Sibelius 7 whatsnew 中文版(官方下载)

合集下载

sibelius 4 安装方法

1、首先运行，在里面选择第一个，然后一直next。

软件就开始安装。

在的时候选yes。

在的时候只把第一个前面的框框里面打钩，这装的是软音源！然后Finish。

这个时候自动开始安装软音源，同样一路next。

点击Finish之后出现选NO！这个时候软件已经安装好。

2、进入《Sib4汉化及升级补丁》文件夹选择Sibelius4.0To4.15Update 安装，同样一路next。

点击Finish之后会出现对话框，选择NO！3、进入《Sib4汉化及升级补丁》文件夹里面的《Sibelius4.1.5•汉化程序》文件夹选择进行安装。

继续之后不要选择下面这个。

这一步之后汉化已经完成。

4、运行桌面上的Sibelius 出现对话框选择否之后出现对话框。

这时打开《Sib4汉化及升级补丁》文件夹里面的《Sibelius.v4.1.5.incl.KeyGen-BEAT》文件夹，选择程序，进去之后点击最上面的Generate ，就会算出一串代码，将这串代码复制到对话框之后点击右边的取消（他这里是汉化的错误，实际上这个按钮是确认按钮！）。

之后会提示要你注册，确定之后出现注册界面，选择第二项，通过传真或者电话，下一步，这里要填写相关信息，前面两行带星号的必须填写（可以随便写），然后复制Computer Number后面的代码到中间的空栏里面，点击最下面的Generate，最下面空栏里面会出现注册码，将这个注册码复制到注册窗口最下面的Registration Numbe后面的空栏里面之后点击完成。

就会出现。

至此，软件已经完全安装至您的电脑！祝您使用愉快！！。

IBM_Lotus_7_中文版_全套

IBM_Lotus_7_中文版_全套英文名称：IBM Lotus 7别名：莲花版本：Lotus 7 中文版(全套)发行时间：2006年制作发行：IBM地区：大陆语言：普通话简介：特别注明: 此次配套的中文语言包...本人不能保证能打在其它版本的LOTUS 7 上...IBM的语言包很严格...只要版本号有一点点不同也用不起...强行打语言包会出现很严重的后果!!!!.....建议下载我这里放的完全版....(此东东是我到电信内部人员处搞来的...完整光盘是4CD..我没得到光盘...只是在服务器上拷贝回来的!!)选择ND7的理由为什么要升级到 Lotus Notes/Domino 7？了解 ND7 的强大功能和用户利益！为什么要升级到 Lotus Notes/Domino 7？如果您现在是一位 Microsoft Exchange 用户，我要告诉您 ND7所具备的功能远远超出一个电子邮件系统灵活支持多种服务器平台，支持多种客户端接入，支持 LDAP具备高可靠性保证不受邮件病毒攻击具备稳定的基础平台和低投入的应用升级Lotus ND7 的全套新装备，作为 IBM Workplace 家族的重要一员，它将为您减少和管理总拥有成本增加系统可靠性和可预见性最大化保护和使用现有的 Domino 应用提高用户生产力增加支持移动和远程工作的适应性扩展和增加系统安全性提供更全面的协作支持：更强劲的性能：在相同硬件上，可以运行的用户数增加 70% ， CPU 利用率也降低 25% ，而且 Linux 线程池的容量扩大三倍；更轻松的管理：提供 Domino 域监测（DDM）和改进的策略管理，并实现自动化的客户机安装与升级；更紧密的整合：将 DB2 作为数据直接存储，就如同 Domino 自身的数据，检索起来方便快捷；更顺畅的设计：在 Domino Designer 7 中引入新的设计元素，开发者能直接调用相应模块开发 Web 服务，界面也很友好。

Sibelius乐谱软件下载v7.1.2官方版

Sibelius乐谱软件下载v7.1.2官方版Sibelius世界上最好的写乐谱软件之一,Sibelius来自音乐巨匠西贝柳斯的故乡《芬兰颂》作者,是现在世界上功能最强的写乐谱的音乐软件之一, 它的功能使很多很多作曲家都很喜欢用这个软件它的乐谱记号是十分全面的，基本上所有的乐谱都可以应付自如,只有Finale可与之匹敌!软件特色1、增强您的乐曲支持多达16 个乐器分谱(五线谱)，您可以创作丰富的多层乐曲。

