Roland_XP-10_Manual
Roland SPD-SX 采样扬声器说明书
Roland SPD-SX Sampling Pad CatalogThe SPD-SX takes many of the proven concepts from its predecessor and raises them to a new level. Whether you’re firingoff one-shot samples, looped phrases, or complete audio playback tracks, the SPD-SX is loaded with the latest technology and tools to get the job done with speed, precision, and convenience. Enjoy the most advanced triggering and sampling technology in a sleek, easy-to-use percussion instrument.The new SPD-SX Sampling Pad putspowerful sample creation and playback underyour sticks with innovative audio-capturingfeatures, expressive playability, threemulti-effects engines, and much more. Theperfect addition to any acoustic or electronicdrum kit, percussion setup, DJ booth, orkeyboard rig, the SPD-SX is equally at homeon the live stage, in the recording studio,pre-production suite, or dance club. The Ultimate Percussive Sampling InstrumentThe SPD-SX is equipped with nine highly sensitive rubber pads with two independent real-time control knobs and four dedicated effect buttons. Roland’s most advanced triggering technology ensures the ultimate in accuracy and fully dynamic performance, while a large backlit LCD provides easy-to-read data in all varieties of environments. Each pad has a companion LED that illuminates to show the pad’s status. When you trigger sample phrases, the LEDs remain lit to show you which pads are in play. In addition, the LEDs change illumination strength according to audio-level activity (similar to level meters on a mixing board). The high-contrast red divider lines help you see the pad zones clearly onstage.The Playing FieldToday, increasing numbers of drummers and percussionists need to incorporate audio samples into their performance. The SPD-SX will satisfy their increasing requirements with essential features such as individual click output routing, dedicated volume controls, Pad Check function, individual Sub Out, and more.Improved Playability and FunctionalityThe SPD-SX has three multi-effects units onboard: one master unit and two units that are assignable per kit. The master effects engine lets you perform in real time like a DJ using the dedicated front-panel controls. Get your hands on the filter, delay, short looper, and user-assignable effect — all of which can be creatively adjusted with the four front-panel buttons and two control knobs.Onboard EffectsThere’s much more to the SPD-SX than meets the eye.A powerful-yet-friendly lineup of features has been built into this little powerhouse, such as Multi-Pad Sampling. While audio streams in from an external audio player or computer (via Audio In or USB), simply strike each pad at the appropriate start/end points, and the sample will be automatically truncated and assigned to that pad. It’s a fast, friendly way to create multi-sampled phrases and pad maps.Multi-Pad SamplingY ou can assign samples to different pads,rename them, and even import or export audio files (WAV/AIFF).for Microsoft Windows 7for Mac OSSPD-SXWAVE MANAGERSPD-SX Wave Manager Software IncludedThe SPD-SX’s generous internal memory (2GB) lets you store and carry your entire sample library inside. With no external memory required, you can house approximately 360 minutes of audio (10,000 files) at 16-bit, 44.1 kHz, mono (storage reduced in stereo). The built-in USB ports let you directly import audio files from USB flash memory. The bundled SPD-SX Wave Manager software app lets you import audio files directly from computer via USB, assign the samples to each pad, and organizethe thousands of samples efficiently.Printed in Japan September, 2011 RAM-4726 AB-3 GR-UPR-SSVisit us online at All specifications and appearances are subject to change without notice.Company names and product names appearing in this document are registered trademarks or trademarks of their respective owners.ASIO is a trademark of Steinberg Media T echnologies GmbH.Roland, BOSS, and OCT APAD are either registered trademarks or trademarks of Roland Corporation in the United States and/or other countries.■ Specifications■ Rear Panel■ Setup ExampleThe Reinvention of the OCTAPADSPD -30● Packed with new percussion sounds from around the world, plus 30 types of multi-effects ● The latest pad-sensing technology developed for V-Drums provides consistent and accurate pad triggering with excellent isolation between pads ● Phrase Loop function lets you record your playing in real time and overdub up to three layers■ Options。
ROLAND 罗兰 HPD-10 中文说明书
版权 2006 ROLAND CORPORATION 严禁将本出版物的任何部分以任何方式复制！
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关于 HandSonic 10 的操作
开启/关闭电源
※ 设备连接完成后，请依次开启各设备的电源。错误的设备开启顺序将导致设备或扬声器 的故障和损坏。
首先，请将 HandSonic 10 和所进行连接设备的音量调节至最低。请先开启连接于 MIX IN 接口的设备的电源，再开启 HandSonic 10 的电源。请等待数秒开机时间，之后屏幕将显示 套鼓名界面。开机过程中，请不要操作打击垫和 D BEAM 光感控制器。然后，请开启连接 至 OUTPUT 接口的设备。最后，请调节各设备的音量。 当您准备关闭 HandSonic 10 的电源前，请将所有连接设备的音量调节至最低。 ※ 本设备配置有电路保护，电源开启数秒后才能进行操作。
[KIT]按键
预置套鼓按键
※ 示范乐曲演绎
[+]/[-]按键
的数据将不从 MIDI OUT 接
口进行输出。
1．请按住[1]按键（或[1]～[5]预置套鼓按键中任一按键）持续 2 秒，示范乐曲开始播放。 当您再次按下[1]按键，乐曲将从头开始播放。如果您按下其他预置套鼓按键，指定于该按 键的示范乐曲将开始播放。您也可以使用[+]/[-]按键选择乐曲。
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主要特点
410 种打击乐/鼓音色
音色分类组或字母排序方式将便于您选 择音色。
罗兰AE-10电吹管中文说明书
当您不演奏时，请使用随设备附属的吹口护盖保护吹口。
当您开启设备电源，吹口的灵敏度将进行自动调节。
鉴于此，请勿在开启设备电源时抿咬或挤压吹口。
演奏按键用于电吹管的演奏。
演奏按键与传统萨克斯的按键位置相同 (p.& 详细信息请参阅说明书尾页的“指法列表”。
八度按键切换八度音域。
请使用左手拇指进行操作。
八度按键可指定 +1 / ±2 / ±3 个八度 (p. [POWER] 开关用于开启/关闭设备电源。
设备电源将在您未播放音乐或未操作按键或控制器的一段时间后自动关闭（自动关机功能）。
如果您不想设备自动关机，请关闭自动关机功能 (p. [TONE]（音色选择）按键用于进入音色选择界面。
该按键可以与演奏按键结合使用快速调用用户音色。
& “快速调用用户音色” (p.+2+1-1-2您无需像传统萨克斯一样维护 AE-10。
如果吹口由于长时间的吹奏而积累污垢，请将其取下并用清水冲洗。
然后，请使用柔软的干布将吹口擦干。
当您取下或安装吹口时，请小心不要弯折当您安装吹口时，请小心操作可移除部件并避免夹到手指。
您同样可以在安装和取如果吹口由于陈旧而需要更换时，请另行感应杆如右图所示，请完全插入吹口直到凹凸部分对如果吹口未完全插入，您无法通过改变抿咬簧片的力度从而提升或降低音调（应用颤AB C E D 11电吹管专卖店－ 淘宝搜索：佛斯特电声乐器行 ｈｔｔｐｓ：／／ｄｚｃｎ．ｔａｏｂａｏ．ｃｏｍ电吹管专卖店－ 淘宝搜索：佛斯特电声乐器行 ｈｔｔｐｓ：／／ｄｚｃｎ．ｔａｏｂａｏ．ｃｏｍ电吹管专卖店－ 淘宝搜索：佛斯特电声乐器行 ｈｔｔｐｓ：／／ｄｚｃｎ．ｔａｏｂａｏ．ｃｏｍ中可选的各种演奏声音称为“音色”。
U:001–。
当您开启设备电源，设备将选择最近一次所选的音色。
通过市售的 USB 2.0 连接线连接该端口和Aerophone 的电升高音调滑音咆哮音电吹管专卖店－ 淘宝搜索：佛斯特电声乐器行 ｈｔｔｐｓ：／／ｄｚｃｎ．ｔａｏｂａｏ．ｃｏｍ电吹管专卖店－ 淘宝搜索：佛斯特电声乐器行 ｈｔｔｐｓ：／／ｄｚｃｎ．ｔａｏｂａｏ．ｃｏｍ请使用唇齿轻轻抿咬吹口并以演奏传统萨克斯相同的方式进行吹吹气的力度不仅影响音量，而且影响音色本身。
罗兰 JUNO 新一代合成器说明书
Great Sound, Great Features, Great Price. . . JUNO!Roland's JUNO-series synthesizers are feature packed, portable, and affordable.JUNOs are easy to use, great sounding, and available to everyone.Thanks to their lightweight design and battery-power capability*, JUNO synths can be played anywhere.Get your hands on a new-generation JUNO and take your show on the road!* JUNO-Di and JUNO-Gi onlyStudioPlug in the Entire Band!StreetTravel Light, Play HeavyStageA New-Generation Synth for the Stage• High-quality multi-track recorder onboard; connect a guitar or microphone directly.• Built-in Rhythm T rack for songwriting, recording, and live performance.• Powerful multi-effects for guitar and vocal derived from top-of-line BOSS effects.Special Live Set: Layer/Split screen• Loaded with over 1,000 of the latest sounds, including 88-key stereo multi-sampled piano, rock organ, ethnic instruments, sound effects, and more.• Select sounds instantly with the touch of a button or play harmonies and riffs with one finger. It's friendly enough for a first-timer!Easy to Use and Packed with Cool Sounds• Built-in Song Player function lets you play music files for backing tracks.• Super Layer mode adds depth to your sounds.• Plug into a power outlet using the AC adaptor or play on battery power (eight AA batteries)* — great for street gigs! * Supports rechargeable nickel-hydride batteries.Loaded with Features that Make Playing Fun• Packed with great “stage-ready” sounds, including organs, electric pianos, brass, and more.• Newly developed weighted keyboard.• Onboard Song Player lets you play MP3s and WAVs as backing tracks.Born to Perform!• Equipped with a mic input (with phantom power) and dedicated reverb, this synth is all you need to play-and-sing on the street, in cafes, or on any stage.• Supports up to two optional SRX expansion boards so you can add new sounds.• Equipped with a USB jack for connection to a PC.Versatile Features for Expression & Expansion• Over 1,300 newly designed sounds optimized for live performance. These sounds shine onstage.• The Special Live Set provides rich, layered sounds that take full advantage of the JUNO-Gi. Steal the show with these jaw-dropping sounds!• Patch names are clearly displayed on the large LCD — great for gigs.• Song Player function, battery power, and other great features for live performers.Powerful, Cutting-Edge Sounds Onboard!8-Track Recorder OnboardNEWThe first JUNO synthesizer was born in 1981: The JUNO-6, a full-featured polyphonic synthesizer, set a new standard for price and performance. It quickly received worldwide acclaim.From the beginning, the JUNO concept has remained the same: great sound, great features, and great price.Decades of Affordable Quality.Roland JUNO Synthesizers — Making Waves Since 1981Why JUNO is the #1 Portable Synth Line:L et 'sGow it hJ UN O!The fact that many pro musicians use JUNO is testimony to its great sound quality!Great Sounds!The Song Player lets you play WAV and MP3 files stored on USB memory — great for backing tracks.Play Audio Files From USB MemoryChoosing sounds is a breeze with the dedicated sound-category buttons and value dial.Fast, Easy Sound SelectionHeavy synths can be a drag to carry around, but not the ultra-lightweight JUNO!Lightweight, Tough, and Ready to TravelJUNO-Di and JUNO-Gi can be powered via AC adaptor or battery power (eight AA batteries). Great for street gigs!Battery PowerThe large backlit LCD is easy to view in dark environments — great for live performance.Large LCD for EZ ViewingTwist the control knobs to vary sounds dramatically,and save your custom creations for instant recall.Turn Knobs, Make SoundsPlay along with vocals by plugging into the MIC input, or create “electro” voices with the built-in vocoder.Connect a MicrophoneExcite your audience with the D Beam controller, which lets you manipulate sounds by moving your hand over the beam.Steal the Show!JUNO-Gi makes to easy to record songs and live performances. Enjoy BOSS multi-effects and play along with guitar by plugging into the GUITAR/MIC input.Built-In 8-track Recorder and Multi-Effects!Keyboard61 keys (with velocity)61 keys (with velocity)76 keys (with velocity)Sound Generator Maximum Polyphony 128 voices128 voices128 voicesWave Memory64 MB (16-bit linear equivalent)128 MB (16-bit linear equivalent)128 MB (16-bit linear equivalent)Preset Memory Patches: 1,082 + 256 (GM2), Rhythm Sets: 20 + 9 (GM2), Performances: 64Live Set: 1,379, T one: 788 + 256 (GM2), Rhythm Set: 14 + 9 (GM2)Patches: 1027 + 256 (GM2), Rhythm Sets: 32 + 9 (GM2), Performances: 64User MemoryPatches: 128, Rhythm Sets: 8, Performances: 64, Favorites: 100Live Set: 256, Favorite: 100Patches: 256, Rhythm Sets: 32, Performances: 64EffectsMulti-Effects: 3 systems, 79 types, Chorus: 3 types,Reverb: 5 types, Mic Input Reverb: 8 typesMulti-Effects: 2 systems, 79 types, Chorus: 3 types, Reverb: 5 typesMulti-Effects: 3 systems, 79 types, Chorus: 3 types,Reverb: 5 types, Mic Input, Reverb: 8 typesSong Player Section File Format: Standard MIDI File (format-0/1), Audio File (WAV , AIFF , MP3)File Format: Standard MIDI File (format-0/1), Audio File (WAV , AIFF , MP3)File Format: Standard MIDI File (format-0/1), Audio File (WAV/AIFF/MP3)Digital Recorder Section——T rack: 8 (V-T rack: 64 (8 V-T racks per each T rack))* Up to 2 tracks can be recorded simultaneously,and up to 8 tracks can be played back simultaneously. *Details are below.