oregon six traits of writing rubric(俄勒冈写作评价六要素)

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法国文化英语作文

法国文化英语作文

French culture is a rich tapestry woven with the threads of history,art,and tradition. It is a culture that has significantly influenced the world in various ways,from the fields of literature and philosophy to fashion and cuisine.Here,we will explore some of the key aspects of French culture that make it so unique and captivating.Historical SignificanceThe history of France is marked by significant events that have shaped its culture.From the Roman Empire to the French Revolution,each era has left its imprint.The Middle Ages saw the rise of Gothic architecture,which is evident in the NotreDame Cathedral in Paris.The Renaissance brought about a cultural rebirth,with French artists like Leonardo da Vinci contributing to the artistic landscape.The Enlightenment period was a time of intellectual and philosophical development,with French thinkers like Voltaire and Rousseau influencing the worlds understanding of human rights and governance. Language and LiteratureThe French language is known for its elegance and precision.It has been a language of diplomacy and international relations for centuries.French literature is equally rich,with authors like Victor Hugo,Marcel Proust,and Albert Camus contributing to the global literary canon.The works of these authors are not just a source of entertainment but also a reflection of French society and its values.Art and ArchitectureFrance is home to some of the worlds most renowned art and architectural masterpieces. The Louvre Museum in Paris houses an extensive collection of art,including the famous Mona Lisa by Leonardo da Vinci.The Palace of Versailles is a testament to the grandeur of French royal architecture,with its opulent interiors and sprawling gardens.French Impressionist painters,such as Claude Monet and PierreAuguste Renoir,have also left a lasting impact on the art world with their innovative use of light and color.CuisineFrench cuisine is celebrated worldwide for its diversity and sophistication.It is characterized by its emphasis on quality ingredients,expert preparation,and presentation. From the classic Coq au Vin to the delicate Macarons,French dishes are a culinary adventure.The country is also renowned for its wines,with regions like Bordeaux and Burgundy producing some of the finest wines in the world.FashionParis is often referred to as the fashion capital of the world.French fashion is synonymous with elegance and style.Designers like Coco Chanel and Christian Dior have set trends that have influenced fashion globally.The annual Paris Fashion Week is a major event where the latest in fashion is showcased,attracting fashion enthusiasts from around the globe.Traditions and FestivalsFrance is known for its vibrant festivals and traditions.The Cannes Film Festival is one of the most prestigious film festivals in the world,attracting filmmakers and celebrities. The Tour de France is a worldrenowned cycling race that traverses the country, showcasing its diverse landscapes.The Bastille Day celebrations on July14th are a time of national pride,with parades and fireworks marking the anniversary of the storming of the Bastille.Philosophical InfluenceFrench philosophy has had a profound impact on Western thought.Thinkers like JeanPaul Sartre and Simone de Beauvoir have contributed to existentialism and feminist theory.Their works continue to be studied and debated,reflecting the ongoing relevance of French philosophical thought.In conclusion,French culture is a complex and multifaceted entity that has left an indelible mark on the world.Its contributions to art,literature,cuisine,fashion,and philosophy are a testament to the countrys rich cultural heritage and its enduring influence on global culture.。

俄苏形式主义

俄苏形式主义

Instead of a science of literature they have worked up a concoction of homemade disciplines.They seem to have forgotten that those subjects pertain to their own fields of study - to the history of philosophy,the history of culture, psychology, and so on, and that those fields of study certainly may utilize literary monuments as documents of a defective and second-class variety among other materials. - Roman Jakobson Modern Russian Poetry,1921
Russian
F.定义和分支 二.发展历史 三.主要理论主张 四.什克洛夫斯基 五.雅各布森 六.研究方法特点 七.贡献和局限
俄苏形式主义是1914年至1930年在俄罗 斯出现的一种文学批评流派。
主要的两个分支:
1.1914-1915年成立的“莫斯科语言学小组”, 以罗曼●雅各布森为代表。 2.“彼得堡小组”,从1916年起称为诗歌语 言研究会,以维克托 ● 什克洛夫斯基为代表
雅各布森对文学性的语言学阐释
文艺学研究的对象:文学性
文学性就是文学的性质和文学的趣味。 文学就在文学语言的联系和构造之中。
“The object of study in literary science is not literature but "literariness," that is, what makes a given work a literary work. Meanwhile, the situation has been that historians of literature act like nothing so much as policemen, who, out to arrest a certain culprit,take into custody (just in case) everything and everyone they find at the scene as well as any passers-by for good measure. The historians of literature have helped themselves to everything environment, psychology,politics,philosophy.

必背-外文史主观题-名词解释(上)思维导图

必背-外文史主观题-名词解释(上)思维导图

名词解释35个知识点(35题)西方(一)1.骑士文学1.欧洲封建骑士制度的产物,世俗封建主的文学。

2.反映骑士与贵妇之间的“典雅的爱情”,肯定对现世生活的追求。

3.法国成就最高,有骑士抒情诗和骑士叙事诗两种。

2.“狂飙突进”运动1.德国启蒙运动达到高峰的标志。

2.主张个性解放,崇尚感情,提出“返回自然”,提倡民主意识。

3.青年歌德和席勒是代表。

3.多余人1.19 世纪俄国文学中贵族知识分子的一种典型。

2.大多具有较高的文化修养,接受启蒙思想的影响,厌倦上流社会的生活,渴望有所作为。

但这类形象往往以自我为中心,没有明确的生活目标,缺乏行动的能力和勇气。

因此在社会上无所适从,结局是悲剧性的。

3.代表人物有奥涅金、毕巧林、罗亭、奥勃洛摩夫等。

4.黑色幽默1.20世纪 60 年代美国兴起的一个小说流派。

2.受存在主义哲学思想影响,善于使用喜剧形式表现悲剧内容。

3.代表作家及作品有海勒《第二十二条军规》。

5.冰山原则1.“冰山原则”海明威在《死在午后》中提出的创作主张:冰山在海里移动很是庄严宏伟, 是因为它只有八分之一露在水面上。

2.“冰山原则”是指写作中用语简洁、凝练,尽量避免过多描写和不必要的形容词,只需把人物的动作或简单的语言直接摆出来,只把“八分之一”露出来,让读者细细地品味这背后所蕴涵的丰富的心理变化与思想感情,品味埋藏在底下的“八分之七”。

3.创作风格简约、含蓄、凝练。

6.社会问题剧1.挪威作家易卜生创作的系列戏剧作品。

2.以日常生活为素材,从多方面剖析社会问题,层层揭开,使矛盾突出,启发观众思考,从而引导人们起来改革社会弊端。

2.代表作品是《玩偶之家》《群鬼》《社会支柱》《人民公敌》等。

7.三一律1.“三一律”是古典主义戏剧的创作规则。

2.要求一个剧本只能有一个情节线索,剧情只能发生在同一地点,时间不超过一昼夜,即 24 小时。

8.唯美主义1.19世纪兴起于法国,后流行于英国的一个文学思潮。

俄国形式主义

俄国形式主义

挑战与反驳
“在文艺学领域里,形式主义是革命运 动,因为它把这门学科从古老而破旧的传 统中解放出来,并迫使它重新检验所有的 基本概念和体系。” ——艾亨鲍姆
(一)文学性
俄国形式主义将文学研究对象即文学 性的提出和界定作为建立新的文艺理论批 评体系首先要解决的问题。
俄国形式主义的批判 把文学作品看作某一社会历史的反映将 导致历史学、政治学和社会学。 把文学作品当做作者个性的表现将不可 避免地印上传记和心理学的痕迹。 “艺术是形象思维” 虽然承认艺术中的 思维形式不同于科学和哲学,但它终究会 导致越过艺术自身去研究知与觉的形式, 成为认识论和心理学的附庸。
19世纪末20世纪初的俄国文学理论
以普列汉诺夫为代表的马克思主义文 艺理论(意识形态) 以佩平、维谢诺夫斯基为代表的历史 文化学派(文化) 波捷布尼亚为代表的心理语言学派 (形象)
这些理论流派各有一套理论体系, 但都缺乏对文学作品的艺术形式特别 是对语言形式的细致分析。
二、俄国形式主义的理论主张
迪尼亚诺夫认为文学形式的演变就是 体系内部主导因素与从属因素关系的演 变,或者说演变就是文学体系内部不同 因素轮流占主导。
从文学体系边缘选择一种俗文学的 形式加以提高使之成为文坛的主导形 式。
“文学创作蓬勃发展的时期,其前奏 总是在文学的下层缓慢地积累尚未成为正 宗的手段,而这些手段注定以后将更新整 个文学。” 托马舍夫斯基《主题》
以一种诙谐模仿的方式对一些旧 的、习以为常的形式加以改造,使 之变得新鲜和突出。
六、俄国形式主义的贡献和问题
20世纪初,俄国形式主义把文学批
评的重心由创作移向文本的形式、结 构,这是现代西方文论的一个重要转 折。
俄国形式主义被视为20世纪文学批 评的开端和源头。

俄苏形式主义

俄苏形式主义

三、什克洛夫斯基的理论观点
1、文艺的自主性。
2、研究文学的内部规律, “主要指文 学作品的形式结构,是文学形式变化的 问题”。 否定了形式与内容的二分法后,进而代 之以材料和手法(程序)的概念。

?思考 ?
形式与内容的关系?
传统 形式主义
3、陌生化
陌生化是对抗机械化的利器,使我 们重新感受这个我们已经烂熟的世界。
什克洛夫斯基将“陌生化”作为艺术本
身的内在规律,陌生化的过程是以艺术 自身为目的,因而将模仿者和被模仿者 排除在外,强调的是艺术的自主性。 文艺创作的根本目的不是要达到一种审 美认识,而是要达到审美感受,这种审 美感受就是靠陌生化手段在审美过程中 加以实现的。
从“本事”到“情节”,必须经过作家 的创造性变形,写实主义必须让位于现 代主义。 艺术陌生化的前提是语言陌生化。认为 文学和非文学的区别在于语言。 语言可以分为两种:一是文学语言;二 是实用语言。
现在俄国?
讨论
俄国形式主义作为一个主张形式至上的
文学性流派,却产生在现实主义文学传 统非常厚重的俄国,这在一定程度上不 能不说是一个文艺学之谜。
俄国形式主义产生的时代和文化背景;
俄国形式主义与世纪之初俄国现代主义
文学运动之间的关系 ; 俄国形式主义自身的“构成”问题; 俄国形式主义与俄国革命的关系问题。
传统文学批评主要探讨文学表现什么内
容,为此而去考究作家生平、与作品有 关的社会事件和作品孕育的主题思想, 把文学的组织形式、文学作品何以成为 文学的原因放在次要地位。
俄国形式主义把批评的重心转向了文本
的形式和结构,试图从科学角度准确描 述作品叙述技巧的特征和功能, 雅各布森的话说:“文学科学的主题不 是文学,而是文学性,也就是那些使某 一作品称其为文学作品的东西。”

