Study of Metaphors in William Wordsworth’s Poetry from the Perspective of Cognitive Linguistics
英语专业论文题目
英语专业论文题目英语专业论文题目现如今,大家都接触过论文吧,借助论文可以达到探讨问题进行学术研究的目的。
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英语专业论文题目11. A Brief Analysis of the Heroine Personality in Jane Eyre《简爱》的主人翁个性分析2. A Brief Comment on O’Henry Short Stories 亨利的短篇小说述评3. A Comment on Hardy’s Fatalism 评哈代的宿命论4. A Comparison between the Themes of Pilgrimage to the West and Pilgrim’s Progress《西游记》与《天路历程》主题的比较5. A Probe into the Feminist Idea of Jane Eyre 《简爱》男女平等思想的探索6. A Study of Native American Literature 美国本土文学的研究7. A Study of Student-Centered English Vocabulary Teaching 以学生为中心的英语词汇教学8. A Study of the Translation of Sports Terms 体育专有名词的翻译9. A Study of Transitional Words and Expressions 过渡词及表达法的研究10. About the Breaking of American Dream from the Great Gatsby从《了不起的盖茨比》看美国梦的破碎11. About the Quality-oriented Education in English Language Teaching英语教学中的素质教育12. About Transform of Parts of Speech in Translation 论翻译中词性的转换13. Application of English Idioms in Daily Life 英语习语在日常生活中的运用14. Body Language Difference in Meaning in Cross-cultural Communication体态语在跨文化交际中的意义差异15. Characterization in Charles Dickens’ Novels 狄更斯小说中的人物塑造16. Choice of Correct Words in Translation在翻译中如何准确选词17. Commen t on Bernard Shaw’s Dramatic Art 评肖伯纳的戏剧艺术18. Comparing First and Second Language Acquisitions二语习得与母语的比较研究19. Cross-culture Failures by Chinese learners of English中国英语学习者跨文化交际中的误区20. Cultural Differences and Idiomatic Expressions in Translation论翻译中的文化差异及习惯表达法21. Cultural Factors and Limitations in Translation 翻译的文化因素局限性22. Developing Students’ Cultural Awareness through Foreign Language Teaching通过外语教学培养学生的文化意识23. Dialectics in Translation 翻译中的辩证法24. Differences between Audio-lingual Method and Functional Approach听说法与交际法的区别25. Effects of Learner’s Motivation in Foreign Language Learning外语学习中学习动机的影响26. English Classroom Teaching: Teacher-dominant or Student-centered英语课堂教学——教师主宰还是学生中心27. Error Analysis in English Learning as a Foreign Language 英语学习中的错误分析研究28. Euphemistic Expressions in Foreign Affairs 外事用语中的委婉表达29. Features of Network English 网络英语的特点30. Food Culture in America and China 中美饮食文化比较31. How to Appreciate English Prose: Traditional and Modern Ways如何欣赏英语散文——传统与现代方法比较32. Humor and Satire in Pride and Prejudice 《傲慢与偏见》的幽默与讽刺33. Influence of Mark Twain’s Works in China 马克吐温的作品在中国的影响34. Influence of Science and Technology on English Vocabulary科学技术对英语词汇的影响35. Information Theory and Translation 信息论与翻译36. Inter-Translation of English and Chinese Proverbs 英汉谚语的互译37. Jane Austen and the Heroine in Pride and Prejudice简奥丝丁和《傲慢与偏见》的女主人38. Lexical Gaps in Chinese and English Inter-Translation 英汉互译的词义差异39. Linguistic Features of Abraham Lincoln’s Addresses 论林肯演说词的语言特征40. Linguistic Features of Business Contracts 商务合同的语言特征41. Linguistic Features of English Advertisements 英语广告的语言特征42. Linguistic Taboos in Chinese and English Languages 谈汉英语言中的禁忌现象43. Logical Fallacies in English Writing 英文写作中的.逻辑谬误44. Metaphoric Expressions in Poem … 论《…》诗中的暗喻45. Methods and Procedures in Language Teaching 语言教学的方法及过程46. Needs Analysis of Language Learners 语言学习者的需求分析47. On Attitudes and Motivation in Second Language Learning论第二语言学习的态度及动机48. On Charles Dickens Style in … 论狄更斯的《…》中的语言风格49. On T.S. Eliot’s Myth ological Consciousness 论艾略特的神话意识50. On Teacher-Learner Classroom Communication 论教师与学生之间的课堂交流51. On the Character of Shylock in The Merchant of Venice论《威尼斯商人》中的人物夏洛克52. On the Criteria of Translation 议翻译标准53. On the Development of Jane Eyre’s Character 论简爱的性格发展54. On the Feasibility of Communicative Approach in China 谈交际法在中国的可行性55. On the Functions of Ambiguity in English 论英语歧义的功能56. On the Humour of Mark Twain 马克吐温的幽默观57. On the Importance of Translation Theory 翻译理论的重要性58. On the Learning Strategy of English as a Foreign language 谈英语的学习策略59. On the Linguistic Features of the Adventures of Huckleberry Finn《哈克贝利费恩历险记》的语言特点60. On the Poetry of Robert Frost (1874-1963) 评议弗罗斯特的诗歌61. On the Poetry of William Wordsworth (1770-1885) 评议沃兹沃斯的诗歌62. On the Principles for Translation 浅议翻译原则63. On the Relations of Basic Language Skills 基本语言技能的关系64. Translation T echniques of Proverbs, Loanwords and Colloquialisms谚语、外来语和俗语的翻译技巧65. On the Style of Withering Heights 《呼啸山庄》的文体分析66. On the Tragedy of Loman’s Fami ly in Death of A Salesman《推销员之死》中罗曼一家的悲剧67. On the Vividness and Images in Poem … 论《…》诗文的生动性与比喻68. On the Words and Expressions Belittling the Female 蔑视女性的词汇和表达法69. On the Writing / Translation of Foreign Trade Contracts 论涉外经济合同写作/翻译70. On Translation of Computer Terms 论计算机的术语翻译71. On Translation of Tourist Guide 论旅游指南的翻译72. On Translation of Trade Names and Names of Export Commodities论商标、出口商品名称的翻译73. On Winston Churchill’s Prose Writing 评邱吉尔的散文写作74. Parallelism in English英语中的排比现象75. Personality Factors to the Success of Foreign Language Learning个性因素在外语学习中的作用76. Points of View and the Mode of Discourse in Vanity Fair 论《名利场》的观点及言语方式77. Politeness and Indirect Speech Acts 礼貌与间接言语行为78. Pragmatic Failures in the Cross-cultural Communication 跨文化交际中的语用失误79. Professional Skills for Foreign Language Teachers in Chinese Middle Schools中国中学外语教师的专业技能80. Relations of Speed and Understandability in Reading Comprehension阅读理解中速度与理解性之间的关系81. Relationship between … Theory and Language Research 论…理论与语言研究的关系82. Relationship of Age to SLA (Second Language Acquisition)论年龄与第二语言习得的关系83. Rhetorical and Narrative Devices in A Farewell to Arms 《永别了,武器》的修辞与描写手法84. Scarlet and Black in The Scarlet Letter 《红字》中的红与黑85. Semantic Analysis of Nominalization in EST 科技英语名词化语义分析86. Sex Differentiation and Sexism in English Language论英语中的性别现象及性别歧视87. Similarities and Dissimilarities of British and American English论英式英语和美式英语的异同88. Social Context in the Foreign Language Teaching and Learning外语教学中的社会语境89. Study of “Hemingway Style” 论“海明威风格”90. Symbolism in Idiomatic Expressions 论习语中的象征手法91. Syntactical Features of Business English 谈商务英语写作的句法特征92. Translation Techniques of Idioms and Slangs 成语、俚语的翻译技巧93. Techniques of Theme Production in Wuthering Heights 《呼啸山庄》主题的表现手法94. The Application of Communicative Approach Techniques in Modern Foreign Language Teaching and Learning 交际法的教学手段在现代外语教学中的运用95. The Characteristics of Computer Language Vocabulary 计算机语言词汇的特点96. The Cognitive and Affective Factors in Task-based English Teaching英语任务型教学中的认知和情感因素97. The E/C Translation of Metaphors 暗喻的英汉翻译98. The Function of Grammar in English Study 英语学习中语法的功能99. The Influence of L1 on the Learning of a Foreign Language母语对外语学习的影响100. The Influence of Wars on American Literature 战争对美国文学的影响101. The Linguistic Charms of the Adventures of Tom Sawyer 《汤姆索亚历险记》的语言魅力102. The Negation in Translation 论正说反译和反说正译103. The Role of Grammatical Rules in English Language Learning语法规则在英语学习中的地位104. The Significance of Communicative Competence in Foreign Language Testing外语测试中交际能力的重要性105. The Theory of “Dynamic Equivalence” and its Application in E/C Translation等效翻译理论及其在英汉翻译中的应用106. The Translation of Proper Names 专有名词的翻译107. The Understanding and Translation of Attributive Clause 定语从句的理解与翻译108. The Use of Nouns in English 英语中名词的使用109. The Ways of Expressing Emphatic Ideas in English英语中强调语气的表达方式110. Thomas Hardy and his Tess of the D’Urbervilles 哈代和他的《苔丝》英语专业论文题目21、航海英语教学中培养跨文化交际能力的意义2、医学检验专业双语教学的思考3、“微时代”下的军事医学英语微课教学研究4、浅析中医五行学说一些术语的英译5、传统美学视角下的散文翻译中情感美的传递6、目的论视角下的文学翻译策略研究——以《红楼梦》两个英文译本为例7、英汉句法的差异与翻译8、《长恨歌》中认知隐喻的翻译9、高罗佩《武则天四大奇案》英译之诗学探析10、诗歌翻译中的“意、音、形”之美——唐诗《江雪》四种英译的对比分析11、《红楼梦》角色姓名“归化”译法探究12、论戏剧翻译的可表演性原则13、《越人歌》的审美再现——从语内翻译到语际翻译14、早期西方汉学家英译《聊斋志异》中的跨文化操纵15、“西语哲”视域下的英汉句子形态的差异及启示16、中英文日常交际用语的差异探析17、网络环境下英语教学模式改革初探18、基于图式理论的高职商务英语专业听力作业设计研究19、翻译工作坊教学模式研究20、高校英语教学中目的语文化的渗透和本族语文化的回归研究21、新课改下高校教育硕士(英语)培养模式的探索与反思22、中小学英语衔接工作的探索与实践23、信息技术与高校英语教学整合研究24、探究基于计算机辅助模式的大学英语课堂教学情感因素25、开元数字化平台大学英语教学模式研究——基于建构主义理论26、非英语专业大学英语教师课堂话语的互动特征分析——以实习教师课堂为例27、西部农村中学英语写作在线同伴反馈和教师反馈的对比研究28、基于网络的高职英语自主学习生态化研究'))));基于网络的高职英语自主学习生态化研究29、小学英语课堂激励方法的应用策略研究30、高中英语以读促写的“读写一体化”教学模式探究31、研究生英语学术论文语体特征多维度对比分析32、MOOC下的中国职业英语教育改革探索与应对33、初中英语教学策略初探34、西北地区初中生英语自主学习浅见35、浅议小学英语教学中的词汇教学36、试析模块教学法在中职酒店英语教学中的应用37、英语词汇增长路线图理论研究38、语法及语法教学:从知识到技能的转变——D.拉森-弗里曼的语法观及语法教学刍议39、周作人的直译观及其嬗变40、新教学环境下的英语专业第二课堂建设分析41、论翻转课堂模式下英语课堂提问策略的转变42、支架式教学模式对中职英语教学的启示43、基于“输出驱动假设”的警务英语教学策略研究44、跨文化交际意识对商务英语翻译的影响45、从目的论视角浅谈英文电影片名中译46、浅析英语新闻标题的翻译47、论《论语》英译中的语用充实48、翻译目的论视角下的汉语典籍英译——以《论语》英译为例49、英美影视作品中“神翻译”的定义及方法探析50、电影片名翻译的跨文化解读51、“讨论”与“演讲”相结合的大学英语课堂教学实践52、单词配对法对双语词汇翻译的影响53、素质教育视野下农村中小学教师心理资本开发与学生英语学习的关系54、硕士研究生公共英语课程的元认知策略55、语境中语块的加工及其影响因素——以中级汉语学习者为例56、激发和培养学生英语学习兴趣之管见57、浅谈如何提高小学英语教学质量58、如何更好地利用多媒体辅助英语教学59、平行文本视域下的企业简介汉英翻译策略研究60、文化差异的导入对大学英语教学的意义。
metaphor in culture 读书笔记
metaphor in culture 读书笔记Metaphors are powerful linguistic devices that are deeply embedded in culture. They allow us to understand abstract concepts by relating them to more concrete and familiar ideas. In the book "Metaphors We Live By" by George Lakoff and Mark Johnson, the authors explore the role of metaphors in everyday language and how they shape our understanding of the world. Through analyzing various metaphors, such as time, love, and war, the book sheds light on the underlying cultural assumptions and values that they convey.One of the metaphors explored in the book is the concept of time. Time is often metaphorically understood as a monetary resource that can be spent, saved, wasted, and lost. These metaphors reflect the cultural understanding of time as a finite and valuable commodity. In Western culture, time is commonly seen as money, which gives rise to phrases like "time is money" or "saving time." These metaphors highlight the importance of efficiency and productivity in our society. On the other hand, some cultures understand time metaphorically as a river, reflecting a more cyclical and fluid view of time. These different metaphorical understandings of time reveal the cultural values and priorities placed on time management.Love is another area where metaphors reveal cultural assumptions and values. The metaphor of love as a journey is a common one found across cultures. We talk about being "head over heels" in love, going through "rough patches" in relationships, or "falling" in love. These metaphors suggest that love is a destination to be