低频音乐振动驱动器使用说明书
941B超低频测振仪使用说明书
. . ..目录一.概述二.主要技术指标三.原理四.使用方法五.仪器的成套性附:常见故障排除先生联系方式：09市振恒电子技术XX公司（Tel）：09传真（Fax）：06（Mail）：zhengdp-zhenhengfoxmail.网址（）：.zhenhengdianzi.地址（Add）：市南湖区亚太路778号中国科学院园区8号楼1101邮编（Zip）：314006941B型超低频测振仪一．概述941B型超低频测振仪是一种用于超低频或低频振动测量的多功能仪器，目前已被公司、高等院校、科研院所等机构广泛应用于多种场合的振动测量和监测，以优异的性能获得了用户的认可。
1.用途1)地面和各种结构物的脉动测量及振动监测。
2)一般工程结构如桥梁、楼房、码头、大坝、海洋平台等的脉动测量和各种振动试验中的振动测量及监测。
3)诸如水轮发电机组等大型旋转设备的振动测量。
4)隔振平台等的微弱振动测量。
5)诸如悬索桥等高柔结构的超低频大幅值测量。
6)其他低频超低频振动测量。
2.特点1)一机多能：通过拾振器的微型拨动开关，可直接测量加速度或速度，与放大器配接后，可测量位移。
2)使用方便：拾振器无需电源供电，无需调零。
3)性能优异：由于使用了无源伺服反馈技术，能够实现超低频（低至0.17 Hz）大位移（600mm）振动测量。
4)宽频带、高分辨率、大动态围、抗冲击性能好、适合运输，可直接与各种数5)据采集系统配接。
振动测量系统一般包括传感器、放大器和数据采集仪三部分。
941B型振动传感器可与941型放大器，G01型数据采集仪（USB接口）构成一套完整的振动测试系统，完成各种振动测量和分析任务。
放大器具有放大、积分、高陡度滤波和阻抗变换的功能，G01型数据采集分析系统可完成数据采集和分析功能。
用户可根据需要，选取拾振器上微型拨动开关及放大器上参数选择开关相应的档位，可提供测点的加速度、速度或位移参量，并可提供不同频带和不同滤波陡度。
PreSonus Eris Sub 8BT Bluetooth 无线连接音频工作室低频器官手册说明书
Eris® Sub 8BTBluetooth® Active Studio Subwoofer Owner’s Manual®1 Overview — 11.1 Introduction — 11.2 Product Registration — 21.3 What’s in the Box? — 21.4 Summary of Eris Sub 8BT Features — 32 Hookup — 42.1 Rear-Panel Connections and Controls — 42.1.1 Inputs — 42.1.2 Outputs — 42.1.3 Power — 42.1.4User Controls — 52.2 Hookup Diagrams — 62.2.1Basic Setup: Media Player/MobileDevice — 62.2.2Basic Setup: Audio Interface — 72.2.3Advanced Setup: Home Theater — 82.3 Bluetooth Pairing — 93 Tutorials — 103.1 Subwoofer Placement — 103.2 Level Calibration — 104 Resources — 134.1 Technical Specifications — 134.2 Setting up your Eris Subwooferfor Best Performance — 134.3 Troubleshooting — 1411.1 IntroductionThank you for purchasing the PreSonus® Eris® Sub 8BT active studiosubwoofer with Bluetooth® wireless connectivity. PreSonus AudioElectronics has designed the Eris Sub 8BT utilizing high-gradecomponents to ensure optimum performance that will last.The Eris Sub 8BT is an active subwoofer featuring an 8-inch paper-composite driverwith a high-density rubber surround in a front-ported cabinet. This configurationprovides responsive, defined bass with low distortion. The result is a naturaland musical sound that enhances full-range speakers without overshadowingthem. The variable (50 to 130 Hz) low pass filter lets you dial in the Eris Sub8BT to pair perfectly with your full-range system, making it an ideal partner forcompact Eris full-range monitors as part of a 2.1 or surround sound system.PreSonus Audio Electronics is committed to constant product improvement, andwe value your suggestions highly. We believe the best way to achieve our goal ofconstant product improvement is by listening to the real experts: you! We encourageyou to visit with any questions or comments regarding yourPreSonus Eris Sub 8BT. We appreciate the support you have shown us through thepurchase of this product and are confident that you will enjoy your Eris Sub 8BT!ABOUT THIS MANUAL: We suggest that you use this manual tofamiliarize yourself with the features, applications, and correctconnection procedures for your Eris Sub 8BT before connecting it.This will help you avoid problems during installation and setup.In addition to all the basic info you’ll need to connect and operateyour Eris Sub 8BT, this manual also provides several tutorials thatcover subwoofer placement, connections, and calibration.1.2 Product RegistrationPreSonus is committed to delivering the best experience for our customers.MyPreSonus is a one-stop portal for all our registered customers’ needs.From your MyPreSonus account, you can view all your PreSonus hardwareand software registrations; contact support; track orders and more.To register your Eris media reference monitors, go to and follow the onscreen instructions.ORDownload the MyPreSonus app from the Apple App Store or Google Play.1.3 What’s in the Box?Your Eris Sub 8BT package contains the following:(1) PreSonus Eris Sub 8BT powered subwoofer(1) Quick Start Guide1 Overview1.4 Summary of Eris Sub 8BT FeaturesEris® Sub 8BT Owner’s Manual(1) IEC power cable1.4 Summary of Eris Sub 8BT Features•8-inch