Study_on_the_English_Translation_of_Guwen_Guanzhi_

Study_on_the_English_Translation_of_Guwen_Guanzhi_

Study on the English Translation of Guwen Guanzhi by Luo Jingguo from the Perspective of Functional EquivalenceXin LiuJiangxi University of Science and Technology school of foreign languages, 330044ABSTRACTGuwen Guanzhi is a selected collection of notable essays in Chinesehistory. Among the English version of many essays selected in this book,one of the most famous versions is that of Luo Jingguo. This paper isbased on the Functional Equivalence Theory and 4 selected representativeessays in English version of Guwen Guanzhi translated by Luo Jingguoincluding The Snake-Catcher, The Second Ode on the Red Cliff, MasterFive Willow and Feasting in the Peach-plum Garden in Spring Night. Thepaper analyzes how Luo deals with the words with Chinese characteristicskeeping all the connotation of source language intact and in what way heimproves the communication of traditional Chinese culture and realizesthe Chinese academic discourse.KEYWORDSGuwen Guanzhi; Functional equivalence; Luo JingguoDOI: 10.47297/wspiedWSP2516-250001.20220611Guwen Guanzhi contains 222 essays written from Qin Dynasty to the late Ming Dynasty. The English translation of Guwen Guanzhi by Luo Jingguo is of great importance to the diffusion of Chinese culture. It is impossible to find totally equivalent pairs between two languages due to linguistic and cultural differences. Each nation has her own emphases in daily life and her own way of thinking, which pose many difficulties in communication across cultures. It is strongly emphasized in Functional Equivalence Theory that both the source-language readers and target-language readers should have similar response(Nida, 1982). By analyzing Luo’s translation strategies, firstly, we can draw on some translation methods and strategies which can be applied in other translation works of ancient essays. Secondly, by employing these translation strategies, Luo improved the readability, which can give us aspiration on the diffusion of Chinese culture. Thirdly, these strategies will shed light on the education of translation and the training of translators.1 Analysis of Luo’s Translation(1) Lexical level1) Analysis of the meaning of wordsIn many cases one word in Chinese, especially in ancient Chinese works, can be translated into several English words in order to keep the meaning intact.Ex 1: “huán dǔ xiāo rán ,bú bì fēng rì 。

关于图书馆的俄语词汇

关于图书馆的俄语词汇

关于图书馆的俄语专业词汇古希腊、罗马文学античнаялитература荷马(约公元前9至8世纪)Гомер伊利昂记Илиада奥德修记Одиссея伊索(约公元前6世纪)Эзоп伊索寓言Эзоповыбасни埃斯库罗斯(约公元前525-公元前456)Эсхил被缚的普罗米修斯ПрикованныйПрометей过福克勒斯(约公元前496-公元前406)Софокл奥狄浦斯王Эдип-царь欧里庇得斯(约公元前485-公元前406)Еврипид美狄亚Медея阿里斯托芬(约公元前446-公元前385)Аристофан阿哈奈人Ахарняне柏拉图(公元前427-公元前345)Платон对话集Диалоги亚里士多德(公元前384-公元前322)Аристотель诗学Поэтика维吉尔(公元前65-公元前19)Вергилий埃涅阿斯纪(一译伊尼特)Энеида贺拉斯(公元前65-公元前6)Гораций诗艺Наукапоэзии奥维德(公元前43-公元18)Овидий变形记Метаморфозы法国拉伯雷(1493-1553)Рабле巨人传ГаргатюаиПантагрюэль莫里哀(1622-1673)Мольер伪君子Тартюф(илиОбманщик)悭吝人Скупой伏尔泰(1694-1778)Вольтер老实人Кандилили,илиОптимизм狄德罗(1713-1784)Дидро拉摩的侄儿ПлемяннкРамо狄德罗Руссо卢梭(1712-1778)НоваяЭлоиза新爱洛绮丝Исповедь博马舍(1732-1799)Бомарше费加罗的婚姻ЖенитьбаФигаро夏多布里昂(1768-1843)Шатобриан阿达拉Атала斯丹达尔(一译司汤达,1783-1814)Стендаль红与黑Красноеичерное巴尔扎克(1799-1850)Бальзак人间喜剧Человеческаякомедия欧也妮·葛朗台ЕвгенияГранде高老头ОтецГорио幻灭Утраченныеиллюзни贝姨КузинаБетта大仲马(1802-1870)Дюма-отец三个火枪手(一译三剑客)Тримушкетера基度山伯爵(一充基度山恩仇记)ГрафМонте-Кристо雨果(1802-1885)Гюго巴黎圣母院СоборПарижскойбогоматери悲惨世界Отверженные梅里美Мериме嘉尔曼(一译卡门)Кармен乔治·桑(1804-1876)ЖоржСанд康索埃洛Консуэло鲍狄埃(1816-1887)Потье国际歌Интернационал波德莱尔(1820-1867)Бодлер恶之华Цветызла福楼拜(1821-1880)Флобер包法利夫人ГоспожаБовари小仲马(1824-1895)Дюма-сын茶花女Дамаскамелиями儒勒·凡尔纳(1828-1905)ЖюльВерн格兰特船长的女儿ДетикапитанаГранта海底两万里20000льеподводой神秘岛Таинственныйостров左拉(1840-1902)Золя卢贡--马卡尔家族史Ругон-Маккары萌芽Жерминаль法郎士(1844-1924)Франс现代史话Современнаяистория莫泊桑(1850-1893)Мопассан羊脂球Пышка项链Ожерелье俊衣Милыйдруг罗曼·罗兰(1866-1944)роменроллан约翰·克利斯朵夫жанкристоф巴比塞(1873-1935)барбюс火线огонь英国乔曳(约1343-1400)чосер坎特伯雷故事集кентерберийскиерассказы莎士比亚(1564-1616)шекспир罗密欧与朱丽叶ромеоиджульетта威尼斯商人венецианскийкупец亨利四世корольгенрихⅴ哈姆雷特гамлет奥瑟罗отелло李尔王корольлир弥尔顿(1608-1674)мильтон失乐园потерянныйрай笛福(约1660-1731)дефо鲁滨逊飘流记робинзонкрузо斯威夫特(1667-1745)свифт格利佛游记путешествиегулливера菲尔丁(1707-1754)филдинг弃婴托姆·琼斯的故事историятомаджонса,найденьша拜伦(1788-1824)байрон恰尔德·哈罗尔德游记паломничествочайльдгарольда唐璜донжуан雪莱(1792-1822)шелли解放了的普罗米修斯освобожденныйпрометей萨克雷(1811-1863)теккерей名利场ярмаркатшеславия狄更斯(1812-1870)диккенс大卫·科波菲尔давидкопперфильд艰难时世тяжелыевремена双城记повестьодвухгородах夏绿蒂·勃朗特(1816-1855)шарлоттабронте简爱дженэйр哈代(1840-1928)харди德伯家的苔丝тэссизродад''эрбервиллей高尔斯华绥(1867-1933)голсуорси福尔赛世家сагаофорсайтах爱尔兰肖伯纳(1856-1950)шоубернард华伦夫人的职业профессиягоспожиуоррен巴巴拉少校майорбарбара乔伊斯(1882-1941)джойс尤利西斯улисс美国霍桑(1804-1864)хоторн红字алаябуква比彻·斯托夫人(1811-1896)бичер-стоу惠特曼(1819-1892)уитмен草叶集листьятравы马克·吐温(1835-1910)марктвен汤姆·索耶历险记приключениятомасойера哈克贝利·费恩历队记приключениягекльберрифинна德莱塞(1871-1945)драйзер嘉利妹妹сестракерри美国的悲剧американскаятрагедия杰克·伦敦(1876-1916)джэклондон铁蹄железнаяпята马丁·伊登мартиниден福克纳(1897-1962)фолкнер声音与疯狂шумиярость村子деревушка海明威(1899-1961)хемингуэй永别了,武器(一译战地春梦)прощай,оружие老人与海старикиморе斯坦倍克(1902-1968)стейнбек愤怒的葡萄гроздьягнева德国歌德(1749-1832)гете浮士德фауст少年维特之烦恼страданияюноговертера席勒(1759-1805)шиллер强盗разбойники阴谋与爱情коварствоилюбовь雅各布·格林(1785-1863)якобгримм威廉·格林(1786-1859)вильгельмгримм格林童话集сказки海涅(1797-1856)гейне德国--一个冬天的童话германия,зимняясказка托马斯·曼(1875-1955)томасманн布登勃洛克一家будденброки布莱希特(1898-1956)брехт伽利略传жизньгалилея俄国冯维辛(1745-1792)фонвизинд.и.纨绔少年недоросль克雷洛夫(1768-1844)крылови.а.克雷洛夫寓言басникрылова格里鲍耶陀夫(1795-1829)грибоедова.с.智慧的痛苦(旧译聪明误)гореотума图书馆学библиотековедение国家图书馆государственнаябиблиотека省图书馆провинциальнаябиблиотека县图书馆уезднаябиблиотека市图书馆городскаябиблиотека区图书馆районнаябиблиотека大众图书馆публичнаябиблиотека学校图书馆школьнаябиблиотека大学图书馆институтская(университетская)библиотека系图书馆факультетскаябиблиотека科学研究图书馆научно-исследовательскаябиблиотека参考图书馆референтнаябиблиотека巡回图书馆передвижнаябиблиотека农村图书馆сельскаябиблиотека儿童图书馆детскаябиблиотека采访部отделрепортажа图书交换обменкнигами国际图书交换международныйобменкнигами图书验收与登录вноситькнигивкаталог图书馆财产登记簿регистрационнаякнигабиблиотечногоимущества图书加工обработкакниг登录号библиотечныйшифр图书馆馆章библиотечнаяпечать硬印штемпель书卡карточка书袋пакетдлякниг[next]期限表срокзайма草书скоропись;скорописноеписьмо草字скорописныйиероглиф行书ходоваяскоропись(иероглифов)书法каллиграфия书法家каллиграфист文房四宝четырепринадлежностиканцелярии(кисть,тушь,тушиницаибумага)书画каллиграфияиживопись碑贴сборникоттисковсостел碑文надписьнастеле字帖прописи习字帖прописидляупражеий对联парныенадписи横幅поперечноеполотнище横批поперечнаянадпись编目部отделкаталогизации著录записи分类классификация编目каталогизация目录改编рекаталогизация编目员каталогизатор卡片карточка卡片目录карточныйкаталог书本式目录каталог-книга活页目录вкладнойкаталог图书目录卡片библиотечнаякартотека卡片篇картотека分类卡предметнаякарточка作者卡авторскаякарточка书名卡заглавнаякарточка主题卡тематическаякарточка指引卡указательнаякарточка穿孔卡перфорированнаякарточка缩微卡микрокарточка缩微胶卷микрофильм缩微胶片микропленка缩微印刷品микроиздание书标этикетка书库книгохранилище排架размещение(книг)наполках典藏фондохранилище出纳台выдачаиприем(книг)开架式открытыйдоступ闭架式закрытыйдоступ开放时间времяработы借书证абонемент借阅者абонент(-ка)阅览证читательскийбилет借出наруках不外借нарукиневыдается预约предварительныйзаказ借期срокпользования还期сроквозврата按斯归还вернутьвсрок催书通知напоминание续借(期)отсрочка办理续借手续оформитьпродлениесрока过期просрочка目录室каталожнаякомната卡片目录柜каталожно-карточныйшкаф分类目录предметныйкаталог书名目录заглавныйкаталог著者目录авторскийкаталог主题目录тематическийкаталог书橱книжныйшкаф卷轴架рулоноваяполка双面书架двухсторонниеполки滑动书架блочныеполки运书车тележкадляперевозкикниг图书升降机;电梯лифт;подъемник图书消毒дезинфекциякнижныхфондов图书流通率обращаемостькнижныхфондов图书周转обращениекнижныхфондов馆际互借межбиблиотечныйобмен国际互借международныйобмен阅览室читальня报纸阅览室читальнягазет期刊阅览室читальняпереодическойпечати报纸夹держательдлягазет报架стойкадлягазет剪报газетнаявырезка期刊登记卡карточканажурналы报纸登记卡карточканагазеты杂志架полкадляжурналов杂志夹держательдляжурналов合订本подшивка展览室залдлявыставки(экспозиции)展览架выставочнаяполка陈列窗витрина现期杂志свежиежурналы过期杂志старыежурналы;старыеномера缺期杂志отсутствующийномержурнала增刊добавочныйномержурнала边缘学科杂志журналсмежныхдисциплин参考咨询部справочныйаппарат参考咨询服务工作справочно-библиографическаяработа书目;书志библиография索引указатель字顺索引алфавитныйуказатель著者索引указательавторов书名索引указательзаглавий分类索引предметныйуказатель期刊索引указательпериодики主题索引тематическийуказатель情报;信息информация;сведения情报资料информационныематериалы情报载体;宣传工具(指书刊、电影、广播、电视、磁带等)информационныесредства(книгиипериодика,кино,радио,телевидение,магнитныелентыит.д.)情报检索поискинформации情报贮存хранилищеинформации情报学наукаинформации非书资料(指手稿、乐谱、唱片、地图等)материалы-некниги(рукописи,ноты,пластинки,картыит.д.)非印刷载体(指视听材料)непечатныематериалы(аудиовизуальныематериалы)视听图书(指附有录音带、唱片、幻灯、录象带、电影等的图书)аудиовизуальныйфонд(звукозаписи,пластинки,диафильмы,видеозаписи,кинофильмыит.д.)视听室аудиовизуальнаястудия磁带录音机магнитофон盒式磁带录音机кассетныймагнитофон磁带录象机видеомагнитофон电视机телевизор电影放映机киноаппарат;кинопроектор照相复制机фотостат影印фотолитография复印机дубликатор复印纸дубликаторнаябумага显微阅读机аппаратурадлячтениямикрофильмов图书книга;книжныйфонд小册子брошюра袖珍书карманнаякнига微型本миниатюрнаякнига善本антикварнаякнига孤本книга-уникум样本пробныеоттиски;макеткниги旧书стариннаякнига封面обложка;перваястраницаобложки封底последняястраницаобложки扉页титул;титульныйлист书名页титульныйлист版权页титульнаястраница内容提要краткоесодержание目次оглавление网络сеть终端конечныйпункт终端设备用户конечныйпунктабонента关键词ключевоеслово国际标准图书编号issn номерациякнигпомеждународномустандарту国际标准期刊编号issn номерацияпериодикипомеждународномустандарту国际版权公约международнаяконвенцияобавторскомправе图书馆长заведующийбиблиотекой副馆长заместительзаведующегобиблиотекой馆员библиотекарь/wenhua/2008/0602/wenhuayishu_529.html。