reached or a path to be traveled. In Western culture, love is oftenseen as an adventure or a conquest. However, in other cultures, love may be metaphorically understood as a connection or an attachment. The metaphors we use to talk about love reflect our cultural priorities and ideals when it comes to relationships.One of the most pervasive and powerful metaphors in culture is war. The metaphor of war is used to describe various aspects of life, from sports to politics to business. We talk about "fighting"for our rights, "winning" an argument, or "conquering" a market. These metaphors reflect the cultural values of competition, conflict, and victory. They shape our attitudes and behaviors towards competition, encouraging a mindset of aggression and dominance. This metaphor can be seen in the language used in all aspects of life, from sports commentary to political debates. It reinforces the idea that life is a constant battle, where only the strongest survive.These examples demonstrate how metaphors are not just linguistic tools, but also cultural lenses through which we understand the world. They shape our thoughts, attitudes, and behaviors, often unconsciously. By examining the metaphors we use, we can gain insight into the cultural assumptions and values that underlie our language and actions. Metaphors are not arbitrary choices of words, but rather reflections of deep-seated cultural beliefs.In conclusion, metaphors play a powerful role in shaping cultures. They allow us to understand abstract concepts by relating them to more concrete and familiar ideas. Metaphors such as time, love, and war reveal the underlying cultural assumptions and values that they convey. By examining these metaphors, we gain a deeper understanding of how language influences our perception of theworld and the ways in which cultural values are perpetuated. Metaphors are not just linguistic devices, but cultural lenses that shape our understanding and experience of reality.。
William Wordsworth 英国文学优秀课件
Special features
1. One of the greatest poets of nature. 2. Incidents and situations of common life. 3. A return to nature. 4. Simple and colloquial language: iambic
– Reverse personification: speaker—natural object, a cloud
– Personification: daffodils—human beings, dancing and “tossing their heads” in “a crowd, a host”.
tetrameter.
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Themes
• The soothing effect of memories on human thoughts; small things in life may bring happiness to us.
• The unity between human and nature in a simple style and musical eloquence.
未曾想到 • What wealth the show to me had brought; 这美景给了我
怎样的珍宝。
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• For oft, when on my couch I lie 因为,每当我依榻而卧, • In vacant or in pensive mood, 或情怀抑郁,或心境茫然, • They flash upon that inward eye 水仙呵,便在心目中闪
4
• He claimed that the great subjects of poetry were “the essential passions of the heart” and “the great and simple affections” as these qualities interact with "the beautiful and permanent forms of nature” and are expressed in a “naked and simple” language that is “adapted to interest mankind permanently”.
(完整word版)扬州大学2016年英国文学简史考点
1.P1 问答Three conquests(时间+意义):1)The Roman conquest, 55 BC, civilized, Christianized2)The English conquest, 5th century, old English, starting point of English literature3)The Norman conquest, 1066, Mid-English, establishment of feudalism.2.P3选择,填空,判断Beowulf, the national epic of English people.3.P4 诗歌翻译“Thus made their mourning the men of Geatland, 坟墓周围,勇士们骑着战马,For their hero’s passing, his hearth-companions 为逝去的国王唱起挽歌,Quoth that of all the kings of earth, 高赞你的懿德,分享你的恩泽,哀叹你的陨落,Of men he was the mildest and most beloved, 人们称你为最可亲最可敬的国王,To his kin the kindest,keenest to praise.” 你对人们总是最仁爱最热心,你最渴望的就是人们对你的赞扬。
4.P5 名词解释,问答Features of Beowulf:1)The use of alliteration. (头韵)(定义:in alliterative verse, certain accented words in a line begin with the same consonant sound.)2)The use of metaphors and of understatements(隐喻)(Grendel represents forest, she-monster represents water, fire-dragon represents sky)5.P8 选择填空判断英国Romance代表作: adventures of King Arthur and his Knights of the Round Table (《亚瑟王和他的圆桌骑士》,同时也是骑士文学代表作)6.P9 问答The class nature of the romance:1)The theme of loyalty to king and lord was repeatedly emphasized in romances, asloyalty was the corner-stone of feudal morality, without which the wholestructure of feudalism would collapse.2)They were composed for the noble, of the noble, and in most cases by the poetspatronized by the noble.7.P17 选择填空名词解释The Ballads(民谣): the most important department of English folk literature.1)定义:①A ballad is a story told in song, usually in four-line stanzas, with the secondand forth lines rhymed. ②They are mainly the literature of peasants, and in them one is able to understand the outlook of the English common people in feudal society.2)代表作:The Robin Hood Ballads (罗宾汉民谣)8.P19 选择填空判断1)Geoffrey Chaucer, the founder of English poetry, was born about 1340 in London.2)The Canterbury Tales(坎特伯雷故事集) is Chaucer’s masterpiece and one of themonumental works in English literature.9.P25 问答Chaucer’s language and contribution:1)Chaucer’s language, now called Middle English, is vivid and exact. He is masterof word-pictures.2)He introduced from France the rhymed stanza of various types, especially therhymed couplet of 5 accents in iambic meter (the heroic couplet) to English poetry, instead of the old Anglo-Saxon alliterative verse.3)Chaucer did much in making the dialect of London standard for the modernEnglish speech.10.P27 问答Preparation for the English Renaissance:1)The establishment of the new monarchy2)Religious Reformation: the appearance of Protestantism3)Language and cultural preparation: the publish of English Bible11.P28 名词解释选择判断King James Bible: the authorized version of English Bible, which was made in 1611 under the auspices of James.12.P30-31名词解释问答(文艺复兴:全答;人文主义:第三点)1)Renaissance 定义:The rise of the bourgeoisie soon showed its influence in thesphere of cultural life. The result is an intellectual movement known as the Renaissance, or, the rebirth of letters. It sprang first in Italy in the 14th century and gradually spread all over Europe.2)Features of Renaissance:①The one is the thirsting curiosity for the classical literature.②The Renaissance is the keen interests in the activities of humanity.3)Humanism 定义:Humanism is the keynote of the Renaissance. It reflected the newoutlook of the rising bourgeois class, which saw the world opening before it.According to the humanists, both men and the world are hindered only by external checks from infinite improvement. Man could mould the world according to his desires, and attain happiness by removing all external checks by the exercise of reason.13.P40-42 选择判断填空1)Edmund Spenser代表作:The Faerie Queene《仙后》2)The Spenserian Stanza(斯宾塞体)定义:The Faerie Queene is written in a special verseform that consists of eight iambic pentameter lines followed by a ninth line of sixiambic feet, with the rhyme scheme ababbcbcc. This form has since been called the Spenserian Stanza.14.P43 诗歌翻译A gentle Knight was pricking(=spurring) on the plaine, 一位高贵的骑士正策马穿过平原,Y-cladd(=clad) in mightie armes and silver shielde, 他全副武装,手持银盾,Wherein old dints of deepe wounds did remain, 盾上仍留着陈旧的深深的凹痕,The cruell markes of many a bloody fielde; 这残酷的标记来自多次血腥的战阵;Yet armes till that time did he never wield: 但这些武器至今他还未用过;His angry steede did chide his foming(=foaming) bitt, 他那愤怒的坐骑暴躁地咬着马勒,As much disdayning to the curbe to yield: 似乎桀骜不驯,不愿受主人的控制;Full jolly Knight he seemed , and faire did sitt, 他看上去是位真正的骑士,端坐马上,As one for knightly giusts and fierce en counters fitt. 好像准备参加骑士比武,迎接激烈对抗。
俞大絪英语五六册课文langdou
俞大絪英语五六册课文langdou全文共3篇示例,供读者参考篇1So You Want to Learn About Langdu?If you're studying English at university or taking one of those cram courses to prepare for a big exam, chances are you've encountered the mystical texts known as "Langdu." No, it's not some ancient Sanskrit scripture or the newest book in the Harry Potter series. Langdu is the nickname for the stories and passages found in New Concept English books 5 and 6 - those thick tomes of reading material that English teachers seem to worship.As someone who has survived wading through all 60 units of Langdu, I can tell you it's a rite of passage. An ordeal that builds character and cements your status as a true English language learner. It's the ultimate test of comprehension, vocabulary skills, and frankly, your sanity. Are you ready to join the ranks of the Langdu enlightened? Let me be your guide.First off, forget everything you know about pleasure reading. Langdu passages are seemingly designed to crush your soul withtheir dryness. The topics range from biographical accounts of little-known figures to discussions of obscure agricultural practices. You'll learn more about fungal diseases that threaten banana crops than you ever wanted to know.Then there are the vocabulary landmines strategically placed to crumble your confidence. Words like "umbrageous," "roisterer," and "fugacious" lie in wait, daring you to stumble over their arcane meanings. If you make it through unscathed, congratulations - you've achieved a new level of lexical mastery!But Langdu's true genius lies in its plot twists and complex narratives...said no one ever. These passages are about as suspenseful as reading directions to assemble IKEA furniture. Yet your teacher will ask soul-crushing comprehension questions like "What did the author intend when using the metaphor 'life is a raft'?" As if you didn't have an existential crisis trying to analyze every last metaphysical metaphor.Don't get me wrong, there are some decent stories sprinkled throughout the Langdu texts. The ones about societal issues or human interest can actually hold your attention long enough to get you through 40 lines of dense prose. But then you'll run into a passage about!