但是，它不只是音符。

通过在MIDI 设备上弹奏和弦或键入后缀元素可以增加和弦符号和吉他和弦图。

将吉他谱转成乐谱，然后再转回。

并轻松添加歌词、标题、文字和图形来完善乐谱。

2、快速创作精美的乐谱更多时间可以花在作曲(而非修改)上。

在您作曲时，磁性布局(Magnetic Layout) 能自动为乐谱中每个音符分配适当的间隙并避免出现拥挤，从而制作出美观的乐谱，可将作曲的时间缩短一半。

而且无论什么时候您更改总谱，动态分谱(Dynamic Parts) 都能自动创建并更新单独的乐器分谱。

3、将音乐转换为乐谱Sibelius 随附有两个伴奏应用，允许您将录制、演奏、打印和手写的音乐转换为乐谱。

利用 AudioScore Lite，对着麦克风演唱或单音乐器演奏，就可以输入音符。

利用PhotoScore & NotateMe Lite，可将打印的、PDF 和JPEG 活页乐谱转换为可编辑的乐谱，即便是手写的乐谱也能做到。

4、清晰地听到您音乐的每一个细节利用附带的 10 GB 高品质采样乐器音色库，您可以回放乐曲，以聆听使用全套乐器演奏时的音色。

Espressivo 功能增添了更人性化的感觉，因此您的乐谱听起来会与预期一样。

您也可以使用VST 和AU 虚拟乐器及音效。

5、获得灵感遇到作曲障碍?不必发愁。

查看乐谱入门 (Score Starter) 和灵感中心 (Ideas Hub) 来快速启迪您的创造力。

Waves Sibilance用户指南说明书

Waves SibilanceUser GuideIntroductionThank you for choosing Waves! In order to get the most out of your new Waves plugin, please take a moment to read this user guide.To install software and manage your licenses, you need to have a free Waves account. Sign up at . With a Waves account you can keep track of your products, renew your Waves Update Plan, participate in bonus programs, and keep up to date with important information.We suggest that you become familiar with the Waves Support pages: /support. There are technical articles about installation, troubleshooting, specifications, and more. Plus, you’ll find company contact information and Waves Support news.Waves Sibilance is a sophisticated, easy-to-use DeEsser. A DeEsser is an audio processor designed to attenuate high-frequency sounds generated when certain consonants are voiced. Some vocal sounds create high-energy peaks at certain frequencies; this can result in unwanted distortion or extreme presence in the higher frequencies. The most common sources of sibilance are the S and Sh sounds, which are created when the tongue directs a stream of air toward the teeth. This results in a hissing sound with high energy content. These front-of-mouth vocalizations are also closer to the microphone membrane than are other vocal sounds —this may exaggerate sibilant sounds. Waves Sibilance is very effective in reducing these sounds to a more natural level, eliminating distortion and high-frequency peaks.Sibilance uses a new Waves technology—Organic ReSynthesis—that breaks sound into basic elements (e.g., pitch, formant, amplitude, carrier, etc.) before processing takes place. When one of these elements is manipulated, the others remain unchanged. These are used to re-synthesize the chosen element. Waves Sibilance uses the Formant Weight element for detection and manipulation. Organic ReSynthesis allows precise identification of unwanted S and Sh sounds, resulting in smooth, glitch-free, and effective DeEssing. Waves Sibilance reduces unwanted sounds flawlessly, while maintaining the timbre, duration, and natural resonance of the original sound.Important: For superior results we recommend using Sibilance on single instruments or voices.Quick StartThe following steps will get you started and familiarize you with all of Sibilant’s controls. To learn more, go to the controls section of this user guide.1.The Detection Width control is located on the left side of the interface. Use this to identify and focuson unwanted S or Sh sounds—lower values detect narrower frequency ranges for detection andhigher values result in a wider detection range. A narrow range will usually work well for S sounds, while Sh sounds often require a wider detection range to include a greater frequency span. If tooshort, the sibilant may not be detected. However, if Detection Width is set too wide, sounds other than sibilants may be detected. Detected sibilant sounds are marked in yellow on the Graph.2.Click the Monitor toggle to audition the detected sounds that will be removed based on currentdetection settings. This provides an accurate preview of what you’re going to remove.3.Adjust the Threshold control to set the level at which sibilant processing begins. Threshold isdisplayed on the graph with two g reen lines.e the Range control to determine the maximum amount of Gain reduction. Actual g ain r eduction isdisplayed by a y ellow line on Range scale.e the Mode knob to control how gain reduction will be carried out on the detected sibilant sounds.When Mode is set to its lowest value, attenuation will affect the full frequency range of the detected sound. When Mode is at its highest value, attenuation will focus on frequencies above 4 kHz. Use intermediate values to transition between the two modes. Low settings will usually work better for Shsounds, while higher values are beneficial for attenuation of S sounds.Components and InterfaceThere are four Sibilance components. Two components are intended primarily for studio use: •Sibilance Mono•Sibilance StereoSibilance Component (Mono & Stereo)Lookahead setting.Lookahead On:44.1kHz / 48kHz (529 samples)88.2kHz / 96kHz (1152 samples)Lookahead Off:44.1kHz / 48kHz (0 samples)88.2kHz / 96kHz (0 samples)Sibilance-Live Component (Mono & Stereo)These components have no latency and are ideally suited for live settings.•Sibilance-Live Mono•Sibilance-Live StereoThe Lookahead feature is not available in Live components.Controls and IndicatorsDetection WidthUse this control to focus on unwanted S or Sh sounds. Increasing the Detection Width valuesounds. For Sh sounds, use a wider detection range to include a wider frequency span. Thedetected sounds are marked in yellow on the Graph waveform.Range: Narrow (0) – Wide (100)Default: 50%Reset: 50%Lookahead (Not available in Sibilance-Live component)Lookahead improves Sibilance detection. It adds 12 ms of latency to the process. For Live applications, use the Sibilance-Live component to avoid dynamic latency changes. The Live components do not use the Lookahead feature.Range: On/OffDefault: OffReset: OffMonitorClick the Monitor toggle to audition detected sounds only.Range: On/OffOn: only sibilant sounds are auditionedOff: entire processed signal is auditionedDefault: OffReset: OffThresholdThreshold sets where sibilance processing will begin. Adjust the Threshold level to include ortwo green Threshold lines.Range: -80 dB to 0 dBDefault: -12.5 dBReset: 0 dBRangeRange: 0 dB to -48 dBDefault: -14 dBReset: 0 dBModeWide Mode (0): entire frequency range of detected sounds will be attenuatedSplit Mode (100): only frequencies above 4 kHz will be attenuatedRange: 0 (Wide) to 100(Split) Default: 50Reset: 50GraphDetected SoundsThresholdWaveSystem ToolbarUse the bar at the top of the plugin to save and load presets, compare settings, undo and redo steps, and resize the plugin. To learn more, click the icon at the upper-right corner of the window and openthe WaveSystem Guide.。

Sibelius教程

Sibelius快速入门一：Sibelius简介目前，在世界范围内被广泛应用的乐谱编辑软件主要有Sibelius,Finale,Encore,Overture。

Sibelius以它突出的人性化，精美的谱面效果，方便的Web发布等等赢得不少用户，特别是越来越多的作曲家也从其它同类软件转投到Sibelius的怀抱中。

Sibelius有For Windows版及For Mac版，现在Sibelius的最新版本为Sibelius 5。

然而，对于仅用于乐谱制作而言，似乎也没必要从Sibelius 4升级到5。

相对Sibelius 4而言Sibelius 5最重要的升级就是支持VST，对乐谱制作方面并无重大升级。

所以，本系列教程也是以Sibelius 4 (For Windows版)为基础讲解的，其它版本的使用方法基本上也是大同小异。

二：启动Sibelius和启动其它软件类似，启动Sibelius可以有多种方法：桌面快捷方式启动，开始菜单启动，快捷启动栏启动等。

好了，现在我们就来打开Sibelius，一曲芬兰作曲家Sibelius的乐曲过后就可以开始制作我们的第一份乐谱，三：新建乐谱启动Sibelius后，默认会出现Quick Start对话框，如下图所示。

在这个对话框中，可以进行打开文件、新建乐谱，创建模板等操作。

如果希望下次打开时不出现Quick Start对话框，把下图中红色框中的勾去掉即可。

单击Cancel按钮，就会出现一个New Score的对话框，如下图。

一般我们要新建一份乐谱，按照这个对话框一步一步的提示进行操作就可以完成乐谱的基本设置了。

首先，在图中1的对话框中选择乐器，2选择纸型，3则是前面选择结果的实际显示效果。

我们在这里以制作一份古典吉他的乐谱为例。

在1中找到“Guitar”，其它默认，按“Next”；选择“House Style”，即乐谱的总体风格，这个可以暂时不管，按“Next”；这一步选择拍号（1）,设置弱起小节（2）,指定乐曲速度（3）。

