大都会及杜嘉班纳总部大楼意大利米兰

大都会及杜嘉班纳总部大楼意大利米兰
佚名
【期刊名称】《世界建筑导报》
【年(卷),期】2018(033)005
【总页数】4页(P72-75)
【正文语种】中文
时间：2004年—2013年
建筑设计：Piuarch
设计小组：Luca Lazzerotti, Micaela Bonomessi, Silvia Calzetti, Laura Cassani, Gabriele Coi, Marco Dragoni, Davide Fascione, Suewoo Kim, Magali Roig Liverato, Michele Megna, Elena Migliorati, Gianni Mollo, Andrea
Palaia,Salvatore Seggio
结构设计：FV Progetti
业主：杜嘉班纳温泉浴场
设计：布鲁克·泰勒（主创设计）
建筑面积：10 000平方米
摄影：©Andrea Martiradonna
Time: 2004 - 2013
Architectural design: Piuarch
Team: Luca Lazzerotti, Micaela Bonomessi, Silvia Calzetti, Laura
Cassani,Gabriele Coi, Marco Dragoni, Davide Fascione, Suewoo Kim, Magali Roig Liverato, Michele Megna, Elena Migliorati, Gianni Mollo, Andrea Palaia, Salvatore Seggio
Structural design: FV Progetti
M&E design: GTEC sas — Andrea Zanotti
Client: Dolce & Gabbana Spa
Built surface : 10.000 sqm
Images : ©Andrea Martiradonna
大都会（Metropol）项目是对米兰一座著名的地标建筑——可追溯到20世纪40年代的大都会影院进行的翻新。

影院坐落于市中心的维亚尔皮亚韦（viale Piave）繁华地段，玛丽亚·卡拉斯（Maria Callas）曾在这里进行歌剧《诺玛》的录制。

项目对原建筑进行了全面改造，并扩建1,000平方米左右，现总占地面积约为
3,500平方米。

可以用于举办各类活动和接待宾客等。

设计采用了建筑师和公司共同制定的常见主题：线性结构为主，采用地中海式材料，如浮石和暗乳白玻璃等，表面光鲜亮丽，灯光效果尤佳，完全符合杜嘉班纳（Dolce&Gabbana）的风格。

双层前厅，优雅大气，顶部装有黑色水晶玻璃大吊灯，一直通向主厅。

主厅内，通过精妙的光影设计，在黑色背景墙上呈现出璀璨的影像。

给人一种超脱现实的虚幻感。

同时，保留了影院原有的高拱门，增加气势。

整个建筑规模庞大，功能多样，旨在满足客户的不同需求，同时可以举办各类活动。

地下部分设有辅助地上部分的协同设施，一楼和二楼是接待厅和私人场所。

原建筑立面的基础结构进行了整体翻新，以垂直钢板盘绕，形成光学效果。

具体而言，在大都会顶部原有的大型标志（建于20世纪80年代）绰约灯光的映衬下，建筑立
面在不同视角和不同灯光下，会产生不同的视觉效果。

建筑闪亮的裙楼设计为黑色，通往大楼内部。

沿维亚尔皮亚韦，在旁边新建了办公楼，这也是一大亮点。

在建筑
规模和材质选择上，两者形成了视觉上的连贯性。

新建的办公协同楼，也是由20世纪晚期建筑改造而成。

采用与大都会相同的钢板制成遮阳百叶窗，造型独特，视觉冲击力强。

遮阳结构以凹陷式方形网状排布，形成光束感，外形轮廓精确清晰，如同老裁缝精心裁剪的服装一样优雅。

三个平行建筑结构在狭长的地块上围城一个大型的中心庭院。

其中沿街的一栋，设计为透明光亮风格，与戈尔多尼（via Goldoni）类似。

而另外两栋较高建筑则略显朴素，以方形板面（玻璃纤维钢筋混凝土）为主题，在这里可以俯瞰中心庭院。

建筑室内最突出的特点是空间布局的简洁性。

以原有结构为重心，选择外观优美材料，主要包括地中海式的玄武岩，形成具有视觉冲击力的时尚感。

The Metropol project was carried out on one of Milan’s prestigious historical icons, the Metropol Cinema in viale Piave dating back to the 1940s, which once played host to Maria Callas when she recorded the record version of Bellini’s Norma. The project involved the complete restructuring of the building and addition of an approximately 1000 m2 extension to increase its overall area to approximately 3500 m2,so that it could accommodate an events hall and reception spaces. The familiar leitmotifs the architects and company have jointly developed were used here: linear forms, Mediterranean-style materials like pumice stone and black opaline glass, shiny surfaces and striking lighting effects, which allfit in perfectly with Dolce&Gabbana’s style.
The elegant double heigh lobby lit up by a large chandelier made of black Murano glass leads through to the main hall, where clever light and shadow effects projected onto the shiny, black walls take visitors off into an atmosphere beyond the bounds of reality, further enhanced by the
gentle presence of high arches that were part of the oldfilm theatre.
The building, which is set out and functions like an extremely flexible gigantic machine designed to serve the client’s needs and for hosting miscellaneous events. The basement holds the rooms used for coordinated operations serving the main upper hall, while thefirst and secondfioors host the reception spaces and private premises. The façade has been radically changed to enhance the original underlying architecture through a coating of vertical steel plates, which twist around to create an optical effect. This means the elevation, with the large luminous Metropol sign from the 1980s looming above it, changes according to different viewpoints and variations in light. The shiny black base leading inside the Metropol also crop up in the design of the new neighbouring offices in viale Piave, ensuring visual continuity between the two constructions due to similarities in size and materials. The elevation of the new office and coordination block, also resulting from the modernising of a late 20th-century building, has been given a very distinctive and powerful look by the sunscreen shutters made of the same steel covering the Metropol. Set out in a displaced square pattern, the sunscreens create shafts of light and very precise, clear-cut forms making the façade look like an elegant garment stitched by a skilled tailor. The building takes the form of three parallel constructionsfitting in with the long and narrow building lot to create a large internal courtyard. The stylistic language used on the road front, whose transparency and lightness are similar to those found in via Goldoni, contrasts the more austere design of the elevations overlooking
the courtyard, where the theme of squares is taken up again only this time through GRC(glassfibre reinforced concrete) panels. The most distinctive features of the interiors are the simplicity of the spatial layout, the decision to focus on the old architecture and the choice of elegant materials with the Mediterranean look of basalt stone that turns into a powerful leitmotif for the fashion house’s image.。