Chinese Mythology中国神话

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Chinese mythology 中国神话传说 英文版的

Chinese mythology 中国神话传说 英文版的

Chinese MythologyChinese mythology (中国神话) is a collection of cultural history, folktales, and religions that have beenpassed down in oral or written tradition. These include creation myths and legends and myths concerning the founding of Chinese culture and the Chinese state. Like many mythologies, it has in the past been believed to be, at least in part, a factual recording of history.Historians have conjectured that the Chinese mythology began in the 12th century BCE. The myths and legends were passed down in oral form for over a thousand years, before being written in books such as Shan Hai Jing. Other myths continued to be passed down through oral traditions like theater and song, before being recorded as novels such as Hei'an Zhuan - Epic of Darkness (literally Epic of the Darkness). This collection of epic legends is preserved by a community of Chinese Han nationality, inhabitants of the Shennongjia mountain area in Hubei, and contains accounts from the birth of Pangu up to the historical era.Imperial historical documents and philosophical canons such as Shangshu, Shiji, Liji, Lüshi Chunqiu, and others, all contain Chinese myths.Creation mythsChinese creation myths explain the legendary beginnings of the universe, earth, and life.Early Chinese texts recorded fragments of creation stories. The Zhuangzi and Huainanzi cosmogonically mention Hundun. The Shujing and Guoyu describe the separation of Heaven and Earth during the legendary era of Zhuanxu. The Huainanzi and Chuci say that Nüwa created the first humans from yellow clay and repaired the fallen pillars of Heaven (cf. Axis mundi).One of the most popular creation myth in Chinese mythology describes Pangu 盤古separating the world egg-like Hundun 混沌"primordial chaos" into Heaven and Earth. However, none of the ancient Chinese classics mentions the Pangu myth, which was first recorded in the (3rd century CE) Sanwu Liji三五歴記"Record of Cycles in Threes and Fives", written by Three Kingdoms period Daoist author Xu Zheng. Derk Bodde paraphrases.Heaven and Earth were once inextricably commingled (hun-tun) like a chicken's egg, within which was engendered P'an-ku (a name perhaps meaning "Coiled-up Antiquity"). After 18,000 years, this inchoate mass split apart, what was bright and light forming Heaven, and what was dark and heavy forming Earth. Thereafter, during another 18,000 years, Heaven daily increased ten feet in height, Earth daily increased ten feet in thickness, and P'an-ku, between the two, daily increased ten feet in size. This is how Heaven and Earth came to be separated by their present distance of 9 million li (roughly 30,000 English miles). (1961:382-3)The (ca. 4th century BCE) Daodejing suggests a less mythical Chinese cosmogony and has some of the earliest allusions to creation.There was something featureless yet complete, born before heaven and earth; Silent – amorphous – it stood alone and unchanging. We may regard it as the mother of heaven and earth. Not knowing its name, I style it the "Way." (tr. Mair 1990:90)The Way gave birth to unity, Unity gave birth to duality, Duality gave birth to trinity, Trinity gave birth to the myriad creatures. The myriad creatures bear yin on their back and embrace yang in their bosoms. They neutralize these vapors and thereby achieve harmony. (tr. Mair 1990:9)Later Daoists interpreted this sequence to mean the Dao "Way", formless Wuji "Without Ultimate", unitary Taiji "Great Ultimate", and binary yin and yang or Heaven and Earth.The (ca. 4th-3rd centuries BCE) Taiyi Shengshui "Great One gave birth to water", a Daoist text recently excavated in the Guodian Chu Slips, offers an alternate creation myth, but analysis remains uncertain.The (ca. 120 CE) Lingxian靈憲, by the polymath Zhang Heng, thoroughly accounts for the creation of Heaven and Earth.Before the Great Plainness (or Great Basis, Taisu 太素) came to be, there was dark limpidity and mysterious quiescence, dim and dark. No image of it can be formed. Its midst was void; its exterior was non-existence. Things remained thus for long ages; this is called obscurity (mingxing溟涬). It was the rootof the Dao. … When the stem of the Dao had been grown, creatures ca me into being and shapes were formed. At this stage, the original qi split and divided, hard and soft first divided, pure and turbid took up different positions. Heaven formed on the outside, and Earth became fixed within. Heaven took it body from the Yang, so it was round and in motion; Earth took its body from the Yin, so it was flat and quiescent. Through motion there was action and giving forth; through quiescence there was conjoining and transformation. Through binding together there was fertilization, and in time all the kinds of things werebrought to growth. This is called the Great Origin (Taiyuan 太元). It was the fruition of the Dao. (tr. Cullen 2008:47)The Neo-Confucianist philosopher Zhou Dunyi provided a multifaceted cosmology in his Taiji tushuo太極圖說"Diagram Explaining the Supreme Ultimate", which integrated the Yijing with Daoism and Chinese Buddhism.Zhou's Taiji tushuo diagramMajor concepts and figuresSome myths survive in theatrical or literary formats, as plays or novels. Important mythological fiction which is seen as definitive records of these myths include:•Verse poetry of ancient states such as Lisao by Qu Yuan of the Chu state.•Fengshen Bang (封神榜), or Investiture of the Gods, a mythological fiction dealing with the founding of the Zhou dynasty.•Journey to the West, by Wu Cheng'en and published in the 1590s, a fictionalised account of the pilgrimage of Xuanzang to India to obtain Buddhist religious texts, in which the pilgrims encounter ghosts, monsters, and demons as well as the Flaming Mountains.•Baishe Zhuan, a romantic tale set in Hangzhou involving a female snake who attained human form and fell in love with a man.Shangdi (上帝)Shangdi (上帝, pinyin: Shàngdì, Wade-Giles Shang Ti, lit. "High Sovereign") refers to a god or a powerregarded as the spiritual ultimate by the Chinese people during the Shang Dynasty.[1] According to Yanxia Zhao, evidence shows that Shangdi was probably more transcendental than immanent, only workingthrough lesser gods.[2] During the Zhou Dynasty, Shangdi was associated with Heaven (天Tiān).[3] By thetime of the Han dynasty, the influential Confucian scholar Zheng Xuan declared that "Shangdi is another name for Tian." Shangdi remains chiefly synonymous with Heaven in modern Chinese thought.First mentionThe earliest references to Shangdi are found in Oracle Bone inscriptions of the Shang Dynasty (ca. 1600 –ca. 1046 BC). Shangdi is first mentioned in Chinese Literature in the Five Classics, allegedly compiled by Confucius in the 6th century BC. The Wujing was a collection of five books that represented the pinnacle of Chinese culture at that time. The oldest parts of the Wujing were first written around 1000 BC, apparently relying on older texts. All of the five classics include references to Shangdi:Occurrences of Shangdi (上帝) in Wujing (五經)char pinyin English occurrence書經 Shujing Classic of History 32 times詩經 Shijing Classic of Poetry 24 times禮記 Liji Classic of Rites 20 times春秋 Chunqiu Spring and Autumn Annals 8 times易經 Yijing Classic of Changes 2 timesOther classics mention Shangdi as well. Another "Classic" collection, the Four Books (四書, pinyin: SìShū), mentions Shangdi also, but it is a later compilation and the references are much more sparse andabstract. The highest number of occurrences appear in the earliest references; this pattern may reflect increasing rejection of Shangdi over time.One of the five books in the Wujing is the Classic of History, (書經, pinyin: Shujing), aka Book of History, aka Esteemed Book (尚書, pinyin: Shangshu). The Shujing is possibly the earliest narrative of China, andmay predate the European historian Herodotus (about 440 BC) as a history by many centuries. This implies that Shangdi is the oldest deity directly referenced by any Chinese narrative literature. The Shujing itself is also divided into 5 parts, and those parts were actually considered books as well. However, the number of books or "documents" is a division that varies depending on the version or compilation. Therefore, quoted references may not match in different compilations.The 2nd of the 5 "books" inside the Shujing is called the "Book of Yu" (虞書, pinyin: Yushu). Yu, in this title, is a location, not the popular hero Yu (禹). This "book" has 4 "chapters"; and the 1st "chapter" is called the "Canon of Shun" (舜典, pinyin: Shun Dian). Emperor Shun was the predecessor to the heroic Da Yu (大禹), or Great Yu, the first emperor of the Xia Dynasty. About the third sentence is the first mentionof Shangdi. And, as it was mentioned in the previous section how yearly sacrifices to Shangdi were made by Emperor Shun, the Chinese belief in Shangdi may have been regarded as predating the Xia Dynasty.WorshipFrom the earliest eras of Chinese history, Shangdi was officially worshipped through sacrificial rituals. Shangdi is believed to rule over natural and ancestral spirits, who act as His ministers. Shangdi is thought to be the Supreme Guide of both the natural order and the human order. The ruler of China in every Chinese dynasty would perform annual sacrificial rituals to Shangdi at the great Temple of Heaven in the imperial capital. During the ritual a completely healthy bull would be slaughtered and presented as an animal sacrifice to Shangdi. It is important to note that Shangdi is never represented with either images or idols. Instead, in the center building of the Temple of Heaven, in a structure called the "Imperial Vault ofHeaven", a "spirit tablet" (神位, or shénwèi) inscribed with the name of Shangdi is stored on the throne,Huangtian Shangdi (皇天上帝). During an annual sacrifice, the emperor would carry these tablets to thenorth part of the Temple of Heaven, a place called the "Prayer Hall For Good Harvests", and place them on that throne.