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简奥斯汀傲慢与偏见英文论文

简奥斯汀傲慢与偏见英文论文

摘要简·奥斯汀(1775—1817)是英国文学史上一位非常出色的女性作家。

她在短暂的一生中虽然主要创作了六部作品,但这丝毫没影响她在文学史上的地位。

她的作品主题都是爱情与婚姻,而最能反映出她的婚姻观的就要数《傲慢与偏见》了,《傲慢与偏见》以班内特家5个女儿的爱情婚姻为基点,通过对四段婚姻的分析,体现出作者的爱情婚姻观。

爱情、金钱、社会地位、性格等都是婚姻中必须要考虑的因素,爱情和相互尊重是婚姻的基础,但金钱也为婚姻稳定提供了条件,婚姻是个严肃的问题,综合考虑各种因素的爱情婚姻才是幸福的。

这种婚姻观对当时和现在的社会都有着深远的影响。

本文主要通过对人物性格及其婚姻进行分析,探索作者所倡导的正确婚姻观。

主要分为三个部分:第一部分主要分析作者所生活的时代背景以及其生活经历;第二部分着重通过对小说人物形象和他们的婚姻的分析,揭示作者的婚姻观;第三部分主要讨论作者的婚姻观以及这种婚姻观对我们的启示和影响。

通过查阅大量文献,结合作者的生活经历,总结出作者以爱情为基础的婚姻观,提出婚姻在我们每个人的一生中都占有重要的位置,它关系着我们是否能够幸福快乐的生活,选择好自己的婚姻对象自然尤为重要。

其中,爱情是基础。

简·奥斯汀的婚姻观给了我们重大启示,为我们寻找幸福的婚姻指明了方向,而且对女性独立自由意识的觉醒也有重要影响。

关键词:《傲慢与偏见》;婚姻;爱情;金钱;启示AbstractJane Austen (1775—1817) is one of the most excellent female writers of English literature. Although in her short life, Austen only created six works,her effect in literary world has never changed. The theme of all her novels is love and marriage, and among all, Pride and Prejudice is the work that can best reflect Jane Austen’s views of marriage. Pride and Prejudice mainly focuses on the love and marriage of five girls from Bennet. The novel reflects the author’s views on love marriage: love, money, status and character. Marriage should be based on love and respect, and in addition, money provides the practical foundation for the stability of the marriage. Taking all of the factors into consideration, we can establish a happy marriage.This thesis aims at exploring Jane Austen’s marital views by analyzing the personality and marriages of the characters in the novel. It can be divided into three parts: the first part deals with the background of the society and Jane Austen’s life experience; the second part deals with the analysis of the main characters and their marriage with the aim of revealing the writer’s views on marriage; the last part focuses on the effect and inspiration from Jane Austen’s view on marriage. We can get the conclusion that marriage plays an important role in our lives, since it has a lot to do with our happiness. Choosing a suitable partner for marriage means a lot; therefore, love should be put on the first place. Jane Austen’s views of marriage give us much inspiration, it can also rouse female’s sense of independence and freedom.Key words: Pride and Prejudice; marriage; love; inspirationContentsAbstract (Chinese) (i)Abstract (English) (ii)Contents (iii)1.0 Introduction (1)2.0 The background of society and Jane Austen (2)3.0 Four different marriages in Pride and Prejudice................................. . (3)3.1 Elizabeth and Darcy’s marriage (3)3.2 Jane and Bingley’s marriage (4)3.3 Chalotte and Collin’s marriage (5)3.4 Lydia and Wickham’s marriage... (6)4.0Analysis and understandings of the four marriages (6)4.1Perfect marriage based on true love (6)4.2Happ y marriage based on sense and similar int erest (7)4.3P at h et i c m ar ri a ge b as ed o n m on e y o r be ne fi t s (7)4.4 Absurd marriage based on lust and vanity (8)4.5J a n e A u s t e n’s v i e w s o n m a r r i a g e (8)5.0 The inspiration from Jane Austen’s views on marriage (9)6.0 Conclusion (10)Acknowledgements (11)References (12)Appendix: Thesis Proposal1.0 IntroductionJane Austen was born in a middle class family in 1775, and she spend her whole life in the countryside, she was so fascinated with the peaceful and ease life in countryside. Although she was unmarried the whole life, the theme of her novels were love and marriage, basically, the love and marriage between a gentleman and a fairy lady. Her best-known works are Emma (1815), Pride and Prejudice (1813) and Sense and Sensibility (1811).The novel talks about four different marriages: Collin and Challote’s marriage which is based on money; Lydia and Wickham’s marriage which is based on lust; Jane and Bingley’s marriage which is based on sense, Elizabeth and Darcy’s marriage which is based on love. Which weighs the most in marriage, love, possession, or social status? Jane Austen has different attitude and description about the four marriages. The first sentence in this novel is impressive. It says: “It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife.” The undertone is very clear: the foundation of the marriage at that time is not love but possession, but Jane Austen tells us a different story.The main story of this novel happens between Elizabeth Bennet and Darcy. Elizabeth Bennet is a 20-year-old young lady. She is her father's favourite daughter and inherits his intelligence and wisdom. Darcy is a pride and kind gentleman with great fortune. Although, they were not attracted by each other at the very beginning, because they all have some complaints about the other, Elizabeth loathes Darcy’s arrogance, and she also has some misunderstandings on him, Darcy thinks Elizabeth is a very proud girl, and her families leave an awful impression on him. But at last, they fall in love and have a happy marriage. What changes their attitude towards each other? Because the pride and prejudice between them is long gone. They finally know each other deeply and accept each other. Their marriage is rooted in their love and respect. Comparing with other marriages in the story, Elizabeth and Darcy’s marriage is the perfect one. The story reflects the author’s marriage view: it is wrong to marry just for the possession, lust and position. She emphasizes the importance of the ideal marriage that we should marry for love and emotion.Elizabeth and Darcy have a happy ending not only because of their love, but to some extent, Darcy’s property provides them the material need. From this we can see the author’s views: marriage is based on love, but property and position should be taken into account. In modern society, a lot of people marriage for money and social status, sometimes, it leads to a sad ending. I think, no matter when, Jane Austen’s views on marriage are of great value in leading us to the ideal marriage.My thesis consists of three chapters. The first chapter deals with the background of the society and Jane Austen’s life experience, and how does those factors influence her writings; the second chapter reveal the authors views on marriage and the standard of the ideal marriage advocated by Jane Austen through analyzing the characters and their marriage in the story; the last chapter talks about the conditions of the modern marriage and how to found the ideal marriage from the inspiration of Jane Austen’s view on marriage.2.0 The background of the society and Jane AustenIn 18th and 19th centuries, the England society’s had serious social problems. One of the severest of these was the tendency to marry for money. A person sought a partner based on the dowry receivable and their allowance. In the 19th century, women were not well respected compared with the ones in the present society. There was no equality between woman and man. Women were considered to be inferior to men in terms of intelligence and capacity. The central life of women was forced to be staying at home. Their roles were to deal with the family affairs, such as taking care of the children and serving for the husband. This process went both ways: a beautiful woman might be able to snag a rich husband, or a charring and handsome man could woo a rich young girl. In these marriages, money was the only consideration. Love was left out, with the thought that it would develop as the years went by. Jane Austen (December 16, 1775--July 18, 1817), an outstanding female novelist of British, was born in the village of Steventon, near Basingstoke, in Hampshire. Her father is the local vicar. She did not have the normal schooling, but she got good education from family's literature teaching. From the end of the 18th century to the early 19th century, “the sentiment novel” and “the gothic novel” were the themes of Englishliterature, while Austen made a different way. Most of her works were about romantic love. That might have something to do with her failure in marriage. Jane Austen was unmarried her whole life, but she had fallen in love with a young man. Their love was pure and faithful. However, this young man had to submit to the marriage that his aunt arranged for him, because he was under lots of burden from family. Then Jane broke up with him, since she did not want to stand in the way of the young man’s future, and a lso in her opinion, marriage should be based on love. She loved no one else after that. That is the reason why she was unmarried all her life. So she put all her feelings in creating romantic and happy marriages.3.0 Four different marriages in Pride and Prejudice3.1 Elizabeth and Darcy’s marriageOnce Mr. Qian Zhongshu has compared marriage to a castle, b ut I don’t think this marriage theory is suitable for Darcy and Elizabeth. The marriage is tortuous between them but deep-rooted of love based. As we all know, Elizabeth and Darcy left a quite bad impression on each other at the beginning. Elizabeth thinks Darcy is insolent and arrogant, and Darcy does not like Elizabeth because of Elizabeth’s social class and her indecent relatives. But Darcy finally rea lized Elizabeth's preciousness, and Elizabeth’s prejudice and misunderstandings towards Darcy are gone. They deeply in love and possess a wonderful marriage at last. Their love and marriage are tortuous and kind of mysterious. I will analysis their marriage start with analyzing the two characters.Elizabeth Bennet is a person who is worth our imitation. She is a model because she is different from the others. She does not adhere rigidly to the standards set forth by society, she is self-reliant and independent. She is wit and intelligent. Most of the girls married in pursuit of money and fame at that time, even her best friend Chalotte who married a rich man for changing her poor conditions. However, Elizabeth is not submit to this mood of society. She would never violate her principle and her integrity. She is like the pure lotus that lives in mud but never contaminated by the dirty. That is the reason why she rejects Mr. Collin's proposal, because she would not marry without love. On the other hand, she doesnot totally disregard social costumes. She has good manners; her slight breach of decorum is justified by walking alone to Nether field Park to visit her sister who is ill with her genuine concern. She has good manners. When Lady Catherine criticizes Elizabeth skill of playing piano, she can have good manners to keep polite. Mr. Darcy is pride on the surface, but we know he is warm-hearted. He is a good friend, he is afraid that Mr. Bingley would be cheated and hurt by Jane, although he is proved wrong later. He is a good brother; he takes care of his younger sister very well. He is kind; he helps Wickham and Lydia with money even though he was misunderstood by Elizabeth because of Wickham’s rumors. The two people’s personalities are clear and sharp. At the first time, Elizabeth and her sisters go to attend the ball held in Meryton, and she is coldly treated by Darcy, but she uses her healthy sense of humor to joke about Mr. Darcy’s rude behavior at the ball. Darcy is handsome, tall, and intelligent, but not convivial, his indifferent manners are seen by many as an excessive pride and concern for social status. He makes a poor impression on strangers, but he is valued by those who know him well. He gradually finds out Elizabeth’s intelligence, wisdom and beauty. He begins pursuing her. However, at the beginning, Elizabeth rejects his love expression, because she does not like him, even looks down on him though Darcy loves her very much. In Elizabeth’s eyes, Darcy is arrogant and unreasonable because he is rich and has high social status. Realizing that, Darcy begins to get rid of those bad habits quietly. Because of Darcy’s perfect behavior and good education, Elizabeth gradually eliminates the prejudice on Darcy. Most importantly, the misunderstanding, prejudice and pride are disappearing as they know each other better and better. Then they spontaneously fall in love. So Elizabeth accept Darcy’s proposal at the second time, then they get married and have happy family lives.3.2 Jane and Bingley’s marriageIn this novel, the combination of pleasant Bingley and mild Jane is one of the most blessed and happy marriages. The couple has similar interests and they insist on pursuing their true love which leads them to a happy and perfect marriage. Mr. Bingley was a handsome and gentleman with great fortune. As a young man who is well-bred, he wascordial and simple. With this character he never appeared dissatisfied. He is easy to get along and constant in love although he is extremely rich. However he is in short of strength and independence in his marriage which is a big weakness of him. In this story, Bingley is popular with almost everybody in everywhere. Jane is the oldest children in her family. She is an amiable and mild girl who possesses the most beautiful appearance among her sisters. As an introverted girl, she is faithful in love but lacks strength and self-confidence. She is too shy to profess her love towards Bingley, nor admit it, thought she has feelings for Bingley at the time they met. Sometimes she is a little innocent. In her eyes, everybody is nice. She never see through the rotten side of life even she is deceived. Her character is vividly showed in many parts of the novel. So it seems quite natural for Jane to fall in love with the pleasant and simple Bingley. They meet each other at the ball, they are attracted by each other at the first sight, and they dance and talk together. As times goes by, their feelings to each other are getting stronger. But Jane has no courage to express her love, she buries it in heart and for Bingley, he is not a strong and determined man. This is his advantage but also his disadvantage. His cordial and simple character causes his quiet romance with Jane. However, his weak and easily-led character causes his departure from Jane. He suddenly leaves Jane when their romance goes smoothly, which nearly put his pure love and marriage in end. To a great extent, Binley left Jane because of Darcy’s misunderstandings on Jane. They establish a steady and constant friendship although they have totally different characters. Darcy wants to help his friend. In his opinion, it is impossible for Jane to love Bingley. He thinks Jane love Bingley because Bingley is rich, but Bingley’s love for Jane is pure. He doesn’t want his best fri end get hurt. So he persuades Bingley to stay away from Jane and she is not a good marriage option. But they do love each other.During those days when Jane stays in London at Mr. and Mrs. Gardiner’s invitation, she visits Bingley’s sister in person in o rder to get some information of Mr. Bingley. At last, they get together after the misunderstanding between Elizabeth and Darcy disappears. So the love and marriage between Jane and Bingley is pure and stable. They fall in love at first sight heartily. Thei r marriage is kind of tortuous just like Elizabeth and Darcy’s, but the truelove won’t stop them from being together.3.3 Chalotte and Collin’s marriageCharlotte and Collins’s marriage is the most realistic one in the story. Their marriage is based on money instead of love. Charlotte is the best friend of Elizabeth, but they are very different in the choice of marriage. Chalotte’s parents, like the Bennet couple, can’t give her much fortune, and she is as sensible and intelligent as Elizabeth, but her pursuit for spiritual happiness is not as strong as that of Elizabeth. In addition, Chalotte is a plain girl who is a little bit prudent. As a woman who is 26 years old, her choice of marriage is entirely out of realistic consideration. When she first meets Collins, she sees his folly. When he asks her to marry him, she also clearly knows that Collins is certainly not a reasonable person. But she immediately says “yes”, because “Marriage has always been her aim, what kind of man she is going to marry as is less important”, marrying a rich man can shelter her from suffering poverty. She thinks money can bring her sense of security. William Collins, a man of 29 years old, is Mr. Bennet's distant relatives, since Mr. Bennet has no son; Collins becomes the he ir to Bennets’ estate. Jane Austen describes him as “not a sensible man, and the deficiency of nature had been but little assisted by education or society”. Informed that the eldest daughter Jane has a boyfriend, he switches his aim at the second daughter Elizabeth, but Elizabeth has no feelings for him, what’s more, Elizabeth gets tired of him. Eventually, she rejects him with sharp tongue. However, Collins quickly seeks comfort from Charlotte who is desperately in need of love from a male and believes marriage is the elegant way to save a poor girl from suffering, and then they get married as quickly as the lightning. Such marriage without love is too practical and realistic, so it is a kind of superficial marriage without happiness.Marriage is just a task for them, but Collins couples get what they want from marriage: Charlotte gets the stability and prosperity of life; Collins also gets a warm home. This is how they understand marriage. There is no love and same interests between them; their marriage is based on benefits. Although they get what they want, marriage without love is not happy and stable.3.4 Lydia and Wickham’s marriageLydia, Bennett's third daughter, is a simple, frivolous, vanity girl. She is keen on social networking at an early age, enjoying contacting with Merry's officers, and even feels proud of it. “Whenever anyone urg es, she will be put into anyone's arms. Her feelings are always kept rolling, swing”. Wickham is a handsome, actual moral, luxurious, and treacherous man. At first, he seduces wealthy Miss Darcy, but his conspiracy fails. After joined the regiment, he first does everything to please Elizabeth, and then pursues wealthy Miss Kim, finally elopes with Lydia. Then, he gets into debt. So, he needs money and become rich and changes his social status through marriage. For his purpose, he seduces Lydia and wins her love easily, because she is young, innocent and frivolous, and loves to go ease and hates to work hard, and she is also spoiled by her mother. Getting love and praise from a man is what she dreams of. So when Wickham wants to reach his aim-getting wealth by loving and exalting her beauty hypocritically, she forgets who she is and feels she is the most beautiful and happiest girl in the world. Their love is forbidden by the parents, and then they elope. When Elizabeth hears the news, she believes that he does not love her but the wealth of her family. The marriage is admitted on the condition of Darcy's help. Their marriage is considered as a scandal to Bennett’s f amily. But Mrs. Bennet is not shameful of this marriage. The marriage between Lydia and Wickham is conditional. Thanks to Darcy's help, they get married and continue their lives. This kind of marriage is doomed to be unstable. After marriage, they are extravagant; just enjoy the pleasure at the moment, never considering their future. They always ask Jane or Elizabeth for help, counting on their support to pay bills. Wickham's love for Lydia soon suffer a disastrous decline, finally he is indifference to Lydia. They get what they want: Lydia gets erotic satisfaction; Wickham, he also gets the wealth; but their marriage is not satisfactory. This is how they understand marriage.4.0 Analysis and understandings of the four marriages4.1 Perfect marriage based on true loveElizabeth and Darcy’s marriage is intricate but is the ideal marriage because their love is based on love, they cherish each other, they tolerate each other, and of course after marring Darcy who has great fortune, Elizabeth’s life and socia l status are improved, and their marriage gets material security, but at first, Elizabeth refuses the rich man- Mr. Collins’ proposal without any hesitation because she does not and will never love him, from Elizabeth’s perspective, marriage without love w ill never be happy. Elizabeth has a deep understanding of all the things around her. She has a clear understanding about her own social status. Because of this, she resists extremely against the arrogance of Darcy, and she tries to protect herself from being hurt by Darcy's insolent attitude. She believes that she must make him know that she is not woozy. The ultimate failure wakes Darcy up. He is aware of his own short-comings. He accepts Elizabeth’s criticism, and faithfully corrects the shortcomings and mistakes. He is no longer arrogant and has a faithful love with Elizabeth. I remember when the sister asks Elizabeth how she would love Mr. Darcy, Elizabeth replies that she should date from the day she see the beautiful lane manor park. The statement seems to refer to the possession of Darcy. In addition to referring to the specific manor, she also refers the new Darcy seen in the garden.Elizabeth is a wise girl; she understands that marriage involves many factors, such as love, personality, status, property. Among all, love is essential to marriage, which is the author’s views on marriage that reflected in this novel. We should take marriage seriously; impulse will destroy someone’s happy marriage. Having a clear understanding about the person you are going to marriage is vital. Whether you can live a better life both physically and mentally is important to your marriage. That is to say, all the factors should be taken into consideration carefully. Those are the reasons why Elizabeth and Darcy’s marriage is the perfect one in the story.4.2 Happy marriage based on sense and similar interestsJane and Bingley’s marriage is also rooted in pure love, and also their concern for each other. It seems that their characters are quite suitable for each other. It seems that only their marriage involves purest love with no tint of money at all. Then why is not Bingley penniless but a “young man of large fortune”? This arrangement can also reflect author’s views on marriage. Love is essential for marriage, and money is also plays an important role in marriage. According to the relationship between Bingley and Jane love and similar interests are also the basic factors of a successful and happy marriage. With many similarities in character people can understand each other easily. Above all, their understandings lead to helps and supporting between them. They can live happily together in this way. They don’t care about the shortcomings of their partners and even they don’t see any faults in each other. Just as the old saying going “Birds of a feather flock together people of a mind fill into the same group”.4.3 Pathetic marriage based on money or benefitsChalotte and Collins’s marriage is kind of beyond our expectations. At that time, a girl from the low class, who has no pretty appearance and good education, takes marriage as the only way to change their situations. Jane Austen objects this marriage that based on benefits. Maybe lots of people feel pity for the females who lived in that age, but in no time should we make such hasty decision about our marriage. Many do play an important role in marriage, but a marriage without love which is just based on money won’t be pleasant, at last, people will get hurt from the painful marriage. Once I read a story from a magazine, a girl from a poor family married a rich man, she almost did nothing rather than shopping and seeking pleasures, she squandered her husband’s money so quickly, later, the man got tired of her, they divorced. The woman lost the source of money, but she has gotten used to the luxurious life, she can’t live independently. At last, she tried to blackmail some rich man and ended in jail. This is a tragedy; girls should be independent and marry the person who really loves you just like you love him. So Chal otte and Collins’s marriage is doomed to beunhappy, Chalotte once said to Elizabeth, “I am not romantic, you know; I never was, I ask only a comfortable home; and considering Mr. Collins’ character, connections, and situation in life, I am convinced that my chance of happiness with him is as fair as most people can boast on entering the marriage state.”(Pride and Prejudice, 144) Therefore, Charlotte seems to have found some kind of satisfaction and happiness in her marriage without any love. It is interesting that in such a marriage based on money-transaction, the woman from poor family does marry a single man with a good fortune, but the husband himself has nothing to do with the enjoyment the marriage bring to her.4.4 Absurd marriage based on lust and vanityThe combination of Lydia and Wickham is absurd. Her admiration to Wickham is entirely up to his “handsome face, comely shape and charming talk”. Their relationship is entirely built on lust and impulse without love foundation. Their marriage is neither practical nor romantic. Lydia and Wickham’s marriage is built on sex lust and impulse. It is kind of ridiculous. They treat their marriage so carelessly, it is impossible for them to get a happy marriage. Lydia is attracted by Wickham’s handsome sur face at first. As a flippant girl, she seeks sexual pleasure. Then they make a rash decision to get married. This marriage is one without love. They don’t understand the real meaning of marriage; they only want to satisfy their aspiration. So this is a kind of impromptu love and marriage without true love and responsibility.4.5 Jane Austen’s views on marriageAfter reading the novel, we can see that people’s views on marriage in England at that time. In the 18th century, women longed for marrying a gentleman who possessed considerable wealth and high social status. Love, seems count for nothing. This was because at that time, women were forbidden from inheriting the possession. Marring a rich man was their only way to live a decent life after their fat hers’ death. That is the reason why Mrs. Bonnet is crazy to marry her daughters off. However, Austen has her own idea. She also emphasizes love. From her perspective, happy marriage is equal to “love + wealth +equal social status”. Marriage should be based on love and trust. People can’t just marry someone for whom he/she has no feelings at all. Austen also points that wealth and social status put great importance on marriage. Austen casts her criticism to the dark fact that people’s attention is only on property and high social status. In Austen’s eyes, marriage without love is contemptuous. We know Elizabeth and Darcy, also Jane and Bingley, both have a happy marriage. From these two cases, we can find out what kind of marriage Jane Austen prefers--- love is basic; enough wealth, good behaviors and equal social status are all necessary. These two examples are exactly the right explanation of Austen’s outlook on marriage. To draw a conclusion, in the novel Pride and Prejudice, Austen casts her criticism to people who take wealth and high social states as the only factors in marriage, with neglecting love. She expresses her views on marriage that marriage should be built on love but at the same time should take wealth, characters and social status into consideration.I think Austen’s outlooks on marriage are well worth our deep consideration even today.5.0 The inspiration from Jane Austen’s views on marriageJane Austen’s views on marriage have a profound effect on lots of people, especially on females. What is marriage all about? I think it is a question that is worth our deliberation. Marriage is an everlasting topic in our lives. Throughout the literary history, many masterworks are about marriage. Everyone has his or her own understanding of it. Some marry for money, some for passion, some for love and so on. Marriage plays an important role in our life. Whether your marriage is happy or not will influence you a lot. Austen shows us a different view of marriage; also let us think that what kind of marriage we want and we suit. Many people try to find out the secret of marriage, because everyone wants to own a happy marriage. Some think that marriage contains all sorts of worldly things: house, money. To get marry is to get money; marriage is their shelters that helps them out of plight and keep them from poor or other sufferings. However, Austen shows us that marriage is built on love. It is wrong to marry for wealth or for the sake of beauty and passion of blind. Those kinds of marriage can't last long a nd we can’t get happiness.The truly happy marriage is based on love and reason. Jane Austen leaves us lots of inspirations, especially。

