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ArcGIS10.8中文版详细安装教程（附安装包）

ArcGIS10.8中文版详细安装教程（附安装包）

ArcGIS10.8中文版详细安装教程（附安装包）01概述ArcGIS Desktop 10.8中文版是由ESRI公司开发的一款专业的地理信息系统，一套完整的桌面GIS软件套件，它包含ArcMap、ArcCatalog、ArcGlobe 和 ArcScene四部分，用于创建和使用地图、编辑地理数据、分析地图空间信息、共享和发现地理信息、在一系列应用程序中使用地图和地理信息以及在数据库中管理地理信息。

02安装步骤解压后可以看到文件夹内有Crack、zh_CN两个文件夹和ArcGIS_Desktop_108_172737.exe一个应用程序，如下图所示。

解压后文件夹（关注微信公众号“水经注GIS”，并回复“ArcGIS10.8”获取软件安装包）双击ArcGIS_Desktop_108_172737.exe程序，会显示选择解压目录对话框，如下图所示。

选择解压目录点击Next继续会显示解压进度对话框，如下图所示。

解压进度解压完成之后会显示解压完成对话框，如下图所示。

解压完成提示点击Close关闭对话框开始安装程序，会显示欢迎页面，提示一些信息，如下图所示。

欢迎页面点击Next会显示主协议内容，选择我同意主协议，如下图所示。

同意主协议点击Next会显示选择安装类型对话框，选择完全安装，如下图所示。

选择安装类型点击Next会显示选择安装目录对话框，默认C盘，建议选择别的盘符，这里选择的D盘，如下图所示。

选择安装目录点击Next会显示选择Python安装目录对话框，由于Python不是太大，默认安装路径安装就行，如下图所示。

选择Python安装目录点击Next会显示安装前提示对话框，如下图所示。

安装前提示点击Install开始安装，会显示安装进度，如下图所示。

安装进度完成之后会显示安装完成对话框，如下图所示。

完成安装点击Finish会显示ArcGIS Administrator向导对话框，点击Cancel关闭对话框即可。

飞利浦 58PFL8900 LED 背光源液晶电视 说明书

飞利浦 58PFL8900 LED 背光源液晶电视 说明书
视机。 • 将电视机安装在机座上时，请仅使用提
供的机座。 将机座牢固地固定到电视 机上。 将电视机放在水平、平坦且可承 受电视机和机座总重量的表面上。 • 采用壁挂方式安装电视时，，请仅使用 可承受电视机重量的壁挂安装托架。将 壁挂安装托架固定到可承受电视机和壁 挂安装托架总重量的墙壁上。 PTC Technology Co., Ltd. 对由于安 装不当而造成的事故、人身伤害或损失 不负任何责任。 小心伤害儿童！ 请遵循以下注意事项，以避免因电视机掉落 而导致儿童受伤： • 切勿将电视机放在由可拉动的布或其它 材料覆盖的表面上。 • 确保电视机的任何部分均位于表面边 缘以内。 • 将电视机放在较高的家具（如书柜）上 时，一定要将家具和电视机都固定到墙 壁或适当的支撑物上。 • 告知儿童爬上家具触摸电视机可能带来 的危险。 小心误食电池！ • 此产品/遥控器可能含有可能误食，约硬 币大小的电池，请将电池放于孩童无法 接触的位置。 小心过热！ • 切勿将电视机安装在封闭空间内。 始 终在电视机周围留出至少 4 英寸或 10 厘米的空间以便通风。 确保窗帘或其 它物体不会遮挡电视机上的通风槽。 小心损坏电视机！ • 在将电视机连接到电源插座上之前，请 确保电源电压与电视机背面印刷的值相 匹配。 如果电压不同，切勿将电视机连 接到电源插座上。
9 连接设备 30 底部接口 30 侧面接口 31 连接到计算机 33 使用 Philips EasyLink 33 使用 Kensington 防盗锁 34
10 产品信息 35 支持的输入信号格式 35 多媒体 35 调谐器 / 接收 / 传输 35 遥控器 35 电源 35 支持的电视机安装托架 36 产品规格 36
c (菜单) • 打开或关闭主菜单。 • 开启浏览器时，叫出虚拟键盘。