【VIP专享】oregon six traits of writing rubric(俄勒冈写作评价六要素)

【VIP专享】oregon six traits of writing rubric(俄勒冈写作评价六要素)

O REGON D EPARTMENT OF E DUCATIONO FFICIAL S CORING G UIDE,WRITING2010-2011 Ideas and Content6 5The writing is exceptionally clear, focused, and interesting. It holds the reader’s attention throughout. Main ideas stand out and are developed by strong support and rich details suitable to audience and purpose. The writing is characterized by• clarity, focus, and control.• main idea(s) that stand out.• supporting, relevant, carefully selected details; whenappropriate, use of resources provides strong, accurate,credible support.• a thorough, balanced, in-depth explanation / explorationof the topic; the writing makes connections and sharesinsights.•content and selected details that are well-suited to audience and purpose. The writing is clear, focused and interesting. It holds the reader’s attention. Main ideas stand out and are developed by supporting details suitable to audience and purpose. The writing is characterized by• clarity, focus, and control.• main idea(s) that stand out.• supporting, relevant, carefully selected details; whenappropriate, use of resources provides strong, accurate,credible support.• a thorough, balanced explanation / exploration of thetopic; the writing makes connections and shares insights. • content and selected details that are well-suited toaudience and purpose.43The writing is clear and focused. The reader can easily understand the main ideas. Support is present, although it may be limited or rather general. The writing is characterized by• an easily identifiable purpose.• clear main idea(s).• supporting details that are relevant, but may be overlygeneral or limited in places; when appropriate, resources are used to provide accurate support.• a topic that is explored / explained, althoughdevelopmental details may occasionally be out of balance with the main idea(s); some connections and insights may be present.• content and selected details that are relevant, but perhaps not consistently well-chosen for audience and purpose. The reader can understand the main ideas, although they may be overly broad or simplistic, and the results may not be effective. Supporting detail is often limited, insubstantial, overly general, or occasionally slightly off-topic. The writing is characterized by• an easily identifiable purpose and main idea(s).• predictable or overly-obvious main ideas; or points thatecho observations heard elsewhere; or a close retelling of another work.• support that is attempted, but developmental details areoften limited, uneven, somewhat off-topic, predictable, or too general (e.g., a list of underdeveloped points).• details that may not be well-grounded in credibleresources; they may be based on clichés, stereotypes orquestionable sources of information.• difficulties when moving from general observations tospecifics.21Main ideas and purpose are somewhat unclear or development is attempted but minimal. The writing is characterized by• a purpose and main idea(s) that may require extensive inferences by the reader.• minimal development; insufficient details.• irrelevant details that clutter the text.• extensive repetition of detail. The writing lacks a central idea or purpose. The writing is characterized by• ideas that are extremely limited or simply unclear.• attempts at development that are minimal or nonexistent;the paper is too short to demonstrate the development of an idea.O FFICIAL S CORING G UIDE,WRITING2010-2011 Organization6 5The organization enhances the central idea(s) and its development. The order and structure are compelling and move the reader through the text easily. The writing is characterized by• effective, perhaps creative, sequencing and paragraphbreaks; the organizational structure fits the topic, and the writing is easy to follow.• a strong, inviting beginning that draws the reader in and a strong, satisfying sense of resolution or closure.• smooth, effective transitions among all elements(sentences, paragraphs, ideas).• details that fit where placed. The organization enhances the central idea(s) and its development. The order and structure are strong and move the reader through the text. The writing is characterized by• effective sequencing and paragraph breaks; theorganizational structure fits the topic, and the writing is easy to follow.• an inviting beginning that draws the reader in and asatisfying sense of resolution or closure.• smooth, effective transitions among all elements(sentences, paragraphs, ideas).• details that fit where placed.43Organization is clear and coherent. Order and structure are present, but may seem formulaic. The writing is characterized by• clear sequencing and paragraph breaks.• an organization that may be predictable.• a recognizable, developed beginning that may not beparticularly inviting; a developed conclusion that may lack subtlety.• a body that is easy to follow with details that fit where placed.• transitions that may be stilted or formulaic.• organization which helps the reader, despite someweaknesses. An attempt has been made to organize the writing; however, the overall structure is inconsistent or skeletal. The writing is characterized by• attempts at sequencing and paragraph breaks, but theorder or the relationship among ideas may occasionally be unclear.• a beginning and an ending which, although present, are either undeveloped or too obvious (e.g., “My topic is...”;“These are all the reasons that...”).• transitions that sometimes work. The same fewtransitional devices (e.g., coordinating conjunctions,numbering, etc.) may be overused.• a structure that is skeletal or too rigid.• placement of details that may not always be effective. • organization which lapses in some places, but helps the reader in others.21The writing lacks a clear organizational structure. An occasional organizational device is discernible; however, the writing is either difficult to follow and the reader hasto reread substantial portions, or the piece is simply too short to demonstrate organizational skills. The writing is characterized by• some attempts at sequencing, but the order or therelationship among ideas is frequently unclear; a lack ofparagraph breaks.• a missing or extremely undeveloped beginning, body, and/or ending.• a lack of transitions, or when present, ineffective oroverused.• a lack of an effective organizational structure.• details that seem to be randomly placed, leaving thereader frequently confused. The writing lacks coherence; organization seems haphazard and disjointed. Even after rereading, the reader remains confused. The writing is characterized by • a lack of effective sequencing and paragraph breaks. • a failure to provide an identifiable beginning, body and/or ending.• a lack of transitions.• pacing that is consistently awkward; the reader feelseither mired down in trivia or rushed along too rapidly. • a lack of organization which ultimately obscures ordistorts the main point.O REGON D EPARTMENT OF E DUCATIONO FFICIAL S CORING G UIDE,WRITING2010-2011 Voice6 5The writer has chosen a voice appropriate for the topic, purpose, and audience. The writer demonstrates deep commitment to the topic, and there is an exceptional sense of “writing to be read.” The writing is expressive, engaging, or sincere. The writing is characterized by• an effective level of closeness to or distance from the audience (e.g., a narrative should have a strong personal voice, while an expository piece may require extensive use of outside resources and a more academic voice;nevertheless, both should be engaging, lively, or interesting. Technical writing may require greater distance.).• an exceptionally strong sense of audience; the writerseems to be aware of the reader and of how tocommunicate the message most effectively. The readermay discern the writer behind the words and feel a senseof interaction.• a sense that the topic has come to life; when appropriate,the writing may show originality, liveliness, honesty,conviction, excitement, humor, or suspense. The writer has chosen a voice appropriate for the topic, purpose, and audience. The writer demonstrates commitment to the topic, and there is a sense of “writing to be read.” The writing is expressive, engaging, or sincere. The writing is characterized by• an appropriate level of closeness to or distance from the audience (e.g., a narrative should have a strong personal voice, while an expository piece may require extensiveuse of outside resources and a more academic voice;nevertheless, both should be engaging, lively, orinteresting. Technical writing may require greaterdistance.).• a strong sense of audience; the writer seems to be aware of the reader and of how to communicate the messagemost effectively. The reader may discern the writerbehind the words and feel a sense of interaction.• a sense that the topic has come to life; when appropriate, the writing may show originality, liveliness, honesty,conviction, excitement, humor, or suspense.43A voice is present. The writer seems committed to the topic, and there may be a sense of “writing to be read.” In places, the writing is expressive, engaging, or sincere. The writing is characterized by• a suitable level of closeness to or distance from theaudience.• a sense of audience; the writer seems to be aware of the reader but has not consistently employed an appropriate voice. The reader may glimpse the writer behind thewords and feel a sense of interaction in places.• liveliness, sincerity, or humor when appropriate;however, at times the writing may be eitherinappropriately casual or personal, or inappropriatelyformal and stiff. The writer’s commitment to the topic seems inconsistent.A sense of the writer may emerge at times; however, the voice is either inappropriately personal or inappropriately impersonal. The writing is characterized by• a limited sense of audience; the writer’s awareness of the reader is unclear.• an occasional sense of the writer behind the words;however, the voice may shift or disappear a line or twolater and the writing become somewhat mechanical. • a limited ability to shift to a more objective voice whennecessary.• text that is too short to demonstrate a consistent andappropriate voice.21The writing provides little sense of involvement or commitment. There is no evidence that the writer has chosen a suitable voice. The writing is characterized by • little engagement of the writer; the writing tends to belargely flat, lifeless, stiff, or mechanical.• a voice that is likely to be overly informal and personal. • a lack of audience awareness; there is little sense of“writing to be read.”• little or no hint of the writer behind the words. There is rarely a sense of interaction between reader and writer. The writing seems to lack a sense of involvement or commitment. The writing is characterized by• no engagement of the writer; the writing is flat andlifeless.• a lack of audience awareness; there is no sense of“writing to be read.”• no hint of the writer behind the words. There is no sense of interaction between writer and reader; the writing does not involve or engage the reader.Word Choice6 5Words convey the intended message in an exceptionally interesting, precise, and natural way appropriate to audience and purpose. The writer employs a rich, broad range of words which have been carefully chosen and thoughtfully placed for impact. The writing is characterized by• accurate, strong, specific words; powerful words energize the writing.• fresh, original expression; slang, if used, seemspurposeful and is effective.• vocabulary that is striking and varied, but that is naturaland not overdone.• ordinary words used in an unusual way.• words that evoke strong images; figurative language may be used. Words convey the intended message in an interesting, precise, and natural way appropriate to audience and purpose. The writer employs a broad range of words which have been carefully chosen and thoughtfully placed for impact. The writing is characterized by• accurate, specific words; word choices energize thewriting.• fresh, vivid expression; slang, if used, seems purposeful and is effective.• vocabulary that may be striking and varied, but that isnatural and not overdone.• ordinary words used in an unusual way.• words that evoke clear images; figurative language may be used.43Words effectively convey the intended message. The writer employs a variety of words that are functional and appropriate to audience and purpose. The writing is characterized by• words that work but do not particularly energize thewriting.• expression that is functional; however, slang, if used,does not seem purposeful and is not particularly effective. • attempts at colorful language that may occasionally seem overdone.• occasional overuse of technical language or jargon.• rare experiments with language; however, the writingmay have some fine moments and generally avoidsclichés. Language lacks precision and variety, or may be inappropriate to audience and purpose in places. The writer does not employ a variety of words, producing a sort of “generic” paper filled with familiar words and phrases. The writing is characterized by• words that work, but that rarely capture the reader’sinterest.