英国文学Iwonderedlonelyasacloud赏析整理

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iwanderedlonelyasacloud赏析

• but they Out-did the sparkling waves in glee:
• A poet could not but be gay
• In such a jocund company:
• I gazed -and gazed -but little thought
• What wealth the show to me had brought.
译文比照一
•
我好似一朵孤独的流云,
•
粼粼湖波也在近旁欢跳,
高高地飘游在山谷之上,
却不如这水仙舞得轻俏;
突然我看见一大片鲜花,
诗人遇见这快乐的旅伴,
是金色的水仙遍地开放,
又怎能不感到欣喜雀跃;
它们开在湖畔,开在树下,
我久久凝视——却未领悟
它们随风嬉舞,随风波荡。
这景象给我的精神之宝。
它们密集如银河的星星,
译文对比一我好似一朵孤独的流云高高地飘游在山谷之上突然我看见一大片鲜花是金色的水仙遍地开放它们开在湖畔开在树下它们随风嬉舞随风波荡
I Wandered Lonely as a Cloud
William Wordsworth
• William Wordsworth (1770～1850)，英国诗人，1770年4月7日生于英格兰西北部昆布兰郡科克茅斯的一个律师之家，1850年4月 23日卒于里多蒙特。
• simile –lonely and melancholy mood ， evoke our sense of “daffodils〞 with the image of “stars〞 twinkling on the milky way which is familiar to us all.

英国文学Iwonderedlonelyasacloud赏析整理

I Wandered Lonely as a Cloud By William Wordsworth1I wandered lonely as a cloud 我好似一朵孤独的流云, （Simile）That floats on high o'er vales and hills,高高地飘游在山谷之上, （Simile）When all at once I saw a crowd,突然我看见一大片鲜花,（Personification/Metaphor）A host, of golden daffodils;是金色的水仙遍地开放,Beside the lake, beneath the trees, 它们开在湖畔,开在树下, （alliteration）Fluttering and dancing in the breeze.它们随风嬉舞,随风波荡。

（Personification/Metaphor2Continuous as the stars that shine 它们密集如银河的星星,And twinkle on the milky way, 像群星在闪烁一片晶莹; （一二两行Simile/hyperbole）They stretched in never-ending line 它们沿着海湾向前伸展,Along the margin of a bay: 通往远方仿佛无穷无尽; （三四两行Simile/hyperbole）Ten thousand saw I at a glance, 一眼看去就有千朵万朵,Tossing their heads in sprightly dance..万花摇首舞得多么高兴。

（personification）3The waves beside them danced; but they粼粼湖波也在近旁欢跳, （personification）Out-did the sparkling waves in glee:却不如这水仙舞得轻俏; （personification）A poet could not but be gay；诗人遇见这快乐的旅伴,In such a jocund company;又怎能不感到欣喜雀跃;I gazed—and gazed—but little thought我久久凝视——却未领悟What wealth the show to me had brought:...这景象所给我的精神之宝。

华兹华斯经典诗歌《我孤独地漫游，像一朵云》原文及赏析

华兹华斯经典诗歌《我孤独地漫游，像一朵云》原文及赏析我孤独地漫游，像一朵云我孤独地漫游，像一朵云在山丘和谷地上飘荡，忽然间我看见一群金色的水仙花迎春开放，在树荫下，在湖水边，迎着微风起舞翩翩。

连绵不绝，如繁星灿烂，在银河里闪闪发光，它们沿着湖湾的边缘延伸成无穷无尽的一行；我一眼看见了一万朵，在欢舞之中起伏颠簸。

粼粼波光也在跳着舞，水仙的欢欣却胜过水波；与这样快活的伴侣为伍，诗人怎能不满心欢乐！我久久凝望，却想象不到这奇景赋予我多少财宝——每当我躺在床上不眠，或心神空茫，或默默沉思，它们常在心灵中闪现，那是孤独之中的福祉；于是我的心便涨满幸福，和水仙一同翩翩起舞。