英语系论文参考题目

英语系论文参考题目

英语系论文参考题目(二)(一)1. 《老人与海》中对英雄主义的追求The Pursuit of Heroism in The Old Man and the Sea2. 爱玛对哈丽特的影响所折射的奥斯汀观点Austen's Outlook Reflected from Emma's Influence on Harriet's Love--Analyze Harriet's Perfect Happiness to Perfect Misery3. 中国传统手工业的保护与发展——蜀绣的过去、现在与将来How to Protect and Develop Our Tranditional Handicraft Industry—the History, Actuality, Future of Shu Embroidery4. 中美爱情题材影视作品分析An Analysis on American and Chinese Movies Focused on Love5. 《圣经》对约翰·斯坦贝克《愤怒的葡萄》的影响The Influences of Bible on John Steinbeck's the Grapes of Wrath6. 《还乡》中主要人物的悲剧分析及比较Major Characters Tragic Life in Return to Native, the Analysis and Comparison7. 英汉习语在翻译中的文化差异Cultural differences of English & Chinese Idioms on Translation8. 语码转换在英语作为第二语言课堂中的运用Classroom Code-switching of the English Teachers as Chinese Speakers 9. 爱与命运——《荆棘鸟》的主旨Love and Fate---the Main Idea of the Thorn Birds10. 电影《乱世佳人》长期受青睐的原因Gone with the Wind — Why the Movie Has Lasting Popularity11. 马克·吐温——一位伟大的幽默家Mark Twain --- A Humorist12. 广告英语的修辞特点Rhetorical Features in Advertising English13. 走出英语口语教与学的误区Misconceptions of English Teaching and Learning in China14. 灵魂深处的暗涌——评《呼啸山庄》主题Tempest in the Soul---the Main Theme of Wuthering Heights15. 论《红字》中的自然人与社会人间的冲突Conflicts between Natural Man and Social Man in The Scarlet Letter16. 美国黑人在美国历史上的贡献The Role Played by the American Blacks in the History of America17. 英语交际教学法在中学英语教学中的应用The Application of Communication Teaching Method In Middle School English Teaching18. 浅析英语成语典故The Story behind the English Idiom19. 浅谈同声传译A Brief Study of Simultaneous Interpretation20. 香格里拉——人与自然的和谐Shangri-La---The Harmony between People and Nature21. 道德观——浅析《红字》中三个主要人物,My View on Morality----An Analysis of the Three Major Characters in Scarlet Letter22. 英语在线教育English Online Education23. 电影《阿甘正传》折射出的一段重要美国历史An Eventful Period of American History Reflected by the Film Forrest Gump 24. 凯恩斯主义对大萧条时期美国经济政策的影响The Influence of Keynesian Economics on the Economic Policy in the Period of Great Depression25. 通过人物分析思考《汤姆叔叔小屋》中的基督教理念并探讨斯托夫人解决奴隶制的办法Christianity in Uncle Tom’s Cabin as seen from character analysis and probing into Mrs. Stowe’s solution to slavery27. 浅析欧·亨利短篇小说的写作风格Analysis of O·Henry's Short Story Writing Style28. 浅谈如何激发中学生学习英语的动机How to Promote Motivation of Middle School Students in Learning English 28. 电视暴力与儿童TV Violence and Children29. 《伟大的盖茨比》中的象征主义Symbolism in the Great Gatsby30 “绿色壁垒”对我国农产品出口的影响及对策The Influence of “Green” Barriers on Our Country’s Farming Export and Countermeasures31. 欧•亨利短篇小说的短评A Short Review on O. Henry’s Short Stories32. 广告英语特点分析The Linguistic Features of Advertising English33. 追寻“荆棘”的女人——浅析《荆棘鸟》中的女性形象The Women Seeking for Thorns——Analysis of the Female Images in The Thorn Birds34. 达·芬奇的思想及作品在《达·芬奇密码》中的重要作用The Significance of Da Vinci’s Thought and Works in The Da Vinci Code 35. 三峡工程:长江上的长城The Three Gorges Project The Great Wall of the Yangtze River 36. 音标教学中应注意的相关问题Aspects of Teaching and Learning Phonetic Symbols37. 在英汉互译中机器翻译所产生的歧义English Ambiguity and Disambiguation in English-Chinese Machine Translation38. 加入世界贸易组织对中国旅游业的影响The Influence on Domestic Tourism of China’s Entry to World TradeOrganization39. 关于简爱的性格评论A Review of J ane Eyre’s Character in Jane Eyre40. 论中国中学英语教师应具备的素质On Qualifications of a Good Middle School Teacher of English in China 41. 论《美国PATRIOT法案》的影响On the Effect of the USA PATRIOT Act42. 一份有关中国“丁克”现象的研究报告A Ressearch on China's DINK43. 脆弱:海明威性格的另一面Frailness: Another Side of Hemingway44. 中美商务交往之文化差异比较A Companative Study of Cultunal diffenence in Business Communication Between Chinese and Americans45. 西进运动中政策法规对美国社会发展的影响The Influence of Policies and Laws in Westward Movement on the Development of American Society46. 试论简·奥斯汀生活对其小说的影响On the Impact of Jane Austen`s Life on Her Novels47. 论非语言交际中的身势语Body Language on Nonverbal Communication48. 为平等而战的灵魂---浅析简爱对平等的追求The Soul That Fights For Equality----An Analysis of Jane Eyre’s Aspiring after Equality49. 不幸的童年对迈克尔·杰克逊一生的影响The Impact of an Unfortunate Childhood On Michael Jackson’s Life50. 浅谈电视暴力对儿童的影响About The Influence Of TV Violence On Children51. 浅谈中国英语教学的不足A Short Review of Shortcomings in English Teaching and Learning in China52 欧美电影中反面人物之我见My View on the Negative Roles in American and Europen Movies53. “现实”高于理想——解析《飘》主人公斯佳丽性格中的现实价值观倾向Reality is above Ideal----Analysis on the Practical Value Inclination in Scarlet—the Heroine in Gone with the Wind54. 简爱与凯瑟琳之不同命运The Different Fates of Jane Eyre and Catherine55. 浅析人力资源管理在中国国有企业的现状与发展趋势The current situations and trends of human resource management in Chinese State-owned enterprises56 儒家思想与现代教育Confucianism and the Modern Education57. 如何做一支成功的广告How To Make A Successful Advertisement58. 《傲慢与偏见》中的婚姻价值取向——相貌、金钱、地位与爱情The Matrimonial Value Orientation in Pride and Prejudice:Appearance, Money, Status and Love59. 大学生的自我定位Self-orientation of University Students60. 缪斯的黄昏——论林语堂的阴性三位一体Twilight of Muses: An Analysis on the Female Triad by Lin Yutang61. 提高英语阅读速度的主要障碍The Main Obstacles in Raising the Speed of English Reading62. 村上春树的小说魅力之形成The Formation of the Charm in Haruki Murakami's Works63. 大灾难背后的阶级性The Class Nature behind a Catastrophe64. 家庭与青少年犯罪的关系The Relationship between the Family and Juvenile Delinquency65. 《傲慢于偏见》中的人物婚姻价值取向The Characters’ Matrimonial Value Orientation in Pride and Prejudice 66. 《飘》男主人公瑞德的性格特征The Character of the Hero in GONE WITH THE WIND67. 试析《了不起的盖茨比》里的象征手法An Analysis of Symbolism in The Great Gatsby68. 现代大众传播媒介对社会的影响The Effects of the Modern Mass Media on the Society69. 《简爱》中主角受压迫的化身The Personification of Oppression Through A Counterpart Double in Jane Eyre 70. 中国的出口鼓励政策:机遇与挑战并存China’s Export Promotion: A Statement of Challenge and Opportunities 71. 《阿甘正传》中男主角性格分析Analysis of Forrest Gump's Chavacter72. 有必要的安乐死立法It Is Necessary To Make the Euthanasia Legal73. 文化全球化对民族文化的影响The Impact of Cultural Globalization on Ethnic Culture74. 青少年犯罪与家庭的关系The Relationships Between Family and Juvenile Delinquency75. 谈析苔丝的悲惨命运Reasons for Tess'Stragic Life76. 《红字》中的象征意义及对比写法The Symbolism and Contrast in the Scarlet Letter77. 英国足球文化观察The Observation of Football Culture in Britain78. 两位西方作家作品中的自然主义The Naturalism From Two Writers` Works79. 个人金融1、广告翻译及其基本技巧(Advertising Translation and its Basic Techniques)2、红楼梦人名浅析(My Brief Analysis of the Translation of the Name in The Dream of Red Mansions)3、守护精神家园—浅析非物质文化遗产面临的危机及其保护(Defending Our Spiritual Homeland—A Brief Analysis of the Crises of Intangible Cultural Heritages and Their Protection)4、浅析当代青年人面临的有一新窘境:“丁克”与否(A Light Analysis of Another New Dilemma Faces he Young Generation:To be a dink or not to be)5、关于《呼啸山庄》希斯克利夫人性的思考(My Thought on the Humanity of Heathcliffin Wuthering Heights)6、浅谈口译者的跨文化意识(A Humble View on the Cross-cultural Awareness of an Interpreter)7、关于安乐死立法的伦理思考(Ethics in Efforts to Legalize Euthanasia)8、浅谈中国普通话与四川方言的关系(My early comment on the relationship between Standard Chinese and Sichuan Dialect)9、怎样正确使用今天的英语字体(My humble View on Handle Today’s English Fonts)10、论韩剧对国人,尤其是青少年的影响(My Humble Comment on the Influence of the Korean Soaps upon the Chinese People,Especially the Younger Generation)11、浅析加入世贸后我国农业的变化(A Brief Analyze of the Change onAgriculture after China’s entered into WTO——A disaster or an)12、Leech的礼貌原则在《雷雨》中的运用(The Use of Leech’s Politeness Principles in Thunderstorm)13、浅析中西方民族文化心理对饮食习俗的影响(An analysis of the Chinese and western culture affected in die)14、浅谈留学低龄化的弊端(A Rough Review on the Malpractices for Young Student’s Study Abroad)15、浅析英汉互译中的文化缺失及补偿(My Humble Analysis on Cultural Loss and Cultural Compensation in Chinese-English and English-Chinese Translation) 16、中国顶级两大导演张艺谋、陈凯歌之比较(Comparison of Chinese film directors Zhang yimou and Chen kaige)17、“成长的烦恼”中的美国家庭教育(The American Family Education in Growing Pains)18、西方与中国奇幻文学比较(Contrasts between the Western and Chinese fantasy literature)19、人的虚荣——《嘉莉妹妹》中两位主人公的无尽欲望(Vanity Of Man—Limitless Desire of Two Main Characters in Sister Carrie)20、简析中国小学英语教学状况----不合理教学方法及相应对策(A Brief Analysis on the Current English Teaching in Chinese Primary Schools-----Irrational Methodology and Alternative Teaching Strategies)21、忠实之美------浅析余光中译《雪夜林畔小驻》(The Beauty of Loyalty in Yu’s Translation on Stopping by the Woods on a Snowy Evening)22、《红字》中的转变(Alterations in The Scarlet Letter)23、技术革新在服装设计中的“分色”演绎(Technology Perform Various Roles in Fashion Design)24、东西方龙的比较及翻译(“Loong” and“Dragon”----A Comparison of “Loong”in Chinese and “Dragon” in English in View of Translation)25、美国情境喜剧模式分析(Formula for American Situation Comedy)26、论《老人与海》中的冰山理论(On Iceberg Theory in “The Old Man and the Sea”)27、浅析广告英语的修辞特点(Rhetorical Features in Advertising English)28、论查尔斯·狄更斯《双城记》中的人道主义思想(On Humanistic Thinking inA Tale of Two Cities by Dickens)29、9.11后美国意识形态的转变(The Transitions of American’s Ideology After 9.11)30、儒学与清教之简单对比研究(A Brief Comp0arison between Confuctanism and Puritanism)31、移情在跨文化交际中的作用(The Role of Empathy in Intercultural Communication)32、外企进入对成都经济及本土企业的影响(The Affect of Entry of Foreign Enterprises on Economy and Local Enterprises of Chengdu)33、开放期:2006年后中国银行业面临全球竞争(Open Season:China’s Banking Sector Faces Global Competetion After 2006)34、美国梦的幻灭——浅析《了不起的盖茨比》中的象征手法(Disillusion ofAmerican Dream——On Symbolism in The Great Gatsby)35、简析《傲慢与偏见》中本内特先生的消极性格(On Negative Mr. Bennet in Pride & Prejudice)36、文化差异对中西方商务谈判的影响(The Impact of Culture Differences on Business Negotiation between East and West)37、中国关系中的台湾问题(The TAIWAN Issue in SINO-US Relationship)38、英汉谚语的文化异同(The Cultural Differences and Similarities Between English and Chinese Proverbs)39、灵魂深处的暗勇——论《呼啸山庄》的主题(Tempest in the Soul—the Main Theme of Wuthering Heights)40、浅谈同声传译(A Brief Study of Simultaneous Interpretation)41、简析艾米莉·狄金森生平与其诗歌中死亡主题间的关联(A Brief Analysis on the Connection Between Dickinson’s Life and the Theme of Deathe in Her Poetry)42、论二十世纪五六十年代美国民权的发展(Denelopment of the Civil Rights Movement in America in 1950s and 1960s)43、简析《格列佛游记》中的讽刺技巧(Analyze the Technique of Satire in Gulliver’s Travels)44、欧·亨利、莫泊桑现实主义小说写作风格与艺术技巧对比(A Comparative Study of Writing Styles and Artisti Skills in Realistic Works Between O.Henry and De Maupassant)45、浅谈美国黑人在美国民权运动中对美国当今社会的积极作用(A Brief Study onthe Positive Impact of the Amerian Society Exerted By the Black People in American Civil Rights Movement)46、简析《红字》中的象征意义(An Analysis of Symbolism in The Scarlet Letter)47、《瓦尔登湖》中反映的自然主义(Naturalism as Reflected in Walden)48、英汉谚语中的文化差异(Cultural Differences between British and Chinese Proverbs)49、生活在迷茫一代中的青年作家(Young Writers in the Lost Generation)50、悲剧不是天注定——浅析造成台丝悲剧的原因(Not Just Due to Destiny:An Anulysis on the Reasons of Tess’s Trage)业务的发展对策。

Geoffrey-Chaucer

Geoffrey-Chaucer

Geoffrey-ChaucerGeoffrey Chaucer, the founder of English poetry, was born, about 1340, in London.Chaucer's contribution to English poetry lies chiefly in the fact that he introduced from France the rhymed stanzas of various types, especially the rhymed couplet of iambic pentametre(to be called later the "heroic couplet"to English poetry, instead of the old Anglo-Saxon alliterative verse.Though drawing influences from French, Italian and Latin models, he is the first great poet who wrote in the current English language. His production of so much excellent poetry was an important factor in establishing English as the literary language of the country. The spoken English of the time consisted of several dialects, and Chaucer did much in making the dialect of London the foundation for modern English speech.《Journal of Yanshan University》2001-03Add to Favorite Get Latest UpdateOn the Subjective Female Consciousness inShakespeare 's ComediesCAO Xiao-qing(The Department of Chinese Literature and Language, Xiangtan Teachers'College,Xiangtan,Hunan, 411201)Shakespeare, in the process of creating his comedies, through the woman characters' pursuit forlove, freedom, equality and their dignity and rights, extols their courage, wisdom and virtue, expoundingthe br and-new aesthetic criterion of the female. This paper also comes to discuss the historical causes of theinf erior position of the female from the aesthetic point of view. Finally under review are the conceptual im pli-cation and the historical significance of the subjective female consciousness.【Key Words】:the subjective female consciousness aesthetic subjectivity objectivity equality【CateGory Index】:I106.3【DOI】:CNKI:SUN:YSDS.0.2001-03-003Download(CAJ format) Download(PDF format)CAJViewer7.0 supports all the CNKI ; AdobeReaderGeoffrey Chaucer (born 1340/44, died 1400) is remembered as the author of The Canterbury Tales, which ranks as one of the greatest epic works of world literature. Chaucer made a crucial contribution to English literature in using English at a time when much court poetry was still written in Anglo-Norman or Latin.Geoffrey Chaucer was born in London. He was the son of a prosperous winemerchant and deputy to the king's butler, and his wife Agnes. Little is known of his early education, but his works show that he could read French, Latin, and Italian.In 1359-1360 Chaucer went to France with Edward III's army during the Hundred Years' War. He was captured in the Ardennes and returned to England after the treaty of Brétigny in 1360. There is no certain information of his life from 1361 until c.1366, when he perhaps married Philippa Roet, the sister of John Gaunt's future wife. Philippa died in 1387 and Chaucer enjoyed Gaunt's patronage throughout his life.Between 1367 and 1378 Chaucer made several journeys abroad on diplomatic and commercial missions. In 1385 he lost his employment and rent-free home, and moved to Kent where he was appointed asjustice of the peace. He was also elected to Parliament. This was a period of great creativity for Chaucer, during which he produced most of his best poetry, among others Troilus and Cressida (c. 1385), based on a love story by Boccaccio. Chaucer took his narrative inspiration for his works from several sources but still remained an entirely individual poet, gradually developing his personal style and techniques. His first narrative poem, The Book of the Duchess, was probably written shortly after the death of Blanche, Duchess of Lancaster, first wife of John Gaunt, in September 1369. His next important work, The House of Fame, was written between 1374 and 1385. Soon afterward Chaucer translated The Consolation of Philosophy by Boethius, and wrote the poem The Parliament of Birds.Chaucer did not begin working on The Canterbury Tales until he was in his early 40s. The book, which was left unfinished when the author died, depicts a pilgrimage by some 30 people, who are going on a spring day in April to the shrine of the martyr, St. Thomas Becket. On the way they amuse themselves by telling stories. Among the band of pilgrims are a knight, a monk, a prioress, a plowman, a miller, a merchant, a clerk, and an oft-widowed wife from Bath. The stories are interlinked with interludes in which the characters talk with each other, revealing much about themselves.According to tradition, Chaucer died in London on October 25, 1400. He was buried in Westminster Abbey, in the part of the church, which afterwards came to be called Poet's Corner. A monument waserected to him in 1555The drama actress Portia, the play is the most brilliant sunshine characters. She is Baer, true master, she is beautiful, smart, humble, kind, is the embodiment of humanistic thoughts. She is bold pursuit of love of life, a kinsman of the emperor celebrated Prince Prince and other suitors a contemptuous disregard, and the courage to participate in social affairs, successfully solved the problems his and Antonio's " a pound of flesh. ".They are the conflicts of two opposite ideas, identification, convention and religions.Bassanio although is a noble, actually he is a declining aristocrat. He has squandered his money at different meeting, gathering and on woman. Not to speak so tactful, he is a playboy who never plans to get a job or doing some business. Instead, he would like to life his head from a profitable marriage. When he borrows money from Antonio as chip to pursuing Portia. Antonio says:I pray you, good Bassanio, let me know it;And if it stand, as you yourself still do,Within the eye of honour, be assuredMy purse, my person, my extremest means,Lie all unlockt to your occasion②(ActⅠsceneⅠ,P12,135-140)And when his boats wreck on sea, he has had to obey the contract, and he says:Sweet Bassanio, my ships have all miscarried, my creditors grow crule, my estate is very low, my bond to the Jew is forfeit; and since in paying it, it is impossible I should live, all debates are cleared between you and I. if I might but see you at my death. Notwithstanding, use your pleasure; if your love do not persuade you to come, let not my letter. ②(Act ⅢScene ⅡP132,315-321)From these words, we can confirm Antonio is the best friend of Bassanio. He always helps other not to ask for reward, even sacrifice his life. When Bassanio hears the news that Antonio will lose his life for him. He returns immediately and gives his lover’s ring back to the clerk to show his thanks. Their friendship has been proved so perfect.ConclusionThe period that Shakespeare created the Merchant of Venice was the reign of Elizabeth Ⅰ. What was the name of that period called “the First Flowering Period of English Literature” and the greatest change began with drama. Shakespeare was the representative at that time. In his romantic comedies, Shakespeare takes an optimistic attitude toward love and youth. The Merchant of Venice, in which he has created tension, ambiguity, a self-consciousness and self-delighting artifice that, is at once intellectually exciting and emotionally engaging.There are two comic characters exists in the Merchant of Venice. The first one is comedy united with mock. As we see, what the center place this story happened is a city full of the smell of commercialize and capitalism. Different race, identification, religion, law and some ideas about fair and unfair are all showed out. In this play, Jew Shylock performs great greed for money. When he is resulted and treated unfair, he is brewing a strongly dissatisfaction to revenge the Christian and graceful gentleman and appealing for equal treatment. In fact, Shylock’s characteristic has many as pects. He is a usurer. He is avaricious and stingy. But he also has the pity point: being lost daughter; being humiliated by Antonio; being treated unfair in Christian society, and his endless miss for his wife. All of his role action has surpassed the friendship between Antonio and Bassanio, and the propagation of Christian by Portia. So in the thesis, the author argues Shylock not only as a curt, greedy and sly person, but also as a sympathetic figure.The second distinguishing feature is comedy united with the ideal of humanism. One critic says that Shakespeare’s comedies and romances tend to focus on daughters whose age and rank make them desirable spouses for men seeking to improve their social standing. There is no exception ofShakespeare’s comedies t akes love as the theme. And the most used expression to describe the lover’s relationship in debate. They match with intelligent, minds and sentiments. Woman always emerges the victor. They are not only chaste, beautiful, young and more sensible。

长篇阅读(段落信息匹配)

长篇阅读(段落信息匹配)

Beauty and Body Image in the Media[A] Images of female bodies are everywhere. Women—and their body parts—sell everything from food to cars. Popular film and television actresses are becoming younger, taller and thinner. Some have even been known to faint on the set from lack of food. Women’s magazines are full of articles urging that if they can just lose those last twenty pounds, they’ll have it all—the perfect marriage, loving children, great sex, and a rewarding career.[B] Why are standards of beauty being imposed on women, the majority of whom are naturally larger and more mature than any of the models? The roots, some analysts say, are economic. By presenting an ideal difficult to achieve and maintain, the cosmetic and diet product industries are ass ured of growth and profits. And it’s no accident that youth is increasingly promoted, along with thinness, as an essential criterion of beauty. If not all women need to lose weight, for sure they’re al l aging, says the Quebec Action Network for Women’s Hea lth in its 2001 report. And, according to the industry, age is a disaster that needs to be dealt with.[C] The stakes are huge. On the one hand, women who are insecure about their bodies are more likely to buy beauty products, new clothes, and diet aids. It is estimated that the diet industry alone is worth anywhere between 40 to 100 billion (U.S.) a year selling temporary weight loss (90% to 95% of dieters regain the lost weight). On the other hand, research indicates that exposure to images of thin, young, air-brushed female bodies is linked to depression, loss of self-esteem and the development of unhealthy eating habits in women and girls.[D ] The American research group Anorexia Nervosa & Related Eating Disorders, Inc. says that one out of every four college-aged women uses unhealthy methods of weight control—including fasting, skipping meals, excessive exercise, laxative (泻药)abuse, and self-induced vomiting. The pressure to be thin is also affecting young girls: the Canadian Women’s Health Network warn s that weight control measures are now being taken by girls as young as 5 and 6. American statistics are similar. Several studies, such as one conducted by Marika Tiggemann and Levina Clark in 2006 titled “Appearance Culture in 9- to 12-Year-Old Girls: Med ia and Peer Influences on Body Dissatisfaction,” indicate that nearly half of all preadolescent girls wish to be thinner, and as a result have engaged in a diet or are aware of the concept of dieting. In 2003, Teen magazine reported that 35 percent of girls 6 to 12 years old have been on at least one diet, and that 50 to 70 percent of normal weight girls believe they are overweight. Overall research indicates that 90% of women are dissatisfied with their appearance in some way. Media activist Jean Kilbourne concludes that, “Women are sold to the diet industry by the magazines we read and the television programs we watch, almost all of which make us feel anxious about our weight.”[ E] Perhaps the most disturbing is the fact that media images of female beauty are unattainable for all but a very small number of women. Researchers generating a computer model of a woman with Barbie-doll proportions, for example, found that her back would be too weak to support the weight of her upper body, and her body would be too narrow to contain more than half a liver and a few centimeters of bowel. A real woman built that way would suffer from chronic diarrhea (慢性腹泻)and eventually die from malnutrition. Jill Barad, President of Mattel (which manufactures Barbie), estimated that 99% of girls aged 3 to 10 years old own at least one Barbie doll. Still, the number of real life women and girls who seek a similarly underweight body is epidemic, and they can suffer equally devastating health consequences. In 2006 it was estimated that up to 450, 000 Canadian women were affected by an eating disorder.[F ] Researchers report that women’s magazines have ten and one-half times more ads and articles promoting weight loss than men’s magazines do, and over three-quarters of the covers of wo men’s magazines include at least one message about how to change a woman’s bodily appearance—by diet, exercise or cosmetic surgery. Television and movies reinforce the importance of a thin body as a measure of a woman’s worth. Canadian researcher Gregory F outs reports that overthree-quarters of the female characters in TV situation comedies are underweight, and only one in twenty are above averagein size. Heavier actresses tend to receive negative comments from male characters about their bodies (How about wearing a sack?),and 80 percent of these negative comments are followed by canned audience laughter.[G] There have been efforts in the magazine industry to buck (才氐制,反抗)the trend. For several years the Quebec magazine Coup de Pouce has consistently included full-sized women in their fashion pages and Chatelaine has pledged not to touch up photos and not to include models less than 25 years of age. In Madrid, one of the world’s biggest fashion capital s, ultra-thin models were banned from the runway in 2006. Furthermore Spain has recently undergone a project with the aim to standardize clothing sizes through using a unique process in which a laser beam is used to measure real life women’s bodies in order to find the most true to life measurement.[ H] Another issue is the representation of ethnically diverse women in the media. A 2008 study conducted by Juanita Covert and Travis Dixon titled “A Changing View: Representation and Effects of the Portrayal of Women of Color in Mainstream Women’s Magazines” found that although there was an increase in the representation of women of colour, overall white women were overrepresented in mainstream women’s magazines from 1999 to 2004.[I] The barrage of messages about thinness, dieting and beauty tells “ordinary” women that they are always in need of adjustment—and that the female body is an object to be perfected. Jean Kilbourne argues that the overwhelming presence of media images of painfully thin women means that real women’s bodies have become invisible in the mass media. The real tragedy, Kilbourne concludes, is that many women internalize these stereotypes, and judge themselves by the beauty industry’s standards. Women learn to compare themselves to other women, and to compete with them for male attention. This fo cus on beauty and desirability “effectively destroys any awareness and action that might help to change that climate.”46. A report in Teen magazine showed that 50% to 70% girls with normal weight think that they need to lose weight.47. On the whole, for 6 years white women had been occupying much more space in mainstream women’s magazines since 1999.48. Some negative effects such as depression and unhealthy eating habits in females are related to their being exposed to images of thin and young female bodies.49. The mass media has helped boost the cosmetic and the diet industries.50. It is reported that there is at least one message about the methods for women to change their bodily appearance on more than three-quarters of the covers of women’s magazine s.51. Some film and television actresses even faint on the scene due to eating too little.52. Too much concern with appearance makes it impossible to change such abnormal trend.53. Researchers found that a real woman with Barbie-doll proportions would eventually die from malnutrition.54. The Quebec magazine Coup (e Pouce resists the trend by consistently including full-sized women in their fashion pages for several years.55. According to some analysts, the fundamental reason of imposing standards of beauty on women is economic profits.46. [D]题干意为,《青少年》杂志上的一项报道称,有50%到70%体重正常的女孩认为自己需要减肥。

