Dumb and Dumber Are Americans Hostile to Knowledge
dumb-and-dumber
Dumb & Dumber(Comedy)(1994)© 1999 by Raymond WeschlerMajor Characters Lloyd..............................Jim CarreyA truly stupid, but lovable, limousine driver. Harry..............................Jeff DanielsA dog groomer, who is Lloyd's truly stupid but lovable friend.Mary uren HollyA wealthy heiress with whom Lloyd fallsin love, whose husband has just been kidnapped.Plot SummaryThis is the story of Lloyd and Harry, two really stupid people who are best friends. Lloyd is a limousine driver who thinks he has fallen in love with Mary, who he has driven to the airport. When Lloyd sees Mary leave a briefcase sitting on the ground at the airport, he rushes to grab it, and then decides he needs to drive to Aspen, Colorado in order to return it to her.Unknown to Lloyd, the briefcase contained a huge amount of money(a ransom), and was in fact going to be picked up by two people who had helped kidnap Mary's husband. The kidnappers see Lloyd take the brief case, and follow him back to his house. Meanwhile, Lloyd has convinced Harryto drive to Aspen in order to return the briefcase to Mary.Lloyd and Harry drive from Rhode Island to Colorado, while unknowingly being chased by the kidnappers. They finally arrive in Aspen, out of money, cold, and as stupid as ever. By chance, they discover that the briefcase contains a huge fortune. They instantly become rich, but continue to search for Mary in order to return the briefcase and money, as well as hopefully give Lloyd one last chance to seduce Mary.Unfortunately for Lloyd, Harry also develops a strong affection for Mary. Ultimately it doesn't matter though, since both Lloyd and Harry must probably come to accept the fact that Mary is not interested in either in them. The movie ends, with Lloyd and Harry still really stupid.A final sociolingusitic note: Much of the humor in this movie is based onthe fact that Lloyd uses very educated language, despite the fact that he is so dumb. Knowing that his choice of words is so out of character for such a stupid guy should help you appreciate much of the film's humor.Words and Expressions that You may not KnowNew Jersey.A State next to New YorkGood day mate. Let's put another shrimp on the barbie.Australian (not Austrian!) English:"Hi friend, let's barbecue some shrimp."Weinersnitzel. Foot long.Types of hot dogs.Very funny. In your dreams!What a person says to someone else when convincedthe other person's hopes or desires are not possible.Suck me sideways.No one ever says this, though without the "sideways,"it could be a crude insult or a sexual request.How did you guess?Note that in rapid speech, "how did..."----> "How'd."When I noticed the ticket, I put two and two together.Common expression meaning "I analyzed things and understood." Aspen.A famous ski resort in Colorado (Not California!).I got worms.Tiny insects that crawl (used here, it sounds like he has a disease). Head on crash, or being trapped under a burning gas truck?When two cars drive directly into each other.No humping, and no sniffing heinies."To hump" is a somewhat crude verb meaning to have sex."Heinie" is a very old fashioned word for ass, butt, or derriere. These pooches don't need primping."A pooch" is a dog, and "to primp" is to dress or groom with care. On second thought, you might want to run a comb through them.The thing used to brush hair."The White Zone is for loading and unloading only."What every driver hears at every airport in the United States.You make the pick-up.Note the use of this verb as a noun (referring to any object).Piece of cake.Common cliché meaning that something is very easy.There's our payday.Literally the day you're paid, or in this case, the source of money. Move it or lose it, sister!"Move, or I'll run into you." A "sister" is a nun!Hold that plane!In this context, one way to say "Don't let it go! Keep that plane here!" Limo driver.Common abbreviation for "limousine."Fell off the jet way, again.The area where Jets park at an airport.Who do they figure he's working for, anyway?"To figure" is a common colloquial verb meaning to think or believe. We sure as hell better find out.A colloquial way to add emotion or emphasis.They always freak out when you leave the scene of an accident."To freak out" is a common colloquial verb meaningto panic or to become very emotionally upset.You're one pathetic loser.A great adjective referring to someone whoarouses scornful pity for being so bad or ridiculous.No offense. :: None taken.A common way to say "I didn't mean to offend you."You know what chaps my ass?"You know what makes me angry?"(But never said: only lips get "chapped," or dried out).Chicks love it.A colloquial and teenage way to refer to girls or women.Sparks flew, emotions ran high.A tiny flash of fire (Here, it refers to interaction between people). Get out of here!Used here to mean "I don't believe you!," which isfairly common when someone is being very cynical.(Some people will even just say "Get out!")I'd have to be a low life to go rooting aroundin somebody else's personal property."A low life" is an immoral or horribly unpleasant person."Rooting around" means to dig around, but is never used.I say we bail."To bail" is a very colloquial way to say leave, usually in a hurry.Maybe we should trash the place.As a verb, it means to destroy (common among gangsters). Nothing, nada, zip.They both mean "nothing" ("nada" is Spanish for nothing).Just get the bare essentials, since this is the last of our dough.The "bare essentials" means the absolute necessities (of living)."Dough" is common slang word for money."Rhode Island Slut."The name of a newspaper Lloyd is reading. Rhode island is the tiny New England State where he lives, and a "slut" is crude word for awoman who sleeps with lots of men.Senior citizens, although slow and dangerous behind the wheel..."Senior citizens" is a polite way to refer to old people. If someone is "behind the wheel," they are driving a car (using a steering wheel). Where's the booze?Very common slang for liquor or alcohol.I got robbed by a sweet old lady in a motorized cart.The type of vehicle often seen on golf coursesParakeet.A type of bird that is often kept as a pet.I've had it with this dump!The place where cities bury trash, but also used todescribed a dirty and unpleasant house or apartment.What the hell are we doing here?Common addition to add emotion in "WH questions."The Salmon of Capistrano.Capistrano is a city in California that is famous for itssparrows (a type of bird), not its salmon (a type of fish).I don't know. The French are assholes.A Crude and common insult word. It's safer to say jerk, moron, etc.I know what you're up to, mister!"To be up to" something is to be doing something,often in a secretive manner.That will plug us into the social pipeline!A poetic way of saying "we'll meat lots of (rich) people."I'm sick and tired of having to eke out a living.An interesting expression which meansto make just enough money to survive.I filled it up.Here, referring to gas in a car.Connecticut.Small state between Rhode island and New York.We're on a very tight budget."We have very little money"25 bucks.A very common way to refer to dollars.What do you call this? :: Stuff.Often used as a very general term for "things"(Overused used by people with a limited vocabulary).The parakeet didn't even have a head, and you sold it to a blind kid?One of the funnier lines in the movie.Those bastards!A crude insult for referring to unpleasant or immoral men.How do they know I have gas?A clever play on words: Gas can refer to the gas that heats yourapartment, or the gas that you get in your stomach after eating. I'm going to have a god dam hemorrhage."God dam" is a crude way to add emotion (usually anger).A "hemorrhage" is a type of excessive bleeding.The Monkeys were a major influence on the Beatles.An interesting analysis of rock'n'roll history!(The Monkees were a popular group formed afterThe Beatles arrived in the United States).What is the soup du jour?A French term meaning "soup of the day."It feels good to mingle with these laid back country folk."To mingle" is to mix with, socially, and "laid back" meanscasual and relaxed. "Country folk" is a silly way to refer topeople who live in the country or small towns, and not big cities. What the hell?! Who's the dead man?An interesting way to express disagreeable surprise.Kick his ass, Sea Bass!'To kick someone's ass" is to physically attack and harm.(Sea Bass is apparently the nick-name for this guy)A round of beers to bury the hatchet.An old cliché which means to forgive one another or make peace. Sea Bass said to put it on their tab.At a bar or restaurant, "to put it on someone's tab" isto add the charges for the food and drink to their bill.I'll kill these sons of bitches.A funny plural for "son of a bitch," which is a crude insult.That was sheer genius.A common adjective, in this phrase meaning "total."So he gets away with it, scott-free?"To get away with" something is to be able do it without being punished."Scot-free" means without any complications at all.No, in the movie, they slit his throat.A very violent verb meaning to cut open with a knife!Camel.The noble animal with two humps, found mostly in deserts.Pull over. :: It's a Cardigan, thanks for askingA cute play on words: When you are told to "pull over" by the police,that means to stop your car on the side of the road. But as a noun,"a pull-over" is a type of sweater. A Cardigan is a nice sweater.Killer boots, man!Interestingly, "killer" as an adjective means great or awesome!We're you boozing, sucking back on grandpa's old cough medicine?"To booze" means drinking in order to get drunk.Give me that booze, you little pumpkin pie hair-cutted freak.Horrible grammatical construction, but a funny insult. A "freak" isa very useful word to describe a person who is very strange or odd.You'd keep your mouth shut, if you knew what was good for you.What people in authority often say in order to intimidate or threaten. Tic tac, sir?A type of mint used to clean your breath.Get the hell out of here!A very common and colloquial way to simply say "leave!"We should've called the authorities after Bobby was kidnapped.Here, a reference to the police.We've been through this already."We've already discussed this."We can't let on that anything is wrongA good phrasal verb meaning to let others know.If they get wind of this, the kidnappers may panic."To get wind" of something is to find out about it.Doggy bag.A very useful bag that restaurants give to customers for left-over food. No, I'm cool.Very common colloquial adjective that can mean many thingsdepending on the context; Here, meaning awake or alert.These places don't do it for me.If something "doesn't do it for you," you don't really like it.Did some filly break your heart? :: No, a girl.A female horse (Here, used to mean a "girl," but that's ridiculous).A week later, out of the blue, she gave me a John Deere letter.If something happens "out of the blue," it happens suddenly and totally unexpectedly. What follows is a great play on words: A "Dear John" letter is simply a typical letter, whereas "John Deere" is the name of a big farm equipment company.She gave me a bunch of crap.Crude but common for lots of nonsense, or useless junk.Guess who we happened upon.A rare phrasal verb meaning to see by chance.The boys are holed up here.If people are "holed up somewhere, they are trapped inside.Is it possible they're feds?Common slang for "Federal Police Agents," such as the FBI.Grab the bag, so we can end this shit.Note the use of "shit" as a definite noun referring to a general situation. "Mr. Andre."The head kidnapper.These jokers have a lot of money.Another word for clowns or fools.I told you I'm on it."To be on" something is to be taking care of it.On the map, we've only done four inches.A funny line that only a stupid person would say seriously.I'll give you 10-1 that I'll get you to gamble."To give someone 10-1 odds" is a way of saying "I'll payyou 10 times what you would pay me, if I lose the bet."Hitchhiker.Person who tries to get a ride by sticking out his thumb on the road.I'll go with my instincts on this one.Another good word for intuition.Double triple stamp.Nonsense words that mean nothing, whichLloyd and George use in a game.The most annoying sound in the world.This is a very useful adjective which means irritating or bothersome. "Mockingbird."The name of the song they're singing: A bird thatimitates sounds, and that is therefore very irritating.Stop acting like a couple of pussies and go at the same time.A very crude word for a coward or someone without courage.In the singular, it's also a vulgar way to refer to female sexual organs. Sounds like a dare."A dare" is an official challenge to someone to do something.More tingly than hot."Tingly" means to have a slight stinging sensation.Here, "hot" means spicy, not warm.It's mental.A colloquial adjective that can mean crazy.I've put rat poison in their Shirely Temple.A type of cocktail (named after a famous child actress).Talk about being in the wrong place at the wrong time!An interesting way to begin sentences, to show emphasis.Oh, my ulcer.A lesion in the stomach that causes great pain.It's OK, I know CPR."Cardiopulmonary resuscitation" The blowing of air into anotherperson's mouth in order to get that person to begin breathing.The next time, you're dead meat.A somewhat crude way to say "you're going to die."Not if you count the gurgling sound."To gurgle" is the sound you make when you gargle mouth wash.Then they hit the road."To hit the road" is to begin driving.West on I-80 towards Colorado."I" stands for "Interstate highway," which is identified by a number. Did you get a make out of the vehicle?In this case, "an identification" of the car.An '84 sheep dog.Cars are identified by year and model (And their car looks like this dog). "Mutt Cutts, Rhode Island""Mutts" are mixed-breed dogs. A ridiculous name for a business. Cool.A classic and versatile colloquial adjective. Here, meaning "great."You're spraying everywhere."To spray" is to disperse liquid in a jet stream(Which dogs and cats will often do when peeing).He's such a klutz.A very useful word which means a very clumsy person.I got to avoid accident-prone guys.If you are "prone" to do something, you are likely to do it.Thus, an "accident-prone" person usually has lots of accidents.For god's sake, give me the damn number!Used to express anger or other strong emotion.If you're going to be pushy, forget about itA good word for someone who is overly aggressive.Motorists saw a pooch, 30 miles back.A stupid slang word for a dog.OK, just drop it.Here, meaning "stop talking."Big gulps, all right!A "gulp" is a large amount swallowed all at once.It's also the name of a serving size at 7-11 convenience stores.Some people weren't cut out for life on the road.An alternative way to say "made for."How long have I been out?Here, meaning "asleep" (A related expression is "He's out cold").I thought the Rocky Mountains were rockier than this.America's tallest mountain range, located in the Western States.That John Denver is full of shit, man!A crude but common expression meaning "filled with lies andnonsense." Here, refers to the singer John Denver, who was famous for the song "Rocky Mountain High."OK, so we backtracked a tad.A "tad" is cute little word meaning"a tiny amount."It won't do any good whining about it."To whine" is to complain in an irritating manner.We're in a hole, so we need to dig ourselves out.A "hole" can be used in a general sense to mean any bad situation. Pardon me, Mr. Perfect!A sarcastic way of saying "you couldn't have done any better."Some kid traded me the van for it, straight up.If two things are traded "straight up," it is onefor the other, with nothing else exchanged.Then you go, and totally redeem yourself!"To redeem" oneself is to compensate or make upfor a bad action that was done in the past.Got a little dippy.A ridiculous way to say cold (as in "the temperature took a dip").I swallowed a big June bug.A type of flying insect.He must work out."To work out" is a good phrasal verb meaning to exercise seriously.She'll invite us in for tea and crumpets.A little pastry popular in Britain (note Lloyd pronouncesit with an "s" at the beginning, which is typical for him). Samsonite. I was way off."Samsonite" is the name of a famous luggage manufacturer.If you guess at something and you're "way off," you weren't even close. She must be unlisted.Not listed in the local phone book.My fingers are numb."Numb" is an important word meaning without the ability to feel.I'm going to toss this damn curse into the damn pond.A "curse" is the evil or bad luck a person faces after a witch ordersthat it be done. Note the common use of "damn" to show anger.A small loan with IOUs.An interesting abbreviation for a debt: "I owe you (money)."The Royal Suite at the Danbury.The most expensive room in a hotel, in this case, "The Danbury." Charles and Di used to frequent this hotel constantly.The famous British Royal Couple. "To frequent"a place is to stay at it on a regular basis.Come on Cinderella, we're going to get you ready for the ball.Cinderella is a famous character in a fairly tale.A 'ball" is often an elegant evening of dancing."Aspen Preservation Society."A group that works to save endangered animals.Jesus Christ, those guys are all mental."Jesus Christ" spoken at the beginning of a sentence is a common wayto express anger or surprise. In this case, "mental" means crazy.All we have to do is show some class and sophistication."To have class" is to have elegance or style.I'd like to eat his liver with some beans.A very unclassy thing to say!Bowls of wild mouse soup.Nonsense words (what Harry wants to eat).Endangered spices.Animals that are in danger of becoming extinct.These specimens constitute 1/7th of the snow-owl population.In this case, a fancy way to say "are."They will flourish once more."To flourish" is to grow stronger and do well.I'm ready for commitment.A key word when discussing relationships:The decision to be loyal to one person forever.I'd do anything to bone her.A crude but funny verb meaning to have sex.She'll think I'm a psycho.A cool colloquial word which refers to a crazy person.Talk to her. That way you can build me up."To build someone up" is to make them sound really good.Tell her I have a rapier wit."A cutting and sharp sense of humor." Typicallythough, Lloyd pronounces rapier as "rapist."I'm going to hang by the bar and put out the vibe."To hang" is a short and extremely slangy way of saying to "hang out,"which simply means to stay and do nothing in particular. "To put outthe vibe" is a ridiculous way to say "send out good vibrations,"in order to attract people.Nice set of hooters you got there.A clever play on words: "Hooters" are bothowls (the bird) and crude slang for breasts.Canines. They're dogs to the lay person."Canine" is a scientific word for dog. A "lay person"is simply someone who is not an expert.Any unusual breeding? :: Just doggie style.Another clever play on words: "Breeding" refers to types of dog (ie...the breed), but Harry thinks the question refers to any unusual sexual position, since "to breed" is the verb used for reproducing animals."Doggie style" is a sexual position popular with both people and dogs! We mixed a bulldog with a Shitsu. We called it a bullshit.Types of dog; "Bullshit" is of course, a verycommon obscenity for nonsense, lies, etc.This calls for the bubbly.Colloquial for "champagne"You're going to be my best man.Refers to the groom's "best man" at a wedding.We already have the tuxes.Short for "tuxedo" (a very expensive suit for men).How can you whack a bird with a cork?"To whack" is to hit." A "cork" is the object placed in wine bottles.This one's on me."I'll pay for this one.""Alpine Drive."The name of the street where Mary lives.That pisses me off."To piss off" someone is to make them angry or annoyed.I just figured that she was a raging alcoholic."To figure" is a popular way to say think.As an adjective, "raging" means out of control.Such pain and personal anguish for nothing."Anguish" is extreme physical or emotional pain.I'm going to head off and catch a flick.A "flick" is a slang word for movie.Harry, old buddy, old pal.Two expressions for "dear friend"Constipation.Inability to go to the bathroom (defecate).To my friend Harry, the matchmaker.A person who introduces potential lovers to each other.Make yourself at home.The best words to make a person feel comfortable at your house. The toilet doesn't flush.The only verb you need to describe what a toilet needs to do!On A Current Affair: Inside the Menendez Brother's home, andthe story of a blind boy who was duped into buying a dead parakeet."A Current Affair" is a silly and sensationalistic news show."The Menendez Brothers" are famous for being rich kids who killed their parents. "To dupe" someone is to fool or cheat them.The briefcase. You left it at the airport, you big goof.An affectionate way of saying "you idiot"Flush, you bastard!A crude insult for a mean or unpleasant person(or in this case, an unpleasant toilet).Something important has come up.Another way to say that something "has happened."I'm crazy about you.A common and colloquial way to say "I love and adore you."I'm like a school boy who wants to make sweet love to you.A romantic thing to say (I suppose).I desperately want to make love to a school boy.A very funny "slip of the tongue" (a verbal mistake).I want to ask you a question, straight up, flat out."Directly, without avoiding the issue."Give it to me straight, level with me."Be honest, even if it will hurt me..." (both are common).So you're telling me there's a chance. I read you."To read someone" is to understand them;Note how "you"----> "ya" in rapid speech.Don't play dumb with me, asshole."To play dumb" is to pretend ignorance of something.I'm going to fully reimburse you."To reimburse" someone is to pay them back money that is owed. That's as good as money. They're IOUs.A useful abbreviation for "I owe you (money)"I got a confession.A "confession" is something personal that one admits to someone else.You were my best friend, until you turned into a backstabber.A powerful word for a traitor, or one who betrays the trust of another. Frieda told me the whole sleazy story, Mr. French tickler."Sleazy" is a great word for dirty, vulgar, or interestingly, poorly made."To tickle" someone is to touch someone in order to make them laugh. You said it, pal."Exactly, my friend."Maybe we should call it quits, now.A common way to say "stop."OK, kiss my ass, both cheeks!"Kiss my ass" is a common and crude insult, but only an idiotwould say "both cheeks" (referring to both sides of a butt).You're a horrible shot.Someone who is "a horrible shot" does notknow how to aim a gun very well.Special officer Beth Jordan, FBI.The Federal Bureau of Investigation (The national police).We've been following you since Providence.Capital of the State of Rhode Island.She strapped this bullet proof vest on me.Clothing designed to protect a person from guns and bullets.She's something, aien't she?"She's great, isn't she?" ("aien't" is very uneducated speech).I owe you both a gratitude.Poetic way to say "I'm very appreciative"(It's much more common to say "a debt of gratitude").First Mary dumps us, then the cops take ournest egg,and then the moped breaks down.A person who "dumps" another breaks up with them, or leaves them.A "nest egg" is a great expression for a quantity of money that is usedprimarily to give one a sense of financial security. Any machine that"breaks down" simply stops working.When are we going to catch a break?"To catch a break" is to get some good luck.We need 2 oil boys who can grease us up before bikini competitions.In this case, to "grease up" someone is to run tanning oil on their body. He's a little slow.Here, meaning "stupid."You're it!Stupid thing people say when playing a stupid game like "tag."。