&# Agrarian Reforms in 18th century OuterEtsposrtovia, and you're back to glazing over.By the time you reach units 50-60 of Langdu, a switch has flipped in your brain. What was once unfathomable vocabulary is now seared into your prefrontal cortex for eternity. You find yourself casually peppering "accoutrements" and "propinquity" into conversations, just to keep sharp.More importantly, you've gained the ability to extract meaning from even the most impenetrable text. Bring on the corporate memos, legal briefs, and archaic instruction manuals! You are now a blackbelt in reading comprehension. That's the greatest gift Langdu can bestow.So keep plowing through those units, my fellow Langdaoisants! Bask in the sweet anguish of wrestling unwieldy gerunds and ambiguous pronoun references. For within that pain blossoms the beautiful agony that is truly understanding Langdu. And that understanding, more than any grammar rule or test score, is what proves you have mastered English.篇2Learning English with Langdou English Textbooks Volumes 5 and 6As an English learner, I've found the Langdou English textbooks for Volumes 5 and 6 to be incredibly helpful inexpanding my language skills. These books cover a wide range of topics and literary works, exposing us students to rich vocabulary, complex grammar structures, and authentic cultural contexts.Volume 5 kicks off with a thought-provoking unit on environmental protection, featuring excerpts from Rachel Carson's influential book "Silent Spring." Through her vivid descriptions of the harmful effects of pesticides, we not only learned relevant ecological vocabulary but also gained insights into the importance of sustainable living. The exercises encouraged us to analyze the author's arguments and form our own opinions on this pressing global issue.Another standout lesson was the one on George Orwell's allegorical novel "Animal Farm." Dissecting the symbolism and satire in this literary classic was a challenging yet rewarding experience. We discussed the themes of power, corruption, and the dangers of totalitarianism, which fostered critical thinking and sparked lively debates in class. Orwell's masterful use of language inspired us to pay closer attention to the nuances of English expressions.Moving on to Volume 6, we delved into the realm of psychology with a unit on the famous Stanford Prison Experiment. Reading about this controversial study and itsethical implications was both fascinating and disturbing. We learned to use precise language to discuss complex human behaviors and societal norms, while also reflecting on the power of situational influences.One of my personal favorites was the lesson on Martin Luther King Jr.'s "I Have a Dream" speech. Analyzing the rhetorical devices and metaphors used in this iconic address was a true linguistic and cultural experience. King's powerful words resonated deeply with us, teaching us not only about the English language but also about the universal struggle for equality and justice.Throughout these textbooks, we encountered a diverse array of literary genres, from poetry and short stories to plays and essays. Studying the works of acclaimed authors like William Shakespeare, Emily Dickinson, and Oscar Wilde challenged us to think critically, appreciate the beauty of language, and understand the cultural contexts in which these masterpieces were created.The exercises in the Langdou textbooks were thoughtfully designed to reinforce our learning. We practiced various skills, such as summarizing main ideas, analyzing character development, identifying literary devices, and expressing ouropinions through written and oral assignments. The varied question types, from multiple-choice to open-ended prompts, catered to different learning styles and kept us engaged.Beyond the academic content, these textbooks also provided valuable insights into Western cultures and traditions. We learned about holidays like Thanksgiving and Christmas, explored the significance of folk tales and myths, and gained an appreciation for the diverse customs and beliefs represented in English-speaking societies.As we progressed through the textbooks, our vocabulary expanded exponentially. We encountered words like "soliloquy," "allegory," and "dystopia," which broadened our linguistic horizons and enabled us to express complex ideas with precision. The glossaries and appendices were invaluable resources for consolidating our newfound lexical knowledge.Perhaps the most rewarding aspect of studying these textbooks was the opportunity to engage in intellectual discourse with our classmates and teachers. We debated the themes and motifs found in the literary works, shared personal anecdotes and cultural perspectives, and challenged one another to think beyond the confines of the texts. These lively discussionsnot only improved our spoken English but also fostered a deeper appreciation for the richness and diversity of human experiences.Looking back, the Langdou English textbooks for Volumes 5 and 6 were instrumental in our journey towards English proficiency. They provided a comprehensive and engaging learning experience, combining literary excellence with linguistic rigor. As we move forward in our academic and professional pursuits, the knowledge and skills acquired from these textbooks will undoubtedly serve as a solid foundation, enabling us to communicate effectively and appreciate the nuances of the English language.篇3Langdou: A Journey through English TextbooksAs students, we all have that one textbook series that sticks out in our minds, the one that seemed to shape our English learning journey more than any other. For me, that was the "langdou" passages from English volumes 5 and 6. Those quirky little reading selections left an indelible mark, burrowing their way into my brain with their bizarre plots and unforgettable characters.I still vividly remember the first "langdou" story we encountered in volume 5 about the young boy who somehow ended up transported to a magical forest populated by talking animals. The sheer weirdness of that premise captivated my middle school mind. Why was he in the forest? How did the animals learn to speak? Would he ever escape and return to the human world? I devoured every sentence, desperate to unravel the peculiar mystery.Of course, that tale was just an appetizer for the smorgasbord of oddities that awaited in volume 6. Who could forget the saga of the family that woke up one morning to find their house had grown X-ray vision revealing floors? Or the downright disturbing chronicle of the teenager whose shadow developed a hostile mind of its own? I'd lie awake at night, my prepubescent brain doing somersaults trying to make sense of these bizarre narratives.Beyond just being memorably weird, the "langdou" stories taught us valuable lessons about embracing our imagination and not taking life too seriously. They showed that even the most mundane settings could transform into realms of fantastic escapism if we opened our minds. Maybe that boy didn't literally visit a forest of talking critters, but the passage prompted us toview our world through his whimsical lens, to appreciate the magic that surrounds us if we just look for it.The irony, of course, is that these wildly creative stories were born from the pragmatic confines of an English textbook, that most stereotypically dry and boring of literary mediums. But that's what made the "langdou" tales so special – they took the rote process of language learning and injected it with a heavy dose of fun, fantasy, and laughter. Suddenly, diving into vocabulary lists and grammatical structures didn't seem like such a chore when it was a gateway into these hilarious alternate realities.I can't tell you how many times my friends and I would gather over those passages, trading our own fantastical explanations for the bizarre happenings within. We'd act out scenes with different voices for all the characters, milking every ounce of humor from the absurd dialogue. English study sessions became comedy shows, the "langdou" stories giving us an appreciated respite from our other academic pressures.Eventually, we all had to move on from those textbooks and take more advanced English courses. But the spirit of "langdou" remains engrained in my literary psyche. Whenever I encounter an especially eccentric novel, short story, or movie plot, I'minstantly transported back to those hilarious lessons of my youth. I'm reminded of the pure, uninhibited joy of letting one's imagination run wild and embracing the silly with wholehearted enthusiasm.In many ways, the "langdou" phenomenon was my first experience with surrealist and absurdist art, albeit in a very introductory form. I didn't know it at the time, but unraveling the symbolism and deeper meanings behind those crazy narratives was preparing me for more complex literary analysis down the road. Breaking down the significance of a magical,dimension-warping household wasn't so different from deconstructing the themes of Kafka's Metamorphosis when I read it in college. The journeys were just at different extremes of the absurdist spectrum.So while my former classmates may laugh when I fondly recall the "langdou" tales, I smile back with the knowledge that those strange stories shaped my literary foundations more than they realize. They helped me develop critical thinking skills, creativity, discussion abilities, and an appreciation for a sense of fun amid the rigor of academic study. In many ways, the English language opened up for me through those initial weird windows.Who knew that the drudgery of English textbooks could contain such potent creativity and youthful imagination? The langdou stories proved that the written word has the power to spark worlds and ideas more fantastic than any we could envision on our own. For showing a classroom of students that language can be a transformative experience rather than simply dry knowledge absorption, I'll forever be grateful to those strange, bizarre, hilarious tales. "Langdou" may have been just tiny textbook passages, but they ended up meaning so much more.。
中考英语文学作品的阅读与欣赏方法单选题40题
中考英语文学作品的阅读与欣赏方法单选题40题1.In the novel, the character is brave, kind and intelligent. Which of the following words best describes this character?A.cowardlyB.meanC.bravezy答案:C。
勇敢、善良和聪明的人物形象中,只有“brave”符合。
“cowardly”是胆小的,与勇敢相反;“mean”是吝啬的、刻薄的,与善良相悖;“lazy”是懒惰的,与题目中所描述的人物形象不符。