Native Instruments MASCHINE MK3 用户手册说明书

Native Instruments MASCHINE MK3 用户手册说明书

The information in this document is subject to change without notice and does not represent a commitment on the part of Native Instruments GmbH. The software described by this docu-ment is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Native Instruments GmbH, hereinafter referred to as Native Instruments.“Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Instru-ments GmbH.ASIO, VST, HALion and Cubase are registered trademarks of Steinberg Media Technologies GmbH.All other product and company names are trademarks™ or registered® trademarks of their re-spective holders. Use of them does not imply any affiliation with or endorsement by them.Document authored by: David Gover and Nico Sidi.Software version: 2.8 (02/2019)Hardware version: MASCHINE MK3Special thanks to the Beta Test Team, who were invaluable not just in tracking down bugs, but in making this a better product.NATIVE INSTRUMENTS GmbH Schlesische Str. 29-30D-10997 Berlin Germanywww.native-instruments.de NATIVE INSTRUMENTS North America, Inc. 6725 Sunset Boulevard5th FloorLos Angeles, CA 90028USANATIVE INSTRUMENTS K.K.YO Building 3FJingumae 6-7-15, Shibuya-ku, Tokyo 150-0001Japanwww.native-instruments.co.jp NATIVE INSTRUMENTS UK Limited 18 Phipp StreetLondon EC2A 4NUUKNATIVE INSTRUMENTS FRANCE SARL 113 Rue Saint-Maur75011 ParisFrance SHENZHEN NATIVE INSTRUMENTS COMPANY Limited 5F, Shenzhen Zimao Center111 Taizi Road, Nanshan District, Shenzhen, GuangdongChina© NATIVE INSTRUMENTS GmbH, 2019. All rights reserved.Table of Contents1Welcome to MASCHINE (25)1.1MASCHINE Documentation (26)1.2Document Conventions (27)1.3New Features in MASCHINE 2.8 (29)1.4New Features in MASCHINE 2.7.10 (31)1.5New Features in MASCHINE 2.7.8 (31)1.6New Features in MASCHINE 2.7.7 (32)1.7New Features in MASCHINE 2.7.4 (33)1.8New Features in MASCHINE 2.7.3 (36)2Quick Reference (38)2.1Using Your Controller (38)2.1.1Controller Modes and Mode Pinning (38)2.1.2Controlling the Software Views from Your Controller (40)2.2MASCHINE Project Overview (43)2.2.1Sound Content (44)2.2.2Arrangement (45)2.3MASCHINE Hardware Overview (48)2.3.1MASCHINE Hardware Overview (48)2.3.1.1Control Section (50)2.3.1.2Edit Section (53)2.3.1.3Performance Section (54)2.3.1.4Group Section (56)2.3.1.5Transport Section (56)2.3.1.6Pad Section (58)2.3.1.7Rear Panel (63)2.4MASCHINE Software Overview (65)2.4.1Header (66)2.4.2Browser (68)2.4.3Arranger (70)2.4.4Control Area (73)2.4.5Pattern Editor (74)3Basic Concepts (76)3.1Important Names and Concepts (76)3.2Adjusting the MASCHINE User Interface (79)3.2.1Adjusting the Size of the Interface (79)3.2.2Switching between Ideas View and Song View (80)3.2.3Showing/Hiding the Browser (81)3.2.4Showing/Hiding the Control Lane (81)3.3Common Operations (82)3.3.1Using the 4-Directional Push Encoder (82)3.3.2Pinning a Mode on the Controller (83)3.3.3Adjusting Volume, Swing, and Tempo (84)3.3.4Undo/Redo (87)3.3.5List Overlay for Selectors (89)3.3.6Zoom and Scroll Overlays (90)3.3.7Focusing on a Group or a Sound (91)3.3.8Switching Between the Master, Group, and Sound Level (96)3.3.9Navigating Channel Properties, Plug-ins, and Parameter Pages in the Control Area.973.3.9.1Extended Navigate Mode on Your Controller (102)3.3.10Navigating the Software Using the Controller (105)3.3.11Using Two or More Hardware Controllers (106)3.3.12Touch Auto-Write Option (108)3.4Native Kontrol Standard (110)3.5Stand-Alone and Plug-in Mode (111)3.5.1Differences between Stand-Alone and Plug-in Mode (112)3.5.2Switching Instances (113)3.5.3Controlling Various Instances with Different Controllers (114)3.6Host Integration (114)3.6.1Setting up Host Integration (115)3.6.1.1Setting up Ableton Live (macOS) (115)3.6.1.2Setting up Ableton Live (Windows) (116)3.6.1.3Setting up Apple Logic Pro X (116)3.6.2Integration with Ableton Live (117)3.6.3Integration with Apple Logic Pro X (119)3.7Preferences (120)3.7.1Preferences – General Page (121)3.7.2Preferences – Audio Page (126)3.7.3Preferences – MIDI Page (130)3.7.4Preferences – Default Page (133)3.7.5Preferences – Library Page (137)3.7.6Preferences – Plug-ins Page (145)3.7.7Preferences – Hardware Page (150)3.7.8Preferences – Colors Page (154)3.8Integrating MASCHINE into a MIDI Setup (156)3.8.1Connecting External MIDI Equipment (156)3.8.2Sync to External MIDI Clock (157)3.8.3Send MIDI Clock (158)3.9Syncing MASCHINE using Ableton Link (159)3.9.1Connecting to a Network (159)3.9.2Joining and Leaving a Link Session (159)3.10Using a Pedal with the MASCHINE Controller (160)3.11File Management on the MASCHINE Controller (161)4Browser (163)4.1Browser Basics (163)4.1.1The MASCHINE Library (163)4.1.2Browsing the Library vs. Browsing Your Hard Disks (164)4.2Searching and Loading Files from the Library (165)4.2.1Overview of the Library Pane (165)4.2.2Selecting or Loading a Product and Selecting a Bank from the Browser (170)4.2.2.1[MK3] Browsing by Product Category Using the Controller (174)4.2.2.2[MK3] Browsing by Product Vendor Using the Controller (174)4.2.3Selecting a Product Category, a Product, a Bank, and a Sub-Bank (175)4.2.3.1Selecting a Product Category, a Product, a Bank, and a Sub-Bank on theController (179)4.2.4Selecting a File Type (180)4.2.5Choosing Between Factory and User Content (181)4.2.6Selecting Type and Character Tags (182)4.2.7List and Tag Overlays in the Browser (186)4.2.8Performing a Text Search (188)4.2.9Loading a File from the Result List (188)4.3Additional Browsing Tools (193)4.3.1Loading the Selected Files Automatically (193)4.3.2Auditioning Instrument Presets (195)4.3.3Auditioning Samples (196)4.3.4Loading Groups with Patterns (197)4.3.5Loading Groups with Routing (198)4.3.6Displaying File Information (198)4.4Using Favorites in the Browser (199)4.5Editing the Files’ Tags and Properties (203)4.5.1Attribute Editor Basics (203)4.5.2The Bank Page (205)4.5.3The Types and Characters Pages (205)4.5.4The Properties Page (208)4.6Loading and Importing Files from Your File System (209)4.6.1Overview of the FILES Pane (209)4.6.2Using Favorites (211)4.6.3Using the Location Bar (212)4.6.4Navigating to Recent Locations (213)4.6.5Using the Result List (214)4.6.6Importing Files to the MASCHINE Library (217)4.7Locating Missing Samples (219)4.8Using Quick Browse (221)5Managing Sounds, Groups, and Your Project (225)5.1Overview of the Sounds, Groups, and Master (225)5.1.1The Sound, Group, and Master Channels (226)5.1.2Similarities and Differences in Handling Sounds and Groups (227)5.1.3Selecting Multiple Sounds or Groups (228)5.2Managing Sounds (233)5.2.1Loading Sounds (235)5.2.2Pre-listening to Sounds (236)5.2.3Renaming Sound Slots (237)5.2.4Changing the Sound’s Color (237)5.2.5Saving Sounds (239)5.2.6Copying and Pasting Sounds (241)5.2.7Moving Sounds (244)5.2.8Resetting Sound Slots (245)5.3Managing Groups (247)5.3.1Creating Groups (248)5.3.2Loading Groups (249)5.3.3Renaming Groups (251)5.3.4Changing the Group’s Color (251)5.3.5Saving Groups (253)5.3.6Copying and Pasting Groups (255)5.3.7Reordering Groups (258)5.3.8Deleting Groups (259)5.4Exporting MASCHINE Objects and Audio (260)5.4.1Saving a Group with its Samples (261)5.4.2Saving a Project with its Samples (262)5.4.3Exporting Audio (264)5.5Importing Third-Party File Formats (270)5.5.1Loading REX Files into Sound Slots (270)5.5.2Importing MPC Programs to Groups (271)6Playing on the Controller (275)6.1Adjusting the Pads (275)6.1.1The Pad View in the Software (275)6.1.2Choosing a Pad Input Mode (277)6.1.3Adjusting the Base Key (280)6.1.4Using Choke Groups (282)6.1.5Using Link Groups (284)6.2Adjusting the Key, Choke, and Link Parameters for Multiple Sounds (286)6.3Playing Tools (287)6.3.1Mute and Solo (288)6.3.2Choke All Notes (292)6.3.3Groove (293)6.3.4Level, Tempo, Tune, and Groove Shortcuts on Your Controller (295)6.3.5Tap Tempo (299)6.4Performance Features (300)6.4.1Overview of the Perform Features (300)6.4.2Selecting a Scale and Creating Chords (303)6.4.3Scale and Chord Parameters (303)6.4.4Creating Arpeggios and Repeated Notes (316)6.4.5Swing on Note Repeat / Arp Output (321)6.5Using Lock Snapshots (322)6.5.1Creating a Lock Snapshot (322)6.5.2Using Extended Lock (323)6.5.3Updating a Lock Snapshot (323)6.5.4Recalling a Lock Snapshot (324)6.5.5Morphing Between Lock Snapshots (324)6.5.6Deleting a Lock Snapshot (325)6.5.7Triggering Lock Snapshots via MIDI (326)6.6Using the Smart Strip (327)6.6.1Pitch Mode (328)6.6.2Modulation Mode (328)6.6.3Perform Mode (328)6.6.4Notes Mode (329)7Working with Plug-ins (330)7.1Plug-in Overview (330)7.1.1Plug-in Basics (330)7.1.2First Plug-in Slot of Sounds: Choosing the Sound’s Role (334)7.1.3Loading, Removing, and Replacing a Plug-in (335)7.1.3.1Browser Plug-in Slot Selection (341)7.1.4Adjusting the Plug-in Parameters (344)7.1.5Bypassing Plug-in Slots (344)7.1.6Using Side-Chain (346)7.1.7Moving Plug-ins (346)7.1.8Alternative: the Plug-in Strip (348)7.1.9Saving and Recalling Plug-in Presets (348)7.1.9.1Saving Plug-in Presets (349)7.1.9.2Recalling Plug-in Presets (350)7.1.9.3Removing a Default Plug-in Preset (351)7.2The Sampler Plug-in (352)7.2.1Page 1: Voice Settings / Engine (354)7.2.2Page 2: Pitch / Envelope (356)7.2.3Page 3: FX / Filter (359)7.2.4Page 4: Modulation (361)7.2.5Page 5: LFO (363)7.2.6Page 6: Velocity / Modwheel (365)7.3Using Native Instruments and External Plug-ins (367)7.3.1Opening/Closing Plug-in Windows (367)7.3.2Using the VST/AU Plug-in Parameters (370)7.3.3Setting Up Your Own Parameter Pages (371)7.3.4Using VST/AU Plug-in Presets (376)7.3.5Multiple-Output Plug-ins and Multitimbral Plug-ins (378)8Using the Audio Plug-in (380)8.1Loading a Loop into the Audio Plug-in (384)8.2Editing Audio in the Audio Plug-in (385)8.3Using Loop Mode (386)8.4Using Gate Mode (388)9Using the Drumsynths (390)9.1Drumsynths – General Handling (391)9.1.1Engines: Many Different Drums per Drumsynth (391)9.1.2Common Parameter Organization (391)9.1.3Shared Parameters (394)9.1.4Various Velocity Responses (394)9.1.5Pitch Range, Tuning, and MIDI Notes (394)9.2The Kicks (395)9.2.1Kick – Sub (397)9.2.2Kick – Tronic (399)9.2.3Kick – Dusty (402)9.2.4Kick – Grit (403)9.2.5Kick – Rasper (406)9.2.6Kick – Snappy (407)9.2.7Kick – Bold (409)9.2.8Kick – Maple (411)9.2.9Kick – Push (412)9.3The Snares (414)9.3.1Snare – Volt (416)9.3.2Snare – Bit (418)9.3.3Snare – Pow (420)9.3.4Snare – Sharp (421)9.3.5Snare – Airy (423)9.3.6Snare – Vintage (425)9.3.7Snare – Chrome (427)9.3.8Snare – Iron (429)9.3.9Snare – Clap (431)9.3.10Snare – Breaker (433)9.4The Hi-hats (435)9.4.1Hi-hat – Silver (436)9.4.2Hi-hat – Circuit (438)9.4.3Hi-hat – Memory (440)9.4.4Hi-hat – Hybrid (442)9.4.5Creating a Pattern with Closed and Open Hi-hats (444)9.5The Toms (445)9.5.1Tom – Tronic (447)9.5.2Tom – Fractal (449)9.5.3Tom – Floor (453)9.5.4Tom – High (455)9.6The Percussions (456)9.6.1Percussion – Fractal (458)9.6.2Percussion – Kettle (461)9.6.3Percussion – Shaker (463)9.7The Cymbals (467)9.7.1Cymbal – Crash (469)9.7.2Cymbal – Ride (471)10Using the Bass Synth (474)10.1Bass Synth – General Handling (475)10.1.1Parameter Organization (475)10.1.2Bass Synth Parameters (477)11Working with Patterns (479)11.1Pattern Basics (479)11.1.1Pattern Editor Overview (480)11.1.2Navigating the Event Area (486)11.1.3Following the Playback Position in the Pattern (488)11.1.4Jumping to Another Playback Position in the Pattern (489)11.1.5Group View and Keyboard View (491)11.1.6Adjusting the Arrange Grid and the Pattern Length (493)11.1.7Adjusting the Step Grid and the Nudge Grid (497)11.2Recording Patterns in Real Time (501)11.2.1Recording Your Patterns Live (501)11.2.2The Record Prepare Mode (504)11.2.3Using the Metronome (505)11.2.4Recording with Count-in (506)11.2.5Quantizing while Recording (508)11.3Recording Patterns with the Step Sequencer (508)11.3.1Step Mode Basics (508)11.3.2Editing Events in Step Mode (511)11.3.3Recording Modulation in Step Mode (513)11.4Editing Events (514)11.4.1Editing Events with the Mouse: an Overview (514)11.4.2Creating Events/Notes (517)11.4.3Selecting Events/Notes (518)11.4.4Editing Selected Events/Notes (526)11.4.5Deleting Events/Notes (532)11.4.6Cut, Copy, and Paste Events/Notes (535)11.4.7Quantizing Events/Notes (538)11.4.8Quantization While Playing (540)11.4.9Doubling a Pattern (541)11.4.10Adding Variation to Patterns (541)11.5Recording and Editing Modulation (546)11.5.1Which Parameters Are Modulatable? (547)11.5.2Recording Modulation (548)11.5.3Creating and Editing Modulation in the Control Lane (550)11.6Creating MIDI Tracks from Scratch in MASCHINE (555)11.7Managing Patterns (557)11.7.1The Pattern Manager and Pattern Mode (558)11.7.2Selecting Patterns and Pattern Banks (560)11.7.3Creating Patterns (563)11.7.4Deleting Patterns (565)11.7.5Creating and Deleting Pattern Banks (566)11.7.6Naming Patterns (568)11.7.7Changing the Pattern’s Color (570)11.7.8Duplicating, Copying, and Pasting Patterns (571)11.7.9Moving Patterns (574)11.7.10Adjusting Pattern Length in Fine Increments (575)11.8Importing/Exporting Audio and MIDI to/from Patterns (576)11.8.1Exporting Audio from Patterns (576)11.8.2Exporting MIDI from Patterns (577)11.8.3Importing MIDI to Patterns (580)12Audio Routing, Remote Control, and Macro Controls (589)12.1Audio Routing in MASCHINE (590)12.1.1Sending External Audio to Sounds (591)12.1.2Configuring the Main Output of Sounds and Groups (596)12.1.3Setting Up Auxiliary Outputs for Sounds and Groups (601)12.1.4Configuring the Master and Cue Outputs of MASCHINE (605)12.1.5Mono Audio Inputs (610)12.1.5.1Configuring External Inputs for Sounds in Mix View (611)12.2Using MIDI Control and Host Automation (614)12.2.1Triggering Sounds via MIDI Notes (615)12.2.2Triggering Scenes via MIDI (622)12.2.3Controlling Parameters via MIDI and Host Automation (623)12.2.4Selecting VST/AU Plug-in Presets via MIDI Program Change (631)12.2.5Sending MIDI from Sounds (632)12.3Creating Custom Sets of Parameters with the Macro Controls (636)12.3.1Macro Control Overview (637)12.3.2Assigning Macro Controls Using the Software (638)12.3.3Assigning Macro Controls Using the Controller (644)13Controlling Your Mix (646)13.1Mix View Basics (646)13.1.1Switching between Arrange View and Mix View (646)13.1.2Mix View Elements (647)13.2The Mixer (649)13.2.1Displaying Groups vs. Displaying Sounds (650)13.2.2Adjusting the Mixer Layout (652)13.2.3Selecting Channel Strips (653)13.2.4Managing Your Channels in the Mixer (654)13.2.5Adjusting Settings in the Channel Strips (656)13.2.6Using the Cue Bus (660)13.3The Plug-in Chain (662)13.4The Plug-in Strip (663)13.4.1The Plug-in Header (665)13.4.2Panels for Drumsynths and Internal Effects (667)13.4.3Panel for the Sampler (668)13.4.4Custom Panels for Native Instruments Plug-ins (671)13.4.5Undocking a Plug-in Panel (Native Instruments and External Plug-ins Only) (675)13.5Controlling Your Mix from the Controller (677)13.5.1Navigating Your Channels in Mix Mode (678)13.5.2Adjusting the Level and Pan in Mix Mode (679)13.5.3Mute and Solo in Mix Mode (680)13.5.4Plug-in Icons in Mix Mode (680)14Using Effects (681)14.1Applying Effects to a Sound, a Group or the Master (681)14.1.1Adding an Effect (681)14.1.2Other Operations on Effects (690)14.1.3Using the Side-Chain Input (692)14.2Applying Effects to External Audio (695)14.2.1Step 1: Configure MASCHINE Audio Inputs (695)14.2.2Step 2: Set up a Sound to Receive the External Input (698)14.2.3Step 3: Load an Effect to Process an Input (700)14.3Creating a Send Effect (701)14.3.1Step 1: Set Up a Sound or Group as Send Effect (702)14.3.2Step 2: Route Audio to the Send Effect (706)14.3.3 A Few Notes on Send Effects (708)14.4Creating Multi-Effects (709)15Effect Reference (712)15.1Dynamics (713)15.1.1Compressor (713)15.1.2Gate (717)15.1.3Transient Master (721)15.1.4Limiter (723)15.1.5Maximizer (727)15.2Filtering Effects (730)15.2.1EQ (730)15.2.2Filter (733)15.2.3Cabinet (737)15.3Modulation Effects (738)15.3.1Chorus (738)15.3.2Flanger (740)15.3.3FM (742)15.3.4Freq Shifter (743)15.3.5Phaser (745)15.4Spatial and Reverb Effects (747)15.4.1Ice (747)15.4.2Metaverb (749)15.4.3Reflex (750)15.4.4Reverb (Legacy) (752)15.4.5Reverb (754)15.4.5.1Reverb Room (754)15.4.5.2Reverb Hall (757)15.4.5.3Plate Reverb (760)15.5Delays (762)15.5.1Beat Delay (762)15.5.2Grain Delay (765)15.5.3Grain Stretch (767)15.5.4Resochord (769)15.6Distortion Effects (771)15.6.1Distortion (771)15.6.2Lofi (774)15.6.3Saturator (775)15.7Perform FX (779)15.7.1Filter (780)15.7.2Flanger (782)15.7.3Burst Echo (785)15.7.4Reso Echo (787)15.7.5Ring (790)15.7.6Stutter (792)15.7.7Tremolo (795)15.7.8Scratcher (798)16Working with the Arranger (801)16.1Arranger Basics (801)16.1.1Navigating Song View (804)16.1.2Following the Playback Position in Your Project (806)16.1.3Performing with Scenes and Sections using the Pads (807)16.2Using Ideas View (811)16.2.1Scene Overview (811)16.2.2Creating Scenes (813)16.2.3Assigning and Removing Patterns (813)16.2.4Selecting Scenes (817)16.2.5Deleting Scenes (818)16.2.6Creating and Deleting Scene Banks (820)16.2.7Clearing Scenes (820)16.2.8Duplicating Scenes (821)16.2.9Reordering Scenes (822)16.2.10Making Scenes Unique (824)16.2.11Appending Scenes to Arrangement (825)16.2.12Naming Scenes (826)16.2.13Changing the Color of a Scene (827)16.3Using Song View (828)16.3.1Section Management Overview (828)16.3.2Creating Sections (833)16.3.3Assigning a Scene to a Section (834)16.3.4Selecting Sections and Section Banks (835)16.3.5Reorganizing Sections (839)16.3.6Adjusting the Length of a Section (840)16.3.6.1Adjusting the Length of a Section Using the Software (841)16.3.6.2Adjusting the Length of a Section Using the Controller (843)16.3.7Clearing a Pattern in Song View (843)16.3.8Duplicating Sections (844)16.3.8.1Making Sections Unique (845)16.3.9Removing Sections (846)16.3.10Renaming Scenes (848)16.3.11Clearing Sections (849)16.3.12Creating and Deleting Section Banks (850)16.3.13Working with Patterns in Song view (850)16.3.13.1Creating a Pattern in Song View (850)16.3.13.2Selecting a Pattern in Song View (850)16.3.13.3Clearing a Pattern in Song View (851)16.3.13.4Renaming a Pattern in Song View (851)16.3.13.5Coloring a Pattern in Song View (851)16.3.13.6Removing a Pattern in Song View (852)16.3.13.7Duplicating a Pattern in Song View (852)16.3.14Enabling Auto Length (852)16.3.15Looping (853)16.3.15.1Setting the Loop Range in the Software (854)16.4Playing with Sections (855)16.4.1Jumping to another Playback Position in Your Project (855)16.5Triggering Sections or Scenes via MIDI (856)16.6The Arrange Grid (858)16.7Quick Grid (860)17Sampling and Sample Mapping (862)17.1Opening the Sample Editor (862)17.2Recording Audio (863)17.2.1Opening the Record Page (863)17.2.2Selecting the Source and the Recording Mode (865)17.2.3Arming, Starting, and Stopping the Recording (868)17.2.5Using the Footswitch for Recording Audio (871)17.2.6Checking Your Recordings (872)17.2.7Location and Name of Your Recorded Samples (876)17.3Editing a Sample (876)17.3.1Using the Edit Page (877)17.3.2Audio Editing Functions (882)17.4Slicing a Sample (890)17.4.1Opening the Slice Page (891)17.4.2Adjusting the Slicing Settings (893)17.4.3Live Slicing (898)17.4.3.1Live Slicing Using the Controller (898)17.4.3.2Delete All Slices (899)17.4.4Manually Adjusting Your Slices (899)17.4.5Applying the Slicing (906)17.5Mapping Samples to Zones (912)17.5.1Opening the Zone Page (912)17.5.2Zone Page Overview (913)17.5.3Selecting and Managing Zones in the Zone List (915)17.5.4Selecting and Editing Zones in the Map View (920)17.5.5Editing Zones in the Sample View (924)17.5.6Adjusting the Zone Settings (927)17.5.7Adding Samples to the Sample Map (934)18Appendix: Tips for Playing Live (937)18.1Preparations (937)18.1.1Focus on the Hardware (937)18.1.2Customize the Pads of the Hardware (937)18.1.3Check Your CPU Power Before Playing (937)18.1.4Name and Color Your Groups, Patterns, Sounds and Scenes (938)18.1.5Consider Using a Limiter on Your Master (938)18.1.6Hook Up Your Other Gear and Sync It with MIDI Clock (938)18.1.7Improvise (938)18.2Basic Techniques (938)18.2.1Use Mute and Solo (938)18.2.2Use Scene Mode and Tweak the Loop Range (939)18.2.3Create Variations of Your Drum Patterns in the Step Sequencer (939)18.2.4Use Note Repeat (939)18.2.5Set Up Your Own Multi-effect Groups and Automate Them (939)18.3Special Tricks (940)18.3.1Changing Pattern Length for Variation (940)18.3.2Using Loops to Cycle Through Samples (940)18.3.3Using Loops to Cycle Through Samples (940)18.3.4Load Long Audio Files and Play with the Start Point (940)19Troubleshooting (941)19.1Knowledge Base (941)19.2Technical Support (941)19.3Registration Support (942)19.4User Forum (942)20Glossary (943)Index (951)1Welcome to MASCHINEThank you for buying MASCHINE!MASCHINE is a groove production studio that implements the familiar working style of classi-cal groove boxes along with the advantages of a computer based system. MASCHINE is ideal for making music live, as well as in the studio. It’s the hands-on aspect of a dedicated instru-ment, the MASCHINE hardware controller, united with the advanced editing features of the MASCHINE software.Creating beats is often not very intuitive with a computer, but using the MASCHINE hardware controller to do it makes it easy and fun. You can tap in freely with the pads or use Note Re-peat to jam along. Alternatively, build your beats using the step sequencer just as in classic drum machines.Patterns can be intuitively combined and rearranged on the fly to form larger ideas. You can try out several different versions of a song without ever having to stop the music.Since you can integrate it into any sequencer that supports VST, AU, or AAX plug-ins, you can reap the benefits in almost any software setup, or use it as a stand-alone application. You can sample your own material, slice loops and rearrange them easily.However, MASCHINE is a lot more than an ordinary groovebox or sampler: it comes with an inspiring 7-gigabyte library, and a sophisticated, yet easy to use tag-based Browser to give you instant access to the sounds you are looking for.What’s more, MASCHINE provides lots of options for manipulating your sounds via internal ef-fects and other sound-shaping possibilities. You can also control external MIDI hardware and 3rd-party software with the MASCHINE hardware controller, while customizing the functions of the pads, knobs and buttons according to your needs utilizing the included Controller Editor application. We hope you enjoy this fantastic instrument as much as we do. Now let’s get go-ing!—The MASCHINE team at Native Instruments.MASCHINE Documentation1.1MASCHINE DocumentationNative Instruments provide many information sources regarding MASCHINE. The main docu-ments should be read in the following sequence:1.MASCHINE Getting Started: This document provides a practical approach to MASCHINE viaa set of tutorials covering easy and more advanced tasks in order to help you familiarizeyourself with MASCHINE.2.MASCHINE Manual (this document): The MASCHINE Manual provides you with a compre-hensive description of all MASCHINE software and hardware features.Additional documentation sources provide you with details on more specific topics:▪Controller Editor Manual: Besides using your MASCHINE hardware controller together withits dedicated MASCHINE software, you can also use it as a powerful and highly versatileMIDI controller to pilot any other MIDI-capable application or device. This is made possibleby the Controller Editor software, an application that allows you to precisely define all MIDIassignments for your MASCHINE controller. The Controller Editor was installed during theMASCHINE installation procedure. For more information on this, please refer to the Con-troller Editor Manual available as a PDF file via the Help menu of Controller Editor.▪Online Support Videos: You can find a number of support videos on The Official Native In-struments Support Channel under the following URL: https:///NIsupport-EN. We recommend that you follow along with these instructions while the respective ap-plication is running on your computer.Other Online Resources:If you are experiencing problems related to your Native Instruments product that the supplied documentation does not cover, there are several ways of getting help:▪Knowledge Base▪User Forum▪Technical Support▪Registration SupportYou will find more information on these subjects in the chapter Troubleshooting.1.2Document ConventionsThis section introduces you to the signage and text highlighting used in this manual. This man-ual uses particular formatting to point out special facts and to warn you of potential issues. The icons introducing these notes let you see what kind of information is to be expected:This document uses particular formatting to point out special facts and to warn you of poten-tial issues. The icons introducing the following notes let you see what kind of information can be expected:Furthermore, the following formatting is used:▪Text appearing in (drop-down) menus (such as Open…, Save as… etc.) in the software and paths to locations on your hard disk or other storage devices is printed in italics.▪Text appearing elsewhere (labels of buttons, controls, text next to checkboxes etc.) in the software is printed in blue. Whenever you see this formatting applied, you will find the same text appearing somewhere on the screen.▪Text appearing on the displays of the controller is printed in light grey. Whenever you see this formatting applied, you will find the same text on a controller display.▪Text appearing on labels of the hardware controller is printed in orange. Whenever you see this formatting applied, you will find the same text on the controller.▪Important names and concepts are printed in bold.▪References to keys on your computer’s keyboard you’ll find put in square brackets (e.g.,“Press [Shift] + [Enter]”).►Single instructions are introduced by this play button type arrow.→Results of actions are introduced by this smaller arrow.Naming ConventionThroughout the documentation we will refer to MASCHINE controller (or just controller) as the hardware controller and MASCHINE software as the software installed on your computer.The term “effect” will sometimes be abbreviated as “FX” when referring to elements in the MA-SCHINE software and hardware. These terms have the same meaning.Button Combinations and Shortcuts on Your ControllerMost instructions will use the “+” sign to indicate buttons (or buttons and pads) that must be pressed simultaneously, starting with the button indicated first. E.g., an instruction such as:“Press SHIFT + PLAY”means:1.Press and hold SHIFT.2.While holding SHIFT, press PLAY and release it.3.Release SHIFT.Unlabeled Buttons on the ControllerThe buttons and knobs above and below the displays on your MASCHINE controller do not have labels.。

