Cold Mountain (冷山)
冷山观后感英文200字

冷山观后感英文200字After watching the movie "Cold Mountain," I was left with a sense of profound contemplation and reflection. Set against the backdrop of the American Civil War, the film intricately weaves together themes of love, sacrifice, and redemption. Directed by Anthony Minghella, the movie showcases exceptional performances from the cast, breathtaking cinematography, and a captivating storyline that kept me engaged from start to finish.The story revolves around two central characters: Ada Monroe, a genteel young woman from the South, and Inman, a soldier fighting in the war. Separated by circumstances and the vast distance between them, the film follows their arduous journey towards reunion and the challenges they face along the way. Ada's struggle to survive in the harsh and unforgiving environment of Cold Mountain is juxtaposed with Inman's battle against both the physical and emotional scars of war.One of the aspects that struck me most was the portrayal of the human spirit and its capacity for resilience. Throughout the movie, the characters are confronted with numerous trials and hardships, yet they persevere with unwavering determination. Ada, initially accustomed to a life of privilege, is forced to adapt to a world where survival depends on one's own skills and resourcefulness. Her transformation from a sheltered woman to a strong and independent individual is both empowering and inspiring.The film also explores the universal theme of love and its ability to transcend time and distance. Despite being separated by the war, Ada and Inman's love for each other remains unwavering. Their letters, exchangedthrough a series of messengers, serve as a lifeline that keeps their spirits alive. Their yearning to be reunited is palpable and tugs at the heartstrings of the audience. It is a testament to the enduring power of love and the lengths one is willing to go to for it.In addition to the captivating storyline, the cinematography in "Cold Mountain" is visually stunning. The vast landscapes of the Appalachian Mountains, depicted in sweeping shots and breathtaking aerial views, evoke a sense of awe and majesty. The use of natural lighting and muted colors creates a somber and melancholic tone that is consistent with the film's themes.Furthermore, the outstanding performances of the cast elevate the movie to another level. Jude Law delivers a nuanced portrayal of Inman, capturing the character's internal struggles and emotional turmoil with great finesse. Nicole Kidman shines as Ada, infusing the character with strength and vulnerability in equal measure. The chemistry between the two leads is palpable, and their performances are complemented by a talented ensemble cast that includes notable actors such as Renée Zellweger and Brendan Gleeson.What sets "Cold Mountain" apart from other period dramas is its unflinching portrayal of the harsh realities of war. The film does not shy away from depicting the brutalities and horrors that accompany armed conflict. From intense battle scenes to the devastating aftermath, the movie provides a stark reminder of the human cost of war. It forces the audience to confront the consequences of violence and reflect on the futility of armed conflict.In conclusion, "Cold Mountain" is a powerful and moving film that delves deep into the human condition. It successfully explores themes of love, resilience, and the impact of war, leaving a lasting impression on the audience. With its outstanding performances, breathtaking cinematography, and compelling storyline, the movie remains an enduring masterpiece. It serves as a reminder of the indomitable human spirit and the potential for redemption even in the harshest of circumstances.。
《冷山》影评400字中英文双解

