Three-Body Affairs in the Outer Solar System
九年级英语小说情节理解高级单选题40题
九年级英语小说情节理解高级单选题40题1. In "Jane Eyre", when Jane first meets Mr. Rochester, where does it happen?A. In the gardenB. In the drawing - roomC. On the roadD. In the church答案:C。
在《简·爱》中,简第一次遇见罗切斯特先生是在她外出送信的路上。
这一情节是简和罗切斯特先生故事的开端,为后续两人的感情发展奠定了基础,体现了命运的偶然交织,也暗示了简独立自由的性格,她可以独自外出完成工作,而这种在路上的邂逅也为他们之后冲破阶级等障碍的爱情埋下伏笔。
2. In "Wuthering Heights", Heathcliff is often described as having a certain look in his eyes. What is it?A. A look of pure hatredB. A look of deep sorrowC. A look of wild passionD. A look of cold indifference答案:C。
在 呼啸山庄》中,希斯克利夫的人物形象特点是充满强烈的情感。
他对凯瑟琳的爱是热烈且疯狂的,这种疯狂的爱与恨贯穿他的一生。
他眼睛里常常表现出一种狂热的激情,这种激情推动着他在小说中的种种行为,如复仇等,这一描写与小说所表达的那种激烈的爱恨情仇的主旨相呼应。
3. In "Jane Eyre", why does Jane leave Thornfield Hall suddenly?A. She discovers Mr. Rochester is already marriedB. She gets a better job offer elsewhereC. She misses her old friends too muchD. She is frightened by a strange noise in the hall答案:A。
大英三精读unit2中英文对照
In 2004 a center in honor of the ”underground railroad” opens in Cincinnati. The railroad was unusual. It sold no tickets and had no trains。
Yet it carried thousands of passengers to the destination of their dreams.2004年,一个纪念“地下铁路"的中心将在辛辛那提市成立。
这条铁路不同寻常,它不出售车票,也无火车行驶.然而,它将成千上万的乘客送往他们梦想中的目的地。
The Freedom Givers Fergus M。
BordewichR T 1。
A gentle breeze swept the Canadian plains as I stepped outside the small two—story house。
Alongside me was a slender woman in a black dress,my guide back to a time when the surrounding settlement in Dresden,Ontario, was home to a hero in American history. As we walked toward a plain gray church,Barbara Carter spoke proudly of her great-great-grandfather, Josiah Henson。
”He was confident that the Creator intended all men to be created equal. And he never gave up struggling for that freedom.”给人以自由者弗格斯·M·博得威奇我步出这幢两层小屋,加拿大平原上微风轻拂。
神舟宇宙飞船英语作文
神舟宇宙飞船英语作文Title: The Shenzhou Spacecraft: A Marvel of Chinese Space Exploration。
China's Shenzhou spacecraft stands as a testament tothe nation's advancements in space exploration. Since its inception, the Shenzhou program has made significant strides, marking China's entry into the league of spacefaring nations. In this essay, we delve into the intricacies of the Shenzhou spacecraft, exploring its history, technology, missions, and contributions to the global space community.The Shenzhou spacecraft, developed by the ChinaNational Space Administration (CNSA), has undergone several iterations since its maiden flight in 1999. Its designdraws inspiration from Russian Soyuz spacecraft but incorporates indigenous technological innovations. The spacecraft comprises three main modules: the orbital module, the re-entry module, and the service module. This modulardesign allows for versatility in mission objectives, including crewed spaceflight, cargo resupply, and orbital maneuvers.One of the most remarkable aspects of the Shenzhou spacecraft is its role in China's human spaceflight program. Since 2003, Shenzhou missions have carried Chinesetaikonauts (astronauts) into space, fostering nationalpride and scientific achievement. These missions have showcased China's ability to conduct crewed spaceflight operations, including extravehicular activities (EVAs) and rendezvous and docking maneuvers with space modules likethe Tiangong space station.Technological advancements underpin the success of the Shenzhou program. The spacecraft is equipped with state-of-the-art guidance, navigation, and control systems, ensuring precise orbital maneuvers and safe re-entry into Earth's atmosphere. Additionally, advancements in life support systems enable prolonged missions, facilitating scientific research and international collaboration aboard the Tiangong space station.The Shenzhou spacecraft's contributions extend beyond national borders, fostering cooperation and collaborationin space exploration. China's participation ininternational space endeavors, such as the United Nations Office for Outer Space Affairs (UNOOSA) programs and the International Space Station (ISS) partnerships, underscores its commitment to peaceful exploration and scientific discovery.Looking ahead, the Shenzhou program is poised to play a vital role in China's ambitious space exploration goals. With plans for lunar exploration, Mars missions, and the development of next-generation spacecraft, China aims to expand its presence in the solar system and contribute to humanity's understanding of the universe.In conclusion, the Shenzhou spacecraft represents a milestone in China's space exploration journey. Its technological prowess, crewed missions, and contributions to international cooperation underscore China's emergence as a major player in the global space community. Ashumanity ventures further into the cosmos, the Shenzhou program stands as a beacon of innovation and cooperation, inspiring future generations to reach for the stars.。
英语书评作文三体
《三体》英语书评:A Journey ThroughTime and SpaceIn the vast expanse of the universe, where the boundaries of science and imagination intersect, LiuCixin's "Three-Body Problem" stands as a monumental testament to the power of human creativity and curiosity. This groundbreaking science fiction novel, a winner of numerous awards and accolades, weaves a complex tapestry of ideas, ranging from astrophysics to philosophy, into a captivating narrative that takes readers on a thrillingride through the cosmos.The story begins with a mysterious signal received by Earth from a distant civilization, the Trisolaris. This signal heralds the beginning of a chain of events that upend our understanding of the universe and our placewithin it. The Trisolaris, facing extinction in their own star system, seek a new home and view Earth as a potential candidate. As the Trisolaris' technology and influence grow, so does the threat to humanity, leading to a race against time for Earth's scientists and politicians to find a wayto survive.The narrative is told through multiple perspectives, giving readers a rich and nuanced understanding of the characters and their动机. The scientific details are meticulously crafted, yet accessible to the lay reader, making the complex concepts of cosmology and quantum physics engaging and understandable. Liu's writing style is both powerful and poetic, evoking a sense of awe and wonder that is both exhilarating and thought-provoking.One of the most remarkable aspects of "Three-Body Problem" is its ability to blur the lines between science and fiction. Liu seamlessly integrates cutting-edge scientific theories and hypothetical scenarios into the narrative, creating a world that feels both real and fantastical. This blend of science and fiction not only enhances the story's credibility but also encourages readers to question their own understanding of the universe and the limits of human knowledge.The themes explored in "Three-Body Problem" are as vast and complex as the universe itself. The novel raises questions about the nature of intelligence, the role of technology in society, and the ethics of survival in theface of existential threats. Through these themes, Liu challenges readers to consider the biggest questions of our time: What is our purpose in the universe? How far shouldwe push the boundaries of science and technology? What are the costs of survival?The impact of "Three-Body Problem" extends beyond the pages of the book. It has sparked widespread interest in science fiction and astrophysics, inspiring a generation of readers to pursue further study in these fields. Thenovel's influence has also extended to the global stage,with its English translation winning numerous awards and recognition, further solidifying Liu's status as a leading figure in science fiction literature.In conclusion, "Three-Body Problem" is a remarkablefeat of literary and scientific genius. Liu Cixin'svisionary storytelling and profound insights into the human condition make this novel a must-read for anyone interested in science fiction, astrophysics, or the intersection of these fields with human thought and culture. "Three-Body Problem" is not just a story about survival in the universe; it is a story about the survival of the human spirit in theface of insurmountable challenges and the limitless possibilities of the human imagination.**《三体》英语书评:穿越时空的旅程**在宇宙的辽阔无垠中,科学与想象力的边界交汇,刘慈欣的《三体》作为人类创造力和好奇心的壮丽见证,屹立不倒。
