Supporting Stored Video Reducing Rate Variability and End-to-End Resource Requirements thro

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Skyworks 6G-SDI 高清视频传输解决方案说明书

Skyworks 6G-SDI 高清视频传输解决方案说明书

1 | IntroductionDigital video transmission rates have steadily increased since the introduction of high-definition video. The latest trend in the industry for high-resolution video is the market adoption of 6G-SDI to support 4K digital cinema and ultra-high definition (UHD) television.Digital video data delivery at higher speeds required by 6G-SDI poses new challenges in designing broadcast video production and transmission equipment. In particular, high frequency, low-jitter clocking solutions are a critical element to maintain proper signal integrity through the variouscomponents and interconnecting cables that constitute the high-definition video network. In addition, these timing solutions must be flexible enough to accommodate the multiple frequencies required by legacy video standards.Higher Speed Video Standards on the HorizonThe Society of Motion Picture and Television Engineers (SMPTE) was founded in 1916 to standardize videocontent distribution. Video equipment manufacturers have since adhered to these standards. In 1997, the SMPTE established the SD-SDI 259M standard, which was the first ratified definition of a serial digital interface (SDI) to send and receive uncompressed digital video over 75-ohm coaxial cable within a studio environment. SDI supports transmission rates ranging from 270 Mbps to 360 Mbps.Due to the fact that digitized video signals accumulate jitter across video components andinterconnecting cables, SMPTE established limits on the allowable jitter content of SDI signals. As high-definition digital video advanced to 720p and 1080i, SMPTE defined the HD-SDI 292M standard to support higher bandwidth video transmission at 1.485 GB/s.Addressing Timing Challenges in 6G-SDI Applications | 2In recent years, continued technological innovation in digital video has pushed the boundaries ofvideo resolution from 1080p (2K resolution) to 4K. Transmitting a larger number of pixels on the same infrastructure implies having to deliver the video payload at 5.97 GB/s. The goal of the standards published by the SMPTE has been to guide the increasing data transmission rates to ensure that existing video production facility infrastructure can support and broadcast higher resolution video. Although the SMPTE body has yet to ratify a standard for 6G-SDI, video equipment suppliers are already meeting the demand for 4K by introducing solutions to support the faster data rates.Early 6G/12G-SDI Market AdoptionIn response to surging interest and demand for 4K video components, broadcast video equipment suppliers are starting to release 6G-SDI compatible products such as 4K production switchers, video routers, encoders/decoders, video monitors, video servers and video converters. In addition to enabling transmission of UHD video over standard BNC cable, this equipment supports simplified switching between UHD, HD and SD formats. This enables broadcast video engineers to easily swap between different formats depending on their content production requirements. This flexibility eases the migration to UHD by enabling studios to leverage their existing investment in HD and SD equipment and continue to produce content in a variety of formats.In 2005, the SMPTE introduced 3G-SDI to enable the transmission of 1080p video at 2.97 Gbps over existing 75-ohm coaxial cable. To support these higher video transmission speeds, the SMPTE has set increasingly stringent jitter requirements. Table 1 summarizes the timing requirements for the SMPTE-ratified SDI standards.Table 1. SMPTE SDI Timing RequirementsSemiconductor manufacturers have followed suit and have started to release ICs that are purpose-built for 6G-SDI. These devices include cable equalizers, cable drivers, reclockers and FPGAs with integrated SDI transceivers. One limitation with 6G-SDI is that 4K UHD can be transmitted at no more than 30 frames per second. Higher data rates are required to transmit video at higher frame rates.. Anticipating this demand, manufacturers are starting to release 12G-SDI components that support data rates of 11.8 GB/s.Productization of these “proprietary” solutions increases the risk of future interoperability concerns. For this reason, the SMPTE has assembled a new Working Group to define UHD single-link, dual-link and quad-link electrical and optical SDI interfaces with nominal link rates of 6 Gb/s, 12 Gb/s and 24 Gb/s to support next generation multi-media, high-frame-rate data transmission.Timing Challenges for 6G-SDIUHD video transmission creates many new hardware design challenges. There are three key timing-related design challenges affecting 6G-SDI applications.JitterExcessive jitter increases the bit-error rate of the serial transmission link, degrading the quality ofthe video signal and potentially leading to corrupted, unrecoverable video data. Each componentin the video signal chain, including cables, BNC connectors, printed circuit board traces, equalizers, reclockers, encoders/decoders, crosspoint switches and SDI transceivers, consumes a portion of the overall jitter budget.Consider a signal chain that includes a coaxial cable, equalizer and reclocker. Typically, digital videois transmitted as an 800 mV binary digital signal on a coaxial cable. Signal losses increase with frequency on coaxial cables. To adjust for cable losses, equalizers are used to restore the original amplitude of the signal. Although equalizers are needed to maintain signal quality, they can also add jitter.To mitigate the accumulation of jitter caused by the equalizer, reclockers are used to recover the clock from the digital video signal using a clock and data recovery circuit (CDR). A common implementation is to use a Voltage-Controlled Oscillator (VCXO) to synchronize to the recovered clock, filter unwanted jitter and retime the output data signal. For 6G-SDI reclockers, it is critical to use low-jitter oscillators for reference timing. Starting with a low-noise reference clock enables more jitter budget to be allocated to the other components, potentially reducing their cost and complexity while simplifying PCB design.3 | | 4Figure 1. Example of SDI Application with Jitter-Attenuating High-Precision ClockGenclock (Timing Synchronization)In a studio environment, all video sources are synchronized to a common reference signal from a master sync generator. This synchronization simplifies downstream video processing and switching while reducing the amount of buffering required. This process is known as “Genlocking the video equipment.” Typically a clock generator with a low-bandwidth PLL (typically <10 Hz) is used to provide synchronous timing to the SDI serializer.With SDI data rates increasing to 6G and beyond, it is critical that the Genlock timing generator provide a low-jitter reference clock. A rule of thumb is to select a Genlock clock that consumes no more than 20 percent of the overall timing alignment jitter budget.Frequency FlexibilityHD-SDI and 3G-SDI equipment require timing ICs to generate a combination of frequencies tosupport a myriad of different HDTV video formats and frame rates. Typical frequencies include 74.25 MHz, 74.25/1.001 MHz, 148.5 MHz and 148.5/1.001 MHz. This reference signal is internally multiplied within the SDI transmitter by a factor of 10 or 20 to generate the 1.485 GB/s or 2.97 GB/s signal.Higher reference clock frequencies including 297 MHz and 297/1.001 MHz are used in proprietary 6G-SDI applications today. Using a higher frequency oscillator reference is superior to performing the additional clock multiplication within the SDI transmitter’s clock multiplier unit (CMU) because discrete high performance timing devices have lower jitter than integrated PLLs used in SDI transmitters.5 | SummaryContinued innovation in 4K digital cinema and ultra-high definition (UHD) television increases the need for low-jitter, high-performance timing solutions. Frequency-flexible, low-jitter clocks and oscillators play a critical role in enabling the market transition to 6 Gb/s and faster data rates. Skyworks offers a comprehensive portfolio of frequency-flexible, low-jitter XO/VCXOs, CMEMS oscillators, clock generators, clock buffers and jitter-attenuating clocks.Learn more about timing solutions from Skyworks at /en/Products/TimingFigure 1. Example of SDI Application with Jitter-Attenuating High-Precision Clock6G-SDI ReclockerLow-Jitter, Frequency-Flexible Clocking Solutions for 6GSDI/12G-SDIThe ideal clocking solutions for 6G-SDI and 12G-SDI digital video signal transmission are optimized for ultra-low jitter operation, Genlock video synchronization and frequency flexibility. In addition, the clocking solutions must be backward-compatible with 3G-SDI and other legacy video standards. The example below shows the Skyworks Si552 dual frequency VCXO being used as a frequency reference for a 6G-SDI reclocker. Simple pin strapping is used to select between the 297 MHz and 297/1.001 MHz rates. Supporting jitter performance of 6.6 ps pk-pk, the Si552 VCXO maximizes jitter margin and minimizes risk in the design by shifting more jitter budget to the cable equalizer and cable driver.An alternate solution to using a VCXO is to use a complete PLL solution. The Si5324 jitter-attenuating clock is an ideal solution for 6G-SDI Genlock clock generation. The Si5324 clockgenerates any output frequency from any input frequency without the need for discrete VCXOs. The frequency configuration of the device is fully programmable through I2C/SPI without the need for external BOM changes. The device has a fully integrated low-pass filter that attenuates >4 Hz timing and alignment jitter, enabling jitter filtering and timing synchronization. The Si5324 supports 5 ps pk-pk jitter performance, well below the requirements of 6G-SDI transmitters.Skyworks | Nasdaq: SWKS | |*********************USA: 949-231-3000 | Asia: 886-2-2735 0399 | Europe: 33 (0)1 43548540Copyright ©2022 Skyworks Solutions, Inc. All Rights Reserved.Skyworks, the Skyworks logo and others are trademarks or registered trademarks of Skyworks Solutions, Inc. or its subsidiaries in the United States and other countries. Third-party brands and names are for identification purposes only and are the property of their respective owners.。

