恩赫、神童）MBC哥哥乐队（晟敏）Quiz Prince（希澈）介绍明星的朋友（利特、神童、银赫、强仁、艺声）来玩吧（全体）我们结婚了（利特、强仁、晟敏、银赫、东海、圭贤）唯独今夜哄我入睡（全体）黄金渔场（利特、希澈、强仁、神童、银赫、晟敏）Star Life Story（希澈）Star Wars（强仁）Maldallaji（希澈）万元的幸福（希澈、强仁、神童、银赫）少年探究生活（强仁、晟敏）King Saturday（强仁、始源）童颜俱乐部（希澈、强仁、晟敏）强力驾驶学校（利特）Sunday Star（晟敏）星期天星球大战（利特、神童、晟敏、银赫、始源）三色女Talk Show（希澈、强仁、利特、银赫、神童、晟敏、始源）开心的日子偶像军团出动！她（SuperJunior - Happy）比花更美·中秋特辑（利特、神童、银赫、东海）Super Junior 自制剧『利特、艺声、强仁、神童、晟敏、银赫、东海、厉旭、圭贤、（始源、起范客串）』Band Of Brothers（希澈、强仁）Hello Chat（全体）容兄东弟（神童）School Of love（全体）神秘追踪6（全体）塞班岛之行（东海、始源、起范）幻想的同桌（神童、晟敏、东海、银赫）MTV School ATTACK一周的偶像（厉旭、利特、银赫、奎贤）（上）[5]一周的偶像（厉旭、利特、银赫、奎贤）（下）[6]KMPrincess Diary（利特、神童、东海）美少年宿舍大骚动（利特、强仁、神童、晟敏、银赫、东海）美少年日记（利特、强仁、神童、晟敏、银赫、东海）SuperJunior Show（全体）Tock Talk（银赫、东海）少年少女歌谣白书[3]中国综艺节目CCTV2 中华情（SuperJunior-M）CCTV3 欢乐中国行（SuperJunior-M）CCTV3 同一首歌（SuperJunior-M）江西卫视明星面对面（SuperJunior-M）江苏综艺非常大明星（SuperJunior-M）江苏综艺非常不一班（SuperJunior-M）凤凰卫视鲁豫有约（SuperJunior-M）湖北卫视音乐集结号（SuperJunior-M）湖南经视我最达人（SuperJunior-M）湖南经视越策越开心（SuperJunior-M）湖南卫视舞动奇迹（SuperJunior-M）湖南卫视勇往直前（SuperJunior-M）湖南卫视说出你的故事（SuperJunior-M）湖南卫视背后的故事（SuperJunior-M）湖南卫视快乐大本营（SuperJunior-M）湖南卫视天天向上（SuperJunior-M）湖南卫视2008年跨年演唱会（Super Junior-M)湖南卫视2009年深圳跨年演唱会（Super Junior-M）台湾东风卫视亚洲&娱乐（SuperJunior-M、Super Junior缺起范）台湾东风卫视全民最大党（SuperJunior-M）台湾东风卫视佼个朋友吧（SuperJunior-M）台湾东风卫视综艺大哥大（SuperJunior-M）台湾东风卫视Fun音乐（SuperJunior-M）台湾三立都会台完全娱乐（SuperJunior-M）台湾八大综合台娱乐百分百（SuperJunior-M）DJ050901～060430 SBS Power FM《金希澈&朴希本的young street》DJ——希澈060821～111204《Kiss The Radio》DJ——利特、银赫060302～070602《天方地轴》DJ——强仁060919～070908《Miracle For You》DJ——艺声070430～090415《亲密朋友》DJ——强仁070604～080730《天方地轴》DJ——晟敏080408～至今《深深打破》DJ——神童100329～110626 SBS Power FM《金希澈的Young Street》DJ——希澈111205～至今《Kiss The Radio》DJ——晟敏、厉旭120120～120518 首尔城东区网络广电局《金希澈的城东Cafe》DJ——希澈[3]MC050903《KMTV Show! Music Tank》固定MC——神童050917《东方神起Rising Sun Show Case》特别MC——利特、强仁050923《BoA歌友会》特别MC——强仁2005年10月《东方神起Sweet Rose Party》固定MC——神童2005年夏～2005年12月《Show! Music Tank》固定MC——希澈2005年《Happy Sunday》固定MC——希澈2005年11月MBC《「星期六」朴庆琳的约会嘉宾》固定MC——强仁051110～080317 Mnet《M Countdown》固定MC——利特、强仁、神童、银赫060605《TBS交通放送利特的Music Show》2006年～070911《Sunday's Dong-An Club》固定MC——强仁2006～070911《Nothing is Impossible》固定MC——强仁060905《melon公开放送》固定MC——强仁070225～080504《人气歌谣》固定MC——希澈2007年4月MBC《亲亲亲小朋友万岁》固定MC——神童2007年4月M net《DJ 绿苹果Sound》固定MC——神童2007年6月MBC《黄金鱼场》固定MC——神童070705～070911《Music Core》固定MC——强仁2007年～080215《KMTV Green Apple Sound》固定MC——神童071227～081009《Love Fighter》固定MC——利特2008年SBS《八对一》2008年MNET《Band of Brother》080607《韩国官方演唱会Dream Concert》固定MC——希澈080629～090111 SBS《人气歌谣》特别MC——利特081101 MNet《童贞男恋爱吧》固定MC——利特090315～090412 KBS《Road Show 竞猜远征队》固定MC——利特090430 KBS《挑战！歌谣对决》全场特别MC——利特090509 MBC《音乐中心》特别MC——利特、强仁2009年06月MBC《OPPA BAND》固定MC——晟敏090625～090820 KBS JOY《花美男的包车》固定MC——艺声090618～091008 KBS《歌谣对决》固定MC——利特090905～091226 KBS Drama《Super Junior的Miracle》固定MC——Super Junior090916 MBC《Every1 指环王》特别MC——利特、神童、银赫091010《韩国官方演唱会Dream Concert》固定MC——希澈091229 SBS《韩国歌谣大战》固定MC——希澈（与朴信惠、郑容和共同主持）2010年—2011年MBC《广播明星Radio Star》固定MC——希澈100131 SBS《人气歌谣温哥华特辑》特别MC——利特、希澈、神童100522《韩国官方演唱会Dream Concert》固定MC——希澈（与玉泽演、申世炅共同主持）100605《音乐中心》特别MC——始源&银赫100918《音乐中心》特别MC——银赫110813、110820《音乐中心》特别MC——银赫、东海100721～110329《爱情追击者Love Chaser》固定MC——利特100904～101120 TrendE《The Muzit》固定MC——艺声101031、101128 《夜行星》特别MC——银赫2010年12月KBS《百分满分》固定MC——银赫101208～110330《Super Junior的先见之明》固定MC——利特、艺声、神童、银赫、东海、厉旭、圭贤110506～110527《5000万的大提问》固定MC——利特110528《韩国官方演唱会Dream Concert》固定MC——希澈（与具荷拉、宋仲基共同主持）110611～110903 KBS《星期六自由宣言Secret》固定MC——利特111003～121110《Starking》固定MC——利特111019～至今《黄金渔场Radio Star》固定MC——圭贤111229 SBS《韩国歌谣大战》固定MC——希澈（与黄静茵、郑容和、赵权共同主持）111231 MBC《歌谣大战》特别MC——利特2012年3月Mnet《Beatles Code 2》固定MC——神童120331《EXO韩国Showcase》特别MC——利特2012年4月MBC《伟大的诞生2 幕後故事Happy Ending》固定MC——神童120628～120712《Jewelry House》固定MC——利特。
少女时代 - My best friend(中文翻译LRC歌词)
[02:33.12] 我的宝石我的奇迹
[02:36.69]我会守护着那份感激
[02:39.88]在天空下再一次发誓
[02:43.07]我爱你 朋友啊
[02:45.00]开玩笑地叫着好听的昵称
[02:49.05]偶尔换着穿彼此漂亮的衣服
[00:17.02]即使是混乱的烦恼
[00:18.61]也不要一个人忍着
[00:20.57]约定着一次说出来
[00:24.94]在你笑的时候我也幸福
[00:28.21]（真的）
[00:29.09]在你哭的时候 我的双眼也浸湿
[00:33.09]在这世上我唯一的 my friend
[00:37.13]我的快乐我的灵魂
[01:18.71]我担心的睡不着
[01:21.01]在这世上我唯一的 my friend
[01:25.05]我的快乐我的灵魂
[01:28.60]我会一直守护着那份珍贵的东西
[01:31.88]在天空下发誓永远地
[01:35.19]我爱你 朋友啊
[01:37.06]我人生的礼物啊 my friend
[ti:My best friend]
[ar:少女时代]
[al:<HOOT>]
[by:小珠]
[t_time:(03:26)]
[00:00.93]
[00:08.93]即使昨天小小的争吵
[00:10.47]今天也会笑着拥抱我
[00:12.54]约定着彼此保护
[00:15.26]You are my best friend
[02:12.29]My friend
S1本垒完全导读 徐老师的黄金十年(全年龄自我审查删节版) - 懒甘蔗
所以最根本的问题是,从一开始大家就没有在一个次元里.就好比别人在议论吃喝玩乐,他却在关注国家大事.他野心过大,志向过高,他必须逼迫自己取得比叶更大的成就,他要做电视游戏的游侠垄断游戏供稿产业链,他要做不仅是最初也要是最权威的STAGE--唯有这样近乎于白日做梦式的大包大揽,方能显得他比已经爬到近乎顶点的叶更高明更强大,方能得到从来没有一句好评的严父的认同.
圣菲德,克斯拉,凯特西:删除本垒事件
--------------------------
张江男()2012/8/2114:39:17
我记得最开始db说的是跟网易有个合作性质的专题,让我们几个新人试着写写看
张江男()2012/8/2114:39:39
我写完发给db后就杳无音讯了
张江男()2012/8/2114:40:19
MONKEYKING:论坛争执
--------------------
好长的文,
这里说的很多事情都不记得了,所以现在回头去看会觉得恍如隔世的陌生感
比起这件事本身如何如何,倒不如说"原来当年还有这些事么","年轻真好呀"之类感慨更多些--
不太清楚DB现在来做这个回顾是什么意思(没细看),
张江男()2012/8/2115:59:18
然后徐老师小窗告诉我他跟ucg的关系紧张了
--------------------------
「Best Friend」 - 西野カナ 歌词
泣(な)きたい时(とき)はおもいっきり泣(な)けばいい
侧(そば)にいるからって
谁(だれ)よりも强(つよ)い味方(みかた)
そんな君(きみ)に私(わたし)は何(なに)かしてあげられてるかな?