[4]Jade Emperor)Jade Emperor in a Ming Dynasty ink and color painting on silk, 16th century.The Jade Emperor (Chinese: 玉皇; pinyin: Yù Huáng or 玉帝Yù Dì) in Chinese folk culture, is the rulerof Heaven and all realms of existence below including that of Man and Hell, according to a version of Taoist mythology. He is one of the most important gods of the Chinese traditional religion pantheon. In actual Taoism, the Jade Emperor governs all of the mortals' realm and below, but ranks below the Three Pure Ones.The Jade Emperor is known by many names, including Heavenly Grandfather (天公Tiān Gōng) which is used by commoners; the Pure August Jade Emperor, August Personage of Jade (玉皇上帝Yu Huang Shangdi or 玉皇大帝Yu Huang Dadi); the Xuanling High Sovereign; and his rarely used, formal title, Peace Absolving, Central August Spirit Exalted, Ancient Buddha, Most Pious and Honorable, His Highness the Jade-Emperor, Xuanling High Sovereign (太平普度皇靈中天至聖仁義古佛玉皇大天尊).There are many stories in Chinese mythology involving the Jade Emperor.OriginIt was said that the Jade Emperor was originally the crown prince of the kingdom of Pure Felicity and Majestic Heavenly Lights and Ornaments. At birth, he emitted a wondrous light that filled the entire kingdom. When he was young, he was kind, intelligent and wise. He devoted his entire childhood to helping the needy (the poor and suffering, the deserted and single, the hungry and disabled). Furthermore, he showed respect and benevolence to both men and creatures. After his father died, he ascended the throne. He made sure that everyone in his kingdom found peace and contentment. After that, he told his ministers that he wished to cultivate Tao on the Bright and Fragrant Cliff.After 1,550 kalpas, each kalpa lasting for 129,600 years, he attained Golden Immortality. After another one hundred million years of cultivation, he finally became the Jade Emperor. (Using the given figures, this period before his becoming the Jade Emperor lasted for a total of about 200,880,000 years.)Vanquishing evilOne of the myths describes how the Jade Emperor became the monarch of all the deities in heaven. It is one of the few myths in which the Jade Emperor really shows his might.In the beginning of time, the earth was a very difficult place to live; a much harsher place to live in than itis now. People were having tremendous difficulty coping with existence; not only did they have to deal with harsh conditions, but also with all kinds of monstrous beings. At this time, there were also not many gods or deities to protect them. Furthermore, a lot of powerful, evil demons were defying the immortals of heaven. The Jade Emperor was still at the time an ordinary immortal who roamed earth to help as many people as he could. He was, however, saddened by the fact that his powers were limited and could onlyease the sufferings of humans. He decided to retreat in a mountain cave and cultivate his Tao. He passed 3,200 trials, each trial lasting about 3 million years.Unfortunately, a powerful, evil entity—a demon of sorts, which dwelt on earth—had the ambition to conquer the immortals and gods in heaven and proclaim sovereignty over the entire universe. This evil entity also went into retreat and meditation to expand its power, though later than the Jade Emperor. He passed through 3,000 trials each trial lasting for about 3 million years too. After it passed its final trial, it felt confident that no one could defeat it anymore. It re-entered the world again, and recruited an army of demons with the purpose of attacking heaven.The immortals, being aware of the threat, gathered themselves and prepared for war. The gods were unable to stop the powerful demon and it defeated them all.Fortunately, the Jade Emperor finished his cultivation in the midst of this war. He was changing the land to make it more liveable for men and repelling all kinds of monstrous beasts. Suddenly, he saw an evil glow emitting from heaven and knew something was amiss. He ascended and saw that a war was going on, he saw that the demon was too powerful to be stopped by any of the gods present. He went up and challenged the demon, and a battle ensued between them. Mountains shook and rivers and seas toppled; however, the Jade Emperor stood victorious due to his deeper and wiser cultivation, not for might but for benevolence. After defeating the demon, all the other demons were scattered by the gods and immortals.Because of his noble and benevolent deeds, the gods, immortals and humans proclaimed the Jade Emperor the supreme sovereign of all.CreationJade EmperorThe world started with 無極(wuji: nothingness) according to the Chinese creation myth, Jade Emperor was the head of the pantheon but not responsible to the creation process itself.According to another version of creation myth, the Jade Emperor fashioned the first humans from clay, but as he left them to harden in the sun, it rained, misshaping some of the figures, thus explaining the origin of sickness and physical abnormalities (The most common alternative Chinese creation myth states that human beings were once fleas on the body of Pangu.)The story above is also told as Nüwa, who fashions evil out of the mud from the Yellow River by hand. Those she made became the richer people of the earth. After getting lazy, she used a rope and swung it around. The drops that fell from the rope became the poorer humans.The princess and the cowherdIn another story[citation needed], popular throughout Asia and with many differing versions, the Jade Emperor has a daughter named Zhinü (simplified Chinese: 织女; traditional Chinese: 織女; pinyin: zhī nǚ orChih'nü, literally: weaver girl). She is most often represented as responsible for weaving colorful clouds in the heaven. In some versions she is the Goddess Weaver, daughter of the Jade Emperor and the Celestial Queen Mother, who weaves the Silver River (known in the West as the Milky Way), which gives light to heaven and earth. In other versions, she is a seamstress who works for the Jade Emperor.Every day Zhinü descended to earth with the aid of a magical robe to bathe. One day, a lowly cowherd named Niu Lang (Chinese: 牛郎; pinyin: niú láng) spotted Zhinü as she bathed in a stream. Niu Lang fellinstantly in love with her and stole her magic robe which she had left on the bank of the stream, leaving her unable to escape back to Heaven. When Zhinü emerged from the water, Niu Lang grabbed her and carried her back to his home.When the Jade Emperor heard of this matter, he was furious but unable to intercede, since in the meantime his daughter had fallen in love and married the cowherd. As time passed, Zhinü grew homesick and began to miss her father. One day, she came across a box containing her magic robe which her husband had hidden. She decided to visit her father back in Heaven, but once she returned, the Jade Emperor summoned a river to flow across the sky (the Milky Way), which Zhinü was unable to cross to return to her husband. The Emperor took pity on the young lovers, and so once a year on the seventh day of the seventh month of the lunar calendar, he allows them to meet on a bridge over the river.The story refers to constellations in the night sky. Zhinü is the star Vega in the constellation of Lyra east of the Milky Way, and Niu Lang is the star Altair in the constellation of Aquila west of the Milky Way. Under the first quarter moon (7th day) of the seventh lunar month (around August), the lighting condition in the sky causes the Milky Way to appear dimmer, hence the story that the two lovers are no longer separated in that one particular day each year.The seventh day of the seventh month of the lunar calendar is a holiday in China called Qixi Festival, which is a day for young lovers much like Valentine's Day in the West. In Japan, it is called Tanabata (star day), and in Korea, it is called Chilseok. If it rains on that day, it is said to be Zhinü crying tears of happiness in being reunited with her husband.The zodiacThere are several stories as to how the twelve animals of the Chinese zodiac were chosen. In one, the Jade Emperor, although having ruled Heaven and Earth justly and wisely for many years, had never had the time to actually visit the Earth personally. He grew curious as to what the creatures looked like. Thus, he asked all the animals to visit him in heaven. The cat, being the most handsome of all animals, asked his friend the rat to wake him on the day they were to go to Heaven so he wouldn't oversleep. The rat, however, was worried that he would seem ugly compared to the cat, so he didn't wake the cat. Consequently, the cat missed the meeting with the Jade Emperor and was replaced by the pig. The Jade Emperor was delighted with the animals and so decided to divide the years up amongst them. When the cat learned of what had happened, he was furious with the rat and that, according to the story, is why cats and rats are enemies to this day. The cat however, does have a place in the Vietnamese zodiac, replacing the rabbit.His predecessor and successorThe Jade Emperor was originally the assistant of the Divine Master of the Heavenly Origin, Yuanshi Tianzun. Yuanshi Tianzun is said to be the supreme beginning, the limitless and eternal creator of Heaven and Earth, who picked Yu-huang, or the Jade Emperor, as his personal successor. The Jade Emperor willeventually be succeeded by the Heavenly Master of the Dawn of Jade of the Golden Door (金闕玉晨天尊).