• expression that seems mundane and general; slang, ifused, does not seem purposeful and is not effective. • attempts at colorful language that seem overdone orforced.• words that are accurate for the most part, althoughmisused words may occasionally appear; technicallanguage or jargon may be overused or inappropriately used.• reliance on clichés and overused expressions.• text that is too short to demonstrate variety.21Language is monotonous and/or misused, detracting from the meaning and impact. The writing is characterized by • words that are colorless, flat or imprecise.• monotonous repetition or overwhelming reliance on worn expressions that repeatedly detract from the message. • images that are fuzzy or absent altogether. The writing shows an extremely limited vocabulary or is so filled with misuses of words that the meaning is obscured. Only the most general kind of message is communicated because of vague or imprecise language. The writing is characterized by• general, vague words that fail to communicate.• an extremely limited range of words.• words that simply do not fit the text; they seemimprecise, inadequate, or just plain wrong.Sentence Fluency6 5The writing has an effective flow and rhythm. Sentences show a high degree of craftsmanship, with consistently strong and varied structure that makes expressive oral reading easy and enjoyable. The writing is characterized by• a natural, fluent sound; it glides along with one sentence flowing effortlessly into the next.• extensive variation in sentence structure, length, andbeginnings that add interest to the text.• sentence structure that enhances meaning by drawingattention to key ideas or reinforcing relationships among ideas.• varied sentence patterns that create an effectivecombination of power and grace.• strong control over sentence structure; fragments, if used at all, work well.• stylistic control; dialogue, if used, sounds natural. The writing has an easy flow and rhythm. Sentences are carefully crafted, with strong and varied structure that makes expressive oral reading easy and enjoyable. The writing is characterized by• a natural, fluent sound; it glides along with one sentence flowing into the next.• variation in sentence structure, length, and beginningsthat add interest to the text.• sentence structure that enhances meaning.• control over sentence structure; fragments, if used at all, work well.• stylistic control; dialogue, if used, sounds natural.43The writing flows; however, connections between phrases or sentences may be less than fluid. Sentence patterns are somewhat varied, contributing to ease in oral reading. The writing is characterized by• a natural sound; the reader can move easily through thepiece, although it may lack a certain rhythm and grace. • some repeated patterns of sentence structure, length, and beginnings that may detract somewhat from overallimpact.• strong control over simple sentence structures, butvariable control over more complex sentences; fragments, if present, are usually effective.• occasional lapses in stylistic control; dialogue, if used,sounds natural for the most part, but may at times sound stilted or unnatural. The writing tends to be mechanical rather than fluid. Occasional awkward constructions may force the reader to slow down or reread. The writing is characterized by • some passages that invite fluid oral reading; however,others do not.• some variety in sentence structure, length, andbeginnings, although the writer falls into repetitivesentence patterns.• good control over simple sentence structures, but little control over more complex sentences; fragments, ifpresent, may not be effective.• sentences which, although functional, lack energy. • lapses in stylistic control; dialogue, if used, may sound stilted or unnatural.• text that is too short to demonstrate variety and control.21The writing tends to be either choppy or rambling. Awkward constructions often force the reader to slow down or reread. The writing is characterized by• significant portions of the text that are difficult to follow or read aloud.• sentence patterns that are monotonous (e.g., subject-verb or subject-verb-object).• a significant number of awkward, choppy, or ramblingconstructions. The writing is difficult to follow or to read aloud. Sentences tend to be incomplete, rambling, or very awkward. The writing is characterized by• text that does not invite—and may not even permit—smooth oral reading.• confusing word order that is often jarring and irregular. • sentence structure that frequently obscures meaning. • sentences that are disjointed, confusing, or rambling.Conventions6 5The writing demonstrates exceptionally strong control of standard writing conventions (e.g., punctuation, spelling, capitalization, grammar and usage) and uses them effectively to enhance communication. Errors are so few and so minor that the reader can easily skim right over them unless specifically searching for them. The writing is characterized by• strong control of conventions; manipulation of conventions may occur for stylistic effect.• strong, effective use of punctuation that guides the readerthrough the text.• correct spelling, even of more difficult words.• correct grammar and usage that contribute to clarity andstyle.• skill in using a wide range of conventions in a sufficientlylong and complex piece.• little or no need for editing. The writing demonstrates strong control of standard writing conventions (e.g., punctuation, spelling, capitalization, grammar and usage) and uses them effectively to enhance communication. Errors are few and minor. Conventions support readability. The writing is characterized by• strong control of conventions.• effective use of punctuation that guides the reader through the text.• correct spelling, even of more difficult words.• correct capitalization; errors, if any, are minor.• correct grammar and usage that contribute to clarity andstyle.• skill in using a wide range of conventions in a sufficientlylong and complex piece.• little need for editing.4 3The writing demonstrates control of standard writing conventions (e.g., punctuation, spelling, capitalization, grammar and usage). Significant errors do not occur frequently. Minor errors, while perhaps noticeable, do not impede readability. The writing is characterized by• control over conventions used, although a wide range is not demonstrated.• correct end-of-sentence punctuation; internal punctuationmay sometimes be incorrect.• spelling that is usually correct, especially on common words. • correct capitalization; errors, if any, are minor.• occasional lapses in correct grammar and usage; problemsare not severe enough to distort meaning or confuse thereader.• moderate need for editing. The writing demonstrates limited control of standard writing conventions (e.g., punctuation, spelling, capitalization, grammar and usage). Errors begin to impede readability. The writing is characterized by• some control over basic conventions; the text may be toosimple or too short to reveal mastery.• end-of-sentence punctuation that is usually correct; however, internal punctuation contains frequent errors.• spelling errors that distract the reader; misspelling ofcommon words occurs.• capitalization errors.• errors in grammar and usage that do not block meaning but do distract the reader.• significant need for editing.21The writing demonstrates little control of standard writing conventions. Frequent, significant errors impede readability. The writing is characterized by• little control over basic conventions.• many end-of-sentence punctuation errors; internalpunctuation contains frequent errors.• spelling errors that frequently distract the reader; misspelling of common words often occurs.• capitalization that is inconsistent or often incorrect.• errors in grammar and usage that interfere with readabilityand meaning.• substantial need for editing. Numerous errors in usage, spelling, capitalization, and punctuation repeatedly distract the reader and make the text difficult to read. In fact, the severity and frequency of errors are so overwhelming that the reader finds it difficult to focus on the message and must reread for meaning. The writing is characterized by• very limited skill in using conventions.• basic punctuation (including end-of-sentence punctuation)that tends to be omitted, haphazard, or incorrect.• frequent spelling errors that significantly impair readability. • capitalization that appears to be random.• a need for extensive editing.OFFICIAL SCORING GUIDE, WRITING 2010-2011 Citing Sources(For use on classroom assignments requiring research)6 5The writing demonstrates exceptionally strong commitment to the quality and significance of research and the accuracy of the written document. Documentation is used to avoid plagiarism and to enable the reader to judge how believable or important a piece of information is by checking the source. The writer has• acknowledged borrowed material by introducing thequotation or paraphrase with the name of the authority.• punctuated all quoted materials; errors, if any, are minor. • paraphrased material by rewriting it using writer’s style and language.• provided specific in-text documentation for each borroweditem.• provided a bibliography page listing every source cited inthe paper; omitted sources that were consulted but not used. The writing demonstrates a strong commitment to the quality and significance of research and the accuracy of the written document. Documentation is used to avoid plagiarism and to enable the reader to judge how believable or important a piece of information is by checking the source. Errors are so few and so minor that the reader can easily skim right over them unless specifically searching for them. The writer has • acknowledged borrowed material by introducing thequotation or paraphrase with the name of the authority; keyphrases are directly quoted so as to give full credit wherecredit is due.• punctuated all quoted materials; errors are minor.• paraphrased material by rewriting using writer’s style and language.• provided specific in-text documentation for borrowedmaterial.• provided a bibliography page listing every source cited inthe paper; omitted sources that were consulted but not used.4 3The writing demonstrates a commitment to the quality and significance of research and the accuracy of the written document. Documentation is used to avoid plagiarism and to enable the reader to judge how believable or important a piece of information is by checking the source. Minor errors, while perhaps noticeable, do not blatantly violate the rules of documentation. The writer has• acknowledged borrowed material by sometimes introducing the quotation or paraphrase with the name of the authority. • punctuated all quoted materials; errors, while noticeable, do not impede understanding.• paraphrased material by rewriting using writer’s style and language.• provided in-text documentation for most borrowed material. • provided a bibliography page listing every source cited inthe paper; included sources that were consulted but not used. The writing demonstrates a limited commitment to the quality and significance of research and the accuracy of the written document. Documentation is sometimes used to avoid plagiarism and to enable the reader to judge how believable or important a piece of information is by checking the source. Errors begin to violate the rules of documentation. The writer has• enclosed quoted materials within quotation marks; however, incorrectly used commas, colons, semicolons, questionmarks or exclamation marks that are part of the quotedmaterial.• included paraphrased material that is not properlydocumented.• paraphrased material by simply rearranging sentencepatterns.21The writing demonstrates little commitment to the quality and significance of research and the accuracy of the written document. Frequent errors in documentation result in instances of plagiarism and often do not enable the reader to check the source. The writer has• enclosed quoted materials within quotation marks; however, incorrectly used commas, colons, semicolons, questionmarks or exclamation marks that are part of the quotedmaterial.• attempted paraphrasing but included words that should beenclosed by quotation marks or rephrased into the writer’slanguage and style.• altered the essential ideas of the source.• included citations that incorrectly identify reference sources.The writing demonstrates disregard for the conventions of research writing. Lack of proper documentation results in plagiarism and does not enable the reader to check the source. The writer has• borrowed abundantly from an original source, even to the point of retaining the essential wording.• no citations that credit source material.• included words or ideas from a source without providing quotation marks.• no bibliography page listing sources that were used.。