（飞白译）李好摘要：《我孤独地漫游，像一朵云》是英国浪漫主义诗人华兹华斯的代表作之一，因其文笔清新，自然流畅而广为流传。

本文主要从诗歌的韵律，语篇衔接和思想内容三个方面鉴赏此诗。

威廉·华兹华斯（1770-1850）是“湖畔诗人”的领袖，同时也是19世纪英国浪漫主义诗人的杰出代表。

早年他受到法国启蒙主义思想，尤其是卢梭“回归自然”的影响。

英法战争爆发后，他“归隐”湖畔，致力于诗歌创作，并逐渐构建了自己的诗歌创作理论。

《我孤独地漫游，像一朵云》则是他其中的代表作之一，为英国浪漫主义诗歌的创作定下了基调。

[1]华兹华斯与柯勒律治、骚同被称为“湖畔派”诗人。

他们也是英国文学中最早出现的浪漫主义作家。

他们喜爱大自然，描写宗法制农村生活，厌恶资本主义的城市文明和冷酷的金钱关系，他们远离城市，隐居在昆布兰湖区和格拉斯米尔湖区，由此得名“湖畔派”。

华兹华斯认为“所有的好诗都是强烈情感的自然流露”，主张诗人“选用人们真正用的语言”来写“普通生活里的事件和情境”，而反对以18世纪格雷为代表的“诗歌词藻”。

他进而论述诗和诗人的崇高地位，认为诗非等闲之物，“诗是一切知识的开始和终结，它同人心一样不朽”，而诗人则是“人性的最坚强的保护者，支持者和维护者。

《I_wandered_lonely_as_a_cloud》文学鉴赏

《I wandered lonely as a cloud》两篇译文对比鉴赏关于作者华兹华斯及其贡献华兹华斯，英国诗人，生于律师之家。

1783年他的父亲去世，他和弟兄们由舅父照管，妹妹多萝西则由外祖父母抚养。

多萝西与他最为亲近，终身未嫁，一直与他作伴。

1787年他进剑桥大学圣约翰学院学习，大学毕业后去法国。

他对法国革命怀有热情，认为这场革命表现了人性的完美，将拯救帝制之下处于水深火热中的人民。

1792年华兹华斯回到伦敦，仍对革命充满热情。

但他的舅父对他的政治活动表示不满，不愿再予接济。

于是在1795年10月，他与多萝西一起迁居乡间，实现接近自然并探讨人生意义的宿愿。

William Wordsworth（1770-1850）华兹华斯与Samuel Taylor、Robert Southey同被称为“湖畔派”诗人。

他们是英国文学中最早出现的浪漫主义作家。

“湖畔派”三诗人中成就最高者为华兹华斯。

他于1789年和柯勒律治合作发表了《抒情歌谣集》，宣告了浪漫主义新诗的诞生。

两年后再版，华兹华斯加了一个长序，在这篇序中，他详细阐述了他的浪漫主义文学主张，主张以平民的语言抒写平民的事物、思想与感情，被誉为浪漫主义诗歌的宣言，动摇了英国古典主义诗学的统治，有力地推动了英国诗歌的革新和浪漫主义运动的发展。

然而纵观他的一生，其诗歌成就是突出的，不愧为继莎士比亚、弥尔顿之后的一代大家。

关于《I wandered lonely as a cloud》这首诗写于诗人从法国回来不久。

诗人带着对自由的向往去了法国，参加一些革命活动。

但法国革命没有带来预期的结果，随之而来的是混乱。

诗人的失望和受的打击是可想而知的，后来在他的朋友和妹妹的帮助下，情绪才得以艰难地恢复。

这首诗就写于诗人的心情平静之后不久。

华兹华斯I wandered lonely as a cloud 赏析

读威廉华兹华斯的︽我好似一朵流云独自漫游︾
-· 心灵同自然的神交
• 在Dorothy Wordsworth的日记里，曾记述了他们兄妹看到一片水仙花的情形（见1802年四月十五日的记载）： • When we were in the woods beyond Gowbarrow Park, we saw a few daffodils close to the water side…. As we went along there were more, and yet more; and, at last, under the boughs of the trees, we saw that there was a long belt of them along the shore, about the breadth of a country turnpike road. I never saw daffodils so beautiful. They grew among the mossy stones, about and above them; some rested their heads upon these stones, as on a pillow for weariness; and the rest tossed and reeled and danced, and seemed as if they verily laughed with the wind that blew upon them over the lake. They looked so gay, ever glancing, ever changing.
• 动词时态由过去转为现在，现在的诗人重归孤寂，似乎又恢复过去那一片孤云一般的心境。但是，现在的他已经不同了。在经历了同水仙的神交之后，他能通过想象力把自我和水仙的世界乃至更广大的宇宙次序联系起来。每当孤独之时，他的心能与水仙舞踊不息，从而回归自然次序，成为宇宙中的一部分。这一转变之所以成为可能，是由于水仙唤醒了诗人所具有想象力。过去的记忆通过这被唤醒的想象力把苦闷无助的孤寂转变成了快乐的独处。