[1] The characters for both are stamped on the front of the arms of his throne. In two folk automaticwriting texts in 1925 and 1972 Guan Yu became the 18th Jade Emperor in about 1840 AD,[2][3][4] however some have disagreed that Guan Yu has succeeded, and thus the Jade Emperor and Guan Yu are often worshiped separately.[5] In Tienti teachings, the current jade emperor has 55 predecessors.[6]Worship and festivalsThe Jade Emperor's Birthday is said to be the ninth day of the first lunar month. On this day Taoist temples hold a Jade Emperor ritual (拜天公bài tiān gōng, literally "heaven worship") at which priests and laymen prostrate themselves, burn incense, and make food offerings.Chinese New Year's Eve is also a day of worship as it is said to be the day the Jade Emperor makes his annual inspection of the deeds of mortals and rewards or punishes them accordingly. On this day incense is burned in the home and offerings are made to the Jade Emperor and also to Zao Jun, the god of kitchen who reports to the Emperor on each family.Yuk Wong Po Tin in A Kung Ngam, Hong Kong.A temple in Hong Kong is located at A Kung Ngam and is also called "Yuk Wong Po Tin" (玉皇寶殿YuHuang Bao Dian). In the mid 19th century, people from Huizhou and Chaozhou mined stones in the hill for the development of the central urban area. They set up a shrine to worship Yuk Wong. At the beginning of the 20th century, the shrine was developed into a small temple and was renovated many times. The latest renovation was in 1992.Tian ( or Heaven)Tian (Chinese: 天; pinyin: tiān; Wade–Giles: t'ien; literally "Sky or heaven, heavens; god, gods") is one of the oldest Chinese terms for the cosmos and a key concept in Chinese mythology, philosophy, and religion. During the Shang Dynasty (17–11th centuries BCE) the Chinese called god Shangdi (上帝"lord on high")or Di ("lord"), and during the Zhou Dynasty (11th–3rd centuries BCE) Tian "heaven; god" became synonymous with Shangdi. Heaven worship was, for thousands of years, the orthodox state religion of imperial China.In the Chinese philosophical systems of Taoism and Confucianism, Tian is often translated as "Heaven"and is mentioned in relationship to its complementary aspect of Dì (地), which is most often translated as "Earth". These two aspects of Daoist cosmology are representative of the dualistic nature of Taoism. They are thought to maintain the two poles of the Three Realms (三界) of reality, with the middle realm occupied by Humanity (人Ren).Chinese Bronze script for tian天"heaven" Chinese Oracle script for tian天"heaven" CharactersTian's modern Chinese character 天combines da大"great; large" and yi一"one", but some of the original characters in Shang oracle bone script and Zhou bronzeware script anthropomorphically portray a large head on a great person. The ancient oracle and bronze ideograms for da大depict a stick figure person with arms stretched out denoting "great; large". The oracle and bronze characters for tian天emphasize the cranium of this "great (person)", either with a square or round head, or head marked with one or two lines. Since Shang scribes cut oracle inscriptions on bone or shell, their characters often have straight lines where later bronze inscriptions have curved lines. Schuessler (2007:495) notes the bronzegraphs for tian, showing a person with a round head, resemble those for ding丁"4th Celestial stem", andsuggests "The anthropomorphic graph may or may not indicate that the original meaning was 'deity', rather than 'sky'."Besides the usual 天, tian "heaven" has variant Chinese characters. Two early examples are 兲(written with 王"king" and 八"8") and the Daoist coinage 靝(with 青"blue" and 氣"qi", i.e., "blue sky"). OriginsThe sinologist Herrlee Creel, who wrote a comprehensive study on "The Origin of the Deity T'ien" (1970:493–506), gives this overview.For three thousand years it has been believed that from time immemorial all Chinese revered T'ien 天, "Heaven," as the highest deity, and that this same deity was also known as Ti 帝or Shang Ti 上帝. But the new materials that have become available in the present century, and especially the Shang inscriptions, make it evident that this was not the case. It appears rather that T'ien is not named at all in the Shang inscriptions, which instead refer with great frequency to Ti or Shang Ti. T'ien appears only with the Chou, and was apparently a Chou deity. After the conquest the Chou considered T'ien to be identical with the Shang deity Ti (or Shang Ti), much as the Romans identified the Greek Zeus with their Jupiter. (1970:493)Creel refers to the historical shift in ancient Chinese names for "god"; from Shang oracles that frequently used di and shangdi and rarely used tian to Zhou bronzes and texts that used tian more frequently than its synonym shangdi.First, Creel analyzes all the tian and di occurrences meaning "god; gods" in Western Zhou era Chinese classic texts and bronze inscriptions. The Yi Jing "Classic of Changes" has 2 tian and 1 di; the Shi Jing "Classic of Poetry" has 140 tian and 43 di or shangdi; and the authentic portions of the Shu Jing "Classic of Documents" have 116 tian and 25 di or shangdi. His corpus of authenticated Western Zhou bronzes (1970:464–75) mention tian 91 times and di or shangdi only 4 times. Second, Creel contrasts the disparity between 175 occurrences of di or shangdi on Shang era oracle inscriptions with "at least" 26 occurrences oftian. Upon examining these 26 oracle scripts that scholars (like Guo Moruo) have identified as tian天"heaven; god" (1970:494–5), he rules out 8 cases in fragments where the contextual meaning is unclear. Of the remaining 18, Creel interprets 11 cases as graphic variants for da "great; large; big" (e.g., tian i shang天邑商for da i shang大邑商"great settlement Shang"), 3 as a place name, and 4 cases of oracles recording sacrifices yu tian于天"to/at Tian" (which could mean "to Heaven/God" or "at a place called Tian".)The Shu Jing chapter "Tang Shi" (湯誓"Tang's Speech") illustrates how early Zhou texts used tian"heaven; god" in contexts with shangdi "god". According to tradition, Tang of Shang assembled his subjects to overthrow King Jie of Xia, the infamous last ruler of the Xia Dynasty, but they were reluctant to attack.The king said, "Come, ye multitudes of the people, listen all to my words. It is not I, the little child [a humble name used by kings], who dare to undertake what may seem to be a rebellious enterprise; but for the many crimes of the sovereign of Hsiâ [Xia] Heaven has given the charge [tianming, see Compounds below] to destroy him. Now, ye multitudes, you are saying, 'Our prince does not compassionate us, but (is calling us) away from our husbandry to attack and punish the ruler of Hsiâ.' I have indeed heard these words of you all; but the sovereign of Hsiâis an offender, and, as I fear God [shangdi], I dare not but punish him. Now you are saying, 'What are the crimes of Hsiâ to us?' The king of Hsiâ does nothing but exhaust the strength of his people, and exercise oppression in the cities of Hsiâ. His people have all become idle in his service, and will not assist him. They are saying, 'When will this sun expire? We will all perish with thee.' Such is the course of the sovereign of Hsiâ, and now I must go and punish him. Assist, I pray you, me, the one man, to carry out the punishment appointed by Heaven [tian]. I will greatly reward you. On no account disbelieve me; —I will not eat my words. If you do not obey the words which I have spoken to you, I will put your children with you to death; —you shall find no forgiveness." (tr. James Legge 1865:173–5)Having established that Tian was not a deity of the Shang people, Creel (1970:501–6) proposes a hypothesis for how it originated. Both the Shang and Zhou peoples pictographically represented da大as。

