希腊罗马神话教学大纲

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希腊罗马神话课程(王磊)lecture2

希腊罗马神话课程(王磊)lecture2

2.2 The Creation and Re-creation of Man (4)
2.2.1 Man’s alienation from the divinity and nature • Trick played on Zeus (white bones of ox covered with glistening fat v.s. meat, entrails and fat covered with tripe 肚肠) → white bones burned on smoky altars fire withheld from mortal men • Fire stolen in a hollowed fennel (茴香) stalk • Pandora as a tempting snare to men • fashioned by Hephaestus with gifts from various gods and goddesses → animals killed and (unnaturally) cooked before they are consumed; Pandora to preside
• Cronus and Rhea have 6 sons, afraid of being overthrown by prophesy, he swallows kids
• Cronus = human stupidity, jealousy; Rhea = protective, maternal • Rhea gets advice from Gaia, tricks Cronus into eating rock and has son Zeus raised on Crete by Amalthea, goat nurse → cornucopia

《圣经与希腊罗马神话》教学大纲

《圣经与希腊罗马神话》教学大纲

《圣经与希腊罗马神话》教学大纲课程编号:02100413学时:32学分:2课程类别:全校选修课程面向对象:全校本科学生课程英文名称:Greek and Roman Mythologies Briefed一、课程的任务和目的(Course Objectives)To familiarize the students with Greek mythology and legend as these are consistently used in Western literature.二、课程教学内容与要求(Contents and Basic Request)Bulfinch’s Mythology—to be read and discussed.CHAPTER I Introduction.CHAPTER II Prometheus and Pandora.CHAPTER III Apollo and Daphne- Pyramus and Thisbe- Cephalus and Procris.CHAPTER IV Juno and Her Rivals, Io and Callisto- Diana and Actaeon- Latona and The Rustics.CHAPTER V Phaeton.CHAPTER VI Midas- Baucis and Philemon.CHAPTER VII Proserpine- Glaucus and Scylla.CHAPTER VIII Pygmalion- Dryope- Venus and Adonis- Apollo and Hyacinthus.CHAPTER IX Ceyx and Halcyone: Or, The Halcyon Birds.CHAPTER X Vertumnus and Pomona.CHAPTER XI Cupid and Psyche.CHAPTER XII Cadmus- The Myrmidons.CHAPTER XIII Nisus and Scylla- Echo and Narcissus- Clytie- Hero and Leander.CHAPTER XIV Minerva- Niobe.CHAPTER XV The Graeae and Gorgons- Perseus- Medusa- Atlas- Andromeda.CHAPTER XVI Monsters. Giants, Sphinx, Pegasus, and Chimaera, Centaurs, Griffin, and Pygmies.CHAPTER XVII The Golden Fleece- MedeaCHAPTER XVIII Meleager and Atalanta.CHAPTER XIX Hercules- Hebe and Ganymede.CHAPTER XX Theseus- Daedalus- Castor and Pollux.CHAPTER XXI Bacchus- Ariadne.CHAPTER XXII The Rural Deities- Erisichthon- Rhoecus- The Water Deities- The Camenae- The Winds.CHAPTER XXIII Achelous and Hercules- Admetus and Alcestis- Antigone- Penelope.CHAPTER XXIV Orpheus and Eurydice- Aristaeus- Amphion- Linus- Thamyris- Marsyas- Melampus- Musaeus.CHAPTER XXV Arion- Ibycus- Simonides- Sappho.CHAPTER XXVI Endymion- Orion- Aurora and Tithonus- Acis and Galatea.CHAPTER XXVII The Trojan War.CHAPTER XXVIII The Fall Of Troy- Return Of The Greeks- Agamemnon, Orestes and Electra.CHAPTER XXIX Adventures Of Ulysses- The Lotus-eaters- Cyclopse- Circe -sirens- Scylla and Charybdis- Calypso.CHAPTER XXX The Phaeacians- Fate Of The Suitors.CHAPTER XXXI Adventures Of Aeneas- The Harpies- Dido- Palinurius.CHAPTER XXXII The Infernal Regions- The Sibyl.CHAPTER XXXIII Aeneas In Italy- Camilla- Evander- Nisus and Euryalus- Mezentius- Turnus.CHAPTER XXXIV Pythagoras- Egyptian Deities- Oracles.CHAPTER XXXV Origin Of Mythology- Statues Of Gods and Goddesses- Poets Of Mythology.CHAPTER XXXVI Modern Monsters- The Phoenix- Basilisk- Unicorn- -salamander.CHAPTER XXXVII Eastern Mythology- Zoroaster- Hindu Mythology- Castes- Buddha- Grand Lama.CHAPTER XXXVIII Northern Mythology- Valhalla- The Valkyrior.CHAPTER XXXIX Thor's Visit To Jotunheim.CHAPTER XL The Death Of Baldur- The Elves- Runic Letters- Skalds- Iceland.CHAPTER XLI The Druids- Iona.CHAPTER XLII Beowulf.Proverbial Expressions三、对学生能力培养的要求This course is designed to broaden the culture and knowledge scope for the non-English majors。

Unit 2-希腊罗马神话提纲

Unit 2-希腊罗马神话提纲

Unit 2 Beginning of the World1. The basic elements common to most creation myths.Common FeaturesChaos/ Darkness as the primal cosmos●Movement (wind, dance)●Female Mother (mostly, early) as the creator●Single-sex production/parthenogenesis 单性繁殖●Incestuous production 近亲繁殖●The universal egg as the original form/container of life●Man as the last creation and coming after NatureDifferences@ reflection of matrilineal order in the old version, the transition to patriarchal order in the later versions@ emphasis of natural elements (wind/ snake/egg hatching/Eros) in the old2. What is the scientific explanation of Chaos and beginning of the universe? For instance, can you relate the different versions to the Big Bang theory?●Substance (basic chemical elements) existent to make up life forms;●Movement engenders life;●Evolution from disorder to order, from movement to comparative stability; from formlessness toa specific shape or structure (binary, quarterly);●Gradual evolution and/or sudden change of form: change of amount/quantity to change of form(Big Bang theory and Darwin’s Evolution theory)3. What revelation do we get from the animalistic element in the myths? How do we see snakes, doves, dogs, bees, etc. in our real life?●Western and eastern snake or dragon myths: etiological explanation of our relation with Nature●The commonalities human beings share with animals●Regional or racial totem 图腾and pets (forest, mountain and seaside) deified神化4. What psychoanalytical motifs can you find in the myths? Discuss the meanings of “Chaos” and “Eros” according to Freudian theories of the unconscious and sexuality.Chaos: formless, void, indefinite, unknown and unknowable, yet very much alive with particles of life---the human unconsciousEros:●original god: Libido as the primal drive of human activity; stimulant & ultimate goal●As the god of order:---the essence of human life is love---positive love and negativegreed---relative relationship of life(Also read p.365-367 Psyche and Eros)4.In terms of structure, what makes up the order of the universe/world? What dualities or binary oppositions are firstconstructed in the creation myths?1→2→ 4disorder→/vs. orderearth→/vs. heavenfemale→/vs. malematriarchal→/vs. patriarchalunion→/vs. separationdarkness→/vs. lightcentre→/vs. edge5.In many versions, the universe began with a goddess, but in some the first being was a (He-)God.Explain this from a historical and cultural perspective, or in accordance with the development of human history.●Matriarchal to patriarchal●Survival upon natural product to survival of the fittest●Worship of life productivity to that of goods productivity●Natural and free grouping to the cultural, ordered communityQuestions for Unit 3:1.What picture of historical development do you get from the account of the Five Ages? Do you agreewith Hesiod? Why?2.What role did Prometheus play in the primal history of mankind? What cultural value does thePromethean fire have in the history of human civilization?3.How do you like the mythical account that Prometheus was unbound and restored to Olympus? Andwhy?4.What is the traditional understanding of Pandora? In what way is she the “lovely evil”?5.Pandora is often regarded as Eve, the first woman in the Bible. How does she resemble Eve? How doyou defend her from the feminist point of view?6.What does it mean that “hope”alone remains in Pandora’s jar/box? What is the significance of“hope”?7.How do you interpret the accounts of human creation by Prometheus and Deucalion and Pyrrha?What scientific proof can you find to support them?8.What similarities can you find in the different accounts of creation of man given here as well as inthe Supplementary Reading?9.From the ending paragraph of the Flood passage, what have you learnt as essential to life? And whatis the nature of life formation after the flood?10.W hat was the most outrageous sin or crime man committed that brought gods’anger andpunishment? (Refer to Supplementary Reading)。

高校--《希腊罗马神话》课程教学大纲

高校--《希腊罗马神话》课程教学大纲

《希腊罗马神话》课程教学大纲课程名称:希腊罗马神话课程类别:选修课适用专业:非英语专业考核方式:考查总学时、学分:68学时4学分其中实践学时:学时一、课程教学目的本课程融故事欣赏与文化解读为一体,通过系统完整的内容介绍,旨在提高学生的英语阅读能力和文学文化鉴赏水平,增进学生对西方文化精神的解读,帮助学生逐渐形成批判性思维习惯,并使之对宇宙自然世界和人类本我达到新的认知。

二、课程教学要求1. To enable the learners, through reading the myths and having fun with them, to gainexposure to some of the major Greco-Roman myths which have shaped western culture and the way western people think;2. To increase intellectual maturation and clarification of learners’ own values throughthe study of ideas and attitudes manifested in western myths and through a comparative study with those of our own nation and epoch;3. To help cultivate in learners a cultural receptivity by encouraging their criticalthinking and cultural reading;4. To help learners better understand the enigma we call life through discussing andevaluating the ways myths shape human consciousness and behavior.三、先修课程大学英语三四册四、课程教学重、难点重点介绍神话的定义和主要阅读方法,以及希腊罗马生简史,旨在帮助学生建立正确的神话观,激发学生学习的兴趣和积极性。