英国文学I-wondered-lonely-as-a-cloud赏析整理

I Wandered Lonely as a CloudBy William Wordsworth1I wandered lonely as a cloud 我好似一朵孤独的流云, （Simile）That floats on high o'er vales and hills,高高地飘游在山谷之上, （Simile）When all at once I saw a crowd,突然我看见一大片鲜花, （Personification/Metaphor）A host, of golden daffodils;是金色的水仙遍地开放,Beside the lake, beneath the trees, 它们开在湖畔,开在树下, （alliteration）Fluttering and dancing in the breeze.它们随风嬉舞,随风波荡。

英国文学Iwonderedlonelyasacloud的赏析整

英国文学Iwonderedlonelyasacloud的赏析整英国文学I wondered lonely as a cloud的赏析整理在日常的学习、工作、生活中，许多人都接触过一些比较经典的英国文学吧，那么什么样的英国文学才更具感染力呢？下面是店铺整理的英国文学I wondered lonely as a cloud赏析，仅供参考，欢迎大家阅读。

英国文学I wondered lonely as a cloud赏析整理一.I wandered lonely as a cloud我好似一朵孤独的'流云,（Simile）That floats on high o'er vales and hills,高高地飘游在山谷之上, （Simile）When all at once I saw a crowd,突然我看见一大片鲜花, （Personification/Metaphor）A host, of golden daffodils;是金色的水仙遍地开放,Beside the lake, beneath the trees, 它们开在湖畔,开在树下,（alliteration）Fluttering and dancing in the breeze.它们随风嬉舞,随风波荡。

二.Continuous as the stars that shine 它们密集如银河的星星,And twinkle on the milky way, 像群星在闪烁一片晶莹; （一二两行Simile/hyperbole）They stretched in never-ending line 它们沿着海湾向前伸展,Along the margin of a bay: 通往远方仿佛无穷无尽; （三四两行Simile/hyperbole）三.The waves beside them danced; 粼粼湖波也在近旁欢跳, （personification）Out-did the sparkling waves in glee:却不如这水仙舞得轻俏; （personification）A poet could not but be gay；诗人遇见这快乐的旅伴,In such a jocund company;又怎能不感到欣喜雀跃;I gazed—and gazed—but little thought.我久久凝视——却未领悟What wealth the show to me had brought:...这景象所给我的精神之宝。

《I wandered lonely as a cloud》文学鉴赏

例3，Continuous as the stars that shine And twinkle on the milky way, 辜译：不绝如缕似银河的星斗，隐约闪烁出一片光芒。杨译：连绵密布，似繁星万点在银河上下闪烁明天。
分析
此句中，辜的译文使用了一个成语“不绝如缕”，此成语的使用也使得译文具有书卷气息和古典韵味。杨的译文因为遣词造句都很平和，则没有这种效果。
------ang ------an ------ang
}
或栖身树下，或绽放湖旁，------ang
摇曳的花枝随风飘荡。 ------ang
通韵式（ang）
雪莱原诗格律是比较整齐的，每一节的押韵形式完全相同，为ABABCC。但是四个诗节的景色描写和诗人的情绪变化并不一样，因而句子的音节数目并不相等，长度也不相同，显得比较错落和自由。所以在翻译的时候，完全按照原诗的韵脚布置进行仿造，包括句子长短的控制，即每一句子的长度和字数，在汉语单音节词比较多而且可以自由调配的前提下，不是完全做不到的。
例2，I gazed --- and gazed --- but little thought What wealth the show to me had brought 辜译：我只是凝望，凝望，却未曾想到这美景将于我价值
无双！杨译：我凝望多时，却未曾想到这美景给了我怎样的珍宝。
分析
这一句辜正坤的译文中使用了反复的修辞手法。“我只是凝望，凝望”。这种译法和雪莱原诗中“I gazed --- and gazed”形成了对应。不仅遵循了原文的形式，而且词语反复会达到增强语气的效果，写出了作者的处境之无奈，水仙虽美，有水仙作伴虽好，可是水仙却不常在，遇见便一直望着，不忍离开。相比较之下，杨的译文“凝望多时”，虽也写出了凝望之久，但却少了一分无奈的感情。