专业英语八级分类模拟题阅读理解(十五)
专业英语八级分类模拟题阅读理解(十五)READING COMPREHENSIONTEXT AClancy Martin knows a lot about lying. He's now an associate professor of philosophy at the University of Missouri, Kansas City, specializing in 19th- and 20th-century continental philosophy and business ethics, and he wrote his dissertation on deception. But he really learned how to lie in his youth, when he was a crackerjack jewelry salesman. Not as good as his brother, perhaps, but good enough to turn a fake Rolex into the real thing and money into the expression of love. "I do miss it," Martin admits. "I miss that feeling of being on the edge. Say what you will, there is something fun about deceiving people. It may be a sickness."Talking to Martin about deception can be unnerving. His voice, sweetened with sincerity, has the compulsive tones of a convert. Sincere people make good salesmen. So what to make of Clancy Martin —a man who wants to sell his debut novel while reclaiming his soul?When he was young, selling was simple —a matter of getting a customer to buy into his fictions. "He was a very gifted liar," says his brother and former business partner, Darren. "We'd say storyteller —a wonderful storyteller." That much is still true, as Martin's novel, How to Sell, makes clear. How to Sell is outrageous, theatrical and slicker than oil. It tells the tale of Bobby Clark, a high-school dropout who joins his older brother at a jewelry emporium in Texas. It's a festival of drugs, diamonds and sex. Prostitution, a saleswoman turned hooker suggests at one point, is a more honest kind of living than the jewelry trade (at least in this book). "With what I do now," she tells Bobby, "I sleep well at night." Martin was born in Toronto, in 1967. Like his protagonist, he left high school, moved to Texas and got a job at the jewelry store where his brother worked. "I would say that, unfortunately, most of the book is lifted directly from my life —with some exaggeration and lots of omission," says Martin cheerfully. For a young man, the life had a kind of reckless glamour. "You sell a diamond, and boom," he says. But Martin was a little different from most employees. He read, for example. Just as Bobby riffs on a Jorge Luis Borges story to sell a bracelet, Martin wove stories for customers from the plotlines of books, and he'd read Spinoza's Ethics —between booze and bumps of coke. Bobby's pain, too, comes from Martin's life: his complicated relationships with his older brother and his charming butcrazy father, Bill, who was never quite far enough out of the picture. "I think a lot of Clancy's interest in self-deception came from his interest in who his dad was," says his ex-wife, Alicia Martin. "It was difficult to know, especially in the later years, talking to Bill, what was real."Martin tried to steer his life in another direction. He went to college, began graduate school in philosophy and married. Then, one day, when he was in Copenhagen working on a paper on Kier Kegaard, his brother called and asked him to help with the business plan for expanding his jewelry store. Suddenly, Martin was out of school and back in jewels. Unlike the shop started by the brothers in the novel, the Martins' joint venture was clean, Darren insists. But the game, more or less, was the same: the process of turning a gem from a mass of matter into a narrative of possibility.In the seven years Martin worked there, life was never boring, but it wasn't much of a life. "I had all this experience, and no sense of moral responsibility," Martin says. His marriage broke up. He despaired. But he began writing, and that seemed to offer the promise of something worthwhile. "I'd been doing all this cocaine," he says, "and I got to the office very early, 5 or 6:30 in the morning. At this time I was so close to killing myself, and every morning I made it part of my ritual: I'd get my gun and go into the bathroom and look in the mirror with the gun in my mouth, and finally I said, I can't do this anymore, and I went into the office and went to my computer and wrote this short story." He returned to graduate school. He wanted to understand deception —and self-deception —not practice it. Insofar as he could.Martin remarried and became a professor. In addition to writing fiction, he translates Nietzsche and has edited several collections on ethics (including the forthcoming Philosophy of Deception); his nonfiction book Love, Lies and Marriage comes out next year. When we spoke two months ago, he said his life was now "incredibly calm and domestic". He did not say that he was undergoing one of the most trying periods of his life. Last week, Martin sent an e-mail that had the rush of confession. "I don't know if I mentioned that I did try, finally, to kill myself, about four months ago," he wrote. He said that he was now finally sober, and that the spring had been "an interesting road, learning'rigorous honesty' and 'moral inventory' and all that." Being true to oneself, it turns out, is not something that can be learned entirely in the classroom, or through the therapy of writing a novel. When we first spoke, Martin talked about Nietzsche's insistence on the necessity of being honest about self-deception. "We have to recognize that to flourish as human beings, we have to lie to ourselves," he said. "But we're not going to lie to ourselves about that. We deceive ourselves with open eyes."With How to Sell, Martin has written a gem of a story. Selling it probably won't be hard. The bigger challenge for Martin might be to learn how to stop selling.1. In Martin's book, the jewelry business isA.an ideal place for high school drop-outs to start their career.B.like a party in which everybody enjoys the excitement and luxury.C.full of opportunities for knowledgeable people to prosper.D.a world where people rarely value the virtue of honesty.答案:D[解答] 事实细节题。
Mark Twain(英文简介)
Mark TwainMark Twain (1835 –19l0) is a great literary giant of America, whom H. L. Mencken considered “the true father of our national literature.” With works like Adventure of Huckleberry Finn (1884) and Life on the Mississippi (1883) Twain shaped the world’s view of America and made a more extensive combination of American folk humor and serious literature than previous writers had ever done.1. Brief Introduction to the AuthorMark Twain, Pen name of Samuel Langhorne Clemens, was born on November 30, 1835, in Missouri, and grew up in the river town of Hannibal. After his father died, he began to seek his own fortune .He once worked as a journeyman printer, a steamboat pilot, a newspaper colunist and as a deadpan lecturer. Twain’s writing took the form of humorous journalism of the time, and it ennabled him to master the technique of narration.Twain grew up in Hannibal, Missouri, which provided the setting for Huckleberry Finn and Tom Sawyer. After an apprenticeship with a printer, he worked as a typesetter and contributed articles to his older brother Orion’s newspaper. He later became a riverboat pilot on the Mississippi River before heading west to join Orion in Nevada. He referred humorously to his singular lack of success at mining, turning to journalism for the Virginia City Territorial Enterprise. In 1865, his humorous story, “The Celebrated Jumping Frog of Calaveras County” was published, based on a story he heard at Angels Hotel in Angels Camp California where he had spent some time as a miner. The short story brought international attention, even being translated to classic Greek. His wit and satire, in prose and in speech, earned praise from critics and peers, and he was a friend to presidents, artists, industrialists, and European royalty.Though Twain earned a great deal of money from his writings and lectures, he invested in ventures that lost a great deal of money, notably the Paige Compositor, which failed because of its complexity and imprecision. In the wake of these financial setbacks he filed for protection from his creditors via a bankruptcy filing, and with the help of Henry Huttleston Rogers eventually overcame his financial troubles. Twain chose to pay all his pre-bankruptcy creditors in full, though he had no responsibility to do this under the law.Twain was born shortly after a visit by Halley’s Comet, and he predicted that he would “go out with it,” too. He died the day following the comet’s subsequent return. He was lauded as the “greatest American humorist of his age,” and William Faulkner called Twain “the father of American literature.”2. Mark Twain’s major worksIn l865, he pub1ished his frontier tale “The Celebrated Jumping Frog of Calaveras County,” which brought him recognition from a wider public. But his full literary career began to blossom in 1869 with a travel book Innocents Abroad, an account of American tourists in Europe which pokes fun at the pretentious, decadent and undemocratic Old World in a satirical tone. Mark Twain’s best works were produced when he was in t he prime of his life. All these masterworks drew upon the scenes and emotions of his boyhood and youth. The first among these books is Roughing It (1872), in which Twain describes a journey that works its way farther west. Life on the Mississippi tells a story of his boyhood ambition to become a riverboat pilot. Two of the best books during this period are The Adventures of Tom Sawyer (1876) and Adventures of Huckleberry Finn. The former is usually regarded as a classic book written for boys about their par ticular horrors and joys, while the latter, being a boy’s book specially written for the adults, isTwain’s most representative work, describing a journey down the Mississippi undertaken by two fugitives, Huck and Jim. Their episodic set of encounters presents a sample of the social world from the bank of the river that runs through the heart of the country.His social satire is The Gilded Age, written in collaboration with Charles Dudley Warner. The novel explored the scrupulous individualism in a world of fantastic speculation and unstable values, and gave its name to the get-rich-quick years of the post-Civil War era. Twain’s dark view of the society became more self-evident in the works published later in his life. In A Connecticut Yankee in King Arthur’s Court (1889), a parable of colonialization. A similar mood of despair permeates The Tragedy of Pudd’nhead Wilson (1894), which shows the disastrous effects of slavery on the victimizer and the victim alike and reveals to us a Mark Twain whose conscience as a white Southerner was tormented by fear and remorse. By the turn of the century, with the publication of The Man that Corrupted Hadleyburg (l900) and The Mysterious Stranger (1916), the change in Mark Twain from an optimist to an almost despairing pessimist could be felt and his cynicism and disillusionment with what Twain referred to regularly as the “damned human race” became obvious.3. The Characteristics of Mark Twain’s Writing Style1) Twain as a local coloristTwain is also known as a local colorist, who preferred to present social life through portraits of the local characters of his regions, including people living in that area, the landscape, and other peculiarities like the customs, dialects, costumes and so on. Consequently, the rich material of his boyhood experience on the Mississippi became the endless resources for his fiction, and the Mississippi valley and the West became his major theme. Unlike James and Howe1ls, Mark Twain wrote about the lower-class people, because they were the people he knew so we1l ancl their 1ife was the one he himself had lived. Moreover he successfully used local color and historical settings to i1lustrate and shed light on the contemporary society.2) His use of vernacularAnother fact that made Twain unique is his magic power with language, his use of vernacular. His words are col1oquial, concrete and direct in effect, and his sentence structures are simp1e, even ungrammatical, which is typical of the spoken 1anguage. And Twain skillfully used the colloquialis m to cast his protagonists in their everyday life. What’s more, his characters, confined to a particular region and to a particular historical moment, speak with a strong accent, which is true of his 1ocal colorism. Besides, different characters from different literary or cultural backgrounds talk differently, as is the case with Huck, Tom, and Jim. Indeed, with his great mastery and effective use of vernacular, Twain has made colloquial speech an accepted, respectable 1iterary medium in the literary history of the country. His style of language was later taken up by his descendants, Sherwood Anderson and Ernest Hemingway, and influenced generations of letters.3) His humorMark Twain’s humor is remarkable, too. It is fun to read Twain to begin with, for mos t of his works tend to be funny, containing some practical jokes, comic details, witty remarks, etc., and some of them are actually tall ta1es. By considering his experience as a newspaperman, Mark Twain shared the popu1ar image of the American funny man whose punning, facetious, irreverenl articles filled the newspapers, and a great deal of his humor is characterized by puns, straight-faced exaggeration, repetition, and anti-climax, let alone tricks of travesty and invective.However, his humor is not only of witty remarks mocking at small things or of farcical elements making people laugh, but a kind of artistic style used to criticize the social injustice and satirize the decayed romanticism.4. Huckleberry Finn1) What is the book about?Huckleberry Finn, by general agreement, is Twain’s finest book and an outstanding American novel. Its narrator is Huck, a youngster whose carelessly recorded vernacular speech is admirably adapted to detailed and poetic description of scenes, vivid representations of characters, and narrative renditions that are both broadly comic and subtly ironic.Huck, son of the village drunkard, is uneducated, superstitious, and sometimes credulous; but he also has a native shrewdness, a cheerfulness that is hard to put down, compassionate tolerance, and an instinctive tendency to reach the right decisions about important matters. He runs away from his persecuting father and, with his companion, the runaway slave Jim, makes a long and frequently interrupted voyage floating down the Mississippi River on a raft. During the journey Huck meets and comes to know members of greatly varied groups, so that the book memorably portrays almost every class living on or along the river. Huck overcomes his initial prejudices and learns to respect and love Jim.The book’s pages are dotted with idyllic descriptions of the great river and the surrounding forests, and Huck’s exuberance and unconscious humor permeate the whole. But a thread that runs through adventure after adventure is the theme of man’s inhumanity to man–-of human cruelty. Children miss this theme, but adults who read the book with care cannot fail to be impressed by an attitude that was to become a reiterated theme of the author during his later years.2) The significance of the novelT he book marks the climax of Twain’s literary creativity. Hemingway once described the novel the one book from which “all modern American literature comes.” The book is significant in many ways. First of all, the novel is written in a language that is totally different from the rhetorical language used by Emerson, Poe, and Melville. It is not grand, pompous, but simple, direct, lucid, and faithful to the colloquial speech. This unpretentious style of colloquialism is best described as “vernacular”. Speaking in vernacular, a wild and uneducated Huck, running away from civilization for his freedom, is vividly brought to life. Secondly, the great strength of the book also comes from the shape given to it by the course of the raft’s journey down the Mississippi as Huck and Jim seek their different kinds of freedom. Twain, who knew the river intimately, uses it here both realistically and symbolically. Thirdly, the profound portrait of Huckleberry Finn is another great contribution of the book to the legacy of American literature. The novel begins with a description of how Widow Douglas attempts to civilize Huck and ends with him deciding not to let it happen again at the hands of Aunt Sally. The climax arises with Huck’s inner struggle on the Mississippi, when Huck is polarized by the two opposing forces between his heart and his head, between his affection for Jim and the laws of the society against those who help slaves escape.Huck’s final decision – to fo1low his own good – hearted moral impulse rather than conventional village morality –amounts to a vindication of what Mark Twain called” the damned human race,” damned for its comfortable hypocrisies, its thoroughgoing dishonesties, and its pervasive cruelties. With the eventual victory of his moral conscience over his social awareness, Huck grows.5. Selected ReadingAn Excerpt from Chapter 3l of Adventures of Huckleberry Finn1) The storyThis novel begins with Huck under the motherly protection of the Widow Douglas and her sister, Miss Watson. When his father comes to demand the boy’s fortune, Huck pretends that he has transferred the money to Judge Thather, so his father catches him and puts him into a lonely cabin. One night, after his father is drunken, Huck escapes to Jackson’s island and meets Miss Watson’s runaway slave, Jim. They start down the river on a raft. After several adventures, the raft is hit by a steamboat and the two are separated. Huck swims ashore and is saved by the Grangerford family, whose feud with the Sheperdsons causes bloodshed. Later, Huck discovers Jim and they set down again, giving refuge to a gang of frauds: the “Duke” and “King,” whose dramatic performances culminate in the fraudulent exhibition of the “Royal Nonesuch.” Huck also witnesses the lynching and murder of a harmless drunkard by an Arkansas aristocrat on the shore. When he finds that some rogues intend to claim legacies as Peter Wilks’s brother, Huck interferes on behalf of the three daughters, and the scheme is failed by the arrival of the real brothers. Then he discove rs that the “King” has sold Jim to Mrs. Phelps, Tom Sawyer’s Aunt Sally. At the Phelps farm, Huck and Tom try to rescue Jim. In the rescue, Tom is accidentally shot and Jim is recaptured. Later, Tom reveals that the rescue is necessary only because he “wan ted the adventures of it.” It is also disclosed at the end of the novel that Huck’s father has died, so Huck’s fortune is safe.2) The novel’s theme, characterization of “Huck” and the novel’s social significanceTheme: The novel is a vindication of what Mark Twain called “the damned human race.” That is the theme of man’s inhumanity to man–-of human cruelty, hypocrisies, dishonesties, and moral corruptions. Mark Twain’s thematic contrasts between innocence and experience, nature and culture, wilderness and civilization.Adventures of Huckleberry Finn is best known for Mark Twain’s wonderful characterization of “Huck,” a typical American boy whom its creator described as a boy with “a sound heart and a deformed conscience,” and remarkable for the raft’s jour ney down the Mississippi river, which Twain used both realistically and symbolically to shape his book into an organic whole. Through the eyes of Huck, the innocent and reluctant rebel, we see the pre-Civil War American society fully exposed and at the sa me time we are deeply impressed by Mark Twain’s thematic contrasts between innocence and experience, nature and culture, wilderness and civilization.3) The selected chapterHuck and Jim are with the frauds. They decide to leave them in their raft when Huck learns that Jim is sold by the “King” to Mrs. Phelps. There is a very important description here of Huck’s inner conflict about whether or not he should write a letter to tell Miss Watsom where Jim is. Huck’s internal conflict between his sound heart and deformed conscience is obvious: On one hand, he feels that he ought to help return Jim to his owner, Miss Watson. On the other hand, his friendship for Jim makes such a course of action difficult for him. Huck instinctively knows the right thing to do. But his conscience dictates the conventional morality of the South. The whole episode is a subtle yet powerful condemnation of the society that makes Huck feel that he will go to hell for doing what his very instinct knows to be the right thing to do. Huck’s moral dilemma is brought about by a corrupt society that has institutionalized slavery.。
美国情景喜剧《老友记》中的修辞格分析
美国情景喜剧5老友记6中的修辞格分析池丽霞夏金玉5老友记6是美国自20世纪90年代起热播的著名情景喜剧,讲述了六位性格迥异的男女主人公的情感、工作等生活经历,其轻松诙谐的语言,笑话百出的剧情为它赢得了许多重要奖项。
[1]在英语语言文学领域该剧一直以来也不乏有人关注,大部分研究是从语境和语言学理论(主要是语用学)的角度对言语幽默进行探讨,也有学者在修辞方面对该剧进行研究,但主要集中在明喻、暗喻、双关、委婉语等常见词汇类修辞上,对其他修辞的运用研究尚少。
英语文学修辞手段可谓种类繁多,笔者将探讨三大种类的修辞格,即语音类修辞、词汇类修辞和句法类修辞的特点,并在此基础上对该剧中的运用进行较为全面的分析。
一、英语文学作品中修辞格巧妙运用修辞手法可以增强语言生动性,艺术性和感染力,表现文学作品的内容和精髓,从而给人以美的享受。
英语的文学修辞手段种类繁多,从其所要达到的修辞效果可以大致分为语音类、词汇类和句法类三种修辞。
语音类修辞是利用词语的语音特点创造出来的修辞手法,包括头韵、尾韵、拟声等。
词汇类修辞主要是指借助语义的联想和语言的变化等特点创造出来的修辞,主要包括明喻、隐喻、用典、反语、夸张、转喻、拟人、双关、仿词等。
句法类修辞主要是指通过句子结构的均衡布局或是突出重点创造出来的修辞,主要包括重复、回文、平行结构、对照、修辞疑问句、突降等。
二、5老友记6中修辞格的运用(一)语音类修辞的运用此类修辞也称音律修辞,主要使用在口语交际中,通过语音表现英语的音乐美。
[2]下文将举例说明它在5老友记6中的运用。
1.头韵。
头韵指在一组词、一句话或一行诗里,有意反复使用起首字母或首声韵相同的词。
5老友记6中钱德勒以机智幽默、伶牙俐齿赢得了观众。
他的台词往往会通过押韵来达到幽默效果。
如他谈论莫妮卡新男友时说:So does he have a hump?A hump and a hairpiece(又驼背又带假发)?这里他精心选择两个押头韵的词来达到取笑的目的。
娱乐测试题
娱乐测试题
# 娱乐测试题
一、选择题
1. 以下哪部电影是由斯皮尔伯格导演的?