——ConnectorsOutput Jacks (L/MONO, R): 1/4 inch phone type,Headphone Jack: Stereo 1/4 inch phone type,Mic Input Jack: 1/4 inch phone type,EXT Input Jack: Stereo miniature phone type,Hold Pedal Jack, MIDI Connectors (IN, OUT),USB COMPUTER Connector (supports USB MIDI)Output Jacks (L/MONO, R) (1/4 inch phone type), Headphone Jack (stereo 1/4 inch phone type),Song/Click Out Jack (stereo 1/4 inch phone type),Line Input Jacks (L, R) (1/4 inch phone type),Guitar/Mic Input Jack: Mic; 1/4 inch phone type or XLR type (phantom power),Guitar; 1/4 inch phone type (Hi-Z), Control Pedal Jack,Hold Pedal Jack, MIDI Connectors (IN, OUT),USB COMPUTER Connectors (USB Hi-Speed Audio/MIDI) (Use a USB cable and a computer with a USB connector that support USB 2.0 Hi-Speed.), DC IN JackOutput Jacks (L (MONO), R): 1/4 inch phone type,Headphone Jack, Song/Click Out Jack,Mic Input Jack: 1/4 inch phone type or XLR type (phantom power),MIDI Connectors (IN, OUT), Hold Pedal Jack,Control Pedal Jack, Patch Select Jack,USB COMPUTER Connector (Supports USB MIDI)Size/Weightmm: 1,008 (W) x 300 (D) x 104 (H), inches: 39-11/16 (W) x 11-13/16 (D) x 4-1/8 (H)/5.2 kg, 11 lbs 8 oz.(Excluding AC Adaptor)mm: 1008 (W) x 300 (D) x 105 (H), inches: 39-11/16 (W) x 11-13/16 (D) x 4-3/16 (H)/5.7 kg, 12 lbs 10 oz (Excluding AC Adaptor)mm: 1,251 (W) x 344 (D) x 112 (H), inches: 49-1/4(W) x 13-9/16 (D) x 4-7/16 (H)/9.8 kg, 21 lbs. 10 oz.(Excluding AC Adaptor)OtherPhrase/ArpeggioPreset: 128Preset: 128, User: 64Preset: 128, User: 128Rhythm Pattern Preset: 24 groups x 6Preset: 371, User: 99, Song (Digital Recorder): 99Preset: 256 (26 groups), User: 256 (32 groups)Chord Memory Preset: 17Preset: 17Preset: 64, User: 64ControllersD Beam Controller, Pitch Bend/Modulation Lever, Sound Modify Knob x 5D Beam Controller, Pitch Bend/Modulation Lever, S1/S2 Buttons,Sound Modify Knob x 6D Beam Controller, Pitch Bend/Modulation Lever, S1/S2 Switches,Sound Modify Knob x 7Display18 characters 1 line + 20 characters 2 lines, custom LCD (with backlit)240 x 64 dots graphic LCD (with backlit)240 x 64 dots graphic LCD (with backlit)Expansion Slot ————SRX expansion board: 2 slotExternal Storage USB MEMORY (supports USB 2.0 Hi-Speed Flash Memory)SD/SDHC CardUSB MEMORY (supports USB 2.0 Hi-Speed Flash Memory)Power/Current Draw DC 9V: AC Adaptor or Ni-MH AA SIZE Rechargeable Battery (optional) x 8/600 mA *Carbon-zinc batteries or alkaline batteries cannot be used.DC 9V: AC Adaptor or Ni-MH AA SIZE Rechargeable Battery (optional) x 8used./750 mA*Carbon-zinc batteries or alkaline batteries cannot be used.DC 9 V (AC Adaptor) /2,000 mAAccessoriesCD-ROM (Sound Editor, Librarian, Playlist Editor,USB Driver), USB Memory Protector, AC Adaptor (PSB-1U)Quick Guide, CD-ROM (USB Driver), DVD-ROM (Cakewalk PPP),SD Card (2 GB, installed in the JUNO-Gi when shipped from the factory),SD Card Protector (installed in the JUNO-Gi when shipped from the factory),USB Memory Protector, AC AdaptorCD-ROM x 2 (Sound Editor/Librarian/USB MIDI driver, SONAR LE),Music Player Pad, Music Player Cable, USB Memory Protector, AC Adaptor*JUNO-Gi details of digital recorder section Maximum Number Of Songs: 99, Memory Capacity: SD memory card (supports SDHC cards to a maximum of 32 GB) / Sample Rate: 44.1 kHz, Recording Time (conversion in one track); Card Capacity/Recording Times=1 GB/6 hours, 2 GB/12 hours, 4 GB/24 hours, 8 GB/48 hours, 16 GB/96 hours, 32 GB/192 hours *The maximum recording time (storage used) for one song is approximately 12 hours (2 GB). *The above recording times are approximate and for when only one track is used. For example, if you record using all eight tracks, the available time for each track will be one eighth of the time listed. *Since the 2 GB SD card included with the JUNO-Gi contains a demo song, the available recording time will be shorter than listed above. *With the Track Export function, a maximum of approximately 6 hours and 40 minutes worth of monaural data (approximately 3 hours and 20 minutes worth of stereo data) can be output. / Nominal Input Level: Line Input jacks; -10 dBu), Guitar/Mic Input jack; Guitar: -20 dBu/Mic: -40 dBu / Effects: Insert Effects; 3 banks (Guitar, Mic, Line), Mastering Tool Kit: Reverb*For JUNO-Gi and JUNO-Di onlyJUNO Series SpecificationsOptionsSeries HistoryThe JUNO-106 made its debut in 1983, and became a top-selling synthesizer. In recent years it has experienced a resurgence of popularity. In 2004,the JUNO-D was released with an expanded concept: supreme cost-performance with lightweight. Write, record, and perform from any location. Never before has JUNO been more accessible and versatile.JUNO-6 1982JUNO-106 1984JUNO-D 2004Visit us online at Printed in Japan Jul. RAM-4628 ABF-2 GR-UPR-SSAll specifications and appearances are subject to change without notice.All trademarks used in this catalog are the property of their respective companies.Roland, BOSS, JUNO, JUNO-ST AGE, and COSM are either registered trademarks or trademarksof Roland Corporation in the United States and/or other countries.Carrying case for JUNO seriesCB-61JNStereo Keyboard AmplifierKC-110Battery-Powered Stereo Amplifier [MB-CUBE]MOBILE CUBEBattery Powered Stereo Amplifier [CUBE-ST/CUBE-ST-R]CUBE StreetCube Monitor [CM-30]CUBE MONITORKeyboard standKS-18ZKeyboard standKS-12Keyboard standKS-8Stereo HeadphonesRH-300Damper PedalDP-10USB MemoryM-UF2G*Actual D Beam is invisible.。
Roland AX-Synth商品介绍说明书
DEDICATED EDITOR SOFTWAREThe AX-Synth has a vault of great solo sounds onboard, but if you want to customise your sounds, you can easily do so with the dedicated PC software editor/librarian application. The AX-Synth’s USB/MIDI connector makes communication to and from your computer fastand convenient.ALL IN ONEPlug in and play — what could be more convenient?The AX-Synth has everything you need to steal the show .Unlike most shoulder synths of yesteryear , the AX-Synth is self-contained and loaded with 256 tones – perfect for blistering solos! No external MIDI devices are required - everything is built-in and ready to go.• Built-in sound engine with voices from Roland’s latest synthesizers • sounds included• Realtime controllers: ribbon controller , D Beam, modulation bar , knobs and easily visible display • Long battery operation (approx. 6 hours)• USB MIDI for easy connection to PC• Cool and stylish designNote: in the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.RAM-4650 RAMRES 805-10 602.00.0243AX-SynthKeyboard49 Keys (with velocity)Sound GeneratorMaximum Polyphony128 voicesT ones256 T ones + 8 Special T ones (including SuperNATURAL) ControllersD-Beam YesRibbon T ouch YesModulation Bar YesVolume Knob Controller YesAftertouch Knob Controller YesPortamento On/Off YesHold button On/Off YesBender Mode Normal / Catch+LastConnectorsOutput2x¼’ inch phone type (L/MONO, R)Headphones Stereo ¼’ inch phone typeFoot Pedal YesUSB MIDI YesMIDI IN/OUT YesPower Adaptor AC/DC PSB-1UOtherBattery8x AA type Ni-MH rechargeable BatteriesDisplay(3x7) segment LEDAccessories Owner’s Manual, Shoulder strap, AC Adaptor Options CB-61W (Keyboard bag)SIZE and WEIGHTWidth, Depth, Height 45 x 10-1/2 x 3-7/16 inchesWeight 3.9 Kg / 8 lbs. 10 oz.Colour White, BlackSPECIFICATIONSControllersModulation Bar and T ouch ControllerVolume and Aftertouch knob controllersBattery case for 8 x AA type Ni-MH rechargeablebatteriesOctave/Variation buttons and TransposeRear panel。
罗兰高级功能说明书(通用)
声明：本汉语使用指南，并非原厂英文说明的完全汉语版，只是粗略地讲述了iFIINDER Go GPS 的有关使用方法，所以仅供英文不太好的用户参考，如果内容有不正确的地方还请大家原谅，如能及时指出更好！因此，我没有为这个指南加入目录，也是为了和正规的说明书区别开来，本指南共包括以下几个要点：第一部分有关GPS and WAAS的知识第二部分：安装设备和附件的方法第三部分：简易模式操作说明第四部分：高级模式操作说明如有什么意见或建议请给我发邮件!第一部分有关GPS and WAAS的知识：一．iFINDER Go介绍iFINDER Go的性能和Go2性能相同，只是后者内存加大到64M显示屏大小：2" (51 mm) 高清晰，16-级灰度分辨率：。
200x 140共计28，000背光照明。
琥珀色LED 二级亮度照明电源：。
3伏直流或二节五号电池供电，不开背光大于61小时或开低背光30小时，全背光18小时。
外形尺寸：。
5。
15" H x 2。
12" W x 1。
25" D (131 x58 x 32 mm); 防水性能达到IPX7 标准。
(一般，不能浸泡于水中)重量：。
162克后备存储器：。
内置记忆体信息可以掉电保存10年。
内置地图存储器：。
内置有32 MB 地图及数据。
语言支持：。
内置10种语言;ＴＮＮＤ就是没有中文S接收天线：。
内置有16 并行通道ＧＰＳ及广域增强系统W AAS。
内置地图：。
内置低细节世界地图和中细节美国地图位置更新频率：。
每秒钟１次出事点：。
MOB 采取独特的信息标志来显示而且必要时会自动导航到出事点。
屏幕提醒功能：。
到达/偏离预定路线/通过目的地时都会弹出一个提醒信息手工添加信息点：。
42个信息点（这个42不太明白），1，000 路点(waypoint); 100航线（每条航线可以有最多100 路点）。
航迹：。
可以采集100航迹; 每条上有9，999 点。
Roland FP-10 数字钢琴说明书
DIGITAL PIANO使用手冊主要規格Roland FP-10: Digital piano**本文件說明文件發佈時的產品規格。
關於最新資訊，請查詢Roland網站。
使用本機前，請仔細閱讀“使用安全須知“、“重要注意事項“(“USING THE UNIT SAFELY”文件與使用手冊(p. 6))。
閱讀完之後，請將本手冊放置於隨手可取得之處。
© 2019 Roland Corporation演奏之前的準備若您想要將FP-10放置在鍵盤腳架上，請使用Roland KSCFP10 (請參閱KSCFP10使用手冊)或KS-12。
架設腳架時，請小心勿夾傷您的手指。
將譜架插入FP-10上方的縫隙。
連接設備(後方面板)**為了避免故障和設備受損，進行任何連接之前，請先調小音量，並關閉所有設備的電源。
3演奏之前的準備按下[L ] (power)鍵開啟電源。
若您按住[L ] (power)鍵一秒以上，電源將會被關閉。
在一段時間後自動關機(Auto Off)當您停止播放音樂，或停止操作本機按鍵或控制裝置一段時間之後，本機的電源將會自動關機(自動關機功能)。
若您不想要自動關閉電源，請解除自動關機。
22410停用10分鐘、30分鐘、240分鐘，停用(維持開啟*5當電源關閉時，沒有儲存的資料將會流失。
開啟電源之前，儲存您想要保留的資料(參考手冊“Reference manual” (PDF) “儲存設定(Memory Backup)”)。
*5若要恢復電力，請再次開啟電源。
調整音量使用兩個[VOLUME]鍵來調整音量。
您可以調整使用內建喇叭時的喇叭音量，或是連接耳機時的耳機音量。
**在[VOLUME]鍵上方的指示燈亮燈數量，會依據音量設定而改變。
若所有的指示燈全亮，則為最大音量。
若所有指示燈全部不亮，將會無聲。
4G G E E H S S J a 2J a *5同時按下兩個琴鍵，播放兩種疊加音色。
這個功能稱為“Dual Play”。
罗兰（Roland）V-Synth GT高级合成器说明书