中国神话传说推荐作文英语

中国神话传说推荐作文英语

中国神话传说推荐作文英语题目,Chinese Mythology: A Source of Inspiration。

Chinese mythology is a treasure trove of captivating stories, rich symbolism, and profound wisdom. From the mystical tales of gods and goddesses to the epic journeysof legendary heroes, Chinese mythology offers a vast reservoir of inspiration that continues to captivatereaders and storytellers alike. In this essay, we willdelve into some of the most renowned myths from Chinese folklore and explore their enduring relevance and influence.One of the most famous myths in Chinese mythology isthe le gend of Nüwa, the creator goddess. According to the myth, in the beginning, the world was in chaos, with no order or life. Nüwa took pity on the barren earth and set out to create living beings. She molded figures out of mud and breathed life into them, thus bringing harmony and balance to the world. This myth highlights the importanceof creation, nurturing, and the balance between yin andyang, themes that are central to Chinese culture and philosophy.Another beloved myth is the story of the Monkey King, also known as Sun Wukong, from the classic novel "Journey to the West." Born from a stone, the Monkey King possesses incredible strength, agility, and magical powers. Throughout his adventures, he challenges authority, overcomes obstacles, and ultimately attains enlightenment. The Monkey King embodies the ideals of perseverance, self-discovery, and the quest for spiritual enlightenment, making him a beloved figure in Chinese literature and popular culture.The myth of the Eight Immortals is yet another captivating tale from Chinese mythology. These legendary figures, each with their unique powers and personalities, embark on fantastical adventures while imparting moral lessons and wisdom to those they encounter. From the mischievous antics of Lu Dongbin to the compassionate deeds of Zhongli Quan, the Eight Immortals represent a diverse array of virtues and values that continue to resonate withaudiences today.Chinese mythology is also replete with stories of love and tragedy, such as the legend of the Cowherd and the Weaver Girl. This poignant tale recounts the forbidden love between a mortal cowherd named Niulang and a celestial weaver named Zhinü. Despite the obstacles that separate them, including the Milky Way, their love perseveres, inspiring countless generations with its enduring power and significance.In addition to its captivating narratives, Chinese mythology is imbued with profound symbolism and allegory. The myth of the Dragon King, for example, symbolizes the power of water and the importance of respecting nature. Similarly, the story of the Four Symbols—Azure Dragon, Vermilion Bird, White Tiger, and Black Tortoise—represents the cardinal directions, seasons, and elements, serving as a cosmological framework for understanding the universe.Furthermore, Chinese mythology reflects the cultural and historical context in which it originated, providingvaluable insights into ancient Chinese society, beliefs, and values. Whether it is the reverence for ancestors, the worship of nature deities, or the rituals associated with festivals like the Lunar New Year, Chinese mythology offers a window into the rich tapestry of Chinese civilization.In conclusion, Chinese mythology is a boundless source of inspiration, wisdom, and cultural heritage. Its timeless tales continue to captivate audiences around the world, transcending geographical and linguistic boundaries. Through its myths and legends, Chinese mythology not only entertains but also educates, enlightens, and enriches our understanding of the human experience. As we celebrate the enduring legacy of Chinese mythology, let us cherish and preserve these cherished stories for generations to come.This essay draws inspiration from the rich tapestry of Chinese mythology, exploring its enduring relevance and influence on literature, culture, and society. From the creation myths of Nüwa to the epic adventures of the Monkey King, Chinese mythology offers a wealth of stories that continue to captivate audiences around the world.Through its timeless tales and profound symbolism, Chinese mythology provides valuable insights into ancient Chinese society, beliefs, and values, while also inspiring creativity, imagination, and cultural exchange. As we delve into the enchanting world of Chinese mythology, let us celebrate its enduring legacy and appreciate the timeless wisdom it imparts.。

Chinese myth中国神话

Chinese myth中国神话

Chinese mythology is as varied and multi-leveled as the country from which it springs. China contains many different cultural groupings, who speak a number of different languages. However, it has had a literate cultural élite for thousands of years, and myths which were originally regional have spread by means of a pictographic script which transcended language barriers. Their evolution has not been entirely oral.Much Chinese mythology is based on animism, which sees the land itself as alive. It contains many therianthropic creatures, who are both animal and human, and demonstrates the playfulness of the gods.Pangu and the Creation of the WorldOne of the well-known creation myths in Chinese mythology is Pan Gu. This myth tells about a time when there is nothing but just chaos present as a dark mist in a giant egg. This egg contains everything needed for creation. The creator, Pan Gu, starts to grow in this egg. In the meantime, the creative elements inside the egg are dispersed everywhere. The yin based elements create the heaven while the yang based elements create the earth. Pan Gu stands in between and carries the heaven in order to keep these two elements separated. He believes that if these two elements get together again, there will be chaos. So, he keeps them apart for thousands of years. When he believes that the earth and the heaven are completely separated, he lets go and lies down in heaven to rest, in other words, he dies.Pangu died, and his body went to make the world and all its elements. The wind and clouds were formed from his breath, his voice was thunder and lightning, his eyes became the sun and moon, his arms and his legs became the four directions of the compass and his trunk became the mountains. His flesh turned into the soil and the trees that grow on it, his blood into the rivers that flow and his veins into paths men travel. His body hair became the grass and herbs, and his skin the same, while precious stones and minerals were formed from his bones and teeth. His sweat became the dew and the hair ofhis head became the stars that trail throughout heaven. As for the parasites on his body, these became the divers races of humankind.Although Pangu is dead, some say he is still responsible for the weather, which fluctuates according to his moods.The themes of Chinese mythsThe themes of Chinese myths have significant parallels with those of other world mythologies. Where they diverge is in their central concern and cultural distinctiveness. Major mythic themes are narrated in several versions, such as the six story lines of the creation of the world and the four flood myth stories. The world picture of one Chinese creation myth shows similarities with ancient Egyptian cosmology. Other creation myths in the Chinese tradition contrast with the Biblical and other versions in their lack of a divine cause or a creator. One major creation myth, the myth of the cosmological human body, has features similar to ancient Iranian mythology. Chinese flood myths are unique for the absence of the motif of divine retribution and of divine intervention in halting the deluge. Instead, the central concern of the major Chinese flood myth focuses on the concept of human control of the catastrophe through the moral qualities of the warrior hero. Drought myth, probably deriving from the arid conditions of parts of north China, finds frequent and eloquent expression. Roots of Chinese MythologyChina can trace its historical roots in a unbroken line for more than 4,000 years, and its mythological roots extend even farther back in time. From about 2000 to 1500 B . C ., a people known as the Xia dominated the northern regions of China. The Xia worshiped the snake, a creature that appears in some of the oldest Chinese myths. Eventually, the snake changed into the dragon, which became one of the most enduring symbols of Chinese culture and mythology。

用英文讲中国神话故事作文

用英文讲中国神话故事作文

用英文讲中国神话故事作文英文:Chinese mythology is full of fascinating stories and legends that have been passed down through generations. One of my favorite Chinese myths is the story of the Monkey King, also known as Sun Wukong. This legendary figure is a central character in the classic Chinese novel "Journey to the West" and is known for his incredible strength, magical abilities, and mischievous nature.The story of the Monkey King begins with his birth from a stone egg on the Mountain of Flowers and Fruit. From a young age, he displayed extraordinary strength and intelligence, and he quickly became a skilled warrior. One of the most famous episodes in the Monkey King's story is his rebellion against the Jade Emperor in Heaven. After causing chaos and wreaking havoc in the heavenly palace, the Monkey King was finally subdued and imprisoned under a mountain for 500 years.During his time in captivity, the Monkey King underwent a transformation and repented for his past actions. He was eventually released and went on to accompany the monk Xuanzang on a perilous journey to retrieve sacred Buddhist scriptures from India. Throughout their journey, the Monkey King used his powers to protect and assist the monk, facing numerous challenges and overcoming powerful adversaries.The story of the Monkey King is not only a thrilling adventure but also a tale of redemption and personal growth. It teaches us the importance of humility, perseverance, and the ability to change for the better. The Monkey King's journey is a timeless tale that continues to inspire and captivate audiences around the world.中文:中国神话充满了令人着迷的故事和传说,其中我最喜欢的中国神话之一就是孙悟空的故事。

有趣的中国神话故事-女娲补天(中、英文版)

有趣的中国神话故事-女娲补天(中、英文版)

女娲补天根据传说,古代天空有十个太阳同时升起,炙烤大地,给人间带来了巨大的灾难。

为了拯救人类和其他生物,女娲决定采取行动。

她找到一根巨大的石柱和一块宝石,用宝石做成了一把尖锐的斧子。

女娲开始登上高山,挥舞着斧子朝天空砍击。

她用巨大的力量将石柱击入大地,然后把它变成了一根支撑天空的柱子。

随后,她爬上柱子,精心选择美丽的五色石块,把它们磨碎成粉末,撒向天空,使其变得五彩斑斓。

女娲的努力成功地修复了天空,将十个太阳都收了起来,恢复了人间的和平与生机。

她的伟大举动被人们永远铭记,女娲也成为了人们崇拜的神灵之一。

以下是女娲补天的故事的英文版:The Story of Nüwa Mending the SkyAccording to Chinese mythology, there was a story about Nüwa mending the sky, where she used a magical method to repair the heavens.In ancient times, there were ten suns that rose in the sky simultaneously, scorching the earth and bringing great disasters to mankind. In order to save humanity and other creatures, Nüwa decided to take action. She found a massive pillar and a precious gem, using the gem to forge a sharp axe.Nüwa ascended a high mountain and swung the axe toward the sky.With tremendous force, she drove the pillar into the earth, transforming it into a support for the heavens. Afterwards, she climbed onto the pillar and carefully selected beautiful multicolored stones, grinding them into powder and scattering them across the sky, creating a splendid display of colors.Through Nüwa's efforts, the sky was successfully repaired, and the ten suns were all brought under control, restoring peace and vitality to the world. Her great feat was forever remembered by the people, and Nüwa became one of the revered deities.。