SIMATIC Visualization Architect系统手册

SIMATIC Visualization Architect系统手册

危险 表示如果不采取相应的小心措施，将会导致死亡或者严重的人身伤害。
警告 表示如果不采取相应的小心措施，可能导致死亡或者严重的人身伤害。
小心 表示如果不采取相应的小心措施，可能导致轻微的人身伤害。
注意 表示如果不采取相应的小心措施，可能导致财产损失。
当出现多个危险等级的情况下，每次总是使用最高等级的警告提示。如果在某个警告提示中带有警告可能导致人身 伤害的警告三角，则可能在该警告提示中另外还附带有可能导致财产损失的警告。
安全性信息
1
基本知识
2
SIMATIC
安装
3
TIA-Portal
元素和基本设置
4
SIMATIC Visualization Architect
使用 SiVArc
5
系统手册
使用 SiVArc 表达式
6
参考
7
SiVArc 消息
8
在线帮助打印输出 07/2016
在线帮助打印输出
法律资讯 警告提示系统ቤተ መጻሕፍቲ ባይዱ
为了您的人身安全以及避免财产损失，必须注意本手册中的提示。人身安全的提示用一个警告三角表示，仅与财产 损失有关的提示不带警告三角。警告提示根据危险等级由高到低如下表示。
2.3
关于使用 SiVArc 的基础知识..........................................................................................17
2.4
支持的设备......................................................................................................................21