意大利版的劳工法

意大利版的劳工法
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DIRITTO DEL LAVORO
Studia i riflessi giuridici del lavoro, in particolare studia e disciplina il LAVORO SUBORDINATO
Art. 2094 c.c. E’ prestatore di lavoro subordinato chi si obbliga, mediante retribuzione, a collaborare nell’impresa, prestando il proprio lavoro intellettuale o manuale alle dipendenze e sotto la direzione dell’imprenditore
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Art. 41 L’iniziative economica privata è libera Non può svolgersi in contrasto con l’utilità sociale o in modo da recar danno alla sicurezza, alla libertà, alla dignità umana
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Riassumendo: il diritto del lavoro nasce per due fattori
➢sviluppo del movimento sindacale dei lavoratori per la regolamentazione dei rapporti di lavoro attraverso una fattispecie tipica (contratto collettivo) (forte coscienza di classe e sindacato conflittuale)

20世纪西方文论讲义 第一章俄国形式主义

20世纪西方文论讲义 第一章俄国形式主义

第一章俄国形式主义一、发展概况英国著名马克思主义批评家特里·伊格尔顿曾经指出,20世纪西方文论发端于俄国形式主义。

虽然存在的时间极为短暂,前后不过15年左右的光景,俄国形式主义的影响却十分深远,从布拉格学派、英美新批评到法国的结构主义都带有它的痕迹。

自诞生之日起,俄国形式主义内部就有两个不同的派别:建立于1915年的莫斯科语言小组,以罗曼·雅各布逊为首,成立于1916年的彼得堡诗歌语言研究会,以维克多·什克洛夫斯基为首,主要成员还有鲍里斯·艾亨鲍姆和尤里·特尼亚诺夫等人。

这两个派别研究文学的视角有所不同:前者认定诗歌是具有审美功能的语言,很注重从韵律入手研究诗歌,后者认为诗歌的主旨不仅仅在于呈现语言材料;前者认为各种艺术形式的发展有社会学基础,后者坚持艺术形式具有完全自主性。

即便在每一个流派内部,不同成员之间也是歧见纷出。

在形式主义的不同发展阶段,主要观点也经历过变化,因此并不存在一个整齐划一的形式主义流派。

俄国形式主义这个名称只是一个很笼统的提法,暗指在这些形式主义者手里,文学批评的对象发生了改变,从作品表现的内容(如社会现实、作家生平和作品的主导思想)转向文学形式(技巧)本身。

它批判的对象是当时批评界较为盛行的传统文学批评方法,如:根据作者生平阐释文本的传记式批评,将作品完全归结为社会思潮反映的社会学批评,以及借用文学阐述批评家本人哲学思想的哲学批评。

传统文学批评主要探讨文学表现什么内容,为此而去考究作家生平、与作品有关的社会事件和作品孕育的主题思想,把文学的组织形式、文学作品何以成为文学的原因放在次要地位。

俄国形式主义把批评的重心转向了文本的形式和结构,试图从科学角度准确描述作品叙述技巧的特征和功能,因为,按照他们的说法,文学研究的对象是文学性。

用雅各布逊的话说:“文学科学的主题不是文学,而是文学性,也就是那些使某一作品称其为文学作品的东西。

《当代西方文艺理论》笔记—俄国形式主义与布拉格学派

《当代西方文艺理论》笔记—俄国形式主义与布拉格学派

《当代西方文艺理论》笔记—俄国形式主义与布拉格学派18.俄国形式主义是什么?(1)俄国形式主义是1914年至1930年在俄罗斯出现的一种文学批评流派。

(2)这一流派分为两个分支,一是莫斯科语言学小组,代表人物是罗曼•雅各布森,一是彼得堡小组(诗歌语言研究会1916)代表人物有什克罗夫斯基、日尔蒙斯基和艾亨鲍姆。

(3)理论渊源:俄国形式主义深受日内瓦语言学派、胡塞尔现象学、象征主义、未来主义和立体主义的影响,把音位学作为语言成分的因素用来剖析和建造形式结构,反对只根据作家生平、社会环境、哲学、心理学等文学外部因素去研究文学作品,认为文学研究的对象应该是文学作品本身,文学评论家要探寻文学自身的特性和规律,亦即研究文学作品的语言、风格、结构等形式上的特点和功能。

(4)主要主张:①文学作品是“意识之外的现实”。

文学作品只是一种构造和游戏,形式主义者仅仅局限于对客观现实的艺术作品的研究。

②文学创作的根本艺术宗旨不在于审美目的,而在于审美过程。

形式主义者提出了“陌生化”这一概念,认为要使人们对熟悉事物的自动感知变为审美感知,就要采取陌生化的手段,使现实中的事物变形,创造出新的艺术形式,尽可能的延长审美感知的过程。

③文学批评的任务是要研究文学性。

文学性即文学之所以为文学的内部规律,要着重研究艺术形式,深入文学系统内部去研究文学的形式和结构。

④共时性的语言学研究方法是文学批评的主要方法之一。

这一方法能够科学揭示文学作品的形式结构、把握文学创作的规律。

(5)评价影响:①俄国形式主义是对传统文学批评进行反驳的艺术理论上的先锋主义。

认为文艺创作的目的不是给人提供认识,而是提供感受与体验,欣赏文艺的人首先直接得到的是审美感受与审美体验。

②俄国形式主义的最大贡献就在于它始终坚持文学是一个特殊领域,力图解释文学内部构造及其发展的特殊规律。

它提出的陌生化、文学语言与日常语言的区别、文学性、诗性功能等理论概念和原则,极大地丰富了西方文学批评理论。

The calculus of explicit substitutions

The calculus of explicit substitutions
INRIA Lorraine & CRIN, Nancy, France a formal synthesis of the concepts of sharing and explicit substitution for weak reduction. We show a how w can be used as a foundation of implementations of functional programming languages by modeling the essential ingredients of such implementations, namely weak reduction strategies, recursion, space leaks, a recursive data structures, and parallel evaluation. We use w to give a uni ed model of several computational aspects. First, we give a precise account of the major reduction strategies used in functional programming and the consequences of choosing -graph-reduction vs. environmentbased evaluation. Second, we show how to add constructors and explicit recursion to give a precise account of recursive functions and data structures even with respect to space complexity. Third, we formalize the a notion of space leaks in w and use this to de ne a space leak free calculus; this suggests optimisations for call-by-need reduction that prevent space leaking and enables us to prove that the trimming performed by the STG machine does not leak space. In summary we give a formal account of several implementation techniques used by state of the art implementations of functional programming languages. Keywords. Implementation of functional programming, lambda calculus, weak reduction, explicit substitution, sharing, recursion, space leaks.

Structuralist theories .

Structuralist  theories .