低光增强算法指标 -回复

低光增强算法指标 -回复

低光增强算法指标-回复低光增强算法是一种图像处理技术,用于改善在低照度环境下拍摄的图像质量。

它通过增加图像的亮度和对比度来提高画面的可见性。

在本文中,我们将逐步回答有关低光增强算法的指标,包括其原理、常用技术以及评估方法。

一、低光增强算法的原理低光增强算法的目标是提高图像在低照度环境下的可视性。

它采用多种技术来增加图像的亮度和对比度,从而使图像更清晰、更易观察。

这些技术通常涉及灰度拉伸、直方图均衡化、多尺度变换和图像增强滤波等。

灰度拉伸是一种常见的低光增强技术,通过扩展图像的灰度范围来增强图像的明暗细节。

直方图均衡化则是一种统计方法,根据图像的直方图分布特性来增加图像的对比度。

多尺度变换是一种通过将图像分解为不同比例的尺度来提取和增强图像细节的方法。

而图像增强滤波是通过应用滤波器来调整图像的亮度和对比度,以达到增强的效果。

二、常用的低光增强算法技术1. 双边滤波算法:双边滤波算法是一种常用的低光增强算法,它通过保持边缘信息,同时对图像进行平滑处理,以减少噪声的影响。

双边滤波算法能够在增强图像的同时保持图像的细节。

2. 清晰度增强算法:清晰度增强算法通过增加图像的锐度来提高图像质量。

它能够增强图像的细节和边缘,使其更加清晰和鲜明。

3. 深度学习技术:近年来,深度学习技术在低光增强领域取得了显著的成果。

通过使用大量的图像数据进行训练,深度学习模型能够学习到图像的特征,并通过增强细节和对比度来提高图像质量。

三、低光增强算法的评估方法评估低光增强算法的效果是非常重要的,因为它能够帮助我们了解算法的优势和不足之处。

以下是一些常用的评估方法:1. 主观评估:主观评估是一种使用人工主观感觉进行评估的方法。

通过请专家或普通用户对增强后的图像进行观察和评价,从而确定增强算法的效果如何。

主观评估方法通常采用问卷调查或实验室实验来进行。

2. 客观评估:客观评估是一种使用指标和度量方法来评估算法效果的方法。

例如,可以使用图像质量评价指标,如峰值信噪比(PSNR)、结构相似性指标(SSIM)和感知质量评估指标(PQI)等来评估增强算法的效果。

Hikvision DS-7200HQHI-K1 商品说明书

Hikvision DS-7200HQHI-K1 商品说明书

Key Feature● H.265 Pro+/H.265 Pro/H.265 video compression ● HDTVI/AHD/CVI/CVBS/IP video input ● Audio via coaxial cable● Up to 6/12/24-ch IP camera inputs (up to 6 MP) ● Max.800 m for 1080p and 1200 m for 720p HDTVI signaltransmission● Up to 10 TB capacity per HDDCompression and Recording● H.265 Pro+ can be enabled to improve encoding efficiency and reduce data storage costs ● Full channel recording at up to 4 MP lite resolutionStorage and Playback● Smart search for efficient playback ● Support the third party cloud storageSmart Function● Support multiple VCA (Video Content Analytics) events for both analog and smart IP cameras● Support 4-ch line crossing detection and intrusion detection; DS-7216HQHI-K1 supports 1-ch sudden scene change detectionNetwork & Ethernet Access● Hik-Connect & DDNS (Dynamic Domain Name System) for easy network management ● Max. 24/48/96 Mbps incoming bandwidth and output bandwidth limit configurableSpecificationModel DS-7204HQHI-K1DS-7208HQHI-K1DS-7216HQHI-K1 Perimeter Protection¹Line Crossing Detection/ Intrusion Detection 2-chEnhanced VCA mode on: 4-ch2-chEnhanced VCA mode on: 4-ch2-chEnhanced VCA mode on: 4-chRecordingVideo compression H.265 Pro+/H.265 Pro/H.265/H.264+/H.264Encoding resolution When 1080p lite mode is not enabled:4 MP lite/3 MP/1080p/720p/VGA/WD1/4CIF/CIF When 1080p Lite mode is enabled:4 MP lite/3 MP/1080p lite/720p lite/VGA/WD1/4CIF/CIFFrame rate Main stream:When 1080p Lite mode is not enabled:For 4 MP stream access:4 MP lite@15fps; 1080p lite/720p/WD1/4CIF/VGA/CIF@25fps (P)/30fps (N)For 3 MP stream access: 3 MP/1080p/720p/VGA/WD1/4CIF/CIF@15fpsFor 1080p stream access:1080p/720p@15fps; VGA/WD1/4CIF/CIF@25fps (P)/30fps (N)For 720p stream access: 720p/VGA/WD1/4CIF/CIF@25fps (P)/30fps (N)When 1080p Lite mode is enabled:4 MP lite/3 MP@15fps; 1080p lite/720p lite/VGA/WD1/4CIF/CIF@25fps (P)/30fps (N) Sub-stream:WD1/4CIF@12fps; CIF@25fps (P)/30fps (N)Video bit rate32 Kbps to 6 Mbps Dual stream SupportStream type Video, Video & Audio Audio compression G.711uAudio bit rate64 KbpsVideo and AudioIP video input21-ch (up to 5-ch)Enhanced IP mode on:2-ch (up to 6-ch), each upto 4 Mbps2-ch (up to 10-ch)Enhanced IP mode on:4-ch (up to 12-ch), each upto 4 Mbps2-ch (up to 18-ch)Enhanced IP mode on:8-ch (up to 24-ch), each upto 4 MbpsUp to 6 MP resolutionSupport H.265+/H.265/H.264+/H.264 IP camerasAnalog video input 4-ch8-ch16-ch BNC interface (1.0 Vp-p, 75 Ω), supporting coaxitron connectionHDTVI input 4 MP, 3 MP, 1080p30, 1080p25, 720p60, 720p50, 720p30, 720p25*: The 3 MP signal input is only available for channel 1 of DS-7204HQHI-K1, for channel 1/2 of DS-7208HQHI-K1, and for channel 1/2/3/4 of DS-7216HQHI-K1.AHD input 4 MP, 1080p25, 1080p30, 720p25, 720p30 HDCVI input 4 MP, 1080p25, 1080p30, 720p25, 720p30CVBS input PAL/NTSCCVBS output1-ch, BNC (1.0 Vp-p, 75 Ω), resolution: PAL: 704 × 576, NTSC: 704 × 480VGA output1-ch, 1920 × 1080/60Hz, 1280 × 1024/60Hz, 1280 × 720/60Hz, 1024 × 768/60HzHDMI output 1-ch, 1920 × 1080/60Hz, 1280 × 1024/60Hz, 1280 ×720/60Hz, 1024 × 768/60Hz1-ch, 4K (3840 ×2160)/30Hz, 2K (2560 ×1440)/60Hz, 1920 ×1080/60Hz, 1280 ×1024/60Hz, 1280 ×720/60Hz, 1024 ×768/60HzAudio input 1-ch, RCA (2.0 Vp-p, 1 KΩ)4-ch via coaxial cable8-ch via coaxial cable16-ch via coaxial cableAudio output1-ch, RCA (Linear, 1 KΩ)Two-way audio1-ch, RCA (2.0 Vp-p, 1 KΩ) (using the first audio input) Synchronous playback4-ch8-ch16-ch NetworkTotal bandwidth72 Mbps96 Mbps128 Mbps Incoming bandwidth(Enhanced IP mode)24 Mbps48 Mbps96 Mbps Remote connection3264128Network protocol TCP/IP, PPPoE, DHCP, Hik-Connect, DNS, DDNS, NTP, SADP, NFS, iSCSI, UPnP™, HTTPS, ONVIFNetwork interface1, RJ45 10M/100M self-adaptive Ethernet interface 1, RJ4510M/100M/1000M self-adaptive Ethernet interfaceAuxiliary interfaceSATA 1 SATA interfaceCapacity Up to 10 TB capacity for each disk Serial interface RS-485 (half-duplex)USB interface 2 × USB 2.0Front panel: 1 × USB 2.0 Rear panel: 1 × USB 3.0Alarm in/out N/AGeneralPower supply12 VDC, 1.5 A12 VDC, 1.5 A12 VDC, 3.33 A Consumption(without HDD)≤ 6 W≤ 7.5 W≤ 25 WWorking temperature-10 °C to +55 °C (+14 °F to +131 °F)Working humidity10% to 90%Dimension (W × D × H)315 × 242 × 45 mm (12.4 × 9.5 × 1.8 inch)Weight (without HDD)≤ 1.16 kg (2.6 lb)≤ 1.78 kg (3.9 lb)≤ 2 kg (4.4 lb)Note:1: Enabling enhanced VCA mode will maximize the connectable channel number for perimeter protection (line crossing detection and intrusion detection), but disable 2K/4K HDMI output resolution and 4 MP signal input.2: Enhanced IP mode might be conflicted with smart events (perimeter protection) or other functions, please refer to the user manual for details.Physical Interface*: The rear panel of DS-7204/7208HQHI-K1 provides 4/8 video input interfaces.No.Description No.Description1Video and Coaxial Audio In7LAN Network Interface2AUDIO IN, RCA Connector8RS-485 Serial Interface3AUDIO OUT, RCA Connector9Power Input4VGA Interface10Power Switch5HDMI Interface11GND6USB Interface12VIDEO OUTAvailable ModelDS-7204HQHI-K1, DS-7208HQHI-K1, DS-7216HQHI-K104250002010224。

索尼摄像头产品说明书

索尼摄像头产品说明书

Electronic Shutter Speed..............Auto / Manual
(1/60 sec. - 1/60,000 sec.) / Flicker
WDR..............................................On (Low / Middle / High) / Off
PSW5 12VDC
Power Supply
800-645-5516 • Fax: 631-957-9142 or 631-957-3880 •
Frame Rate...................................Max 50P/60P
Video Output ................................1.0Vp-p / 75 ohms
Lens..............................................DC / Manual
Minimum Illumination....................0.0001 lux
Effective Pixels..............................1305 (H) x 1049 (V)
Total Pixels....................................1312 (H) x 1069 (V)
3.94” (H)
3.94” (W)
8.27” (L)
Specifications
Image Sensor................................1/3” 1.3MP Sony Sensor
Resolution.....................................1000 TV lines

DS-2DF4220-DX(S6 316L) 2 MP 爆炸防护网络速度域摄像机说明书

DS-2DF4220-DX(S6 316L) 2 MP 爆炸防护网络速度域摄像机说明书

DS-2DF4220-DX(S6/316L)2 MP Explosion-proof Network Speed DomeATEx:II 2 G Ex db IIC T6 GbII 2 D Ex tb IIIC T80°C Db IECEx:Ex db IIC T6 Gb Ex tb IIIC T80°C Db⏹316L stainless steel⏹Supports H.265 video compression⏹Certificate No.: ATEX: SEV 20 ATEX 0415 X; IECEx: IECEx NEP 20.0018X ⏹20 × optical zoom, focal length 4.8 mm to 96 mm⏹ 2 MP 1/2.8" progressive scan CMOS⏹120 dB WDR, 3D DNR⏹High quality imaging with high-perfomance sensor⏹DORIThe DORI (detect, observe, recognize, identify) distance gives the general idea of the camera ability to distinguish persons or objects within its field of view. It is calculated based on the camera sensor specification and the criteria given by EN 62676-4: 2015.DORI Detect Observe Recognize IdentifyDefinition25 px/m63 px/m125 px/m250 px/mDefinition1280 m (4198.4 ft)507.9 m (1665.9 ft)256 m (839.68 ft)128 m (419.84 ft)⏹SpecificationCameraImage Sensor 1/2.8" progressive scan CMOSMin. Illumination color: 0.005Lux @ (F1.6, AGC ON) B/W: 0.001Lux @ (F1.6, AGC ON)Shutter Speed 1/1 s to 1/30000 sSlow Shutter yesDay & Night ICRDay/Night Switch autoBLC yesWDR 120dB WDRHLC yesFocus semi-auto, manual, auto3D DNR yesDefog yesRegional Exposure yesRegional Focus yesImage Settings saturation, brightness, contrast, sharpnessImage Parameters Switch yesWhite Balance auto, ATW, sodium lamp, fluorescent lamp, indoor, outdoor, MWB, Locked WB Digital Zoom 16 ×Optical Zoom 20 ×Privacy Mask up to 24 masksSNR >52dBGeneral Function mirror, password protection, watermark, IP address filterGain Control auto, manualLensFocal Length 4.8 mm to 96 mm, 20 × opticalZoom Speed approx.2.9 sFOV Horizontal field of view: 57.6° to 3.4° (wide-tele), Vertical field of view: 34.4° to 2° (wide-tele), Diagonal field of view: 64.5° to 3.9° (wide-tele)Aperture F1.6PTZMovement Range (Pan) 360° endless Movement Range (Tilt) 0° to 90° (Auto Flip)Pan Speed Configurable, from 0.1°/s to 160°/s, preset speed: 160°/s Tilt Speed Configurable, from 0.1°/s to 120°/s, Preset Speed: 120°/s Proportional Zoom yesPresets 300Patrol Scan 8 patrols, up to 32 presets for each patrolPattern Scan 4 pattern scans, record time over 10 minutes for each scan Power-off Memory yesPark Action Preset/Pattern Scan/Patrol Scan/Auto Scan/Tilt Scan/Random Scan/Frame Scan/Panorama Scan3D Positioning yes PTZ Status Display yes Preset Freezing yesScheduled Task preset,pattern scan,patrol scan,auto scan,tilt scan,random scan,frame scan,panorama scan,dome reboot,dome adjust,aux outputException Detection IP address conflict, HDD full, illegal login, HDD error, network disconnected VideoMax. Resolution 1920 × 1080Stream Type main stream, sub-stream, third streamMain Stream 50 Hz: 25 fps (1920 × 1080, 1280 × 960, 1280 × 720) 60 Hz: 30 fps (1920 × 1080, 1280 × 960, 1280 × 720)Sub-Stream 50 Hz: 25 fps (704 × 576, 640 × 480, 352 × 288) 60 Hz: 30 fps (704 × 480, 640 × 480, 352 × 240)Third Stream 50 Hz: 25 fps (1920 × 1080, 1280 × 960, 1280 × 720, 704 × 576, 640 × 480, 352 × 288) 60 Hz: 30 fps (1920 × 1080, 1280 × 960, 1280 × 720, 704 × 480, 640 × 480, 352 × 240)Video Bit Rate 32 kbps to 16384 kbpsH.264 Type baseline profile, main profile, high profileH.265 Type main profileH.264+ yesH.265+ yesSVC yesROI yesSmart FeaturesBasic Event motion detection, video tampering alarm, alarm input, alarm output, exceptionSmart Event intrusion detection, line crossing detection, region entrance detection, region exiting detection, unattended baggage detection, object removal detection,face detectionAlarm Linkage Alarm actions, such as Preset, Patrol Scan, Pattern Scan, Memory Card Video Record, Trigger Recording, Notify Surveillance Center, Upload to FTP/Memory Card/NAS, Send Email, etc.Smart Encoding H.265+, H.264+, low bit rate, ROI, SVC Smart Tracking manual tracking, panorama tracking Smart Record ANR, Dual-VCANetworkNetwork Storage NAS (NFS, SMB/ CIFS), ANRProtocols IPv4/IPv6, HTTP, HTTPS, 802.1x, Qos, FTP, SMTP, UPnP, SNMP, DNS, DDNS, NTP, RTSP, RTCP, RTP, TCP/IP, UDP, IGMP, ICMP, DHCP, PPPoE, Bonjour, Websocket, WebsocketsAPI Open-ended API, ISAPI,Hikvision SDK,Third-party management platform,Open Network Video InterfaceSimultaneous Live View Up to 20 channelsUser/Host Up to 32 users. 3 levels: Administrator, Operator and UserSecurity Measures User authentication (ID and PW), Host authentication (MAC address); HTTPS encryption; IEEE 802.1x port-based network access control; IP address filteringClient iVMS-4200, iVMS-4500, iVMS-5200, Hik-ConnectWeb Browser IE11, Chrome 57.0+, Firefox 52.0+, Safari 11+InterfaceOn-board Storage support microSD/microSDHC/microSDXC cards, up to 256 GB Communication Interface RJ45, self-adaptive 10M/100M Ethernet portAlarm Input 1 alarm inputAlarm Output 1 alarm outputGeneralDimensions 264.2 mm × Φ184 mm (10.4" × Φ7.2")Demist yesCertificate No. IECEx: IECEx NEP 20.0018X ATEX: SEV 20 ATEX 0415 XPower DC9 V to 12 V, Max. 7 W; PoEOperating Conditions Temperature: -30°C to 60°C (-22°F to 140°F), Humidity: ≤ 95% Material SUS316L stainless steel with anti-corrosion surface spray treatment Weight Approx. 8 kg (17.64 lb.)Ex-mark ATEX: Ex II 2GD Ex db IIC T6 Gb /Ex tb IIIC T80℃Db IECEx: Ex db IIC T6 Gb /Ex tb IIIC T80℃DbApprovalEMC FCC (47 CFR Part 15, Subpart B);CE-EMC (EN 55032: 2015, EN 61000-3-2: 2019, EN 61000-3-3: 2013+A1:2019, EN 50130-4: 2011 +A1: 2014);RCM (AS/NZS CISPR 32: 2015);IC (ICES-003: Issue 7);KC (KN 32: 2015, KN 35: 2015)Safety UL (UL 62368-1);CB (IEC 62368-1:2014+A11);CE-LVD (EN 62368-1:2014/A11:2017);BIS (IS 13252(Part 1):2010/ IEC 60950-1 : 2005)Protection IP68, TVS 6000V Lightning Protection, Surge Protection and Voltage Transient ProtectionAvailable Model DS-2DF4220-DX(S6/316L)⏹⏹Dimension⏹Accessory⏹IncludedDS-1772ZJ-ED2-AC⏹Typical ApplicationHikvision products are classified into three levels according to their anti-corrosion performance. Refer to the following description to choose for your using environment.This model has TOP-LEVEL PROTECTION.LevelDescriptionTop-level protectionHikvision products at this level are equipped for use in areas where professional anti-corrosion protection is a must. Typical application scenarios include coastlines, docks, chemical plants, and more.Moderate protectionHikvision products at this level are equipped for use in areas with moderate anti-corrosion demands. Typical application scenarios include coastal areas about 2 kilometers (1.24 miles) away from coastlines, as well as areas affected by acid rain.No specific protectionHikvision products at this level are equipped for use in areas where no specific anti-corrosion protection is needed.⏹OptionalDS-2780ZJ-X/316L(OS) DS-2781ZJ-X/316L(OS)DS-1677ZJ-XS-1.0(DY)。