华兹华斯I wandered lonely as a cloud 赏析

• 全诗分4节,各6行,基本的格律是抑扬四音步(iambic tetrameter),每节韵律是a b a b c c,节奏鲜明流畅,韵律工整简洁,鲜明地刻画了水仙随风嬉舞时轻缓曼妙的姿态。
I Wandered Lonely as a Cloud
•I wandered lonely as a cloud •That floats on high o'er vales and hills, •When all at once I saw a crowd, •A host, of golden daffodils; •Beside the lake, beneath the trees, •Fluttering and dancing in the breeze.
•For oft, when on my couch I lie
•In vacant or in pensive mood,
•每当我躺在床上不眠， •或心神空茫，或默默沉思， •它们常在心灵中闪现， •那是孤独之中的福祉； •于是我的心便涨满幸福， •和水仙一同翩翩起舞。（飞白译）
•They flash upon that inward eye
大自然是他诗歌歌颂的主要主题他因此也被誉为崇尚自然主义者worshipperofnature他通过对大自然的描写表达他对大自然的真切的爱他认为大自然除了给人以感官之美外还给人带来智慧和力量
William Wordsworth
韩楚齐 152141576
Introduction
• 华兹华斯1770午出生于英格兰北部的坎伯兰湖区(Cumberland)，他是英国浪漫主义文学史上的一个领袖人物。大自然是他诗歌歌颂的主要主题，他因此也被誉为“崇尚自然主义者”(“ Worshipper of Nature”)他通过对大自然的描写表达他对大自然的真切的爱，他认为大自然除了给人以感官之美外，还给人带来智慧和力量。1797年诗人华兹华斯与柯勒律治共同出版了《抒情歌谣集》（Lyrical Ballads），标志着英国浪漫主义文学时期的开始。

I wandered lonely as a cloud 背景及赏析

I wandered lonely as a cloud我孤独地漫游，像一朵云在山丘和谷地上飘荡，忽然间我看见一群金色的水仙花迎春开放，在树荫下，在湖水边，迎着微风起舞翩翩。

连绵不绝，如繁星灿烂，在银河里闪闪发光，它们沿着湖湾的边缘延伸成无穷无尽的一行；我一眼看见了一万朵，在欢舞之中起伏颠簸。

粼粼波光也在跳着舞，水仙的欢欣却胜过水波；与这样快活的伴侣为伍，诗人怎能不满心欢乐！我久久凝望，却想象不到这奇景赋予我多少财宝，——每当我躺在床上不眠，或心神空茫，或默默沉思，它们常在心灵中闪现，那是孤独之中的福祉；于是我的心便涨满幸福，和水仙一同翩翩起舞。

赏析《我孤独地漫游，像一朵云》为一首诗歌，作者威廉·华兹华斯（1770～1850）英国诗人。

华兹华斯与柯尔律治（Samuel Taylor Coleridge）、骚塞（Robert Southey）同被称为“湖畔派”诗人（Lake Poets）。

他们也是英国文学中最早出现的浪漫主义作家。

华兹华斯在1843年被任命为“桂冠诗人”，然而纵观他的一生，其诗歌成就是突出的，不愧为继莎士比亚、弥尔顿之后的一代大家。

《我独自漫游像一朵浮云》（又译《水仙花》），创作于1804年，是英国诗歌史上最著名的杰作之一。

诗人的灵感来自于妹妹多萝西的一段文字，这段文字描述了兄妹二人某次外出途中看到的水仙花群在风中起舞的景象。

诗人在1807年发表了这篇作品，之后进行了修改，并于1815年重新发表，今天广为人们传诵的就是后来的版本。

这首诗充分利用了拟人、比喻等手法将大自然的美妙表现得生动逼真，似乎将读者置身于湖畔上连绵的水仙花随风舞动的风景当中。

而最后两段诗人的沉吟和思考，表现了诗人享受于回味自然美景带来的精神愉悦，这也符合华兹华斯推崇的诗歌体现主观感受的理念。

I_Wandered_Lonely_as_a_Cloud_____赏析

Continuous as the stars that shine
它们连绵不断，像银河中
And twinkle on the milky way,
They stretched in never-ending line
的群星闪烁、眨眼，
它们展延无限成远景沿着湖湾的边沿：一瞥眼我看见成千上万，它们欢快摇首舞翩翩。

Summary
The speaker says that, wandering like a cloud floating above hills and valleys, he encountered a field of daffodils beside a lake. The dancing, fluttering flowers stretched endlessly along the shore, and though the waves of the lake danced beside the flowers, the daffodils outdid the water in glee. The speaker says that a poet could not help but be happy in such a joyful company of flowers. He says that he stared and stared, but did not realize what wealth the scene would bring him. For now, whenever he feels “vacant” or “pensive,” the memory flashes upon “that inward eye / That is the bliss of solitude,” and his heart fills with pleasure, “and dances with the daffodils.”

