萨蒂的家,北京,中国

萨蒂的家,北京,中国

辛梦瑶

【期刊名称】《世界建筑》

【年(卷),期】2016(000)002

【总页数】6页(P92-97)

【作者】辛梦瑶

【作者单位】

【正文语种】中文

“萨蒂的家”的设计是参加1993年日本《新建筑》国际竞赛的获奖作品。当时的竞赛题目是埃里克·萨蒂的家。作为设计者，如何为这样一位先锋的音乐家设计他

的住宅其实是有一定难度的，因为埃里克·萨蒂早在1920 年代就离开了我们。设

计的房子如何能够成为萨蒂本人也喜欢的空间成为了设计的一个焦点。

我想，艾瑞克·萨蒂是一个音乐家，他的乐谱是他将自己大脑中的音乐世界投射到

现实世界中的一个记录，他所标注的乐谱中的圆点、长短线其实是他头脑中的空间概念的一种表现。不同的是，他所标出的这些符号被音乐家读取后，马上会在大脑当中形成一组声响，但在我眼里所看到的是埃里克·萨蒂头脑中的空间的世界。从

萨蒂所做的乐谱中选择出他的生活空间的世界，一定也是萨蒂所喜欢的建筑的世界。想到这里，萨蒂的家其实就完成了。具体的操作方式如下：首先选择了萨蒂的《高尔夫》（Le Golf）的乐谱，并以事先确定的48m×8m的建筑面积在乐谱中进行

选择，边选择边考虑住宅中餐厅、卧室、卫生间等功能的布置问题。当48m×8m 所框的范围恰好符合了头脑中事先预设的功能布置关系，将这一部分选出配合相应

的层高，便完成了此次设计。□

1 顶视/Top view

2 北侧鸟瞰/Aerial view from north side

3《高尔夫》的乐谱/Musical score of Le Golf

4 建筑师在《高尔夫》空间图示立体化所形成的空间中选择“萨蒂的家” /The architect chose the Satie's House from spaces based on Le Golf（3.4图片来源/Resource: 王昀. 音乐与建筑.北京：中国电力出版社，2015.）

项目信息/Credits and Data

项目负责人/Project Architect: 王昀/WANG Yun

设计团队/Design Team: 王昀，张捍平，赵冠男等/WANG Yun, ZHANG Hanping, ZHAO Guannan, et al.

建筑面积/Floor Area: 386.8m2

建筑高度/Building Height: 4.45m

设计时间/Design: 1993

竣工时间/Completion: 2015

摄影/Photos: 赵冠男/ZHAO Guannan

5 从东侧看向萨蒂的家/View from east side

The project was the winning entry of Japan's New Architecture international competition in 1993 for the design of a house for Éric Satie. There was certain di ffi culty on the designer's side to conceive a house for an avant-garde musician like Satie, as he already passed away in the 1920s. What kind of space would have pleased Satie himself became the focal point of the design.

I tend to think that, as a music ian, Éric Satie used his music scores as a

record by which the music world in his mind could be projected onto the real world, and the dots and lines in his notes were actually embodiment

of his spatial concept. Such symbols would be immediately translated into a series of sounds in the musician's mind, but in my eyes, they represent the inner spatial world of Éric Satie. A living spatial world thus extracted from his music scores is sure to be the kind of architectural world that Satie would have liked. At this point the design for Satie's house may be considered as complete. The specific means of operation are as follows: first, the score of Satie's Le golf is selected, then a prescribed architectural area of 48 × 8m is used as a framework to extract the p art of the score to be adapted to the house design and layout of dinning room, bedroom and bathroom. Once the framed part accords well with the prescribed functional composition, it is selected and assigned with corresponding

floor heights, thus concluding the whole design. □

6-8 内景/Interior views

9 平面/Floor plan

10 顶面/Top plan

11 剖面/Section （9-11图片来源/Image Credit: ADA研究中心）

12.13 内景/Interior views

评论

五十岚太郎：在对建筑与音乐的理论性探索上，王昀不满足于纸面，他还用1:1的比例将其建造起来，这令我很受触动。不过，将乐谱的一部分进行建筑化时，需要明确截取哪一部分。把二次元转变为三次元也不是自动完成的，需要设计高度和大小等。恐怕对熟悉现代主义或聚落的他而言，正因为有了确定的比例或材料的感觉，