考研英语(翻译)模拟试卷73
考研英语(翻译)模拟试卷73(总分:60.00,做题时间:90分钟)一、 Reading Comprehension(总题数:6,分数:60.00)1.Section II Reading Comprehension(分数:10.00)__________________________________________________________________________________________ 解析:2.Part CDirections: Read the following text carefully and then translate the underlined segments into Chinese.(分数:10.00)__________________________________________________________________________________________ 解析:Vinton Cerf, known as the father of the Internet, said on Wednesday that the Web was outgrowing the planet Earth and the time had come to take the information superhighway to outer space. "The Internet is growing quickly, and we still have a lot of work to do to cover the planet." Cerf told the first day of the annual conference of Internet Society in Geneva where more than 1 500 cyberspace fans have gathered to seek answers to questions about the tangled web of the Internet. 【F1】Cerf believed that it would soon be possible to send real-time science data on the Internet from a space mission orbiting another planet such as Mars. "There is now an effort under way to design and build an interplanetary Internet. The space research community is coming closer and closer and merging. We think that we will see interplanetary Internet networks that look very much like the ones we use today.【F2】 We will need interplanetary gateways and there will be protocols to transmit data between these gateways." Cerf said. Francois Fluckiger, a scientist attending the conference from the European Particle Physics Laboratory near Geneva, was not entirely convinced, saying: "We need dreams like this. But I don't know any Martian whom I'd like to communicate with through the Internet." Cerf has been working with NASA's Pasadena Jet Propulsion Laboratory—the people behind the recent Mars expedition—to design what he calls an "interplanetary Internet protocol".【F3】He believes that astronauts will want to use the Internet, although special problems remain with interference and delay. "This is quite real. The effort is becoming extraordinarily concrete over the next few months because the next Mars mission is in planning stages now," Cerf told the conference, "If we use domain names like Earth or Mars ... jet propulsion laboratory people would be coming together with people from the Internet community." He added, "【F4】 The idea is to take the interplanetary Internet design and make it a part of the infrastructure of the Mars mission." He later told a news conference that designing this system now would prepare mankind for future technological advances. "The whole idea is to create an architecture so the design works anywhere. I don't know where we're going to have to put it but my guess is that we'll be going out there some time," Cerf said, "【F5】 If you think 100 years from now, it is entirely possible that what will be purely research 50 years from now will become commercial 100 years from now. The Internet was the same—it started as pure research but now it is commercialized."(分数:10.00)(1).【F1】(分数:2.00)__________________________________________________________________________________________ 正确答案:(正确答案:塞尔夫相信很快就可能在绕其他星球比如火星的太空探险中,把实时科学数据传送到因特网上。
45 神舟13号返航与太空计划-2022年高考英语最新热点时文阅读
2022年高考最新热点时文阅读-神舟13号返航与太空计划01(2022·河南·郑州十九中模拟预测)阅读下面短文,在空白处填入1个适当的单词或括号内单词的正确形式。
After orbiting Earth for six months, the three crew members of China’s Shenzhou XIII mission (使命) have departed from the Tiangong space station and returned to the mother planet on Saturday morning, ___1___ (finish) the nation’s longest manned spaceflight.Major General Zhai Zhigang, ___2___ was the mission commander, Senior Colonel Wang Yaping and Senior Colonel Ye Guangfu breathed fresh air for the first time ___3___ the half-year space journey as ground recovery personnel (全体职员) opened the hatch (舱门) of their reentry capsule (返回舱) at 10:03 am.Zhai and his crewmates spent 183 days in ___4___ orbit about 400 kilometers above the Earth since their Shenzhou XIII spacecraft ___5___ (launch) on Oct 16 by a Long March 2F carrier rocket from the Jiuquan Satellite Launch Center. They were the second inhabitants (居民) of China’s permanent space station named Tiangong.So far the crew ___6___ (set) a new record for China’s ___7___ (long) spaceflight, almost doubling the previous record of 92 days ___8___ (create) by their peers in the Shenzhou XII mission who travelled with Tiangong from mid-June to mid-September last year.In early February, the astronauts spent Spring Festival inside the orbiting station, becoming the first Chinese people ___9___ (celebrate) the country’s most important traditional festival in outer space. They appeared in a live broadcast gala (庆典) and sent their best ____10____ (wish) to Chinese people.02(2022·四川·石室中学三模)阅读下面材料,在空白处填入适当的内容或括号内单词的正确形式。
Three Body Problem (English Introduction)
03
Luo Ji's intelligence, maturity, and determination drive the narrative forward as he strives to understand and combat the lien threat
Cheng Xin
A female aerospace engineer who benefits a key figure in the resistance against the Trisolaran invasion
the attention of potential predictors
03
Predator and pre dynamics
The Dark Forest Law suggestions that the universe is a
dangerous place where predictors consistently seek out and
• Description of the Trisolaran invasion and the subsequence human resistance • Introduction of Cheng Xin, the new Wallace, and her plan to save humanity • Conclusion of the story with the revision of the ultimate fate of the human race and the universe • Note: The above points are a brief overview of the plot and do not include detailed spoilers The
概括三体的英语作文
概括三体的英语作文The "Three-Body Problem" is a groundbreaking science fiction novel by Chinese author Liu Cixin, which serves as the first installment in the Remembrance of Earth's Past trilogy. The novel delves into a complex narrative that intertwines physics, political intrigue, and a profound exploration of humanity's place in the universe.Set against the backdrop of the Cultural Revolution in China, the story begins with the introduction of Ye Wenjie, a scientist who experiences the brutal realities of the era and becomes disillusioned with humanity. This leads her to make contact with an alien civilization, the Trisolarans, who inhabit a star system with three suns, hence the title. The Trisolarans' chaotic and unpredictable celestial environment has driven them to the brink of extinction, and they decide to invade Earth.Parallel to Ye Wenjie's story is that of Wang Miao, a modern-day nanotechnologist who is drawn into a secretive gamecalled "Three-Body," which is a simulation of theTrisolaran's unstable solar system. The game serves as a metaphor for the challenges that human society faces when confronted with the unknown and the complexities ofscientific discovery.Liu Cixin's novel is not just a thrilling adventure; it is also a commentary on the nature of scientific progress, theconsequences of technological advancement, and the ethical dilemmas that arise when humanity must confront its own insignificance in the cosmos. The "Three-Body Problem" is a thought-provoking work that challenges readers to consider the future of our species in a universe filled with both wonder and peril.。
太和殿详细英语介绍 The Hall of Supreme Harmony
Why was the courtyard built so large?