A. 《泰坦尼克号》
B. 《阿凡达》
C. 《侏罗纪公园》
D. 《星球大战》
2. 以下哪位歌手是《Bad Romance》的原唱?
A. 泰勒·斯威夫特
B. 凯蒂·佩里
C. 麦当娜
D. 蕾哈娜
3. 以下哪个电视节目是一档音乐竞赛节目?
A. 《美国偶像》
B. 《幸存者》
C. 《极速前进》
D. 《美国达人秀》
二、填空题
4. 电影《阿甘正传》中,阿甘的口头禅是“生活就像一盒_________”。
5. 流行乐队“披头士”(The Beatles)来自_________。
6. 电视剧《老友记》中,罗斯的前妻名叫_________。
三、判断题
7. 电影《哈利·波特》系列是根据J.K.罗琳的同名小说改编的。
()
8. 电视剧《权力的游戏》是根据乔治·R·R·马丁的小说《冰与火之歌》系列改编的。
()
9. 电影《教父》是关于一个意大利黑手党家族的故事。
()
四、简答题
10. 请列举出至少三个著名的好莱坞电影导演。
11. 请简述电影《泰坦尼克号》的主要情节。
12. 请描述一下音乐剧《悲惨世界》的主题。
五、论述题
13. 论述电影和电视剧在娱乐产业中的地位和作用。
14. 分析流行音乐对当代青少年文化的影响。
15. 讨论社交媒体如何改变了娱乐产业的传播方式。
注意:请在答题时不要查阅资料,依据自己的知识和理解作答。
华尔街之狼歌词
For my theme song, my leather black jeans on
My by any means on, pardon I'm getting my scream on
Enter the kingdom but watch who you bring home
They see a black man with a white woman at the top floor they gone come to kill King Kong
I'm aware I'm a king, back out the tomb bitch
Black out the room bitch, stop all that coon shit
These niggas ain't doin' shit, these niggas ain't doin' shit
So follow me up cause this shit's about doin' 500, I'm outta control now
But there's nowhere to go, now
And there's no way to slow down
Middle America packed in, came to see me in my black skin
Number one question they asking, fuck every question you asking
If I don't get ran out by Catholics, here come some conservative Baptists
英美文学考试内容
I. Directions: Fill in the blank in each of the following statements, the first letter ofwhich is already given as a clue. Note that you are not allowed to change the lettergiven.1. Samuel Richardson‟s first novel, Pamela , is the first epistolary (书信) novel inEnglish literature.2. Paradise Lost took its material from Bible(圣经).3. Jane Austen‟s masterpiece is Pride and Prejudice(傲慢与偏见).4. George G . Byron is chiefly remembered for his two long poems. One is ChildeHarold’s Pilgrimage , the other is Don Juan(唐·璜).5. As a poet, William Blake ‟s fame has been chiefly resting upon two volumes ofpoems, Songs of Innocence(天真之歌)and Songs of Experience .6. The relationship between Claudius and Hamlet in Hamlet is uncle and nephew(叔叔和侄子).7. Franklin ‟s best writing is found in his masterpiece a utobiography(自传).8. Martin(马丁) is the novel into which Jack London put most of himself.9. Edgar Allan Poe(埃德加·爱伦坡) can somewhat be called “the Father of theAmerican detective story ”.10. The way in which Hawthorne(霍桑) wrote The Scarlet Letter suggests thatAmerican Romanticism adapted itself to American puritan moralism.Choose the relevant match from the box for each blank.11. War in Crane ‟s novel ____b____ is a plain slaughterhouse. There is nothing likevalor or heroism on the battlefield, and if there is anthing, it is the fear of death,cowardice, the natural instinct of man to run from danger.12. The Catch-22 is a novel of using the device of __________c_____________.13. _______d_______is the author of the work: “The Catcher in the Rye ”.14. The central figure in the Leatherstocking Tales is __a_, who goes by the variousnames of Leatherstocking, Deerslayer, Pathfinder and Hawkeye.15. In his novels, Hemingway dramatizes the sense of ___e___ among the post-wargeneration who are physically and psychologically scared.II. Multiple Choices: Select from the four choices of each item the one that bestanswers the question or completes the statement. Write your correct answer on theanswer sheet. (15x2%=30%)1. The epoch of Renaissance witnessed a particular development of English drama. Itwas ___A___ who made blank verse the principal vehicle of expression in drama.A. Christopher MarloweB. Thomas LogeC. Edmund SpenserD. Thomas More2. “Shall I compare thee to a summer‟s day?” This is the beginning line of one ofShakespeare‟s ___D____.A. songsB. playsC. comediesD. sonnets3. Generally, the Renaissance refers to the period between the 14th and mid-17th centuries, its essence is D .A. scienceB. philosophyC. artsD. humanism4. ___B___ was a progressive intellectual movement throughout Western Europe in the 18th century.A. The RenaissanceB. The EnlightenmentC. The Religious ReformationD. The Chartist Movement5.__A__ is the first important English essayist and the founder of modern science in England.A. Francis BaconB. Edmond SpenserC. Williams CarxtonD. Sidney6. __A__ is the leading figure of Metaphysical poetry.A. John DonneB. George HerbertC. Andre MarvellD. Henry Vaughan7. The unquenchable spirit of Robinson Crusoe struggling to maintain a substantial existence on a lonely island reflects C .A. man‟s desire to return to natu reB. the author‟s criticism of the colonizationC. the ideal of the rising bourgeoisieD. the aristocrats‟ disillusionment of the harsh social reality8. Of all the eighteenth-century novelists, ___D___ was the first to set out, both in theory an d practice, to write specially a “comic epic in prose”, the first to give the modern novel its structure and style?A. Thomas GrayB. Richard Brinsley SheridanC. Jonathan SwiftD. Henry Fielding9. Which two periodicals were Richard Steele and Joseph Addison‟s chief contribution to English literature? ___A___.A. The Tatler and the SpectatorB. The Rambler and the SpectatorC. The Tatler and the ReviewD. The Spectator and the Review10.__C__ is the greatest representative of English critical realism.A. Jane AustenB. ThackerayC. DickensD. Charlotte11. The title of the novel Vanity Fair was taken from John Bunyan‟s masterpiece ___A___.A The Pilgrim’s Progress B. Childe Harold’s PilgrimageC. Gulliver’s TravelsD. The Canterbury Tales12.___B___ compiled the The Dictionary of the English Language which became the foundation of all the subsequent English dictionaries.A. Ben JohnsonB. Samuel JohnsonC. Alexander PopeD. John Dryden13. __C__,a typical example of old English poetry ,is regarded today as the national epic of the Anglo-Saxons.A. The Canterbury TalesB. The Ballad of Robin HoodC. The Song of BeowulfD. Sir Gawain and the Green Knight14. Of the following poets, who is not regarded as “Lake Poets”? DA. Samuel Taylor Coleridge.B. Robert Southey.C. William Wordsworth.D. William Shakespeare.15. Tennyson‟s Idylls of the Kings is based on the Celtic legends of King ____D____and his knights of the Round Table.A. Alfred the GreatB. Henry VIIIC. Robin HoodD. Arthur16. Victor Frankenstein attributes his tragic fate to his relentless search for knowledge.In the novel ___B__ indicates this ruthless pursuit of knowledge proves dangerousand destructive.A. George EliotB. Mary ShelleyC. Emily BronteD. Elizabeth Gaskell17. ____C____ is the first major historical novelist, exerting a powerful literaryinfluence both in Britain and on the Continent throughout the 19th century.A. Jane AustinB. Walter PaterC. Walter ScottD. Robert Stevenson1. Ezra Pound is a leading spokesman of the famous __D__ Movement in the historyof American literature.A. SymbolistB. ImpressionistC. ExistentialistD. Imagist2. Nature has become so important that most people consider it an unofficialmanifesto for the “__B__ Club.”A. NaturalB. TranscendentalC. SoulD. Universal4. Moby-Dick is a mixture of fantasy and __B__ based upon the South Pacificwhalingindustry.A. realismB. romanticismC. surrealismD. naturalism5. __D__ appeared as a literary trend against rationality.A. ClassicismB. Neo-ClassicismC. HumanismD. Romanticism6. Transcendentalism is a movement led by ___D___.A. Alfred Jarry that stressed the lack of reason in human existenceB. Jean-Paul Sartre that stated that existence precedes essenceC. Tristan Tzara that tried to negate all traditional values In the artsD. Ralph Waldo Emerson that stressed the divinity of man7. Who wrote Cat on a Hot Tin Roof, A Streetcar Named Desire, and The Glass Menagerie?CA. Eugene O'NeillB. Sam ShepardC. Tennessee WilliamsD. Edward Albee8. Winner of both the Pulitzer Prize and the Nobel Prize, John Steinbeck wrote BA. V and Gravity's RainbowB. The Grapes of Wrath and Of Mice and MenC. A Death in the Family and Let Us Now Praise Famous MenD. Ragtime and Loon Lake9. Who wrote the novel Beloved, in which a former slave struggles to raise her children? DA.William FaulknerB.Maya AngelouC.James BaldwinD.Toni Morrison10. The Waste Land and Four Quartets are poems by DA. Edna St. Vincent MillayB. Wallace StevensC. Carl SandburgD. T. S. Eliot11. Who wrote Common Sens e and The Rights of Man? AA. Thomas PaineB. John AdamsC. Thomas JeffersonD. Henry Adams13. In his poems,Walt Whitman is innovative in the terms of the form of his poetry,which is called “____A__.”A. free verseB. blank verseC. alliterationD. end rhyming14. In the first part of the 20th century, apart from Darwinism, there were two thinkers___A___,whose ideas had the greatest impact on the period.A. the German Karl Marx and the Austrian Sigmund FreudB. the German Karl Marx and the American Sigmund FreudC. the Swiss Carl Jung and the American William JamesD. the Austrian Karl Marx and the German Sigmund Freud15. Which of the following is not written by Ernest Hemingway, one of thebest-known American authors of the 20th century? CA. The Sun Also RisesB. The Old Man and the SeaC. Soldiers‟PayD. For whom the Bell Tolls16. The desire for an escape from society and a return to nature became a permanentconvention of American literature. Such a desire is particularly evident in ___C___ Leather-Stocking Tales.A. Washington Irving‟sB. Waldo Emerson‟sC. James Fennimore Cooper‟sD. Walt Whitman‟s17. In the well-known story Rip Van Winkle, Rip is asleep for 20 years during which___D___ takes place.A. World War IB. the Civil WarC. World War IID. the Revolutionary War18. Which of the following statements can be said about the novel Sister Carrie ? BA. Its heroine is a Southern aristocratic woman, who refuses to come to termswith the present.B. Its heroine is a country girl, who strives to gain her material rise in big citiesbut soon gets tired of her success.C. The heroine is a young vain girl, who indulges herself in grand parties andluxurious trips but soon becomes penniless.D. It tells about a young sailor, who struggles to reach the upper society but soongets disillusioned.19. Which of the following is depicted as the mythical county in William Faulkner’snovels? DA. Cambridge.B. Oxford.C. Mississippi.D. Yoknapatawpha.20. The founder of the American drama is ___D____.A. Arthur MillerB. Clifford OdetsC. Tennesee WilliamsD. EugeneO‟NeillIII. Define the following terms. (这部分的答案请大家自己找,没有标准答案) 1. Enlightenment 2. Renaissance 3. Byronic hero1. Lost GenerationIII.Directions:Match the works in the following groups with their respective authors. Group A(D )1. A Portrait of the Artist as a Young Man A. Geoffrey Chaucer (E)2. Lord of the Flies B. George Bernard Shaw (A)3. The Canterbury Tales C. Robert Burns(B )4. Widowers’ Houses D. James Joyce(C )5. A Red, Red Rose E. William Gilding Group B(C )6. Mrs. Dalloway A. John Keats(D)7. David Copperfield B. Jonathan Swift(E)8. Sons and Lovers C. Virginia Woolf(A )9. Ode to a Nightingale D. Charles Dickens (B)10. A Modest Proposal E. D.H. Lawrence Group C(E )11. Civil Disobedience A. Toni Morrison(D )12. The Portrait of a Lady B. Walt Whitman(B)13. Leaves of Grass C. Mark Twain(A)14. Beloved D. Henry James(C )15. The Adventures of Huckleberry Finn E. Henry D. ThoreauV. Answer the following questions. (30%)1.…I tell you I must go!‟ I retorted, roused to something like passion. …Do you think Ican stay to become nothing to you? Do you think I am an automaton?-a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!——I have as much soul as you-and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh: it is my sprit that addresses your spirit; just as if both had passed through the grave, and we stood at God‟s feet, equal----as we are! ‟Questions:(7%) 1). Which novel is this passage taken from? Jane Eyre简爱2). Who is the author? Charlotte Bronte夏洛蒂·勃朗特3). What idea does the quoted passage express?2. It is a truth universally acknowledged,that a single man in possession ofa good fortune must be in want of a wife. However little known the feeling s or views of such a man may be on his first entering a neighbourhood,thi s truth is so well fixed in the minds of the surrounding families,that he is considered as the rightful property of some one or other of their daughters."My dear Mr. Bennet," said his lady to him one day, "have you heard th at Netherfield Park is let at last?"Mr. Bennet replied that he had not."But it is" returned she, "for Mrs. Long has just been here, and she told me all about it."Mr. Bennet made no answer."Do not you want to know who has taken it" cried his wife impatiently."You want to tell me,and I have no objection to hearing it."This was invitation enough."Why, my dear,you must know, Mrs. Long says that Netherfield is taken by a young man of large fortune from the north of England; that he came d own onMonday in a chaise and four to see the place, and was so much deli ghted with it that he agreed with Mr. Morris immediately; that he is to take possessionbefore Michaelmas,and some of his servants are to be in the house by the end of next week.""What is his name?""Bingley.""Is he married or single?""Oh! Single,my dear,to be sure!A single man of large fortune;four or five thousand a year. What a fine thing for our girls!"(出自傲慢与偏见)Questions:(8%)1)Why does Mrs. Bennet insist Mr. Bennet visiting Netherfield and Mr. Bingl ey? 2)What kind of people are Mr. and Mrs. Bennet ?3)The underlined sentence reveals the subject that interests Mrs.Bennet most.Give a brief analysis of her excitement.3.It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way. . . . Questions:(7%)1) Which novel is this passage taken from? a tale of two cities 双城记2). Who is the author? Dickens狄更斯3). What idea does the passage express?4.To be, or not to be: that is the question:Whether …tis nobler in the mind to sufferThe slings and arrows of outrageous fortune,Or to take arms against a sea of troubles,And by opposing end them.Questions:(8%) 1). Which character said these words?Hamlet哈姆雷特In which work?Hamlet哈姆雷特2). Interpret the theme of the work.3). List the author‟s other three great tragedies.《麦克白》Macbeth《李尔王》king lear和《奥赛罗》Othello1. When Miss Emily Grierson died, our whole town went to her funeral: the menthrough a sort of respectful affectation for a fallen monument, the women mostly out of curiosity to see the inside of her house, which no one save an old manservant—a combined gardener and cook---had seen in at least ten years. Questions: (6%)1). Which story is this paragraph taken from? Emily2). Who is the writer of the work? Faukner福克纳3). Was Miss Emily married or single when she died? Single2. We hold these truths to be self-evident,that all men are endowed by their Creatorwith certain unalienable Rights,that among these are Life,liberty and the pursuit of Happiness. That to secure these rights,Governments are instituted among Men,deriving their just powers from the consent of the governed;That whenever any Form of Government becomes destructive of these ends,it is the Right of the People to alter or to abolish it.Questions:(6%)1)Which work is this passage taken from?Declaration of Independence独立宣言2)What truths are self-evident?3)that all men are endowed by their Creator with certain unalienable Rights3) What is the purpose of government?to secure these rights3. ... Gatsby, standing alone on the marble steps and looking from one group toanother with approving eyes. His tanned skin was drawn attractively tight on his face and his short hair looked as though it were trimmed every day. I could see nothing sinister about him. I wondered if the fact that he was not drinking helped to set him off from his guests, for it seemed to me that he grew more correct as the fraternal hilarity.Questions: (6%)1). Which novel is this passage taken from?the great gatsby2). Who is the author? Fitzgerald菲茨杰拉德3). Who is “I” ? Narrator And what is his role in the novel?4.I‟m nobody! Who are you?Are you nobody, too?Then there‟s a pair of us—don‟t tell!They‟d banish us, you know.Questions: (7%)1) Who is the Author of this poem?Dickinson2) What is the title of this poem?I‟m nobody! Who are you?不是很确定3) What kind of feeling does this stanza show?Lost Generation The term was first used by Stein, one of the leaders of this group. It included theyoung English and American expatriates as well as men and women caught in the war and cut off from the old values and yet unable to terms with the new era when civilization had gone mad. It means this generation has lost the beautiful sense of the calm idyllic past. They indulged in hedonism in order to make their life less unbearable. After WWI, many young Americans left their native country, bitter over the war and seeking adventure. A circle of artistic expatriates appeared-- among them Hemingway, F. Scott Fitzgerald, Sherwood Anderson, Ezra Pound, and Pablo Picasso. Hemingway and Fitzgerald employed their keen social observation in writing The Sun Also Rises and The Great Gatsby, respectively, widely considered the two masterpieces of Lost Generation fiction.。
高中英语 第二部分 VOA慢速英语《美国万花筒》第11课(文本)素材
高中英语第二部分 VOA慢速英语《美国万花筒》第11课(文本)素材英语翻议讲解:1.talent n. 天才,天资;才能,才干;有才能的人例句:His talent was submerged by his shyness. 他的羞怯掩盖了他的才华。
2.invisible a. 看不见的;微小得觉察不出的例句:The mends on your coat were almost invisible. 你外套上的补钉简直看不出来。
3.passion n. 热爱,强烈的感情,热情,耶稣的受难例句:The six-month's passion had aged him very considerably. 六个月的恋爱使他一下子长大了好几岁。
4.exhilarating a. 令人喜欢的,使人愉快的,爽快的例句:Our first parachute jump was an exhilarating experience. 我们第一次跳伞感到兴奋莫名。
5.expansive a. 易膨胀的,易扩张的;广阔的;辽阔的;广泛的;坦率的;豪爽的;健谈的例句:After she'd had a few drinks, Mary became very expansive. 玛丽喝了几杯酒,话就滔滔不绝了。