Unit 4-希腊罗马神话提纲

Unit 4-希腊罗马神话提纲

Unit Four Titanic and Olympian GenealogyI.Gaia’s Children (p. 37; 477)II. Uranus vs/& Cronus Cronus vs/& Zeus1.What psychoanalytical motifs can you find in the birth stories of Cronus and Zeus?2.What role did Mother (Gaia and Rhea) play in the birth story of the son(Cronus and Zeus)?3.What role did Gaia play in each change of the divine administration? Why did she always side withthe sons in overthrowing their fathers? Why did she create the most formidable opponent of Zeus? Cronus and Zeus’s Bir th1.Father-Son Rivalry: hostility between Father and Son and alliance of Mother with Son: Father’sfear of his son and his life-denying policy, and Son’s rebellion against Father to avenge his Mother and with the help of Mother(Psychological reading:Mother-Son-Father triangle & Freudian pre-oedipal theory and Oedipus complex)2.The replacement of the old by the young and the war between the two generationsEtiological reading:A.the ancient tribal部落的practice of strongest son overthrowing his old tribal father-leader (bykilling him, or through ritual castration阉割to show the loss of virile有男性气概或生殖力的authority of the old, or leaving him to die or kill himself;B.the ancient matriarchal rites of killing the male consort to ensure fertility of human community;with the castration, taking away the driving life power and ending the paternal/male authority;C.the animal kingdom, to ensure the quality of the flock.3.With the castration of Uranus, separates the sky from the earth, beginning the binary二元对立的structure of the universe4.The prototype 原型of Homicide---Patricide or the first treacherous brutality of murder case for the purpose of power 弑父/君;---Cannibalism 食人War between Old and Young GodsHow do you interpret the war between the Titans and the Olympians?III. The Principal Gods Family Tree (p.41)(Heaven) Uranus = Gaia (Earth)|---------------------------------------| | | | |Cronus = Rhea Coeus = Phoebe Iapetus = Theia/Clymene| | |---------------------- Leto = Zeus|=Zeus| ----------------| | | | |Persephone| | Prometheus|Athena |--------- | || | | Atlas Epimetheus--------------- Apollo Artemis | || | | | |Ares Hebe Hephaestus Zeus=Maia Zeus=Dione| |Hermes AphroditeFrom Edith Hamiltion's Mythology4.In what specific ways do the old and the new divine families resemble a human family?5.In aspect of sex, how different was the Olympian family membership from that of the Titanic? Whatdid the change signify? What was the major diffe rence between Cronus’s reign and Zeus’s in terms of familial and societal structure?V. Minor Gods and GoddessesGroups:the Charites (Graces) the Fatesthe Furies (Eumenides) the Harpiesthe Hesperides the Horaethe Muses the SirensNymphs: (Hama)dryads of woods;River gods and Nereids;the wind gods: Eurus, Auster, Zephyrus, Boreas Individuals:Hecate Nemesis 正义女神Eros小爱神Eris不和女神Eos(Aurora)黎明女神Pan潘神Hebe侍女神Hymen主婚神Iris彩虹女神Nike胜利女神Circe巫术女神Asclepius药神Heroes and Demi-gods:Bellerophon (Chimera, Pegasus)Chiron, the centaurPerseus (Medusa)HeraclesTheseus (minotaur)Jason (golden fleece)Orpheus (music, Eurydice)Daedalus (aviator, inventor, Icarus)heroes of Thebes (Oedipus)heroes of Trojan War (Agamemnon, Achilles, Hector, Odysseus, Ajax) AeneasFour great expeditionsthe journey of the Argonautsthe Calydonian boar huntSeven against Thebesthe Trojan WarTwo great adventure storiesOdysseus’s home journey to IthacaAeneas’ journey to Italy4 Famous familiesHouse of Thebes:Cadmus, Amphion, Zethus, Europa,/Laius, Jocasta, Oedipus,/Eteocles, Polynices, Antigone /Agave, Pentheus/NiobeHouse of Atreus:Tantalus, Pelops/Atreus, Thyestes/Agamemnon, Clytemnestra, Menelaus, Helen, Aegisthus/Iphigenia, Orestes, and ElectraHouse of Troy:Teucer; Dardanus/Erichthonius, Ilus/Laomedon/Priam, Hecuba, Hesione, Anchises/Hector, Paris, Cassandra, Helenus, Troilus/AeneasThe most terrible monstersthe Calydonian boar—killed by Meleager and AtalantaCerberus---3-headed dog of Underworld;Typhon and Echidna;the Chime’ra ---head lion, body goat, tail serpent; daughter of Typhon and Echidna; killed by Perseusthe Cyclops --- one-eyed giants, Poseidon; wounded by OdysseusEchidna---half woman, half serpent; Ceto and Phorcysthe Harpies ---winged, faces of women, bodies of vultures and sharp claws; Poseidon, killed or driven away by Zethes and Calaisthe Hecatoncheries---100 hundred handed giants, Gaia, Erebusthe Lernean Hydra---9-headed serpent, more growing when cut off; killed by HeraclesMedusa---the one mortal Gorgon; killed by Perseusthe Minotaur---bull head, man body; in the labyrinth made by Daedalus; killed by Theseusthe Nemean lion---skin impenetrable; Typhon; killed by Heracles (squeeze)Python---serpent of Delphi; Gaia or Hera; killed by Apollothe Sphinx---head & breast woman, body dog, tail serpent, wings of bird, paws of lion, human voice; Typhon and Echidna; killed by OedipusTyphon---a giant; Gaia; Olympians (Zeus/Heracles)Great love storiesAphrodite and Adonis** Aphrodite and AresApollo and Daphne*Ariadne and DionysusCeyx and Alcyone*Clytie and ApolloEcho and Narcissus** Eros and Psyche**Helen and Pari Hero and Leander*Hyacinthus and Apollo* Odysseus and PenelopeOrpheus and Eurydice**Perseus and AndromedaPygmalion and Galatea*Pyramus and Thisbe *Selene and Endymion *Tithonus and Eos*。

古希腊罗马神话欣赏-课程教学大纲及样题

古希腊罗马神话欣赏-课程教学大纲及样题

《古希腊、罗马神话》课程教学大纲课程编码:30615022 学分: 2 总学时:36说明【课程性质】《古希腊、罗马神话》是全日制大学本科教育英语专业高年级开设的专业选修课。

【教学目的】使学生了解西方文化渊源,从文化的角度学习英语词汇,培养和提高其文化素养、鉴赏能力和对异域文化的敏感度。

【教学任务】以古希腊、罗马神话的重要神祗、英雄的轶事为主线,分析现代英语中源于神话的词语与典故及以古希腊、罗马神话为题材的英美文学作品、雕塑、绘画、建筑等艺术作品,提高学生的文化能力和鉴赏水平。

【教学内容】古希腊、罗马神话简介,旧神谱系与天地的起源,奥林匹斯山新神,普罗米修斯与人类,次神的故事,英雄的故事【教学原则和方法】教学原则:以培养具有文化能力和鉴赏水平的学生为原则教学方法:采用多媒体课件教学,辅以影视欣赏和学生讨论促进教学【先修课程要求】本课程是在学生完成了精读、泛读、英美文学、影视欣赏、英美文化概况等课程,并掌握了一定的专业知识和技能基础上开设的专业选修课。

【学时分配】序号内容学时安排小计理论课时实验课时习题课时上机课时1 第一部分2 22 旧神谱系与天地的起源2 23 奥林匹斯山新神10 104 普罗米修斯与人类 4 45 次神的故事6 66 英雄的故事8 87 影视欣赏 4 4总计 36 36 【教材与主要参考书】教材:常耀信《希腊罗马神话》外语教学与研究出版社,1981年。

参考书:廖光蓉《英语词汇与希腊罗马神话》湖南师范大学出版社,1999年。

徐国萍《希腊罗马神话及典故成语》海洋出版社,2001年。

陶洁《希腊罗马神话一百篇》中国对外翻译出版公司,1989年。

大纲内容第一部分古希腊、罗马神话简介【教学目的和要求】教学目的:了解希腊述神话的起源、形成、和发展教学要求:掌握学习古希腊、罗马神话的意义、目的,重要性和方法【内容提要】第一节什么是神话第二节神话的起源和发展第三节神话故事与神话学的区别第四节神话的分类第五节学习神话的原因、意义和方法【教学重点与难点问题】教学重点:神话的分类教学难点:神话的起源和发展【复习思考题】1. 什么是神话?2. 神话故事与神话学的区别是什么?第二部分天地的起源【教学目的和要求】教学目的:讲述天地的起源教学要求:掌握旧神谱系中主要的神及由此派生出来的英语词汇【内容提要】第一节天地的起源第二节旧神谱系:地神盖娅、天神乌拉诺斯,十二提坦巨神第三节以cosmos、chron为词根的派生单词【教学重点与难点问题】教学重点:天地如何起源的教学难点:旧神谱系中诸神之间的关系及名称【复习思考题】1.天地是如何起源的?2.试论述旧神谱系中诸神的关系。