composite low-frequency driver•Bluetooth® 5.0 wireless audio stereo input•50W RMS, Class AB power amplifier•30 Hz to 200 Hz frequency response•100 dB SPL (Peak, @ 1 meter)•Input gain control (-30 dB to +6 dB, continuously variable)•Continuously variable lowpass filter (50 Hz to 130 Hz)•Defeatable highpass filter removes frequency content below 80 Hz from thefull-range signal sent from the Eris® Sub 8BT outputs to the main speakers•Left and right, balanced ¼-inch TRS and unbalanced RCA main inputs•Left and right, balanced ¼-inch TRS and unbalanced RCA pass-through outputs for connecting satellite speakers•Polarity invert switch•Protection: RF interference, output-current limiting, over-temperature, turn-on/off transient, subsonic filter•Power Saver mode (engages after 40 minutes of no signal)22.1 Rear-Panel Connections and Controls2.1.1 InputsLine-level Inputs. The Eris Sub 8BT provides a choice of two input pairs: a pairof balanced ¼” TRS inputs and one pair of RCA unbalanced inputs. When bothconnections are in use, the RCA inputs will sum into the TRS connections.Power User Tip: Connect both the left and right inputs if you are connecting yourfull-range monitors to the Eris Sub 8BT’s outputs, or if you’re running your Eris Sub 8BTindependently from a stereo source (such as the PreSonus Monitor Station). This willensure that your Eris Sub 8BT receives the low-frequency content from both the left andright sides of a stereo audio signal. If your audio source provides a mono or LFE output,you only need to connect one input—either L or R.Input Gain. Sets the level of the input signal before it is amplified.2.1.2 OutputsOutputs. The Eris Sub 8BT provides two pairs of outputs: a pair of balanced¼” TRS outputs and a pair of RCA unbalanced outputs. The full-range signalconnected to the stereo inputs on the Sub 8BT is passed through to theseoutputs. Use these outputs to connect your main left and right studio monitors.If the High Pass Filter switch is engaged, frequencies below 80 Hz are not sent fromthese outputs.2.1.3 PowerIEC Power Connection. Your Eris Sub 8BT accepts a standard IEC power cord.Warning: Do not remove the center grounding prong or use a separateground-lift adapter, as this could result in electric shock.Power Switch. This is the On/Off switch. The power status is indicated by theilluminated logo on the front of the cabinet.AC Select Switch. The input-power voltage is set at the factory to correspondwith the country to which it was shipped. Use this switch only if you areusing your Eris Sub 8BT in a country that uses a different standard voltagethan is used in the country where you purchased your Sub 8BT.Standby. When standby is engaged, your Eris subwoofer will go intopower save mode when there is no audio playing for more than 40minutes. Once audio resumes, the power save mode turns off.The LED in the center of the lower front panel•Solid White: Eris Sub 8BT is powered on and in standby mode.•Solid Blue: Eris Sub 8BT is powered on and not in standby mode.•Flashing Blue and Green: Eris Sub 8BT is in pairing mode.•Solid Green: Eris Sub 8BT is paired to a bluetooth device.2.1.4 User ControlsPolarity. The Polarity button reverses the polarity of the input signals.Power User Tip: Once your have connected your Sub 8BT to your system, tryexperimenting with each setting while listening to your favorite music. Leave this switchin the position where the bass was the loudest.High Pass Filter. Removes frequency content below 80 Hz from thefull-range signal sent from the Sub 8BT outputs. This is useful if yourmain studio monitors do not have their own high pass filter.Power User Tip: Leaving frequency content below 80 Hz in full-range monitors cancancel out or reinforce the highest frequencies that are reproduced by the Eris Sub 8BT.This can make the bass response of the overall system muddy and ill-defined. By rollingoff your full-range speakers, you will create a more linear frequency response betweenthe subwoofer and full-range content.Low Pass Filter. This control