何(なに)かあったらすぐに飞(と)んでくから、绝対(ぜったい)
ありがとう
君(きみ)がいてくれて本当(ほんとう)よかったよ
希望你成为世界上最幸福的人
がんばれる
这样我就能振作起来
なんでも打ち明けられる
我们无话不谈
ママにも言えないことも全部
即使是不能对妈妈说的事
谁よりも分かってくれる
比谁都了解对方
嬉しい时は自分の事
把对方的快乐当做自己的快乐
みたい喜んでくれて
由衷地高兴着
ダメな时はちゃんと叱ってくれる存在
低落的时候也互相鼓励
※repeat※
强がってもすぐにバレてる
一旦逞强 你马上就能发现
へこんでる时は
难过的时候
真っ先にメールくれる优しさに
你总是最先发信息过来
もう何度も救われて
多少次温柔地拯救了我
泣きたい时はおもいっきり泣けばいい
说着「想哭的时候就尽情哭吧
侧にいるからって
我会一直陪在你身边」
谁(だれ)よりも分(わ)かってくれる
嬉(うれ)しい时(とき)は自分(じぶん)の事(こと)みたいに喜(よろこ)んでくれて
ダメな时(とき)はちゃんと叱(しか)ってくれる存在(そんざい)
ありがとう
君(きみ)がいてくれて本当(ほんとう)よかったよ
どんな时(とき)だっていつも
笑(わら)っていられる
yusa受抓列表
2001珍珠系列1-いじわるなパール[一条和矢×游佐浩二]2002珍珠系列1-いじわるなパール[一条和矢×游佐浩二]2003珍珠系列1-いじわるなパール[一条和矢×游佐浩二]2004珍珠系列1-いじわるなパール[一条和矢×游佐浩二]2004-11-15爱は蔷薇色のキス[千叶进步×游佐浩二]2005-06-15この爱にひざまずけ[中井和哉×游佐浩二]2006-03-15この爱に溺れろ[中井和哉×游佐浩二]2006-03-19束缚惩罚委员会[森川智之×游佐浩二]2006-04-28爪先にキス[大川透×游佐浩二]2006-05-03闭じこめたいの[野岛健児×游佐浩二]2006-06-25ブロードキャストを突っ走れ! [杉田智和×游佐浩二]2006-09-29爱と欲望は学园で3 [浜田贤二×游佐浩二]2007-01-27灼热の太阳と砂尘の岚[森川智之×游佐浩二]2007-01-28天使の啼く夜[羽多野渉×游佐浩二]2007-03-30难攻不落な君主サマ[大川透×游佐浩二]2007-04-27 野球天国[岸尾大辅×游佐浩二]2007-07-25専属で爱して（羽多野渉×游佐浩二]2007-10-26きみが恋に溺れる1 [高桥广树×游佐浩二]2010-02-24きみが恋に溺れる2 [高桥广树×游佐浩二]2010-10-06きみが恋に溺れる3 [高桥广树×游佐浩二]2010きみが恋に溺れる～Valentine ～[高桥广树×游佐浩二]2007-12-19 YEBISUセレブリティーズ5 [土田大×游佐浩二]2008-03-28ハート·ストリングス[黒田崇矢×游佐浩二]2008-04-23吸血鬼と愉快な仲間たち1 [森川智之×游佐浩二]2009-07-22吸血鬼と愉快な仲間たち2 [森川智之×游佐浩二]2008-04-25ジェラールとジャック独眼绅士与少年[森川智之×游佐浩二] 2008-05-25すべてはこの夜に[高瀬右光×游佐浩二]2008-06-06 院内感染[水岛大宙×游佐浩二]2008-06-27砂楼の花嫁[安元洋贵××游佐浩二]2008-10-28ご主人様と犬1 [安元洋贵×游佐浩二]2009-07-28ご主人様と犬2 [安元洋贵×游佐浩二]2008-08-27 魔王シリーズ4-ホンキの恋罪[绿川光×游佐浩二]2009-12-26 魔王シリーズ小说附录CD-魔王の天契[绿川光×游佐浩二]2008-11-28 偏爱プリンス[水岛大宙×游佐浩二]2008-12-26花降楼シリーズ7 媚笑の闺に侍る夜[三木真一郎×游佐浩二] 2009-01-23元気あげたいっっ!～Be Yell～[森久保祥太郎×游佐浩二]2009-01-28その唇に夜の露[森川智之×游佐浩二]2009-01-28 BITTER～彼の密やかな接吻～[子安武人×游佐浩二]2009-02-25不器用なサイレント2[杉田智和×游佐浩二]2009-02-27 SASRA 4 [杉田智和×游佐浩二]2009-04-22 P.B.B.2 [森川智之×游佐浩二]2011-04-27 P.B.B.3 [森川智之×游佐浩二]2009-06-26ビューティー＆ゴースト[近藤隆×游佐浩二]2009-08-26くちびるに银の弾丸[近藤隆×游佐浩二]2009-08-26 秘密シリーズ3_寢技には秘密がある[羽多野涉×游佐浩二]2009-08-27蔷薇の瞳は爆弾[铃木达央×游佐浩二]2009-09-25诱惑[安元洋贵×游佐浩二]2009-11-25 俎上の鯉は二度跳ねる1 [中村悠一×遊佐浩二]（互攻)2009-12-23 俎上の鯉は二度跳ねる2 [中村悠一×遊佐浩二]（互攻）2010-05-26未完成[前野智昭×游佐浩二]2010-07-27法医学者と刑事の相性[小西克幸×游佐浩二]2011-01-26法医学者と刑事の本音[小西克幸×游佐浩二]2010-07-28 みちづれポリシー[平川大辅×游佐浩二]2010-08-25 WORK inワーキン[三宅健太×游佐浩二]2010-05-28 忘れないでいてくれ[安元洋貴×游佐浩二]2010-11-25 この世異聞其ノ弐[飞田展男×游佐浩二]2010-12-28空に響くは竜の歌声[小西克幸×游佐浩二]2011-05-25 無慈悲なオトコ[保村真×游佐浩二]2013-06-28 無慈悲なアナタ[保村真×游佐浩二]2011-09-30 レオパード白書2[铃木达央×游佐浩二]2012-05 レオパード白書～渇愛クルージング～[铃木达央×游佐浩二]2012-06-27 ひみつのセフレちゃん就算世界都为敌，我也喜欢你❤[鈴木達央×遊佐浩二] 2014-01-28 同人に恋して[安元洋貴×遊佐浩二]。
Native Instruments MASCHINE MK3 用户手册说明书
The information in this document is subject to change without notice and does not represent a commitment on the part of Native Instruments GmbH. The software described by this docu-ment is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Native Instruments GmbH, hereinafter referred to as Native Instruments.“Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Instru-ments GmbH.ASIO, VST, HALion and Cubase are registered trademarks of Steinberg Media Technologies GmbH.All other product and company names are trademarks™ or registered® trademarks of their re-spective holders. Use of them does not imply any affiliation with or endorsement by them.Document authored by: David Gover and Nico Sidi.Software version: 2.8 (02/2019)Hardware version: MASCHINE MK3Special thanks to the Beta Test Team, who were invaluable not just in tracking down bugs, but in making this a better product.NATIVE INSTRUMENTS GmbH Schlesische Str. 29-30D-10997 Berlin Germanywww.native-instruments.de NATIVE INSTRUMENTS North America, Inc. 6725 Sunset Boulevard5th FloorLos Angeles, CA 90028USANATIVE INSTRUMENTS K.K.YO Building 3FJingumae 6-7-15, Shibuya-ku, Tokyo 150-0001Japanwww.native-instruments.co.jp NATIVE INSTRUMENTS UK Limited 18 Phipp StreetLondon EC2A 4NUUKNATIVE INSTRUMENTS FRANCE SARL 113 Rue Saint-Maur75011 ParisFrance SHENZHEN NATIVE INSTRUMENTS COMPANY Limited 5F, Shenzhen Zimao Center111 Taizi Road, Nanshan District, Shenzhen, GuangdongChina© NATIVE INSTRUMENTS GmbH, 2019. All rights reserved.Table of Contents1Welcome to MASCHINE (25)1.1MASCHINE Documentation (26)1.2Document Conventions (27)1.3New Features in MASCHINE 2.8 (29)1.4New Features in MASCHINE 2.7.10 (31)1.5New Features in MASCHINE 2.7.8 (31)1.6New Features in MASCHINE 2.7.7 (32)1.7New Features in MASCHINE 2.7.4 (33)1.8New Features in MASCHINE 2.7.3 (36)2Quick Reference (38)2.1Using Your Controller (38)2.1.1Controller Modes and Mode Pinning (38)2.1.2Controlling the Software Views from Your Controller (40)2.2MASCHINE Project Overview (43)2.2.1Sound Content (44)2.2.2Arrangement (45)2.3MASCHINE Hardware Overview (48)2.3.1MASCHINE Hardware Overview (48)2.3.1.1Control Section (50)2.3.1.2Edit Section (53)2.3.1.3Performance Section (54)2.3.1.4Group Section (56)2.3.1.5Transport Section (56)2.3.1.6Pad Section (58)2.3.1.7Rear Panel (63)2.4MASCHINE Software Overview (65)2.4.1Header (66)2.4.2Browser (68)2.4.3Arranger (70)2.4.4Control Area (73)2.4.5Pattern Editor (74)3Basic Concepts (76)3.1Important Names and Concepts (76)3.2Adjusting the MASCHINE User Interface (79)3.2.1Adjusting the Size of the Interface (79)3.2.2Switching between Ideas View and Song View (80)3.2.3Showing/Hiding the Browser (81)3.2.4Showing/Hiding the Control Lane (81)3.3Common Operations (82)3.3.1Using the 4-Directional Push Encoder (82)3.3.2Pinning a Mode on the Controller (83)3.3.3Adjusting Volume, Swing, and Tempo (84)3.3.4Undo/Redo (87)3.3.5List Overlay for Selectors (89)3.3.6Zoom and Scroll Overlays (90)3.3.7Focusing on a Group or a Sound (91)3.3.8Switching Between the Master, Group, and Sound Level (96)3.3.9Navigating Channel Properties, Plug-ins, and Parameter Pages in the Control Area.973.3.9.1Extended Navigate Mode on Your Controller (102)3.3.10Navigating the Software Using the Controller (105)3.3.11Using Two or More Hardware Controllers (106)3.3.12Touch Auto-Write Option (108)3.4Native Kontrol Standard (110)3.5Stand-Alone and Plug-in Mode (111)3.5.1Differences between Stand-Alone and Plug-in Mode (112)3.5.2Switching Instances (113)3.5.3Controlling Various Instances with Different Controllers (114)3.6Host Integration (114)3.6.1Setting up Host Integration (115)3.6.1.1Setting up Ableton Live (macOS) (115)3.6.1.2Setting up Ableton Live (Windows) (116)3.6.1.3Setting up Apple Logic Pro X (116)3.6.2Integration with Ableton Live (117)3.6.3Integration with Apple Logic Pro X (119)3.7Preferences (120)3.7.1Preferences – General Page (121)3.7.2Preferences – Audio Page (126)3.7.3Preferences – MIDI Page (130)3.7.4Preferences – Default Page (133)3.7.5Preferences – Library Page (137)3.7.6Preferences – Plug-ins Page (145)3.7.7Preferences – Hardware Page (150)3.7.8Preferences – Colors Page (154)3.8Integrating MASCHINE into a MIDI Setup (156)3.8.1Connecting External MIDI Equipment (156)3.8.2Sync to External MIDI Clock (157)3.8.3Send MIDI Clock (158)3.9Syncing MASCHINE using Ableton Link (159)3.9.1Connecting to a Network (159)3.9.2Joining and Leaving a Link Session (159)3.10Using a Pedal with the MASCHINE Controller (160)3.11File Management on the MASCHINE Controller (161)4Browser (163)4.1Browser Basics (163)4.1.1The MASCHINE Library (163)4.1.2Browsing the Library vs. Browsing Your Hard Disks (164)4.2Searching and Loading Files from the Library (165)4.2.1Overview of the Library Pane (165)4.2.2Selecting or Loading a Product and Selecting a Bank from the Browser (170)4.2.2.1[MK3] Browsing by Product Category Using the Controller (174)4.2.2.2[MK3] Browsing by Product Vendor Using the Controller (174)4.2.3Selecting a Product Category, a Product, a Bank, and a Sub-Bank (175)4.2.3.1Selecting a Product Category, a Product, a Bank, and a Sub-Bank on theController (179)4.2.4Selecting a File Type (180)4.2.5Choosing Between Factory and User Content (181)4.2.6Selecting Type and Character Tags (182)4.2.7List and Tag Overlays in the Browser (186)4.2.8Performing a Text Search (188)4.2.9Loading a File from the Result List (188)4.3Additional Browsing Tools (193)4.3.1Loading the Selected Files Automatically (193)4.3.2Auditioning Instrument Presets (195)4.3.3Auditioning Samples (196)4.3.4Loading Groups with Patterns (197)4.3.5Loading Groups with Routing (198)4.3.6Displaying File Information (198)4.4Using Favorites in the Browser (199)4.5Editing the Files’ Tags and Properties (203)4.5.1Attribute Editor Basics (203)4.5.2The Bank Page (205)4.5.3The Types and Characters Pages (205)4.5.4The Properties Page (208)4.6Loading and Importing Files from Your File System (209)4.6.1Overview of the FILES Pane (209)4.6.2Using Favorites (211)4.6.3Using the Location Bar (212)4.6.4Navigating to Recent Locations (213)4.6.5Using the Result List (214)4.6.6Importing Files to the MASCHINE Library (217)4.7Locating Missing Samples (219)4.8Using Quick Browse (221)5Managing Sounds, Groups, and Your Project (225)5.1Overview of the Sounds, Groups, and Master (225)5.1.1The Sound, Group, and Master Channels (226)5.1.2Similarities and Differences in Handling Sounds and Groups (227)5.1.3Selecting Multiple Sounds or Groups (228)5.2Managing Sounds (233)5.2.1Loading Sounds (235)5.2.2Pre-listening to Sounds (236)5.2.3Renaming Sound Slots (237)5.2.4Changing the Sound’s Color (237)5.2.5Saving Sounds (239)5.2.6Copying and Pasting Sounds (241)5.2.7Moving Sounds (244)5.2.8Resetting Sound Slots (245)5.3Managing Groups (247)5.3.1Creating Groups (248)5.3.2Loading Groups (249)5.3.3Renaming Groups (251)5.3.4Changing the Group’s Color (251)5.3.5Saving Groups (253)5.3.6Copying and Pasting Groups (255)5.3.7Reordering Groups (258)5.3.8Deleting Groups (259)5.4Exporting MASCHINE Objects and Audio (260)5.4.1Saving a Group with its Samples (261)5.4.2Saving a Project with its Samples (262)5.4.3Exporting Audio (264)5.5Importing Third-Party File Formats (270)5.5.1Loading REX Files into Sound Slots (270)5.5.2Importing MPC Programs to Groups (271)6Playing on the Controller (275)6.1Adjusting the Pads (275)6.1.1The Pad View in the Software (275)6.1.2Choosing a Pad Input Mode (277)6.1.3Adjusting the Base Key (280)6.1.4Using Choke Groups (282)6.1.5Using Link Groups (284)6.2Adjusting the Key, Choke, and Link Parameters for Multiple Sounds (286)6.3Playing Tools (287)6.3.1Mute and Solo (288)6.3.2Choke All Notes (292)6.3.3Groove (293)6.3.4Level, Tempo, Tune, and Groove Shortcuts on Your Controller (295)6.3.5Tap Tempo (299)6.4Performance Features (300)6.4.1Overview of the Perform Features (300)6.4.2Selecting a Scale and Creating Chords (303)6.4.3Scale and Chord Parameters (303)6.4.4Creating Arpeggios and Repeated Notes (316)6.4.5Swing on Note Repeat / Arp Output (321)6.5Using Lock Snapshots (322)6.5.1Creating a Lock Snapshot (322)6.5.2Using Extended Lock (323)6.5.3Updating a Lock Snapshot (323)6.5.4Recalling a Lock Snapshot (324)6.5.5Morphing Between Lock Snapshots (324)6.5.6Deleting a Lock Snapshot (325)6.5.7Triggering Lock Snapshots via MIDI (326)6.6Using the Smart Strip (327)6.6.1Pitch Mode (328)6.6.2Modulation Mode (328)6.6.3Perform Mode (328)6.6.4Notes Mode (329)7Working with Plug-ins (330)7.1Plug-in Overview (330)7.1.1Plug-in Basics (330)7.1.2First Plug-in Slot of Sounds: Choosing the Sound’s Role (334)7.1.3Loading, Removing, and Replacing a Plug-in (335)7.1.3.1Browser Plug-in Slot Selection (341)7.1.4Adjusting the Plug-in Parameters (344)7.1.5Bypassing Plug-in Slots (344)7.1.6Using Side-Chain (346)7.1.7Moving Plug-ins (346)7.1.8Alternative: the Plug-in Strip (348)7.1.9Saving and Recalling Plug-in Presets (348)7.1.9.1Saving Plug-in Presets (349)7.1.9.2Recalling Plug-in Presets (350)7.1.9.3Removing a Default Plug-in Preset (351)7.2The Sampler Plug-in (352)7.2.1Page 1: Voice Settings / Engine (354)7.2.2Page 2: Pitch / Envelope (356)7.2.3Page 3: FX / Filter (359)7.2.4Page 4: Modulation (361)7.2.5Page 5: LFO (363)7.2.6Page 6: Velocity / Modwheel (365)7.3Using Native Instruments and External Plug-ins (367)7.3.1Opening/Closing Plug-in Windows (367)7.3.2Using the VST/AU Plug-in Parameters (370)7.3.3Setting Up Your Own Parameter Pages (371)7.3.4Using VST/AU Plug-in Presets (376)7.3.5Multiple-Output Plug-ins and Multitimbral Plug-ins (378)8Using the Audio Plug-in (380)8.1Loading a Loop into the Audio Plug-in (384)8.2Editing Audio in the Audio Plug-in (385)8.3Using Loop Mode (386)8.4Using Gate Mode (388)9Using the Drumsynths (390)9.1Drumsynths – General Handling (391)9.1.1Engines: Many Different Drums per Drumsynth (391)9.1.2Common Parameter Organization (391)9.1.3Shared Parameters (394)9.1.4Various Velocity Responses (394)9.1.5Pitch Range, Tuning, and MIDI Notes (394)9.2The Kicks (395)9.2.1Kick – Sub (397)9.2.2Kick – Tronic (399)9.2.3Kick – Dusty (402)9.2.4Kick – Grit (403)9.2.5Kick – Rasper (406)9.2.6Kick – Snappy (407)9.2.7Kick – Bold (409)9.2.8Kick – Maple (411)9.2.9Kick – Push (412)9.3The Snares (414)9.3.1Snare – Volt (416)9.3.2Snare – Bit (418)9.3.3Snare – Pow (420)9.3.4Snare – Sharp (421)9.3.5Snare – Airy (423)9.3.6Snare – Vintage (425)9.3.7Snare – Chrome (427)9.3.8Snare – Iron (429)9.3.9Snare – Clap (431)9.3.10Snare – Breaker (433)9.4The Hi-hats (435)9.4.1Hi-hat – Silver (436)9.4.2Hi-hat – Circuit (438)9.4.3Hi-hat – Memory (440)9.4.4Hi-hat – Hybrid (442)9.4.5Creating a Pattern with Closed and Open Hi-hats (444)9.5The Toms (445)9.5.1Tom – Tronic (447)9.5.2Tom – Fractal (449)9.5.3Tom – Floor (453)9.5.4Tom – High (455)9.6The Percussions (456)9.6.1Percussion – Fractal (458)9.6.2Percussion – Kettle (461)9.6.3Percussion – Shaker (463)9.7The Cymbals (467)9.7.1Cymbal – Crash (469)9.7.2Cymbal – Ride (471)10Using the Bass Synth (474)10.1Bass Synth – General Handling (475)10.1.1Parameter Organization (475)10.1.2Bass Synth Parameters (477)11Working with Patterns (479)11.1Pattern Basics (479)11.1.1Pattern Editor Overview (480)11.1.2Navigating the Event Area (486)11.1.3Following the Playback Position in the Pattern (488)11.1.4Jumping to Another Playback Position in the Pattern (489)11.1.5Group View and Keyboard View (491)11.1.6Adjusting the Arrange Grid and the Pattern Length (493)11.1.7Adjusting the Step Grid and the Nudge Grid (497)11.2Recording Patterns in Real Time (501)11.2.1Recording Your Patterns Live (501)11.2.2The Record Prepare Mode (504)11.2.3Using the Metronome (505)11.2.4Recording with Count-in (506)11.2.5Quantizing while Recording (508)11.3Recording Patterns with the Step Sequencer (508)11.3.1Step Mode Basics (508)11.3.2Editing Events in Step Mode (511)11.3.3Recording Modulation in Step Mode (513)11.4Editing Events (514)11.4.1Editing Events with the Mouse: an Overview (514)11.4.2Creating Events/Notes (517)11.4.3Selecting Events/Notes (518)11.4.4Editing Selected Events/Notes (526)11.4.5Deleting Events/Notes (532)11.4.6Cut, Copy, and Paste Events/Notes (535)11.4.7Quantizing Events/Notes (538)11.4.8Quantization While Playing (540)11.4.9Doubling a Pattern (541)11.4.10Adding Variation to Patterns (541)11.5Recording and Editing Modulation (546)11.5.1Which Parameters Are Modulatable? (547)11.5.2Recording Modulation (548)11.5.3Creating and Editing Modulation in the Control Lane (550)11.6Creating MIDI Tracks from Scratch in MASCHINE (555)11.7Managing Patterns (557)11.7.1The Pattern Manager and Pattern Mode (558)11.7.2Selecting Patterns and Pattern Banks (560)11.7.3Creating Patterns (563)11.7.4Deleting Patterns (565)11.7.5Creating and Deleting Pattern Banks (566)11.7.6Naming Patterns (568)11.7.7Changing the Pattern’s Color (570)11.7.8Duplicating, Copying, and Pasting Patterns (571)11.7.9Moving Patterns (574)11.7.10Adjusting Pattern Length in Fine Increments (575)11.8Importing/Exporting Audio and MIDI to/from Patterns (576)11.8.1Exporting Audio from Patterns (576)11.8.2Exporting MIDI from Patterns (577)11.8.3Importing MIDI to Patterns (580)12Audio Routing, Remote Control, and Macro Controls (589)12.1Audio Routing in MASCHINE (590)12.1.1Sending External Audio to Sounds (591)12.1.2Configuring the Main Output of Sounds and Groups (596)12.1.3Setting Up Auxiliary Outputs for Sounds and Groups (601)12.1.4Configuring the Master and Cue Outputs of MASCHINE (605)12.1.5Mono Audio Inputs (610)12.1.5.1Configuring External Inputs for Sounds in Mix View (611)12.2Using MIDI Control and Host Automation (614)12.2.1Triggering Sounds via MIDI Notes (615)12.2.2Triggering Scenes via MIDI (622)12.2.3Controlling Parameters via MIDI and Host Automation (623)12.2.4Selecting VST/AU Plug-in Presets via MIDI Program Change (631)12.2.5Sending MIDI from Sounds (632)12.3Creating Custom Sets of Parameters with the Macro Controls (636)12.3.1Macro Control Overview (637)12.3.2Assigning Macro Controls Using the Software (638)12.3.3Assigning Macro Controls Using the Controller (644)13Controlling Your Mix (646)13.1Mix View Basics (646)13.1.1Switching between Arrange View and Mix View (646)13.1.2Mix View Elements (647)13.2The Mixer (649)13.2.1Displaying Groups vs. Displaying Sounds (650)13.2.2Adjusting the Mixer Layout (652)13.2.3Selecting Channel Strips (653)13.2.4Managing Your Channels in the Mixer (654)13.2.5Adjusting Settings in the Channel Strips (656)13.2.6Using the Cue Bus (660)13.3The Plug-in Chain (662)13.4The Plug-in Strip (663)13.4.1The Plug-in Header (665)13.4.2Panels for Drumsynths and Internal Effects (667)13.4.3Panel for the Sampler (668)13.4.4Custom Panels for Native Instruments Plug-ins (671)13.4.5Undocking a Plug-in Panel (Native Instruments and External Plug-ins Only) (675)13.5Controlling Your Mix from the Controller (677)13.5.1Navigating Your Channels in Mix Mode (678)13.5.2Adjusting the Level and Pan in Mix Mode (679)13.5.3Mute and Solo in Mix Mode (680)13.5.4Plug-in Icons in Mix Mode (680)14Using Effects (681)14.1Applying Effects to a Sound, a Group or the Master (681)14.1.1Adding an Effect (681)14.1.2Other Operations on Effects (690)14.1.3Using the Side-Chain Input (692)14.2Applying Effects to External Audio (695)14.2.1Step 1: Configure MASCHINE Audio Inputs (695)14.2.2Step 2: Set up a Sound to Receive the External Input (698)14.2.3Step 3: Load an Effect to Process an Input (700)14.3Creating a Send Effect (701)14.3.1Step 1: Set Up a Sound or Group as Send Effect (702)14.3.2Step 2: Route Audio to the Send Effect (706)14.3.3 A Few Notes on Send Effects (708)14.4Creating Multi-Effects (709)15Effect Reference (712)15.1Dynamics (713)15.1.1Compressor (713)15.1.2Gate (717)15.1.3Transient Master (721)15.1.4Limiter (723)15.1.5Maximizer (727)15.2Filtering Effects (730)15.2.1EQ (730)15.2.2Filter (733)15.2.3Cabinet (737)15.3Modulation Effects (738)15.3.1Chorus (738)15.3.2Flanger (740)15.3.3FM (742)15.3.4Freq Shifter (743)15.3.5Phaser (745)15.4Spatial and Reverb Effects (747)15.4.1Ice (747)15.4.2Metaverb (749)15.4.3Reflex (750)15.4.4Reverb (Legacy) (752)15.4.5Reverb (754)15.4.5.1Reverb Room (754)15.4.5.2Reverb Hall (757)15.4.5.3Plate Reverb (760)15.5Delays (762)15.5.1Beat Delay (762)15.5.2Grain Delay (765)15.5.3Grain Stretch (767)15.5.4Resochord (769)15.6Distortion Effects (771)15.6.1Distortion (771)15.6.2Lofi (774)15.6.3Saturator (775)15.7Perform FX (779)15.7.1Filter (780)15.7.2Flanger (782)15.7.3Burst Echo (785)15.7.4Reso Echo (787)15.7.5Ring (790)15.7.6Stutter (792)15.7.7Tremolo (795)15.7.8Scratcher (798)16Working with the Arranger (801)16.1Arranger Basics (801)16.1.1Navigating Song View (804)16.1.2Following the Playback Position in Your Project (806)16.1.3Performing with Scenes and Sections using the Pads (807)16.2Using Ideas View (811)16.2.1Scene Overview (811)16.2.2Creating Scenes (813)16.2.3Assigning and Removing Patterns (813)16.2.4Selecting Scenes (817)16.2.5Deleting Scenes (818)16.2.6Creating and Deleting Scene Banks (820)16.2.7Clearing Scenes (820)16.2.8Duplicating Scenes (821)16.2.9Reordering Scenes (822)16.2.10Making Scenes Unique (824)16.2.11Appending Scenes to Arrangement (825)16.2.12Naming Scenes (826)16.2.13Changing the Color of a Scene (827)16.3Using Song View (828)16.3.1Section Management Overview (828)16.3.2Creating Sections (833)16.3.3Assigning a Scene to a Section (834)16.3.4Selecting Sections and Section Banks (835)16.3.5Reorganizing Sections (839)16.3.6Adjusting the Length of a Section (840)16.3.6.1Adjusting the Length of a Section Using the Software (841)16.3.6.2Adjusting the Length of a Section Using the Controller (843)16.3.7Clearing a Pattern in Song View (843)16.3.8Duplicating Sections (844)16.3.8.1Making Sections Unique (845)16.3.9Removing Sections (846)16.3.10Renaming Scenes (848)16.3.11Clearing Sections (849)16.3.12Creating and Deleting Section Banks (850)16.3.13Working with Patterns in Song view (850)16.3.13.1Creating a Pattern in Song View (850)16.3.13.2Selecting a Pattern in Song View (850)16.3.13.3Clearing a Pattern in Song View (851)16.3.13.4Renaming a Pattern in Song View (851)16.3.13.5Coloring a Pattern in Song View (851)16.3.13.6Removing a Pattern in Song View (852)16.3.13.7Duplicating a Pattern in Song View (852)16.3.14Enabling Auto Length (852)16.3.15Looping (853)16.3.15.1Setting the Loop Range in the Software (854)16.4Playing with Sections (855)16.4.1Jumping to another Playback Position in Your Project (855)16.5Triggering Sections or Scenes via MIDI (856)16.6The Arrange Grid (858)16.7Quick Grid (860)17Sampling and Sample Mapping (862)17.1Opening the Sample Editor (862)17.2Recording Audio (863)17.2.1Opening the Record Page (863)17.2.2Selecting the Source and the Recording Mode (865)17.2.3Arming, Starting, and Stopping the Recording (868)17.2.5Using the Footswitch for Recording Audio (871)17.2.6Checking Your Recordings (872)17.2.7Location and Name of Your Recorded Samples (876)17.3Editing a Sample (876)17.3.1Using the Edit Page (877)17.3.2Audio Editing Functions (882)17.4Slicing a Sample (890)17.4.1Opening the Slice Page (891)17.4.2Adjusting the Slicing Settings (893)17.4.3Live Slicing (898)17.4.3.1Live Slicing Using the Controller (898)17.4.3.2Delete All Slices (899)17.4.4Manually Adjusting Your Slices (899)17.4.5Applying the Slicing (906)17.5Mapping Samples to Zones (912)17.5.1Opening the Zone Page (912)17.5.2Zone Page Overview (913)17.5.3Selecting and Managing Zones in the Zone List (915)17.5.4Selecting and Editing Zones in the Map View (920)17.5.5Editing Zones in the Sample View (924)17.5.6Adjusting the Zone Settings (927)17.5.7Adding Samples to the Sample Map (934)18Appendix: Tips for Playing Live (937)18.1Preparations (937)18.1.1Focus on the Hardware (937)18.1.2Customize the Pads of the Hardware (937)18.1.3Check Your CPU Power Before Playing (937)18.1.4Name and Color Your Groups, Patterns, Sounds and Scenes (938)18.1.5Consider Using a Limiter on Your Master (938)18.1.6Hook Up Your Other Gear and Sync It with MIDI Clock (938)18.1.7Improvise (938)18.2Basic Techniques (938)18.2.1Use Mute and Solo (938)18.2.2Use Scene Mode and Tweak the Loop Range (939)18.2.3Create Variations of Your Drum Patterns in the Step Sequencer (939)18.2.4Use Note Repeat (939)18.2.5Set Up Your Own Multi-effect Groups and Automate Them (939)18.3Special Tricks (940)18.3.1Changing Pattern Length for Variation (940)18.3.2Using Loops to Cycle Through Samples (940)18.3.3Using Loops to Cycle Through Samples (940)18.3.4Load Long Audio Files and Play with the Start Point (940)19Troubleshooting (941)19.1Knowledge Base (941)19.2Technical Support (941)19.3Registration Support (942)19.4User Forum (942)20Glossary (943)Index (951)1Welcome to MASCHINEThank you for buying MASCHINE!MASCHINE is a groove production studio that implements the familiar working style of classi-cal groove boxes along with the advantages of a computer based system. MASCHINE is ideal for making music live, as well as in the studio. It’s the hands-on aspect of a dedicated instru-ment, the MASCHINE hardware controller, united with the advanced editing features of the MASCHINE software.Creating beats is often not very intuitive with a computer, but using the MASCHINE hardware controller to do it makes it easy and fun. You can tap in freely with the pads or use Note Re-peat to jam along. Alternatively, build your beats using the step sequencer just as in classic drum machines.Patterns can be intuitively combined and rearranged on the fly to form larger ideas. You can try out several different versions of a song without ever having to stop the music.Since you can integrate it into any sequencer that supports VST, AU, or AAX plug-ins, you can reap the benefits in almost any software setup, or use it as a stand-alone application. You can sample your own material, slice loops and rearrange them easily.However, MASCHINE is a lot more than an ordinary groovebox or sampler: it comes with an inspiring 7-gigabyte library, and a sophisticated, yet easy to use tag-based Browser to give you instant access to the sounds you are looking for.What’s more, MASCHINE provides lots of options for manipulating your sounds via internal ef-fects and other sound-shaping possibilities. You can also control external MIDI hardware and 3rd-party software with the MASCHINE hardware controller, while customizing the functions of the pads, knobs and buttons according to your needs utilizing the included Controller Editor application. We hope you enjoy this fantastic instrument as much as we do. Now let’s get go-ing!—The MASCHINE team at Native Instruments.MASCHINE Documentation1.1MASCHINE DocumentationNative Instruments provide many information sources regarding MASCHINE. The main docu-ments should be read in the following sequence:1.MASCHINE Getting Started: This document provides a practical approach to MASCHINE viaa set of tutorials covering easy and more advanced tasks in order to help you familiarizeyourself with MASCHINE.2.MASCHINE Manual (this document): The MASCHINE Manual provides you with a compre-hensive description of all MASCHINE software and hardware features.Additional documentation sources provide you with details on more specific topics:▪Controller Editor Manual: Besides using your MASCHINE hardware controller together withits dedicated MASCHINE software, you can also use it as a powerful and highly versatileMIDI controller to pilot any other MIDI-capable application or device. This is made possibleby the Controller Editor software, an application that allows you to precisely define all MIDIassignments for your MASCHINE controller. The Controller Editor was installed during theMASCHINE installation procedure. For more information on this, please refer to the Con-troller Editor Manual available as a PDF file via the Help menu of Controller Editor.▪Online Support Videos: You can find a number of support videos on The Official Native In-struments Support Channel under the following URL: https:///NIsupport-EN. We recommend that you follow along with these instructions while the respective ap-plication is running on your computer.Other Online Resources:If you are experiencing problems related to your Native Instruments product that the supplied documentation does not cover, there are several ways of getting help:▪Knowledge Base▪User Forum▪Technical Support▪Registration SupportYou will find more information on these subjects in the chapter Troubleshooting.1.2Document ConventionsThis section introduces you to the signage and text highlighting used in this manual. This man-ual uses particular formatting to point out special facts and to warn you of potential issues. The icons introducing these notes let you see what kind of information is to be expected:This document uses particular formatting to point out special facts and to warn you of poten-tial issues. The icons introducing the following notes let you see what kind of information can be expected:Furthermore, the following formatting is used:▪Text appearing in (drop-down) menus (such as Open…, Save as… etc.) in the software and paths to locations on your hard disk or other storage devices is printed in italics.