希腊罗马神话课程讲义

希腊罗马神话课程讲义

Roman and Greek Mythology希腊罗马神话课程教案Foreign Language Teaching and Research DepartmentHeilongjiang UniversityForeign Language Teaching and Research Department★ Introduction of GreeceI.ObjectivesStudents will be able to :1. get to know something about GreeceII.Lesson PlanGreece is the southeasternmost region on the European continent. It is defined by a series of mountains, surrounded on all sides except the north by water, and endowed with countless large and small islands. The Ionian (爱奥尼亚) and Aegean seas and the many deep bays and natural harbors along the coastlines allowed the Greeks to prosper in maritime commerce(海上贸易)and to develop a culture which drew inspiration from many sources, both foreign and indigenous. Greece has a history stretching back almost 4000 years. The people of the mainland, called Hellenes(古希腊人), organised great naval and military expeditions, and explored the Mediterranean and the Black Sea, going as far as the Atlantic Ocean and the Caucasus Mountains(高加索山脉). One of those expeditions, the siege of Troy, is narrated in the first great European literary work, Homer's Iliad. During the Classical period (5th century B.C.), Greece was composed of city-states(古希腊的城邦), the largest being Athens, followed by Sparta(斯巴达)and Thebes(底比斯). In the second half of the 4th century B.C., the Greeks, led by Alexander the Great①, conquered most of the then known world and sought to Hellenize it. In 146 BC Greece fell to the Romans.During the Hellenistic period, the Greek world was reaching as far east as India. At length its culture became one of the oldest and the most resplendent ancient civilizations in history---Hellenic culture. From this moment on, I will do my best to present you the culture from mythology stories.Foreign Language Teaching and Research DepartmentChapter1 IntroductionI. ObjectivesStudents will be able to :1. get to know the Beginning of the World2. get to know the Olympian GodsII. Learning Difficultiesdifferent names of the gods and goddessesIII.Lesson Plan★ 1.1 The Beginning of the WorldBefore earth and sea and heavens became known, the face of nature was one crude, formless mass. Land and sea and air were mingled together. The universe was a uniform darkness, without sun, moon, let alone the earth. In the middle of the darkness sat Chaos and his wife---Nyx [niks], the goddess of Night, who reigned but did not rule. So the whole space was lifeless. Centuries later, with the birth of Light and Day, earth and sea and air came into being. And also Chaos and Nyx gave birth to Gaea 盖亚(Earth), and Gaea gave birth to Uranus (Heaven) and married him. Still later, the union of Gaea and Uranus gave birth to the Titans (The Titans of Greek mythology were the twelve children of Gaea and Uranus), the Cyclopes and the Centimani. Afraid that his own gigantic children might usurp his throne, Uranus drove them all back to the earth, and this roused the resentment of the mother Gaea. At her instigation one of her sons, Cronus (one Titan) attacked and wounded Uranus with a sickle given by Gaea. Thus Cronus got the crown and became the supreme ruler of the universe.He married his own sister Rhea and entrusted the management of the sun to his brother Hyperion and the moon to his sister Phoebe. Cronus ruled his realm peacefully until an oracle prophesied that he would one day be dethroned/overthrown by one of his own children. To avoid the disaster he took the excessive precaution of swallowing up all his five children one by one after their birth. These were Hesia The goddess of the hearth (赫斯提:女灶神) Demeter (The goddess of the harvest得墨忒耳:主管收获的女神), Hera, Poseidon (The god of the waters, earthquakes, and horses), Hades (The god of the netherworld). When Rhea bore the last child, Zeus (Jupiter), Cronus wanted to get rid of him in the same fashion. But the mother wrapped up a piece of stone in the infant’s swathes and handed it over to the unsuspecting father. Thus Zeus was saved and sent to Mt Ida (艾达峰:克里特岛中部一山峰), where the mountain nymphs (宁芙女神:以美丽女子形象出现,有时化身为树、水和山等自然之物的小女神) did all in their power to protect him from any harm. By the time Cronus became aware of the deception, it was too late, for young Zeus suddenly appeared before him and easily deposed/dethroned him.Foreign Language Teaching and Research DepartmentWith the help of a nauseous potion, Zeus forced his father to disgorge his five brothers and sisters. But Cronus and his Titans were not reconciled to their defeat. They made war on Zeus and his brothers and sisters. Acting on the advice of his mother Rhea, Zeus released the Cyclopes from under the earth and armed himself with their thunderbolts, for the Cyclopes were thunderbolt-makers. Soon Cronus and Titans were forced to submission and cast down into Tartarus (The regions below Hades where the Titans were confined塔尔塔罗斯:冥府下面的深渊). Thus Zeus became the ruler of the Olympus. He made his sister Hera his queen, and distributed power among his brothers and sisters and his sons and daughters. Among them, Poseidon ruled over the vast expanse of seas and oceans, and Pluto was assigned as the lord to the lower world.★ 1.2 The Olympian GodsOn Mt Olympus, the overlord of gods---Zeus---was not an autocrat; he led a council of twelve members (i.e. there were twelve major gods on Mt Olympus).There were twelve Olympians, although you may run across fourteen different names. Hestia, Demeter, Dionysus, and Hades are variable. The remaining ten are: Apollo, Ares, Hermes, Hephaestus, Poseidon, and Zeus, among the gods; Aphrodite, Athena, Artemis, and Hera, among the goddesses.Zeus(宙斯天王): Zeus is the ruler of the Olympian gods. He is also known as Jupiter in Roman. His attributes in iconography include the lightning bolt, the eagle, and the scepter. Hera(赫拉天后婚姻神): As the wife (and sister) of Zeus, Hera is the patron of marriage. She is also known as Juno (Roman). She has no unique attributes in iconography and so can only be identified by context or inscription.Poseidon(波塞冬海神): Poseidon is the god of the sea. He is also known as Neptune (Roman) and the Earth-shaker. His attributes in iconography include the trident and the fish.Hades(哈得斯冥神阎王):Hades is the god of the underworld. He is also known as Pluto(Roman). His attributes in iconography are the cornucopia and the sceptre.Ares(阿瑞斯战神): Ares is the god of war and conflict and is the husband of Aphrodite. He is also known as Mars (Roman). Ares is depicted as a warrior but, as he has no unique attributes in iconography, he can only be identified by context or inscription. Hephaestus (赫菲斯托斯火和锻冶之神) : The god of fire and metalworking.Hermes(赫耳墨斯商神幸运神): Hermes' main role is as a messenger but he has many other functions as well. He is also known as Mercury (Roman). His attributes in iconography include the kerykeion (messenger's staff), winged boots, and petassos (cap). Apollo(阿波罗太阳神): Apollo is associated principally with music, prophecy, sickness, and medicine. He is also known as Phoebus Apollo and is called the Far Shooter and the Pythian. (He has no separate Roman name.) His attributes in iconography are the cithara, or sometime the lyre, the bow, the fawn, and the tripod. He is often depicted with his sister, Artemis.Artemis(阿耳忒弥斯月神狩猎神): Artemis is the goddess of the hunt and animals, as well as of childbirth. She is also known as Diana (Roman). Her attributes in iconography include the bow and the fawn. She often appears with her brother, Apollo.Athene(雅典娜智慧神): Athene (also spelled Athena) is the patron of wisdom, military Foreign Language Teaching and Research Departmentvictory, and women's crafts. She is the one who leaped up from the top of Zeus’s head. She is also known as Tritogeneia and Minerva (Roman) and is also called Pallas Athene. Her attributes in iconography include the aegis (a fringed cloak, sometimes decorated with a Gorgon's head), the helmet, and the spear.Demeter(得墨忒耳农神): Demeter is the giver of grain. She is also known as Ceres (Roman) and sometimes Deo. Her attributes in iconography can include a torch, a crown, a sceptre, and stalks of grain. She is often portrayed with her daughter, Persephone/Kore. Aphrodite(阿芙罗蒂德爱欲之神): Aphrodite governs desire and sexuality. She is also known as Cytherea, Cypris, and Venus (Roman). She is often pictured with a sceptre or a mirror.Hestia The goddess of the hearth, daughter of Cronus and Rhea.