It was to make people sense the grandeur and solemnity of the Hall.
• Looking upward from below, visitor can see the brilliant yellow tiles under the blue sky and the white
Crane and Tortoise
Placed on the ease and west sides of the terrace are a bronze crane and a tortoise, the emblems of longevity.
The thing made of bronze is called Jialiang. It was the standard of measurement indicating that the emperor treats everything fairly and knew everyboby’s conduct clearly.
北京故宫太和殿上的蟠龙藻井是在八角井上设一圆井当中为一突雕蟠龙垂首衔珠称为龙井是清代建筑中最华贵的藻井ontheterraceofthesupremeharmonyhallthisisanincenseburnerusedtoburnsandalwoodduringgrandceremoniestherearealtogether18burnersrepresentingthe18provincesoftheqingdynasty
Opposite it is the stone-made sundial, a time clock in ancient times. It symbolized that the Emperor had the standards of time measurement that was just and aboveboard in judging men and affairs.
三体第一部 英语
三体第一部英语Three-Body Problem - Part One: EnglishIntroduction"Three-Body Problem" is the first installment of a science fiction trilogy written by Liu Cixin. This novel, originally published in Chinese, quickly gained international recognition and has since been translated into multiple languages, including English. In this article, we will delve into the significance of "Three-Body Problem" and explore the impact it has had on the genre of science fiction.Intriguing Plot and SettingThe novel is set against the backdrop of China's Cultural Revolution and follows Ye Wenjie, an astrophysicist who witnesses her father's execution during this tumultuous period. While attempting to send a message into space, Ye inadvertently makes contact with an alien civilization known as the Trisolarans, who reside in a triple star system.The Scientific AspectLiu Cixin combines scientific concepts with imaginative storytelling to create a compelling narrative. With meticulous research and attention to detail, the author explores various scientific theories such as astrophysics, quantum mechanics, and game theory. This approach lends authenticity and credibility to the story, captivating readers with its thought-provoking ideas.Exploring Societal ThemesBeyond its scientific elements, "Three-Body Problem" also touches upon significant societal themes. Through the allegorical representation of the Trisolaran civilization, Liu highlights the consequences of humanity's choices and the potential dangers of environmental degradation. The novel prompts introspection about the impact of our actions on both our planet and the universe as a whole.Character DevelopmentThe characters in "Three-Body Problem" are complex and multifaceted, with their actions and decisions deeply influencing the course of events. Protagonist Ye Wenjie, driven by a sense of betrayal and loss, becomes intertwined with the Trisolaran society, leading to an exploration of themes related to loyalty, sacrifice, and redemption. The intricate character development adds depth and emotional resonance to the narrative.Cultural and Political CommentaryLiu Cixin weaves cultural and political commentary throughout the novel, providing insights into the historical context of China during the Cultural Revolution. The author effectively integrates these elements into the story, offering readers a nuanced perspective on socio-political dynamics and their impact on science and progress.International Recognition and InfluenceSince its translation into English by Ken Liu, "Three-Body Problem" has gained significant international recognition. The novel was awarded the Hugo Award for Best Novel in 2015, becoming the first Asian novel to receive this prestigious honor. Its success has helped bridge the gap betweenEastern and Western science fiction, sparking interest in Chinese literature and inspiring a new wave of science fiction enthusiasts.Conclusion"Three-Body Problem" is a masterpiece of science fiction literature that not only entertains but also challenges readers to contemplate essential philosophical and scientific questions. Through its intricate plot, well-developed characters, and thought-provoking themes, the novel has rightfully earned its place as a landmark work in the genre. Liu Cixin's work serves as a testament to the power of science fiction to inspire, educate, and transcend cultural boundaries.。
中国在航天领域的成就英语作文
中国在航天领域的成就英语作文Title: China's Ascent to Astronomical Heights: A Journey Through Space AchievementsIn the annals of human progress, few endeavors match the allure and challenge of space exploration. It is a frontier that beckons with whispers of the unknown and the vastness of the universe. Among the nations that have heeded this celestial call, China stands out, its strides in space technology and exploration charting a course that is both bold and visionary.The journey began with dreams that transcended the terrestrial. The founding of the China National Space Administration (CNSA) in 1993 laid the cornerstone for what was to become a narrative of remarkable achievements. This was a declaration, a signal to the world that China intended to take its place among the stars.Perhaps one of the most iconic milestones was the launch of the Shenzhou series of spacecraft, notably Shenzhou 5, which marked China's first manned space mission. As Yang Liwei hurtled into orbit, he carried with him the aspirations of a nation. This momentous event, a leap for Chinese ambition, resonated globally as a testament to human curiosity and courage.China's ambitions did not end there; they expanded into the cosmos with the Chang'e lunar exploration program. The successful landing of the Chang'e 4 on the far side of the moon in 2019 was particularly noteworthy. Not only did it make China the first country to achieve a soft landing on the moon's far side, but it also showcased the nation's scientific and technological prowess. This mission, named after the ancient moon goddess, epitomized a merging of myth and modernity, demonstrating how culture and technology could synergize to reach new heights.Further highlighting China's commitment to deep space exploration, the Mars rover mission, Tianwen-1, exemplifies China's interplanetary ambitions. Its successful landing on the Martian surface marked China's arrival as a key player in planetary science, showcasing once again the nation's technological advancements and its thirst for knowledge.Beyond these singular accomplishments, China has also made significant contributions to the United Nations Office for Outer Space Affairs (UNOOSA). Beijing's dedication to international collaboration in the peaceful uses of outer space reflects a commendable effort toward global harmony and cooperation.China's space achievements are not isolated triumphs but part of a broader narrative of human progress in understanding our universe. They reflect a confluence of factors: strategic planning, technological innovation, and the unyielding determination to explore the unknown. These endeavors inspire not only the Chinese people but also generations worldwide, underscoring the universal appeal of space exploration and the pursuit of knowledge.As we gaze upon the starry expanse, China's contributions to space exploration serve as celestial waypoints, guiding us through the cosmic sea. They are reminders that while the challenges of space may be immense, the human spirit, propelled by curiosity and fortitude, can transcend them. In this cosmic journey, China has not only ascended to astronomical heights but has also etched its story among the stars, a tale of ambition, innovation, and boundless discovery.。