英语四级段落信息匹配题练习及答案6

英语四级段落信息匹配题练习及答案6

Directions: In this section, you are going to read a passage with ten statements attached to it. Each statement contains information given in one of the paragraphs. Identify the paragraph from which the information is derived. You may choose a paragraph more than once. Each paragraph is marked with a letter.长篇阅读Beauty and Body Image in the Media[A] Images of female bodies are everywhere. Women—and their body parts—sell everything from food to cars. Popular film and television actresses are becoming younger, taller and thinner. Some have even been known to faint on the set from lack of food. Women’s magazines are full of articles urging that if they can just lose those last twenty pounds, they’ll have it all—the perfect marriage, loving children, great sex, and a rewarding career.[B] Why are standards of beauty being imposed on women, the majority of whom are naturally larger and more mature than any of the models? The roots, some analysts say, are economic. By presenting an ideal difficult to achieve and maintain the cosmetic and diet product industries are assured of growth and profits. And it’s no accident that youth is increasingly promoted, along with thinness, as an essential criterion of beauty. If not all women need to lose weight, for sure they’re all aging, says the Queb ec Action Network for Women’s Health in its 2001 report. And, according to the industry, age is a disaster that needs to be dealt with.[C] The stakes are huge. On the one hand, women who are insecure about their bodies are more likely to buy beauty products, new clothes, and diet aids. It is estimated that the diet industry alone is worth anywhere between 40 to 100 billion (U.S.) a year selling temporary weight loss (90% to 95% of dieters regain the lost weight). On the other hand, research indicates that exposure to images of thin, young, air-brushed female bodies is linked to depression, loss of self-esteem and the development of unhealthy eating habits in women and girls.[D ] The American research group Anorexia Nervosa & Related Eating Disorders, Inc. says that one out of every four college-aged women uses unhealthy methods of weight control—including fasting, skipping meals, excessive exercise, laxative (泻药)abuse, and self-induced vomiting. The pressure to be thin is also affecting young girls: the Canadian Women’s Health Network warns that weight control measures are now being taken by girls as young as 5 and 6. American statistics are similar. Several studies, such as one conducted by Marika Tiggemann and Levina Clark in 2006 titled “Appearance Culture in 9- to 12-Year-Old Girls: Media and Peer Influences on Body Dissatisfaction,” indicate that nearly half of all preadolescent girls wish to be thinner, and as a result have engaged in a diet or are aware of the concept of dieting. In 2003, Teen magazine reported that 35 percent of girls 6 to 12 years old have been on at least one diet, and that 50 to 70 percent of normal weight girls believe they are overweight. Overall research indicates that 90% of women are dissatisfied with their appearance in some way. Media activist Jean Kilbourne concludes that, “Women are sold to the diet industry by the magazines we read and the television programs we watch, almost all of which make us feel anxious about our weight.”[ E] Perhaps the most disturbing is the fact that media images of female beauty are unattainable for all but a very small number of women. Researchers generating a computer model of a woman with Barbie-doll proportions, for example, found that her back would be too weak to support the weight of her upper body, and her body would be too narrow to contain more than half a liver and a few centimeters of bowel. A real woman built that way would suffer from chronic diarrhea (慢性腹泻)and eventually die from malnutrition. Jill Barad, President of Mattel (which manufactures Barbie), estimated that 99% of girls aged 3 to 10 years old own at least one Barbie doll. Still, the number of real life women and girls who seek a similarly underweight body is epidemic, and they can suffer equally devastating health consequences. In 2006 it was estimated that up to 450, 000 Canadian women were affected by an eating disorder.[F ] Researchers report that women’s magazines have ten and one-half times more ads and articles promoting weight loss than men’s magazines do, and over three-quarters of the covers of women’s magazines include at least one message about how to change a woman’s bodily appearance—by diet, exercise or cosmetic surgery. Television and movies reinforce theimportance of a thin body as a measure of a woman’s worth. Canadian researcher Gregory Fouts reports that over three-quarters of the female characters in TV situation comedies are underweight, and only one in twenty are above average in size. Heavier actresses tend to receive negative comments from male characters about their bodies (“How about wearing a sack?,,),and 80 percent of these negative comments are followed by canned audience laughter.[G] There have been efforts in the magazine industry to buck (才氐制,反抗)the trend. For several years the Quebec magazine Coup de Pouce has consistently included full-sized women in their fashion pages and Chatelaine has pledged not to touch up photos and not to include models less tha n 25 years of age. In Madrid, one of the world’s biggest fashion capitals, ultra-thin models were banned from the runway in 2006. Furthermore Spain has recently undergone a project with the aim to standardize clothing sizes through using a unique process in which a laser beam is used to measure real life women’s bodies in order to find the most true to life measurement.[ H] Another issue is the representation of ethnically diverse women in the media. A 2008 study conducted by Juanita Covert and Travis Dixon titled “A Changing View: Representation and Effects of the Portrayal of Women of Color in Mainstream Women’s Magazines” found that although there was an increase in the representation of women of colour, overall white women were overrepresented in mainstream women’s magazines from 1999 to 2004.[I] The barrage of messages about thinness, dieting and beauty tells “ordinary” women that they are always in need of adjustment—and that the female body is an object to be perfected. Jean Kilbourne argues that the overwhelming presence of media images of painfully thin women means that real women’s bodies have become invisib le in the mass media. The real tragedy, Kilbourne concludes, is that many women internalize thesestereotypes, and judge themselves by the beauty industry’s standards. Women learn to compare themselves toother women, and to compete with them for male attention. This focus on beauty and desirability “effectively destroys any awareness and action that might help to change that climate.”46. A report in Teen magazine showed that 50% to 70% girls with normal weight think that they need to lose weight.47. On the whole, for 6 years white women had been occupying much more space in mainstream women’s magazines since 1999.48. Some negative effects such as depression and unhealthy eating habits in females are related to their being exposed to images of thin and young female bodies.49. The mass media has helped boost the cosmetic and the diet industries.50. It is reported that there is at least one message about the methods for women to change their bodily appearance on more than three-quarters of the covers of women’s magazines.51. Some film and television actresses even faint on the scene due to eating too little.52. Too much concern with appearance makes it impossible to change such abnormal trend.53. Researchers found that a real woman with Barbie-doll proportions would eventually die from malnutrition.54. The Quebec magazine Coup (e Pouce resists the trend by consistently including full-sized women in their fashion pages for several years.5 5. According to some analysts, the fundamental reason of imposing standards of beauty on women is economic profits.PartⅢ Reading ComprehensionSection B46. [D]题干意为,《青少年》杂志上的一项报道称,有50%到70%体重正常的女孩认为自己需要减肥。

荣格集体无意识下《他们眼望上苍》人物研究

荣格集体无意识下《他们眼望上苍》人物研究

摘要佐拉•尼尔•赫斯顿是美国最卓越的黑人女性作家之一,《他们眼望上苍》被认为是她最出色的作品。

本文利用荣格的集体无意识理论,分别从阿尼玛和阿尼姆斯,阴影,人格面具三方面对珍妮及其三位丈夫进行分析。

首先本文分析了人物内在的阿尼玛和阿尼姆斯原型,展现了其对人物伴侣选择的影响,以及珍妮沟通阿尼姆斯的积极意义;其次分析了阴影在无意识中对人物行为思想的影响,及珍妮在意识到其内在阴影后获得的进步;再次本文分析了人格面具在情感或生活中对人物的影响,展现了合理利用人格面具的重要性。

最后得出结论,三位男性人物没有意识到原型的存在,使得其难以获得人格的健康成长。

相反的,珍妮成功地整合、平衡了她内在的原型,即在三段婚姻中珍妮逐步地沟通其阿尼姆斯,获得独立思考的能力,使得其意识到阴影造成的自我的不完整性,并通过合理利用人格面具保护其内在真实的自我,最后成功获得完整、独立又独特的自我。

关键词:荣格集体无意识;阿尼玛; 阿尼姆斯;阴影;人格面具AbstractZora Neale Hurston is considered as one of the most prominent African-American female writers and Their Eyes Were Watching God is regarded as the most celebrated writing of her. On the theoretical basis of Jungian Collective Unconscious, this thesis analyzes the main characters Janie and her three husbands from three aspects of the Anima and Animus, the Shadow and the Persona. Firstly, this thesis analyzes the Anima and Animus in characters, unfolding their effects on characters’ choice of mating and the positive significance of communicating with Animus of Janie; secondly, this thesis analyzes the unconscious impact of the Shadow on thoughts and behaviors of characters and shows the progress made by Janie after realizing her inner Shadow; thirdly, this thesis exhibits the influence of Persona on characters in emotion and life, revealing the importance of rational use of it. The thesis draws a conclusion that the three male characters fail to make progress in personality because of their ignorance of archetypes. Conversely, Janie succeeds in integrating and balancing her inner archetypes, that is she gradually links up her Animus in the three marriages, being capable of thinking independently, which brings her realization of incomplete self, caused by Shadow, and protects her true self by properly using the Persona, acquiring complete, independent and unique self in the end.Key words: Jungian Collective Unconscious; Anima; Animus; Shadow; PersonaContentsU.D.C: (5)Chapter 1 Introduction (1)1.1 Zora Neale Hurston and Their Eyes Were Watching God (1)1.2 Jungian Collective Unconscious Theory (2)1.3 Literature Review (5)Chapter 2 The Anima and Animus in Characters (9)2.1 The Anima in Male Characters (9)2.1.1 Logan Killicks’ Anima: A Labor like A “Mule” (9)2.1.2 Joe Starks’ Anima: An Angel in the House (11)2.1.3 Tea Cake’s Anima: A Beauty in Men’s Arms (13)2.2 The Animus in the Heroine Janie (14)2.2.1 Janie’s Soul Mate: A Man like “Pear tree and bees” (14)2.2.2 Janie’s Masculinity: A Warrior in Quest of Self (16)Chapter 3 The Shadow in Characters (19)3.1 The Shadow in Male Characters (19)3.1.1 Logan Killicks’ Shadow: Sense of “Mulehood” (19)3.1.2 Joe Starks’ Shadow:Hatred for Blacks (21)3.1.3 Tea Cake’s Shadow: Ideology of Androcentrism (23)3.2 The Shadow in the Heroine Janie (27)3.2.1 The Passive Side of Janie’s Shadow: Incompleteness of Self (27)3.2.2 The Positive Side of Janie’s Shadow: Acquisition of Self (28)Chapter 4 The Persona in Characters (31)4.1 Inappropriate Persona in Male Characters (31)4.1.1 Logan Killicks’ Persona: Covering the Nature of Domination (31)4.1.2 Joe Starks’ Persona: Concealing the Hatred for Blacks (33)4.1.3 Tea Cake’s Persona: Depressing the True Self (34)4.2 Appropriate Persona in the Heroine Janie (36)4.2.1 Emotional Persona in Janie: Catering to Her Husbands (36)4.2.2 Social Persona in Janie: Catering to Social Standards (38)Chapter 5 Conclusion (40)Works Cited (43)攻读硕士学位期间发表的论文和取得的科研成果 (47)Chapter 1 IntroductionChapter 1 Introduction1.1 Zora Neale Hurston and Their Eyes Were Watching GodZora Neale Hurston with great talent in literature was seen as the most momentous female writer of American literature in the 20th century, who was born in Eatonville, Florida, which was the first town that was comprised and dominated by black people in American, on January 7, 1891. After graduating from high school, she succeeded in going into Howard University, the best university for black people, where she found her passion for folklore of black people. Accordingly, after graduating in 1928, Hurston started to contribute herself to doing anthropological research on African-American folklore in the south. As a black female writer, Zora Neale Hurston devoted all her life to protecting and inheriting cultural heritages and traditions of her own people. Although Hurston had created a great deal of works all her life, she was also a black female writer with miserable fate: she and her writings were subjected to positive and negative debate. She was still obscure after her death. Nevertheless, she had a notable effect on many black writers, being seen as “the mother of American black literature”. Alice Walker lauded Hurston as “a cultural revolutionary” (Walker 86-87). Valerie Boyd also favorably appraised Hurston as “having deep influence on at least two generations of writers and readers who had different complexion and culture” in his writing “Wrapped in Rainbows: The Life of Zora Neale Hurston” (438).Their Eyes Were Watching God was seen as the most important masterpiece of Hurston, being recognized as a classic of Black Literature and Feminist Literature. The novel has become one of the most significant works in the literary tradition, having great effect on many leading female writers, both whites and blacks. It tells a story about the heroine Janie and her three marriages, and presents readers an image of a brave black woman who courageously sets her voice in the patriarchal and man-dominated society to pursue the self. Janie was compelled by her grandmother Nanny to marry Brother Logan Killicks, a man with 60 acres of land, when she was 16 years old. However, in the marriage, Janie was treated as a mule by Logan, having哈尔滨工程大学硕士学位论文no love and respect, which made Janie feel disappointed about the marriage. Then one day, Janie took note of citified Joe when he was passing by, being under a spell. Soon they had built a relationship. A few days later, after a quarrel with Logan, Janie’s complaints and desire for “horizon” erupted, leading to her elopement with Joe. They went to Eatonville, the first all-black town, where Joe Starks achieved his desire of being a “big voice”. But Janie was treated unequally by him, too. She was seen as the private possession of him, having no voice and personality. After an argument with Janie, Joe Starks became weak and finally died. At that time, Janie was still a beautiful, attractive woman with great wealth in the town. Her friends persuaded her to marry someone, but she did not want to become an appendant of men once again. Then, she married “Tea Cake”, who was around twelve years younger than her and could bring evenness to her. Janie and “Tea Cake” had not lived a happy life until “Tea Cake” died after a hurricane. Finally, Janie went back to Eatonville. Although she was still sorrowful for Tea Cake’s death, her heart was peaceful. Because she had found her own power and energy, and became a mature, independent woman. The resistant image of Janie has since broken the silenced condition of women in such a man-dominated society. However, Protest Literature, which was represented by Richard Wright, became the main trend of Black Literature. At that time, Their Eyes Were Watching God was rebuked and criticized by other writers and critics because of its complicated narrative, its center of feminism and its advanced themes, so it fell into oblivion in the end. Not until the 1960s, due to the rise of the Black Power Movement and the awakening of Black Nationalist consciousness, Hurston was known again by people, and Their Eyes Were Watching God was accepted and studied by people as well.1.2 Jungian Collective Unconscious TheoryJung was a psychologist of great effect of our time. He developed the theory about the unconscious part of the human psyche, called Collective Unconscious, on the basis of Freud’s theory of the personal unconscious. Jung believes that the collective unconscious is theChapter 1 Introductiondeepest level of the personal psyche, which embodies three stages of consciousness, personal unconscious and collective unconscious. As the psychological accumulation of social factors, historical factors and cultural factors of the whole biological group in the process of biological evolution, “the contents of the collective unconscious have never been individually acquired … whereas the content of the collective unconscious is made up essentially of archetypes” (Jung 42).The collective unconscious means the general psychic experiences of human ancestors that had accumulated in the long course of history, and it has become the instinct of human nature and a genetic predisposition in which humans must respond to a certain event through inheritance from generation to generation. It means that the collective unconscious is ubiquitous in everyone, neither coming from personal experience nor belonging to individual privacy. It is inherent. The collective unconscious exists deeply in everyone’s heart, like the iceberg under the deep sea, which cannot be seen but exactly exists. It is the form or scheme which exists congenitally in the psyche of humans and becomes the fixed potential of thinking of humans.The collective unconscious unfolds itself in the method of archetypes, and how many typical environments are in our life, how many archetypes may be present. “The concept of the archetype … indicates the existence of definite forms in the psyche which seem to be present always and everywhere” (Jung 42). According to Jung’s opinion, archetype is considered as the general form of psychological reactions. Jung used archetypal images to depict the form that the archetype itself presents to the consciousness. The archetype itself is unconscious, and cannot be distinguished and understood by the consciousness, but we could understand the existence and meaning of it through the archetypal images. Therefore, archetypal images are considered as the symbolic representations of archetypes. Once the unconscious content is perceived, it will be presented to the consciousness in the symbolic form of image, such as marriage and separation, in the sense of its symbol, reproduce the existence of an archetype. Jung put forward numerous archetypal images on the basis of his academic and research and哈尔滨工程大学硕士学位论文personal experience, which exist in the deepest heart of everyone and affect the psychologies and behaviors of each of us at the level of consciousness and unconsciousness, such as Anima, Animus, Shadow, Persona, Self, wise old man and so on. The Anima and Animus, the Shadow and the Persona are predominantly significant for composing our personalities and behaviors. Accordingly, this thesis will conduct a detailed study of the characters in Their Eyes Were Watching God from these three main archetypes.Firstly, Jung defined the Anima archetype as the archetypal female image inside of a man, or the feminine side of him, such as blandness, keenness, and it also refers to a man’s personal complex for a woman, representing his expectations of selecting a lover. When the Anima is noted, it will expand and develop, but it will affect the psychology and behaviors of a man through the form of projection when it is ignored. The Anima can be shown up as a kind of soul image, playing a definite and established role in the mood, response, actuation and any spontaneous psychological life of a man. A man tends to see his inner Anima from a realistic female object. Jung divided the Anima into four stages, each of which has one more image. Eve who represents the Mother Complex of men is the initial stage; Helen is the second stage who is presented as the sexual object of men; Maria is the third stage, showing the divinity in love; and the image of the fourth stage is Sophia, who belongs to man’s inner source of wisdom.Animus is a concept that corresponds to Anima, which is a symbol of masculine component within a woman. The Animus is composed of four stages as well: Heracles—Alexander—Apollo—Hermes. The initial image of Heracles represents physical strength; Alexander implies independence; Apollo is an instructive image that appears as “professors” and “priests”; Hermes is an inspirational and creative image. In addition, it also purports women’s masculinity, such as courage and decision, affecting women’s view of choosing a lover as well.The second is the Shadow archetype. Jung took advantage of Shadow to illustrate the hiddenChapter 1 Introductionor unconscious content of our heart, which mostly is the dark side of our unconscious self. The Shadow comes from the constraint of the conscious self, formed by the part that the conscious self never realizes, but it mostly refers to the content that makes our conscious self feel ashamed or ugly. Because of its existence, human beings have formed the inclination of immorality, aggression and agitation. Everyone is under a shadowy side, the less it expresses, the darker and more intense it would be. In addition, people always project their shadows to others.The third is the Persona archetype, which represents people’s external images shown to others, referring to a mask that an actor puts on to perform the role he plays. The role an actor plays does not correspond to the actor himself. Similarly, an individual’s persona does not mean his true self. The aim of putting on the persona is to react to expectations of society and others and leave the public a good impression and hide people’s real personalities. People always have a tendency to hide their shadows, but decorate and personate their personas.1.3 Literature ReviewBoth Hurston and Their Eyes Were Watching God have been significant in the sphere of literature, which renders it worthwhile for us to study Hurston and the novel.Research on Their Eyes Were Watching God in the west shows great vitality. In the 1930s, both Hurston and the novel were unacceptable to people. During the period, the “protest literature” was the mainstream of black literature, resulting in harsh criticisms on the novel. And Hurston was criticized for not registering her protest of racial prejudice in the book. Richard Wright criticized it in a review for the New Masses: “a white audience whose chauvinistic tastes she knows how to satisfy” (16-17). Wright also pointed out that Hurston’s work did not focus on “serious” subjects. In addition, patriarchal culture dominated ideologies of Americans at that time, so critics were limited by the patriarchal ideology and哈尔滨工程大学硕士学位论文could not appreciate its unconventional theme of feminism. After being rediscovered by Alice Walker and Robert E. Hemenway in 1960s, Hurston and Their Eyes Were Watching God gained attention once again. In “Looking for Zora” (1974), Walker commented that Hurston’s work expressed the idea that the black race was complete, complex and undiminished, which was lacking in much black literature. Hemenway made a dispassionate evaluation of Hurston and restored her due position in American and black literature in his book “Zora Neale Hurston” (1977). Since the publication of Alice Walker’s “Looking for Zora” and Hemenway’s “Zora Neale Hurston”, the studies of Hurston in American literary criticism began to bloom, and her works were also constantly being published and analyzed. Their Eyes Were Watching God in particular drew more attention.From the 1980s on, research on Their Eyes Were Watching God was highly flourishing. Firstly, critics paid great attention to characteristics of the formation of it, such as language style, writing skills, symbols and themes, narrative styles. For example, Elizabeth Meese analyzed the spoken and textual language of the novel in her paper “Orality and Textuality in Their Eyes Were Watching God” (1986). Robert E. Hemenway in his work “Zora Neale Hurston: A Literary Biography” (1977) explained the importance of symbols of the novel in expressing Janie’s emotional life. Secondly, perspectives of cultural criticism, cross-culture and feminism were also found in some researches. Claire Crabtree stated that Hurston transformed folk material into the journey of Janie’s pursuit of self-realization from the perspectives of folklore and feminism. Sandra Pouchet Pacquet lauded the novel as having shown the restoration and storage value of folklore in American literature, and a powerful spiritual and artistic resource. Nellie Mckay said that the novel was a cross-cultural and “amplifying crayon drawing”, which “created a new history of the personal and collective self, through its motif of female inquiry” (27). Thirdly, critics began a serious discussion on distinct African-American aesthetics of the novel. Cathy Brigham considered the novel as a Multi-voice Text, which was deprived of the force of mainstream discourse, thereby highlighting the course of the establishment of black culture. In addition, it was considered to be a modern novel by some critics, which fused realism, legend, myth, religion, psychologyChapter 1 Introductionand reminiscent mood.In China, research on Their Eyes Were Watching God started to boom from the beginning of the 21st century. Firstly, the vast majority of scholars focused on the perspective of feminism, including post-colonial feminism, ecofeminism, Foucalt’s discourse theory. Professor Chen Guangming discussed Janie’s birth, marriages and ending in his paper “the Feminist Theme of Their Eyes Were Watching God” (2002), revealing the awakening of Janie’s feminist consciousness and women’s pursuit of spiritual life, and then manifested the clear theme of feminism of the novel. Zhang Yuhong also used Foucault’s discourse theory in her paper to reveal the heroine’s growing process of constructing her subjectivity through speech and discourse to disobey and eliminate the virile power. Chen Yan analyzed Janie’s decolonization, sexual identity and cultural identity through aspects of self, other, gender, race and the third space of post-colonial female discourse in her paper from the perspective of third space, probing into the heroine’s suffering of racial and sexual discrimination, and her way of finding herself. Secondly, scholars concentrated on the perspective of race. In “The Racial Consciousness of Their Eyes Were Watching God” (2009), Han Xiaoyan analyzed different levels of racial consciousness of characters by classifying and unscrambling the characters’ different attitudes to racism. Thirdly, critics also analyzed narrative strategy of the novel. Professor Cheng analyzed the narrative structure, narrative mode, narrative strategy and narrative language of the novel and concluded that the novel was deeply influenced by the narrative mode of black folk tales and black folklore, especially the black dialects and spoken languages. Fourthly, the biographical criticism is another available angle. For example, Heng Xuemin in his paper “Magnified Life of Zora Neale Hurston: an Autobiographical Interpretation of Their Eyes Were Watching God” (2010) discussed the theme of seeking for self and freedom through studying the autobiographical resonance of the novel, and then explored the hard process of women to search for self. Lastly, Bildungsroman was another new angle. Hu Xiaoying uncovered the novel by teasing the life experience of Janie and using the theory of Bildungsroman to further reveal the heroine Janie’s acquisition of independence after experiencing obedience and resistance in her paper “The哈尔滨工程大学硕士学位论文Characteristics of Bildungsroman in Their Eyes Were Watching God” (2010). Pan Wenyi also inherited and created the tradition of European Bildungsroman, offering the novel more multifaceted interpretations.All in all, it was a long journey for the research on Hurston and the novel, undergoing from downturns to bloom. However, it doesn’t mean the end, and there is still plenty of room for the study of Hurston and the novel.After a general survey of the previous studies, most research on Their Eyes Were Watching God centers on analyzing the heroine Janie, while neglecting the male characters of the novel. Little research has been done from the perspective of Jungian Collective Unconscious. Ren Ping analyzed Janie’s growth by using Jungian Archetypal Theory in “Personalized Process of Janie”, but she ignored the male characters as well. Therefore, this thesis attempts to use the psychological theory of Jungian Collective Unconscious to analyze both Janie and her three husbands by using archetypes of the Anima (Animus), the Shadow and the Persona, aiming to strike out a new path in and shed new light on the understanding of Their Eyes Were Watching God. Moreover, the thesis also aims to analyze the characters’ thoughts, feelings and behaviors by using the psychological theory to unfold the impacts of archetypes on the formation of human personalities and the importance of realizing and balancing them.Chapter 2 The Anima and Animus in CharactersChapter 2 The Anima and Animus in Characters Based on Jung, whether in a man or a woman, there is an image of the opposite sex in their deep heart. The Anima and Animus are part of the personality of the opposite sex in men’s and women’s unconscious, such as a man’s feminine side and a woman’s masculine side. The Anima archetype consists of concrete experiences gained by males’ interaction with women, and forgotten or repressed experiences of women which men have unconsciously experienced, and the innate predisposition of women acquired by men through psychological inheritance. Correspondingly, the Animus is constituted by these aspects as well. In addition, they can be triggered in specific situations, and then affect people’s choice of mate. This chapter analyzes the Anima in Janie’s three husbands, unfolding the Anima’s effect on characters’ choice of mate, and analyzes Janie’s Animus to uncover its effect on Janie’s choice of selecting a mate and her pursuit of self.2.1 The Anima in Male Characters2.1.1 Logan Killicks’ Anima: A Labor like A “Mule”As noted above, the innate predisposition towards women acquired by men came from the psychological inheritance, which was called Anima by Jung. As a conservative farmer without spiritual pursuits, Logan Killicks’ acquisition of Anima was mostly from the inheritance of collective images from ancestors. In 1961, the first batch of black people were transported to the United States and began to be marketed as slaves to various plantations. From then on, they lived at the bottom of society, being trafficked, enslaved and even killed like cattle by white people. Not only did they have no personal liberty, but they also had no spiritual liberty because of being permeated by racism. Although the outbreak of the American Civil War led to the abolishment of the slavery system, the cruel slavery was still deeply rooted in people’s mind after two centuries. The idea that blacks should work like a哈尔滨工程大学硕士学位论文mule for whites had become people’s mind-set. As Nanny said, black men picked up the load thrown down by white folks and transmitted it to his women folks. “De nigger woman is de mule uh de world…” (Hurston 14). Women’s lowest position was uncovered by Nanny’s words. They suffered squeezes of both class and gender, being perceived as a mule used for work by men. Black women’s images of working like a mule became a collective memory carved in people’s mind. As a traditional and conformist black farmer, Logan Killicks was devoid of spiritual pursuits, and his inner image of women came from the collective memory of ancestors, regarding the black woman as a labor like a mule.Anima will affect a male’s psychology and behaviors through the mechanism of projection. Logan Killicks projected his Anima to his wife Janie. It should be clarified that Anima is a definite feminine image, the same as no particular woman. Therefore, for Logan Killicks, Janie’s femininity had no attraction, and it was her function of being used for work that appealed to his choice. What Logan wanted was no longer a wife, but a laborer used to do farm work.Because of the function of Anima, Janie’s image in Logan’s eyes was a mule. On the one hand, being perceived as a mule, Janie should be employed by him. Janie’s beauty, especially her feminine quality of heavy hair had no attraction in Logan’s eyes. “He had ceased to wonder at her long black hair and finger it” (Hurston 26). All he noticed was Janie’s function of work. He started to turn his gentle and tender words into critical orders. He commenced to ask Janie to chop wood just like his ex-wife did and cut seed taters for him. He even went to buy a meek mule which was so gentle and docile enough that even a woman like Janie can control it to do farm work. Just as Emma Dawson said: “His ultimate plan to buy a mule gentle enough for her so that she may assist him in the plowing does actualize Nanny’s metaphor of the mule…” (73). The mule Logan planned to buy inferred Janie’s position of a working mule for him. On the other hand, Janie should succumb to Logan just like a mule cannot resist its master. Logan, whose 60 acres of land and house allowed Janie to live a decent and rich life, saw himself as a master and savior of Janie. It was taken for granted forChapter 2 The Anima and Animus in CharactersJanie to be grateful to him and obey his orders by ignoring her own ideas. Just as he said, “Youse powerful independence around here sometime considerin’” (Hurston 30). He would flay Janie’s independence in the house. For him, Janie’s resistance amounted to a violation of his authority as her master. He therefore would stifle Janie’s resistance with vicious words and heavier work so as to enable her succumb to him.The emancipation of slavery cannot release Logan from racial discrimination and oppression. The mule-like image of black people, black women folks in particular, was rooted, becoming his Anima which was imposed on Janie. Moreover, the Anima also means the feminine side of a man. Logan’s ignorance of Anima gave rise to his failure of inspiring his inner femininity, causing his formation of personality of a man that is rude like a mule.2.1.2 Joe Starks’ Anima: An Angel in the HouseIn a racial society back then, women were suppressed and corroded by the overwhelming patriarchy. At the same time, religions, conventions, customs and social systems all were working to consolidate women’s position of second sex. The “Angel” was the product of men’s imagination of a perfect woman in a patriarchal society who was beautiful and obedient. “Angel in the house” was men’s fantasy of an ideal wife who should play her role in the house for her man. Accordingly, men created an ideal image of a chaste Angel for women, which was called Anima by Jung. Meanwhile, females were limited to the gender roles of good wives and good mothers, striving to achieve gender identity within the family. Jung believed that symbols are expressions of archetypes, which consist of terms, names and even scenes of people’s daily life (86). Therefore, the image of “an Angel in the house” can be viewed as a symbol of the Anima archetype, being rooted in people’s mind and affecting men’s attitudes toward women and their choice of mate. Joe Starks, permeated by this sense of worth, was unexceptionally seriously affected.Males incline to see their inner Anima that could be activated in a specific situation in a real哈尔滨工程大学硕士学位论文woman. Joe’s Anima was activated when he first met Janie. It was a day when he was walking to a new all-black town for achieving his goal of being “a big voice”, a broad sound of a pump attracted him, then he saw Janie who was pumping a pump and “made a loud voice and also made her heavy hair fall down” (Hurston 27). He was completely fascinated by her, “[so] he stopped and looked hard, and then he asked her a cool drink of water” (Hurston 27). Permeated by white culture, Janie’s beauty and “Caucasian characteristics” totally complied with Joe’s inner Anima of the “Angel”, a white woman with a pleasing appearance. Janie was extremely appealing to Joe under the Anima’s action, being selected by Joe as his wife. Joe saw his inner image of Anima from Janie.The Anima affects men’s attitudes and behaviors toward women. Joe naturally treated Janie according to his Anima of “an Angel in the house”, who was meek and obedient, as a man’s belongings. Janie was objectified as Joe’s possession. In the party held for townspeople, Joe asked Janie to deck herself with florid and kingly clothes just like the “bell-cow” so as to imply Joe’s higher identity among these black folks. There were likewise some hints about Janie’s inferior position in front of Joe. Joe called Janie “pretty doll-baby”, the first time they met each other, indicating the unfair relationship between them. Janie was materialized, being seen as a toy of Joe. Joe also forbade Janie to go to the funeral of the dead mule, or even stayed with these black people. For him, Janie was the symbol of his mayor identity, the highest position in this town. Her communication with these black people would be seen as the scene of fall in price. In addition, his imprisonment for Janie was out of the function of his Anima that placed a woman in the house, far away from the society. In patriarchal culture, a woman was asked to realize her value in the house and perform her duties of obeying her husband and being faithful. Therefore, when Joe frequently saw Janie’s beautiful hair being furtively stroked by other men, Janie was ordered to wrap her luxuriant hair, a symbol of her womanhood, with a head-rag, ignoring her wills. Joe saw Janie as his decoration, then her symbol of femininity of the hair also belonged to him, refusing others to covet. When Janie was asked to make a speech the same as him by the townspeople, Joe refused them for her. Just as he said, “She’s uh woman and her place is in de home” (Hurston 43). Due to the。