Sibelius教程

Sibelius快速入门一：Sibelius简介目前，在世界范围内被广泛应用的乐谱编辑软件主要有Sibelius,Finale,Encore,Overture。

Sibelius以它突出的人性化，精美的谱面效果，方便的Web发布等等赢得不少用户，特别是越来越多的作曲家也从其它同类软件转投到Sibelius的怀抱中。

Sibelius有For Windows版及For Mac版，现在Sibelius的最新版本为Sibelius 5。

然而，对于仅用于乐谱制作而言，似乎也没必要从Sibelius 4升级到5。

相对Sibelius 4而言Sibelius 5最重要的升级就是支持VST，对乐谱制作方面并无重大升级。

所以，本系列教程也是以Sibelius 4 (For Windows版)为基础讲解的，其它版本的使用方法基本上也是大同小异。

二：启动Sibelius和启动其它软件类似，启动Sibelius可以有多种方法：桌面快捷方式启动，开始菜单启动，快捷启动栏启动等。

在这个对话框中，可以进行打开文件、新建乐谱，创建模板等操作。

如果希望下次打开时不出现Quick Start对话框，把下图中红色框中的勾去掉即可。

单击Cancel按钮，就会出现一个New Score的对话框，如下图。

一般我们要新建一份乐谱，按照这个对话框一步一步的提示进行操作就可以完成乐谱的基本设置了。

首先，在图中1的对话框中选择乐器，2选择纸型，3则是前面选择结果的实际显示效果。

我们在这里以制作一份古典吉他的乐谱为例。

OP7中文版

操作面板OP-7技术文件兰精公司切断机湖北经纬化纤公司2004-10-06目录概述 (2)1.1 概览......................... . (3)1.2 密码...................................................................................................................................1.3 报警................................................................................................................................2 1# 和2#切断机操作面板................................................................................................. 2.1 启动屏幕............................................................................................................................ 2.2 启动屏幕选择.................................................................................................................... 2.3 2#切断机的第1项参数屏幕...................................................................................................2.4 2#切断机的第2项参数屏幕............................................................. ................................. 2.5 2#切断机的第3项参数屏幕............................................................. .............. . ................ 2.6 2#切断机与2#切刀驱动装置联锁屏幕.........................................................................2.7 2#切断机与2#三辊牵引装置（TRIO）的联锁屏幕..............................................................2.8 2#切断机与2#窗口的联锁屏幕........................................................................... .........2.9 2#切断机与2#升降驱动装置的联锁屏幕............................................................. .......2.10 1#切断机的第1项参数屏幕...............................................................................................2.11 1#切断机的第2项参数屏幕................................................................................................2.12 1#切断机的第3项参数屏幕................................................................................................2.13 1#切断机与1#切刀驱动装置的联锁屏幕....................................................................2.14 1#切断机与1#三辊牵引装置（TRIO）的联锁屏幕........................................... ........ 2.15 1#切断机与1#窗口的联锁屏幕...................................................................................... 2.16 1#切断机与1#升降驱动装置的联锁屏幕....................................................................2.17 基本设定屏幕1-3 ............................................................................................................ ........3 CM 1 和CM 2 维护保养参数屏幕............................................................................... 3.1 维护保养选择及1-2共用屏幕...................................................................................... ... 3.2 1#切断机维护保养屏幕1-4.............................................................................................3.3 2#切断机维护保养屏幕1-4............................................................................. .. ...... ............ .......1．西门子操作面板OP7 概述1.1 概览：Illuminated Display——屏幕照明Funktion keys——功能键Alarm lamp(red)——报警指示灯（红）Help lamp(green)——帮助指示灯（绿）Arrow keys——箭头键ACK——确认键Enter key——回车键1.2 密码：只有在输入正确的密码并按ENTER键后，才可能在操作面板OP-7上改变设定值并打开某些特别的屏幕。

Sibelius5入门1

SIBELIUS 5x简明教程吴粤北编写2007年版上海音乐学院音乐工程系内部教材SIBELIUS 5x简明教程吴粤北编写一、设定谱纸打开Sibelius 5x，可以使用已有的文件，现成的模板，也可以自行选择新谱纸（Star a new score）；通过另行安装的Photoscore插件可以直接扫描乐谱或调入印刷或手写的乐谱图形文件；可以在Manuscript Paper中自行定义乐器和谱行；决定横排还是直排版（新音乐风格的室内乐作品多用横排版）；接下来可以选择出版社的谱型风格（House Style）和文本字体；确定节拍和速度（Time signature and Tempo）、符尾联组式样（Beam and Rest Groups）、速度（Tempo）、速度提示文本（Tempo text）、弱起不完全小节（Pick-up bar）以及节拍机速度指示（Metronome Mark）；然后选择调式调性；最后是乐谱文字及版权信息（Score Info），还可以创造一个标题页（Create title page）。

1．增加或删除谱行：可先选择菜单Create（创造）/Instruments（乐器）中左边的某乐器名，再点击需要插入的某谱行位置即可，快捷键I；也可以用这里的Move Up，Down来改变谱表顺序。

创造额外谱表（Ossia）：选中某谱行的某小节，在菜单Create/Others/Ossia Staff中选Ossia Above或Below即可，这种谱表一般用途是作为备用或第二方案的谱表。

改变谱号：在菜单Create/Clef中选择新的谱号后，再点击需要改变的谱号即可，快捷键Q。

增加或改变乐器名：增加乐器名，双击该谱行左侧，出现提示符后可直接写入乐器名；如要改变已有的乐器名，则双击该乐器名，出现输入提示符后可删除并重新写入。

增加谱行或删除多余谱行：快捷键I，增加Add to Score，或额外增加Extra Staff，这种谱表一般用途是将当前谱表改变为音符可跨行联组的连体谱表（钢琴谱表）。

resolume7

resolume7.2.1新版教程Resolume 7.2.1: 由浅入深，学习VJ视频映射和视觉娱乐的最新技术！Resolume7.2.1新版教程1.说明Resolume 7.2.1是一款功能强大的影像混合器和视频混合器，可为视频工厂灵活混合音频、映像、文字和特效，中文版也是7.2.1版本，可望Resolume开发更多新功能，提供影音艺术家更好的创作体验。

2. Resolume7.2.1新特性(1) Resolume7.2.1支持MIDI和OSC，控制节奏、播放位置、标签和转换参数，微调画布和动画转换的参数，实时更新直方图火力或调整色彩平衡，可在画布上放置MIDI和OSC控制器。

（2）Resolume7.2.1特征着色更深入，可以轻松锻炼画布或对象的色彩：不仅可调整色相强度，还可以调整饱和度和对比度，以及增加深色、亮色和柔和度，自定义每个色彩上下文设置。

（3）Resolume7.2.1增加了新的多层通道器，让你在一个“层”上混合单独的媒体，你可以把多层的媒体堆叠起来，叠加更多的层，直到你对结果满意为止。

（4）Resolume7.2.1增强了整体LOOP机制，可以同时定义好几个时间线和每个时间线里可以定义多个段落，让用户根据需求播放音频、视频和图片，而它们可以相互開启和关闭来混合多种媒体，使它们的过渡更自然。