------------------------------------------------------------------------------------------------------------------------------------Multi Forms of Advanced Synthesis------------------------------------------------------------------------------------------------------------------------------------By integrating a new dual core V-Synth engine, the V-Synth GT can combine Elastic Audio Synthesis, Vocal Designer technology, and AP-SYNTHESIS in real time. Roland's proprietary VariPhrase technology is also integrated into the V-Synth GT. Together with its analog-modeling engine, External Audio input, and digital sampling architecture, the V-Synth GT provides an incredibly wide and colorful foundation on which to capture, manipulate, and create sounds.------------------------------------------------------------------------------------------------------------------------------------AP-SYNTHESIS------------------------------------------------------------------------------------------------------------------------------------The V-Synth GT is the first synthesizer in the world equipped with AP (Articulative Phrase) SYNTHESIS. This revolutionary form of modeling recreates the ever-changing behavior, nuance, and sound of an instrument as it’s being played. The results are stunningly expressive and realistic, and can be applied to acoustic instrument simulation as well as new, never-before-heard sounds.------------------------------------------------------------------------------------------------------------------------------------Speed Programming------------------------------------------------------------------------------------------------------------------------------------Serious sound designers will love the complexity and editing depth the V-Synth GT , but there are many instances where musicians need fresh sounds fast — and that’s the beauty of Sound Shaper II.Based on the original Sound Shaper, this enhanced mode lets you chose a sound type, then it brings the most relevant parameters directly to the surface. You’ll be creating new sounds in seconds!------------------------------------------------------------------------------------------------------------------------------------Futuristic Design------------------------------------------------------------------------------------------------------------------------------------The V-Synth GT is a top-of-the-line instrument. No corners were cut in creating its futuristic yet friendly layout and design. New front-panel features include a color touch-screen with eight universal control knobs, and the addition of dedicated buttons and sliders to make access faster and easier. From top to bottom, front to back,this is an instrument that says “first class”.V-Synth GT Specifications" Keyboard 61 keys (with velocity and channel aftertouch), Dual Elastic Audio Synthesis Core with AP-Synthesis and Vocal Designer " Sound Generator Configuration Oscillator (envelope x 4 + LFO x 1),Modulator x 1 per Tone, COSM (envelope x 2 + LFO x 1) x 2, TVA (envelope x 1 + LFO x 1) x 1, Tone FX x 1, AP-SYNTHESIS (Articulative Phrase Synthesis) x 1*, Vocal Designer x 1*, *Shared by both Upper and Lower Tone " Methods by Which Oscillators Produce Sound PCM/Variphrase (Preset waveforms +Sampling waveforms), Analog Modeling (14 waves: SAW, SQUARE, TRIANGLE, SINE, RAMP , JUNO, HQ-SAW, HQ-SQUARE, NOISE, LA-SAW, LA-SQUARE, SUPER-SAW, FEEDBACK-OSC, X-MOD-OSC),External Input " Modulator 4 Modulation types (RING, FM, ENV-RING, OSC-SYNC), MIX and STEREO-MIX " COSM 16 types (OD/DS, W-SHAPE, AMP , SPEAKER, RESONATOR, SBF1, SBF2, COMB, DUAL, TVF,DYN-TVF, COMP , LIMITER, F-SHIFT, LO-FI, TB-FILTER) " Zones (Splits for Rhythm/Filter Bank) 16Zones per Tone " Maximum Polyphony TBA (Varies depending on the load placed on the sound generator.)" Internal Memory Project: 1, Patches: 256, Tones: 512, Waves: TBA, Wave memory (RAM): TBA (64 M bytes) " External Storage Device USB Flash Memory " Effects Tone FX: 2 (41 types Multi-effects),Chorus: 1 (8 types)*, Reverb: 1 (10 types)*, *Shared in the both of Upper and Lower Tone " System EQ 4bands " Sampling Frequency Internal: 44.1 kHz, Digital Audio IN/OUT: 96, 48, 44.1 kHz " Signal Processing Internal Processing <Sound generating section: 32 bits (floating point) <Effects section> 24 bits (fixed point) <DA Conversion> 24 bits <AD Conversion> 24 bits " Nominal Output Level MAIN OUT: +4 dBu,DIRECT OUT: +4 dBu " Nominal Input Level INPUT (LINE): -20 dBu, INPUT (MIC): -46 dBu " Arpeggiator * Patterns: User programmable (support use of control change messages), Motifs: 8 types, Tempo: 20 to 250BPM *Shared in the both of Upper and Lower Tone " Multi Step Modulator Tracks: 4, Steps: 16, Tempo: 20to 250 BPM " Display Graphic 320 x 240 dot backlit TFT LCD with touch screen " Controllers Pitch Bend / Modulation Lever, Time Trip Pad, D Beam Controller (Twin beam), Assignable Control Knobs (C1, C2) " Connectors Headphones Jack, Main Output Jacks (L/MONO, R) (1/4 inch phone type), Direct Output Jacks (L, R) (1/4 inch phone type), Input Jacks (L, R) (1/4 inch phone type), Hold Pedal Jack, Control Pedal Jacks (1, 2) (assignable), MIDI Connectors (IN, OUT, THRU), USB Function Connector (supports USB 2.0 file transfer, USB 1.1 USB-MIDI and Audio Streaming), USB Host Connector (supports USB 2.0 Flash Memory),Digital Audio Interface (24-bit, IEC60958): COAXIAL (IN, OUT), OPTICAL (IN, OUT), AC Inlet " Power Supply AC 115 V, AC 117 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz) " Power Consumption TBA " Dimensions 1066 (W) x 411 (D) x 125 (H) mm/ 42 (W) x 16-3/16 (D) x 4-15/16 (H) inches " Weight 14.1 kg / 31 lbs 2 oz " Accessories Owner's Manual, CD-ROM (USB Driver for Windows/MacOS), USB Memory Protector, Power Cord " Options Keyboard Stand: KS-12, Pedal Switch: DP , Foot Switch: BOSS FS-5U, Expression Pedal:EV-5, BOSS FV-300L* 0 dBu= 0.775 Vrms* The specifications are subject to change without notice." Rear Panel。
Roland XP-10高质量音源说明书
®ÂØÒňήXP-10 Multitimbral Keyboard1of 2Keyboard:61 keys (with velocity)Multitimbral capability:16 parts Max polyphony:28 voices Effect:Reverb (8 types), Chorus (8 types)Internal memory:Tones Preset: 338User:256Drum sets Preset: 16User: 20Performances Preset: 64User: 64Display:16 character, 2-line LCD Connectors:Output (L(moon), R), Phones,Pedal (used as both pedal switch and expression pedal), MIDI (in, out, thru), Computer IF (Mac/PC-1PC-2), DC InPower supply:AC adapter Power consumption:360 mA Dimensions:1034 (W) x 296 (D) x 94 (H) mm40-3/4 (W) x 11-11/16 (D) x 3-3/4 (H) inchesWeight: 5.0 kg/11 lbs 1 oz Accessories:Owner’s manual, AC adapterOptionsPedal Switch DP-2/6Foot SwitchFS-5U (Boss)Expression Pedal EV-5Keyboard Stand KS-8Keyboard StandKS-12ArpeggiatorOctave range:-3 ~ +3 oct Sync source:Internal, MIDI Key velocity:Fixed (1~ 127)RealGroove ratio:0 ~ 100%Shuffle ratio:50 ~ 90%Tempo:20 ~ 250 bpm Styles:30Motifs:33Beat patterns:52STYLES (See Arpeggiator Style List)MOTIFS:SINGL UP , SINGL DOWN, SINGL UP&DW, SINGL RANDM,DUANL UP , DUAL DOWN, DUAL UP&DW, DUL RANDOM,NOTE ORDER, GLISSANDO, CHORD, BAS+CHORD~5M BASS+UP 1~5, BASS+UP 1~8, BASS+RND 1~3, TOP +UP 1~6BEAT PATTERNS:1/4, 1/6, 1/8, 1/12, 1/16 1~3, 1/32 1~3, SEQ-A1~6, SEQ-B1~4, SEQ-C1~2, ECHO1~3, MUTE1~12, CUT1~2, REGGAE, REF1~2, PERC1~4, WALKBS, STRUM 1~2, HARP , BOUND, RANDOM*Appearance and specifications subject to change without notice.®ÂØÒňÎXP-10 Multitimbral Keyboard cont.®2of 2The X-Dual mode is an innovative variation of this capabili-ty. With X-Dual, the two sounds that you layer can interact in different ways. For instance, you can “morph” one sound so that I gradually changes into the second sound.Or you can integrate the two sounds using the modulation lever, an external pedal or the XP-10’s Combination Palette.Combination PaletteThe Combination Palette provides two sliders that give you realtime control over various settings on the XP-10. For instance, in Dual mode you can modify sound parameters in realtime. While in X-Dual mode, you can expressively modify the way the two tones interact. You can also use the Combination Palette’s sliders to instantly change the tempo, shuffle ratio or groove ration of the arpeggiator.User-friendly operationDespite having a range of professional functions, you don’t have to be a pro to enjoy the XP-10. The ergonomic layout of the controls in intuitive and logical, so you can get start-ed right away without even cracking the owner’s manual.A 16-character x 2-line LCD makes it easy to step through functions without getting lost and the convenient onboard sliders make adjusting parameters a simple process.Compact, lightweight designThough it’s packed with features, the XP-10 is surprisingly lightweight and portable, letting you take it just about any-where, from parties to school functions to onstage perfor-mances.The serious choice for both professionals and beginnersThe XP-10 Multitimbral Synthesizer is professional quality keyboard that combines great sounds with user-friendly operation in a compact design. Whether you’re an experi-enced pro or an excited novice, the XP-10 makes it easy to create outstanding music. Despite its easy operation and affordability, the XP-10 doesn’t compromise on quality.Roland’s vast experience producing professional musical instruments affords the unique ability to create a keyboard which is ideal for beginners, you retains the quality and functionality that serious players demand.Specifications。
Roland VS-1680 V-XPANDED数字工作站系统用户手册说明书
Owner’s ManualThank you, and congratulations on your choice of the Roland VS-1680 V-XPANDEDDigital Studio Workstation.As the owner of the VS-1680 V-XPANDE D, you can begin using all functionsimmediately. Please read the V-XPANDED Owner’s Manual (this document) togetherwith the VS-1680 Owner’s Manual (three volumes).If you purchased the V-XPANDED system Zip disk, refer to this manual and upgradethe system software of VS-1680 (to add the V-XPANDED functions). Then, read the V-XPANDE D Owner’s Manual (this document) together with the VS-1680 Owner’sManual (three volumes).All product names mentioned in this document are trademarks or registeredtrademarks of their respective owners.Copyright © 1999 ROLAND CORPORATIONAll rights reserved. No part of this publication may be reproduced in any form withoutthe written permission of ROLAND CORPORATION.Roland international website: Roland U.S. website: 01898978 ‘99-3-E3-11T3Table of Contents (3)Precautions...................................................................4Added functionality(main features).............................................................5Mixdown using the VS-1680 alone......................5Additional effect algorithms................................5Automix editing functionality.............................5Enhanced support forCD-R/CD-RW drives............................................5Enhanced operations.............................................5Enhanced screen display.. (5)Expanding the functionality of the VS-1680 (6)If you purchased theVS-1680 V-XPANDED...........................................6If you purchased theV-XPANDED system program Zip disk (6)Mix 16 tracks down to 2 tracks(Mastering Room) (8)Added mastering tracks.............................................8Mixing down to the mastering tracks.......................8Mixdown shortcut 1............................................10Mixdown shortcut 2............................................10Playing back the mastering tracks..........................10Mixing down while inserting effects. (11)New effects algorithms (14)Making the volume consistent for each frequency band(Mastering Tool Kit)..................................................14EQ (Equalizer)......................................................14BCut (Bass-cut filter)............................................15Enh (Enhancer).....................................................15In (Input)...............................................................15Exp (Expander).....................................................15Cmp (Compressor)..............................................16Mix (Mixer)...........................................................16Lmt (Limiter)........................................................16Out (Output).........................................................16Modeling various speakers (Speaker Modeling)..17SpMod (speaker modeling)................................17BCut (Bass-cut filter)............................................17LFT/HFT (Frequency trimmer).........................17Lmt (Limiter)........................................................18Effective ways to use speaker modeling. (18)Editing an automix (19)Erasing data from a specific area (Erase)...............19Copying data to another location (Copy)..............20Smooth data transitions (Gradation)......................21Increasing or decreasing all data values (Shift/Expand) (23)Using the VS-1680 with a CD-R/CD-RW drive (25)Creating an audio CD...............................................25Creating silence between songs (Disc At Once and Track At Once)..............................................25Specifying the writing speed (Speed)...............25Song writing procedure......................................25Saving a song to a CD-RW disc (Backup)..............27Checking whether the song was saved correctly (+Verify)................................................................27Specifying the speed of saving (Speed)............27Backup procedure................................................27Restoring songs from aCD-RW disc (Recover)..............................................28Specifying the speed of recovery (Speed).........28Recovery procedure (28)Enhancements related to operation.30Shortcut to the Phrase Edit window.......................30Creating a new phrase (Phrase New).....................30Sorting the take list (Sort)...................................30Deleting a take (Delete).......................................31Naming a take (Name)........................................32Dividing a phrase(Phrase Divide/Split)................................................33Automatically dividing a phrase (Phrase Divide)33Dividing a phrase into two parts (Phrase Split)..34Using the MONITOR knob to adjust the pan(MONITOR knob +[SELECT]).................................35Linking the faders of two or more channels(Fader Group)............................................................36Copying mixer settings.............................................37Shift Lock on/off ([SHIFT]+[YES]).........................38Removing direct current offset from the mix bus.38Enhancements to the display and specifications (39)Checking inserted effects (Icon and Patch Name display)........................................................................39Checking effects that cannot be used in otherchannels (Effect insertion location display)...........39Switching the Song Select window (List display).40Easy Routing ..............................................................40Additional template (Mastering).......................40Immediate application of step-edited changes41Settings not stored in a scene (Monitor Level)......41Master Send switch display has been changed(PanÆMIX) (41)Index (42)456There are several ways in which the new functions can be added to the VS-1680. Please read the section that applies toyour VS-1680.hard disk that you are currently using without any changes. It is not necessary to initialize the hard disk. However, as a precaution against unforeseen accidents, we recommend that you back up your song data before performing the upgrade.If you purchased the VS-1680 V-XPANDEDIf you purchased the VS-1680 V-XPANDED, you need not perform any procedure. Skip this section and begin reading Chapter 2 (p.8).If you purchased theV-XPANDED system program Zip diskYou can use the V-XPANDED system program Zip disk to add the V-XPANDED functionality to your VS-1680. Prepare the following items.-VS-1680-SCSI Zip drive-VS-1680 V-XPANDED system program Zip diskwhich installs the software update. Be careful not to initialize it on the VS-1680.1.Make sure that the power is turned off on all devices.always turn down the volume, and turn off the power on all devices before making any connections.2.Disconnect all cables that were connected to the VS-1680.3.Connect the SCSI Zip drive to the VS-1680. On the backof the Zip drive, make sure the termination switch is setto ’on’.disk drives.4.Turn on the power of the SCSI zip drive.5.Insert the VS-1680 V-XPANDED system program Zipdisk into the SCSI Zip drive.6.Connect the power cable to the VS-1680.7.Turn on the rear panel power switch of the VS-1680.8.Wait for the display to prompt “Update SystemProgram?” and then press [YES].recognize the Zip disk. Turn off the power, re-insert the disk correctly, and turn the power on once again.9. A message will ask whether you wish to keep the usersettings that are stored in your VS-1680. Press [YES] and proceed to step 11. If you wish to initialize (erase) the user settings, press [NO], and proceed to step 10.The user settings that can be left in the VS-1680 are as follows.-Easy routing (VS-1680 Owner’s Manual, p. 41)-Effect user patches (VS-1680 Owner’s Manual, p. 110)-Alarm function message (VS-1680 Owner’s Manual, p. 193)Expanding the functionality of the VS-168078From the 256 V-tracks you can now select any two tracks, and mixdown to these two tracks as you play back 16 tracks simultaneously.Added mastering tracksUntil now, you had to use an external DAT recorder or MD recorder if you wanted to mixdown a song that used all sixteen tracks. For example if you wanted to produce an original audio CD, you needed to first mixdown to an external recorder (DAT or MD), and then re-record that song onto the VS-1680.(DAT or MD) are provided on the VS-1680 itself.mastering tracks. With the factory settings, V-track 16 of tracks 15/16 (i.e., 15-16 and 16-16) are assigned as the mastering tracks.For example, you can play back V-tracks 1-1, 2-1, 3-1...15-1, and 16-1 (a total of 16 tracks), and record the result on V-tracks 15-16 and 16-16 (a total of two tracks).is set to “MAS (mastering),” you can play back V-tracks 1-1, 2-1, 3-1...7-1, and 8-1 (a total of 8 tracks), and record on V-tracks 7-16 and 8-16 (a total of two tracks). Tracks 9–16 cannot be used.Mixing down to the mastering tracksHere’s how to select the mastering tracks, and perform a mixdown.mastering tracks (two tracks) is significantly affected by the speed of the hard disk. For this reason, depending on the structure of the song data (sampling rate and recording mode, or when punch-in/out is used frequently, etc.), or depending on the drive that you use, the display may indicate “Drive Busy,” and the operation may nottake place correctly. In order to take full advantage of theVS-1680’s potential, such as the number of tracks thatcan be recorded/played simultaneously, and the recording capacity, we recommend that you use a hard disk which capacity is 2.1 GB or more.1.Press [MASTER].2.Press [PAGE] so that [F6] indicates “M.Tr,” and thenpress [F6 (M.Tr)].3.Press [ENTER (YES)].4.Press [], [], [], or [] to move the cursor.Use the TIME/VALUE dial to specify the value for eachparameter.Mix 16 tracks down to 2 tracks (Mastering Room)9Mix 16 tracks down to 2 tracks (Mastering Room)Playing back the mastering 10Mix 16 tracks down to 2 tracks (Mastering Room) MEMO11Mix 16 tracks down to 2 tracks (Mastering Room)Mix 16 tracks down to 2 tracks (Mastering Room) Track 1--16you use it, EFX2/EFX4 will be unavailable.EQ (Equalizer)This is a four-band equalizer with low, low-mid, high-mid, and high ranges.Turns the equalizer on/off.InputG (Input gain) -24–+12dBAdjusts the overall volume level of the signal before entering the equalizer.Low Type Shlv, Peak High Type Shlv, PeakSelects the type of the low range (Low) and high range(High) equalizer. (Shlv: shelving type, Peak: peaking type).Low Gain -12–+12dBLoMid Gain (Low middle gain) -12–+12dB HiMid Gain (High middle gain) -12–+12dB High Gain (High gain) -12–+12dBAdjust the gain (the amount of boost or cut) for each equalizer band.Low Freq (Low frequency) 20–2,000Hz LoMid Freq (Low middle frequency)20–8,000Hz HiMid Freq (High middle frequency)20–8,000Hz High Freq (High frequency) 1.4–20kHzAdjust the center frequency of each equalizer band.Low Q (Low Q) 0.3–16LoMid Q (Low middle Q) 0.3–16HiMid Q (High middle Q) 0.3–16High Q (High Q) 0.3–16Adjust the width of the area around the center frequency (Freq) that will be affected by the Gain. As these values are raised, a narrower range will be affected.Lvl (Level) -24–+12dBAdjusts the overall volume of the signal that has passed through the equalizer.New effects algorithmsNew effects algorithmsNew effects algorithmsNew effects algorithmsfunction (VS-1680 Owner’s Manual, p. 160).1.Press [PLAY (DISPLAY)].2.Hold down [SHIFT] and press [F6 (UTIL)].3.Press [PAGE] so that [F5] indicates “A.Mix,” and thenpress [F5 (A.Mix)].4.Press [F2 (Micro)].5.Press [PAGE] so that [F1] indicates “In.”from which you wish to erase automix data, and press [F1 (In)]e [][] to move to the last marker of the areafrom which you wish to erase automix value, and press [F1 (Out)]. Check marks will be added to the area specified for erasure.press the button in the order of [F1 (In)]→ [F1 (Out)] at the same marker location.setting value at the cursor location. If you wish to re-select the automix value that will be erased, press [].9.Press [F2 (Erase)].Editing an automixEditing an automix TargetEditing an automixValueEditing an automixEditing an automix TargetTrack At Once)When writing two or more songs together to a CD-R disc, you can select how the space between songs will be handled.Disc At OnceThe song data and the track number markers attached to the song data will be written to the CD-R disc without change. However, additional song data cannot be added later to a CD-R disc that was written using Disc At Once. (It will be in the same condition as if Finalize had been performed.)Two seconds of silence will automatically be written to the CD-R disc before each track number marker attached to the song data. (This is the same condition as when additional songs are written to the disc later.) Additional song data can be written to a CD-R disc that was written using Track At Once.of songs, Disc At Once would be the appropriate choice. This is because Track At Once would add approximately two seconds of silence, which would cause the playback to sound fragmented.Specifying the writing speed (Speed)When writing songs to a CD-R disc, you can now select the speed at which the data will be written.Song writing procedure1.Insert a CD-R disc into the drive.2.Press [PLAY (DISPLAY)].3.Hold down [SHIFT] and press [F1 (SONG)].4.Press [F3 (CD Wt)]. If [F3] does not indicate “CD Wt,”first press [PAGE] so that “CD Wt” appears, and then press [F3 (CD Wt)].Using the VS-1680 with a CD-R/CD-RW driveUnused area onthe internal IDE hard disk Unused area on the CD-R discUsing the VS-1680 with a CD-R/CD-RW driveMEMOThe message about the license agreement is the same as“About the License Agreement” on the back cover of theSource SongThe marked songs will be backed up. Move the cursor to asong that you wish to back up, and press [F3 (MARK)]. ByUsing the VS-1680 with a CD-R/CD-RW driveUsing the VS-1680 with a CD-R/CD-RW driveSource SongMarked songs will be loaded. Move the cursor to a song thatyou wish to recover, and press [F4 (MARK)]. By pressingShortcut to the Phrase Edit windowIn Play condition, you can now select the phrase that you wish to edit, and open the editing window directly.1.Press [PLAY (DISPLAY)].2.Move the current time so that it falls within the phrasethat you wish to edit.3.Use [][] to highlight the phrase that you wish toedit.you can also use the TIME/VALUE dial to highlight the phrase that you wish to edit.4.Press [PAGE] so that the function buttons display thephrase edit menu.operations. Press the function button for the desired editing operation.