Cold Mountain" has the same structural flaw as "The Mexican" (2001), a movie you've forgotten all about. Both stories establish a torrid romantic magnetism between two big stars, and then keep them far apart for almost the entire movie. Filling the gap in both films is a quirky supporting character who makes us unreasonably grateful, because the leads take themselves very seriously indeed, and speak as if being charged by the word. Hardly anybody but me gave "The Mexican" a favorable review, and I'm sort of in favor of "Cold Mountain," too -- not because of the noble and portentous reasons you will read about in the ads, but because it evokes a backwater of the Civil War with rare beauty, and lights up with an assortment of colorful supporting characters.The movie stars Nicole Kidman as Ada Monroe, the daughter of a Charleston, S.C., preacherman (Donald Sutherland) who has moved to the district for his health. The first time she meets Inman (Jude Law), their eyes lock and a deep unspoken communication takes place. Inman, as shy and awkward as a ploughboy in a ballet, contrives excuses to be standing about slack-jawed when she comes into view, but she has mercy on him, and after he has joined the Confederates and gone off to fight the war, she observes, "I count the number of words that have passed between us, Inman and me -- not very many. But I think about it." So few are their meetings, indeed, that later in the story they're able to count off on their fingers every time they have seen each other, and it doesn't take long enough to make us restless.Ada's father dies, leaving her as a poor city girl to farm the land, something she is ill-equipped to do. A sensible neighbor lady dispatches an energetic young woman named Ruby (Renee Zellweger) to help out, and Ruby sets to work splitting rails, milking cows, wringing turkey necks and expressing herself of opinions so colorful Garrison Keillor would blush with envy. Ruby and Ada are also prepared to stand in their doorway with a rifle when necessary, just as well, since the home guard is captained by Teague (Ray Winstone), who figures Inman isn't going to come home, and that Ada will need a man to protect her -- against Teague, for that matter.Inman witnesses one of the most horrible battles of the war, in a set-piece that director Anthony Minghella and production designer Dante Ferratti can be proud of. After Union troops tunnel under Confederate lines and set off powerful explosives, the position caves in -- but not with the expected results. The Union men, pushed forward by those behind them, are hurled down into the vast bomb crater, and it's a "turkey shoot" as the Confederates pick them off.That Inman jumps down to save a friend is unwise, that he survives is unlikely, and that he decides to heed the latest letter from Ada and walk away from the war and back to her is unsurprising.His long trek back to Cold Mountain has been compared with some justice to Homer's Odyssey, since he meets fabled characters and seductresses along the way, but in a movie that begins with the two heroes barely meeting each other, this long sequence becomes alarming: Will their reunion take place in old age?To return to the comparison with "The Mexican" -- it too went to extraordinary lengths to tell parallel stories that separated Brad Pitt and Julia Roberts, despite the manifest fact that the audience had purchased tickets in order to see them together. It was only the fortuitous appearance of a colorful crook played by James Gandolfini that saved the film and brought life to Roberts' scenes -- just as, this time, Zellweger saves the day.There is so much to enjoy about "Cold Mountain" that I can praise it for its parts, even though it lacks a whole. I admire the characters played by Kidman and Law, even though each one is an island, entire to himself.I loved Zellweger's gumption, and the way she treats a dress like a dishrag. The battle scenes and the Civil War landscapes (shot in Romania) have beauty and majesty. But Winstone as the villain turns up so faithfully when required that he ought to be checking his clock like Capt. Hook, and although there is true poignancy in Inman's encounter with the desperate widow Sara (Natalie Portman), it is poignancy that belongs in another movie. Nothing takes the suspense out of Boy Meets Girl like your knowledge that Boy Has Already Met Star.By the end of the film, you admire the artistry and the care, you know that the actors worked hard and are grateful for their labors, but you wonder who in God's name thought this was a promising scenario for a movie. It's not a story, it's an idea. Consider even the letters that Ada and Inman write to each other. You can have a perfectly good love story based on correspondence, but only, I think, if the letters arrive, are read and are replied to. There are times when we feel less like the audience than like the post office.冷山 Cold Mountain review by Desson ThomsonNICOLE KIDMAN and Jude Law are walking, talking cadavers in love in "Cold Mountain." They shuffle through this handsome adaptation of Charles Frazier's celebrated novel like romantic living dead in period costume. You wonder if this is an epic romance or a ghost story.It's unfortunate, because just about everything else about "Cold Mountain" is involving enough. Writer-director Anthony Minghella has assembled a visually impressive production that gives us a sense of the Civil War that took so many lives and left a whole culture devastated. And almost everyone else in the cast but the leads is terrific, particularly Renee Zellweger as a hardscrabble drifter who takes immediate command of the movie.In a North Carolina mountain community in the 1860s, Ada Monroe (Kidman) falls in love with Inman (Law), an impossibly angelic, laconic man. But as soon as their mutual attraction becomes obvious, the Civil War intervenes. Naturally, Inman goes to fight, but he's injured in battle. Refusing to linger in his hospital bed, he undertakes a dangerous journey home, intending to reunite with Ada. But the way home is fraught with danger for deserters such as Inman.While Inman is taken up with his ordeals, the city-bred Ada -- forced to take over the farm of her deceased father (Donald Sutherland) -- does her best to survive with no experience and no strong hands to help her. Things change when Ruby (Zellweger), a penniless but forceful stranger, passes through. She knows a thing or two about managing a farm. In no time, she takes over.I mean that in more ways than one. Zellweger chews up the scenery around Kidman. She lays waste to all surrounding structures and vegetation. You almost expect Kidman to slap her for sheer effrontery. This is good and not so good. Zellweger's performance only serves to point out the charisma missing in the two stars.Neither Kidman nor Law has registered much of a body temperature at the best of times. Even Kidman's finest performances seem to have a frosty tinge about them. Here, things are no different. As Ada, she's picturesque in her elegant, I'll-always-have-Tara suffering. But dramatically, she's morgue-slab blue. She's meant to be a Dixie spin on Penelope, the wife of the mythic Greek hero Odysseus who maintains a home and wards off a host of ardent suitors for 10 years until her husband's return. But in the end, Kidman merely made me think of Lady Penelope, a classy character in a 1960s British television series called "Thunderbirds." Incidentally, the characters in that show were all marionettes.As for Law, his stunning good looks and almost catatonic demeanor suggest a master-race automaton. He's mighty purty as he fights his way back to his darling, but there's nothing about him to warm to, and therefore little to move you. He's poster art.In a movie where passionate love is supposed to connect two souls through a war of blood, guts and tragedy, this marquee chilliness presents a problem. It makes it hard to lose yourself in the movie. But hey, it's about making $40 million-plus on the first weekend, right?Honorable mentions should go to Ray Winstone as the scheming Teague, who has his eye on the single Miss Monroe; the wonderfully entertaining Philip Seymour Hoffman as a fallen preacher who makes personal survival his new religion; and Brendan Gleeson, one of the world's best male actors on the strength of the 1998 "The General" alone, who must content himself here with a relatively minor role as Ruby's cheery fiddler of a father. Thanks to Zellweger, the supporting actors and Minghella's direction, "Cold Mountain" manages to stay watchable. It's enough of a spectacle to enjoy. It's too bad the stars are little more than serviceable and give the movie title an irony it could certainly do without.冷山 Cold Mountain review by Erica AbeelA staggering amount of talent is involved in Cold Mountain, from production designer Dante Ferretti of Gangs of New York, to toppers Jude Law and Nicole Kidman, to name actors doing cameos, to English Patient director Anthony Minghella. And certainly, its big canvas, authentic settings and tragic romance make for an engrossing film. But despite its surface allure and hi-lit cred, the hero remains opaque, the structure is episodic, and the film never quite attains the epic sweep it aspires to.The English Patient marked Minghella's preference for wartorn periods when the guns have stopped blazing and shattered lives must be rebuilt. Similarly, Cold Mountain (adapted from Charles Frazier's award-winning novel) focuses on the chaos and barbarism of 1860s America, when the Civil War was winding down. Inman (Jude Law), known only by that name, is a badly wounded Confederate soldier who refuses to continue fighting for a cause he can't believe in, and lights for home in North Carolina. A parallel spiritual journey is undertaken back on the farm by his sweetheart Ada (Nicole Kidman), whom Inman longs for yet barely knows. Ada must evolve from helpless Southern belle to gritty survivor, in order to maintain the homestead she once shared with her minister father (Donald Sutherland). Completing the central trio is Ruby (Rene Zellweger), a drifter who descends on Ada, offering solidarity, along with a crash course in agriculture and plain ole orneriness.The film opens with a voiceover of Ada's gentle Southern drawl as she writes a letter to Inman, pleading with him to come back to her. An apt beginning, since it's her voice and his memories of Ada that pull Inman homeward on an odyssey marked by obstacles (not unlike in The Odyssey), ranging from sexual temptation to lock-up in a chain gang. Inman's journey is intercut with flashbacks of his courtship of Ada, coupled with extended scenes of her newfound role as gutsy farmwoman. But this back-and-forth spells structural trouble: The film feels fragmented and tentative before finding its forward groove.Perhaps the main problem, though, lies in translating from print to screen: In Frazier's novel, Inman comes alive through his thoughts, emotions and consciousness, but the inner life doesn't play well in cinema. Except for the welcome flashbacks to Inman and Ada's chastely sexy encounters, we know him mainly through his adventures among the desperados he encounters, including Philip Seymour Hoffman as a guy poised to drown his pregnant black mistress, and Giovanni Ribisi as a bounty hunter luring his victims with booze and 'hos. It's always: What fresh hell awaits our hero? The resulting episodic structure spells tedium. Of course, the payoff arrives in the final big love scene between Inman and Ada. Artily shot for softcore titillation, as if the stars were too stellar to reveal their bodies, it's a letdown, and the viewer feels: All that just for this?Much has been made of Mountain as the first romantic starrer for Jude Law, and no question he's got the goods--but the film squanders his talent. It's hard for Law to get his teeth into a role that consists mainly of longing for Ada and incurring assaults, and his gorgeous face is either obscured by a woolly beard or smeared with blood and grime. The voice coaches must have really earned their keep. Law's twang doesn't entirely convince, though Kidman's Southern lilt sounds about right. The camera loves her starry blue gaze and luminous skin, and DP John Seale (also of The English Patient) makes her a mesmerizing package. The role of Ruby is a boon for Zellweger, since she doesn't have to look pretty, which was always a stretch. Amost unrecognizable, she soldiers through like some Civil War Annie Oakley, though I didn't for a minute believe in a character who seems mainly there for uplift. (Curiously, in the novel, Ruby was an escaped black slave, and you have to wonder why the filmmakers didn't run with that to score p.c. points.) Such notables as Ray Winstone, Natalie Portman and Eileen Atkins add actorly gravitas, and Gabriel Yared's score conveys a mood of doomy romantic grandeur. Ultimately, though, this art film blown up to studio scale delivers too little, too late.冷山 Cold Mountain review by James BerardinelliIt's not often that, when the primary thread of a movie fails, the secondary storylines are compelling enough to make the overall experience a positive one. However, that occurs with Cold Mountain, a Civil War era romance where the love affair fizzles, but the episodic approach allows the narrative to breathe. The end result is that the film has more to offer than the tepid Nicole Kidman/Jude Law pairing. There are a lot of things to like about Cold Mountain, but those expecting director Anthony Minghella to recapture the tragic, romantic enchantment of The English Patient will be disappointed.The second half of Cold Mountain is significantly better than the first. Writer/director Minghella has the unenviable task of cramming a lot of background information (done via flashbacks) into the first 60 minutes, as well as getting things off to an explosive start. While we are provided with all the necessary information, the underlying feelings are regrettably absent. The central motivating force for the main characters - an unquenchable love - comes across more like a writer's conceit than something elemental that exists between these two. We know that Inman (Law) and Ada (Kidman) are in love because the movie tells us so, not because we are given a compelling reason to believe it. Consequently, although we end up caring about the characters on an individual basis, the question of whether they are given a chance to re-connect is of secondary importance.The movie opens in 1864, with the South well on its way to losing the Civil War. After recovering from a devastating injury, infantryman Inman decides to desert and make his way back to his home town of Cold Mountain, North Carolina, where he hopes to have a life with Ada, the preacher's daughter. It has been three years since they last saw each other, and he doesn't know for sure whether she is waiting for him. They hardly know each other - their interaction was brief, but left a lasting impression. However, the trek back to Cold Mountain proves to be an arduous one. Along the way, Inman meets a number of odd people, some of whom are interested in helping, and others who see him only as a way to make a profit.Meanwhile, Ada has been waiting. Following the death of her father (Donald Sutherland), she has let the farm lapse into disarray. Enter Ruby Thewes (Ren閑 Zellweger), a plain-speaking freespirit who offers to help Ada rebuild the farm in exchange for meals and lodging. A bargain is struck and the two begin a mutually beneficial partnership that develops into a friendship. But troubles lurk. The head of the local "home guards" (Ray Winstone, who does evil as well as anyone), a group empowered to kill deserters, wants Ada and her land, and Ruby's father (Brendan Gleeson) pays his daughter an unexpected visit.Cold Mountain receives a much needed boost of energy with the introduction of Zellweger's Ruby, an event which occurs just before the end of the first hour. She is flamboyant and energetic - two characteristics that do not apply to either Kidman or Law. While it's unfair to impugn the two leads, since both do adequate jobs, Zellweger constantly forces Kidman into the background by the forcefulness of her performance. Law suffers the same fate at the hand of numerous supporting players, including Philip Seymour Hoffman (as a philandering minister), Natalie Portman (as a young mother who is victimized by Union soldiers), and Aileen Atkins (as a loner in the woods who helps Inman).Cold Mountain's strengths lie in its vignettes. Inman and Ada's paths to their reunion are broken into various episodes. Some of these are quite good, and even the least impressive retains some degree of interest. It's fair to say in Cold Mountain's case that the journey counts more than what happens once the destination is reached. In fact, one could make a legitimate argument that the quality keeping this movie from greatness is the lack of fire in Inman and Ada's relationship. Give them the chemistry of Bogart and Bergman in Casablanca (or even Fiennes and Scott-Thomas in The English Patient), and this would have been an unforgettable motion picture.One thing that cannot be denied is the effectiveness of the film's look. This is a gorgeous film to watch, with deserved credit given to cinematographer John Seale, who is an accomplished veteran behind the camera (he has shot about three-dozen pictures, including The English Patient, Gorillas in the Mist, and Witness). Although the big battle near the beginning of the film has its share of logical flaws, it is photographed in such a manner that you almost lose yourself in the spectacle of the moment. And the Romanian countryside is a workable double for mid-19th century North Carolina.Cold Mountain was adapted from the long, complex novel by Charles Frazier, and clearly proved to be a challenge for Minghella to capture on film. The movie has its share of structural problems, and may be a little longer than seems necessary, but it rarely lost my attention. I would not place this in the top echelon of end-of-the-year motion pictures, but it's certainly a successful adaptation, features numerous memorable performances (mostly by the supporting players), and is worth apost-holiday expenditure of time and money.冷山"具有相同的结构缺陷作为"墨西哥"(2001 年)您忘记了所有的一部电影。
冷山 电影

