高中生经典英文小说阅读与欣赏系列 Eveline
高中生经典英文小说阅读与欣赏系列TheLastLesson
⾼中⽣经典英⽂⼩说阅读与欣赏系列TheLastLessonThe Last Lessonby Alphonse DaudetI started for school very late that morning and was in great dread of a scolding, especially because M. Hamel had said that he would question us on participles, and I did not know the first word about them. For a moment I thought of running away and spending the day out of doors. It was so warm, so bright! The birds were chirping at the edge of the woods; and in the open field back of the sawmill the Prussian soldiers were drilling. It was all much more tempting than the rule for participles, but I had the strength to resist, and hurried off to school.When I passed the town hall there was a crowd in front of the bulletin-board. For the last two years all our bad news had come from there—the lost battles, the draft, the orders of the commanding officer—and I thought to myself, without stopping:“What can be the matter now?”Then, as I hurried by as fast as I could go, the blacksmith, Wachter, who was there, with his apprentice, reading the bulletin, called after me:“Don’t go so fast, bub; you’ll get to your school in plenty of time!”I thought he was making fun of me, and reached M. Hamel’s little garden all out of breath.Usually, when school began, there was a great bustle, which could be heard out in the street, the opening and closing of desks, lessons repeated in unison, very loud, with our hands over our ears to understand better, and the teacher’s great ruler rapping on the table. But now it was all so still! I had counted on the commotion to get to my desk without being seen; but, of course, that day everything had to be as quiet as Sunday morning. Through the window I saw my classmates, already in their places, and M. Hamel walking up and down with his terrible iron ruler under his arm. I had to open the door and go in before everybody. You can imagine how I blushed and how frightened I was.But nothing happened. M. Hamel saw me and said very kindly:“Go to your place quickly, little Franz. We were beginning without you.”I jumped over the bench and sat down at my desk. Not till then, when I had gota little over my fright, did I see that our teacher had on his beautiful green coat, his frilled shirt, and the little black silk cap, all embroidered, that he never wore except on inspection and prize days. Besides, the whole school seemed so strange and solemn. But the thing that surprised me most was to see, on the back benches that were always empty, the village people sitting quietly like ourselves; old Hauser, with his three-cornered hat, the former mayor, the former postmaster, and several others besides. Everybody looked sad; and Hauser had brought an old primer, thumbed at the edges, and he held it open on his knees with his great spectacles lying across the pages.While I was wondering about it all, M. Hamel mounted his chair, and, in the same grave and gentle tone which he had used to me, said:“My children, this is the last lesson I shall give you. The order has come from Berlin to teach only German in the schools of Alsace and Lorraine. The new master comes to-mor row. This is your last French lesson. I want you to be very attentive.”What a thunderclap these words were to me!Oh, the wretches; that was what they had put up at the town-hall!My last French lesson! Why, I hardly knew how to write! I should never learn any more! I must stop there, then! Oh, how sorry I was for not learning my lessons, for seeking birds’ eggs, or going sliding on the Saar! My books, that had seemed such a nuisance a while ago, so heavy to carry, my grammar, and my history of the saints, were old friends now that I couldn’t give up. And M. Hamel, too; the idea that he was going away, that I should never see him again, made me forget all about his ruler and how cranky he was.Poor man! It was in honor of this last lesson that he had put on his fine Sunday clothes, and now I understood why the old men of the village were sitting there in the back of the room. It was because they were sorry, too, that they had not gone to school more. It was their way of thanking our master for his forty years of faithful service and of showing their respect for the country that was theirs no more.While I was thinking of all this, I heard my name called. It was my turn to recite. What would I not have given to be able to say that dreadful rule for the participle all through, very loud and clear, and without one mistake? But I got mixed up on the first words and stood there, holding on to my desk, my heart beating, and not daring to look up. I heard M. Hamel say to me:“I won’t scold you, little Franz; you must feel bad enough. See how it is! Every day we have said to ourselves: ‘Bah! I’ve plenty of time. I’ll learn it to-morrow.’ And now you see where we’ve come out. Ah, that’s the great trouble with Alsace; she puts off learning till to-morrow. Now those fellows out there will have the right to say to you: ‘How is it; you pretend to be Frenchmen, and yet you can neither speak nor write your own language?’ But you are not the worst, poor little Franz. We’ve all a great deal to reproach ourselves with.“Your pare nts were not anxious enough to have you learn. They preferred to put you to work on a farm or at the mills, so as to have a little more money. And I? I’ve been to blame also. Have I not often sent you to water my flowers instead of learning your lessons? And when I wanted to go fishing, did I not just give you a holiday?”Then, from one thing to another, M. Hamel went on to talk of the French language, saying that it was the most beautiful language in the world—the clearest, the most logical; that we must guard it among us and never forget it, because when a people are enslaved, as long as they hold fast to their language it is as if they had the key to their prison. Then he opened a grammar and read us our lesson. I was amazed to see how well I understood it. All he said seemed so easy, so easy! I think, too, that I had never listened so carefully, and that he had never explained everything with so much patience. It seemed almost as if the poor man wanted to give us all he knew before going away, and to put it all into our heads at one stroke. After the grammar, we had a lesson in writing. That day M. Hamel had new copies for us, written in a beautiful round hand: France, Alsace, France, Alsace. They looked like little flags floating everywhere in the school-room, hung from the rod at the top of our desks. You ought to have seen how every one set to work, and how quiet it was! The only sound was the scratching of the pens over the paper. Once some beetles flew in; but nobody paid any attention to them, not even the littlest ones, who worked right on tracing their fish-hooks, as if that was French, too. On the roof the pigeons cooed very low, and I thought to myself: “Will they make them sing in German, even the pigeons?”Whenever I looked up from my writing I saw M. Hamel sitting motionless in his chair and gazing first at one thing, then at another, as if he wanted to fix in his mind just how everything looked in that little school-room. Fancy! For forty years he had been there in the same place, with his garden outside the window and his class in front of him, just like that. Only the desks and benches had been worn smooth; the walnut-trees in the garden were taller, and the hopvine that he had planted himself twined about the windows to the roof. How it must have broken his heart to leave it all, poor man; to hear his sister moving about in the room above, packing their trunks! For they must leave the country next day.But he had the courage to hear every lesson to the very last. After the writing, we had a lesson in history, and then the babies chanted their ba, be bi, bo, bu. Down there at the back of the room old Hauser had put on his spectacles and, holding his primer in both hands, spelled the letters with them. You could see that he, too, was crying; his voice trembled with emotion, and it was so funny to hear him that we all wanted to laugh and cry. Ah, how well I remember it, that last lesson!All at once the church-clock struck twelve. Then the Angelus. At the same moment the trumpets of the Prussians, returning from drill, sounded under our windows. M. Hamel stood up, very pale, in his chair. I never saw him look so tall.“My friends,” said he, “I—I—” But something choked him. He could not go on.Then he turned to the blackboard, took a piece of chalk, and, bearing on withall his might, he wrote as large as he could:“Vive La France!”Then he stopped and leaned his head against the wall, and, without a word, he made a gesture to us with his hand:“School is dismissed—you may go.”。
英国短篇小说eveline英文读书笔记
EVELINEANNE 13201300951.SummaryThe story is about a young woman who longs to escape from the tyranny of her father and from the responsibilities of surrogate motherhood, thrust on her after the death of her own mother. When she is offered an avenue of escape, she discovers that she lacks the spirit, the courage, and the strength of character to take it.Although only nineteen years old, Eveline Hill lives in the past, her mind occupied with the way things “used to be” as she sits by the window of her father’s house. The world around her has changed, just as the neighborhood has changed. A land developer from Belfast has constructed brick houses on the field where “other people’s children” used to play. One of the children who used to play there is now dead, and others have left the area. Some have even left the country. Eveline remains. Her brother Ernest, who was “too grown up” to play, is now dead, as is her mother. Her father has turned to drink and is given to violence, particularly on Saturday nights.Eveline wor ks as a shopgirl at “the Stores”, earning a miserable seven shillings a week, which are then given over to her father. She promised her dying mother that she would “keep the h ouse together”, rearing the two younger children and contending with her father’s bad temper and the drinking that has worsened since her mother’s death. She dreams of escaping the dul l and painful life which have forced on her.Eveline meets a young man named Frank, who has sailed around the world and represents a means of escape for her. He wants to marry her and take her with him to Buenos Aires, halfway around the world from Ireland. Although she has accepted his offer of marriage and he has arranged her passage by ship, she has second thoughts on the day of her scheduled departure. At first her misgivings at home are centered on a remembrance of her past, as she sits by the window, clutching the letters that she has prepared for her father and brother in order to explain her departure. At the end of the story, she discovers that she is in fact unwilling and unable to leave her hometown. She is a captive of the past; she has no future. Finally, she stays.2.DefinitionsOdour——it’s similar to the word ”smell”, and is especially bad or disgusting smell. Keep nix——keep a lookout.Consent——you give someone permission to do something or agree to do something.Give somebody palpitations——make somebody’s heart beats very fast in anirregular way.Squander——spend thoughtlessly or throw something away at random. Manly——possessing qualities befitting a man.Elated——exultantly proud and joyful or in high spirit.Strut——to walk with a lofty proud gait, often in an attempt to impress others. Fervent——characterized by intense emotion.Grip——the act of grasping.3.Deep understandingsThe story is about young woman who longs to escape from the tyranny of her father and from the responsibilities of surrogate motherhood, thrust on her after the death of her own mother. When she is offered an avenue of escape, she discovers that she lacks the spirit, the courage, and the strength of character to take it. Traditionally, women viewed as subordinate and inferior to men. What Eveline chose at the end not only reveals her numbness of current life, but also shows her distrust to love. The story is just like a mirror, reflecting and warning people’s indifference to women’s sleeping self-consciousness and even all humanbeings’ numbness of custom and currency.。
高中生经典英文小说阅读欣赏与写作系列A Horseman in the Sky
A Horseman in the Skyby Ambrose BierceIOne sunny afternoon in the autumn of the year 1861 a soldier lay in a clump of laurel by the side of a road in western Virginia. He lay at full length upon his stomach, his feet resting upon the toes, his head upon the left forearm. His extended right hand loosely grasped his rifle. But for the somewhat methodical disposition of his limbs and a slight rhythmic movement of the cartridge-box at the back of his belt he might have been thought to be dead. He was asleep at his post of duty. But if detected he would be dead shortly afterward, death being the just and legal penalty of his crime.The clump of laurel in which the criminal lay was in the angle of a road which after ascending southward a steep acclivity to that point turned sharply to the west, running along the summit for perhaps one hundred yards. There it turned southward again and went zigzagging downward through the forest. At the salient of that second angle was a large flat rock, jutting out northward, overlooking the deep valley from which the road ascended. The rock capped a high cliff; a stone dropped from its outer edge would have fallen sheer downward one thousand feet to the tops of the pines. The angle where the soldier lay was on another spur of the same cliff. Had he been awake he would have commanded a view, not only of the short arm of the road and the jutting rock, but of the entire profile of the cliff below it. It might well have made him giddy to look.The country was wooded everywhere except at the bottom of the valley to the northward, where there was a small natural meadow, through which flowed a stream scarcely visible from the valley's rim. This open ground looked hardly larger than an ordinary door-yard, but was really several acres in extent. Its green was more vivid than that of the inclosing forest. Away beyond it rose a line of giant cliffs similar to those upon which we are supposed to stand in our survey of the savage scene, and through which the road had somehow made its climb to the summit. The configuration of the valley, indeed, was such that from this point of observation it seemed entirely shut in, and one could but have wondered how the road which found a way out of it had found a way into it, and whence came and whither went the waters of the stream that parted the meadow more than a thousand feet below.No country is so wild and difficult but men will make it a theatre of war; concealed in the forest at the bottom of that military rat-trap, in which half a hundred men in possession of the exits might have starved an army to submission,lay five regiments of Federal infantry. They had marched all the previous day and night and were resting. At nightfall they would take to the road again, climb to the place where their unfaithful sentinel now slept, and descending the other slope of the ridge fall upon a camp of the enemy at about midnight. Their hope was to surprise it, for the road led to the rear of it. In case of failure, their position would be perilous in the extreme; and fail they surely would should accident or vigilance apprise the enemy of the movement.IIThe sleeping sentinel in the clump of laurel was a young Virginian named Carter Druse. He was the son of wealthy parents, an only child, and had known such ease and cultivation and high living as wealth and taste were able to command in the mountain country of western Virginia. His home was but a few miles from where he now lay. One morning he had risen from the breakfast-table and said, quietly but gravely: "Father, a Union regiment has arrived at Grafton. I am going to join it."The father lifted his leonine head, looked at the son a moment in silence, and replied: "Well, go, sir, and whatever may occur do what you conceive to be your duty. Virginia, to which you are a traitor, must get on without you. Should we both live to the end of the war, we will speak further of the matter. Your mother, as the physician has informed you, is in a most critical condition; at the best she cannot be with us longer than a few weeks, but that time is precious. It would be better not to disturb her."So Carter Druse, bowing reverently to his father, who returned the salute with a stately courtesy that masked a breaking heart, left the home of his childhood to go soldiering. By conscience and courage, by deeds of devotion and daring, he soon commended himself to his fellows and his officers; and it was to these qualities and to some knowledge of the country that he owed his selection for his present perilous duty at the extreme outpost. Nevertheless, fatigue had been stronger than resolution and he had fallen asleep. What good or bad angel came in a dream to rouse him from his state of crime, who shall say? Without a movement, without a sound, in the profound silence and the languor of the late afternoon, some invisible messenger of fate touched with unsealing finger the eyes of his consciousness--whispered into the ear of his spirit the mysterious awakening word which no human lips ever have spoken, no human memory ever has recalled. He quietly raised his forehead from his arm and looked between the masking stems of the laurels, instinctively closing his right hand about the stock of his rifle.His first feeling was a keen artistic delight. On a colossal pedestal, the cliff,--motionless at the extreme edge of the capping rock and sharply outlined against the sky,--was an equestrian statue of impressive dignity. The figure of theman sat the figure of the horse, straight and soldierly, but with the repose of a Grecian god carved in the marble which limits the suggestion of activity. The gray costume harmonized with its arial background; the metal of accoutrement and caparison was softened and subdued by the shadow; the animal's skin had no points of high light. A carbine strikingly foreshortened lay across the pommel of the saddle, kept in place by the right hand grasping it at the "grip"; the left hand, holding the bridle rein, was invisible. In silhouette against the sky the profile of the horse was cut with the sharpness of a cameo; it looked across the heights of air to the confronting cliffs beyond. The face of the rider, turned slightly away, showed only an outline of temple and beard; he was looking downward to the bottom of the valley. Magnified by its lift against the sky and by the soldier's testifying sense of the formidableness of a near enemy the group appeared of heroic, almost colossal, size.For an instant Druse had a strange, half-defined feeling that he had slept to the end of the war and was looking upon a noble work of art reared upon that eminence to commemorate the deeds of an heroic past of which he had been an inglorious part. The feeling was dispelled by a slight movement of the group: the horse, without moving its feet, had drawn its body slightly backward from the verge; the man remained immobile as before. Broad awake and keenly alive to the significance of the situation, Druse now brought the butt of his rifle against his cheek by cautiously pushing the barrel forward through the bushes, cocked the piece, and glancing through the sights covered a vital spot of the horseman's breast.A touch upon the trigger and all would have been well with Carter Druse. At that instant the horseman turned his head and looked in the direction of his concealed foeman--seemed to look into his very face, into his eyes, into his brave, compassionate heart.Is it then so terrible to kill an enemy in war--an enemy who has surprised a secret vital to the safety of one's self and comrades--an enemy more formidable for his knowledge than all his army for its numbers? Carter Druse grew pale; he shook in every limb, turned faint, and saw the statuesque group before him as black figures, rising, falling, moving unsteadily in arcs of circles in a fiery sky. His hand fell away from his weapon, his head slowly dropped until his face rested on the leaves in which he lay. This courageous gentleman and hardy soldier was near swooning from intensity of emotion.It was not for long; in another moment his face was raised from earth, his hands resumed their places on the rifle, his forefinger sought the trigger; mind, heart, and eyes were clear, conscience and reason sound. He could not hope to capture that enemy; to alarm him would but send him dashing to his camp with his fatal news. The duty of the soldier was plain: the man must be shot dead fromambush--without warning, without a moment's spiritual preparation, with never so much as an unspoken prayer, he must be sent to his account. But no--there is a hope; he may have discovered nothing--perhaps he is but admiring the sublimity of the landscape. If permitted, he may turn and ride carelessly away in the direction whence he came. Surely it will be possible to judge at the instant of his withdrawing whether he knows. It may well be that his fixity of attention--Druse turned his head and looked through the deeps of air downward, as from the surface to the bottom of a translucent sea. He saw creeping across the green meadow a sinuous line of figures of men and horses--some foolish commander was permitting the soldiers of his escort to water their beasts in the open, in plain view from a dozen summits!Druse withdrew his eyes from the valley and fixed them again upon the group of man and horse in the sky, and again it was through the sights of his rifle. But this time his aim was at the horse. In his memory, as if they were a divine mandate, rang the words of his father at their parting: "Whatever may occur, do