stable video diffusion原理

stable video diffusion原理

stable video diffusion原理
稳定视频扩散是一种视频传播的原理,旨在通过有效的策略和技术,确保视频
的广泛传播和良好的稳定性。

稳定视频扩散的原理主要包括以下几个方面:
1. 强大的服务器基础设施:稳定视频扩散需要有高度可靠和强大的服务器基础
设施来支持大量视频内容的存储和传输。

这些服务器可以分布在世界各地,以提供全球范围的视频扩散服务。

2. 内容传输网络(CDN):内容传输网络是实现稳定视频扩散的关键要素之一。

CDN通过将视频内容分发到位于不同地理位置的边缘服务器,可以缓解网络拥塞
问题,并提高视频的播放速度和质量。

3. 视频编码和压缩技术:稳定视频扩散还依赖于先进的视频编码和压缩技术。

这些技术可以将视频文件的大小减小到适合互联网传输的程度,同时保持较高的视觉质量,以确保视频的快速加载和流畅播放。

4. 高效的内容识别和推荐算法:稳定视频扩散需要利用先进的内容识别和推荐
算法来自动分析和推荐用户感兴趣的视频内容。

这些算法可以根据用户的历史观看记录、喜好和行为模式,提供相应的视频推荐,从而增加视频的曝光和传播。

5. 社交媒体和用户互动:稳定视频扩散还依赖于社交媒体平台和用户的互动。

通过在社交媒体上分享和评论视频,用户可以扩大视频的传播范围,并带动更多用户的注意和参与。

综上所述,稳定视频扩散的原理涉及服务器基础设施、内容传输网络、视频编
码和压缩技术、内容识别和推荐算法,以及社交媒体和用户互动等方面。

通过合理运用这些原理,可以实现视频的广泛传播和稳定的用户体验。

低光增强算法指标 -回复

低光增强算法指标 -回复

低光增强算法指标-回复低光增强算法指标——从理论到应用的完全解析引言:低光条件下拍摄的图像往往存在明暗不均、细节模糊、噪点严重等问题,给图像的质量与清晰度带来了挑战。

为了解决这一问题,科学家们提出了众多的低光增强算法。

这些算法以不同的方式利用图像处理技术,通过改变亮度、对比度或者修复噪点,来提升低光图像的质量。

在选择适用的低光增强算法之前,我们需要了解一些关键的指标,以便更好地评估算法的性能和效果。

本文将详细介绍低光增强算法的指标,并从理论到应用一步一步回答相关问题。

一、图像质量评价指标1. 信噪比(Signal-to-Noise Ratio, SNR)信噪比是衡量图像质量的一个重要指标,它描述了信号与噪声之间的比例关系。

SNR越高,图像质量越好。

在低光增强算法中,我们希望通过减少噪声的同时增强信号,从而提高SNR。

2. 峰值信噪比(Peak Signal-to-Noise Ratio, PSNR)峰值信噪比是信噪比的一种具体形式,通常用来度量图像增强算法的效果。

PSNR的值越高,代表图像质量越好。

3. 结构相似性指数(Structure Similarity Index, SSIM)结构相似性指数是一种通过比较原始图像和增强图像的结构相似性来评估图像增强算法效果的指标。

SSIM的取值范围为0到1,值越接近1,表示图像质量越好。

二、低光增强算法的常用指标1. 亮度增强效果亮度是图像中像素的明亮程度。

低光增强算法的首要任务就是增强图像的亮度,使其更加清晰明亮。

常用指标有亮度增益、亮度对比度增益等。

2. 细节保留程度低光条件下图像的细节往往会受到抑制或模糊。

好的低光增强算法应该能够准确地保留图像中的细节信息,并具有较低的细节损失。

常用指标有细节增强能力、细节清晰度等。

3. 噪点抑制效果低光条件下拍摄的图像通常伴随着大量的噪点。

低光增强算法需要能有效地抑制噪点,并提高图像的清晰度。

常用的噪点抑制指标有噪点密度、均方误差等。

aiseesoft video enhancer 的原理

aiseesoft video enhancer 的原理

aiseesoft video enhancer 的原理
Aiseesoft Video Enhancer的原理是通过分析相邻帧并提取细节以增强来
强化视频分辨率,从而达到视频画质修复效果。

它能够将视频从较低分辨率如480p至720p、720p至1080p和1080p至4k增强到任何更高分辨率,并优化亮度和对比度以调整最合适色彩平衡的视频。

此外,它还可以删除视频中影响观看体验的“雪”和“点”等视频干扰噪音,以及调整视频亮度、对比度、饱和度、色调、水印、裁剪、3D、逐行扫描以及音量,同时减少
晃动动作以获得更高的视频质量。

以上信息仅供参考,如有需要,建议咨询专业技术人员。

人工智能训练师(3级)理论知识复习题

人工智能训练师(3级)理论知识复习题
隐藏层
输入层
输出层
激活函数
22
在知识图谱中,用于表示实体间关系的边通常具有什么类型?
有向边
无向边
加权边
线性边
23
类脑计算的主要目标是:
模拟人类的大脑功能 b) 创建一个全新的智能
创建一个全新的智能生物
提高计算机的运算速度
优化网络安全性
24
在模式识别中,特征选择的目标是:
降低维度
增加噪声
增强数据
数据预处理
任务目标
项目预算
数据来源
项目截止时间
11
在评估人工智能系统时,下列哪个因素是最重要的评估指标?
a) 系统的准确性
系统的准确性
系统的响应速度
系统的外观设计
系统的品牌知名度
12
评估人工智能系统时,下列哪个因素可以衡量系统的可靠性和鲁棒性?
系统的安全性
系统的用户友好性
系统的社会影响
系统的数据处理能力
13
当模型在验证集上不能达到理想的评估指标时,( )。
加强与行业人员的联系
提高技术实施效率
提升数据分析准确性
减少团队协作难度
4
人工智能是通过什么来呈现人类智能的技术?
计算机程序
机械装置
化学合成物
电子设备
5
人工智能的研究内容主要包括什么?
计算机实现智能的原理
网络安全技术
建筑设计原理
动物行为研究方法
6
人工智能科学是一门研究、开发和应用智能体的( )。
跨学科领域
57
VMAF是用于评估视频质量的指标,它基于以下哪个原理进行评估?
人眼感知模型
编码效率
数据压缩算法