冷山电影《冷山》是由导演安东尼·明格拉执导,根据查尔斯·菲泽尔同名小说改编的一部电影。
于2003年上映。
影片主要讲述了美国南北战争时期,一对相爱的情侣因战争被迫分离的故事。
该片荣获奥斯卡最佳导演奖、男主角奖等多项大奖,备受好评。
影片以冷山为背景,展现了战争给人们生活带来的破坏和伤害,同时也表达了爱情的坚守和信念的重要性。
故事的主人公是因战争而分离的乡村医生Γ·W·寇德(Inman)和他的心上人艾达。
战争开始后,寇德应征入伍,与艾达分离,踏上了军队的征途。
而艾达则留在冷山,守望着寇德的归来。
影片通过两人分别的生活展现了片中人物对战争的不同态度。
寇德身临其境地感受到了战争的残酷与荒诞,他目睹了同胞们无辜丧生的场面,也亲身经历了战争带来的痛苦与磨难。
作为一名医生,寇德看到了无数战士的伤亡,深感内疚和迷茫。
在战争肆虐的南北战场上,寇德渴望能够逃离这里,追寻自由和和平。
与此同时,艾达在冷山过着艰苦的日子,她面对着被战争摧毁的家园和生活。
她尽最大的努力来保护自己和生活周围的人们,同时也等待着寇德的归来。
然而,随着时间的推移,她发现等待并不是一件容易的事情,战争让她付出了太多的代价。
艾达在冷山上经历了种种的困难,但她坚守着对寇德的忠诚和承诺。
影片通过两条平行的故事线,展示了不同命运下的两位主人公对爱情的不同理解。
他们都经历了困苦和磨难,但对待爱情的态度却有所不同。
寇德在战争中感受到生命的脆弱和短暂,他渴望着与心上人团聚,追求爱情的永恒。
而艾达则用信念和执着支撑着自己,等待着寇德的回归,她相信爱情是不会磨灭的。
影片中的冷山是一个象征深情与等待的地方。
不论是寇德还是艾达,他们都在等待着彼此的归来,执着于对爱情的信仰。
冷山既是两人相聚的诺言,也是他们心灵寄托的地方。
寇德与艾达的爱情在冷山上得到了升华,他们通过坚守与等待,最终战胜了战争带来的一切。
影片以细腻而真实的画面,表达了战争对人性的摧残和破坏。
看电影学英语十大经典电影经典台词

一、泰坦尼克号(Titanic)一个人一生可以爱上很多的人,等你获得真正属于你的幸福之后,你就会明白一起的伤痛其实是一种财富,它让你学会更好地去把握和珍惜你爱的人。
One may fall in love with many people during the lifetime. When you finally get your own happiness, you will understand the previous sadness is kind of treasure, which makes you better to hold and cherish the people you love.二、飞屋环游记(Up)幸福,不是长生不老,不是大鱼大肉,不是权倾朝野。
幸福是每一个微小的生活愿望达成。
当你想吃的时候有得吃,想被爱的时候有人来爱你。
Happiness is not about being immortal nor having food or rights in one’s hand. It’s about having each tiny wish come true, or having something to eat when you are hungry or having someone’s love when you need love.三、剪刀手爱德华(The Story of Edward Scissorhands)我爱你不是因为你是谁,而是我在你面前可以是谁。
I love you not for who you are, but for who I am with you.四、蓝莓之夜(My Blueberry Nights)一个人总要走陌生的路,看陌生的风景,听陌生的歌,然后在某个不经意的瞬间,你会发现,原本是费尽心机想要忘记的事情真的就那么忘记了。
One is always on a strange road, watching strange scenery and listening to strange music. Then one day, you will find that the things you try hard to forget are already gone.五、初恋50次(50 First Dates)年轻的时候会想要谈很多次恋爱,但是随着年龄的增长,终于领悟到爱一个人,就算用一辈子的时间,还是会嫌不够。
coldmountain观后感

coldmountain观后感冷山(Cold Mountain)是一部我最近刚刚看完的电影,它让我深受触动。
这部1997年的美国剧情片由安东尼·米格拉(Anthony Minghella)执导,改编自查尔斯·弗雷泽(Charles Frazier)的同名小说。
冷山展现了南北战争时期的美国南方,讲述了一段悲惨而又绚烂的爱情故事。
故事的背景设定在南北战争期间的美国,正是国家内战的时刻。
主人公因战争而被迫离开自己心爱的女人,而后加入军队。
这段离别的时光里,他们通过信件保持联系,表达着彼此深切的思念。
战争中,主人公经历了前线的残酷与困苦,深深被战争的残酷所触动,逐渐对战争产生了怀疑与反感。
他决定离开战争,踏上了回家的旅程。
电影将主人公的旅程和他与心爱女人的回忆编织在一起,通过不同时间线的交替展示,展现出了主人公内心的挣扎与奋斗。
冷山是一个象征着希望的地方,而冷山之行成为主人公寻找自我的过程。
影片运用冷色调的色彩与寒冷的景象,体现出战争时期的残酷与无奈。
冷辣的冒险和心灵的变化,使得影片更加深入人心。
电影中的女主角是一个坚韧而勇敢的女性形象。
她被描绘成一个无私而深沉的爱人,她在战争中经历了巨大的困难和挫折,但从未放弃对爱情的信念。
她的坚忍和勇敢感染了我,让我深受触动。
她的付出和她对爱情的执着精神,让我思考人到底应该如何对待自己的爱情和信仰。
在电影中,我看到了生命的脆弱和可贵。
战争给人们带来了痛苦和破坏,让人们失去了亲人和家园。
主人公和他遇到的各种人物都在战争的苦难中成长,他们被迫面对生死,也被迫反思人性的善恶。
电影通过描绘战争中的残酷和毁灭,表达了对战争的深深厌恶。
电影还通过展示人与人之间的关系,让我深入思考人之间的情感与联系。
主人公在战争中结交了许多朋友和敌人,这些人物的塑造丰富了故事情节的同时,也反映了人与人之间的复杂关系。
战争时期的美国社会,种族关系、阶级差距和性别歧视都普遍存在,这些问题在电影中得到了一定的关注。
德国天后回顾妮可基德曼的电影经典

德国天后回顾妮可基德曼的电影经典妮可·基德曼(Nicole Kidman)作为一位备受赞誉的澳大利亚女演员,凭借其出色的演技和迷人的风采在全球范围内赢得了无数粉丝。
她是当代电影界最具影响力的女星之一,其出演的电影经典影片不胜枚举。
以下将回顾并探讨妮可·基德曼的几部电影经典。
1. 《冷山》(Cold Mountain)妮可·基德曼在这部2003年上映的战争爱情片中饰演女主角伊达·蒙罗。
电影讲述了南北战争时期,战士因为战争而被迫分离,并通过漫长而艰难的旅途尝试重返家园的故事。
妮可·基德曼凭借出色的演技和精湛的表演获得了奥斯卡最佳女主角提名。
《冷山》不仅令人难以忘怀的情节,还通过妮可·基德曼的出色演绎使整个电影更加感人。
2. 《玛格丽特的救赎》(The Hours)2002年上映的《玛格丽特的救赎》是一部由不同时代女性故事交织而成的剧情片。
妮可·基德曼在片中扮演的弥漫性神经病患者弗吉尼亚·伍尔芙一角,她的出色表演让人印象深刻。
这部电影的丰富内涵和妮可·基德曼精准的演技使其赢得了奥斯卡最佳女主角奖。
3. 《发条橙》(A Clockwork Orange)虽然妮可·基德曼只是在本片中有一个小角色,但她的精湛演技使观众印象深刻。
作为斯坦利·库布里克(Stanley Kubrick)1971年执导的经典电影,《发条橙》通过妮可·基德曼的出色表演展现出了人性的黑暗面和对自由意志的思考。
4. 《大妈妈的阴谋》(To Die For)这是一部黑色喜剧电影,妮可·基德曼在片中扮演的苏珊娜·斯通(Suzanne Stone)是一个极具野心的天气女主播。
她为了登上电视台电视剧的结果,设下了一系列恶毒的计划。
妮可·基德曼凭借她的幽默感和迷人的魅力赢得了影评人的赞誉。
5. 《幸福终点站》(Rabbit Hole)在这部2010年的电影中,妮可·基德曼扮演一个失去自己孩子的母亲贝索(Becca)。
Cold Mountain 《冷山》 台词