德莱塞《嘉莉妹妹》——德莱塞笔下的“消费英雄”

德莱塞《嘉莉妹妹》——德莱塞笔下的“消费英雄”

摘要摘要西奥多·德莱塞是20世纪美国文学史上一位杰出的自然主义作家,他的第一部小说作品《嘉莉妹妹》自1900年出版后就受到很多争议。

德莱塞生活在美国从生产主导型社会向消费主导型社会转型的时期。

在这个过程中,以生产为主的意识形态让位于消费意识形态,人们的行为和心理越来越受到消费的影响和控制,从而生活方式和价值观念也发生了变化。

德莱塞亲身感受到变革带来的深刻影响。

在他犀利的笔下,一种在消费浪潮中沉浮的新型人物形象——―消费英雄‖得以形成,消费主义笼罩下的社会特征和人际关系也得以呈现。

虽然德莱塞塑造的人物大多都违背了传统的伦理道德标准,但在他看来,他们都是当时消费主义文化的产物。

本文分五部分。

第一章介绍作者和小说概况,前人的研究评论并阐述了本研究的意义,介绍了消费文化理论。

第二章主要从消费文化角度分析小说中的几位主角。

第三章论述了小说中的人物——―消费英雄‖的主要特征。

第四章讲述了德莱塞的人物塑造,他对―消费英雄‖这一新型人物的态度以及该类人物在文学史上的影响。

最后为论文的结论部分。

本文立足于德莱塞的成名作《嘉莉妹妹》,从19世纪末20世纪初美国新兴的―消费文化‖这一特定社会历史背景出发,分析这部作品中出现的新型的人物形象——―消费英雄‖,努力挖掘这类新型人物形象在文学史中的地位和影响。

关键字:西奥多·德莱塞;《嘉莉妹妹》;消费文化;消费英雄AbstractAbstractTheodore Dreiser is an outstanding naturalism writer in the 20th century American literary history. Since his first novel Sister Carrie was published, it had been involved in much controversy. Dreiser lived in an age transforming from production to consumption leading society. During this process, the production predominated ideology had been replaced by the consumption one. Besides, people’s behavior s and mentality were getting more and more influenced by consumption, so were their life styles and concepts of value. Dreiser himself realized the profound effects of the change. Therefore, in his meticulous writing, a kind of new character type ―Consumer Hero‖formed in the consumption wave. New social characteristics and people’s relationships also appeared. Although Dreiser’s characters are mostly contrary to the traditional ethical standards, in his view, they are all products of consumer culture at that time. This paper is divided into five parts. The 1st part will introduce the writer’s life, his works, and previous studies on it and illustrate the significance of this study and the theory of consumer culture. The 2nd part will mainly analyze the characters from the perspective of consumer culture. The 3rd part will clarify main characteristics of characters. The 4th part will describe Dreiser’s characterization, his attitude to ―Consumer Hero‖ and its influence. At last, it will give a conclusion. The paper focuses on a particular historical background, and tries to analyze the new emerging character type ―Consumer Hero‖ in Dreiser’s masterpiece Sister Carrie, and aims to explore the influences of such a character type on the literary history.Key words: Theodore Dreiser; Sister Carrie; consumer culture; consumer heroContentsChapter 1 Introduction (1)1.1 A Brief Introduction to Dreiser and Sister Carrie (1)1.2 Previous Studies and Comments on Sister Carrie (2)1.3 The Significance of This Research (3)1.4 Theory of Consumer Culture (4)Chapter 2 Analysis of Characters from the Perspective of Consumer Culture (7)2.1 Sister Carrie—A “New Woman” Image (7)2.2 Drouet—A Messenger of Material (8)2.3 Hurstwood—A Tragic Character in the Materialized World (10)Chapter 3 Main Characteristics of Characters—“Consumer Heroes” (13)3.1 Greed—Everlasting Desire (13)3.1.1 Miss Desire—Sister Carrie (13)3.1.2 Mr. Desire—Drouet and Hurstwood (15)3.2 Vanity—Attempting to Construct Self-Identity with MaterialConsumption (16)3.3 Pursuit—Self-Realization in the System of Object (18)Chapter 4 Dreiser’s Characterization, His Attitude to Consumer Heroes and Its Influence (19)Chapter 5 Conclusion (23)References (25)Acknowledgements (25)The Consumer Heroes in Dreiser’s Sister CarrieChapter 1 Introduction1.1 A Brief Introduction to Dreiser and Sister CarrieTheodore Dreiser was an American naturalism writer in the 20th century, and he took an important role in the world literary history. Dreiser was born in Terre Haute, Indiana in 1871. His father was a German textile worker, who became an American immigrant in order to avoid serving in the army, while, his mother was a peasant’s daughter. Dreiser was born in a large but poor family, so he lived a hard life and did not receive a good education. At the age of 15, he went out to earn his living. When he was 18, a female high school teacher sponsored him to go to the university for one year. In 1892, he worked as a journalist in Chicago Global Newspaper. In 1894, he moved to New York. His first novel Sister Carrie came out in 1900. In 1911, he finished Jennie Gerhardt. Since then, his creation came into a strong period, and he began to write the famous work Trilogy of Desire, The Genius and American Tragedy, and so on. At the year of 1941, he was elected to be the chairman of American Writer Association. He then joined Communist Party USA at 1945 and passed away at the same year. Lawson, the American progressive writer praised him as ―Our own Gorky, and Romain Rolland of American version.‖[1]Dreiser is quite different from any other American novelists. He has his own particular writing style. Indeed, his writing style is simple and easy. He can describe different characters with the use of plain language. He always uses stron g contrast to set off characters’ life and fate. Besides, he is good at creating huge social life scene. The stories he creates are not quite complicated, but they can deeply reveal social problems. He always pays attention to the whole structure to make the story complete. His stories often involve a seeker or quester – sometimes driven by desire, sometimes by other motives –who finds at the end of the novel that he has returned to where he started. It is possible to visualize Dreiser’s novels as a graphic irony – the characters believe they are pushing forward but they are really moving in a circle. [2] So, in this way, his works can give readers some unexpected effectivenesses.In a word, Dreiser is a great naturalist writer—the one who dares to fight against American tradition, while, Sister Carrie becomes a morning star in his writing career.Sister Carrie – a famous work knocking at the door of the 20th century in 1900 is a realism masterpiece. The story mainly focused on three characters –Carrie, Hurstwood, and Drouet. Carrie was born in a country of West America. Though she lived in a poor family, she still had a strong vanity, and always looked forward to rich city life. Then she decided to go to Chicago forher dream. In Chicago, she lived in her s ister Minnie’s home. The life was not as good as she ever thought, so Carrie had to look for a job to make a living. But she was often left out in the cold when living in such an inanimate family. What’s worse, once Carrie lost her job, she was forced to go back to the country. However, she didn’t want to do so, and went to Drouet for help—a salesman whom she came across in the train. Then, she became Drouet’s mistress, and lived with him together. After Drouet introduced Hurstwood –a hotel manager to Carrie, Hurstwood soon fell in love with Carrie and tried to seduce her with all kinds of methods. They finally eloped to New York together. However, experiencing a series of failure, Hurstwood used up money and collapsed finally. At last, he committed suicide when getting on the beach. As a result of chance, Carrie became a famous star and got the upper reaches of society. But she still felt empty and couldn’t find the true meaning of life. With loneliness and desolation, the only thing Carrie could do was just sitting in the rocking chair, dreaming happiness that she would never have.1.2 Previous Studies and Comments on Sister CarrieDreiser was the 1st outstanding writer in American literature of the 20th century, and he was the pioneer of modern American fiction. Many critics thought that Dreiser dared to make innovations and had broken those traditional thoughts in American literary. Elliot, the chief editor of Columbia Literary History of the United States, thought that Dreiser had created a new style. His works were for ―another readers, another group focusing on the consumer culture, rather than aristocratic culture.‖[3]Actually, Dreiser advocated a new ideology. Sister Carrie obviously showed the influences of consumerism on Dreiser himself, and it just indicated his dissatisfaction with the Puritan moral ethics that had suppressed people’s desire, which precisely the new consumer ideology advocated. From this point of view, Dreiser was in favor of those consumers’ behavior with the effects of consumer ideology. He could not completely break with the old ideology which represented the relations of production. Therefore, he also gave criticism and suppression on the unethical behavior of those kinds of characters like Carrie. So, we can find that Dreiser held a complex and contradictory attitude to the new ideology. [4] Dreiser’s fictions like mirrors reflected the evils and conflicts of the social life at that age. However, it seemed that no other writers like Dreiser revealed the darkness of bourgeois society, but also shaped some characters that always swam with stream and did things with strong desire, just as characters in Sister Carrie. Just because Dreiser could expose the hypocritical veil of the upper class and criticized the weakness of capitalism through the description of the working class, much dispute aroused among some critics. The early evaluation of Dreiser could be divided into two categories. A critic who was most in recognition of Dreiser was H. L. Mencken,The Consumer Heroes in Dreiser’s Sister Carriepointing out that Dreiser was not the follower of Norris or Zola, and he could ―take profound sense of wonder into literature.‖[5]The other group was represented by Stewart Sherman. He accused Dreiser of not describing the real American society and people, but viewing them as animals. Some early critics mostly belonged to the biographical criticism of the traditional history. Later, some new ways of comments on it turned up, such as Freud’s psychoanalysis, the criticism of feminism and post-structuralism. In recent years, many scholars have tried to analyze Sister Carrie from more different perspectives. Professor Zhang Fangde and Zhang Xiangting both made comments on the transition from goods consumption to symbolic consumption. Professor Yu Guofei, Zhang Ailing, Tianjing and Chen Zhenhua have done some studies and comments from the perspective of consumer culture. Besides, there has been a new critical perspective in Professor Wang Rong’s study—focusing on the aspect of ―New Woman‖. The domestic and foreign research situation not only lies in its achievement increasing rapidly, but the expansion of its depth and width. So, we can better understand the profound significance of this work.During these years, many researchers viewed Dreiser as a master of naturalism or realism. In their opinions, Dreiser was the revelator of the darkness of American capitalism. However, they overlooked the interdependent relationship between Dreiser and the mainstream society at that time. In addition, researchers viewed Dreiser’s works in the same way, which was not quite accurate. Because society, politics and culture were changing all the time, Dreiser’s writing ideas were basically in a dynamic state. Novels in the early time mainly showed his hedonism, while, in his middle age, especially in his later years, his pursuit transformed from material to spirit. Therefore, Dreiser’s works are full of varieties. With all these mentioned above, when we do research on this work, we should put it more into the cultural environment of the 20th century of the United States. At the same time, we should dig out its writing ideas and methods, so that we can excavate the interrelationship between the main ideology and Dreiser himself in the cultural environment at that moment.1.3 The Significance of This ResearchThe creation of Sister Carrie came out at the occasion of the reform of the United States. The production primarily ideology was gradually being replaced by consumer ideology. As the economy developed rapidly, industrialization and urbanization had reached an unexpected level. At the end of 19th century, there were varieties of commodity in the US Department Store, which attracted many writers’and consumers’attentions. Ideologically, Darwin’s theory of evolution and the survival of the fittest were in vogue, and people’s thoughts were changing obviously. Their desires for material became stronger and stronger, and the thrift of Puritan ethics was castoff. Besides, the bohemian consumption trend became a mainstream. People’s opinions were gradually influenced by consumer culture, so was Dreiser himself. He always showed his ideas through his works, and with his pen, he described people’s different fates in the materialistic society when consumer culture rose.The characters in Sister Carrie are mainly consumers. They are keen to find their own way in the city, and always long for gorgeous clothes to show off their status. Besides, they look forward to live in luxurious accommodations. All in all, they are all addicted into endless lust, which is the great influence of consumer culture. Therefore, characters in this novel are all products of consumer culture. So it is feasible to study these characters from the perspective of consumer culture. These characters’ behaviors are the real reflections of American society at that moment. Their different consequences can make people think a lot—should consumerism be promoted or suppressed in the world? So, it’s necessary to study Dreiser’s novel to reveal the writer’s creative ideas and shape new images from the perspective of consumer culture. Moreover, it has certain academic values.Dreiser’s Sister Carrie not only reflects American social conditions at that moment, but also shows us some universal phenomena and problems at the period of the development of human society. In such a rapid development of commodity economy today, China is in the transition period to the consumer society. There are many people like characters in this novel, full of endless desire and pursuit of money, living for the satisfaction of material, status and wealth. This is just the embodiment of the consumption of ideology acting on human beings. Besides, there have been many characters like ―Consumer Hero‖ appearing in today’s literature work. So this work has great influences on the literature writing.1.4 Theory of Consumer CultureThis section will mainly describe Jean Baudrillard’s theory of sign consumption(符号消费理论). In Baudrillard’s opinion, in capitalist society, material is organized basically on the following four principles: first, the functional logic of the use value; second, the economic logic of exchange value; third, the logic of symbolic exchange; fourth, the logic of symbolic value. Then, he proposes his concept of symbolic value. ―Material‖accordingly becomes the tools, goods, symbols and signs in these four logics. Sign is a mark of material, a mark of social status and identity during people’s consumption. It is also an expression of the potential desires. The so-called symbolic value of goods is that goods, as symbols, are able to provide prestige and perform consumers’personality, characteristics, social status and power.The logic of consumption, as we have seen, can be defined as a manipulation of signs. The object loses its objective finality and its function; it becomes a term in a much greater combinatory, in sets ofThe Consumer Heroes in Dreiser’s Sister Carrieobjects in which it has a merely relational value. [6]In American society, affected greatly by the consumer culture, some people live in a life which has been under the control of ―consumption‖. ―Material‖ is no longer consumed for its use, but it’s consumed for its differences with other ―materials‖. Therefore, in the consume relations, it is not just any old goods which are produced or consumed: they must have some meaning with regard to a system of values. [7]From Baudrillard’s point of view, ―you never consume the object in itself (in its use-value); you are always manipulating objects (in the broadest sense) as signs which distinguish you either by affiliating you to your own group taken as an ideal reference or by marking you off from your group by reference to a group of higher status.‖[8] That is to say, what people consume is not materials, but the symbolic significance which they represent. In such a prosperous and rich society, due to the constant production and manufacture of desires and needs, consumption has become endless. It becomes the master of human activity, and forms an object system to satisfy all kinds of desires, where people can get material and spiritual satisfaction. Besides, it is even the happiness and meaning of life and it becomes the whole process of self-realization.Chapter 2 Analysis of Characters from the Perspective of ConsumerCulture2.1 Sister Carrie—A New Woman ImageIn the late 19th and early 20th century, the consumer ideology gradually took the place of production ideology. The consumer ideology mainly ―emphasized the possession of cost and material, and it weakened the thrift, savings, self-control and other traditional moral standards.‖[9] So, such a kind of consumer culture promoted the rise of ―New Women‖. With the influence of consumer culture, women didn’t consume for daily need but their vanity. Their appetite and lust for material even became a fashion. ―New Women‖ most had their own self-consciousness and always had dependent characteristics. Their opinions on sex were very open. They were not bounded by their family and usually appeared in public areas that belonged to men. What’s more, ―New Women‖ dared to challenge traditional moral standards. In their opinions, women should dress themselves well and enjoy life happily. While, Carrie—a character shaped by Dreiser, was the prominent representative of ―New Women‖.At the beginning of the story, the writer wrote, ―Self-interest with her was high, but not strong. It was, nevertheless, her guiding characteristic… And yet she was interested in her charm, quick to understand the keener pleasures of life, ambitious to gain in material things.‖[20]P2~3 In Carrie’s heart, something called desire was coming around the corner. In the train for Chicago, she came across Drouet—a canvasser with bright dress, whose attracting appearance left deep impressions on Carrie: ―The fat purse, the shiny tan shoes, the smart new suit, and the air with which he did things, built up for her a dim world of fortune, of which he was the center. It disposed her pleasantly toward all he might do. ‖[20] P8In Chicago, Carrie lived in his sister Minnie’s. However, Mr. and Mrs. Hanson’s house was just a flat, most inhabited by families of laborers and clerks. ―The walls of the rooms were discordantly papered. The floors were covered with matting and the hall laid with a thin rag carpet,‖[20] P13 which made Carrie feel the drag of a lean and narrow life. So she had to look for a job to make a living. On the way of looking for a job, she was much affected by the remarkable displays of dress goods and jewelry. ―She could not help feeling the claim of each trinket and valuable upon her personally, and yet she did not stop. There was nothing there which she could not have used—nothing which she did not long to own. The dainty slippers and stockings, the delicately frilled skirts and petticoats, the laces, ribbons, haircombs, purses, all touched her with individual desire, and she felt keenly the fact that not any of these things were in the range of her purchase.‖[20]P26 When Carrie saw thingsthat could make her pretty, her desire soon surged on. Once she saw the shopgirl s’ nature and appearance, a flame of envy lighted in her heart. ―She realized in a dim way how much the city held—wealth, fashion, ease—every adornment for women.‖[20]P26In Carrie’s heart, at this moment, she just longed for dress and beauty. In such a prosperous and lively city, Carrie was gradually touched by those beautiful things. In contrary to Minnie, whose thoughts were staid and solemnly adapted to a condition, Carrie had her own consciousness. She didn’t want to save money, but she would like to buy dress and jewelry, or go to the theatre to enjoy life.While, life was not always as perfect, the job in the shoe factory was not as easy as Carrie thought. She thought that people there were quite dirty and vulgar. Every week, she should pay her board—four dollars, so that she had no money to buy clothes. Then she lost her job due to her illness. Fortunately, she met Drouet again, which became her turning point. Then he even gave twenty dollars to Carrie. Though Carrie contradicted whether she should accept it or not, there was no wonder that the feeling with taking the money was so fantastic: ―Her need was so dire. Now she would buy a nice pair of pretty button shoes. She would get stockings, too, and a skirt, and, and…She had got beyond, in her desires, twice the purchasing power of her bills.‖[20]P75Afterwards, seduced by Drouet, Carrie became his mistress and lived together with him in a rent room. Drouet often took Carrie out to see many new people and things, so Carrie’s vision gradually opened up. She had seen many elegant mansions. When time grew, she began to be dissatisfied with the current situation. After she knew Hurstwood—a bar manager, she threw herself at his feet for his handsome appearance. And then they developed into lovers. In fact, Carrie chose Hurstwood just because she took a fancy to a more prosperous and decent life that he represented. She believed that marrying him would be happy forever, which made Carrie elope with Hurstwood to New York together after she knew his true features. In essence, it was her strong desire for material that made Carrie so easily ―love‖one man from another. Later, Hurstwood came down in the world, and Carrie abandoned him. After she became a famous Broadway star, her life became more and more creditable, and her consumption capacity grew stronger and stronger. However, she seemed not to be quite satisfactory with her possessions, and she still dreamed of happiness that she would never get. From this, it could be seen that Carrie became a new woman image in such a materialistic society. She was a consumer, even a product of consumer culture. She precisely represented people’s consciousness or concept in that era. [10]2.2 Drouet—A Messenger of MaterialWith the help of consumption, people can show their taste through different luxuries. The essence of modern consumption is to make differences. People consume for their own targets,that is to say, people want to make differences with others through consumption to obtain a kind of identity. [6] At the beginning of the story, Drouet’s appearance showed that men deliberately dressed themselves well and always behaved elegantly to attract women’s attentions in that era with consumer culture rampant. To Carrie, Drouet played such an indispensable role that he helped her open the door to the colorful world.When Carrie and Drouet came across on the train for the 1st time, Drouet left a deep impression on Carrie. His charm was completely appealing to inexperienced Carrie: ―His suit was of a striped and crossed pattern of brown wool, new at that time…The low crotch of the vest revealed a stiff shirt bosom of white and pink stripes. From his coat sleeves protruded a pair of linen cuffs of the same pattern, fastened with large, gold-plate buttons…The whole suit was rather tight-fitting, and was finished off with heavy-soled tan shoes, highly-polished, and the gray fedora hat.‖[20]P4Just as the writer wrote, Drouet got such an attractive dress through consumption. In this way, he could make himself more impressed, and have more opportunities to get women’s hearts. The manner of his behavior built up a world of fortune in Carrie’s mind. In Carrie’s heart, he was the messenger of material, who could take her to live a rich life. Although Carrie’s clothes were shabby, she had slim figure and pretty face, which made Drouet strike up a conversation with her at the first sight. When meeting her again and knowing her plight, Drouet felt sorry for her and gave 20 dollars to Carrie generously. Besides, he took her to go shopping and buy many beautiful clothes. In fact, imperceptibly, in such a society with the flood of consumption, men’s perspectives of women had greatly changed. They no longer thought that gentleness and virtuousness were the nature of women. If one had an absorbing woman by side, he could show his identity when they both appeared in public places. So men could make differences with others, while, the envy and jealousy from others’ eyes could meet their own vanity and satisfaction. Just because of getting such a fantastic beauty, Drouet couldn’t wait to introduce her to Hurstwood. From another level to see, it was men’s such kind of view that made women more keen on consumption. So did Carrie. With Drouet’s leading, she had got many gorgeous clothes, and known more upper-class people. Besides, her experience increased much more with her open horizon.Actually, Drouet’s attitudes to Carrie had no difference with Hurstwood’s. When he knew the relationship between Carrie and Hurstwood, he felt indignant and upset. He thought, ―You oughtn’t to have had anything to do with him after all I’ve done for you.‖[20]P260The reason was that he provided Carrie with comfortable living environment, and often took her out to enjoy. So he had the right to possess Carrie. However, she betrayed him. ―His feelings were a mixture of anger at deception, sorrow at losing Carrie, misery at being defeated.‖[20]P265 He tried to get his rights back, including making Carrie stay. But at last, he failed. He lost Carrie and lost her forever. At the same time, he lost his vanity and the proud self-esteem.At the end of the story, Drouet found Carrie again, who had become a star. He tried hard to invite her for dinner and dreamed of getting her back. ―Ah, what a prize! How beautiful, how elegant, how famous! In her theatrical and Waldorf setting, Carrie was to him the all-desirable.‖[20]P553 It could be seen that Drouet tried to get Carrie back to show off his own identity. If he could possess her, he would be much brighter than before. However, today’s Carrie was too rich and noble for him, and he finally could only end up with disappointment.The higher value of a commodity, the more can reveal its owner and user’s social status and prestige. [6] While, to men, women are a kind of senior commodity. The prettier women are, the more honorable men can be. Therefore, Drouet’s fantasy and desire on Carrie was exactly the true portrayal of men to women at that age, and it was also the great influences that consume culture brought to human.2.3 Hurstwood—A Tragic Character in the Materialized WorldHurstwood was a bar manager in Chicago, where he had been a well-known and successful man. He did well in his job and had a considerable income. ―Hurstwood looked the part, for, besides being slightly under forty, he had a good, stout constitution, an active manner, and a solid, substantial air, which was composed in part of his fine clothes, his clean linen, his jewels, and ,above all, his own sense of his important.‖[20]P51 In people’s eyes, he had a successful career, and always enjoyed his life. However, he did not own a happy family. Among his family members, two things were lack—tolerance and respect. His wife was a selfish and indifferent person, who always liked to show herself off. His daughter acted on her own way all the time, and his son was full of vanity. What’s more important was that Hurstwood felt that his status in this family was gradually getting down, and he had no rights any more. What’s worse, he made a mistake of putting his property all under his wife’s name, which made him not be cared by his wife and respected by his children. He used to be respected outside, while, at home, the only thing he could feel was the depressing atmosphere. So, he could only rely on the beautiful clothes and diamond ornaments to comfort his heart. In his opinion, these things could keep his social status and his self-esteem. In that society, only having certain consumption level could make him realize his target. That is to say, he could try to compensate for his spirit with material consumption. Therefore, after he met Carrie, he couldn’t wait to obtain her heart. Compared with those jewelries, Carrie seemed to be a more sophisticated commodity. If Hurstwood could be together with her, not only would he take back his status, but also meet his satisfactions. In Hurstwood’s eyes, Carrie had her own youth and beauty. ―In the mild light of Carrie’s eye was nothing of the calculation of the mistress. In the diffident manner was nothing of the art of the courtesan.‖[20]P144The most charming thing was Carrie’s obedience to him. Her manner didn’t。