华兹华斯I wandered lonely as a cloud 赏析22页PPT

华兹华斯I wandered lonely as a cloud 赏析
1、纪律是管理关系的形式。——阿法纳西耶夫 2、改革如果不讲纪律，就难以成功。
3、道德行为训练，不是通过语言影响，而是让儿童练习良好道德行为，克服懒惰、轻率、不守纪律、颓废等不良行为。 4、学校没有纪律便如磨房里没有水。 ——夸美纽斯
是凸显自己的孤独。诗人和他笔下的水仙形成了鲜明的对照：
诗人是孤独的，水仙则是“缤纷茂密”；诗人“漫游”四方，
没有家，没有目的地，甚至像云一样，没有清晰的形态，而
水仙则是在“湖水之滨”，在“树荫”下，它们是具体的时
间和空间的产物；并且，水仙不仅是“缤纷茂密”，而且是
--By William Wordsworth
•我孤独地漫游，像一朵云 •在山丘和谷地上飘荡， •忽然间我看见一群， •金色的水仙花迎春开放， •在树荫下，在湖水边， •迎着微风起舞翩翩。
8
May,2019
• 诗一开始，华兹华斯以流云自比。中国的读者一看到诗中云
的意象，大多会生出潇洒飘逸之类的联想。而诗人的目的却
• 在Dorothy Wordsworth的日记里，曾记述了他们兄妹看到一片水仙花的情形（见1802年四月十五日的记载）：
• When we were in the woods beyond Gowbarrow Park, we saw a few daffodils close to the water side…. As we went along there were more, and yet more; and, at last, under the boughs of the trees, we saw that there was a long belt of them along the shore, about the breadth of a country turnpike road. I never saw daffodils so beautiful. They grew among the mossy stones, about and above them; some rested their heads upon these stones, as on a pillow for weariness; and the rest tossed and reeled and danced, and seemed as if they verily laughed with the wind that blew upon them over the lake. They looked so gay, ever glancing, ever changing.