[00:00.00]片头加载中... 视听英语[00:12.93]"Dear Mr Inman,[00:15.43][00:15.52]"I began by counting the days,[00:18.36][00:18.44]"then the months.[00:21.11][00:21.19]"I don't count on anything anymore except the hope that you will return, [00:26.32][00:26.41]"and the silent fear that in the years since we saw each other,[00:32.11][00:32.20]this war, this awful war, will have changed us both beyond all reckoning." [00:40.21][01:31.60]This poor boy's from Alabama,[01:34.05][01:34.14]- He's a long way from home, - Thank you,[01:37.18][01:41.61]Why don't them Yanks just attack?[01:44.61][01:54.62]Got any shirts, son?[01:56.44][01:56.91]Mm-hm-hm-hm[02:03.03][02:03.13]It's Mo Oakley's boy,[02:05.37][02:06.38]Can't be old enough to fight, can he?[02:09.30][02:15.43]- Good morning, - Morning, son,[02:17.92][02:18.68]Got some boots and jackets, You want one?[02:21.26][02:21.35]- Here, You want that? - Thanks,[02:24.02][02:25.44]I hope these boots can hold up for 400 miles,[02:27.90][02:27.98]'cause they're taking me back to Cold Mountain,[02:30.99][02:35.95]"I think now on the fleeting moments betWeen us[02:38.90][02:39.00]"and wish I could repair them.[02:41.57][02:42.96]My awkward nature, the things left unsaid."[02:47.12][02:51.72]All right, that's it,[02:58.43]Enough powder here to blow a hole in the sky,[03:00.76][03:00.85]Yeah, a real Yankee good mornin',[03:04.22][03:04.31]Mm-hm-hm-hm[03:11.61][03:18.74]That old book of yours is in shreds,[03:22.19][03:23.33]Same as us, Seen too much war,[03:26.37][03:27.84]Hey, Oakley, Don't worry, son, Them Yankee boys keep store hours, [03:33.71][03:33.80]They ain't open yet,[03:35.96][03:45.69]Close it up,[03:48.56][03:59.74]- Hey, where'd you come from? - Hey, that's fresh breakfast, [04:03.32][04:03.41]- He's mine, Butcher, - Hey! Hey! Get away![04:05.41][04:05.50]- Hey, I saw him first, - Come on![04:08.50][04:08.58]- I saw it first! - That's my rabbit! That's my rabbit![04:12.08][04:14.97]Get your paws off my rabbit! Get your paws off my rabbit! [04:18.67][05:03.10]"When I came with my father to the town of Cold Mountain, [05:05.93][05:06.02]"I was so shy of how I looked,[05:08.59][05:08.69]"so out of place.[05:11.14][05:11.23]"But did you know how happy I was to escape from Charleston, [05:15.56][05:15.65]from a world of slaves and corsets and cotton?"[05:19.40][05:19.49]What do you fools think you'll be fightin' for?[05:22.28][05:22.37]- The South? - I call this nail Northern Aggression,[05:25.87][05:25.95]- Damn right, - I call this nail a Yankee Skull,[05:29.07][05:29.16]Last time I checked, the South was a direction,[05:31.96]Never figured you for a Lincoln lover, JT,[05:34.50][05:34.59]I tell you, as soon as I finish this chapel,[05:36.33][05:36.42]I'm gonna go off and kill me some Yankees,[05:38.54][05:38.63]Piss and vinegar,[05:39.88][05:39.97]Fightin' for a rich man's slave, that's what,[05:42.59][05:42.68]Whoa, here comes the minister,[05:44.26][05:44.35]Ben, thank you, Will you assist my daughter?[05:47.05][05:47.14]Lord have mercy, look at that bonnet,[05:49.10][05:49.18]Look what's in it,[05:50.89][05:50.98]Oakley, hand me the hammer, boy,[05:52.85][05:52.94]That's a true Southern belle,[05:54.98][05:55.06]- Mr Swanger! Good morning to you, - Morning, Reverend,[05:59.98][06:00.07]Esco, you remember my daughter, Ada,[06:03.15][06:03.24]- Miss Monroe, - Good morning,[06:05.40][06:05.49]- Morning, - Morning,[06:06.65][06:06.74]- Excellent progress, - Morning,[06:08.57][06:08.66]- Mrs Swanger, Mrs Castlereagh, - Morning, Reverend,[06:11.33][06:11.41]Now, if y'all will excuse me,[06:13.62][06:13.71]In Charleston, my congregation would still be disputing the size of the windows, [06:18.45][06:18.55]It's a chapel,[06:19.58][06:19.67]Miss Monroe, I was just thinkin' about you,[06:22.63][06:22.72]Cold Mountain must feel like the end of the world,[06:26.47]Not at all,[06:29.04][06:29.14]- It's very beautiful, - Well, you put us all to shame,[06:33.80][06:33.89]Men up here had a bearing on what they thought a woman was,[06:36.73][06:36.81]- and then you showed up, - Oh,,,[06:40.18][06:40.28]- No, I doubt that, - Oh, believe me,[06:42.68][06:42.78]If you was to say a word to one of these fools, I could get my top field cleared, [06:47.69][06:49.20]- Any one? - No, um,,,[06:51.66][06:52.45]Him in particular,[06:54.78][06:54.87]Up in the rafters,[06:56.95][06:57.04]Won't normally say boo to a goose,[06:59.66][07:02.76]He's been pressin' me since the day you arrived here,[07:06.54][07:10.51]- Your top field cleared? - That's right,[07:13.72][07:18.40]Good morning, I'm Ada Monroe,[07:21.90][07:22.86]Inman,[07:24.65][07:24.74]Inman,[07:25.94][07:26.03]WP Inman,[07:27.86][07:29.53]WP Inman,[07:30.94][07:31.03]Repeatin' a thing doesn't improve it,[07:33.74][07:35.62]People call me Inman,[07:38.24][07:40.46]How 'bout that? Inman speaks,[07:42.45][07:42.55]If you were to take a glass of cider, your friends might stop staring,[07:46.50][07:49.18]Inman,[07:52.64]You're just jealous, I'm gonna take her for a walk at Bishop's Creek, [07:57.68][07:57.77]- Billy, is this frame flush? - Thank you,[08:00.52][08:00.61]Yeah, yeah, yeah, Thank you, yeah, right,[08:04.39][08:05.15]Richie, I seen your house, There ain't a square angle anywhere near it, [08:08.32][08:08.41]And what do you do?[08:10.65][08:10.74]I work wood,[08:13.03][08:13.12]Hunt,[08:14.95][08:15.95]Mostly work wood,[08:18.53][08:20.75]Clear fields?[08:22.79][08:26.97]I can clear a field,[08:29.34][08:30.51]Was there something in particular you wished to say to me?[08:34.21][08:38.81]Not that comes to me,[08:41.65][08:47.78]I'll say thank you,,, for the cider,[08:50.65][08:58.08]You'll walk unscathed...[08:59.91][09:05.17]No ploughman's blade will cut thee down[09:11.34][09:13.18]No cutler's horn will mark thy face[09:19.71][09:19.81]I've gone to find my ain true love[09:26.61][09:26.69]I've gone to find my ain true love[09:33.86][10:40.64]Move back! Go back! Move back![10:43.64][10:43.73]Go back! Go back![10:46.40][10:46.48]They're trapped in the wrong damn crater, Whole plan backfired on 'em, [10:51.06][10:51.15]Send them Yanks straight to hell,[10:53.65]- Hold it, hold it, - Let's go, Turn it around,[10:56.77][10:59.03]Damn fools dug their own grave,[11:01.90][11:01.99]We've got 'em now, boys,[11:04.78][11:06.42]- It's a turkey shoot, - What?[11:10.03][11:10.13]It's a turkey shoot, They've run themselves into a hole, [11:13.50][11:13.59]Hell's busted,[11:15.66][12:17.11]Oakley![12:19.15][12:31.21]Oakley![12:34.08][12:40.47]Oakley![12:42.62][13:08.62]- Inman! Inman! - Oakley![13:12.04][13:15.29]Oakley![13:17.00][13:44.74]- Inman! - Come on,[13:46.98][13:48.33]Inman,[13:50.03][13:52.62]I've got you,[13:55.58][14:22.65]I got a few,[14:25.22][14:25.32]- You saw? - I saw,[14:27.81][14:32.08]Am I gonna die?[14:34.62][14:37.37]Your folks can be real proud of you,[14:40.16][14:53.60]Son, this fellow says he'll play whatever you want, [14:58.39][15:00.56]What about "Bonaparte's Retreat"? That's one I play, [15:04.35][15:09.57]No, Play me somethin' sweet,[15:12.94][15:13.03]Like a girl's waiting for me,[15:16.87]- You heard him, - I only know a couple of tunes,[15:20.82][15:20.92]Like when you're at Bishop's Creek,,,[15:23.46][15:24.25]and you're thirsty,,,[15:27.17][15:27.26]and the water's so cool,[15:30.17][15:31.89]I don't know what music that is,[15:34.04][15:59.50]I'm reachin' Cold Mountain before you,[16:02.58][16:39.83]Good morning, Sally,[16:41.79][16:46.42]- Well, that's a fine-sounding thing, - Oh,,,[16:49.70][16:50.71]My piano,[16:52.71][16:54.26]Oh, I've been missing it,[16:56.34][16:56.43]Thank you, by the way, Inman's in my top field clearing his debt,[17:01.22][17:01.31]Oh, dear,[17:03.30][17:07.19]And then he had nothing to say,[17:09.48][17:09.57]He was happy,[17:12.10][17:13.40]Really?[17:15.78][17:15.86]Are men so different in Charleston?[17:18.78][17:20.74]Men?[17:22.49][17:23.91]I don't know,[17:25.82][17:25.92]If you're sayin' you might like him, why not go over and say good mornin'? [17:31.62][17:31.71]I should be gettin' along,[17:33.71][17:33.80]Walk on, quickly,[17:36.67][17:36.76]Come on, Walk on, Slowly,[17:39.97]Walk on,[17:42.01][17:52.07]Whoa, whoa, whoa, whoa, whoa, whoa,[17:54.52][18:26.35]My dear daughter, Ada,[18:28.92][18:29.02]who's given up so much for so long to help me in my ministry, and upon whom I rely, [18:35.56][18:38.15]Friends, we are both very happy to have this opportunity tonight,,,[18:44.44][18:45.62]to thank you from our hearts,,,[18:48.54][18:49.58]for your kind welcome and, most of all, such a fine chapel,[18:54.66][18:56.21]So,,,[18:58.54][18:58.63],, thank you, and God bless you,[19:01.63][19:04.68]Our house is always open to any of you at any time,[19:10.85][19:10.94]Welcome,[19:13.39][19:13.48]Esco?[19:14.56][19:18.86]That gentleman - he help build the chapel?[19:20.85][19:20.95]Him? No, that's Teague,[19:23.90][19:23.99]At one time the Teague family owned the whole of Cold Mountain,[19:27.86][19:27.95]My farm, your farm, it all belonged to his grandpappy,[19:32.45][19:32.54]Teague wanted this place bad, and you got it,[19:35.11][19:35.21]And he's here sniffin' out an advantage,[19:37.96][19:40.01]There's no advantage here, except to celebrate a job well done,[19:45.63][19:45.72]And that is a good thing in these troubled times,[19:47.93][19:48.02]- Miss Monroe, - Thank you,[19:51.10][19:55.86]- Were you never planning to come inside? - I'm wetter than a fish,[20:02.20]- There's a good fire going, - I'm all right,[20:05.40][20:08.16]You're always carrying a tray,[20:11.03][20:13.33]I was going to take some root beer over to the Negroes, [20:16.91][20:24.97]Somebody said you were enlisting,[20:27.89][20:28.01]- Are you? - If there is a war, we'll all fight,[20:31.76][20:45.49]- Did you get a picture made? - Say again?[20:48.82][20:48.91]A tintype, with your musket and your courage on display, [20:53.41][20:54.75]You're laughin' at me,[20:57.29][20:58.79]I don't know you,[21:01.17][21:04.97]This doesn't come out right,[21:08.25][21:08.34]If it were enough just to stand, without the words,,, [21:13.88][21:15.69]It is,[21:17.68][21:20.69]It is,[21:22.56][21:26.28]You,,, Look,[21:28.49][21:28.57]Look, Look at the sky now, What colour is it?[21:31.99][21:34.16]Or the way,,, a hawk flies?[21:37.08][21:39.71]Or you wake up,,,[21:42.58][21:42.67]and your ribs are bruised thinking so hard on somebody, [21:47.17][21:48.26]What do you call that?[21:50.88][21:59.35]I'll do that,[22:01.43][22:02.65]I can't get much wetter,[22:05.48][22:07.90]"What if you are killed, and I'll never see you again?[22:12.37]"You said after a few years I would barely remember your name.[22:17.16][22:17.25]"Oh, Inman.[22:19.78][22:19.87]It is more than three years, and I remember your name."[22:24.58][22:25.67]Soldiers, Don't get up,[22:28.46][22:30.43]You are mentioned tonight in my report,[22:32.63][22:32.72]You men from Cold Mountain have once again been heroes for the cause, [22:37.60][22:37.68]There are Yankees in that stand of trees between us, stuck there from the retreat, [22:41.55][22:41.65]If they stay there, tomorrow mornin' they can shoot us down for sport.[22:46.94][22:50.61]Go around,[22:53.19][22:55.16]It's a Reb![22:56.62][22:56.70]How many of them are there?[22:58.36][22:58.45]I think there's five,[22:59.86][22:59.96]Under the trees,[23:02.91][23:04.75]- We got 'em, - Let's go, let's go,[23:06.87][23:06.96]Butcher's down,[23:09.09][23:10.26]Leave him, leave him, He's gone, Let's go,[23:13.59][23:16.31]Go, go! Go! Run![23:18.97][23:20.31]- Go! Go! Go! - Hold your fire![23:24.06][23:24.15]What's over by them trees?[23:26.39][23:26.48]It's us! It's us![23:29.02][23:31.24]I said hold your fire! Hold your fire,[23:33.61][23:40.91]Leave him, Leave him,[23:44.25]Agh![23:46.57][24:13.53]Inman'll get it.