Spirent overview 中文说明

Spirent overview 中文说明

為因應公司承接儲存產品方案的CASE及相關的測試能力, 小弟這週緊鑼密鼓的學習這套SPIRENT 公司所開發並整合原先旗下產品(SmartBits與AX/4000)所推出的一套全新的測試工具SPIRENT T estCenter . 測試的範圍包括完整的Layer 2至Layer 7 , 但目前似乎我所要學習的只針對RFC2544(Benchmarking Methodology for Network Interconnect Devices)來做測試, 那RFC2544到底是什麼呢? 它是定義Gigabit乙太網路產品設計檢驗的測試方法及標準並檢驗部署在互連網路上的Layer 2和Layer 3 switchs的PERFORMANCE.這一套測試工具在操作介面上還蠻有親和力的, 主要的FUNCTION BUTTON只有(Chassis / T echnology Selector / Command Sequencer / Reporter / Wizards / Summary) 這六種, 但對我目前使用上來說較常使用到的FUNCTIONS只有下列這四項- Chassis (連結至SPIRENT T estCenter 10G Ethernet XFP T est Modules)- Sequencer (對測量所使用的測試腳本內容參數做更新)- Reporter (產生及檢視多種格式的測試報告)- Wizards (產生所要量測的測試腳本)這台SPIRENT T estCenter測試的FUNCTIONALITY還不少呢, 但我只針對目前所使用到的RFC2544測試範疇來做簡單的陳述報告. RFC2544是定義互聯網路裝置的測試方法,有下列這四個項目是需要來量測互聯網路上的裝置如1. Throughtput2. Latency3. Frame Loss4. Back to Back就這四個量測的定義及方法來說就需要參考到RFC1242和RFC2544了Throughtput :(RFC1242定義)在沒有Packet Loss及error產生的情況下,DUT所能承受的最大傳輸量(Forwarding Rate)Throughtput :(RFC2544量測方法)封包長度(Specific frame)和測試時間(Specific rate)固定不變 . 藉由改變Traffic Loading大小, 來找出Throughput的值, 也就是利用固定的Rate來送一段的封包, 假如收到的封包數等於傳送的封包數並且沒有Packet loss及error , 我們就增加Traffic Loading ; Rate往上增加重複測試; 若收到的封包數少於送出的封包數就減少Traffic Loading , 重複至最大的Traffic Loading並沒有Packet Loss來找出這個Throughput值 .Latency:(RFC1242定義)封包經過DUT所花費(延遲)的時間稱為Latency* For Bit - Forwarding (Cat - through) device量測的方式是封包的第一個bit進去待測物DUT , 開始算時間一直到封包的第一個bit出來待測物後停止, 這一段所經過的時間叫做Cut-through 的Latency ; 這種量測方式也叫做Frist In Frist Out (FIFO)* For Store and Forward封包的最後一個bit 進去待測物DUT後開始算時間一直到第一bit 出來後停止; 中間所經過的時間稱之Store and Forward Latency ; 這種量測方式也叫做Last In Frist Out (LIFO)Latency :(RFC2544量測方法)必須在穩定的流量下來進行測試, 也就是說不能超過待測物的負荷下來進行測試Frame Loss :(RFC1242定義)封包經過待測物所遺失的封包數量Frame Loss :(RFC2544量測方法)利用固定的封包長度送一個固定的時間後, 這樣的收送狀況到底遺失多少的封包數量, 不同的百分比traffic loading 來量測Frame Loss.Back to Back :(RFC1242定義)測試DUT 的Buffering Capability ; 以最快的速度來量測封包, 到底有多少的封包傳進DUT 是不會有Packet Loss , 並找出這個封包數是多少Back to Back :(2544量測方法)利用封包和封包之間的最小間隔來傳送封包; 也就是說利用最大的Loading 來傳送這個封包, 接收端若能收到這個封包就增加封包的數量來傳送.簡單的描述這四個量測項目的定義和量測方法, 有興趣的Guys 應該有了初步的瞭解, 至於操作介面的部份各位爾後若有機會接觸其實上手應不至於太困難我就不贅述了, 僅以一個主畫面讓各位看看囉! 但理解及分析所要量測的目的才是重點, 這一篇就到此告一段落, 若有筆誤或不妥之處請各位留言指正或相互交流囉!。

AXIS M3115-LVE网络摄像头说明书

AXIS M3115-LVE网络摄像头说明书

DatasheetAXIS M3115–LVE Network CameraAffordable flat-faced1080p dome with IRAXIS M3115-LVE is an affordable,flat-faced dome designed to suppress light reflections.This compact,IK08-rated cam-era features a wide-angle view in HDTV1080p video.It includes Forensic WDR,Lightfinder and built-in IR illumination for sharp video with clear colors even in challenging light or complete darkness.Additionally,it offers flexible instal-lation for both indoor and outdoor surveillance.And,with its3-axis camera-angle adjustment,it can be easily leveled and directed.It features enhanced security functionality,and Axis Zipstream with support for H.264/H.265significantly reduces bandwidth and storage requirements without compromising image quality.>HDTV1080p video quality>Forensic WDR,Lightfinder and IR illumination>Flat-faced design suppressing light reflections>Zipstream supporting H.264and H.265>Signed firmware and secure bootAXIS M3115–LVE Network Camera CameraImage sensor1/2.9"progressive scan RGB CMOSLens 2.8mm,F2.0Horizontal field of view:105°Vertical field of view:58°Fixed iris,Fixed focus,IR correctedDay and night Automatically removable infrared-cut filterMinimum illumination Color:0.17lux at50IRE,F2.0 B/W:0.03lux at50IRE,F2.0 0lux with IR illumination onShutter speed1/33500s to2sCamera angle adjustment Pan:±180°Tilt:0°to60°(0°=lens directed at a right angle to camera base) Rotation:±95°Can be directed in any direction and see the wall/ceilingSystem on chip(SoC)Model ARTPEC-7Memory512MB RAM,512MB Flash VideoVideo compression H.264(MPEG-4Part10/AVC)Baseline,Main and High Profiles H.265(MPEG-H Part2/HEVC)Main ProfileMotion JPEGResolution1920x1080to160x90Frame rate Up to25/30fps with power line frequency50/60HzVideo streaming Multiple,individually configurable streams in H.264,H.265andMotion JPEGAxis Zipstream technology in H.264and H.265Controllable frame rate and bandwidthVBR/ABR/MBR H.264/H.265Multi-viewstreamingUp to2individually cropped out view areas in full frame rateImage settings Compression,color saturation,brightness,sharpness,contrast,local contrast,white balance,day/night threshold,tone mapping,exposure control(including automatic gain control),exposurezones,Forensic WDR:up to120dB depending on scene,finetuning of low-light behavior,defogging,dynamic text and imageoverlay,privacy masks,mirroring,rotation:0°,90°,180°,270°including Corridor FormatPan/Tilt/Zoom Digital PTZAudioAudio input/output Two-way audio connectivity via the optional AXIS T61Audio and I/O Interfaces with portcast technologyNetworkSecurity Password protection,IP address filtering,HTTPS a encryption, IEEE802.1x(EAP-TLS)a network access control,Digestauthentication,User access log,Centralized CertificateManagement,brute force delay protection,signed firmware,secure bootSupported protocols IPv4,IPv6USGv6,ICMPv4/ICMPv6,HTTP,HTTP/2,HTTPS a,SSL/TLS a,QoS Layer3DiffServ,FTP,SFTP,CIFS/SMB,SMTP, mDNS(Bonjour),UPnP®,SNMP v1/v2c/v3(MIB-II),DNS/DNSv6, DDNS,NTP,RTSP,RTP,SRTP,TCP,UDP,IGMPv1/v2/v3,RTCP, ICMP,DHCPv4/v6,ARP,SOCKS,SSH,SIP,LLDP,CDP,MQTT v3.1.1, Syslog,Link-Local address(ZeroConf)System integrationApplication Programming Interface Open API for software integration,including VAPIX®and AXIS Camera Application Platform;specifications at One-Click Cloud ConnectionONVIF®Profile G,ONVIF®Profile S,and ONVIF®Profile T, specification at Support for Session Initiation Protocol(SIP)for integration with Voice over IP(VoIP)systems,peer to peer or integrated with SIP/PBX.Event triggers Analytics,Edge storage events,Virtual inputs through API Event actions Record video:SD card and network shareUpload of images or video clips:FTP,SFTP,HTTP,HTTPS,networkshare,and emailPre-and post-alarm video or image buffering for recording oruploadNotification:email,HTTP,HTTPS,TCP,and SNMP trapOverlay textData streaming Event dataBuilt-ininstallation aidsPixel counter,adjustable IR-illumination intensityAnalyticsApplications IncludedAXIS Motion Guard,AXIS Fence Guard,AXIS Loitering GuardAXIS Video Motion Detection,active tampering alarmSupport for AXIS Camera Application Platform enablinginstallation of third-party applications,see /acap GeneralCasing IP66-and NEMA4X-rated,IK08impact-resistant casingEncapsulated electronics and captive screws(Torx10)Color:white NCS S1002-BFor repainting instructions and impact on warranty,contactyour Axis partnerSustainability PVC freePower Power over Ethernet(PoE)IEEE802.3af/802.3at Type1Class3Typical:3.7W,Max.:8.7WConnectors RJ4510BASE-T/100BASE-TX PoEAudio and I/O connectivity via the optional AXIS T61Audio andI/O Interfaces with portcast technologyIR illumination Power-efficient,long-life850nm IR LED.Range of reach20m(65ft)or more depending on the sceneStorage Support for microSD/microSDHC/microSDXC cardSupport for SD card encryption(AES-XTS-Plain64256bit)Recording to network-attached storage(NAS)For SD card and NAS recommendations see Operatingconditions-30°C to50°C(-22°F to122°F)Start-up temperature:-20°C to50°C(-4°F to122°F)Humidity10–100%RH(condensing)Storageconditions-40°C to65°C(-40°F to149°F)Humidity5-95%RH(non-condensing)Approvals EMCEN55024,EN55032Class A,EN55035,EN61000-6-1,EN61000-6-2,FCC Part15Subpart B Class A,KC KN32Class A,KC KN35,RCM AS/NZS CISPR32Class A,ICES-3(A)/NMB-3(A),VCCI Class AEnvironmentIEC60068-2-1,IEC60068-2-2,IEC60068-2-78,IEC60068-2-14,IEC60068-2-6,IEC60068-2-27IEC/EN62262IK08,IEC/EN60529IP66,NEMA250Type4XSafetyIEC/EN/UL60950-22,IEC/EN/UL62368-1,IEC/EN62471,IS13252NetworkNIST SP500-267,IPv6USGv6Dimensions Height:94mm(3.7in)ø101mm(4.0in)Weight390g(0.85lb)IncludedaccessoriesInstallation Guide,Windows decoder1-user license,Torx®L-key,Connector guard,Cable gasketOptionalaccessoriesAXIS T94B02D Pendant kit,AXIS T94B01P Conduit Back Box,AXIS T94B02M J-Box/Gang Box Plate,AXIS TM3807Black Casing,Axis Mounts,AXIS Surveillance microSDXC™Card,AXIS Weathershield Kit C,AXIS T61Audio and I/O Interface SeriesFor more accessories,see VideomanagementsoftwareAXIS Companion,AXIS Camera Station,Video managementsoftware from Axis’Application Development Partners availableon /vmsLanguages English,German,French,Spanish,Italian,Russian,SimplifiedChinese,Japanese,Korean,Portuguese,Traditional ChineseWarranty5-year warranty,see /warrantya.This product includes software developed by the OpenSSL Project for use in the OpenSSL Toolkit.(),and cryptographic software written by Eric Young(*****************).Environmental responsibility: /environmental-responsibility©2019-2021Axis Communications AB.AXIS COMMUNICATIONS,AXIS,ARTPEC and VAPIX are registered trademarks ofAxis AB in various jurisdictions.All other trademarks are the property of their respective owners.We reserve the right tointroduce modifications without notice.T10138830/EN/M15.2/2110。

5G_Red_Cap移动通信技术解析

5G_Red_Cap移动通信技术解析

0 引言RedCap全称为Reduced Capability（降低能力），是一个相对的概念，即轻量化的5G终端，RedCap主要通过对5G速率等能力进行精简，以便精准适配中低速物联场景，提高设备和网络的性价比，从而可以加快5G物联网的扩展应用，实现5G的规模化发展。

其标准于2022年6月随着5G R17标准冻结而宣告面世，之后进入标准演进、技术验证、终端研发以及商用预演阶段。

1 RedCap应用场景2022年6月，3 GPP R17协议标准被冻结，5G Redcap 技术被定义为中高速IoT场景。

RedCap通过精简终端天线数和收发带宽，使5G终端设备的成本可以大幅降低，但又能保留大容量、低时延、高可靠、网络切片等5G技术的原生能力，实现了性能和成本的最佳平衡。