what you conceive to be your duty." He was calm now. His teeth were firmly but not rigidly closed; his nerves were as tranquil as a sleeping babe's--not a tremor affected any muscle of his body; his breathing, until suspended in the act of taking aim, was regular and slow. Duty had conquered; the spirit had said to the body: "Peace, be still." He fired.IIIAn officer of the Federal force, who in a spirit of adventure or in quest of knowledge had left the hidden bivouac in the valley, and with aimless feet had made his way to the lower edge of a small open space near the foot of the cliff, was considering what he had to gain by pushing his exploration further. At a distance of a quarter-mile before him, but apparently at a stone's throw, rose from its fringe of pines the gigantic face of rock, towering to so great a height above him that it made him giddy to look up to where its edge cut a sharp, rugged line against the sky. It presented a clean, vertical profile against a background of blue sky to a point half the way down, and of distant hills, hardly less blue, thence to the tops of the trees at its base. Lifting his eyes to the dizzy altitude of its summit the officer saw an astonishing sight--a man on horseback riding down into the valley through the air!Straight upright sat the rider, in military fashion, with a firm seat in the saddle, a strong clutch upon the rein to hold his charger from too impetuous a plunge. From his bare head his long hair streamed upward, waving like a plume. His hands were concealed in the cloud of the horse's lifted mane. The animal's body was as level as if every hoof-stroke encountered the resistant earth. Its motions were those of a wild gallop, but even as the officer looked they ceased, with all the legs thrown sharply forward as in the act of alighting from a leap. But this was a flight!Filled with amazement and terror by this apparition of a horseman in the sky--half believing himself the chosen scribe of some new Apocalypse, the officer was overcome by the intensity of his emotions; his legs failed him and he fell. Almost at the same instant he heard a crashing sound in the trees--a sound that died without an echo--and all was still.The officer rose to his feet, trembling. The familiar sensation of an abraded shin recalled his dazed faculties. Pulling himself together he ran rapidly obliquely away from the cliff to a point distant from its foot; thereabout he expected to find his man; and thereabout he naturally failed. In the fleeting instant of his vision his imagination had been so wrought upon by the apparent grace and ease and intention of the marvelous performance that it did not occur to him that the line of march of arial cavalry is directly downward, and that he could find the objects of his search at the very foot of the cliff. A half-hour later he returned to camp.This officer was a wise man; he knew better than to tell an incredible truth. He said nothing of what he had seen. But when the commander asked him if in his scout he had learned anything of advantage to the expedition he answered: "Yes, sir; there is no road leading down into this valley from the southward."The commander, knowing better, smiled.IVAfter firing his shot, Private Carter Druse reloaded his rifle and resumed his watch. Ten minutes had hardly passed when a Federal sergeant crept cautiously to him on hands and knees. Druse neither turned his head nor looked at him, but lay without motion or sign of recognition."Did you fire?" the sergeant whispered."Yes.""At what?""A horse. It was standing on yonder rock--pretty far out. You see it is no longer there. It went over the cliff."The man's face was white, but he showed no other sign of emotion. Having answered, he turned away his eyes and said no more. The sergeant did not understand."See here, Druse," he said, after a moment's silence, "it's no use making a mystery. I order you to report. Was there anybody on the horse?""Yes.""Well?""My father."The sergeant rose to his feet and walked away. "Good God!" he said.。
高中生经典英文小说阅读与欣赏系列 The Looking Glass
The Looking Glassby Anton ChekhovNEW YEAR'S EVE. Nellie, the daughter of a landowner and general, a young and pretty girl, dreaming day and night of being married, was sitting in her room, gazing with exhausted, half-closed eyes into the looking-glass. She was pale, tense, and as motionless as the looking-glass.The non-existent but apparent vista of a long, narrow corridor with endless rows of candles, the reflection of her face, her hands, of the frame -- all this was already clouded in mist and merged into a boundless grey sea. The sea was undulating, gleaming and now and then flaring crimson. . . .Looking at Nellie's motionless eyes and parted lips, one could hardly say whether she was asleep or awake, but nevertheless she was seeing. At first she saw only the smile and soft, charming expression of someone's eyes, then against the shifting grey background there gradually appeared the outlines of a head, a face, eyebrows, beard. It was he, the destined one, the object of long dreams and hopes. The destined one was for Nellie everything, the significance of life, personal happiness, career, fate. Outside him, as on the grey background of the looking-glass, all was dark, empty, meaningless. And so it was not strange that, seeing before her a handsome, gently smiling face, she was conscious of bliss, of an unutterably sweet dream that could not be expressed in speech or on paper. Then she heard his voice, saw herself living under the same roof with him, her life merged into his. Months and years flew by against the grey background. And Nellie saw her future distinctly in all its details.Picture followed picture against the grey background. Now Nellie saw herself one winter night knocking at the door of Stepan Lukitch, the district doctor. The old dog hoarsely and lazily barked behind the gate. The doctor's windows were in darkness. All was silence."For God's sake, for God's sake!" whispered Nellie.But at last the garden gate creaked and Nellie saw the doctor's cook."Is the doctor at home?""His honour's asleep," whispered the cook into her sleeve, as though afraid of waking her master."He's only just got home from his fever patients, and gave orders he was not to be waked."But Nellie scarcely heard the cook. Thrusting her aside, she rushed headlong into the doctor's house. Running through some dark and stuffy rooms, upsetting two or three chairs, she at last reached the doctor's bedroom. Stepan Lukitch waslying on his bed, dressed, but without his coat, and with pouting lips was breathing into his open hand. A little night-light glimmered faintly beside him. Without uttering a word Nellie sat down and began to cry. She wept bitterly, shaking all over."My husband is ill!" she sobbed out. Stepan Lukitch was silent. He slowly sat up, propped his head on his hand, and looked at his visitor with fixed, sleepy eyes. "My husband is ill!" Nellie continued, restraining her sobs. "For mercy's sake come quickly. Make haste. . . . Make haste!""Eh?" growled the doctor, blowing into his hand."Come! Come this very minute! Or . . . it's terrible to think! For mercy's sake!"And pale, exhausted Nellie, gasping and swallowing her tears, began describing to the doctor her husband's illness, her unutterable terror. Her sufferings would have touched the heart of a stone, but the doctor looked at her, blew into his open hand, and -- not a movement."I'll come to-morrow!" he muttered."That's impossible!" cried Nellie. "I know my husband has typhus! At once . . . this very minute you are needed!""I . . . er . . . have only just come in," muttered the doctor. "For the last three days I've been away, seeing typhus patients, and I'm exhausted and ill myself. . . . I simply can't! Absolutely! I've caught it myself! There!"And the doctor thrust before her eyes a clinical thermometer."My temperature is nearly forty. . . . I absolutely can't. I can scarcely sit up. Excuse me. I'll lie down. . . ."The doctor lay down."But I implore you, doctor," Nellie moaned in despair. "I beseech you! Help me, for mercy's sake! Make a great effort and come! I will repay you, doctor!""Oh, dear! . . . Why, I have told you already. Ah!"Nellie leapt up and walked nervously up and down the bedroom. She longed to explain to the doctor, to bring him to reason. . . . She thought if only he knew how dear her husband was to her and how unhappy she was, he would forget his exhaustion and his illness. But how could she be eloquent enough?"Go to the Zemstvo doctor," she heard Stepan Lukitch's voice."That's impossible! He lives more than twenty miles from here, and time is precious. And the horses can't stand it. It is thirty miles from us to you, and as much from here to the Zemstvo doctor. No, it's impossible! Come along, Stepan Lukitch. I ask of you an heroic deed. Come, perform that heroic deed! Have pity on us!""It's beyond everything. . . . I'm in a fever. . . my head's in a whirl . . . and she won't understand! Leave me alone!""But you are in duty bound to come! You cannot refuse to come! It's egoism! A man is bound to sacrifice his life for his neighbour, and you. . . you refuse to come!I will summon you before the Court."Nellie felt that she was uttering a false and undeserved insult, but for her husband's sake she was capable of forgetting logic, tact, sympathy for others. . . . In reply to her threats, the doctor greedily gulped a glass of cold water. Nellie fell to entreating and imploring like the very lowest beggar. . . . At last the doctor gave way. He slowly got up, puffing and panting, looking for his coat."Here it is!" cried Nellie, helping him. "Let me put it on to you. Come along! I will repay you. . . . All my life I shall be grateful to you. . . ."But what agony! After putting on his coat the doctor lay down again. Nellie got him up and dragged him to the hall. Then there was an agonizing to-do over his goloshes, his overcoat. . . . His cap was lost. . . . But at last Nellie was in the carriage with the doctor. Now they had only to drive thirty miles and her husband would have a doctor's help. The earth was wrapped in darkness. One could not see one's hand before one's face. . . . A cold winter wind was blowing. There were frozen lumps under their wheels. The coachman was continually stopping and wondering which road to take.Nellie and the doctor sat silent all the way. It was fearfully jolting, but they felt neither the cold nor the jolts."Get on, get on!" Nellie implored the driver.At five in the morning the exhausted horses drove into the yard. Nellie saw the familiar gates, the well with the crane, the long row of stables and barns. At last she was at home."Wait a moment, I will be back directly," she said to Stepan Lukitch, making him sit down on the sofa in the dining-room. "Sit still and wait a little, and I'll see how he is going on."On her return from her husband, Nellie found the doctor lying down. He was lying on the sofa and muttering."Doctor, please! . . . doctor!""Eh? Ask Domna!" muttered Stepan Lukitch."What?""They said at the meeting . . . Vlassov said . . . Who? . . . what?"And to her horror Nellie saw that the doctor was as delirious as her husband. What was to be done?"I must go for the Zemstvo doctor," she decided.Then again there followed darkness, a cutting cold wind, lumps of frozen earth. She was suffering in body and in soul, and delusive nature has no arts, no deceptions to compensate these sufferings. . . .Then she saw against the grey background how her husband every spring was in straits for money to pay the interest for the mortgage to the bank. He could not sleep, she could not sleep, and both racked their brains till their heads ached, thinking how to avoid being visited by the clerk of the Court.She saw her children: the everlasting apprehension of colds, scarlet fever, diphtheria, bad marks at school, separation. Out of a brood of five or six one was sure to die.The grey background was not untouched by death. That might well be. A husband and wife cannot die simultaneously. Whatever happened one must bury the other. And Nellie saw her husband dying. This terrible event presented itself to her in every detail. She saw the coffin, the candles, the deacon, and even the footmarks in the hall made by the undertaker."Why is it, what is it for?" she asked, looking blankly at her husband's face.And all the previous life with her husband seemed to her a stupid prelude to this.Something fell from Nellie's hand and knocked on the floor. She started, jumped up, and opened her eyes wide. One looking-glass she saw lying at her feet. The other was standing as before on the table.She looked into the looking-glass and saw a pale, tear-stained face. There was no grey background now."I must have fallen asleep," she thought with a sigh of relief.。
Lesson 2 Eveline
Other
well-known works are the short-story collection Dubliners (1914), and the novels A Portrait of the Artist as a Young Man (1916) and Finnegans Wake (1939). 《一个青年艺术家的画像》 《芬尼根守是爱尔兰作
家詹姆斯· 乔伊斯的作品。该小说 讲述的是青年诗人斯蒂芬寻找一个 精神上象征性的父亲和布卢姆寻找 一个儿子的故事。
《一个青年艺术家的自画像》 《一个青年艺术家的画像》是爱尔兰 作家詹姆斯· 乔伊斯的自传体小说， 叙述了极其敏感、多思的主人公斯蒂 芬· 迪达勒斯从童年至青年时期的心 路历程。情节跳跃，理路交错，混乱 中的一个个片段却又清晰如画。但这 并不是一部单纯的个体心灵成长史， 而是从头至尾都与爱尔兰民族寻求自 由的历史纠缠在一起。
Joyce
is best known for Ulysses (1922), a landmark work in which the episodes of Homer's Odyssey are paralleled in an array of contrasting literary styles, perhaps most prominent among these the stream of consciousness technique he utilized.
used to be表示“过去经常”。 E.g. Life here is much easier than it used to be.如今这里的生活 比从前可舒服多了。 be used to (doing) sth “习惯，适 应”。 E.g. The food in England is strange at first but you will soon get used to it. 英国食物一开始吃不惯，但不久你 就会适应。
英语短篇小说欣赏：Eveline译文
英语短篇小说欣赏：Eveline译文伊芙林她坐在窗前看着黄昏涌上大街。
她的头靠在窗帘上，鼻孔里满是提花窗帘布上的尘土气味。
她累了。
很少有人走过。
最后一所房子里的那个男人经过这里往家走;她听见他啪嗒啪嗒的脚步声走过水泥道，然后又嘎吱嘎吱地踩在新红房子前的煤渣小路上。
过去那里曾经有一块空地，他们每晚都在空地上和其他家的孩子一起玩耍。
后来一个贝尔法斯特来的男人买走了那块地并在那里建了房子——与他们棕色的小房子不同，他的房子是明亮的砖房还有闪亮的屋顶。
这条街的孩子们过去总是在那块地上玩——迪瓦恩家的，沃特家的，邓恩家的，瘸子小基奥，她和她的兄弟姐妹。
但是欧内斯特却从来没有玩过，他太大了。
她的父亲经常用他那根黑刺李木的拐杖到地里把她们赶出去;但小基奥总是站岗，一看见她的父亲过来就大声喊。
即使这样他们那时似乎还是很开心。
她父亲还没有这么坏，而且她母亲也还活着。
那是很久以前的事了，她和兄弟姐妹都已经长大了;她的母亲死了。
迪齐?邓恩也死了，沃特一家回英格兰了。
所有的一切都变了。
现在她也要像其他人那样离开自己的家。
家!她环顾屋内，审视着这么多年来她每周都要掸擦一遍的一切熟悉的物品，心里奇怪究竟哪来的这么多灰尘。
也许她再也见不到那些熟悉的东西了，她做梦也没想到过和它们分开。
可是这么多年里她从来没有弄清楚那张泛黄的照片上的牧师的姓名，照片就挂在墙上，在破旧的风琴的上边，旁边是耶稣对圣玛利亚?玛丽?阿拉科特许诺的彩色图片。
他是父亲的学友。
每次父亲把照片递给到家里的朋友看时，总是不经意地带一句：“他现在在墨尔本。
”她已经答应离开，离开自己的家。
这样做明智吗?她试着权衡这个问题的每一个方面。
在家里不管怎么说她有吃有住;有她认识了一辈子的人在她身边。
当然她得拼命干活，不论是在家里还是在商店里。
如果商店里的人知道她和一个男人跑了，她们会怎么说她呢?也许说她是一个傻瓜;她们会登广告找别人代替她的位置。
加文小姐会很高兴。
她总是要压她一头，尤其是有旁人听着的时候。
高中生经典英文小说阅读与欣赏系列 Sredni Vashtar
Sredni Vashtarby H.H. Munro (SAKI)Conradin was ten years old, and the doctor had pronounced his professional opinion that the boy would not live another five years. The doctor was silky and effete, and counted for little, but his opinion was endorsed by Mrs. De Ropp, who counted for nearly everything. Mrs. De Ropp was Conradin's cousin and guardian, and in his eyes she represented those three-fifths of the world that are necessary and disagreeable and real; the other two-fifths, in perpetual antagonism to the foregoing, were summed up in himself and his imagination. One of these days Conradin supposed he would succumb to the mastering pressure of wearisome necessary things---such as illnesses and coddling restrictions and drawn-out dullness. Without his imagination, which was rampant under the spur of loneliness, he would have succumbed long ago.Mrs. De Ropp would never, in her honestest moments, have confessed to herself that she disliked Conradin, though she might have been dimly aware that thwarting him "for his good" was a duty which she did not find particularly irksome. Conradin hated her with a desperate sincerity which he was perfectly able to mask. Such few pleasures as he could contrive for himself gained an added relish from the likelihood that they would be displeasing to his guardian, and from the realm of his imagination she was locked out---an unclean thing, which should find no entrance.In the dull, cheerless garden, overlooked by so many windows that were ready to open with a message not to do this or that, or a reminder that medicines were due, he found little attraction. The few fruit-trees that it contained were set jealously apart from his plucking, as though they were rare specimens of their kind blooming in an arid waste; it would probably have been difficult to find a market-gardener who would have offered ten shillings for their entire yearly produce. In a forgotten corner, however, almost hidden behind a dismal shrubbery, was a disused tool-shed of respectable proportions, and within its walls Conradin found a haven, something that took on the varying aspects of a playroom and a cathedral. He had peopled it with a legion of familiar phantoms, evoked partly from fragments of history and partly from his own brain, but it also boasted two inmates of flesh and blood. In one corner lived a ragged-plumaged Houdan hen, on which the boy lavished an affection that had scarcely another outlet. Further back in the gloom stood a large hutch, divided into two compartments, one of which was fronted with close iron bars. This was the abode of a large polecat-ferret, which a friendly butcher-boy had once smuggled, cage and all, into its present quarters, in exchange for along-secreted hoard of small silver. Conradin was dreadfully afraid of the lithe, sharp-fanged beast, but it was his most treasured possession. Its very presence in the tool-shed was a secret and fearful joy, to be kept scrupulously from the knowledge of the Woman, as he privately dubbed his cousin. And one day, out of Heaven knows what material, he spun the beast a wonderful name, and from that moment it grew into a god and a religion. The Woman indulged in religion once a week at a church near by, and took Conradin with her, but to him the church service was an alien rite in the House of Rimmon. Every Thursday, in the dim and musty silence of the tool-shed, he worshipped with mystic and elaborate ceremonial before the wooden hutch where dwelt Sredni Vashtar, the great ferret. Red flowers in their season and scarlet berries in the winter-time were offered at his shrine, for he was a god who laid some special stress on the fierce impatient side of things, as opposed to the Woman's religion, which, as far as Conradin could observe, went to great lengths in the contrary direction. And on great festivals powdered nutmeg was strewn in front of his hutch, an important feature of the offering being that the nutmeg had to be stolen. These festivals were of irregular occurrence, and were chiefly appointed to celebrate some passing event. On one occasion, when Mrs. De Ropp suffered from acute toothache for three days, Conradin kept up the festival during the entire three days, and almost succeeded in persuading himself that Sredni Vashtar was personally responsible for the toothache. If the malady had lasted for another day the supply of nutmeg would have given out.The Houdan hen was never drawn into the cult of Sredni Vashtar. Conradin had long ago settled that she was an Anabaptist. He did not pretend to have the remotest knowledge as to what an Anabaptist was, but he privately hoped that it was dashing and not very respectable. Mrs. De Ropp was the ground plan on which he based and detested all respectability.After a while Conradin's absorption in the tool-shed began to attract the notice of his guardian. "It is not good for him to be pottering down there in all weathers," she promptly decided, and at breakfast one morning she announced that the Houdan hen had been sold and taken away overnight. With her short-sighted eyes she peered at Conradin, waiting for an outbreak of rage and sorrow, which she was ready to rebuke with a flow of excellent precepts and reasoning. But Conradin said nothing: there was nothing to be said. Something perhaps in his white set face gave her a momentary qualm, for at tea that afternoon there was toast on the table, a delicacy which she usually banned on the ground that it was bad for him; also because the making of it "gave trouble," a deadly offence in the middle-class feminine eye."I thought you liked toast," she exclaimed, with an injured air, observing that he did not touch it."Sometimes," said Conradin.In the shed that evening there was an innovation in the worship of the hutch-god. Conradin had been wont to chant his praises, tonight be asked a boon."Do one thing for me, Sredni Vashtar."The thing was not specified. As Sredni Vashtar was a god he must be supposed to know. And choking back a sob as he looked at that other empty comer, Conradin went back to the world he so hated.And every night, in the welcome darkness of his bedroom, and every evening in the dusk of the tool-shed, Conradin's bitter litany went up: "Do one thing for me, Sredni Vashtar."Mrs. De Ropp noticed that the visits to the shed did not cease, and one day she made a further journey of inspection."What are you keeping in that locked hutch?" she asked. "I believe it's guinea-pigs. I'll have them all cleared away."Conradin shut his lips tight, but the Woman ransacked his bedroom till she found the carefully hidden key, and forthwith marched down to the shed to complete her discovery. It was a cold afternoon, and Conradin had been bidden to keep to the house. From the furthest window of the dining-room the door of the shed could just be seen beyond the corner of the shrubbery, and there Conradin stationed himself. He saw the Woman enter, and then be imagined her opening the door of the sacred hutch and peering down with her short-sighted eyes into the thick straw bed where his god lay hidden. Perhaps she would prod at the straw in her clumsy impatience. And Conradin fervently breathed his prayer for the last time. But he knew as he prayed that he did not believe. He knew that the Woman would come out presently with that pursed smile he loathed so well on her face, and that in an hour or two the gardener would carry away his wonderful god, a god no longer, but a simple brown ferret in a hutch. And he knew that the Woman would triumph always as she triumphed now, and that he would grow ever more sickly under her pestering and domineering and superior wisdom, till one day nothing would matter much more with him, and the doctor would be proved right. And in the sting and misery of his defeat, he began to chant loudly and defiantly the hymn of his threatened idol:Sredni Vashtar went forth,His thoughts were red thoughts and his teeth were white.His enemies called for peace, but he brought them death.Sredni Vashtar the Beautiful.And then of a sudden he stopped his chanting and drew closer to the window-pane. The door of the shed still stood ajar as it had been left, and the minutes were slipping by. They were long minutes, but they slipped by nevertheless.He watched the starlings running and flying in little parties across the lawn; he counted them over and over again, with one eye always on that swinging door. A sour-faced maid came in to lay the table for tea, and still Conradin stood and waited and watched. Hope had crept by inches into his heart, and now a look of triumph began to blaze in his eyes that had only known the wistful patience of defeat. Under his breath, with a furtive exultation, he began once again the pan of victory and devastation. And presently his eyes were rewarded: out through that doorway came a long, low, yellow-and-brown beast, with eyes a-blink at the waning daylight, and dark wet stains around the fur of jaws and throat. Conradin dropped on his knees. The great polecat-ferret made its way down to a small brook at the foot of the garden, drank for a moment, then crossed a little plank bridge and was lost to sight in the bushes. Such was the passing of Sredni Vashtar."Tea is ready," said the sour-faced maid; "where is the mistress?" "She went down to the shed some time ago," said Conradin. And while the maid went to summon her mistress to tea, Conradin fished a toasting-fork out of the sideboard drawer and proceeded to toast himself a piece of bread. And during the toasting of it and the buttering of it with much butter and the slow enjoyment of eating it, Conradin listened to the noises and silences which fell in quick spasms beyond the dining-room door. The loud foolish screaming of the maid, the answering chorus of wondering ejaculations from the kitchen region, the scuttering footsteps and hurried embassies for outside help, and then, after a lull, the scared sobbings and the shuffling tread of those who bore a heavy burden into the house."Whoever will break it to the poor child? I couldn't for the life of me!" exclaimed a shrill voice. And while they debated the matter among themselves, Conradin made himself another piece of toast.。