2.The main character in the story is always helping others. What kind of person is he?A.selfishB.generousC.cruelD.careless答案:B。
总是帮助别人的人是慷慨的。
“selfish”是自私的,与帮助他人相悖;“cruel”是残忍的,不符合帮助他人的形象;“careless”是粗心的,与帮助他人没有直接关系。
3.The character in the book is very determined. Which of the following actions would this character NOT do?A.give up easilyB.work hard to achieve a goalC.persevere in difficult timesD.stay focused on a task答案:A。
坚定的人不会轻易放弃。
“work hard to achieve a goal”努力实现目标、“persevere in difficult times”在困难时期坚持、“stay focused on a task”专注于一项任务,这些都符合坚定的人物形象,而“give up easily”轻易放弃不符合。
华兹华斯英语作文
华兹华斯英语作文As a notable figure of the Romantic era, William Wordsworth was a prolific poet and a key figure in the English Romantic movement.作为浪漫主义时代的杰出人物,威廉·华兹华斯是一位多产的诗人,也是英国浪漫主义运动的重要人物。
His contributions to English literature, particularly his focus on nature and the human experience, have left a lasting impact on poetry and literary criticism.他在英国文学领域的贡献,特别是他对自然和人类经验的关注,对诗歌和文学批评产生了深远的影响。
Wordsworth's most famous work, "Lyrical Ballads," written in collaboration with Samuel Taylor Coleridge, is considered a cornerstone of Romantic poetry.华兹华斯最著名的作品《抒情小曲集》,与塞缪尔·泰勒·柯勒律治合作创作,被认为是浪漫主义诗歌的重要里程碑。
The collection, first published in 1798, showcases Wordsworth's belief in the power of emotions and the beauty of everyday life, setting a new standard for poetry in the Romantic period.这部作品于1798年首次出版,展示了华兹华斯对情感力量和日常生活之美的信仰,为浪漫时期的诗歌设定了新的标准。
用英语介绍华兹华斯的作文
William Wordsworth: A Poet of Nature andEmotionWilliam Wordsworth, a renowned English Romantic poet,is renowned for his profound connection with nature and his emphasis on emotional expression. Born in 1770, Wordsworth was raised in the beautiful surroundings of the Lake District, which undoubtedly influenced his lifelong lovefor nature and its beauty. His poetry often captures the essence of nature, exploring themes of loneliness, reflection, and the transcendental power of nature itself. Wordsworth's writing style is unique and innovative, breaking away from the rigid conventions of the time. His poems are unstructured, flowing freely with the rhythm of his thoughts and emotions. This style allowed him to convey his intense feelings and observations of nature in a raw and honest manner, making his work deeply resonate with readers.One of Wordsworth's most famous works is "Daffodils," which describes his encounter with a field of blooming daffodils. The poem captures the overwhelming beauty of the moment, evoking images of the flowers dancing in the breezeand filling the air with their vibrant colors. Wordsworth's use of metaphor and simile brings the flowers to life, allowing readers to experience the same joy and wonder he felt that day.Another notable work is "Ode: Intimations of Immortality from Recollections of Early Childhood," which explores the idea of immortality through memories of childhood and the beauty of nature. Wordsworth believesthat the soul is immortal and that memories and experiences can persist beyond physical death. His poetry oftenreflects on the fleeting nature of life and the importance of cherishing every moment.Wordsworth's influence on literature is immeasurable. His emphasis on emotional honesty and his unique style of writing broke new ground in poetry, paving the way for future generations of writers. His connection with nature and his belief in the transcendental power of art continue to inspire writers and readers alike.华兹华斯:自然与情感的诗人威廉·华兹华斯,这位杰出的英国浪漫主义诗人,以他对自然的深刻联系和对情感表达的强调而闻名。
威廉华兹华斯英文作文
威廉华兹华斯英文作文英文:William Wordsworth is one of the most famous English Romantic poets. His works are known for their focus on nature and the human experience. As a poet, Wordsworth believed that poetry should be written in a language thatis accessible to everyone. He believed that poetry shouldbe simple and should reflect the natural rhythms ofeveryday speech.One of Wordsworth's most famous poems is "I Wandered Lonely as a Cloud," also known as "Daffodils." In this poem, Wordsworth describes a field of daffodils that he came across while wandering in the countryside. The poemcaptures the beauty and simplicity of nature and the joythat can be found in even the smallest things.Another important aspect of Wordsworth's poetry is his focus on the individual's experience of the natural world.He believed that nature was a source of inspiration and that it could help individuals to connect with their own emotions and experiences.中文:威廉·华兹华斯是最著名的英国浪漫主义诗人之一。
威廉华兹华斯英文作文
威廉华兹华斯英文作文Title: The Life and Works of William Wordsworth。
William Wordsworth, one of the most renowned figures in English literature, holds a significant place in the Romantic movement. Born on April 7, 1770, in Cockermouth, Cumberland, England, Wordsworth's literary legacy encompasses poetry that celebrates nature, the human spirit, and the power of imagination. This essay explores the life and works of William Wordsworth, highlighting his major themes, poetic style, and enduring influence.Wordsworth's early life was marked by tragedy and upheaval. Following the death of his mother when he wasjust eight years old, he was sent to live with relatives. Despite these hardships, Wordsworth developed a deep appreciation for nature during his childhood in the Lake District of England, which would later become a central theme in his poetry.In 1790, Wordsworth began his formal education at St. John's College, Cambridge, where he was exposed to radical ideas that would shape his political and philosophical beliefs. However, it was his meeting with fellow poet Samuel Taylor Coleridge that proved to be the most significant influence on his literary career. Together, they published "Lyrical Ballads" in 1798, a collection of poems that marked the beginning of the Romantic movement in English literature.One of Wordsworth's defining characteristics as a poet is his deep connection to nature. His poetry often reflects his belief in the healing power of the natural world andits ability to inspire creativity and spiritual renewal. In poems such as "Lines Composed a Few Miles Above Tintern Abbey" and "I Wandered Lonely as a Cloud," Wordsworth captures the sublime beauty of the natural landscape andits profound effect on the human soul.Another recurring theme in Wordsworth's poetry is the importance of childhood innocence and the loss of innocence that comes with age. He believed that children possess anatural wisdom and purity of heart that adults often lose sight of as they grow older. This theme is evident in poems such as "Ode: Intimations of Immortality from Recollections of Early Childhood" and "We Are Seven," where Wordsworth explores the significance of childhood memories and experiences.Wordsworth's poetic style is characterized by its simplicity, clarity, and emotional sincerity. He rejected the ornate language and artificial conventions of 18th-century poetry in favor of a more direct and heartfelt expression. His use of plain language and everyday imagery served to make his poetry accessible to a wide audience, earning him both praise and criticism from his contemporaries.Despite facing criticism during his lifetime, Wordsworth's influence on English literature cannot be overstated. His emphasis on the individual imagination, the power of nature, and the spiritual significance of everyday experiences paved the way for future generations of poets and writers. His legacy continues to resonate with readersaround the world, inspiring them to find beauty and meaning in the world around them.In conclusion, William Wordsworth remains one of the most beloved and influential poets in the English language. His profound connection to nature, his celebration of childhood innocence, and his sincere poetic style have ensured his place in the literary canon for centuries to come. As we continue to grapple with the complexities of the modern world, Wordsworth's poetry serves as a timeless reminder of the enduring power of the human spirit and the natural world that surrounds us.。
搜索一篇英语作文我和诗歌的故事
搜索一篇英语作文我和诗歌的故事英文回答:In the tapestry of life, poetry weaves intricate threads that connect us to the depths of human emotion, imagination, and introspection. My journey with poetry began as a child, when the rhythmic cadence of nursery rhymes filled my days with delight. As I grew older, I discovered the power of words to paint vivid pictures in my mind, evoke strong feelings in my heart, and challenge my perspectives.William Wordsworth, with his love of nature and celebration of the ordinary, became a guiding light in my understanding of poetry. His lines, "The world is too much with us; late and soon, / Getting and spending, we lay waste our powers," resonated deeply within me, urging me to seek solace and inspiration in the natural world.Another profound influence was Sylvia Plath, whose rawand confessional style spoke to my teenage angst and vulnerability. Her poem "Daddy," with its unflinching exploration of trauma and loss, became a mirror reflecting my own struggles and triumphs.Through the study of poetry, I developed a heightened sensitivity to language, imagery, and symbolism. I learned to appreciate the intricate craftsmanship of sonnets, the evocative power of metaphors, and the subtle nuances of rhythm and rhyme.As a writer, poetry became a sanctuary where I could express my thoughts and feelings with honesty and vulnerability. In the quiet solitude of my writing space, I found the courage to explore the hidden corners of my heart and share my experiences with others.The poems I write often draw inspiration from personal experiences, dreams, and observations of the world around me. I strive to create works that are both deeply personal and universally relatable, inviting readers to connect with their own emotions and perspectives.I believe that poetry has the power to transcend time and language, fostering a sense of community and understanding among people from all walks of life. As the great poet Rumi said, "Out beyond ideas of wrongdoing and rightdoing, there is a field. I will meet you there."In the ever-evolving landscape of literature, poetry remains a timeless art form, offering solace, inspiration, and a profound connection to the human experience. It is a gift that I am eternally grateful to have received.中文回答:诗歌,在我的人生画卷中,它编织出精妙的丝线,将我与人类情感、想象和内省的深处联系在一起。