具体需求如表1所示。

表1 RedCap三大应用场景对网络的需求[1-4]设备类型典型速率时延可靠性电池寿命设备尺寸视频监控2～4 Mbps（标准画质）7.5～25 Mbps（超清画质）＜500 ms99%～99.9%/ /可穿戴设备上行：2～5 Mbps下行：5～50 Mbps宽松 /至少几天或1至2周紧凑袖珍工业无线传感器＜2 Mbps＜100 ms99.99%至少几年 /5G RedCap移动通信技术解析罗智敏，刘 建（国家无线电监测中心检测中心，北京 100041）摘要：5G规范首次出现在3GPP R15版本中并取得了巨大发展，然而许多物联网应用没有高吞吐量和严格的延迟要求，但时间、成本和功耗是这些应用程序的重要考虑因素。

RedCap引入了对5G规范中降低功能无线设备的支持，这些设备比5G设备更简单、成本更低且能耗更低。

3GPP技术报告TR38.875指定了RedCap设备的三个应用，包括工业传感器、监控设备（对智能城市和工厂至关重要）和健康可穿戴设备。

文章首先介绍了Rel17RedCap的典型应用场景，分析了Rel17RedCap 关键技术，其次对RedCap峰值速率进行估算并研究其在不同频段的应用特点；最后对5G RedCap的商用进行了分析和展望，以便让读者更多地了解5G RedCap移动通信技术。

Pixium Portable EZ_User's Manual(用户手册)_62744317B

Pixium Portable EZ_User's Manual(用户手册)_62744317B

Page 1 of 63
July 2013
Pixium Portable EZ
User's Manual
Thales Electron Devices SAS 460 rue du Pommarin, BP122 38346 Moirans - France Tel : +33 (0)4 76 57 52 80
Pixium Portable 3543 EZ Refers to the package including the Pixrad API and a Pixium 3543EZ.
Pixium Portable EZ
Refers to both packages Pixium Portable 2430 EZ and Pixium Portable 3543 EZ.
B
Pixium Portable EZ
July 2013
Page 4 of 63
Les informations contenues dans ce document sont la propriété exclusive de THALES ELECTRON DEVICES SAS et ne doivent pas être divulguées par le destinataire à des tiers sans l’accord de THALES ELECTRON DEVICES SAS.
Thales Electron Devices SAS 460 rue du Pommarin, BP122 38346 Moirans - France Tel : +33 (0)4 76 57 52 80
User's Manual

Mimo Vue 10.1” HD Display HDMI Capture User’s Manu

Mimo Vue 10.1” HD Display HDMI Capture User’s Manu

Model: UM-1080CP-BPlease keep this manual for future reference.TABLE OF CONTENTSPAGE INTRODUCTION........................................................................................1COMPATIBILITY REQUIREMENTS......................................................................1DISPLAYLINK DRIVE INFORMATION................................................................1DISPLAYLINK DRIVER INSTALATION...............................................................2UNBOXING AND ASSEMBLY INSTRUCTIONS.................................................2WIRING AND CONNECTIONS.............................................................................5WINDOWS - CALIBRATION FOR TOUCH DISPLAYS..............................................5 WINDOWS 7.............................................................................................5 WINDOWS 10............................................................................................5IMPORTANT NOTES.............................................................................................6 WINDOWS UPDATES...............................................................................6 HDMI CAPTURE.......................................................................................6 EXTENDING USB CABLE. (6)Vue 10” HD Display HDMI Capture User’s ManualIntroductionDesigned to be a perfect conference room control interface, the Mimo Vue HD with HDMI capture UM-1080CP-B is the second generation of Mimo Monitors 10.1” monitor line. It features a modern zero bezel design, nearly 180-degree viewing angle from its bright, high contrast, IPS screen, and a resolution of 1280x800. The Mimo Vue HD includes a 10-point projected capacitive touch panel for developing an intuitive human interface.This capture device allows your USB 3.0 connected computer to stream high-quality HDMI® video, up to 1080p video at 60 frames per second. The capture device converts video and audio from your HDMI source device into standard UVC (USB Video Class) and UAC (USB Audio Class). The HDMI capture interface is integrated into the display and shares the USB connection to the host computer. This video data stream can be presented to other displays with video processing, sent over the internet to other online meeting participants, or many other options.Compatibility requirements:•Android - Requires DisplayLink Presenter application installed on Android device and a connection to a DisplayLink Universal Hub. Please review the information provided atDisplayLink for Android.•Mac - Requires DisplayLink driver. Please review the information provided at this page: DisplayLink for MacOS.•Windows - Requires DisplayLink driver. Please review the information provided at DisplayLink for Windows.•Ubuntu - Requires Intel-based x86 32 or 64-bit system running Ubuntu version 14 or later. Please review the information provided at DisplayLink - Ubuntu Driver Download.•Chromebox - No additional requirements. Please contact us if you experience issues during set up. Please review the information provided at DisplayLink - Native Chrome OS Support.DisplayLink Driver InformationIf noted above, DisplayLink driver must be installed on the computer. If you have Windows 10 or newer, the DisplayLink driver should be pre-installed on the computer. If Windows does not locate the driver locally, and if the computer is connected to the internet, Windows should automatically search online, download, and install the appropriate drivers. If necessary, please follow the instructions below to manually install the DisplayLink drivers.Please visit DisplayLink Support for important information such as: how to identify whether your operating is supported; how to identify operating system version, build, and system type; known issues and troubleshooting steps.DisplayLink Driver InstallationGo to . At the top left of the screen, you will find a button labeled DOWNLOAD DRIVERS, click on that button to download the necessary driver(s). The website will then prompt you to select the correct Supported Operating System. The website will then prompt you to select the correct version of the operating system you are running on the computer being set up.Note that while DisplayLink offers BETA versions for download, we recommend downloading the latest non-BETA released version.Unboxing and Assembly InstructionsUnbox the various components and ensure that nothing is missing. The following items should be included. See Figure 3 for component pictures and plankton assembly instructions.1. Mimo Vue HD Display (screen)2. Stand3. Hinge Cover4. Cable Cover5. HDMI Cable, green connectors6. USB 3.0 Cable, blue connectors, dual to single7. Power Cable, red connectors8. Stand9. Hinge Cover10. Cable Cover11. DC Power adapter with USB power output port12. Stand screws13. Cable cover screwsFigure 1: Components and Plankton Assembly InstructionsFigure 3: Wiring DiagramWiring and ConnectionsAs shown in Figure 4, all connectors are color-coded as are the connections on the back of the Mimo Vue. Simply match the connector style and color and insert. The red connector is for power and should be connected to the power adapter USB port and the display. The blue connector should be connected to the PC/NUC and the Mimo Vue. This cable is 3.0M long but can be extended using active cabling. See the Important Notes section on page 8 for details. The green connector is for HDMI capture, requires USB 3.0 capability, and should be connected to the Mimo Vue and any device that is trying to share its display.Windows - Calibration for Touch DisplaysWindows 7: If you are running Windows 7 the following steps for calibration still apply, however, you will need to install additional Mimo drivers. Please either call Mimo Monitors at 855-937-6466 or you may send an email request to *********************.Windows 10:Once all the components are properly connected and powered on, it is necessary to let the operating system know which of the displays in your configuration has touch capability. For example, if you’re using Windows 10, t ap the Windows Start button and select Settings. In the “Find a setting” box, at the top center of the screen, type “calibrate the screen for pen or touch input” and tap the Enter key. The Tablet PC Settings dialog window will pop up. Tap the Setup button as shown in Figure 2 below.Figure 1: Touch Screen SettingsOnce Setup is selected, all the connected screens will go white and one of the screens will display “Touch this screen to identify it as the touchscreen” and “If this is not the Tablet PC screen, press Enter to move to the next screen. To close the tool press Esc.” to move to the next display. So, if the screen with the above message is displayed, either tap the screen or tap the Enter key until the correct display is selected. Once selected click on Calibrate to be guided through the calibration process and complete the setup.Figure 2: Touch Screen SelectionAt this point, your system should be working and setup is complete.Important Notes1. Windows updates: Before updating Windows, uninstall any DisplayLink drivers thatmight already be installed. The latest DisplayLink drivers will be loaded by Windows. If you experience problems after updating Windows, you may need to manually install the drivers. Please refer to page 3 (above) for instructions and a link to DisplayLink drivers and resources.2. HDMI Capture: There must be an active HDMI signal for this feature to work. Pleasemake sure that the HMDI cable is connected to the PC.3. Extending USB Cable (Blue): If necessary, the USB cable can be extended usingactive cabling. Please read this related article on our website: USB extension and the UM-1080CP-B.。

StreamXpress-DTA-115中文用户手册1.0

StreamXpress-DTA-115中文用户手册1.0

StreamX p ress-DTA-115中文用户手册全球标准数字电视信号发生器1、介绍 (3)2、安装方法 (3)2．1、安装硬件 (3)2．2、安装软件 (4)3、系统最低要求和接口设置 (4)3．1、PC的最低要求 (4)3．2、设备接口的连接和设置 (4)4、StreamXpress 概括 (5)4．1、打开StreamXpress (5)4．2、StreamSpress软件的界面 (5)4、3、选择码流文件和菜单栏 (6)4．3．1、输出适配卡的选择 (6)4．3．2、传输流文件的选择 (7)4．3．3、建立Sub Loop（即子循环） (8)4．3．4、插入错误 (9)4．3．5、TDT/TOT Adaptation Settings (10)4．3．6、FR output level(输出电平) (11)4．3．6、帮助 (11)5、码流分析窗口面板 (11)5．1、传输码流内容视图 (12)5．2、PID视图 (13)5．3、码流文件信息视窗 (13)6、播放参数 (13)6．1、播放速率 (14)6．2、信道参数 (15)6．2．1、ASI参数 (15)6．2．2、MOD参数 (15)6．3、循环设置（Wrap-Around Settings） (16)7、播放控制 (16)7．1、滑行指针 (17)7．2、播放、暂停、停止按键 (17)7．3、循环次数按键 (17)7．4、状态 (17)7．5、时间 (18)7．6、循环次数/总时间 (18)8、缓冲数据窗户 (18)附录A (20)DTMB (20)ADTB-T (21)ATSC (22)DVB-C (22)DVB-T (22)ISDB-T (23)QAM-B (25)QAM-C (26)1、使用注意事项 (27)1.1前端的部分 (27)1.1.1 DVB-T的情况： (27)1.1.2 DTMB的情况 (28)1.1.3 ADTB-T的情况 (28)1.1.4 DVB-C的情况 (29)1.1.5 ATSC的情况 (29)1.1.6 DVB-S的情况 (30)1.2 传输部分： (30)1.3 终端部分 (31)2、故障现象 (31)2.1接收盒搜不到节目 (31)2.2搜到节目，但播放不了 (31)2.3可以播放，但会出现马赛克 (31)2.4可以播放，但会出现跳屏或跳帧 (31)2.5搜不到节目，但是信号质量和信号强度显示正常 (32)2.6可以搜到节目，并正常播放，但是误码率偏高 (32)2.7可以搜到节目，但是播放的节目数比搜到的节目数少 (32)2.8低码率正常，高码率出现马赛克 (33)2.9播放第一轮完，重新开始时，接收端不能正常接收，重搜，正常 (33)1、介绍DTC-300 StreamX p ress是一种码流播放软件，和码流播放兼调制的软件。

IBM Cognos 软件开发工具包版本 11.0.0 混搭服务开发人员指南说明书

IBM Cognos 软件开发工具包版本 11.0.0 混搭服务开发人员指南说明书
Chapter 3. Cognos Mashup Service samples......................................................... 11
Java samples..............................................................................................................................................11 Java sample file locations.................................................................................................................... 11 Running the Java samples................................................................................................................... 12
Chapter 2. Overview of the Mashup Service............................................................ 7
Programming interfaces...............................................................................................................................7 Identifying reports....................................................................................................................................... 8 Output formats.............................................................................................................................................9 Sample programs.......................................................................................................................................10