梗概作文《三体》500字
梗概作文《三体》500字英文回答:The Three-Body Problem is a science fiction novel written by Liu Cixin. It explores the encounter between humanity and an alien civilization called the Trisolarans. The story is set in both the present day and during the Cultural Revolution in China.The novel begins with the discovery of a virtual reality game called "Three Body," which allows players to simulate a world where the laws of physics are different. This game leads to the formation of a secret organization called the Earth-Trisolaris Organization (ETO), whose goal is to prepare humanity for the impending invasion by the Trisolarans.The Trisolarans come from a planet with three suns, which makes their civilization unstable due to the chaotic gravitational forces. They send a message to Earth,revealing their location and their plan to invade in 400 years. This revelation causes panic and chaos among humanity, as they struggle to find a way to defend against the advanced alien civilization.The novel explores various themes such as the nature of humanity, the limits of science, and the potential for both good and evil in the universe. It also delves into the political and social implications of the encounter with an alien civilization, as different factions within humanity have different approaches to dealing with the Trisolaran threat.The Three-Body Problem is a thought-provoking and complex novel that combines hard science fiction with philosophical and sociopolitical themes. It has gained international acclaim and has been translated into multiple languages.中文回答:《三体》是刘慈欣所著的一部科幻小说。
三体初中英语作文
Title: The Three-Body Problem in a Junior High PerspectiveIn the fascinating world of science fiction, Liu Cixin's "The Three-Body Problem" stands out as a remarkable masterpiece. Although it deals with complex scientific concepts like interstellar travel and alien civilizations, its themes and messages resonate deeply with junior high students like me.The story, centered around the mysterious planet "Trisolaris" and its impact on Earth, explores themes of courage, sacrifice, and the quest for knowledge. It reminds me that even in the face of unknown challenges beyond our comprehension, human beings possess the courage to explore and seek answers.What particularly interests me is the idea of extraterrestrial life. The thought that we might not be alone in the universe is both thrilling and humbling. It encourages me to dream bigger, to aspire to become a scientist or explorer who can contribute to the understanding of our vast and mysterious universe.Moreover, the novel highlights the importance of cooperation and unity in facing extraterrestrial threats. It teaches me that in times of crisis, it is our collective strength and wisdom that can help us overcome obstacles and protect our home planet.Reading "The Three-Body Problem" has not only expanded my horizons but also inspired me to pursue my passions and dreams with greater determination. It is a book that challenges my imagination and encourages me to think beyond the confines of my daily life.In conclusion, "The Three-Body Problem" is not just a science fiction novel; it is a powerful tale of human spirit and aspiration. It reminds me that no matter how vast and unknown the universe may be, our curiosity and courage will always lead us to new discoveries and adventures.。
推荐三体的英文作文
推荐三体的英文作文Three-Body Problem is a mind-bending science fiction novel that explores the idea of contact with an alien civilization. The story is filled with complex characters and thought-provoking ideas that will keep you on the edge of your seat.The novel is set against the backdrop of China's Cultural Revolution, and the author does a fantastic job of blending historical events with futuristic technology. The result is a rich and immersive world that feels both familiar and alien at the same time.One of the most compelling aspects of the novel is its exploration of the Fermi paradox, which asks the question: if the universe is so vast and full of potentially habitable planets, why haven't we found any evidence of extraterrestrial life? This question serves as the driving force behind the plot and gives the story a sense of urgency and mystery.The characters in Three-Body Problem are also incredibly well-developed and multi-dimensional. From the brilliant scientist Wang Miao to the enigmatic Ye Wenjie, each character brings something unique to the table and adds depth to the overall narrative.Overall, Three-Body Problem is a must-read for any fan of science fiction. Its thought-provoking ideas, richly detailed world, and complex characters make it a truly unforgettable reading experience.。
THREE_BODY_THE_THIRD
84BOOKMARKi l l u s t r a t i o n b y c a i t a o85thoughtful, and considerate, but hardly one of Liu’s stronger characters. Perhaps she only makes sense when considering her foil, Thomas Wade, a hateful, bellicose, headstrong, manipulative monster of a man.The technology of cryogenics plays an even more important role Death’s End than in Dark Forest , allowing the reader to traverse centuries with the turn of a page. With the Doomsday Battle over and Dark Forest theory as an effective deterrent, humanity seems to turn back in on itself, concerned with its own internal politics, eschewing the brutalities of life in the universe, obsessed not with the stars but with the Trisolarians. This inward gaze makes humanity weak—though perhaps “delicate” is a better word. After centuries of one-sided warfare, scheming, and suicidal military campaigns, humankind is getting back to the business of equality and gentility, and what could be wrong with that? Well, in a universe ruled by Natural Selection, everything is wrong with that. Complacency is a strong theme in Liu’s works. From the Three-Body trilogy to his short works, whenever Liu Cixin sees a fictional society sitting on its laurels, you can be sure he is going to step on its neck. Death’s End is no different.Cheng Xin rises in the world in no small part because of her middle-of-the-road status as a Crisis Era woman. In the Deterrence Era, masculinity exists only in the cryogenically revived men from centuries past. This new delicate society—without going into the specifics of Dark Forest theory—need someone tough enough to do what’s necessary but not go off half-cocked. Cheng Xin was the natural choice: a woman but a woman from an age when men were men (it’s complicated). From then on, the novel takes on the tone of a morality play with Cheng Xin at the epicenter, but the question of ethics or survival is pretty simple. Again, “Would you sell your mother to a whorehouse?”Speaking of our pitiless, spiteful universe, there’s aFor a brief recap of the trilogy, Three-Body Problem asked, “Does humanity deserve its place in the