索尼MASTER系列Z9G 8K HDR LED电视说明书

索尼MASTER系列Z9G 8K HDR LED电视说明书

Step into the world of 8K with Sony’s best processor ever. Sony’s MASTER Series continues to change the way you watch TV with the Z9G 8K HDR LED TV. With four times the resolution of 4K HDR, picture is richer in color and clarity than ever before. Upscale anything you watch to the heights of near-8K HDR quality withthe Picture Processor X1 Ultimate and Backlight Master Drive.Bullets• MASTER series TVs are meticulously engineered for excellence with the latest and greatest in TV technology • Everything is upscaled to get close to 8K HDR with the Picture Processor X1™ Ultimate and 8K X-Reality PRO 1,2• 8K X-tended Dynamic Range™ PRO 20x contrast range provides a wider range of brightness 3• Acoustic Multi-Audio produces an immersive Sound-from-Picture Reality™ experience• 8K HDR 1 - HDR10, HLG, IMAX Enhanced 4 and Dolby Vision™5 support for incredible detail and clarity • X-Wide Angle technology makes picture and color look great from anywhere in the room• On-screen action and motion look better than ever with X-Motion Clarity™ technology and native 120Hz refresh rate.• Enjoy smooth and vibrant colors with TRILUMINOS™ Display & 8K HDR Super Bit Mapping• Android™ TV with the Google Assistant built in gives you a genius TV with hands-free voice search 6• Enjoy studio-quality Netflix content with Netflix Calibrated Mode 10FeaturesMasters of picture qualitySony’s MASTER Series TVs are the very best of Sony, created to exemplify the goal of faithfully conveying the creator’s intent on-screen. These TVs are engineering marvels that are meticulously designed with the latest and greatestproprietary TV technology. The MASTER Series TVs deliver Sony’s best picture quality, no matter what you like to watch.Intelligent processing, ultimate realism.Simply put, our proprietary 8K HDR Picture Processor X1™ Ultimate is our best processor, ever. Object-based rendering happens in real time at lightning speed to remaster and upscale everything you see to near-8K HDR quality.1,2 Everything on the screen is identified, analyzed and optimized individually to adjust the overall contrast, sharpness and color for a picture that looks nearly identical to the real thing.Experience a more natural picture with 8K X-Reality PRO & Object-Based Super ResolutionEvery object, accurately displayed. With Object-Based Super Resolution in combination with 8K X-Reality PRO™, you’ll see lifelike detail, textures, and clarity in everything you watch. Leveraging intelligent 8K database, pictures look cleaner with less on-screen noise. Every single pixel is enhanced beautifully by Sony’s best 8K HDR Picture Processor X1™ Ultimate.1,2Enhanced brightness, incredible contrast with Backlight Master Drive and 8K X-tended Dynamic Range Pro 20xSony’s Backlight Master Drive dynamically changes the light levels in sections of the screen depending on the content, resulting in a dramatic increase in contrast and brightness. Add in 8K X-tended Dynamic Range™ PRO 20x which gives the screen 20 times the contrast range of a conventional LED-edge lit TV 3. Backlight Master Drive’s calibrated beam design accurately send light only where it is needed for more accurate contrast. Balancing the light output across the screen, darker scenes get darker brighter scenes get brighter.XBR-85Z9G85” class (84.6” diag.) 8K HDR TVAn immersive audio experienceFour front facing speakers across the chassis of the TV create wide, authentic sound that seems to come from where the action occurs. With action and sound precisely aligned, your viewing becomes so much more immersive, no matter what you’re watching.See the big picture with 8K HDR, IMAX Enhanced and Dolby VisionHigh Dynamic Range (HDR) picture is the way TV was always meant to be watched. 8K resolution and HDR video content combine to bring dazzling detail, color and contrast to everything you watch, while keeping a far wider range of brightness than other video formats.1 IMAX Enhanced™4 makes movies feel larger than life. Dolby Vision™5 brings scenes to life with striking highlights, deeper darks and vibrant colors. Whichever format you choose, Sony TVs deliver picture-perfect reality, creating an immersive and engaging cinematic experience.Every seat is the best seat in the houseX-Wide Angle technology gives the Z9G vivid real-world colors from any angle while retaining more color and brightness than other LED TVs. Enjoy a great picture with incredible color from anywhere in the room.On-screen action and motion look better than everScenes appear as they do in real life with X-Motion Clarity™ technology. This revolutionary, best in class technology from Sony refines action on the screen in real time with an incredible refresh rate for action that is brighter and clearer than ever before.TRILUMINOS™ Display & 8K HDR Super Bit Mapping deliver smooth and vibrant colorsColors are as rich and vivid as nature’s own thanks to the TRILUMINOS™ Display with more shades of red, green andblue than ever before. You’ll enjoy rich, authentic images that evoke the emotion in every scene. And, 8K HDR Super Bit Mapping reveals thousands of shades and gradations of light, for sunsets as bright and clear as real life.Hands-free smart TVWith Android TV and the Google Assistant built-in, simply ask and you shall receive. With hands-free voice search, just start with “Hey Google” to ask it questions, control smart home devices like Nest™, or access many of the apps and services you already use every day.6 In addition, cast your favorite apps with Chromecast built-in7, or enjoy a huge range of apps from Google Play™, including YouTube™, Netflix, Prime Video, Hulu, Spotify and more.6Well-connected to your smart homeWith Google Home9 and Amazon Alexa10 compatibility, simply voice-control your TV and ask it to do things like cast and control videos from YouTube with Google Home or change the channel or volume with Amazon Alexa. Apple HomeKit and Airplay 2 support seamlessly integrate your iPhone and Siri devices with your Sony TV for effortless smart home management and content streaming.12Enjoy studio quality Netflix content with Netflix Calibrated ModeThis mode was specially developed to enjoy Netflix originals and reproduce picture quality on a TV that is as brilliant as a studio evaluation master. With Netflix Calibrated Mode, the creator’s vision and intent is faithfully preserved.10High performance calibration for professionalsOur MASTER Series TVs receive high performance calibration that has never previously been possible using CalMAN software11. It allows adjustments to be made with finer precision than conventional picture quality settings to meet the strict requirements of creators in the post-production stage. Colors are reproduced with maximum fidelity to the original TV signal, giving exceptional picture control for a TV. CalMAN also features an easy-to-use interface that has been well received by calibration specialists.Specifications1.8K: 7,680 x 4,320 pixels. Requires HDR compatible content from supported streaming services, such as Netflix and Amazon Video or HDR compatible content device connected via HDMI input. Requires HDMI® cables sold separately2. Upscaled, simulated and enhanced 8K images will vary based on source content.3. This is the perceptible contrast level expanded by X-tended Dynamic Range PRO technology, which is a unique figure calculated for the contrast that users actually feel and experience (XDR Contrast). This figure is based on our conventional TV without local dimming.4. IMAX Enhanced content enables the full IMAX Enhanced experience.5. Dolby Vision™ is available via network update. Dolby Vision content will be compatible with Dolby Vision devices and streaming services such as Prime Video, Apple TV 4K, and Netflix.6. User must connect to a Google account to use, including voice to activate linked apps. Wireless connectivity requires 802.11 home network (802.11n recommended). Network services, content, and the operating system and software of this product may be subject to separate or third party terms and conditions and changed, interrupted or discontinued at any time and may require fees, registration and credit card information. Apps must be compatible with TV. App availability varies by region and device. Broadband speed of at least 2.5 Mbps recommended for SD services, 10 Mbps for HD streaming or 4K downloads, 20 Mbps for 4K Ultra HD streaming. Use of this TV requires consent to Google Terms of Service and Privacy Policy. Please visit /policies/terms/, /policies/privacy/.7. Chromecast built-in compatibility dependent on app.8. Google Home device (sold separately) compatible with Sony TV’s powered by Android TV. Requires compatible devices connected to the same wireless home network. Downloadthe Google Home app from the iPhone App Store or Google Play. Subject to third party app terms and conditions. User must link compatible devices in order to control operation. Once download is complete, the Google Home feature may be connected to the Sony device to access the voice control function9. Amazon Alexa enabled devices (sold separately) compatible with Sony TV’s powered by Android TV. Amazon account required. Subscriptions may be required to access certain content. Compatible devices require internet connection.10. Netflix streaming membership required. 4K Ultra HD availability subject to your Netflix subscription plan, internet service, device capabilities, and content availability. / termsof11. Requires separately sold CalMAN calibration software to be installed on your PC, a pattern generator, a meter (colorimeter, spectrophotometer etc.), and CalMAN for BRA VIA appto be downloaded from Google Play and installed on your TV. Internet needed to utilize app services on TV. Network services, content, and software of this product may be subject to separate terms and conditions and changed, interrupted or discontinued at any time and may require fees, registration and credit card information.12. AirPlay 2 and HomeKit compatibility will be available later this year. This Sony TV is compatible with AirPlay 2 and HomeKit. iOS 12.2 or later or macOS 10.14.4 or later is required.© 2019 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibitedSony X-Reality, X-Motion Clarity, TRILUMINOS, X-tended Dynamic Range and the Sony logo are trademarks of Sony Corporation. HDMI is a trademark of HDMI Licensing LLC. Android, Android TV, Google Play, Google, YouTube and the Google logo are registered trademarks of Google Inc., used with permission. Amazon Alexa is a registered trademark of Amazon Technologies, Inc. Dolby, Dolby Vision and the double-D symbol are registered trademarks of Dolby Laboratories. Nest is a trademark of Nest Labs, Inc. Netflix is a trademark of Netflix Inc. All other trademarks are trademarks of their respective owners. Features and specifications are subject to change without notice. /Updated: February 22, 2019。

avfoundation 曝光 白平衡 焦距

avfoundation 曝光 白平衡 焦距

1. 介绍AVFoundationAVFoundation是苹果公司推出的一套用于处理音频和视瓶的框架,它提供了丰富的视瓶和音频处理功能,包括播放、录制、编辑、转码等。

通过AVFoundation,开发者可以轻松地实现多媒体应用的开发,为用户提供高质量的音视瓶体验。

2. 曝光曝光是摄影中的重要概念,在AVFoundation中同样扮演着重要的角色。

在进行视瓶录制时,曝光控制是非常关键的,它决定了最终视瓶画面的明暗程度。

AVFoundation提供了丰富的曝光控制接口,开发者可以通过灵活地调整曝光参数,实现对画面明暗的精准控制,从而获得更加清晰、自然的视瓶效果。

3. 白平衡白平衡是另一个影响视瓶画面质量的重要因素。

在不同的光线条件下,画面的色彩会呈现出不同的偏色,影响观看体验。

AVFoundation提供了丰富的白平衡控制功能,开发者可以根据实际情况动态调整白平衡参数,使得视瓶画面的色彩更加准确,呈现出真实的色彩。

4. 焦距焦距的选择直接影响了视瓶画面的视觉效果。

在AVFoundation中,开发者可以通过控制摄像头的焦距,实现对画面中物体的聚焦和虚化,从而创造出更加丰富、立体的画面效果。

AVFoundation提供了丰富的焦距控制接口,开发者可以根据需要自由调整焦距参数,实现不同的拍摄效果。

5. 结语通过对AVFoundation中曝光、白平衡和焦距等功能的介绍,我们可以看到这些功能的重要性和实用性。

在实际的音视瓶应用开发中,合理地应用曝光、白平衡和焦距控制,可以帮助开发者获得更加高质量、精美的视瓶效果,为用户带来更加优质的观看体验。

希望开发者们能够充分发挥AVFoundation的功能,创造出更加精彩的多媒体应用作品。

6. 曝光的重要性曝光在摄影和视瓶拍摄中是至关重要的因素。

它不仅可以影响画面的明暗程度,还能影响画面的细节表现、色彩饱和度等。

在AVFoundation中,曝光控制的核心在于确定适当的曝光值,以保证画面明亮度适宜的同时保持细节丰富。

东视DS-TMC407-EH全能入口与出口管理器说明书

东视DS-TMC407-EH全能入口与出口管理器说明书

● Highly integrated : The device is integrated with fast-speedbarrier gate (straight boom pole/curved boom pole/fence boom pole), smart capture camera, supplement light, LCD display, help button, voice prompt, and two-way audio. The all-in-one structure brings simple wiring and convenient debugging.● Quick pass : The device is integrated with gear barrier gate,which features in high driving efficiency and stable performance. The boom pole can rise in high speed and fall in low speed to achieve quick pass.● Anti-vehicle following mode : Supports anti-vehiclefollowing mode via video and radar/loop. The boom pole can keep rising in vehicle queue scenario to solve the congestion.● High definition : 4 MP HD camera with max. 2688 × 1520resolution and 25 fps frame rate. High quality imaging with 1/3’’ progressive scan CMOS. 0.022 lux low illumination with clearer imaging at night.Key FeatureIntroductionDS-TMC407-EH is a multi-functional all-in-one entrance and exit manager. The device is integrated with fast-speed barrier gate, smart capture camera, supplement light, display warning, voice prompt guidance, emergency call, remote two-way audio. The high integration design and all-in-one maintenance of the device make it easy to install, debug, and use. It is highly intelligent, and provides high recognition rate and various settings. The 3 types of boom poles (straight boom pole, curved boom pole, and fence boom pole) have novel appearances, and are sturdy and durable. The device is widely used in community, shopping mall, school, hospital, airport, gas station, 4S automotive dealership, government, etc. to capture and recognize the entering and exiting of vehicles.● Convenient debugging : 3.1 to 6 mm motor-driven varifocallens, and supports focus auto-adjustment. The device is convenient to debug, and can be applicable to more scenarios.● LCD : 21.5 inch LCD can show QR code for vehicles withoutlicense plates to scan to enter and exit, and it can also play image, video, and advertisement.● High quality supplement light : Embedded with 9 bright LEDlights, the device has smart supplement light technology, which supports supplement light control according to time and brightness, and satisfies requirements of different scenarios.● Two-way audio : Supports pressing help button to realizereal-time two-way audio with center and remote booth, which helps to quickly solve customer issues at entrance and exit.Available ModelModelDescriptionDS-TMC407-EHL (LCD) (3 m) Straight boom pole, left direction DS-TMC407-EHL (LCD) (4 m) Straight boom pole, left direction DS-TMC407-EHL (LCD) (2 + 2 m) Curved boom pole, left direction DS-TMC407-EHL (LCD) (3 m) Fence boom pole, left direction DS-TMC407-EHL (LCD) (4 m) Fence boom pole, left directionDS-TMC407-EHR (LCD) (3 m) Straight boom pole, right direction DS-TMC407-EHR (LCD) (4 m)Straight boom pole, right directionDS-TMC407-EHR (LCD) (2 + 2 m) Curved boom pole, right direction DS-TMC407-EHR (LCD) (3 m) Fence boom pole, right direction DS-TMC407-EHR (LCD) (4 m)Fence boom pole, right directionTypical ApplicationEntrance and Exit Control TerminalAll-in-One Entrance &Exit ManagerManagement CenterOptical Fiber Control Signal EthernetCentral PlatformEntrance and ExitBoothSpecificationModel DS-TMC407-EHGeneralPower Supply220 V, 50 HzConsumption350 W, 220 VACWorking Temperature-30 °C to 70 °C (-22 °F to 158 °F)Working Humidity90% or less (non-condensing)Weight95 kg (209.4 lb)Ingress Protection IP54Barrier GateType Straight boom pole Curved boom pole Fence boom pole Max. Boom Pole Length3/4 m 2 + 2 m3/4 mRising Speed0.9 s 1.2 s 2.5 sFalling Speed 4 s 4 s 6 sBoom Pole Direction Left/right directionDesign Life5,000,000Remote Control Distance≤ 30 mRemote Control Frequency433 MHzRunning Noise≤ 65 dB (A)Material Thickness 2 mmMaterial Aluminum profileSurface Protection Anti-UV and electrostatic sprayingCaptureResolution 4 MP (2688 × 1520) CMOSImage Sensor1/3" Progressive Scan CMOSMin. Illumination Color: 0.022 Lux @ (F2.0, AGC ON)B/W: 0.011 Lux @ (F2.0, AGC ON)Shutter Speed1/30 s to 1/100,000 sLens Type 3.1 to 6 mm varifocal lens, motor-driven lensManual Iris SupportedIR Cut Filter SupportedFrame Rate25 fps @ (2688 × 1520)Image Settings Saturation, brightness, contrast, white balance, AGC, and 3D noise reduction can be adjusted via the web browser.Storage Built-in TF cardProtocol TCP/IP, HTTP, DHCP, DNS, RTP, RTSP, NTP, FTP picture upload Network Security Heartbeat, password protection, NTPPicture Format JPEG with configurable qualitySmart Recognition ANPR, vehicle type recognition, vehicle logo recognition, sub-brand recognition Communication Interface 2 RJ45 10M/100M self-adaptive Ethernet interfacesSerial Port 1 built-in RS-485 serial port, 1 built-in RS-232 serial portTriggered Input3-ch triggered/alarm inputsRelay Output2-ch relay outputs, supporting rising/falling of barrier gate boom pole Supplement LightSupplement Light Control Control according to brightness or timeLED Light Bead Number9Color Temperature3000 KLCD (optional)Dimension 21.5 inchResolution1080pMax. Brightness1500 cd/m²Speaker & PickupSpeaker & Pickup Built-in speaker and pickup, with emergency call buttonDimensionHost DimensionDifferent views of the hostStraight Boom Pole3 m straight boom pole (right direction)Straight boom pole length From the boom poleedge to the host right(mm)From the boom pole edge tothe center of the supportingbracket (mm)From the boom pole edgeto the host left (vehiclepassing width)3 m3055287326904 m405538733690*The left boom pole is symmetric, and the dimension is the same.Curved Boom Pole2 + 2 m curved boom pole (right direction)Boom pole lengthFrom the boompole edge to the host left (vehicle passing width) From the boom pole edge to the center of the supporting bracket (mm) Length of the whole boom pole (mm)From the boom pole edge to the host right (mm) From the top to the bottom (mm)Driven boom pole length (mm)2 + 2 mcurved boom pole 373039314046 40962853 2063*The left boom pole is symmetric, and the dimension is the same.Fence Boom Pole3 m fence boom pole (right direction)From the boom pole edge to the host right (mm)Length of the fence boom pole (mm) From the boom pole edge to the center of the supporting bracket (mm) From the boom poleedge to the host left (vehicle passingwidth) 3 m 3064 3015 2883 2698 4 m 4064401538833698*The left boom pole is symmetric, and the dimension is the same.。