[24:16.40][24:16.49]Supposed to bring good luck, a bird caught in a room,[24:20.78][24:20.87]I'm so sorry to have kept you waiting, She'll just be a few seconds, [24:25.41][25:30.27]- Mr Inman, - Reverend,[25:32.31][25:32.40]- What can I do for you? - I have some sheet music,[25:35.23][25:35.32]It belonged to my father, No use to me,[25:38.77][25:38.86]Thank you,[25:40.52][25:40.61]- You must come in, - I should probably get along,[25:42.99][25:43.08]Mr Inman is more comfortable outdoors,[25:46.28][25:46.37]Perhaps we might,,, perhaps we might take a walk,[25:50.07][25:50.17]A splendid idea,[25:52.24][25:55.00]Let me just get your hat,[25:57.54][26:01.09]I dragged my poor daughter 400 miles from Charleston to Cold Mountain [26:05.84][26:05.93]because my doctors, they've been sayin' my chest is weak,[26:10.26][26:10.35]So the air's supposed to do me good,[26:13.14][26:14.15]But it's the view I think heals,[26:16.47][26:16.57]It's what people say we're fightin' for, To keep it that way,[26:21.19][26:21.28]I have no plans to preach war in my church, Mr Inman,[26:25.28][26:26.79]I imagine God is weary of being called down on both sides of an argument, [26:32.46][26:34.67]I imagine God is,[26:37.16][26:43.09]Thank you,[26:46.76]Now, your father played the piano, did he? [26:49.63][26:49.72]That's right, He was a teacher,[26:51.97][26:52.06]And is your father living, Mr Inman?[26:54.47][26:54.56]- He is not, - And your mother?[26:56.80][26:56.90]No, sir, She died when I was born,[27:00.18][27:27.93]Farewell, vain world[27:30.55][27:30.64]I'm going home[27:32.63][27:32.73]My saviour smiles and bids me come[27:36.89][27:36.98]And I don't care to stay here long[27:40.51][27:40.61]Sweet angels beckon me away[27:45.35][27:45.45]To sing God's praise in endless day[27:49.61][27:49.70]And I don't care to stay here long[27:53.03][27:53.12]Right up yonder, Christians[27:56.82][27:56.92]- Secession, - North Carolina left the Union, [28:00.53][28:00.63]O, yes, my Lord, for I don't care to stay here long [28:06.63][28:06.72]Whoo![28:07.80][28:07.89]- We got our war! - Whoo-hoo![28:10.34][28:10.43]...that I am born to die[28:12.89][28:12.97]From grief and woe my soul shall fly[28:17.64][28:17.73]And I don't care to stay here long[28:21.06][28:21.15]Bright angels shall convey me home[28:26.23][28:26.32]Away to New Jerusalem[28:30.62]And I don't care to stay here long[28:35.99][28:37.41]We got our war! We got it! We got it! It's about time,[28:42.16][28:42.25]Whoo![28:44.25][28:46.30]- All right! - Inman! Inman![28:48.79][28:48.88]Ready to fight, son, ready to fight,[28:51.38][28:51.47]Whoo![28:52.55][28:52.64]We got our war, man,[28:55.01][28:55.10]Well, you have your war,[28:57.59][28:58.77]Ada,[28:59.93][29:00.94]Ada,[29:02.77][29:03.94]It's a great day for North Carolina,[29:06.86][29:06.94]Those who follow Lincoln or preach abolition,,,[29:10.99][29:11.82]you best keep one eye open when you're sleepin',[29:13.98][29:14.08]OI' boogeyman might get you,[29:17.28][29:17.37]Are you the law all of a sudden, Mr Teague?[29:20.66][29:20.75]That's right, son,[29:22.91][29:23.00]Home Guard for Haywood County, And I'm the law from today, [29:27.05][29:27.13]Y'all go fight now, We'll watch over your sweethearts,[29:31.96][29:32.05]Hey, Teague, Why ain't you fightin'?[29:34.38][29:34.47]'Cause he's too old,[29:37.09][29:37.18]Yeah![29:39.34][29:39.43]Whoo![29:42.23]You might be safer back in Charleston,[29:45.15][29:49.11]- But then who'll be waiting for you? - Three cheers for North Carolina! [29:53.36][29:53.45]- All right, - Three cheers for the South![29:55.57][29:55.66]Hip hip hurrah![29:57.24][29:57.33]Hip hip hurrah![29:59.53][29:59.62]Hip hip hurrah![30:01.74][30:13.47]Inman, It belongs to Inman,[30:16.30][30:16.39]I got it, He's here,[30:18.71][30:23.02]They found that book you been worryin' about, soldier,[30:27.06][31:07.65]Wait,[31:09.56][31:19.37]I found you this book to take with you,[31:23.20][31:23.29]William Bartram,[31:25.36][31:26.79]They tell me it's good,[31:29.12][31:30.25]I think he writes about these parts, the author, so,,,[31:34.20][31:35.47]Thank you,[31:37.59][31:38.93]And this,[31:41.09][31:49.23]I'm not smiling in it,[31:51.93][31:54.53]I don't know how to do that,[31:57.36][31:57.45]hold a smile,[31:59.36][32:22.93]- Ada, - What?[32:24.92][32:47.75]- Whoa! - He'll be back in a month,[32:50.24][32:52.83]Kiss her for me,[33:02.64]Come on, let's go,[33:04.76][33:09.89]I'll be waiting for you,[33:12.81][33:48.18]Lookin' good, Butcher,[33:49.81][33:49.89]Bring home some Yankee scalps, Swimmer,[33:52.38][33:52.48]Yee-haw![33:54.30][33:58.78]Look out the window, ladies. See what these poor fools are dyin' for.[34:03.94][34:04.03]How many would still lose a leg for the rich man's slave?[34:08.19][34:09.04]Most of these soldiers'll be dead by morning, or if they're stubborn, by nightfall, [34:14.62][34:14.71]I've other men outside in the courtyard waitin' for beds,[34:19.37][34:19.46]so any kind word will be a blessin',[34:22.08][34:25.51]It's the heat, I'm sorry, They rot,[34:28.08][34:28.18]Pigeon River,,,[34:30.72][34:30.81]How are you, son?[34:33.48][34:33.56]Cold,,, Mountain,,,[34:36.56][34:38.94]I-I'm sorry,[34:41.27][34:41.36]- You want water? - Cold,,, Mountain,[34:45.77][34:47.66]Cold Mountain?[34:49.73][34:50.66]Cold Mountain,[34:52.65][34:56.00]Do you worry when there's no word from him? From Mr Inman?[35:01.87][35:03.59]Yes,[35:05.42][35:07.68]But then I've tried countin' the number of words[35:10.38][35:10.47]which have passed between Mr Inman and me - not very many,[35:15.43]But I think about him, Daddy, all the time,[35:19.68][35:19.77]I lost your mother after 22 months of marriage,[35:23.98][35:25.94]It was enough to fill a life,[35:28.44][35:34.54]That was the last of the ham,[35:36.66][35:36.75]- It was delicious, - I have to learn how to cook,[35:40.16][35:40.25]I was thinking of saying something in chapel,[35:42.66][35:42.75]Perhaps some of the womenfolk will volunteer,[35:44.88][35:44.96]I can't have people coming here and cooking for me,[35:48.17][35:50.14]I so,,,[35:51.55][35:51.64]I so regret,,,[35:53.18][35:53.26]I should have raised you less like a companion and more like a young woman, [35:59.55][35:59.64]I'm sorry, Ada, And for dragging you here,[36:03.77][36:03.86]I'm not sorry,[36:05.90][36:09.11]I would have followed you anywhere,[36:11.82][36:14.33]- To Mongolia, - Mongolia,[36:17.00][36:18.12]But with no one left to work this place, nothing to buy, nothing left to buy it with, [36:23.33][36:24.96]I just don't know how we're gonna get through another winter,[36:29.01][36:31.72]Will you play me somethin'? Somethin' peaceful while I look over my sermon, [36:37.47][36:37.56]It's too damp out here, You should come inside,[36:39.60][36:39.68]No,[36:41.51][36:41.60]I like it,[36:42.63][36:58.33]Daddy, bring the tablecloth in,[37:03.92]Come inside before you drown,[37:06.41][37:54.13]You have a letter,[37:56.34][37:56.43]North Carolina,[37:58.47][38:00.22]It's come a long way,[38:02.80][38:05.69]It's not too recent,[38:07.98][38:08.06]It's written this past winter,[38:10.55][38:12.82]I'm afraid I can't read who it's from,[38:15.23][38:20.08]"Dear Mr Inman,,,"[38:22.23][38:23.20]"Since you've left, time has been measured out in bitter chapters. [38:28.83][38:28.92]"Last fall, my poor father died.[38:31.59][38:33.55]"Our farm at Black Cove is abandoned.[38:36.42][38:39.34]"Every house in these mountains touched by tragedy.[38:43.56][38:45.93]"Each day the dread... of learning who has fallen...[38:50.68][38:51.94]who will not return from this terrible war.[38:54.94][38:56.95]"And no word from you.[38:59.98][39:00.07]"Are you alive?[39:02.11][39:02.20]"I pray to God you are.[39:04.95][39:06.12]"This war is lost on the battlefield[39:08.41][39:08.50]and is being lost tWice over by those who stayed behind." [39:13.29][39:13.38]He ain't comin' back, you know that,[39:16.75][39:20.93]You must know that in your heart,[39:23.63][39:26.22]Look at me,[39:30.10]Look at me,[39:32.48][39:37.19]I'm not nothin',[39:39.77][39:42.07]"I'm still waiting, as I promised I would.[39:46.62][39:49.12]"But I find myself alone and at the end of my wits...[39:52.66][39:54.34]too embarrassed to keep taking from those who can least afford to give." [39:59.04][40:00.13]Ada! It's Sally![40:03.09][40:03.18]Ada![40:04.38][40:04.47]Look at the state of this place,[40:06.59][40:06.68]Well, set it on the porch,[40:10.35][40:11.85]She let them slaves go free, and now,,,[40:15.30][40:15.40]Poor soul, she's got nobody and nothin', and waitin' on a ghost,[40:20.19][40:26.58]Shoo![40:28.45][40:31.08]Go away,[40:32.99][40:38.05]Devil![40:39.37][40:43.05]"My last thread of courage now is to put my faith in you...[40:47.55][40:50.02]"and to believe I will see you again.[40:52.77][40:53.94]"So now I say to you, plain as I can...[40:58.40][40:59.86]"if you are fighting, stop fighting.[41:03.11][41:04.36]"If you are marching, stop marching.[41:07.70][41:09.83]"Come back to me,[41:12.23][41:15.79]Come back to me is my request,"[41:18.12][41:26.30]"Come back to me.[41:30.43]Come back to me is my request."[41:34.10][41:36.31]Wounded men, don't stray from the hospital grounds,[41:40.26][41:40.94]Hey![41:42.98][41:44.74]If they send us back to fight,,,[41:46.36][41:46.45]Hey, get your peanuts now, from the blind man,[41:50.36][41:51.79]- Hey, your hot goobers here, - It's a sad day,[41:55.20][41:59.21]Gettin' better, soldier?[42:02.04][42:02.13]Seems that way,[42:04.83][42:04.92]I wouldn't hurry,[42:06.88][42:06.97]The war's almost done, Don't need your help to lose it,[42:10.88][42:12.14]You got ten minutes now, boys, Ten minutes to get your haircuts and shaves, [42:17.26][42:17.35]I've been meanin' to ask you, Where'd you take your wound?[42:20.22][42:20.31]Oh, before I was born,[42:22.56][42:22.65]Never set eyes on a thing in this world,[42:25.06][42:25.15]Not a tree, a gun or a woman, Put my hand on all three, though,[42:30.74][42:32.45]- What would you give for that? - Hm?[42:35.29][42:35.37]- To have your eyeballs for ten minutes, - Ten minutes?[42:39.75][42:39.83]I wouldn't give an Indian head cent,[42:42.37][42:42.46]- Might turn me hateful, - That's sure what seein's done to me,[42:46.59][42:46.67]No, that's not the way I meant it,[42:49.59][42:49.68]You said ten minutes,[42:52.17][42:52.26]It's havin' a thing and then the loss of it I'm talking about,[42:56.77]Then we don't agree, There's not much I wouldn't give for ten minutes of someplace, [43:02.47][43:02.56]Yeah, someplace,,, or someone,[43:06.51][43:09.57]You watch yourself, now,[43:12.57][43:12.66]They're shootin' men who take themselves a walk,[43:15.66][43:54.57]By order of Zebulon Vance,[43:57.69][43:57.79]governor of this great state of North Carolina,[44:01.20][44:01.29]any soldier turned deserter is guilty of treason,[44:06.33][44:06.42]and should be hunted down like a dog,[44:09.25][44:10.76]Any man who takes in a deserter is likewise guilty of treason,[44:16.10][44:16.18]The Home Guard is powered to enter any place it sees fit[44:20.09][44:20.18]without notice or constraint[44:23.55][44:23.64]Captain Teague needs more volunteers,[44:26.43][44:26.52]Any man whose age or infirmity prevents him from fightin' shall join us[44:30.77][44:30.86]to protect this county from Yankee raiders and traitors to the cause,[44:35.40][44:35.49]- Is there a letter for me? - Nothin',[44:37.40][44:37.49]We've been gettin' no post through at all, The sooner we lose this war the better, [44:42.28][44:42.37]They say not one boy in ten is comin' home to these mountains,[44:45.54][44:45.62]Teague and his rabble throwin' their weight around, They're worse than the Yankees, [44:50.92][44:51.00]Might I speak with you, please?[44:53.50][44:55.09]This was the Reverend Monroe's,[44:57.93][45:00.39]I don't know who would want a watch,[45:03.01][45:05.44]Who can bear to look at the time?。
电影《冷山》(英文版)PPT