我好似一朵孤独的流云I-wondered-lonely-as-a-cloud评析

我好似一朵孤独的流云I-wondered-lonely-as-a-cloud评析William Wordsworth’s “I Wandered as Lonely as a Cloud” opens with the narrator describing his action of walking in a state of worldly detachment; his wandering “As lonely as a cloud / That floats on high o'er vales and hills,” (1-2). What he is thinking of we never really uncover, but his description leaves us to analyze his words as a sort of “head in the clouds” daydream-like state where his thoughts are far away, unconcerned with the immediate circumstances in which he finds himself. Wordsworth, ever the Romanticist, perhaps uses these two introductory lines to describe the disconnected and dispassionate ways that we all live our lives; walking through life in a haze of daily ritual and monotonous distractions in a pointless and spiritually disinterested state where we fail as emotional creatures to appreciate the quiet beauties of life that we as human beings need for spiritual sustena nce. William Wordsworth’s “lonely cloud” is our own private impersonal perception of the world, floating miles above it and missing the quiet virtues of nature, beauty, and other sources of emotional nourishment.As William Wordsworth’s narrator is walking, he notices “A host, of golden daffodils;… Fluttering and dancing in the breeze.”(4 and 6). Wordsworth goes on to describe these “golden daffodils” as a vast plot of swaying flowers around the fringes of a bay, outdoing the beauty of the ocean’s waves wi th their own golden oscillation. Describing the daffodils for the next several lines, Wordsworth helps us to vi sualize what he himself has seen and was so moved by; “Tossing their heads in sprightly dance. / The waves beside them danced; but they / Out-did thesparkling waves in glee” (12-14). These light-hearted daffodils, weaving in unison with each other in the wind, have romantically touched Wordsworth, their natural beauty reaching him in ways that he describes as not fully understanding until later: “A poet could not but be gay, / In such a jocund compan y: / I gazed - and gazed - but little thought / What wea lth the show to me had brought:” (15-18).It is here that your humble writer can not help but remember one of William Wordsworth’s earlier poem s that he had written six years earlier. William Wordsworth’s “Lines Written in Early Spring” (1798) serve s the reader in much the same way as Wordsworth’s “I Wandered Lonely as a Cloud”, in that his narrator draws inspiration from nature’s beauty to expe rience a deep and meaningful emotion within himself as a philosopher and a poet. The great difference, however, between Wordsworth’s “Lines Written in Early Spring” and “I Wandered Lonely as a Cloud” is that in “Lines Written in Early Spring” natures beaut y induces in Wordsworth a deep and powerful mourning for how mankind has perverted his own nature in his then modern society, whereas “Lines Written in Early Spring” invigorates Wordsworth’s narrator with the mental imagery of the daffodils.Most importantly, in both poems Wordsworth describes his narrator as having a moment of quiet introspection. In much the same way that most readers can relate, Wordsworth’s narrator in “Lines Written in Early Spring”, upon having a few moments to think to himself, lapses into a depressed state from his own quiet thoughts: “While in a grove I sate reclined, / In that sweet mood when pleasant thoughts / Bring sad thoughts to the mind.” (William Wordsworth’s “Lines Written in Early Spring”, 1798,lines 2-4.). In Wordsworth’s “I Wandered Lonely as a Cloud” his narrator reciprocally, upon relaxing on a couch in quiet con templation, is elated and pleasantly entertained by the thoughts of the daffodils dancing in his memory: “when on my couch I lie / In vacant or in pensive mood, / They flash upon that inward eye / Which is the bliss of solitude; / And then my heart with pl easure fills, / And dances with the daffodils.” (19-24). Wordsworth’s narrator in “I Wandered Lonely as a Cloud” is not grieved by “What man has made of man”(William Wordsworth’s “Lines Written in Early Spring”, 1798, line 8.) but contented and near-tickled by his reminiscence of the golden, light-hearted beauty of the daffodils.A message can be so drawn from this contrast, whether William Wordsworth intended it or not, in a Post-Modern dissection and personal interpretation of a theme that holds as much true to the cannon of Romanticism as to Wordsworth’s own personal philosophy. Perhaps the popular title for Wordsworth’s “I Wandered Lonely as a Cloud”, “Daffodils”, finds, in itself, thevirtue of the poem and its interpretive meaning. The daffodils are, as well as what Wordsworth would have intended, natural beauty; the tranquil occurrences of lucky happenstance that we experience and carry with us in our proverbial hearts as cherished moments and treasured memories. Likely, many readers skimmed Wordsworth’s description of the daffodils and quickly spurned it as a “Romantic blubber” of sorts. Needless to say, however, Wordsworth believes, as does your humble writer, that any human being possessing a soul and beating heart would find themselves deeply touched by the scene of a thousand-foldhost of yellow daffodils swaying in the breeze against the backdrop of waves breaking against the rocks of a bay. This mental image, otherwise missed by those caught up in their daily bustle and contemporary di stractions, their “wandering lonely as clouds” so to speak, is what we draw from nature and experience when we cease our self-destructive pace. If we slow down, just enough, we may catch by the wayside of our wanderings a spiritual creature that could serve us as a pleasant mental image or perhaps even as a meaning or purpose in life.In William Wordsworth’s “I Wandered Lonely as a Cloud”, the daffodils become much more than mere flowers. They are a symbol of natural beauty and, more importantly, symbolize living a life as rich in experience and sensation as would make a life worth living. They represent, in their light-hearted dance, the joy and happiness of living an adoring and fulfilling life, embracing it for every drop of nectar it could so bring. Romanticism, a poetic philosophy that Wordsworth himself engendered, finds much virtue in this meaning; the daffodils reaching out and catching the eye of Wordsworth’s na rrator, or perhaps Wordsworth himself, and inspiring him so much emotionally, that he was left with little choice than to express them poetically. Wordsworth’s narrator of “Lines Written in Early Spring” struggles with his own innate human predisposition towards melancholy in a world where contemporary human society and civilization has destroyed our connection to nature, and incidentally our own nature as well, but Wordsworth’s narrator in “Daffodils” has taken from the moment the sweet nourishment of spiritual manna that was necessary to keep a quiet instance of introspection from turning to depression and, instead, becoming an exuberant reverie of a setting in memory; “They flash uponthat inward eye / Which is the bliss of solit ude; / And then my heart with pleasure fills, / And dances with the daffodils.” (21-24).William Wor dsworth’s “I Wandered Lonely as a Cloud” or “Daffodils” is a deep and moving work of poetry that under a deceivingly simple exterior could possibly be, under energetic dissection, argued as one of Wordsworth’s greatest works of Romanticism. By staying tru e to Romanticism’s philosophy of embracing not only nature but the careful expression of the poet’s emotions through art and how nature can so deeply affect it, Wordsworth, in four simple stanzas if imagery, could, perhaps, not better described in verse the Romantic ideology. The popular title for Wordsworth’s “I Wandered Lonely as a Cloud”, “Daffodils”, has in a single word summed an entire literary philosophy.。