增强视频动态范围的技术

增强视频动态范围的技术

增强视频动态范围的技术随着数字摄影和视频制作的不断发展,对于视频动态范围的要求也越来越高。

动态范围指的是图像亮度从最暗到最亮的范围。

传统的视频录制往往无法完全呈现真实场景的广泛亮度范围,导致画面失真或丢失细节。

然而,通过使用一些增强视频动态范围的技术,我们可以更好地捕捉和再现这些亮度范围,使得画面更加真实生动。

一种常用的增强视频动态范围的技术是使用HDR(高动态范围)摄影和视频制作。

HDR技术通过合成多个曝光值不同的图像,从而捕捉到更广泛的亮度范围。

而Final Cut Pro软件提供了一系列强大的工具,可以帮助我们轻松地实现HDR视频的制作。

在Final Cut Pro中,首先需要选择合适的素材进行HDR处理。

拍摄时建议使用RAW格式进行录制,以保留更多的细节和亮度范围。

将这些素材导入到Final Cut Pro中后,我们可以利用软件提供的色彩校正工具来调整视频的亮度、对比度和颜色,从而进一步增强动态范围。

在色彩校正工具中,可以通过调整曝光、黑白点和对比度等参数来改善视频的动态范围。

曝光调整可以使得暗部和亮部的细节都得到恢复,黑白点调整可以保持图像的黑白平衡,对比度调整则能增强图像的动态范围。

此外,Final Cut Pro还提供了色彩分级功能,可以进一步对视频进行调整和优化。

通过对不同区域的亮度、饱和度和对比度进行分别处理,可以更精细地控制视频的动态范围,使得画面更加生动逼真。

除了色彩校正和色彩分级,Final Cut Pro还提供了一些特效和滤镜,可以进一步增强视频的动态范围。

例如,利用透明度和遮罩功能,可以对亮度较暗的区域进行提亮,以突出细节。

同时,结合锐化滤镜,可以增强画面的细节,使得图像更加清晰和鲜明。

通过这些工具和技术,我们可以在Final Cut Pro软件中轻松增强视频的动态范围,使得画面更加真实、细腻和生动。

然而,需要记住的是,适度使用这些技术才能取得最佳效果。

过度增强动态范围可能导致画面过于夸张或不自然,因此需要根据实际需求和效果要求来进行调整。

调整音频动态限制优化音效范围

调整音频动态限制优化音效范围

调整音频动态限制优化音效范围Adobe Premiere Pro是一款强大的视频编辑软件,除了视频编辑之外,它也提供了很多有用的音频编辑工具,让用户可以轻松调整和优化视频的音效。