1.The United States Congress is made up of the House of Representatives and the Senate.made up of 由…组成,由…构成例句:Everything we can see and touch is made up of matter. 我们能看见和摸到的每件东西都由物质组成。
2.Only the House of Representatives can introduce bills that deal with taxes or spending.deal with处理,涉及,对付,讨论,与…打交道例句:The branch of linguistics that deals with etymologies. 词源学有关词源的一门语言学分支。
[Black.Key][Bommer 开胃菜 Cypher]歌词
Bommer 开胃菜 Cypher2019-03-04作曲 : Bommer作词 : BommerBlack.Key我手上家伙从来不长眼娘P们看到快跑为了节省时间不会搭理任何菜niao玩点三脚猫的把戏给自己加油打气我给你个痛快点燃油门现在加大马力面对一群啥13能够做的就是尽量少发火远离所有混Q表取泥M币的少夸我来吧兄弟们都抄家伙拔了这温室小花朵没有动机的创作让我神的像是毕加索弹舌~ 挑梁小丑瞬间RT落地天赋代表金币那我资产过亿戏子爱做戏为了不过气站在镜头面前少塔麻的放屁临阵磨枪排名活该永远都是倒数老子玩说唱的时候你在男团跳舞妄想在这圈子混口饭我们吃着你们看来当我Back up小弟考虑在你面里加个蛋J.Boss这里是Bommer请你站好立正抬头看别再叽叽歪歪我们就是Better Than U 比你帅J.Boss to the B.K Desweet and Young Bro Z111Chen HT9 Roger Q Aisin Gioro Bommer大反派Uh So Just Shut ur Fxxk upLet me be more famous BOMMER让你几招(电话摇银儿全过程.....)Z111CHENBack to oldskool街头反抗精神在肩上一群网络非主流窝里斗还装塔麻的谦让现在给你一面镜子麻烦赶紧认清自己地下种子破土fake不配活在地底那些所谓的偶像吐口唾沫不断热在搜翻炒新血液弹道击碎花瓶就像叶问办金山找集结的英雄号角现在已经奏响啥比别被鞋带勒4劝你马上退场Roger Q去泥M风S的走位他们裤D拉的低faker走路摇摇晃晃还T码要抓个JER满大街的Rapper都说自己活在地下让他们S横遍野这是BOMMER今年的计划我和我homie 创作到了忘我掌握各种烫货闯祸从不藏躲闯过无数荒漠的广阔燃起光火像海啸般波澜的壮阔把所有黑暗一次性撞破suck my d1ck yo 比奇J.Boss这里是Bommer请你站好立正抬头看别再叽叽歪歪我们就是Better Than U 比你帅J.Boss to the B.K Desweet and Young Bro Z111Chen HT9 Roger Q Aisin Gioro Bommer大反派Uh So Just Shut ur Fxxk upLet me be more famous BOMMER让你几招那位HT根本都不可能学会我们一直是在山顶上不需要你们做榜样我们给自己颁奖状你快去想象看你红色的眼眶还是把你扒了给你 88个8张最响亮拿bommer去和他们比不小心会鲨了泥让坏心思都下了雨看我们早就搞了起不是加速就超酷打中你腰部药物压制着妖物必须是重要要素(那吾式呼吸)想怎么玩就怎么玩要怎么看要怎么干要怎么编排算高端药怎么断吃什么饭你唱这么烂别站着茅坑不拉屎敬礼我对你放个屁记住了学到了你也只是个弟中弟fxxkJ.Boss这里是Bommer请你站好立正抬头看别再叽叽歪歪我们就是Better Than U 比你帅J.Boss to the B.K Desweet and Young Bro Z111Chen HT9 Roger Q Aisin Gioro Bommer大反派Uh So Just Shut ur Fxxk upLet me be more famous BOMMER让你几招。
马克吐温《王子与贫儿》英文读后感1000字
Mark Twain and his book The prince and the PauperHelen Keller once said these to parise a master : I love HIM------who wouldn’t love him? Even God, giving him wisdom and painting a rainbow of love and faith in his heart. William Faulkner applaud him as “the first real American writer.”This lovable man is Mark Twain. Regard as the Mirror of America, many of his famous works had revealed the problems of the America .Every people pursue the equality and freedom.But racial discrimination still existed. The work had exposed the mask of democracy and freedom of the American capitalist ,revealed its worship of money, racial discrimination and the true face of aggression.In his early time, he writes about Children Literature, works like The adventures of Huckleberry FInn, The adventures of Tom Sawyer, and the book I only read The prince and the pauper.The prince and the pauper first published in 1881 in Canada before its 1882 publication in the United States. The book represents Twain's first attempt at historical fiction. Set in 1547, the novel tells the story of two young boys who are identical in appearance:Two boys borned in the same day but lead a total different life. Tom Canty ,a pauper, lives in a poor family in a the slum of London. His father is a abusive person, his mother and his two sister were clumsy but comely. Only his grandma loves him. Little tom wish that one day he will become a honorable prince living a rich and populous life. To most pauper this is only a beautiful dream, but to Tom Canty this dream came ture.Prince Edward was born with a silver spoon in his mouth. He is a royal prince and the King of The British Empire in the future. Everyone loves him. He had been arranged to learn the royal manner and other knowledges. That’s to cruel for a kid. Little youngprince was fed up with the red tape and vacant life, wish to become a common people, lives a ordinary and leisurely life.One day the two boys met in accident, they were astonished that they look so alike, the prince said “If we go out naked, who also don't know which is you, which is me!”. That’s true. As a jest they swiched their clothes. While dressed in the pauper's rags, the Prince leaves the palace to punish the guard who knocked Tom down. However, the boys look remarkably alike and because they switch clothes, the palace guards throw the prince out into the street. The Prince fares poorly in London because he insists on proclaiming his identity as the true Prince of Wales. Meanwhile despite Tom's repeated denial of his birthright, the court and the King insist that he is the true prince gone mad. Edward eventually runs into Tom's family and a gang of thieves and Twain illustrates England's unfair and barbaric justice system. After the death of Henry VIII, Edward interrupts Tom's coronation and the boys explain, switch places, and Edward is crowned King of England...Tom Canty was exist in the history. He is the friend of the King Edward VI since he was 6 years old and also the protector of the King of the great Britain, the preside of The Anglican Church and the bishop of Campbell Rett.As a masterpiece for Children Literature there’s no doubt that The prince and the pauper is a success. The story was full of imagination and humorous language, that’s typical Mark Twain’s style. The book stimulate the imagination of children and longing for pure, kind-hearted, beautiful things.Consider the writing historical background we should take serious about his work, because writer writes in vain. Although the story was settled in the 16th century but the reader would associate with the difficult situation of the working people of the United States in 19th century in thinking. Readers would thinking about the tyranny fraud of the United States of America bourgeois government during that time while reading the emperor autocratic rule.。
美国文学史复习资料
10.Herman MelvilleBut it is better to fail in originality than to succeed in imitation. He who has never failed somewhere, that man cannot be great.(1819-1891)Teaching ObjectivesMelville‘s Life and Main WorksMelville‘s masterpiece Moby DickThe Main Plot, Major characters, theme, SymbolsSocial significance of Moby DickLife Experienceborn on August 1, 1819 in New York City into an established merchant family, the third of 8 children. His father became bankrupt and insane, dying when Melville was 12. His sea experiences and adventures furnished him with abundant materials, and resulted in five novels that brought him wide fame as a writer of sea stories.In 1850, he met Hawthorne and they became good friends. He read Hawthorne‘s books and was deeply impressed by Hawthorne‘s black vision.His fame was recognized after his death.Melville‘s Major Works1) Typee «泰皮»2) Omoo «欧穆»3) Mardi «玛地»4) Bedburn «雷得本»5) White Jacket «白外衣»from his adventures among the people of the South Pacific islandsan account of his voyage to Englandhis life on a United States man-of-war6) Pierre «皮埃尔»7) Billy Budd 《比利•巴德》(a sign that he had resolved his quarrel with God) Clarel 《克拉莱尔》( a poem)Moby-Dick «白鲸»,«莫比•狄克»an encyclopedia of everythinghistory, philosophy, religion, the whaling industrya Shakespearean tragedy of man fighting against fatesHis Tragic Influence from Literary TraditionAt the time of writing, Melville was reading Greek tragedy, especially the Orestia (奥瑞斯提亚)of AeschylusImmersed in the tragedies of Shakespeare – King Lear, Hamlet, Othello, Macbeth Epic poetry, HomerMoby Dick (1)This book is dedicated to Hawthorne, for Hawthorne encourged Melville to change this novel from a story full of details about whaling, into an allegorical novel.Moby Dick (2)Epic in scope.It consists of 135 chapters.- the long and arduous journey- the great battleDefined as an epic, which contains a tragic drama, a tragedy of pride, and pursuit and revenge, which is also a tragedy of thought与白鲸有关的背景对爱斯基摩人来说,白鲸也是非常重要的,不仅因为其肉好吃,而且它们的油用来点灯不仅明亮,还能释放出大量热量,使简陋的冰屋保持温暖。
高英-Mark-Twain—Mirror-of-America原文+翻译+修辞
Mark Twain-the Mirror of America1 Most Americans remember Mark Twain as the father of Huck Finn's idyllic cruise through eternal boyhood and Tom Sawyer's endless summer of freedom and adventure. In-deed, this nation's best-loved author was every bit as adventurous, patriotic, romantic, and humorous as anyone has ever imagined. I found another Twain as well – one who grew cynical, bitter, saddened by the profound personal tragedies life dealt him, a man who became obsessed with the frailties of the human race, who saw clearly ahead a black wall of night.在大多数美国人的心目中,马克?吐温是位伟大作家,他描写了哈克?费恩永恒的童年时代中充满诗情画意的旅程和汤姆?索亚在漫长的夏日里自由自在历险探奇的故事。
的确,这位美国最受人喜爱的作家的探索精神、爱国热情、浪漫气质及幽默笔调都达到了登峰造极的程度。
但我发现还有另一个不同的马克?吐温——一个由于深受人生悲剧的打击而变得愤世嫉俗、尖酸刻薄的马克?吐温,一个为人类品质上的弱点而忧心忡忡、明显地看到前途是一片黑暗的人。
2 Tramp printer, river pilot , Confederate guerrilla, prospector, starry-eyed optimist, acid-tongued cynic: The man who became Mark Twain was born Samuel Langhorne Clemens and he ranged across the nation for more than a third of his life, digesting the new American experience before sharing it with the world as writer and lecturer. He adopted his pen name from the cry heard in his steamboat days, signaling two fathoms (12 feet) of water -- a navigable depth. His popularity is attested by the fact that more than a score of his books remain in print, and translations are still read around the world.印刷工、领航员、邦联游击队员、淘金者、耽于幻想的乐天派、语言尖刻的讽刺家:马克?吐温原名塞缪尔?朗赫恩?克莱门斯,他一生之中有超过三分之一的时间浪迹美国各地,体验着美国的新生活,尔后便以作家和演说家的身分将他所感受到的这一切介绍给全世界。
欧美文学重点翻译3
<Break, Break, Break> the death of his best friend, his sadness feeling are contrasted with the carefree, innocent joys of the children and the unfeeling movement of the ship and the sea waves《溅吧、溅吧、溅吧》,最好的朋友的早逝, 少年的无忧无虑、天真快乐,海浪和船只的无情移动与诗人心境的悲伤作对比<Crossing the Bar> we can feel his fearlessness towards death, his faith in God and an afterlife. ’Crossing the bar’ means leaving this world and entering the next world《渡过沙洲》我们可以感受到他对死亡的无畏,他对上帝以及来世的忠实信仰,“渡过沙洲”意味着离开这个世界进入到另一个世界<Ulysses> not endure the peaceful commonplace everyday life, old as he is, he persuades his old followers to go with him and to set sail again to pursue a new world and new knowledge, dramatic monologue,《尤利西斯》不能忍受平凡宁静的生活,即使他老了,他还是说服他的老追随者同他一起,再次出航,追求新世界,新知识,戏剧独白Robert Browning - the most original poet, who improve and mature the dramatic monologue罗伯特·勃朗宁-最早提高并且使喜剧独白走向成熟的诗人<The Ring and the Book> his masterpiece他的杰作《环与图书》<My Last Duchess> this dramatic monologue is the duke’s speech addressed to the agent who comes to negotiate the marriage, the duke is a self-conceited, cruel and tyrannical man《我的前公爵夫人》这个戏剧性的独白,是公爵与前来提亲的代理人之间的对话,公爵是一个自负,残暴和专制的人<Meeting at Night> 夜会<Parting at Morning>晨别George Eliot:As a woman of exceptional 特有的intelligence and life experience, she shows a particular concern for the destiny of women乔治.艾略特:一个有着异常智慧和生活经验的妇女,她表达了自己对妇女命运的特别关注<Middlemarch> a sharp contrast is set between the cold, lifeless, dull house and Dorothea who is full of youthful life and vigor《米德尔马契》将精力旺盛、活力四射的多萝西娅与凄冷、毫无生气、阴暗的房子形成强烈对比Thomas Hardy - both a naturalistic and a critical realist writerLocal-colored, Wessex, ’novels of character and environment’托马斯·哈代-既是一个自然主义作家,也是一个批判现实主义作家,他的作品带有地方乡土色彩,艾塞克斯-小说的背景及特征<Tess of the D’Urbervilles> experience is as to i ntensity, and not as to duration 《德伯家的苔丝》的经验是与其容忍,不如反抗American Romantic Period 美国浪漫主义时期Started with Washington Irving’s <The Sketch Book> and ended with Whitman’s <Leaves of Grass>, also called ’the American Renaissance’Free expression of emotion, escapes from society, and return to nature New England Transcendentalism以华盛顿欧文的《见闻杂记》开始,以惠特曼的《草叶集》结束。
现代大学英语5册修辞解释(1、4、5、9四单元)
现代大学英语5册修辞解释(1、4、5、9四单元)第一篇:现代大学英语5册修辞解释(1、4、5、9四单元)1.Where do we go from here?<1>,as long as the mind is enslaved, the body can never be free.Antithesis: mind vs.body;enslaved vs.free.对仗手法<2>psychological freedom is the most powerful weapon against the long night of physical slavery.Metaphor: comparing the long history of slavery to a long night.The word” night” is used here to indicate a period of darkness and gloom, a period of moral degeneration.<3>,love is identified with a resignation of power, and power with a denial of love.Antithesis: the speaker works on the two words ”love” and “power” in order to bring out the contrast.<4>what is needed is a realization that power without love is reckless and abusive, and love without power is sentimental and anemic.Parallel structure<5>power at its best is love implementing the demands of justice, and justice at its best is power correcting everything that stands against love.Parallel structure<6>wives and children will diminish when the unjust measurement of human worth on the scale of dollars is eliminated.Metaphor<7>it is something like improving the food in the prison while the people remain securely incarcerated behind bars.Simile<9>without recognizing this we will end up with solutions that don’t solve answers that don’t answer and explanations that don’t explain.Paradox and parallel structure<10>you may murder a murder but you cannot murder murderAntithesis and parallel structure<11> and I have seen too much hate… too great a burden to bear.Parallel<12>we are called upon to help the discouraged beggars in life’s marketplace.Metaphor<13> let us be dissatisfied…①parallel structure②antithesis: Dark yesterday vs.bright tomo rrow③metaphor and simile④biblical allusion(典故)⑤anaphora(首语重复法)<14>there will be those methods when the buoyancy(浮力,轻快的心情)of hope will be transformed into the fatigue of despair.Antithesis<15> when our days become darker than a thousand midnights, let us remember that there is a creative force in this universe, working to pull down the gigantism mountains of evil, a power that is able to make a way out of no way and transform dark yesterdays into bright tomorrows.Let us realize the arc of the moral universe is long but it bends towards justice.①metaphor ②antithesis ③paradox4.Professions for womenMetaphor(暗喻)(1)killing the angel in the house(2)The process of fishing is compared to the process of creative writing.(58页中间)(3)Not only space for living,but also space for creative activity.Here a room is compared to freedom,while the house is compared to the whole society.(58页下面)Metonymy(转喻)“the White House” for “the president”, “the crown” for “the king” or for “the queen”5.Love is a fallacy<1>it is not often that one so young has such a giant intellectHyperbole夸张<2>it is, after all, easier to make a beautiful dumb girl smart than to make an ugly smart girl beautiful.Antithesis对仗对偶, “beautiful dumb” and “smart” are balanced against “ugly smart” and “beautiful”<3>back and forth his head swiveled旋转, desire waxing, resolution waningAntithesis对仗对偶, “desire waxing” is balanced against “resolution waning”<4>… he just stood and stared with mad lust at the coatHyperbole,夸张it’s an exaggeration to describe h is longing for the coat as “mad lust”<5>I will wander the face of earth, s shambling, and hollow-eyed hulkHyperbole(夸张)1.Metaphor(para.5)a giant intellect(para.34)the field would be open(para.61)the size of my task(para.78)a wave of despair(para.98)the extinct crater in her mind;embers;flame(para.118)a glimmer of intelligence(para.138)the tide of panic3.metonymy 转喻(para20)My brain, the precision instrument, slipped into high gear.The precision instrumentmy brain is compared to an instrumentGearmy brain is compared to a machine.4.antithesis 对仗对偶(para27)It is, after all, easier to make a beautiful dump girl smart than to make an ugly smart girlbeautiful.Smartdump;beautifulugly(para.50)… desire waxing;resolution waning5.alliteration 押头韵(pa ra.23)…let my heart rule my head(para.50)… desire waxing;resolution waning6.parallelism 排比(para.25-para.27)Beautiful she was.Gracious she was.Intelligent she was not7.Hyperbole夸张(para.42)he repeated fifteen of twenty times8.Parody仿拟:(para.53)“What’s Polly to me or me to Polly?”---“Hamlet”第二幕第二场:”What’s Hecuba to him or him to Hecuba that should weep for her?”(para.97)a logic-proof heade.g.water-proof;dust-proof;shock-proof9.allusion 用典Pygmalion: the sculpture loved by his creatorFrankenstein: the creature who destroyed his creator10.Simile(para.147)bellowing like a bull9.The way to rainy mountainMetaphor…and in summer the prairie is an anvil’s edge.(paragraph 1) personificationAt a distance in July or August the steaming foliage seems almost writhe in fire.(paragraph 1)Simile…popping up like corn to sting the flesh.(paragraph 1)synecdoche metaphorMy grandmother was spared the humiliation of those high gray walls by eight or ten years, but she must have known from birth the affliction of defeat, the dark brooding of old warriors.(paragraph 3)Metonymy…and their ancient nomadic spirit was suddenly free of the ground.(paragraph 4)SimileThe skyline in all directions is close at hand, the high wall of the woods and deep cleavages of shade.(paragraph 6) AlliterationThis is a perfect freedom in the mountains, but it belongs to the eagle and the elk, the badger and the bear.(paragraph 6) The Kiowas reckoned their stature by the distance they could see, and they were bent and blind in the wilderness.(paragraph 6) SimileThe great billowing clouds that sail upon it are shadows that move upon the grain like water, dividing light.(paragraph 7) Simile…they could see the dark lees of the hills at dawn across the Bighorn River, the profusion of light on the grain shelves, the oldest deity ranging after the solstices.(paragraph 7)simile personificationAt the top of a ridge I caught sight of Devil’s Tower upthrust against the gray sky as if in the birth of time the core of the earth had broken through its crust and the motion of the world was begun.(paragraph 8)MetonymyThere are things in nature that engender an awful quiet in the heart of man;Devil’s Tower is one of them.(paragraph 8) SynecdocheMetonymyThere, in a very little while, wood takes on the appearance of great age.