book review of the Phantom Of The Opera

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高中英语-Unit1-《The-phantom-of-the-opera》-reading教案-牛津

Chapter1. The Phantom of the Opera -Reading一、章节分析（Reading section ）（一）综述本章节讲解并描述了一个故事：剧院魅影。

由于此剧在上海曾经演出过，因此学生们对这个主题应当是比较熟识甚至酷爱的。

因此，老师应充分利用学生的爱好，将此名剧同课文相结合，来进行教授。

本课的任务有两个：1学生通过对课文的学习。

驾驭一些核心词汇，例如：capture, kidnap, mask, magically等。

2通过学习课文，了解故事的写作方法，为writing部分做打算。

（二）阅读目标1学问目标学习课文中重点词、词组、句型和语法。

2实力目标通过阅读进一步了解歌剧的历史以及其他方面的学问。

3情感目标对文中的phantom的内心世界进行分析，推断文学作品中人物的善恶和性格的困难冲突性。

（三）教学方法采纳任务型教学法组织教学，通过听说，探讨等详细活动，达到教学效果。

（四）重点和难点1词汇学习1)核心词汇belowobeyphantomrolekidnapaudiencereleaseburstmagicallyinjure2)拓展词汇operaangelexistcapture3)词组和短语a huge building, with seventeen floorsforce him to leave homemake a secret home for sbgain power overmust bebe crowded within the endbe filling with waterbe shocked atmake sb do4)句型学习1. In the middle of this lake was an island, and on that island, one hundred yearsago, lived the Phantom2. …,he was so ugly that his own mother made him wear a mask,…教学设计（Teaching Designs）解。

Book Report for The Phantom of the Opera

What do you think of the main character—the Ghost in the novel?A Ghost or an Angle?In the novel <The Phantom of the Opera>, there is a character who is very fascinating—Erik.People in the Opera House are afraid of him because they think he is a ghost. He kills Joseph because he doesn’t like people taking about him. His outward appearance is horrifying. He has the face of a dead man, no nose, just two black holes in his yellow face. His eyes are black holes sometimes and have a terrible red light. He also sends a letter to the two new directors of the Opera House to ask them never sell tickets for Box 5 and pay him 20, 000 francs a month. But the directors don’t follow the words of the ghost. So Erik sends a second letter to blame the directors and ask them to let Christine sing Faust again instead of La Carlotta. At that night, he makes the chandelier goes down and La Carlotta can’t sing anymore. He is so dangerous that most people afraid him and regard him as a ghost.He is good at singing opera. He is an angle of music. Christine becomes famous because of the guide of him. He takes her through many secret doors and passages, down, down under the Opera House. There is a big lake with black and cold waters. He takes her across the lake in a boat to his house. He just wantsChristine to love him and marry him. Christine say “For this minute, I am your wife” and put her arms around Erik’s neck and kiss him slowly and lovingly on his ugly mouth. Then Erik allows Christine run out with her lover Paoul because he just has the feeling of being loved at the first time. He just wants to be loved at all.Finally, Erik dies and Christine marries Paoul. He dies with satisfaction.I like this character because of his sad experience, his talent and his tolerance to Christine. He is an angle! He is an angle who just falls down from the Heaven instead of a ghost!。

The Phantom of the Opera

The Phantom of the Opera (歌剧魅影)一．剧情简介In a theatre lives a mysterious person, who is called the phantom.When he was born, he was so ugly that his own mother made him weara mask. He is a musical genius and can control the operation of thetheatre. There is a dancing girl named Christine that he has loved for a long time. However, nobody has seen the phantom, even Christine.With the help of the angel of music in Christine’s mind, she can sing well since she was a little girl. The phantom catches the chance to replace the original main role by Christine. But the phantom wanted Christine for himself. In the end, he kidnapped her form the stage, in front of the whole audience. He took her down to his secret home on the lake. Only one man was brave enough to follow. He was Raoul, a young man who loved Christine. Then, the story begins.角色安排P: The phantom (魅影defaced, genius, cruel…)Ch: Christine (克里斯汀beautiful face and voice, kind-hearted, pure)R: Raoul (劳尔handsome, rich, deep love with Christine, the new investor)二．剧本正文Scene six地点：密室道具：台灯、灯架、两张桌子、盖桌子的布、烛台，剑（Christine躺在桌子上，慢慢地从昏迷中醒来，发现周围的一切很陌生。

1.5The Phantom of the Opera

The Phantom of the Opera简介你相信有鬼吗？当然不会相信。

我们喜欢谈论鬼，喜欢讲述关于鬼的故事，但我们并非真的相信有鬼……是不是？ 1880年，在巴黎歌剧院发生了一件不可思议的事情：一个舞蹈演员在黑暗的走廊里遇见了鬼。

它穿越墙壁来到她的面前，它的脸上没有眼睛；一个舞台工人看见一个穿黑色晚礼服的男人，但他却有一个死人般的头颅，黄色的面孔，并且没有鼻子；人们听到另一个房间里有声音，而那个房间却是空的。