The first major developments in structuralist studies
Phonemes : 1.the lowest-level elements in the language system. 2.a meaningful sound that is recognized or perceived by a language user. 3.the number of phonemes is limited 4.all actually occuring sounds are variants of phonemes e.g. spin Underlying our use of language there is a system, a pattern of paired opposites ,binary oppositions.(二元对立模式) nasalized/non-nasalized 鼻音/非鼻音 vocalic/non-vocalic 原音性/非原音性 voiced/unvoiced tense/lax
Structuralist theories
结构主义
结构主义文论极盛于20世纪60年代中 后期和70年代,是继俄国形式主义和 英美新批评之后出现的一种形式主义 文论。它把20世纪初瑞士语言学家索 绪尔所倡导的现代结构语言学研究方 法和原则应用于文学批评之中。
introduction
Literary work : the child of an author’s creative life expresses the author’s essential self Text: the place into a spiritual or humanistic communication with an author’s thoughts and feelings A good book tells the truth about human life Structuralist --- the author is ‘dead’ / literary discourse has no truth function Roland Barthes(罗兰·巴尔特):writers--only have the power to mix already existing writings ,to reassemble(重新组合) or redeploy(重新调配) them; cannot use writing to express themselves ;only can draw upon immense dictionary of language and culture which is ‘always already written’.

浅析《了不起的盖茨比》中的消费文化

浅析《了不起的盖茨比》中的消费文化

最新英语专业全英原创毕业论文,都是近期写作1 唯美主义与奥斯卡•王尔德的《道林•格雷的画像》2 谈英语教学中导入文化背景知识的必要性3 论《瓦尔登湖》的超验主义思想4 《远大前程》匹普与《了不起的盖茨比》盖茨比悲剧命运成因之比较5 从《红字》和《荆棘鸟》看宗教禁欲主义下的爱情6 公众演说中修辞人格的研究——以丘吉尔《关于希特勒入侵苏联演讲》为例7 浅析目的论下宣传标语的英译失误8 世纪美国男权社会下女性的成长——解读《觉醒》中埃德娜的觉醒过程和原因9 论奥斯丁女性主义观点在《爱玛》中的体现10 文档所公布均英语专业全英原创毕业论文。

原创Q 175 567 12 4811 嘉莉妹妹三个梦的心理需求分析12 从文学作品中继母形象变迁看社会文化认知的发展13 A Comparison of the English Color Terms14 解析女性主义在DH劳伦斯《马贩子的女儿》人物塑造中的体现15 维多利亚时代的乡村图景——小说《德伯家的苔丝》展现的威塞克斯农业社会16 论《双城记》中的反讽17 浅议模糊语在商务英语中的运用18 英汉翻译中的文化空缺现象及对策19 身势语在基础英语教学中的应用20 《野草在歌唱》中野草的象征寓意解读21 论索尔•北娄《赫索格》中现代人的焦虑22 论《追风筝的人》中“风筝”的象征意义23 从礼貌原则分析美国总统就职演说辞的语用特色24 Analyzing the Symbolic Meaning of The Call of the Wild25 隐喻认知理论与英语词汇教学26 An Application of Schema Theory in Interpreting27 从《生活的艺术》看林语堂的人生艺术28 A Study of Intertextuality in Advertising Text29 《宠儿》的黑人女性主义解读30 英汉“去除”类运动事件表达异同的对比研究31 A Contrastive Study on Traditional Festivals in Chinese and Western Cultures—from the Perspective of the Disparity between Spring Festival and Christmas Day32 英语词汇在日常生活中对现代汉语词汇的影响33 金钱决定婚姻34 从功能派翻译理论中目的论的角度谈广告翻译35 Maternal Love in The Millstone36 概念隐喻在英语汽车广告中的应用37 简•爱性格魅力分析38 浅析《黑暗的心》女性形象的作用39 A Tragedy of Ambition on Macbeth40 Cultural Barriers in Communication between Chinese and Americans41 浅析《飘》中人物斯嘉丽•奥哈拉的性格特征42 浅析英语新词的构成与翻译43 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网络表情符号的分析154 A Study on the Relationship between Geography and Language as Seen in English Idioms 155 小学英语教学中的体态语应用156 Pursuit and Disillusionment of American Dream— On Sister Car rie’s Tragedy157 理想与现实的距离——《麦田里的守望者》中主人公霍尔顿的求索之路158 浅析英语体育新闻的汉译策略159 任务型教学法在小学英语课堂的应用研究160 Cultural Impacts on International Business161 论中西方建筑风格的文化差异162 从《灰姑娘》到《神谕女士》—浅谈反面母亲形象对子女成长的影响163 论杰克•伦敦的个人经历和信仰对《野性的呼唤》主人公巴克命运的影响164 人性在《红字》中的体现165 试析爱丽丝沃克作品中的女性主义观点——以《紫色》为例166 《丧钟为谁而鸣》中罗伯特.乔丹性格的多视角分析167 与苦难嬉戏——透析《查尔斯兰姆散文集》168 安吉尔的精神悲剧—分析哈代笔下人物的心理发展过程169 以学生为主体的教学在初中英语写作教学中的应用170 从《绝望主妇》各主角看美国家庭问题171 从生态批评理论的角度分析《鲁滨逊漂流记》172 “邪恶的心灵”——剖析希斯克厉夫复仇的心理动机173 从功能理论角度分析电影《点球成金》字幕翻译174 The Postmodern Story In the Victorian Age--The French Lieutenant's Woman 175 论商务英语广告的语言特征176 英汉诗歌中动物意象比较研究177 Disillusionment of American Dream in death of a salesman178 论中美广告中所反映的文化价值观差异179 从跨文化角度看电影标题汉译英180 从思维方式差异看英语复杂句汉译181 商标翻译中的文化因素探析182 电影《木兰》中的动物形象反映的中西文化差异183 The Archetype of the Ugly Duckling in The Secret Garden184 叶芝:无望的爱情,多变的风格185 中国英语初探186 浅论英汉翻译中词的转译187 浅谈古希腊罗马神话对《哈利•波特》系列小说(前四部)的影响188 《简爱》在当代中国的现实意义——从温和的女性主义视角分析189 爱恨共辉煌——浅析《呼啸山庄》中的男主人公190 A Comparison of the English Color Terms191 性别差异对大学生英语自主学习能力的影响研究192 接受美学指导下的电影字幕翻译——以《冰河世纪II》为例193 论中美两国的现代中年女性观念之差——以美剧《欲望都市》为例194 The Analysis of Promotion Strategy of L’Oréal in China195 从跨文化传播角度论中国饮食文化资料的英译196 从文化适应角度看中外广告翻译197 命案现场——阿加莎死亡观简析198 商务谈判中话语的顺应性研究199 《阿甘正传》承载的美国青年价值观200 广告翻译。

俄国书刊审查制与俄国文学中的伊索式语言

俄国书刊审查制与俄国文学中的伊索式语言

·57·2014年第5期俄国书刊审查制与俄国文学中的“伊索式语言”刘文飞【内容提要】俄国书刊审查制的历史几乎与俄国文学一样长久,俄国文学在与书刊审查制的冲突中体现出强大活力,也因此获得诸多颇具悖论色彩的特质。

追溯俄国书刊审查制两个多世纪的历史,展示俄国书刊审查官在身份和心理、处境和作为等方面呈现出复杂性。

俄国书刊审查制作用于俄国文学的结果之一便是所谓“伊索式语言”的形成,具有鲜明题材和体裁特征并拥有丰富表现力的“伊索式语言”是俄国文学作用于现实的强大武器之一。

俄国文学、俄国书刊审查制和“伊索式语言”构成一个文化三角形,象征着俄国政体、文学和语言这三者间的对峙与妥协,调和与互动。

【关 键 词】 俄国文学 书刊审查制 伊索式语言【中图分类号】 G13/17.512.2 【文献标识码】A【文章编号】 2095-1094(2014)05-0057-0014一人类历史上或许从未有过绝对意义上的思想表达自由,禁止言论和禁毁文字的行为古今中外均不鲜见。

此类行为的出发点大致有四,即维护政权的稳定、宗教的纯正、伦理的纯洁以及保密方面的需要,与此相应,其打击对象亦不外四种,即挑战政治权威的煽动言论、质疑正统神学的异端邪说、有伤社会风化的暴力和情色图文,以及各种泄密行为。

换句话说,一类是对意识形态的控制,一类是对现实利益的维护。

纳博科夫的小说《天赋》中有这样一段话:“在俄国,书刊审查制的历史要早于文学,它那副老态龙钟的不祥面孔始终摆在那里,让人忍不住想去拧它一下。

”①口出此言的小说主人公是位诗人,可他的话却不无历史根据。

俄国文学的历史通常自公元12世纪末的《伊戈尔远征记》算起,可在此前一百年俄国便出现了第一份禁书目录,1073年的手抄书《斯维亚托斯拉夫抄本》(«Изборник Святослава»)便已列出“有益的”好书40本,“荒谬的”坏书24本,并称阅读后一类书为“大罪”。

关于克洛德·布雷蒙的《叙事的逻辑》

关于克洛德·布雷蒙的《叙事的逻辑》

关于克洛德·布雷蒙的《叙事的逻辑》保尔·利科从人物而不从行为出发,以合宜的方式把这些人物有可能在所有叙事中担当的角色加以形式化,在叙事逻辑化和非顺时化的道路上再走一步。