中国神话英语作文带翻译

中国神话英语作文带翻译

中国神话英语作文带翻译"英文,"Chinese mythology is a rich and fascinating topic thatis filled with stories of gods, goddesses, and legendary creatures. One of the most well-known stories is the taleof the Monkey King, also known as Sun Wukong. This mischievous and powerful figure is a central character in the classic Chinese novel "Journey to the West". The Monkey King possesses incredible strength and magical abilities, and he is known for his rebellious nature and his journeyto seek immortality.Another popular figure in Chinese mythology is the Dragon, which is a symbol of power, strength, and good luck. Dragons are often depicted as benevolent creatures thatbring rain and prosperity to the land. In Chinese culture, the Dragon is highly revered and is often associated with the emperor and imperial power.In addition to these iconic figures, Chinese mythology is also filled with a wide variety of gods and goddesses, each with their own unique powers and stories. For example, there is the goddess Chang'e, who is associated with the Mid-Autumn Festival and is known for her connection to the moon. There is also the legendary figure of Nuwa, who is said to have created humanity and repaired the pillars of heaven."中文,"中国神话是一个丰富而迷人的主题,充满了关于神祇、女神和传奇生物的故事。

中国神话英文故事作文

中国神话英文故事作文

中国神话英文故事作文英文,Chinese Mythology Story。

I have always been fascinated by Chinese mythology,with its rich and colorful tales of gods, goddesses, and legendary creatures. These stories have been passed down through generations and continue to captivate people all over the world.One of the most popular Chinese mythology stories isthe tale of the Monkey King. This mischievous and powerful character is known for his incredible strength and agility, as well as his ability to transform into different animals and objects. He is often depicted with his magical staff, which he uses to defeat his enemies and protect his friends.Another famous character in Chinese mythology is the dragon. These majestic creatures are believed to havecontrol over the elements, and are often associated with power and good luck. In Chinese culture, dragons arerevered and respected, and are often depicted in art and literature.In addition to these well-known characters, Chinese mythology is full of other fascinating figures, such as the goddess Guanyin, who is revered for her compassion and mercy, and the legendary creature known as the qilin, which is said to bring good fortune and happiness.中文,中国神话故事。

中国神话故事英文版

中国神话故事英文版

中国神话故事英文版In Chinese mythology, there are countless fascinating stories that have been passed down through generations. These stories are filled with gods, goddesses, mythical creatures, and epic battles, offering a glimpse into the rich and colorful culture of ancient China. Today, let's explore some of the most famous Chinese mythologicalstories and legends, and delve into their English versions to share the magic and wonder with the world.One of the most well-known Chinese myths is the story of Nüwa and Fuxi, the creators of humankind. According to the legend, Nüwa, a goddess with a human's head and a serpent's body, and her brother Fuxi, a god with a human's head and a dragon's body, were the only two beings left after a great flood. They decided to create humans to keep each other company and to populate the earth. Nüwa and Fuxi used clay to mold the first humans, and from them, the human race was born. This myth explains the origin of humanity in Chinese culture and symbolizes the harmonybetween humans and nature.Another famous Chinese myth is the tale of the Monkey King, also known as Sun Wukong, from the classic novel "Journey to the West." Sun Wukong is a mischievous and powerful monkey who acquires incredible strength and magical abilities. He accompanies the Buddhist monk Tang Sanzang on a journey to retrieve sacred scriptures from India. Throughout their adventures, Sun Wukong displays his bravery, intelligence, and loyalty, making him one of the most beloved characters in Chinese literature. The story of the Monkey King has been adapted into various forms of media, including films, TV shows, and video games, and continues to captivate audiences around the world.The legend of Chang'e and Hou Yi is a romantic and tragic tale that is often associated with the Mid-Autumn Festival. According to the myth, Hou Yi was a skilled archer who saved the earth by shooting down nine of the ten suns that were scorching the land. As a reward, the Queen Mother of the West gave him the elixir of immortality. However, Hou Yi did not consume the elixir because he didnot want to live without his beloved wife, Chang'e. One day, Hou Yi's apprentice tried to steal the elixir, and in a desperate attempt to keep it out of his hands, Chang'edrank it and flew to the moon. Hou Yi was heartbroken and offered her favorite foods and fruits as a sacrifice, which eventually became the tradition of offering mooncakesduring the Mid-Autumn Festival.These are just a few examples of the captivating and enchanting stories that make up Chinese mythology. Eachtale is filled with symbolism, moral lessons, and cultural significance, offering a window into the beliefs and values of ancient China. Through their English versions, these myths can be shared and appreciated by people from allwalks of life, bridging the gap between cultures and celebrating the timeless beauty of Chinese folklore. As we continue to explore and preserve these stories, we honorthe rich heritage and legacy of Chinese mythology, ensuring that its magic and wonder will endure for generations to come.。

关于中国神话故事的英语小报

关于中国神话故事的英语小报

关于中国神话故事的英语小报English: Chinese mythology is a rich and complex collection of stories that have been passed down through generations. From legendary figures like the Monkey King to mystical creatures like dragons and phoenixes, these tales are often used to explain the natural world, teach moral lessons, or simply entertain. One of the most famous Chinese myths is that of the creation of the world by Pangu, who emerged from an egg and separated the yin and yang to form the earth and sky. Another popular story is the legend of Chang'e, the goddess of the moon who flew to the moon after stealing the elixirof immortality. These myths have inspired countless works of art, literature, and film, and continue to captivate people around the world with their magic and wonder.中文翻译: 中国神话是一个丰富而复杂的故事集合,已经被传承了许多代。

向外国友人介绍中国神话故事的英语作文

向外国友人介绍中国神话故事的英语作文

向外国友人介绍中国神话故事的英语作文Chinese mythology is a rich and fascinating tapestry woven with tales of deities, immortals, and fantastical creatures that have captivated the imagination of people for thousands of years. As a vibrant and integral part of Chinese culture, these mythological stories offer a unique window into the beliefs, values, and worldviews of the Chinese people. In this essay, I will introduce you to some of the most captivating and enduring Chinese myths, hoping to inspire your curiosity and appreciation for this ancient and remarkable tradition.One of the most well-known Chinese myths is the story of the Monkey King, also known as Sun Wukong. This mischievous and powerful simian deity is the protagonist of the classic novel "Journey to the West," which follows his adventures as he accompanies the Buddhist monk Xuanzang on a perilous pilgrimage to India to obtain sacred scriptures. Sun Wukong is a complex and multifaceted character who embodies both the virtues and vices of the human condition. On one hand, he is a fierce and loyal protector, using his incredible strength and magical abilities to defend the weak anduphold justice. On the other, he is also known for his insatiable appetite for mischief and his rebellious nature, often challenging the authority of the heavenly deities. The Monkey King's journey is a captivating tale of self-discovery, redemption, and the universal human struggle to find one's place in the world.Another iconic figure in Chinese mythology is the goddess Nuwa, who is credited with creating humanity and restoring order to the world. According to the myth, Nuwa was the divine being responsible for molding the first humans from clay, imbuing them with the spark of life. When the world was plunged into chaos due to the collapse of the heavenly pillars that supported the sky, Nuwa took action to repair the damage, using her magical powers to mend the sky and quell the raging floods. Revered as a benevolent and nurturing deity, Nuwa is often depicted as a compassionate mother figure who watches over and protects her divine creations. The story of Nuwa's creation of humanity and her efforts to restore balance to the world is a powerful allegory for the enduring human spirit and the innate desire to overcome adversity.Another captivating Chinese myth is the tale of the Cowherd and the Weaver Girl, a romantic story of star-crossed lovers separated by the Milky Way. According to the legend, the Weaver Girl, a celestial maiden, falls in love with a humble cowherd named Niulang. Their forbidden love incurs the wrath of the Jade Emperor, the ruler of theheavens, who decrees that the two lovers can only meet once a year, on the seventh day of the seventh lunar month, when a flock of magpies forms a bridge across the Milky Way. This bittersweet tale of love and longing has become a beloved part of Chinese culture, inspiring countless artistic interpretations and serving as a poignant reminder of the universal human desire for connection and companionship.These are just a few examples of the rich tapestry of Chinese mythology, which also includes stories of the four celestial guardians, the mythical dragon, and the legend of the Moon Goddess Chang'e. Each of these myths offers a unique and captivating perspective on the beliefs, values, and worldviews of the Chinese people, providing a fascinating glimpse into the cultural heritage that has shaped the nation for thousands of years.One of the most striking features of Chinese mythology is its enduring relevance and influence on contemporary Chinese culture. These ancient stories continue to be retold and reinterpreted, inspiring art, literature, and even modern-day popular culture. The Monkey King, for instance, has become a beloved figure in Chinese entertainment, with numerous film, television, and theatrical adaptations of his adventures. Similarly, the story of the Cowherd and the Weaver Girl is celebrated annually during the Qixi Festival, a traditional Chinese holiday that honors the love between the twocelestial lovers.Beyond their cultural significance, Chinese myths also offer valuable insights into the universal human experience. The themes of love, sacrifice, redemption, and the search for meaning that permeate these stories resonate with people of all backgrounds, transcending the boundaries of language and geography. By engaging with these myths, we can gain a deeper understanding of the shared hopes, fears, and aspirations that unite us as a global community.In conclusion, Chinese mythology is a rich and captivating tapestry of stories that offer a unique window into the cultural heritage and worldviews of the Chinese people. From the mischievous antics of the Monkey King to the bittersweet romance of the Cowherd and the Weaver Girl, these myths continue to captivate and inspire people around the world. By exploring these timeless tales, we can not only deepen our appreciation for Chinese culture but also uncover the universal truths that connect us all as human beings. I hope that this introduction has sparked your curiosity and that you will continue to explore the wonders of Chinese mythology for yourself.。