浅析莎士比亚的《威尼斯商人》以女性角色为例

浅析莎士比亚的《威尼斯商人》以女性角色为例

Title浅析莎士比亚《威尼斯商人》-以女性角色为例The Role of Women in The Merchant of VeniceAbstractThis thesis explores the ways in which Shakespeare‟s female characters challenge traditional social norms. Through the comparison of the female characters with Queen Elizabeth and Patient Griselda, this study discusses the implications of the rebellious behavior of the women in The Merchant of Venice. This thesis concludes that Shakespeare purposely challenges strict social views put forward on women by creating female characters who challenge male authority and are celebrated for their behavior.I: IntroductionWhile many scholars have written millions if not billions of pages regarding the work of Shakespeare, the majority of feminist scholarship is quarantined into the later half of the twentieth century extending into today.Traditionally, scholars focused more on the issues about religion and the relationships between the male characters, often contextualizing the events of the play within the Elizabethan era and citing the anti-Semitism rampant in the period by using historical documents. In other instances, scholars have focused on perceived homoerotic behavior between the male characters Bassanio and Antonio, again relegating the role of thefemales in the play to a secondary sphere. Finally, when scholars do focus on any female character in the play, almost exclusively, and understandably, they focus on the complexity of Portia, and Nerissa and Jessica are reduced to a side note.Because of the relative lateness of feminist scholars joining the discourse regarding the work of Shakespeare, large gaps still exist, particularly when dealing with his female characters and their environment that have yet to be fully explored. Many feminist and non-feminist critics have explored the character of Portia in the elapsed time frame since the 1859 source mentioned above.I intend to compare the female characters with other vision of the “Renaissance woman”, Queen Elizabeth , available to men and women living in Shakespeare‟s day. Queen Elizabeth women is iconic image of the English Renaissance. It was obviously a real woman who lived during the Renaissance, and therefore her image and experiences are invaluable in evaluating life for women at the time.In addition, it is important that the Queen Elizabeth women represent ta level of society in which woman was the supreme ruler of Britain and therefore had, in some ways, more freedom than the average female.II: Women characters as Wives roleThis thesis contends that Shakespeare‟s female characters in The Merchant of Venice do not comply with the roles prescribed for women inmore conservative Renaissance literature, particularly with regards to proper behavior for a wife. Furthermore, Shakespeare has given us in the play directly contradict all that the manuals, guide books, and folk stories recommend and instead celebrate an independent-spirited female role model. Shakespeare illuminates three unique women, all of whom rebel in their own ways against the status of women as second-class citizens. Within marriage structure described in The Merchant of Venice, he husband was in charge of every aspect of his wife‟s life. In some text this even went so far as to call the husband “the King, Priest, and Prophet in his house” allowed to render verdicts on every issue in his family. These indicate that women‟s place is meant to be beneath their husbands and is deserved because of the role Eve played in the fall of man was a common tactic to help explain why women were placed below men by nature, custom, as well as in law.Tilney proposes that women have a very specific place in the hierarchy of society, and that all is well if men and women know their place and stay in it. Being aware that Tilney would be responsible for determining if the play contained objectionable content, Shakespeare‟s presentations of the wives in the play suggest that perhaps he took specific delight in making these women expressly the opposite of everything that Tilney indicates that women should be – obedient and governable.The female characters in Shakespeare‟s play come nowhere near fittinginto the neat mold of the obedient, submissive and passive wife idealized in so much of early modern literature. Within this historical perspective, many aspects of the way in which the female characters in The Merchant of Venice behave become very telling.Portia in The Merchant of Venice appears to be making fun of those who tell people what to do. Portia acknowledges that it is easy for church men to give instructions on how to behave, but wonders how many are actually able to follow their own advice.She sets herself up in direct contradiction to the messages being espoused by the church. While these messages certainly pertained to all aspects of life, the proper road to marriage and the roles defined therein were of particular interest. Immediately, we view Portia as in opposition to the dominant forces that surround her.Directly following this initial impression of Portia, the audience hears her and Nerissa begin discussing her suitors in great detail. Nerissa lists out all of her potential husbands while Portia gives her reasons for not being interested in any of them. While the fact that she has no control over her selection of husband is a topic for the next chapter on her role as a daughter, the fact that she mocks ceaselessly all of her potential husbands is a critical point to note.At this point in the play, we have to assume that any of these men could be her future husband, and Portia shows no sign of being the wife detailedin pamphlets in regards to ignoring the faults of a husband. Women were instructed in behavior manuals of the day to ignore their husbands‟ faults or to live with them the best they could.On the other hand, Nerissa‟s participation in this co nversation proves her to be a more assertive woman than is encouraged in the guide books and manuals governing marriage. By being a party to Portia‟s descriptions of her suitors, she is helping Portia to deny male superiority over both of them. Furthermore, as soon as Portia, at Nerissa‟s continual urging, has made her way through all of the descriptions of the suitors, only then does Nerissa reveal that “You need not fear, lady, the having any of these lords. They have acquainted me with their determinations, which is indeed to return to their home, and to trouble you with no more suit, unless you may be won by some other sort than your father‟s imposition depending on the caskets” (I.ii.100-05). The fact that Nerissa has known all throughout her conversation with Portia that the men have given up the hope of being Portia‟s husband is an important point to note for the entire play: at times Nerissa has more knowledge than even Portia. When thinking about Nerissa in the hierarchy of the play, this point seems to be vital. Nerissa is really her equal in many ways. This is further cemented when Nerissa brings up Bassanio immediately after the conversations regarding the suitors takes place. It is not Portia who first names the man that will become her lord, but Nerissa, who shows incredible insightcombined with an astute knowledge of human behavior.From their initial introduction in the play, Portia and Nerissa appear as characters who should not to be crossed; they are purposeful and definite about their feelings on subjects that deal with the opposite sex.The introduction of Jessica is followed by a scene where Launcelot delivered her message to Lorenzo, her intended husband. Interestingly, the words that Lorenzo employs to describe the missive are: “She h ath directed / How I shall take her from her father‟s house, / What gold and jewels she is furnish‟d with” . It is clear that not Lorenzo but Jessica is readying the plans for the escape. Surprisingly, even in today‟s fairy-tale saturated culture, a woman procuring her own means of escape and not sitting back and waiting for her knight in shining armor to burst in and carry her away is relatively feminist. The implications in Shakespeare‟s day are even more so.This idea of Jessica as being the dominant member of the partnership is continued through the scene of her escape from her father‟s house.After the couple has procured the first of the treasures with which Jessica is escaping, Lorenzo informs her that she should “come at once, / For the close night d oth play the runaway, /And we are stay‟d for at Bassanio‟s feast” (II.vi.46-48). This is tantamount to a direct order and, according to guide books on marriage and behavior towards one‟s husband, Jessica should acquiesce to the order immediately regardless of her own thoughtson the subject.However, instead Jessica replies, “I will make fast the doors, and gild myself / With some moe ducats, and be with you straight” (II.vi.49-50). Jessica uses her own decision-making skills to determine that procuring m ore money from her father‟s stash before leaving is the appropriate decision, and she does not ask for Lorenzo‟s pardon or explain the situation.III: Women characters as Daughters role(1000)Elizabethan society viewed a woman as always being under the control of a man where woman as daughter is under the command of her father and later as a wife is under the control of her husband. This chapter explores the notion of the women as independent-spirited daughters in The Merchant of Venice. Portia, Nerissa and Jessica are all daughters in the play before they become wives. All three of the women in the play are evidently the daughter of a father at some point, as all women must be. Just as was the case of the behavioral manuals for wives, strict Elizabethan viewpoints on the father/daughter relationship consisted of rules based on Biblical principles which governed the interactions and relationship between any man and his daughter.Most texts surmise that the primary responsibility of a parent is to provide their child with a solid education in Biblical principal and a strong Christian faith. The emphasis of many of the guide books was often onwhat children owed to their parents. Parents were responsible for administering proper religious instruction and for discipline; in contrast, children owed their parents their very lives. The father was the head of the household, and therefore part of his responsibility was to be in charge of his daughter and many aspects of her fate. In fact, one of the primary in Elizabethan society was to help them along to a good match. Shakespeare‟s treatment of the relationship between father and daughter in The Merchant of Venice indicates that he was not a traditionalist in many senses. From the first interaction between Portia and Nerissa in the play, Portia‟s father‟s decision to leave her fate up to the casket test is called into question. When she asks about the wisdom of her father‟s choice in leaving her fate to be decided by what equates to a riddle or game, she challenges the authority of the man who, according to conventional wisdom, is unquestionable. She questions Nerissa about the logic of allowing such an important issue to be decided in this manner when she says, “O me, the word choose! I may neither choose who I wo uld, nor refuse who I dislike; so is the will of a living daughter curb‟d by the will of a dead father” (I.ii.22-25). Portia‟s statement challenge the strictures put into place by her father, in direct contrast to the Elizabethan idea that children must honor the persons of the aged. Portia‟s questioning nature also immediately puts her in contrast the Elizabethan ideal woman. The Elizabethan ideal of the dutiful and obedient daughter manifests itselfexactly in Grissill‟s response: it should be irrelevant if she wants to marry the Marquis, more important is whether her father wants her to marry the Marquis. At this point, her primary obligation is to her father, until Grissill marries the Marquis and her complete obedience to him is assured. Portia shows n o sign of this blind allegiance to her father‟s wishes – would the Prince of Morocco or one of her other disagreeable suitors win her hand through her father‟s casket test, one finds it difficult to imagine Portia making such a speech.Interestingly, Nerissa immediately speaks up, aligning herself in the audience‟s eyes as the traditional Elizabethan dutiful daughter, clearly stating to Portia that her father was wise and only had her best interests at heart. She indicates that the riddle must yield her a good husband because of her father‟s wisdom. Immediately, it appears that Nerissa believes wholeheartedly in a daughter acquiescing to her father‟s will. However, it is interesting to note that Shakespeare never makes clear whether or not Nerissa really believes what she is saying or if she is only trying to assuage a friend, confidante, and superior‟s fears. It is assumed that Portia would be unable to keep her palace at Belmont and all the grandeur and comfort that her life accords.Regardless of Neriss a‟s attitude and rationale for guiding Portia toward making the “acceptable” social choice of adhering to her father‟s guidelines for her selection of a husband, the question of whether “Portiahumbles herself before the law of her father” . Throughout the play she repeatedly says she will abide by her father‟s decree, but before she ever pledges to make good on the promise she announces to her friend and closest confidant Nerissa that “I will do anything, Nerissa, ere I will be married to a sponge” (I.ii.98-99). This sentence gives credence to scholars‟ arguments (which will be discussed in greater detail later) that Portia does not only not sit back quietly and allow for her father‟s wishes to play out how they may, but takes matters into her own hands. After all, if Portia announces early in the play that she is willing to “do anything” before she marries one of the suitors with whom she has no interest, the likelihood of her being willing to ignore her father‟s decree increases. When Jessica is first introduced in her interaction with her father, Shylock, it appears that she might well have heeded that young women should be not full of tongue, nor use many words, but as few as they may. Jessica‟s response to her father‟s repeated calls for her when she f inally arrives is merely “Call you? what is your will?” (II.v.10). This response bodes well for Jessica to be the contrasting character to Portia and Nerissa‟s more liberated view on the role of daughters. Jessica then listens patiently for all of her fath er‟s instructions about how she should “Lock up [his] doors” and his orders for her to stay inside despite the levity she may hear passing in the street.The second (and only other) line we hear Jessica say to her father is in response to his question aboutLauncelot‟s parting words to her. She replies, “His words were …Farewell, mistress!‟ –nothing else.” (II.v.45). Obviously, this statement is a lie and thus a turning point in our view of Jessica as an obedient daughter. As Sharon Hamilton reasons, Jessic a “says almost nothing to her father during this scene, except to ask …What is your will?‟ and, later, to lie about what Launcelot has whispered to her –not …farewell‟ but details about the elopement” (46).In Elizabethan terms, Jessica is disobeying God. Though she is perhaps gaining the potential of heaven in one way, strict Elizabethan principles dictated that she could be losing the potential of God‟s favor by disobeying her father, her earthly lord.Furthermore, Jessica‟s independence in spite of her father‟s will is manifested in the very fact that she has planned to elope with Lorenzo, despite a complete lack of parental consent for her choice.IV: ConclusionChoices for women in Elizabethan England were intensely limited by today‟s standards, and regulations regarding women‟s behavior and demeanor were rigorously prescribed. Their socially-defined subservient roles to men as wives and daughters dictated that women should always be under the control of a man.But in The Merchant of Venice, Shakespeare raised a voice for non-traditional women. Throughout the play, Shakespeare gives theaudience three independent and spirited young women who all refuse to conform to society‟s rules for them. In almost every respect, Portia, Nerissa and Jessica all behave in polar opposition to the decrees put forward by behavioral manuals.Throughout The Merchant of Venice Portia, Nerissa and Jessica appear as the dominant partner in their relationship with their husbands. These three female characters do not conform to the ideas put forward in Elizabethan pamphlets and guide books about the role of wives. Indeed, Shakespeare wrote women who had to live within the stifling environment of Elizabethan England, but he did not write women whose independent natures and robust personalities would be thought of as admirable by everyone. In fact, many times the women he presents were in direct contrast to all that was written about the acceptable and appropriate personalities and behaviors of the female sex. It is as though Shakespeare is purposely putting forth a challenge in his plays to all those who wrote of the ways in which women should behave. His women explore the much more interesting and dynamic ways in which women could behave. It is clear that the female characters in The Merchant of Venice are the impetus for everything turning out happily for everyone in the end. References[1] B., Ste. Counsell to the Husband: To the Wife Instruction.2nd ed. London.[2] Barker, Deborah and Ivo Kamps, eds. Shakespeare and Gender:A History. New York: Verso, 1995.[3] Anderson, Bonnie S., and Judith P. Zinsser. A History of Their Owne. New York: Oxford, 2000.[4] Barton, Anne. Introduction. The Merchant of Venice. By William Shakespeare. The Riverside Shakespeare. 2nd ed. Ed. Boston: Mifflin, 1997.[5] Bevington, David. “Cultural Exchange: Gascoigne and Ariosto at Gray‟s Inn in 1566.” Ed. Michele Marrapodi. 25-40.[6] Clark, Cumberland. A Study of The Merchant of Venice. 1927. London: Folcroft, 1976.[7] Cook, Judith. Women in Shakespeare. London: Harrap, 1980.[8] D‟Amico, Jack. Shakespeare and Italy. Gainsville: UP of Florida, 2001.。

文学作家作品之The Color Purple

文学作家作品之The Color Purple

The Jim Crow laws were state and local laws in the United States enacted (颁布)between 1876 and 1965. They mandated(批准)de jure(根据法律 的) racial segregation in all public facilities, with a supposedly "separate but equal" status for black Americans. In reality, this led to treatment and accommodations that were usually inferior to those provided for white Americans, systematizing a number of economic, educational and social disadvantages.
Activism
Alice Walker met Martin Luther King Jr. when she was a student at Spelman College in Atlanta in the early 1960s. Walker credits King for her decision to return to the American South as an activist for the Civil Rights Movement. She attended the famous 1963 March on Washington. On March 8, 2003, International Women's Day, on the eve of the Iraq War, Alice Walker, Maxine Hong Kingston, author of "The Woman Warrior", and Terry Tempest Williams, author of "An Unspoken Hunger" were arrested along with 24 others for crossing a police line during an anti-war protest rally outside the White House. Walker wrote about the experience in her essay "We Are the Ones We Have Been Waiting For.“

《尘埃落定》自考论文定稿

《尘埃落定》自考论文定稿

四川省高等教育自学考试专业本科毕业论文(定稿)题目:试论《尘埃落定》中的女性形象指导教师:白浩教授准考证号:070312101765考生姓名:张丹丹巴中市(地、州)巴州县(市、区)工作单位:巴中市巴州区可口可乐希望小学写作时间: 2015年1月试论《尘埃落定》中的女性形象指导老师:白浩教授作者:张丹丹准考证号:070312101765[内容摘要]:《尘埃落定》这部小说讲述了一个虽不繁杂,却跌宕起伏、辗转迷离的故事,统观当下对此小说的研究,大多从整体出发,探究其整体悲剧性及现代意义,或探究傻子二少爷的角色意义,而对书中女性人物形象的分析研究甚少,通过搜集阅读前辈们对这部小说的研究之作,再结合自身观点加之综合分析,本文将从土司太太、茸贡女土司、塔娜和卓玛等几个典型女性人物形象入手,通过对她们的性格特点和命运浅析文中女性人物的文学形象及其悲剧性,探讨阿来先生所拥有的独特的女性观及其想要揭示的文化蕴涵。

[关键词]:阿坝土司制度男权意识女性形象悲剧性Discussion on the dust settles in feminine imageUndergraduate:zhang dan dan Supervisor:bai hao Abstract:The novel tells the story of a though not complicated, but the ups and dow ns and, after a blurred story, a comprehensive view of the current study of this novel, most of the departure from the overall explore the whole tragic and modern sense, ore xplore the role of the fool Master significance, and analysis of the female characters i n the book little by collecting read predecessors for novel, combined with the point of view combined with a comprehensive analysis of this article from the chieftain's wife, Velvetthe female tribute toast, Tana and Dolma several typical female characters start their character traits and destiny Analysis of Female Characters in literary figure and its tragic explore Mr. A to have a unique view of womenand its cultural implications y ou want to reveal.Key words: Aba Tibetan Tusi System; The patriarchal consciousness; Feudal Ethics;Traged目录中文摘要........................................... 错误!未定义书签。