(paragraph 11)SynecdocheMetaphorThe windowpanes are black and opaque;you imagine there is nothing within, and indeed there are many ghosts, bones given up to the land.(paragraph 11)AlliterationThe aged visitors who came to my gr andmother’s house when I was a child were made of lean and leather and they bore themselves upright.Metonymy… the scars of old and cherished enmities(paragraph 12)…battles that took place in the past and were remembered fondly by those old warriors MetaphorPersonification Now there is a funeral silence in the rooms, the endless wake of some final word.(paragraph 14)SimileMy line of vision was such that the creature filled the moon like a fossil.(paragraph 14)SynecdochemetaphorThere, where it ought to be, at the end of a long and legendary way, was my grandmother’s grave.Here and there on the dark stones were ancestral names.Looking back once, I saw the mountain and came away.第二篇:现代大学英语6 修辞总结高英II 修辞总结Unit 1 : 1.Satire:1)This is associated with the names of David Ricardo, a stockbroker, and Thomas Robert Maltus, a divine.2)Murray is the voice of Spencer our time;he is enjoying, as indicated, unparalleled popularity in high Washington circles.2.Irony:1)This is, in some ways, an admirable solution.2)Couples in love should repair to R.H.Macy’s, not their bedrooms 3)```SocialDarwinism came to be considered a bit too cruel.4)It has again become a major philosophical, literary, and rhetorical preoccupation, and an economically not unrewarding enterprise.5)In the enduring words of Professor Milton Friedman, people mustbe “free to choose”.6)All, save perhaps the last, are great inventive descent formBentham, Malthus, and Spencer.3.Critical attitude: The only form of discrimination that is still permissinle```is discrimination against people who work for the federal government, especially on social welfare activities.Unit 2: 1.Simile:1)Its underwater grasses looked like green ribbons constantly unrolling, and the trees held thick sprays of wild orchids.2)The burly arms of the oaks were huge with ferns and blooming bromeliads.3)The native whites feared him as you would a rattlesnake, but``` 2.Foreshadowing: I heard that countless human skeletons were left bare in his bayouonce when a hurricane blew the water out.3.Suggestion: He had secluded himself in this remote area of the Everglades because he was not welcome elsewhere;from time to time he was halfheartedly sought for trial,```4.Understatement: There was the little shack, not the most gracious of living quarters, and there was a murderer for our nearest and only neighbor, about thirty miles away.5.Quotation :(a legend): But these marks o wild country called to my father like the legendary siren song.parison: 1)King Richard in his gluttony never sat at a table more sumptuous than ours was three times a day.2)With the weight of this new stillness on it, this seal.Unit 3:1.Allusion: Like Creation, the portending global events arecosmic: Theychange the relationship between the planet Earth and its star, the sun.2.Metaphor: 1)It is not so much a battle cry for one side or the other,as a design for negotiating and end to suicidal war—for making peace with the planet.2)How all my town territory would be altered, as if alandslide had gone through it and skimmed off all meaning except loss of Mike.3.Pun: But unlike the conventional marketplace, which deals ingoods—things that serve a useful purpose—this scheme creates a marketplace in “bads”—things that are not only useless but often deadly.Unit 4:1.Personification: Each of the trees on the place had an attitude and apresence—the elm looked serene and the oak threatening, the maples friendly, the hawthorn old and crabby.3.Alliteration: She did not ask me—was it delicacy or disapproval? 4.(通感):1)All afternoon while the men were gone I was full of happyenergy.(happy 实际上是用来修饰“我”)4.Parallel structure: Against the belief in the all-encompassing power of singleexplanation, against```, against```(unit 5)Unit 6:1.Pseudo-serious tone: The creams, slightly muffled by oil,```as thoughtorture were being carried out but they didn’t last long: It was all over rather suddenly, and, his legs released, thepig righted himself.2.Biblical allusion:1)From then until the time of his death I held the pig steadily in the bowl of my mind;2)The pig’s lot and mine inextricably bound now, as thoughthe rubber tube were the silver cord.3.Alliteration: But even so, there was a directness and dispatch about animal burial.4.Symbolize: He had evidently become precious to me, not that he represented a distant nourishment in a hungry time, but that he had suffered in a suffering world.(对作者来说,the suffering of the pig symbolizes the suffering of human beings.)5.Humorous:1)The frequency of our trips down the footpath through the orchardto the pig yard delighted him, although he suffers greatly arthritis, moves with difficulty, and would be bedridden if he could find anyone willing to serve him meals on the tray.2)I have come to believe that there is in hostesses a special power of divination, and that they deliberately arrange dinners to coincide with pig failure or some other sort of failure.(humorously accuses the hostesses)3)This was slapstick—the sort of dramatic treatment that instantlyappealed to my old dachund, Fre,```presided at the interment.4)This uncertainty afflicts me with a sense of personal determination;if I were in decent health I would know how many nights I had sat up with a pig.6.Parallel structure:1)```with the fog shutting in every night, scaling for a few hours inmid-day, then creeping back again at dark, drifting in first over the trees on the point, then```2)```everything about the last scene seemed overwritten—the dismalsky, the shabby woods, the imminence of rain, the worm`` 第三篇:现代大学英语精读第5册1-7翻译Lesson 1 Where Do We Go from Here 1.一个无关紧要的谎言总比一个善意的谎言要好。
《哈利波特与阿兹卡班囚徒》第2章《玛姬姑妈的大错误》中英文对照学习版
中英文对照学习版Harry Potter and the Azkaban《哈利波特与阿兹卡班囚徒》Chapter TwoAunt Marge’s Big Mistake第2章玛姬姑妈的大错误Harry went d own to breakfast next morning to find the three Dursl eys already sitting around the kitchen tabl e. They were watching a brand-new television, a welcome-home-for-the-summer present for Dudl ey, who had been complaining l oudly about the l ong walk between the fridge and the tel evision in the living room. Dudl ey had spent most of the summer in the kitchen, his piggy little eyes fixed on the screen and his five chins wobbling as he ate continually.第二天早晨,哈利下楼去吃早饭,发现德思礼一家三口已经围坐在厨房的餐桌旁。
他们在看电视。
这台崭新的电视机是欢迎达力回来过暑假送给他的礼物,因为他一直抱怨说从冰箱走到客厅电视机前的距离太远了。
暑假里,达力大部分时间都待在厨房里,一双小眼睛一动不动地盯着电视屏幕,嘴里吃个不停,五层厚的下巴一直在颤动。
Harry sat d own between Dudl ey and Uncl e Vernon, a large, beefy man with very little neck and a l ot of moustache. Far from wishing Harry a happy birthday, none of the Dursl eys gave any sign that they had noticed Harry enter the room, but Harry was far too used to this to care. He helped himself to a piece of toast and then l ooked up at the newsread er on the television, who was halfway through a report on an escaped convict.哈利在达力和弗农姨父中间坐了下来。
最喜欢的小说英语作文
When it comes to my favorite novel,I must mention To Kill a Mockingbird by Harper Lee.This classic piece of American literature has captivated my heart and mind with its profound themes and unforgettable characters.Firstly,the story is set in the fictional town of Maycomb,Alabama,during the Great Depression.It is narrated by a young girl named Scout Finch,who,along with her brother Jem and their friend Dill,embark on a journey of discovery and moral awakening.The novels setting provides a vivid backdrop for the exploration of social issues prevalent in the American South during that time.Secondly,the characters in the novel are incredibly welldeveloped.Atticus Finch,Scouts father,is a lawyer who is morally upright and a role model for his children.He is tasked with defending Tom Robinson,a black man falsely accused of raping a white woman. Atticus unwavering commitment to justice and his courage in the face of societal prejudice make him a truly inspiring character.Moreover,the novel tackles significant themes such as racial injustice,moral growth,and the importance of empathy.Through the eyes of Scout and Jem,we witness the harsh realities of racism and the damage it inflicts on individuals and society as a whole.The novel encourages readers to question their own prejudices and to strive for a more just and compassionate world.Furthermore,the writing style of Harper Lee is both engaging and accessible.Her use of Scouts innocent and curious perspective allows readers to experience the storys events and emotions in a raw and authentic manner.The narrative voice is relatable and adds depth to the characters and their experiences.Lastly,To Kill a Mockingbird has had a lasting impact on me as a reader.It has broadened my understanding of the complexities of human nature and the importance of standing up for what is right,even in the face of adversity.The novel serves as a timeless reminder of the power of literature to provoke thought and inspire change.In conclusion,To Kill a Mockingbird is my favorite novel due to its captivating setting, wellrounded characters,thoughtprovoking themes,and engaging writing style.It is a book that has left an indelible mark on my heart and continues to resonate with me long after I finished reading it.。
哈利波特与密室英文电影对白(全)之欧阳德创编
H: I can't let you out, Hedwi g. I'm not allowed to use m agic outside of school. Besi des, if Uncle Vernon -- Vernon: Harry Potter!H: Now you've done it. Petunia : He's in there. Vern on.V : I 'm warning you, if you can't control that bloody bi rd, it'll have to go.H: But she 's bored. If I coul d just let her out for an hour or two --V : So you can send secret messages to your freaky littl e friends? No, sir.H: But I haven't had any me ssages. From any of my frie nds. Not one. A ll summer. Dudley : Who would want t o be friends with you?V :I should think you'd be m ore grateful. We have raise d you since you were a ba by, given you food off our t able, even let you have Du dley's second bedroom... purely out of the goodness o f our hearts.P : Not now. It's for when th e Masons arrive.V: Which should be any min ute. Now. Let's go over our schedule once again , shall we? Petunia, when the Ma sons arrive, you will be -- P : In the lounge(客厅), waiting to welcome the m graciously to our home. V: Good. And, Dudley , you will be...?D: I'll be waiting to open th e door.V : Excellent. And you? H: I'll be in my bedroom, m aking no noise and pretend ing I don't exist.V : Too right you will. With a ny luck, this could be the d ay I make the biggest deal of my career. and you will n ot mess it up.Dobby : Harry Potter! Such an honor it is!H: Who are you?D : Dobby, sir. Dobby the h ouse-elf.H: I see. Not to be rude or a nything, but this isn't a grea t time for me to have a hou se-elf in my bedroom. D: Oh, yes, sir, Dobby under stands. It's just that, Dobby has come to tell you...it is di fficult, sir...Dobby wonders where to begin.H : Why don't you sit down? D: Sit down? Sit down?H : Dobby, I'm sorry. I didn't mean to offend you or anyt hing --D : Offend Dobby! Dobby h as heard of your greatness, sir, but never has he been a sked to sit down by a wizar d, like an equal...H: You can't have met man y decent wizards then.D : No, I haven't. That was a n awful thing to say. Bad D obby! Bad Dobby!H: Stop, Dobby. Dobby, shush. Dobby, please, stop.V : Don't mind that. It's just t he cat.D : Bad Dobby.H: Stop! Stop, Dobby. Pleas e, be quiet. Are you all right?D : Dobby had to punish hi mself, sir. Dobby almost spo ke ill of his family, sir.H: Your family?D : The wizard family Dobby serves, sir. Dobby is boundto serve one family forever. If they ever knew Dobby was here... But Dobby had to come. Dobby has to prote ct Harry Potter. T o warn hi m. Harry Potter must not go back to Hogwarts School o f Witchcraft and Wizardry t his year. There is a plot, a pl ot to make most terrible thi ngs happen.H: What terrible things? Wh o's plotting them?D: Can't say.H: Okay! I understand. You can't say –D: Don't make me talk. I—H: Dobby. Dobby, put the l amp down.D: Bad Dobby.V: So when they arrive at th e ninth hole....H : Give me the lamp. Dob by, stop! Let me go. Get in t here and keep quiet.V: What the devil are you d oing up here?H : I was just—V: You just ruined the punc h line of my Japanese golfer joke.H : Sorry.V: One more sound and yo u'll wish you'd never been b orn, boy. And fix that door.H : Yes, sir. See why I've got to go back? I don't belong here. I belong in your world --at Hogwarts. It's the only pl ace I've got friends.D: Friends who don't even write to Harry Potter?H: Well, I expect they've been --hang on. How do you know my friends haven't been wr iting me?D : Harry Potter mustn't be angry with Dobby --Dobby hoped if Harry Pott er thought his friends had fo rgotten him... Harry Potter might not want to go back to school, sir...H : Give me those. NowD : No!H : Dobby, get back here.Dobby, Please, No...D: Harry Potter must say he' s not going back to school. H: I can't. Hogwarts is my h ome.D: Then Dobby must do it, si r. For Harry Potter's own goo d.V: It spread as far as the ey e could see, all over the flo or of this building. One plu mber said, " Look at all that water." The second plumbe r said, "Yes, and that's just the top of it." I'm so sorry. It's my nephew. He's very distur bed. Meeting strangers ups ets him. That's why I kept hi m upstairs...... You're never going back to that school! You're never going to see t hose freaky friends of yours again. Never!R: Hiya, Harry.H: Ron. Fred? George? What're you all doing her e?R: Rescuing you, of course. Now, come on, get y our trunk. You better stand back. Let's go.P : What was that? What was it?V : Potter!D: Dad, what's going on?R: Come on, Harry, hurry up .Hold on, Harry!V: Petunia, he's escaping! Oh no, boy! You and t hat bloody pigeon aren't going anywhere!R : I've got you, Harry. Come here!V: No, boy! You and that bloody pigeon aren't g oing anywhere.H: Get off!R : Drive!V: No! No! No! No!D: Dad!R: By the way, Harry, happy birthday.Fred : Come on. Think it’d be aii right if we had some?Yeah ,mum will never know R :It's not much. But it’s home.H : I think it's brilliant!Mrs. W : Where have you been? Harry! How won derful to see you , dear. Beds empty! No note! C ar gone. You could've died! You could've been s een! Of course, I don't blame you, Harry ,dear.R : They were starving him, Mum! There were bars on his window!Mrs. W: Well, you best hope I don't put bars on yo ur window, Ronald Weasley! Come on,Harry, time for a spot of breakfast. Have we are, Harry. Now, tuck in. That’s it. There we goG : Mummy. Have you seen my jumper ? Mrs. W: Yes, dear. It was on the cat.H: Hello? What did I do?R: Ginny. She's been talking about you all summe r. A bit annoying, really.Mr. W: Morning, Weasleys.The Weasley : Morning,Dad.Mr. W: What a night! Nine raids! Nine!H : Raids?R : Dad works in the Ministry of Magic. In the Misu se of Muggle Artefacts Office. Dad loves Muggle s, thinks they're fascinating.Mr. W: Well now. And who are you?H : Sorry, sir. I'm Harry, sir. Harry Potter.Mr. W: Good Lord. Are you really? Well, Ron has told us all about you, of course. When did he get here?Mrs. W: This morning. Your sons flew that enchant ed car of yours to Surrey and back last night. Mr. W: Did you really? How did it go? I mean--That was very wrong indeed, boys. Very wrong o f you. Now, Harry, you must know all about Mugg les. Tell me, what exactly is the function of a rubb er duck?Mrs. W: Well, that'll be Errol with the post. Fetch it, will you, Percy, please?R : Errol. He's always doing that.P: Look, it's our Hogwarts letters. They've sent us H arry's as well.Mr. W: Dumbledore must know you're here. Does n't miss a trick, that man.Fred : No. This lot won't come cheap. The spell b ooks alone are very expensive.R: Hiya, Harry.H: Ron. Fred? George? What're you all doing her e?R: Rescuing you, of course. Now, come on, get y our trunk. You better stand back. Let's go.P : What was that? What was it?V : Potter!D: Dad, what's going on?R: Come on, Harry, hurry up .Hold on, Harry!V: Petunia, he's escaping! Oh no, boy! You and t hat bloody pigeon aren't going anywhere!R : I've got you, Harry. Come here!V: No, boy! You and that bloody pigeon aren't g oing anywhere.H: Get off!R : Drive!V: No! No! No! No!D: Dad!R: By the way, Harry, happy birthday.Fred : Come on. Think it’d be aii right if we had some?Yeah ,mum will never know R :It's not much. But it’s home.H : I think it's brilliant!Mrs. W : Where have you been? Harry! How wonderful to see you , dear. Beds empty! No note! C ar gone. You could've died! You could've been s een! Of course, I don't blame you, Harry ,dear. R : They were starving him, Mum! There were bars on his window!Mrs. W: Well, you best hope I don't put bars on yo ur window, Ronald Weasley! Come on,Harry, time for a spot of breakfast. Have we are, Harry. Now, tuck in. That’s it. There we goG : Mummy. Have you seen my jumper ? Mrs. W: Yes, dear. It was on the cat.H: Hello? What did I do?R: Ginny. She's been talking about you all summe r. A bit annoying, really.Mr. W: Morning, Weasleys.The Weasley : Morning,Dad.Mr. W: What a night! Nine raids! Nine!H : Raids?R : Dad works in the Ministry of Magic. In the Misu se of Muggle Artefacts Office. Dad loves Muggle s, thinks they're fascinating.Mr. W: Well now. And who are you?H : Sorry, sir. I'm Harry, sir. Harry Potter.Mr. W: Good Lord. Are you really? Well, Ron has t old us all about you, of course. When did he get here?Mrs. W: This morning. Your sons flew that enchant ed car of