云栖使用说明

云栖使用说明

云栖使用说明云栖使用说明云栖是一款功能强大的云计算平台。

用户可以在云栖上创建自己的虚拟服务器，存储文件，构建应用程序并且充分利用云计算资源。

以下是云栖的使用说明：1. 注册账号用户首先需要注册一个云栖账号。

用户可以使用自己的电子邮件地址或者手机号码进行注册。

2. 创建虚拟服务器在云栖上，用户可以创建自己的虚拟服务器。

用户可以选择自己需要的操作系统和硬件配置。

云栖提供了许多常用的操作系统和应用程序预置环境，用户可以直接选择使用。

用户可以通过ssh或者远程桌面连接到虚拟服务器进行配置和管理。

3. 存储文件用户可以在云栖上存储自己的文件。

云栖提供了多种存储方式，包括对象存储，文件存储和块存储。

用户可以根据自己的需求选择合适的存储方式。

4. 构建应用程序用户可以使用云栖来构建自己的应用程序。

云栖提供了多种应用程序构建环境，包括Java，Python，Php等。

用户可以使用云栖的构建工具在虚拟服务器上构建自己的应用程序。

用户可以通过域名访问自己构建的应用程序。

5. 充分利用云计算资源云栖提供了强大的云计算资源。

用户可以根据自己的需求选择合适的资源类型和规格。

用户可以自由调整虚拟服务器的硬件规格，以满足自己的需求。

尽管云栖提供了很多方便的功能，但是用户也需要注意以下几点：1. 安全性用户在使用云栖时要注意使用安全措施。

用户需要保证自己的账号密码安全，并且设置安全组规则，设置防火墙以保护自己的虚拟服务器。

2. 成本控制用户在使用云栖时需要注意成本控制。

用户需要根据自己的需求选择合适的云计算资源规格，以免浪费资源而产生不必要的成本。

3. 数据备份用户在使用云栖时需要注意数据备份。

用户需要定期备份自己在云栖上存储的数据，以防止数据丢失或损坏。

总之，云栖是一款功能强大的云计算平台。

用户可以在云栖上创建自己的虚拟服务器，存储文件，构建应用程序并且充分利用云计算资源。

用户需要注意使用安全措施，成本控制和数据备份。

相信在正确的使用方法下，云栖会给用户带来更多的便利。

Visual Components Experience 1.5 用户指南说明书

Visual Components Experience 1.5 用户指南说明书

© 2020 Visual Components Oy | PAGE 1 OF 12 |VISUAL COMPONENTS [ APPS ]Visual Components Experience Guide Visual Components Experience 1.5 | Version: September 30, 2020Visual Components Experience is a standalone application that allows you to view 3D simulations and experience them in virtual reality. Simulations can be recorded as animations using any Visual Components 4.1.X or higher product.Support ****************************Forum ContentsSupported Devices (2)Setup (3)Supported File Types (4)Controls (5)Virtual Reality (6)Experience 3D Viewing (10)Experience Virtual Reality (11)Interactive VR (12)Advanced Settings (12)Supported devicesWindows OS▪Any device running Windows 7, 8.1 or 10 can be used for 3D viewing▪Refer to the minimum requirements for a Visual Components 4.x producthttps:///system-requirements▪An alternative for 3D viewing is the mobile version of Visual Components Experience.Compatible VR DevicesVisual Components Experience relies on SteamVR for virtual reality functionality. Any Head-mounted Display (HMD) that is supported by SteamVR should also support VC Experience.However, this is not guaranteed, and using one of the tested and verified devices listed belowis recommended.Tested Vr devicesHTC Vive and Vive Pro▪If your computer has a Mini DisplayPort, use a Mini DisplayPort cable. Based on fieldtests and feedback, adapters do not work.Oculus Rift S▪Requires key rebinding to work correctly▪See section Using Oculus Rift S for more details.Samsung HMD Odyssey▪Uses Microsoft Windows Mixed Reality▪See section Using Samsung HMD Odyssey+ for more details.Valve Index▪Different button layout: A-button is used for interacting, B-button is used for openingand closing the menu.| PAGE 2 OF 12 |SUPPOrTEd dEVICESSetupFor 3D viewing, install Visual Components Experience on your device.https:///products/downloadsFor virtual reality, this guide assumes you are using HTC Vive. For all other devices, refer tothe manufacturer on how to install new apps, set up the device, and interact with VR objects.1. Set up HTC Vivehttps:///eu/setup2. Install Steam/about3. Install SteamVR1. Run Steam.2. In Steam, go to Library > Tools and then search for SteamVR.3. Right-click SteamVR and then click Install Game.SETUP| PAGE 3 OF 12 |Supported File TypesVisual Components Experience allows you to open and play VCAX files. A VCAX file is acontainer for a 3D simulation recorded as an animation using a Visual Components 4.xproduct.To create a VCAX file, see "Record a Simulation as Animation" tutorial.▪Academyhttps://bit.ly/2NsE3tr▪Other (download video)http://bit.ly/2AezlWCYou can double-click a VCAX file to automatically open it in Visual Components Experience.Otherwise, you need to add VCAX files to your My Animations folder to list them in the app.C:\Users\%username%\Documents\Visual Components\4.2\My Animations| PAGE 4 OF 12 |SUPPOrTEd FILE TyPESControls3d Viewing1. Select animation allows you to select and open a VCAX file in the My Animations folder of your Visual Components documents.2. Viewport displays the 3D scene and animation.3. About displays app information.4. Quality Settings displays a dialog for controlling the level of detail (LOD) and quality level of the viewport. The frame rate (FPS) of the scene is also indicated based on the current settings.5. Slider and Thumb show the position of animation and allow you to jump forward or backward in time.6. Reset returns animation to its initial state and time of zero.7. Play allows you to start or stop animation.8. Time shows the position (in seconds) of animation followed by its duration.9. Playback speed can be changed to play the animation slower or faster.CONTrOLS| PAGE 5 OF 12 || PAGE 6 OF 12 |CONTrOLSVirtual reality Main Menu 1. Select animation allows you to select and open a VCAX file in the My Animations folder of your Visual Components documents.2. 1:1 scales components to their original size.3. Reset returns animation to its initial state and time of zero. 4. Slider and Thumb show the position of animation and allow you to jump forward or backward in time.5. Time shows the position (in seconds) of animation followed by its duration..6. Ray is the pointer of a connected joystick that can be used for selecting objects and menu items.7. 1:10 scales components to 1/10th of their original size.8. On Table scales components to HTC Vive play area.9. Play alows you to start or stop animation.10. Quality Settings displays a dialog for controlling the level of detail (LOD) and quality level of the viewport. The frame rate (FPS) of the scene is also indicated based on the current settings.11. About displays app information.12. Playback speedcan be changed to play the animation slower or faster.CONTrOLS | PAGE 7 OF 12 |HeadsetA headset allows you to look around in the scene. You must connect the headset to SteamVR before using Visual Components Experience in Virtual Reality mode.JoystickA joystick allows you to select and interact with objects in the scene.▪Connect joystick - Press and hold Menu and System buttons▪Show main menu - Press the Menu button▪Raise camera - Press top face of trackpad▪Lower camera - Press bottom face of trackpad▪Cast ray to display pointer - Lightly press trigger▪Select menu item - Point at item and pull trigger▪Teleport to new location - Point at location and pull trigger▪Interact - Touch a interactable object and hold down the grip button. Requires VC Premium You must connect the right joystick to SteamVR tosupport these actions.Using Oculus Rift S with Visual Components ExperienceTo use Oculus Rift S with steam VR, you must open the Oculus application and allow the Oculusto communicate with applications that have not been officially reviewed by Oculus. This is donein the Oculus application by going to Settings, General, and enabling the Unknown Sources.After enabling unknown sources, you can use the Oculus device to control applications that usethe Steam VR platform.Because the default Oculus handheld device key binding is different from native Steam VRhandheld devices, you must also change the key bindings before you can use the rift with VCExperience.To change the key bindings in Steam VR, you must open Steam VR and go to Settings, Controllers,and press Manage Controller Bindings.While in the binding settings, change the Active Controller Binding to Custom and press Chooseanother.A window will pop up where you can select the correct application, which is VisualComponents.Experience.VR. A ready-made key binding has been published in the steam workshop, whichyou can find from Community bindings.| PAGE 8 OF 12 |CONTrOLSTo use the Shared binding from Visual Components, press Activate.Alternatively, you can edit the default key bindings so that the right controller is configured asshown.Trigger, Use as triggerPull = Right Trigger ValueTrigger, Use as buttonClick = Right Trigger ValueJoystickUse as joystickTouch = Right Trackpad/Thumbstick PressPosition = Right Trackpad/Thumbstick ValueUsing Samsung HMD Odyssey+ with Visual Components ExperienceTo use the Samsung HMD Odyssey with VC Experience you need to also install WindowsMixed Reality for SteamVR from the Steam store.When you want to use the device with VC Experience, launch the Windows Mixed Realityfor SteamVR and then launch Visual Components Experience in VR mode.CONTrOLS| PAGE 9 OF 12 || PAGE 10 OF 12 |ExPErIENCE 3d VIEwING Experience 3d Viewing1. Run Visual Components Experience.2. Click 3D .3. Click Select animation , and then select an animation to load it in the scene.4. Do any of the following as needed: ▪To remove the animation, in Select animation , click <Clear>. ▪To return to the default view, in Select animation , click <Reset View>. ▪To orbit the camera in the scene, press and hold the right mouse button. ▪To pan the camera in the scene, press and hold the left and right mouse buttons. ▪To zoom the camera in the scene, rotate the mouse wheel.ExPErIENCE VIrTUAL rEALITy | PAGE 11 OF 12 |Experience Virtual reality1. Run SteamVR, and then connect your headset and joystick(s).2. Run Visual Components Experience.3. Click VR .4. With the joystick, press the Menu button, cast a ray, and then use Select animationto load an animation in the scene.5. Do any of the following as needed:▪To scale components, use the main menu. Generally, you would use 1:10 to view a large scene or On Table to walk around and view a scene.▪To remove the animation, in Select animation , click <Clear>.▪To return to the default view, in Select animation , click <Reset View>.Interactive VrInteractive VR requires Visual Components Premium 4.2 or higher product. Animationstreaming is required to interact with components in VR. See the Academy lesson StreamingSimulation to VR on how to enable animation streaming.For details on using interactive VR, check out the Academy tutorials. Components that enableinteractive VR are found in eCatalog directory VR Interaction.Advanced users should see the Python API documentation for vcVREvents.Advanced SettingsOn the launcher, you have the option to specify Advanced Settings related to animationstreaming and Anti-Aliasing.Streaming Host is the IP-address of the computer where the VC Premium application isrunning. If VC Premium and VC Experience are running on the same machine, then IP-address127.0.0.1. Streaming Port must match the port defined in VC Premium.Anti-aliasing settings can be changed by modifying the Antialiasing mode and AntialiasingFXAA (Fast Approximate Anti-Aliasing) options.| PAGE 12 OF 12 |AdVANCEd SETTINGS。