• • • • • •
The classical words:
• • • • •
Ada: Everyday of my waiting... 埃达: 每天我都在等待... 埃达: 每天我都在等待... Longing... 盼望着... 盼望着... Longing to see your face
Back ground
• “Cold Mountain” tells the story of a wounded solders named Inman (Jude Law) who struggles on a perilous journey to get back home to cold mountain. Ada(Nicole kidman),the woman he left behind before going off to fight in the civil war. Along the way he meets a long line of interesting and colorful characters, while back at home, Ada is learning the ropes of managing her dead father’s farm with Ruby (Renee zellweger) ,a firm country girl, who assists and teaches Ada along the way.
Main actor
芮妮· 芮妮·齐薇格 Renée Zell Eger 饰Ruby These She was a brave and optimistic girl, she helped Ada to managed the farm. She overcame difficulties withr attention
《冷山》:人千里返乡,悍妇守卫家园

影评知识影片《冷山》是一部描写美国南北战争期间发生的故事,从一个在战争期间几经磨难的家庭悲惨境遇,从而反映了战争给普通百姓所带来的灾难。
影片的开始描述了一个生活美满而且尚算富裕的农场主家庭,漂亮的农场主女儿:艾达与一位帅小伙:英曼相识,两人很快坠入爱河,生活在偏僻的深山中的他们过着悠闲的仿佛世外桃源般的生活,然而战争的爆发瞬间就撕碎了这美好的一切。
英曼被强征入伍,不得不远赴前线,再加上父亲去世、奴隶们的逃跑,让这位娇生惯养的艾达,一下子就成为了孤家寡人,独守农场的她不仅要忍受孤独和相思之苦,还逐渐陷入生存困难的窘境,没有任何收入来源的她,开始变卖家中的财物挣扎度日,但漫长的战争和动乱并不是那一点家底能够维持的,她逐渐陷入了饥寒交迫的境地。
而身在远方战场的英曼则在战争中饱历战火,在一次战斗中负伤后,无限思念故乡以及自己爱人的他逃出了军营,踏上了漫长的返乡之路,然而满身伤痛的他,几乎被这近乎无尽的路途所湮灭,这一路上他饱受各种磨难(再苦点就赶上唐僧取经了),但终于凭借着在困难和危险面前的英勇与机智,在诱惑面前的坚定信念,以及好心人的帮助,他逐渐的看见了他魂牵梦萦的冷山。
而艾达这里也是命中遇贵人,在她穷途末路的当口,农场里来了一个女人:露比,这个泼辣勇敢的女人,给这座暮气沉沉的农场带来了生机,也教会了艾达各种生存的技能,逐渐的凭借两位悍妇的努力,她们在深山中又焕发出了新的活力,然而一群不速之客的到来近乎将她们艰难而快乐的生活瞬间摧毁,一帮趁着男人们都上了战场,肆虐乡野的盗匪出现了,在她们生命受到严重威胁的关头,那个艾达朝思暮想的身影出现在了那茫茫的白雪中,两颗饱受相思之苦的心再也无法抑制的纠缠在一起。
故事进行到这里,感觉上就应该英曼出手将所有的盗匪收拾掉,然后跟艾达一起过上美满的生活,故事将迎来大团圆结局,然而冷血的编导们只是让观众所期待的所有情节中的一个环节做了一点小小的改动,就让整个故事的结尾一下充满了悲凉,一个圆满的爱情故事陡然间成了凄美的《泰坦尼克》。
《冷山》艺术赏析