(赫斯提:女灶神,克罗诺斯与瑞亚之女)Dionysus The god of wine and of an orgiastic religion celebrating the power and fertility of nature.Also called Bacchus狄俄尼索斯(酒神, 即罗马神话中的Bacchus)酒神和宗教狂欢庆祝大自然权力与丰产之神Gods assembled: In the line behind and from left to right is first Hades, holding his two-forked scepter, the mother of the gods Rhea 1, and between her and Hera is Hera's peacock. Zeus sits in the middle with the eagle at his feet holding the thunderbolt in his hand.To his right sits Cronos and standing are Athena and Apollo. Under the latter Artemis, with a half-moon adorning his head, is seen holding her bow. In the first line and from left to right Dionysus 2 is seen reclining. Ares in armour sits close to Aphrodite who looks at Eros as he comes towards her. In the far right sits Poseidon holding his trident.Foreign Language Teaching and Research DepartmentChapter2 Prometheus and Pandora's BoxI. ObjectivesStudents will be able to :1. get to know something about Prometheus2. get to know something about PandoraII. Learning DifficultiesThe relation between Prometheus and PandoraIII. Lesson Plan★ 2.1 PrometheusPrometheus was one of the Titans, a gigantic race, who inhabited the earth before the creation of man. Prometheus was called the benefactor of mankind.To him and his brother Epimetheus was committed the office of making man, and providing him and all other animals with the faculties necessary for their preservation. Epimetheus undertook to do this, and Prometheus was to overlook his work, when it was done. Epimetheus accordingly proceeded to bestow upon the different animals the various gifts of courage, strength, swiftness, sagacity; wings to one, claws to another, a shelly covering to a third, etc. But when man came to be provided for, who was to be superior to all other animals, Epimetheus had been so prodigal of his resources that he had nothing left to bestow upon him. In his perplexity he resorted to his brother Prometheus, who, with the aid of Minerva (The goddess of wisdom, invention, the arts, and martial prowess. 密涅瓦:掌管智慧、发明、艺术和武艺的女神), went up to heaven, and lighted his torch at the chariot of the sun. and brought down fire to man. With this gift man was more than a match for all other animals. It enabled him to make weapons wherewith to subdue them; tools with which to cultivate the earth; to warm his dwelling, so as to be comparatively independent of climate; and finally to introduce the arts and to coin money, the means of trade and commerce.Zeus sent most of the Titans to Tartarus to punish them for fighting against him in the Titanomachy, but since the second generation Titan Prometheus had not sided with his aunts, uncles, and brother Atlas, Zeus spared him. Zeus then assigned Prometheus the task of forming man from water and earth, which he did, but in the process, became fonder of men than Zeus had anticipated. Zeus didn't share Prometheus' feelings and wanted to keep men from having power, especially of fire. So Zeus deprived mankind of the gift of fire. Prometheus cared more for man than for the wrath of the increasingly powerful and autocratic king of the gods, so he stole fire from Zeus' lightning, concealed it in a hollow stalk of fennel, and brought it to man. He also stole skills from Hephaestus and Athena to give to man. Then, when Zeus and he were discussing the ceremonial forms for Foreign Language Teaching and Research Departmentanimal sacrifice, Prometheus devised a way to help man. He divided the slaughtered animal parts into two packets. In one was the ox meat and innards wrapped up in the stomach lining. In the other packet were the ox bones wrapped up in its own rich fat. Prometheus presented Zeus with a choice between the two, and Zeus took the richer appearing. As a result of this trick, man would thereafter be able to feast on the meat whenever it sacrificed (burned bones) to the gods.Prometheus was still not awed by the might of Zeus and continued to defy him, refusing to warn him of the dangers of the nymph Thetis (future mother of Achilles). Zeus had tried punishing Prometheus through his loved ones, but this time he decided to punish him more directly. He bade Hephaestus (or Hermes) chain Prometheus to Mount Caucasus, where an eagle ate his ever-regenerating liver each day.Eventually Hercules rescued Prometheus, and Zeus and the Titan were reconciled. ★ 2.2 Pandora’s BoxPandora, was crafted by Hephaestus in his forge. Athena provided Pandora with skills in the womanly arts and made her dangerous. Zeus, who ordered her creation, gave her as a gift and a curse to mankind. Thus Pandora can be said to have had three parents. Pandora is better known as the woman whose curiosity got the best of her when she opened the forbidden box out of which came all the evils of the world and one good, hope.Aphrodite (Venus) gave her beauty, Hermes (Mercury) persuasion, Apollo music, etc. Thus equipped, she was conveyed to earth, and presented to Epimetheus, who gladly accepted her, though cautioned by his brother to beware of Zeus and his gifts. When he was preoccupied with teaching men the art of living, Prometheus had left a big cask in the care of Ephimetheus. He had warned his brother not to open the lid. Pandora was seized with an eager curiosity to know what this jar contained; and one day she slipped off the cover and looked in. Forthwith there escaped a multitude of plagues and sickness, theft and violence, grief and sorrow and all the other evils that human world was henceforward to experience. Pandora hastened to replace the lid! But the whole contents of the jar had escaped, one thing only excepted, which lay at the bottom, and that was hope. So we see at this day, whatever evils are abroad, hope never entirely leaves us; and while we have that, no amount of other ills can make us completely wretched/miserable/despaired..Foreign Language Teaching and Research DepartmentChapter3 The Four Ages and The FloodI. ObjectivesStudents will be able to :1. get to know something about the four ages2. get to know something about the floodII. Learning DifficultiesThe two characters in the story of the floodIII. Lesson Plan★ 3.1 the Four AgesGolden AgeThe Golden Age was a mythical first period of man when everything was happy and easy, and mortals lived like gods, although they died, but only as if falling asleep. No one worked or grew unhappy. Spring never ended. It is even described as a period in which people aged backwards. When they died, they became ghosts and roamed the earth. The people of the Golden Age were formed by or for the titan Cronus.When Zeus overcame the titans the Golden Age ended.First of all the deathless gods who dwell on Olympus made a golden race of mortal men who lived in the time of Cronos when he was reigning in heaven. And they lived like gods without sorrow of heart, remote and free from toil and grief: miserable age rested not on them; but with legs and arms never failing they made merry with feasting beyond the reach of all evils. When they died, it was as though they were overcome with sleep, and they had all good things; for the fruitful earth unforced bare them fruit abundantly. They dwelt in ease and peace upon their lands with many good things, rich in flocks and loved by the blessed gods.Silver AgeDuring the Silver Age the Olympian god Zeus was in charge. Zeus caused this generation of man to be created inferior in appearance and wisdom to the last. He divided the year into four seasons. Man had to plant grain and seek shelter, but still, a child could play for a hundred years before growing up. The people wouldn't honor the gods, so Zeus caused them to be destroyed. When they died, they became "blessed spirits of the underworld."Bronze AgeThe third Age was of bronze. Zeus created men from ash trees. They were strong and warlike. They did not eat bread. Their armor and homes were of bronze. It was this generation of men that was destroyed by the flood in the time of Deucalion and Pyrrha. When they died they went to the Underworld.Foreign Language Teaching and Research DepartmentThese were destroyed by their own hands and passed to the dank house of chill Hades, and left no name: terrible though they were, black Death seized them, and they left the bright light of the sun.Our race is the Iron Race in the Iron Age.Iron AgeZeus placed a fourth race of men on earth during the present, Iron Age. All manner of evils came into being during this age. Piety and other virtues disappeared and most of the gods who were left on Earth, abandoned it. Zeus will destroy this race some day.The father will not agree with his children, nor the children with their father, nor guest with his host, nor comrade with comrade; nor will brother be dear to brother as aforetime. Men will dishonour their parents as they grow quickly old, and will carp at them, chiding them with bitter words, hard-hearted they, not knowing the fear of the gods. They will not repay their aged parents the cost their nurture, for might shall be their right: and one man will sack another's city. There will be no favour for the man who keeps his oath or for the just or for the good; but rather men will praise the evil-doer and his violent dealing. Strength will be right and reverence will cease to be; and the wicked will hurt the worthy man, speaking false words against him, and will swear an oath upon them. Envy, foul-mouthed, delighting in evil, with scowling face, will go along with wretched men one and all. And then Aidos and Nemesis (7), with their sweet forms wrapped in white robes, will go from the wide-pathed earth and forsake mankind to join the company of the deathless gods: and bitter sorrows will be left for mortal men, and there will be no help against evil.★ 3.2 The FloodTowards the end of the Age of Bronze the human world became very wicked. Men grew greed, and impious. Neither right nor law was respected any longer, and the rule of hospitality (殷勤待客的风俗) was forgotten. Disguised in human form, Zeus visited Arcadia (A region of ancient Greece in the Peloponnesus. Its inhabitants, relatively isolated from the rest of the known civilized world, proverbially lived a simple, pastoral life. 阿卡迪亚:古希腊的一区域,位于伯罗奔尼撒,其居民与其它著名文明世界相对隔绝,以过着简朴和田园式的生活著称。