universe?” The second, Dark Forest , asked, “Can humanity earn its chance to survive?” In Death’s End the question issomewhat simpler: “Would you sell your mother to a whorehouse?”If you need to be told that even a simple review of the third in the Three-Body trilogy has spoilers, then you clearly don’t know Liu Cixin. Put simply, the man has never seen a well-manicured, rational plot that he didn’t want to kick down a flight of stairs, kind of like a George R.R. Martin for planets. So, if you’ve read this far into the review without having read the Hugo Award-winning Three-Body Problem and Dark Forest , you are a base knave, a failed Wallfacer, and a prick-eared cur of Trisolaris.Translated by Ken Liu, readers can’t just jump in the deep end of Death’s End . You’ll need to know about Trisolaris politics, Dark Forest theory, and sophons to understand even a whiff of this novel. Return readers are warned, however, not to expect any fairy tale endings—though this installment does contain actual fairy tales (it’s complicated).Death’s End builds on the Deterrence Era established by Dark Forest . For those hoping this work will finally concentrate on the unbelievably powerful, technologically superior, psychologically advanced horde of brutal alien refugees barreling toward the Earth at one percent of light speed, forget about it. Humanity has bigger problems.No philosophical meandering, no wishy-washy terrorist groups, no escapism—this time humankind learns or it burns. It’s a hard slog through murky waters, and readers won’t take long to learn that this novel isn’t about narrative tricks. It’s about decisions that hurt.The character in the middle of this maelstrom ofbad choices is Cheng Xin who comes out of college at the end of the Crisis Era, during which humanity puts all of its resources into staving off the Trisolaran invasion of Earth. She, a low-level analyst in an important military project, quickly rises through the ranks of the international team of egg-heads due to her practical mind and ownership of a star (it’s complicated).Death’s End is the only book in the trilogy to feature a female lead, and her sex—or, rather, the perception of her sex as a delicate symbol of morality and compromise—plays a major part in the decisions that shape the novel. She’s hardworking, kind,WHENEVER LIU CIXIN SEES A FICTIONAL SOCIETY SITTING ON ITS LAURELS, YOU CAN BE SURE HE IS GOING TO STEP ON ITS NECK86Band-Aid that needs to be ripped off: world-building has never been Liu’s strong suit. This, however, isn’t necessarily a bad thing;claustrophobia plays its part in Liu’s storytelling, so adopting a holistically descriptive style would rather defeat the purpose. If he says a character’s in a bunker, you get the gist. If he says a planet has blue trees, fine, get on with it. With a brutal touch of perturbing scientific speculation and a story that spans galaxies and centuries, something as simple as a planet (or genocide) seems to go by in an instant. But, somehow, readers are able to walk away still satisfied that they experienced it—even if the book does sometimes read more like a history book sidebar than a science fiction novel.The scale of the story, like many of Liu’s works, is impressive. When we last left humanity in Dark Forest , the human race had two long-term space missions, colonies throughout the solar system, and a military force that spanned from the Sun to theOort Cloud (until it exploded). The Crisis Era set in motion a complete dedication to Earth’s survival (minus the GreatRavine), and the overall attitude is perhaps best summed up by the evil/valiant leader Thomas Wade: “We can throw resources at this problem until the laws of physics bend.” Death’s End builds on an empire, but with an eye to contented survival rather than expansion. At first glance, the vicious consistency of Thomas Wade always feels like the answer: shoot first, ask questions later, and bugger the cost. But,this is only in appearance because Cheng Xin is actually making all the decisions rather than sniping (literally) from the sidelines. In truth, Thomas Wade’s view of the universe and the price that needs to be paid has its very own flaw, perhaps put best by the character 白 Ice (it’s complicated): “Weakness and ignorance are not barriers to survival, but arrogance is.” Cheng Xin may appear superficially innocent, but Thomas Wade is arrogant to the core.While Death’s End doesn’t reallymention the fan favorite, Da Shi, Luo Ji returns in force as the grizzled, centuries-old protector of the planet, a man out of time—also, eventually, out of width, breadth, and a few other dimensions as well. Luo’s Dark Forest theory implicitly stated what was explicitly stated in Death’s End by an unnamed character/god-like creature chucking weapons at random low-entropy entities (it’s complicated): “In the cosmos, no matter how fast you are, someone will be faster.” Luo lives long enough to see his theory become irrelevant.No matter how well you hide, no matter how well you fight, something is coming that can’t be beat.In between all this genocide and fatalism there is a love story—albeit a love story involving a cancer victim/flying brain/clone (it’s complicated). The nature of the love story in the novel shouldn’t surprise Liu Cixin fans considering Dark Forest featured an entirely fictional soul mate and a lover’s tiff in “Curse 49” nearly destroyed all life on Earth. Still, Death’s End manages, as planets are swatted from the cosmos like flies, to make the strained relationship between two people seem important.Like Clarke and Asimov before him, most readers are wowed by the scale of Liu’s storytelling, but an oft-omitted praise of his work is the perspective. Edwin Abbot’s Flatland features creatures on a two-dimensional plane discovering a third, and that’s very much how it feels to read Death’s End . Fully-formed worlds are neatly laid out for the reader’s inspection, and the reader feels as though they can speculate on the nature of the plot point set before them. But it’s not a plot point; it’s a puzzle piece.Usually book reviews end with a recommendation of the book, but readers of the first two works will likely be chomping at the bit to get their hands on this final installment. In fans’ minds, this final work has a lot of area to cover and more than a few questions to answer, so expectations are extremely high. Readers should beware that this book, more than the previous two, challenges the reader to follow Liu Cixin down some very dark paths. So, before readers pick up this final installment to have one of the greatest modern sci-fi masterpieces end forever, they need to ask themselves: “Would you sell your mother to a whorehouse?”。
英语作文介绍故宫