高中生经典英文小说阅读欣赏与写作系列 One Summer Night
One Summer Nightby Ambrose BierceThe fact that Henry Armstrong was buried did not seem to him to prove that he was dead: he had always been a hard man to convince. That he really was buried, the testimony of his senses compelled him to admit. His posture -- flat upon his back, with his hands crossed upon his stomach and tied with something that he easily broke without profitably altering the situation -- the strict confinement of his entire person, the black darkness and profound silence, made a body of evidence impossible to controvert and he accepted it without cavil.But dead -- no; he was only very, very ill. He had, withal, the invalid's apathy and did not greatly concern himself about the uncommon fate that had been allotted to him. No philosopher was he -- just a plain, commonplace person gifted, for the time being, with a pathological indifference: the organ that he feared consequences with was torpid. So, with no particular apprehension for his immediate future, he fell asleep and all was peace with Henry Armstrong.But something was going on overhead. It was a dark summer night, shot through with infrequent shimmers of lightning silently firing a cloud lying low in the west and portending a storm. These brief, stammering illuminations brought out with ghastly distinctness the monuments and headstones of the cemetery and seemed to set them dancing. It was not a night in which any credible witness was likely to be straying about a cemetery, so the three men who were there, digging into the grave of Henry Armstrong, felt reasonably secure.Two of them were young students from a medical college a few miles away; the third was a gigantic negro known as Jess. For many years Jess had been employed about the cemetery as a man-of-all-work and it was his favourite pleasantry that he knew 'every soul in the place.' From the nature of what he was now doing it was inferable that the place was not so populous as its register may have shown it to be.Outside the wall, at the part of the grounds farthest from the public road, were a horse and a light wagon, waiting.The work of excavation was not difficult: the earth with which the grave had been loosely filled a few hours before offered little resistance and was soon thrown out. Removal of the casket from its box was less easy, but it was taken out, for it was a perquisite of Jess, who carefully unscrewed the cover and laid it aside, exposing the body in black trousers and white shirt. At that instant the air sprang to flame, a cracking shock of thunder shook the stunned world and Henry Armstrong tranquilly sat up. With inarticulate cries the men fled in terror, each in a differentdirection. For nothing on earth could two of them have been persuaded to return. But Jess was of another breed.In the grey of the morning the two students, pallid and haggard from anxiety and with the terror of their adventure still beating tumultuously in their blood, met at the medical college.'You saw it?' cried one.'God! yes -- what are we to do?'They went around to the rear of the building, where they saw a horse, attached to a light wagon, hitched to a gatepost near the door of the dissecting-room. Mechanically they entered the room. On a bench in the obscurity sat the negro Jess. He rose, grinning, all eyes and teeth.'I'm waiting for my pay,' he said.Stretched naked on a long table lay the body of Henry Armstrong, the head defiled with blood and clay from a blow with a spade.。
高中生经典英文小说阅读与欣赏系列 The Rocking Horse Winner
The Rocking Horse Winnerby D. H. LawrenceThere was a woman who was beautiful, who started with all the advantages, yet she had no luck. She married for love, and the love turned to dust. She had bonny children, yet she felt they had been thrust upon her, and she could not love them. They looked at her coldly, as if they were finding fault with her. And hurriedly she felt she must cover up some fault in herself. Yet what it was that she must cover up she never knew. Nevertheless, when her children were present, she always felt the centre of her heart go hard. This troubled her, and in her manner she was all the more gentle and anxious for her children, as if she loved them very much. Only she herself knew that at the centre of her heart was a hard little place that could not feel love, no, not for anybody. Everybody else said of her: "She is such a good mother. She adores her children." Only she herself, and her children themselves, knew it was not so. They read it in each other's eyes.There were a boy and two little girls. They lived in a pleasant house, with a garden, and they had discreet servants, and felt themselves superior to anyone in the neighbourhood.Although they lived in style, they felt always an anxiety in the house. There was never enough money. The mother had a small income, and the father had a small income, but not nearly enough for the social position which they had to keep up. The father went into town to some office. But though he had good prospects, these prospects never materialised. There was always the grinding sense of the shortage of money, though the style was always kept up.At last the mother said: "I will see if I can't make something." But she did not know where to begin. She racked her brains, and tried this thing and the other, but could not find anything successful. The failure made deep lines come into her face. Her children were growing up, they would have to go to school. There must be more money, there must be more money. The father, who was always very handsome and expensive in his tastes, seemed as if he never would be able to do anything worth doing. And the mother, who had a great belief in herself, did not succeed any better, and her tastes were just as expensive.And so the house came to be haunted by the unspoken phrase: There must be more money! There must be more money! The children could hear it all the time though nobody said it aloud. They heard it at Christmas, when the expensive and splendid toys filled the nursery. Behind the shining modern rocking-horse, behind the smart doll's house, a voice would start whispering: "There must be more money! There must be more money!" And the children would stop playing, to listen for amoment. They would look into each other's eyes, to see if they had all heard. And each one saw in the eyes of the other two that they too had heard. "There must be more money! There must be more money!"It came whispering from the springs of the still-swaying rocking-horse, and even the horse, bending his wooden, champing head, heard it. The big doll, sitting so pink and smirking in her new pram, could hear it quite plainly, and seemed to be smirking all the more self-consciously because of it. The foolish puppy, too, that took the place of the teddy-bear, he was looking so extraordinarily foolish for no other reason but that he heard the secret whisper all over the house: "There must be more money!"Yet nobody ever said it aloud. The whisper was everywhere, and therefore no one spoke it. Just as no one ever says: "We are breathing!" in spite of the fact that breath is coming and going all the time."Mother," said the boy Paul one day, "why don't we keep a car of our own? Why do we always use uncle's, or else a taxi?""Because we're the poor members of the family," said the mother."But why are we, mother?""Well - I suppose," she said slowly and bitterly, "it's because your father has no luck."The boy was silent for some time."Is luck money, mother?" he asked, rather timidly."No, Paul. Not quite. It's what causes you to have money.""Oh!" said Paul vaguely. "I thought when Uncle Oscar said filthy lucker, it meant money.""Filthy lucre does mean money," said the mother. "But it's lucre, not luck.""Oh!" said the boy. "Then what is luck, mother?""It's what causes you to have money. If you're lucky you have money. That's why it's better to be born lucky than rich. If you're rich, you may lose your money. But if you're lucky, you will always get more money.""Oh! Will you? And is father not lucky?""Very unlucky, I should say," she said bitterly.The boy watched her with unsure eyes."Why?" he asked."I don't know. Nobody ever knows why one person is lucky and another unlucky.""Don't they? Nobody at all? Does nobody know?""Perhaps God. But He never tells.""He ought to, then. And are'nt you lucky either, mother?""I can't be, it I married an unlucky husband.""But by yourself, aren't you?""I used to think I was, before I married. Now I think I am very unlucky indeed.""Why?""Well - never mind! Perhaps I'm not really," she said.The child looked at her to see if she meant it. But he saw, by the lines of her mouth, that she was only trying to hide something from him."Well, anyhow," he said stoutly, "I'm a lucky person.""Why?" said his mother, with a sudden laugh.He stared at her. He didn't even know why he had said it."God told me," he asserted, brazening it out."I hope He did, dear!", she said, again with a laugh, but rather bitter."He did, mother!""Excellent!" said the mother, using one of her husband's exclamations.The boy saw she did not believe him; or rather, that she paid no attention to his assertion. This angered him somewhere, and made him want to compel her attention.He went off by himself, vaguely, in a childish way, seeking for the clue to 'luck'. Absorbed, taking no heed of other people, he went about with a sort of stealth, seeking inwardly for luck. He wanted luck, he wanted it, he wanted it. When the two girls were playing dolls in the nursery, he would sit on his big rocking-horse, charging madly into space, with a frenzy that made the little girls peer at him uneasily. Wildly the horse careered, the waving dark hair of the boy tossed, his eyes had a strange glare in them. The little girls dared not speak to him.When he had ridden to the end of his mad little journey, he climbed down and stood in front of his rocking-horse, staring fixedly into its lowered face. Its red mouth was slightly open, its big eye was wide and glassy-bright."Now!" he would silently command the snorting steed. "Now take me to where there is luck! Now take me!"And he would slash the horse on the neck with the little whip he had asked Uncle Oscar for. He knew the horse could take him to where there was luck, if only he forced it. So he would mount again and start on his furious ride, hoping at last to get there."You'll break your horse, Paul!" said the nurse."He's always riding like that! I wish he'd leave off!" said his elder sister Joan.But he only glared down on them in silence. Nurse gave him up. She could make nothing of him. Anyhow, he was growing beyond her.One day his mother and his Uncle Oscar came in when he was on one of his furious rides. He did not speak to them."Hallo, you young jockey! Riding a winner?" said his uncle."Aren't you growing too big for a rocking-horse? You're not a very little boy any longer, you know," said his mother.But Paul only gave a blue glare from his big, rather close-set eyes. He would speak to nobody when he was in full tilt. His mother watched him with an anxious expression on her face.At last he suddenly stopped forcing his horse into the mechanical gallop and slid down."Well, I got there!" he announced fiercely, his blue eyes still flaring, and his sturdy long legs straddling apart."Where did you get to?" asked his mother."Where I wanted to go," he flared back at her."That's right, son!" said Uncle Oscar. "Don't you stop till you get there. What's the horse's name?""He doesn't have a name," said the boy."Get's on without all right?" asked the uncle."Well, he has different names. He was called Sansovino last week.""Sansovino, eh? Won the Ascot. How did you know this name?""He always talks about horse-races with Bassett," said Joan.The uncle was delighted to find that his small nephew was posted with all the racing news. Bassett, the young gardener, who had been wounded in the left foot in the war and had got his present job through Oscar Cresswell, whose batman he had been, was a perfect blade of the 'turf'. He lived in the racing events, and the small boy lived with him.Oscar Cresswell got it all from Bassett."Master Paul comes and asks me, so I can't do more than tell him, sir," said Bassett, his face terribly serious, as if he were speaking of religious matters."And does he ever put anything on a horse he fancies?""Well - I don't want to give him away - he's a young sport, a fine sport, sir. Would you mind asking him himself? He sort of takes a pleasure in it, and perhaps he'd feel I was giving him away, sir, if you don't mind.Bassett was serious as a church.The uncle went back to his nephew and took him off for a ride in the car."Say, Paul, old man, do you ever put anything on a horse?" the uncle asked.The boy watched the handsome man closely."Why, do you think I oughtn't to?" he parried."Not a bit of it! I thought perhaps you might give me a tip for the Lincoln."The car sped on into the country, going down to Uncle Oscar's place in Hampshire."Honour bright?" said the nephew."Honour bright, son!" said the uncle."Well, then, Daffodil.""Daffodil! I doubt it, sonny. What about Mirza?""I only know the winner," said the boy. "That's Daffodil.""Daffodil, eh?"There was a pause. Daffodil was an obscure horse comparatively."Uncle!""Yes, son?""You won't let it go any further, will you? I promised Bassett.""Bassett be damned, old man! What's he got to do with it?""We're partners. We've been partners from the first. Uncle, he lent me my first five shillings, which I lost. I promised him, honour bright, it was only between me and him; only you gave me that ten-shilling note I started winning with, so I thought you were lucky. You won't let it go any further, will you?"The boy gazed at his uncle from those big, hot, blue eyes, set rather close together. The uncle stirred and laughed uneasily."Right you are, son! I'll keep your tip private. How much are you putting on him?""All except twenty pounds," said the boy. "I keep that in reserve."The uncle thought it a good joke."You keep twenty pounds in reserve, do you, you young romancer? What are you betting, then?""I'm betting three hundred," said the boy gravely. "But it's between you and me, Uncle Oscar! Honour bright?""It's between you and me all right, you young Nat Gould," he said, laughing. "But where's your three hundred?""Bassett keeps it for me. We're partner's.""You are, are you! And what is Bassett putting on Daffodil?""He won't go quite as high as I do, I expect. Perhaps he'll go a hundred and fifty.""What, pennies?" laughed the uncle."Pounds," said the child, with a surprised look at his uncle. "Bassett keeps a bigger reserve than I do."Between wonder and amusement Uncle Oscar was silent. He pursued the matter no further, but he determined to take his nephew with him to the Lincoln races."Now, son," he said, "I'm putting twenty on Mirza, and I'll put five on for you on any horse you fancy. What's your pick?""Daffodil, uncle.""No, not the fiver on Daffodil!""I should if it was my own fiver," said the child."Good! Good! Right you are! A fiver for me and a fiver for you on Daffodil."The child had never been to a race-meeting before, and his eyes were blue fire. He pursed his mouth tight and watched. A Frenchman just in front had put his money on Lancelot. Wild with excitement, he flayed his arms up and down, yelling "Lancelot!, Lancelot!" in his French accent.Daffodil came in first, Lancelot second, Mirza third. The child, flushed and with eyes blazing, was curiously serene. His uncle brought him four five-pound notes, four to one."What am I to do with these?" he cried, waving them before the boys eyes."I suppose we'll talk to Bassett," said the boy. "I expect I have fifteen hundred now; and twenty in reserve; and this twenty."His uncle studied him for some moments."Look here, son!" he said. "You're not serious about Bassett and that fifteen hundred, are you?""Yes, I am. But it's between you and me, uncle. Honour bright?""Honour bright all right, son! But I must talk to Bassett.""If you'd like to be a partner, uncle, with Bassett and me, we could all be partners. Only, you'd have to promise, honour bright, uncle, not to let it go beyond us three. Bassett and I are lucky, and you must be lucky, because it was your ten shillings I started winning with ..."Uncle Oscar took both Bassett and Paul into Richmond Park for an afternoon, and there they talked."It's like this, you see, sir," Bassett said. "Master Paul would get me talking about racing events, spinning yarns, you know, sir. And he was always keen on knowing if I'd made or if I'd lost. It's about a year since, now, that I put five shillings on Blush of Dawn for him: and we lost. Then the luck turned, with that ten shillings he had from you: that we put on Singhalese. And since that time, it's been pretty steady, all things considering. What do you say, Master Paul?""We're all right when we're sure," said Paul. "It's when we're not quite sure that we go down.""Oh, but we're careful then," said Bassett."But when are you sure?" smiled Uncle Oscar."It's Master Paul, sir," said Bassett in a secret, religious voice. "It's as if he had it from heaven. Like Daffodil, now, for the Lincoln. That was as sure as eggs.""Did you put anything on Daffodil?" asked Oscar Cresswell."Yes, sir, I made my bit.""And my nephew?"Bassett was obstinately silent, looking at Paul."I made twelve hundred, didn't I, Bassett? I told uncle I was putting three hundred on Daffodil.""That's right," said Bassett, nodding."But where's the money?" asked the uncle."I keep it safe locked up, sir. Master Paul he can have it any minute he likes to ask for it.""What, fifteen hundred pounds?""And twenty! And forty, that is, with the twenty he made on the course.""It's amazing!" said the uncle."If Master Paul offers you to be partners, sir, I would, if I were you: if you'll excuse me," said Bassett.Oscar Cresswell thought about it."I'll see the money," he said.They drove home again, and, sure enough, Bassett came round to the garden-house with fifteen hundred pounds in notes. The twenty pounds reserve was left with Joe Glee, in the Turf Commission deposit."You see, it's all right, uncle, when I'm sure! Then we go strong, for all we're worth, don't we, Bassett?""We do that, Master Paul.""And when are you sure?" said the uncle, laughing."Oh, well, sometimes I'm absolutely sure, like about Daffodil," said the boy; "and sometimes I have an idea; and sometimes I haven't even an idea, have I, Bassett? Then we're careful, because we mostly go down.""You do, do you! And when you're sure, like about Daffodil, what makes you sure, sonny?""Oh, well, I don't know," said the boy uneasily. "I'm sure, you know, uncle; that's all.""It's as if he had it from heaven, sir," Bassett reiterated."I