这时便可设想出一个叙事的逻辑,它始于系统清点可能有的主要叙述角色,即随便哪个叙事中的人物有可能担任的职位。

克洛德·布雷蒙在其《叙事的逻辑》中就做了这样的尝试。

我们的问题将是在依据与普罗普相反的一种选择所建立的叙事逻辑中给予情节及其时间性什么样的地位。

克洛德·布雷蒙提出的模式在逻辑上的抱负源于对普罗普著作的批判性思考。

作者从根本上否定普罗普模式中的“功能”的链接方式,认为这种链接死板、生硬、带有强制性,没有给取舍和选择留下位置。

这种强制性是普罗普的图式只适用于俄罗斯故事的原因:后者正是31个相同功能的序列。

因此,普罗普的模式仅限于认可构成了俄罗斯故事作为“讲述”的一个种类的文化选择。

要重树模式在形式上的野心,必须打开被俄罗斯故事单一序列所关闭的取舍通道,用可能的路线图取代俄罗斯故事所走的单一路程。

但如何打开关闭了的取舍通道呢?克洛德·布雷蒙说,办法是否定从终上溯到始的目的的论需要:为了惩罚恶人,叙事才让他犯下恶行。

时间目的性法则的逆行需要可以说使人看不见向前行进能够遇到的抉择:斗争的前景或为胜利,或为失败。

目的论模式只知斗争必胜:“胜利蕴涵着斗争,这是合乎逻辑的要求;斗争蕴涵着胜利,这是文化的老生常谈。

”如果不想受普罗普系列中的典型情节束缚,就必须采纳克洛德•布雷蒙称作的“基本序列”为基本单位。

它比普罗普的系列短,但比其功能长。

因为不管要讲述什么,一个行为必须也只须经过三个阶段:一种情境开辟某种可能性,实现该可能性,行为取得结果。

这三个时刻打开两条取舍之路,可概括为如下图式:┌完成┌采取行动└未完成或然性└不采取行动这个二分选择系列既能满足倒退的必然性,又满足前进的偶然性。

选择基本序列作为叙述单位后,接下来的问题是从基本序列转入复杂序列,这时逻辑需要不再存在,但必须“恢复作为俄罗斯故事素材的固定意群的活动性和尽可能大的变易性”。

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O REGON D EPARTMENT OF E DUCATIONO FFICIAL S CORING G UIDE,WRITING2010-2011 Ideas and Content6 5The writing is exceptionally clear, focused, and interesting. It holds the reader’s attention throughout. Main ideas stand out and are developed by strong support and rich details suitable to audience and purpose. The writing is characterized by• clarity, focus, and control.• main idea(s) that stand out.• supporting, relevant, carefully selected details; whenappropriate, use of resources provides strong, accurate,credible support.• a thorough, balanced, in-depth explanation / explorationof the topic; the writing makes connections and sharesinsights.•content and selected details that are well-suited to audience and purpose. The writing is clear, focused and interesting. It holds the reader’s attention. Main ideas stand out and are developed by supporting details suitable to audience and purpose. The writing is characterized by• clarity, focus, and control.• main idea(s) that stand out.• supporting, relevant, carefully selected details; whenappropriate, use of resources provides strong, accurate,credible support.• a thorough, balanced explanation / exploration of thetopic; the writing makes connections and shares insights. • content and selected details that are well-suited toaudience and purpose.43The writing is clear and focused. The reader can easily understand the main ideas. Support is present, although it may be limited or rather general. The writing is characterized by• an easily identifiable purpose.• clear main idea(s).• supporting details that are relevant, but may be overlygeneral or limited in places; when appropriate, resources are used to provide accurate support.• a topic that is explored / explained, althoughdevelopmental details may occasionally be out of balance with the main idea(s); some connections and insights may be present.• content and selected details that are relevant, but perhaps not consistently well-chosen for audience and purpose. The reader can understand the main ideas, although they may be overly broad or simplistic, and the results may not be effective. Supporting detail is often limited, insubstantial, overly general, or occasionally slightly off-topic. The writing is characterized by• an easily identifiable purpose and main idea(s).• predictable or overly-obvious main ideas; or points thatecho observations heard elsewhere; or a close retelling of another work.• support that is attempted, but developmental details areoften limited, uneven, somewhat off-topic, predictable, or too general (e.g., a list of underdeveloped points).• details that may not be well-grounded in credibleresources; they may be based on clichés, stereotypes orquestionable sources of information.• difficulties when moving from general observations tospecifics.21Main ideas and purpose are somewhat unclear or development is attempted but minimal. The writing is characterized by• a purpose and main idea(s) that may require extensive inferences by the reader.• minimal development; insufficient details.• irrelevant details that clutter the text.• extensive repetition of detail. The writing lacks a central idea or purpose. The writing is characterized by• ideas that are extremely limited or simply unclear.• attempts at development that are minimal or nonexistent;the paper is too short to demonstrate the development of an idea.O FFICIAL S CORING G UIDE,WRITING2010-2011 Organization6 5The organization enhances the central idea(s) and its development. The order and structure are compelling and move the reader through the text easily. The writing is characterized by• effective, perhaps creative, sequencing and paragraphbreaks; the organizational structure fits the topic, and the writing is easy to follow.• a strong, inviting beginning that draws the reader in and a strong, satisfying sense of resolution or closure.• smooth, effective transitions among all elements(sentences, paragraphs, ideas).• details that fit where placed. The organization enhances the central idea(s) and its development. The order and structure are strong and move the reader through the text. The writing is characterized by• effective sequencing and paragraph breaks; theorganizational structure fits the topic, and the writing is easy to follow.• an inviting beginning that draws the reader in and asatisfying sense of resolution or closure.• smooth, effective transitions among all elements(sentences, paragraphs, ideas).• details that fit where placed.43Organization is clear and coherent. Order and structure are present, but may seem formulaic. The writing is characterized by• clear sequencing and paragraph breaks.• an organization that may be predictable.• a recognizable, developed beginning that may not beparticularly inviting; a developed conclusion that may lack subtlety.• a body that is easy to follow with details that fit where placed.• transitions that may be stilted or formulaic.• organization which helps the reader, despite someweaknesses. An attempt has been made to organize the writing; however, the overall structure is inconsistent or skeletal. The writing is characterized by• attempts at sequencing and paragraph breaks, but theorder or the relationship among ideas may occasionally be unclear.• a beginning and an ending which, although present, are either undeveloped or too obvious (e.g., “My topic is...”;“These are all the reasons that...”).• transitions that sometimes work. The same fewtransitional devices (e.g., coordinating conjunctions,numbering, etc.) may be overused.• a structure that is skeletal or too rigid.• placement of details that may not always be effective. • organization which lapses in some places, but helps the reader in others.21The writing lacks a clear organizational structure. An occasional organizational device is discernible; however, the writing is either difficult to follow and the reader hasto reread substantial portions, or the piece is simply too short to demonstrate organizational skills. The writing is characterized by• some attempts at sequencing, but the order or therelationship among ideas is frequently unclear; a lack ofparagraph breaks.• a missing or extremely undeveloped beginning, body, and/or ending.• a lack of transitions, or when present, ineffective oroverused.• a lack of an effective organizational structure.• details that seem to be randomly placed, leaving thereader frequently confused. The writing lacks coherence; organization seems haphazard and disjointed. Even after rereading, the reader remains confused. The writing is characterized by • a lack of effective sequencing and paragraph breaks. • a failure to provide an identifiable beginning, body and/or ending.• a lack of transitions.• pacing that is consistently awkward; the reader feelseither mired down in trivia or rushed along too rapidly. • a lack of organization which ultimately obscures ordistorts the main point.O REGON D EPARTMENT OF E DUCATIONO FFICIAL S CORING G UIDE,WRITING2010-2011 Voice6 5The writer has chosen a voice appropriate for the topic, purpose, and audience. The writer demonstrates deep commitment to the topic, and there is an exceptional sense of “writing to be read.” The writing is expressive, engaging, or sincere. The writing is characterized by• an effective level of closeness to or distance from the audience (e.g., a narrative should have a strong personal voice, while an expository piece may require extensive use of outside resources and a more academic voice;nevertheless, both should be engaging, lively, or interesting. Technical writing may require greater distance.).• an exceptionally strong sense of audience; the writerseems to be aware of the reader and of how tocommunicate the message most effectively. The readermay discern the writer behind the words and feel a senseof interaction.• a sense that the topic has come to life; when appropriate,the writing may show originality, liveliness, honesty,conviction, excitement, humor, or suspense. The writer has chosen a voice appropriate for the topic, purpose, and audience. The writer demonstrates commitment to the topic, and there is a sense of “writing to be read.” The writing is expressive, engaging, or sincere. The writing is characterized by• an appropriate level of closeness to or distance from the audience (e.g., a narrative should have a strong personal voice, while an expository piece may require extensiveuse of outside resources and a more academic voice;nevertheless, both should be engaging, lively, orinteresting. Technical writing may require greaterdistance.).• a strong sense of audience; the writer seems to be aware of the reader and of how to communicate the messagemost effectively. The reader may discern the writerbehind the words and feel a sense of interaction.• a sense that the topic has come to life; when appropriate, the writing may show originality, liveliness, honesty,conviction, excitement, humor, or suspense.43A voice is present. The writer seems committed to the topic, and there may be a sense of “writing to be read.” In places, the writing is expressive, engaging, or sincere. The writing is characterized by• a suitable level of closeness to or distance from theaudience.• a sense of audience; the writer seems to be aware of the reader but has not consistently employed an appropriate voice. The reader may glimpse the writer behind thewords and feel a sense of interaction in places.• liveliness, sincerity, or humor when appropriate;however, at times the writing may be eitherinappropriately casual or personal, or inappropriatelyformal and stiff. The writer’s commitment to the topic seems inconsistent.A sense of the writer may emerge at times; however, the voice is either inappropriately personal or inappropriately impersonal. The writing is characterized by• a limited sense of audience; the writer’s awareness of the reader is unclear.• an occasional sense of the writer behind the words;however, the voice may shift or disappear a line or twolater and the writing become somewhat mechanical. • a limited ability to shift to a more objective voice whennecessary.• text that is too short to demonstrate a consistent andappropriate voice.21The writing provides little sense of involvement or commitment. There is no evidence that the writer has chosen a suitable voice. The writing is characterized by • little engagement of the writer; the writing tends to belargely flat, lifeless, stiff, or mechanical.• a voice that is likely to be overly informal and personal. • a lack of audience awareness; there is little sense of“writing to be read.”• little or no hint of the writer behind the words. There is rarely a sense of interaction between reader and writer. The writing seems to lack a sense of involvement or commitment. The writing is characterized by• no engagement of the writer; the writing is flat andlifeless.• a lack of audience awareness; there is no sense of“writing to be read.”• no hint of the writer behind the words. There is no sense of interaction between writer and reader; the writing does not involve or engage the reader.Word Choice6 5Words convey the intended message in an exceptionally interesting, precise, and natural way appropriate to audience and purpose. The writer employs a rich, broad range of words which have been carefully chosen and thoughtfully placed for impact. The writing is characterized by• accurate, strong, specific words; powerful words energize the writing.• fresh, original expression; slang, if used, seemspurposeful and is effective.• vocabulary that is striking and varied, but that is naturaland not overdone.• ordinary words used in an unusual way.• words that evoke strong images; figurative language may be used. Words convey the intended message in an interesting, precise, and natural way appropriate to audience and purpose. The writer employs a broad range of words which have been carefully chosen and thoughtfully placed for impact. The writing is characterized by• accurate, specific words; word choices energize thewriting.• fresh, vivid expression; slang, if used, seems purposeful and is effective.• vocabulary that may be striking and varied, but that isnatural and not overdone.• ordinary words used in an unusual way.• words that evoke clear images; figurative language may be used.43Words effectively convey the intended message. The writer employs a variety of words that are functional and appropriate to audience and purpose. The writing is characterized by• words that work but do not particularly energize thewriting.• expression that is functional; however, slang, if used,does not seem purposeful and is not particularly effective. • attempts at colorful language that may occasionally seem overdone.