[F1 (Copy)]:Opens the Phrase Copy window (VS-1680 Owner’s Manual, p. 93).[F2 (Move)]:Opens the Phrase Move window(VS-1680 Owner’s Manual, p. 96).[F3 (TrimI)]:Opens the Trim In window(VS-1680 Owner’s Manual, p. 97).[F4 (TrimO)]:Opens the Trim Out window(VS-1680 Owner’s Manual, p. 98).[F5 (Del)]:Opens the Phrase Delete window (VS-1680 Owner’s Manual, p. 99).[F6 (Split)]:Opens the Phrase Divide/Split window (VS-1680 Owner’s Manual, p. 100).Creating a new phrase (Phrase New)In the Phrase New window (VS-1680 Owner’s Manual, p. 101), you can now sort takes and reassign names.Sorting the take list (Sort)1.Press [PLAY (DISPLAY)].2.Hold down [SHIFT] and press [F2 (TRACK)].3.Press [F1 (Tr/Ph)] so that the Phrase Edit menu appears.4.Press [PAGE] so that [F3] indicates “New,” and thenpress [F3 (New)].5.Press [F1 (Take)].6.At this time, pressing [F3 (Sort)] will switch the order inwhich the takes are sorted, cycling through the followingchoices.HIST :The order in which the takes were recorded V.Tr :The order of the V-tracks on which the takes are recordedNAME :The alphabetical order of the take namesEnhancements related to operationTakeThis will show the take that you selected in step 8. You may re-select the take if desired.Enhancements related to operation7.Press [F5 (Del)]. A message will ask you to confirm. fig.6-10_90Enhancements related to operationEnhancements related to operationTypeSelect how the phrase will be divided. In this case, select “Divide.”Enhancements related to operationTypeSelect how the phrase will be divided. In this case, select “Split.”Enhancements related to operationGroupSelect the group (1–8) to which you wish to assign the fader.Enhancements related to operationNOTEIf the Channel Link setting is OFF for the copy-destinationEnhancements related to operationChecking inserted effects (Icon and Patch Name display)Effects that have been inserted into channels/tracks can now be confirmed through icons and patch names.1.Press [SELECT] for the channel to which you wish toapply an effect.2.Press [PAGE] so that [F1] indicates “Ef1In,” and thenpress [F1 (Ef1In)].or [F4 (Ef4In)] respectively.3.Press [YES].e the TIME/VALUE dial to select how the effect willbe inserted. At this time you can view the effect as an icon and as a patch name (up to ten characters).5.Press [PLAY (DISPLAY)]. You will return to Playcondition.Checking effects that cannot be used in other channels (Effect insertion location display)When there are effects which cannot be used for a channel/track (because they are inserted into another channel/track), the location of the effect inserted is now displayed.1.Press [SELECT] for the channel to which you wish toapply an effect.2.Press [PAGE] so that [F1] indicates “Ef1In,” and thenpress [F1 (Ef1In)].or [F4 (Ef4In)] respectively.3.Press [YES].e the TIME/VALUE dial to select how the effect willbe inserted. At this time, you can view the effects that are inserted into other channels/tracks.Enhancements to the display and specificationsAlso, you can press [F5] to cycle the displayed contents between date of creation → time of creation → e the TIME/VALUE to move the cursor to the songthat you wish to select.6.Press [F4 (Exec)].7.Press [YES].8.The display will ask “STORE Current?” If you wish tosave the current song, press [YES]. If not, press [NO]. fig.7-08Icon display List display Icon / Date of creation Icon / Time of creation Icon / Size List / Date of creation List / Time of creation List / SizeEnhancements to the display and specifications42Symbols+Verify (28)AAfter Rec (after recording).............................................. 9Alarm function................................................................. 6Automix (19)CCD Speed............................................................. 26, 28, 29Channel Link................................................................... 37Copy (20)DDestination Mark............................................................ 21Destination Target.......................................................... 21Disc At Once. (25)EEasy Routing............................................................... 6, 40Effect expansion board.................................................. 11EFX1 (effect insert switch 1)......................................... 12Erase................................................................................. 19Erase All Songs............................................................... 29Expand....................................................................... 23, 24External recorder.. (8)FFinalize....................................................................... 25, 26GGradation......................................................................... 21Gradation Curve............................................................. 22Group. (36)IIcon display..................................................................... 40IN Margin........................................................................ 34IN Threshold. (34)LLicense agreement.......................................................... 27List display. (40)MMarker................................................................................ 9Marker Add..................................................................... 22Master Send switch........................................................ 41Mastering......................................................................... 40Mastering Room............................................................... 8Mixdown........................................................................... 8MONITOR knob............................................................. 35Monitor level. (41)OOUT Margin.................................................................... 34OUT Threshold (34)PPhrase Copy (30)Phrase Delete................................................................... 30Phrase Move.................................................................... 30Phrase New..................................................................... 30Phrase Split...................................................................... 34Playlist (11)RRecording mode............................................................... 8Rtn (effect return level).. (12)SSampling rate.................................................................... 8Shift................................................................................... 24Snd (effect send level).................................................... 12Source Song............................................................... 27, 29Speed.......................................................................... 27, 28Status...................................................................... 9, 10, 12Step-editing (41)TTake.................................................................................. 31Target................................................................... 20, 21, 24Threshold......................................................................... 24To...................................................................................... 31To (to point)..................................................................... 35Track................................................................................. 31Track At Once................................................................. 25Track number marker...................................................... 9Trim In............................................................................. 30Trim Out.......................................................................... 30Trk L (track L)................................................................... 9Trk R (track R)................................................................... 9Type............................................................................ 34, 35UUser patch.......................................................................... 6User setting (6)VValue................................................................................ 22VS-1680 V-XPANDED..................................................... 6VS8F-2.............................................................................. 11V-XPANDED system program Zip disk.. (6)WWrite Method (26)ZZip drive (6)。
Roland TD-8KV 鼓系统用户手册说明书
Owner's ManualThank you, and congratulations on your choice of the TD-8KV Roland Drum System.Copyright © 2001 ROLAND CORPORATIONAll rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.2•Before using this unit, make sure to read theinstructions below, and the Owner’s Manual.•Do not open or perform any internal modifi-cations on the unit or its AC adaptor. (Theonly exception would be where this manual provides specific instructions which should be followed in order to put in place user-installable options; see p. 7, p. 8.)................................................................................................•Do not attempt to repair the unit, or replaceparts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.................................................................................................•Never use or store the unit in places that are:•Subject to temperature extremes (e.g.,direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are •Damp (e.g., baths, washrooms, on wet floors); or are •Humid; or are •Exposed to rain; or are •Dusty; or are•Subject to high levels of vibration.................................................................................................•This unit should be used only with a rack orstand that is recommended by Roland.•When using the unit with a rack or standrecommended by Roland, the rack or stand must be carefully placed so it is level and sure to remain stable. If not using a rack or stand, you still need to make sure that any location you choose for placing the unit provides a level surface that will properly support the unit, and keep it from wobbling.................................................................................................•Do not allow any objects (e.g., flammablematerial, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.•In households with small children, an adultshould provide supervision until the child iscapable of following all the rules essential for the safe operation of the unit.................................................................................................•To prevent accidents, never allow smallchildren to play near the drum kit.3•Do not drop the unit!•To avoid personal injury and/or damage tothe unit, do not touch anything inside the frame of the PD-80 and PD-80R.................................................................................................•Try to prevent cords and cables frombecoming entangled. Also, all cords andcables should be placed so they are out of the reach of children.................................................................................................•Never climb on top of, nor place heavyobjects on the unit.