希腊罗马神话与西方文化

希腊罗马神话与西方文化

《希腊罗马神话与西方文化》课程教学大纲发布时间:2012-10-29 浏览次数:【课程中文名称】:希腊罗马神话与西方文化【课程英文名称】:Greco-Roman Mythology and Western Culture【课程代码】3.101.0811【课程类型】专业方向课程【适用专业】英语语言文学专业【开课学期】二年级第二学期(4)【先修课程】基础英语、西方文明简史:从起源到宗教改革【总学时数】36 其中理论教学学时:34 实验(实践)教学时数:2【总学分数】 2【教研室】中西文化研究教研室【执笔人】王磊【审核人】王恩铭、高健【编写(修订)日期】:2011年5月一、课程教学目标课程以常规课堂教学与多媒体展示相结合的形式,着重介绍作为西方文化源头之一的希腊罗马神话中的著名人物及其故事,兼谈它们对西方国家、特别是英语国家的语言文学艺术等的影响,并对它们与中国神话的异同进行尝试性的比较。

课程的目的在于使学生对希腊罗马神话及其意义有一定的了解、提高其西方文化的认识水平和鉴赏能力。

二、先修课的要求具有中级水平的听说读写能力以及西方文明史的基本了解。

三、教学环节、内容及学时分配(一)Introduction and Overview学时:2主要内容:神话概念、希腊罗马神话的演变、希腊罗马神话阐释理论、希腊罗马神话对西方文化的影响、课程要求及评测教学要求:掌握教学PPT内容重点、难点:希腊罗马神话演变、阐释理论(二)In the Beginning: Hesiod’s worldview, the Creation andRe-creation of Man学时:2主要内容:赫西奥德的世界观、诸神的历史和司职、人类的创造和再创造教学要求:阅读《希腊罗马神话欣赏》第1、4章,掌握教学PPT内容重点、难点:神的冲突、人类的五个时期(三)The Divine Women I学时:2主要内容:女神的特征及其在不同神祗身上的体现:得墨忒耳、雅典娜、赫拉、阿芙洛狄忒、赫卡忒、阿耳忒弥斯的不同特性教学要求:阅读《希腊罗马神话欣赏》第2、3章,掌握教学PPT内容重点、难点:女神的主要特征及其体现(四)The Divine Women II学时:2主要内容:珀尔塞福涅的被掠及其母亲的寻找、冥界“览胜”、冥界旅行(Katabasis):赫拉克勒斯、奥迪修斯、埃涅阿斯、奥菲士教学要求:阅读《希腊罗马神话欣赏》第5、14章,掌握教学PPT内容重点、难点:珀尔塞福涅故事的文化含义、古希腊人的死亡观念(五)Apollo v.s. Dionysus学时:2主要内容:阿波罗与狄俄尼索斯的不同特性及其意义教学要求:阅读《希腊罗马神话欣赏》第6、7、12章,掌握教学PPT内容重点、难点:阿波罗与狄俄尼索斯的不同特性及其意义(六)Stories of Love I学时:2主要内容:古希腊罗马人的爱情观、维纳斯与丘比特、奥维德的《变形记》及若干变形故事教学要求:阅读《希腊罗马神话欣赏》第11, 15, 16, 17章,掌握教学PPT内容重点、难点:古希腊罗马人的爱情观、变形故事的阐释(七)Stories of Love II (13) & Miscellany学时:2主要内容:丘比特与普绪客的爱情及其阐释教学要求:阅读《希腊罗马神话欣赏》第13章,掌握教学PPT内容重点、难点:丘比特与普绪客的爱情及其阐释(八)Greek Heroes I: Perseus (18) & Heracles (20)学时:2主要内容:希腊英雄的共性、珀尔修斯、赫拉克勒斯教学要求:阅读《希腊罗马神话欣赏》第18、20章,掌握教学PPT内容重点、难点:希腊英雄的共性、珀尔修斯和赫拉克勒斯特性(九)Greek Heroes II: Theseus & Jason学时:2主要内容:忒修斯与迷宫、伊阿宋与金羊毛教学要求:阅读《希腊罗马神话欣赏》第23、19章,掌握教学PPT内容重点、难点:忒修斯的历险及其崇拜、美狄亚的特性(十)The Tragic Hero: Cadmus, Oedipus学时:2主要内容:卡德摩斯与忒拜的建立、俄狄浦斯王的悲剧教学要求:阅读《希腊罗马神话欣赏》第21、22章,掌握教学PPT内容重点、难点:俄狄浦斯王悲剧的阐释(十一)The Tragic Hero: Cadmus, Oedipus学时:2主要内容:卡德摩斯与忒拜的建立、俄狄浦斯王的悲剧教学要求:阅读《希腊罗马神话欣赏》第21、22章,掌握教学PPT内容重点、难点:俄狄浦斯王悲剧的阐释(十二)Heroes: The Trojan Saga学时:2主要内容:荷马及其史诗概览、《伊利亚特》评介教学要求:阅读《希腊罗马神话欣赏》第24章,掌握教学PPT内容重点、难点:《伊利亚特》中的英雄形象解读(十三)Agamemnon学时:2主要内容:埃斯库罗斯的《俄瑞斯忒斯》三部曲教学要求:阅读《希腊罗马神话欣赏》第25章,掌握教学PPT内容重点、难点:阿伽门农家族悲剧的意义(十四)Hero of a Different Kind: Odysseus学时:2主要内容:《伊利亚特》与《奥德赛》的比较、奥迪修斯的海上历险教学要求:阅读《希腊罗马神话欣赏》第26章,掌握教学PPT内容重点、难点:奥德修斯的性格特征(十五)The Roman Hero: Aeneas I (27)学时:2主要内容:维吉尔及其史诗《埃涅阿斯纪》(第1-6部)评介教学要求:阅读《希腊罗马神话欣赏》第27章,掌握教学PPT内容重点、难点:《埃涅阿斯纪》与荷马史诗的关系及其创作目的(十六)The Roman Hero: Aeneas II (28)学时:2主要内容:《埃涅阿斯纪》(第7-12部)评介教学要求:阅读《希腊罗马神话欣赏》第28章,掌握教学PPT内容重点、难点:维吉尔史诗与罗马帝国(十七)Tutorial学时:2主要内容:复习与答疑教学要求:复习与答疑重点、难点:复习与答疑(十八)Final examination学时:2主要内容:课程考试教学要求:课程考试重点、难点:课程考试四、教学策略与方法建议本课程以教师讲座、多媒体展示、课堂讨论相结合的授课形式,在介绍、解读神话故事的同时,辅以神话题材的艺术作品及影视作品欣赏和讨论,帮助学生在希腊罗马神话对于西方文化的影响方面建立直观、形象的联系。

古希腊罗马神话欣赏-课程教学大纲及样题

古希腊罗马神话欣赏-课程教学大纲及样题

《古希腊、罗马神话》课程教学大纲课程编码:30615022 学分: 2 总学时:36说明【课程性质】《古希腊、罗马神话》是全日制大学本科教育英语专业高年级开设的专业选修课。

【教学目的】使学生了解西方文化渊源,从文化的角度学习英语词汇,培养和提高其文化素养、鉴赏能力和对异域文化的敏感度。

【教学任务】以古希腊、罗马神话的重要神祗、英雄的轶事为主线,分析现代英语中源于神话的词语与典故及以古希腊、罗马神话为题材的英美文学作品、雕塑、绘画、建筑等艺术作品,提高学生的文化能力和鉴赏水平。

【教学内容】古希腊、罗马神话简介,旧神谱系与天地的起源,奥林匹斯山新神,普罗米修斯与人类,次神的故事,英雄的故事【教学原则和方法】教学原则:以培养具有文化能力和鉴赏水平的学生为原则教学方法:采用多媒体课件教学,辅以影视欣赏和学生讨论促进教学【先修课程要求】本课程是在学生完成了精读、泛读、英美文学、影视欣赏、英美文化概况等课程,并掌握了一定的专业知识和技能基础上开设的专业选修课。

【学时分配】序号内容学时安排小计理论课时实验课时习题课时上机课时1 第一部分2 22 旧神谱系与天地的起源2 23 奥林匹斯山新神10 104 普罗米修斯与人类 4 45 次神的故事6 66 英雄的故事8 87 影视欣赏 4 4总计 36 36 【教材与主要参考书】教材:常耀信《希腊罗马神话》外语教学与研究出版社,1981年。

参考书:廖光蓉《英语词汇与希腊罗马神话》湖南师范大学出版社,1999年。

徐国萍《希腊罗马神话及典故成语》海洋出版社,2001年。

陶洁《希腊罗马神话一百篇》中国对外翻译出版公司,1989年。

大纲内容第一部分古希腊、罗马神话简介【教学目的和要求】教学目的:了解希腊述神话的起源、形成、和发展教学要求:掌握学习古希腊、罗马神话的意义、目的,重要性和方法【内容提要】第一节什么是神话第二节神话的起源和发展第三节神话故事与神话学的区别第四节神话的分类第五节学习神话的原因、意义和方法【教学重点与难点问题】教学重点:神话的分类教学难点:神话的起源和发展【复习思考题】1. 什么是神话?2. 神话故事与神话学的区别是什么?第二部分天地的起源【教学目的和要求】教学目的:讲述天地的起源教学要求:掌握旧神谱系中主要的神及由此派生出来的英语词汇【内容提要】第一节天地的起源第二节旧神谱系:地神盖娅、天神乌拉诺斯,十二提坦巨神第三节以cosmos、chron为词根的派生单词【教学重点与难点问题】教学重点:天地如何起源的教学难点:旧神谱系中诸神之间的关系及名称【复习思考题】1.天地是如何起源的?2.试论述旧神谱系中诸神的关系。

教案——古希腊神话

教案——古希腊神话

神话——人类童年的产物古希腊神话【教学目标】知识与能力:了解希腊神话的产生及意义等;熟悉神话中的主要人物及故事,能将其准确运用在作文写作中;过程与方法:通过教师讲解引导学生阅读,学生自主阅读、做读书笔记、小组内、班内交流讨论;态度情感与价值观:培养学生对神话的兴趣,提高相关知识积累。

【重点与难点】1、课后阅读《古希腊罗马神话》;2、结合教材《普罗米修斯》交流、讨论;整理希腊神话中的素材;对人物性格有较准确地把握。

【教学方法】老师课上做简要介绍,引导学生讨论总结;学生课下阅读,同学间相互交流、学习。

【教学时数】2课时【教学过程】【故事导入】Galaxy——gala:盖亚,xy:way。

盖亚的路即是银河。

(盖亚的乳汁,赫拉克勒斯)Milky way 银河系,同样源于这个故事。

Chaos ——混乱,无秩序。

源自宇宙第一个神——混沌神凯尔斯。

【教授新课】一、希腊神话的产生:1、引入:有没有同学能起来推想一下神话的产生?说明:神话是原始初民借助原始的思维方式对大自然和社会形态想象和认识的结果。

在人类的童年时代,原始初民有敏锐的感觉力和丰富的想象力,但理性的逻辑推断能力较弱,他们用比较类推的方法认识世界,形象地比拟人与自然之间的关系,把许多不能解释而自己又为之惊奇的力量想象为神的力量,于是就产生了神话。

(教师:希腊神话的产生也是如此,只是不同神话具体来源不一样罢了。

)明确:希腊神话开始以口头文学的形式流传,经过几百年的艺术加工,然后在《荷马史诗》、赫西俄德的《神谱》以及古希腊的诗歌、戏剧、历史、哲学等著作中记录下来,后人将它们整理成现在的古希腊神话故事。

希腊神话是“通过人民的幻想用一种不自觉的方式加工过的自然和社会形态本身”。

——马克思2、古希腊神话内容:神的故事:包括开天辟地、神的产生、神的宗谱、神的活动、人类的起源……英雄传说: 阿喀琉斯、奥德修斯、赫拉克勒斯、忒修斯、珀修斯、伊阿宋、赫克托、阿迦门农等。

希腊罗马古典文化教案三篇

希腊罗马古典文化教案三篇

希腊罗马古典文化教案三篇教案是教师为顺利而有效地开展教学活动,根据课程标准,教学大纲和教科书要求及学生的实际情况,以课时或课题为单位,对教学内容、教学步骤、教学方法等进行的具体设计和安排的一种实用性教学文书。

下面是为大家准备的内希腊罗马古典文化教案,希望对你们有帮助!希腊罗马古典文化教案三篇1教学目标知识与能力:了解爱琴文明和古罗马文明的地理范围;了解“法西斯”、“罗马人的小澡盆”的由来;了解雅典城邦是民主政治的发源地,掌握民主制;掌握元首制;掌握《十二铜表法》的历史影响;认识古希腊罗马文化(哲学、戏剧、科技和建筑)。