yours to Surrey and back last night. Mr. W: Did you really? How did it go? I mean--That was very wrong indeed, boys. Very wrong o f you. Now, Harry, you must know all about Mugg les. Tell me, what exactly is the function of a rubb er duck?Mrs. W: Well, that'll be Errol with the post. Fetch it, will you, Percy, please?R : Errol. He's always doing that.P: Look, it's our Hogwarts letters. They've sent us H arry's as well.Mr. W: Dumbledore must know you're here. Does n't miss a trick, that man.Fred : No. This lot won't come cheap. The spell b ooks alone are very expensive.Mrs. W: We'll manage. There's only one place we' re going to get all of this. Diagon Alley. Right. Her e we are, Harry. You go first, dear.R: But Harry's never traveled by Floo powder bef ore, Mum.H : Floo powder?Mrs. W: You go first, Ron, so that Harry can see ho w it's done. Yes. In you go.R: Diagon Alley.Mrs. W: You see? It's quite easy, dear. Don't be af raid. Come on. Come on. In you go. That's it. Min d your head. That's right. Now, take your Floo po wder. That's it, very good. Now, don't forget to sp eak very, very clearly.H : Diagonally.Mrs. W: What did he say, dear?Mr. W: Diagonally.Mrs. W: I thought he did.Other: Not lost, are you, my dear?H : I'm fine, thank you. I was just going.... Other: Come with us. We'll help you find your way back.H : No. Please—Hag: Harry?H : Hagrid!Hag: What do you think you're doing down here ? Come on. You're a mess, Harry. Skulking aroun d Knockturn Alley? Dodgy place. Don't want no one to see you there. People will think you're up t o no good.H : I was lost, l--Hang on. What were you doing down there the n?Hag: Me? I was.... I was looking for Flesh-Eating Slug Repellent. They're ruining all the scho ol cabbages.HG: Harry. Hagrid.H : Hello, Hermione.HG: It's so good to see you.H : It's great to see you too.HG: What did you do to your glasses? Oculus Re paro.H : I definitely need to remember that one. Hag: You'll be all right now then, Harry? Right. I'll l eave you to it.HG: Okay, bye.H :Thank you. Bye.HG: Come on, everyone's been so worried. Mrs. W : Harry. Thank goodness. We'd hoped you' d only gone one grate too far.Other: Ladies and gentlemen, Mr. Gilderoy Lock hart.Mrs. W: Here he is.R: Mum fancies him.Other: Make way there, please. Let me by, mad am. Thank you. Excuse me, little girl. This is for the Daily Prophet.Mr. Gilderoy Lockhart: It can't be. Harry Potter? Other: Harry Potter! Excuse me, madam.Mr. Gilderoy Lockhart: Nice big smile, Harry. Toge ther, you and I rate the front page. Ladies and g entlemen, what an extraordinary moment this is. When young Harry stepped into Flourish and Blotts this morning to purchase my autobiography, M agical Me . which, incidentally, is currently celeb rating... its 27th week atop the Daily Prophet best seller list... He had no idea that he would,in fact, be leaving with my entire collected works ... free of charge. Now, ladies?Mrs. W : Harry, now you give me those, and I'll ge t them signed. I'll bet you loved that, didn't you, Potter?Draco Malfoy: Famous Harry Potter. Can't even g o into a bookshop without making the front pag e.Ginny: Leave him alone.DM: Look, Potter. You've got yourself a girlfriend. Lucius Malfoy: Now, now, Draco, play nicely. Mr. Potter. Lucius Malfoy. We meet at last. Forgive m e. Your scar is legend. As, of course, is the wizard who gave it to you.H: Voldemort killed my parents. He was nothing more than a murderer.LM: You must be very brave to mention his name. Or very foolish.HG: Fear of a name only increases fear of the thi ng itself.LM: And you must be Miss Granger. Yes, Draco h as told me all about you. And your parents. Mug gles, aren't they? Let me see. Red hair, vacant e xpressions, tatty, secondhand book. You must be the Weasleys.Mr. W: It's mad in here. Let's go outside.LM: Well, well, well. Weasley senior.Mr. W: Lucius.LM : I do hope they're paying you overtime... but judging by the state of this, I'd say not. What's th e use in being a disgraceto the name of wizard... if they don't even pay you well for it?Mr. W : We have a very different idea about wha t disgraces the name of wizard, Malfoy.LM: Clearly. Associating with Muggles. And I thou ght your family could sink no lower. I'll see you at work.DM: See you at school.Mr. W: Come on.Mrs. W: The train will be leaving any moment. Mr. W: Fred, George, Percy, you first.Mrs. W: Okay.Mr. W: After you, dear.Mrs. W: Come on, Ginny, we'll get you a seat. Hur ry.H: Let's go.Oth: What do you two think you're doing?H: Sorry. Lost control of the trolley. Why can't we get through?R:I don't know. The gateway has sealed itself for s ome reason.H: The train leaves at exactly 1 1 :00. We've misse d it.R: Harry, if we can't get through...maybe Mum a nd Dad can't get back.H: Maybe we should just go and wait by the car. R: The car.H: Ron, I should tell you... most Muggles aren't ac customed to seeing a flying car.R: Right. Oh, no! The lnvisibility Booster must be fa ulty.H: Come on, then. Let's go lower. We need to fin d the train.R: Okay.H: All we need to do is catch up with the train. R: We can't be far behind.H: Do you hear that?R: We must be getting close.H: Hold on.R: Harry!H : Hold on!R: Take my hand! Hold on!H: I'm trying. Your hand's all sweaty.H: I think we found the train.R: Yeah. Welcome home.H: Up! Up!R: It's not working!H: Up! Ron, mind that tree!R: Stop! Stop! Stop! My wand. Look at my wand. H: Be thankful it's not your neck.R: What's happening?H: I don't know. Come on, go! Fast!R: Scabbers, you're okay. The car! Dad's gonna ki ll me.H: See you, Hedwig. So a house-elf shows up in my bedroom... we can't get throu gh the barrier to platform 9 3/4 ...we almost get k illed by a tree.... Clearly someone doesn't want me here this year.F: Well, take a good look, lads. This night might w ell be the last you spend in this castle. Oh, dear, we are in trouble.S: You were seen by no less than seven Muggles. Do you have any idea how serious this is?You have risked the exposure of our world. Not t o mention the damage you inflicted on a Whom ping Willow...that's been on these grounds since before you were born.R: Honestly, Professor Snape, I think it did more d amage to us.S: Silence. I assure you that were you in Slytherin,and your fate rested with me......the both of you would be on the train home tonight. As it is-- D: They are not.H: Professor Dumbledore. Professor McGonagall. S : Headmaster...these boys have flouted the De cree for the Restriction of Underage Wizardry. As such--D:-I am well aware of our bylaws, Severus...having writtenquite a few of them myself.However, as head of Gryffindor house...it is for Pr ofessor McGonagall to determine the appropriat e action.R: We'll go and get our stuff, then.Mc: What are you talking about, Mr. Weasley? R: You're going to expel us, aren't you?Mc: Not today, Mr. Weasley...but I must impress o n both of you the seriousness of what you have d one. I will be writing to your families tonight, and you will both receive detention.Professor Sprout : Morning, everyone. Good morning, everyone.Student: Good morning, Professor Sprout.PS: Welcome to Greenhouse Three, second year s. Gather around, everyone. T oday we're going to re-pot Mandrakes. Who here can tell me the prope rties of the Mandrake root? Yes, Miss Granger? HG: Mandrake, or Mandragora is used to return t hose who have been Petrified to their original sta t. It's also quite dangerous. The Mandrake's cry is fatal to anyone who hears it.PS: Excellent. Ten points to Gryffindor. As our Man drakes are still only seedlings...their cries won't kill you yet. But they could knock you out for several hours, which is why I have given you earmuffs... f or auditory protection. So could you please put t hem on, right away? Quickly. Flaps tight down, a nd watch me closely. You grasp your Mandrake firmly. You pull it sharply up out of the pot. Got it? And now you dunk it down into the other pot an d pour a little sprinkling of soil to keep him warm.Longbottom's been neglecting his earmuffs. Seamus: No, ma'am, he's just fainted.PS: Yes, well, just leave him there. Right, on we g o. Plenty of pots to go around. Grasp your Mandr ake and pull it up.Oth: There's Nearly Headless Nick.Sir Nicholas : Hello, Percy, Miss Clearwater. Percy Hello, Sir Nicholas.R:Say it. I'm doomed.H:You're doomed.Colin Creevey :Hi, Harry.I'm Colin Creevey. I'm in Gryffindor too.H:Hi, Colin. Nice to meet you.Oth:Ron, is that your owl?R:Bloody bird's a menace.Oh, no.Seamus:Look, everyone.Weasley's got himself a Howler.N:Go on, Ron. I ignored one from my gran once. It was horrible.Mrs.W:Ronald Weasley!How dare you steal that car! I am absolutely disgusted!Your father's now fa cing an inquiry at work...and it's entirely your fault ! If you put another toe out of line... we 'll bring y ou straight home!And, Ginny, dear, congratulati ons on making Gryffindor.Your father and I are so proud.Gilderoy Lockhart :Let me introduce you to your new Defense Against the Dark Arts teacher.Me. Gilderoy Lockhart...Order of Merlin, Third Class...h onorary member of the Dark Force Defense Lea gue...and five times winner...of Witch Weekly's M ost-Charming-Smile Award.But I don't talk about that.I didn't ge t rid of the Bandon Banshee by smiling at him.No w, be warned.It is my job to arm you...against th e foulest creatures known to wizardkind.You may find yourselves facing your worst fears in this roo m.Know only that no harm can befall you whilst I am here.I must ask you not to scream.It might pr ovoke them.Cornish pixies?S:Freshly caughtGL:Cornish ugh if you will, Mr. Finnegan... but pixies can be devilishly tricky little blighters.Le t's see what you make of e on now, ro und them up. They're only pixies.N:Please, get me down!HG:Get off me!H:Stop. Hold still!GL:Peskipiksi Pesternomi!I'll ask you three to just ni p the rest of them back into their cage.R:What do we do now?HG:Immobulus!N:Why is it always me?W:I spent the summer devising a whole new Qui dditch program.We're gonna train earlier, harder and longer.What--? I don't believe it.Where you think you're going, Flint?Flint :Quidditch practice.F: I booked the pitch for Gryffindor today.Easy, W ood. I've got a note.R:I smell trouble.W:" l, Professor Severus Snape,do hereby give the Slytherin team...permission to practice today, o wing to the need to train their new Seeker."You've got a new Seeker. Who?H:Malfoy?M:That's right.And that's not all that's new this yea r.R:Those are Nimbus 2001 s.How did you get those? F:A gift from Draco's father.M:You see, Weasley, unlike some,my father can afford the best.HG:At least no one on the Gryffindor team had to buy their way in.They got in on pure talent.M:No one asked your opinion,you filthy little Mud blood.R:You'll pay for that one, Malfoy.Eat slugs!HG:You okay, Ron?Say something.C:Wow! Can you turn him around, Harry?H:No, Colin, get out of the way.Let's take him to Hagrid's.He'll know what to do.Hag:This calls for a specialist's equipment.Nothing to do but wait till it stops, I'm afraid.Okay.Better out than in.Who was Ron trying to cu rse, anyway?H:Malfoy. He called Hermione....Well, I don't kno wexactly what it means.HG:He called me a Mudblood.Hag:He did not.H:What's a Mudblood?HG:It means "dirty blood."Mudblood's a reallyfoul name for someone who's Muggle-born.Someone with non-magic parents.Someone like me.It's not a term o ne usually hears in civilized conversation.Hag:See, the thing is, Harry, there are some wizar ds, like the Malfoy family...who think they're bette r than everyone else because they're pure-blood. H:That's horrible.It's disgusting.Hag:And it's codswallop to boot.Dirty blood.Why, ther e isn't a wizard alive today that's not half-blood or less.More to the point, they've yet to thi nk of a spell that our Hermione can't e h ere.Don't you think on it, Hermione.Don't you thin k on it for one minute.GL:Harry, Harry, Harry.Can you possibly imagine...a better way to serve detention...than by helpin g me to answer my fan mail?H:Not really.GL:Fame is a fickle friend, Harry.Celebrity is as cel ebrity does.Remember that.Voice:e......to me.H:What?GL:Sorry?H:That voice.GL:Voice?H:Didn't you hear it?GL:What are you talking about, Harry?I think you' re gettinga bit drowsy.And great Scott, no wond er. Look at the time. We've been here nearly four hours.Spooky how the time flies when one is havi ng fun.H:Spooky.Voice:Blood.I smell blood.Let me rip you.Let me k ill you.Kill!Kill!-Kill!HG:Harry!H:Did you hear it?R:Hear what?H:That voice.HG:Voice? What voice?H:I heard it first in Lockhart' s office.And then aga in just--Voice:It's time.H:It's moving.I think it's going to kill.R:Kill?GH:Harry, wait! Not so fast!H:Strange.I've never seen spiders act like that. R:I don't like spiders.What's that?HG:"The Chamber of Secrets has beenopened. E nemies of the Heir, beware."It's written in blood. H:Oh, no.It's Filch's cat.It's Mrs. Norris.M: " Enemies of the Heir, beware."You'll be next, Mudbloods.Fil:What's going on here?Go on. Make way, make way.Potter?What are you...?Mrs. Norris?You've m urdered my cat.H:No. No.Fil:I'll kill you! D:Argus!Argus,don’ be .Everyone will proceedt o their dormitories immediately.Everyone except. ..you three.OTH::Ravenclaws, follow me.GL :She's not dead, Argus.D:She has been Petrified.GL:Thought so.So unlucky I wasn't there.I know ex actly the countercurse that could've spared her. D:But how she has been Petrified,I cannot say. Fil:Ask him.It's him that's done it.You saw what he wrote on the wall.H:It's not true, sir. I swear.I never touched Mrs. Nor ris.Fil:Rubbish.S:lf I might, headmaster?Perhaps Potter and his friends were simply in the wrong place at the wron g time.However...the circumstances are suspicio us.I, for one, don't recall seeing Potter at dinner. I'm afraid that's my doing, Severus.GL:You see, Harry was helping me answer my fa n mail.HG:That's why Ron and l went looking for him, pr ofessor.We'd just found him when he said.... S:Yes, Miss Granger?H:When I said I wasn't hungry.We were heading back to the commonroom when we found Mrs. Norris.D:lnnocent until proven guilty, Severus.Fil:My cat has been Petrified.I want to see some punishment!D:We will be able to cure her, Argus.As I understa nd it, Madam Sprout has a very healthy growth o f Mandrake.When matured, a potion will be mad e which will revive Mrs. Norris.And in the meantim e...I strongly recommend caution...to all.HG:It's a bit strange, isn't it?H:Strange?HG:You hear this voice,a voice only you can hea r...and then Mrs. Norris turns upPetrified. It's just strange.H:Do you think I should have told them?Dumbled ore and the others, I mean?R:Are you mad?HG:No, Harry. Even in the wizarding world,hearin g voices isn't a good sign.R:She's right, you know.Mc:Could I have your attention,please? Right. N ow, today,we will be transforming animals... into water goblets. Like so. One, two, three. Vera Vert o. Now it's your turn.Who would like to go first? Mr . Weasley. "One, two, three. Vera Verto."R: Vera Verto!Mc:That wand needs replacing,Mr. Weasley. Yes, Miss Granger?HG: Professor... I was wondering if you could tell us about the Chamber of Secrets.Mc: Very well. You all know, of course... that Hogwarts was founded over a thousand years ago... by the four greatest witches and wizards of the a ge:Godric Gryffindor,Helga Hufflepuff...Rowena Ravenclaw and Salazar Slytherin.Now, three of th e founders coexisted quite harmoniously. One di d not.R: Three guesses who.Mc: Salazar Slytherin wished to be more selective about the students admitted to Hogwarts. He b elieved magical learning should be kept within a ll-magic families. In other words, pure-bloods. Unable to sway the others,he decided to leave the school.Now, according to legend. Slyt herin had built a hidden chamber in this castle k nown as the Chamber of Secrets. Though, shortly before departing,he sealed it until that time whe n his own true Heir returned to the school. The He ir alone... would be able to open the Chamber... and unleash the horror within,and by so doing... purge the schoolof all those who... in Slytherin's view,were unworthy to study magic.HG:Muggle-borns.Mc:Naturally, the school has been searched ma ny times. No such chamber has been found. HG:Professor? What exactly does legend tell us li es within the Chamber?Mc:The Chamber is said to be home to somethin g... that only the Heir of Slytherin can control. It is said to be the home... of a monster.R:Do you think it's true? Do you think there really i s a Chamber of Secrets?HG:Yes. Couldn't you tell? McGonagall's worried. All the teachers are.H:If there really is a Chamber of Secrets,and it re ally has been opened, that means—HG:The Heir of Slytherin has returned to Hogwarts . The question is, who is it?R:Let's think. Who do we know who thinks all Mug gle-borns are scum?HG:lf you're talking about MalfoyR:Of course. You heard him."You'll be next, Mudbloods."HG:I heard him.But Malfoy, the Heir of Slytherin? H:Maybe Ron's right, Hermione.I mean, look at hi s family.The whole lot of them have been in Slyth erin for centuries.R:Crabbe and Goyle must know.Maybe we coul d trick them into telling.HG:Even they aren't that thick.But there might be another way.Mind you, it would be difficult. Not to mention we'd be breaking about 50 school rul es...and it'll be dangerous.Very dangerous.Here it is.The Polyjuice Potion." Properly brewed, the Pol yjuice Potion allows the drinker...to transform him self temporarily into the physical form of another. "R:You mean if Harry and I drink that stuff,we'll turn into Crabbe and Goyle?Wicked! Malfoy will tell us anything.HG:Exactly.But it's tricky. I've never seen a more c omplicated potion.H:How long will it take to make?。