英语作文介绍故宫The Forbidden City, also known as the Imperial Palace, is located in the heart of Beijing, China. It was the Chinese imperial palace from the Ming dynasty to the end of the Qing dynasty. With a history of over 600 years, the Forbidden City is one of the most iconic and well-preserved ancient architectural complexes in the world.The Forbidden City covers an area of 180 acres and consists of 980 surviving buildings with 8,704 rooms. The entire complex is surrounded by a 26-foot-high wall and a 20-foot-wide moat, making it a truly imposing and majestic sight. The architectural style of the Forbidden City is a perfect example of traditional Chinese palatial architecture, with its grand halls, intricate pavilions, and beautiful courtyards.The Forbidden City is divided into two main parts: the Outer Court and the Inner Court. The Outer Court was used for ceremonial purposes and was where the emperor wouldconduct state affairs, hold grand ceremonies, and receive foreign ambassadors. The most famous building in the Outer Court is the Hall of Supreme Harmony, which is the largest and most important building in the entire complex. The Inner Court was the living quarters of the emperor, his family, and his concubines. It consists of the emperor's living quarters, the Hall of Mental Cultivation, and the Palace of Heavenly Purity, among others.One of the most striking features of the Forbidden City is its rich and intricate decoration. The entire complex is adorned with beautiful carvings, colorful paintings, and exquisite furnishings. The roofs of the buildings are covered with yellow glazed tiles, which were reserved for imperial buildings only. The walls are also decorated with intricate carvings of dragons and other mythical creatures, symbolizing the power and authority of the emperor.In addition to its architectural beauty, the Forbidden City is also home to an extensive collection of cultural and historical artifacts. The Palace Museum, which is housed within the Forbidden City, contains over 1.8 millionpieces of art and artifacts, including ancient paintings, calligraphy, ceramics, and jade. Many of these artifacts are of immense historical and cultural significance, providing valuable insights into the lives of the imperial family and the court.The Forbidden City is not only a testament to the grandeur and opulence of the Chinese imperial court, but also a symbol of China's rich cultural heritage. It has been designated a UNESCO World Heritage Site and is widely regarded as one of the most important cultural andhistorical landmarks in China. Every year, millions of visitors from all over the world come to marvel at the beauty and grandeur of the Forbidden City, making it one of the most popular tourist attractions in China.In conclusion, the Forbidden City is a true marvel of ancient Chinese architecture and a treasure trove of cultural and historical artifacts. Its grandeur, beauty, and historical significance make it a must-see destination for anyone interested in Chinese history and culture. A visit to the Forbidden City is a journey back in time tothe glorious days of the Chinese imperial court, and an experience that will leave a lasting impression on all who have the privilege to visit.。
三体第一季英语
三体第一季英语Title: The Three-Body Problem Season 1Introduction:"The Three-Body Problem" is a Chinese science fiction trilogy written by Liu Cixin. The first season of the television adaptation of the trilogy has received widespread acclaim from audiences and critics alike. This article will explore the key aspects of the first season of "The Three-Body Problem" and why it has captured the imagination of viewers around the world.Plot Summary:The first season of "The Three-Body Problem" follows the story of humanity's first contact with an alien civilization known as the Trisolarans. The plot centers around Ye Wenjie, a scientist who makes contact with the Trisolarans and becomes disillusioned with the human race. As tensions rise between Earth and the Trisolaran civilization, a group of scientists and politicians must come together to save humanity from destruction.Themes:One of the key themes of "The Three-Body Problem" is the convergence of science and philosophy. The show explores complex scientific concepts such as physics, mathematics, and astronomy, while also delving into profound questions about the nature of existence, the limits of human knowledge, and the ethics of scientific progress.Another major theme of the series is the impact of technology on society. As humanity grapples with the implications of the Trisolaran technology and the impending threat of their invasion, the characters must navigate the moral dilemmas and ethical quandaries that arise from the use of advanced technology.Characters:The characters in "The Three-Body Problem" are complex and multifaceted, with each one grappling with their own inner demons and personal struggles. From the stoic and enigmatic Ye Wenjie to the brilliant but morally ambiguous Wang Miao, the characters in the series are compelling and relatable, drawing viewers into their world and making them care about their fates.Production Values:The production values of "The Three-Body Problem" are top-notch, with impressive special effects, stunning cinematography, and a hauntingly beautiful score. The show's attention to detail and commitment to authenticity help to bring the world of the trilogy to life, immersing viewers in a richly realized and visually stunning universe.Conclusion:In conclusion, the first season of "The Three-Body Problem" is a gripping and thought-provoking exploration of humanity's place in the universe. With its compelling storyline, engaging characters, and high production values, the series has captured the hearts and minds of viewers around the world. As the show continues to delve into the mysteries of the Trisolaran civilization and the fate of humanity, it is sure to leave a lasting impact on audiences for years to come.Overall, 【Three-Body Problem season one】is a must-watch for any fan of science fiction or thought-provoking television.。
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a rXiv:as tr o-ph/51275v13Dec25Three-Body Affairs in the Outer Solar System Yoko Funato General System Studies,University of Tokyo,Tokyo 153,Japan funato@chianti.c.u-tokyo.ac.jp Junichiro Makino Department of Astronomy,University of Tokyo,Tokyo 113,Japan Piet Hut Institute for Advanced Study,Princeton,NJ 08540,USA Eiichiro Kokubo &Daisuke Kinoshita National Astronomical Observatory,Tokyo 180,Japan Recent observations 1,2,3have revealed an unexpectedly high binary fraction among the Trans-Neptunian Objects (TNOs)that populate the Kuiper Belt.The TNO binaries are strikingly different from asteroid binaries in four respects 2:their frequency is an order of magnitude larger,the mass ratio of their compo-nents is closer to unity,and their orbits are wider and highly eccentric.Two explanations have been proposed for their for-mation,one assuming large numbers of massive bodies 4,and one assuming large numbers of light bodies 5.We argue that both as-sumptions are unwarranted,and we show how TNO binaries can be produced from a modest number of intermediate-mass bodies of the type predicted by the gravitational instability theory for the formation of planetesimals 6.We start with a TNO binary population similar to the asteroid binary population,but sub-sequently modified by three-body exchange reactions,a process that is far more efficient in the Kuiper belt,because of the much smaller tidal perturbations by the Sun.Our mechanism can nat-urally account for all four