TranSync Cloud User Manual

TranSync Cloud User Manual

TranSync™ Cloud User ManualContentsTranSync Introduction (3)Indications for Use (3)About this User Manual (3) Functions (3)Registering for an Account (Optional) (3)Registering a Device (Optional) (6)Reviewing your Device List (7)Reviewing Compliance Reports (7)Reviewing Compliance Reports from Multiple PAP Devices (9)My Account Functions (9)Add Authorized Care Providers / Monitors (10)Mobile Functions (11)Pairing Devices (11)TranSync IntroductionThank you for choosing TranSync™! The TranSync Compliance Monitoring System is designed to provide patients with a secure and convenient way to view compliance data and transmit it to homecare providers and clinicians.Note: TranSync Desktop Software is compatible with Windows (7 and 10) PC systems.Indications for UseThe TranSync system is intended for use by patients, homecare providers, and monitors in conjunction with the Transcend miniCPAP devices for the purpose of managing patient compliance by viewing or sending compliance data.About this User ManualThis user manual is intended to be used by individual users (patients). For details on how to use the system as a homecare provider or authorized monitor, visit /resources to download the homecare or monitor manual.Note: For purposes of this manual, some software screen images may differ from the actual screen display. This is only for clear printing and on-screen display of this manual. FunctionsRegistering for an Account (Optional)Registration is not required in order to send compliance data to your Homecare Provider. However, if you’d like to view your own compliance data or transfer your data via the mobile app, follow these instructions to register for an Individual User Account.1.Go to 2.Select “Register”.3.Choose “Individual User Account” and click “Continue Registration”plete the required fields (indicated by a *), review the Terms of Use,check the corresponding box, and select “Submit Registration”.5.An email will be sent to you with details to finish registration. Open the emailand note the temporary password.7.Select “Log On” on the TranSync homepage.8.Log on using your username and temporary password. Select “ChangePassword” to update the temporary password to your new personal and secure password. You will automatically be asked to change the temporary passwordfollowing your first log on.Registering for a Device (Optional)Note: You only need to register your PAP device if you choose to register for an Individual User Account. Follow these instructions to register your PAP device.1.To register a device, select “Devices” and then “Register Device”.2.Enter the serial number of the PAP device and click on “Submit” (Step 1).After submission, the system will ask you to confirm the device serialnumber for completion (Step 2).Note: A user can have multiple devices registered to their account if desired.Reviewing Your Device List1.Click on “Devices”2.Click on “List”3.All devices that have been registered to your account will be displayed.Reviewing Compliance Reports1.Go to 2.Log on using your username and password.3.Select “Compliance Report” in the upper left-hand corner of the page.4.The compliance overview screen should contain summary boxescorresponding to Compliance Summary, Patient Therapy Settings, Therapy Pressure Summary, AHI – Events Per Hour of Use, and Leak Summary.5.The overview date range will default to the most recent 30-day window. Tochange the report time period, simply change the dates at the top of the page and select “Submit”.6.To view your therapy sessions in more detail, click compliance detail. Thispage houses therapy sessions and events over the selected time period.7.To print this report, select “Print to PDF”. After the PDF version of the reporthas downloaded, you may print the report to hard copy.Note: To view compliance information on the website, you must be registered. Follow instructions in the “Registering for an Account” section. Reviewing Compliance Reports from Multiple PAP Devices1.On the compliance overview screen select a new device from the drop-downmenu and select “Submit”.2.The compliance from the newly selected device will be displayed.My Account FunctionsThere are a number of functions that individual users can perform.1.To access the following functions, go to and log onusing your username and password.2.Select your username in the top right-hand corner of the window, thenselect “My Account”.The following functions will be available to you:•Update Contact Information, such as address and phone number.•Update Username•Change Password•View Notes made by your homecare provider or monitor•Add Authorized Care Providers/Monitors to view your compliance data (see steps below). (This allows your care provider(s), such as yourdoctor, to view your compliance data.)Note: Follow these steps to share your data with authorized monitors. Authorized monitors are only allowed to view patient data and compliance.Add Authorized Care Providers / Monitors1.In the Authorized Care Providers Section, click the + symbol.2.Search for a care provider or monitor using any of the fields provided. Thelist of results will only contain Authorized Care Providers who haveregistered for an account. If your Authorized Care Provider has not signed up for an account, they must do so before you will be able to share your data.3.Once you find your monitor from the results list, click “Select.”TranSync Cloud User ManualPage 114. Confirm the selection and click “Confirm”Mobile FunctionsPairing DevicesTo use the TranSync Bluetooth module and mobile app for data transfer, refer to the TranSync Mobile User Manual (103980) available at /support .Somnetics International, Inc. 103 Osborne Road NE Fridley, Minnesota 55432 USA/Phone:651.621.1800 Toll-free: 877.621.9626 Fax: 651.204.0064©Somnetics International, Inc. All right reserved.103542 Rev C2021-05。

百度翻译API词典资源-接入字段说明.pdf说明书

百度翻译API词典资源-接入字段说明.pdf说明书

如需直观了解情况，您可前往https:///验证，两者的数据源是同源的。

词典json字符串可在https:///中可视化查看节点，需做utf-8转义。

中中释义/英英释义/简明释义可以理解为三本独立的词典，开发者在使用时，选择其中一个即可。

一、词典数据字段节点英文json结构层级：中文json结构层级：二、示例1、英文：以apple为例2、英文：以take为例3、中文：以专心致志为例4、中文：以中国为例三、接入指南四、常见问题dict字段下：lang：0:中文；1:英文exchange：不同时态：word_third：第三人称单数word_ing：进行时态word_done：完成时态word_pl：复数形式word_past：过去时态tags:词汇标签core：核心词；如高考、考研other：其他标签symbols:音标ph_en：英式音标ph_am：美式音标parts：词性组part：词性，有几种词性就有几个partmeans：词义ph_other：其他音标，一般为空general_knowledge：单词集锦similar_words：同类词en:英文释义；zh:中文释义word_name：词语queryword_lang：词语语言word_type：词语类型，如水果dict字段下：lang：0:中文；1:英文parts：词组part_name(一般为空)text：词组内容part：词性word_mean：英文释义means：中文含义word_name:原文queryfrom：来源word_means：含义general_knowledge：单词集锦similar_words：同类词en:英文释义；zh:中文释义word_name：词语queryword_lang：词语语言word_type：词语类型，如水果synthesize_means汉英大词典，因并非所有词汇都有结果，因此省略，后续可能将“汉英大词典”结果关闭，{"lang":"1","word_result":{"edict":{"item":[{"tr_group":[{"tr":["fruit with red or yellow or green skin and sweet to tart crisp whitish flesh"],"example":[]," similar_word":[]},{"tr":["native Eurasian tree widely cultivated in many varieties for its firm rounded edible fruits"],"example":[],"similar_word":["orchard apple tree","Malus pumila"]}],"pos":"noun"}],"word":"apple"},"zdict":"","simple_means":{"word_name":"apple","from":"original","word_means":["苹果"],"exchange": {"word_pl":["apples"]},"tags":{"core":["高考","考研"],"other":[""]},"symbols":[{"ph_en":"pl","ph_am":"pl","parts":[{"part":"n.","means":["苹果"]}],"ph_other":""}]},"general_knowledge":{"similar_words":[{"en":"pear","zh":"梨"},{"en":"peach","zh":"桃子"},{"en":"apple","zh":"苹果"},{"en":"grape","zh":"葡萄"},{"en":"banana","zh":"香蕉"},{"en":"cherry","zh":"樱桃"},{"en":"mulberry","zh":"桑椹"},{"en":"persimmon","zh":"柿子"},{"en":"hippophae","zh":"沙棘"},{"en":"strawberry","zh":"草莓"},{"en":"watermelon","zh":"西瓜"},{"en":"pomegranate","zh":"石榴"}],"word_name":"apple","word_type":"水果"," word_lang":"en"}}}{"lang":"1","word_result":{"edict":{"item":[{"tr_group":[{"tr":["the act of photographing a scene or part of a scene without interruption"],"example":[]," similar_word":[]},{"tr":["the income or profit arising from such transactions as the sale of land or other property"],"example":["the average return was about5%"]," similar_word":["return","issue","takings","proceeds","yield","payoff"]}],"pos":"noun"},{"tr_group":[{"tr":["be stricken by an illness,fall victim to an illness"]," example":["He got AIDS","She came down with pneumonia","She took a chill"],"similar_word":["contract","get"]},{"tr":["remove something concrete,as by lifting,pushing,or taking off,or remove something abstract"],"example":["remove a threat","remove a wrapper","Remove the dirty dishes from the table","take the gun from your pocket","This machine withdraws heat from the environment"],"similar_word":["remove","take away","withdraw"]},{"tr":["ascertain or determine by measuring,computing or take a reading from a dial"],"example":["take a pulse","A reading was taken of the earth's tremors"],"similar_word":[]}, {"tr":["take on a certain form,attribute,or aspect"],"example":["His voice took on a sad tone","The story took a new turn","he adopted an air of superiority","She assumedstrangemanners","Thegods assume human or animal form in these fables"],"similar_word":["assume","acquire","adopt","take on"]},{"tr":["be seized or affected in a specified way"],"example":["take sick","be taken drunk"],"similar_word":[]},{"tr":["be a student of a certain subject"],"example":["She is reading for the bar exam"],"similar_word":["learn","study","read"]},{"tr":["interpret something in a certain way","convey a particular meaning or impression"],"example":["I read this address as a satire","How should I take this message?","You can't take credit for this!"],"similar_word":["read"]},{"tr":["accept or undergo,often unwillingly"],"example":["We took a pay cut"],"similar_word":["submit"]},{"tr":["pick out,select,or choose from a number of alternatives"],"example":["Take anyoneofthesecards","Choosea good husband for your daughter","She selected a pair of shoes from among the dozen the salesgirl had shown her"],"similar_word":["choose","select","pick out"]},{"tr":["take into consideration for exemplifying purposes"],"example":["Take the case of China","Consider the following case"],"similar_word":["consider","deal","look at"]},{"tr":["take as an undesirable consequence of some event or state of affairs"],"example":["the accident claimed three lives","The hard work took its toll on her"],"similar_word":["claim","exact"]},{"tr":["lay claim to","as of an idea"],"example":["She took credit for the whole idea"],"similar_word":["claim"]},{"tr":["make a film or photograph of something"],"example":["take a scene","shoot a movie"],"similar_word": ["film","shoot"]},{"tr":["obtain by winning"],"example":["Winner takes all","He took first prize"],"similar_word":[]},{"tr":["point or cause to go(blows,weapons, orobjectssuch asphotographic equipment)towards"],"example":["Please don't aim at your little brother!","He trained his gun on the burglar","Don't train your camera on the women","Take a swipe at one's opponent"],"similar_word":["aim","train","take aim","direct"]},{"tr":["serve oneself to,or consume regularly"]," example":["Have another bowl of chicken soup!","I don't take sugar in my coffee"],"similar_word":["consume","ingest","take in","have"]},{"tr":["get into one's hands,take physically"],"example":["Take a cookie!","Can you take this bag,please"],"similar_word":["get hold of"]},{"tr":["have sex with","archaic use"]," example":["He had taken this woman when she was most vulnerable"],"similar_word":["have"]},{"tr":["travel or go by means of a certain kind of transportation, or a certain route"],"example":["He takes the bus to work","She takes Route1to Newark"],"similar_word":[]},{"tr":["proceed along in a vehicle"],"example": ["We drive the turnpike to work"],"similar_word":["drive"]},{"tr":["occupy or take on"],"example":["He assumes the lotus position","She took her seat on the stage","We took our seats in the orchestra","She took up her position behind the tree","strike a pose"],"similar_word":["assume","strike","take up"]},{"tr":["take somebody somewhere"],"example":["We lead him to our chief","can you take me to the main entrance?","He conducted us to the palace"],"similar_word": ["lead","direct","conduct","guide"]},{"tr":["head into a specified direction"],"example":["The escaped convict took to the hills","We made for the mountains"]," similar_word":["make"]},{"tr":["take something or somebody with oneself somewhere"],"example":["Bring me the box from the other room","Take these letters to the boss","This brings me to the main point"],"similar_word":["bring","convey"]},{"tr":["experience or feel or submit to"],"example":["Take a test","Take the plunge"],"similar_word":[]},{"tr":["to get into a position of having,e.g.,safety,comfort"],"example":["take shelter from the storm"],"similar_word":[]},{"tr":["take into one's possession"],"example":["We are taking an orphan from Romania","I'll take three salmon steaks"],"similar_word":[]},{"tr":["take by force"],"example": ["Hitler took the Baltic Republics","The army took the fort on the hill"],"similar_word":[]},{"tr":["buy,select"],"example":["I'll take a pound of that sausage"]," similar_word":[]},{"tr":["engage for service under a term of contract"],"example":["We took an apartment on a quiet street","Let's rent a car","Shall we take a guide in Rome?"],"similar_word":["lease","rent","hire","charter","engage"]},{"tr":["receive or obtain regularly"],"example":["We take the Times every day"],"similar_word":["subscribe","subscribe to"]},{"tr":["make use of or accept for some purpose"],"example":["take a risk","take an opportunity"],"similar_word": ["accept"]},{"tr":["receive willingly something given or offered"],"example":["The only girl who would have him was the miller's daughter","I won't have this dog in my house!","Please accept my present"],"similar_word":["accept","have"]},{"tr":["admit into a group or community"],"example":["accept students for graduate study","We'll have to vote on whether or not to admit a new member"],"similar_word":["accept","admit","take on"]},{"tr":["require(time or space)"]," example":["It took three hours to get to work this morning","This event occupied a very short time"],"similar_word":["occupy","use up"]},{"tr":["assume,as of positionsorroles"],"example":["She took the job as director of development","he occupies the position of manager","the young prince will soon occupy the throne"],"similar_word":["fill","occupy"]},{"tr":["develop a habit"],"example":["He took to visiting bars"],"similar_word":[]},{"tr":["carry out"],"example":["take action","take steps","take vengeance"],"similar_word":[]},{"tr":["require as useful,just,or proper"],"example":["It takes nerve to do what she did","success usually requires hard work","This job asks a lot of patience and skill","This position demands a lot of personal sacrifice","This dinner calls for a spectacular dessert","This intervention does not postulate a patient's consent"],"similar_word":["necessitate","ask","postulate","need","require","involve","call for","demand"]},{"tr":["be capable of holding or containing"],"example":["This box won't take all the items","The flask holds one gallon"],"similar_word":["contain","hold"]},{"tr":["have withoneself","haveon one's person"],"example":["She always takes an umbrella","I always carry money","She packs a gun when she goes into the mountains"]," similar_word":["carry","pack"]},{"tr":["be designed to hold or take"],"example":["This surface will not take the dye"],"similar_word":["accept"]}],"pos":"verb"}]," word":"take"},"zdict":"","simple_means":{"word_name":"take","from":"original","word_means":["携带","拿走","取走","运走","带去","引领","使达到，把…推向，把…带到","场景，镜头","收入额","进项","看法","意见"],"exchange":{"word_third":["takes"],"word_ing":["taking"],"word_done":["taken"],"word_past": ["took"]},"tags":{"core":["高考","考研"],"other":[""]},"symbols":[{"ph_en":"tek","ph_am":"tek","parts":[{"part":"v.","means":["携带","拿走","取走","运走","带去","引领","使达到，把…推向，把…带到(另一个层次、层面等)"]},{"part":"n.","means":["(不停机一次连续拍摄的)场景，镜头","收入额","进项","看法","意见"]}],"ph_other":""}]}}}{"lang":"0","word_result":{"edict":"","zdict":{"simple":null,"word":"专心致志","detail":{"chenyu":{"from":"《孟子·告子上》：“夫今弈之为数，小数也，不专心致志，则不得也。