用英语介绍华兹华斯的作文
用英语介绍华兹华斯的作文William Wordsworth: A Poetic VisionaryWilliam Wordsworth, the renowned English Romantic poet, is widely regarded as one of the most influential figures in the literary landscape. His poetry has captivated readers for centuries, capturing the essence of the natural world and the human experience with unparalleled artistry. Through his unique perspective and poetic genius, Wordsworth has left an indelible mark on the literary canon, inspiring generations of writers and thinkers.Born in 1770 in the picturesque Lake District of England, Wordsworth's early life was shaped by the stunning natural surroundings that would later become the foundation of his poetic vision. As a child, he developed a deep connection with the natural world, finding solace and inspiration in the rolling hills, serene lakes, and majestic mountains that surrounded his home. This profound appreciation for the beauty and wonder of nature would become a central theme in his poetry, as he sought to convey the transformative power of the natural landscape on the human spirit.Wordsworth's poetic journey began in the late 18th century, a timeof great social and political upheaval in Europe. Inspired by the ideals of the French Revolution and the Romantic movement, he embarked on a quest to redefine the role of the poet in society. Rejecting the formal, ornate language that had long dominated the literary landscape, Wordsworth championed a more natural, conversational style of poetry that drew directly from the experiences and emotions of the common people.One of Wordsworth's most celebrated works, "Lyrical Ballads," co-written with his friend and fellow poet Samuel Taylor Coleridge, marked a significant turning point in the history of English poetry. Published in 1798, this groundbreaking collection of poems challenged the traditional poetic conventions of the time, featuring themes and subjects that were considered mundane or unworthy of poetic treatment. Through these poems, Wordsworth sought to capture the essence of the human experience, exploring the profound connections between the individual and the natural world.At the heart of Wordsworth's poetic vision lies his unwavering belief in the transformative power of the natural world. In poems such as "Tintern Abbey" and "The Prelude," he masterfully weaves together the threads of memory, emotion, and spiritual contemplation, creating a tapestry of profound insights into the human condition. His ability to imbue the natural landscape with profound symbolic meaning has earned him the title of the "High Priest of Nature," atestament to the enduring impact of his work.Wordsworth's poetic genius also extends to his keen observation of the human psyche. In poems like "I Wandered Lonely as a Cloud" and "The Solitary Reaper," he captures the nuances of human emotion and the transformative power of solitude and contemplation. His keen eye for detail and his ability to distill the essence of human experience into poetic form have made him a revered figure in the literary canon.Beyond his poetic achievements, Wordsworth's influence has extended far beyond the realm of literature. His philosophical musings on the relationship between the individual and the natural world have inspired thinkers and environmentalists alike, contributing to the growing awareness of the importance of preserving and protecting the natural world. His legacy as a poetic visionary continues to resonate with readers and scholars, inspiring new generations to explore the depths of the human experience through the lens of the natural world.In conclusion, William Wordsworth's enduring legacy as a poetic genius and a visionary thinker is a testament to the power of the written word to transform and enlighten. Through his masterful use of language and his profound insights into the human condition, Wordsworth has left an indelible mark on the literary landscape,inspiring countless writers and readers to explore the beauty and wonder of the natural world.。
我收获了诗人的情感英语
我收获了诗人的情感英语In the tranquility of an English literature class, I found myself immersed in the poetic emotions that the languagecould convey. Here's how I experienced it:1. The Power of Words: English, with its rich vocabulary and nuanced expressions, allowed me to grasp the depth ofemotions that poets like William Shakespeare and Emily Dickinson were able to encapsulate in their verses.2. Exploring Metaphors: Through the use of metaphors, similes, and personification, I learned to see the world fromdifferent perspectives. The way poets use language todescribe emotions like love, sorrow, and joy was both enlightening and moving.3. Rhythm and Rhyme: The rhythmic patterns and rhymes inpoetry gave me a sense of the music within the language. It was as if the words danced on the page, evoking a melody that resonated with my own emotions.4. Reflection on Nature: Many poems I studied were deeply connected to nature. The way poets used English to describethe beauty and power of the natural world inspired me to appreciate the world around me more deeply.5. Emotional Resonance: Reading and analyzing poems in English, I discovered that I could feel the emotions of thepoets themselves. Their words became a bridge between their experiences and my own.6. Cultural Insights: English poetry also offered a windowinto different cultures and historical periods. I was able to understand the societal norms and values of the time through the lens of the poets' work.7. Personal Growth: Engaging with poetry in English has beena journey of self-discovery. It has helped me to express my own emotions more eloquently and to understand thecomplexities of human experience.8. Inspiration for Creativity: The creativity and imagination displayed in English poetry have inspired me to try my handat writing my own verses. It's a way to channel my emotions into something tangible and beautiful.9. Language Mastery: As I delved deeper into the intricaciesof English poetry, my language skills improved. I learned to appreciate the subtleties of the language and how it can be used to convey a wide range of emotions.10. Connection with Others: Finally, through poetry, I felt a connection with others who have read and loved the same works. It's a shared experience that transcends time and space, creating a bond with fellow poetry enthusiasts.In essence, my journey through English poetry has been a profound emotional journey, one that has enriched my understanding of both the language and the human experience.。
《林中之死》的原型解读
《林中之死》的原型解读作者:杨绍芳来源:《经济研究导刊》2010年第19期摘要:舍伍德·安德森的名篇《林中之死》讲述了一个并不可怕但又无法避免的死亡的故事,展现了女主人公悲怆的一生和故事讲述者对她的死亡的反应。
认为原型批评能更好地阐释格兰姆斯夫人从天真纯洁的女孩到最后被所有人遗弃的老女人形象。
在她的一生中,不幸和悲剧总是陪伴左右,因此,认为格兰姆斯夫人的形象体现了替罪羊原型——她不过是那个冷酷无情的的父权社会中众多无辜女性牺牲品中的一个,她存在的唯一价值就是被男人利用,成为父权社会的替罪羊。
关键词:《林中之死》;原型批评;格兰姆斯夫人;替罪羊中图分类号:I3/7文献标志码:A文章编号:1673-291X(2010)19-0217-031. IntroductionSherwood Anderson is a special literary figure in American literature. Many literary giants such as Hemingway, Faulkner and Steinbeck all owed a lot to him. In an interview for the Paris Review (Spring 1956), Faulkner stated that Sherwood Anderson was “the father of my generation of American writers and the tradition of American writing which our successors will carry on.” As a pioneer of modernism, Anderson is especially concerned with humanity and the secret of life or the thing “beneath the surface of lives”. (See the dedication to Winesburg, Ohio) His works, especially short stories, often focus on characters we would hardly notice in real life. Frequently, Anderson reveals the hidden value of such insignificant people, their true nature, worth and their futile struggle to maintain their inner worth. A good example is Mrs. Jake Grimes of “Death in the Woods” which marks t he highest peak of Anderson’s literary creation.The story is presented as a first-person narrative by an unreliable narrator, who tells the story of an old woman, Mrs. Grimes. She lives on the edge of society and survives by selling eggs to make a living for her small family and the animals in her care. Mrs. Grimes’ personal history, according to the narrator, is that she was abandoned and grew up as an indentured servant. Later, it is Jake Grimes, who helps her escape from her malicious German masters. After marrying Jake, she has a son and a daughter, but the latter dies in childhood. The narrator tells us both father and son severely abuse and maltreat Mrs. Grimes, both verbally and physically. She does not know life could be any different as this is all she ever experienced. Her main concern in life is taking care of and feeding the animals and people in her care. On the last day of her life, on the way home from town, Mrs. Grimes reaches a clearing where she sits down to rest. While sitting down, she dies.Though relatively a simple story, Death in the Woods brings about great artistic effect and especially the image of Mrs. Grimes lingers on readers’ mind for quite a long time. Mrs. Grimes evolves from an innocent and scared girl through the self-reliant and alienated middle-aged housekeeper to the paralytic and deserted old woman. Yet misfortune and tragedy always accompany her throughout her whole life. Mrs. Grimes’ short life shares many similarities with the image of “scapegoat”. Ther efore, the author of this paper intends to analyze the character of Mrs. Grimes from the archetypal perspective, with the aim to try to identify Mrs. Grimes’ manifestation as Scapegoat Archetype——she surely is a victim of the frozen machine society who has been denied any love or tenderness and exists only to be used by men.2. Archetypal CriticismArchetypal criticism is one of the most important western literary critical schools in the 20th century created by Northrop Frye. The w ord “archetype”, originates from Greek, arche meaning “root” and “origin” while type means “pattern” or “model”. Archetype refers to a symbol, theme, setting, or character-type that recurs in different times and places in myth, literature, folklore, dreams, and