过程与方法:通过教师提供的地图及文字材料,描述相应地域的地理特点及其带来的影响;通过表格填充及教师的补充讲解,对雅典民主制有一个较深刻的认知;通过分析饼型示意图,分析认识古希腊城邦民主政治的实质。

情感与价值:认识西方文明的由来及古代文明对近代人类发展的深远影响;培养学生对文字材料的整合能力。

教材分析重点:雅典民主制,共和国时代政治制度,《十二铜表法》难点:雅典民主制特征,共和国时代政治制度特点教具准备:地图册、图片、多媒体教案教学过程导入:同学们,上课前请你们回忆下上单元学习过的内容,四大文明古国地图是哪四个?请看地图,想想它们都应该在哪个位置?(给学生一点时间思考,幻灯片打出位置)那么他们都产生于哪些流域?还记得吗?可以说,是水孕育了人类文明埃大家知道吗,还有一个古文明也孕育在有水的地方,而且有些人还认为应该把这个文明与四大文明古国并列起来,称为五大文明古国?有的同学可能做足了课前预习了,说得没错,就是古希腊罗马文明。

在地图上,这是它的地理范围。

这也是接下来要学习的内容——希腊、罗马与欧洲古典文明。

正课:早期爱琴文明由于希腊罗马文明产生于海洋区域,所以习惯上我们称它为海洋文明或者蓝色文明。

请同学们仔细阅读这张地图,然后说说古代希腊的地理范围。

地图北面这大块是巴尔干半岛,雅典所在的这一块是阿提卡半岛,东边这块是伯罗奔尼撒半岛,与他们遥遥相对的是克里特岛,它是爱琴海的第一大岛。

希腊罗马神话教程,马建军 课程大纲

希腊罗马神话教程,马建军 课程大纲

希腊罗马神话教程马建军课程大纲一、课程介绍1.1 课程背景古希腊和古罗马是世界上最早的文明之一,其丰富多彩的神话故事被后人奉为经典,对后世的文化、艺术和思想产生了深远的影响。

1.2 课程目的通过本课程的学习,学生将了解古希腊和古罗马神话的基本知识,包括神话的起源、发展历程、主要神祇、英雄人物等,同时探讨神话与当代文化的通联,帮助学生提高对古代文明的理解和欣赏能力。

1.3 课程教学目标1.3.1 理解古希腊和古罗马神话的基本概念和主要内容。

1.3.2 了解古希腊和古罗马神话对文学、艺术、哲学等方面的影响。

1.3.3 掌握神话故事的阅读和解读方法,培养学生的文学鉴赏能力。

二、课程内容2.1 古希腊神话2.1.1 神话的起源与发展2.1.2 主要神祇和其故事2.1.3 古希腊神话与文学、艺术的关系2.2 古罗马神话2.2.1 神话的传播与接纳2.2.2 主要神祇和其故事2.2.3 古罗马神话对当代文化的影响2.3 神话与现实生活2.3.1 古代神话在当代文化中的体现2.3.2 神话与宗教、哲学的关系2.3.3 现代人对神话的解读与创作三、教学方法3.1 理论讲授采用课堂讲授的方式,通过讲解神话的起源、发展历程以及相关知识点,引导学生对神话故事进行深入的理解和思考。

3.2 阅读分析指导学生阅读古希腊和古罗马神话的经典作品,分析其中蕴含的意义和价值,培养学生的文学鉴赏能力。

3.3 讨论互动开展课堂讨论和互动环节,引导学生就神话故事中的重要议题展开深入的思考和探讨。

四、考核方式4.1 课堂表现根据学生在课堂上的积极参与、讨论贡献和表现态度进行评定。

4.2 作业考核包括阅读报告、作文、研究论文等形式的作业,考核学生对神话故事的理解和运用能力。

4.3 期末考试综合考察学生对古希腊和古罗马神话的掌握程度,并对相关知识点进行笔试。

五、教材与参考书目5.1 主要教材《古希腊罗马神话故事选》《古希腊罗马神话导读》5.2 参考书目《古希腊罗马神话概论》《神话解读》《希腊罗马神话与宗教文化》六、教学环节安排6.1 教学周期:一学期6.2 授课方式:面对面授课6.3 授课时间:每周两节课,每节90分钟七、希腊罗马神话教程的意义7.1 传承经典通过探讨古希腊和古罗马神话,传承古代文明的经典和精髓。

希腊罗马神话教案

希腊罗马神话教案

希腊罗马神话教案【篇一:古希腊罗马文学讲义】古希腊罗马文学讲义古希腊、罗马文学的成就和意义古希腊文学贯穿着热爱生活、热爱现实、肯定人、相信人的积极人生态度,在人类艺术发展的早期就表现出高超的艺术技巧,成为欧洲及至整个西方文学的源头。

古罗马文学继承了古希腊文学的杰出成果,并成为古希腊与近代欧洲文学之间的桥梁。

罗马帝国晚期,希伯来文化传到罗马,并与希腊文化结合而成基督教文化,基督教文学随之兴起,成为欧美文学史的又一渊源。

古希腊文学的发展过程“荷马时代”(公元前11世纪-公元前9世纪),主要成就是神话和史诗;希腊城邦国家的形成和繁荣时期(公元前8世纪-公元前5世纪),主要成就是抒情诗和寓言。

“古典时期”,希腊奴隶制的全盛时期(公元前6世纪末-公元前4世纪初),主要成就是戏剧、散文和文艺理论。

希腊化时期(公元前4世纪-公元前2世纪),只有新喜剧对后世文学有影响。

古罗马文学的发展过程共和时期(公元前3世纪-公元前2世纪),主要成就是戏剧;共和晚期和奥古斯都时期(公元前1世纪-公元1世纪),罗马文学的“黄金时代”,散文、诗歌、文艺理论都有新成就;帝国时期(公元1世纪-5世纪中叶),罗马文学开始衰落,仅讽刺诗和小说有些成就。

古希腊、罗马文学繁荣的原因建立在航海贸易基础上的奴隶制经济;奴隶制城邦国家的建立,避免了中央集权专制制度的出现;奴隶主民主政治的发展,保证了雅典等城邦内的公民自由,从而形成了以雅典为代表的古希腊文化学术的繁荣局面。

什么是“城邦”?所谓城邦,指由一个单独的城镇为中心的国家。

历史上的城邦通常是大文化圈的一部份,如古希腊城邦(如雅典、斯巴达)、迦南的腓尼基城邦(如泰尔、西顿)、中部美洲的玛雅城邦、丝绸之路上的小国(如撒马尔罕、布哈拉)和意大利城邦(如佛罗伦斯、威尼斯)。

中国周代实行封建制度,分封的一些诸侯国有时也被称为城邦。

顾准:《希腊城邦制度——读希腊史笔》,贵州人民出版社1994年版。

“城邦”的制度形式贵族制:由贵族集体领导,权力受公民大会制约;寡头制:由少数贵族领导,权力受公民大会制约;僭主制:依靠武力或非法手段夺权,无视公民大会,但往往取悦于平民,有利于向民主制转变;君主制:君主终身世袭,独掌大权,但形式上保留公民大会;民主制:人民集体享有主权,公民大会是最高权力机关。

希腊罗马古典文化教案

希腊罗马古典文化教案

希腊罗马古典文化教案第一章:希腊罗马古典文化的概述1.1 教学目标了解希腊罗马古典文化的定义和发展历程。

理解希腊罗马古典文化对后世的影响。

1.2 教学内容希腊罗马古典文化的定义和发展历程。

希腊罗马古典文化对后世的影响。

1.3 教学方法采用讲授法,讲解希腊罗马古典文化的定义和发展历程。

通过举例和引用相关资料,说明希腊罗马古典文化对后世的影响。

第二章:希腊罗马的神话与传说2.1 教学目标了解希腊罗马神话的基本内容。

理解希腊罗马神话在古典文化中的重要性。

2.2 教学内容希腊罗马神话的基本内容。

希腊罗马神话在古典文化中的重要性。

2.3 教学方法采用讲述法,讲解希腊罗马神话的基本内容。

通过分析相关文学作品,说明希腊罗马神话在古典文化中的重要性。

第三章:希腊罗马的哲学思想3.1 教学目标了解希腊罗马哲学的基本观点。

理解希腊罗马哲学对后世的影响。

3.2 教学内容希腊罗马哲学的基本观点。

希腊罗马哲学对后世的影响。

3.3 教学方法采用讲解法,讲解希腊罗马哲学的基本观点。

通过讨论和分析相关案例,说明希腊罗马哲学对后世的影响。

第四章:希腊罗马的文学艺术4.1 教学目标了解希腊罗马文学艺术的特点和成就。

理解希腊罗马文学艺术对后世的影响。

4.2 教学内容希腊罗马文学艺术的特点和成就。

希腊罗马文学艺术对后世的影响。

4.3 教学方法采用展示和分析相关作品,讲解希腊罗马文学艺术的特点和成就。

通过比较和讨论,说明希腊罗马文学艺术对后世的影响。

第五章:希腊罗马的科学和技术5.1 教学目标了解希腊罗马科学和技术的发展情况。

理解希腊罗马科学和技术对后世的影响。

5.2 教学内容希腊罗马科学和技术的发展情况。

希腊罗马科学和技术对后世的影响。

5.3 教学方法采用讲解法,讲解希腊罗马科学和技术的发展情况。

通过举例和引用相关资料,说明希腊罗马科学和技术对后世的影响。

第六章:希腊罗马的政治制度6.1 教学目标了解希腊罗马政治制度的基本构成。

理解希腊罗马政治制度的特点及其对现代政治制度的影响。

希腊罗马神话教学大纲

希腊罗马神话教学大纲

《希腊罗马神话》课程教学大纲课程代码:070132016课程英文名称: Greco-Roman Mythology课程总学时:24 讲课:24 实验:0 上机:0适用专业:英语大纲编写(修订)时间:2017.10一、大纲使用说明(一)课程的地位及教学目标本课程为英语专业一年级的选修课,目的在于让学生了解西方希腊和罗马的文化渊源,从文化的角度学习英语词汇,培养和提高其文化素养、鉴赏能力和对异域文化的了解程度。