• occasional overuse of technical language or jargon.• rare experiments with language; however, the writingmay have some fine moments and generally avoidsclichés. Language lacks precision and variety, or may be inappropriate to audience and purpose in places. The writer does not employ a variety of words, producing a sort of “generic” paper filled with familiar words and phrases. The writing is characterized by• words that work, but that rarely capture the reader’sinterest.• expression that seems mundane and general; slang, ifused, does not seem purposeful and is not effective. • attempts at colorful language that seem overdone orforced.• words that are accurate for the most part, althoughmisused words may occasionally appear; technicallanguage or jargon may be overused or inappropriately used.• reliance on clichés and overused expressions.• text that is too short to demonstrate variety.21Language is monotonous and/or misused, detracting from the meaning and impact. The writing is characterized by • words that are colorless, flat or imprecise.• monotonous repetition or overwhelming reliance on worn expressions that repeatedly detract from the message. • images that are fuzzy or absent altogether. The writing shows an extremely limited vocabulary or is so filled with misuses of words that the meaning is obscured. Only the most general kind of message is communicated because of vague or imprecise language. The writing is characterized by• general, vague words that fail to communicate.• an extremely limited range of words.• words that simply do not fit the text; they seemimprecise, inadequate, or just plain wrong.Sentence Fluency6 5The writing has an effective flow and rhythm. Sentences show a high degree of craftsmanship, with consistently strong and varied structure that makes expressive oral reading easy and enjoyable. The writing is characterized by• a natural, fluent sound; it glides along with one sentence flowing effortlessly into the next.• extensive variation in sentence structure, length, andbeginnings that add interest to the text.• sentence structure that enhances meaning by drawingattention to key ideas or reinforcing relationships among ideas.• varied sentence patterns that create an effectivecombination of power and grace.• strong control over sentence structure; fragments, if used at all, work well.• stylistic control; dialogue, if used, sounds natural. The writing has an easy flow and rhythm. Sentences are carefully crafted, with strong and varied structure that makes expressive oral reading easy and enjoyable. The writing is characterized by• a natural, fluent sound; it glides along with one sentence flowing into the next.• variation in sentence structure, length, and beginningsthat add interest to the text.• sentence structure that enhances meaning.• control over sentence structure; fragments, if used at all, work well.• stylistic control; dialogue, if used, sounds natural.43The writing flows; however, connections between phrases or sentences may be less than fluid. Sentence patterns are somewhat varied, contributing to ease in oral reading. The writing is characterized by• a natural sound; the reader can move easily through thepiece, although it may lack a certain rhythm and grace. • some repeated patterns of sentence structure, length, and beginnings that may detract somewhat from overallimpact.• strong control over simple sentence structures, butvariable control over more complex sentences; fragments, if present, are usually effective.• occasional lapses in stylistic control; dialogue, if used,sounds natural for the most part, but may at times sound stilted or unnatural. The writing tends to be mechanical rather than fluid. Occasional awkward constructions may force the reader to slow down or reread. The writing is characterized by • some passages that invite fluid oral reading; however,others do not.• some variety in sentence structure, length, andbeginnings, although the writer falls into repetitivesentence patterns.• good control over simple sentence structures, but little control over more complex sentences; fragments, ifpresent, may not be effective.• sentences which, although functional, lack energy. • lapses in stylistic control; dialogue, if used, may sound stilted or unnatural.• text that is too short to demonstrate variety and control.21The writing tends to be either choppy or rambling. Awkward constructions often force the reader to slow down or reread. The writing is characterized by• significant portions of the text that are difficult to follow or read aloud.• sentence patterns that are monotonous (e.g., subject-verb or subject-verb-object).• a significant number of awkward, choppy, or ramblingconstructions. The writing is difficult to follow or to read aloud. Sentences tend to be incomplete, rambling, or very awkward. The writing is characterized by• text that does not invite—and may not even permit—smooth oral reading.• confusing word order that is often jarring and irregular. • sentence structure that frequently obscures meaning. • sentences that are disjointed, confusing, or rambling.Conventions6 5The writing demonstrates exceptionally strong control of standard writing conventions (e.g., punctuation, spelling, capitalization, grammar and usage) and uses them effectively to enhance communication. Errors are so few and so minor that the reader can easily skim right over them unless specifically searching for them. The writing is characterized by• strong control of conventions; manipulation of conventions may occur for stylistic effect.• strong, effective use of punctuation that guides the readerthrough the text.• correct spelling, even of more difficult words.• correct grammar and usage that contribute to clarity andstyle.• skill in using a wide range of conventions in a sufficientlylong and complex piece.• little or no need for editing. The writing demonstrates strong control of standard writing conventions (e.g., punctuation, spelling, capitalization, grammar and usage) and uses them effectively to enhance communication. Errors are few and minor. Conventions support readability. The writing is characterized by• strong control of conventions.• effective use of punctuation that guides the reader through the text.• correct spelling, even of more difficult words.• correct capitalization; errors, if any, are minor.• correct grammar and usage that contribute to clarity andstyle.• skill in using a wide range of conventions in a sufficientlylong and complex piece.• little need for editing.4 3The writing demonstrates control of standard writing conventions (e.g., punctuation, spelling, capitalization, grammar and usage). Significant errors do not occur frequently. Minor errors, while perhaps noticeable, do not impede readability. The writing is characterized by• control over conventions used, although a wide range is not demonstrated.• correct end-of-sentence punctuation; internal punctuationmay sometimes be incorrect.• spelling that is usually correct, especially on common words. • correct capitalization; errors, if any, are minor.• occasional lapses in correct grammar and usage; problemsare not severe enough to distort meaning or confuse thereader.• moderate need for editing. The writing demonstrates limited control of standard writing conventions (e.g., punctuation, spelling, capitalization, grammar and usage). Errors begin to impede readability. The writing is characterized by• some control over basic conventions; the text may be toosimple or too short to reveal mastery.• end-of-sentence punctuation that is usually correct; however, internal punctuation contains frequent errors.• spelling errors that distract the reader; misspelling ofcommon words occurs.• capitalization errors.• errors in grammar and usage that do not block meaning but do distract the reader.• significant need for editing.21The writing demonstrates little control of standard writing conventions. Frequent, significant errors impede readability. The writing is characterized by• little control over basic conventions.• many end-of-sentence punctuation errors; internalpunctuation contains frequent errors.• spelling errors that frequently distract the reader; misspelling of common words often occurs.• capitalization that is inconsistent or often incorrect.• errors in grammar and usage that interfere with readabilityand meaning.• substantial need for editing. Numerous errors in usage, spelling, capitalization, and punctuation repeatedly distract the reader and make the text difficult to read. In fact, the severity and frequency of errors are so overwhelming that the reader finds it difficult to focus on the message and must reread for meaning. The writing is characterized by• very limited skill in using conventions.• basic punctuation (including end-of-sentence punctuation)that tends to be omitted, haphazard, or incorrect.• frequent spelling errors that significantly impair readability. • capitalization that appears to be random.• a need for extensive editing.OFFICIAL SCORING GUIDE, WRITING 2010-2011 Citing Sources(For use on classroom assignments requiring research)6 5The writing demonstrates exceptionally strong commitment to the quality and significance of research and the accuracy of the written document. Documentation is used to avoid plagiarism and to enable the reader to judge how believable or important a piece of information is by checking the source. The writer has• acknowledged borrowed material by introducing thequotation or paraphrase with the name of the authority.• punctuated all quoted materials; errors, if any, are minor. • paraphrased material by rewriting it using writer’s style and language.• provided specific in-text documentation for each borroweditem.• provided a bibliography page listing every source cited inthe paper; omitted sources that were consulted but not used. The writing demonstrates a strong commitment to the quality and significance of research and the accuracy of the written document. Documentation is used to avoid plagiarism and to enable the reader to judge how believable or important a piece of information is by checking the source. Errors are so few and so minor that the reader can easily skim right over them unless specifically searching for them. The writer has • acknowledged borrowed material by introducing thequotation or paraphrase with the name of the authority; keyphrases are directly quoted so as to give full credit wherecredit is due.• punctuated all quoted materials; errors are minor.• paraphrased material by rewriting using writer’s style and language.• provided specific in-text documentation for borrowedmaterial.• provided a bibliography page listing every source cited inthe paper; omitted sources that were consulted but not used.4 3The writing demonstrates a commitment to the quality and significance of research and the accuracy of the written document. Documentation is used to avoid plagiarism and to enable the reader to judge how believable or important a piece of information is by checking the source. Minor errors, while perhaps noticeable, do not blatantly violate the rules of documentation. The writer has• acknowledged borrowed material by sometimes introducing the quotation or paraphrase with the name of the authority. • punctuated all quoted materials; errors, while noticeable, do not impede understanding.• paraphrased material by rewriting using writer’s style and language.• provided in-text documentation for most borrowed material. • provided a bibliography page listing every source cited inthe paper; included sources that were consulted but not used. The writing demonstrates a limited commitment to the quality and significance of research and the accuracy of the written document. Documentation is sometimes used to avoid plagiarism and to enable the reader to judge how believable or important a piece of information is by checking the source. Errors begin to violate the rules of documentation. The writer has• enclosed quoted materials within quotation marks; however, incorrectly used commas, colons, semicolons, questionmarks or exclamation marks that are part of the quotedmaterial.• included paraphrased material that is not properlydocumented.• paraphrased material by simply rearranging sentencepatterns.21The writing demonstrates little commitment to the quality and significance of research and the accuracy of the written document. Frequent errors in documentation result in instances of plagiarism and often do not enable the reader to check the source. The writer has• enclosed quoted materials within quotation marks; however, incorrectly used commas, colons, semicolons, questionmarks or exclamation marks that are part of the quotedmaterial.• attempted paraphrasing but included words that should beenclosed by quotation marks or rephrased into the writer’slanguage and style.• altered the essential ideas of the source.• included citations that incorrectly identify reference sources.The writing demonstrates disregard for the conventions of research writing. Lack of proper documentation results in plagiarism and does not enable the reader to check the source. The writer has• borrowed abundantly from an original source, even to the point of retaining the essential wording.• no citations that credit source material.• included words or ideas from a source without providing quotation marks.• no bibliography page listing sources that were used.。

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