•Should you remove screws, nuts, bolts,springs, washers, etc., make sure to put them in a safe place out of children's reach, so there is no chance of them being swallowedaccidentally.................................................................................................•Assemble the drum stand and TD-8KVcarefully, to avoid pinching your fingers.•Make sure to firmly tighten all clamps andbolts after you have assembled the stand andattached a pad or unit to it. You shouldprobably also try to make a habit of checking and retightening them if necessary before every performance. You risk injury if you have loose screws or clamps, since a pad or unit can fall unexpectedly.................................................................................................•Be sure to tighten the head tension beforeusing the KD-80, PD-80R, and PD-80. Striking the head when the head tension is loose may damage the sensor and head.................................................................................................•Do not apply excessive force to the sensor(and on the KD-80, the cushion) located below the center of the head of the KD-80, PD-80R, and PD-80. Doing so can interferewith accurate detection, and may damage it.................................................................................................•Due to the nature of the materials used in thesensor of the KD-80, PD-80R, and PD-80,changes in room temperature may affect the sensitivity of the sensor.................................................................................................•Please be aware that by using a felt beater forthe KD-80, you risk causing damage to the head as a result of the metal portions of the beater that can become exposed when the felt wears thin. For the kick pedal, werecommend that you use only the supplied beater, or a commercially available plastic beater.................................................................................................•To keep the KD-80 and FD-6 from slipping ormoving during play, the tips of the legs installed on the stand and the tips of theanchor bolts are pointed. Handle with care to avoid injury.................................................................................................•Brushes can be used to play the PD-80R andPD-80. When using brushes, be sure to use nylon brushes. Using metal brushes will not only scratch the head, but can also be hazardous, since the tip of the brush may catch in the mesh of the net.................................................................................................•The rubber portion of the PD-80R’s hoop isone component that eventually wears out (the more so if numerous rim shots are performed), and will require replacement.Errors may occur when attempting rim shots once the rubber portion has worn out. If this occurs, replace the hoop rubber. For more on replacing the hoop rubber, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.................................................................................................4In addition to the items listed under “USING THE UNIT SAFELY” on page 2–3, please read and observe the following:Placement•Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temper-ature extremes. Excessive heat can deform or discolor the unit.•To avoid possible breakdown, do not use the unit in a wet area, such as an area exposed to rain or other moisture.•Do not allow rubber, vinyl, or similar materials to remain on the unit for long periods of time. Such objects can discolor or otherwise harmfully affect the finish.•Do not put anything that contains water (e.g., flower vases) on the unit. Also, avoid the use of insecti-cides, perfumes, alcohol, nail polish, spray cans, etc., near the unit. Swiftly wipe away any liquid that spills on the unit using a dry, soft cloth.Maintenance•For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impreg-nated with a mild, non-abrasive detergent. After-wards, be sure to wipe the unit thoroughly with a soft, dry cloth.•Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.Additional Precautions•Use a reasonable amount of care when using the unit ’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.•When connecting / disconnecting all cables, grasp the connector itself —never pull on the cable. This way you will avoid causing shorts, or damage to the cable ’s internal elements.•To avoid disturbing your neighbors, try to keep the unit ’s volume at reasonable levels. You may prefer to use headphones, so you do not need to beconcerned about those around you (especially when it is late at night).•This instrument is designed to minimize the extra-neous sounds produced when it ’s played. However, since sound vibrations can be transmitted through floors and walls to a greater degree than expected, take care not to allow these sounds to become a nuisance to neighbors, especially when performing at night and when using headphones.•Use a provided cable or a cable from Roland to make the connection. If using some other make ofconnection cable, please note the following precau-tions.•Some connection cables contain resistors. Do not use cables that incorporate resistors forconnecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.567897.Loosen the T-bolts for the stay and mount the legson the stay.Install the legs as shown in the figure so that the ends of the legs protrude by about 1 inch (2 cm).8.Tighten the T-bolts to secure the legs to the stand.9.Lift the KD-80 and place the stand and the four legsupright.10.Adjust the angle of the stand plate so that it's at aright angle to the floor.Loosen the T bolts that you tightened in step 8, and adjust the length of the legs so that the stand plate is vertical to the floor. Then firmly tighten the T bolts.11.Install the included beater on your kick pedal.12.Mount the kick pedal on the KD-80.•Install the kick pedal securely.•Set the KD-80 so no mechanical noise is heard when you step on pedal.•Make sure that KD-80 does not touch the drum stand or the other pads.If you are using a kick pedal with an under plate Adjust the length of the legs so that the four legs of the KD-80 and the heel of the kick pedal contact the floor evenly.13.Adjust the striking point for the beater.The beater's striking point is adjusted to fall at the center of the head.Adjust the striking point so that it doesn't extend beyond the cushion on the back of the head.When Using a Twin (Double Kick) PedalWith the KD-80, you can also play using a twin (double kick) pedal.Set this up so the striking points of the two beaters fall at equal distances to the left and right of the center of the head.When using a twin (double kick) pedal, as with a regular pedal, use the included beater or a plastic beater as the beater for the kick pedal.SpecificationsKD-80: V-Kick Trigger Pad Size: 8 inches Trigger: 1Dimensions:440 (W) x 340 (D) x 465 (H) mm17-3/8 (W) x 13-7/16 (D) x 18-5/16 (H) inchesWeight:4.8 kg10 lbs 10 oz1011prevents the cables from catching or getting tangle on the stand.2.Attach the CY-12R/C so the unit is oriented asshown in the diagram (bolt should be opposite the output jacks).3.Tighten the wing nut to obtain the desiredmovement.•Double sounding may occur if the wing nut is loose.•Do not use the washer or felt included with the drum stand (MDS series).About the Output JacksThe CY-12R/C features two different output jacks, BOW/BELL and BOW/EDGE.Use the BOW/BELL output jack when you want to play the bow and the bell sounds (used as a ride cymbal); use the BOW/EDGE output jack when you want to play the bow and the edge sounds (used as a crash cymbal).Use either the BOW/BELL or BOW/EGDE output jack, but not both at the same time. Connecting both jacks results in two separate trigger inputs playing simultaneously.” of “rim-12ChokingChoking (pinching) the cymbal ’s edge with the handimmediately after hitting the cymbal makes the sound stop.To make use of choking play techniques, you ’ll need to connect to a trigger input jack on the percussion sound module that accommodates rim shots.TroubleshootingThe sound does not change when an edge shot is made•Is the cable connected to the BOW/EDGE output?Make the connection to the BOW/EDGE output to enable the CY-12R/C to support edge shots (p. 11).•Are you striking the cymbal in the area with the edge sensors?Edge sensors are embedded only in the part of the CY-12R/C directly in front (p. 11).The sound does not change when a bell shot is made•Is the cable connected to the BOW/BELL output?Make the connection to the BOW/BELL output to enable the CY-12R/C to support bell shots (p. 11).•Use the shoulder of the stick when playing bell shots (p. 11).•Adjust the “Scan Time.”Choke play is not possible•Are you choking the cymbal in the area with the edge sensors?Edge sensors are embedded only in the part of the CY-12R/C directly in front (p. 12).Ride cymbal sounds odd(Other cymbal sound is heard simultaneously)•Connect either the CY-12R/C ’s Bow/Bell output or the Bow/Edge output to the TD-8 (p. 11).Double sounding•Are any cables touching the CY-12R/C?Secure the cables in place with the cable ties so that they do not touch the units. Also, be careful to make sure thatthe cables are not pulled by the movement of a cymbal when struck (p. 15).•Are the stopper, felt washer, and wing nut attached correctly?Double triggering may occur if the stopper and/or wing nut is loose. Use a tuning key (drum key) to tightenproperly (p. 10).*If double triggering still occurs, try adjusting trigger parameters, such as Retrigger Cancel, on your TD-8.SpecificationsCY-12R/C: V-Cymbal Ride/Crash Pad Size: 12 inchesTrigger: 3 (Bow, Bell, Edge)Dimensions:300 (W) x 300 (D) x 51 (H)11-13/16 (W) x 11-13/16 (W) x 2-1/16 (H)Weight:1.1 kg2 lbs 7 ozPD-7 (Pad)Attaching the Pad to a StandAttach the PD-7 to a stand (MDS series).When attaching the PD-7 to the pad mount, be sure to tighten the stand fixing screw securely. If any of them remain loose, the pad could fall off.SpecificationsPD-7: PadPad Size: 7.5 inches Trigger: 2 (Head, Rim)Dimensions:192 (W) x 230 (D) x 65 (H)7-9/16 (W) x 9-1/16 (W) x 2-9/16 (H)Weight:0.8 kg1 lb 13 oz13To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.141503012067 ’03-5-3N。
Roland SPD-S 产品说明书
• Before you attempt to transfer .WAV or AIFF files onto your Compact Flash (CF) card, make sure the card has been formatted in the SPD-S.
Note: The SPD-S supports CF (type 1) cards up to 512MB.
Roland HPD-10 手动说明书
1 While holding SHIFT, press EDIT—“METRONOME” appears in the display. 2 Press the CURSOR 4 button, and then the CURSOR 6 button to show the number of the current metronome
If you’re not already logged into Roland Backstage, the Roland Backstage login appears. 3 If you’re:
• a Roland Backstage member—enter your email address and password, and then click the Login button. • not yet a Roland Backstage member—click “Create New Profile” to create a free new user account. As a
Roland Backstage member, you become part of the online Roland community and gain access to helpful tools and services. 4 Once you’re logged in, click the large Knowledge Base button. 5 On the Knowledge Base screen, enter “HPD-10” in the Product field. 6 Click the Find button in the middle of the screen to browse the available HPD-10 Knowledge Base articles.