中国神话故事英语书签

中国神话故事英语书签

中国神话故事英语书签In Chinese mythology, there are many fascinating stories that have been passed down through generations. Thesestories often involve gods, goddesses, and mythical creatures, and they offer valuable insights into Chinese culture and beliefs.One of the most well-known Chinese mythological storiesis the tale of the goddess Chang'e and the Moon Palace. According to legend, Chang'e was once a beautiful and kind-hearted woman who became an immortal after consuming a magical elixir. However, she was separated from her husband, Hou Yi, and was forced to live alone on the moon. In the Moon Palace, Chang'e became the goddess of the moon and spent her days making delicious cakes and elixirs. Thisstory is often told during the Mid-Autumn Festival, when people celebrate the full moon and offer sacrifices to Chang'e.Another famous Chinese mythological story is the legendof the Monkey King, also known as Sun Wukong. This mischievous and powerful character is a central figure inthe classic novel "Journey to the West." The Monkey Kingpossesses incredible strength and magical abilities, and he embarks on a journey to obtain sacred Buddhist scriptures. Along the way, he encounters various challenges and battles demons, monsters, and other supernatural beings. The Monkey King's adventures are filled with humor, action, and profound teachings about morality and spirituality.There is also the story of the Eight Immortals, a group of legendary figures who are revered in Chinese mythology for their extraordinary powers and wisdom. Each of the Eight Immortals has a unique background and special abilities, and they are often depicted together in art and literature. The stories of the Eight Immortals are filled with fantastical elements, including flying on clouds, wielding magical weapons, and performing miraculous feats. These tales have inspired countless works of art, including paintings, sculptures, and operas.In addition to these well-known stories, Chinese mythology is rich with a diverse array of deities, heroes, and mythical creatures. From the powerful dragon to the wise phoenix, from the benevolent goddess to the fearsome demon, each character in Chinese mythology embodies uniquetraits and symbolizes important cultural values. These stories have been a source of inspiration for countless works of literature, art, and entertainment, and they continue to captivate people around the world.中国神话故事英语书签在中国神话中有许多令人着迷的故事,这些故事经过世代传承。

中国 神话 英语名称

中国 神话 英语名称

中国神话英语名称
中国神话的英语名称为“Chinese mythology”,它是中国传统文化的重要组成部分,包括了丰富的神话人物、故事情节和文化内涵。

中国神话虽然没有十分完整的情节,神话人物也没有系统的家谱,但却有着鲜明的东方文化特色,其中尤为显著的是它的尚德精神。

这种尚德精神在与西方神话特别是希腊神话比较时,显得更加突出。

在西方神话尤其是希腊神话中,对神的褒贬标准多以智慧、力量为准则,而中国古代神话对神的褒贬则多以道德为准绳。

这种思维方式深植于中国的文化之中,几千年来,这种尚德精神影响着人们对历史人物的品评与现实人物的期望。

中国神话是中国文化的瑰宝之一,它不仅在中国文化中占有重要地位,在世界文化中也有着广泛的影响力。

中国古代神话故事,中英文

中国古代神话故事,中英文

中国古代神话故事,中英文Deep within the rich cultural heritage of China, lie countless myths and legends that have been passed down through generations, telling tales of gods, monsters, heroes, and their extraordinary feats. These myths, often interwoven with profound philosophical and moral insights, have served as a foundation for Chinese literature, art, and even daily life. In this article, we delve into the enchanting world of ancient Chinese mythology, exploringits themes and characters through both English and Chinese lenses.**The Heavenly Realm and the Underworld**In Chinese mythology, the universe is divided into three realms: Heaven, Earth, and the Underworld. The Heavenly Realm is inhabited by the gods, including the Jade Emperor, the supreme deity, and various other deities representing different aspects of nature and abstract concepts such as love, wealth, and war. The Underworld, on the other hand, is the realm of the dead and evil spirits, ruled over by the Yama King.**The Creation of the Universe**According to Chinese mythology, the universe wascreated when the Yang (male) and Yin (female) forces merged, giving birth to the Ten Thousand Things. This creation myth is symbolized by the Taoist concept of "Wu Ji" (the undifferentiated state), which represents the primal chaos from which all things emerge.**The Dragon and the Phoenix**The dragon and the phoenix are two of the most revered creatures in Chinese mythology. The dragon, often depicted as a serpentine creature with horns, scales, and claws, is associated with power, wisdom, and fertility. The phoenix, on the other hand, is a bird of fire and light, symbolizing beauty, grace, and immortality. Together, they representthe yang and yin forces of the universe, respectively.**The Eight Immortals**The Eight Immortals are a group of legendary figures in Chinese mythology who are said to have achieved immortality through various means. Each immortal possesses unique powers and is associated with a particular aspect of natureor human life. Their adventures and exploits are often depicted in Chinese art and literature, embodying the themes of freedom, adventure, and transcendence.**Ne Zha and the Monkey King**Two of the most popular figures in Chinese mythology are Ne Zha and the Monkey King. Ne Zha, known as the "Third Child of Heaven," is a deity associated with thunder, lightning, and oak trees. He is renowned for his bravery and heroism, often depicted as riding a divine horse and wielding a powerful spear.The Monkey King, on the other hand, is a mischievous and intelligent creature from the classic Chinese novel "Journey to the West." He possesses supernatural powers and is known for his tricks and antics, often causing trouble for the gods and mortals alike. Despite his antics, he is also a loyal and brave figure who ultimately helps his master, Tang Sanzang, achieve his goal of retrieving the Buddhist scriptures from the West.**Conclusion**Ancient Chinese mythology is a rich and fascinating realm of gods, monsters, heroes, and their extraordinary feats. It serves as a window into the ancient Chinese world, reflecting its values, beliefs, and aspirations. Throughthe fusion of English and Chinese perspectives, we can gain a deeper understanding of this enchanting mythology and appreciate its enduring influence on Chinese culture and society.**中国古代神话:东西方的融合**在中国丰富的文化遗产深处,蕴藏着无数代代相传的神话和传说,讲述着神、怪兽、英雄及其非凡壮举的故事。

用英文介绍中国神话人物作文

用英文介绍中国神话人物作文

一、The Magnificent World of Chinese MythologyThe realm of Chinese mythology is vast and captivating, filled with mysterious beings and epic tales that have been passed down through generations. These characters, both gods and monsters, are not just figures of legend but also embodiments of the rich cultural and spiritual heritage of the Chinese people.中国神话的宏伟世界中国神话的世界广阔而迷人,充满了神秘的人物和史诗般的故事,这些故事代代相传。

这些角色,无论是神仙还是妖怪,不仅仅是传说中的形象,更是中华民族丰富文化和精神遗产的体现。

二、The Divine Powers: Gods and GoddessesAt the helm of Chinese mythology stand the gods and goddesses, each with their own unique powers and domains. For instance, the Jade Emperor, the supreme deity in Taoist mythology, oversees the heavens and bestows blessings upon mortals. The Goddess of Mercy, with her compassionate nature, is revered for her ability to alleviate suffering. These deities not only personify abstract concepts like wisdom, bravery, and love but also serve as moral guides for society.神祇的力量:神与女神在中国神话的掌舵者中,神和女神各具特色,各自拥有独特的力量和领域。