大学英语读写译A2 试题七

大学英语读写译A2 试题七

大学英语读写译A2 试题七PartⅠListening ComprehensionSection ADirections:Listen to the summary of the passage for three times and filling in blanks with words like to go. At first, Sun-hee said she couldn’t because she hadpromised to help Takeshi and sentences you hear.Claudia invited Tara to a luau and told her to (1) told her to bring friends. Tara then asked Sun-hee if she would with his (2) help takeshi with his film project But then Sun-hee invited Takeshi to go after they finished their work. Takeshi agreed immediately but he (3) he requested if he coud bring mike along if he could bring Mike along. Sun-hee told him to (4)go ahead. Then Takeshi called Mike to see if he was (5) if he was interested in going to the party going to the party. Mike was quite (6) enthusiastic about going about going and he knew Roberto also loved parties, so he quickly (7) quickly responded“Sure! Hey, why don’t we invite Roberto, too?” However, when Mike called Roberto to invite him, Roberto told Mike he couldn’t go to the party because he was (8) he was already going to some luau going to some “luau” with Claudia. At the end of the video, Roberto and Claudia (9)actually talking about the same party that their friends were actually (10)thats why the story was funny the same p arty. That’s why the story was funny!Section BDirections:In this section, you will hear 8 short conversations and a long conversation. At the end of each conversation, one or more questionswill be asked about what was said. Both the conversation and thequestions will be spoken only once. After each question there will be apause. During the pause, you must read the four choices marked A), B),C)and D), and decide which is the best answer.11. A) He is careless about his appearance.B) He is ashamed of his present condition.C) He changes jobs frequently.D) He shaves every other day.12. A) Jane may be caught in a traffic jam.B) Jane should have started a little earlier.C) He knows what sort of person Jane is.D) He is irritated at Jane.13. A) Training for the Mid-Atlantic Championships.B) Making preparations for a trans-Atlantic trip.C) Collecting information about baseball games.D) Analyzing their rivals' on-field performance.14. A) He had a narrow escape in a car accident.B) He is hospitalized for a serious injury.C) He lost his mother two weeks ago.D) He has been having a hard time.15. A) the woman has known the speaker for a long time.B) The man had difficulty understanding the lecture.C) The man is making a fuss about nothing.D) The woman thinks highly of the speaker.16. A) He has difficulty making sense of logic.B) Statistics and logic are both challenging subjects.C) The woman should seek help from the tutoring service.D) Tutoring services are very popular with students.17. A) her overcoat is as stylish as Jill's.B) Jill missed her class last week.C) Jill wore the overcoat last week.D) She is in the same class as the man.18. A) A computer game.B) An imaginary situation.C) An exciting experience.D) A vacation by the sea.Questions 19 to 20 are based on the conversation you have just heard.19. A) Beautiful scenery in the countryside.B) Dangers of cross-country skiing.C) Pain and pleasure in sports.D) A sport he participates in.20. A) He can't find good examples to illustrate his point.B) He can't find a peaceful place to do the assignment.C) He doesn't know how to describe the beautiful country scenery.D) He can't decide whether to include the effort part of skiing.Part II Writing (20’) Directions: For this part, you are allowed 30 minutes to write a composition on the topic The Day My Classmate Fell Ill (or Got Injured). You should write at least 120 words according to the outline given below in Chinese.1.简单叙述一下这位同学生病(或受伤)的情况2.同学、老师和我是如何帮助他/她的3.人与人之间的这种相互关爱给我的感受是……The Day My Classmate Fell Ill (or Got Injured)Part III Reading Comprehension (40’)Section ADirections: In this section, there is a passage with ten blanks. You are required to select one word for each blank from a list of choices given in a word bank following the passage. Read the passage through carefully before making your choices. Each choice in the bank is identified by a letter. You may not use any of the words in the bank more than once.Questions 1-10 are based on the following passage:Thomas Jefferson was not only a man of ideas, he was also a man of ______a_____ (1). He believed that, _________f__(2) simply learn from reading, one should engage in h (3) investigation to gain ___i_______(4) from its source. He also believed that one could e (5) valuable knowledge not only from expert people of higher classes, but also from people of c (6) origins. Jefferson felt that one must think for himself rather than _g_______(7) seek agreement with others; and that it was wrong to go out of one’s way to __j______(8) disagreement or conflict. ________k____(9) his critics, Jefferson constantly held to and acted on his own beliefs. Americans owe much to Thomas Jefferson for theSection BDirections:In this section, you are going to read a passage with ten statements attached to it. Each statement contains information given in one of the paragraphs. Identify the paragraph from which the information is derived. You may choose a paragraph more than once. Each paragraph is marked with a letter. Answer the questions by marking the corresponding letter on Answer Sheet 2.Beauty and Body Image in the MediaA Images of female bodies are everywhere. Women—and their body parts—sell everything from food to cars. Popular film and television actresses are becoming younger, taller and thinner. Some have even been known to faint on the set from lack of food. Women’s magazines are full of articles urging that if they can just lose those last twenty pounds, they’ll have it all—the perfect marriage, loving children, great sex, and a rewarding career.B Why are standards of beauty being imposed on women, the majority of whom are naturally larger and more mature than any of the models? The roots, some analysts say,are economic. By presenting an ideal difficult to achieve and maintain, the cosmetic and diet product industries are assured of growth and profits. And it’s no accident that youth is increasingly promoted, along with thinness, as an essential criterion of beauty. If not all women need to lose weight, for sure they’re all aging, says the Quebec Action Network for Women’s Health in its 2001 report. And, according to the industry, age is a disaster that needs to be dealt with.C The stakes are huge. On the one hand, women who are insecure about their bodies are more likely to buy beauty products, new clothes, and diet aids. It is estimated that the diet industry alone is worth anywhere between 40 to 100 billion (U.S.) a year selling temporary weight loss (90% to 95% of dieters regain the lost weight). On the other hand, research indicates that exposure to images of thin, young, air-brushed female bodies is linked to depression, loss of self-esteem and the development of unhealthy eating habits in women and girls.D The American research group Anorexia Nervosa & Related Eating Disorders, Inc. says that one out of every four college-aged women uses unhealthy methods of weight control—including fasting, skipping meals, excessive exercise, laxative (泻药)abuse, and self-induced vomiting. The pressure to be thin is also affecting young girls: the Canadian Women’s Health Network warns that weight control measures are now being taken by girls as young as 5 and 6. American statistics are similar. Several studies, such as one conducted by Marika Tiggemann and Levina Clark in 2006 titled “Appearance Culture in 9- to 12-Year-Old Girls: Media and Peer Influences on Body Dissatisfaction,”indicate that nearly half of all preadolescent girls wish to be thinner, and as a result have engaged in a diet or are aware of the concept of dieting. In 2003, Teen magazine reported that 35 percent of girls 6 to 12 years old have been on at least one diet, and that 50 to 70 percent of normal weight girls believe they are overweight. Overall research indicates that 90% of women are dissatisfied with their appearance in some way. Media activist Jean Kilbourne concludes that, “Women are sold to the diet industry by the magazines we read and the television programs we watch, almost all of which make us feel anxious about our weight.”E Perhaps the most disturbing is the fact that media images of female beauty are unattainable for all but a very small number of women. Researchers generating a computer model of a woman with Barbie-doll proportions, for example, found that her back would be too weak to support the weight of her upper body, and her body would be too narrow to contain more than half a liver and a few centimeters of bowel. A real woman built that way would suffer from chronic diarrhea (慢性腹泻)and eventually die from malnutrition. Jill Barad, President of Mattel (which manufactures Barbie), estimated that 99% of girls aged 3 to 10 years old own at least one Barbie doll. Still, the number of real life women and girls who seek a similarly underweight body is epidemic, and they can suffer equally devastating health consequences. In 2006 it was estimated that up to 450, 000 Canadian women were affected by an eating disorder.F Researchers report that women’s magazines have ten and one-half times more ads and articles promoting weight loss than men’s magazines do, and over three-quarters of the covers of women’s magazines include at least one message about how to change a woman’s bodily appearance—by diet, exercise or cosmetic surgery.Television and movies reinforce the importance of a thin body as a measure of a woman’s worth. Canadian researcher Gregory Fouts reports that over three-quarters of the female characters in TV situation comedies are underweight, and only one in twenty are above average in size. Heavier actresses tend to receive negative comments from male characters about their bodies (“How about wearing a sack?,,),and 80 percent of these negative comments are followed by canned audience laughter.G There have been efforts in the magazine industry to buck (抵制,反抗)the trend. For several years the Quebec magazine Coup de Pouce has consistently included full-sized women in their fashion pages and Chatelaine has pledged not to touch up photos and not to include models less than 25 years of age. In Madrid, one of the world’s biggest fashion capitals, ultra-thin models were banned from the runway in 2006. Furthermore Spain has recently undergone a project with the aim to standardize clothing sizes through using a unique process in which a laser beam is used to measure real life women’s bodies in order to find the most true to life measurement.H Another issue is the representation of ethnically diverse women in the media. A 2008 study conducted by Juanita Covert and Travis Dixon titled “A Changing View: Representation and Effects of the Portrayal of Women of Color in Mainstream Women’s Magazines”found that although there was an increase in the representation of women of colour, overall white women were overrepresented in mainstream women’s magazines from 1999 to 2004.I The barrage of messages about thinness, dieting and beauty tells“ordinary”women that they are always in need of adjustment—and that the female body is an object to be perfected. Jean Kilbourne argues that the overwhelming presence of media images of painfully thin women means that real women’s bodies have become invisible in the mass media. The real tragedy, Kilbourne concludes, is that many women internalize these stereotypes, and judge themselves by the beauty industry’s standards. Women learn to compare themselves to other women, and to compete with them for male attention. This focus on beauty and desirability “effectively destroys any awareness and action that might help to change that climate.”D11. A report in Teen magazine showed that 50% to 70% girls with normal weight think that they need to lose weight.H12. On the whole, for 6 years white women had been occupying much more space in mainstream women’s magazines since 1999.C13. Some negative effects such as depression and unhealthy eating habits in females are related to their being exposed to images of thin and young female bodies.B14. The mass media has helped boost the cosmetic and the diet industries.F15. It is reported that there is at least one message about the methods for women to change their bodily appearance on more than three-quarters of the covers of women’s magazines.A16. Some film and television actresses even faint on the scene due to eating too little.I17. Too much concern with appearance makes it impossible to change such abnormal trend.E18. Researchers found that a real woman with Barbie-doll proportions would eventually die from malnutrition.G19. The Quebec magazine Coup de Pouce resists the trend by consistently including full-sized women in their fashion pages for several years.B20. According to some analysts, the fundamental reason of imposing standards of beauty on women is economic profits.Section CDirections: There are 2 passages in this part. Each passage is followed by some questions. For each questions or statement there are 4 choices marked A), B), C) and D). You should decide on the best answer.Passage OneQuestions 21-25 are based on the following passage:Women are also underrepresented in the administration and this is because there are so few women full professors. In 1985, Regent Beryl Milburn produced a report blasting the University of Texas System administration for not encouraging women. The University was rated among the lowest for the system. In a 1987 update, Milburn commended the progress that was made and called for even more improvement.One of the positive results from her study was a System-wide program to inform women of available administrative jobs.College of Communication Associate Dean Patrica Witherspoon, said it is important that woman be flexible when it comes to relocating if they want to rise in the ranks. Although a woman may face a chilly climate on campus, many times in order for her to succeed , she must rise above the problems around her and concentrate on her work.Until women make up a greater percentage of the senior positions in the University and all academia, inequities will exist."Women need to spend their energies and time doing scholarly activities that are important here at the University." Spirduso said. "If they do that will be successful in this system. If they spend their time in little groups mourning the sexual discrimination that they think exists here, they are wasting valuable study time."21. According to Spirduso, women need to ____.A) produce a report on sexual discriminationB) call for further improvement in their working conditionsC) spend their energies and time fighting against sexual discriminationD) spend more time and energy doing scholarly activities22. From this passage, we know that _____.A) there are many women full professors in the University of TexasB) women play an important part in administrating the UniversityC) the weather on the campus is chillyD) women make up a small percentage of the senior positions in the University23. Which of the following statements is true?A) The number of women professors in the University in 1987 was greater thanthat of 1985.B) The number of women professors in the University in 1987 was smaller thanthat of 1985.C) The number of women professors was the same as that of 1985.D) More and more women professors thought that sexual discrimination did exitin the University.24. One of the positive results from Milburn's study was that _____.A) women were told to concentrate on their workB) women were given information about available administrative jobsC) women were encouraged to take on all the administrative jobs in the UniversityD) women were encouraged to do more scholarly activities25. The title for this passage should be _______.A) The University of TexasB) Milburn's ReportC) Women ProfessorsD) Sexual Discrimination in AcademiaPassage TwoQuestions 26-30 are based on the following passage:Today, as in every other day of the year, more than 3000 U.S. adolescents will smoke their first cigarette on their way to becoming regular smokers as adults. During their lifetime, it can be expected that of these 3000 about 23 will be murdered, 30 will die in traffic accidents, and nearly 750 will be killed by a smoking-related disease. The number of deaths attributed to cigarette smoking outweighs all other factors, whether voluntary or involuntary, as a cause of death.Since the late 1970s, when daily smoking among high school seniors reached 30 percent, smoking rates among youth have declined. While the decline is impressive, several important issues must be raised.First, in the past several years, smoking rates among youth have declined very little. Second, in the late 1970s, smoking among male high school seniors exceeded that among female by nearly 10 percent. The statistic is reversing. Third, several recent studies have indicate high school dropouts have excessively high smoking rates, as much as 75 percent .Finally, though significant declines in adolescent smoking have occurred in the past decade, no definite reasons for the decline exist. Within this context, the National Cancer Institute (NCI) began its current effort to determine the most effective measures to reduce smoking levels among youth.26. According to the author, the deaths among youth are mainly caused by _____.A) traffic accidentsB) smoking-related diseaseC) murderD) all of these27. Every day there are over _____ high school students who will become regularsmoker.A) 75 B)23 C) 30 D)300028. By "dropout" the author means______.A) students who failed the examinationB) students who left schoolC) students who lost their wayD) students who were driven out of school29. The reason for declining adolescent smoking is that ________.A) NCI has taken effective measuresB) smoking is prevented among high school seniorsC) there are many smokers who have died of cancerD) none of these30. What is implied but not stated by the author is that ________.A) smoking rates among youth have declined very littleB) there are now more female than male smokers among high school seniorsC) high smoking rates are due to the increase in wealthD) smoking at high school are from low socio-economic backgroundsPart ⅣTranslation (20’)Direction:Complete the sentences on the Answer Sheet by translating the Chinese given in the brackets into English.31 It was suggested at the meeting that a committee of eleven(十一个人的委员会) be appointed to make a new constitution.32 By making on-the-spot observations(通过现场观察), the young scientists obtained first-hand information they needed in their research work.33 It is very likely that很可能) that he will be rejected by the army because of his bad eyesight.34The committee members have conflicting opinions as to the best location of the new airport (关于新机场的最佳时期).35 Henry's works of art are superior in many respects(在许多方面) to those of his brother's.36 The steady rise in(稳步提高) the quality of our products owes much to the improvement of our equipment.37 Jim would have preferred to act on his own judgment(本想按照自己的判断行事), but he didn't because as a soldier he had to obey the order.38 Were it left to me to decide whether we should have a city without bikes or one without cars, I should not hesitate会毫不犹豫地选择后者).39 If the temperature on the Earth continues to go up from year to year, the polar ice caps will begin to melt and, in all likelihood, half of the buildings in coastal cities will disappear beneath splashing sea waves(在飞溅的海浪下).40The youth of our country have 我国的青年有着)noble ideals.。

the portrait of a lady

the portrait of a lady

Madame Merle
Elegant Avaricious
Charming
Selfish Materialism Cunning
Madame Merle
Elegant and decent, good at communication, rich in talent, charming conversation
Traditional Concept
Isabel·Archer
1 2 3
New woman concept
Stand for her believe and try to pursue independence and freedom. Strive to avoid being oppressed by the patriarchal s o c i e t y.
Their pursuit of freedom, the yearning for sincere sentiments, the desire for the liberation of their own personality, as well as the spirit of daring to sacrifice for the liberation of their personality, inspired generations of women, and provided great spiritual inspiration with the later women's liberation movement.
The Lady of the Camellias
(La Dame aux camélias)
Te s s of t h e D'Urbervilles

论白先勇笔下的女性群像

论白先勇笔下的女性群像

论白先勇笔下的女性群像一、本文概述Overview of this article《论白先勇笔下的女性群像》这篇文章旨在深入探讨白先勇先生文学作品中塑造的女性形象及其背后所蕴含的深刻社会意义。

白先勇,作为20世纪中国文坛的重要作家,以其独特的文学视角和人文关怀,在作品中塑造了一系列鲜活而深刻的女性形象,她们不仅各具特色,而且反映出白先勇对于女性命运、社会地位及人性深度的敏锐观察和深刻思考。

The article "On the Female Images in Bai Xianyong's Writings" aims to deeply explore the female images portrayed in Mr. Bai Xianyong's literary works and the profound social significance behind them. Bai Xianyong, as an important writer in the 20th century Chinese literary world, has created a series of vivid and profound female images in his works with his unique literary perspective and humanistic care. They not only have their own characteristics, but also reflect Bai Xianyong's keen observation and profound thinking on the fate, social status,and human nature of women.本文将从白先勇的文学背景出发,梳理其代表作品,并着重分析其中塑造的女性群像。

论萧红《生死场》中的女性形象

论萧红《生死场》中的女性形象

论萧红《生死场》中的女性形象摘要萧红在小说《生死场》中塑造了三类女性形象,一类是麻木迟钝、逆来顺受的女性形象,如麻面婆;一类是对爱情婚姻充满期待,却在残酷的现实中梦想幻灭,身心扭曲,如金枝、月英;第三类是有几分“传奇”色彩的乡土女性无论是对于地主阶级、帝国主义的暴虐,还是对于日常生活中的父权主义的压迫,都以独立不羁的姿态,表现出自觉地反抗意识,如小说的主要人物王婆。

通过这三种不同类型的女性形象的塑造,作者呈现出下层女性普遍的悲惨生活、无奈命运,同时也将女性之思延展到民族/国家话语之外的领域,追索更为复杂的悲剧原因。

关键词:萧红;《生死场》;女性形象;女性之思AbstractXiao Hong in the novel "Life and Death" in shaping three female characters,one is numb dull, submissive image of women such as Mamianpo.One is looking forward to marriage for love, but the harsh reality of broken dreams, physical distortion, such as Jinzhi,Yueying. The third category is a sort of "legendary" color of the local women both for the landlord class, imperialism, tyranny,or for the daily life of patriarchal oppression, are independent uninhibited attitude, showing awareness of conscious resistance, such as the novel's main characters Wangpo.Through these three different types of female characters, the author presents the tragic life of women in general lower, but the destiny,thought will also be extended to women nation / state discourse outside the area, the reasons for recourse to more complex tragedy. Keywords XiaoHong, "Life and Death", Female Characters,Female Thinking一、前言作家萧红的一生是一个悲剧传奇。

论文选题方向

论文选题方向
A comparative study of the Images and Characters of the Female roles in “Pride and Prejudice and Jane Eyre
诗歌
The Analysis of Adgar Allan Poe’s Poem:The Raven and my understanding of the symbolic mining of the bird
文学
《简爱》中疯女人形象的解析
The Analysis of the Mad Woman in Jane Eyre
文学
《年轻的布朗》中的黑色力量
“Power of Blackness”in Young Goodman Brown by NathanialHawthorne
翻译
经贸类文章中英语习语的灵活翻译
文学
《雾都孤儿》中作者的天真乐观主义
The Author’s Naive Optimistic in “Oliver Twist”
文学
简奥斯丁《傲慢与偏见》中的理性超越情感
The Predominance of Reason over passion in Jane Austine’s “Pride and Prejudice”
文学
分析哈代诗中Hap的宿命论以及与哈代小说中的宿命论进行对比分析
The Analysis of Fatalism in Thomas Hardy’s poem Hap and a contrast and comparison of that withhis novels
文学
《傲慢与偏见》与《简爱》中女主人公形象、性格的比较研究

《芒果街上的小屋》中的女性形象

《芒果街上的小屋》中的女性形象

《芒果街上的小屋》中的女性形象乐山师范学院学士学位论文On the Female Images in The House on Mango Street 浅析《芒果街上的小屋》中的女性形象作者胡丽完成日期2013年 4月 27日指导教师车欢欢职称讲师院别外国语学院专业英语班级 2009级 1 班学号 09280115 二○一三年四月二十七日AcknowledgmentsI gratefully acknowledge the following people who have helped me in various ways in this graduation paper.Firstly, I want to show my sincere appreciation to my supervisor Miss Che, she spent a lot of time and shows her great concern to my paper. Miss Che inspired me to create new idea, perfected my writing style and corrects my errors in my creation with her profound knowledge.Secondly, I’d like to express my thanks to all teachers who have taught me during my studies for the degree of Bachelor of Arts in Leshan Teachers College, for their instructive and insightful lectures and their general supports in writing the present paper.Thirdly, I want to show my gratitude to my parents and classmates, they encouraged me a lot in this graduation paper. Without them, I can not finish it successfully. So thanks again.AbstractThe House on Mango Street is a novel by Mexican-American female writer Sandra Cisneros. From the perspective of the heroine Esperanza, the book records the growth of her in the form of monologue. It also reflexes the suffering of the heroine and the females on mango street from sexism, racialism and patriarchy. By analyzing the typical female images, this paper aims to express the feminism the author intends to convey, to introspect the traditional value of Mexican females and to advocate females’ real independence. This paper comprises three parts. The first consists of two points. The first one is a brief introduction to feminism theory, and the second one on research background, brief analysis of current research achievements concerning this book. The second part is introduction, comparison, and analysis of the typical female characters in this book, for example, heroine’s mother and aunt, who are the La Virgen de Guadulupe type representing traditional female image in Mexican culture, and La Malinche type like Marlyn and Sally. The third part mainly analyzes life experience of Esperanza, then highlights new women images and due value, outlook on life for new women through her several awakenings.Key words: The House on Mango Street; Ethnic women; female image; value摘要《芒果街上的小屋》是美国墨西哥裔女性作家桑德拉•希斯内罗丝的成名作,书中通过主人公小女孩埃斯佩朗莎•科尔德罗的视角,用日记样的独白记录下了她自身的成长。

论斯嘉丽的性格(英文论文)解析

论斯嘉丽的性格(英文论文)解析

《飘》中斯佳丽的性格英文解析时间:2010-04-15 06:45来源:英语作文网作者:英语作文投稿收藏:收藏本文《飘》是美国女作家玛格丽特.米切尔一生中创作的唯一的一部长篇小说,一经面世,其销售量立即打破了美国出版界的多项记录并一直在世界各地畅销不衰。

小说以美国南北战争为背景着重描述塔拉农场主的女儿思嘉丽在战前战后的生活,同时通过思嘉丽与艾希礼、瑞德等人的感情浅析《飘》中斯佳丽的性格[摘要] 《飘》是美国女作家玛格丽特.米切尔一生中创作的唯一的一部长篇小说,一经面世,其销售量立即打破了美国出版界的多项记录并一直在世界各地畅销不衰。

小说以美国南北战争为背景着重描述塔拉农场主的女儿思嘉丽在战前战后的生活,同时通过思嘉丽与艾希礼、瑞德等人的感情纠葛为线索,为我们刻画了一幅壮观而又生动的南方社会的生活画面。

小说不仅有丰富多彩的生活内容,而且具有纵横开阖的故事情节,跌宕起伏的矛盾冲突,为刻画人物性格起了重要的艺术作用。

在作品塑造的众多富有特色的人物中,最成功的莫过于对女主人公思嘉丽这一集矛盾、复杂、多面于一体的核心人物的塑造。

本文拟从三个方面对思嘉丽性格特征进行分析。

一是思嘉丽在内战前、内战期间、和内战后所表现出的生活态度;二就是思嘉丽性格形成的外部原因和内部原因;三是思嘉丽对爱情与婚姻的态度,从而展现了这一形象所赋予作品的永恒的魅力。

[关键词] 斯佳丽的性格;内因;外因;《飘》An Analysis of Scarlett’s Character in Gone with the Wind[Abstract] Gone with the Wind is one of the most popular American novels, which is written by American female writer Margaret Mitchell. When it was published, its sales broke many records among the publishing circles, and it is famous all over the world. The novel mainly describes the life of Scarlett who is the daughter of Tara’s master during the American Ci vil War. Meanwhile with the hint of a triangular love between Scarlett, Ashley and Rhett, the novel depicts a wide and prosperous picture of the social life of the South in America. Not only the rich content of the novel but also the complex plots and the contradictions between the figures of the novel have an important artistic effect on shaping the characters in the novel. Among all the roles, Scarlett, is the most successful one who is full of conflicting and complicated features. This article analyzes the character of Scarlett from three aspects: the first one is her attitude towards life during the Civil War; the second one is the exterior and internal reasons for the shaping of her character; the last one is her attitude towards her love and marriage. The analysis aims at showing the eternal charm of the image, Scarlett in the novel.[Key Words] Scarlett’s character; exterior reason; internal reason; Gone with the Wind斯佳丽图片浅析《飘》中思嘉丽的性格[摘要] 《飘》是美国女作家玛格丽特.米切尔一生中创作的唯一的一部长篇小说,一经面世,其销售量立即打破了美国出版界的多项记录并一直在世界各地畅销不衰。