这就是歌剧院的幽灵…… 一个名叫盖斯顿·勒罗克斯的法国人最早创作了这个关于歌剧院的幽灵的故事。

他的书很受欢迎，1925年它被拍成一部美国无声电影，由著名演员朗·钱尼扮演幽灵。

从那以后，已经出现了许多其他的电影和戏剧，以及最近由安德鲁·劳埃德·韦伯创作的著名的英国音乐片。

本书作者詹妮弗·巴塞特是一位经验丰富的教师和作家。

她生活和工作在英国西南部的德文郡。

1 The dancers 'Quick！Quick！Close the door！It's him！'Annie Sorelli ran into the dressing－room， her face white． One of the girls ran and closed the door， and then they all turned to Annie Sorelli． 'Who？Where？What's the matter？' they cried． 'It's the ghost！'Annie said．'In the passage．I saw him．He came through the wall in front of me! And…and I saw his face！' Most of the girls were afraid， but one of them， a tall girl with blackhair，laughed． 'Pooh!'she said．'Everybody says they see the Opera ghost， but there isn't really a第 1 页共 17 页ghost．You saw a shadow on the wall．'But she did not open the door，or look into the passage. 'Lots of people see him，' a second girl said．'Joseph Buquet saw him two days ago. Don't you remember？' Then all the girls began to talk at once． 'Joseph says the ghost is tall and he wears a black evening coat．' 'He has the head of a dead man， with a yellow face and no nose…' '…And no eyes-only black holes！' Then little Meg Giry spoke for the first time．'Don't talk about him．He doesn't like it．My mother told me．' 'Your mother？' the girl with black hair said．'What does your mother know about the ghost？' 'She says that Joseph Buquet is a fool． The ghost doesn't like people talking about him，and one day Joseph Buquet is go ing to be sorry， very sorry．' 'But what does your mother know？ Tell us，tell us！' all the girls cried． 'Oh dear！'said Meg．'But please don't say a word to any one．You know my mother is the doorkeeper for some of the boxes in the Opera House．Well，Box 5 is the ghost's box！He watches the operas from that box，and sometimes he leaves flowers for my mother！ 'The ghost has a box！ And leaves flowers in it！' 'Oh， Meg，your mother's telling you stories！How can the ghost have a box？' 'It's true， it's true，I tell you！'Meg said．'Nobody buys tickets for Box 5， but the ghost always comes to it on opera nights．' 'So somebody does come there？' 'Why，no！… The ghost comes， but there is nobody there．' The dancers looked at Meg．'But how does your mother know？' one of them asked． 'There's no man in a black evening coat， with a yellow face．That's all wrong．My mother never sees the ghost in Box 5，but she hears him！ He talks to her，but there is nobody there！And he doesn't like people talking about him！' But that evening the dancers could not stop talking about the Opera ghost．They talked before the opera， all through the opera, and after the opera． But they talked very quietly， and they looked behind them before they spoke． When the opera finished，the girls went back to their dress ing-room．Suddenly，they heard somebody in the passage，and Madame Giry， Meg's mother， ran into the room． She was a fat，motherly woman，with a red，happy第 2 页共 17 页face．But tonight her face was white． 'Oh girls，'she cried'．'Joseph Buquet is dead！ You know he walks a long way down，on the fourth floor under the stage．The other stage workers found his dead body there an hour ago -with a rope around his neck！' 'It's the ghost!'cried Meg Giry．'The ghost killed him！'2 The directors of the Opera House The Opera House was famous， and the directors of the Opera House were very important men．It was the first week of work for the two new directors， Monsieur Ar mand Moncharmin and Monsieur Firmin Richard．In the directors' office the next day，the two men talked about Joseph Bu quet． 'It was an accident，' Monsieur Armand said angrily．'Or Buquet killed himself．' 'An accident？…Killed himself？' Monsieur Firmin said．'Which story do you want，my friend？ Or do you want the story of the ghost？' 'Don't talk to me about ghosts！'Monsieur Armand said．'We have 1，500 people working for us in this Opera House，and everybody is talking about the ghost． They're all mad! I don't want to hear about the ghost， OK？' Monsieur Firmin looked at a letter on the table next to him． And what are we going to do about this letter，Armand？' 'Do？' cried Monsieur Armand．'Why， do nothing， of course！ What can we do？' The two men read the letter again．It wasn't very long． To the new directors Because you are new in the Opera House，I am writing to tell you some important things．Never sell tickets for Box 5；that is my box for every opera night． Madame Giry， the door keeper， knows all about it． Also，I need money for my work in the Opera House．I am not expensive，and I am happy to take only20，000 francs a month． That is all． But please rem ber， I can be a good friend， but a bad enemy． O．G． 'Don't sell tickets for Box 5! 20，000 francs a month!'Monsieur Armand was very angry again．'That's the best box in the Opera House， and we need the money， Firmin！ And who is this O．G，eh？Tell me that！' 'Opera Ghost，of course，'Monsieur tirmin said．'But you're right， Armand. We can do nothing about this letter． It's a joke， a bad joke. Somebody thinks we are fools， because we are new here．There are no ghosts in the Opera House！'第 3 页共 17 页 The two men then talked about the opera for that night． It was Faust，and usually La Carlotta sang Margarita．La Carlotta was Spanish，and the best singer in Paris．But today，LaCarlotta was ill． 'Everybody in Paris is going to be at the opera tonight，'said MonsieurArmand，'and cur best singer is ill．Suddenly！ She writes a letter to us just this morning-she is ill， she cannot sing tonight！' 'Don't get angry again， Armand，' Monsieur Firmin said quickly.'We have Christine Daaé， that young singer from Nor way．She can sing Margarita tonight．She has a good voice．' 'But she's so young， and nobody knows her！Nobody wants to listen to a new singer．' 'Wait and see．Perhaps Daaé can sing better than LaCarlotta．Who knows？'3 Christine Daae Monsieur Firmin was right．All Paris talked about the new Margarita in Faust，the girl with the beautiful voice,the girl with the voice of an angel．People loved her.They laughed and cried and called for more．Daaé was wonderful，the best singer in the world！ Behind the stage Meg Giry looked at Annie Sorelli．'Christine Daaé never sang like that before．'she said to Annie．'Why was she so good tonight？' 'Perhaps she's got a new music teacher，'Annie said． The noise in the Opera House went on for a long time． In Box 14，Philippe，the ComtedeChagny，turned to his younger brother and smiled． 'Well， Raoul， what did you think of Daaé tonight? Raoul，the VicomtedeChagny，was twenty－one years old．He had blue eyes and black hair，and a wonderful smile．The Chagny family was old and rich，and many girls in Paris were in love with the young Vicomte．But Raoul was not interested in them． He smiled back at his brother．'What can I say？ Christine is an angel， that's all． I'm going to her dressing-room to see her tonight．' Philippe laughed． He was twenty years older than Raoul， and was more like a father than a brother． 'Ah， I understand，'he said．'You are in love！ But this is your first night in Paris， your first visit to the opera． How do you know Christine Daaé？'第 4 页共 17 页 'You remember four years ago，when I was on holiday by the sea，inBrittany？'Raoul said．'Well， I met Christine there． Iwas in love with her then，and I'm still in love with her today！' The Comte de Chagny looked at his brother．'Mmm， I see，'he saidslowly．'Well， Raoul， remember she is only an opera singer．We know nothing about her family．' But Raoul did not listen．To him，good families were not important，and young men never listen to their older brothers． There were many people in Christine Daaé's dressing－room that night．But there was a doctor with Christine，and her beautiful face Looked white and ill．Raoul went quickly across the room and took her hand． 'Christine！ What's the matter？ Are you ill？' He went down on the floor by her chair．'Don't you remember me Raoul de Chagny，in Brittany？' Christine looked at him，and her blue eyes were afraid．She took her hand away．'No， I don't know you．Please go away．I'm not well．' Raoul stood up， his face red． Before he could speak， the doc tor said quickly，' Yes， yes， please go away． Everybody， please leave the room．Mademoiselle Daaé needs to be quiet．She is very tired．' He moved to the door，and soon everybody left the room.Christine Daaé was alone in her dressing－room． Outside in the passage the young Vicomte was angry and unhappy．How could Christine forget him？How could she say that to him？ He waited for some minutes， then，very quietly and carefully，he went back to the door of her dressing－room．But he did not open the door， because just then he heard a man's voice in the room! 'Christine，you must love me！' the voice said． Then Raoul heard Christine's voice．'How can you talk like that？ When I sing only for you…？ Tonight， I gave everything to you， everything． And now I'm so tired． 'Her voice was un happy and afraid． 'You sang like an angel，' the man's voice said． Raoul walked away．So that was the answer！ Christine Daaéhad a lover．But why was her voice so unhappy？ He waited in the shadows near her room． He wanted to see her lover-his enemy！ After about ten minutes Christine came out of her room，alone， and walked away down the passage． Raoul waited， but no man came out after her． There was nobody in the passage，so Raoul went quickly up to the door of the dressing－room，opened it and went in．He closed the door quietly behind him，then called out： 'Where are you？ I know you're in here！Come out！'第 5 页共 17 页 There was no answer．Raoul looked everywhere-under the chairs， behind all the clothes，in all the dark corners of the room．There was nobody there．4 The Phantom is angry That was Tuesday night．On Wednesday morning Mon sieur Armand and Monsieur Firmin were happy men．Paris liked the new Margarita-everything in life was good．Th e next opera night was Friday． It was Faust again， but this time with La Carlotta singing Margarita． By Wednesday afternoon they were not so happy．A second letter arrived for them-from O．G． Why don't you listen to me？ I am getting angry． Leave Box 5 free for me． And where are my 20， 000 francs？ On Friday Daaé must sing Margarita again．She is now the best singer in Paris． La Carlotta cannot sing-she has a very ugly voice，like a toad． Remember， I am a bad enemy． O． G． 'So，Firmin，is this still a joke？'Monsieur Armand shouted． 'What are we going to do now， eh？ Is O． G． the director here，or are we？' 'Don't shout，Armand，'said Monsieur Firmin tiredly．'I don't know the answers．Let's talk to Madame Giry， the door keeper of Box 5．Perhaps she can help us．' But Madame Giry was not helpful．Madame Giry was not afraid of ghosts， and she was not afraid of directors of Opera Houses. 'People say that you're a friend of the Opera ghost，Madame Giry，' Monsieur Armand began．'Tell us about him．Some people say he has no head．' 'And some people say he has no body，' said Monsieur Firmin．'What do you say， Madame Giry？' Madame Giry looked at the two men and laughed．'I say that the directors of the Opera House are fools！' 'What！'Monsieur Armand shouted． He stood up，and his face was red and angry．'Listen to me，woman-'第 6 页共 17 页 'Oh， sit down， Armand，and listen，' said Monsieur Firmin．'why do you say that，Madame Giry？' 'Because，Monsieur，the Opera ghost is angry with you．When the ghost wants something， he must have it． He is clever and dangerous，this ghost．The old directors before you， they knew that，oh yes. At first they tried to stop him. Then there were many accidents in the Opera House，many strange acci dents．And when did these accidents happen？ When the ghost was angry！So，the old directors learnt very quickly．The ghost wants Box 5？ He can have it every night．The ghost wants money？Let's give the money to him at once．Oh yes，the old directors understood very well．' 'But we are the directors， not the Opera ghost！' Monsieur Armand shouted．He turned to Monsieur Firmin．'This woman is mad．Why do we listen to her？ On Friday night La Carlotta is going to sing Margarita． And you and I， Firmin，are going to watch the opera from Box 5．' 'Well， we can try that， Armand． But we don't want any ac cidents．' Madame Giry came nearer to the two men．'Listen to me，'she saidquietly．'Remember Joseph Buquet？ I tell you，the Opera ghost is a good friend， but a bad enemy．' The two men stared at her．'Those words，Monsieur Firmin said slowly，'why did you say those words， Madame Giry？' 'Because the ghost says them to me． I never see him， but I often hear him．He has a very nice voice and he doesn't shout at people．'5 A letter for Raoul That Wednesday a letter also arrived for the young Vi comte de Chagny．