华兹华斯I wandered lonely as a cloud 赏析

•Continuous as the stars that shine •And twinkle on the milky way, •They stretched in never-ending line •Along the margin of a bay: •Ten thousand saw I at a glance, •Tossing their heads in sprightly dance.
• 第三节中诗人“I gazed-and gazed-”形象地表现了诗人浑然忘我,与自然融为一体的境界,物与人,景与情浑然一体,水乳交融,契合无间。景是情的外化,情是景的内化,因景而生情, 缘情而造景。这个意象扩大了想象的空间,给人不知“湖边与水仙”是“天空与繁星”,还是“天空与繁星”是“湖边与水仙”的感觉。所有的这一切显得那么的生机盎然,叫人们同诗人一起“欣喜雀跃”。这里,诗人以物托志,刻画了未被现代工业文明浸染的质朴自然之美。在他看来,这种自然之美可以一扫都市生活的喧嚣、浮华、世故、无情,激发人的情感并净化人的灵魂。
--By William Wordsworth
•我孤独地漫游，像一朵云 •在山丘和谷地上飘荡， •忽然间我看见一群， •金色的水仙花迎春开放， •在树荫下，在湖水边， •迎着微风起舞翩翩。
• 诗一开始，华兹华斯以流云自比。中国的读者一看到诗中云的意象，大多会生出潇洒飘逸之类的联想。而诗人的目的却是凸显自己的孤独。诗人和他笔下的水仙形成了鲜明的对照：诗人是孤独的，水仙则是“缤纷茂密”；诗人“漫游”四方，没有家，没有目的地，甚至像云一样，没有清晰的形态，而水仙则是在“湖水之滨”，在“树荫”下，它们是具体的时间和空间的产物；并且，水仙不仅是“缤纷茂密”，而且是一个和谐的群体：这一层含义由第三、四行暗示出来—“突然我看见密密的一片/井然的一群金黄色水仙”(“when all at once I saw a crowd,/ a host of golden daffodils”)。

I wondered lonely as a cloud翻译及简要赏析

英诗《咏水仙》艺术特色解读---《名作欣赏·下旬刊》2009年第8期发布: 2010-1-08 10:54 | 作者: 出水莲| 来源: 云梦中文网关键词: 华兹华斯水仙花艺术特色摘要:《咏水仙》是英国诗人威廉·华兹华斯的一首抒情诗。

诗中他以水仙花为主线,描写了大自然的优美风光。

诗人同时借景抒情,流露出了他的悲观情绪。

本文从音韵、视觉、意境三方面来解读诗的艺术特色。

我好似一朵孤独的流云,高高地飘游在山谷之上,突然我看见一大片鲜花,是金色的水仙遍地开放,它们开在湖畔,开在树下,它们随风嬉舞,随风波荡。

它们密集如银河的星星,像群星在闪烁一片晶莹;它们沿着海湾向前伸展,通往远方仿佛无穷无尽;一眼看去就有千朵万朵,万花摇首舞得多么高兴。

粼粼湖波也在近旁欢跳,却不如这水仙舞得轻俏;诗人遇见这快乐的旅伴,又怎能不感到欣喜雀跃;我久久凝视——却未领悟这景象所给我的精神之宝。

后来多少次我郁郁独卧,感到百无聊赖心灵空漠;这景象便在脑海中闪现,多少次安慰过我的寂寞;我的心又随水仙跳起舞来,我的心又重新充满了欢乐。

——[英]威廉·华兹华斯:《咏水仙》①《咏水仙》是英国消极浪漫主义诗人威廉·华兹华斯的代表作之一。

由于华兹华斯在英国西北部的湖畔地区度过了一生中的大半时光,所以又被称作“湖畔派诗人”。

以他为代表的“湖畔派诗人”被认为是英国的第一代浪漫主义诗人。

1843年他被封为桂冠诗人。

同其他“湖畔派诗人”一样,华兹华斯早年同情并歌颂法国革命,后趋向保守,甚至赞扬农村的封建宗法制度,同以拜伦、雪莱为代表的积极浪漫主义形成了鲜明的对比。

华兹华斯认为一切好诗都是强烈情感的自然流露,而思想则改变和指导着情感的流注。

他提倡诗歌的题材应从宫廷转向民间,从城市转向山乡湖畔,主张“选择日常生活的事件和情节”。

因为普通人的生活要比王公贵族的生活含有更多的诗意,田园生活要比宫廷生活、城市生活更富有自然美。

英国文学I-wondered-lonely-as-a-cloud赏析整理

I Wandered Lonely as a CloudBy William Wordsworth1I wandered lonely as a cloud 我好似一朵孤独的流云, （Simile）That floats on high o'er vales and hills,高高地飘游在山谷之上, （Simile）When all at once I saw a crowd,突然我看见一大片鲜花, （Personification/Metaphor）A host, of golden daffodils;是金色的水仙遍地开放,Beside the lake, beneath the trees, 它们开在湖畔,开在树下, （alliteration）Fluttering and dancing in the breeze.它们随风嬉舞,随风波荡。

[精品]英国文学I wondered lonely as a cloud赏析整理

[精品]英国文学I wondered lonely as a cloud赏析整理
英国诗歌“我孤单彷徨，如云那般”是由英国诗人威廉·华兹华斯（William Wordsworth）所作，现存于他的诗集《二十六首诗歌》第九首，也被称为“独行云”
（The Solitary Cloud）。