本文将介绍如何使用Adobe Premiere Pro软件进行音频动态限制的调整,以优化音效范围。

音频动态范围是指音频信号中最大和最小振幅之间的差异。

如果音频动态范围太大,音频的音量变化会很大,听起来会有不连贯的感觉。

而如果音频动态范围太小,音频会听起来很平淡,缺乏层次感。

调整音频动态范围可以使音频听起来更加平衡和自然。

在Adobe Premiere Pro中,可以使用动态处理效果器来调整音频动态范围。

下面是具体的操作步骤:1. 导入音频文件:首先,将需要调整音频动态范围的音频文件导入到Premiere Pro软件中。

可以通过“文件”菜单中的“导入”选项来导入音频文件,或者直接将音频文件拖放到软件的工作区域中。

2. 添加动态处理效果器:选中导入的音频文件,然后在“效果控制”面板中找到“音频效果”选项。

展开“音频效果”选项,然后找到“动态处理”效果器。

将该效果器拖放到音频文件上。

3. 调整参数:点击“动态处理”效果器,可以在“效果控制”面板中看到该效果器的参数设置。

主要的参数包括阈值、比率和增益。

- 阈值:阈值确定了何时开始进行动态处理。

当音频信号的振幅超过阈值时,动态处理效果器会开始工作。

根据音频的特点和需求,可以调整阈值来控制动态处理的幅度。

- 比率:比率决定了超过阈值的音频信号将被压缩的程度。

较高的比率会使音频变得更加平衡,但也可能导致音频失真。

一般来说,可以先尝试使用4:1或者6:1的比率。

- 增益:增益参数用于调整音频在进行动态处理后的总音量。

可以根据需要适当提高或降低增益值,以达到更合适的音量效果。

4. 监听和调整:在调整参数的过程中,需要不断地听取音频的效果,并根据实际需求对参数进行微调。

可以通过点击效果控制面板右上角的播放按钮来播放音频,并根据需要进行调整。

达芬奇的亮度的广播安全标准 -回复

达芬奇的亮度的广播安全标准 -回复

达芬奇的亮度的广播安全标准-回复达芬奇的亮度的广播安全标准旨在确保广播设备的使用安全和可靠性。

本文将逐步回答有关该标准的问题,并深入了解其含义和应用。

第一部分:引言达芬奇的亮度的广播安全标准是一项广播设备制造商采用的标准,旨在确保产品在使用过程中的安全性和可靠性。

该标准包含了一系列规定,涵盖了亮度、辐射和电磁兼容等方面的要求。

第二部分:亮度标准的定义和目的亮度标准是指广播设备在使用中所显示的光线的明亮程度。

这个标准的目的是确保设备的光线不会对人眼造成伤害,同时保证用户在使用设备时能够清晰地观察和操作。

第三部分:达芬奇的亮度标准的制定过程达芬奇的亮度标准是通过对广播设备进行详细测试和评估而制定的。

该标准的依据是有关人眼对光照的最低可接受标准和电磁辐射的相关国际安全规定。

制定过程通常包括以下几个步骤:1. 收集并分析亮度测试数据:制定亮度标准前,需要从不同类型的广播设备中收集亮度测试数据。

这些数据将用于评估光线对人眼的潜在影响。

2. 设定亮度等级和限制:基于收集到的测试数据,设备制造商将设置不同亮度等级和相应的限制。

这些等级和限制将确保设备在使用过程中的光线明亮度符合安全标准要求。

3. 进行实际测试:设备制造商将在实验室环境中对广播设备进行测试,以验证设备的亮度是否符合标准要求。

测试通常涉及使用不同光源和观察距离来模拟实际使用条件。

4. 标准发布和监督:一旦标准制定完成,设备制造商会发布这个标准,并确保在生产过程中严格遵守。

监督机构可能会对设备进行抽样检查,以确保其符合标准要求。

第四部分:达芬奇的亮度标准的意义和应用达芬奇的亮度标准的意义在于保障用户在使用广播设备时的安全和舒适性。

通过限制光线的明亮程度,该标准可以减少眼睛疲劳、视觉不适甚至潜在的视觉损伤的风险。

此外,亮度标准的应用也有助于保护广播设备制造商免受法律诉讼和监管机构的处罚。

第五部分:亮度标准的重要性和挑战亮度标准在广播设备的设计和制造过程中非常重要。

索尼FDR-AX1 4K 手持摄像机说明书

索尼FDR-AX1 4K 手持摄像机说明书

Key FeaturesCapture 4K/60p video that far exceeds HD resolutionPlayback 4K content captured on the AX1 on a compatible 1 4K TV by simply connecting the two devices with supplied HDMI cable. Thanks to original Sony technology, Sony BRA VIA TVs especially bring out the full quality of 4K/60p recordings. Full HD monitors can also be used to enjoy this content by simply changing the menu HDMI output settings to 1920 x 1080.XA VC-S codec allows extended 4K/HD video recordingThe FDR-AX1 records 4K/HD movies in the XA VC-S format, which was developed for consumer usage based on the professional XA VC 4K/HD format. XA VC-S uses MPEG-4 A VC/H.264 Long GOP for video and linear PCM for audio compression, while saving files in an MP4 wrapper. The XA VC-S codec allows longer recording times within a given media capacity than XA VC, making 4K recording easier and more convenient.1/2.3” 8.3MP Exmor R ® CMOS image sensorSony’s unique Exmor R ® CMOS sensor is essential to the stunning image quality that the FDR-AX1 achieves. Its back-illuminated structure featuring wiring layers on the back of a photodiode (light receiving element) dramatically boosts low-light sensitivity for shooting better, more lifelike images even in dim lighting. Sony’s cutting-edge technology also makes the camera nimble at reading massive 4K data at 60 fps.Professional image processor for real-time 4K / 60 fps recordingAn extraordinary image processor, identical to those in 4K camcorders used by professionals, rapidly processes signals transmitted from the CMOS sensor and finalizes images. In processing the vast 4K data in real time at 60p, the processor achieves four times the resolution of the HD format. This processor not only features high-performance noise reduction technology for better image quality, it is also specifically tuned for the AX1 so it delivers image processing performance that accelerates the evolution of camcorders.Sony G-lens with 20X (31.5-630mm eq.) smooth servo zoomThe “G Lens” advances the Sony heritage of image processing innovation by redefining what an aspheric lens and special low-dispersion glass together can faithfully reproduce. Accordingly, the “G Lens” is specially tuned to capture qualities of definition and color that put these groundbreaking Handycam ® camcorders in a class of their own. In addition, the high-quality lens offers a broad zooming range from wide-angle to 20x optical zoom (31.5-630mm 35mm equivalent), enabling an amazing range of video expression.3 ND filters and 5 paint functions for expressive cinematic looksThe AX1 features three ND filters for adjusting the amount of light entering the image sensor from the lens. There are four filter settings: Off (Clear), ¼ filter, 1/16 filter and 1/64 filter. These filter settings give users the ability to adjust to light conditions, while maintaining desired shutter angle and aperture even on bright and sunny days. Six paint functions (white, offset white, gamma, detail, skin detail and matrix) can be combined and adjusted in the paint menu to create expressive movie styling and cinematic looks.Built-in mic w/2x additional Pro XLR jacks for external inputsIn addition to a high-performance internal microphone, the AX1 features two external XLR jacks for connecting external microphones that can also be used to record superior-quality balanced audio synchronized to the video. You can also mix audio from recordings made using the internal microphone and externally connected microphones, respectively.7x assignable buttons and 3x control rings (focus/iris/zoom)FDR-AX1Sony’s First 4K/60p Consumer Camcorder Tell your story in four times the resolution of Full HD with the 4K camera that’s made for everyone. Shoot with the breathtaking quality of XA VC-S 4K/60p and capture professional audio with XLR mic inputs. Even take direct, manual control with zoom, focus and iris rings, plus 7 assignable buttons. The groundbreaking power of 4K is ready to capture your imagination—experience it with Sony. Let the revolution begin.The AX1 was designed with two start/stop buttons (one on the side of the camera grip and another on the handle) for ease of use while shooting.The handle also features a zoom lever that enables convenient access while shooting from low angles.Seven assignable buttons can be programmed with functions that enable users to quickly access them without using menus. Assign functions to adjust to shooting conditions on the fly such as Marker, Zebra, Peaking, Focus Magnifier, Auto Exposure Level, Steadyshot, Color Bars, Rec Lamp [F], Rec Lamp [R].Two XQD card slots for high-speed 4K recording and playbackThe AX1 uses XQD media card for smooth, high-speed reading and writing of 4K video and features two XQD media slots.A relay recording feature makes it possible to lengthen recording by automatically switching between two or more media.The AX1 is compatible with following types of XQD media cards:XQD media card S-seriesXQD media card H-seriesXQD media card N-seriesView 4K 60P video on compatible BRA VIA® TVs w/supplied HDMI® cablePlayback 4K content captured on the FDR-AX1 on a 4K TV by simply connecting the two devices with supplied HDMI® cable. Thanks to original Sony technology, Sony BRA VIA® TVs especially bring out the full quality of 4K/60p recordings. Full HD monitors can also be used to enjoy this content by simply changing the menu HDMI output settings to 1920 x 1080. Zebra, Peaking, Center marker and guide frameHave confidence in getting the setting right and not missing he shot. Tools such as Zebra, Peaking, Center Marker and Guide Frame are professional features to enable precise manual control.Zebra: While recording, this function highlights over exposed bright areas with stripes in the LCD and viewfinder. This feedback helps users adjust brightness and prevent whiteout.Peaking highlights the area’s most sharply in focus, in the LCD and viewfinder for accurate manual focusing. Users can choose white, red, yellow or blue peaking to clearly contrast with the subject and adjust the peaking level to low, medium or high.Determine the center of your image at a glance using the Center Marker feature in the LCD or viewfinder and use the guide frame for aligning horizontal and vertical lines to ensure your captured image is within screen boundaries.High-quality XA VC-S up to 150 Mbps 4K / 50Mbps HD recordingHigh quality XA VC-S can be recorded to 150mbps. Additionally, there is also an option to record very high quality Full HD at 50mbps with the FDR-AX1.Specifications1. The FDR-AX1 can only playback via HDMI in 4K to BRA VIA TV as of September 4, 2013.2. At time of announcement, September 4, 2013.3. The use of MP4 playback devices and software does not guarantee that data can be played back in all modes.© 2013 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony, and the Sony make.believe logo are trademarks of Sony. Microsoft, Windows, and Windows Vista are trademarks of Microsoft Corporation. Mac is atrademark of Apple, Inc. All other trademarks are trademarks of their respective owners. Features and specifications subject to change without notice. / UPC:/ Updated: September 3, 2013。

iresolution值的范围

iresolution值的范围

iresolution值的范围iresolution是一个用于描述图像或视频质量的指标,它代表了图像或视频的分辨率。

分辨率是指图像或视频中能够显示的细节的数量,通常以像素为单位来衡量。

iresolution值的范围取决于设备的性能和应用的需求。

在现代科技的发展下,我们可以看到各种各样的设备,如智能手机、平板电脑、电视等,它们都具备了不同的分辨率。

iresolution值的范围可以从低到高分为几个级别。

首先是低分辨率。

低分辨率通常指的是较低像素密度的图像或视频。

这种分辨率适用于一些简单的应用场景,如文字阅读、简单图形显示等。

低分辨率的图像或视频在细节上可能会有所损失,但在一些特定的应用中,这种损失是可以接受的。

其次是中等分辨率。

中等分辨率的图像或视频具有较高的像素密度,能够显示更多的细节。

这种分辨率适用于大多数常见的应用场景,如观看电影、浏览网页等。

中等分辨率的图像或视频在细节上相对较为清晰,能够满足大多数用户的需求。

再次是高分辨率。

高分辨率的图像或视频具有非常高的像素密度,能够显示更加细腻的细节。

这种分辨率适用于一些对图像或视频质量要求较高的应用场景,如专业摄影、电影制作等。

高分辨率的图像或视频在细节上非常清晰,能够呈现出更加真实的画面。

最后是超高分辨率。

超高分辨率是指具有极高像素密度的图像或视频,能够显示出极其细腻的细节。

这种分辨率适用于一些对图像或视频质量要求极高的专业领域,如医学影像、航天科学等。

超高分辨率的图像或视频在细节上达到了极致,能够呈现出非常真实的画面。

iresolution值的范围不仅取决于设备的性能,还取决于应用的需求。

不同的应用场景对图像或视频的分辨率有不同的要求。

有些应用可能更注重图像或视频的清晰度,而有些应用可能更注重图像或视频的流畅度。

因此,在选择设备或开发应用时,我们需要根据具体的需求来确定iresolution值的范围。

总之,iresolution值的范围是多样化的,从低分辨率到超高分辨率,每个级别都有其适用的应用场景。

达华智能摄像头产品说明书

达华智能摄像头产品说明书

Lite Series | DH-IPC-HFW2431T-ZS/VFSSystem OverviewThe IR Megapixel Vari-focal camera delivers 4MP resolution with a2.7mm ~ 13.5mm varifocal lens.The camera's elegant blend of aesthetics combined with a range of easy mounting solutions provides an excellent choice for a variety of small to mid-size applications at an affordable price.FunctionsSmart Codec (H.265+ & H.264+)Smart Codec is the optimized implementation of standard video compression (H.265 & H.264) that uses a scene-adaptive encoding strategy, dynamic GOP , dynamic ROI, flexible multi-frame reference structure and intelligent noise reduction to deliver high-quality video without straining the network. Smart Codec technology reduces bit rate and storage requirements by up to 70% when compared to the standard video compression.Intelligent Video analysis (IVS)Dahua camera is equipped with a built-in intelligent analytic algorithm based on video, which can realize intelligent functions like Tripwire and Intrusion, to quickly and accurately respond to monitoring events in specific area, It can enhance monitoring efficiency. In addition, the camera supports intelligent tamper detection, which is to generatewarning message via detecting dramatic scene change and to guarantee effective video surveillance.Wide Dynamic Range (WDR)The camera achieves vivid images, even in the most intense contrast lighting conditions, using industry-leading wide dynamic range (WDR) technology. For applications with both bright and low lighting conditions that change quickly, true WDR (120 dB) optimizes both the bright and dark areas of a scene at the same time to provide usable video.Smart IR TechnologyWith IR illumination, detailed images can be captured in low light or total darkness. The camera's Smart IR technology adjusts the intensity of camera's infrared LEDs to compensate the distance of an object. Smart IR technology prevents IR LEDs from whitening out images as they come closer to the camera. The camera's integrated infrared illuminationprovides high performance in extreme low-light environments up to 60m (197ft).Protection (IP67, wide voltage)The camera allows for ±25% input voltage tolerance, suitable for the most unstable conditions for outdoor applications. Its 2KV lightningrating provides effective protection for both the camera and its structure against lightning. Subjected and certified to rigorous dust and immersion tests (IP67), the camera is the choice for installation in even the most unforgiving environments.EnvironmentalDahua cameras operate in extreme temperature environments, rated for use in temperatures from -30° C to +60° C (-22° F to +140° F) with 95% humidity.Image flipCapturing unnecessary data such as surrounding hallway walls can increase storage requirements without any added value. The image flip feature allows the camera's image to be rotated in 90° increments for better video optimization.InteroperabilityThe camera conforms to the ONVIF (Open Network Video Interface Forum) specifications, ensuring interoperability between network video products regardless of manufacturer.· 1/3” 4Megapixel progressive CMOS · H.265 & H.264 dual-stream encoding· 20fps@4M(2688×1520)&25/30fps@3M(2304×1296)· WDR(120dB), Day/Night(ICR), 3DNR, AWB, AGC, BLC· Multiple network monitoring: Web viewer, CMS(DSS/PSS) & DMSS· Micro SD card slot, up to 128GB · 2.7~13.5mm varifocal lens · Max IR LEDs Length 60m · IP67, IK10(optional), PoE+4Mp60m IRH.265+Dimensions (mm/inch)© 2018 Dahua. All rights reserved. Design and specifications are subject to change without notice.Rev 001.001Accessories Optional:PFA130-E Junction Box PFA152-E Pole Mount。