He opened the letter，saw the name at the bottom， and smiled for the first time that day． Dear Raoul Of course I remember you！How could I forget you？ Meet me on Thursday at three o'clock in the Tuileries Gar dens．Don't be angry with me，Raoul，please． Christine Daaé Raoul put the letter carefully into his pocket. Angry？ How could he be angry with第 7 页共 17 页an angel？ On Thursday he was in the Tuileries Gardens by two o'clock． At ten past three he began to feel unhappy．At half past three he wanted to die， or to kill somebody． And then… she came． She ran through the gardens to him，and in a second she was in his arms． 'Oh，Christine！'he said，again and again．'Oh， Christine！'They walked through the gardens together and talked for a long time． They remembered their happy weeks in Brittany，four years ago． 'But why did you go away，Christine？' Raoul asked．'Why didn't you write to me？' For a minute or two Christine said nothing．Then she said slowly，'We were so young， you and I．I was just a poor singer from Norway，and you…you were the Vicomte de Chagny．I knew I could never be your wife．' 'But I love you，Christine-' 'No，shh．Listen to me，Raoul，please．I went home to Nor way，and a year later，my father died．I was very unhappy，but I came back to France，to Paris．I worked and worked at my singing，because I wanted to be an opera singer． Not just a good singer， but the best opera singer in Paris．' 'And now you are，' Raoul said．He smiled．'All Paris is at your feet．' Christine turned her face away and said nothing． 'Christine，' Raoul said quietly．'I want to ask you a ques tion．Who was the man in your dressing－room on Tuesday night？ Tell me，please!' Christine stopped and stared at him． Her face went white．'What man？'she whispered．'There was no man in my dress ing－room on Tuesday night．' Raoul put his hand on her arm．'I heard him，' he said．'I listened outside the door and heard a man's voice． Who was he？' 'Don't ask me，Raoul！There was a man's voice，yes，but there was no man in my room！ It's true！Oh，Raoul，I'm so afraid．Sometimes I want to die．' 'Who is he？ Tell me， Christine，please．I'm your friend，I can help you．Tell me his name！' 'I cannot tell you his name． It's a secret，' whispered Chris tine．'I never see him， I only hear his voice．But he is everywhere！ He sees everything，hears everything．That's why I didn't speak to you on Tuesday night．He is my music teacher， Raoul．He's a wonderful singer．I sang so well on Tuesday night because of him． I am famous because of him．He is my angel of music！And he says he loves me．How can I leave him？'第 8 页共 17 页6 La Carlotta sings Margarita On Friday morning La Carlotta had her break fast in bed．She drank her coffee and opened her morning let ters．One letter had no name on it. It was very short． You are ill． You cannot sing Margarita tonight．Stay at home and don't go to the Opera House. Accidents can hap pen．Do you want to lose your voice-for ever？ La Carlotta was very， very angry. She got out of bed at once and did not finish her breakfast． 'This is from Christine Daaé' s friends，' she thought．'They want her to sing again tonight．That Daaé girl is going to be sorry for this！ I，La Carlotta， I am the best opera singer in Paris．And nothing is going to stop me singing Margarita tonight！' At six o'clock that evening the dancers were in their dress ing-room．They talked and laughed and put on their red and black dresses for Faust．But Meg Giry was very quiet． 'What's the matter，Meg？'Annie Sorelli asked． 'It's the Opera ghost，Meg said．'My mother says he's angry．She's afraid that something's going to happen tonight．' 'Oh，pooh！'the girl with black hair said．'Who's afraid of an old ghost？' An hour later Monsieur Armand and Monsieur Firmin went into Box 5 and sat down．They were not afraid of ghosts.Of course not．There were no ghosts in the Opera House． Then Monsieur Armand saw some flowers on the floor by the door of thebox．'Firmin，'he whispered，'did you put those flowers there？' Monsieur Firmin looked．'No，I didn't，'he whispered back'Did you？' 'Of course not， you fool！Shh，the music's beginning．' La Carlotta did not sing for the first hour．There were no strange voices in Box5，and the two directors began to feel happier. Then La Carlotta came out onto the stage， and Mon sieur Firmin looked at Monsieur Armand． 'Did you hear a voice just then？' he asked quietly． 'No！'Monsieur Armand said，but he looked behind him twice， then three第 9 页共 17 页times， and suddenly felt cold． La Carlotta sang and sang， and nothing happened. Then she began a beautiful love song． 'My love begins to-Co－ack！' Everybody stared．What was the matter with Carlotta's voice? What was that strange noise-Co－ack? Carlotta stopped and began the song again． 'My love begins to-Co－ack！ I cannot forget my-Co-ack！' It was the noise of a toad！ People began to talk and laugh.Monsieur Firmin put his head in his bands．Then he felt Mon sieur Armand's hand on his arm．There was a voice in the box with them！ A man's voice，laughing Poor Carlotta tried again，and again． 'I cannot forget my-Co－ack！' Then the two directors heard the voice again， behind them，in front of them， everywhere．'Her singing tonight is going to bring down the chandelier!' The two directors looked up at the top of the Opera House．Their faces were white．The famous chandelier， with its thou sand lights，broke away from its ropes and crashed down on to the people below． That was a terrible night for the Paris Opera House．One woman was killed by the chandelier， and many people were hurt．The Opera House closed for two weeks．AndLa Carlotta never sang again.7 My angel of music For a week Raoul saw Christine every day．Some days Christine was quiet and unhappy，some days she laughed and sang. She never wanted to talk about the Opera House， or her singing， or Raoul's love for her． Raoul was very afraid for her．Who， or what，was this strange teacher，this man's voice，her'angel ofmusic'？ Then one day there was no Christine．She was not at her home, not at the Opera House，not at their meeting places Raoul looked everywhere and asked everybody．Where was Christine Daaé？But nobody knew． Two days before the Opera House opened again，a letter ar rived for Raoul．It was第 10 页共 17 页from Christine． Meet me in an hour at the top of the Opera House，on the tenth floor． The tenth floor of the Opera House was a dangerous place.There were hundreds of ropes going down to the stage below it was a long，long way down. Raoul and Christine sat in a dark corner，and Raoul took Christine's hands. Her face was white and tired． 'Listen，Raoul，'she said quiety.'I'm going to tell you ev erything．But this is our last meeting. I can never see you again.' 'No，Christine！'Raoul cried．' I love you，and we-' 'Shh! Quietly! Perhaps he can hear us．He's everywhere in the Opera House， Raoul!' 'Who？What are you talking about，Christine？' 'My angel of music．I couldn't meet you last Satuday be cause he came for me，and took me away．I was in my dressing room in the Opera House and suddenly，he was there in front of me! I saw the voice for the first time！ He wore black evening clothes and a mask over his face. He took me throughmany secret doors andpassages，down，down under the Opera House．There is a lake down there，a big lake； the waters are black and cold．He took me across the lake in a boat to his house．He lives there，Raoul，in a house on the lake，under the Opera House!' Raoul stared at her．Was his beautiful Christine mad？ Chris tine saw his face，and said quickly： 'It's true，Raoul，It's true! And he…，he is the Phantom of the Opera！But he's not a ghost，he's not an angel of music，he's a man！His name is Erik，and he lovesme，he wants me to be his wife！No，Raoul，listen， there is more．He told me all this in his house，in a beautiful room．He said that no woman could everlovehim，because of his face．He was so unhappy! Then he took off his mask，and I saw his face．' She began to cry，and Raoul put his arms around her． 'Oh Raoul，he has the most terrible face！It is so ugly! I wanted to scream and run away．But where could I run to？ He has the face of a dead man，Raoul，but he is not dead！He has no nose，just two black holes in his yellow face．And his eyes！Sometimes they are black holes，sometimes they have a terrible red light…' She put her face in her hands for a second．Then she said，'I stayed in his house for five days．He was very good to me，and I felt sorry for him， Raoul． He wants me to love him， and I told him…I told him…'第 11 页共 17 页 'No，Christine，no！You're going to be my wife！Come away with me atonce，today！You can't go back to him．' 'But I must，' Christine said quietly．'He knows about you，Raoul．He knows about us．He says he's going to kill you．I must go back to him．' 'Never!' said Raoul．'I love you，Christine，and I'm going to kill this Erik！' Erik…Erik…Erik…Erik… The word whispered round the Opera House．Raoul and Christine stared． 'What was that？' Raoul said， afraid．'Was that… his voice？Where did it come from？' 'I'm afraid，Raoul，'Christine whispered．I'm singing Margarita again on Saturday．What's going to happen？' 'This，'Raoul said．'After the opera on Saturday night，you and I are going away together．Come on，let's go down now．I don't like it up here．' They went carefully along a dark passage to some stairs，then suddenly stopped．There was a man in front of them, a tall man in a long dark coat and a black hat．He turned and looked at them． 'No，not these stairs，'he said．'Go to the stairs at the front．And go quickly!' Christine turned and ran．Raoul ran after her． 'Who was that man？' he asked． 'It's the Persian，' Christine answered． 'But who is he？ What's his name？ Why did he tell us to go to the front stairs？' 'Nobody knows his name．He's just the Persian. He's al ways in the Opera House．I think he knows about Erik，but he never talks about him．Perhaps he saw Erik on those stairs， and wanted to help us．' Hand in hand，they ran quickly down the stairs，through passages，then more stairs and more passages．At one of the lit tle back doors to the Opera House，they stopped． 'On Saturday night，then．After the opera，'Raoul said． 'I'm going to take you away，and marry you．' Christine looked up into his face．'Yes，Raoul．' Then they kissed， there by the door of the Opera House．Their first kiss．8 Where is Christine Daaé？第 12 页共 17 页 On Saturday morning Comte Philippe looked across the breakfast table at his brother． 'Don't do it，Raoul，please．All this talk about ghosts and phantoms．I think the girl is mad．' 'She's not mad，and I'm going to marry her，'Raoul said． 'She's only a little opera singer，'Philippe said unhappily． 'And she's very young．Are you still going to love her in ten，or twenty，years' time？' Raoul drank his coffee and did not answer． There were two more unhappy faces in the Opera House，too．The directors now understood about O．G．They didn't want any more accidents． 'Box 5 is free tonight for O．G． Daaé is singing Margarita．And here is 20，000 francs．Madame Giry can leave the money in Box 5 for him．Is thateverything？'Monsieur Armand asked Monsieur Firmin. 'It's a lot of money，'Monsieur Firmin said unhappily．He thought for a minute．'What about some flowers in Box 5？Madame Giry says that O．G．likes flowers．' 'O．G．can bring his own flowers！' shouted Monsieur Ar mand． The evening began well．The chandelier was now back in place， with new ropes．All Paris was in the Opera House．Ev erybody wanted to hear Christine Daaé's voice again．People also knew about the love story between Christine Daaé and the Vicomte de Chagny．There are no love secrets in Paris！People watched the Comte and the Vicomte in Box 14 with interest．Young men from families like de Chagny do not marry opera Singers. When Christine came onto the stage，her face was white and she looked afraid．But she sang like an angel．Ah， what a voice！All Paris was in love with Christine Daaé． She began to sing the famous love song．Suddenly，every light in the Opera House went out．For a second nobody moved or spoke．Then a woman screamed，and all the lights came on again. But Christine Daaé was no longer on the stage！She was not behind the stage， she was not under the stage．Nobody could find her． The Opera House went mad．Everybody ran here and there，shouted and called． In the directors office， people ran in and out．The police came，and asked questions. But nobody could answer the questions．Monsieur Armand got angry and shouted，and Monsieur Firmin told him to be quiet．Then Madame Giry arrived in the office with her daughter Meg． 'Go away，woman！'Monsieur Armand shouted． 'Monsieur，there are three people missing now!'Madame Giry said．'Meg，tell the第 13 页共 17 页。