3. 安装步骤（1）首先前往Resolume官网下载最新的Resolume 7.2.1版本，可自由选择Windows版本，安装正确的中文版，国外的用户可以去官网选择英文版的下载；（2）下载完成后打开并运行安装程序，按照程序提示一步步安装完成，等待程序完成安装；（3）安装完成后启动Resolume 7.2.1，系统会提示升级体验为最佳，根据要求操作即可，在激活期间完成软件激活并获取注册码等所有步骤，在打开页面可以看到显示使用欢迎界面，完成激活后可以免费试用；（4）在软件界面可以随时增加设置和更新自己的软件，保证更新的软件内容，点击设置可以按照自己的需求设置自己beni或画布的参数，点击模板可以快速打开模板文件，以实现最优的创意效果；（5）安装完成后，您可以创建画布，编辑画面，添加滤镜动画，添加声音视频文字等，按照步骤一步步完成自己想要设计好的作品，完成后即可播放画面，可随时观察在Resolume下的作品效果。

Sibelius教程

Sibelius快速入门一：Sibelius简介目前，在世界范围内被广泛应用的乐谱编辑软件主要有Sibelius,Finale,Encore,Overture。

Sibelius以它突出的人性化，精美的谱面效果，方便的Web发布等等赢得不少用户，特别是越来越多的作曲家也从其它同类软件转投到Sibelius的怀抱中。

Sibelius有For Windows版及For Mac版，现在Sibelius的最新版本为Sibelius 5。

然而，对于仅用于乐谱制作而言，似乎也没必要从Sibelius 4升级到5。

相对Sibelius 4而言Sibelius 5最重要的升级就是支持VST，对乐谱制作方面并无重大升级。

所以，本系列教程也是以Sibelius 4 (For Windows版)为基础讲解的，其它版本的使用方法基本上也是大同小异。

二：启动Sibelius和启动其它软件类似，启动Sibelius可以有多种方法：桌面快捷方式启动，开始菜单启动，快捷启动栏启动等。

在这个对话框中，可以进行打开文件、新建乐谱，创建模板等操作。

如果希望下次打开时不出现Quick Start对话框，把下图中红色框中的勾去掉即可。

单击Cancel按钮，就会出现一个New Score的对话框，如下图。

一般我们要新建一份乐谱，按照这个对话框一步一步的提示进行操作就可以完成乐谱的基本设置了。

首先，在图中1的对话框中选择乐器，2选择纸型，3则是前面选择结果的实际显示效果。

我们在这里以制作一份古典吉他的乐谱为例。

西贝柳斯教程

二、菜单祥解 File menu（文件菜单） New 建立一个新文件。

快捷键：Ctrl+N Open 打开一个已经存在的文件。

快捷键：Ctrl+O Append Score 在现已打开的Sibelius 文件的结尾处增加另外一个Sibelius 文件，并合成一个新的文件。

注意：两个文件必须有相同的乐器配置格式，并一定是由 Sibelius 的相同版本制作的文件。

Close 关闭已打开的文件，如你对文件做了修改就提醒你要立即保存文件。

快捷键：Ctrl+W Close All 关闭所有已打开的文件，必要时保存文件。

Save 存储当前文件，需要时取名保存。

快捷键：Ctrl+S Save as 另存。

用不同的名字存储当前文件，或者将当前文件存为其它格式的文件。

Save as Graphics 将当前文件存为图形文件。

Save as Manuscript 将当前文件存为样板文件以备将来之用。

Save All 存储所有已打开的文件。

Print 打印当前文件。

快捷键：Ctrl+P Extract Parts 从当前总谱中提取分谱。

快捷键：Ctrl+Shift+X Publish on 在sibelius 网站上发表当前作品。

Score Info 显示当前乐谱的有关信息，如标题、作家等。

Plug-ins 提供额外功能的小插件。

Preferences：General 通用参数设置。

Preferences：Keyboard Shortcuts 快捷键参数设置。

Preferences：Word Menus 文字菜单的参数设置。

Exit/Quit 退出Sibelius。

快捷键：Alt+F4 Edit menu （编辑菜单） Undo 取消最后一次*作。

快捷键：Ctrl+Z Redo 恢复你已取消的最后一次*作。

Cubase Elements 7零售版和其他几个版本的区别中文翻译版

（可选的键盘快捷键和快捷键宏）
支持
支持
支持
扩展的音轨侧边栏
(display VSTi channels forMIDItracks)
支持
支持
支持
扩展的VST乐器和音轨冻结
支持
支持
支持
新的Automation、Controller Lane编辑
支持
支持
支持
还有很多太多了自己去看
……
……
……
录音和混音
Cubase7
支持
支持
支持
支持Windows Media WMA编码
支持
支持
支持
支持多线程
支持
支持
支持
Mac OS X Universal Binary
支持
支持
支持
支持VST3插件
支持
支持
支持
支持VST2.4插件
支持
支持
支持
支持ReWire共同
支持
支持
支持
FLAC等无损格式
支持
支持
支持
MIDI设备的映射和编辑
支持
支持
支持
支持
带有集成监听– 1:1 mixer mapping (MR816 X, MR816 CSX)
支持
支持
带有监听–多轨录音室混音(MR816 X, MR816 CSX)
支持
总谱特点
Feature
Cubase7
Cubase Artist7
Cubase Elements7
Automatic integration throughIEEE1394 (MR816 X, MR816CSX, CC121, MOTIF XS)

Sibelius 使用教程教材说明

Sibelius菜单详解 Sibelius主要有10个菜单，分别是File<文件>、Edit<编辑>、View<视图>、Create<创建>、Play<播放>、Notes<音符>、Layout<布局>、House Style<风格>、Window<窗口>与Help<帮助>。

这里面包括了Sibelius的所有命令，是我们学习Sibelius者必须了解的。

对于菜单里的一些不常用的、或很容易理解的命令，就简略地提一下，对常用的、或难理解的命令，会详细地讲解。

紧接着菜单栏下面的是工具栏，它的上面排列着常用工具的快捷按钮，可以很方便地启动某项命令。

1.1. File（文件）菜单 File（文件）菜单，是绝大多数软件都有的菜单。

Sibelius的File菜单有一些特别之处。

下面我们就依次看看它们的中文意思和作用： l New（新建），用于新建一个Sibelius 文件，其作用与工具栏上的按钮一样，快捷键是“Ctrl+N”。

l Open（打开），打开一个现有文件，其作用与工具栏上的按钮一样，快捷键是“Ctrl+O”。

Sibelius支持打开的文件类型包括：sib、mid、mus（PrintMusic）、opt （PhotoScore）、etf（Finale ENIGMA）、nif（NIFF）、tmp（SCORE File List）、pag（SCORE Page）、s7（Sibelius 6/7）、tab（ASCII Tab）、btab（ASCII Bass Tab）、crd（ASCII Chord）等等。

l Append Score（导入乐谱），在当前乐谱的末尾导入另一首乐谱（只能是.sib格式）。

导入的乐谱的“Instruments”数、谱行数必须与当前乐谱相同，否则将无法导入。

导入的乐谱的各声部音色最好与当前乐谱相同并一一对应，如果有音色不一致，Sibelius将会提醒说，这是一种很不推荐的做法，是否强行导入，如果点击“是”，可以强行导入，并把导入乐谱的音色更改为当前乐谱的相对应的音色。