Geoffrey-Chaucer

Geoffrey-Chaucer

Geoffrey Chaucer, the founder of English poetry, was born, about 1340, in London.Chaucer's contribution to English poetry lies chiefly in the fact that he introduced from France the rhymed stanzas of various types, especially the rhymed couplet of iambic pentametre(to be called later the "heroic couplet"to English poetry, instead of the old Anglo-Saxon alliterative verse.Though drawing influences from French, Italian and Latin models, he is the first great poet who wrote in the current English language. His production of so much excellent poetry was an important factor in establishing English as the literary language of the country. The spoken English of the time consisted of several dialects, and Chaucer did much in making the dialect of London the foundation for modern English speech.《Journal of Yanshan University》2001-03Add to Favorite Get Latest UpdateOn the Subjective Female Consciousness inShakespeare 's ComediesCAO Xiao-qing(The Department of Chinese Literature and Language, Xiangtan Teachers'College,Xiangtan,Hunan, 411201)Shakespeare, in the process of creating his comedies, through the woman characters' pursuit forlove, freedom, equality and their dignity and rights, extols their courage, wisdom and virtue, expoundingthe br and-new aesthetic criterion of the female. This paper also comes to discuss the historical causes of theinf erior position of the female from the aesthetic point of view. Finally under review are the conceptual im pli-cation and the historical significance of the subjective female consciousness.【Key Words】:the subjective female consciousness aesthetic subjectivity objectivity equality【CateGory Index】:I106.3【DOI】:CNKI:SUN:YSDS.0.2001-03-003Download(CAJ format) Download(PDF format)CAJViewer7.0 supports all the CNKI ; AdobeReaderGeoffrey Chaucer (born 1340/44, died 1400) is remembered as the author of The Canterbury Tales, which ranks as one of the greatest epic works of world literature. Chaucer made a crucial contribution to English literature in using English at a time when much court poetry was still written in Anglo-Norman or Latin.Geoffrey Chaucer was born in London. He was the son of a prosperous winemerchant and deputy to the king's butler, and his wife Agnes. Little is known of his early education, but his works show that he could read French, Latin, and Italian.In 1359-1360 Chaucer went to France with Edward III's army during the Hundred Years' War. He was captured in the Ardennes and returned to England after the treaty of Brétigny in 1360. There is no certain information of his life from 1361 until c.1366, when he perhaps married Philippa Roet, the sister of John Gaunt's future wife. Philippa died in 1387 and Chaucer enjoyed Gaunt's patronage throughout his life.Between 1367 and 1378 Chaucer made several journeys abroad on diplomatic and commercial missions. In 1385 he lost his employment and rent-free home, and moved to Kent where he was appointed asjustice of the peace. He was also elected to Parliament. This was a period of great creativity for Chaucer, during which he produced most of his best poetry, among others Troilus and Cressida (c. 1385), based on a love story by Boccaccio.Chaucer took his narrative inspiration for his works from several sources but still remained an entirely individual poet, gradually developing his personal style and techniques. His first narrative poem, The Book of the Duchess, was probably written shortly after the death of Blanche, Duchess of Lancaster, first wife of John Gaunt, in September 1369. His next important work, The House of Fame, was written between 1374 and 1385. Soon afterward Chaucer translated The Consolation of Philosophy by Boethius, and wrote the poem The Parliament of Birds.Chaucer did not begin working on The Canterbury Tales until he was in his early 40s. The book, which was left unfinished when the author died, depicts a pilgrimage by some 30 people, who are going on a spring day in April to the shrine of the martyr, St. Thomas Becket. On the way they amuse themselves by telling stories. Among the band of pilgrims are a knight, a monk, a prioress, a plowman, a miller, a merchant, a clerk, and an oft-widowed wife from Bath. The stories are interlinked with interludes in which the characters talk with each other, revealing much about themselves.According to tradition, Chaucer died in London on October 25, 1400. He was buried in Westminster Abbey, in the part of the church, which afterwards came to be called Poet's Corner. A monument waserected to him in 1555The drama actress Portia, the play is the most brilliant sunshine characters. She is Baer, true master, she is beautiful, smart, humble, kind, is the embodiment of humanistic thoughts. She is bold pursuit of love of life, a kinsman of the emperor celebrated Prince Prince and other suitors a contemptuous disregard, and the courage to participate in social affairs, successfully solved the problems his and Antonio's " a pound of flesh. ".They are the conflicts of two opposite ideas, identification, convention and religions.Bassanio although is a noble, actually he is a declining aristocrat. He has squandered his money at different meeting, gathering and on woman. Not to speak so tactful, he is a playboy who never plans to get a job or doing some business. Instead, he would like to life his head from a profitable marriage. When he borrows money from Antonio as chip to pursuing Portia. Antonio says:I pray you, good Bassanio, let me know it;And if it stand, as you yourself still do,Within the eye of honour, be assuredMy purse, my person, my extremest means,Lie all unlockt to your occasion②(ActⅠsceneⅠ,P12,135-140)And when his boats wreck on sea, he has had to obey the contract, and he says:Sweet Bassanio, my ships have all miscarried, my creditors grow crule, my estate is very low, my bond to the Jew is forfeit; and since in paying it, it is impossible I should live, all debates are cleared between you and I. if I might but see you at my death. Notwithstanding, use your pleasure; if your love do not persuade you to come, let not my letter. ②(Act ⅢScene ⅡP132,315-321)From these words, we can confirm Antonio is the best friend of Bassanio. He always helps other not to ask for reward, even sacrifice his life. When Bassanio hears the news that Antonio will lose his life for him. He returns immediately and gives his lover’s ring back to the clerk to show his thanks. Their friendship has been proved so perfect.ConclusionThe period that Shakespeare created the Merchant of Venice was the reign of Elizabeth Ⅰ. What was the name of that period called “the First Flowering Period of English Literature” and the greatest change began with drama. Shakespeare was the representative at that time. In his romantic comedies, Shakespeare takes an optimistic attitude toward love and youth. The Merchant of Venice, in which he has created tension, ambiguity, a self-consciousness and self-delighting artifice that, is at once intellectually exciting and emotionally engaging.There are two comic characters exists in the Merchant of Venice. The first one is comedy united with mock. As we see, what the center place this story happened is a city full of the smell of commercialize and capitalism. Different race, identification, religion, law and some ideas about fair and unfair are all showed out. In this play, Jew Shylock performs great greed for money. When he is resulted and treated unfair, he is brewing a strongly dissatisfaction to revenge the Christian and graceful gentleman and appealing for equal treatment. In fact, Shylock’s characteristic has many as pects. He is a usurer. He is avaricious and stingy. But he also has the pity point: being lost daughter; being humiliated by Antonio; being treated unfair in Christian society, and his endless miss for his wife. All of his role action has surpassed the friendship between Antonio and Bassanio, and the propagation of Christian by Portia. So in the thesis, the author argues Shylock not only as a curt, greedy and sly person, but also as a sympathetic figure.The second distinguishing feature is comedy united with the ideal of humanism. One critic says that Shakespeare’s comedies and romances tend to focus on daughters whose age and rank make them desirable spouses for men seeking to improve their social standing. There is no exception ofShakespeare’s comedies t akes love as the theme. And the most used expression to describe the lover’s relationship in debate. They match with intelligent, minds and sentiments. Woman always emerges the victor. They are not only chaste, beautiful, young and more sensible。

简奥斯汀傲慢与偏见英文论文

简奥斯汀傲慢与偏见英文论文

摘要简·奥斯汀(1775—1817)是英国文学史上一位非常出色的女性作家。

她在短暂的一生中虽然主要创作了六部作品,但这丝毫没影响她在文学史上的地位。

她的作品主题都是爱情与婚姻,而最能反映出她的婚姻观的就要数《傲慢与偏见》了,《傲慢与偏见》以班内特家5个女儿的爱情婚姻为基点,通过对四段婚姻的分析,体现出作者的爱情婚姻观。

爱情、金钱、社会地位、性格等都是婚姻中必须要考虑的因素,爱情和相互尊重是婚姻的基础,但金钱也为婚姻稳定提供了条件,婚姻是个严肃的问题,综合考虑各种因素的爱情婚姻才是幸福的。

这种婚姻观对当时和现在的社会都有着深远的影响。

本文主要通过对人物性格及其婚姻进行分析,探索作者所倡导的正确婚姻观。

主要分为三个部分:第一部分主要分析作者所生活的时代背景以及其生活经历;第二部分着重通过对小说人物形象和他们的婚姻的分析,揭示作者的婚姻观;第三部分主要讨论作者的婚姻观以及这种婚姻观对我们的启示和影响。

通过查阅大量文献,结合作者的生活经历,总结出作者以爱情为基础的婚姻观,提出婚姻在我们每个人的一生中都占有重要的位置,它关系着我们是否能够幸福快乐的生活,选择好自己的婚姻对象自然尤为重要。

其中,爱情是基础。

简·奥斯汀的婚姻观给了我们重大启示,为我们寻找幸福的婚姻指明了方向,而且对女性独立自由意识的觉醒也有重要影响。

关键词:《傲慢与偏见》;婚姻;爱情;金钱;启示AbstractJane Austen (1775—1817) is one of the most excellent female writers of English literature. Although in her short life, Austen only created six works,her effect in literary world has never changed. The theme of all her novels is love and marriage, and among all, Pride and Prejudice is the work that can best reflect Jane Austen’s views of marriage. Pride and Prejudice mainly focuses on the love and marriage of five girls from Bennet. The novel reflects the author’s views on love marriage: love, money, status and character. Marriage should be based on love and respect, and in addition, money provides the practical foundation for the stability of the marriage. Taking all of the factors into consideration, we can establish a happy marriage.This thesis aims at exploring Jane Austen’s marital views by analyzing the personality and marriages of the characters in the novel. It can be divided into three parts: the first part deals with the background of the society and Jane Austen’s life experience; the second part deals with the analysis of the main characters and their marriage with the aim of revealing the writer’s views on marriage; the last part focuses on the effect and inspiration from Jane Austen’s view on marriage. We can get the conclusion that marriage plays an important role in our lives, since it has a lot to do with our happiness. Choosing a suitable partner for marriage means a lot; therefore, love should be put on the first place. Jane Austen’s views of marriage give us much inspiration, it can also rouse female’s sense of independence and freedom.Key words: Pride and Prejudice; marriage; love; inspirationContentsAbstract (Chinese) (i)Abstract (English) (ii)Contents (iii)1.0 Introduction (1)2.0 The background of society and Jane Austen (2)3.0 Four different marriages in Pride and Prejudice................................. . (3)3.1 Elizabeth and Darcy’s marriage (3)3.2 Jane and Bingley’s marriage (4)3.3 Chalotte and Collin’s marriage (5)3.4 Lydia and Wickham’s marriage... (6)4.0Analysis and understandings of the four marriages (6)4.1Perfect marriage based on true love (6)4.2Happ y marriage based on sense and similar int erest (7)4.3P at h et i c m ar ri a ge b as ed o n m on e y o r be ne fi t s (7)4.4 Absurd marriage based on lust and vanity (8)4.5J a n e A u s t e n’s v i e w s o n m a r r i a g e (8)5.0 The inspiration from Jane Austen’s views on marriage (9)6.0 Conclusion (10)Acknowledgements (11)References (12)Appendix: Thesis Proposal1.0 IntroductionJane Austen was born in a middle class family in 1775, and she spend her whole life in the countryside, she was so fascinated with the peaceful and ease life in countryside. Although she was unmarried the whole life, the theme of her novels were love and marriage, basically, the love and marriage between a gentleman and a fairy lady. Her best-known works are Emma (1815), Pride and Prejudice (1813) and Sense and Sensibility (1811).The novel talks about four different marriages: Collin and Challote’s marriage which is based on money; Lydia and Wickham’s marriage which is based on lust; Jane and Bingley’s marriage which is based on sense, Elizabeth and Darcy’s marriage which is based on love. Which weighs the most in marriage, love, possession, or social status? Jane Austen has different attitude and description about the four marriages. The first sentence in this novel is impressive. It says: “It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife.” The undertone is very clear: the foundation of the marriage at that time is not love but possession, but Jane Austen tells us a different story.The main story of this novel happens between Elizabeth Bennet and Darcy. Elizabeth Bennet is a 20-year-old young lady. She is her father's favourite daughter and inherits his intelligence and wisdom. Darcy is a pride and kind gentleman with great fortune. Although, they were not attracted by each other at the very beginning, because they all have some complaints about the other, Elizabeth loathes Darcy’s arrogance, and she also has some misunderstandings on him, Darcy thinks Elizabeth is a very proud girl, and her families leave an awful impression on him. But at last, they fall in love and have a happy marriage. What changes their attitude towards each other? Because the pride and prejudice between them is long gone. They finally know each other deeply and accept each other. Their marriage is rooted in their love and respect. Comparing with other marriages in the story, Elizabeth and Darcy’s marriage is the perfect one. The story reflects the author’s marriage view: it is wrong to marry just for the possession, lust and position. She emphasizes the importance of the ideal marriage that we should marry for love and emotion.Elizabeth and Darcy have a happy ending not only because of their love, but to some extent, Darcy’s property provides them the material need. From this we can see the author’s views: marriage is based on love, but property and position should be taken into account. In modern society, a lot of people marriage for money and social status, sometimes, it leads to a sad ending. I think, no matter when, Jane Austen’s views on marriage are of great value in leading us to the ideal marriage.My thesis consists of three chapters. The first chapter deals with the background of the society and Jane Austen’s life experience, and how does those factors influence her writings; the second chapter reveal the authors views on marriage and the standard of the ideal marriage advocated by Jane Austen through analyzing the characters and their marriage in the story; the last chapter talks about the conditions of the modern marriage and how to found the ideal marriage from the inspiration of Jane Austen’s view on marriage.2.0 The background of the society and Jane AustenIn 18th and 19th centuries, the England society’s had serious social problems. One of the severest of these was the tendency to marry for money. A person sought a partner based on the dowry receivable and their allowance. In the 19th century, women were not well respected compared with the ones in the present society. There was no equality between woman and man. Women were considered to be inferior to men in terms of intelligence and capacity. The central life of women was forced to be staying at home. Their roles were to deal with the family affairs, such as taking care of the children and serving for the husband. This process went both ways: a beautiful woman might be able to snag a rich husband, or a charring and handsome man could woo a rich young girl. In these marriages, money was the only consideration. Love was left out, with the thought that it would develop as the years went by. Jane Austen (December 16, 1775--July 18, 1817), an outstanding female novelist of British, was born in the village of Steventon, near Basingstoke, in Hampshire. Her father is the local vicar. She did not have the normal schooling, but she got good education from family's literature teaching. From the end of the 18th century to the early 19th century, “the sentiment novel” and “the gothic novel” were the themes of Englishliterature, while Austen made a different way. Most of her works were about romantic love. That might have something to do with her failure in marriage. Jane Austen was unmarried her whole life, but she had fallen in love with a young man. Their love was pure and faithful. However, this young man had to submit to the marriage that his aunt arranged for him, because he was under lots of burden from family. Then Jane broke up with him, since she did not want to stand in the way of the young man’s future, and a lso in her opinion, marriage should be based on love. She loved no one else after that. That is the reason why she was unmarried all her life. So she put all her feelings in creating romantic and happy marriages.3.0 Four different marriages in Pride and Prejudice3.1 Elizabeth and Darcy’s marriageOnce Mr. Qian Zhongshu has compared marriage to a castle, b ut I don’t think this marriage theory is suitable for Darcy and Elizabeth. The marriage is tortuous between them but deep-rooted of love based. As we all know, Elizabeth and Darcy left a quite bad impression on each other at the beginning. Elizabeth thinks Darcy is insolent and arrogant, and Darcy does not like Elizabeth because of Elizabeth’s social class and her indecent relatives. But Darcy finally rea lized Elizabeth's preciousness, and Elizabeth’s prejudice and misunderstandings towards Darcy are gone. They deeply in love and possess a wonderful marriage at last. Their love and marriage are tortuous and kind of mysterious. I will analysis their marriage start with analyzing the two characters.Elizabeth Bennet is a person who is worth our imitation. She is a model because she is different from the others. She does not adhere rigidly to the standards set forth by society, she is self-reliant and independent. She is wit and intelligent. Most of the girls married in pursuit of money and fame at that time, even her best friend Chalotte who married a rich man for changing her poor conditions. However, Elizabeth is not submit to this mood of society. She would never violate her principle and her integrity. She is like the pure lotus that lives in mud but never contaminated by the dirty. That is the reason why she rejects Mr. Collin's proposal, because she would not marry without love. On the other hand, she doesnot totally disregard social costumes. She has good manners; her slight breach of decorum is justified by walking alone to Nether field Park to visit her sister who is ill with her genuine concern. She has good manners. When Lady Catherine criticizes Elizabeth skill of playing piano, she can have good manners to keep polite. Mr. Darcy is pride on the surface, but we know he is warm-hearted. He is a good friend, he is afraid that Mr. Bingley would be cheated and hurt by Jane, although he is proved wrong later. He is a good brother; he takes care of his younger sister very well. He is kind; he helps Wickham and Lydia with money even though he was misunderstood by Elizabeth because of Wickham’s rumors. The two people’s personalities are clear and sharp. At the first time, Elizabeth and her sisters go to attend the ball held in Meryton, and she is coldly treated by Darcy, but she uses her healthy sense of humor to joke about Mr. Darcy’s rude behavior at the ball. Darcy is handsome, tall, and intelligent, but not convivial, his indifferent manners are seen by many as an excessive pride and concern for social status. He makes a poor impression on strangers, but he is valued by those who know him well. He gradually finds out Elizabeth’s intelligence, wisdom and beauty. He begins pursuing her. However, at the beginning, Elizabeth rejects his love expression, because she does not like him, even looks down on him though Darcy loves her very much. In Elizabeth’s eyes, Darcy is arrogant and unreasonable because he is rich and has high social status. Realizing that, Darcy begins to get rid of those bad habits quietly. Because of Darcy’s perfect behavior and good education, Elizabeth gradually eliminates the prejudice on Darcy. Most importantly, the misunderstanding, prejudice and pride are disappearing as they know each other better and better. Then they spontaneously fall in love. So Elizabeth accept Darcy’s proposal at the second time, then they get married and have happy family lives.3.2 Jane and Bingley’s marriageIn this novel, the combination of pleasant Bingley and mild Jane is one of the most blessed and happy marriages. The couple has similar interests and they insist on pursuing their true love which leads them to a happy and perfect marriage. Mr. Bingley was a handsome and gentleman with great fortune. As a young man who is well-bred, he wascordial and simple. With this character he never appeared dissatisfied. He is easy to get along and constant in love although he is extremely rich. However he is in short of strength and independence in his marriage which is a big weakness of him. In this story, Bingley is popular with almost everybody in everywhere. Jane is the oldest children in her family. She is an amiable and mild girl who possesses the most beautiful appearance among her sisters. As an introverted girl, she is faithful in love but lacks strength and self-confidence. She is too shy to profess her love towards Bingley, nor admit it, thought she has feelings for Bingley at the time they met. Sometimes she is a little innocent. In her eyes, everybody is nice. She never see through the rotten side of life even she is deceived. Her character is vividly showed in many parts of the novel. So it seems quite natural for Jane to fall in love with the pleasant and simple Bingley. They meet each other at the ball, they are attracted by each other at the first sight, and they dance and talk together. As times goes by, their feelings to each other are getting stronger. But Jane has no courage to express her love, she buries it in heart and for Bingley, he is not a strong and determined man. This is his advantage but also his disadvantage. His cordial and simple character causes his quiet romance with Jane. However, his weak and easily-led character causes his departure from Jane. He suddenly leaves Jane when their romance goes smoothly, which nearly put his pure love and marriage in end. To a great extent, Binley left Jane because of Darcy’s misunderstandings on Jane. They establish a steady and constant friendship although they have totally different characters. Darcy wants to help his friend. In his opinion, it is impossible for Jane to love Bingley. He thinks Jane love Bingley because Bingley is rich, but Bingley’s love for Jane is pure. He doesn’t want his best fri end get hurt. So he persuades Bingley to stay away from Jane and she is not a good marriage option. But they do love each other.During those days when Jane stays in London at Mr. and Mrs. Gardiner’s invitation, she visits Bingley’s sister in person in o rder to get some information of Mr. Bingley. At last, they get together after the misunderstanding between Elizabeth and Darcy disappears. So the love and marriage between Jane and Bingley is pure and stable. They fall in love at first sight heartily. Thei r marriage is kind of tortuous just like Elizabeth and Darcy’s, but the truelove won’t stop them from being together.3.3 Chalotte and Collin’s marriageCharlotte and Collins’s marriage is the most realistic one in the story. Their marriage is based on money instead of love. Charlotte is the best friend of Elizabeth, but they are very different in the choice of marriage. Chalotte’s parents, like the Bennet couple, can’t give her much fortune, and she is as sensible and intelligent as Elizabeth, but her pursuit for spiritual happiness is not as strong as that of Elizabeth. In addition, Chalotte is a plain girl who is a little bit prudent. As a woman who is 26 years old, her choice of marriage is entirely out of realistic consideration. When she first meets Collins, she sees his folly. When he asks her to marry him, she also clearly knows that Collins is certainly not a reasonable person. But she immediately says “yes”, because “Marriage has always been her aim, what kind of man she is going to marry as is less important”, marrying a rich man can shelter her from suffering poverty. She thinks money can bring her sense of security. William Collins, a man of 29 years old, is Mr. Bennet's distant relatives, since Mr. Bennet has no son; Collins becomes the he ir to Bennets’ estate. Jane Austen describes him as “not a sensible man, and the deficiency of nature had been but little assisted by education or society”. Informed that the eldest daughter Jane has a boyfriend, he switches his aim at the second daughter Elizabeth, but Elizabeth has no feelings for him, what’s more, Elizabeth gets tired of him. Eventually, she rejects him with sharp tongue. However, Collins quickly seeks comfort from Charlotte who is desperately in need of love from a male and believes marriage is the elegant way to save a poor girl from suffering, and then they get married as quickly as the lightning. Such marriage without love is too practical and realistic, so it is a kind of superficial marriage without happiness.Marriage is just a task for them, but Collins couples get what they want from marriage: Charlotte gets the stability and prosperity of life; Collins also gets a warm home. This is how they understand marriage. There is no love and same interests between them; their marriage is based on benefits. Although they get what they want, marriage without love is not happy and stable.3.4 Lydia and Wickham’s marriageLydia, Bennett's third daughter, is a simple, frivolous, vanity girl. She is keen on social networking at an early age, enjoying contacting with Merry's officers, and even feels proud of it. “Whenever anyone urg es, she will be put into anyone's arms. Her feelings are always kept rolling, swing”. Wickham is a handsome, actual moral, luxurious, and treacherous man. At first, he seduces wealthy Miss Darcy, but his conspiracy fails. After joined the regiment, he first does everything to please Elizabeth, and then pursues wealthy Miss Kim, finally elopes with Lydia. Then, he gets into debt. So, he needs money and become rich and changes his social status through marriage. For his purpose, he seduces Lydia and wins her love easily, because she is young, innocent and frivolous, and loves to go ease and hates to work hard, and she is also spoiled by her mother. Getting love and praise from a man is what she dreams of. So when Wickham wants to reach his aim-getting wealth by loving and exalting her beauty hypocritically, she forgets who she is and feels she is the most beautiful and happiest girl in the world. Their love is forbidden by the parents, and then they elope. When Elizabeth hears the news, she believes that he does not love her but the wealth of her family. The marriage is admitted on the condition of Darcy's help. Their marriage is considered as a scandal to Bennett’s f amily. But Mrs. Bennet is not shameful of this marriage. The marriage between Lydia and Wickham is conditional. Thanks to Darcy's help, they get married and continue their lives. This kind of marriage is doomed to be unstable. After marriage, they are extravagant; just enjoy the pleasure at the moment, never considering their future. They always ask Jane or Elizabeth for help, counting on their support to pay bills. Wickham's love for Lydia soon suffer a disastrous decline, finally he is indifference to Lydia. They get what they want: Lydia gets erotic satisfaction; Wickham, he also gets the wealth; but their marriage is not satisfactory. This is how they understand marriage.4.0 Analysis and understandings of the four marriages4.1 Perfect marriage based on true loveElizabeth and Darcy’s marriage is intricate but is the ideal marriage because their love is based on love, they cherish each other, they tolerate each other, and of course after marring Darcy who has great fortune, Elizabeth’s life and socia l status are improved, and their marriage gets material security, but at first, Elizabeth refuses the rich man- Mr. Collins’ proposal without any hesitation because she does not and will never love him, from Elizabeth’s perspective, marriage without love w ill never be happy. Elizabeth has a deep understanding of all the things around her. She has a clear understanding about her own social status. Because of this, she resists extremely against the arrogance of Darcy, and she tries to protect herself from being hurt by Darcy's insolent attitude. She believes that she must make him know that she is not woozy. The ultimate failure wakes Darcy up. He is aware of his own short-comings. He accepts Elizabeth’s criticism, and faithfully corrects the shortcomings and mistakes. He is no longer arrogant and has a faithful love with Elizabeth. I remember when the sister asks Elizabeth how she would love Mr. Darcy, Elizabeth replies that she should date from the day she see the beautiful lane manor park. The statement seems to refer to the possession of Darcy. In addition to referring to the specific manor, she also refers the new Darcy seen in the garden.Elizabeth is a wise girl; she understands that marriage involves many factors, such as love, personality, status, property. Among all, love is essential to marriage, which is the author’s views on marriage that reflected in this novel. We should take marriage seriously; impulse will destroy someone’s happy marriage. Having a clear understanding about the person you are going to marriage is vital. Whether you can live a better life both physically and mentally is important to your marriage. That is to say, all the factors should be taken into consideration carefully. Those are the reasons why Elizabeth and Darcy’s marriage is the perfect one in the story.4.2 Happy marriage based on sense and similar interestsJane and Bingley’s marriage is also rooted in pure love, and also their concern for each other. It seems that their characters are quite suitable for each other. It seems that only their marriage involves purest love with no tint of money at all. Then why is not Bingley penniless but a “young man of large fortune”? This arrangement can also reflect author’s views on marriage. Love is essential for marriage, and money is also plays an important role in marriage. According to the relationship between Bingley and Jane love and similar interests are also the basic factors of a successful and happy marriage. With many similarities in character people can understand each other easily. Above all, their understandings lead to helps and supporting between them. They can live happily together in this way. They don’t care about the shortcomings of their partners and even they don’t see any faults in each other. Just as the old saying going “Birds of a feather flock together people of a mind fill into the same group”.4.3 Pathetic marriage based on money or benefitsChalotte and Collins’s marriage is kind of beyond our expectations. At that time, a girl from the low class, who has no pretty appearance and good education, takes marriage as the only way to change their situations. Jane Austen objects this marriage that based on benefits. Maybe lots of people feel pity for the females who lived in that age, but in no time should we make such hasty decision about our marriage. Many do play an important role in marriage, but a marriage without love which is just based on money won’t be pleasant, at last, people will get hurt from the painful marriage. Once I read a story from a magazine, a girl from a poor family married a rich man, she almost did nothing rather than shopping and seeking pleasures, she squandered her husband’s money so quickly, later, the man got tired of her, they divorced. The woman lost the source of money, but she has gotten used to the luxurious life, she can’t live independently. At last, she tried to blackmail some rich man and ended in jail. This is a tragedy; girls should be independent and marry the person who really loves you just like you love him. So Chal otte and Collins’s marriage is doomed to beunhappy, Chalotte once said to Elizabeth, “I am not romantic, you know; I never was, I ask only a comfortable home; and considering Mr. Collins’ character, connections, and situation in life, I am convinced that my chance of happiness with him is as fair as most people can boast on entering the marriage state.”(Pride and Prejudice, 144) Therefore, Charlotte seems to have found some kind of satisfaction and happiness in her marriage without any love. It is interesting that in such a marriage based on money-transaction, the woman from poor family does marry a single man with a good fortune, but the husband himself has nothing to do with the enjoyment the marriage bring to her.4.4 Absurd marriage based on lust and vanityThe combination of Lydia and Wickham is absurd. Her admiration to Wickham is entirely up to his “handsome face, comely shape and charming talk”. Their relationship is entirely built on lust and impulse without love foundation. Their marriage is neither practical nor romantic. Lydia and Wickham’s marriage is built on sex lust and impulse. It is kind of ridiculous. They treat their marriage so carelessly, it is impossible for them to get a happy marriage. Lydia is attracted by Wickham’s handsome sur face at first. As a flippant girl, she seeks sexual pleasure. Then they make a rash decision to get married. This marriage is one without love. They don’t understand the real meaning of marriage; they only want to satisfy their aspiration. So this is a kind of impromptu love and marriage without true love and responsibility.4.5 Jane Austen’s views on marriageAfter reading the novel, we can see that people’s views on marriage in England at that time. In the 18th century, women longed for marrying a gentleman who possessed considerable wealth and high social status. Love, seems count for nothing. This was because at that time, women were forbidden from inheriting the possession. Marring a rich man was their only way to live a decent life after their fat hers’ death. That is the reason why Mrs. Bonnet is crazy to marry her daughters off. However, Austen has her own idea. She also emphasizes love. From her perspective, happy marriage is equal to “love + wealth +equal social status”. Marriage should be based on love and trust. People can’t just marry someone for whom he/she has no feelings at all. Austen also points that wealth and social status put great importance on marriage. Austen casts her criticism to the dark fact that people’s attention is only on property and high social status. In Austen’s eyes, marriage without love is contemptuous. We know Elizabeth and Darcy, also Jane and Bingley, both have a happy marriage. From these two cases, we can find out what kind of marriage Jane Austen prefers--- love is basic; enough wealth, good behaviors and equal social status are all necessary. These two examples are exactly the right explanation of Austen’s outlook on marriage. To draw a conclusion, in the novel Pride and Prejudice, Austen casts her criticism to people who take wealth and high social states as the only factors in marriage, with neglecting love. She expresses her views on marriage that marriage should be built on love but at the same time should take wealth, characters and social status into consideration.I think Austen’s outlooks on marriage are well worth our deep consideration even today.5.0 The inspiration from Jane Austen’s views on marriageJane Austen’s views on marriage have a profound effect on lots of people, especially on females. What is marriage all about? I think it is a question that is worth our deliberation. Marriage is an everlasting topic in our lives. Throughout the literary history, many masterworks are about marriage. Everyone has his or her own understanding of it. Some marry for money, some for passion, some for love and so on. Marriage plays an important role in our life. Whether your marriage is happy or not will influence you a lot. Austen shows us a different view of marriage; also let us think that what kind of marriage we want and we suit. Many people try to find out the secret of marriage, because everyone wants to own a happy marriage. Some think that marriage contains all sorts of worldly things: house, money. To get marry is to get money; marriage is their shelters that helps them out of plight and keep them from poor or other sufferings. However, Austen shows us that marriage is built on love. It is wrong to marry for wealth or for the sake of beauty and passion of blind. Those kinds of marriage can't last long a nd we can’t get happiness.The truly happy marriage is based on love and reason. Jane Austen leaves us lots of inspirations, especially。