should say so!" said the uncle.But he became a partner. And when the Leger was coming on Paul was 'sure' about Lively Spark, which was a quite inconsiderable horse. The boy insisted on putting a thousand on the horse, Bassett went for five hundred, and Oscar Cresswell two hundred. Lively Spark came in first, and the betting had been ten to one against him. Paul had made ten thousand."You see," he said. "I was absolutely sure of him."Even Oscar Cresswell had cleared two thousand."Look here, son," he said, "this sort of thing makes me nervous.""It needn't, uncle! Perhaps I shan't be sure again for a long time.""But what are you going to do with your money?" asked the uncle."Of course," said the boy, "I started it for mother. She said she had no luck, because father is unlucky, so I thought if I was lucky, it might stop whispering.""What might stop whispering?""Our house. I hate our house for whispering.""What does it whisper?""Why - why" - the boy fidgeted - "why, I don't know. But it's always short of money, you know, uncle.""I know it, son, I know it.""You know people send mother writs, don't you, uncle?""I'm afraid I do," said the uncle."And then the house whispers, like people laughing at you behind your back. It's awful, that is! I thought if I was lucky -""You might stop it," added the uncle.The boy watched him with big blue eyes, that had an uncanny cold fire in them, and he said never a word."Well, then!" said the uncle. "What are we doing?""I shouldn't like mother to know I was lucky," said the boy."Why not, son?""She'd stop me.""I don't think she would.""Oh!" - and the boy writhed in an odd way - "I don't want her to know, uncle.""All right, son! We'll manage it without her knowing."They managed it very easily. Paul, at the other's suggestion, handed over five thousand pounds to his uncle, who deposited it with the family lawyer, who was then to inform Paul's mother that a relative had put five thousand pounds into his hands, which sum was to be paid out a thousand pounds at a time, on the mother's birthday, for the next five years."So she'll have a birthday present of a thousand pounds for five successive years," said Uncle Oscar. "I hope it won't make it all the harder for her later."Paul's mother had her birthday in November. The house had been 'whispering' worse than ever lately, and, even in spite of his luck, Paul could not bear up against it. He was very anxious to see the effect of the birthday letter, telling his mother about the thousand pounds.When there were no visitors, Paul now took his meals with his parents, as he was beyond the nursery control. His mother went into town nearly every day. She had discovered that she had an odd knack of sketching furs and dress materials, so she worked secretly in the studio of a friend who was the chief 'artist' for theleading drapers. She drew the figures of ladies in furs and ladies in silk and sequins for the newspaper advertisements. This young woman artist earned several thousand pounds a year, but Paul's mother only made several hundreds, and she was again dissatisfied. She so wanted to be first in something, and she did not succeed, even in making sketches for drapery advertisements.She was down to breakfast on the morning of her birthday. Paul watched her face as she read her letters. He knew the lawyer's letter. As his mother read it, her face hardened and became more expressionless. Then a cold, determined look came on her mouth. She hid the letter under the pile of others, and said not a word about it."Didn't you have anything nice in the post for your birthday, mother?" said Paul."Quite moderately nice," she said, her voice cold and hard and absent.She went away to town without saying more.But in the afternoon Uncle Oscar appeared. He said Paul's mother had had a long interview with the lawyer, asking if the whole five thousand could not be advanced at once, as she was in debt."What do you think, uncle?" said the boy."I leave it to you, son.""Oh, let her have it, then! We can get some more with the other," said the boy."A bird in the hand is worth two in the bush, laddie!" said Uncle Oscar."But I'm sure to know for the Grand National; or the Lincolnshire; or else the Derby. I'm sure to know for one of them," said Paul.So Uncle Oscar signed the agreement, and Paul's mother touched the whole five thousand. Then something very curious happened. The voices in the house suddenly went mad, like a chorus of frogs on a spring evening. There were certain new furnishings, and Paul had a tutor. He was really going to Eton, his father's school, in the following autumn. There were flowers in the winter, and a blossoming of the luxury Paul's mother had been used to. And yet the voices in the house, behind the sprays of mimosa and almond-blossom, and from under the piles of iridescent cushions, simply trilled and screamed in a sort of ecstasy: "There must be more money! Oh-h-h; there must be more money. Oh, now, now-w! Now-w-w - there must be more money! - more than ever! More than ever!"It frightened Paul terribly. He studied away at his Latin and Greek with his tutor. But his intense hours were spent with Bassett. The Grand National had gone by: he had not 'known', and had lost a hundred pounds. Summer was at hand. He was in agony for the Lincoln. But even for the Lincoln he didn't 'know', and he lost fifty pounds. He became wild-eyed and strange, as if something were going to explode in him."Let it alone, son! Don't you bother about it!" urged Uncle Oscar. But it was as if the boy couldn't really hear what his uncle was saying."I've got to know for the Derby! I've got to know for the Derby!" the child reiterated, his big blue eyes blazing with a sort of madness.His mother noticed how overwrought he was."You'd better go to the seaside. Wouldn't you like to go now to the seaside, instead of waiting? I think you'd better," she said, looking down at him anxiously, her heart curiously heavy because of him.But the child lifted his uncanny blue eyes."I couldn't possibly go before the Derby, mother!" he said. "I couldn't possibly!""Why not?" she said, her voice becoming heavy when she was opposed. "Why not? You can still go from the seaside to see the Derby with your Uncle Oscar, if that that's what you wish. No need for you to wait here. Besides, I think you care too much about these races. It's a bad sign. My family has been a gambling family, and you won't know till you grow up how much damage it has done. But it has done damage. I shall have to send Bassett away, and ask Uncle Oscar not to talk racing to you, unless you promise to be reasonable about it: go away to the seaside and forget it. You're all nerves!""I'll do what you like, mother, so long as you don't send me away till after the Derby," the boy said."Send you away from where? Just from this house?""Yes," he said, gazing at her."Why, you curious child, what makes you care about this house so much, suddenly? I never knew you loved it."He gazed at her without speaking. He had a secret within a secret, something he had not divulged, even to Bassett or to his Uncle Oscar.But his mother, after standing undecided and a little bit sullen for some moments, said: "Very well, then! Don't go to the seaside till after the Derby, if you don't wish it. But promise me you won't think so much about horse-racing and events as you call them!""Oh no," said the boy casually. "I won't think much about them, mother. You needn't worry. I wouldn't worry, mother, if I were you.""If you were me and I were you," said his mother, "I wonder what we should do!""But you know you needn't worry, mother, don't you?" the boy repeated."I should be awfully glad to know it," she said wearily."Oh, well, you can, you know. I mean, you ought to know you needn't worry," he insisted."Ought I? Then I'll see about it," she said.Paul's secret of secrets was his wooden horse, that which had no name. Since he was emancipated from a nurse and a nursery-governess, he had had his rocking-horse removed to his own bedroom at the top of the house."Surely you're too big for a rocking-horse!" his mother had remonstrated."Well, you see, mother, till I can have a real horse, I like to have some sort of animal about," had been his quaint answer."Do you feel he keeps you company?" she laughed."Oh yes! He's very good, he always keeps me company, when I'm there," said Paul.So the horse, rather shabby, stood in an arrested prance in the boy's bedroom.The Derby was drawing near, and the boy grew more and more tense. He hardly heard what was spoken to him, he was very frail, and his eyes were really uncanny. His mother had sudden strange seizures of uneasiness about him. Sometimes, for half an hour, she would feel a sudden anxiety about him that was almost anguish. She wanted to rush to him at once, and know he was safe.Two nights before the Derby, she was at a big party in town, when one of her rushes of anxiety about her boy, her first-born, gripped her heart till she could hardly speak. She fought with the feeling, might and main, for she believed in common sense. But it was too strong. She had to leave the dance and go downstairs to telephone to the country. The children's nursery-governess was terribly surprised and startled at being rung up in the night."Are the children all right, Miss Wilmot?""Oh yes, they are quite all right.""Master Paul? Is he all right?""He went to bed as right as a trivet. Shall I run up and look at him?""No," said Paul's mother reluctantly. "No! Don't trouble. It's all right. Don't sit up. We shall be home fairly soon." She did not want her son's privacy intruded upon."Very good," said the governess.It was about one o'clock when Paul's mother and father drove up to their house. All was still. Paul's mother went to her room and slipped off her white fur cloak. She had told her maid not to wait up for her. She heard her husband downstairs, mixing a whisky and soda.And then, because of the strange anxiety at her heart, she stole upstairs to her son's room. Noiselessly she went along the upper corridor. Was there a faint noise? What was it?She stood, with arrested muscles, outside his door, listening. There was a strange, heavy, and yet not loud noise. Her heart stood still. It was a soundless。
高中生经典英文小说阅读欣赏与写作系列 Odour of Chrysanthemums
Odour of Chrysanthemumsby D. H. LawrenceIThe small locomotive engine, Number 4, came clanking, stumbling down from Selston--with seven full waggons. It appeared round the corner with loud threats of speed, but the colt that it startled from among the gorse, which still flickered indistinctly in the raw afternoon, outdistanced it at a canter. A woman, walking up the railway line to Underwood, drew back into the hedge, held her basket aside, and watched the footplate of the engine advancing. The trucks thumped heavily past, one by one, with slow inevitable movement, as she stood insignificantly trapped between the jolting black waggons and the hedge; then they curved away towards the coppice where the withered oak leaves dropped noiselessly, while the birds, pulling at the scarlet hips beside the track, made off into the dusk that had already crept into the spinney. In the open, the smoke from the engine sank and cleaved to the rough grass. The fields were dreary and forsaken, and in the marshy strip that led to the whimsey, a reedy pit-pond, the fowls had already abandoned their run among the alders, to roost in the tarred fowl-house. The pit-bank loomed up beyond the pond, flames like red sores licking its ashy sides, in the afternoon's stagnant light. Just beyond rose the tapering chimneys and the clumsy black head-stocks of Brinsley Colliery. The two wheels were spinning fast up against the sky, and the winding-engine rapped out its little spasms. The miners were being turned up.The engine whistled as it came into the wide bay of railway lines beside the colliery, where rows of trucks stood in harbour.Miners, single, trailing and in groups, passed like shadows diverging home. At the edge of the ribbed level of sidings squat a low cottage, three steps down from the cinder track. A large bony vine clutched at the house, as if to claw down the tiled roof. Round the bricked yard grew a few wintry primroses. Beyond, the long garden sloped down to a bush-covered brook course. There were some twiggy apple trees, winter-crack trees, and ragged cabbages. Beside the path hung dishevelled pink chrysanthemums, like pink cloths hung on bushes. A woman came stooping out of the felt-covered fowl-house, half-way down the garden. She closed and padlocked the door, then drew herself erect, having brushed some bits from her white apron.She was a till woman of imperious mien, handsome, with definite black eyebrows. Her smooth black hair was parted exactly. For a few moments she stood steadily watching the miners as they passed along the railway: then she turnedtowards the brook course. Her face was calm and set, her mouth was closed with disillusionment. After a moment she called:"John!" There was no answer. She waited, and then said distinctly:"Where are you?""Here!" replied a child's sulky voice from among the bushes. The woman looked piercingly through the dusk."Are you at that brook?" she asked sternly.For answer the child showed himself before the raspberry-canes that rose like whips. He was a small, sturdy boy of five. He stood quite still, defiantly."Oh!" said the mother, conciliated. "I thought you were down at that wet brook--and you remember what I told you--"The boy did not move or answer."Come, come on in," she said more gently, "it's getting dark. There's your grandfather's engine coming down the line!"The lad advanced slowly, with resentful, taciturn movement. He was dressed in trousers and waistcoat of cloth that was too thick and hard for the size of the garments. They were evidently cut down from a man's clothes.As they went slowly towards the house he tore at the ragged wisps of chrysanthemums and dropped the petals in handfuls along the path."Don't do that--it does look nasty," said his mother. He refrained, and she, suddenly pitiful, broke off a twig with three or four wan flowers and held them against her face. When mother and son reached the yard her hand hesitated, and instead of laying the flower aside, she pushed it in her apron-band. The mother and son stood at the foot of the three steps looking across the bay of lines at the passing home of the miners. The trundle of the small train was imminent. Suddenly the engine loomed past the house and came to a stop opposite the gate.The engine-driver, a short man with round grey beard, leaned out of the cab high above the woman."Have you got a cup of tea?" he said in a cheery, hearty fashion.It was her father. She went in, saying she would mash. Directly, she returned."I didn't come to see you on Sunday," began the little grey-bearded man."I didn't expect you," said his daughter.The engine-driver winced; then, reassuming his cheery, airy manner, he said: "Oh, have you heard then? Well, and what do you think--?""I think it is soon enough," she replied.At her brief censure the little man made an impatient gesture, and said coaxingly, yet with dangerous coldness:"Well, what's a man to do? It's no sort of life for a man of my years, to sit at my own hearth like a stranger. And if I'm going to marry again it may as well be soonas late--what does it matter to anybody?"The woman did not reply, but turned and went into the house. The man in the engine-cab stood assertive, till she returned with a cup of tea and a piece of bread and butter on a plate. She went up the steps and stood near the footplate of the hissing engine."You needn't 'a' brought me bread an' butter," said her father. "But a cup of tea"--he sipped appreciatively--"it's very nice." He sipped for a moment or two, then: "I hear as Walter's got another bout on," he said."When hasn't he?" said the woman bitterly."I heered tell of him in the 'Lord Nelson' braggin' as he was going to spend that b---- afore he went: half a sovereign that was.""When?" asked the woman."A' Sat'day night--I know that's true.""Very likely," she laughed bitterly. "He gives me twenty-three shillings.""Aye, it's a nice thing, when a man can do nothing with his money but make a beast of himself!" said the grey-whiskered man. The woman turned her head away. Her father swallowed the last of his tea and handed her the cup."Aye," he sighed, wiping his mouth. "It's a settler, it is--"He put his hand on the lever. The little engine strained and groaned, and the train rumbled towards the crossing. The woman again looked across the metals. Darkness was settling over the spaces of the railway and trucks: the miners, in grey sombre groups, were still passing home. The winding-engine pulsed hurriedly, with brief pauses. Elizabeth Bates looked at the dreary flow of men, then she went indoors. Her husband did not come.The kitchen was small and full of firelight; red coals piled glowing up the chimney mouth. All the life of the room seemed in the white, warm hearth and the steel fender reflecting the red fire. The cloth was laid for tea; cups glinted in the shadows. At the back, where the lowest stairs protruded into the room, the boy sat struggling with a knife and a piece of whitewood. He was almost hidden in the shadow. It was half-past four. They had but to await the father's coming to begin tea. As the mother watched her son's sullen little struggle with the wood, she saw herself in his silence and pertinacity; she saw the father in her child's indifference to all but himself. She seemed to be occupied by her husband. He had probably gone past his home, slunk past his own door, to drink before he came in, while his dinner spoiled and wasted in waiting. She glanced at the clock, then took the potatoes to strain them in the yard. The garden and fields beyond the brook were closed in uncertain darkness. When she rose with the saucepan, leaving the drain steaming into the night behind her, she saw the yellow lamps were lit along the high road that went up the hill away beyond the space of the railway lines and thefield.Then again she watched the men trooping home, fewer now and fewer.Indoors the fire was sinking and the room was dark red. The woman put her saucepan on the hob, and set a batter pudding near the mouth of the oven. Then she stood unmoving. Directly, gratefully, came quick young steps to the door. Someone hung on the latch a moment, then a little girl entered and began pulling off her outdoor things, dragging a mass of curls, just ripening from gold to brown, over her eyes with her hat.Her mother chid her for coming late from school, and said she would have to keep her at home the dark winter days."Why, mother, it's hardly a bit dark yet. The lamp's not lighted, and my father's not home.""No, he isn't. But it's a quarter to five! Did you see anything of him?"The child became serious. She looked at her mother with large, wistful blue eyes."No, mother, I've never seen him. Why? Has he come up an' gone past, to Old Brinsley? He hasn't, mother, 'cos I never saw him.""He'd watch that," said the mother bitterly, "he'd take care as you didn't see him. But you may depend upon it, he's seated in the 'Prince o' Wales'. He wouldn't be this late."The girl looked at her mother piteously."Let's have our teas, mother, should we?" said she.The mother called John to table. She opened the door once more and looked out across the darkness of the lines. All was deserted: she could not hear the winding-engines."Perhaps," she said to herself, "he's stopped to get some ripping done."They sat down to tea. John, at the end of the table near the door, was almost lost in the darkness. Their faces were hidden from each other. The girl crouched against the fender slowly moving a thick piece of bread before the fire. The lad, his face a dusky mark on the shadow, sat watching her who was transfigured in the red glow."I do think it's beautiful to look in the fire," said the child."Do you?" said her mother. "Why?""It's so red, and full of little caves--and it feels so nice, and you can fair smell it.""It'll want mending directly," replied her mother, "and then if your father comes he'll carry on and say there never is a fire when a man comes home sweating from the pit.