介绍一个中国神话人物英语作文

介绍一个中国神话人物英语作文

中国神话人物:嫦娥**The Chinese Mythological Figure: Chang'e**In the vast and rich tapestry of Chinese mythology, Chang'e, the Moon Goddess, stands out as a figure of enduring fascination. Her story, a poignant tale of love, loss, and immortal ascension, has been retold and retold, passing through the ages and resonating deeply with the hearts of the Chinese people.According to legend, Chang'e was a beautiful mortal woman who lived in ancient China. She was the wife of Hou Yi, a skilled archer and a hero known for his bravery and prowess. Hou Yi had obtained the Elixir of Life from the West, a potion so powerful that it promised immortality to its possessor. Knowing the dangers of such a precious item, the gods warned Hou Yi not to consume it himself, lest he become a lonely immortal.Unfortunately, Chang'e's curiosity got the better of her. She secretly drank the Elixir, expecting to share its benefits with her husband. Instead, she was transformedinto an immortal, her mortal body unable to contain thepower of the Elixir. She ascended to the Moon, leaving behind her husband and the world she knew.On the Moon, Chang'e found herself alone and lonely. She built a palace there, known as the Palace of Jade and Crystal, and lived out her immortality in solitude. Her grief and regret for leaving Hou Yi behind were said to be so profound that they formed the Sea of Sorrows, a vast, lonely expanse on the Moon's surface.Yet, even in her loneliness, Chang'e's love for Hou Yi never dimmed. Each night, as the Moon rises in the sky, it is said that Chang'e gazes down at the Earth, searching for a glimpse of her beloved husband. The beauty and serenity of the Moon are often attributed to her sorrowful yet enduring love.The story of Chang'e has been passed down through the ages, finding its way into poetry, art, and legends. It speaks to the enduring power of love, the consequences of curiosity, and the bittersweet nature of immortality. In many ways, Chang'e's story is a microcosm of the human experience, reflecting our own desires, regrets, and aspirations.Today, the Moon Goddess Chang'e remains a popularfigure in Chinese culture. She is often invoked during the Mid-Autumn Festival, a time when families gather together to admire the round, bright Moon and celebrate unity. The festival, which falls on the 15th day of the 8th month of the Chinese lunar calendar, is a reminder of Chang'e's enduring love and a celebration of the bonds of family and friendship.In conclusion, Chang'e, the Moon Goddess, stands as a timeless symbol of love, loss, and immortality in Chinese mythology. Her story, a poignant reminder of the fragility and beauty of human existence, continues to resonate deeply with people across the globe. As we gaze up at the Moon each night, we are reminded of Chang'e's enduring love and the power of mythology to connect us with our past and our future.**中国神话人物:嫦娥**在中国神话的丰富画卷中,嫦娥这位月宫仙子以其独特的魅力吸引着人们的目光。

中国神话学 Chinese Mythology 1

中国神话学 Chinese Mythology 1

Mythology is a body of myths concerning a particular person or race. Ancient Chinese mythology, a remote and mystical world, was created with the widest imagination by people in primitive ages, when faced with the unknown. It underwent the far-flung years of oral circulation until the Chinese characters were invented to provide a more permanent way of recording.神话学是大量的关于特定人或者种族的神话合集。

中国古代神话学是一个遥远且神秘的世界,它来自于远古时期人类面对未知时丰富的想象。

它经历了漫长岁月的口口相传,直到中国文字的发明,让神话有了得以长久记录的方法。

Chinese mythology is similar to modern religion that they both believe in relationships between mankind and a higher power. Chinese mythology, however, uses myths and legends to tell of these relationships. A myth is a story considered scared and true to those within the culture of the mythology.A legend is a story handed down from generation to generation that has no real evidence to back it up. A myth is also passed from generation to generation but it has more facts and evidence recorded to support the story.中国的神话学和现代宗教很相似,它们都相信人类和一种更高深的力量之间有着联系。

中国古代神话体系表(道教)(TableofancientChineseMytholog..

中国古代神话体系表(道教)(TableofancientChineseMytholog..

中国古代神话体系表(道教)(Table of ancient Chinese Mythology(Dao Jiao))Three:Lord of Heaven and symbol of the creative power of the DaoAlso known as Lady Tao Jun Lingbao TianzunMorals (also known as the journey to the west, also known as Lady Tao)Six RoyalCentral Jade Emperor wife: Queen Mother, also known as the West Queen MotherThe northern Arctic transit Ziwei EmperorThe Southern Antarctic longevity Jade Emperor, also known as the king of halal king, for nine.The Great East East Tsing Hua Taiyi ZhenrenThe Western emperor Emperor (men: Tai Chi Eight five (sky marshal, Ares Mars, earth God, people in the war, the Arctic and Antarctic ares Ares))Mother earth: Edward Wong to only follow afterFive party five:South Antarctic GuanyinOriental worship EmperorMishima Donghua emperor Jun (i.e. all sallyweng dongwanggong, "cicada's" wood male)The northern Arctic Xuanling Doumu Yuanjun (Buddhism twenty heavens maricimandala)The central yellow yellow polar angle mediumCentral horoscope for heavenly templeTeleEye | clairaudient | Fernando | lady | | thunder electric mother (Jin Guangshengmu) | wind | amashi | tour Yiling officer | Yi San Zhenjun | onio | vigorously Taibaijinxing seven fairy | | barefoot | (the goddess of the Moon Fairy chang e rabbit ER) | | moon | Wu Gang | canopy Marshal marshal | |.. nine days Xuannv | twelve | on | nobile nine luminaries star God | yeyoushen | | lunar star gentleman Lord of Sun God | woo | Takenori San Zhenjun tota kings Li Jing | wood (Hui An Walker | Jin Zha Zha) | three places the sea god Nezha | spirit | matchmaker | | erlangshen new help from left and right should be | Taiyi thunder Wang Shan Wang Lingguan | Tianzun SA Zhenren | Ziyang reality (Zhang Boduan) | Wenchang Dijun | day | deaf dumbThree emperor:Day official | officer | ShuiguanFour heavenly kings:The king of kings, and to our growth vaisravana and Hirome KingsFour value gongcao:The value of God | Li Bing Huang Chengyi Luna | value value | week on duty God God Liu HongFour heavenly masters:Zhang Daoling, Xu Xun (Zi Jingzhi, number Xu Jingyang), Qiu Hongji, Ge HongFour godsThe dragon, the dragon, the king, the white tiger, the soldier, the king, the dragon, the tomb, the light, the king and the emperor.Four du DragonThe Yellow River | | | Jishui Huaihe Yangtze RiverFour marshal Ma Zhao Wen guan:Ma Yuanshuai, also known as Ma Tianjun, also known as "Huaguang king", "Huaguang emperor"Zhao Yuanshuai is the God of wealth, Zhao Gongming, also known as Zhao XuantanMarshal Wen Wen, the grand emperor of YunnanGuan Yuanshuai Guan Yu.Five parties respect truth:Golden truths, silver head truths, Baltic truths, Baltic monk truths, Maha gatiFive Qi zhenjun:Oriental SuiXing kitoku Zhenjun | Southern Mars Huode Zhenjun | Dezhen Jun | North West Taibai Gold Stars water Dezhen Jun | central Zhen Xing De Zhenjun soilChina's five great mountainsDongyue Taishan Tianqi emperor Zhao San Rensheng Heng Mountain companies great Zhongyue Songshan Zhongtian sage EmperorMt. Hengshan San Xuan emperor antiy Beiyue Xiyue Huashan Jintian may the Emperor(five Dijun: Dongyue lake, Jin Hong's name, Donghua Dijun brother. The other four Yue Dijun for four sons to Donghua literature. ) and bixiayuanjunFive God bucket:God | Dong Dou Xi Dou God | in God "God | fighting | BeidouxingSix butyl:For God | butyl Yin lady Sima Qing Ding has | Dingmao God God God stone Shutong | Cui Juqing reding | jeongyujaeran Zang Ding Hai Zhang Wengong God God God Zhao Ziyu | Malacca Dingchou wt | Yang Shen Yu male god Wang Wenqing | 1754 | Jiazi God exhibition Zi Jiang | Hu Wenchang | 1894 Jiashen God God God jade love | Chen Meng Wei Feiqing | Jia Yin the gods"Liu XingjunThe first Tianfu Palace: God of lifeSecond days of our house: Lu XingjunThe third day: Yanshou god palace beamThe fourth day: God is Gong YiFifth at the palace: Eritrea GodSixth secret: Palace on GodThe dipper King: (the seven emperor of northern heaven in lion camel country)The first Yangming wolf GodThe second Yin door godThe third live Paul constellationsThe fourth constellations Wenqu feelingBeidou fifth Dan yuan Lian Zhen XingjunThe sixth Arctic Wuqu constellationsThe seventh day not God("the lion kingdom" in the Big Dipper king Beidouxing another title: Tianshu, day, day, Xuan, DNT right uhong, Kaiyang, light shake. "Xuan, DNT, Tianshu, day day right together" also known as "Dou Kui" or "Xuan", after Samsung formed bucket handle, "said dipper"Eight immortals:Tie Guaili, Lv Dongbin, Han Zhongli, He Xiangu, blue and Han Xiangzi, Zhang Guolao, Cao Guojiu,Eight will be under King's command:Liu Xunbi, Deng Xin, Pang Zhang Tao, whose full name is Liu Jun, Pang Yu, Bi Zongyuan, Reggie xunzi;Deng Bowen, Xin Hanchen, Zhang Yuanbo, Tao Yuanxin (four orders)Nine luminaries star| Venus Jupiter Mercury Mars Saturn | | | | Luo Bing (eclipse star) | meter star | purple Qi Star | on Polo starTwelve Earthly BranchesUnderlying reasons.Twenty-eight starsKang Jinlong, female, rabbit, bats, soil real heart on Fox, tail fire tiger, leopard, Kei water bucket wood Xie, Niu Jinniu, di soil raccoon, virtual day rat, Wei Yueyan, room, wall, water fire pig Xu kuimu wolf, Lou Jingou, Tu Zhi, stomach the day chicken, Bi Yuewu, mouth fire monkeys and apes, ginseng water Iki, Liu Jinyang, ghost soil roe, star day horse, Zhang Yuelu, winged serpents, earthworm, angle wood Jiao Zhen water.Thirty-six days will beJiang Zhong Ying light | | gold tour | Yin Jiao | Pang Yu | Liu Ji Guan Sheng Ma | | | temperature | | should | Joan Wang Shan Kang Zhu Yan Lu | Quebec | corner | | | Hanchen Deng Bowen Geng Tong Xin | Zhang Yuan Bo Tao | Yuanxin | Xunzi | muneto | Zhao Gongming | Reggie Bi Wu Mingyuan | Li Shun | | sky may bear | stone hole | Yuanxin mitsuaki | Chen Yuanyuan | Lin Lei knot Dahua | Zhou Qingyuan | Ji Lei just | Cui Zhixu | Jiang | he | Gaoke Feijie Intertek。