Beauty and Body Image in the Media

Beauty and Body Image in the Media

Beauty and Body Image in the Media[A] Images of female bodies are everywhere. Women—and their body parts—sell everything from food to cars. Popular film and television actresses are becoming younger, taller and thinner. Some have even been known to faint on the set from lack of food. Women’s magazines are full of articles urging that if they can just lose those last twenty pounds, they’ll have it all—the perfect marriage, loving children, great sex, and a rewarding career.[B] Why are standards of beauty being imposed on women, the majority of whom are naturally larger and more mature than any of the models? The roots, some analysts say, are economic. By presenting an ideal difficult to achieve and maintain, the cosmetic and diet product industries are assured of growth and profits. And it’s no accident that youth is increasingly promoted, along with thinness, as an essential criterion of beauty. If not all women need to lose weight, for sure they’re all aging, says the Quebec Action Network for Women’s Health in its 2001 report. And, according to the industry, age is a disaster that needs to be dealt with.[C] The stakes are huge. On the one hand, women who are insecure about their bodies are more likely to buy beauty products, new clothes, and diet aids. It is estimated that the diet industry alone is worth anywhere between 40 to 100 billion (U.S.) a year selling temporary weight loss (90% to 95% of dieters regain the lost weight). On the other hand, research indicates that exposure to images of thin, young, air-brushed female bodies is linked to depression, loss of self-esteem and the development of unhealthy eating habits in women and girls.[D ] The American research group Anorexia Nervosa & Related Eating Disorders, Inc. says that one out of every four college-aged women uses unhealthy methods of weight control—including fasting, skipping meals, excessive exercise, laxative (泻药)abuse, and self-induced vomiting. The pressure to be thin is also affecting young girls: the Canadian Women’s Health Network warns that weight control measures are now being taken by girls as young as 5 and 6. American statistics are similar. Several studies, such as one conducted by Marika Tiggemann and Levina Clark in 2006 titled “Appearance Culture in 9- to 12-Year-Old Girls: Media and Peer Influences on Body Dissatisfaction,” indicate that nearly half of all preadolescent girls wish to be thinner, and as a result have engaged in a diet or are aware of the concept of dieting. In 2003, Teen magazine reported that 35 percent of girls 6 to 12 years old have been on at least one diet, and that 50 to 70 percent of normal weight girls believe they are overweight. Overall research indicates that 90% of women are dissatisfied with their appearance in some way. Media activist Jean Kilbourne concludes that, “Women are sold to the diet industry by the magazines we read and the television programs we watch, almost all of which make us feel anxious about our weight.”[ E] Perhaps the most disturbing is the fact that media images of female beauty are unattainable for all but a very small number of women. Researchers generating acomputer model of a woman with Barbie-doll proportions, for example, found that her back would be too weak to support the weight of her upper body, and her body would be too narrow to contain more than half a liver and a few centimeters of bowel. A real woman built that way would suffer from chronic diarrhea (慢性腹泻)and eventually die from malnutrition. Jill Barad, President of Mattel (which manufactures Barbie), estimated that 99% of girls aged 3 to 10 years old own at least one Barbie doll. Still, the number of real life women and girls who seek a similarly underweight body is epidemic, and they can suffer equally devastating health consequences. In 2006 it was estimated that up to 450, 000 Canadian women were affected by an eating disorder.[F ] Researchers report that women’s magazines have ten and one-half times more ads and articles promoting weight loss than men’s magazines do, and over three-quarters of the covers of women’s magazines include at least one message about how to change a woman’s bodily appearance—by diet, exercise or cosmetic surgery. Television and movies reinforce the importance of a thin body as a measure of a woman’s worth. Canadian researcher Gregory Fouts reports that over three-quarters of the female characters in TV situation comedies are underweight, and only one in twenty are above average in size. Heavier actresses tend to receive negative comments from male characters about their bodies (“How about wearing a sack?,,),and 80 percent of these negative comments are followed by canned audience laughter.[G] There have been efforts in the magazine industry to buck (才氐制,反抗)the trend. For several years the Quebec magazine Coup de Pouce has consistently included full-sized women in their fashion pages and Chatelaine has pledged not to touch up photos and not to include models less than 25 years of age. In Madrid, one of the world’s biggest fashion capitals, ultra-thin models were banned from the runway in 2006. Furthermore Spain has recently undergone a project with the aim to standardize clothing sizes through using a unique process in which a laser beam is used to measure real life women’s bodies in order to find the most true to life measurement.[ H] Another issue is the representation of ethnically diverse women in the media. A 2008 study conducted by Juanita Covert and Travis Dixon titled “A Changing View: Representation and Effects of the Portrayal of Women of Color in Mainstream Women’s Magazines” found that although there was an increase in the representation of women of colour, overall white women were overrepresented in mainstream women’s magazines from 1999 to 2004.[I] The barrage of messages about thinness, dieting and beauty tells “ordinary”women that they are always in need of adjustment—and that the female body is an object to be perfected. Jean Kilbourne argues that the overwhelming presence of media images of painfully thin women means that real women’s bodies have become invisible in the mass media. The real tragedy, Kilbourne concludes, is that many women internalize these stereotypes, and judge themselves by the beauty industry’s standards. Women learn to compare themselves toother women, and to compete with them for male attention. This focus on beauty and desirability “effectively destroys any awareness and action that might help to change that climate.”1,A report in Teen magazine showed that 50% to 70% girls with normal weight think that they need to lose weight2,On the whole, for 6 years white women had been occupying much more space in mainstream women’s magazines since 1999.3,Some negative effects such as depression and unhealthy eating habits in females are related to their being exposed to images of thin and young female bodies.4,The mass media has helped boost the cosmetic and the diet industries5,It is reported that there is at least one message about the methods for women to change their bodily appearance on more than three-quarters of the covers of women’s magazines.6,Some film and television actresses even faint on the scene due to eating too little7,Too much concern with appearance makes it impossible to change such abnormal trend.8,Researchers found that a real woman with Barbie-doll proportions would eventually die from malnutrition9,The Quebec magazine Coup (e Pouce resists the trend by consistently including full-sized women in their fashion pages for several years10,According to some analysts, the fundamental reason of imposing standards of beauty on women is economic profits.。

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On the Three Female Characters in The Great Gatsby20111151121 中国青年政治学院外语系潘思岑1.General introductionThe "American dream" is a unique cultural phenomenon in American history, also is a everlasting theme in American literature. Fitzgerald, most good at writing about "American dream", is a genuine author born under American culture and the "American dream". Fitzgerald is outstanding in literary circles in the United States along with Hemingway, Faulkner. The Great Gatsby is the representative work of Fitzgerald, published in 1925. By describing the protagonist Gatsby pursuing the American dream, achieving the American dream and eventually becoming a kind of sacrifice during the process of the American dream, the novel critically reflected the corruption, erosion and the strong criticism of the American society under the a flashy, bright and exciting surface. This work has been praised as the most profound contemporary American novel, which has been recognized embodiment of creative thinking and artistic style of Fitzgerald. The author himself also acknowledges that the novel is his conscious artistic achievement from creative thinking. It is Gatsby, as one of Fitzgerald protagonists in the novel, who has been a typical figure in the world literary gallery and recorded into the western literary classic(114).In The Great Gatsby Fitzgerald exquisitely and accurately depicts the “jazz age”. The three important female images are particularly impressive: Gatsby's dream lover, Daisy Buchanan from a noble family, Daisy's girlfriend, also a golf player Jordan Baker, and Tom Buchanan's mistress Myrtle Wilson. As for Jordan Baker who always keeps skeptical for the world, “there are only people just pursuing and beingpursued, also the busy and leisure in the world.”(107). What leads to the decay and parasitic values for life of these women, we think, is the era they live in. In the novel "The Great Gatsby", Fitzgerald created 3 different female characters with different social class, different culture background, different personality temperaments. But they share an important thing in common that they live depending on man and try their best to realize their life value from the pursuit of men. This suggests that the decadent parasitic life style and consciousness of these female characters in the field reflects the female psychological structure and ethics of the "jazz age".As Malcolm Cowley, an American literary critic, states that Fitzgerald has been infatuated with money when he was young, but then he broke the pale with luxurious life and got poisoned by money. So he has a profound understanding of the value of money and can vividly depicted a …romance of money‟for upper class(3). Admittedly, from his own experiences and feelings in the book Fitzgerald focuses on the performance of the American tragedy and the tragedy of the times.2.Daisy BuchananDaisy Buchanan, a beautiful and young rich woman, was Nick's cousin, and was also Gatsby's lover. Gatsby won Daisy's heart with a handsome gentleman image, and they fell in love. Daisy promised she would always wait for him. In fact, Gatsby was in love with Daisy on purpose, that is, he wanted to satisfy his vanity to be in love with such a beautiful girl, and once he get Daisy's heart, he felt dull. He even once wanted Daisy to end the relationship with him. As the result of war, they were separated. This made Daisy feel the invisible pressure. Just like other millions ofwomen, Daisy liked to enjoy an extravagant life. She would not sacrifice her interests for Gatsby‟s so-called dream. It is biased for us to think Daisy as a mammonist only because she loved money .Maybe it is right for that kind of poor girls who always wanted to be a Cinderella, but it‟s not for her. Daisy was just born with wealth. Charlotte Gilman, a feminist critic, once pointed out that in the booming l920s of the United States, the U.S. women's social status was still under the influence of male discourse, that was to say, women's family background and marital status determines their social status. When a girl wanted to get a sense of security only through a respectable marriage, Gatsby was poor and couldn't give her this spiritual security. In order to pursue true inner desire, Daisy had no such power to resist the present system only by herself. So, the only thing she could do was to resist such disharmony of happiness with another form. In the end, she ended the relationship with Gatsby, and chose to be Tom Buchanan's wife. However, because of Tom's selfish and merciless, in other word, it represented another patriarchal system and such marriage would be a nightmare for Daisy.When she talked about her situation to Nick, Daisy said: "I think everything is bad in my life."Seemingly, simple words revealed her lost of inner heart. Indeed, her love, marriage, and even herself had deviated from the normal track, which made her lost herself. Soon, she found that Tom, vulgar and rude, treat emotional relation with infidelity. Although she had tried to challenge the authority of Tom, all efforts were in vain.In the noisy l920 s, divorce was not accepted by the public, and the divorcedwomen had to bear more pressure and criticism than men. Even if Daisy could escape from the cage of marriage, it did not mean that Daisy could get spiritual freedom. Without independent economic rights, she might eventually return to family. Therefore, it was reasonable that Daisy was unable to break through layers of obstruction for the pursuit of individual freedom. Although her husband's behavior was unacceptable, the only thing she could do was to pretend to graciously accept the so-called "happiness", because she had no choice. For this, why was it not a silent resistance? Just as in the novel, Daisy cried to ask: “what can we do this afternoon?”As a modern female in Fitzgerald's work, Daisy had a strong female consciousness. She is a rich and vivid person, and also a victim of the emotional infidelity. Under her hypocrisy, she owns love, mature, honest and is full of romantic fantasy. No doubt that she was the representative of new women. She didn't want to become a pregnant tool, and the life around the kitchen all day was not what she wanted. What she wanted was different from the traditional women's marriage, motherhood and changeless state of life. The novel from beginning to end treats Nick as the main role to tell the whole story. When Nick and she accidentally talked about children, Daisy didn't show the passion and excitement in her eyes, but said calmly, "if I do not guess wrongly, she should have been talking and could eat anything. I wish she is a fool –I think it is the best way out for a girl in the world as a pretty idiot."Daisy knew that consciousness and restraint made her feel tangled and confused, and more deeply knew the weak position of women in the patriarchal society. If her daughter clearly realized her situation in the future, and was unable to pursue ownfreedom and happiness, then she would live a painful life like her. So, such words she said can precisely reflect a strong maternal tenderness of woman to her children, reflect the hard choices for women under the patriarchal system, and also express her criticism of the patriarchal system and a disguised form of resistance.3.JordanJordan is a middle-class woman with great concentration upward. In the eyes of readers, Jordan Baker is an insouciant woman who didn't care about everything particularly. If the color with coding meaning in culture is used to show personality characteristics, Daisy is the red-Bengal, while Jordan is chrysanthemum yellow coming from a middle-class family. The pursuit of fame and wealth was buried in her indifferent face. Jordan was a smart woman she can play any role the moment it needed to be and wore a pair of mask with her arrogance. At the age of 16, she considered Daisy as the largest admirers of all older girls because Daisy owned the wealth and status which she couldn‟t equal to. At the same time, “Daisy was the most popular Miss Louisville”(58). Actually, her worship of Daisy was the worship of fame and wealth. It was also the real reflection of her money worship and vanity psychology.Daisy influenced Jordan constantly until she grew up which could be seen from many places in the book. When Jordan appeared, she and Daisy were dressed in a white dress like a big balloon floating in space with the white gauze dancing in the wind”(8). When visiting Daisy with Gatsby and Nick, her daughter said: “aunt Jordan is also wearing a white dress”(90). When Jordan recalled Daisy‟s girlhood, shespecifically mentioned “she is wearing a white dress driving a white car.” (58). This white coding meaning means the unity of pure nobility and ugly-humble, good and evil. It lies between the right and wrong, the virtual and real, which expresses the Fitzgerald's the misty sense of female and the Daisy‟s profound influence on Jordan. In other words, Daisy was what Jordan desires for life.However, in the relation with Daisy, she involuntarily felt a kind of depression and low self-esteem -- this was in contrast to Daisy…s inherent sense of the superiority. Although with beauty, Jordan lacked the charm as Daisy that is irresistible to the male. In addition, she also couldn‟t equal to her on wealth and status. Golfer as a career let her deeply be aware of the fierce and cruel competition. In the competition, she by hook or by crook or despicably intended to gain the victory. She obviously seemed to be much more aged than rosy Daisy living in the green house and never kept the already fading dreams in her heart one year after year (92). She bravely chose to straight to the target. As a result, she lost a lot of sensibilities and lingering that Daisy revealed distinctively.Moreover, Jordan was a quite realistic character from the beginning. This reality also performed on her attitude towards men. As to her love for Nick, critics Stanley Cooperman had a penetrating discussion: “Jordan felt his inner honesty and moral firmness (Nick represents old tradition that focus on character and moral sense of responsibility, just as Gatsby represents a new world composed of moral deterioration and false dreams), so she realized that only staying with Nick, she could take her own way and Nick must always follow up her mess. In a word, for Jordan baker, her loveto Nick was “jus t another calculation of hers.”(99)In this era, with people‟s spiritual world filled with crumbling walls, Jordan learned it that "everything is skeptical of the world", so her performance always was laid a brand by egoism in all aspects. She just went for the sake of her own needs and never did anything to her for nonsense. She was very careful to protect herself, directly regardless of her own resp onsibilities. In her eyes, the “re sponsibility”is ot hers‟ business while only her need counts for the most important and others must make way for her interests. So, when Nick left her, she was devastated. To keep mentally balance, she even told Nick that she had an engagement with others in order to psychologically reverse her embarrassment. She didn‟t care about losing Nick, but got angrily for Nick dumped her rather than she deserted him. The distorted soul made her have no ability to love a person.We re gard Jordan as the “pale yellow” color. The reason, on the one hand, was that Jordan used her exclusively captivating smile to take the man's loves. Thus, she could cover up the heart of indifference and the use of men to earn her own interests. On the other hand, her smile was hidden under the desire for money and the pursuit of it. On the big stage of the "jazz age", Jordan made herself trapped in an awkward situation with her middle-class origins. She was eager to enter the upper-class society, but mentally kept a certain distance. She chose a pair of “arrogant face”to protect herself out of fear that a rejection by this ecstatic sociality bringing her faint fear and inferiority which gripped her all the time. Therefore, in many respects, she seemed to be more sophisticated and much more powerful than Daisy. In the stage of the "jazzage", as it were, Jordan Baker drastically and perfectly portrayed the psychology of a middle-class woman4.Myrtle: love and sacrificial objectsAt the bottom of the social class, Myrtle Wilson in the novel is similar to a clown. Myrtle, as a poor dealership owner, apparently lost the origin of the traditional morality and escaped from the cultural roots. With caustic taunt and slavery to her husband, she blindly believes that “the only crazy thing is to get married with him(Wilson), and he even doesn‟t deserve to lick my shoes(106). She shows indifference and even no love for her husband. As such a vulgar, ridiculous woman, she cannot even compare with beautiful and elegant Daisy.Tom‟s playing with her just appeared to be no better than a picky nobleman who occasionally changes his taste on folk snacks on eating habits. What he did was just playing with her and regarded her as a toy doll. His contemptuous attitude towards her can be shown when Myrtle called Daisy by her first name. When hearing that, Tom‟s face darkened and beat her for he thought Myrtle was unworthy of calling that name. That wasn‟t an act out of drunkenness, but an idea regarding Myrtle as a inferior person and wasn‟t qualified to be treated as equal as Daisy. “It‟s no wonder that every ego belongs to specific cultural environment, even though it is in a system of the same language, culture and language.”(Zhang255). Myrtle‟s self-consciousness was dislocated. The phallus centralism of the upper class, represented by Tom, was fully shown in front of Daisy. Myrtle‟s feeling of Tom was originated from her admiration of vanity. When Modal first met with Tom, she was totally enchanted by him andcouldn‟t help looking at him for his formal-attire and patent leather shoes. The origin of her love to Tom represented her thirsty for a wasteful life and a higher status.For Daisy, she has no intention of knowing this woman, for she know that this woman can pose no threat to her wealth and her status (two things that compose all the things she has). But to Myrtle, Daisy is the biggest hindrance for her pursuit of ideal life. So she run desperately into the road, trying to stop Daisy‟s car, hoping that she can get rid of her “enemy”. It is this behavior, one going beyond her status, that cost her life. The stratum Myrtle belongs to makes her possess certain instinctive hatred against those women from upper class, but as a result of that age, she also want to have the kind of life that those women have, one that is full of joy and pleasure. 5.ConclusionThese three women come from different social classes, with different character, temperaments. But they share an important thing in common that they live tightly depending on man and try their best to realize their life value from the pursuit of men and even having sex with men. Those women take it for granted to prove their own survival significance from extravagant confused life men bring to them. However, they have common view of value in the Jazz Age as a woman: to abandon the traditional female image as a model, that is to be pious, virtuous, tender and housekeeping and instead to pursue a taste of wild living style and treat the material wealth as the only measure of success in life. Although “we hold these truth to be self-evident, that all men are created equal, that they are endowed by their creator with certain unalienable rights, that among these are life, liberty and the pursuit ofhappiness”(G.Hocmarel8), the lower social status of women cannot be separated from their economic position. From the analysis of these three women characters from three different social classes, we can understand that in order to change that kind of unequal situation, women should not only form the realization of equality to men, but also struggle and try hard to achieve their life value.Reference:Cooperman, Stanley: F.Scott Fitzgerald‟s The Great Gatsby. Foreign Language Teaching and Researching Press, 1996.Cowley, Malcolm.F.S.Fitzgerald-Ramance of Money[M].The Viking Press,1973. Fitzgerald, F.S..The Great Gatsby[M].New York:Charles Scribner‟s Sons,1952 G.Hocmarel etc. The American Dream.New York: Longman Inc. 1982.Xie, Jingliang(ed.). A Dictionary of Western Literary Allusions and Quotations.Beijing: China Prospect Press,1986.Zhang Jinyuan.Post-colonial Theory and Cultural Criticism [M].Beijing: Peking University Press,1999.。

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