Sibelius_西贝柳斯_入门_教程合集.doc

创造额外谱表（Ossia）：选中某谱行的某小节，在菜单Create/Others/Ossia Staff中选Ossia Above或Below即可，这种谱表一般用途是作为备用或第二方案的谱表。

改变谱号：在菜单Create/Clef中选择新的谱号后，再点击需要改变的谱号即可，快捷键Q。

Kenwood TK-941 Conversion 33-centimeter Programmin

Ray Montagne - W7CIAThe frequency must be converted to a Kenwood Channel Number prior to programming. The following table, obtained from the KW900EZP program documentation by K2MCI, is used to obtain the channel number for the target frequencies:927 902919907920908921909926903 801602403200.00001811612413210.0125 2821622423220.0250 3831632433230.0375 4841642443240.0500 5851652453250.0625 6861662463260.0750 7871672473270.0875 8881682483280.1000 9891692493290.1125 10901702503300.1250 11911712513310.1375 12921722523320.1500 13931732533330.1625 14941742543340.1750 15951752553350.1875 16961762563360.2000 17971772573370.2125 18981782583380.2250 19991792593390.2375 201001802603400.2500 211011812613410.2625 221021822623420.2750 231031832633430.2875 241041842643440.3000 251051852653450.3125 261061862563460.3250 271071872573470.3375 281081882583480.3500 291091892593490.3625 301101902603500.3750 311111912613510.3875 321121922623520.4000 331131932633530.4125 341141942643540.4250 351151952653550.4375 361161962663560.4500 371171972673570.4625 381181982683580.4750 391191992693590.4875 401202002703600.5000 411212012713610.5125 421222022723620.5250 431232032733630.5375 441242042743640.5500 451252052753650.5625 461262062763660.5750 471272072773670.5875 481282082783680.6000 491292092793690.6125927 902919907920908921909926903501302102803700.6250511312112813710.6375521322122823720.6500531332132833730.6625541342142843740.6750551352152853750.6875561362162863760.7000571372172873770.7125581382182883780.7250591392192893790.7375601402202903800.7500611412212913810.7625621422222923820.7750631432232933830.7875641442242943840.8000651452252953850.8125661462262963860.8250671472272973870.8375681482282983880.8500691492292993890.8675701502303003900.8750711512313013910.8875721522323023920.9000731532333033930.9125741542343043940.9250751552353053050.9375761562363063960.9500771572373073970.9625781582383083980.9750791592393093990.9875The target frequency pairs of 927.2125 / 902.2125 and 927.2250 / 902.2250 use FCC channels 17 and 18 respectively.Programming ProcedureI. Launch KPG-25D.exe and start with an empty template by selecting New from the File menu.II. Set the Model to TK-941.III. Select Feature Option from the Edit menu.IV. Set the T.O.T. (Dispatch) parameter to 600. This is the transmission time limit, in dispatch mode, expressed in 15 seconds per step with a range of from 15 seconds to 600 seconds. The default is 60 seconds. These are set to 10 minutes (600 seconds) so that the timers in the repeater controller can be used.V. Set the T.O.T. (Tel)parameter to 600. This is the transmission time limit, in telephone mode, expressed in 15 seconds per step with a range of from 15 seconds to 600 seconds. The default is 180 seconds. These are set to 10 minutes (600 seconds) so that the timers in the repeater controller can be used.VI. Set the Drop out delay time parameter to 1. This sets the time between carrier detect drop out and the resumption of scanning. This parameter can be set from 0 to 254 seconds at 1 second per count. The default is 3 seconds.VII. Set the dwell time parameter to 1. This sets the time between the end of transmission and the resumption of scanning. This parameter can be set from 0 to 254 seconds at 1 second per count. The default is 15 seconds.VIII. Set the Transpond delay time parameter to 3. This sets the delay from the decode of a transpond enabled ID to the beginning of a transpond transmission. This parameter can be set from 0 to 254 seconds at 1 second per count. The default is 3 seconds. If this parameter is set to a value greater than the Drop out delay time then the Drop out delay time will be used as the Transpond delay time.IX. Set the TX inhibit time parameter to 5.0. This parameter sets the period of time that the transmitter is inhibited after an inhibited ID is detected. The value can be set from 0.5 seconds to 8.0 seconds in 0.5 second steps.X. Set the Aux switch parameter to N/A. This parameter toggles the following functions off:A. N/A: No functionB. Option Sig: Option signaling board reset switch.C. Manual Relay: Auxiliary output signal ON/OFF.D. Horn Alert: Horn Alert ON/OFFE. Telephone Search: Automatically searches for a vacant telephone channel (trunked system).F. ALP/Sys.Grp.: Toggle display between alphanumeric or the system & group number.G. Fixed Call: Reset radio to a pre-programmed system & group.H. Del/Add: Provides the user system Delete / Add button.XI. Set the Scan switch parameter to List scan. This parameter sets the scan type selection as follows:A. N/A:Disables the scan switch function and sounds an alert tone (if programmed) when the scan key ispressed.B. List Scan: Automatic roaming scan.C. Fix System Scan: Operator selectable system scan.XII. Set the Revert sys type parameter to Last Use. This parameter sets the programmable transmit destination system & group during scanning. Options include:A. Last Used: Last transmitted system & group.B. Last Called: Last received system & group.XIII. Set the Free System ring back parameter to No. This feature is only active during telephone use (trunked system). The radio will beep when the telephone interconnect line is not busy.XIV. Set the Clear to talk beep parameter to Yes. Upon successful access of a trunked system, this beep tone sounds to alert the user they can begin speaking.XV. Set the System search parameter to None. While a selected system is busy (the radio sounds an intercept tone) then release the PTT key, the radio will start to search for an available system automatically or manually. Options include:A. None: Disable system search.B. Auto: During the intercept tone, keep the PTT key held down and press the SCAN key. Upon release of theSCAN key, system search begins.C. Manual: During the intercept tone, releasing the PTT will initiate auto system search.XVI. Set the Display Character parameter to Grp Name. This parameter selects the display character Group name (Alphanumeric) or System & Group number. If you select the AUX switch as the display character, this selection will be just as default. Options include:A. Sys Grp: Set the display character as System & Group number.B. Grp Name: Set the display character as alphanumeric (pre-programing necessary).XVII. Set the Minimum volume parameter to 0. The minimum volume is the level which will be set automatically every time you turn on the radio. If the volume is adjusted below this level prior to turning the radio off, the volume will be set to this level the next time the radio is turned on. In order to ensure that the speaker is quiet at the repeater site, this value is set to zero. The default value is 8.XVIII. Set the Off hook scan parameter to Disable. The radio is able to scan, even with the mic off hook. Options include:A. Enable: Scan start & stop is independent of the mic hook switch.B. Disable: Mic must be on hook for scanning to