--A public-house is always warm enough."There was silence till the boy said complainingly: "Make haste, our Annie.""Well, I am doing! I can't make the fire do it no faster, can I?""She keeps wafflin' it about so's to make 'er slow," grumbled the boy."Don't have such an evil imagination, child," replied the mother.Soon the room was busy in the darkness with the crisp sound of crunching. The mother ate very little. She drank her tea determinedly, and sat thinking. When she rose her anger was evident in the stern unbending of her head. She looked at the pudding in the fender, and broke out:"It is a scandalous thing as a man can't even come home to his dinner! If it's crozzled up to a cinder I don't see why I should care. Past his very door he goes to get to a public-house, and here I sit with his dinner waiting for him--"She went out. As she dropped piece after piece of coal on the red fire, the shadows fell on the walls, till the room was almost in total darkness."I canna see," grumbled the invisible John. In spite of herself, the mother laughed."You know the way to your mouth," she said. She set the dustpan outside the door. When she came again like a shadow on the hearth, the lad repeated, complaining sulkily:"I canna see.""Good gracious!" cried the mother irritably, "you're as bad as your father if it's a bit dusk!"Nevertheless she took a paper spill from a sheaf on the mantelpiece and proceeded to light the lamp that hung from the ceiling in the middle of the room. As she reached up, her figure displayed itself just rounding with maternity."Oh, mother--!" exclaimed the girl."What?" said the woman, suspended in the act of putting the lamp glass over the flame. The copper reflector shone handsomely on her, as she stood with uplifted arm, turning to face her daughter."You've got a flower in your apron!" said the child, in a little rapture at this unusual event."Goodness me!" exclaimed the woman, relieved. "One would think the house was afire." She replaced the glass and waited a moment before turning up the wick.A pale shadow was seen floating vaguely on the floor."Let me smell!" said the child, still rapturously, coming forward and putting her face to her mother's waist."Go along, silly!" said the mother, turning up the lamp. The light revealed their suspense so that the woman felt it almost unbearable. Annie was still bending at her waist. Irritably, the mother took the flowers out from her apron-band."Oh, mother--don't take them out!" Annie cried, catching her hand and trying to replace the sprig."Such nonsense!" said the mother, turning away. The child put the pale chrysanthemums to her lips, murmuring:"Don't they smell beautiful!"Her mother gave a short laugh."No," she said, "not to me. It was chrysanthemums when I married him, and chrysanthemums when you were born, and the first time they ever brought him home drunk, he'd got brown chrysanthemums in his button-hole."She looked at the children. Their eyes and their parted lips were wondering. The mother sat rocking in silence for some time. Then she looked at the clock."Twenty minutes to six!" In a tone of fine bitter carelessness she continued: "Eh, he'll not come now till they bring him. There he'll stick! But he needn't come rolling in here in his pit-dirt, for I won't wash him. He can lie on the floor--Eh, what a fool I've been, what a fool! And this is what I came here for, to this dirty hole, rats and all, for him to slink past his very door. Twice last week--he's begun now-"She silenced herself, and rose to clear the table.While for an hour or more the children played, subduedly intent, fertile of imagination, united in fear of the mother's wrath, and in dread of their father's home-coming, Mrs Bates sat in her rocking-chair making a 'singlet' of thick cream-coloured flannel, which gave a dull wounded sound as she tore off the grey edge. She worked at her sewing with energy, listening to the children, and her anger wearied itself, lay down to rest, opening its eyes from time to time and steadily watching, its ears raised to listen. Sometimes even her anger quailed and shrank, and the mother suspended her sewing, tracing the footsteps that thudded along the sleepers outside; she would lift her head sharply to bid the children 'hush', but she recovered herself in time, and the footsteps went past the gate, and the children were not flung out of their playing world.But at last Annie sighed, and gave in. She glanced at her waggon of slippers, and loathed the game. She turned plaintively to her mother."Mother!"--but she was inarticulate.John crept out like a frog from under the sofa. His mother glanced up."Yes," she said, "just look at those shirt-sleeves!"The boy held them out to survey them, saying nothing. Then somebody called in a hoarse voice away down the line, and suspense bristled in the room, till two people had gone by outside, talking."It is time for bed," said the mother."My father hasn't come," wailed Annie plaintively. But her mother was primed with courage."Never mind. They'll bring him when he does come--like a log." She meantthere would be no scene. "And he may sleep on the floor till he wakes himself. I know he'll not go to work tomorrow after this!"The children had their hands and faces wiped with a flannel. They were very quiet. When they had put on their nightdresses, they said their prayers, the boy mumbling. The mother looked down at them, at the brown silken bush of intertwining curls in the nape of the girl's neck, at the little black head of the lad, and her heart burst with anger at their father who caused all three such distress. The children hid their faces in her skirts for comfort.When Mrs Bates came down, the room was strangely empty, with a tension of expectancy. She took up her sewing and stitched for some time without raising her head. Meantime her anger was tinged with fear.IIThe clock struck eight and she rose suddenly, dropping her sewing on her chair. She went to the stairfoot door, opened it, listening. Then she went out, locking the door behind her.Something scuffled in the yard, and she started, though she knew it was only the rats with which the place was overrun. The night was very dark. In the great bay of railway lines, bulked with trucks, there was no trace of light, only away back she could see a few yellow lamps at the pit-top, and the red smear of the burning pit-bank on the night. She hurried along the edge of the track, then, crossing the converging lines, came to the stile by the white gates, whence she emerged on the road. Then the fear which had led her shrank. People were walking up to New Brinsley; she saw the lights in the houses; twenty yards further on were the broad windows of the 'Prince of Wales', very warm and bright, and the loud voices of men could be heard distinctly. What a fool she had been to imagine that anything had happened to him! He was merely drinking over there at the 'Prince of Wales'. She faltered. She had never yet been to fetch him, and she never would go. So she continued her walk towards the long straggling line of houses, standing blank on the highway. She entered a passage between the dwellings."Mr Rigley?--Yes! Did you want him? No, he's not in at this minute."The raw-boned woman leaned forward from her dark scullery and peered at the other, upon whom fell a dim light through the blind of the kitchen window."Is it Mrs Bates?" she asked in a tone tinged with respect."Yes. I wondered if your Master was at home. Mine hasn't come yet.""'Asn't 'e! Oh, Jack's been 'ome an 'ad 'is dinner an' gone out. E's just gone for 'alf an hour afore bedtime. Did you call at the 'Prince of Wales'?""No--""No, you didn't like--! It's not very nice." The other woman was indulgent. There was an awkward pause. "Jack never said nothink about--about your Mester,"she said."No!--I expect he's stuck in there!"Elizabeth Bates said this bitterly, and with recklessness. She knew that the woman across the yard was standing at her door listening, but she did not care. As she turned:"Stop a minute! I'll just go an' ask Jack if e' knows anythink," said Mrs Rigley."Oh, no--I wouldn't like to put--!""Yes, I will, if you'll just step inside an' see as th' childer doesn't come downstairs and set theirselves afire."Elizabeth Bates, murmuring a remonstrance, stepped inside. The other woman apologized for the state of the room.The kitchen needed apology. There were little frocks and trousers and childish undergarments on the squab and on the floor, and a litter of playthings everywhere. On the black American cloth of the table were pieces of bread and cake, crusts, slops, and a teapot with cold tea."Eh, ours is just as bad," said Elizabeth Bates, looking at the woman, not at the house. Mrs Rigley put a shawl over her head and hurried out, saying: "I shanna be a minute."The other sat, noting with faint disapproval the general untidiness of the room. Then she fell to counting the shoes of various sizes scattered over the floor. There were twelve. She sighed and said to herself, "No wonder!"--glancing at the litter. There came the scratching of two pairs of feet on the yard, and the Rigleys entered. Elizabeth Bates rose. Rigley was a big man, with very large bones. His head looked particularly bony. Across his temple was a blue scar, caused by a wound got in the pit, a wound in which the coal-dust remained blue like tattooing."Asna 'e come whoam yit?" asked the man, without any form of greeting, but with deference and sympathy. "I couldna say wheer he is--'e's non ower theer!"--he jerked his head to signify the 'Prince of Wales'."'E's 'appen gone up to th' 'Yew'," said Mrs Rigley.There was another pause. Rigley had evidently something to get off his mind: "Ah left 'im finishin' a stint," he began. "Loose-all 'ad bin gone about ten minutes when we com'n away, an' I shouted, 'Are ter comin', Walt?' an' 'e said, 'Go on, Ah shanna be but a'ef a minnit,' so we com'n ter th' bottom, me an' Bowers, thinkin' as 'e wor just behint, an' 'ud come up i' th' next bantle--"He stood perplexed, as if answering a charge of deserting his mate. Elizabeth Bates, now again certain of disaster, hastened to reassure him:"I expect 'e's gone up to th' 'Yew Tree', as you say. It's not the first time. I've fretted myself into a fever before now. He'll come home when they carry him.""Ay, isn't it too bad!" deplored the other woman."I'll just step up to Dick's an' see if 'e is theer," offered the man, afraid of appearing alarmed, afraid of taking liberties."Oh, I wouldn't think of bothering you that far," said Elizabeth Bates, with emphasis, but he knew she was glad of his offer.As they stumbled up the entry, Elizabeth Bates heard Rigley's wife run across the yard and open her neighbour's door. At this, suddenly all the blood in her body seemed to switch away from her heart."Mind!" warned Rigley. "Ah've said many a time as Ah'd fill up them ruts in this entry, sumb'dy 'll be breakin' their legs yit."She recovered herself and walked quickly along with the miner."I don't like leaving the children in bed, and nobody in the house," she said."No, you dunna!" he replied courteously. They were soon at the gate of the cottage."Well, I shanna be many minnits. Dunna you be frettin' now, 'e'll be all right," said the butty."Thank you very much, Mr Rigley," she replied."You're welcome!" he stammered, moving away. "I shanna be many minnits."The house was quiet. Elizabeth Bates took off her hat and shawl, and rolled back the rug. When she had finished, she sat down. It was a few minutes past nine. She was startled by the rapid chuff of the winding-engine at the pit, and the sharp whirr of the brakes on the rope as it descended. Again she felt the painful sweep of her blood, and she put her hand to her side, saying aloud, "Good gracious!--it's only the nine o'clock deputy going down," rebuking herself.She sat still, listening. Half an hour of this, and she was wearied out."What am I working myself up like this for?" she said pitiably to herself, "I s'll only be doing myself some damage."She took out her sewing again.At a quarter to ten there were footsteps. One person! She watched for the door to open. It was an elderly woman, in a black bonnet and a black woollen shawl--his mother. She was about sixty years old, pale, with blue eyes, and her face all wrinkled and lamentable. She shut the door and turned to her daughter-in-law peevishly."Eh, Lizzie, whatever shall we do, whatever shall we do!" she cried.Elizabeth drew back a little, sharply."What is it, mother?" she said.The elder woman seated herself on the sofa."I don't know, child, I can't tell you!"--she shook her head slowly. Elizabeth sat watching her, anxious and vexed."I don't know," replied the grandmother, sighing very deeply. "There's no endto my troubles, there isn't. The things I've gone through, I'm sure it's enough--!" She wept without wiping her eyes, the tears running."But, mother," interrupted Elizabeth, "what do you mean? What is it?"The grandmother slowly wiped her eyes. The fountains of her tears were stopped by Elizabeth's directness. She wiped her eyes slowly."Poor child! Eh, you poor thing!" she moaned. "I don't know what we're going to do, I don't--and you as you are--it's a thing, it is indeed!"Elizabeth waited."Is he dead?" she asked, and at the words her heart swung violently, though she felt a slight flush of shame at the ultimate extravagance of the question. Her words sufficiently frightened the old lady, almost brought her to herself."Don't say so, Elizabeth! We'll hope it's not as bad as that; no, may the Lord spare us that, Elizabeth. Jack Rigley came just as I was sittin' down to a glass afore going to bed, an' 'e said, ''Appen you'll go down th' line, Mrs Bates. Walt's had an accident. 'Appen you'll go an' sit wi' 'er till we can get him home.' I hadn't time to ask him a word afore he was gone. An' I put my bonnet on an' come straight down, Lizzie. I thought to myself, 'Eh, that poor blessed child, if anybody should come an' tell her of a sudden, there's no knowin' what'll 'appen to 'er.' You mustn't let it upset you, Lizzie--or you know what to expect. How long is it, six months--or is it five, Lizzie? Ay!"--the old woman shook her head--"time slips on, it slips on! Ay!"Elizabeth's thoughts were busy elsewhere. If he was killed--would she be able to manage on the little pension and what she could earn?--she counted up rapidly. If he was hurt--they wouldn't take him to the hospital--how tiresome he would be to nurse!--but perhaps she'd be able to get him away from the drink and his hateful ways. She would--while he was ill. The tears offered to come to her eyes at the picture. But what sentimental luxury was this she was beginning?--She turned to consider the children. At any rate she was absolutely necessary for them. They were her business."Ay!" repeated the old woman, "it seems but a week or two since he brought me his first wages. Ay--he was a good lad, Elizabeth, he was, in his way. I don't know why he got to be such a trouble, I don't. He was a happy lad at home, only full of spirits. But there's no mistake he's been a handful of trouble, he has! I hope the Lord'll spare him to mend his ways. I hope so, I hope so. You've had a sight o' trouble with him, Elizabeth, you have indeed. But he was a jolly enough lad wi' me, he was, I can assure you. I don't know how it is . . ."The old woman continued to muse aloud, a monotonous irritating sound, while Elizabeth thought concentratedly, startled once, when she heard the winding-engine chuff quickly, and the brakes skirr with a shriek. Then she heard the engine more slowly, and the brakes made no sound. The old woman did not notice. Elizabeth。
eveline简介及读后感
eveline简介及读后感英文回答："英文回答，"Eveline is a short story written by James Joyce, which is part of his collection of stories called Dubliners. The story revolves around the life of Eveline, a young woman who is torn between staying in her hometown of Dublin or leaving with her lover, Frank, to start a new life in Buenos Aires.Throughout the story, Eveline is faced with a difficult decision. On one hand, she longs for adventure and a chance to escape the mundane and oppressive life she leads in Dublin. She dreams of a better future and believes that leaving with Frank will bring her happiness and freedom. On the other hand, Eveline is haunted by her responsibilities towards her family, especially her abusive father. Shefeels a strong sense of duty and obligation to stay andtake care of them. This internal conflict creates a sense of tension and suspense in the story.One of the themes explored in Eveline is the paralysis of the characters in Dubliners. Eveline is paralyzed by fear and indecision, unable to break free from the constraints of her environment. She is trapped in a cycle of routine and complacency, unable to take control of her own life. This theme reflects the larger social and political context of Dublin at the time, where many people felt trapped and limited by their circumstances.Another theme in the story is the role of women in society. Eveline is expected to sacrifice her own desires and dreams for the sake of her family. She is torn between her duty as a daughter and her desire for personal fulfillment. This theme highlights the limited options available to women in early 20th century Dublin and the societal pressures they faced.After reading Eveline, I was left with a sense of melancholy and sympathy for the main character. Eveline'sstruggle resonated with me, as I have also faced difficult decisions in my own life. The story reminded me of the importance of taking risks and pursuing one's own happiness, even in the face of fear and uncertainty. It also made me reflect on the societal expectations and constraints that can hold us back from living our lives to the fullest.Overall, Eveline is a poignant and thought-provoking story that explores themes of duty, sacrifice, and the limitations imposed by society. It is a powerful portrayalof the internal struggles we all face when making life-altering decisions.中文回答："中文回答，"《伊夫琳》是詹姆斯·乔伊斯的短篇小说，是他的《都柏林人》故事集中的一部分。
适合高中生的英文原著
适合高中生的英文原著1.Gone with the Wind《飘》小说《飘》是美国闻名女作家玛格丽特·米歇尔创造的一部具有浪漫主义颜色、反映南北战争体裁的小说。
主人公斯佳丽身上表现出来的叛逆精神和艰苦创业、自强不息的精神，一直令读者为之倾心。
这部经久不息的小说感动了无数的读者。
多次被翻拍成电影。
电影又名《乱世佳人》。
2.The Education of Love/Heart《爱的教育》《爱的教育》是意大利的儿童文学作品之一，由爱德蒙多·德·亚米契斯编写，其年代设在意大利统一，并包含不少爱国情形。
该书于1886年10月18日首次出版，共100篇文章，主要由三部分构成：意大利四年级小学生安利柯的十个月日记；他的爸爸妈妈在他日记本上写的劝诫启发性的文章；以及十则老师在课堂上宣读的小故事，其中《少年笔耕》、《寻母三千里》等阶段尤为知名。
3.A Journey to the Center of the Earth《地心游记》这部《地底游览》是法国小说家儒勒·凡尔纳的小说，于1864年出书，被认为是科幻小说的经典之一。
《地心历险记》也多次被改编成电影与电视剧，包括2009年上映的3D电影地心冒险。
这个故事是从德国闻名的地质学家李顿·白洛克博士，想解读一张写在羊皮纸上的暗码开端。
从这个暗码中，博士得悉在冰岛一个火山喷火口的洞穴里，有一条通往藏着千古奥秘的地底去的地下道，他就鼓起勇气，带着他的侄子亚克西和导游汉斯，到地底去探险。
遭受了种种危险以后，在九死一生中，他们才从地中海的一个火山岛的喷火口，逃回地面上来。
这可说是一个异想天开的冒险故事。
4.Oliver Twist《雾都孤儿》《雾都孤儿》是英国作家狄更斯于1838年出书的写实小说。
以雾都伦敦为布景，叙述了一个孤儿悲惨的身世及遭遇，主人公奥立弗在孤儿院长大，经历学徒生计，艰苦逃难，误入贼窝，又被逼与狠毒的凶徒为伍，历尽很多辛酸，最终在善良人的协助下，查明身世并获得了美好。
高中生经典英文小说阅读与欣赏系列 The Masque of the Red Death
The Masque of the Red Deathby Edgar Allan PoeThe red death had long devastated the country. No pestilence had ever been so fatal, or so hideous. Blood was its Avatar and its seal--the madness and the horror of blood. There were sharp pains, and sudden dizziness, and then profuse bleeding at the pores, with dissolution. The scarlet stains upon the body and especially upon the face of the victim, were the pest ban which shut him out from the aid and from the sympathy of his fellow-men. And the whole seizure, progress, and termination of the disease, were incidents of half an hour.But Prince Prospero was happy and dauntless and sagacious. When his dominions were half depopulated, he summoned to his presence a thousand hale and light-hearted friends from among the knights and dames of his court, and with these retired to the deep seclusion of one of his crenellated abbeys. This was an extensive and magnificent structure, the creation of the prince's own eccentric yet august taste. A strong and lofty wall girdled it in. This wall had gates of iron. The courtiers, having entered, brought furnaces and massy hammers and welded the bolts.They resolved to leave means neither of ingress nor egress to the sudden impulses of despair or of frenzy from within. The abbey was amply provisioned. With such precautions the courtiers might bid defiance to contagion. The external world could take care of itself. In the meantime it was folly to grieve or to think. The prince had provided all the appliances of pleasure. There were buffoons, there were improvisatori, there were ballet-dancers, there were musicians, there was Beauty, there was wine. All these and security were within. Without was the "Red Death."It was toward the close of the fifth or sixth month of his seclusion that the Prince Prospero entertained his thousand friends at a masked ball of the most unusual magnificence.It was a voluptuous scene, that masquerade. But first let me tell of the rooms in which it was held. There were seven--an imperial suite, In many palaces, however, such suites form a long and straight vista, while the folding doors slide back nearly to the walls on either hand, so that the view of the whole extant is scarcely impeded. Here the case was very different; as might have been expected from the duke's love of the "bizarre." The apartments were so irregularly disposed that the vision embraced but little more than one at a time. There was a sharp turn at the right and left, in the middle of each wall, a tall and narrow Gothic window looked out upon a closed corridor of which pursued the windings of the suite. These windows were ofstained glass whose color varied in accordance with the prevailing hue of the decorations of the chamber into which it opened. That at the eastern extremity was hung, for example, in blue--and vividly blue were its windows. The second chamber was purple in its ornaments and tapestries, and here the panes were purple. The third was green throughout, and so were the casements. The fourth was furnished and lighted with orange--the fifth with white--the sixth with violet. The seventh apartment was closely shrouded in black velvet tapestries that hung all over the ceiling and down the walls, falling in heavy folds upon a carpet of the same material and hue. But in this chamber only, the color of the windows failed to correspond with the decorations. The panes were scarlet--a deep blood color. Now in no one of any of the seven apartments was there any lamp or candelabrum, amid the profusion of golden ornaments that lay scattered to and fro and depended from the roof. There was no light of any kind emanating from lamp or candle within the suite of chambers. But in the corridors that followed the suite, there stood, opposite each window, a heavy tripod, bearing a brazier of fire, that projected its rays through the tinted glass and so glaringly lit the room. And thus were produced a multitude of gaudy and fantastic appearances. But in the western or back chamber the effect of the fire-light that streamed upon the dark hangings through the blood-tinted panes was ghastly in the extreme, and produced so wild a look upon the countenances of those who entered, that there were few of the company bold enough to set foot within its precincts at all. It was within this apartment, also, that there stood against the western