characteristics that distinguish TNO binaries from main-belt asteroid binaries.The TNO binary 1998WW31has 2a mass ratio m 2/m 1∼0.7,eccentricity e ∼0.8,semimajor axis a ∼2×104km,and inferred radii r 1∼1.1r 2∼102km,hence a/r 1>102,in stark contrast to main belt asteroid binaries 7,where m 2/m 1≪1,e ∼0,and a/r 1<∼10.Asteroid binaries are probably formed by collisions 8,as in the leading scenario for the formation of the Moon 9,10.The observed characteristics,m 2/m 1≪1,e ∼0,and1a/r1<∼10,are all natural consequences of this scenario11.For a different scenario for1998WW31,we can look at dynamical binary formation in star clusters,where there are three channels:1)tidal capture12;2)three-body binary formation13;and3) exchange reactions13.Channel1is analogous to the standard scenario for asteroid binary formation.It will indeed occur:each TNO has grown through accretion,and much of this accretion has happened through collisions with an object comparable in mass to the growing TNO itself14,15.Channel2would require a near-simultaneous encounter of three massive objects with low enough velocities to allow an appreciable chance to leave two of the objects bound.For this to work,the random velocities of the most massive objects should be significantly lower than their Hill velocities.Under such conditions,this channel could play a role,as pointed out by Goldreich et al.5,who assumed that there are ∼105100km–sized object embedded in a sea of small(<1km)objects.This as-sumption,however,is at odds with Goldreich and Ward’s theory for the formation of planetesimals6through gravitational instability,and it is hard to see how objects in the Kuiper Belt could form from non-gravitational coagulation,because the time scales are far too long16.In contrast,the gravitational instability theory predicts the size of the initial bodies to be10−100km.Starting with these larger bodies would make channel2ineffective,because the velocity dispersion would be higher than the Hill velocity14,17.Recently,Weidenschilling4proposed a variation on the idea of using interactions between three unbound bodies in order to create a binary.He studied how a third massive body could capture the merger remnant from a collision of two massive bodies if the third body were near enough during the time of the collision.This mechanism seems unlikely to work,however,since it requires a number density of massive objects about two orders of magnitude higher than the value consistent with present observations5.Goldreich et al.5have proposed another mechanism,based on the dynamical fric-tion from a sea of smaller bodies that can turn a hyperbolic encounter between two massive bodies into a bound orbit under favorable conditions.Effectively,this mech-anism makes use of a superposition of three-body encounters,since each light body interacts independently with the two heavier ones,and in that sense it is another variant on channel2.As we mentioned above,the gravitational instability theory for the formation of planetesimals6would exclude the existence of such a sea of small objects,and since the alternative theory of nongravitational agglomeration does not seem to work,we will explore the consequences of dropping channel2.Channel3can operate on the binaries formed through channel1,so we should check whether channel1and3together produce the right binaries in the right num-bers.Starting with thefirst task,consider a relatively massive TNO primary in a binary orbit with a much less massive secondary.If the binary encounters a particle with a mass m that is comparable to the mass of the primary component(m1∼m≫m2), the most likely result is an exchange reaction,in which the incoming object replaces the original secondary18.Figure1shows an example of such a reaction.The binding energy of the binary will not change much during the exchange, hence m1m2/a0≈m1m/a where a is the new semimajor axis after the exchange.Figure1:An example of a binary–single-body exchange interaction,in the‘(massive, light)meets massive’category discussed in this paper.Bodies1and2have masses m1=1and m2=0.1,respectively,forming a binary with an initially circular orbit. Body3,with mass m3=1,encounters the binary on an initially parabolic orbit.In panel(a),the whole scattering process is shown.Panel(b)shows the complex central interaction in more detail,while panels(c)and(d)show the orbits of the initial and final binary,respectively.Note that thefinal binary orbit is highly eccentric and much wider than the initial circular binary orbit.channel:(a)(b)(c)(d)(e)(f)process:(1,3),2(2,3),1(1+2,3)(1+3,2)(2+3,1)no binaryTable1:Cross sectionsσfor various configuration-changing channels in binary–single-body scattering.The gravitational focusing factor v2is scaled out in order to obtain finite values in the parabolic limit,where v is the initial relative velocity between binary and single body at infinity.We use units in which G=m1=m3=a=1, where G is the gravitational constant,m1and m3are the masses of the heaviest body in the binary and the single body,respectively,and a is the initial semi-major axis of the binary.The mass of the lighter body in the binary is m2=0.05.The radii are r1=r3=0.05and r2=r1(m2/m1)1/3≈0.01842.The scattering processes are coded as follows:(x,y)indicates a binary in thefinal state with components x and y,while a p+q indicates the product of a merger between bodies p and q.A single body z in thefinal state is indicated by(,),z.The physical meaning of the six channels is as follows:(a)an exchange reaction resulting in a massive–massive binary;(b) an exchange reaction resulting in a massive–light binary;(c)a merger resulting in a massive–massive binary;(d)a merger resulting in a twice-as-massive–light binary;(e) a merger resulting in a massive–massive binary;(f)no binary is left,after three-body merging or two-body merging followed by escape.This implies a/a0≈m/m2≫1.Under the impulse approximation,the interaction happens in a space small compared to the distance a0to the primary.Conservation of specific angular momentum of the system gives m2a0(1−e0)≈ma(1−e)which gives1−e≈m2/m≪1.We have run a series of scattering experiments to obtain the relevant cross sections, for an initial binary with mass ratio of20:1and semimajor axis a0=20r1,where r1 is the radius of the primary.These values are typical for main-belt binary asteroids, with m2/m1<0.1,and separations5−40times the radius of the primary.We choose parabolic relative orbits for the single body approaching the binary,with periastron distances uniformly distributed between0and20a0.We only followed the system as long as all three bodies stayed within their Hill radius,1000a0.Table1gives cross sections for processes in which initial binary membership is altered.Channels(a),(c)and(e)result in binaries with two massive components, and together comprise about80%of the total cross section.We checked these results through a comparison with the starlab three-body scattering package19.Infigure2the distribution for the semi-major axis is strongly peaked at a=20,in good agreement with the simple argument presented above.Similarly,the eccentricity peaks at0.95,as expected.We assumed r1=75km,the estimated