start.XIX. Set the Off hook horn alt parameter to Disable. Horn alert is auto disabled when the microphone goes off hook Options include:A. Enable: Off hook auto disable.B. Disable: Manual disable only.XX. Set the Off hook decode parameter to Enable. The radio is still tone squelched, even though the mic is in the off hook condition (valid for QT, DQT and Option Signaling board decode). Options include:A. Enable: Decode signaling active even in the off hook condition.B. Disable: Decode signaling is disabled during off hook.Setting this parameter to Enable allows the radio to operate in decode without having to wire the off-hook signal to the on-hook position.XXI. Set the Access logic sig parameter to Sngl. Pulse. This logic signal is useful for external radio control unit (i.e. Mobile Data Terminal, Computer Aided Dispatch or Over The Air Re-Programming etc) that require a signal at the time of successful trunked repeater access. Options include:A. Continuous: Logic Level high during length of access.B. Sng. Pulse: Logic level high pulse at the time of a successful handshake.XXII. Set the Horn alt logic sig parameter to Pulse. The Horn Alert logic can be used to drive a vehicle horn relay, light or other device. The logic level signal can be set for a continuous (EX: light) or momentary pulse output (EX: vehicle horn relay). Options include:A. Continuous: Continuous logic level low output until reset.B. Pulse: Momentary logic level low output.XXIII.The options should now appear as:XXIV. Layout all of the repeater input frequencies in the first group. Setup each repeater output frequency in a separate system. Using the Kenwood3.exe program, the hexadecimal representation of each frequency can be determined (as seen in the table below).Group & System ConfigurationGroup 1Group 2Group 3Group 4Group 5Group 6Group 7Group 81KC7MCCTX A927.2125CarrierCH. 170xD197KC7MCCTX A927.2125EncodeCH. 170xD197KC7MCCRX A902.2125CarrierCH. 170x0190KC7MCCRX A902.2125EncodeCH. 170x0190KC7MCCTX B927.2250CarrierCH. 180xD297KC7MCCTX B927.2250EncodeCH. 180xD297KC7MCCRX B902.2250CarrierCH. 180x0290KC7MCCRX B902.2250EncodeCH. 180x0290The carrier access groups are not intended for active use but support test configurations, such as performing a -12 dB SINAD measurement on a receiver.XXV. Set the system configuration to Conventional.XXVI. Hit Enter to edit the system configuration.XXVII. Program each group as follows:A. Set the FCC field to 200.B. Set the transmit Encode field as appropriate.C. Set the receive Decode field as appropriate.D. Set the Grp-Name field as appropriate. Use unique text that will help you identify the group name whenusing the HxD program at a later step.E. Set the TlkArnd field to Yes.F. Leave all other fields at their default values.XXVIII. Save the KPG25D configuration file.XXIX. Exit the KPG25D.exe program.XXX. The KPG25D.exe program will have inserted a value of 0x089B, corresponding to channel 200 or 937.5000 MHz, into each of the frequency slots. The channel numbers are stored as a 16-bit word in little endian format. Endian swapping the default channel value results in a value of 0x9B08, which converts to a decimal value of 39688. The decimal channel value can be determined by subtracting the target frequency from 937.5000 MHz and then dividing by the channel frequency step size of 0.0125 MHz. The resulting value is then subtracted from a value of 38923, converted back to hexadecimal and then endian swapped into little endian format before storing the frequency. This is apparently what the Kenwood3.exe program does (except that the conversion to decimal and endian swapping is not required in programming since little endian is the native format for x86 processors).XXXI. Launch the HxD.exe program.XXXII. Open the KPG25D data file with the HxD program.XXXIII. Locate each frequency entry with a value of 0x089B and edit the value to the appropriate value obtained from the Kenwood3.exe program. The Grp-Name field data will be visible in the window and will help to locate the 0x089B value associated with a specific group name..XXXIV. Save the file and exit the Kenwood3.exe program.XXXV. Launch the KPG25D.exe program.XXXVI. Load the KPG25D data file.XXXVII. A view of the Feature option window will show the new channel data.XXXVIII. Program the radio.Filter InstallationTwo TK-941 radios are used to implement the full-duplex link back-bone, with one radio acting as the transmitter and the other radio acting as the receiver. The front-end filter on the receive radio must be swapped out with a filter that has the bandpass frequency having the receive frequency fall within the bandpass.A hot air SMD station was used to remove the pair of filters from the TK-941 receive radio front-end. 915 MHz filters were then installed using a standard soldering station. Note that the filter terminals did not align with the solder pads on the printed circuit board. The terminals had to be bent in to contact the pads prior to soldering. A check was made, using an Ohm meter, to verify that the terminals did not short to the ground traces surrounding the filter terminal pads.Upon completion of the filter installation, the VCO was adjusted to obtain VCO lock.Repeater Controller Interface - Receive RadioThe repeater controller interface requires access to the COS signal and de-emphasized audio. The signal driving the BASE of Q20 presents an Active LOW COS. Further, the COS signal carries only the COS when programmed for COS access or the logical NAND of COS and Tone Decode when programmed for tone or DCS access. The observed logic level on the COS signal shows 3.6 volts when HIGH.Squelch gated de-emphasized audio is available at the junction of C75 and IC6-13. The signal level of the audio, using a 1KHz tone with 3KHz deviation (as used for a -12 dB SINAD measurement), was observed to be 1.2 Vpp.The following annotated PCB view shows where to connect the COS and Gated Audio signals to interface to the repeater controller.The following image shows the repeater controller interface wires attached to the receive radio. The COS wire is blue. The squelch gated de-emphasized audio is orange. A black ground connection is made at emitter of Q20. A Dremel tool was used to grind a small slot to route the cable out of the RF shielded area where the interface signals are available. A Hot Glue gun was used to fasten down the wires, providing strain relief for the PCB pad connections.The power cable chassis strain relief can be lifted, exposing a small but removable plug. Removing this plug allows for routing of the repeater controller interface wires out of the radio chassis.Repeater Controller Interface - Transmit RadioThe transmit radio requires access to the PTT and Microphone input signals. The front panel was removed in preparation to route wires from under the power cable and on to through the chassis to the front panel PCB.The attachment points on the back of the front panel PCB are well marked as follows:1. PTT: Push-to-talk (Green Wire)2. ME: Microphone Return (audio-signal-ground - Black Wire)3. MI: Microphone Input (Red Wire)。