rituals so frequently or prominently as to suggest that it embodies some essential element of “universal” human experience. Focusing on images, symbols, metaphors, characters, plots, events and themes which continually recur in works of literature, archetypal criticism is commonly used to describe an original pattern or model from which all other things of the same kind are made. Its critical strategy is to back up from the text, to find out the underlying correspondences or analogues in works so as to apprehend the recurrences of certain archetypes.As a forerunner of archetypal criticism, James Frazer devoted all his life to the research on myth. In his masterpiece The Golden Bough he studies the witchcraft and rituals of many primitive tribes, trying to “show a general development of modes of thought from the magical to the religious and, finally, to the scientific, or the traces of human consciousness from the primitive to the civilized”. His book The Golden Bough is now treated as the earliest document of archetypal criticism.The contribution of Carl Gustav Jung to the development of the theory of archetypes from the psychoanalysis perspective can not be ignored either. Based on his theory of Collective of Unconscious, he expands F reud’s theories of the unconscious by classifying it into personal unconscious and collective unconscious. According to Jung, archetypes are some images which reveal the content of collective unconscious by way of symbol or metaphor.Above all, No rthrop Frye’s contribution leads us directly into the mythological approach to literary analysis. Based on Jung’s psychological theory of collective unconsciousness and archetype and Frazer’s study on anthropology, Frye establishes his theory of archetype in the particular field of literary criticism. He transferred the definition of archetype from the field of psychology and anthropology to literature. According to Frye, archetype is independent and communicable unit of literature just like words in language. Second, archetypes take form as imagery, significance, character or plot that repeat in literary works. Third, archetypes connect all the single works with others and thereby help to unify and integrate our literary experience.3. Analysis of M rs. Grimes’ ImageAccording to Mr Gan Wenping in his On Scapegoat Novels in American Literature, scapegoat generally has the following characteristics: First, scapegoat usually refers to human, including woman, children or even saints; second, scapegoat is innocent; third, scapegoats is usually killed because his death will take away all the evils and bring about peace and safety to the community. Mrs. Grimes is a common and simple woman yet whose image just coincides with the Scapegoat archetype for they tend to elicit comparable psychological responses and to embody similar cultural connotation.3.1 The Scapegoat ArchetypeThe English word “scapegoat” originally appeared at the time when British religious reformer, William Tindale, translated Holy Bible from Hebrew into English.The archetype of the scapegoat comes from the story of Abraham in the Holy Bible. God wants to test Abraham. He asks Abraham to take his only son Issac as a burnt offering to an appointed place. Abraham raises early in the morning, takes Issac his son to the place. He splits wood, builds an altar, and places the wood in order. Just as Abraham takes the knife to slay, God, knowing that Abraham fear him,sends the Angel to stop him. And Abraham sees a goat caught in a thicket by its horns. So he takes the goat as a burnt offering to God instead of his son.Another story about the scapegoat is recorded in the Leviticus. Goat is taken as sin offering to make atonement on the Day of Atonemen t and God tells them how to do it. “Aaron shall lay both his hands on the head of the live goat, confess over it all the iniquities of the children of Israel, and all their transgressions, concerning all their sins, putting them on the head of the goat, and shall send it away into the wilderness by the hand of a suitable man. The goat shall bear on itself all their iniquities to an uninhabited land; and he shall release the goat in the wilderness.” (Holy Bible, Leviticus 16:21-22)British anthropologist Frazer made a thorough study on the archetype of Scapegoat in his book Golden Bough. This motif centered in the belief that, by transferring the corruptions of the tribe to a sacred animal or person, then by killing this scapegoat, the tribe could achieve the cleansing and atonement thought necessary for natural and spiritual rebirth.3.2 Mrs. Grimes’ Chosen as the ScapegoatThe value a person places on himself or herself is largely determined by the value others give to that person. Those who grow up loved and cherished learn to feel worthwhile and develop a healthy sense of self. Such a background of love and caring can even sustain a person through periods when he or she feels unloved and insignificant. But those who have never known love, who have never been given any human warmth, soon come to see themselves as worthless. Such an emotionally starved person is Mrs. Grimes in “Death in the Woods.” Mrs. Grimes is a woman who has been denied anyvestige of love or tenderness; she exists only to be used, to put it more frankly, to be used by the frozen society as a poor scapegoat to achieve its atonement.From her childhood on, Mrs. Grimes has been trapped in a cycle of exploitation. As an orphan, she became a “bound” girl, lega lly contracted to work as slave labor for a farmer who terrified her with his lust, and for his wife, who frightened the girl with her jealousy. The girl’s only escape from this prison was marriage to Jake Grimes, a shiftless farmer who beat her and expected her to work the farm alone. However, the hopeless and helpless marriage casts her despair and doubt about life meaning, pushing her into the deep abyss of sufferings. When the couple’s son grows up, he joins the father in abusing the mother who really lives a simple life, because she just does one thing all through her life——“feeding”. They demand that she feed them, and somehow she must also sustain the animals of the farm: How was she going to get everything fed?——that was her business. The dogs had to be fed. There wasn’t enough hay in the barn for the horses and the cow. If she didn’t feed the chickens how could they lay eggs? Without eggs to sell how could she buy things in town, things she needed to keep life on the farm going? Even though Mrs. Grimes earnestly not only performs the traditional female role of housewife, but also plays an unconventional role of a breadwinner to feed her idle husband, tough son, and loyal dogs, she gains nothing but a tragic and doomed end. Her life is nothing but an endless battle to meet the demands of the animals——as well as men——who devour her strength and youth, turning her into an “old woman when she isn’t even forty yet.”Trapped by life, Mrs. Grimes never thinks of fighting back. Because she had always been brutalized by the world, she learns to expect nothing from it. Life, to her, is merely survival. In her world, she naturally believes that man is powerful, is dominant, and she is unable to do anything against them. As the narrator says, “Wha tever happened she never said anything. That was her way of getting along.” Even her death is not a conscious suicide; it is just surrender to circumstances that dominate her, as events have always dominated her. She dies, dreamily fading into the coldness, “softly and quietly.” Even her dreams could have provided no escape, for she had no happy past to dream of because “not many pleasant things had happened to her.” In dying, as in living, Mrs. Grimes knows of no way but to give in, because she has never seen herself as someone worth fighting to save. Deprived of the love that teaches one she is valuable, Mrs. Grimes places little even no value on her life. As the narrator of the story says, Mrs. Grimes was “one of the nameless ones,” the insignificant ones, but, after her death, others began to notice her, and to see her value. Lying frozen in the snow, the body of Mrs. Grimes seems somehow transformed into “the body of some charming young girl.” The townsmen who cover her body regard it with a kind of respect and awe, and they want to avenge her mistreatment at the hands of her husband and son. The sight of the dead woman creates a “strange mystical feeling” in the minds of the adolescent narrator and his brother. Too late, someone sees the beautiful person inside of the mistreated, broken woman.Mrs. Grimes died just as she lived, for “even after death she continued feeding animal life,” her sack of scraps is ripped open by her dogs. Treated not as a person but as a thing, Mrs. Grimes died without ever seeing her own value. Her tragedy is not so much the account of her death as it is the story of her life, the story of being chosen by the frozen society as a scapegoat. Just as Anderson wrote to the editors of The Oxford Anthology of American Literatu re in 1937: “It seems to me that theme ofthe story is the persistent animal hunger of men. There are these women who spend their whole lives, rather dumbly, feeding this hunger.” Therefore, like an innocent scapegoat, Mrs. Grimes is totally swallowed by that transitional period from the Pastoral Age to the cold-blooded Machine Age and above all, by that animal hunger of men.4. ConclusionThere are many ways to interpret this story. The present paper interprets the image of the protagonist——Mrs. Grimes from the perspective of archetypal criticism to try to get new understanding of Anderson’s art. Trapped by life, Mrs. Grimes never thinks of fighting back. Because she had always been brutalized by the world, she learns to expect nothing from it. To her, life is merely a survival. In her world, she naturally believes that man is powerful, dominant, and she is unable to do anything against them. Such is the very image of Mrs. Grimes——from an innocent and scared girl through the self-reliant and alienated middle-aged housekeeper to the paralytic and deserted old woman. Her short life fits for the uttering perfectly——“Frailty, thy name is woman”.With the above analysis, the paper concludes that Mrs. Grimes manifests herself as the Scapegoat Archetype——she surely is an innocent victim of the frozen Machine Age for she has been denied any love or tenderness and exists only to be used. Mrs. Grimes can never escape her doom——to be the chosen as scapegoat and make sacrifice for the cold world.Sherwood Anderson might not be a great writer, but his works have their own distinctions and attractions. Along with the vivid character——Mrs. Grimes in “Death in the Woods”, he deserves to be a unique flower in world literature.