wall, a gigantic clock of ebony. It pendulum swung to and fro with a dull, heavy, monotonous clang; and when the minute-hand made the circuit of the face, and the hour was to be stricken, there came from the brazen lungs of the clock a sound which was clear and loud and deep and exceedingly musical, but of so peculiar a note and emphasis that, at each lapse of an hour, the musicians of the orchestra were constrained to pause, momentarily, in their performance, to hearken to the sound; and thus the waltzers perforce ceased their evolutions; and there was a brief disconcert of the whole gay company; and while the chimes of the clock yet rang. it was observed that the giddiest grew pale, and the more aged and sedate passed their hands over their brows as if in confused revery or meditation. But when the echoes had fully ceased, a light laughter at once pervaded the assembly; the musicians looked at each other and smiled as if at their own nervousness and folly, and made whispering vows, each to the other, that the next chiming of the clock should produce in them no similar emotion; and then, after the lapse of sixty minutes (which embrace three thousand and six hundred seconds of Time that flies), there came yet another chiming of the clock, and then were the same disconcert and tremulousness and meditation as before. But, in spite of these things, it was a gay and magnificent revel. The tastes of the duke werepeculiar. He had a fine eye for color and effects. He disregarded the "decora" of mere fashion. His plans were bold and fiery, and his conceptions glowed with barbaric lustre. There are some who would have thought him mad. His followers felt that he was not. It was necessary to hear and see and touch him to be _sure_ he was not.He had directed, in great part, the movable embellishments of the seven chambers, upon occasion of this great fete; and it was his own guiding taste which had given character to the masqueraders. Be sure they were grotesque. There were much glare and glitter and piquancy and phantasm--much of what has been seen in "Hernani." There were arabesque figures with unsuited limbs and appointments. There were delirious fancies such as the madman fashions. There were much of the beautiful, much of the wanton, much of the bizarre, something of the terrible, and not a little of that which might have excited disgust. To and fro in the seven chambers stalked, in fact, a multitude of dreams. And these the dreams--writhed in and about, taking hue from the rooms, and causing the wild music of the orchestra to seem as the echo of their steps. And, anon, there strikes the ebony clock which stands in the hall of the velvet. And then, for a moment, all is still, and all is silent save the voice of the clock. The dreams are stiff-frozen as they stand. But the echoes of the chime die away--they have endured but an instant--and a light half-subdued laughter floats after them as they depart. And now the music swells, and the dreams live, and writhe to and fro more merrily than ever, taking hue from the many-tinted windows through which stream the rays of the tripods. But to the chamber which lies most westwardly of the seven there are now none of the maskers who venture, for the night is waning away; and there flows a ruddier light through the blood-colored panes; and the blackness of the sable drapery appalls; and to him whose foot falls on the sable carpet, there comes from the near clock of ebony a muffled peal more solemnly emphatic than any which reaches _their_ ears who indulge in the more remote gaieties of the other apartments.But these other apartments were densely crowded, and in them beat feverishly the heart of life. And the revel went whirlingly on, until at length there commenced the sounding of midnight upon the clock. And then the music ceased, as I have told; and the evolutions of the waltzers were quieted; and there was an uneasy cessation of all things as before. But now there were twelve strokes to be sounded by the bell of the clock; and thus it happened, perhaps that more of thought crept, with more of time into the meditations of the thoughtful among those who revelled. And thus too, it happened, that before the last echoes of the last chime had utterly sunk into silence, there were many individuals in the crowd who had found leisure to become aware of the presence of a masked figure which had arrested the attention of no single individual before. And the rumor of this new presence having spread itselfwhisperingly around, there arose at length from the whole company a buzz, or murmur, of horror, and of disgust.In an assembly of phantasms such as I have painted, it may well be supposed that no ordinary appearance could have excited such sensation. In truth the masquerade license of the night was nearly unlimited; but the figure in question had out-Heroded Herod, and gone beyond the bounds of even the prince's indefinite decorum. There are chords in the hearts of the most reckless which cannot be touched without emotion. Even with the utterly lost, to whom life and death are equally jests, there are matters of which no jest can be made. The whole company, indeed, seemed now deeply to feel that in the costume and bearing of the stranger neither wit nor propriety existed. The figure was tall and gaunt, and shrouded from head to foot in the habiliments of the grave. The mask which concealed the visage was made so nearly to resemble the countenance of a stiffened corpse that the closest scrutiny must have difficulty in detecting the cheat. And yet all this might have been endured, if not approved, by the mad revellers around. But the mummer had gone so far as to assume the type of the Red Death. His vesture was dabbled in _blood_--and his broad brow, with all the features of his face, was besprinkled with the scarlet horror.When the eyes of Prince Prospero fell on this spectral image (which, with a slow and solemn movement, as if more fully to sustain its role, stalked to and fro among the waltzers) he was seen to be convulsed, in the first moment with a strong shudder either of terror or distaste; but in the next, his brow reddened with rage."Who dares"--he demanded hoarsely of the courtiers who stood near him--"who dares insult us with this blasphemous mockery? Seize him and unmask him--that we may know whom we have to hang, at sunrise, from the battlements!"It was in the eastern or blue chamber in which stood Prince Prospero as he uttered these words. They rang throughout the seven rooms loudly and clearly, for the prince was a bold and robust man, and the music had become hushed at the waving of his hand.It was in the blue room where stood the prince, with a group of pale courtiers by his side. At first, as he spoke, there was a slight rushing movement of this group in the direction of the intruder, who, at the moment was also near at hand, and now, with deliberate and stately step, made closer approach to the speaker. But from a certain nameless awe with which the mad assumptions of the mummer had inspired the whole party, there were found none who put forth a hand to seize him; so that, unimpeded, he passed within a yard of the prince's person; and while the vast assembly, as with one impulse, shrank from the centers of the rooms to the walls, he made his way uninterruptedly, but with the same solemn and measured step which had distinguished him from the first, through the blue chamber to thepurple--to the purple to the green--through the green to the orange--through this again to the white--and even thence to the violet, ere a decided movement had been made to arrest him. It was then, however, that the Prince Prospero, maddened with rage and the shame of his own momentary cowardice, rushed hurriedly through the six chambers, while none followed him on account of a deadly terror that had seized upon all. He bore aloft a drawn dagger, and had approached, in rapid impetuosity, to within three or four feet of the retreating figure, when the latter, having attained the extremity of the velvet apartment, turned suddenly and confronted his pursuer. There was a sharp cry--and the dagger dropped gleaming upon the sable carpet, upon which most instantly afterward, fell prostrate in death the Prince Prospero. Then summoning the wild courage of despair, a throng of the revellers at once threw themselves into the black apartment, and seizing the mummer whose tall figure stood erect and motionless within the shadow of the ebony clock, gasped in unutterable horror at finding the grave cerements and corpse-like mask, which they handled with so violent a rudeness, untenanted by any tangible form.And now was acknowledged the presence of the red death. He had come like a thief in the night. And one by one dropped the revellers in the blood-bedewed halls of their revel, and died each in the despairing posture of his fall. And the life of the ebony clock went out with that of the last of the gay. And the flames of the tripods expired. And darkness and decay and the red death held illimitable dominion over all.。
高中生经典英文小说阅读与欣赏系列 The Wolves of Cernogatz
The Wolves of Cernogatzby H.H. Munro (SAKI)"Are they any old legends attached to the castle?" asked Conrad of his sister. Conrad was a prosperous Hamburg merchant, but he was the one poetically-dispositioned member of an eminently practical family.The Baroness Gruebel shrugged her plump shoulders."There are always legends hanging about these old places. They are not difficult to invent and they cost nothing. In this case there is a story that when any one dies in the castle all the dogs in the village and the wild beasts in forest howl the night long. It would not be pleasant to listen to, would it?""It would be weird and romantic," said the Hamburg merchant."Anyhow, it isn't true," said the Baroness complacently; "since we bought the place we have had proof that nothing of the sort happens. When the old mother-in-law died last springtime we all listened, but there was no howling. It is just a story that lends dignity to the place without costing anything.""The story is not as you have told it," said Amalie, the grey old governess. Every one turned and looked at her in astonishment. She was wont to sit silent and prim and faded in her place at table, never speaking unless some one spoke to her, and there were few who troubled themselves to make conversation with her. To-day a sudden volubility had descended on her; she continued to talk, rapidly and nervously, looking straight in front of her and seeming to address no one in particular."It is not when any one dies in the castle that the howling is heard. It was when one of the Cernogratz family died here that the wolves came from far and near and howled at the edge of the forest just before the death hour. There were only a few couple of wolves that had their lairs in this part of the forest, but at such a time the keepers say there would be scores of them, gliding about in the shadows and howling in chorus, and the dogs of the castle and the village and all the farms round would bay and howl in fear and anger at the wolf chorus, and as the soul of the dying one left its body a tree would crash down in the park. That is what happened when a Cernogratz died in his family castle. But for a stranger dying here, of course no wolf would howl and no tree would fall. Oh, no."There was a note of defiance, almost of contempt, in her voice as she said the last words. The well-fed, much-too-well dressed Baroness stared angrily at the dowdy old woman who had come forth from her usual and seemly position of effacement to speak so disrespectfully."You seem to know quite a lot about the von Cernogratz legends, FrauleinSchmidt," she said sharply; "I did not know that family histories were among the subjects you are supposed to be proficient in."The answer to her taunt was even more unexpected and astonishing than the conversational outbreak which had provoked it."I am a von Cernogratz myself," said the old woman, "that is why I know the family history.""You a von Cernogratz? You!" came in an incredulous chorus."When we became very poor," she explained, "and I had to go out and give teaching lessons, I took another name; I thought it would be more in keeping. But my grandfather spent much of his time as a boy in this castle, and my father used to tell me many stories about it, and, of course, I knew all the family legends and stories. When one has nothing left to one but memories, one guards and dusts them with especial care. I little thought when I took service with you that I should one day come with you to the old home of my family. I could wish it had been anywhere else."There was silence when she finished speaking, and then the Baroness turned the conversation to a less embarrassing topic than family histories. But afterwards, when the old governess had slipped away quietly to her duties, there arose a clamour of derision and disbelief."It was an impertinence," snapped out the Baron, his protruding eyes taking on a scandalised expression; "fancy the woman talking like that at our table. She almost told us we were nobodies, and I don't believe a word of it. She is just Schmidt and nothing more. She has been talking to some of the peasants about the old Cernogratz family, and raked up their history and their stories.""She wants to make herself out of some consequence," said the Baroness; "she knows she will soon be past work and she wants to appeal to our sympathies. Her grandfather, indeed!"The Baroness had the usual number of grandfathers, but she never, never boasted about them."I dare say her grandfather was a pantry boy or something of the sort in the castle," sniggered the Baron; "that part of the story may be true."The merchant from Hamburg said nothing; he had seen tears in the old woman's eyes when she spoke of guarding her memories--or, being of an imaginative disposition, he thought he had."I shall give her notice to go as soon as the New Year festivities are over," said the Baroness; "till then I shall be too busy to manage without her."But she had to manage without her all the same, for in the cold biting weather after Christmas, the old governess fell ill and kept to her room."It is most provoking," said the Baroness, as her guests sat round the fire onone of the last evenings of the dying year; "all the time that she has been with us I cannot remember that she was ever seriously ill, too ill to go about and do her work, I mean. And now, when I have the house full, and she could be useful in so many ways, she goes and breaks down. One is sorry for her, of course, she looks so withered and shrunken, but it is intensely annoying all the same.""Most annoying," agreed the banker's wife, sympathetically; "it is the intense cold, I expect, it breaks the old people up. It has been unusually cold this year.""The frost is the sharpest that has been known in December for many years," said the Baron."And, of course, she is quite old," said the Baroness; "I wish I had given her notice some weeks ago, then she would have left before this happened to her. Why, Wappi, what is the matter with you?"The small, woolly lapdog had leapt suddenly down from its cushion and crept shivering under the sofa. At the same moment an outburst of angry barking came from the dogs in the castle-yard, and other dogs could be heard yapping and barking in the distance."What is disturbing the animals?" asked the Baron.And then the humans, listening intently, heard the sound that had roused the dogs to their demonstrations of fear and rage; heard a long-drawn whining howl, rising and falling, seeming at one moment leagues away, at others sweeping across the snow until it appeared to come from the foot of the castle walls. All the starved, cold misery of a frozen world, all the relentless hunger-fury of the wild, blended with other forlorn and haunting melodies to which one could give no name, seemed concentrated in that wailing cry."Wolves!" cried the Baron.Their music broke forth in one raging burst, seeming to come from everywhere."Hundreds of wolves," said the Hamburg merchant, who was a man of strong imagination.Moved by some impulse which she could not have explained, the Baroness left her guests and made her way to the narrow, cheerless room where the old governess lay watching the hours of the drying year slip by. In spite of the biting cold of the winter night, the window stood open. With a scandalised exclamation on her lips, the Baroness rushed forward to close it."Leave it open," said the old woman in a voice that for all its weakness carried an air of command such as the Baroness had never heard before from her lips."But you will die of cold!" she expostulated."I am dying in any case," said the voice, "and I want to hear their music. They have come from far and wide to sing the death-music of my family. It is beautifulthat they have come; I am the last von Cernogratz that will die in our old castle, and they have come to sing to me. Hark, how loud they are calling!"The cry of the wolves rose on the still winter air and floated round the castle walls in long-drawn piercing wails; the old woman lay back on her couch with a look of long-delayed happiness on her face."Go away," she said to the Baroness; "I am not lonely any more. I am one of a great old family . . . ""I think she is dying," said the Baroness when she had rejoined her guests; "I suppose we must send for a doctor. And that terrible howling! Not for much money would I have such death-music.""That music is not to be bought for any amount of money," said Conrad."Hark! What is that other sound?" asked the Baron, as a noise of splitting and crashing was heard.It was a tree falling in the park.There was a moment of constrained silence, and then the banker's wife spoke."It is the intense cold that is splitting the trees. It is also the cold that has brought the wolves out in such numbers. It is many years since we have had such a cold winter."The Baroness eagerly agreed that the cold was responsible for these things. It was the cold of the open window, too, which caused the heart failure that made the doctor's ministrations unnecessary for the old Fraulein. But the notice in the newspapers looked very well--"On December 29th, at Schloss Cernogratz, Amalie von Cernogratz, for many years the valued friend of Baron and Baroness Gruebel."。
高中生经典英文小说阅读与欣赏系列 A resumed identity
A RESUMED IDENTITYby Ambrose Bierce1: The Review as a Form of WelcomeONE summer night a man stood on a low hill overlooking a wide expanse of forest and field. By the full moon hanging low in the west he knew what he might not have known otherwise: that it was near the hour of dawn. A light mist lay along the earth, partly veiling the lower features of the landscape, but above it the taller trees showed in well- defined masses against a clear sky. Two or three farmhouses were visible through the haze, but in none of them, naturally, was a light.Nowhere, in- deed, was any sign or suggestion of life except the barkingof a distant dog, which, repeated with mechanical iteration, servedrather to accentuate than dispel the loneliness of the scene.The man looked curiously about him on all sides, as one who amongfamiliar surroundings is unable to determine his exact place and part inthe scheme of things. It is so, perhaps, that we shall act when, risenfrom the dead, we await the call to judgment.A hundred yards away was a straight road, show- ing white in the moonlight. Endeavouring to orient himself, as a surveyor or navigatormight say, the man moved his eyes slowly along its visible length and ata distance of a quarter-mile to the south of his station saw, dim andgrey in the haze, a group of horsemen riding to the north. Behind themwere men afoot, marching in column, with dimly gleaming rifles aslantabove their shoulders. They moved slowly and in silence. Another groupof horsemen, another regiment of infantry, another and another --all in unceasing motion toward the man's point of view, past it, and beyond. Abattery of artillery followed, the cannoneers riding with folded arms onlimber and caisson. And still the interminable procession came out ofthe obscurity to south and passed into the obscurity to north, withnever a sound of voice, nor hoof, nor wheel.The man could not rightly understand: he thought himself deaf; saidso, and heard his own voice, al- though it had an unfamiliar qualitythat almost alarmed him; it disappointed his ear's expectancy in thematter of timbre and resonance. But he was not deaf, and that for themoment sufficed.Then he remembered that there are natural phe- nomena to which someone has given the name 'acoustic shadows.' If you stand in an acousticshadow there is one direction from which you will hear nothing. At the battle of Gaines's Mill, one of the fiercest conflicts of the Civil War,with a hundred guns in play, spectators a mile and a half away on the opposite side of the Chickahominy Valley heard nothing of what they clearly saw. The bombardment of Port Royal, heard and felt at St. Augustine, a hundred and fifty miles to the south, was inaudible twomiles to the north in a still atmosphere. A few days before thesurrender at Ap- pomattox a thunderous engagement between the commands of Sheridan and Pickett was unknown to the latter commander, a mile in the rear of his own line.These instances were not known to the man of whom we write, but less striking ones of the same character had not escaped his observation. He was profoundly disquieted, but for another reason than the uncanny silence of that moonlight march.'Good Lord! ' he said to himself--and again it was as if another had spoken his thought--'if those people are what I take them to be we havelost the battle and they are moving on Nashville!'Then came a thought of self--an apprehension --a strong sense of personal peril, such as in an- other we call fear. He stepped quicklyinto the shadow of a tree. And still the silent battalions moved slowly forward in the haze.The chill of a sudden breeze upon the back of his neck drew his attention to the quarter whence it came, and turning to the east he sawa faint grey light along the horizon--the first sign of return- ing day.This increased his apprehension.'I must get away from here,' he thought, 'or I shall be discoveredand taken.'He moved out of the shadow, walking rapidly toward the greying east. From the safer seclusion of a clump of cedars he looked back. The entire column had passed out of sight: the straight white road lay bare and desolate in the moonlight!Puzzled before, he was now inexpressibly astonished. So swift a passing of so slow an army!