魏晋南北朝论文：魏晋南北朝言志赋研究

魏晋南北朝论文：魏晋南北朝言志赋研究【中文摘要】诗言志，赋亦言志。

言志赋是中国古代赋文学的一个重要组成部分，其出现在东汉中后期。

崔篆的《慰志赋》被认为是言志赋的开端之作，继此之后，涌现出了一批作家，形成了赋的创作的新潮流。

至建安与魏晋时期，伴随着封建专制主义中央集权统治和儒家载道讽谏的正统文学观念对文学创作的束缚逐渐松弛，楚骚美学思想趁机扩大了影响，从而迎来了抒情写志赋的繁荣。

这些言志赋在题材内容、写作手法等方面，在继承了传统的基础上又有新的发展，在赋史上留下了许多久负盛名的言志之作。

二十世纪八十年代以来，国内的赋学研究有了飞速的发展，但是对言志赋的专门研究不是很多，只是在赋学著作中作为一个章节，对某些作家的具体作品进行简单的分析，不够全面。

本文拟从多个角度对魏晋南北朝时期的言志赋进行全面的考察和进一步的分析，略尽绵薄。

本论文主要分为五个部分：本论文的绪论部分，首先阐述了选择探究言志赋的主要和选题的意义所在，回顾了言志赋研究的历史与现状，其次简要介绍了魏晋南北朝赋在辞赋史上的地位。

第一章言志赋界说。

第一节阐述个人对言志赋范畴的理解与定位，以明确本论文的研究对象。

第二节主要从文学继承的惯性作用和当时的政治环境，以及古代知识分子心中秉承的人生价值观念三个方面详细地分析言志赋兴起并不断发展的原因。

第二章魏晋南北朝言志赋创作概况。

第一节从宏观的角度对魏晋南北朝的言志赋情况进行了大致地勾勒。

第二节把魏晋南北朝的言志赋一一罗列出来，并在具体的篇章取舍方面进行自己的阐述，给出具体的理由，最终确定为言志赋的篇目用表格的形式呈现出来，一目了然。

第三章魏晋南北朝言志赋的分类。

这部分是本篇论文的核心，对六朝言志赋进行了类析。

首先，从大的方面将魏晋南北朝的言志赋分为壮志难酬的悲叹和建功报国的心声；其次，又将壮志难酬的悲叹以表现的手法的不同又细分为六个方面，在这一章中，托物言志的部分是本节的重点。