参考文献:[1]Chen, Dunquan. Lu Hsun and Sherwood Anderson: Background, Theme, and Style[J]. Journal of Foreign Languages, 1989,(1).[2]Sherwood Anderson. Death in the Woods.[3]邓安琪. 死亡中孕育的生命[D].武汉:华中师范大学,2006.[4]封一函.安德森《林中之死》的元小说特征:第23卷[J].解放军外国语学院学报,2000,(5)[5]甘文.试论美国文学中的“替罪羊”小说[J].辽宁师范大学学报:社会科学学版,2002,(6).[6]何劲虹.孤独的社会死亡的世界[J].重庆师范大学学报,2003,(4):106-107.[7]侯艳萍.论舍伍德·安德森短篇小说中的人物创造[D].上海:上海外国语大学,2006.[8]刘玉恩.舍伍德·安德森笔下的孤独人生[D].上海:上海外国语大学,2005.An Archetypal Reading of Death in the WoodsYANG Shao-fang(Foreign Languages College Tianjin Normal University, Tianjin 300387,China) Abstract:Sherwood Anderson’s Death in the Woods has been usually read as a story presentingdeath as inevitable though not terrible, concerning the pathos of a woman’s life and the narrator’sresponse to her death. In this paper, the author supposes archetypal criticism would be a better angle to interpret the image of Mrs. Grimes whose personal history evolves from an innocent and scared girl to the paralytic and deserted old woman. Yet misfortune and tragedy always accompany her throughout her whole life. Therefore, the paper concludes Mrs. Grimes manifests herself as the Scapegoat Archetype——she surely is an innocent victim of the cold and merciless patriarchal society in which she has suffered all her life from a lack of any human warmth. She exists only to be used by men as the scapegoat of the patriarchal society.Key words:Death in the Woods; archetypal criticism; Mrs. Grimes; scapegoat。
William Wordsworth, an Imaginative and Passionate Master of Poetry
William Wordsworth, an Imaginative and Passionate Masterof PoetryAbstract: William Wordsworth, as the leading figure of the English Romantic Movement in poetry, has made great contribution in poetic theory. His poetic beliefs and achievements have always been the focus of literary studies. In this paper, his most representative poem “ I Wandered Lonely as a Cloud” is closely examined to demonstrate how Wordsworth applies his poetic principles to his own creations, especially how Wordsworth realize the fusion of reality and strong emotion in this poem by using his great imagination. Key Words: William Wordsworth, I Wandered Lonely as a Cloud, poeticprinciples, language, imagination William Wordsworth is the leading figure of the English romantic poetry, the focal voice of the romantic period. The most important contribution he has made is in the field of poetic theory. He thinks that “all good poetry is the spontaneous overflow of powerful feeling”, and poetry originates from “emotion recollected in tranquility”. His poetic principles are well illustrated in the preface to Lyrical Ballads (Wordsworth, ):“The principal object, then, which I proposed to myself in these poems was to choose incidents and situations from common life, and to relate or describe them, throughout, as far as possible, in a selection of language really used by men; and, at the same time, to throw over them a certain coloring of imagination, whereby ordinary things should bepresented to the mind in an unusual way; and, further, and above all, to make these incidents and situations interesting by tracing in them, truly though not ostentatiously, the primary laws of our nature: chiefly, as far as regards the manner in which we associate ideas in a state of excitement.”Here, we can see that Wordsworth actually sets the principles for poetic writing in three aspects: a) the raw material—the scenes and events of everyday life; b) the language—speech of ordinary people; and c) the creation process—using imagination to realize the fusion of the description of the scenes or events with expression of inward state of mind. These principles help to crumble the theoretical foundations of the classical school of English poetry, rejecting the emphasis on the form and an intellectual approachthat drained poetic writing of strong emotion, and also inspire a new generation of poets. Therefore, the preface to Lyrical Ballads is regarded as the manifestation of the English Romantic Movement in poetry, and Wordsworth the father of English modern poetry.Wordsworth, for the keen love of nature expressed in his poems, is also labeled as a “worshipper of nature” by many critics. He can penetrate to the heart of things and give the reader the very life of nature. “I Wandered Lonely as a Cloud” is one of his masterpieces on nature, which can take us to the core of his poetic beliefs. It is also one of the most anthologized poems in English literature. Thus, in the following, I will examine the poem in detail by reference to Wordsworth’s poetic principles.First, let’s look at the subject matter of this poem. “I Wandered Lonely as a Cloud” is based on recollections of the Ullswater scene described by Dorothy Wordsworth, William Wordswor th’s sister, in April 1802. At that time, Dorothy, William and their friends went for a walk along the river. Then they saw a few daffodils close to the waterside, when they went along there were more and more, and at last, they saw a long belt of daffodil s along the shore, “they looked so gay, ever glancing, ever changing. There was here and there a little knot, and a few stragglers a few yards higher up; but they were so few as not to disturb the simplicity, unity and life of that one busy highway”. (Bloo m, ) They were all intoxicated at this scene. Then when returning home, Dorothy recorded this scene in her journal, while Wordsworth recollected the same。
William Wordsworth.最终版doc
On Wordsworth’s Romantic View of NatureWilliam Wordsworth, one of the greatest poets of romanticism, was born in 1770. Since his parents died,he was taken in charge by relatives and sent to school at Hawkshead in the beautiful lake district in Northwestern England.Here,the unroofed school of nature attracted him more than the classroom, and he learned more eagerly from flowers and hills and stars than from his books. So the child cherished a love of nature, which he later expressed in his poetry.He made acquaintance of Coleridge in 1797. Sharing the same ambitions and purposes, they lived together in the Quantock Hills, Somerset, and devote their time to writing of poetry. One Year Later, a great book "Lyrical Ballads" was published, which marks the break with classicism and the beginning of the Romantic revival in England. Wordsworth’s principles of poetry were stated in the Preface of the book. He declared that“all good poetry is the spontaneous overflow of powerful feeling.”and appealed directly to individual sensations as the foundation in the creation and appreciation of poetry.The true function of poetry lies in its power to give an unexpected splendor to familiar and commonplace things. Besides, free from redundance,he endeavored to make his language fresh in imagination, simple, plain and vivid.Then William settled in the English Lake District where Robert Southey as well as Coleridge lived nearby.Based on the Common Pursuit of nature style in poems, the three men is called the "Lake Poets." During this period,Wordsworth's personality and poetry were deeply influenced by the sights and scenes of the Lake Country and create a lot of poems,during which "I Wandered Lonely as a Cloud" is perhaps the one that takes us to the core of Wordsworth's poetic beliefs. "In this poem,he uses various natural phenomena, such as clouds, daffodils and waves, as devices to characterize his different stages of emotion 、feeling and discloses the relationship between nature and human beings ,reflecting his deep love of nature、his vision of a unified world, and his celebration of the power of memory and imagination.All in all, not only does the poet brings us aesthetic pleasure and spiritualenlightenment, but also he influences early romanticism of poems in Britain and America.William Wordsworth ,the Poet Laureate,is worthy of the name.。
英美文学选读:William-Wordsworth
Meter
The lines in the poem are in iambic tetrameter, as demonstrated in the third stanza:
• ..........1...................2..................3.......................4.......... The WAVES | be SIDE | them DANCED; | but THEY
William Wordsworth
• William Wordsworth (17701850) was one of the greatest poets of England. As the leading figure of the English Romantic Movement, he has made great contribution in poetic theory. • “Poet Laureate” 桂冠诗人
Wordsworth’s writing style
William Wordsworth’s poems were fresh in imagination, simple, plain and vivid in language.
He was especially good at writing about nature and common people.
1. I wandered lonely as a cloud That floats on high o'er vales and hills, When all at once I saw a crowd, A host, of golden daffodils; Beside the lake, beneath the trees, Fluttering and dancing in the breeze
英国文学史英国浪漫主义作家威廉_华兹华斯_William_Wordsworth 4
He got his education at the Grammar School of Hawkshead,He was a worshipper of nature from his childhood. In 1787,he studied at Cambridge University. In1790-1792: tour to France. In 1795 he and his sister Dorothy settled down in Racedown, Dorsetshire. they lived a frugal life. In 1797 he made friends with Coleridge. In1843 he was named Poet Laureate.
Main Idea
• William Wordsworth returned to the Wye valley in July 1798, five years after he had first toured the region with his sister, Dorothy. • As he looks at the valley, through the lens of memory, he sees himself—both as he once was, and as he is now. • With his “Lines,” Wordsworth attempts to make sense of the changes he has undergone, and, in the process, he offers some interesting insights into the machinery of memory and the Romantic lyric.