罗兰（Roland）AT-90S 奢华版 高品质器乐音乐器说明书
®AT-90S Elegant Styles, Refined Tones and Much More:Presenting the Flagship AT-90S Atelier.The Pinnacle ofHigh-quality Organ Sound.The organ is a keyboard instrument with a long history,an instrument that has created its own unique music culture. Today, there is an organ capable of producing an incredible range of organ sounds from around the world and fromthe rich history of organ music, an organ created to relate the beautiful, traditional harmonies of organ music tonew generations —the pinnacle of the Roland Atelier Series, the AT-90S. From its simple, easy-to-understand operations based on traditional organ performance tothe elegant cabinet that reflects the quality of the skilled craftsmen who made it, all aspects of the AT-90S have been designed to create the true organ playing experience.With everything from pipe organs to theater andjazz organs—even reverberation created withunique RSS (Roland Sound Space) technology—the AT-90S opens new horizons in organ performance.The Roland AT-90S Atelier the flagship Roland organ that lets you enjoy all of the finest features of organ performancewith truly superb quality.Elegant Design Worthy of a Flagship AtelierThe AT-90S is based on a traditional organ console design and is impeccably crafted from the finest American woods. The elegant dark walnut cabinet features an illuminated console panel and 25 wooden pedals, which cover a wide range of registers and free you fromthe common single-octave limit. An adjustable music stand is also included for easy sheet music positioning.A Full Compliment ofHigh-Quality Organ SoundsThe AT-90S lets you fully enjoy the high-quality organ sounds that form the foundation of organ music: jazz organ, pipe organ and theater organ. And unlike other Ateliers,the AT-90S is equipped with a footage sound source that combines ranks of different lengths to produce a rich, full-bodied sound just likea real pipe organ. T here seven a Digital HarmonicBar function that canmodify the volumebalance of each footagefor flute-type voices.New Features and Functions Combine for Incredible PerformanceThe AT-90S features a variety of onboard effects including rotary, sustain and enhanced reverb based on Roland s RSS (Roland Sound Space) technology. A built-in speaker providesincredibly rich sound, while Auxiliary outputjacks for the RSS ambiance can be used toconnect the AT-90S to an external audiosystem, making it possible to enjoy the richambience of a concert hall or cathedral rightin your own home.Simplified Front Panel LayoutThe AT-90S front panel is designed with asimple, straightforward button layout so thatplayers will feel comfortable from the momentthey first sit down.A large, clear colortouchscreen makes iteasy to access themany exciting featuresof this advanced,yet intuitive instrument.Inspiring New Sounds to ReleaseYour Creative PotentialIn addition to organ sounds, the AT-90Sfeatures stunning pianos, strings, brass, guitarsand more. New Active Expression Sounds adda highly expressive touch to your performance,from the unique fortes of brass and woodwindinstruments to the subtle harmonies of layeredorgan sounds. Additional Human Voicesounds such as Gregorian Choir, Jazz Scat andSoprano Voice are also provided completewith phrases like Amen and Hallelujah.Diverse Music Styles to ExpandYour Creative PotentialOne of the AT-90S greatest features is its widerange of music styles (rhythms and performancepatterns), which were produced by professionalmusicians from around the world. Create lushaccompaniments using the Big Band or Marchstyles, or use a simple acoustic instrumentalstyle to complement a vocal soloist. T hese stylesare so realistic, it feels like you re playing witha live band! The AT-90S also has a variety ofStyle Orchestrator functions that add diversityto the accompaniments based on the selectedstyle.Helpful Features Make It Easy toSound Great!The AT-90S can even help you selectthe optimum settings for your performance.16 different accompaniment settings for eachmusic style can be accessed simply by pressingthe One Touch Program button. A helpful MusicAssistant makes it easy to load optimum rhythm,tempo and tone settings by selecting keywordson the LCD panel.And with the QuickRegistration function,you can enjoy brilliantregistrations created byworld-renownedorganists.Innovative Functions Create NewPotential for Organ MusicTake your playing further with unique featureslike Harmony Intelligence, which createsbeautiful harmonies based on left-hand chords.A floppy disk drive lets you load commerciallyavailable Standard MIDI Files (SMFs) andview song lyrics or notation right on the LCD,and lyrics can even be displayed on an externalmonitor using the built-in video output.The LCD panel also displays musical sequencesfor easy composition and arrangement withthe onboard multitrackrecorder. Features likethese are only found in agenuine Roland Atelierlike the AT-90S.The flagship model of the Atelier series combines graceful elegance with unsurpassed musical expressiveness.All specifications and appearance are subject to change without notice.Manuals Upper 56 (C3-G7)Lower 76 (E1-G7)Pedal 25 (C2-C4)V oices 340Upper Organ Full 1/2/3, Jazz1/2/3, Pipe1/2/3, Theater1/2 etc.Upper Symphonic Strings, Slow Strings, Synth Strings, French Horn, Choir etc. Upper Orchestral P iano, E.Piano, A.Guitar, E.Guitar, Brass, Harp, Harpsi, Vibes, Marimba, Mandolin, Banjo, Accordion, Harmonica etc. Lower Organ Full1/2/3, Lower1/2/3, Pipe1/2/3, Theater1/2 etc. Lower Symphonic S trings, French Horn, Choir etc.Lower Orchestral Piano, E.Piano, A.Guitar, Brass, Harp, Harpsi, Vibes, Marimba, Accordion, Harmonica etc. Solo Violin, Trumpet, Sax, Flute, Oboe, Clarinet etc. Pedal Organ Organ1/2, Pipe, Theater etc.Pedal Orchestral S trings, Contrabass, Electric, Bass & Cymbal etc.Footage Tablets Upper Organ Type Flute, Pipe, TheaterUpper Footage 16', 5-1/3', 8', 4', 2-2/3', 2', 1-3/5', 1-1/3', 1' Percussion 4', 2-2/3', Fast DecayLower Organ Type F lute, Pipe, TheaterLower Footage 16', 5-1/3', 8', 4', 2-2/3', 2', 1-3/5', 1-1/3', 1'Number of Accompaniment/SMF Play Voices 226Drums Sets 16Sound Effects Sets 1Manual Percussion Sets 11Effects Rotary Sound, RSS Reverb, Chorus, Glide, Sustain, Vibrato, Pitch BendHarmony Intelligence 24Arranger Function Arranger On/Off, Start/Stop, Intro/Ending, Sync Start, Fill In (Variation/Original), Leading Bass, Orchestrator (Basic/Advanced1/Advanced2/Full), Break, Cord Intelligence, Intro Count Down, One Touch Program Music Styles 200Overwritable Styles 16One Touch Program 3,200Registration Memories 12Music Assistant 128Quick Registration 96Composer Tracks 7Note Storage Approx. 40,000 notesSong Length Max. 999 measuresTempo Quarter note = 20 to 250Resolution 120 ticks per quarter noteRecording RealtimeDisk Drive 3.5 inch floppy disk drive (2DD/2HD )Display Graphic 320 x 240 dot backlit LCD (color) with touch screen Rated Power Output 10W x 2, 60W x 2, 100W x 1Speakers 30cm (12") x 1, 16cm (6-1/2") x 4, 8cm (3") x 2, 5cm (2") x 4Pedals Damper pedal, Expression pedal, Two foot switches (assignable)Connectors AC inlet, Phone jack (Stereo), Pedal connector, MIDI connectors (In/Out), Audio output jacks (L(MONO)/R), Audio input jacks (L(MONO)/R), Aux output jack (for Ambience), Video outputjack (NTSC/PAL switchable), Mic jack, Computer connectorPower Consumption 380W (AC117V , AC230V , AC240V)Finish Dark walnutDimensions (incl. stand ) 1374(W) x 999(D) x 1349(H) mm54-1/8(W) x 39-3/8(D) x 53-1/8(H) inches Weight (incl. stand ) 176.0 kg (388 lbs 1 oz)Accessories Bench, Owner’s manual, 3.5 inch floppy disk (blank disk),Music Style disk, World Style Setup disk, Power cord Printed in Japan Aug 2001 RAM-3451 ASA-day B-4AT -90S Visit us online at /Roland Corporation U.S.5100 S. Eastern Avenue, P.O. Box 910921, Los Angeles, CA 90091-0921Phone: (323) 890-3700 Fax: (323) 890-3701。
Roland VS-880EX Digital Studio Workstation用户指南说明书
© 1998 Roland CorporationAll rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.All trademarks are the property of their respective owners.An Introduction to Hard Disk Recording Just as word processors have revolutionized the writing process, digital hard disk recorders (HDRs) are giving musicians unprecedented creative freedom in the production of their music.Imagine being able to......record as many tracks of a guitar solo as youwant without having to erase one take....listen to your song in many differentarrangements and choose the one that you or yourproducer likes best....boldly experiment, knowing that your originalrecordings are safe and mistakes can be ‘undone’....record, mix and add effects all in one digital unit.This creative flexibility is whatHard Disk Recording is all about.This guide discusses the issues and power of Hard Disk Recording and will help you to:• Understand the basics of digital recording,• Learn about different kinds of digital recorders,• Understand how hard disk recording is different fromother types of digital recorders, and• Understand the basics of how recording works on HDRsand where your music “goes.”You will see the incredible benefits of such features as: random access; virtual tracks; and pointer based, non destructive editing.You will also learn about integrating HDRs with effect processors and MIDI devices, and how easy it is to understand and use HDR systems. This second edition has even added the latest concepts and terms to keep you up to date.Most importantly, this guide will be your doorway to HDRs, showing you how much control they can give you, empowering you to expand your creativity and make your music sound its best.1What IS Digital Recording?2Different Forms of Digital Recording3Types of Hard Disk Recorders4What’s the Big Deal About Hard Disk Recording?5How Do I Record Music With an HDR?6FF STOP PLAY RECWhere Does the Audio Go in Hard Disk Recording?8What Do I Do When the Disk Gets Full?Re-loadto SCSIfrom SCSI9What Is Pointer Based Editing?10Pointer Based Editing11Pointer Based Editing12What Is Random Access?13Random Access14What Are Virtual Tracks?15Virtual Tracks16Digital Effects17Digital Mixing18What About MIDI?19ModelingHaving all of your audio and FX in the digital domain has huge advantages, as we have seen. One of the great new technologies available using digital FX is modeling. Modeling technology takes a known source and "models" the sound characteristics of one or more usually very expensive sound processors or devices.The three most powerful modeling technologies available today are COSM* guitar amplifier modeling, COSM microphone modeling, and COSM speaker modeling.Guitar modeling simulates the sound of very expensive guitar pre-amps, amplifiers and speaker systems using as an input a standard electric guitar.Microphone modeling simulates the response of some very expensive large and small diaphragm condenser mics using as an input very inexpensive dynamic microphones.Speaker modeling creates the listening experience you would have using a variety of expensive studio monitors or even TV speaker or a boom box from the same, inexpensive digital powered reference monitors**. Using just this one set of speakers you can hear how your mix would sound in a variety of listening environments. This is a great way to improve your mixing skills and make your music sound its best in a variety of settings. * COSM stands for Composite Object Sound Modeling, a proprietary technology from Roland Corporation. COSM is used to model a wide variety of expensive microphones, guitar amplifiers, and monitorspeakers.**COSM speaker modeling uses the COSM modeling software in the VS-880EX or VS-1680 with the the Roland DS-90 Digital PoweredReference Monitors to model a wide variety of speaker systems.20How Does Modeling Work?? Let’s take a closer look at speaker modeling to understand how this revolutionary technology works. First of all, you need a "source" speaker system designed to work with the modeling. All of the sound reproduction characteristics of that speaker system is studied by the engineers and mapped out. Next, the same characteristics of the speakers being modeled are studied and also charted out. Then advanced DSP technology is used to adjust the output characteristics of the source speaker system to exactly match the output qualities and characteristics of the speakers being modeled.The bottom line is that you can listen to your mixes as they would sound on a wide variety of very expensive and also some inexpensive, lower fidelity but very common speaker systems. Using Speaker Modeling, you can check your mixes and make sure they will sound great in many different listening environments just as they do in very expensive studios all over the world!21Other Advantages of Hard Disk Recorders22Comparison Chart23Summary2425Glossary26Glossary27®ÂØÒňήRoland Corporation U.S., 7200 Dominion Circle, Los Angeles, CA90040-3696。