(二)知识、能力及技能方面的基本要求1.知识方面的基本要求:了解希腊罗马神话的主要神抵、英雄事迹等;能够分析现代英语中源于神话的词语与典故以及希腊罗马神话为题材的英美文学作品等。

2.能力技能方面的基本要求:学会从欣赏的角度去理解希腊罗马神话相关的文学作品、雕塑、绘画、建筑等艺术作品,提高学生的文化能力和鉴赏水平。

(三)实施说明授课时教师要着重介绍希腊和罗马时期的神话传说,旧神谱系与天地的起源,奥林匹斯山新神,普罗米修斯与人类,次神的故事,英雄故事等,从而使学生进一步了解希腊罗马神话相关的文化知识,对西方社会有个更加深入的了解。

(四)对先修课的要求无(五)对习题课、实验环节的要求教师留一定的时间给学生进行课上讨论,在发表见解的同时他们会渐渐发觉自己在该学科的理解情况。

同时留相关论文及阅读材料,有助于学生对该学科所学知识的进一步扩展,以促进未来八级考试文化常识的掌握。

(六)课程考核方式1.考核方式:考查2.考核目标:重点考核学生理解、欣赏及评论希腊罗马神话的能力。

3.成绩构成:本课程的总成绩主要由两部分组成:出勤占30%,平时考核占70%。

平时成绩由任课教师视具体情况按百分制给出;平时考核以论文、课上讨论、课上或课下作业完成情况为准;无故旷课三次则取消学生总评成绩。

(七)主要参考书目:《希腊罗马神话欣赏》,王磊,上海外语教育出版社,2008《希腊神话故事精选》,贺明华,天津人民出版社,2006二、中文摘要本课程是英语专业一年级学生的专业选修课,重点在于让学生知晓西方希腊和罗马的文化渊源,从文化的角度学习英语词汇,培养和提高其文化素养、鉴赏能力和对异域文化的了解程度。

Unit 3-希腊罗马神话提纲

Unit 3-希腊罗马神话提纲

Unit 3 Five Ages of Man---Human Alienation from the DivineHome Assignment:Comment on human creation myths (Deucalion, Chinese , Indian, Hopi).Prepare the questions 1-4, 6, and 9 on page 54.Five Ages of Mankind1.Golden Age黄金时代(c. 3000 B.C.-?)Paradise; Cronus’s reign, Old Stone Age, Pre-agricultural timesA.men born spontaneously from the earth or fashioned from earth and water by PrometheusB.ruled by Cronus (and Mother Earth), but without lawsC.life peaceful, care-free, labor-free, painless, but vegetarian (acorns and honey from the trees) D.everlasting youth until peaceful death in sleepE.spirits as genii神怪/invisible protectors or helpers of later generations(a life of plenty, freedom and primitiveness;ending with Pandora’s creation)2.Silver Age白银时代(?-1900B.C.)the Moon goddess’s reign, Middle and New Stone Age, Agricultural/ matriarchal periodA.the first race created by the OlympiansB.beginning of agriculture and primitive domestic life (bread)C.the rule of Mothers and men the despised sexD. a full 100 years’ childhood, but only a short time’s adult lifeE.death from “reckless violence”F.savage, ungrateful to creatorsG.spirits as demons( eradicated with the flood?)3.Bronze Age青铜时代(1900-1250B.C.)New Stone Age + Copper Age,agriculture and manufacture,a hunting and warring age, an age of men A.created by Zeus alone, reputedly from ash trees桉树,白蜡树B.ate bread as well as fleshC.bronze houses, bronze armors, and bronze tools or weaponsD.great warriors pursuing brutal, violent conflictsE.spirits went down to Hell(ending with Black Death or Deucalion flood)4.Bronze Age or Age of Heroes青铜/英雄时代(1250-1100B.C.)A.children out of gods’ or goddesses’union with mortals; semi-godsB. a nobler race, “better and more just” than the preceding or succeeding generationC.heroes who fought at Troy (Unit 9) or Thebes (p.386-393)D.their spirits went to the Happy Isles/the Isles of the Blest/ Homeric Edenic Elysium极乐岛to live forever in peace and happiness5.Iron Age黑铁时代(1100-600 B.C.)loss of ParadiseA.all evils and corruptions, injustice and strivesB.toil for survival and suffer endless miseryC.spirits condemned1. What picture of historical development do you get from the account of the Five Ages? Do you agreewith Hesiod? Why?A Human life is in a process of decline (spiral/ circular/ linear downward) with each stage of devolution 退化represented by a metal of inferior value to the one preceding it.B As men degenerate both physically and spiritually, they alienate themselves from the gods; the farther away from thegods/divinity, the nearer to the earthly/earth; also there is alienation between mind and heart/ instinct.C The human sufferings are self-induced punishment by gods; Natural disasters are ways of punishing humans.D Human civilization/knowledge/power leads to its separation from Divinity and Nature.E The account is symbolic and apocalyptic 启示性的: According what has happened to the 5 earlier ages, what is tohappen is predicted. Human history is thus a painful lesson teaching mortals to obey the gods.II. Gods’ Punishment of HumansDeucalion Flood myththe Biblical legend of Noah’s Ark p.282-3●Lycaon or his fifty sons or Tantalus●Historically several big floods in remote pastIII. PrometheusWhat role did Prometheus play in the primal history of mankind? What cultural value does the Promethean fire have in the history of human civilization?How do you like the mythical account that Prometheus was unbound and restored to Olympus? And why?●Family historyTitan Iapetus +Clymen e, daughter of Oceanos--- Atlas holding the broad sky at the ends of the earth---Hesperides p.307-310--- Menoetius sent by Zeus to Erebus---Prometheus ( Forethought先觉者)--Deucalion---Epimetheus(Afterthought后觉者) ---Pyrrha●Creator of humans:---dust/earth (with Uranus’s seeds)---wet the earth with water (water of life)---fashioned it into the image of Gods---to put life into it, confined good and evil of animals into human body, making it half living being(animal life)---Athene gave it soul/psyche and breath of life●Human benefactor:---fire---arts of healing, medicine---mathematics---astronomy---navigation航海---divination占卜---architecture---metallurgy冶金●Defender of human interest:---cheating at sacrifice---leaving meat to men---bringing the needed fire, the symbol of civilization (the Forbidden Fruit)[Promethean Fire: the Forbidden Fruit, which makes civilization possible and simultaneously severs humanity’s primal bond with Nature (Eden/animal)]●Savior of mankind:Christ-like, to suffer for the sake of mankind●Rebel against tyranny:refused to tell the secret (Zeus/Poseidon+Thetis ) and give in to ZeusPrometheus’s acceptance to Olympus: a compromise or a triumph?IV. PandoraWhat is the traditional understanding of Pandora? In what way is she a “lovely evil”?Pandora is often regarded as Eve, the first woman in the Bible. How does she resemble Eve? How do you defend her from the feminist point of view?What does it mean that “hope” alone remains in Pandora’s jar/box? What is the significance of “hope”?1. Nature of Woman●“all-gifted”有着一切天赋的女人●“the root of all evils”, the symbol of extravagance and ill-nature●the being with “curiosity”●the first woman, Greek Eve● a complementary curse and blessing for men[If a man refuses to marry, he has a dismal old age with no one to look after him and no family to inherit his possessions. If a man has a good wife, he has at least a mixture of good and evil.]2. Different accounts of the jarA.all good things flew back to heaven, only Hope was caughtB.both good and evil, Hope the last one to fly out before the jar was shutC.all evils in the jar flew out to attack humans, only Hope remained3. Cultural interpretation of Pandora● a product of earth and a gift of malevolence, the polar opposite of Prometheus’s gift, thecelestial flame that ignites the spark of civilization●this “lovely evil”, the lovely blessing an d curse, like Eve, is the catalyst催化剂of human“decline” and marks the beginning of tension between male and female●with the opening of her jar or box ends the Golden Age, shattering the link between humanityand divinity, and plunging human history into an irreversible downward spiral● a being of complexity with distinctive features of female good and evil, e.g. Ares’s , Hermes’s, Athene’s,Aphrodite’s, etc. as a blessing necessity as well as a curse to men4. Feminist Reading of Pandora●Gods punish men for civilization/brutality, women become the scapegoat.●Her story is really about men’s gullibility (Epimetheus) or innate weakness.●Women have played a decisive role in human civilization: It is human nature to be curious, and itis female curiosity/intelligence/cunning that leads to human civilization/knowledge.---Is female curiosity/intelligence bringing downfall of mankind or initiating Man into larger possibilities of civilized awareness?---Would you rather live contentedly in ignorance or suffer with a good knowledge of what you。