英国文学简史期末考试复习要点_刘炳善版(海师)
一、中世纪文学(约5世纪—1485)•《贝奥武甫》(Beowulf)•《高文爵士和绿衣骑士》(Sir Gawain and the Green Knight )杰弗利·乔叟(Geoffrey Chaucer)“英国诗歌之父”。
(Father of English Poetry)《坎特伯雷故事》(The Canterbury Tales )二、文艺复兴时期文学(15世纪后期—17世纪初)•托马斯·莫尔(Thomas More )《乌托邦》(Utopia)•埃德蒙·斯宾塞(Edmund Spenser)《仙后》(The Faerie Queene)•弗兰西斯·培根(Francis Bacon)《论说文集》(Essays)克里斯托弗·马洛Christopher Marlowe•《帖木儿大帝》(Tamburlaine)•《浮士德博士的悲剧》(The Tragical History of the Life and Death of Dr。
Faustus)•《马耳他岛的犹太人》(The Jew of Malta )威廉·莎士比亚William Shakespeare喜剧《仲夏夜之梦》(A Midsummer Night's Dream)、《威尼斯商人》(The Merchant of Venice)悲剧《罗密欧与朱丽叶》(Romeo and Juliet)、《哈姆莱特》(Hamlet)、《奥赛罗》(Othello)、《李尔王》(King Lear)、《麦克白》(Macbeth)历史剧《亨利四世》(Henry IV)传奇剧《暴风雨》(The Tempest)本·琼生Ben Johnson•《人人高兴》(Every Man in His Humor)•《狐狸》(V olpone)•《练金术士》(The Alchemist)三、17世纪文学约翰·弥尔顿John Milton《失乐园》(Paradise Lost)《复乐园》(Paradise Regained)诗剧《力士参孙》(Samson Agonistes)•约翰·班扬(John Bunyan)《天路历程》(The Pilgrim’s Progress)•威廉·康格里夫(William Congreve)《以爱还爱》(Love for Love)《如此世道》(The Way of the World)四、启蒙时期文学(17世纪后期-18世纪中期)18世纪初,新古典主义成为时尚。
william wordsworth
william wordsworthWilliam Wordsworth: A Revolutionary Poet and Nature EnthusiastIntroductionWilliam Wordsworth, born in 1770 in England, is widely regarded as one of the greatest poets of the Romantic movement. His works explored human emotions, the beauty of nature, and the power of the imagination. Wordsworth’s poetry broke away from the traditional norms of the time and introduced a new perspective on the role of poetry and its relationship with nature. This document aims to delve into Wordsworth’s life, his poetic style, and the impact of his works on the literary world.Life and Early InfluencesWordsworth was raised by his mother after losing his father at an early age. Growing up in the picturesque Lake District, he developed a deep appreciation and love for nature. His childhood experiences surrounded by the stunninglandscapes of mountains, forests, and lakes later became a prominent theme in his poetry.In 1787, Wordsworth attended St. John’s College, Cambridge, where he developed his love for poetry. His fascination with the works of Milton, Shakespeare, and Nature writers like James Thomson and John Milton greatly influenced his own style and subject matter. However, it was a tour of the Alps during his college years that profoundly impacted Wordsworth, shaping his later works and philosophies.The Romantic RevolutionWordsworth, along with fellow poet Samuel Taylor Coleridge, spearheaded the Romantic Revolution in English literature. They published a joint collection of poetry titled \。
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Study of Metaphors in William Wordsworth’s Poetry from thePerspective of Cognitive LinguisticsAbstract:Metaphor has been regarded as an important device of the poetic imagination and the rhetorical flourish. Poets frequently use it not only to stimulate the readers to think and exercise their imagination, but also provoke a wide range of emotions. On the other hand, poetry is complex and difficult to comprehend due to the fact that poets frequently use metaphor to convey their thoughts, for metaphor has various interpretations.This paper intends to explore how William Wordsworth uses metaphors on her poems, and convey his feelings and thoughts about nature, and how metaphor enhances our thought processes, and makes poetry exotic, quite interpretive and more enjoyable for readers.Key words: Cognitive Linguistics;Conceptual Metaphor;Poetry1 IntroductionLiterary texts are the products of both authors’cognizing minds and their interpretations, and the products of readers’cognizing minds. Margaret H. Freeman put forward a theory of cognitive poetics, which she believes it is a powerful tool for making explicit our reasoning processes and for illuminating the structure and content of literary texts. It provides a theory of literature that is both grounded in the language of literary texts and grounded in the cognitive linguistic strategies readers use to understand them. Cognitive poetics views poetry as a central, indispensable form of human language behavior. Metaphor is a necessary component of poetry. Undoubtedly metaphor is language, so we can use the cognitive theory to analyze metaphor in poetry and how poets find the materials of metaphor.Therefore in this thesis I will discuss the use of metaphor in William Wordsworth’poem I Wandered Lonely as a Cloud and to show how cognitive theory such as conceptual metaphor can be applied to this poem and illustrates how the poet use his cognition in creating metaphors and how the metaphors evoke the reader’s enjoyment and appreciation in the poem.2 Conceptual metaphorAmong the comprehensive literature on metaphor, the most famous one maybe Lakoff and Johnson’s conceptual metaphor theory. The publication of Metaphors WeLive By in 1980 marked the beginning of modern research on metaphor with a cognitive perspective.This book proposes the conceptual metaphor theory. Lakoff and Johnson claim that we frequently think about objects, properties, or relations in one domain (the target domain) by systematically mapping these onto objects and properties in another domain (the source domain). The correspondence relation between these domains constitutes a potentially large and organized conceptual metaphor, by means of one domain in terms of the other.3 Analysis of Metaphors in I Wandered Lonely as a Cloud from the perspective of Conceptual Metaphor Theory3.1 An introduction to WordsworthWordsworth is a great poet, a leading figure of the English Romanticism. He was born on April 17, 1770 in Cockermouth, Cumberland, in the Lake District into a family of an attorney. The natural beauty of the Lake District awoke in him a love and passion for the magnificent landscape and the childhood experience affected his mind and imagination deeply all his life. (夏尚立,72)In Wordsworth’s opinion, good poetry is th e spontaneous overflow of powerful feelings and it takes its origin from emotion recollected in tranquility.3.2Study of Wordsworth’s poetry applying Conceptual Metaphor TheoryTo a certain extent, poetry is about exemplifying ideas, thought, concepts and feelings. Though full of metaphors, the plot of the poem is still rather simple, and the poet’s passion and imagination flow out fluently and continuously in simple and concise language, leading us to a world of fantastic beauty. Wordsworth also believed it “an elementary feeling and simple expression”. Let’s analyse this metaphor emphasized again and again in this poem: Nature is a teacher.There are a lot of similarities between the Source Domain nature and the Target Domain teacher. Nature is the incarnation of order and civilization, which could save people from degradation; obviously nature has the cultivating function of a teacher. Furthermore, teacher is as pure, charming and refreshing as nature, which can be clarified as follows.Wordsworth, in the first stanza, shows us his lonely mood by using the word “wander” and by comparing himself to “cloud”. The poet by the use of a metaphor conveys to us his lonely and melancholy mood with the image of “a cloud that floats on high” for his in no rel ation to nature. The cloud to which the speaker compares himself is metaphorized by being given the human capabilities to feel lonely andsuperior.“I wondered lonely as a cloud” immediately establishesthe poet’s loneliness and melancholy. But in contrast with the poet’s loneliness, the daffodils are happy and dancing with life. Nature (the daffodils) is like an elder teacher who seems to be able to temper his temper properly and keep an easy condition of living and at the same time give the young some enjoyment to shine their lives. As soon as the poet sees daffodils, the symbol of nature, and finds himself in the midst of it, focusing on the “crowd” or “host of golden daffodils, no longer is the speaker distant, remote and aloof, accordingly his loneliness turns into relaxation and joy. It is the daffodils that bring great joy and relief to the poet. A teacher could also equal nature in this respect, for if you feel lonely, he would be with you talking you out of depression as an intimate coming back from far; if you are too pessimistic to live an enjoyable life, he will help you find out the reasons and make an active and promising plan as a result. And it is teachers who give us knowledge, the way to be a man and the laughter in and out of class.Though the charms of the daffodils vary through the poem, they are all expressed by metaphorical languages. The image “dance” is very impressive in the poem and these all show a beautiful serene of nature.The poet is greatly attracted by the beauty and richness of the daffodils and is not lonely any more. Now he has something to depend on in his heart and is completely reluctant to say goodbye, for the thousand times he turned his head to memorize it all. The poet could not but be gay because of the accompaniment of the beautiful nature. Therefore, the fare daffodils resemble a gifted teacher very much, who would like to recite a lyric before class passionately; who would tell a story to make the class more attractive; who could settle arguments and resolve problems skillfully; and who would be charming and talented to be his students’ idol. The daffodils are charming, and no doubt the same is true with a gifted teacher.At the very beginning, the poet is filled with solitude for having nothing to do with nature, and later this is eased by coming across a crowd of dancing and fluttering daffodils, the beautiful nature; and in the end for a second time the poet comes upon gloom, and is saved by the deposit of his happy experience of seeing the unforgettable daffodils, which eventually become his great wealth. Nature gradually come to be integral as the essential of one’s living without which a man would become out of focus, the same is true with teachers, without whom our lives would be lack of joys , goals and friends to help us.Pretty clearly we can say nature is a teacher after the analyses of the metaphors from the view of conceptual metaphor theory in this poem, and these poetic metaphors in the poem are the vivid reflections of the nature itself and haveconsiderable characteristics of the figure of a talented teacher.4 ConclusionIn the previous chapters, the thesis has attempted to study metaphors as a matter of thought and try to make clear the cognitive role of metaphor in William Wordsworth’s poems. The poet compared nature to a teacher to direct and save people. With this conceptual metaphor we can understand the real meaning that the poet wanted to express.In short, metaphors help the reader explore their inner feelings and emotions. Without metaphor poetry would be extremely shallow. Shallow poetry is perhaps one of the most purposeless forms of writing available. Metaphors are needed to add depth to poems. By using metaphor, poets can illuminate our experience, explore the consequences of our beliefs, challenge the ways we think, because metaphor is a primary tool for understanding our world and ourselves.Works Cited:[1]Fauconnier, Gilles. Mental Space[M] New York, Cambridge University Press, 1994.[2]F. Ungerer, H. J. Schmid. An Introduction to Cognitive Linguistics[M]. Beijing, Foreign LanguageTeaching and Research Press, 2008.[3]Lakoff, G, Johnson, M. 1980. Metaphors We Live By[M]. Chicago and London: The University of Chicago Press.[4]束定芳.隐喻学研究[M]. 上海:上海外语教育出版社,2001.[5]王春.关于华兹华斯诗歌中自然主题的研究[M]. 西安外国语学院学报,2003(6).[6]吴伟仁.英国文学史及选读[M]. 北京:外语教学与研究出版社,1988.[7]夏尚立.英诗和英国诗人——从伊丽莎白时期到现代.北京:中国科学文化出版社,2005[8]谢之君.隐喻认知功能探索[J]. 上海:复旦大学出版社,2007.[9]赵艳芳.认知的发展与隐喻[J]. 外语与外语教学,1998(10): 8.[10]左金梅.英美浪漫主义诗歌概论与欣赏[J].青岛:中国海洋大学出版社,2006.。