THEDUMBWAITER
THE DUMB WAITERby Harold PinterTHE DUMB WAITER was first presented at the Hampstead Theatre Club on 21st January, 1960, with the following cast:BEN Nicholas SelbyGUS George ToveyTHE DUMB WAITER was subsequently presented at the Royal Court Theatre on 8th March, 1960, with the same cast.Scene : A basement room. Two beds, flat against the back wall. A serving hatch, closed, between the beds. A door to the kitchen and lavatory, left. A door to a passage, right.BEN is lying on a bed, left, reading a paper. GUS is sitting on a bed, right, tying his shoelaces, with difficulty. Both are dressed in shirts, trousers and braces.Silence.GUS ties his laces, rises, yawns and begins to walk slowly to the door, left. He stops, looks down, and shakes his foot.BEN lowers his paper and watches him. GUS kneels and unties his shoe-lace and slowly takes off the shoe. He looks inside it and brings out a flattened matchbox. He shakes it and examines it.Their eyes meet. BEN rattles his paper and reads. GUS puts the matchbox in his pocket and bends down to put on his shoe. He ties his lace, with difficulty. BEN lowers his paper and watches him.GUS walks to the door. GUS puts the packet in his pocket, bends down, puts on his shoe and tie the lace.He wanders off, left.BEN slams the paper down on the bed and glares after him. He picks up the paper and lies on his back, reading.Silence.A lavatory chain is pulled twice off, left, but the lavatory does not flush.Silence.GUS re-enters, left, and halts at the door, scratching his head.BEN slams down the paper.BEN. Kaw !He picks up the paper.What about this? Listen to this !He refers to the paper.A man of eighty-seven wanted to cross the road. But there was a lot of traffic, see ? He couldn't see how he was going to squeeze through. So he crawled under a lorry.GUS. He what ?BEN. He crawled under a lorry. A stationary lorry.GUS. No ?BEN. The lorry started and ran over him.GUS. Go on !BEN. That's what it says here.GUS. Get away.BEN. It's enough to make you want to puke, isn't it ?GUS. Who advised him to do a thing like that ?BEN. A man of eighty-seven crawling under a lorry !GUS. It's unbelievable.BEN. It's down here in black and white.GUS. Incredible.Silence.GUS shakes his head and exits. BEN lies back and reads.The lavatory chain is pulled once off left, but the lavatorydoes not flush.BEN whistles at an item in the paper.GUS re-enters.I want to ask you something.BEN. What are you doing out there?GUS. Well, I was just--BEN. What about the tea?GUS. I'm just going to make it.BEN. Well, go on, make it.GUS. Yes, I will. (He sits in a chair. Ruminatively.) He's laid on some very nice crockery this time, I'll say that. It's sort of striped. There's a white stripe.BEN reads.It's very nice. I'll say that..BEN turns the page.You know, sort of round the cup. Round the rim. All the rest of it's black, you see. Then the saucer's black, except for right in the middle, where the cup goes, where it's white.BEN reads.Then the plates are the same, you see. Only they've got a black stripe--the plates--right across the middle. Yes, I'm quite taken with the crockery.BEN (still reading). What do you want plates for? You're not going to eat.GUS. I've brought a few biscuits.BEN. Well, you'd better eat them quick.GUS. I always bring a few biscuits. Or a pie. You know I can't drink tea without anything to eat.BEN. Well make the tea then, will you? Time's getting on.GUS brings out the flattened cigarette packet and examines it.GUS. You got any cigarettes? I think I've run out.He throws the packet high up and leans forward to catch it.I hope it won't be a long job, this one.Aiming carefully, he flips the packet under his bed.Oh, I wanted to ask you something.BEN (slamming his paper down). Kaw !.GUS. What's that?BEN. A child of eight killed a cat!GUS. Get away.BEN. It's a fact. What about that, eh? A child of eight killing a cat!GUS. How did he do it?BEN. It was a girl.GUS. How did she do it?BEN. She--He picks up the paper and studies it.It doesn't say.GUS. Why not?BEN. Wait a minute. It just says--Her brother, aged eleven, viewed the incident from the toolshed. GUS. Go on!BEN. That's bloody ridiculous.Pause.GUS. I bet he did it.BEN. Who?GUS. The brother.BEN. I think you're right.Pause.(Slamming down the paper.) What about that, eh? A kid of eleven killing a cat and blaming it on his little sister of eight! It's enough to--He breaks off in disgust and seizes the paper. GUS rises.GUS. What time is he getting in touch?BEN reads.What time is he getting in touch?BEN. What's the matter with you? It could be any time. Any time.GUS (moves to the foot of BEN's bed). Well, I was going to ask you something.BEN. What?GUS. Have you noticed the time that tank takes to fill?BEN. What tank?GUS. In the lavatory.BEN. No, Does it?GUS. Terrible.BEN. Well, what about it?GUS. What do you think's the matter with it?BEN. Nothing.GUS. Nothing?BEN. It's got a deficient ballcock, that's all.GUS. A deficient what?BEN. Ballcock.GUS. No? Really?BEN. That's what I should say.GUS. Go on! That didn't occur to me.GUS wanders to his bed and presses the mattress.I didn't have a very restful sleep today, did you? It's not much of a bed. I could have done with another blanket too. (He catches sight of a picture on the wall.) Hello, what's this? (Peering at it.) "The First Eleven." Cricketers. You seen this, Ben?BEN (reading). What?GUS. The first eleven.BEN. What?GUS. There's a photo here of the first eleven.BEN. What first eleven?GUS (Studying the photo). It doesn't say.BEN. What about that tea?GUS. They all look a bit old to me.GUS wanders downstage, looks out front, then all about the room.I wouldn't like to live in this dump. I wouldn't mind if you had a window, you could see what it looked like outside.BEN. What do you want a window for?GUS. Well, I like to have a bit of a view, Ben. It whiles away the time.He walks about the room.I mean, you come into a place when it's still dark, you come into a room you've never seen before, you sleep all day, you do your job, and then you go away in the night again.Pause.I like to get a look at the scenery. You never get the chance in this job.BEN. You get your holidays, do you?GUS. Only a fortnight.BEN (lowering the paper). You kill me. Anyone would think you're working every day. How often do we do a job? Once a week? What are you complaining about?GUS. Yes, but we've got to be on tap thought, haven't we? You can't move out of the house in case a call comes.BEN. You know what your trouble is?GUS. What?BEN. You haven't got any interests.GUS. I've got interests.BEN. Look at me. What have I got?GUS. I don't know. What?BEN. I've got my woodwork. I've got my model boats. Have you ever seen me idle? I'm never idle. I know how to occupy my time, to its best advantage. Then when a call comes, I'm ready.GUS. Don't you ever get a bit fed up?Silence.BEN reads. GUS feels in the pocket of his jacket, which hangs on the bed.GUS. You got any cigarettes? I've run out.The lavatory flushes off left.There she goes.GUS sits on his bed.No, I mean, I say the crockery's good. It is. It's very nice. But that's about all I can say for this place. It's worse than the last one. Remember that last place we were in? Last time, where was it? At least there was a wireless there. No, honest. He doesn't seem to bother much about our comfort these days.BEN. When are you going to stop jabbering?GUS. You'd get rheumatism in a place like this, if you stay long.BEN. We're not staying long. Make the tea, will you? We'll be on the job in a minute.GUS picks up a small bag by his bed and brings out a packet of tea. He examines it and looks up.GUS. Eh, I've been meaning to ask you.BEN. What the hell is it now?GUS. Why did you stop the car this morning, in the middle of that road?BEN (lowering the paper). I thought you were asleep.GUS. I was, but I woke up when you stopped. You did stop, didn't you?Pause.In the middle of that road. It was still dark, don't you remember? I looked out. It was all misty. I thought perhaps you wanted to kip, but you were sitting up dead straight, like you were waiting for something.BEN. I wasn't waiting for anything.GUS. I must have fallen asleep again. What was all that about then? Why did you stop?BEN (picking up the paper). We were too early.GUS. Early? (He rises.) What do you mean? We got the call, didn't we, saying we were to start right away. We did. We shoved out on the dot. So how could we be too early?BEN (quietly). Who took the call, me or you?GUS. You.BEN. We were too early.GUS. Too early for what?Pause.You mean someone had to get out before we got in?He examines the bedclothes.I thought these sheets didn't look too bright. I thought they ponged a bit. I was too tired to notice when I got in this morning. Eh, that's taking a bit of a liberty, isn't it? I don't want to share my bed-sheets. I told you things were going down the drain. I mean, we've always had clean sheets laid on up till now. I've noticed it.BEN. How do you know those sheets weren't clean?GUS. What do you mean?BEN. How do you know they weren't clean? You've spent the whole day in them, haven't you? GUS. What, you mean it might be my pong? (He sniffs sheets.) Yes. (He sits slowly on bed.) It could be my pong, I suppose. It's difficult to tell. I don't really know what I pong like, that's the trouble.BEN (referring to the paper). Kaw!.GUS. Eh, Ben.BEN. Kaw!GUS. Ben.BEN. What?GUS. What town are we in? I've forgotten.BEN. I've told you. Birmingham.GUS. Go on!He looks with interest about the room.That's in the Midlands. The second biggest city in Great Britain. I'd never have guessed.He snaps his fingers.Eh, it's Friday today, isn't it? It'll be Saturday tomorrow.BEN. What about it?GUS (excited). We could go and watch the Villa.BEN. They're playing away.GUS. No, are they? Caarr! What a pity..BEN. Anyway, there's no time. We've got to get straight back.GUS. Well, we have done in the past, haven't we? Stayed over and watched a game, haven't we? For a bit of relaxation.BEN. Things have tightened up, mate. They've tightened up.GUS chuckles to himself.GUS. I saw the Villa get beat in a cup tie once. Who was it against now? White shirts. It was one-all at half-time. I'll never forget it. Their opponents won by a penalty. Talk about drama. Yes, it was a disputed penalty. Disputed. They got beat two0one, anyway, because of it. You were there yourself. BEN. Not me.GUS. Yes, you were there. Don't you remember that disputed penalty?BEN. No.GUS. He went down just inside the area. Then they said he was just acting. I didn't think the other bloke touched him myself. But the referee had the ball on the spot.BEN. Didn't touch him! What are you talking about? He laid him out flat!GUS. Not the Villa. The Villa don't play that sort of game.BEN. Get out of it.Pause.GUS. Eh, that must have been here, in Birmingham.BEN. What must?GUS. The Villa. That must have been here.BEN. They were playing away.GUS. Because you know who the other team was? It was the Spurs. It was Tottenham Hotspur. BEN. Well, what about it?GUS. We've never done a job in Tottenham.BEN. How do you know?GUS. I'd remember Tottenham.BEN turns on his bed to look at him.BEN. Don't make me laugh, will you?BEN turns back and reads, GUS yawns and speaks through his yawn.GUS. When's he going to get in touch?Pause.Yes, I'd like to see another football match. I've always been an ardent football fan. Here, what about coming to see the Spurs tomorrow?BEN (tonelessly). They're playing away.GUS.Who are?BEN. The Spurs.GUS. Then they might be playing here.BEN. Don't be silly.GUS. If they're playing away they might be playing here. They might be playing the Villa.BEN (tonelessly). But the Villa are playing away.Pause. An envelope slides under the door, right. GUS sees it. He stands, looking at it.GUS. Ben.BEN. Away. They're all playing away.GUS. Ben, look here.BEN. What?BEN turns his head and sees the envelope. He stands.BEN. What's that?GUS. I don't know.BEN. Where did it come from?GUS. Under the door.BEN. Well, what is it?GUS. I don't know.They stare at it.BEN. Pick it up.GUS. What do you mean?BEN. Pick it up!GUS slowly moves towards it, bends and pick it up.What is it?GUS. An envelope.BEN. Is there anything on it?GUS. No.BEN. Is it sealed?GUS. Yes.BEN. Open it.GUS. What?BEN. Open it!GUS opens it and looks inside.What's in it?GUS empties twelve matches into his hand.GUS. Matches.BEN. Matches?GUS. Yes.BEN. Show it to me.GUS passes the envelope. BEN examines it.Nothing on it. Not a word.GUS. That's funny, isn't it?BEN. It came under the door?GUS. Must have done.BEN. Well, go on.GUS. Go on where?BEN. Open the door and see if you can catch anyone outside.GUS. Who, me?BEN. Go on!GUS stares at him, puts the matches in his pockets, goes to his bed and brings a revolver from under the pillow. He goes to the door, opens it, looks out and shuts it.GUS. No One.He replaces the revolver.BEN. What did you see?BEN. They must have been pretty quick.GUS takes the matches from pocket and looks at them.GUS. Well, they'll come in handy.BEN. Yes.GUS. Won't they?BEN. Yes, you're always running out, aren't you?GUS. All the time.BEN. Well, they'll come in handy then.GUS. Yes.BEN. Won't they?GUS. Yes, I could do with them. I could do with them too.BEN. You could, eh?GUS. Yes.BEN. Why?GUS. We haven't got any.BEN. Well, you're always cadging matches. How many have you got there?GUS. About a dozen.BEN. Well, don't lose them. Red too. You don't even need a box.GUS probes his ear with a match.(Slapping his hand) Don't waste them! Go on, go and light it.GUS. Eh?BEN. Go and light it.GUS. Light what?BEN. The kettle.GUS. You mean the gas.BEN. Who does?GUS. You do.BEN (his eyes narrowing). What do you mean, I mean the gas?GUS. Well, that's what you mean, don't you? The gas.BEN (powerfully). If I say go and light the kettle I mean go and light the kettle.GUS. How can you light the kettle?BEN. It's a figure of speech! Light the kettle. It's a figure of speech!GUS. I've never heard it.BEN. Light the kettle! It's common usage!GUS. I think you've got it wrong.BEN (menacing). What do you mean?GUS.They say put on the kettle.BEN (taut). Who says?They stare at each other, breathing hard.(Deliberately.) I have never in all my life heard anyone say put on the kettle.GUS. I bet my mother used to say it.BEN. Your mother? When did you last see your mother?GUS. I don't know, about--BEN. Well, what are you talking about your mother for?They stare.GUS, I'm not trying to be unreasonable. I'm just trying to point out something to you.GUS. Yes, but--BEN. Who's the senior partner here, me or you?GUS. You.BEN. I'm only looking after your interests, Gus. You've got to learn, mate.GUS. Yes, but I've never heard--BEN (vehemently). Nobody sways light the gas! What does the gas light?.GUS. What does the gas--?BEN (grabbing him with two hands by the throat, at arm's length). THE KETTLE, YOU FOOL!GUS takes the hands from his throat.GUS. All right, all right.Pause.BEN. Well, what are you waiting for?GUS. I want to see if they light.BEN. What?GUS. The matches.He takes out the flattened box and tries to strike.No.He throws the box under the bed.BEN stares at him.GUS raises his foot.Shall I try it on here?BEN stares. GUS strikes a match on his shoe. It lights.Here we are.BEN (wearily). Put on the bloody kettle, for Christ's sake.BEN goes to his bed, but, realizing what he has said, stops and half turns. They look at each other. GUS slowly exits, left. BEN slams his paper down on the bed and sits on it, head in hands.GUS (entering). It's going.BEN. What?GUS. The stove.GUS goes to his bed and sits.I wonder who it'll be tonight.Silence.Eh, I've been wanting to ask you something.BEN (putting his legs on the bed). Oh, for Christ's sake..GUS. No, I was going to ask you something.He rises and sits on BEN’s bed.BEN. What are you sitting on my bed for?GUS sits.What's the matter with you? You're always asking me questions. What's the matter with you?GUS. Nothing.BEN. You never used to ask me so many damn questions. What's come over you?GUS. No, I was just wondering.BEN. Stop wondering. You've got a job to do. Why don't you just do it and shut up?GUS. That's what I was wondering about.BEN. What?GUS. The job.BEN. What job?GUS (tentatively). I thought perhaps you might know something.BEN looks at him.I thought perhaps you? I mean? Have you got any idea? Who it's going to be tonight?BEN. Who what's going to be?They look at each other.GUS (at length). Who it's going to be.Silence.BEN. Are you feeling all right?GUS. Sure.BEN. Go and make the tea.GUS. Yes, sure.GUS exits, left, BEN looks after him. He then takes his revolver from under the pillow and checks it for ammunition. GUS re-enters.The gas has gone out.BEN. Well, what about it?GUS. There's a meter.BEN. I haven't got any money.GUS. Nor have I.BEN. You'll have to wait.GUS. What for?BEN. For Wilson.GUS. He might not come. He migtht just send a message. He doesn't always come.BEN. Well, you'll have to do without it, won't you?GUS. Blimey.BEN. You'll have a cup of tea afterwards. What's the matter with you?GUS. I like to have one before.BEN holds the revolver up to the light and polishes it.BEN. You'd better get ready anyway.GUS. Well, I don't know, that's a bit much, you know, for my money.He picks up a packet of tea from the bed and throws it into the bag.I hope he's got a shilling, anyway, if he comes. He's entitled to have. After all, it's his place, hecould have seen there was enough gas for a cup of tea,BEN. What do you mean, it's his place?GUS. Well, isn't it?BEN. He's probably only rented it. It doesn't have to be his place.GUS. I know it's his place. I bet the whole house is. He's not even laying on any gas now either. GUS sits on his bed.It's his place, all right. Look at all the other places. You go to this address, there's a key there,there's a teapot, there's never a soul in sight?