希腊罗马神话人物概述教材

希腊罗马神话人物概述教材

• 阿佛洛狄忒(Aphrodite)——美神与爱神 ; 阿瑞斯(Ares)——战神 ;赫菲斯托斯 (Hephaestus)——火神及工匠之神 ;
• 赫尔墨斯(Hermes)——诸神的传令使;德 墨忒尔(Demeter)——农耕和丰收女神 ;狄 俄尼索斯(Dionysus)——酒神。
罗马神话的主神
奏竖琴(lyre)----音乐、医药、 预言之神,九位穆斯女神首领 • “长着环形卷发的阿波罗”( Homer) • (斯巴达地区)阿波罗节 Carnea (体育、音乐比赛)
希腊神话故事十二主神The Twelve Olympians
月亮女神阿耳忒弥斯 Artemis [ˈɑ:timis] (Diana)
希腊神话中神的谱系
• 希腊神话包由神的故事和英雄传说两大类组成。
• 主神有: 宙斯(Zeus)——众神之君,掌管天上和 人间 ; 赫拉(Hera)——天后,宙斯之妻,婚姻及 妇女的保护神;波塞冬(Poseidon)——海洋之神 ;哈得斯(Hades)——冥王,主管冥间、地府;雅 典娜(Athena)——智慧女神 ;阿波罗(Apollo)—— 光明之神;阿尔忒弥斯(Artemis)——狩猎与月亮 女神;
宙斯与赫拉之子女
火神 赫淮斯托斯 Hephaestus
青春女神 赫伯 Hebe
希腊神话故事十二主神The Twelve Olympians
海神波塞冬Poseidon [pɔˈsaidən] (Neptune)
• Zeus’s elder brother • 用三叉戟(trident) 统治海洋、地震
• 宙斯 Zeus (Jupiter) • Cronus(克洛诺斯) and Rhea (瑞
亚)之子 • 天气与气候之神 • “聚集云的神”(荷马Homer) • “神盾的持有者” (赫西俄德

希腊罗马神话绪论部分教程文件

希腊罗马神话绪论部分教程文件
混 合物。这些作家也独创了一些罗 马神祗和英雄们特有的故事,但 这类创造并没有脱离希腊神话的 影响。
只有罗马城建立的故事完全属 于罗马人的独创。与罗马有关 的神话故事主要有两个。一个 是罗马城建立者罗慕卢斯和他 的同胞兄弟雷摩斯的故事。这 个故事见于李维和普鲁塔克的 作品。另一个是埃涅阿斯的的 故事,主要见于维吉尔的《埃 涅阿斯记》。埃涅阿斯是特洛 伊的大英雄,特洛伊陷落后他 经过了一番艰险的航行,在意 大利的拉丁姆建立了殖民地, 成为罗马建立者的祖先。所以 罗马独有的神话故事主要源于 古罗马作家的作品。
2.古希腊存留下来的艺术作品,包括雕塑作品和希腊古 瓶上的绘画和古建筑上残留的壁画
3. 后世发掘出土的考古文物
感谢一个人!
古斯塔夫·施瓦布(1792—
1850),是德国著名的浪漫主义 诗人。他生于符腾堡宫廷官员家 庭。曾任席勒的老师。18091814年在蒂宾根大学攻读神学和 哲学,1815年去德国北部地区考 察旅行,结识歌德和霍夫曼等
人。 他在文学上的主要贡献在于发
掘和整理古代文化遗产,曾出版 《美好的故事和传说集》、《德
国民间话本》和《希腊神话故 事》。
他的主要诗集有《博登湖 上的骑士》、《马尔巴赫的巨 人》等。
为什么要学习古希腊、罗马神话?
1.有助于英语的学习
2.有助于吸收希腊文明的精华
3.有助于正确学习西方文明的优良传统和先进的文化知 识
《感动心灵的西方美术》丁宁 著,北京:机械工业出版社,2008 《古希腊悲喜剧全集》【古希腊】埃斯库罗斯等 著,王焕生等
译,南京:译林出版社,2007 《古希腊罗马神话鉴赏辞典》晏立农、马淑琴 编著,长春:吉林
人民出版社,2006
《希腊精神》【美】伊迪斯·汉密尔顿 著,葛海滨 译,沈阳:辽 宁教育出版社,2005
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《希腊罗马神话》课程教学大纲
课程代码:070132016
课程英文名称: Greco-Roman Mythology
课程总学时:24 讲课:24 实验:0 上机:0
适用专业:英语
大纲编写(修订)时间:2017.10
一、大纲使用说明
(一)课程的地位及教学目标
本课程为英语专业一年级的选修课,目的在于让学生了解西方希腊和罗马的文化渊源,从文化的角度学习英语词汇,培养和提高其文化素养、鉴赏能力和对异域文化的了解程度。

(二)知识、能力及技能方面的基本要求
1.知识方面的基本要求:
了解希腊罗马神话的主要神抵、英雄事迹等;能够分析现代英语中源于神话的词语与典故以及希腊罗马神话为题材的英美文学作品等。

2.能力技能方面的基本要求:
学会从欣赏的角度去理解希腊罗马神话相关的文学作品、雕塑、绘画、建筑等艺术作品,提高学生的文化能力和鉴赏水平。

(三)实施说明
授课时教师要着重介绍希腊和罗马时期的神话传说,旧神谱系与天地的起源,奥林匹斯山新神,普罗米修斯与人类,次神的故事,英雄故事等,从而使学生进一步了解希腊罗马神话相关的文化知识,对西方社会有个更加深入的了解。

(四)对先修课的要求

(五)对习题课、实验环节的要求
教师留一定的时间给学生进行课上讨论,在发表见解的同时他们会渐渐发觉自己在该学科的理解情况。

同时留相关论文及阅读材料,有助于学生对该学科所学知识的进一步扩展,以促进未来八级考试文化常识的掌握。

(六)课程考核方式
1.考核方式:考查
2.考核目标:重点考核学生理解、欣赏及评论希腊罗马神话的能力。

3.成绩构成:本课程的总成绩主要由两部分组成:出勤占30%,平时考核占70%。

平时成绩由任课教师视具体情况按百分制给出;平时考核以论文、课上讨论、课上或课下作业完成情况为准;无故旷课三次则取消学生总评成绩。

(七)主要参考书目:
《希腊罗马神话欣赏》,王磊,上海外语教育出版社,2008
《希腊神话故事精选》,贺明华,天津人民出版社,2006
二、中文摘要
本课程是英语专业一年级学生的专业选修课,重点在于让学生知晓西方希腊和罗马的文化渊源,从文化的角度学习英语词汇,培养和提高其文化素养、鉴赏能力和对异域文化的了解程度。

以此来逐渐扩充学生的视野、提高其文化素养和欣赏能力。

三、课程学时分配表
四、教学内容及基本要求
第1部分导论
总学时(单位:学时):2 讲课:2 实验:0 上机:0
具体内容:
1.神话概念、希腊罗马神话的演变
2.希腊罗马神话阐释理论
3.希腊罗马神话对西方文化的影响
重点:
希腊罗马神话对西方文化的影响
难点:
希腊罗马神话的演变
习题:
复习导论内容
第2部分In the Beginning: Hesiod’s worldview, the Creation and Re-creation of Man 总学时(单位:学时):2 讲课:2 实验:0 上机:0
具体内容:
1.赫西奥德的世界观
2.诸神的历史和司职
3.人类的创造和再创造
重点:
了解诸神的历史和司职
难点:
人类的创造
习题:
讨论诸神的名字与司职
第3部分The Divine Women I
总学时(单位:学时):2 讲课:2 实验:0 上机:0
具体内容:
女神的特征及其在不同神祗身上的体现:得墨忒耳、雅典娜、赫拉、阿芙洛狄忒、赫卡忒、阿耳忒弥斯的不同特性
重点:
雅典娜、赫拉
难点:
雅典娜和赫拉的司职
习题:
研读关于雅典娜的文章
第4部分The Divine Women II
总学时(单位:学时):2 讲课:2 实验:0 上机:0
具体内容:
珀尔塞福涅的被掠及其母亲的寻找、冥界“览胜”、冥界旅行
重点:
珀尔塞福涅的被掠
难点:
冥王的来历
习题:
珀尔塞福涅的被掠的结果讨论
第5部分Apollo v.s. Dionysus
总学时(单位:学时):2 讲课:2 实验:0 上机:0
基本内容:
阿波罗与狄俄尼索斯的不同特性及其意义
重点:
阿波罗
难点:
阿波罗的司职
习题:
讨论阿波罗的地位
第6部分Stories of Love I
总学时(单位:学时):2 讲课:2 实验:0 上机:0
具体内容:
1.古希腊罗马人的爱情观
2.维纳斯与丘比特
3.奥维德的《变形记》及若干变形故事
重点:
维纳斯与丘比特
难点:
奥维德的《变形记》
习题:
试读奥维德的《变形记》
第7部分Stories of Love II
总学时(单位:学时):2 讲课:2 实验:0 上机:0具体内容:
丘比特与普绪客的爱情及其阐释
重点:
丘比特与普绪客的爱情及其阐释
难点:
丘比特的身份
习题:
阅读丘比特相关的文章
第8部分Greek Heroes I: Perseus & Heracles 总学时(单位:学时):2 讲课:2 实验:0 上机:0具体内容:
希腊英雄的共性、珀尔修斯、赫拉克勒斯
重点:
珀尔修斯
难点:
赫拉克勒斯
习题:
讨论希腊英雄的共性
第9部分Greek Heroes II: Theseus & Jason 总学时(单位:学时):2 讲课:2 实验:0 上机:0具体内容:
1.忒修斯与迷宫
2.伊阿宋与金羊毛
重点:
熟悉金羊毛的故事
难点:
希腊英雄的共性
习题:
翻译金羊毛的故事
第10部分The Roman Hero: Aeneas I
总学时(单位:学时):2 讲课:2 实验:0 上机:0具体内容:
维吉尔及其史诗《埃涅阿斯纪》(第1-6部)重点:
维吉尔的介绍
难点:
史诗的评价
习题:
抄写史诗
第11部分The Roman Hero: Aeneas II
总学时(单位:学时):2 讲课:2 实验:0 上机:0具体内容:
《埃涅阿斯纪》(第7-12部)
重点:
维吉尔的介绍
难点:
史诗的评价
习题:
抄写史诗
第12部分复习
总学时(单位:学时):2 讲课:2 实验:0 上机:0具体内容:
复习所学知识的框架和要点等
重点:
希腊神话的历史框架
难点:
神话人物的司职
习题:
复习所学过的知识。

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