SIMATIC Energy Manager PRO V7.2 - Operation Operat

Disclaimer of Liability We have reviewed the contents of this publication to ensure consistency with the hardware and software described. Since variance cannot be precluded entirely, we cannot guarantee full consistency. However, the information in this publication is reviewed regularly and any necessary corrections are included in subsequent editions.
2 Energy Manager PRO Client................................................................................................................. 19
2.1 2.1.1 2.1.2 2.1.3 2.1.4 2.1.5 2.1.5.1 2.1.5.2 2.1.6
Basics ................................................................................................................................ 19 Start Energy Manager ........................................................................................................ 19 Client as navigation tool..................................................................................................... 23 Basic configuration ............................................................................................................ 25 Search for object................................................................................................................ 31 Quicklinks.......................................................................................................................... 33 Create Quicklinks ............................................................................................................... 33 Editing Quicklinks .............................................................................................................. 35 Help .................................................................................................................................. 38

Waves Renaissance Bass软件音频处理器用户手册说明书

RenaissanceBasssoftware audio processor User’s GuideTable of ContentsChapter 1Quickstar tChapter 2ControlsChapter 3Basic adjustment p r oced ureRenaissance Bass Software Manual12Renaissance Bass Software ManualChapter 1 - QuickstartWaves created the Renaissance Bass to answer the demands of the market:an easy-to-adjust processor that delivered a great sound,quickly.Renaissance Bass uses patented technology that Waves developed for the original MaxxBass processor.Over the years we’ve been able to refine the algorithm for many licensing agreements,and felt it was time to bring the fruits of our labor back to the pro audio world,where it all started.Therefore,we created theRenaissance Bass processor,with significant improvement in the psychoacoustic bass performance,easier adjustment,and clip-free performance.What is the secret?Of course we can’t tell you everything we’re doing,but in general,the process is very simple.The brain can reconstruct a “missing fundamental”from just the harmonics the ear is hearing.For example, if you have a radio with a small speaker,the bass guitar in a rock song,or the double bass in a concerto,can not be reproduced by that very small speaker,that is,the fundamental pitch is too low for that speaker to produce.However,the harmonics are coming out of the speaker (they are higher than the fundamental of course, check your physics of sound book gathering dust on your shelf for a lot more information).Your ear can hear these harmonics,and the “hearing mechanism”,more like“hearing software”of the brain recognises that these harmonics are related to each other (i.e.,correlated),and reconstructs the missing fundamental.Therefore,you hear the low bass note,even though it is not coming out of that speaker.This phenomenon has been well known for centuries (pipe organ builders use exactly this technique to emulate very long pipes that might have been too expensive for the owner).Waves created the MaxxBass algorithm to do exactly this,taking the very low bass (user controllable) and creating harmonics that can be added into the signal (variable by user).Waves has patented this technology, refined it,and has put it into the Renaissance Bass processor.Renaissance Bass Software Manual3Renaissance Bass Software Manual4Chapter 2 - Controls Signal flow in the Renaissance Bass is from the left to right,so it’s easy to see how the original bass signal and the new harmonics are contributing to the total output.On the left side is the meter for the Original Bass level.In the middle is the level meter for the Harmonics that are created.Renaissance Bass Software Manual 5On the right side is the output meter,with infinite peak hold numbers at the bottom of the meters.Here’s a screenshot of a sine wave input to Renaissance Bass,without any Harmonics being added.When adding the Harmonics,the same signal produces this output:Renaissance Bass Software Manual 6In/Out (Original Bass)Switches the original bass (frequencies below the Freq value) in or out of the final out-put signal ofthe processor.Intensity This control is simply a level control ofthe Harmonics that are generated.It rangesfrom -24dB to +24dB.The zero reference level (0.0) is just a rough approximation formost systems to achieve a perceived equal bass level.For example,if you completelyremove the Original Bass (the In/Out button is set to Out),an Intensity setting of 0.0will very roughly give you equal perceived bass by using only Harmonics.Of course thiswill change a great amount depending on the source material,your speakers,the roomyou are in,and so forth.It’s not a recommended starting point,it’s just the middle ofthe control range.The higher the Intensity value,the more Harmonics are added to the output signal.FreqThis simply controls where the process begins (much as in a crossover).Therefore,with the setting shown above (65Hz),all frequencies below 65Hz will have harmonics generated by the system and added by the Intensity control.GainThe output gain control,which is reflected in the output meters immediately beside thegain control.Output metersThese meters show the output level of the processor.Just below each of the meters areinfinite peak hold numeric indicators,showing the highest peak (sample accurate) sincethe last reset.T o reset,just click the meters anywhere.There’s lots more information inthe WaveSystem manual,which explains common controls and amazing shortcuts thatare found in every Waves software processor.At the top of the meters is a clip light.Click it to reset.Renaissance Bass Software Manual7Renaissance Bass Software Manual 8Chapter 3 - Basic Adjustment ProcedureAdjusting Renaissance Bass is basically the same,no matter the application.What you want to do is enhance the perception of bass frequencies in a “proper”mix.It doesn’t depend on the speakers you have (we are assuming that you are using widerange speakers for monitoring).It depends only on your ability to use this tool as in any other (such as EQ,compression,etc.) and to use it in a reasonable way to get a balanced sound.Mixing or masteringLet’s suppose the bass guitar of a mix is a little low.Instead of adding EQ,which would boost the bass and surrounding harmonics,and boost other instru-ments in the same range as the harmonics,use Renaissance Bass.By taking all the frequencies below,say 100Hz,and creating new harmonics that are laid on top of any other sounds,the bass guitar will be heard more clearly,without becoming muddy from boosting other instruments at the same time.Here are the steps for adjusting the previous scenario:In a multitrack mix,you can insert Renaissance Bass on just the track (recommended in this example),or you can insert it on the 2-mix (master output),as you would do in a mastering application.•Set Freq to 100Hz.•Adjust Intensity to a low level (say,-10 or so)•Use the Bypass control to compare between the harmonically-enhanced signal,and no processing.•Adjust Freq and Intensity for desired effect.In this case,a low level of Intensity is probably enough,but of course it depends on the problem you are trying to fix.Fixed installation adjustmentA very different situation would be for a playback system that has a specific speaker system that does not have good bass,such as a kiosk,a commercial installation,an art installation,or any situation where you know exactly what speakers will be used,and have one with you to do the mixes with.For example,you are doing sound for a theme park such as Disneyland,and the speakers are 5”drivers that have a cutoff frequency of about 110Hz.You want to extend the bass response from these speakers,and you know that only these speakers will be used.Now you can do a more severe adjustment to the sound,knowing that the playback will be on this particu-lar system by completely replacing the low bass with harmonics.This keeps the small speaker from trying to reproduce the low frequencies,saves amplifier usage,all while sounding better than the speaker can actually sound!•Set Freq to the cutoff frequency of the playback speaker (in this example,110Hz)•Set Intensity to 0.0,then move upward until the bass is heard in a balanced way.•Fine tune the Freq and Intensity for the smoothest bass response.Frequency sweeps can be used, as well as the source material you are mixing.Renaissance Bass Software Manual9。