这首诗歌也是英国浪漫主义文学的一首杰作，也是最适合代表
英国浪漫主义运动的哑剧精品之一。

这首诗歌以威廉·华兹华斯解释世界为起始，怀着对友谊，亲情与爱情的雅正之心，
抒发自然自由的力量。

其旋律轻快，像是一位年轻人，在做一些宁静平和的事情时，表达
出他无畏无伤的心情。

歌词中的颜色，像极了晴天的天空，这些天空幻想的形象，演绎出
自然，微静而冷艳的凉意，调和出华兹华斯那对温柔和谐，田园化的绿色的看法。

此首诗歌的灵魂是抒情的，他用自然朴实的话语，表达出浪漫时期的狂热。

它宣告着
英国浪漫主义运动的开始，标志着英语诗歌不再是一种传统形式，而是一种抒情文学，这
点华兹华斯在这首诗中要让人感受到很深。

这首诗歌深沉而富有寓意，威廉·华兹华斯在那边浅薄而少知的少年心情中，表达了
他对人际关系、生活与未来的强烈期望。

在他看来，有和一样乐观美好的未来可以去争取。

他用朴实的抒情去描绘着自己的心态，这使得这首诗更加具有激情，更加写实，言简意赅，令人心怀良知，令人心情欣然。

威廉·华兹华斯的这首诗话不多，但却能够收获千家万着，他的这首精妙的小诗不但
描绘出了自然的美丽，也滋养了人们的诗意思想，意作一片生活中最美好的舞台，使人产
生更多的美好愿景与向往。

华兹华斯我像孤云一样徘徊解析

华兹华斯我像孤云一样徘徊解析《水仙花》（飞白译）我孤独地漫游，像一朵云在山丘和谷地上飘荡，忽然间我看见一群金色的水仙花迎春开放，在树荫下，在湖水边，迎着微风起舞翩翩。

连绵不绝，如繁星灿烂，在银河里闪闪发光，它们沿着湖湾的边缘延伸成无穷无尽的一行；我一眼看见了一万朵，在欢舞之中起伏颠簸。

雪莱：西风颂１哦，狂暴的西风，秋之生命的呼吸！你无形，但枯死的落叶被你横扫，有如鬼魅碰到了巫师，纷纷逃避：黄的，黑的，灰的，红得像患肺痨，呵，重染疫疠的一群：西风呵，是你以车驾把有翼的种子催送到黑暗的冬床上，它们就躺在那里，像是墓中的死穴，冰冷，深藏，低贱，直等到春天，你碧空的姊妹吹起她的喇叭，在沉睡的大地上响遍，（唤出嫩芽，象羊群一样，觅食空中）将色和香充满了山峰和平原。

不羁的精灵呵，你无处不远行；破坏者兼保护者：听吧，你且聆听！２没入你的急流，当高空一片混乱，流云象大地的枯叶一样被撕扯脱离天空和海洋的纠缠的枝干。

成为雨和电的使者：它们飘落在你的磅礴之气的蔚蓝的波面，有如狂女的飘扬的头发在闪烁，从天穹的最遥远而模糊的边沿直抵九霄的中天，到处都在摇曳欲来雷雨的卷发，对濒死的一年你唱出了葬歌，而这密集的黑夜将成为它广大墓陵的一座圆顶，里面正有你的万钧之力的凝结；那是你的浑然之气，从它会迸涌黑色的雨，冰雹和火焰：哦，你听！３是你，你将蓝色的地中海唤醒，而它曾经昏睡了一整个夏天，被澄澈水流的回旋催眠入梦，就在巴亚海湾的一个浮石岛边，它梦见了古老的宫殿和楼阁在水天辉映的波影里抖颤，而且都生满青苔、开满花朵，那芬芳真迷人欲醉！呵，为了给你让一条路，大西洋的汹涌的浪波把自己向两边劈开，而深在渊底那海洋中的花草和泥污的森林虽然枝叶扶疏，却没有精力；听到你的声音，它们已吓得发青：一边颤栗，一边自动萎缩：哦，你听！４哎，假如我是一片枯叶被你浮起，假如我是能和你飞跑的云雾，是一个波浪，和你的威力同喘息，假如我分有你的脉搏，仅仅不如你那么自由，哦，无法约束的生命！假如我能像在少年时，凌风而舞便成了你的伴侣，悠游天空（因为呵，那时候，要想追你上云霄，似乎并非梦幻），我就不致像如今这样焦躁地要和你争相祈祷。