(He pauses.) Eh, nobody ever hears a thing, haveyou ever thought of that? We never get any complaints, do we, too much noise or anything like that? You never see a soul, do you? ?except the bloke who comes. You ever noticed that? I wonder ifthe walls are sound-proof. (He touches the wall above his bed.) Can't tell. All you do is wait, eh? Half the time he doesn't even bother to put in an appearance, Wilson.BEN. Why should he? He's a busy man.GUS (thoughtfully). I find him hard to talk to, Wilson. Do you know that, Ben?BEN. Scrub round it, will you?Pause.GUS. There are a number of things I want to ask him. But I can never get round to it, when I see him.Pause.I've been thinking about the last one.BEN. What last one?GUS. That girl.BEN grabs the paper, which he reads.(Rising, looking down at BEN). How many times have you read that paper?BEN slams the paper down and rises.BEN (angrily). What do you mean?GUS. I was just wondering how many times you'd --GUS. What are you doing, criticizing me?GUS. No, I was just--BEN. You'll get a swipe round your earhole if you don't watch your step.GUS. No look here, Ben--BEN. I'm not looking anywhere! (He addresses the room.) How many times have I--! A bloody liberty!GUS. I didn't mean that.BEN. You just get on with it, mate. Get on with it, that's all.BEN gets back on the bed.GUS. I was just thinking about that girl, that's all.GUS sits on his bed.She wasn't much to look at, I know, but still. It was a mess though, wasn't it? What a mess. Honest, I can't remember a mess like that one. They don't seem to hold together like men, women. A looser texture, like. Didn't she spread, eh? She didn't half spread. Kaw! But I've been meaning to ask you. BEN sits up and clenches his eyes.Who clears up after we've gone? I'm curious about that. Who does the clearing up? Maybe they don't clear up. Maybe they just leave them there, eh? What do you think? How many jobs have we done? Blimey, I can't count them. What if they never clear anything up after we've gone.BEN (pityingly). You mutt. Do you think we're the only branch of this organization? Have a bit of common. They got departments for everything.GUS. What cleaners and all?BEN. You birk!GUS. No, it was that girl made me start to think--There is a loud clatter and racket in the bulge of wall between the beds, of something descending. They grab their revolvers, jump up and face the wall. The noise comes to a stop. Silence. They look at each other. BEN gestures sharply towards the wall. GUS approaches the wall slowly. He bangs it with his revolver. It is hollow. BEN moves to the head of his bed, his revolver cocked. GUS puts his revolver on his bed and pats along the bottom of the center panel. He finds a rim. He lifts the panel. Disclosed is a serving-hatch, a dumb waiter. A wide box is held by pulleys. GUS peers into the box. He brings out a pieces of paper.BEN. What is it?GUS. You have a look at it.BEN. Read it.GUS (reading). Two braised steak and chips. Two sago puddings. Two teas without sugar.BEN. Let me see that. (He takes the paper.)GUS. (to himself). Two teas without sugar.BEN. Mmnn.GUS. What do you think of that?BEN. Well--The box goes up. BEN levels his revolver.GUS. Give us a chance! They're in a hurry, aren't they?BEN re-reads the note. GUS looks over his shoulder.That's a bit funny, isn't it?BEN (quickly). No. It's not funny. It prob ably used to be a café here, that’s all. Upstairs. These places change hands very quickly.GUS. A café?BEN. Yes.GUS. What, you mean this was the kitchen, down here?BEN. Yes, they change hands overnight, these places. Go into liquidation. The people who run it, you know, they don't find it a going concern, they move out.GUS. You mean the people who ran up this place didn't find it a going concern and moved out?BEN. Sure.GUS, Well, WHO'S GOT IT NOW?SilenceBEN. What do you mean, who's got it now?GUS. Who's got it now? If they moved out, who moved in?BEN. Well, that all depends-The box descends with a clatter and bang. BEN levels his revolver.GUS goes to the box and brings out a peace of paper.GUS (reading). Soup of the day. Liver and onions. Jam tart.A pause. GUS looks at BEN. BEN takes the note and reads it.He walks slowly to the hatch. GUS follows. Ben looks into the hatchbut not up it. GUS puts his hand on BEN's shoulder. BEN throws it off. GUS puts his finger to his mouth. He leans on the hatch and swiftly looks up it. BEN flings him away in alarm. BEN looks at the note. He throws his revolver on the bed and speaks with decision.BEN. We'd better send something up.GUS. Eh?BEN. We'd better send something up.GUS. Oh! Yes. Yes. Maybe you're right.They are both relieved at the decision.BEN (purposefully). Quick! What have you got in that bag?GUS. Not much.GUS goes to the hatch and shouts up it.Wait a minute!BEN. Don't do that!GUS examines the contents of the bag and brings them out, one by one.GUS. Biscuits. A bar of chocolate. Half a pint of milk.BEN. That all?GUS. Packet of tea.BEN. Good.GUS. We can't send the tea. That's all the tea we've got.BEN. Well, there's no gas. You can't do anything with it, can you?GUS. Maybe they can send us down a bob.BEN. What else is there?GUS (reaching into bag). One Eccles cake.BEN. One Eccles cake?GUS. Yes.BEN. You never told me you had an Eccles cake.GUS. Didn't I?BEN. Why only one? Didn't you bring one for me?GUS. I didn't think you'd be keen.BEN. Well, you can't send up one Eccles cake, anyway.GUS. Why not?BEN. Fetch one of those plates.GUS. All right.GUS goes towards the door, left, and stops.Do you mean I can keep the Eccles cake then?BEN. Keep it?GUS. Well, they don't know we've got it, do they?BEN. That's not the point.GUS. Can't I keep it?BEN. No, you can't. Get the plate.GUS exits, left. BEN looks in the bag. He brings out a packet of crisps. Enter GUS with a plate. (Accusingly, holding up the crisps). Where did these come from?GUS. What?BEN. Where did these crisps come from?GUS. Where did you find them?BEN (hitting him on the shoulder). You're playing a dirty game, my lad!GUS. I only eat those with beer!BEN. Well, where were you going to get the beer?GUS. I was saving them till I did.BEN. I'll remember this. Put everything on the plate.They pile everything on to the plate. The box goes up without the plate.Wait a minute!They stand.GUS. It's gone up.BEN. It's all your fault, playing about!GUS. What do we do now?BEN. We'll have to wait till it comes down.BEN puts the plate on the bed, puts on his shoulder holster, and starts to put on his tie.You'd better get ready.GUS goes to his bed, puts on his tie, and starts to fix his holster.GUS. Hey, Ben.BEN. What?GUS. What's going on here?Pause.BEN. What do you mean?GUS. How can this be a café?BEN. It used to be a café.GUS. Have you seen the gas stove?BEN. What about it?GUS. It's only got three rings.BEN. So what?GUS. Well, you couldn't cook much on three rings, not for a busy place like this.BEN (irritably). That's why the service is slow!BEN puts on his waistcoat.GUS. Yes, but what happens when we're not here? What do they do then? All these menus coming down and nothing going up. It might have been going on like this for years.BEN brushes his jacket.What happens when we go?BEN puts on his jacket.They can't do much business.The box descends. They turn about. GUS goes to the hatch and brings out a note.。
英语新词译法
Pipe dream: 白日梦知不知道“烟斗”怎么说?很简单,仅用一个pipe就可形容这种“一头带有小吹嘴的管状抽烟用具”。
当然,谈起pipe(烟斗),免不了会想到19世纪提着烟袋吸食鸦片的烟鬼们。
短语pipe dream(白日梦)还真得从烟鬼们腾云驾雾的“感觉”谈起。
Have a bad hair day: 坏心情要是有人对您说“I have a bad hair day”,您可千万别以为她在抱怨自己的发型。
A bad hair day是个俚语,指的是“很不顺利的一天”。
若仔细推敲一下,a bad hair day远非“不顺利”三个字就能囊括的。
White elephant: 沉重的包袱如今流行这么一句话,“买车容易养车难”。
其中的理儿谁都明白,不说其它杂七杂八的养车开销,单看那油价居高不下就令整个儿工薪族望而却步。
今天谈的white elephant(“白象”)和“车”同属一个道理——很贵重却因难养而成为负担。
Brass ring: 发财机会!“嘿,如果有送上门来的‘发财机会’,您可千万要抓住哦!”看了这句话,您一定要笑,除非是傻瓜笨蛋,否则没人不知道这个理儿,当然,前提条件是法律允许范围之内。
道理您是知道的,不过,您知道如何用英语来表达“发财机会”吗?Potluck: 家常便饭看看标题,再看看图片上大大小小的餐盘,您一定会怀疑potluck(家常便饭)的正确性。
呵呵,别急,我可没说potluck(家常便饭)不可以表示potluck(聚餐),一词多义嘛,不管是在汉语里还是在英语里可都是家常便饭!Cold turkey: 突然完全戒毒谁都明白,招惹上“毒品”,想完全戒掉可不是件易事儿。
若想一夜间突然把毒完全戒掉,更是难上加难,没见过《永不瞑目》中肖童毒瘾发作时的症状?——畏寒颤抖、汗毛竖起、浑身起鸡皮疙瘩,状如……状如什么?唉!看完短语cold turkey我们再做形容。
chaperon: 女伴如果读过小仲马的《茶花女》,不知你是否记得Marguerite(玛格丽特)的女伴Prudence (普律当丝),chaperon(女伴)一词曾在英文版的《茶花女》里频繁出现。
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Dumb and Dumber: Are Americans Hostile to Knowledge?By PATRICIA COHEN FEB. 14, 2008A popular video on YouTube shows Kellie Pickler, the adorableplatinum blonde from ―American Idol,‖ appearing on the Fox gameshow ―Are You Smarter Than a 5th Grader?‖ during celebrity week.Selected from a third-grade geography curriculum, the $25,000question asked: ―Budapest is the capital of what Europeancountry?‖Ms. Pickler threw up both hands and looked at the large blackboardperplexed. ―I thought Europe was a country,‖ she said. Playing itsafe, she chose to copy the answer offered by one of the genuinefifth graders: Hungary. ―Hungry?‖ she said, eyes widening indisbelief. ―That’s a country? I’ve heard of Turkey. But Hungry? I’venever heard of it.‖Such, uh, lack of global awareness is the kind of thing thatdrives Susan Jacoby, author of ―The Age of American Unreason,‖up a wall. Ms. Jacoby is one of a number of writers with new booksthat bemoan the state of American culture.Joining the circle of curmudgeons this season is Eric G. Wilson,whose ―Against Happiness‖ warns that the ―American obsessionwith happiness‖ could ―well lead to a sudden extinction ofthe creative impulse, that could result in an extermination ashorrible as those foreshadowed by global warming andenvironmental crisis and nuclear proliferation.‖Then there is Lee Siegel’s ―Against the Machine: Being Human inthe Age of the Electronic Mob,‖ which inveighs against theInternet for encouraging solipsism, debased discourse andarrant commercialization. Mr. Siegel, one might remember,was suspended by The New Republic for using a fake onlinepersona in order to trash critics of his blog (―you couldn’t tieSiegel’s shoelaces‖) and to praise himself (―brave, brilliant‖).Ms. Jacoby, whose book came out on Tuesday, doesn’t zero in on aparticular technology or emotion, but rather on what she feels isa generalized hostility to knowledge.She is well aware thatsome may tag her a crank. ―I expect to get bashed,‖ said Ms. Jacoby,62, either as an older person who upbraids the young forplummeting standards and values, or as a secularist whose defense of scientific rationalism is a way to disparage religion.Ms. Jacoby, however, is quick to point out that her indictment is not limited by age or ideology. Yes, she knows that eggheads, nerds, bookworms, longhairs, pointy heads, highbrows andknow-it-alls have been mocked and dismissed throughout American history. And liberal and conservative writers, from Richard Hofstadter to Allan Bloom, have regularly analyzed the phenomenon and offered advice.T. J. Jackson Lears, a cultural historian who edits the quarterly review Raritan, said, ―The tendency to this sort of lamentation is perennial in American history,‖ adding that in periods ―when political problems seem intractable or somehow frozen, there is a turn toward cultural issues.‖But now, Ms. Jacoby said, something different is happening:anti-intellectualism(the attitude that ―too much learning can be a dangerous thing‖) and anti-rationalism(―the idea that there is no such things as evidence or fac t, just opinion‖) have fused in a particularly insidious way.Not only are citizens ignorant about essential scientific, civic and cultural knowledge, she said, but they also don’t think it matters.She pointed to a 2006 National Geographic poll that found nearly half of 18- to 24-year-olds don’t think it is necessary or important to know where countries in the news are located. So more than three years into the Iraq war, only 23 percent of those with some college could locate Iraq, Iran, Saudi Arabia and Israel on a map.Ms. Jacoby, dressed in a bright red turtleneck with lipstick to match, was sitting, appropriately, in that temple of knowledge, the New York Public Library’s majestic Beaux Arts building on Fifth Avenue. The author of seven other books, she was a fellow at the library when she first got the idea for this book back in 2001, on 9/11. Walking home to her Upper East Side apartment, she said, overwhelmed and confused, she stopped at a bar. As she sipped her bloody mary, she quietly listened to two men, neatly dressed in suits. For a second she thought they were going to compare that day’s horrifying attack to the Japanese bombing in 1941 that blew America into World War II:―This is just like Pearl Harbor,‖ one of the men said.The other asked, ―What is Pearl Harbor?‖―That was when the Vietnamese dropped bombs in a harbor, and it started the Vietnam War,‖ the first man replied.At that moment, Ms. Jacoby said, ―I decided to write this book.‖Ms. Jacoby doesn’t expect to revolutionize the nation’s educational system or cause millions of Americans to switch off ―American Idol‖ and pick up Schopenhauer. But she would like to start a conversation about why the United States seems particularly vulnerable to such a virulent strain of anti-intellectualism. After all, ―the empire of infotainment doesn’t stop at the American border,‖ she said, yet students in many other countries consistently outperform American students in science, math and reading on comparative tests.In part, she lays the blame on a failing educational system.―Although people are going to school more and more years, there’s no evidence that they know more,‖ she said.Ms. Jacoby also blames religious fundamentalism’s antipathy toward science, as she grieves over surveys that show that nearly two-thirds of Americans want creationism to be taught along with evolution.Ms. Jacoby doesn’t leave liberals out of her analysis, mentioning the New Left’s attacks on universities in th e 1960s, the decision to consign African-American and women’s studies to an ―academic ghetto‖ instead of integrating them into the core curriculum, ponderous musings on rock music and pop culture courses on everything from sitcoms to fat that trivialize college-level learning.Avoiding the liberal or conservative label in this particular argument, she prefers to call herself a ―cultural conservationist.‖For all her scholarly interests, though, Ms. Jacoby said she recognized just how hard it is to tune out the 24/7 entertainment culture. A few years ago she participated in the annual campaign to turn off the television for a week. ―I was stunned at how difficult it was for me,‖ she said.The surprise at her own dependency on electronic and visual media made her realize just how pervasive the culture of distraction is and how susceptible everyone is — even curmudgeons.MyComments:This article pointed out the crisis of knowledge in comtemporary America. The author, Patricia Cohen, wrote this article mostly by quoting Susan Jacoby’s view, who described the currentanti-intellectualism and anti-rationalism in the United States and further explained her motive of writing a book about those crises. What’s the more, in the end, the passage points out the infotainment elements are inresistable to ordinary people and even to those who are against it, namely, the ―curmudgeons‖. Vocabulary:curmudgeons:If you call someone a curmudgeon, you do not like them because they are mean or bad-tempered. 坏脾气的人extermination:complete annihilation 消灭,灭绝inveigh:If you inveigh against something, you criticize it strongly. 猛烈抨击solipsism:the idea in philosophy that only the self exists or can be known唯我论〔认为只有自我存在并可知〕debase:to make someone or something lose its value or people’s respect降低〔价值〕;贬低〔声望〕arrant:used to emphasize how bad something is坏透的;彻头彻尾的,极端的〔用于强调某事的恶劣程度〕zero in:to bring (a weapon) to bear (on a target), as while firing repeatedly 对(目标)集中火力crank:someone who has unusual ideas and behaves strangely怪人upbraid:If you upbraid someone, you tell them that they have done something wrong and criticize them for doing it. 责骂plummeting:to suddenly and quickly decrease in value or amount〔价值或数量〕骤然下降,暴跌disparage:to criticize someone or something in a way that shows you do not think they are very good or important贬低,抨击eggheads:If you think someone is more interested in ideas and theories than in practical actions you can say they are an egghead. 书呆子longhairs:(不切实际的)文人,学究,知识分子pointyheads:名不副实的专家highbrows:卖弄知识的人;知识分子know-it-alls:someone who behaves as if they know everything – used to show disapproval 自以为无所不知的人〔含贬义〕perennial:continuing or existing for a long time, or happening again and again持续的;长久的;反复出现的intractable:an intractable problem is very difficult to deal with or solve〔问题〕难对付的,难解决的Schopenhauer:叔本华(德国哲学家)virulent:a poison, disease etc that is virulent is very dangerous and affects people very quickly〔毒物〕剧毒的;〔疾病〕迅速致命的outperform:to be more successful than someone or something else做得比…好,胜过antipathy:a feeling of strong dislike towards someone or something厌恶,反感consign:to put something somewhere, especially in order to get rid of it弃置,置于〔尤指准备丢弃〕ghetto:a part of a city where people of a particular race or class, especially people who are poor, live separately from the rest of the people in the city. This word is sometimes considered offensive.〔通常条件很差的〕少数民族聚居区,贫民区〔有时被认为具有冒犯性〕。