radius of the primary of1998WW31.Infigure3,the orbital elements of1998WW31are consistent with the binary having formed through the processes modeled here.We now confront our second task:to check whether the exchange channel is efficient enough to produce the observed binaries.Starting with TNOs of inter-mediate mass,as predicted by Goldreich and Ward’s theory for the formation of planetesimals6,the heaviest TNOs will accrete mass primarily through collisions with TNOs of comparable mass14,15.Many of these collisions are of the‘giant impact’typeFigure2:Normalized differential cross sections for the formation of a‘massive-massive’binary,under the conditions specified in the text(channels a,c and e in table1),with respect to the semi-major axis a(top panel),and eccentricity e(bottom panel)of thefinal binary.The initially circular binary has a=1in the dimensionless units used for dσ/da,while the physical units are given for reference at the top of the figure.Thefilled points are the total values for the differential cross sections,while the open circles are the contributions from the merger channels(c and e in table1). Note the double-peaked structure in the top panel:the sharp peak toward a∼20 arises from non-resonant exchanges,where thefinal binary has an energy comparable to that of the initial binary;the broad peak around a∼10arises from resonant exchanges,where the memory of the initial binary is wiped out,leading on average to more strongly hyperbolic escape in which a harder binary is formed.Figure3:Orbital properties of‘massive-massive’binaries formed in our scattering experiments:a and e have the same meaning and units as infig. 2.Contributions from exchange reactions,channel(a)in table1,are limited by energy conservation to a<∼20,and give rise to the horizontal rim in the middle of thefigure.Contributions involving mergers,channels(c)and(e)in table1,can lead to a values all the way to the Hill radius a≈103,but are limited by angular momentum conservation to increasingly high e for increasing a.The star symbol shows the observed orbit for 1998WW31.Boxes around the star indicate the observational1-and2-σerror bars. that form a tight circular strongly unequal-mass binary(channel1).Let us estimate what fraction of encounters between comparable-mass TNOs will give rise to‘giant impact’type binaries,and how long such binaries survive on average before they are destroyed again.We assume that one in three collisions between comparable TNOs gives rise to a binary.When no binary is produced,we have to wait for a typical time T until another major collision occurs.When a binary is formed,gravitational focusing implies a cross section for three body interactions of order a0.Therefore,our newly-formed binary will undergo an exchange reaction on a time scale(r/a0)T≪T,leading to a significant increase in a.Strong three-body interactions will subsequently occur on a much shorter time scale(r/a)T≪T.As a result,the semimajor axis will shrink systematically,while the‘thermal’distribution f(e)=2e favors high eccentricity13.When the orbit becomes small enough,r/a∼0.03,the chance for collisions in resonant encounters becomes significant20.Let us assume that an exchange reaction turns a‘giant impact’binary into a binary with a semi-major axis of a∼300r.Each subsequent strong encounter will on average decrease a by a factor21∼1.2.After a dozen encounters,a∼30r and collision is likely to occur.The time scale for each encounter to occur is∼(r/a)T.The waiting time for the last encounter in this series to occur is(1/30)T,while each previous waiting time was less by a factor1.2. Summing this series,we get a total waiting time of(T/30)/(1−(1/1.2))=0.2T beforea collision between two or three massive TNOs.If all three collide,we are back where we started,and the resulting system may be a single body(with an assumed chance of2/3)or a strongly unequal-mass binary(chance1/3).If two of the bodies collide, the third one may remain in orbit,or it may escape.In the latter case,we again are back where we started.In the former case,we still have an equal-mass and likely highly eccentric wide binary.Under these assumptions,in1/3of the cases,we wind up with an equal-mass TNO binary with the observed properties for a period∼0.2T,compared to a2/3 chance to wind up with a single TNO for a period∼T.This allows us to derive the rate equation for the formation and destruction of the binaries.If we denote by N S and N B the number of single bodies and the number of binaries,respectively,we havedN B3N S−13N BdN Sdtif we measure time in unit of T.So for the stationary state we have dN B/dt= dN S/dt=0,and N B=0.2N S/2=0.1N S.Therefore,the binary fraction is∼10%. When accretion in the Kuiper belt region diminished,the number of single and binary objects was frozen,with a ratio similar to this steady-state value.While our arguments are only approximate,it is clear that after cessation of the accretion stage at least several percent or more of the TNOs were accidentally left in such a binary phase.The fact that more than1%of the known TNOs are found to be in wide roughly equal-mass binaries is thus a natural consequence of any accretion model independent of the assumed parameters for the density and velocity dispersion of the protoplanetary disk or the duration of the accretion phase.As a corollary, we predict that future discoveries of TNO binaries will similarly show roughly equal masses,large separations,and high eccentricities.We conclude that we have found a robust and in fact unavoidable way to produce the type of TNO binaries that have been found,as long as we start from the plausible assumption that TNOs were formed through gravitational instabilities6.1.Burnes,J.A.,Science,297,942-943(2002).2.Veillet C.,et al.,Nature,416,711-713(2002).3.Margot,J-L.,Nature,416,694-695,(2002).4.Weidenschilling,S.J.,Icarus,160,212-215(2002).5.Goldreich,P.,Lithwick,Y.,and Sari,R.,Nature,420,643-646(2002).6.Goldreich,P.and Ward,W.R.,ApJ,183,1051(1973).7.Margot,J-L.,Nolan,M.C.,Benner,L.A.M.,Ostro,S.J.,Jurgens,R.F.,Giorgini,J.D.,Stade,M.A.,and Campbell,D.B.,Science,296,1445-1447,(2002).8.Merline,W.J.et al.in Asteroids III(eds Bottke,W.F.,Cellino,A.,Paolicchi,P.&Binzel,R.P.)(in the press).9.Hartmann,W.K.and Davis,D.R.,Icarus,24,504-515(1975).10.Kokubo,E.,Ida,S.,Makino,J.Icarus,148,419–436,(2000).11.Durda,D.D.,Bottke,W.F.,Asphaug,E.,and Richardson,D.C.,Bull.Am.Astron.Soc.,33,1134(2001).12.Fabian,A.C.,Pringle,J.E.&Rees,M.J.,MNRAS172,15P(1975).13.Heggie,D.C.,MNRAS,173,729(1975).14.Kokubo,E.and Ida,S.,Icarus,131,171(1998).15.Makino,J.,Fukushige,T.,Funato,Y.,&Kokubo,E.,New Astronomy,3,411-416(1998)16.Wetherill,G.W.,Annu.Rev.Earth Planet.Sci.18,205(1990).17.Kenyon,S.J.and Luu,J.X.,Astronomical Journal,115,2125(1998).18.Spitzer,L.,“Dynamical evolution of globular clusters”,Princeton,NJ,PrincetonUniversity Press,(1987).19.McMillan,S.&Hut,P.,Astrophysical Journal,467,348-358(1996).20.Hut,P.and Inagaki,S.,Astrophysical Journal,298,502-520(1985).21.Heggie,D.C.&Hut,P.The Gravitational Million-Body Problem[Cambridge Univ.Pr.],Ch.23(2003).Acknowledgements We acknowledge helpful comments on our manuscript by Peter Goldreich and Roman Rafikov.。