首尾呼应作文350字

首尾呼应作文350字
英文回答：
The cyclical nature of life is an inescapable truth, as is evidenced by the harmonious interweaving of beginnings and endings throughout the tapestry of existence. From the rhythmic alternation of day and night to the cyclical rise and fall of tides, the universe constantly reminds us of
its inherent duality.
Echoing this cosmic dance, countless works of art and literature employ the technique of bookends to create a sense of narrative symmetry and closure. By mirroring an opening image or theme in the final moments of a story, authors can leave a lasting impression that lingers long after the last page is turned.
James Joyce's "Ulysses," for instance, opens with a memorable description of the protagonist's morning ablutions: "Mr. Leopold Bloom ate with relish the inner
organs of beasts and fowls." This culinary imagery is echoed in the novel's concluding lines: "And then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going
like mad and yes I said yes I will Yes."
In this masterful example of bookending, Joyce not only concludes his epic tale but also suggests a cycle of renewal and rebirth. Bloom's initial act of consumption is mirrored by a moment of intimate connection, hinting at the possibility of a fresh start.
Similarly, in Toni Morrison's "Beloved," the novel opens and closes with the haunting image of a murdered infant. This bookending device serves to reinforce the novel's exploration of the lasting effects of trauma and the struggles of Black women for freedom and self-determination.
The cyclical nature of bookends is not confined to
literature. In music, the use of a recurring melody or motif can create a sense of unity and cohesion within a composition. In film, the parallel editing of two or more scenes can imply a connection or contrast that enriches the narrative.
中文回答：
首尾呼应，是艺术创作中常见的表现手法，通过在作品的开头和结尾使用相同或相近的意象、语言或情节，形成一种对称的美感和叙事的闭环感。

在文学作品中，首尾呼应的手法可以为故事增添深度和丰富的内涵。

例如，詹姆斯·乔伊斯的《尤利西斯》以主人公早晨如厕的场景开头，结尾则以主人公与妻子重归于好的甜蜜画面结束。

这种回环结构暗示着主人公从生理需求到情感满足的转变，体现了生命的循环往复。

在托妮·莫里森的《宠儿》中，首尾呼应的手法被用来凸显作品的主题。

小说以一个被谋杀的婴儿的形象开头，结尾也以同样的形象结束。

这呼应性的结构强化了小说对创伤和种族压迫的持久影响的探索。

首尾呼应的手法不仅限于文学领域。

在音乐中，重复的旋律或母题可以营造出统一性和连贯性。

在电影中，两个或多个场景的平行剪辑可以暗示联系或对比，从而丰富叙事。

总之，首尾呼应的手法是一种行之有效的艺术表现形式，它在各种媒介中被广泛应用，赋予作品整体性、深度和美感，留下持久的回响。