the phantom of the opera歌曲赏析

the phantom of the opera歌曲赏析《The Phantom of the Opera》（剧院魅影/歌剧魅影/歌剧院幽灵）是音乐剧大师安德鲁·劳埃德·韦伯的代表作之一，以精彩的音乐、浪漫的剧情、以及华丽的舞蹈，成为音乐剧中永恒的佳作。

这首歌曲中，旋律优美动人，营造出一种神秘而浪漫的氛围。

通过管风琴、电子琴、吉他等乐器的巧妙运用，曲子呈现出一种独特的魅力，引人入胜。

同时，歌曲中的歌词也充满了诗意和浪漫色彩，表达了魅影对于歌剧院的深深眷恋和对于爱情的执着追求。

除此之外，《The Phantom of the Opera》在音乐结构上也堪称完美。

这首曲子包含了丰富的音乐元素，从古典到摇滚，从独唱到合唱，每一种音乐元素都得到了充分的展现。

而且，整首曲子节奏紧凑，旋律跌宕起伏，既有深沉的低音，又有激昂的高潮，让人听得过瘾。

此外，这首歌曲的影响范围也非常广泛。

作为人物角色歌，《The Phantom of the Opera》传唱度最高，影响范围最广。

它不仅在音乐剧领域有着极高的地位，在电影、电视剧、广告等领域也经常被引用和改编。

总的来说，《The Phantom of the Opera》是一首充满魅力和感染力的歌曲。

它以优美的旋律、浪漫的歌词和丰富的音乐元素征服了无数的听众。

同时，这首歌曲也展现了音乐剧作为一种艺术形式的独特魅力和无限可能性。

最后，值得一提的是，《The Phantom of the Opera》的成功离不开韦伯的创作才华和演员们的出色表现。

韦伯以他独特的音乐风格和对于剧情的深刻理解，创作出了这首永恒的经典。

而演员们的出色表现和精湛的演技，则为这首歌曲注入了生命力和灵魂。

THE PHANTOM OF THE OPERA

专辑曲目: 专辑曲目
1 PROLOGUE 2 OVERTURE-HANNIBAL 3 THINK OF ME 4 ANGEL OF MUSIC 5 LITTLE LOTTE-THE MIRROR 6 THE PHANTOM OF THE OPERA 7 THE MUSIC OF THE NIGHT 8 MAGICAL LASSO 9 I REMEMBER-STRANGER THEN YOU DREAMT IT 10 NOTES-PRIMA DONNA 11 POOR FOOL-HE MAKES ME LAUGH-IL MUTO 12 WHY HAVE YOU BROUGHT ME HERE-RAOUL I'VE BEEN THERE
THANKS FOR LISTEMING
•
•
半年后，劳尔跟克莉丝汀秘密订婚，魅影突然现身于歌剧院的化装舞会，强迫歌剧院演出他亲手谱作的歌剧《唐璜》，并指名由克莉丝汀担任女主角。心烦意乱的克莉丝汀，半夜奔至父亲坟前哭诉，劳尔则誓言要与魅影周旋到底。 • 在《唐璜》首演当晚，歌剧院四周布满警察，孰料魅影竟然杀死男主角，亲身改扮上场，与克莉丝汀演对手戏。在戏演到最高潮时，克莉丝汀当众扯下他的面具，魅影羞愧心碎之际动手将克莉丝汀掳至他的地下密室。劳尔追踪至地下，和魅影展开对决，却被他用绳索勒住，魅影藉此要胁克莉丝汀答应求婚 • 为了保护爱人劳尔，克莉丝汀毅然倾身，狠狠吻着魅影那张仿佛被地狱诅咒的脸。至此，这场爱情的胜负已定。绝望的魅影送走紧紧相拥的这对恋人，在警察和群众闯入地下密室前，悄然隐去，只留下一张似笑非笑的凄凉面具……
• 影片改编自英国著名作曲家安德鲁·洛伊·韦伯创作的音乐剧《歌剧魅影》 (Phantom of the Opera)。音乐剧《歌剧魅影》是根据法国作家卡斯顿·勒胡(Gaston Leroux)的小说《Le Fantom De L'opera》改编而成。《歌剧魅影》属于法国通俗小说，指十九世纪到二十世纪初在法国兴起蓬勃的各种惊险、侦探、爱情小说。它在当时其实并不是很有名的小说，甚至也不是勒胡最有名的小说。但是在二十年代，它却成为无声电影和早期恐怖电影的宠儿，在中国，早期的经典黑白影片《夜半歌声》也是根据此书改编的。1986年，安德鲁·洛伊·韦伯将这个故事创作成了音乐剧，1986年10月首度于伦敦Her Majesty剧院公演。全球演出后至今门票收入已累积达32亿美金，总计巡回多达18个国家、超过 100个城市，观众人数逼近7千万人次，票房超过《猫》、《日落大道》等同级知名音乐剧。 • 其实早在1988年，音乐剧的创作者安德鲁·洛伊·韦伯就想将其拍摄成电影，但影片最终筹拍了十年才得以实现。虽然音乐剧和电影本质不相同，但韦伯却对自己的新尝试，等了18年才拍成电影的作品，感到特别的满意。韦伯说：“我一直不明白，为什么有人每年要回到伦敦或纽约的剧院里看这部音乐剧。有的人甚至已经看过二三十遍。” 不过，当电影版要上映时，他倒提出了最佳的“观影守则”：“不要去比较剧场与电影的版本，只要纯享受电影院里的《歌剧魅影》即可。”此外，除原音乐剧内的知名乐曲外，《歌剧魅影》的电影配乐也由安德鲁·洛伊·韦伯亲自操刀谱写。

ThePhantomoftheOpera教案

ThePhantomoftheOpera教案The phantom of the OperaThePhantomoftheOpera教案前言：小泰温馨提醒，英语作为在许多国际组织或者会议上都是必需语言，几乎所有学校选择英语作为其主要或唯一的外语必修课。

英语教学涉及多种专业理论知识，包括语言学、第二语言习得、词汇学、句法学、文体学、语料库理论、认知心理学等内容。

本教案根据英语课程标准的要求和针对教学对象是初中生群体的特点，将教学诸要素有序安排，确定合适的教学方案的设想和计划、并以启迪发展学生智力为根本目的。

便于学习和使用，本文下载后内容可随意修改调整及打印。

chapter 7 the phantom of the opera1.save vt. 拯救, 挽救 vt. 力量; 力气, 武力;暴力 vt.强制, 迫使, 逼迫e.g. she lacks force 她没有力气。

we had to use force to get into the house. 我们不得不强行进屋。

she forced herself awake. 她强迫自己不睡。

习惯用语：force sb to do sth 强迫某人做某事4.kidnap vt. 诱拐, 绑架, 劫持（ kidn. 小孩; 年轻人 napn. 小睡, 打盹）e.g. his son was kidnapped yesterday. 他儿子昨天被绑架了。

kidnap（p）ern. 拐骗者; 绑架者 kidnapeen.[美]被绑架的人, 肉票5.prisonn. 监狱, 看守所e.g.there is a large prison in this town. 城里有座大监狱。

习惯用语：go to prison入狱, 被监禁 be taken to prison 被关入监狱break prison / jail 越狱, 从狱中逃走 put sb in / into prison 把某人关进监狱e.g. the thief was put into prison for one year. 小偷被监禁一年。

2020年托福核心词汇：《phantom of the opera》歌词

2020年托福核心词汇：《phantom of the opera》歌词推荐：phantom of the opera (musical)不但仅包含GRE词汇，而且给出了很多你以为很平常的词汇的优雅用法。

作为一个本科出国党，SAT在前1%，词汇很早就不是我们这个类的防碍了。

但是就像中文有写作水平的区别一样，你会背高级词汇不算什么，你会用吗?推荐音乐剧歌词还有一个好处，即这些旋律都非常难忘。

划线部分是一些举例。

garish这个词我在同学的GRE词表里见过。

tremulous可能是也可能不是。

至于sharpens和abandon，这两个词很多人不知道背了多少遍。

但是这样的用法即使对写作没有助益，至少对你撩妹/汉也很有协助啊。

Music of the Night (Lyrics)Night time sharpens, heightens each sensationDarkness stirs and wakes imaginationSilently the senses abandon their defensesSlowly, gently, night unfurls its splendorGrasp it, sense it, tremulous and tenderTurn your face away from the garish light of dayTurn your face away from cold, unfeeling lightAnd listen to the music of the nightClose you eyes and surrender to your darkest dreamsLeave all thoughts of the world you knew beforeClose your eyes, let your spirit start to soarAnd you'll live as you've never lived before建议搜一搜25周年纪念表演，官方带的subtitle应该对一些人会有协助。

the phantom of the opera长笛四重奏分谱

the phantom of the opera长笛四重奏分谱The Phantom of the Opera is a renowned musical composed by Andrew Lloyd Webber, based on the French novel "Le Fantôme de l'Opéra" by Gaston Leroux. It tells the haunting tale of a disfigured composer living beneath the Paris Opera House who becomes obsessed with a young singer named Christine. Throughout the musical, there are several iconic pieces that showcase the story's depth and emotion.长笛四重奏分谱是指将"The Phantom of the Opera"的音乐重新编排，使之适合由四把长笛演奏的版本。

这种重新编排能够呈现出原曲中的主旋律和和声部分，并在其中加入一些额外的装饰音符和变化。

One popular arrangement for flute quartet is "The Phantom of the Opera Medley." This medley includes beautiful and memorable songs from the musical, such as "Think of Me," "The Music of the Night," and "All I Ask of You." The four flutes in this arrangement each have a distinct part to play, ranging from melody to harmonies, creating aharmonious blend."The Phantom of the Opera Overture" is another piece that can be arranged for flute quartet. The overture capturesthe essence of the entire musical within just a few minutes, showcasing various themes and melodies. Each flute in this arrangement contributes to building up excitement and tension throughout different sections.Aside from these specific arrangements, individual songs from "The Phantom of the Opera" can also be adapted forflute quartet performances. Flute 1 often takes on melodies originally sung by characters like Christine or the Phantom himself. Flute 2 typically adds harmony or counter-melodies to enhance the overall sound. Flute 3 might incorporate lower notes or provide additional harmonies, while flute 4 may contribute to the rhythmic foundation and play accompanying figures.对于"The Phantom of the Opera"这样的音乐作品，长笛四重奏分谱提供了一种独特而令人惊叹的演绎方式。