Roland罗兰XPS-30补充说明书
XPS-30 Version 2 Supplementary ManualXPS-30 Program UpdateThis explains how to update the XPS-30’s system program.Checking the VersionBefore you download the system program, check the version of your XPS-30.1. Press the [MENU] button.2. Move the cursor to “SYSTEM,” and press the [ENTER] button.3. Move the cursor to “INFORMATION” tab.What You’ll Need for the UpdateIn order to update your XPS-30, you’ll need the following items.5XPS-30 itself5Computer to write the updater to the USB flash drive5USB flash drive (the USB flash drive needs to be formatted on a XPS-30)Download the System Program and Uncompress the Compressed File Download the file named “xps30_sys_v200.zip.”It is an archive file in zip format, please double click on the file to expand.After expanding the file, the folder “xps30_sys_v200” holding the file “xps30_ up.bin” will be appeared.Note When Updating5We recommend that you save your data to a USB flash drive before you perform the update. If a problem occurs and your data is lost, you will be able to restore the original state by reloading the data you saved.For details on the procedure, refer to the following sections of the “Saving XPS-30’s Data to USB Flash Drive (BACKUP)” of the Owner’s Manual.5Never apply this update data to any product other than the XPS-30. This update data may destroy the data or system program of other products.5Never power-off your XPS-30 while the update is in progress!If a power failure or similar accident occurs during the update process, the XPS-30 won’t be able to start up in normal operating mode. This will require servicing, so you will need to contact Roland service center near you if this occurs.5We regret that we are unable to answer questions regarding the update procedure using this system program. Please perform the update responsibly, following the directions given in this document.Update ProcedureFollow the procedure below to install the program “xps30_up.bin” in your XPS-30.NOTENever turn off the XPS-30’s power while the update is in progress.Doing so may make the XPS-30’s system unable to start up correctly.1. Copy the update-use file (xps30_up.bin) to the root directory of the USB flash drive.2. Make sure the XPS-30’s power is switched off, then connect the USB flash drive to the USB MEMORY port.3. Hold down the [TAP] button and switch on the power.4. When the message “start update.” appears, release the [TAP] button.The update starts.When the message “===update finished.===” is displayed, the operation hasfinished. (It will take about 1 minute to update.)*The update process takes several minutes to finish. Be sure never to switch off the power before the operation finishes.5. Switch off the power.6. Detach the USB flash drive, then switch on the power to the unit and verify that the version has been updated.© 2018 Roland Corporation011XPS-30 Version 2 Supplementary Manual Functions Added in XPS-30 Ver.2FavoriteProgram change and bank select MIDI messages can now be transmitted when you recall a favorite, as described below. This is a convenient way to select sounds orswitch programs on a MIDI-connected external sound module.Phrase PadsMIDI note messages can now be transmitted when you press a pad. This lets you use the pads to play drums or phrases. The messages to be transmitted can beindividually specified for each pad.1. Press the [MENU] button.2. Move the cursor to “SYSTEM,” and press the [ENTER] button.3. Move the cursor to the tab, and use the [C] [A] buttons to select the “PADNOTE” tab.4. Move the cursor to the parameter that you want to edit, and use the value dial to edit the value.5. Press the [EXIT] button to exit the screen.MEMOMIDI note messages are transmitted only if you’ve selected the patch orperformance top screen, or in the SYSTEM screen when the PAD NOTE tab isselected.Holding MIDI Note Messages (Hold)You can specify that the MIDI note message is held even after you release your hand from the pad (Hold). This is convenient when you want to play a sustained note or a phrase.1. Press the [LOOP] button while pressing the pad.Note is held even after you release your hand from the pad.MEMO5 If you’re pressing more than one pad, all of them are held.5Notes are also held if you first hold down the [LOOP] button and then presseach pad.2. If you press a pad while a note is being held, the hold function is cancelled for that pad.If you press the [LOOP] button by itself while notes are being held, the hold function is cancelled for all pads.Patch Edit / Drum Kit EditFor the Wave Group parameter, you can now select SAMP (user sample) or MSAM(user multisample).DAW ControlIn DAW control mode, octave shift (OCTAVE [DOWN] / [UP] buttons) is now available.You can change the octave of the note messages that are transmitted via MIDI.Level MeterThe display conditions have changed for the level meter shown by the padillumination.(Before change): In patch mode, the meter indicates the level of the sound playedby the keyboard.(After change): The meter indicates the level of the sound played in the mode forwhich Pad Note Switch is available.Support for JUNO-DS Tone ManagerNow it supports for “JUNO-DS Tone Manager” which is a Computer software tomanage and edit the patches/performances/samples. It lets you efficiently handlelarge numbers of contents on your computer.Sample ImportThe Original Key and Loop Switch values of a WAV file that you create using the“JUNO-DS Tone Manager” software are automatically applied when importing the sample.Sample EditThe Start/Loop/End Point of a WAV file that you create using the “JUNO-DS ToneManager” software are automatically applied as the default values when you editeach sample.RestoreXPS-10 Backup files can now be restored.2。
Roland Handsonic 10 HPD-10 Hand Percussion Pad 用户指
®ÂØÒňÎHandsonic 10HPD-10 HandPercussion PadTurboStartTBS237 ©2006 Roland Corporation U.S. WelcomeCongratulations on your purchase of the Roland Handsonic 10 HPD-10 Hand Percussion Pad. This TurboStart contains step-by-step instructions that will quickly introduce you to the Handsonic 10’s major features .Auditioning KitsThe Handsonic 10 has 64 kits to choose from. Use the following steps to audition a few of them.1. Press the KIT and D-BEAM buttons so they’re lit.2. Turn the Control knob (the knob labeled“TUNING•MUFFLING•EFFECT”) to select a kit, or select one by pressing the + or – buttons. Tip : To quickly access the five Preset kits, press the1-5 buttons located directly beneath the display . 3. With your hands or fingers, play on the pads. 4. Repeat Steps 2-3 to audition other kits.Assigning a Sound to a PadAll of the Handsonic 10’s kits can be customized to your liking. Use the following steps to assign a sound to a pad within a kit:1. Choose a kit to edit.2. Press the EDIT button—the EDIT button flashesand “INST” shows in the display. 3. Press the CURSOR button.4. Hit one of the pads or wave your hand over theD Beam.5. Turn the Control Knob to choose a sound.6. Repeat Steps 4-5 to set up other pads asdesired.7. When you’re finished, press EDIT—yourchanges are saved automatically.Adjusting Tuning, Muffling, and EffectsThe Control knob gives you instant access to the Tuning, Muffling, and Effects parameters in a kit. Use the following steps to adjust these parameters: 1. Select a kit you’d like to edit.2. Repeatedly press and release the Control knobuntil the TUNING indicator lights.3. Strike any pad you’d like to tune and then turnthe Control knob to adjust each pad’s tuning as desired.4. Press the Control knob once—the MUFFLINGindicator lights.5. To adjust the muffling for any pad, strike the padand then turn the Control knob to set the pad as desired.6. Press the Control knob once—the EFFECTindicator lights.7. Turn the Control knob to adjust the effectparameter assigned to the knob. 8. When you’re finished, press KIT.Auditioning Metronome Patterns in the Style GuideThe Style Guide contains 86 different metronome patterns for you to play along with. Use the following steps to audition a few of them:1. While holding SHIFT, press EDIT—“METRONOME” appears in the display.2. Press the button, and then to show thecurrent metronome pattern in the display.3. Press the (METRONOME) button to start thepattern.4. Press the + or - button to select differentpatterns. To change the tempo, hold SHIFT and press , and then turn the Control knob. 5. When you’re finished, press .Coach Mode: Time CheckThe Handsonic 10’s Coach Mode has six different practice exercises that can help improve your timing and playing abilities. Use the following steps to try out the “Time Check” exercise:1. Press the COACH button.2. Press or until “TIME CHECK” appears inthe display.3. Press the button and begin playing alongwith the metronome. If you like, turn the Control knob to adjust the tempo for the rhythm.In the display, a large black dot shows where you’re playing in relation to the tempo:• When you’re behind the beat, the largeblack dot appears closer to the “S” (for “slow”).• When you’re playing ahead of the beat, thedot appears closer to the “F” (for “fast”). • When you play in time, the dot appears inthe center, over the “+.”4. When you’re finished, press the KIT button.。
罗兰（Roland）公司Fantom-G版本1.20系统软件更新及补充说明书
This is the phrase list for the factory demo project. To display the Phrase List screen, go to the Song Play screen and click F3 (Phrase List). You can also share phrases among different songs in the same project, making it a snap to create multiple versions of a song.
Play this note.
Play that notБайду номын сангаас.
Sequencer
Sound Generator
Gotcha Ditto
This can feel as if the sequencer’s recorded the sound of what you played, but, in fact, it’s merely grabbed the MIDI instructions for reproducing it.
This ReleaseNote is presented as a companion to the Fantom-G Version 1.20 OS update and the Fantom G Version 1.20 Supplementary Manual.
罗兰电子琴简介说明书
Roland Corporation U.S.
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Twin Piano Mode
Same key ‘‘C’’
Twin Piano Mode enables you to split the keyboard into two parts, each of which covers the same octaves, and also to split the pedals too. So you can play side-by-side with a duet partner or with your teacher. Playing together with your teacher, of course, is one way you can really speed your learning progress.
400 (D) x 995 (H) mm/ 54-5/8 (W) x 15-3/4 (D) x 39-3/16 (H) inches, without Music Rest: 1387 (W) x 400 (D) x 807.8 (H) mm/ 54-5/8 (W) x 15-3/4 (D) x 31-13/16 (H) inches ●Weight 46 kg / 102 lbs ●Accessories Owner's Manual, Power Cord, Headphone Hook, Music Rest, Music Rest's attachment screws