▪Text appearing elsewhere (labels of buttons, controls, text next to checkboxes etc.) in the software is printed in blue. Whenever you see this formatting applied, you will find the same text appearing somewhere on the screen.▪Text appearing on the displays of the controller is printed in light grey. Whenever you see this formatting applied, you will find the same text on a controller display.▪Text appearing on labels of the hardware controller is printed in orange. Whenever you see this formatting applied, you will find the same text on the controller.▪Important names and concepts are printed in bold.▪References to keys on your computer’s keyboard you’ll find put in square brackets (e.g.,“Press [Shift] + [Enter]”).►Single instructions are introduced by this play button type arrow.→Results of actions are introduced by this smaller arrow.Naming ConventionThroughout the documentation we will refer to MASCHINE controller (or just controller) as the hardware controller and MASCHINE software as the software installed on your computer.The term “effect” will sometimes be abbreviated as “FX” when referring to elements in the MA-SCHINE software and hardware. These terms have the same meaning.Button Combinations and Shortcuts on Your ControllerMost instructions will use the “+” sign to indicate buttons (or buttons and pads) that must be pressed simultaneously, starting with the button indicated first. E.g., an instruction such as:“Press SHIFT + PLAY”means:1.Press and hold SHIFT.2.While holding SHIFT, press PLAY and release it.3.Release SHIFT.Unlabeled Buttons on the ControllerThe buttons and knobs above and below the displays on your MASCHINE controller do not have labels.。
Dust钢琴谱五线谱 完整版原版
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NetSDK编程指导手册(大华)
目的
欢迎使用 NetSDK（以下简称 SDK）编程指导手册。 SDK 是软件开发者在开发网络硬盘录像机、网络视频服务器、网络摄像机、网络球机和智能设备 等产品监控联网应用时的开发套件。
本文档详细描述了开发包中各个函数的功能、接口以及函数之间的调用关系，并提供了代码示例。
符号约定
在本文档中可能出现下列标志，它们所代表的含义如下。
1.1 概述 .............................................................................................................................................. 1 1.2 环境要求 ....................................................................................................................................... 2 第 2 章 主要功能 ...................................................................................................................................... 3 2.1 SDK 初始化 ................................................................................................................................... 3
秘密岚目录 ひみつの岚ちゃん!
[124]110317 ひみつの嵐ちゃん！(未公开特辑 VIP ROOM ランキングダービー)[123]110310 ひみつの嵐ちゃん！（VIP ROOM 栗山千明／排行赛马）[122]110303 ひみつの嵐ちゃん！(VIP ROOM Aiko／人体模特～勝負Jeans～Guest:品川ヒロシ、佐藤隆太)[121]110224 ひみつの嵐ちゃん！(VIP ROOM 长谷川润／スーパーマリオネット嵐最高のキス)[120]110217 ひみつの嵐ちゃん！（VIP ROOM 桐谷美玲／人体模特～情侣搭配～Guest: アンジャッシュ（児島一哉、渡部健））[119]110210 ひみつの嵐ちゃん！（VIP ROOM 藤原紀香／排行赛马）[118]110203 ひみつの嵐ちゃん！（VIP ROOM 菅野美穗／イッパツギャンブラー岚松山健一）[117]110127 ひみつの嵐ちゃん！（VIP ROOM 吉高由里子／人体模特～连帽衫复仇～Guest: 藤本敏史、庄司智春）[116]110120 ひみつの嵐ちゃん！（VIP ROOM 仲間由紀恵／紧急企划：樱井翔的时尚修行）[115]110113 ひみつの嵐ちゃん！（VIP ROOM 宮里藍／排行赛马）★=====2010年=====★[114]101223 ひみつの嵐ちゃん！（VIP ROOM 芦田愛菜／人体模特～加入红色的成熟圣诞派对服装～）[113]101216 ひみつの嵐ちゃん！（超级提线木偶／人气嵐！差劲嵐！）[112]101209 ひみつの嵐ちゃん！（VIP ROOM 山田優／人体模特～冬季外出服搭配～Guest:徳井義実、綾部祐二）[111]101202 ひみつの嵐ちゃん！（VIP ROOM 倖田來未／一发决胜负嵐）[110]101125 ひみつの嵐ちゃん！（VIP ROOM 倉木麻衣／大人のぬり絵）[109]101118 ひみつの嵐ちゃん！（VIP ROOM 小雪／排行赛马）[108]101111 ひみつの嵐ちゃん！（VIP ROOM 戸田恵梨香／人体模特～最强约会服装～Guest：小栗旬、笠原秀幸）[107]101028 ひみつの嵐ちゃん！（人体模特对抗赛～秋季联谊时的决胜服装～Guest：关8）[106]101021 ひみつの嵐ちゃん！（VIP ROOM1 绫濑遥／VIP ROOM2 苍井优）[105]100916 ひみつの嵐ちゃん！（VIP ROOM 深田恭子／一发决胜负嵐）[104]100909 ひみつの嵐ちゃん！（VIP ROOM 吉瀬美智子／Doubt Action）[103]100902 ひみつの嵐ちゃん！（VIP ROOM 土屋ANNA／人体模特～秋季小进攻服装～Guest:DAIGO、劇団ひとり）[102]100826 ひみつの嵐ちゃん！（人体模特特别篇～夏季决胜约会服装! in 越谷AEON LakeTown～）[101]100819 ひみつの嵐ちゃん！（VIP ROOM 新垣結衣／排行赛马）[100]100812 ひみつの嵐ちゃん！（VIP ROOM 未公开TALK！SP）[099]100805 ひみつの嵐ちゃん！（VIP ROOM 金榮兒／新企划！一发决胜负嵐）[098]100729 ひみつの嵐ちゃん！（VIP ROOM 多部未華子／人体模特～海边约会服装～Guest: オードリー）[097]100722 ひみつの嵐ちゃん！（VIP ROOM Perfume）[096]100715 ひみつの嵐ちゃん！（VIP ROOM 中島美嘉／人气嵐！差劲嵐！Guest：東山紀之）[095]100708 ひみつの嵐ちゃん！（VIP ROOM 千原ジュニア／人体模特对抗赛～夏季联谊时的决胜服装～Guest：自恋刑警Team／排行赛马）[094]100701 ひみつの嵐ちゃん！（VIP ROOM 比嘉愛未／人体模特对抗赛～夏季联谊时的决胜服装～Guest: はんにゃ、ロッチ、狩野英孝）[093]100617 ひみつの嵐ちゃん！（VIP ROOM 西野カナ／人体模特～融入花纹元素的搭配～Guest:JOY、梅しゃん）[092]100610 ひみつの嵐ちゃん！（VIP ROOM 仲里依紗／Doubt Action）[091]100527 ひみつの嵐ちゃん！（VIP ROOM 黒木メイサ／排行赛马）[090]100520 ひみつの嵐ちゃん！（VIP ROOM 香椎由宇／人体模特～夜游约会～Guest: 武田修宏、パンツェッタ・ジローラモ）[089]100513 ひみつの嵐ちゃん！（VIP ROOM 森泉／Doubt Action）[088]100506 ひみつの嵐ちゃん！（VIP ROOM 佐々木希／人体模特～春季联谊时的决胜服装～Guest: キャイ～ン（天野ひろゆき、ウド鈴木）、藤本敏史、庄司智春、藤森慎吾）[087]100429 ひみつの嵐ちゃん！（人体模特特别篇～决胜的约会服装! in 御殿場～）[086]100415 ひみつの嵐ちゃん！（VIP ROOM1 島田紳助／人气嵐！差劲嵐！／VIP ROOM2 阿部寛）[085]100318 ひみつの嵐ちゃん！（VIP ROOM SP 未公开Talk／排行赛马）[084]100311 ひみつの嵐ちゃん！（VIP ROOM 北川景子／人体模特～融入动物元素的搭配～Guest:ゴリ）[083]100304 ひみつの嵐ちゃん！（VIP ROOM 中川翔子／Doubt Action）[082]100225 ひみつの嵐ちゃん！（VIP ROOM 北乃きい／人体模特～冬季时去娱乐场所的服装～Guest:DAIGO、JOY）[081]100218 ひみつの嵐ちゃん！（VIP ROOM 香里奈／烦恼顾问Guest：石田純一）[080]100211 ひみつの嵐ちゃん！（VIP ROOM 柴咲コウ／人体模特～情人节时希望男友穿的服装～Guest: 徳井義実、福田充徳）[079]100204 ひみつの嵐ちゃん！（VIP ROOM 木村カエラ／Doubt Action）[078]100128 ひみつの嵐ちゃん！（VIP ROOM1 梨花／VIP ROOM2 杏）[077]100114 ひみつの嵐ちゃん！（VIP ROOM 横峯さくら／人体模特～2010年初次约会时想穿的服装～Guest:ふかわりょう、山里亮太审查员：ドラマ「特上カバチ」堀北真希、前田美波里、小原正子、田丸麻紀、森脇英理子）★=====2009年=====★[076]091217 ひみつの嵐ちゃん！（VIP ROOM 堀北真希／人体模特～圣诞节约会时希望男友穿服装～Guest: 陣内智則、狩野英孝）[075]091210 ひみつの嵐ちゃん！（VIP ROOM 相武紗季／Doubt Action）[074]091203 ひみつの嵐ちゃん！（VIP ROOM 吹石一恵／人体模特～冬季外出时的搭配～Guest: 品川庄司）[073]091126 ひみつの嵐ちゃん！（VIP ROOM 釈由美子／特别企划SP 驱魔）[072]091119 ひみつの嵐ちゃん！（VIP ROOM suzanne／人体模特～以「红色」为元素的搭配～Guest: 宮迫博之藤本敏史）[071]091112 ひみつの嵐ちゃん！（VIP ROOM 広末涼子／人气嵐！差劲嵐！）[070]091105 ひみつの嵐ちゃん！（VIP ROOM 貫地谷しほり／人体模特～秋季夹克衫搭配～Guest: フットボールアワー）[069]091029 ひみつの嵐ちゃん！（VIP ROOM 黒谷友香／嵐10周年特別企划！欢迎光临嵐OK房）[068]091022 ひみつの嵐ちゃん！（VIP ROOM 明石家さんま／人体模特～秋季联谊的决胜服装～Guest: 有田哲平、宮川大輔、岡田圭右、設楽統、山根良顕）[067]090917 ひみつの嵐ちゃん！（VIP ROOM 井上真央／突击嵐的晚饭）[066]090910 ひみつの嵐ちゃん！（VIP ROOM 志田未来／地方料理Waiter）[065]090903 ひみつの嵐ちゃん！（VIP ROOM 石原さとみ／人体模特～想尝试下的冒险服装～）[064]090827 ひみつの嵐ちゃん！（VIP ROOM Becky／人气嵐！差劲嵐！SP）[063]090820 ひみつの嵐ちゃん！（真夏SP VIP ROOM 黒木瞳／人体模特SP～联谊时希望男方穿的服装～对决Guest: 藤本敏史、徳井義実、板倉俊之、たむらけんじ、村上健志）[062]090813 ひみつの嵐ちゃん！（VIP ROOM 上戸彩／皇家牛郎「松本潤vs後藤輝基」Guest：神田うの／巨星专用豪华之旅～榊原郁恵～）[061]090806 ひみつの嵐ちゃん！（VIP ROOM MARIE／人体模特～夏天穿的决胜T恤～Guest:SPEED）[060]090730 ひみつの嵐ちゃん！（VIP ROOM 米倉涼子／巨星专用豪华之旅～榊原郁恵～）[059]090723 ひみつの嵐ちゃん！（皇家牛郎「相葉雅紀vs細川茂樹」Guest：高畑敦子／地方料理Waiter／STRIKE LINE～バナナマン～）[058]090716 ひみつの嵐ちゃん！（皇家牛郎「二宮和也vs要潤」Guest：久本雅美／不知是福～優木まおみ～）[057]090709 ひみつの嵐ちゃん！（人气嵐！差劲嵐！／人体模特～去海边时希望男友穿的服装～）[056]090702 ひみつの嵐ちゃん！（人气嵐！差劲嵐！／嵐的5人连续演技挑战）[055]090625 ひみつの嵐ちゃん！（巨星专用豪华之旅～狩野英孝～／试用家电～叶美香+上原美優～）[054]090618 ひみつの嵐ちゃん！（不知是福～中川翔子～／巨星专用豪华之旅～はるな愛～）[053]090611 ひみつの嵐ちゃん！（试用家电～渡辺満里奈+misono～／人体模特～外出时希望男友穿的服装～）[052]090604 ひみつの嵐ちゃん！（STRIKE LINE～小池栄子+木下隆行～／巨星专用豪华之旅～DAIGO～）[051]090528 ひみつの嵐ちゃん！（人体模特～初次约会时希望男友穿的服装～／皇家牛郎「櫻井翔vs徳井義実」Guest：山村紅葉）[050]090521 ひみつの嵐ちゃん！（变性人意想不到的事件簿SP）[049]090514 ひみつの嵐ちゃん！（意想不到的结局BEST10／艺能界马里奥决战<後編>／日常生活耍帅企划）[048]090507 ひみつの嵐ちゃん！（意想不到的结局BEST10／艺能界马里奥决战<中編>）[047]090430 ひみつの嵐ちゃん！（呼唤奇迹的嵐SP／艺能界马里奥决战<前編>）[046]090423 ひみつの嵐ちゃん！（绝对不能错过的画面SP）[045]090319 ひみつの嵐ちゃん！（WBC緊急特番）[044]090312 ひみつの嵐ちゃん！（名人最新轶事大公开SP／自分説明書「大地真央」）[043]090305 ひみつの嵐ちゃん！（男女混战SP／自分説明書「深田恭子」）[042]090226 ひみつの嵐ちゃん！（世界了不起的歌声SP／自分説明書「柴田理恵」）[041]090219 ひみつの嵐ちゃん！（华丽的疯狂挑战者SP／日常生活耍帅企划／自分説明書「松平健」）[040]090212 ひみつの嵐ちゃん！（超级肥胖者SP／自分説明書「八嶋智人」）[039]090205 ひみつの嵐ちゃん！（美人New Half SP／自分説明書「DAIGO」）[038]090129 ひみつの嵐ちゃん！（高个子SP／中国巨人俱乐部／自分説明書「古閑美保」）[037]090122 ひみつの嵐ちゃん！（错觉图像SP／自分説明書「要潤」）[036]090115 ひみつの嵐ちゃん！（奇怪夫妇SP／自分説明書「壇れい」）★=====2008年=====★[035]081218 ひみつの嵐ちゃん！（嵐的忘年会SP）[034]081211 ひみつの嵐ちゃん！（世界的白痴尝试SP／穿T恤挑战世界纪录／自分説明書「竹中直人」）[033]081204 ひみつの嵐ちゃん！（奇迹的双胞胎大集合SP／自分説明書「真矢みき」）[032]081127 ひみつの嵐ちゃん！（亡命之徒SP／自分説明書「MEGUMI」）[031]081120 ひみつの嵐ちゃん！（整形美女SP／自分説明書「黒谷友香」）[030]081113 ひみつの嵐ちゃん！（超美New Half SP／自分説明書「高畑淳子」）[029]081106 ひみつの嵐ちゃん！（超肥胖者SP／自分説明書「佐田真由美」）[028]081030 ひみつの嵐ちゃん！（Super Kids SP／自分説明書「内田恭子」）[027]081023 ひみつの嵐ちゃん！（艺术家SP／自分説明書「绫濑遥」）[026]081016 ひみつの嵐ちゃん！（令人吃惊的表演SP／传说中的渔夫／自分説明書「戸田恵梨香」）[025]081009 ひみつの嵐ちゃん！（厉害美女SP／自分説明書「長谷川理恵」）[024]080925 ひみつの嵐ちゃん！（嵐の夏休み! in 日光<後編>／嵐的轮盘赌<New Half 篇>）。
惠威HR70遥控器使用说明书
HR070 Series Remote Control Programming Guide
6. Repeat steps 1 to 5 for the other components you want to control. For future reference, write down each working component code below:
HR Series Remote Control Programming
Assigned Push-button Component Program Code
TV
CBL
SAT
AUX
DVR
Push-buttons available for Programming
Flashes during Programming
4
Used to activate Programming Mode
with the most popular code first. If the component
responds, go to step 7.
6. If the component does not respond, press LEVEL+
Push-button and the Remote Control will test
The HR70 Series Remote Controls have stored in permanent memory the necessary information to send the correct commands to the component to be controlled. By entering a five digit numeric code the commands for controlling the component is activated.