ThephantomoftheOpera英文剧情介绍

The phantom of the Opera英文剧情介绍"The Phantom of the Opera" is a magnificent tale that begins when an opera ghost terrorizes the cast and crew of the French Opera House while tutoring a chorus girl. He finally drives the lead soprano crazy so she and her friend leave. The girl is able to sing lead one night but the soprano doesn't want her show stolen so she comes back. The ghost demands they keep giving his protoge lead roles. Meanwhile, His pupil falls in love with the Vicomte de Chagny, but the Phantom is in love with Christine, his student. The Phantom is outraged by their love and kidnaps Christine to be his eternal bride. Will Raoul, the Vicomte, be able to stop this dastardly plan? W atch and find out Written by NikiBased on Gaston Leroux's 20th century French novel, Andrew Lloyd W ebber's musical is finally adapted into a film. Our story begins with Opera Populaire's manager, Lefevre, leaving. His successors, Andre and Firmin, take over the opera, and bring with them their new patron, le Victome Raoul de Changy. To celebrate their new managers, the opera throws a gala, at which the leading diva refuses to perform, due to the mysterious 'Opera Ghost' who seems determined to have the screeching diva leave. Without a diva, Andre and Firmin are strong-minded to find a new leading lady, so they invoke the talents of a young, chorus-singer named Christine Daae, who has been taking lessons from a mysterious tutor. Raoul, Christine's old childhood sweetheart, who recognizes her at her triumphant gala performance, wants to bring Christine back into his life. But, suddenly, Christine's mysterious tutor reveals himself to her... Now, will Christine ask everything of Raoul or listen to the Music of the Night? Written by phan007Andrew Lloyd W ebber's sumptuous musical comes to the screen in this film adaptation. Deformed since birth, a bitter man known only as the Phantom lives in the sewers underneath the Paris Opera House. He falls in love with the obscure chorus singer Christine, and privately tutors her while terrorizing the rest of the opera house and demanding Christine be given lead roles. Things get worse when Christine meets back up with her childhood acquaintence Raoul and the two fall in love. The Phantom decides to kidnap her and imprison her with him in his lair. Raoul is now the only one who can stop him. Written by rmlohner 3e0Gaston Leroux's classic story 'The Phantom of the Opera' tells the story of a young chorus girl, Chirstine - a young talented singer who, with the right training, could become world famous. While rehearsing at the Opera Populaire,where weird and unexplainable things happen, she captures the attention and the heart of The Phantom, or as the Opera Populaire call him...The Opera Ghost. But he is no ghost - he is a disfigured musical genius who has hidden away for years to avoid the cruel stares of strangers. With the Phantoms help, Chirstine becomes the venue's leading lady, but tragedy awaits as the young soprano has fallen for the charms of handsome noble Viscount Raoul De Chagny, not realizing her Angel of Music is deeply in love with her. Insane with jealousy and unable to see the object of his affection, and ultimately is obsession, in the arms of another man, The Phantom kidnaps Christine - unaware of the lengths Raoul is prepared to go to get her back. f35 Written by ShinyhappypeoplesAn architect and designer, a composer and magician. He's a genius who must hide his facial disfigurement behind a mask and in the catacombs beneath Paris's Opera Populaire, known only as the Phantom of the Opera or Opera Ghost. His one companion is his young singing protégé, a soprano named Christine Daae who is drawn to and mystified but at the same time terrified of her Angel of Music whose rapturous voice sings songs in her head while she sleeps and whispers in her ear during day. Everyone at the opera house is used to the Phantom's deadly pranks when his demands are not met but when a canopy falls on top of her, nearly crushing her, the opera's leading diva: Carllota resigns. With no understudy, the mangers turn to Christine who at the time was no more than a chorus girl. The show casts her into immediate fame. But when Christine, whom the Phantom has fallen in love with, accepts a marriage proposal from her childhood sweetheart Viscount Raoul de Changy, the Phantom's heart is broken. His despair quickly turns to furious, jealous rage and is willing to do anything to win her, even if it means raising the stakes to the ultimate level in Christine's choice between her love for Raoul and her strange attraction to the Phantom. Written by O.G.However, most starts from to the spiritual stratification plane love of music, actually gradually transforms into intensely holds the desire.Moulin RougeChristian (Ivan -麦戈Craig Berry) is a very high artistic talents of young poets, because of unbearable father and left home for Paris, at the lower of society bohemian enclave Mongolia Matt (Montmartre) settled. Soon, a whole day to get to know Christian vermouth chain artist Toulouse - (John - decorations Leguizamo), and the artist's life circle of "Moulin Rouge" nightclub-centered This is a full of sex, drugs, fanaticism and cancan crazy world. Here, Christianfrantically in love with "Moulin Rouge" star (Nicole - Kidman played), she is a "sparkling diamond" and "Moulin Rouge" and even in Paris the most beautiful prostitutes . Christian eventually fall into this doomed love to no good end.Twentieth Century Fox recently introduced a well-known Australian director Baz - film musical "Moulin Rouge", tells the story of 19th century Paris nightclub Living rot Howard.Popular Hollywood movie star Nicole - Kidman and Ivan - Craig Male separately as a heroine in the film. "Moulin Rouge" at producers built a real Moulin Rouge in the shooting. of this new book, but also songs also dance, a profound reflection of the lower end of the nineteenth century the kind of society the people cheerful, charming atmosphere. Paris, the "Moulin Rouge" is a splendid gathering place, whether the upper or lower civilians celebrities usually at this gathering. "Moulin Rouge" will be poor and celebrities with workers, artists, people actress (or prostitute are) together."Moulin Rouge" is Baz - directed the third film, is Baz - Following the debut of its "dark stage" ( "STRICTLY BALLROOM") and 1996 Twentieth Century Fox's box-office giant film "Romeo and Juliet: post-modern version of passion" ( "SHAKESPEARE'S Romeo + Juliet") after another for a giant. The musical tragicomedy, a vivid picture of the late 19th century Paris, the extravagant world-famous nightlife, vividly describes the time of love, death and regeneration, the new dance skills as well as the circumstances are that the witness of time.。

phantom of the opera

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一天，剧院里的首席女高音歌唱家卡洛塔莫名其妙地生病了。克莉丝汀顶替她上台演唱。克莉丝汀一夜成名之后，与儿时的玩伴劳尔· 夏尼子爵（Raoul）在剧院相遇。然而，当子爵想与克莉丝汀相认的时候，她却小心翼翼地装作陌路人。怀着一连串问号，劳尔打算找她说清楚。走到克莉斯汀的房门前，劳尔发现，她正与一位男子对话。过了不久，劳尔鼓起勇气，推门入内，才发现，里面一个人也没有。难道，这名陌生男子就是人们口中所说的克莉丝汀的老师？不错，克里斯蒂娜出色表演的背后确实隐藏着一位神秘的老师，他在暗中教授克里斯蒂娜歌唱技巧。这位被克里斯蒂娜称作“音乐天使”的老师其实就是巴黎歌剧院中人人谈之色变的“剧院幽灵”。他始终带着一副充满神秘色彩的面具，栖身于巴黎歌剧院迷宫般的地下室中，谁都不知道他的真实身份。歌剧院中频繁出现的各种各样匪夷所思的事故让人们心惊胆战。他究竟是谁？是人？是幽灵？还是鬼魅？
片段共赏
Phantom of the Opera
克莉丝汀与魅影同坐在一只船上，蜡烛在迷雾中闪着幽明的光，若有若无的风在黑暗中吹动着… …
此时，卡洛塔（Carlotta）是剧院里最有声望的女歌唱家。“可以说，卡尔洛塔是一个没有感情和灵魂的演唱机器！只不过，她是这部机器中较为出色的一部分。她演唱过的歌曲几乎囊括了德国、意大利、法国等地所有令艺术家们倾心的优秀作品。而她在演唱的时候，也重未唱错一个音，或者说在对某伟大的作品倾情演奏时，声量显得不够大。总之，她称得上是一部用途极广、能力超强、精确度很高的机器。可是，从未又人用罗西尼的那句“你用自己的灵魂唱歌，我的姑娘，你的灵魂是如此美好！”给予她很高的评价。” 我们说，歌声是歌唱者情感的流露。一支毫无感情的歌又怎么会拥有吸引众人聆听的魔力呢？

高中英语-Unit1-《The-phantom-of-the-opera》-reading教案-牛津

高中英语-Unit1-《The-phantom-of-the-opera》-reading教案-牛津上海版S1B简介本篇教案适用于牛津上海版S1B高中英语教材的Unit1阅读任务，目的是使学生对于经典音乐剧《The Phantom of the Opera》有更深刻的了解，提高学生的英语阅读能力和文化素养。

教学目标1.能够理解和使用与音乐、旋律和歌唱相关的词汇；2.能够理解对话和文章中的关键词汇和句子，掌握阅读策略；3.培养学生的音乐文化素养和英语阅读能力，提高表达和交流能力。

教学过程预热（5分钟）通过师生互动的方式询问学生是否听过《The Phantom of the Opera》这个音乐剧，引导学生进入主题。

词汇预习（20分钟）根据学生的英语水平和词汇量，在黑板上或PPT上展示音乐、旋律和歌唱相关的词汇，并通过举例、配图等方式帮助学生记忆和理解。

阅读任务（35分钟）1.用PPT或黑板上展示文章《The Phantom of the Opera》的阅读任务和细节问题，使学生明确读文章的目的和策略；2.学生独立阅读文章，并按照目的和策略应对细节问题；3.分组或个别提问，让学生互相交流阅读体验和解决问题的方法。