--he could not comprehend it. Minute after minute passed unnoted; he had lost his sense of time. He sought with a terrible earnestness a solution of the mystery, but sought in vain. Whenat last he roused himself from his abstraction the sun's rim was visi-ble above the hills, but in the new conditions he found no other lightthan that of day; his understanding was involved as darkly in doubt as before.On every side lay cultivated fields showing no sign of war and war's ravages. From the chimneys of the farmhouses thin ascensions of blue smoke signalled preparations for a day's peaceful toil. Having stilledits immemorial allocution to the moon, the watch-dog was assisting anegro who, prefixing a team of mules to the plough, was flatting and sharping contentedly at his task. The hero of this tale staredstupidly at the pastoral picture as if he had never seen such a thing inall his life; then he put his hand to his head, passed it through hishair and, withdrawing it, attentively considered the palm--a singularthing to do. Apparently reassured by the act, he walked confidentlytoward the road.2: When You have Lost Your Life Consult a PhysicianDr. Stilling Malson, of Murfreesboro, having visited a patient sixor seven miles away, on the Nash- ville road, had remained with him all night. At daybreak he set out for home on horseback, as was the customof doctors of the time and region. He had passed into the neighbourhoodof Stone's River battlefield when a man approached him from the road-side and saluted in the military fashion, with a movement of the righthand to the hat-brim. But the hat was not a military hat, the man wasnot in uniform and had not a martial bearing. The doctor noddedcivilly, half thinking that the stranger's uncommon greeting wasperhaps in deference to the historic surroundings. As the strangerevidently desired speech with him he courteously reined in his horseand waited.'Sir,' said the stranger, 'although a civilian, you are perhaps an enemy.''I am a physician,' was the non-committal reply.'Thank you,' said the other. 'I am a lieutenant, of the staff ofGeneral Hazen.' He paused a moment and looked sharply at the person whom he was addressing, then added, 'Of the Federal army.' The physicianmerely nodded.'Kindly tell me,' continued the other, 'what has happened here.Where are the armies? Which has won the battle?'The physician regarded his questioner curiously with half-shut eyes. After a professional scrutiny, prolonged to the limit of politeness,'Pardon me,' he said; 'one asking information should be willing toimpart it. Are you wounded?' he added, smiling.'Not seriously--it seems.'The man removed the unmilitary hat, put his hand to his head, passed it through his hair and, withdrawing it, attentively considered the palm.'I was struck by a bullet and have been unconscious. It must have been a light, glancing blow: I find no blood and feel no pain. I willnot trouble you for treatment, but will you kindly direct me to my command--to any part of the Federal army--if you know?'Again the doctor did not immediately reply: he was recalling much that is recorded in the books of his profession--something about lost identity and the effect of familiar scenes in restoring it. At length he looked the man in the face, smiled, and said:'Lieutenant, you are not wearing the uniform of your rank and service.'At this the man glanced down at his civilian attire, lifted hiseyes, and said with hesitation:'That is true. I--I don't quite understand.'Still regarding him sharply but not unsympathetically, the man of science bluntly inquired:'How old are you?''Twenty-three--if that has anything to do with it.''You don't look it; I should hardly have guessed you to be just that.'The man was growing impatient. 'We need not discuss that,' he said: 'I want to know about the army. Not two hours ago I saw a column of troops moving northward on this road. You must have met them. Be good enough to tell me the colour of their clothing, which I was unable to make out, and I'll trouble you no more.''You are quite sure that you saw them?''Sure? My God, sir, I could have counted them!''Why, really,' said the physician, with an amusing consciousness of his own resemblance to the loquacious barber of the Arabian Nights,'this is very in- teresting. I met no troops.'The man looked at him coldly, as if he had himself observed the likeness to the barber. 'It is plain,' he said, 'that you do not care toassist me. Sir, you may go to the devil!'He turned and strode away, very much at random, across the dewy fields, his half-penitent tormentor quietly watching him from hispoint of vantage in the saddle till he disappeared beyond an array of trees.3: The Danger of Looking into a Pool of WaterAfter leaving the road the man slackened his pace, and now went forward, rather deviously, with a distinct feeling of fatigue. Hecould not account for this, though truly the interminable loquacity of that country doctor offered itself in explanation. Seating himself upona rock, he laid one hand upon his knee, back upward, and casually looked at it. It was lean and withered. He lifted both hands to his face. Itwas seamed and furrowed; he could trace the lines with the tips of his fingers. How strange!--a mere bullet-stroke and a brief unconsciousness should not make one a physical wreck.'I must have been a long time in hospital,' he said aloud. 'Why,what a fool I am! The battle was in December, and it is now summer!' He laughed. 'No wonder that fellow thought me an escaped luna- tic. He was wrong: I am only an escaped patient.'At a little distance a small plot of ground enclosed by a stone wall caught his attention. With no very definite intent he rose and went toit. In the centre was a square, solid monument of hewn stone. It was brown with age, weather-worn at the angles, spotted with moss and lichen. Between the massive blocks were strips of grass the leverage of whose roots had pushed them apart. In answer to the challenge of this ambitious structure Time had laid his destroying hand upon it, and it would soon be 'one with Nineveh and Tyre.' In an inscription on one side his eye caught a familiar name. Shaking with excitement, he craned his body across the wall and read:HAZEN'S BRIGADEtoThe Memory of Its Soldierswho fell at Stone River, Dec. 31, 1862.The man fell back from the wall, faint and sick. Almost within an arm's length was a little depression in the earth; it had been filled bya recent rain--a pool of clear water. He crept to it to revive himself,lifted the upper part of his body on his trembling arms, thrust forward his head and saw the reflection of his face, as in a mirror. He uttereda terrible cry. His arms gave way; he fell, face downward, into the pool and yielded up the life that had spanned another life.。
英文高章书单
英文高章书单
以下是一些适合高中生的英文高级书单：
1. “To Kill a Mockingbird”（《杀死一只知更鸟》）by Harper Lee
2. “1984”（《一九八四》）by George Orwell
3. “The Great Gatsby”（《了不起的盖茨比》）by F. Scott Fitzgerald
4. “The Catcher in the Rye”（《麦田里的守望者》）by Salinger
5. “Animal Farm”（《动物农场》）by George Orwell
6. “Brave New World”（《美丽新世界》）by Aldous Huxley
7. “The Lord of the Rings”（《指环王》）by Tolkien
8. “Harry Potter” series（“哈利·波特”系列）by Rowling
9. “The Hitchhiker's Guide to the Galaxy”（《银河系漫游指南》）by Douglas Adams
10. “The Time Machine”（《时间机器》）by Wells
这些书籍都有一定的难度，但同时也非常有趣，可以帮助你提高英文阅读理解能力。
在阅读这些书籍时，你可以通过查阅字典、阅读注释、做笔记等方式来更好地理解书中的内容。
祝你阅读愉快！。
高中生经典英文小说阅读欣赏与写作系列 The Cat
The Catby Mary E. Wilkins FreemanThe snow was falling, and the Cat's fur was stiffly pointed with it, but he was imperturbable. He sat crouched, ready for the death-spring, as he had sat for hours. It was night—but that made no difference—all times were as one to the Cat when he was in wait for prey. Then, too, he was under no constraint of human will, for he was living alone that winter. Nowhere in the world was any voice calling him; on no hearth was there a waiting dish. He was quite free except for his own desires, which tyrannized over him when unsatisfied as now. The Cat was very hungry—almost famished, in fact. For days the weather had been very bitter, and all the feebler wild things which were his prey by inheritance, the born serfs to his family, had kept, for the most part, in their burrows and nests, and the Cat's long hunt had availed him nothing. But he waited with the inconceivable patience and persistency of his race; besides, he was certain. The Cat was a creature of absolute convictions, and his faith in his deductions never wavered. The rabbit had gone in there between those low-hung pine boughs. Now her little doorway had before it a shaggy curtain of snow, but in there she was. The Cat had seen her enter, so like a swift grey shadow that even his sharp and practised eyes had glanced back for the substance following, and then she was gone. So he sat down and waited, and he waited still in the white night, listening angrily to the north wind starting in the upper heights of the mountains with distant screams, then swelling into an awful crescendo of rage, and swooping down with furious white wings of snow like a flock of fierce eagles into the valleys and ravines. The Cat was on the side of a mountain, on a wooded terrace. Above him a few feet away towered the rock ascent as steep as the wall of a cathedral. The Cat had never climbed it—trees were the ladders to his heights of life. He had often looked with wonder at the rock, and miauled bitterly and resentfully as man does in the face of a forbidding Providence. At his left was the sheer precipice. Behind him, with a short stretch of woody growth between, was the frozen perpendicular wall of a mountain stream. Before him was the way to his home. When the rabbit came out she was trapped; her little cloven feet could not scale such unbroken steeps. So the Cat waited. The place in which he was looked like a maelstrom of the wood. The tangle of trees and bushes clinging to the mountain-side with a stern clutch of roots, the prostrate trunks and branches, the vines embracing everything with strong knots and coils of growth, had a curious effect, as of things which had whirled for ages in a current of raging water, only it was not water, but wind, which had disposed everything in circling lines of yielding to its fiercest points of onset. And now over all this whirl of woodand rock and dead trunks and branches and vines descended the snow. It blew down like smoke over the rock-crest above; it stood in a gyrating column like some death-wraith of nature, on the level, then it broke over the edge of the precipice, and the Cat cowered before the fierce backward set of it. It was as if ice needles pricked his skin through his beautiful thick fur, but he never faltered and never once cried. He had nothing to gain from crying, and everything to lose; the rabbit would hear him cry and know he was waiting.It grew darker and darker, with a strange white smother, instead of the natural blackness of night. It was a night of storm and death superadded to the night of nature. The mountains were all hidden, wrapped about, overawed, and tumultuously overborne by it, but in the midst of it waited, quite unconquered, this little, unswerving, living patience and power under a little coat of grey fur.A fiercer blast swept over the rock, spun on one mighty foot of whirlwind athwart the level, then was over the precipice.Then the Cat saw two eyes luminous with terror, frantic with the impulse of flight, he saw a little, quivering, dilating nose, he saw two pointing ears, and he kept still, with every one of his fine nerves and muscles strained like wires. Then the rabbit was out—there was one long line of incarnate flight and terror—and the Cat had her.Then the Cat went home, trailing his prey through the snow.The Cat lived in the house which his master had built, as rudely as a child's block-house, but staunchly enough. The snow was heavy on the low slant of its roof, but it would not settle under it. The two windows and the door were made fast, but the Cat knew a way in. Up a pine-tree behind the house he scuttled, though it was hard work with his heavy rabbit, and was in his little window under the eaves, then down through the trap to the room below, and on his master's bed with a spring and a great cry of triumph, rabbit and all. But his master was not there; he had been gone since early fall and it was now February. He would not return until spring, for he was an old man, and the cruel cold of the mountains clutched at his vitals like a panther, and he had gone to the village to winter. The Cat had known for a long time that his master was gone, but his reasoning was always sequential and circuitous; always for him what had been would be, and the more easily for his marvellous waiting powers so he always came home expecting to find his master.When he saw that he was still gone, he dragged the rabbit off the rude couch which was the bed to the floor, put one little paw on the carcass to keep it steady, and began gnawing with head to one side to bring his strongest teeth to bear.It was darker in the house than it had been in the wood, and the cold was as deadly, though not so fierce. If the Cat had not received his fur coat unquestioningly of Providence, he would have been thankful that he had it. It was amottled grey, white on the face and breast, and thick as fur could grow.The wind drove the snow on the windows with such force that it rattled like sleet, and the house trembled a little. Then all at once the Cat heard a noise, and stopped gnawing his rabbit and listened, his shining green eyes fixed upon a window. Then he heard a hoarse shout, a halloo of despair and entreaty; but he knew it was not his master come home, and he waited, one paw still on the rabbit. Then the halloo came again, and then the Cat answered. He said all that was essential quite plainly to his own comprehension. There was in his cry of response inquiry, information, warning, terror, and finally, the offer of comradeship; but the man outside did not hear him, because of the howling of the storm.Then there was a great battering pound at the door, then another, and another. The Cat dragged his rabbit under the bed. The blows came thicker and faster. It was a weak arm which gave them, but it was nerved by desperation. Finally the lock yielded, and the stranger came in. Then the Cat, peering from under the bed, blinked with a sudden light, and his green eyes narrowed. The stranger struck a match and looked about. The Cat saw a face wild and blue with hunger and cold, and a man who looked poorer and older than his poor old master, who was an outcast among men for his poverty and lowly mystery of antecedents; and he heard a muttered, unintelligible voicing of distress from the harsh piteous mouth. There was in it both profanity and prayer, but the Cat knew nothing of that.The stranger braced the door which he had forced, got some wood from the stock in the corner, and kindled a fire in the old stove as quickly as his half-frozen hands would allow. He shook so pitiably as he worked that the Cat under the bed felt the tremor of it. Then the man, who was small and feeble and marked with the scars of suffering which he had pulled down upon his own head, sat down in one of the old chairs and crouched over the fire as if it were the one love and desire of his soul, holding out his yellow hands like yellow claws, and he groaned. The Cat came out from under the bed and leaped up on his lap with the rabbit. The man gave a great shout and start of terror, and sprang, and the Cat slid clawing to the floor, and the rabbit fell inertly, and the man leaned, gasping with fright, and ghastly, against the wall. The Cat grabbed the rabbit by the slack of its neck and dragged it to the man's feet. Then he raised his shrill, insistent cry, he arched his back high, his tail was a splendid waving plume. He rubbed against the man's feet, which were bursting out of their torn shoes.The man pushed the Cat away, gently enough, and began searching about the little cabin. He even climbed painfully the ladder to the loft, lit a match, and peered up in the darkness with straining eyes. He feared lest there might be a man, since there was a cat. His experience with men had not been pleasant, and neither had the experience of men been pleasant with him. He was an old wandering Ishmaelamong his kind; he had stumbled upon the house of a brother, and the brother was not at home, and he was glad.He returned to the Cat, and stooped stiffly and stroked his back, which the animal arched like the spring of a bow.Then he took up the rabbit and looked at it eagerly by the firelight. His jaws worked. He could almost have devoured it raw. He fumbled—the Cat close at his heels—around some rude shelves and a table, and found, with a grunt of self-gratulation, a lamp with oil in it. That he lighted; then he found a frying-pan and a knife, and skinned the rabbit, and prepared it for cooking, the Cat always at his feet.When the odour of the cooking flesh filled the cabin, both the man and the Cat looked wolfish. The man turned the rabbit with one hand and stooped to pat the Cat with the other. The Cat thought him a fine man. He loved him with all his heart, though he had known him such a short time, and though the man had a face both pitiful and sharply set at variance with the best of things.It was a face with the grimy grizzle of age upon it, with fever hollows in the cheeks, and the memories of wrong in the dim eyes, but the Cat accepted the man unquestioningly and loved him. When the rabbit was half cooked, neither the man nor the Cat could wait any longer. The man took it from the fire, divided it exactly in halves, gave the Cat one, and took the other himself. Then they ate.Then the man blew out the light, called the Cat to him, got on the bed, drew up the ragged coverings, and fell asleep with the Cat in his bosom.The man was the Cat's guest all the rest of the winter, and winter is long in the mountains. The rightful owner of the little hut did not return until May. All that time the Cat toiled hard, and he grew rather thin himself, for he shared everything except mice with his guest; and sometimes game was wary, and the fruit of patience of days was very little for two. The man was ill and weak, however, and unable to eat much, which was fortunate, since he could not hunt for himself. All day long he lay on the bed, or else sat crouched over the fire. It was a good thing that fire-wood was ready at hand for the picking up, not a stone's-throw from the door, for that he had to attend to himself.The Cat foraged tirelessly. Sometimes he was gone for days together, and at first the man used to be terrified, thinking he would never return; then he would hear the familiar cry at the door, and stumble to his feet and let him in. Then the two would dine together, sharing equally; then the Cat would rest and purr, and finally sleep in the man's arms.Towards spring the game grew plentiful; more wild little quarry were tempted out of their homes, in search of love as well as food. One day the Cat had luck—a rabbit, a partridge, and a mouse. He could not carry them all at once, but finally hehad them together at the house door. Then he cried, but no one answered. All the mountain streams were loosened, and the air was full of the gurgle of many waters, occasionally pierced by a bird-whistle. The trees rustled with a new sound to the spring wind; there was a flush of rose and gold-green on the breasting surface of a distant mountain seen through an opening in the wood. The tips of the bushes were swollen and glistening red, and now and then there was a flower; but the Cat had nothing to do with flowers. He stood beside his booty at the house door, and cried and cried with his insistent triumph and complaint and pleading, but no one came to let him in. Then the cat left his little treasures at the door, and went around to the back of the house to the pine-tree, and was up the trunk with a wild scramble, and in through his little window, and down through the trap to the room, and the man was gone.The Cat cried again—that cry of the animal for human companionship which is one of the sad notes of the world; he looked in all the corners; he sprang to the chair at the window and looked out; but no one came. The man was gone and he never came again.The Cat ate his mouse out on the turf beside the house; the rabbit and the partridge he carried painfully into the house, but the man did not come to share them. Finally, in the course of a day or two, he ate them up himself; then he slept a long time on the bed, and when he waked the man was not there.Then the Cat went forth to his hunting-grounds again, and came home at night with a plump bird, reasoning with his tireless persistency in expectancy that the man would be there; and there was a light in the window, and when he cried his old master opened the door and let him in.His master had strong comradeship with the Cat, but not affection. He never patted him like that gentler outcast, but he had a pride in him and an anxiety for his welfare, though he had left him alone all winter without scruple. He feared lest some misfortune might have come to the Cat, though he was so large of his kind, and a mighty hunter. Therefore, when he saw him at the door in all the glory of his glossy winter coat, his white breast and face shining like snow in the sun, his own face lit up with welcome, and the Cat embraced his feet with his sinuous body vibrant with rejoicing purrs.The Cat had his bird to himself, for his master had his own supper already cooking on the stove. After supper the Cat's master took his pipe, and sought a small store of tobacco which he had left in his hut over winter. He had thought often of it; that and the Cat seemed something to come home to in the spring. But the tobacco was gone; not a dust left. The man swore a little in a grim monotone, which made the profanity lose its customary effect. He had been, and was, a hard drinker; he had knocked about the world until the marks of its sharp corners wereon his very soul, which was thereby calloused, until his very sensibility to loss was dulled. He was a very old man.He searched for the tobacco with a sort of dull combativeness of persistency; then he stared with stupid wonder around the room. Suddenly many features struck him as being changed. Another stove-lid was broken; an old piece of carpet was tacked up over a window to keep out the cold; his fire-wood was gone. He looked and there was no oil left in his can. He looked at the coverings on his bed; he took them up, and again he made that strange remonstrant noise in his throat. Then he looked again for his tobacco.Finally he gave it up. He sat down beside the fire, for May in the mountains is cold; he held his empty pipe in his mouth, his rough forehead knitted, and he and the Cat looked at each other across that impassable barrier of silence which has been set between man and beast from the creation of the world.。