将建功报国的心声也从内容上细分为三个方面，以便在掌握具体作品中作家的思想和创作中表现出的某些特征。

第四章魏晋南北朝言志赋艺术探究。

主要表现在四个方面：主题价值取向的转变、物我合一的创作风格、情景交融的艺术创造、丰富多样的表达方式，大大提升了作品的艺术魅力。

结语阐述魏晋南北朝言志赋的内容及特点，还有本论文的不足之处。

【英文摘要】Fu(a style of writing in the history of Chinese ancient literature)，likepoems, can also express the people’s will and ambition. Yanzhi Fu, an importantpart of Chinese ancient literature, appeared in the middle and later East Handynasty.“Weizhi Fu”, written by Cui Zhuan is considered as the beginning ofYanzhi Fu. After Cui Zhuan, a number of writers emerged. Then a new trend ofcomposing Fu was formed. To Jian’an Period and the Wei and Jin Dynasties, withthe loosing of the bondage on the literary creation by the feudal autocraticcentralization rule and the orthodox ideas ofConfucian culture, the aestheticthought of Sao style in Chu Period took the opportunity to expand the influence,which ushered in the boom of Yanzhi Fu. On the basis of the tradition, these Fuwere developed further in the subjects, contents, and writing techniques. Finally,many masterpieces of Fu emerged. Since 1980s, Fu study have been developed by leapsand bounds, but to their assigned dedicated research is not a lot, just the writingsas a chapter, but few scholars have paid enough attention to the comprehensivestudy of Yanzhi Fu. This thesis is aimed to carry out a comprehensive and detailedresearch and analysis of Yanzhi Fu in the Wei, Jin and Southern and NorthernDynasties.This thesis is mainly divided into five parts:The introduction part expounds the main purpose of researching Yanzhi Fu andthe significance of the topic, reviews the history and status quo of Yanzhi Fustudy, and introduces the status of Fu in Wei, Jin and Southern and NorthernDynasties in the history of Ci and Fu(both are writing styles in ancient China).Chapter One gives a new definition of Yanzhi Fu based on the personalunderstanding and orientation of the category of Yanzhi Fu, making the object ofstudy in this thesis clear. Then it mainly analyzes the main reasons of the risingand developing of Yanzhi Fu from three aspects--the role of inertiaof the literaryinheritance, the political environment at that time, and the views of life andvalue in the heart of ancient intellectuals.Chapter Two introduces the general situation of the creation of Yanzhi Fu in Wei, Jin and Southern and Northern Dynasties. The first section outlines thesituation from the macroscopic angle. The second section reasons the choosingprocess of Yanzhi Fu from Fu in Wei, Jin and Southern and Northern Dynasties andlists them in a table.Chapter Three is the classification of Yanzhi Fu in Wei, Jin and Southernand Northern Dynasties. This part is the core of the thesis. In general, YanzhiFu in Wei, Jin and Southern and Northern Dynasties are classified as Fu of thelament for failures and Fu of the voice of big ambitions. Secondly, Fu of the lamentare subdivided into six aspects according to the different writing techniques usedin them. Fu of the voice of big ambitions are subdivided into three aspectsconsidering their contents in order to grasp the writer’s thoughts and certaincharacteristics in their works.Chapter Four discusses the artistic features of Yanzhi Fu in Wei, Jin andSouthern and Northern Dynasties. The features mainly show in four aspects: thechange of value orientation, the composing style of combining the subjects withpeople, vivid artistic creation andrich and colorful expressions.The Conclusion part summarizes the content and characteristics of Yanzhi Fuin Wei, Jin and Southern and Northern Dynasties, and points out the limitationof the present research and the areas further research on Yanzhi Fu can focus on.【关键词】魏晋南北朝言志赋研究艺术特色【英文关键词】Wei Jin and Southern and Northern Dynasties Yanzhi Fu Research Artistic characteristics【备注】加好友索购全文：1.39.9.3.8848同时提供一对一论文写作指导和论文发表委托服务【目录】魏晋南北朝言志赋研究摘要6-8Abstract8-9绪论10-15一、选题的意义及研究现状10-131、选题的意义10-112、研究现状11-13二、魏晋南北朝赋在辞赋史上的地位13-151、数量上的绝对优势132、题材上的继承与拓展13-143、骈偶化趋势增强14-15第一章言志赋界说15-22第一节言志赋的界定15-18第二节言志赋的成因18-22第二章魏晋南北朝言志赋创作概况22-31第一节魏晋南北朝言志赋概览22-25第二节魏晋南北朝言志赋作品概况25-31第三章魏晋南北朝言志赋的分类31-73第一节壮志难酬的悲叹31-66一、借他人之酒杯，浇胸中之块垒32-34二、由景兴感，自抒己志34-38三、物我结合，借物言志38-52四、设为问答，自表其志52-54五、直抒胸臆，抒写己志54-64六、述行写志64-66第二节建功报国的心声66-73一、为国尽忠的决心66-67二、坦陈心志的告白67-71三、建功立业的渴望71-73第四章魏晋南北朝言志赋艺术探究73-78一、主题价值取向的转变73-75二、物我合一的创作风格75-76三、情景交融的艺术创造76-77四、丰富多样的表达方式77-78结语78-79注释79-88参考文献88-91攻读硕士学位期间发表的论文91-92致谢92。