提高摄影机运转频率的拍摄方法

提高摄影机运转频率的拍摄方法

提高摄影机运转频率的拍摄方法摄影机运转频率指的是摄影机在单位时间内拍摄的帧数,也就是每秒钟的帧数,通常以FPS(Frames Per Second)来表示。

提高摄影机运转频率可以使拍摄的画面更加流畅,尤其在拍摄动态场景时效果更为明显。

下面将介绍几种提高摄影机运转频率的拍摄方法。

1. 使用合适的摄影机选择一台适合高频拍摄的摄影机是提高运转频率的首要步骤。

一般来说,专业级别的摄影机具有更高的帧率选项,可以选择30FPS、60FPS甚至更高的帧率。

而一些消费级别的摄影机则可能只支持较低的帧率。

因此,在购买摄影机时要根据自己的需求选择适合的型号。

2. 调整摄影机设置摄影机的设置也会影响运转频率。

在摄影机的菜单中,可以找到关于帧率的选项,可以调整为更高的帧率。

同时,还可以调整曝光时间、快门速度等参数,以适应不同的拍摄场景。

调整这些设置可以提高摄影机的运转频率,从而获得更加流畅的拍摄效果。

3. 使用高帧率模式一些摄影机具有高帧率模式,可以在拍摄时选择使用。

高帧率模式可以提供更高的帧率选项,例如120FPS、240FPS等。

在高帧率模式下拍摄的画面将更加细腻,动态场景的表现力也更强。

然而,高帧率模式通常会降低摄影机的分辨率,因此在使用时需要权衡画质和帧率的关系。

4. 使用适当的快门速度快门速度是指摄影机的曝光时间,它会影响每帧图像的清晰度和运动模糊程度。

在拍摄快速运动的场景时,可以选择较快的快门速度,以减少运动模糊。

较快的快门速度可以提高摄影机的运转频率,并捕捉更多的细节。

5. 使用适当的光线条件光线条件对摄影机的运转频率也有一定影响。

在光线充足的情况下,摄影机的感光度可以调低,从而提高帧率。

然而,在光线较暗的环境下,为了保证画面的亮度,可能需要提高感光度,这会降低帧率。

因此,在拍摄时要根据实际情况调整光线条件,以获得更好的拍摄效果。

6. 使用适当的存储介质高帧率的拍摄会产生更多的数据量,因此需要使用适当的存储介质来存储这些数据。

影片修饰 Adobe Premiere Pro的色彩抖动和噪音削减技巧

影片修饰 Adobe Premiere Pro的色彩抖动和噪音削减技巧

影片修饰:Adobe Premiere Pro的色彩抖动和噪音削减技巧色彩抖动和噪音削减是影片制作过程中常遇到的问题之一。

Adobe Premiere Pro作为一款强大的视频编辑软件,提供了一些实用的工具和功能,可以帮助我们解决这些问题。

本文将介绍一些在Premiere Pro中使用的色彩抖动和噪音削减技巧,帮助您提升您的影片质量。

1. 色彩抖动修饰技巧色彩抖动通常是指由于原始素材的颜色深度不足或压缩算法等原因导致的色彩不连续或色带出现的问题。

在Premiere Pro中,我们可以使用“抖动清除器”效果来解决这个问题。

首先,将需要修饰的视频素材拖放到时间线上。

然后,在“效果”面板中搜索“抖动清除器”效果,将其拖放到视频素材上。

接下来,调整“抖动清除器”效果的参数,以达到最佳效果。

您可以尝试不同的阈值和模糊值,直到抖动问题得到明显改善。

除了使用“抖动清除器”效果外,还可以尝试使用“色彩平滑”效果。

该效果可以平滑颜色过渡,减少抖动的出现。

同样,在“效果”面板中搜索“色彩平滑”效果,将其拖放到视频素材上,并根据需要调整参数。

2. 噪音削减技巧噪音通常是在低光条件下或高ISO设置下拍摄的影片中出现的,破坏了图像的细节和清晰度。

在Premiere Pro中,我们可以使用“降噪”效果来降低噪音的出现。

类似于使用色彩抖动技巧的方法,在“效果”面板中搜索“降噪”效果并将其拖放到视频素材上。

然后,调整“降噪”效果的参数,以达到最佳效果。

根据噪音的强度和视频素材的特点,您可以尝试不同的降噪算法和强度设置。

此外,Premiere Pro还提供了“降噪”效果的高级版本,称为“局部降噪”。

该效果可以更精确地选择性地处理图像中的噪音,并保留细节和清晰度。

您可以选择在需要进行局部降噪的视频段上使用该效果,并根据需要调整参数。

3. 预览和导出在进行色彩抖动和噪音削减修饰后,您需要预览修正后的影片以确保所达到的效果。

在Premiere Pro中,您可以通过两种方式进行预览:首先,使用“监视器”面板中的预览窗口进行实时预览。

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Technical Report 95-98, November 1995Supporting Stored Video: Reducing Rate Variability and End-to-End Resource Requirements through Optimal SmoothingJames Salehi, Zhi-Li Zhang, James Kurose and Don Towsley Department of Computer Science University of Massachusetts Amherst, MA 01003Abstract VBR compressed video is known to exhibit significant, multiple-time-scale bit rate variability. In this paper, we consider the transmission of stored video from a server to a client across a high speed network, and explore how the client buffer space can be used most effectively toward reducing the variability of the transmitted bit rate. We present two basic results. First, we present an optimal smoothing algorithm for achieving the greatest possible reduction in rate variability when transmitting stored video to a client with given buffer size. We provide a formal proof of optimality, and demonstrate the performance of the algorithm on a set of long MPEG-1 encoded video traces. Second, we evaluate the impact of optimal smoothing on the network resources needed for video transport, under two network service models: Deterministic Guaranteed service [1, 11] and Renegotiated CBR (RCBR) service [9, 8]. Under both models, we find the impact of optimal smoothing to be dramatic.1 IntroductionAn extraordinarily broad range of applications are enabled by the capacity to efficiently manage digital multimedia information. Examples include digital libraries, video and image servers, distance learning and collaboration, interactive virtual environments, and shopping and entertainment services. Many of these applications require the playback of stored video over a high-speed network. For continuous playback at the client, isochronous processing requirements and strict quality-of-service (QOS) must be provided in an end-to-end manner. Complicating the situation is the fact that variable-bit-rate (VBR) compressed video exhibits significant rate variability, often spanning time scales as coarse as several minutes [6, 9]. This burstiness is inherently at odds with the goal of designing efficient real-time storage, retrieval and transport mechanisms capable of achieving high resource utilization. As a general real-time design principle, less bursty (i.e., smoother) workloads are easier to manage. In light of the inherent multiple-time-scale burstiness of VBR video, techniques for reducing its rate variability are of significant interest. There are three basic techniques available for reducing the rate variability of compressed video. 1) Smoothing by temporal multiplexing can be achieved by introducing a per-stream buffer somewhere along the end-to-end path.This work was supported by NSF under grant NCR-9206908 and by ARPA under ESD/AVS contract F-19628-92-C-0089. The authors can be contacted at [salehi,zhzhang,towsley,kurose]@.1This can smooth the stream’s peak rate, but at the cost of introducing delay. 2) Smoothing by aggregation (or statistical multiplexing) can be achieved when multiple independent streams share a given resource (e.g., processor or network bandwidth), each with a statistical QOS requirement. When the individual streams have service times with finite variance, the Central Limit Theorem [4] dictates that their aggregage bandwidth requirements converge to a Normal distribution as the number of streams becomes large. This smoothing effect does not introduce delay. 3) Smoothing by workahead is possible for video data which can be sent ahead of schedule (with respect to its playback time), subject to the dual constraints that i) the data is available to be sent, and ii) the client has sufficient buffer space to receive it. See [22] for a precise formulation of these constraints. Workahead smoothing does not introduce delay. These techniques are not mutually exclusive, and can be applied in combination and at various points along the end-to-end path from the server to the client [5, 9, 10, 11, 13, 19, 22, 21, 24]. In general, network service models may permit only temporal multiplexing [11], only statistical multiplexing [9], or both, as is the case whenever FIFO scheduling with shared buffers is employed at a network switch. In this paper, we propose and evaluate a workahead smoothing technique which enables the server to achieve the greatest possible reduction in rate variability when transmitting stored video to a client with given buffer size. We focus on buffer sizes in the range of 64-1024 KB, reflecting the anticipated memory limitation of a low-cost set-top box. We study two fundamental questions. 1) Given a client buffer of size b, how can a given video be sent from the server such that the transmitted bit rate is as smooth as possible, while ensuring that the buffer neither starves nor overflows? We will turn to the theory of majorization [16] for precise definitions of “smooth” and “as smooth as possible”. For ease of presentation, we defer discussion of majorization until Section 3; for now, it is sufficient to state that we seek the transmission schedule which minimizes both the variance and peak rate at which data is sent to the client. 2) Given that the server sends optimally-smoothed transmissions, what is the impact on the network resources required to transmit the stream? High-speed networks such as ATM typically employ temporal and/or statistical multiplexing to increase performance. Thus, to address this second question realistically, we need to consider network service models which employ these techniques. We begin in Section 2 by developing an optimal smoothing algorithm which identifies, for a given video and client buffer size, the server transmission schedule S which is as smooth as possible. We establish the optimality of formally, and show (as a simple consequence of a more general result) that S has minimum variance and peakSrate among all feasible schedules—and in this sense is optimally smooth. The algorithm has low complexity, can be easily implemented, and can be used in a manner that accommodates network jitter. We then evaluate the algorithm on several long VBR-encoded MPEG-1 traces. For the diverse set of traces in our test suite (one of which has been shown to exhibit self-similarlity in its bit rate variation [6]), the peak rate is reduced by 75-87%, and the standard deviation by 72-84%, when smoothed into a 1 MB client buffer. 2We then evaluate the impact on network performance when streams are optimally smoothed. We consider two network service models: Deterministic Guaranteed service [1, 11], which provides hard guarantees, and Renegotiated CBR (RCBR) [9, 8], which adds a renegotiation mechanism to traditional CBR service. We find that optimal smoothing yields dramatic improvement in performance under both models. These results are important because 1) the processing and transmission of stored video is likely to play a central role in a wide variety of emerging multimedia applications, and 2) VBR-encoded video is known to exhibit significant, multiple-time-scale rate variability. By optimally reducing the stream rate variability, its resource requirements can be drastically reduced. Moreover, this improvement is made available by an algorithm that is easy to implement, has low complexity, and places no restriction on the multimedia server architecture (i.e., applies to small, uniprocessor servers, as well as to large, scalably-parallel ones). The paper is organized as follows. We present the optimal smoothing algorithm in Section 2, and formally establish its optimality in Section 3. In Sections 4-7, we evaluate the impact on resource allocation under the two network service models. Related work is reviewed in Section 8.2 Optimal smoothing of stored videoIn this section, we present the optimal smoothing algorithm, demonstrate its performance on a set of long VBR MPEG-1 videos, and discuss how network jitter can be accommodated. We begin with an overview of the problem setting.2.1 Problem settingConsider Figure 1, which depicts a server concurrently transmitting multiple, distinct VBR streams to clients across a high-speed network. For each stream, data is retrieved from the disk subsystem and stored temporarily in server memory (a). Its eventual destination is the client buffer (c). The server network processing (b) is responsible for moving the data from the in-memory buffers onto the high-speed network, according to some server transmission schedule. The network software communicates with the disk subsystem to ensure that the data needed by the transmission schedule is in memory by the time it is scheduled to be sent. For simplicity, we will assume that each stream is served periodically at its frame rate, and what can vary is the amount of data sent when the stream is served. Each client has buffer capacity b available for server workahead of video data. When the client decode/display process runs, with periodicity given by the stream frame rate, the next frame is selected from the client buffer, decoded, and displayed. If the frame is incomplete, the client displays partial data or pauses stream playback—in either case experiencing a playback discontinuity. We will develop the optimal smoothing algorithm in a manner3DISK SUBSYSTEMIN−MEMORY BUFFERS(a) (b)SERVER NETWORKINGATMHIGH−SPEED NETWORK(c)CLIENT BUFFERCLIENT (e.g., set−top box)Figure 1: Overview of the problem settingb d(t) D(t) a(t) A(t) B(t): : : : : :Client buffer capacity for storing unplayed frames. Amount of data consumed by the client at time t (size of the tth frame). Data is consumed from the buffer after any arrivals at t. Cumulative data consumed by the client over 1; t]: t=1 d(i) i Amount of data sent by the server at time t. Cumulative data sent by the server over 1; t]: t=1 a(i) i Maximum cumulative data that can be received by the client over 1; t], without buffer overflow: B (t) = minfD(t ? 1) + b; D(N )g for t = 2; : : :; N , B (1) = b, B (0) = 0.PPTable 1: Notation that completely avoids playback discontinuities. We focus here on video playback, deferring issues introduced by client interactivity (e.g., VCR functions of fast-forward, rewind and pause) to future study. Let denote the end-to-end delay over the network. For the time being, assume= 0. We show how non-zeronetwork delay can be accommodated in Section 2.4.2.2 The optimal smoothing algorithmIn formulating the optimal smoothing algorithm is,t 2 f1; : : :; N g, where N is the length of the video in frames.We say the N -dimensional real vector SA, we consider a discrete-time model at the frame level.ThatA finer-granularity time discretization can beconsidered without loss of generality. Table 1 summarizes the relevant notation.P over 1; N ] if 1) t a(t) = D(N ), and 2) D(t) A(t) B (t) for all t (see Table 1 for definition of these quantities).4= a(1); : : :; a(N )] represents a feasible server transmission scheduleB(t)feasible scheduleD(t)S*c es he du leinfeasiblFigure 2: Various transmission schedules, in continuous time Note the second constraint ensures that the client buffer neither starves nor overflows during stream playback. LetS denote the set of all feasible server transmission schedules. See Figure 2 for an illustration, in continuous time, offeasible and infeasible transmission schedules. Our task is to devise an algorithm for finding the feasible schedule S which is as smooth as possible. While we formally define the smoothness criterion in Section 3, consider for the moment the problem of identifyingsuch a schedule? Intuitively, the CBR transmission schedule SP (a(t) ? a)2=N , with a = P a(t)=N ; the peak rate is given by max(S ) = max a(t)). How might we identifyt tthe transmission schedule with minimum variance and peak rate. (The variance ofSis given by var(S )== a; : : :; a] is optimally smooth; however, it is nottnecessarily feasible. As an alternative, construct a feasible piecewise-CBR transmission schedule in the following manner. Define hn; ci to indicate a “feasible CBR segment overa; b]”, for b > a, if (b ? a) = n and starting from a given buffer level q , the server can feasibly transmit at rate c over a + 1; b] (i.e., D(t) q + (t ? a)c B (t) for t = fa + 1; : : :; bg). Now, starting from a given time ts with initial client buffer level q , establish the longest possible feasible CBR segment, by finding the greatest te such that hte ? ts ; ci is feasible for some c. Eventually thiscurrent segment must end, and a new one established at a higher or lower rate. Begin the new segment at the latest time at which the client buffer is empty along the current segment when the rate must be decreased, or full when the rate must be increased. This strategy minimizes the change in rate from the current CBR segment, which is desirable from the perspective of finding the smoothest transmission schedule overall. Figure 2 illustrates the S constructed in this manner. The schedule dictates that the server transmit in a piecewise-CBR manner, filling the client buffer before increasing the transmission rate, and allowing the buffer to empty prior to any rate decrease. Algorithm A (Figure 3) uses this strategy to iteratively construct S . Define cmax as the maximum rate at which 51. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18.PROCEDURE Find optimal schedule (d(t); b) ts = 0, te = 1, q = 0 cmax = b, tB = 1, cmin = d(1), tD = 1 REPEAT Set t0 = te + 1 e 0 D IF cmax < D(te )?0(?t(sts)+q) , end segment at tB : te OUTPUT segment htB ? ts ; cmaxi Start new segment at tB : ts = tB , te = tB + 1, q = B(tB ) ? D(tB ) B(t0e )?(D(ts )+q) , OR t0 = n, end segment at t : ELSE IF cmin > D e t0e ?ts OUTPUT segment htD ? ts ; cmini Start new segment at tD : ts = tD , te = tD + 1, q = 0 ELSE Set te = t0 e Compute cmax , tB , cmin , and tD over ts; te ] UNTIL ts = n END PROCEDUREFigure 3: Algorithm A. Optimal smoothing of stored video, given frame size trace d(t) and client buffer capacity b. See text for description of data structures. S , the optimally smooth transmission schedule, is identified as a series of CBR segments, each of the form hni ; cii, where ni is the segment length and ci the segment transmission rate.6c max too small B(t) c min D(t) B(t)c maxc min too bigD(t) ts tD tB te te ts tD tB te te Case 2Case 1Figure 4: Operation of A. In Case 1, the largest feasible constant rate over ts; te ], cmax , would result in starvation at t0 . The CBR segment is ended at tB , and a new segment established at higher rate. In Case 2, the smallest feasible e constant rate over ts; te ], cmin , would result in buffer overflow at t0 . The CBR segment is ended at tD , and a new e segment established at lower rate. the server may transmit over a given interval level q :a; b], without overflowing the client buffer, starting from initial bufferD cmax = a+1 t b B(t) ?t(? (a) + q) ; min at at which the client buffer is full when the server transmits at cmax over a; b], starting with initial buffer level q : D tB = a+1 t bft : B(t) ?t(? (a) + q) = cmax g: max aSee Figure 4. Similarly, defineand define tB as the latest timecmin as the minimum rate at which the server may transmit over a given interval a; b] such that the client buffer never starves, starting from initial client buffer level q: D cmin = a+1 t b D(t) ?t(? (a) + q) ; max aand define tD as the latest time t at which the client buffer is empty when the server transmits at starting with initial buffer level q :cmin over a; b],D( tD = a+1 t bft : D(t) ?t(? aa) + q) = cming: maxCBR transmission over the intervala; b] is feasible if and only if cmax cmin when computed over a; b]. A operates as follows. Each iteration begins (Line 4) with a feasible CBR segment over ts; te], and its corresponding values of cmax , tB , cmin and tD . (They are assigned initial values on Line 3, and subsequently7q denote the client buffer level at ts . A considers whether the CBR segment can be extended by one time unit, by setting t0 to te + 1 (Line 5) and testing the feasibility of the extension: erecomputed for each iteration on Line 16). Let a new one established at a higher rate. The segment is ended at tB and is assigned the highest feasible rate, as possible. Case 2 (Line 10). Otherwise, if cmin would result in buffer overflow at t0 , the CBR segment must be ended e Case 1 (Line 6). If cmax is too small to avoid starvation at t0 , the CBR segment must be ended before t0 , and e ecmax (see Figure 4a). In this manner, the rate increase for the next segment (beginning at tB ) will be as smallbefore t0 , and a new one established at a lower rate. The segment is ended at tD and is assigned the smallest e feasible rate, cmin (see Figure 4b). In this manner, the rate decrease for the next segment (beginning at tD ) will be as small as possible. Otherwise, there exists a feasible CBR segment over ts ; te + 1], so te is updated and new values of cmin, tD , cmax Thus S consists of some number of CBR transmission segments, each ending with a change in transmissionand tB are computed (Lines 15-16). The process continues until the entire video is segmented. rate.w is said to be a change point of S = a (1); : : :; a (N )] if a (w) 6= a (w + 1), w 2 f1; : : :; N ? 1g. A change point w is said to be convex when a (w) < a (w + 1), and convex when a (w) > a (w + 1). Note that for S , the client buffer is full at the convex change points, and empty at the concave change points. These propertieswill prove useful in establishing the optimality of Algorithm A in the next section.Although theoretically the time complexity of A is O(N 2), in practice we find the execution time of the algorithmto be quite low. On an SGI workstation with R4400 processor running at 150 MHz, the 40,000-frame traces in our test suite can be optimally smoothed in 1.5-2 seconds for any given client buffer size in the range 64 KB – 16 MB. For the 174,000 frame Star Wars trace, which is about 4 times as long, optimal smoothing requires 6-8 seconds for client buffer sizes in this range. of B (t) and the concave upper bound of D(t) online, at each step as te is extended to te +1. Then, when the segment In addition, A can be easily modified to be strictly O(N ). The idea is to construct both the convex lower boundrate must be adjusted, a new ts can be identified directly which yields a feasible CBR segment over ts ; te +1]. Under have implemented this modification to A, and measured its performance. Across the set of traces in our test suite, for a wide range of client buffer sizes, we found no significant difference in execution time when compared with the original implementation. which sends only integral numbers of bytes at each time t), while ensuring that the client buffer retains the property 8 We close this subsection with two observations. First, A can be easily quantized (i.e., modified to produce an S this approach, te is never decremented, so backtracking (at Lines 9 and 13 in Figure 3) is completely avoided. WeFigure 5: Optimal smoothing of a 2-hour MPEG-1 encoding of Star Wars, with 500 ms startup latency. of being full/empty at the change points inlying at a fixed offset above D(t). Minimally, the client needs only sufficient buffer space to store the next frame at any given time (i.e., the constraint isS. See Appendix B for details. Second,A does not depend on B(t)B(t) D(t ? 1) + d(t), for all t).In particular, B (t) could be set to reflecta workahead constraint (i.e., a limitation on the amount of data available to be sent ahead of schedule at any given time) without affecting the operation of the smoothing algorithm.2.3 Empirical evaluationIn this section, we demonstrate the performance ofA on several long MPEG-1 frame-size traces.We use tracescaptured by a number of other researchers [6, 11, 12, 23], who were kind enough to share them with us. In Algorithm A, a startup latency of s frames can be introduced to smooth out the transmission of the very first frame of the video, which (due to the MPEG compression technique) is typically much larger than the immediately accomplished by extending the video length by s frames, and shifting both D(t) and B (t) by s units to the right.1 subsequent frames. Otherwise, the transmission rate of the initial segment can be comparatively large. In A, this is We begin by optimally smoothing a 2-hour MPEG-1 encoding of Star Wars [6], with a 500 ms startup latency. Figure 5 demonstrates the transmission sizes, over the entire video, for the unsmoothed transmission schedule (which visually demonstrates the tremendous reduction in rate variability achieved by A. Smoothing reduces the range of has a(t) = d(t)), as well as optimally-smoothed schedules for client buffer sizes of 64 KB and 1024 KB. The figure transmission sizes from 0-16 KB, in the unsmoothed schedule, down to 1-5 KB in the 64 KB case. Further increases in buffer size yield smoother traffic, with the transmission schedule for a 1024 KB buffer consisting of a relatively small number of CBR segments. Figure 6 presents the reduction in in peak rate and standard deviation across different videos,2 in comparison to1; N 0 ]. Note that the introduction of startup latency is optional.21 Specifically, setN 0 = N + s, d0 (t) = d(t ? s) for t 2 s + 1; N 0 ], d0 (t) = 0 for t 2 1; s], and define D(t) =P d0(t) and B(t) overtAll traces were VBR-encoded using an MPEG-1 software encoder. The Wizard of Oz trace [12] is 23 minutes in length and has mean rate 1.25 Mb/s. MTV and Jurassic Park [23] are each 28 minutes in length, and have mean rates of 0.737 Mb/s and 0.392 Mb/s, respectively.9Figure 6: Reduction in rate variability enabled by optimal smoothing, with 500ms startup delay, across client buffer sizes ranging from 64-4096 KB. the unsmoothed transmission schedule. For all traces, the peak rate is reduced substantially, by 45-70% for a 64 KB client buffer and by 75-95% for a 4096 KB buffer. The standard deviation exhibits similar behavior. Note that these since A is performing optimal smoothing. performance numbers reflect the largest possible reduction in rate variability achievable for the given buffer sizes,2.4 Accommodating network jitterIn this subsection, we address the question of how can network jitter be accommodated by the optimal smoothing algorithm. Let= +denote the end-to-end network delay for a given packet, withthe sum of the fixedtransmission and propagation delays, and presentation. If is nonzero but fixed,the end-to-end queueing delay. Earlier, we assumedS= 0 to simplifyresultingcan be used directly. However, network jitter—variation infrom variable queueing delay—must be explicitly addressed. Suppose some mechanism exists for determining (or estimating) the maximum network jitter,min.For hard-guaranteed service,max = max ? max would be specified at call admission; alternatively, max might beis the unit of time discretizationdetermined via a measurement-based algorithm. Network jitter can then be accommodated by ensuring that the server is always at least1 (e.g., 30 of a second). In the unsmoothed case, client playback is delayed by d, and the server simply follows theperform smoothing between B and the unshifted D.3d = d max e time units ahead of the client, whereunsmoothed transmission schedule. Under optimal smoothing, we shift D(t) and B (t) by d units to the right, andWe will employ this jitter-handling technique in our evaluation of the impact of optimal smoothing underAdvertisements [11] is 9 minutes in length and has mean rate 0.457 Mb/s. 3 Specifically, set N 0 = N + !, d(t) = d(N ) for t N + 1; N 0 ], d0 (t) t t define D(t) = i=1 d(t) and B (t) = i=1 d0 (t) + b over 1; N 0 ].PP2= d(t ? !) for t 2 ! + 1; N 0 ] d0 (t) = 0 for t 2 1; !], and10Determinstic Guaranteed network service,in Section5.3Optimality proofIn this section we show that the server transmission schedule generated by Algorithm,,is optimally smooth.For a precisely-defined comparative measure of smoothness,we turn to the theory of majorization[16],which formalizes the intuitive notion that the elements of one vector are more“evenly distributed”than those of another.Majorization techniques have been applied in a wide variety of problem domains.In our context,we use majorization to compare the smoothness of-dimensional vectors representing server transmission schedules.Definition1Given two-dimensional real vectors and,let and denote the non-increasing orderings(i.e.,arrangement of vector elements from largest to smallest)of and,respectively.We say that is majorized by,or,if,, and.For example,if and,then.does appear to be smoother than.If and,neither nor.One way to visualize majorization is to consider a graphical view of the function,defined as the sum of a vector’s largest elements.is always concave(Figure 7a).If,and will have the same endpoints over,and will never fall below over the entire interval.Thus,we consider a transmission schedule to be smoother than schedule if.While variance and peak are commonly-used comparative measures of smoothness,such metrics are in fact subsumed by majorization. Since is by definition,it follows that implies.To see that implies var var(where var,with),consider the following fundamental result, the proof of which is given in[16],p.108.Result1if and only if,for all continuous convex functions.Since is a continuous convex function in,it follows that implies var var.To establish the majorization-based optimality of,we will show(Theorem1below)that for all feasible transmission schedules.This will imply that has minimum peak rate and minimum variance among all feasible transmission schedules by Result1,and thus that it is optimally smooth according to these less general measures of variability as well.ω(τ)0213φ(τ)Figure 7:(a)Graphical view of “is majorized by ”(),for and.is the sum of the largest vector elements.(b)The idea behind Lemma 1.is the sum of the first vector elements.is concave 3-segment piecewise linear,is at or above at change points ,and.is constructed such that and .3.1PreliminariesOur proof will depend on several known facts about majorization,which we establish here for the purposes of illustration.The first is that majorization is closed under concatenation.Fact 1Let and be -dimensional real vectors,,such that .If we form ()-dimensional real vector ()by concatenating (),then .Proof:From Result 1,we have thatfor any continuous convex function .It follows that .Thus ,by Result 1.Definition 2is said to be -segment piecewise linear if there exists a set of change points of ,,,with ,such that for all.Definition 3is said to be concave (convex)-segment piecewise linear ,if is -segment piecewise linear and ()for .12We can now present Lemma1,which will be used in establishing the optimality of.Lemma1Given two-dimensional real vectors and such that is concave(convex)-segment piecewise linear with change points,.If()for, with strict equality for,then.Proof:We prove the Lemma for the case in which is concave(Figure7b);a similar argument can be given for the convex case.We establish by constructing an-segment piecewise linear such that and .then follows by the transitivity of majorization.is constructed in the following manner.Let for,and for.Since is linear and has the same partial sum as over intervals,follows from Fact2and Result1.follows from for,with equality for .。

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