《冷山》的艺术赏析摘要:《冷山》是英国著名导演安东尼·明格拉2003年的一部作品。
影片中的原型人物和原型意象是人类共有的,这些原型在人类历史的长河中不断重复出现,变化着各种各样的形象,但是都传达出了相同的信息。
通过探寻《冷山》中的原型,表现了战争给人们造成的精神世界的荒芜、物质世界的稀缺以及道德的沦丧。
同时,原型的运用激发了观者的心里沉淀——集体无意识,并在观者心中产生极大的共鸣,使得这部电影产生经久不衰的艺术魅力。
关键词:《冷山》神话原型安东尼·明格拉(Anthony Minghella)是英国著名导演,剧作家和制片人,一生中获得包括奥斯卡奖在内的数次国际大奖。
他的作品《冷山》(Cold Mountain)改编自著名作家查尔斯·佛雷泽的同名小说,该小说于1997年获得美国国家图书奖。
影片以美国内战为背景,讲述了南方联邦士兵英曼(Inman)逃离战场,经历各种艰难险阻返回家园的故事。
国外关于这部电影评述主要有:Tracy L.Strauss评述了《冷山》等三部以南北战争为背景的影片,分析并肯定了这三部影片对战争引起的创伤的各种表现形式。
Edward D. C. Campbell 认可影片对女性经验在南北战争中的充分体现,但同时指出了影片未能探索奴隶制度和种族暴力等话题,因而没能揭示人类在物质生活和精神层面为战争付出的代价。
本文挖掘《冷山》中的原型人物、原型意象和原型母题,并尝试阐释其背后的意义。
随着人类文明的不断发展,艺术的表现方法也日益多样化。
现代社会,电影无疑是一种很好的艺术表现方法。
电影在其自身的发展过程中,成功的融入了多种艺术表现形式,如表演艺术、听觉艺术、视觉艺术、文字艺术,这些也使得电影成为我们日常生活中非常重要的一部分。
一、原型母题——追寻主题在主题上延续西方文学的传统母题——爱情、战争与回家。
讲述了在美国内战即将结束之时, 士兵英曼历经艰险回到故乡,回到爱人身边的故事。
《冷山》

• 影视艺术是一门综合性的视听艺术,包含文学、戏剧、绘 画、摄影、音乐、雕塑、建筑等艺术因素,具有综合性、 造型性、逼真性、运动性等特征。 • 影视艺术的创作,一般而言,首先要有影视文学剧本,然 后由导演根据文学剧本创作出分镜头剧本,最后按照分镜 头剧本拍摄出影视作品。 • 影视艺术一方面利用了先进的科学技术成果,一方面综合 了各种艺术成分和表现手法,包括表演、绘画、音乐、舞 主 蹈、建筑等,所以电影艺术具有丰富而强大的表现力和艺 讲 术感染力。
二 冷 山
人 甘 浩
•
Hale Waihona Puke 米拉麦克斯影业(Miramax Films) 由Bob Weinstein与Harvey Weinstein兄弟 创立,为美国最重要独立片商之一, 1993年被华特· 迪士尼公司并购,负责发 行艺术性较高或较冷门的小众电影,近 年来也开始朝大众电影发展。 • 《英国病人》、《冷山》、《西西 里美丽传说》、《低俗小说》、《华氏 911》、《杀死比尔》(1、2)、《纽约 黑帮》、《莎翁情史》、《无间道》、 《少林足球》。
•
故事是以战争为背景的,但这里并 没有英雄或圣人:为了爱情铤而走险的 欧洲贵族,擅离组织的英军护士,内心 充满矛盾的锡克工兵,被砍掉手指的双 重间谍……受到战争重创的人们都有一 种超越的渴望。所有影片中的人们都是 这场战争的受害者。片中的动人之处正 是对人类心灵和细微感情的描述。
•
影片重要价值在于它对人性道德冲 突的深思,这种冲突不单单是爱与道德 的冲突,而是人与观念——即民族主义 ,主流道德标准,政治思想等等意识形 态的冲突。影片在这一点上是立场分明 的,即它突出了“人”的重要性。在人 性面前,在爱面前,一切地图上的疆界 都显得多么渺小。
•
“真正的光明绝不是永没有黑暗的时 间,只是永不被黑暗所掩蔽罢了。真正 的英雄绝不是永没有卑下的情操,只是 永不被卑下的情操所屈服罢了……所以 ,在你要战胜外来的敌人这前,首先要 战胜你内在的敌人;你不必害怕沉沦堕 落,只消你能不断的自拔与更新。” ————傅雷为其翻译的《约翰.克 利斯朵夫》自写的献辞
那些因为名字好听而被记住的好电影

那些因为名字好听而被记住的好电影电影首先被知道的是它的名字,因此一个好名字对于一个电影的重要性不言而喻。
尤其对于一部外国电影来说,名字的翻译显得尤为重要,因为毕竟有文化背景的差异。
而有很多外国影片名字的翻译,确实体现出了“信、达、雅”的翻译原则,而且与影片的剧情和内涵密切对应,下面就我所看过的影片里,选择一些我个人认为名字和内涵俱佳的影片,与大家一起欣赏。
《她比烟花寂寞》,英文名:Hilary and Jackie,直译就是《希拉里与杰基》,相信没几个人会对英文原名感兴趣,而这个中译名则实在是神来之笔,准确抓住了影片的精髓和内涵,一下子就让人眼前一亮。
这部影片是英国著名女大提琴家杜普雷的传记片(马友友用的就是她的琴),杜普雷在她那无比绚烂而短暂的一生中,一直在苦苦地寻求真爱,辉煌背后的她永远是那么的寂寞与疏离。
该片的另一个中译名《无情荒地有琴天》也还不错。
推荐指数:8分。
《奔腾年代》,英文名:Seabiscuit,直译就是《海洋饼干》,不要笑,貌似饼干广告,实际告诉你吧,这是一匹马的名字!这是美国30年代大萧条时期一匹赛马的真实故事。
令人激动无比的一部片子,通过一匹赛马的传奇故事讲述永不言败的精神。
剪辑、调度、原声、画面都非常棒。
缺点是前40分钟稍有点拖沓。
对了,导演盖瑞·罗斯最新作品就是《饥饿游戏》,票房巨高,不过比《奔腾年代》可差多了。
推荐指数:8.5分。
《故园风雨后》,英文名:Brideshead Revisited,直译:重返布莱希尔德庄园。
这是一部根据英国作家Evelyn Waugh 写于1945年的一部名著改编的影片,个人非常喜欢。
美轮美奂的画面,教科书般的摄影,复杂细腻的感情。
结尾Ryder重归Brideshead庄园,物是人非,引人无限神伤,那种英伦贵族生活方式早已随风而逝,就连曾经的日不落帝国也是日暮斜阳了,所谓“西风残照,汉家陵阙”,Brideshead庄园何尝不是一个时代的缩影。
关于冷山的英文作文