ラストフレンズ(最后的朋友)日文字幕10
『最終章・愛と死』宗佑（錦戸亮）に覆いかぶさられた瑠可（上野樹里）は、側に転がっていたランプで思い切り宗佑を殴りつけ、なんとかその場を逃げ出した。
洋服屋に飛び込んだ瑠可は、手ごろなシャツを掴むと試着室に入り、震える手で着替えながら声を立てずに号泣する。
取れてしまったマグカップの取っ手を接着剤で直すタケル（瑛太）。
「よし。
」「くっついた？」と美知留（長澤まさみ）。
「うん。
」「ただいま。
」普段と同じ様に挨拶する瑠可。
「お帰り。
」「どうしたの？その傷！」と美知留。
「ああ・・ちょっとバイクで転んじゃって。
でもたいしたことないよ。
あー、喉渇いた。
」「でも消每しようよ。
」と美知留。
「あー、いいよいいよ。
」何事もなかったように振舞う瑠可。
しかしタケルは、瑠可が嘘をついているのではないかと感じていた。
夜「サワディカーいかがですか？手作りのトムヤムクンは？」とエリ（水川あさみ）。
「おー！」「あのこちら、魚介入りサラダになっております。
で、こちら、エビ入り、生春巻きになっておりますので、召し上がって。
」とエリ。
「全部美知留ちゃんの手作りでしょ！」と友彦（山崎樹範）。
「チッ！」エリが睨む。
「・・いただきまーす。
」「これいいよ～！片手で食べられるし。
」とタケル。
「よく考えたね、美知留。
」と瑠可。
美知留が微笑む。
「美知留ちゃん、今度は是非、コスプレもお願いします！」と友彦。
「バーカ！」とエリ。
その時、ドアチャイムが鳴る。
その瞬間、凍りつく一同。
「・・誰が出る？」と友彦。
怪我をしているタケルが立とうとする。
「いいよタケルは。
」とエリ。
瑠可が席を立ち、玄関に向かう。
「どなたですか？」「滝川エリさんに、お届け物です。
」ほっとする一同。
だが美知留はみんなの怯えた様子を受け止め・・。
「私でしたー。
」とエリ。
「なんだよ、もうー。
」と友彦。
「すみませんでしたね。
」「・・・ごめんね。
私、やっぱりここを出る。
どっかで、一人で・・」と美知留。
好看的动漫
纯爱+搞笑的1 好想告诉你——这个超经典超纯的！！很感人！一定要看！这个强烈推荐2 伯爵与妖精——也很赞！！我超爱这部！看完动画片我还去看了小说！！这个也必看的！强推！！！3 金色的琴弦——这个还不错吧！有空可以看看4 SA特优生——我觉得这个一般，有空可以看看5 爱丽丝学院——强烈推荐！！建议看完动画片可以看漫画~~！！6 樱兰高校男公关部——这个可能你看过了~~超经典的！！没看一定要看哦！！今年要出第二季了！！！7 天使怪盗——超棒的clamp的作品！！8 守护甜心——幼稚一点但是还蛮不错的！！就是太长了~~！！但是还是推荐9 梦色蛋糕师——还不错！！一点类似守护甜心！！10 水果篮子——强烈推荐！！！我小时候看了还哭的稀里哗啦~~！！很感人很纯爱！！11 华丽的挑战——强烈推荐！！超级搞笑！！爱情+励志！！12 交响情人梦——纯爱，已经出了三季了！！13 他和她的事情——纯爱！！校园！！14 完美小姐进化论——很多人貌似觉得好看，但是我觉得不好看，可能各人眼光不同吧15 龙虎斗——钉宫控可以看哈~~恋爱+搞笑~~灰常好看！！16 会长是女仆大人——超赞的！大爱啊啊~~最爱动画之一~~强推！！17 初恋限定——还行吧~~有空可以看18 Clannad——虽然大家都说很感人，但我愣是没看懂，或许你看了之后觉得感人吧，有空可以看看19 NANA——必看！强推！！娜娜和奈奈两个女孩子的爱情与梦想~~！很感人！！也建议看漫画~~动画出的不多20 星座彼氏——剧情很一般吧，人设有点崩，恋声癖强推~名声优超多的~~！！21 交响情人梦——不解释，经典少女漫之作！！必看22 绯色恋——还行吧，只有一集OAD23 今天开始恋爱吧——还行，有两集OAD24 凉风——少女漫不解释~~25 天国少女——少女漫~~非现代~~有福山润配音~~恋声癖看吧~26 玩偶游戏——少女漫= =爱情长跑故事ga？27 我们的存在——挺老的一部了~~还不错28 人鱼的旋律——挺好的~~七个美少女美人鱼和一个帅哥的故事~~29 寻找满月——挺不错的一部~~少女唱歌成名之路30励志+治愈的1 轻音部少女——绝对的好看~~经典！！音乐超棒！！很治愈2 夏目友人帐——超治愈不解释！强推！！！3 东京地震——当时也不知道为什么就看了这部，现在想想完全不应该被名字吸引吧但是却一定是被名字吸引的，超凡脱俗的亲情！4 水果篮子——治愈+爱情！必看！！5 小鸠——clamp作品~~绝对的治愈系！热血+励志+（有些有爱情）1 死神——不解释，太经典了= =2 火影忍者——依旧不解释，JUMP的经典作~~3 驱魔少年——大爱！热血少年与恶魔们的战斗！人设帅呆~~帅哥多多~~美女一枚~4 犬夜叉——其实应该也属于魔幻类。
少女乙女的恋爱革命全中文攻略
深水飒大生日：4月17日礼物：大型的松鼠布偶|香水/凯利熊|相框木野村透生日：5月10日礼物：画集+7（周末买）皮质钱包+5羊绒袜子3双套+5时田枫生日：6月13日礼物：球藻+7 手帕+7香水/分离 +7橘剑之助生日：6月30日礼物：柔软的枕头+7香水/武士之石+7小刀+5若月龙太郎生日：11月22日礼物：银手镯(+7)香水/黑暗岁月（+7）相框(+5)闹钟(+5)游戏软件/ACT(+5)华原雅纪生日：1月17日礼物：游戏软件/RPG +7 香水/蓝天+5 相框+5一之濑莲生日：2月4日礼物：怀表（你要是没钱的话，送“柔软枕头”也凑合）香水/巴西帝红游戏软件/PUZ 神城绫人生日：2月24日礼物：小刀|香水/库丘林|游戏碟/ADV鹰士生日：8月9日礼物：香水/鬼魂+7柔软的枕头+7皮质的钱包+7小刀+5怀表+5恶魔词典+5游戏软件/SLG +5（1）曾经的美少女（自动发生）（2）鲜明的对比（自动发生）（3）你这个无可救药的家伙！（自动发生）【档案】生日：5月10日血型：A型星座：金牛身高：似乎是169cm左右……学年：2年级学生房间号：203俱乐部：漫画研究会，还很喜欢动画，漫画，游戏爱好：写剧本或者是画素描之类的吧擅长学科：很擅长社会学！擅长运动：乒乓球的话……最重要的：啊，那，那个……喜欢的音乐：安静的气氛吧喜欢的食物：文字烧！御好烧也非常喜欢讨厌的季节：夏天……我怕热，没空调的话，或许会溶化……【礼物】*给男生的礼物最好提前买，一般休息日出门可以买到。
因为生日时候虽然可以去买，但是也可能正好没货，七夕、圣诞节的礼物更要提前买，完全没时间的画集+7（周末买）皮质钱包+5羊绒袜子3双套+5【理想条件】方向：体力好文学好漂亮的女孩数值要求：体重45-65kg 美容61 手臂41 腿41 体力81 毅力41 减肥情报21 常识41 文科61 理科21 体育41【CG事件】（1）那，那是……？（好感度绿心，8月一起去假期旅行时发生）（2）不为人知的努力（好感度蓝心，9月23日运动会时发生）（3）将来的梦（好感度橙心，10月5日发生）（4）谁！？（Good ED路线，好感度粉心，11月18日发生）（5）意料外的勇姿（Good ED路线，好感度粉心，12月25日发生）（6）祈祷中的侧脸（Good ED路线，好感度红心，1月2日发生）（7）放松的时间（Good ED路线，好感度红心，1月25日发生）（8）青梅竹马（Bad ED结局）（9）结局呢？（Good ED结局）（10）数年后的未来（正确输入3个KEY WORD之后出现）【物品事件】1）阿婆的梅干（好感度蓝心以上，5月以后，美容、毅力的数值中任意一项没有达到◎）（结果：得到辅助食品，可以使用5次，每次消费1个减肥点数，使用后体重-0.1KG、美容+5、毅力+5）（2）超级电脑（好感度绿心以上，6月以后，情报、学习数值中任意一项没有达到◎）（结果：瘦身情报学习道具，可以使用5次，每次消费5个减肥点数，使用后情报+10、常识+8、文科+8、理科+8、体育+8）（3）传说的泳装（好感度橙心以上，8月以后，体重、臂部、腿部、体力的数值中任意一项没有达到◎）（结果：游泳用辅助道具，可以使用5次）（4）老爸的拳头（好感度粉心以上，暑假以后，毅力没有达到◎）（结果：入手就有效果，体力+5、毅力+15）【食品事件】*男生送的食物可以收也可以不收，收下的话，好感度会增加一些，做梦也能梦到对方，但体重也会增加；不收下的话，对好感度的影响也不大，如果实在不忍心拒绝，那就建议收下第1次的吧，后面两次的还是算了地域限定文字烧君（压力全回复，体重+1Kg）地域限定章鱼烧君（压力全回复，体重+2.5kg）地域限定煎饼君1盒（压力全回复，体重+4kg）【其他事件】（*这些不是必要事件，没时间就不用去了）俯卧撑11次俱乐部活动18次打工平日第11次、平日第16次，假日共计第11次、假日共计第26次所持金钱25000yan【约会选项】动物园Q：看到你那样，我也会变得很高兴A：谢谢……Q：丰满的兔子A：确实，就那样也不错Q：动最开始看的是白熊A：什么嘛，那样不错啊电影院Q：看动画电影A：当然，可以咯Q：通过电影学习A：真厉害啊Q：有名监督人A：非常有趣呢。
B站会员注册83分的答案
晋级考核#1 游戏《Minecraft》是由哪家公司开发的？Majong Mojang mojiang majiong#2 《暗黑破坏神 2》中的职业不包括德鲁伊 刺客 亚马逊 巫医#3 《凉宫春日的忧郁》中长门有希是什么属性元气 病娇 三无 傲娇#4 东方系同人动画一般为（）春季番 奥运番 年番 里番#5 以下哪个角色的声优是俄语专业的？小鸟游小鸟 小鸟游六花 小鸟游空 小鸟游十花#6 索尼子是什么的看板娘Nitro+ sonic sony I社#7 黑白指的是东方幻想乡的哪个人物？白井黑子 东风谷早苗 魔理沙 博丽灵梦#8 在 Mugen 中，最高的人物等级是？凶 狂 神 论外#9 以下哪个解说没有和著名解说满楼水平传过绯闻？凯文 快乐一剑飘 小满 阿川#10 《魔法少女小圆》中巴麻美学姐是哪一话死的？第三话 第一话 最终话 第四话#11 哪位声优上过日本红白歌合战？May'n 田村由加利 水树奈奈 花泽香菜#12 圣石小子中莉莎的墓碑坐标是什么?3211 3173 4757 2122#13 游戏《女装山脉》中，主人公的名字叫什么度会幸人度会直人度会行人度会才人#14 以下那個不是釘宮四萌?神崎·H·亞里亞 三千院凪 露易絲·法蘭西斯·露·布朗·杜·拉·瓦利埃爾 逢坂大河#15 丧心病狂的 xx 月亮连续杀人事件是由谁缔造的富野由悠季 冲方丁 麻枝准 虚渊玄#16 美版恐龙战队的绿衣队员叫什么？汤圆 汤包 汤粉 汤米#17 在轻小说《人间系列》中，和零崎人识相爱相杀的人是？匂宫出梦 玖渚友 坂田银时 伊藤诚#18 别称“原作粉碎机”的监督新房昭之 河森正治 山本宽 庵野秀明#19 2011 年新番四大名作中哪一部在 2011 年并未完结？魔法少女小圆 命运石之门 Fate/Zero 我们仍未知道那天所看到的花的名字#20 《Infinite Stratos》中塞西莉娅·奥尔卡特的专用机体是？蓝色泪雨 疾风之再诞 黑雨 银色福音#21 在游戏《魔兽争霸 3》中，玩家可选择的种族有多少个？5 6 3 4#22 盖伦是哪个国家队的艾欧尼亚幼儿队 大天朝国奥运队 诺克萨斯恶棍队 德玛西亚流氓队#23 天才麻将少女的主角咲最擅长怎么胡牌暗刻 海底捞月 概率理论 岭上开花#24 蛇足喜欢的中国明星是谁？林志颖 于谦 郭德纲 林志玲#25 《游戏王》中，主角没有被灵魂附身的是九十九游马 不动游星 游城十代 武藤游戏#26 物语系列中忍野忍所拥有的妖刀名号是？村雨 村正 罪歌 心渡#27 世界上面积最大的岛屿是？冰岛 格陵兰岛 苏门答腊岛 马达加斯加岛#28 洛天依中文音源是由哪位声优提供？山体滑波 山新 山旧 山崖#29 2003 娘，或称 2K3 娘，是哪个公司公司推出的的拟人化萌娘。
十一运夺金-和值
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11 1 1 9 3 10 4 3 1 8 1 8 8 3 2 8 1 1 8 2 6 6 8 6 3 6 10 1 2 2 9 7 1 4 11 9 2 8 3 9 3 4 7 9 3 5 10 6 3 4 5
9 9 9 5 5 8 8 4 11 3 6 1 2 9 10 2 7 7 1 3 8 9 11 8 11 9 6 11 7 11 5 6 9 1 6 2 3 1 6 3 7 1 9 7 5 6 11 4 7 2 9
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世嘉游戏十年列表
英文名中文名游戏大小2crude.smd 暴力克星 1025 KB <2nd_sam.smd 武士魂 1025 KB <688A_SUB.smd 猎杀潜航 1025 KB <A_AGASSI.smd 阿加斯网球 513 KB <A_gods_b.smd 肥瘦大盗2 2049 KB <A_power.smd 肥瘦大盗 2049 KB < ACROBAT.smd 蝙蝠杂技员 1025 KB <Acrobat2.smd 蝙蝠杂技员2 2049 KB <Action52.smd 疯狂打砖块 2049 KB < ADDAMS.smd 阿达姆斯家庭 1025 KB <AERO_BLA.smd 疾风战机 513 KB <AEROBIZ.smd 航空霸业 1025 KB <Afterbrn.smd 冲破火网2 513 KB <AIRDIVER.smd 空中霸王 513 KB <Airwolf.smd 交叉火力 513 KB <Aleste.smd 武者 513 KB <ALEXKIDD.smd 天空魔城 257 KB <ALIEN3.smd 异形3 513 KB <Aliensol.smd 外星战士 2049 KB <ALTBEAST.smd 兽王记 513 KB <AMER_GLA.smd 美国全能赛 1025 KB < ANIMAN.smd ANIMAN 1025 KB <AQUATIC.smd 水中动物运动会 513 KB <ARC_RIV.smd 篮球 513 KB <arcadecl.smd 昆虫大战 513 KB <ARIEL.smd 美人鱼 513 KB <ARTALIVE.smd 画画 257 KB <Artfight.smd 龙虎之拳 2049 KB <ARW_FLSH.smd 雷鸣空箭 513 KB <Asterix.smd 肥瘦大盗 2049 KB <Ast-pgod.smd 肥瘦大盗2 2049 KB <ATOMIC_R.smd 原子超人 1025 KB < ATOMICRK.smd 原子机械童 513 KB <Atp_tour.smd 网球 2049 KB <B_BEARS.smd 野营冒险 1073 KB <B_COUNT.smd BODY COUNT 1025 KB <B_DOUG.smd 道格拉斯拳王之路 513 KB <B_frenzy.smd 狂暴战士 2049 KB <B_hull95.smd 布雷特.赫尔冰上曲棍球95 2049 KB < B_lines.smd 恶魔城（英） 1025 KB <B_mania2.smd 大吟壤 1025 KB <B_MASTER.smd 战斗能手 513 KB <B_oasis.smd 光之继承者 3073 KB <B_robin.smd 蝙蝠侠与罗宾 2049 KB <B_rogers.smd 反抗 1537 KB <B_SHIP.smd 超级战舰 561 KB <B_SQUAD.smd 空战中队 513 KB <B_tech.smd 战斗机器人2049 KBB_TOADS.smd 忍者蛙513 KBB_tour96.smd 钓鱼王962049 KBB_town.smd 热闹的城市2049 KBB_VENG.smd 复仇之刃1025 KBB_WALSH.smd 大学生足球赛 1025 KB BACK2_F3.smd 回到未来3 513 KB Badomen.smd 坏兆513 KB BALLJACK.smd 抓球257 KBBallz.smd BALLZ2049 KBBarbie.smd 芭比假日冒险1025 KB BARKLEY.smd 巴克利二对二篮球1041 KB Barkley2.smd 巴克利二对二篮球22049 KB BARNEY.smd 躲迷藏1073 KB BATMAN.smd 蝙蝠侠513 KBBATMAN_J.smd 蝙蝠侠复仇1025 KB BATMAN_R.smd 蝙蝠侠回归1025 KB Batman1.smd 蝙蝠侠1 513 KB BATTLE_G.smd 高尔夫513 KBBb-roar.smd 美女与野兽1025 KB BEAST.smd 魔兽摔角1025 KBBeauty_a.smd 美女与野兽II 1025 KB Beavis.smd 2049 KBBESTBEST.smd 空手道锦标赛 1537 KB BIMINI.smd 迷你塞艇 513 KBBIO_SHIP.smd 宇宙战舰 1025 KB BLASTER2.smd 钢铁战车 1025 KBBld-veng.smd 复仇之刃 1025 KB BLOCKOUT.smd 立体俄罗斯 257 KBBm_class.smd 钓鱼 2049 KBBMAN8PAD.smd 炸弹人 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新视野大学英语视听说4课后答案之欧阳体创编
Uint1II. Basic Listening Practice1. ScriptM: I’m beside myself with joy. I’m so lucky. Guess what? I’ve won a lit of money in the lottery.W: Yeah? Well, you do know that money is the root of all evil, right? Q: What does the woman mean?2. ScriptW: Mary was furious. Her son wrecked up her car.M: He shouldn’t have driven a car without a driver’s license. He‘s still taking driving lesson.Q: What do we know about Mary’s son?3. ScriptM: Susan, I hear you’re going to marry that g uy. Some people think you’ll regret it.W: Is that so? Only time tell.Q: What does the woman imply?4. ScriptM: Mary, I just want to say how sorry I was to learn of your mother’s passing. I know how close you two were?W: Thank you. It was so sudden. I’M still in a state of shock I don’tknow what to do.Q: Which of following is true?5. ScriptW: I get furious at work when my opinions aren’t considered just because I’m a woman.M: You should air your view more emphatically and demand that your vice be heard.Q: What is the woman complaining about?Keys: 1.C 2.B 3. D 4.A 5.DIII. Listening InTask 1: Soft answers turn away wrath.Mary: Dam! You’re spilled red wine on me. My new dress is ruined. John: I’ m terrible sorry! What can I do to help? Here’s so me water to wash it off.Mary: Stop splashing water on me! Oh, this is so embarrassing! I’m a mess.John: Well, you do look a little upset. Please don’t blow up. Don’t lose your cool.Mary: Hmm, you’ve got the nerve talking like that! Who shouldn’t fly off the handle? This dress cost a fortune.John: You look really cute when you’re mad. I kid you not. Some people do look attractive when they are in a rage.Mary: This is very expensive dress. I saved for months to buy it, and now it’s ruined. Look at this s tain!John: Accidents do happen. Give me your dress, and I’ll take it to the cleaners.Mary: Sure! You want me to take it off right here in public and give it to you? I don’t even know you!John: This might be a really goof time to get acquainted. I’m John Owen.Mary: Mmm, at least you’re polite. I guess I really shouldn’t have flared up. After all, it was an accident. I’m Mary Harvey.John: Come on. I’ll take you home. You can change your clothes, and I’ll get the dress cleaned for you.Mary: Now you’re talking. Thanks. You’re a real gentleman. John: You’d better believe it. I’m glad to see that you’ve cooled down. Feel look a bite to eat afterward? I’m starving.Mary: Ok. You’re pretty good. I’m not nearly as mad. If you can get this stain out, I’ll be ver y happy.John: I’ll try my best. But if I can’t get the stain out, please don’t let your happiness turn to wrath.1. Which of the following would be the best title for the dialog?2. Why does the woman get angry?3. What does the man say to please the woman when she looksangry?4. Why does the woman say the man is a real gentleman?5. What is the man’s final proposal?Keys: 1D 2.A 3.C 4.B 5.CTask 2: Big John is coming!ScriptA bar owner in the Old West has just hired a timid bartender. This (S1) owner of the establishment is giving his new hire some instructions on (S2) running the place. He tells the timid man, “If you ever hear that Big John is coming to town, (S3) drop everything and run for the hills! He’s the biggest, nastiest (S4) outlaw who’s ever lived!”A few weeks pass (S5) uneventfully. But one afternoon, a local cowhand comes running through town (S6) yelling, “Big John is coming! Run for your (S7) lives!”When the bartender leaves the bar to start running, he is knocked to the ground by severa l townspeople rushing out of town. (S8) As he’s picking himself up, he sees a large man, almost seven feet tall. He’s muscular, and is growing as he approaches the bar.He steps up to the door, orders the poor barkeep inside, and demands, “I want a beer NOW!”He strikes his heavy fist on the bar, splitting it in half. (S9) Thebartender nervously hands the big man a beer, hands shaking. He takes the beer, bites the top of the bottle off, and downs the beer in one gulp.As the terrified bartender hides behind the bar, the big man gets up to leave, “Do you want another beer?” the bartender asks in a trembling voice.