拓展活动（20分钟）1.听音乐剧中的歌曲，看音乐剧片段，并讨论剧中的表演和音乐形式；2.通过小组合作的方式，设计一个独特的音乐剧观剧体验，并进行分享和反馈。

教学评价通过以下方式对学生进行教学评价：1.师生互动的方式询问学生在阅读过程中的感受和理解；2.收集学生答题卡、作业、已经课堂练习的评测结果；3.观察学生在小组讨论和合作中的表现和交流；4.根据教学目标评估学生的英语阅读能力和文化素养。

总结《The Phantom of the Opera》这一音乐剧经典，具有广泛的影响和吸引力，在英语阅读学习中也是一种很好的文化载体。

通过本次教学，学生在英语阅读能力和文化素养方面得到了增长和拓展。

歌剧魅影观后感高中作文范例

歌剧魅影观后感高中作文范例歌剧是一门西方舞台表演艺术,是以歌唱和音乐来交代和表达剧情的戏剧,有时在歌剧中也会加入一些舞蹈和乐队.这里给大家整理了一些有关歌剧魅影的观后感,希望对大家有所帮助.歌剧魅影观后感1《歌剧魅影》(The Phantom of the Opera)是一部安德鲁·洛伊·韦伯(Andrew LloydWebber)作曲的百老汇音乐剧.它改编自盖斯东·勒鲁(GastonLerou_,_68-_27)的原作小说.于_86年首演,于_88年获得七项托尼奖,是史上最成功的音乐剧之一.以电影版为例.电影开场音乐即极其震撼,彷佛山雨欲来风满楼之势.电影以黑白和彩色夹杂的蒙太奇方式叙述了一个发生在_70巴黎大剧院中少女克莉丝汀.魅影和子爵劳尔之间纠缠的爱情故事.与众不同的是,黑白描述的是现在,萧索.冷凄;彩色描述的是过去,华丽.诡异.整部影片色彩瑰丽.台词(歌词)唯美.内容深涵.曲调时而忧伤优美,犹如陈年美酒一般令人心醉;时而激越动荡,仿佛暗河在地下不安地涌动.我认为这出剧它之所以深.之所以美,直至颤人心弦,除了因为它是通过音乐剧这样一种直接体现心灵语言的艺术来展现剧情以外,最根本的原因在于它其实讲述了人游走于理性现实世界与灵魂梦幻世界之间的矛盾与挣扎,也即灵魂对善.美和自由最执着的追求,与现实真相之间的对立.尼采认为,人生的本质就是悲苦和荒诞,为了让生命得以承受,人得以存活,只有通过艺术.他区分出两种艺术,一种是日神艺术,另一种是酒神艺术.在古希腊神话中,日神代表光明,万物因日神光辉的朗照而呈现出美的外观,人们通过日神艺术的美丽梦幻(如美丽的,理想化的雕塑)来克服或掩盖那可怕生命真实,从而将那难以承受的痛苦生命转化为令人向往的美好梦想.而酒神艺术则是正视个体毁灭(如悲剧),在个体的毁灭与痛苦中达到与本体世界的融合,进而彻底解除痛苦,获得至上的快乐.本剧中,魅影和劳尔子爵是让克莉丝汀徘徊犹豫的两个男人.魅影,从小伴她成长,在深夜中为她唱歌,鼓舞她成长,是她的音乐天使,是她永远景仰.顺从的精神导师.然而魅影天生一副丑陋可怕的面容,自小遭到母亲的嫌弃,成为众人嘲弄.仇视.虐待的对象,被所谓的文明的社交社会所拒绝,排斥在阳光之外,只能蜷缩在歌剧院底层永远在暗无天日的水潭深处.可是他却不屈服于命运,反而利用一切条件使自己成为一个〝建筑师.设计家,作曲家,魔术师〞.一个才华横溢的天才.他向往和渴望着人世的美好,爱上了无论是外在还是内心都如同天使一般的克莉丝汀,并希望在他构建的音乐王国中真正得到克莉丝汀的心.〝在所有艺术中,音乐艺术是最高级的艺术,它是意志本身的运动〞(叔本华语),魅影的美妙动人的音乐正是他高贵心灵的直接语言,克莉丝汀深深沉醉于魅影的黑暗的夜之音乐,体会着灵魂的自由.丰富和最深层次上生命的美.即使当她发现了魅影的真相.看到了那永远属于黑暗的音乐王国和那张丑陋可怕的脸之后,他也仍然是她最重要的人,因为他的音乐萦绕在她的心灵中,他是她的精神伴侣.在魅影将克莉丝汀第一次引入地下室时,他们这样唱道:CHRISTINE:Those who have seen your facedraw back in fear ...I am the mask you wear ...PHANTOM:It s me they hear ...BOTH:Your/My spirit and your/my voice,in one combined:the Phantom of the Opera is there -inside your/my mind ...克莉丝汀:凡见过你面容的人蜷缩在恐惧中我是你所带的面具魅影:他们听见的是我合唱:你/我的灵魂和声音合为一体歌剧魅影就在那里在你/我的心中从某种程度上讲,魅影虽然有着被人人所厌恶畏惧的可怕外形,却通过克莉丝汀的纯美外形传达出了绝美的音乐和最深沉丰富的灵魂.在音乐中,克莉丝汀和魅影的心灵合为一体.〝Andthough you turn from me, to glance behind, the Phantom of the Opera is there -inside your mind ...〞 (即使你离我而去,留下惊鸿一瞥,歌剧魅影就在那里,在你心中).如果说魅影是属于黑暗的,是夜的心灵梦境,是艺术的酒神,那么英俊.富有.受众人羡慕和社会尊敬的劳尔子爵正是阳光向上的日神的隐喻.克莉丝汀在二者之间的徘徊和纠结则正是灵与肉.精神与世俗的矛盾冲突的真实体现.对于克莉丝汀来说,劳尔是能够给她温暖和依靠.帮她驱散痛苦和孤独的.英俊得足以吸引她的男人;而魅影,是躲藏在黑暗中.眼神之中蕴含着悲伤的被抛弃的男人,虽然,他是那样灵魂相合.那样心灵优雅而富有才华.克莉丝汀虽然灵魂深深被魅影所吸引,但是仍然不能选择和他在一起,因为魅影代表了那暗无天日的黑夜.那张黑暗中恐怖扭曲的脸和永远隔绝于世俗生活之外的地牢.甚至是偏执的爱.她选择了劳尔,她和劳尔有这样一段对唱:RAOUL:No more talk of darkness,Forget these wide-eyed fears,I m here, nothing can harm you -my words will warm and clam you.Let me be your freedom,let daylight dry your tears.I m here, with you, beside you,to guard you and to quide you ...CHRISTINE:Say you love me every waking moment,turn my head with talk of summertime ... Say you need me with you,now and always ...promise me that all you say is true -that s all I ask of you ...RAOUL:Let me be your shelter,let me be your light.You re safe:No-one will find you -your fear are far behind you ...CHRISTINE:All I want is freedom,a world with no more night ...and you, always besides me,to hold me and to hide me ...劳尔:莫再言及黑暗忘记这些令人瞠目结舌的恐惧我在这里,没有什么可以伤害你我的话语将温暖你,平静你让我成为你的自由让日光擦干你的泪水我在此,伴随你身旁守护你,指引你……克莉丝汀:说你在每个苏醒的时刻都爱我用夏日的时光谈论,将我的头转过去说你生生世世需要我陪伴你对我承诺你所说的皆出自真心那是我对你仅有的要求劳尔:让我成为你的避风港让我成为你的明灯你是安全的`没人能找到你你的恐惧离你遥不可及……克莉丝汀:我只祈求自由不再有黑暗的世界……而你,永远伴我身旁,拥抱我,隐匿我……冲突的结尾,魅影最后怀着绝望的心情挥手让克莉丝汀和劳尔离开,一个人独自承受此生的孤独悲伤.克莉丝汀终于和劳尔在一起了,但她依然在心中无法忘记那个让她歌声飞扬.灵魂自由的魅影.故事的开头,老年的劳尔买到了那个魅影的小猴子八音盒;在故事的结尾,他在克莉丝汀的墓前献上它,并发现了那支系着黑色缎带.扎着戒指的.颜色一如当年的红润鲜艳的.魅影的玫瑰花.八音盒和玫瑰花,是魅影对克莉丝汀的爱的象征.魅影失去了那个〝唯有你能令我的歌声飞扬〞的克莉丝汀,失去了那个唯一能令他这在残酷无情的尘世中期待的美好,他的音乐.他的灵魂也结束了意义.即使他的生命延续,也只是因为有一份爱的思念.在这里,主人公魅影不屈服于命运的顽强精神,虽囚禁地下却仍在内心向往着美好的高贵.独立的灵魂通过他的音乐飞翔在我们的耳际,感动了我们的心.〝在所有艺术形式中,悲剧是最深沉的精神艺术.它通过生命的受难或牺牲,荡涤日常生活的琐碎性和平庸性,触及生命的底层,显示出精神理念的高贵和崇高.在今天这个甘于平庸和琐碎的时代,悲剧显得有些不合时宜,但只要人是一种精神性的存在,就仍然会对悲剧产生共鸣.〞悲剧之所以不同于其他艺术形式,一方面是由于它又展示了人生的虚幻性,帮我们正视生命的可悲,另外一方面,它所具有美感和颤人心弦的力量,却也正是来源于人物受难的痛苦中——它通过生命的受难或牺牲,深入到我们心灵的最深层次,激发出本己的快乐.在观看《歌剧魅影》这场悲剧的过程中,我们经历了人类情感的全音阶,它带给我们的体会,已不再是一般意义上的快感,也不是简简单的痛感,而是通过悲剧人物的苦难和命运,将我们心灵中最深层次的东西被唤醒,从而使灵魂得到净化.