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Coldmountain英文观后感

Coldmountain英文观后感《Coldmountain》是一部令人难以忘怀的电影。
为了展示我的观后感,我将从剧情、角色塑造和意义三个方面进行介绍。
首先,剧情是电影中最引人注目的部分之一。
故事发生在美国内战期间,主人公因不愿参与战争而逃离了家乡。
影片以分离情人之间的深情爱恋为主线,通过主人公在战争和失去恋人后的求生和寻找之旅展开。
电影充满了悬疑和紧张感。
主人公冒着生命危险,离开军队回到寒山,希望与恋人相聚。
在这条艰难的道路上,他遇到了各种各样的人和事,有经历了残酷的战斗场面,也有生动的悬念和反转。
所有这些要素使得剧情更加吸引人,观众不禁为主人公的命运捏了一把冷汗。
其次,电影中的角色塑造是非常成功的。
主人公因为坚持自己的信念并追求爱情而给予观众深刻的印象。
尽管遇到了许多困难,他从未放弃寻找自己的真爱。
他的毅力和坚韧给了观众很大的启示。
观众不仅对他的历练和成长感到钦佩,更对他勇于冒险,为了心爱的人而战的决心感到敬仰。
其他角色也都各具特色。
电影中的女主角独立、勇敢,并追随自己内心的声音,不受外界世俗观念的束缚。
她是一个有主见的女性,为了保护自己和她所爱的人,她不惜付出一切。
这个角色的塑造向观众展示了女性的坚强和勇敢。
而反派角色则展现了人性的丑陋,通过对于权力欲望的追求,将许多人卷入了无尽的深渊。
最后,我想说说《Coldmountain》给我带来的意义。
这部电影不仅仅是一个浪漫爱情故事,更是对于人性、信仰和困境中的探索。
它向我们展示了战争的残酷和人性的复杂性,让观众深思战争背后的人性和道德。
同时,电影还强调了爱与坚持的力量,无论在何种困难和苦难的情况下,我们都应该坚持自己的信念,并为了心中的理想而战斗。
总的来说,《Coldmountain》是一部情节扣人心弦,角色塑造精彩且意义深远的电影。
它以战争和分离为背景,讲述了一个关于爱、信念和坚韧的故事。
通过剧情的跌宕起伏和角色的丰满塑造,它成功地吸引了观众的注意力并给予观众深远的思考。
双语美文赏析:《冷山》

【导语】学习英语贵在坚持,找到适合⾃⼰的⽅法,多运⽤多温故。
以下“双语美⽂赏析:《冷⼭》”由整理发布,欢迎阅读参考!更多相关讯息请关注!As Anman sat brooding and pining for his lost self, one of Swimmer’s creekside stories rushed into his memory with a great urgency and attractiveness. Swimmer claimed that above the blue vault of heaven there was a forest inhabited by a celestial race. Men could not go there to stay and live, but in that high land the dead spirit could be reborn. Swimmer described it as far and inaccessible region, but he said the highest mountains lifted their dark summits into its lower reaches. Signs and wonders both large and small did sometimes make transit from that world to our own. Animals, Swimmer said, were its primary messengers. Inman had pointed out to Swimmer that he had climbed Cold Mountain to its top, and Pisgah and Mount Sterling as well. Mountains did not get much higher than those, and Inman had seen no upper realm from their summits.英曼坐在那⼉沉思,苦想他迷失的⾃我,突然斯云麦说过的⼀个河畔故事迫不及待地闪现在他的记忆⾥,极具*⼒。
《冷山》观后感 初中精选作文【1500字】

《冷山》观后感初中精选作文【1500字】战争中,故土这个代名词给人的意义显得尤其严重,同样是在美国南北战争时代发生的故事,和《飘》带着类似的东西,亲情,故土情与恋爱,战争与屠戮。
只是这个故事,视角更关注于战争配景下两个主人公在恋爱支撑下的生存与归属。
可能表达不够确切,太过僵硬浅薄。
所以,还是从故事叙述开端,时代配景总能给故事何时天然的发展,在名为冷山的地方相遇,貌美多才的她遇上身不克不及跨越的,东方的恋爱开端考究酝酿,由浅逐深,而开放的西方在恋爱观面前,似乎更为任性激动,一眼一生。
从小承受父亲文艺培养的大小姐一发不成拾掇的爱上了这个木工。
时代的差异,是我们兴许没能一下弄得他们男人们对战争的渴望,我们的思维更濒临当时的女人,讨厌战争,在他们的狂呼里,默默无语,惴惴不安。
兴许这一切,都只是我从始至终只能站着女性的视角对待战争吧。
但是他们男人兴许就是对战争有着XXXX种狂热分子,时代差别的今天,我也曾听闻这种狂热,骨血里的英雄情节作祟吧。
但是,事实总会证实女性自然成熟的第六感,胜负战争带来的总会是屠戮与贫困,非正义的战争是这样,正义亦是。
允许我如此浅薄的贬低了正义之战,但有谁又是否认呢,多与少,屠戮不成未免。
继续故事,战争发作了,男人分开故土,上了战场,拜别前的吻,和煦了一路的相思。
就像那个男人回来时所说的,那个吻,我一路都在回味。
带着女人送到一本书和一张照片,他上路了。
命运在战争中几经辗转,他总会得到眷顾,存活下来。
只是,那一次,他重伤卧床,听着人念着她远方的来信,若你在打战,停下来。
若你在行路,停下来。
回来,回到我身边,我须要你。
原话在寂寞的女声中显得非分特别感人。
经验长期战争的他,选择做一个逃兵,他踏上了归途,路途流离失所,目击残忍屠戮,心善的他后来用着无法的口吻无声的控诉战争对他美妙性灵的毁坏,但他依旧是仁慈的,我们都明白。
女人在经验父亲的死亡后,饱经饥饿与贫穷。
战争的时代,失去庇佑,钢琴曲处理温饱,小说也是。
冷山英文经典语录

冷山英文经典语录《冷山》是由妮可·基德曼主演的战争爱情老电影,下面整理了中英对照版电影冷山经典台词,一起来看看吧!1.Ada:What if you are killed,and I'll never see you again?You said after a few years I would barely remember your name.Oh.Inman.It is more than three years,and I remember your name.艾达:如果你战死沙场,我再也无法与你相见,我该怎么办?你说几年后我会连你的名字都记不起。
啊,英曼,已经三年多过去了,我还记得你的名字。
2.I think there's a plan.There's a design for each and everyone of us,You look at nature. Bird flies somewhere, picks up a seed, shits the seed out, plant grows. Bird’s got a job, shit’s got a job, seed’s got a job.凡事都是注定的,我们每个人的命运早就注定,我们每个人的命运早就注定。
你看看大自然,小鸟捡来一粒种子,粪便让种子长大成树,不管是小鸟,粪便,还是种子,都各司其责。
3.Inman:This doesn't come out right. If it were enough just to stand without the words.英曼:不应该这个样子,就这么站着不要讲出那些话。
Ada:It is.It is.艾达:是,好的。
4.Inman:I'm like the boy,who goes for wood in winter and comes back in spring with a whistle,Like every fool sent off to fight with a flag and a lie.英曼:我就像一个冬天去捡柴禾的小男孩,等到了春天吹着口哨回来,像其他傻瓜扛着面旗子为谎言而战斗着。
cold结尾的单词

cold结尾的单词
【释义】
cold
adj.冷的,凉的;冷淡的,冷漠的;冷色调的;已变淡的;失去知觉的;真实的,客观的;扫兴的,灰蒙蒙的;远未猜中的
n.感冒,伤风;寒冷,低温
adv.突然地,彻底地;毫无准备地
复数colds
比较级colder
最高级coldest
【短语】
1Cold War
冷战;冷战风云;暗斗
2In Cold Blood
冷血杀手;残忍地
3Cold Mountain
冷山;冷山电影原声;乱世情天;英文版
4common cold
普通感冒;感冒;中医伤风
5cold front
气象冷锋;寒冷前线;致命拦截;冷面
6cold dish
冷盘;镜盘;凉菜
7cold wave
气象寒潮;冷波
8cold fish
冰冷热带鱼;冷酷无情的人;片;态度冷冰冰9Cold reading
冷读;冷读剧
【例句】
1I'm cold.Turn the heating up.
我觉得冷,把暖气温度调高一点。
2The day was cold and blustery.
日间天气寒冷,狂风呼啸。
3Let's go in,it's getting cold.
我们进屋去吧,天冷了。
4Outside it was bitterly cold.
外面非常寒冷。
5The cold water invigorated him.
冷水让他打起了精神。
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Cold Mountain
• Ada:
Everyday of my waiting, 每天我都在等待, Longing , 盼望着, Longing to see you face! 盼望着你的到来!
Cold Mountain
Characters • Inman 英曼 • Ada Monroe 艾达 • Ruby Thewes 露比
Keyword • war • love • courage • glory • duty • loyal
characters • Inman • Ada • Ruby keyword • war • love • duty • loyal
Cold Mountain
• In the American Civil War, a wounded soldier embarks on a perilous journey back home to Cold Mountain, North Carolina to reunite with his sweetheart. Director: Anthony Minghella Release date: on December 25, 2003 (us) Writers: Charles Frazier (book), Anthony Minghella (screenplay) Stars: Jude Law, Nicole Kidman, Renée Zellweger
Main actor
• 妮可· 基德曼(Nicole kidman) act Ada. • She was born in a noble family, but she fell in love with Inman.
• When Inman joined the army, she was waiting for him everyday.
•
Ruby: They call this war a cloud over the land. But they made the weather and then they stand in the rain and say 'Shit, it's raining!'
•
Inman: You are all that keeps me from sliding into some dark place.
Main actor
• 裘德· 洛(Jude Law) act Inman. • After he suБайду номын сангаасfered the cruel war, he missed Ada so much, so he escaped from army. • He overcame many difficulties and finally he came back to Ada.
• 芮妮·齐薇格 Renée Zell Egeract act
Ruby • She was a brave and optimistic girl, she helped Ada to managed the farm. She overcame difficulties with Ada together.
• • • •
The origin of “Cold Mountain”
•
the novel title page write:Men ask the way to Cold Mountain/Cold Mountain:there's no throught rail.” 人们打听通往冷山的道路,却一无所获 ———Translated by Tang poetry:人问寒山道,寒山路不通
The classical lines
• Ada: What we have lost will never be returned to us. The land will not heal - too much blood. All we can do is learn from the past and make peace with it.