Sibelius精简教程.小技巧.超简教程.常用功能

第 2 章 Sibelius 6 汉化菜单功能详解 2.1 File（文件）菜单 2.2 Edit（编辑）菜单 2.3 View（视图）菜单 2.4 Notes（音符）菜单 2.5 Create（创建）菜单 2.6 Play（播放）菜单 2.7 LayOut（布局）菜单 2.8 House Style（排版样式）菜单 2.9 Window（窗口）菜单 2.10 Help（帮助）菜单
按下 T 选择拍号，常用的，还有通过选择的各种形式的调号；设置弱起小节的节拍；选择是否隐藏改变拍号的提示；设置音符连尾的方式，如：在相隔休止符的音符横梁是否自动连接在一起；但是这个设置将影响整份乐谱。
按下 Q 选择谱号，可以安放在任何位置，并可以用鼠标或箭头方向键移动。
页面设置
Ctrl+D 可以打开页面设置对话框：
按下 Delete 键删除；其它对象选择后也可以删除。
1.2小键盘的键位与应用
小键盘（Keypad）有五种输入介面，可以用 F7至 F12五个键来选择，也可以按动小键盘的“＋”号键来改变。
Sibelius6的小键盘功能
1、通用音符[F7]（基本音符和表情记号）
输入从32分音符到全音符时值的音符和休止符；附点、升记号、降记号、还原记号、重音记号、顿音记号和保持音记号； Enter 的连线在这里使同音高的音连续演奏不中断（指同音）。
2、更多音符[F8]（最大时值、最小时值小音符）
输入ห้องสมุดไป่ตู้全音符、64分及更小时值的音符和休止符；倚音、不带斜杠的装饰音、带括号的装饰音；括号、双附点、三附点、小节全休止符（全休止符可以改变整个小节）；斜杠作为插入之用； Enter 键在这一组里可以改变音符的大小。
3、连接/震音[F9]

Sibelius 7世界最强打谱软件完整版安装教程

这个可是真正的Sibelius 7完整版本哦，有20多个G呢！而且还有它的使用教程，
想要的同学下吧，Sibelius 7已经是自然的中文版本了，所以不用担心不会用的问题……
很多同学们都下了这个世界上最强的打谱软件，但很多都不会安装，所以就做一个贴子说一下吧，
我们下载下来的完整版是20多G，对于一个打谱软件，这的确是非常非常大了，解压完成后，得到了下面的文件
接下来我们将第一张DVD载入虚拟光驱打开虚拟光驱后看到
打到我鼠标选择中的文件start.exe双击开始安装选择中文
先从主程序，也就是第一个开始安装
选择路径时，不要选择C盘，不然受不鸟哦……
完成主程序的安装后，开始安装第二个
选择和主程序一样的路径
完成后，安装第三个，如果没有扫描仪，可以跳过
选择路径时，注意选择主程序一样的目录，记得双击
安装完后，可以开始第四个，不想安装的同学，可以跳过
接下来可以退出安装了放入第二张盘
打开第二个文件夹
双击下方做了蓝色记号的文件
直接点击Next就会安装音色插件
完成后重复载入第三，第四张DVD，一样的操作直接全部完成
完成后，回到我们的原始文件目录，找到07 - Avid_Sibelius_7_Generic_Patch_ASSiGN.exe 文件，这是个注册机，双击它运行
运行后会有提示让你找到安装目录中的SARILib.dll文件找到安装主程序的目录，里面有这个文件的
会提示破解成功，OK，我们可以打开软件来享受一下啦。

sibelius乐器汉化

sibelius中文翻译手册Sibelius一、常用编辑功能（把View/Toolbar和Window/Navigator先关闭，以下快捷方式优越性才能体现出来。

）☆新建：Ctrl+N（新的第一个字母）1、打开：Ctrl+O（打开的第一个字母）2、关闭：Ctrl+F43、保存：Ctrl+S（保存的第一个字母）4、打印：Ctrl+P（打印的第一个字母）5、恢复：Ctrl+Y6、撤销：Ctrl+Z（以下四个键挨在一起）7、剪切：Ctrl+X（像个剪刀）8、复制：Ctrl+C（拷贝第一个字母）9、粘贴：Ctrl+V10、重复操作：R☆选择：按住Shift，拉动鼠标或点一头一尾。

1. 选择页和选择小节：前一页Home，最前页Ctrl+～；后一页End，最后页Ctrl+～；某一页Ctrl+Shift+G；某一小节Ctrl+ Alt+G2. 选择上下：上PgUp，最上Ctrl+～；下PgDn，最下Ctrl+～3. 乐谱缩放：放大Ctrl+ ＝，缩小Ctrl+ －☆删除：Backspace（退格键←）1. 增加或删除小节：a、增加小节：Ctrl+B：结尾处增加一小节；Ctrl+Shift+B：选定的小节后加一小节Alt+B ：选定的小节前加若干小节。

b、删除小节：按Ctrl 用鼠标单击（双击则选中整行，三击选中所有的）选中小节，再按Backspace（退格键←）；Ctrl +Shift，则进行选择性删除。

2. 增加声部：I（Create in default order去勾，就在指定乐谱下方加。

否则按默认位置加）☆播放：P（播放时最好全屏，Ctrl+U隐藏菜单，Ctrl+I隐藏小键盘—U、I也挨在一起）1. 停止：O2. 调整各声部的音色音量：M3. 抽取分谱：Ctrl+Shift+X☆隐藏：Ctrl+Shift+H（隐藏的第一个字母）1. 隐藏空白谱表行：选中要隐藏的谱行，Ctrl+Shift+ Alt+H2. 隐藏谱表（五线谱变为无线谱）：Create/Staff Type Change/Piched/No Lines (hidden－只留音符休止符，bar rests shown－可以留谱号，barlines shown－可以留谱号和小节线)3. 显示：Ctrl+Shift+S（显示的第一个字母）二、页面设置（每次开始都是62.5%的固定比例：Preferences/General/ Default zoom level改为62.5%）1、页边距，行间距的设置：Ctrl+D2、调整谱表间距离：直接用鼠标拉动或用Alt+↑↓3、拍号：T（拍号第一个字母）（在Pickup(Upbeat)里设定弱起小节）4、调号：K（调号第一个字母）5、谱号：Q6、速度记号：Ctrl+Alt+T，用左键在需要的地方点击，出现闪动光标后点击右键，选择Allegretto再加上一个空格键，再次点击右键选择四分音符再到电脑键盘上输入.=108。

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