“Dang it, I don’t have time!” the big man yells, (S10) “I got to get out of town! Don’t you hear Big John is coming?”Task3: A View of HappinessScriptDr. Smith has proposed a reasonable, if perhaps somewhat oversimplifies, view of happiness. According to his theory, happiness might be described as a state if balance. And when human or certain animals achieve that balance, they rend to remain in that condition in order to repeat the happy feeling.To illustrate this, we may study two magnets. When their positive and negative poles meet, they are comfortably joined, and they remain there. In other words, they have attained a balance or state of happiness. If on the other hand, one of the poles is reversed, and positive pole is presses against positive pole, there is resistance, instability, imbalance a state of unhappiness.Animals with some degree of intelligence seem to find happiness inreinforcement. Once they have gained one or more of their goals such as food, and water, they learn to repeat the actions that led to satisfaction of those goals. This repetition or reinforcement produces a state of balance or sense of happiness.According to this theory, only animals with a significant capacity to learn should be able to experience happiness. But in truth learning can take place through surprisingly simple short-term action such as scratching an itch, followed by pleasure, followed by more scratching, and so on. Thus learning can occur with almost no conscious thought.For human beings, blessed with the ability to reason, goals are not limited to the short-term satisfaction of needs. Indeed, there is a strong link between happiness and the fulfillment of long-term goals. Even if human strive for goals that are more complex and longer-term than the animals’ goals, once those goals are gained, happiness is reinforced.1. Why does the speaker mention “magnets”?2. According to the passage, what may animals do after they have got food?3. Which of the following is true according to the speaker?4. What does the speaker say is special about the goals of human beings?5. Which of the following best captures the main idea of the passage?Keys: 1D 2.C3. B 4.D 5.AIV. Speaking OutMODEL 1 Don’t let it get to you!Susan: You look so angry. What happened?Chris: Nothing I’d rather not talk about it. Just don’t ask.Susan: Come on. Relax. Talk to me.Chris: All right. This morning I took my car to the garage to check the air conditioner. They only gave it a quick look, refilled it with some Freon, and charged me 300bucks!Susan: No wonder you’re livid. I’d be mad too if someone ripped me off like that.Chris: Yeah. And they were rude. They said I didn’t know any thing about cars, which I don’t, but they didn’t have to be blunt!Susan: Sounds like you got a raw deal!Chris: What’s worse, as I was leaving, I herd then saying, “Don’t trust that guy. He looks broke.” When I heard that, I almost hit the roof.Susan: Do n’t let it get to you. Better ignore them.Chris: I agree. I did manage to keep my cool.Susan: Well, the best thing you can do is to file a complaint with theConsumer Protection Agency.Chris: sounds like a good idea.MODEL2 I’m too depressed.ScriptS usan: Chris, I hear you’ve been down in the dumps, so I’ve come to cheer you up.Chris: It’s not gong o work. I’m too depressedSusan: Come, on. Tell me what’s on your mind.Chris: Everything. My girlfriend left me; my dog ran away; my wallet was stolen.S usan: Don’t worry. I’ll help you solve the biggest problem: finding you a new girlfriend.Chris: Forget it. Anyway, I’m getting bad grades, and I was told that I’d have to repeat a lot of courses next year. When I heard that, I almost lost it.Susan: Look, relax. I’ll help you with those courses.Chris: Yeah, but I also have three week’s laundry to do., and my room is a pigsty.Susan: Forget it. You’re on your own.Chris: Come, on. What are friends for?Susan: To keep you in high spirits; not to do your laundry.MODEL3 You seem to be on top of the world.ScriptNora: Oh, hey, John!John: Hey!Nora: You seem to be on top of the world tonight. What’s up? John: I’m so happy I’m about to burst. Guess what?Nora: You’ve got me.John: It might be true that misfortunes never come singly, but you can also have a “double blessing”. And that’s what I had.Nora: You mean you’ve had two happy events in your life?John: Exactly. You know, I was strong in all subjects except physics. Now I’ve finally passed the test--the one I needed to qualify for a Bachelor’s degree.Nora: Congratulations! You’d failed it three times. Now wonder you’re beaming. What’s the other good news?John: The multinational I was dong my field project at offered me a job at a good staring salary.Nora: Wow, wonderful, simple wonderful.John: I feel like celebrating. Shall we go to a bar?Nora: Why not?Now Your TurnTask 1SAMPLE DIALOGA: You look furious. What happened?B: Nothing. I’d rather not talk about it. Just don’t ask.A: Come on. You shou ldn’t keep your feeling to yourself. You need to let off some stream. So, talk tome.B: All right. This morning I went to a shop to buy a digital camera, I only need an ordinary one. It is enough for my tours in the summer vacation. Buy they persuaded me to buy a professional camera, which cost three times as much.A: But you were willing to buy for it. Anyway, it must work better. B: You see, I know next to nothing about photography. So they simply tricked me into buying an expensive one.A: No wonder you’re livid with rage. I’d be mad too if I were robbed like that. What are you going to do?B: I already went back to them and asked to exchange it for a cheaper one.A: What did they say?B: Oh, they were rude. They insisted that they hadn’t encouraged me to buy a professional camera, and that I bought it myself.A: Sounds like you got a raw deal!B: What’s worse, as I was leaving, I heard they say, “That guy looks broke. He shouldn’t have bought any camera.”A: Don’t let it get to you. Better ignore their ru de remarks.B: I agree. I did manage to keep my cool.A: Well, the best thing you can do is to file a complaint with the Consumer Protection Agency. If they talk to the shop, maybe they will give you a refund.B: Sounds too good to be true.V. Let’s TalkScriptHello, everyone. Today I invite you to join me in an exploration off the causes of depression. There ate many factors involved, but I believe some deserve special attention.Heredity certainly plays a role. .The tendency to develop depression may be inherited; there is evidence that this disorder may run in families.Physiology is another factor related to depression. There may be changes or imbalances in chemicals which transmit information in the brain called neurotransmitters. Many modern antidepressant drugs attempt to increase levels of certain neurotransmitters so as to increase brain communication. While the causal relationship is unclear; it is known that antidepressant medications do reliever certain symptoms of depression.Researchers also study psychological factors. They include the complex development of one’s personality and how one has learnedto cope with external environmental factors, such as stress. It is freeqently observed that low self-esteem and self-defeating thinking are connected with depression. While it is not clear which is the cause and which is the effect, it is known that sufferers who are able to make corrections to their thinking patterns can show improved mood and self-esteem.Another factor causing depression is one’s early experiences. Events such as the death of a parent, the divorce of the parents, neglect, chronic illness, and severe physical abuse can also increase the likelihood of depression later in life.Some present experiences may also lead to depression. Job loss, financial difficulties, long periods of unemployment, the loss of a spouse or other family member, or other painful events may trigger depression. Long-term stress at home, work, or school can also be involved.It is worth nothing that those living with someone suffering from \depression experience increased anxiety which adds to the possibility of their also becoming depressed.Depression-causing Factors Problem Description Solution Heredity It is inherited and run in families.Physiology changes or imbalances in chemicals called neurotransmitters, which transmit information in the brainAntidepressant drugs relieve certain symptoms of depression. Psychological Factors Low self-esteem and self-defeating thinking are connected with depression. Sufferers who make correction to their thinking patterns can show improved mood and self-esteem. Early Experiences Event like the death of a parent, the divorce of parents, neglect, chronic illness, and severe physical abuse can increase the likelihood of depression.Present Experiences Job loss, financial difficulties, long periods of unemployment, the loss of a spouse or other family member, or long-term stress may trigger depression.Living with somebody with depression This causes increased anxiety, which adds to the possibility of their also becoming depressed.VI. Further Listening and SpeakingTask1: Reason and EmotionScriptEmotion is sometimes regarded as the opposite of reason; s is suggested by phrase such as” appeal to emotions rather than reason” an d “don’t let your emotions take over”. Emotional reactions sometimes produce consequences or thoughts which people may later regret or disagree with; but during an emotional state, they could not control their actions. Thus, it is generally believed that oneof the most distinctive facts about human beings is a contradiction between emotion and reason.However, recent empirical studies do not suggest there is a clear distinction between reason and emotion. Indeed, anger or fear can often be thought of as an instinctive response to observed fact. The human mind possesses many possible reactions to the external world. Those reactions can lie on a continuum, with some of them involving the extreme of pure intellectual logic, which is often called “cold”, and ot hers involving the extremes of pure emotion not related to logical agreement, which is called “the heat of passion”. The relation logic and emotion merits careful study. Passion, emotion, or feeling can reinforce an argument, event one based primarily on reason. This is especially true in religion or ideology, which frequently demands an all-or-nothing rejection or acceptance. In such areas of thought, human beings have to adopt a comprehensive view partly backed by empirical argument and partly by feeling and passion. Moreover, several researchers have suggested that typically there is no “pure” decision or thought; that is, no thought is based “purely”” on intellectual logic or “purely” on emotion—most decisions are founded on a mixture of both.1. What results does the speaker may some from emotional reactions?2. What is the popular belief about reason and emotion?3. What does the speaker mean by “cold “?4. According to the passage, what should people do in religious matters?5. What is the speaker’s c onclusion?Keys: 1.A 2.B 3.C 4.C 5.DTask 2: DepressionScriptPat: You look depressed. Are you feeling blue? I’ve come to cheer you up.Ted: But there’s nothing that can cheer me up. I’m down in the dumps. Life’s miserablePat: You have to try to get your mind off things.Ted: But I can’t. I just feel there’s too much pressure on me sometimes!Pat: You can’t let things get you down. Learn to relax and stop worrying all the time. What’s your problem?Ted: I failed my last