高中生经典英文小说阅读与欣赏系列 The Diary of a Madman
The Diary of a Madmanby Guy de MaupassantHe was dead--the head of a high tribunal, the upright magistrate whose irreproachable life was a proverb in all the courts of France. Advocates, young counsellors, judges had greeted him at sight of his large, thin, pale face lighted up by two sparkling deep-set eyes, bowing low in token of respect.He had passed his life in pursuing crime and in protecting the weak. Swindlers and murderers had no more redoubtable enemy, for he seemed to read the most secret thoughts of their minds.He was dead, now, at the age of eighty-two, honored by the homage and followed by the regrets of a whole people. Soldiers in red trousers had escorted him to the tomb and men in white cravats had spoken words and shed tears that seemed to be sincere beside his grave.But here is the strange paper found by the dismayed notary in the desk where he had kept the records of great criminals! It was entitled:WHY?20th June, 1851. I have just left court. I have condemned Blondel to death! Now, why did this man kill his five children? Frequently one meets with people to whom the destruction of life is a pleasure. Yes, yes, it should be a pleasure, the greatest of all, perhaps, for is not killing the next thing to creating? To make and to destroy! These two words contain the history of the universe, all the history of worlds, all that is, all! Why is it not intoxicating to kill?25th June. To think that a being is there who lives, who walks, who runs. A being? What is a being? That animated thing, that bears in it the principle of motion and a will ruling that motion. It is attached to nothing, this thing. Its feet do not belong to the ground. It is a grain of life that moves on the earth, and this grain of life, coming I know not whence, one can destroy at one's will. Then nothing--nothing more. It perishes, it is finished.26th June. Why then is it a crime to kill? Yes, why? On the contrary, it is the law of nature. The mission of every being is to kill; he kills to live, and he kills to kill. The beast kills without ceasing, all day, every instant of his existence. Man kills without ceasing, to nourish himself; but since he needs, besides, to kill for pleasure, he has invented hunting! The child kills the insects he finds, the little birds, all the little animals that come in his way. But this does not suffice for the irresistible need to massacre that is in us. It is not enough to kill beasts; we must kill man too. Long ago this need was satisfied by human sacrifices. Now the requirements of social life have made murder a crime. We condemn and punish theassassin! But as we cannot live without yielding to this natural and imperious instinct of death, we relieve ourselves, from time to time, by wars. Then a whole nation slaughters another nation. It is a feast of blood, a feast that maddens armies and that intoxicates civilians, women and children, who read, by lamplight at night, the feverish story of massacre.One might suppose that those destined to accomplish these butcheries of men would be despised! No, they are loaded with honors. They are clad in gold and in resplendent garments; they wear plumes on their heads and ornaments on their breasts, and they are given crosses, rewards, titles of every kind. They are proud, respected, loved by women, cheered by the crowd, solely because their mission is to shed human blood; They drag through the streets their instruments of death, that the passer-by, clad in black, looks on with envy. For to kill is the great law set by nature in the heart of existence! There is nothing more beautiful and honorable than killing!30th June. To kill is the law, because nature loves eternal youth. She seems to cry in all her unconscious acts: "Quick! quick! quick!" The more she destroys, the more she renews herself.2d July. A human being--what is a human being? Through thought it is a reflection of all that is; through memory and science it is an abridged edition of the universe whose history it represents, a mirror of things and of nations, each human being becomes a microcosm in the macrocosm.3d July. It must be a pleasure, unique and full of zest, to kill; to have there before one the living, thinking being; to make therein a little hole, nothing but a little hole, to see that red thing flow which is the blood, which makes life; and to have before one only a heap of limp flesh, cold, inert, void of thought!5th August. I, who have passed my life in judging, condemning, killing by the spoken word, killing by the guillotine those who had killed by the knife, I, I, if I should do as all the assassins have done whom I have smitten, I--I--who would know it?10th August. Who would ever know? Who would ever suspect me, me, me, especially if I should choose a being I had no interest in doing away with?15th August. The temptation has come to me. It pervades my whole being; my hands tremble with the desire to kill.22d August. I could resist no longer. I killed a little creature as an experiment, for a beginning. Jean, my servant, had a goldfinch in a cage hung in the office window. I sent him on an errand, and I took the little bird in my hand, in my hand where I felt its heart beat. It was warm. I went up to my room. From time to time I squeezed it tighter; its heart beat faster; this was atrocious and delicious. I was near choking it. But I could not see the blood.Then I took scissors, short-nail scissors, and I cut its throat with three slits, quite gently. It opened its bill, it struggled to escape me, but I held it, oh! I held it--I could have held a mad dog--and I saw the blood trickle.And then I did as assassins do--real ones. I washed the scissors, I washed my hands. I sprinkled water and took the body, the corpse, to the garden to hide it. I buried it under a strawberry-plant. It will never be found. Every day I shall eat a strawberry from that plant. How one can enjoy life when one knows how!My servant cried; he thought his bird flown. How could he suspect me? Ah! ah!25th August. I must kill a man! I must----30th August. It is done. But what a little thing! I had gone for a walk in the forest of Vernes. I was thinking of nothing, literally nothing. A child was in the road, a little child eating a slice of bread and butter.He stops to see me pass and says, "Good-day, Mr. President."And the thought enters my head, "Shall I kill him?"I answer: "You are alone, my boy?""Yes, sir.""All alone in the wood?""Yes, sir."The wish to kill him intoxicated me like wine. I approached him quite softly, persuaded that he was going to run away. And, suddenly, I seized him by the throat. He looked at me with terror in his eyes--such eyes! He held my wrists in his little hands and his body writhed like a feather over the fire. Then he moved no more. I threw the body in the ditch, and some weeds on top of it. I returned home, and dined well. What a little thing it was! In the evening I was very gay, light, rejuvenated; I passed the evening at the Prefect's. They found me witty. But I have not seen blood! I am tranquil.31st August. The body has been discovered. They are hunting for the assassin. Ah! ah!1st September. Two tramps have been arrested. Proofs are lacking.2d September. The parents have been to see me. They wept! Ah! ah!6th October. Nothing has been discovered. Some strolling vagabond must have done the deed. Ah! ah! If I had seen the blood flow, it seems to me I should be tranquil now! The desire to kill is in my blood; it is like the passion of youth at twenty.20th October. Yet another. I was walking by the river, after breakfast. And I saw, under a willow, a fisherman asleep. It was noon. A spade was standing in a potato-field near by, as if expressly, for me.I took it. I returned; I raised it like a club, and with one blow of the edge I cleftthe fisherman's head. Oh! he bled, this one! Rose-colored blood. It flowed into the water, quite gently. And I went away with a grave step. If I had been seen! Ah! ah! I should have made an excellent assassin.25th October. The affair of the fisherman makes a great stir. His nephew, who fished with him, is charged with the murder.26th October. The examining magistrate affirms that the nephew is guilty. Everybody in town believes it. Ah! ah!27th October. The nephew makes a very poor witness. He had gone to the village to buy bread and cheese, he declared. He swore that his uncle had been killed in his absence! Who would believe him?28th October. The nephew has all but confessed, they have badgered him so. Ah! ah! justice!15th November. There are overwhelming proofs against the nephew, who was his uncle's heir. I shall preside at the sessions.25th January. To death! to death! to death! I have had him condemned to death! Ah! ah! The advocate-general spoke like an angel! Ah! ah! Yet another! I shall go to see him executed!10th March. It is done. They guillotined him this morning. He died very well! very well! That gave me pleasure! How fine it is to see a man's head cut off Now, I shall wait, I can wait. It would take such a little thing to let myself be caught.The manuscript contained yet other pages, but without relating any new crime.Alienist physicians to whom the awful story has been submitted declare that there are in the world many undiscovered madmen as adroit and as much to be feared as this monstrous lunatic.。
Eveline
Stream of Consciousness
Psychoanalytic method of Sigmund Freud Intuitive of Henri Bergson
The thoughts of a character in the random, seemingly unorganized fashion in which the thinking process occurs
侧重从复杂多变的内心世界和意识重从复杂多变的内心世界和意识活动来反映客观世界以特殊的活动来反映客观世界以特殊的角度曲折的方式来反映现实生角度曲折的方式来反映现实生现代主义小说的根本特点现代主义小说的根本特点在题材内容上从着重反映外部在题材内容上从着重反映外部物质世界转向着重表现个人的内物质世界转向着重表现个人的内心精神世界心精神世界在结构上从以时间为顺序的线在结构上从以时间为顺序的线状结构变为突破时间空间框架状结构变为突破时间空间框架的放射形结构的放射形结构现代主义小说的社会内容现代主义小说的社会内容着重表现自我着重表现自我危机感危机感异化异化现代主义小说的结构现代主义小说的结构蛛网状结构蛛网状结构以现代小说的表现对象自我以现代小说的表现对象自我为中心让自我的各种思绪为中心让自我的各种思绪感觉遐想幻觉各种胡思乱感觉遐想幻觉各种胡思乱想自言自语从这个中心向四处想自言自语从这个中心向四处辐射出去构成放射形的蛛网结辐射出去构成放射形的蛛网结现代主义小说的结构现代主义小说的结构在这种结构里时间空间因果在这种结构里时间空间因果等逻辑关系的观念已被突破故事情等逻辑关系的观念已被突破故事情节的完整性和连贯性已被放到可有可节的完整性和连贯性已被放到可有可无的地位
Eveline
Not leaving
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Evelineby James JoyceSHE sat at the window watching the evening invade the avenue. Her head was leaned against the window curtains and in her nostrils was the odour of dusty cretonne. She was tired.Few people passed. The man out of the last house passed on his way home; she heard his footsteps clacking along the concrete pavement and afterwards crunching on the cinder path before the new red houses. One time there used to be a field there in which they used to play every evening with other people's children. Then a man from Belfast bought the field and built houses in it -- not like their little brown houses but bright brick houses with shining roofs. The children of the avenue used to play together in that field -- the Devines, the Waters, the Dunns, little Keogh the cripple, she and her brothers and sisters. Ernest, however, never played: he was too grown up. Her father used often to hunt them in out of the field with his blackthorn stick; but usually little Keogh used to keep nix and call out when he saw her father coming. Still they seemed to have been rather happy then. Her father was not so bad then; and besides, her mother was alive. That was a long time ago; she and her brothers and sisters were all grown up her mother was dead. Tizzie Dunn was dead, too, and the Waters had gone back to England. Everything changes. Now she was going to go away like the others, to leave her home.Home! She looked round the room, reviewing all its familiar objects which she had dusted once a week for so many years, wondering where on earth all the dust came from. Perhaps she would never see again those familiar objects from which she had never dreamed of being divided. And yet during all those years she had never found out the name of the priest whose yellowing photograph hung on the wall above the broken harmonium beside the coloured print of the promises made to Blessed Margaret Mary Alacoque. He had been a school friend of her father. Whenever he showed the photograph to a visitor her father used to pass it with a casual word:"He is in Melbourne now."She had consented to go away, to leave her home. Was that wise? She tried to weigh each side of the question. In her home anyway she had shelter and food; she had those whom she had known all her life about her. O course she had to work hard, both in the house and at business. What would they say of her in the Stores when they found out that she had run away with a fellow? Say she was a fool, perhaps; and her place would be filled up by advertisement. Miss Gavan would be glad. She had always had an edge on her, especially whenever there were peoplelistening."Miss Hill, don't you see these ladies are waiting?""Look lively, Miss Hill, please."She would not cry many tears at leaving the Stores.But in her new home, in a distant unknown country, it would not be like that. Then she would be married -- she, Eveline. People would treat her with respect then. She would not be treated as her mother had been. Even now, though she was over nineteen, she sometimes felt herself in danger of her father's violence. She knew it was that that had given her the palpitations. When they were growing up he had never gone for her like he used to go for Harry and Ernest, because she was a girl but latterly he had begun to threaten her and say what he would do to her only for her dead mother's sake. And no she had nobody to protect her. Ernest was dead and Harry, who was in the church decorating business, was nearly always down somewhere in the country. Besides, the invariable squabble for money on Saturday nights had begun to weary her unspeakably. She always gave her entire wages -- seven shillings -- and Harry always sent up what he could but the trouble was to get any money from her father. He said she used to squander the money, that she had no head, that he wasn't going to give her his hard-earned money to throw about the streets, and much more, for he was usually fairly bad on Saturday night. In the end he would give her the money and ask her had she any intention of buying Sunday's dinner. Then she had to rush out as quickly as she could and do her marketing, holding her black leather purse tightly in her hand as she elbowed her way through the crowds and returning home late under her load of provisions. She had hard work to keep the house together and to see that the two young children who had been left to hr charge went to school regularly and got their meals regularly. It was hard work -- a hard life -- but now that she was about to leave it she did not find it a wholly undesirable life.She was about to explore another life with Frank. Frank was very kind, manly, open-hearted. She was to go away with him by the night-boat to be his wife and to live with him in Buenos Ayres where he had a home waiting for her. How well she remembered the first time she had seen him; he was lodging in a house on the main road where she used to visit. It seemed a few weeks ago. He was standing at the gate, his peaked cap pushed back on his head and his hair tumbled forward over a face of bronze. Then they had come to know each other. He used to meet her outside the Stores every evening and see her home. He took her to see The Bohemian Girl and she felt elated as she sat in an unaccustomed part of the theatre with him. He was awfully fond of music and sang a little. People knew that they were courting and, when he sang about the lass that loves a sailor, she always felt pleasantly confused. He used to call her Poppens out of fun. First of all it had beenan excitement for her to have a fellow and then she had begun to like him. He had tales of distant countries. He had started as a deck boy at a pound a month on a ship of the Allan Line going out to Canada. He told her the names of the ships he had been on and the names of the different services. He had sailed through the Straits of Magellan and he told her stories of the terrible Patagonians. He had fallen on his feet in Buenos Ayres, he said, and had come over to the old country just for a holiday. Of course, her father had found out the affair and had forbidden her to have anything to say to him."I know these sailor chaps," he said.One day he had quarrelled with Frank and after that she had to meet her lover secretly.The evening deepened in the avenue. The white of two letters in her lap grew indistinct. One was to Harry; the other was to her father. Ernest had been her favourite but she liked Harry too. Her father was becoming old lately, she noticed; he would miss her. Sometimes he could be very nice. Not long before, when she had been laid up for a day, he had read her out a ghost story and made toast for her at the fire. Another day, when their mother was alive, they had all gone for a picnic to the Hill of Howth. She remembered her father putting on her mothers bonnet to make the children laugh.Her time was running out but she continued to sit by the window, leaning her head against the window curtain, inhaling the odour of dusty cretonne. Down far in the avenue she could hear a street organ playing. She knew the air Strange that it should come that very night to remind her of the promise to her mother, her promise to keep the home together as long as she could. She remembered the last night of her mother's illness; she was again in the close dark room at the other side of the hall and outside she heard a melancholy air of Italy. The organ-player had been ordered to go away and given sixpence. She remembered her father strutting back into the sickroom saying:"Damned Italians! coming over here!"As she mused the pitiful vision of her mother's life laid its spell on the very quick of her being -- that life of commonplace sacrifices closing in final craziness. She trembled as she heard again her mother's voice saying constantly with foolish insistence:"Derevaun Seraun! Derevaun Seraun!"She stood up in a sudden impulse of terror. Escape! She must escape! Frank would save her. He would give her life, perhaps love, too. But she wanted to live. Why should she be unhappy? She had a right to happiness. Frank would take her in his arms, fold her in his arms. He would save her.She stood among the swaying crowd in the station at the North Wall. He heldher hand and she knew that he was speaking to her, saying something about the passage over and over again. The station was full of soldiers with brown baggages. Through the wide doors of the sheds she caught a glimpse of the black mass of the boat, lying in beside the quay wall, with illumined portholes. She answered nothing. She felt her cheek pale and cold and, out of a maze of distress, she prayed to God to direct her, to show her what was her duty. The boat blew a long mournful whistle into the mist. If she went, tomorrow she would be on the sea with Frank, steaming towards Buenos Ayres. Their passage had been booked. Could she still draw back after all he had done for her? Her distress awoke a nausea in her body and she kept moving her lips in silent fervent prayer.A bell clanged upon her heart. She felt him seize her hand:"Come!"All the seas of the world tumbled about her heart. He was drawing her into them: he would drown her. She gripped with both hands at the iron railing."Come!"No! No! No! It was impossible. Her hands clutched the iron in frenzy. Amid the seas she sent a cry of anguish."Eveline! Evvy!"He rushed beyond the barrier and called to her to follow. He was shouted at to go on but he still called to her. She set her white face to him, passive, like a helpless animal. Her eyes gave him no sign of love or farewell or recognition.。