歌剧魅影观后感2看完歌剧《歌剧魅影》,我的心灵收到了一次不小的震撼.也许,他知道,在现实上演的悲喜剧中,他必须死.他带走了克里斯汀,然而,他真的是为了占有她.霸占她吗?未必.因为当克里斯汀不在乎他的容貌,给他深情的一吻时,他颤抖了.我甚至能感觉到那副〝怪兽〞似的脸上在流泪.这是一种幸福的感觉,一种常人难以体味的幸福.他并不残忍,也不缺同情心,他需要的是他人的尊重,所爱的人对他的尊重.他可以放弃克里斯汀,让她与拉乌尔远走高飞.但希望看到克里斯汀的坦诚,看到拉乌尔的执着.当拉乌尔宁肯被吊死,也不愿放弃克里斯汀的时候,魅影明白了,这个看似柔弱的男人,拥有更大的勇气.对爱的追求,能给人和脆弱的人带来巨大的勇气.爱的力量能促使我们忘记一切恐惧.去争取.也许我们可以说,魅影的残忍来自于他童年的不幸经历.来自于他自卑的人格.但我们又怎能评价一个人人格的优劣呢?每个人都是在一次次的伤害中成长.受到别人伤害的时候,往往也会伤害别人.但我觉得,拉乌尔对克里斯汀的爱,更多的是一种对年少伙伴的梦幻般想象.或者说,歌剧在对他们两人爱情的刻画上多少显得有些单薄.让人感到只是一个灰姑娘遇见王子的梦幻.甚至让人以为,克里斯汀因为拉乌尔贵族的身份和财富才跟他在一起的.而拉乌尔和克里斯汀后来怎样呢?无从得知.歌剧开始的拍卖会上,为什么只有拉乌尔一个人呢?克里斯汀呢?40年的时间已是沧海变桑田,但这个倾城的美丽女孩,是否已长眠地下了呢?更不知道她是否还记得那个拥有丑陋却极富才华的魅影.但无论怎样,都衷心地祝愿有情人可以钟情眷属.歌剧魅影观后感3作为四大音乐剧之一的《歌剧魅影》一直盛演不衰,全剧充满着戏剧性的冲突和矛盾,甚是好听好看.最早看该剧影片而留下深刻的印象.剧中主角是魅影.克里斯汀和劳尔.魅影因容貌其丑无比被家人卖与流浪的吉卜赛人作为〝魔鬼之子〞关在笼中四处展览,而就是因为他无法选择的容貌令他饱受人们充满恶意的辱骂和责打.在他十岁左右,他打死看管他的人从笼中逃出,被大剧院的一个小女孩藏在剧院中.在大剧院的隐匿生活令魅影在音乐和建筑方面的天赋得到了充分的发挥.在克里斯汀还是一个孩子而丧父的时候,魅影在暗中抚平她的伤痛并教导她音乐,令克里斯汀一直以为魅影是她的〝音乐天使〞,在岁月流逝中魅影也深深地爱上了小女孩.在克里斯汀成人并在音乐上一举成名后,魅影将她带到了自己的音乐王国,虽然克里斯汀在内心对魅影及他的音乐充满爱和痴迷,但当她揭去魅影的面具,也无法接受他的容貌且无意与他白头.期间克里斯汀与劳尔相爱,魅影设计将克里斯汀拐入自己的住处并以吊死劳尔相逼要克里斯汀嫁给自己.克里斯汀深感魅影因从未得到人世的爱而令内心充满着仇恨,她决定留下陪魅影并当下给了他一吻,魅影贪婪地吮吸着这个吻,感受着其中的爱与温存,而就是这个吻消融了魅影心中的一切仇恨,放了克里斯汀和劳尔而孤独终老.因影片之故买了莎拉布莱曼版的该剧CD,点点五岁时发现CD的`小册子,问画面的面具和剧照,得知魅影作为〝魔鬼之子〞而饱受人世折磨,对其充满同情.当点点六岁时再度拿出CD时,圈圈便和点点共看该剧的电影版,问点点喜欢谁,表示喜欢劳尔,因为帅,好吧,爱美之心人皆有之.点点问〝为什么魅影在接吻的时候嘴巴张得那么大〞,这,这,这,圈圈顿觉一个头变成两个大.音乐剧版《歌剧魅影》在上海上演时圈圈现场一观,因对其期待过高,看罢无甚感觉.不可否认舞台效果确是美轮美奂,但如何也是不及电影的,歌者更是无法匹敌莎氏.全部角色中还是魅影给圈圈留下最深的印象,因为周遭人们的人性恶的一面对他的倾泻,令他从无被爱过的心中只有恶之花,但当他获得些微的温存爱意,本性中的善就显现出来.《聊斋志异》中有一则名为《罗刹国》的故事,该国的审美观与中国全然相反,在中国认为最丑的人在此被看做最美,在中国人看来越丑的人在该国越是位高权重,而在该国认为最丑的人即中国人认为美的人则被限定在一个村落过着被遗弃的生活.其实美丑并无定论,只是因时因势的看法,因人的容貌不符合周围人们的审美标准而剥夺其被爱与生活的权力是何其之不公.歌剧魅影观后感4今天晚上上选修课,欣赏了一部音乐剧《歌剧魅影》,感觉感触还是满深的,其实我本人并不懂得音乐剧,对音乐剧这种体裁也是首次接触,今天晚上看的这部音乐剧可以说是我有生以来观看的第一部音乐剧,所以我对这部音乐剧的欣赏以及感触主要是在这部音乐剧的剧情方面,在全剧中,一首〝AllI Ask ofYou〞的旋律反复出现,罗尔与幽灵对这首歌的不同演绎表现了他们各自对于女主角克莉丝汀不同的爱情,最后,爱情最终战胜了悲剧,幽灵对女主角克莉丝汀的真挚的爱情最终战胜了他对克莉丝汀的占有欲,全剧体现出了爱情的伟大.其实,在这部音乐剧中,最令我感动的还是幽灵对克莉丝汀的爱情,女主角克莉丝汀从开始时一个没有任何名气的舞蹈演员到后来成为著名的歌唱演员,在这个过程中,幽灵为她付出了太多太多,可是后来的结局却是幽灵并没有得到克莉丝汀的爱,这个结局对幽灵来说很不公平,但是幽灵最终还是成全了克莉丝汀和她的爱人劳尔,让他们在一起了,这更加说明了爱情力量的伟大,〝爱她,就让她幸福〞的主题在音乐剧的最后表现了出来.除了这部音乐剧的剧情很感人,还有值得一提的就是这部音乐剧在拍摄时所采用的倒叙的手法,整个剧情的演绎都是从老年劳尔的回忆中叙述完成的,这样使得前后剧情的穿插更加自然.总而言之,今天通过观看《歌剧魅影》这部音乐剧,感觉还是学到了蛮多的.歌剧魅影观后感5《歌剧魅影》是一部由百老汇的同名歌剧改编而成的电影.电影开场是一场拍卖会,第633号拍卖品是一只八音盒,白发苍苍的绅士抱着这只已经褪色的八音盒陷入到长久的追忆中,由此引出一个关于音乐的故事,一段与歌者有关的往事._世纪巴黎歌剧院屡发诡异的事件,当家女高音卡罗塔每每在排练或者演出时总出现舞台布景上的纰漏,卡罗塔一气之下罢工不干,由舞蹈演员克莉丝汀替代她演出,没想到大获成功,成为歌剧院的新宠.谁也想不到克莉丝汀从小就有一个〝音乐天使〞相伴,每到夜晚便会教她唱歌,为她谱曲.排剧,正是她的〝音乐天使〞无所不用其极,不惜恐吓.杀人也要让自己心爱的女孩成为巴黎歌剧院中耀眼的明星.克莉丝汀后来终于了解了〝音乐天使〞的身份,他是一个因相貌丑陋自出身起便被抛弃并饱受蹂躏但有着极高音乐天赋和建筑天赋的人,后来被救,戴着面具永远躲在了歌剧院的地下.他以音乐为纽带,想要把自己和心爱的克莉丝汀永远捆绑在一起,但是这时克莉丝汀青梅竹马的男子劳尔出现了,他英俊潇洒,有金钱与地位,更有着每个女孩子心中白马王子应具备的温柔与勇敢,克莉丝汀深陷爱河.这激怒了她的〝音乐天使〞,嫉妒的怒火燃烧,他感觉绝望,自己唯一生存的希望就这样轻而易举地被抢走了,于是〝音乐天使〞成了一个真正可怕的恶魔,开始了他的诅咒.抢夺与报复.每个人表达爱的方式都不同,活在黑暗中的魅影用音乐表达对爱人的爱,这也是他唯一能为她做的,他觉得自己和克莉丝汀的爱是最纯洁高尚,超越一切世俗,没有物质的彰显,只是两颗音乐灵魂的触碰.他引领着她.指导着她,走向歌后的位置,他们所有的情感都融合在那悠扬的旋律中,或空灵.或悲伤.或轻快.或缠绵,他们相会在每个有着点点烛光的夜晚,她看不见他的相貌,却可以感觉他的心.他们用生命在吟唱,他们用爱在低回.虽然活在黑暗的地下,但有一个有着天籁般嗓音的美丽姑娘与他对唱,聆听他的心声,所以他不觉孤独,而是幸福.但当他被剥夺了这唯一的幸福时,孤独感.被遗弃感的黑色恐怖迅速侵蚀了他那颗原本鲜活跳动的红心.当一个人把所有的爱与希望都寄托在一个人身上,一旦此人离开,他会变得异常极端.爱带来的不全是甜蜜,还有伤害,情到深处演变成了恨,因为太在意了.他付出了所有,却没有得到爱的回应.他没有了依靠,被遗弃了,感觉这个世界没有值得他留恋的人事了,这个世界不需要他.他自卑,自卑到要用毁灭他人来平衡自己的遗失,他已经无所畏惧,因为没有人在乎他.关心他.魅影的心灵已经彻底扭曲,他疯狂地破坏他人的幸福,疯狂地毁灭所有的欢愉,疯狂地抢夺那一具心不在己的肉体.劳尔是一个勇敢的王子,为了自己心爱的公主与邪恶殊死对抗,但他怎么会是一个已经失去理智.丧心病狂的魔鬼的对手.肉搏确实可分个输赢,但那是以俱伤为代价.怎一个皆大欢喜呢,解铃还需系令人.爱引起的斗争,最终应该以爱来化解.克莉丝汀最后在那张丑陋脸上的真诚一吻最终为这段畸恋化上了一个美丽的句点.魅影醒悟了,放走了克莉丝汀和劳尔,黑暗的地洞唯剩他独自面对八音盒.从回忆中走出,这手抱刚拍卖得到的八音盒的老绅士正是劳尔,克莉丝汀已经年迈去世了,他来到墓前看望他一生守护的爱人,却发现了当年魅影强行为克莉丝汀戴上的求婚戒指,还有一束新鲜的玫瑰.什么是爱.不是牢牢地拴她在自己身边,而是让她自由地选择.她爱唱歌,你做最忠诚的听者;她爱舞蹈,你做她最真诚的观者;她也爱你,你做她最坚实的守护者.强制让她在自己身边,不是爱她,而是爱自己.空间.宽容.理解.信任才是对爱最好的诠释.魅影给予了克莉丝汀自由,劳尔给予了克莉丝汀无可摧破的安全感,那都是爱.只要是真爱,恶魔尚且被真诚的爱与善良的吻感化,还有什么可以让人久久耿耿于怀不能宽容与理解呢.爱,是这个世界最柔软又最坚硬的武器.记得一段劳尔向克莉丝汀示爱的唱词,〝涤净过往的思绪,让日光擦干你的眼泪,让我成为你的避风港.你的照明灯,无论身往何方,也让我们同行〞.克莉丝汀最后与劳尔合唱,〝与我分享每一天,每一个黄昏晨曦,爱我,那是我对你唯一的要求〞.歌剧魅影观后感高中作文。