exam, and another exam is coming, I get bored. Pat: If I were you, I’d start working hard. If you work hard for a long time, you’re bound to get better grades. You see, “no pain, no gain”. Ted: It’s easier said than done! If I read for fifteen minutes, I get bored.Pat: You have to learn some self-discipline.But how can I stay cheerful all the time?Ted: Worse than that! If I read for half an hour, I get a headache. Then I start to worry about passing the next exam.Pat: It’s all in your mind. If you stay cheerful like me, everything will soon be OK.Ted: But how can I stay cheerful all the time?Pat: Try to look on the bright side of things.Ted: But what if there isn’t a bright side?Pat: You know the saying: Every cloud has a silver lining. It means there’re always tow sides to everything—both the dark and the bright sides. So, try to identify your strengths and bring then into full play.Ted: Oh, no! Your corny old sayings are making me even more depressed.Keys: TFFTFTask3: AngerScriptAnger is an emotion that can be hard to control. Despite this, we should learn how to manage anger in a constructive manner. In the most intense moments of anger, we usually have two choices: to fight or to run. Some choose the option of violence, which is anegative reaction to anger; and others choose to run. Some may think running means you are a coward. But the option of walking away and claiming down is the more productive method of handling anger. It is difficult to walk away, especially when your heart is racing, and your anger is boiling over.There are constructive ways of handling anger in any situation. First, you have to stop for a brief moment and think before you act. Take that moment and calm down id you feel yourself being pushed.At that moment you should admit you are angry. If you refuse to admit you’re angry or hurt, or if you make it appear that everything is peaches and cream, you are not managing angry in a productive way. You should first admit you are angry and let your feelings out before you blow up. Foe example, you can stay in a quiet place by yourself and shout; or you can talk to a close friend to vent your rage. If you do not acknowledge your anger, it only builds up inside you and will eventually explode like a volcanoThen, in order to manage your angry, you can ask yourself an important question that we all must ask ourselves, “What made me angry?” When you get the answer, and then ask yourself, “Why did that made me angry?” Through such logical reasoning, one tends to calm down and move toward a sensible solution.News ReportU.S. Roller CoasterScriptThe world’s first 4D roller coaster, “X”, took on its first passengers last week at the Six Flags Magic Mountain theme park, just outside Los Angeles.After climbing on board and properly securing their safety harnesses, “X” riders are first to a height of over 66meters. At the top, the passenger train is released and builds up enough speed to race and plummet around the track at speeds of over 130km an hour.The rider takes the daring passengers down an incredible 66m dive and over the top of a 62m loop, in cars that spin independently of the roller coaster train. This unique design allows riders to spin360degree, both forwards and backwards, through the entire ride. Passengers hurtle through this ride often moving in many different directions at the same time ad the cars somersault back and forth and the roller coaster twists, loops, and dives.The complicated series of maneuvers includes two raven turn, one front flip, one twisting front flip, and two back flips.Since passen gers aren’t always facing the right direction to see what’s coming up next, the element of surprise is high. For “X” riders, this adds to the thrill of the ride.The track of this newest roller coaster runs a total length of a littleover1, 100meters. The passenger trains measure 6meters wide and 21meters long, large enough to carry 28 passengers at a time. At full capacity, the trains can take 1,600passengers for the ride of their lives each hour.The entire ride lasts for only a total about 2minutes, but you can tell from the exhilarated faces of passengers returning to the boarding dock that they were two of the most thrilling minutes of heir lives. Uint2II. Basic Listening Practice3. ScriptW: Did you hear? Helen got modeling jib! She’s going to be sashaying down the catwalk.M: Wow, that’s great! All that walking practice really paid off. And foe once she won’t be complaining about being so tall.Q: Why did Helen get modeling job?4. ScriptM: Julia, come and see the Miss America contest on TV. All those beautiful girls are walking around in bathing suits, so the judges can decide who has the best figure.W: Bah! That’s the worst kind of exploitation. They are treating women like toys for people to enjoy. I would never take part in this kind of contest.Q: What do the man and the woman think about the beautify contest?3. ScriptW: What shall I do? I’m fat. I want to be slim and beauty, but I’m fat. I’ve tried all the new ideas, high carb and low carb, but nothing works.M: Those diets are just fads, popular for a while and then forgotten. Just follow the usual diet with fruits, vegetables, fish, water, and get plenty of exercise. Before long you’ll see results.Q: What has the woman tried?4. ScriptW1: I think Lily is really attractive. She’s half Spani sh and has this really sultry look about her.W2: That explains why she tans so well. I’ve always been jealous of her skin color in the summer.Q: Which of following is true of Lily?5. ScriptM: Trust me, it was tight there on the Internet: “Plastic Surge ry Increasing at a Faster Rate Among Men”. Apparently more and more men are trying to improve their appearance.W: I saw it too on the news. Face-lifts, nose jobs, and box to hide wrinkle are now very popular with men. Men say it’s for business reasons, bu t we know it’s vanity.Q: What does the woman think the real reason is that men have plastic surgery?Keys: 1.B 2.A 3. C 4D 5BIII. Listening InTask 1: A Friendly StylistStylist: Morning, sir. This chair, please. What can I do for you? Nick: A simple haircut: short on the back and sides.Stylist: Very good. I can, of course, do something fashionable for only $60.Nick: 60 dollars! That’s highway robbery—twice what I ordinarily pay.Stylist: Perhaps, sir. But your haircuts haven’t been in harmony with your character. Your hair is at war with your soul.Nick: I’ve never heard of such a thing.Stylist: If I may say, I’m an expert at matching hairstyle to personalities. Believe me; you’re suffering a “disjunction”.Nick: A disjunction? What the devil is a disjunction?Stylist: Your hair does not match you.Nick: This is utter nonsense. However, I’d like to hear how you’d solve this so-called problem.Stylist: Your character is artistic, imaginative. But your hair is dull. I can correct that imbalance in seconds.Nick: Okay, let me see what can you do about the…uh…disjunction, as you call it.Stylist: We’re going to use scissors to create peaks, which we’ll keep in place with a liberal helping of gel….This tuft in the back we’ll braid into a pigtail. Now, it’s th e new you!Nick: I love it. It’s just like me: imaginative and artistic. Now what are you doing? What’s wrong? Don’t you see harmony in my new hairstyle?Stylist: Something’s preventing your hairstyle from being a true fashionable statement.Nick: For heav en’s sake, tell me what’s missing.Stylist: Streaks. By putting in a few yellow streaks in your hair, it will become a work of art. Streaking will cost you more, but…Nick: Do it. Forget the cost. But, by the way, what is the total getting to be? How much am I paying to avoid disjunction?Stylist: That’s…$135. Sir? Sir, are you all right? Oh, he fainted.6. When the stylist mentions $60, what does the customer say?7. What does the stylist think about the customer’s hairstyle?8. What will the stylist do wi th the customer’s hair?9. What will streaking do to the man’s hair according to the stylist?10. What is the passage mainly about?Keys: 1C.A 3.D4.B 5.AFor Reference:1. It means there is no match between you and your hair.2. That’s…$135. Sir? Sir, are you all right? Oh, he fainted.Task 2: The V oice LiftScriptAfter the face-lift, the forehead tightened, and the (S1) nose job, something still might be revealing your age: your (S2) voice.For patients who think their trembly, hoarse words don’t (S3) ma tch their newly face and figure, there’s a procedure that claims to make them (S4) sound younger too: the voice lift.There are two general kinds of voice lifts. In some cases, implants (S5) inserted through an incision in the (S6) neck bring the vocal cords closer together. Doctors also use injections of (S7) fat or other substances to plump up the cords, so that the voice sounds younger. (S8) The voice lift is becoming more widely known among an aging population, who try to make themselves sound younger.“I speak in a great deal, or I was shouting, on a particular day, at the end of the day, I would feel exhausted,” said Robert Brown, 75, (S9) a retired construction engineer who underwent the voice lift several years ago, “I don’t know if I sound younger, but the hoarseness is gone, which is such a great improvement.”(S10) V oice lift can also benefit people like performers, lawyers, teachers, and telephone operators who need to have a strong voice and hope to shave years off the sound of their voice.Task3: A View of HappinessScriptMen are turning to plastic surgery and cosmetic procedures to brighten up their appearances at a faster rate than women, according to a survey released on Wednesday.Men’s use of fat injections to soften deep wrinkles leaped 47 percent last year from the previous year. Women’s use of the injections fell 36 percent, according to a survey by the American Academy of Facial and Plastic Reconstructive Surgeons.Men’s use of botox injections to eliminate frown lines rose 88 percent, w hile women’s botox use fell 8 percent.And for smoothing skin, the use of laser resurfacing among men rose 13percent, the survey showed. Meanwhile, women’s use of laser resurfacing dropped 38 percent during the same time period.The number of men getting nose jobs rose 47 percent, while the number of women doing so rose 5 percent.Typically, men and women visiting plastic surgeons for cosmetic reasons were age 40 to 59.The study said 44 percent of men and 57 percent of women tell theirdoctor that looking younger is the reason they are choosing cosmetic surgery.By about 18 percent, men are more likely than women to say they want facial cosmetic surgery for work-related reasons.The study was conducted by written questionnaires from January 20 to March 3 among more than 2,600 members of the association, who focus on treatment of the face, head, and neck.By comparison, in the previous year, women’s use of botox rose 60 percent while men’s fell 14 percent; women’s use of laser resurfacing rose 13 percent wh ile men’s fell 19 percent; women’s use of fat injections fell17 percent and men’s fell 54 percent.6. What is true of men and women’s use of fat injections?7. While of the following is true of nose jobs?8. How much greater is the percentage of women choosing cosmetic surgery to look younger than the percentage of men?9. What is true of men and women using botox in the previous year?10. Which of the following would be the best title for the passage? Keys: 1C 2.C3. B 4.B 5.DIV. Speaking OutMODEL 1 She’s having some cosmetic surgery.Amy: Did you hear Nora’s off to Korea?。