中国神话和传说英语作文

中国神话和传说英语作文

中国神话和传说英语作文Title: Chinese Mythology and Legends。

Chinese mythology and legends are a rich tapestry woven into the cultural fabric of China, spanning thousands of years and encompassing a vast array of gods, goddesses, heroes, and supernatural beings. These tales have been passed down through generations, shaping the beliefs, values, and imagination of the Chinese people. In this essay, we will delve into some of the most prominent myths and legends from Chinese folklore.One of the most famous figures in Chinese mythology is the Monkey King, known as Sun Wukong in Mandarin. Featured prominently in the classic novel "Journey to the West," Sun Wukong is a mischievous and powerful monkey born from a stone who acquires incredible strength and magical abilities. His adventures, including accompanying the monk Xuanzang on a journey to retrieve Buddhist scriptures from India, have captivated audiences for centuries.Another iconic character is the Dragon, which holds a significant place in Chinese culture as a symbol of power, strength, and good fortune. Dragons are often depicted as benevolent beings, responsible for bringing rain and controlling the waters. The Dragon Boat Festival, celebrated annually in China, is a testament to the reverence for dragons, as people race ornately decorated dragon boats to honor the legendary poet Qu Yuan.The tale of the Eight Immortals is another beloved legend in Chinese mythology. These legendary figures, each possessing unique powers and attributes, embark on adventures and offer moral lessons to those they encounter. From the wise and benevolent Lü Dongbin to the eccentric and unpredictable Zhongli Quan, the Eight Immortals embody different aspects of virtue and wisdom.Chinese mythology also features a pantheon of gods and goddesses, each presiding over various aspects of nature, society, and the human experience. For example, Guan Yu, revered as the God of War, symbolizes loyalty,righteousness, and martial prowess. Guan Yin, the Goddessof Mercy, embodies compassion, kindness, and salvation, offering solace to the suffering and downtrodden.The legend of Chang'e and Hou Yi is a poignant tale of love, sacrifice, and immortality. According to legend, Hou Yi, a skilled archer, shot down nine suns to save the earth, earning the elixir of immortality as a reward. However, fearing for her safety, Chang'e drank the elixir herselfand ascended to the moon, where she resides to this day, accompanied by her pet rabbit.In addition to these well-known myths and legends, Chinese folklore is replete with stories of legendary creatures such as the phoenix, qilin, and pixiu, each imbued with symbolic significance and cultural meaning. These mythical beings populate the realms of heaven, earth, and the underworld, serving as guardians, messengers, and harbingers of fortune.In conclusion, Chinese mythology and legends constitute a rich and diverse tapestry of stories that reflect thebeliefs, values, and imagination of the Chinese people. From the adventures of the Monkey King to the wisdom of the Eight Immortals, these tales continue to inspire and captivate audiences around the world, transcending time and space to impart timeless lessons and truths.。

中国神话(英语版)

中国神话(英语版)

1,the origin of myth 神话的产生
sense of mystery 神秘感 feeling of awe 敬畏感 desire for control 控制欲
the classification of myth神话的分类
• three parts in general: 1. creation myth 创世神话 Nvwa Created Man(女娲造人) 2.hero myth 英雄神话 Houyi Shooting the Sun(后羿射日) 3.war myth 战争神话 Yellow Emperor Tackled Human-God (黄帝擒蚩尤)
道祖:老子(太上老君the very high lord)
the God of Wealth 财神赵公明
the God of Longevity 寿星南极仙翁
symbols in chinese ancient myths
• The dragon is the repersentative of the chinese nation, it is the symbol of China.
4,some characters in chinese ancient myths
• there are many famous characters in chinese ancient myths, for example:盘古、 伏羲、女娲、炎帝、黄帝、颛顼、帝喾、 尧、舜、禹、嫦娥、姜子牙等
3,similarities between chinese and western myths
• 1.Both have stories about gods and men falling in love with each other. • 2.Both stories share a view that god created man.
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Chinese myth mainly talked about the origin of human being, everything in nature, and tribal fights, etc. It reflected the ancient living surroundings, conditions and cultural developments.
3 The comparisons between Chinese and Greek myths
Greek Myth
The history of Greece is shorter, and Greek myth produced later than Chinese myth. It produced in about eleventh century BC. Although the Greek myth developed a little late, it didn’t cause backward culture. In about 8 BC, Greek myth was written in Theogony(神谱), Homer Epic(荷马史诗), and other literatures.
Nuwa created man (女娲造人)
One day, she found the men she originally created has been hair snowwhite and died.
Looked at this kind of situation , she felt worry. So Nuwa divided human into men and women, so that human can also cooperate, reproduce. Because human is god-like creature, not equal with animals, so she again established marriage system which is different from animals promiscuity-after(产生后 代).
On the other hand, Chinese myth’s self-creation was much more significant than Greek myth. Because of its inland culture, Chinese myth was influenced very little by other cultures.
The bird Jing Wei trying to fill up the sea(精卫填海)
Just before she was buried by the surging waves, her spirit turned into a beautiful bird. As it flew over the roaring sea, it cried sadly in the sound "jinwei, jingwei". That was why people called it “Jingwei".
2 Some examples of Chinese ancient myths
Pang Gu Separates the Sky from the Earth (盘古开天)
According to legend, in the beginning of the world , the heaven and earth were integrated into one body that is just like an egg. And in the “egg” Pangu slept for thousands of years. One day he suddenly woke up. Opening his eyes, he found everything was invisible. Angrily, he grasped an axe and wielded it with an effort. The heaven and the earth started to split. He feared that the heaven and the earth got integrated into one body again. So he decided to hold the heaven with his hands and feet.
The Features
Although Chinese myth had appeared in the Late Paleolithic Age(旧石器时代),the stories passed down were just a few and unsystematic because of many reasons.
4 Some characters and symbols in Chinese ancient myths
目录
1 The origin and features of Chinese ancient myths
The Origin
Chinese myth was the product of ancient sages’ imaginations, which can conquer the nature and dominate the nature.
Chinese culture derived from The Yellow River basin(黄河流域), so it could be said that Chinese myth was based on the closed inland culture(内陆文化).
Historical Background
PangGu Separates the Sky from the Earth (盘古开天)
Thousands of years passed ,the heaven and the earth finally separated ,but Pangu fell down exhaustedly . When he died, his breath turned into the wind and cloud, his voice turned into the thunder; his eyes turned into the sun and the moon. His four limbs and body became the four quadrants of the globe(大地上的东、西、 南、北四极), and his blood became the rivers and his muscle and bones became the layers of the earth . His flesh became the soil , his hairs and furs became the stars, flowers and trees.
Many of them were written in ShanHaiChing(山海经), HuaiNanTzu(淮 南子)and other ancient literatures, such as Jingwei Reclamation(精卫填海),Yu Gong Remove the Mountains(愚公移山).
Pangu created the rich and beautiful world with his body.
Nuwa created man (女娲造人)
It is said that Nuwa existed in the beginning of the world. She was a goddess had human face with a snake-like body. She felt lonely as there were no animals so she began the creation of animals and humans. On the first day she created chickens. On the second day she created dogs. On the third day she created sheep. On the fourth day she created pigs. On the fifth day she created cows. On the sixth day she created horses. On the seventh day she began creating men from yellow clay.
1、China has one of the world’s oldest civilizations.
2、Confucius influenced Chinese society through his teaching, philosophy and writings.
3、Since some of the works were destroyed, scholars collected oral myths, legends, and folktales from the common people in an attempt to resuscitate the traditional literary heritage.
The bird Jing Wei trying to fill up the sea(精卫填海)
Once upon a time, there was a cute little fairy, named baby girl, she was the youngest daughter of Emperor Yan, and Emperor Yan loved her very much. Baby girl wanted to visit the sun rises place – the east sea. But her father was too busy to take her there. One day she sailed a boat to the east sea. Farther and farther away from land, sea waves were more and more big and her boat capsized.
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