ghostscript命令参数

ghostscript命令参数

一、概述Ghostscript是一款广泛使用的自由软件，主要用于解释PostScript和PDF文件，并可以将它们转换为其他格式。

在使用Ghostscript时，我们可以通过命令参数来控制其行为，以达到我们想要的效果。

二、常用的命令参数1. -dNOPAUSE：该参数用于在处理文档时禁止暂停，即自动进行处理，不需要人工干预。

2. -dSAFER：通过该参数可以启用Ghostscript的安全模式，以防止一些不安全的操作。

3. -sDEVICE=xxx：这是Ghostscript中最常用的参数之一，用于指定输出设备，比如打印机、显示器等。

4. -sOutputFile=xxx：该参数用于指定输出文件的名称，可以是PDF、PS等格式。

5. -dPDFSETTINGS=xxx：用来设置PDF文件的处理选项，比如将PDF文件压缩或优化。

三、高级命令参数1. -c "xxx"：通过该参数可以执行PostScript语句，可以用于一些高级的自定义操作。

2. -dCompatibilityLevel=xx.x：用于指定生成的PostScript文件与某个特定版本的兼容性等级。

3. -dEmbedAllFonts=true/false：用于控制是否嵌入所有字体到输出的文件中，以确保在不同设备上都可以良好显示。

4. -dSubsetFonts=true/false：用于控制是否将字体子集化，这对于减小文件大小非常有用。

四、常见用法举例1. 将PostScript文件转换为PDF：```bashgs -sDEVICE=pdfwrite -sOutputFile=output.pdf input.ps```2. 压缩PDF文件大小：```bashgs -sDEVICE=pdfwrite -dCompatibilityLevel=1.4 -dPDFSETTINGS=/screen -dNOPAUSE -dQUIET -dBATCH -sOutputFile=output.pdf input.pdf```3. 将PDF文件转换为高分辨率图片：```bashgs -sDEVICE=jpeg -dJPEGQ=100 -r300 -dNOPAUSE -dBATCH -sOutputFile=output.jpg input.pdf```五、结语Ghostscript的命令参数非常丰富，可以满足各种需求。

115网络u盘

115网络u盘

115网络U盘介绍115网络U盘是一款基于云存储的U盘应用程序，为用户提供在线存储和文件分享服务。

用户可以通过115网络U盘将文件存储到云端，随时随地访问和共享这些文件。

主要功能1. 在线存储115网络U盘为用户提供了免费的云存储空间，用户可以将各种类型的文件上传到云端进行存储。

使用115网络U盘，用户可以省去物理U盘的使用，无需担心文件丢失或者U盘损坏的问题。

2. 文件同步115网络U盘支持文件同步功能，用户可以将本地文件夹与云端文件夹进行同步。

无论是在电脑、手机还是其他设备上进行修改或添加文件，都会同步到云端和其他设备上，保持文件的一致性。

3. 文件分享115网络U盘支持文件分享功能，用户可以通过链接或者授权的方式与他人共享文件。

用户可以选择分享文件的权限，包括只读、只写或者可编辑权限。

这样便于用户与同事、朋友或家人共享文件，方便合作和交流。

4. 多设备同步115网络U盘支持多设备同步功能，用户可以在不同设备上登录自己的账户，访问云端文件，并进行文件的上传、下载、修改操作。

这样用户可以在不同设备之间无缝切换，方便进行工作和生活。

5. 文件备份115网络U盘提供了文件备份功能，用户可以选择将本地文件夹中的文件备份到云端。

即使本地文件丢失或设备损坏，用户仍然可以通过115网络U盘访问和恢复这些文件，保障文件的安全性和可用性。

如何使用115网络U盘1. 创建账户在115官网或者115网络U盘应用中下载并安装115网络U盘。

打开应用后，按照指引创建一个账户。

用户需要提供邮箱和设置密码来注册账户。

一旦注册成功，就可以开始使用115网络U盘。

2. 上传文件在文件管理界面中，点击“上传文件”按钮，选择本地文件并进行上传。

用户可以选择上传单个文件或者整个文件夹。

一旦上传完成，文件就会保存到用户云端账户中。

3. 文件同步和分享用户可以通过设置文件同步目录，将本地文件与云端文件夹进行同步。

在设置中选择同步目录，并勾选同步选项，即可实现文件的实时同步。

云·景版本说明 (5)

云·景版本说明 (5)

云·景（CloudView）v2.0版本说明发布概述
发布日期：2017年9月29日
版本发布相关信息：/show_bug.cgi?id=10293
版本信息
适用StoneOS版本：
✹StoneOS 5.0R4P17及以上版本；
✹StoneOS 5.5R1P11及以上版本；
✹StoneOS 5.5R2P3.1及以上版本；
✹StoneOS 5.5R3P1及以上版本；
✹StoneOS 5.5R4P1及以上版本。

适用产品型号：
✹SG-6000 E系列、T系列产品
✹NIPS 2.0以上版本产品
✹IDS 2.0产品
✹云·界CloudEdge系列产品
✹智·感1.1及以上版本产品
新增功能
已知问题
浏览器兼容性
以下浏览器通过了WebUI测试，推荐用户使用：✹IE11及以上版本
✹Chrome
✹火狐
以下手机系统通过了手机APP测试，推荐用户使用：✹Android4.4及以上版本
✹iOS8.0及以上版本
获得帮助
云·景配有以下手册：
《山石云·景常见问题》
服务热线：400-828-6655
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销售助理 采购主管/采购员 销售开票员 仓库文员 应付会计 应收会计
包含的关键处理流程:




创建销售订单，生成采购申请 采购申请转换为采购订单 批准采购订单 采购订单收货 采购订单发票校验 销售订单交货处理和发货记账 开票
业务情景概览 – 3
详细过程描述：
带有明确订单采购的非库存项目的销售
不对应凭证中的任务步骤； 而是用于反映由任务步骤生 成的凭证；这种图形没有任 何外向的流程线
业务活动/事件： 识别指向业务情景内部或 外部的操作，或在业务情景期间发生的外部 处理
不与凭证中 的任务步骤 对应
预算计划
预算计划：表示预算计划凭 证
不对应凭证中的任务步骤； 而是用于反映由任务步骤生 成的凭证；这种图形没有任 何外向的流程线



‫ ‏‬理流程图 处
带有明确订单采购的非库存项目的销售
供 应 商 客 户 销 售 助 理
采 采购 购主 员管 / 客户对物料 的需求 信用管 理 (108) 将项目交付 到经销商的 仓库 收入供应商 发票
订单确认
开票凭证
创建销售订 单
（可选） 更改订单数 量
信用管 理 (108)
自动生成申 请
客户确认订单以后，将客户的需求交给外部供应商 物料是由外部供应商发送至客户特殊库存仅供此客户使用，再货物发送给客户 尽管物料短缺， 仍可满足客户需求
业务情景概览 – 2
需要的 SAP 应用程序：

SAP enhancement package 4 for SAP ERP 6.0
处理流程中涉及的公司角色:
带有明确订单采购的非库存项目的销售
SAP Best Practices Baseline Package (中国)
SAP Best Practices
业务情景概览 – 1
用途和优点：
用途

客户订购的物料当前没有库存，从外部供应商处为客户购买该物料，收货到客户 特殊库存中，然后发送给客户
优点

与凭证中的 任务步骤对 应
现有版 本/数 据 系统批 准/拒 绝的决 策
现有版本/数据：此块中包 含从外部流程返回的数据
通常不对应凭证中的任务步 骤；而是反映来自外部源的 数据；此步骤没有任何内向 的流程线
子处理参考：如果业务情景部分参考了另一 与凭证中的 个业务情景，则在此输入该业务情景的编号、 任务步骤对 名称，以及参考的步骤编号 应
使用注释
角色区段包 含与该角色 通用的任务。
符号
描述
至下一个/从上一个图： 进 入图表的下一页/上一页
使用注释
流程图在下一页/上一页继 续
∧ 功 能 ∨
图表连接
硬拷贝/凭证：识别打印的 凭证、报表或表格
硬拷贝/凭证
外 部
不对应凭证中的任务步骤； 而是用于反映由任务步骤生 成的凭证；这种图形没有任 何外向的流程线
采购报 价 (128)
显示将分配 采购申请的 清单
将已分配的 申请转换成 采购订单
批准采购订 单
销 票售 开 仓 库 管 理 员 应 收付 会会 计计 应 /
，COGS = 物料销售成本过帐收货 拣配清单
过帐发货
应付帐 款 (158)
COGS 供应 商
SAP 业务活动/ 事件 单位处理 处理参 考 子处理 参考
流程线（实线）：该线表明业务情景中步骤 的正常顺序和流程的方向。 流程线（虚线）：该线表明业务情景中不经 常使用或有条件的任务的流程。该线也可以 指向处理流程中涉及的凭证。
连接业务情 景流程或非 步骤事件中 的两个任务
实际财务
实际财务：表示财务过帐凭 证

在此业务情景中，客户订购的物料当前没有库存。因此，该物料要从外部供 应商那里购买。示例： 客户 100003 在销售组织 1000 处订购 100 件物料 H14。 创建销售订单时，会生成采购申请。再将采购申请转换为供应商 300000 的 采购订单。 货物收到客户 100003 的特殊库存中。交货和发票将从这里创建。最后创建 采购订单的发票校验。 在该流程结束时，您同时可以检查客户信用级别。
单位处理：标识业务情景中以循序渐进的方 式执行的任务
与凭证中的 任务步骤对 应
手动 处理
手动处理：包含手动完成的 任务
通常不对应凭证中的任务步 骤；而是用于反映对处理流 程产生影响的手动执行的任 务，如在仓库中为卡车卸货。
处理参考：如果业务情景完全参考了另一个 业务情景，则在此输入该业务情景的编号和 名称。
系统批准/拒绝的决策：此 块中包含由软件自动作出的 决策
通常不对应凭证中的任务步 骤；而是用于反映在步骤执 行后由系统自动作出的决策。
处理 决策
处理决策：标识决策/分支点，表示由最终 用户所作出的选择。这些行表示来自不同方 面的不同选择。
通常不与凭 证中的任务 步骤对应； 反映执行步 骤后要做的 选择
发票收据
应收帐 款 (157)
图例
符号 描述
区段：标识用户角色，如应付帐款管理员或 销售代表。除了特定角色之外，该区段也可 以识别组织单位或组。 此表中的其他处理流程符号都在这些行中。 您可以根据需要创建尽可能多的行，以涵盖 该业务情景中的所有角色。 外部事件：包含开始或结束该业务情景，或 影响业务情景中事件过程的事件。
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