the phantom of the opera

Review on the Phantom of the OperaThe Phantom of the Opera is a novel written by a French novelist Gaston Leroux.Gaston Louis Alfred Leroux was a French journalist and author of detective fiction. He was born in Paris in1868 and studied law in Paris. He had worked as court reporter, theatre critic and journalist before he began to write fiction. His famous novels are The Mystery of the Yellow Room and The Phantom of the Opera, and the latter is the very one that makes him best known in the English-speaking world. He died of disease in France in 1927.The story was set in Paris during the 19th century. The phantom, whose real name was Erik, had a genius for architecture and music. He was born ugly, and had to wear a mask to avoid being laughed at. He met with the heroine, Christian, and lost his heart to the beautiful young lady. Erik was so desperate to possess Christian that he did many cruel things to clear the way for her success, which drove the whole theatre into panic. However, what he had done did not win the beauty's heart, but led her to the young, handsome Roaul. In the end, Christian and Roaul got married, while Erik ended lonely in perpetual darkness.It is a story about love. After I have read the novel, mixed feelings filled up my mind. I am most sympathetic to Erik. Born ugly, he was abandoned when he was a child. Living in the darkness, he had no company but his mask. It was Christian that roused his faith in love. I think it was mainly because of his miserable experience that made him so eager for love. He did everything possible to grasp the girl he loved. Maybe at first, Erik just did these out of possessive instinct. He took it for granted that since he coached her to sing, and he paved the way for her success, Christian should, in return, repay him with unconditional love. However, all things changed when Roaul appeared. The phantom lost the beauty's love, which drove him to do something crazier. He even kidnapped Christian and begged for her love. He did this just like an abandoned kid asked for mother's love. To some extend, Erik was eager for love because he wanted to make up for the past hurt. He didn't really understand the true meaning of love until he saw Christian agreed to marry him in order to save Roaul's life. Through what she did, Erik knew that the truelove was not to possess but to let it go. Finally, Erik freed Christian and chose to end his life in the eternal loneliness. His life was pathetic and full of tragedies, but his love for Christian was selfless and great.Regardless of one's appearance, everyone has his own shining point. It has been constantly repeated that we shouldn't judge people from their appearance. But in fact, not everyone follows this rule, including me. We are, consciously or unconsciously, inclined to judge others by their looks. But in this book, I find that behind Erik's ugly appearance, there hid his golden heart. And I learned that I can't decide what kind of people one is merely according to one's appearance.All in all, the Phantom of the Opera not only tells what true love is, but also teach me how to judge a person more objectively. And it is worthy of reading.Y095S Z D。

歌剧院的幽灵读后感英文

歌剧院的幽灵读后感英文The Phantom of the Opera is a timeless classic that has captivated audiences for decades. The story of a mysterious and disfigured musical genius who haunts the Paris Opera House is both haunting and romantic. The novel, written by Gaston Leroux, has been adapted into numerous films, television shows, and stage productions, but the original novel remains the most compelling and enduring version of the story.The novel is set in the Paris Opera House, a grand and opulent building that serves as the backdrop for the tragic love story between the Phantom and the beautiful soprano, Christine Daaé. The Phantom, who lives in the labyrinthine catacombs beneath the opera house, becomes infatuated with Christine and begins to manipulate events in order to further his obsession with her. The story is a blend of romance, mystery, and horror, with elements of the supernatural and the macabre.One of the most compelling aspects of the novel is the character of the Phantom himself. Leroux paints a vivid and sympathetic portrait of the disfigured and tormented manwho is both a musical genius and a tortured soul. The Phantom's tragic backstory and his unrequited love for Christine make him a complex and compelling character, and the reader can't help but feel a mixture of fear and pityfor him.The character of Christine is also well-drawn and sympathetic. She is a talented and beautiful young womanwho becomes the object of the Phantom's obsession. Her struggle to navigate the dangerous and seductive world of the opera house, while also dealing with the attentions of her childhood friend Raoul, adds depth and tension to the story.The novel is also a fascinating exploration of theworld of the opera, with its larger-than-life personalities, backstage dramas, and cutthroat competition. Leroux's detailed descriptions of the inner workings of the opera house and the world of the performers and musicians bringthe story to life and add an extra layer of richness to the narrative.The Phantom of the Opera is a novel that is as much about the power of music as it is about love and obsession. Leroux's descriptions of the Phantom's hauntingly beautiful compositions and his mesmerizing performances are some of the most memorable and evocative passages in the book. The novel is a celebration of the transformative and transcendent power of music, and it is clear that Leroux had a deep love and appreciation for the art form.Overall, The Phantom of the Opera is a gripping and atmospheric novel that has stood the test of time. Its timeless themes of love, obsession, and the power of music continue to resonate with readers, and its unforgettable characters and vivid setting make it a true classic. Whether you are a fan of romance, mystery, or the supernatural, The Phantom of the Opera has something to offer everyone. It is a novel that will continue to enchant and enthrall readers for generations to come.。

歌剧魅影中英文对照原著

歌剧魅影中英文对照原著1. Who is the Phantom of the Opera?The Phantom of the Opera is a mysterious figure wholives beneath the Paris Opera House. He is a musical genius who has been disfigured since birth and wears a mask to hide his face.歌剧魅影是谁？歌剧魅影是一个神秘的人物，住在巴黎歌剧院的地下。

他是一个音乐天才，从出生时就被毁容，戴着面具隐藏他的面容。

2. What is the Phantom's motivation for helping Christine?The Phantom is in love with Christine and believes that he can make her a great opera singer. He sees her potential and wants to help her achieve her dreams, even if it means using his own talents to manipulate her and control the opera house.歌剧魅影帮助克莉丝汀的动机是什么？歌剧魅影爱上了克莉丝汀，并相信自己可以让她成为一位伟大的歌剧歌唱家。

他看到了她的潜力，想帮助她实现梦想，即使这意味着利用自己的才华来操纵她和控制歌剧院。

3. What is the relationship between Raoul and Christine?Raoul and Christine were childhood friends who reunited as adults and fell in love. They have a strong connection and support each other throughout the story, despite the Phantom's attempts to come between them.罗尔和克莉丝汀之间的关系是什么？罗尔和克莉丝汀是童年朋友，长大后重逢并相爱。

ThePhantomoftheOperaleadin高一英语课文教案

is there Inside my mind.
The phantom (Steve) Sing once again with me Our strange duet. My power over you Grows stronger yet. You'll give your love to me For love is blind. The phantom of the opera
Ask and answer:
1. Have you ever been to an opera house?
2. What can you see in an opera house?
Sydney Opera House Lincoln Center-Metropolitan Opera House
is now Your mastermind.
Christine
Choir (very, very soft)
Those who have seen your face The phantom of the opera
Draw back in fear;
Is there
I am the mask you wear,
a singer
the conductor
the audience
the stage
the orchestra
Before reading the text, answer these questions to get the main idea.
1. Who wrote it? 2. Where did the story happen? 3. What did the Phantom look like? 4. What is the story probably about?

THE PHANTOM OF THE OPERA(歌剧魅影)

THE PHANTOM OF THE OPERA
--------Erik
• Eric is my favourite character in this book. The reason why I Iike him most is as follows.
• First, he is a pathetic [pə'θetɪk] a.可怜的 child when he was young. And I feel that I really want to protect him. • BACK TO THE BOOK • Because of his horrible face Erik's parents had left him in the streets. His mother refused to care for him, so a traveling circus ['sɜːkəs] n. 马戏团 took him. • The circus had an area where they showed the customers of the circus many strange and terrible
name is Erik. But Christine, I brought you here because I love you. I would do anything for you."
• I have many reasons to explain why I like Erik most. Here I only tell you three of them. But I think it is enough to prove that Erik is worth being loved.