determines the upper end of the frequency rangereproduced by the Eris Sub 8BT. If you have enabled the onboard High Pass Filter, setthe Low Pass Filter control to 80 Hz. Otherwise, set the Low Pass Filter control to thelowest frequency that your main monitors can reliably reproduce.2.2 Hookup Diagrams2.2.1 Basic Setup: Media Player/Mobile Device2.2.2 Basic Setup: Audio Interface2.2.3 Advanced Setup: Home Theater2 Hookup2.3 Bluetooth PairingEris® Sub 8BT Owner’s Manual2.3 Bluetooth Pairing,You can pair an additional device by repeating these steps. Your Eris Sub 8BT can store two Bluetooth device pairings, although audio can only be streamed fromone Bluetooth device at a time. Whenever you power on your Eris Sub 8BT, your storedBluetooth devices will automatically pair if within range.3 Tutorials3.1 Subwoofer PlacementEris® Sub 8BT Owner’s Manual33.1 Subwoofer PlacementThe goal of proper subwoofer placement is to set up your system so that yoursubwoofer acts as a natural extension of your full-range monitors withoutboosting the overall bass response of your room or exaggerating any onefrequency or frequency range. Because low frequencies are not directional—that is, humans cannot perceive the direction from which low frequenciesare coming—you aren’t limited to placing it near your full-range monitors.However, placing your Sub 8BT in the same side of the room as your full-range monitors will typically provide the best listening experience.A quick way to find the best location for your subwoofer is to temporarilyplace it on the ground where you would normally be listening to your system,then play some music that contains a lot of bass. Walk around the half of theroom where you have placed your full-range monitors until you find the spotwhere the bass sounds its best. In general, you will want to avoid placingyour subwoofer too near to reflective surfaces, like a wall or in a corner as thiswill exaggerate the bass energy and make your Sub 8BT sound “boomy.”Once you find the place in the room where the bass sounds the smoothest,place your Sub 8BT in that spot, return to the listening position, and listen to itagain. You may need to adjust the location; just keep making small adjustments(a foot or so at a time) until the bass response sounds as even as possible.3.2 Level CalibrationMatching the levels of the monitors in your system with your subwooferis an easy extra step that will help you to achieve a consistent listeningenvironment. This will ensure that your subwoofer won’t be too loud withsome types of music and not nearly loud enough with others. You will need anSPL meter and some pink noise to do this; luckily, there are many inexpensiveand free SPL meter apps for just about every type of smartphone, as wellas a variety of free pink noise samples online that will do the job nicely.Below is a brief tutorial on how to level match your monitors:1. Connect your monitors and Eris Sub 8BT as showneither of the hookup diagrams in Section 2.2.Power User Tip: If your system has an EQ in it, turn it off or set it to flat. You can EQ your complete system to taste once the levels are evenly matched.2. Turn your Eris Sub 8BT and your full-range monitors’3.4. Begin slowly increasing the volume of your left monitor until the acoustic levelof the pink noise reaches 82 dB SPL on your SPL meter when measured at your listening position. Turn off your left monitor and repeat with your right monitor.If you’re using monitors that provide a single level control for both theleft and right side, like the Eris 3.5BT, 4.5BT or 5BT, play pink noise throughboth monitors, increase the volume until your SPL meter reads 85 dB.Power User Tip: If 82 dB or 85 dB is too loud or too quiet for your room, set the level to one that is more comfortable for your listening requirements. Just be sure to set the same level for both the left and the right monitor.5. Turn your full-range monitors off. If your Sub 8BT is connectedto the Sub Out on a speaker with a dedicated Sub Out, set theinput volume of your Eris Sub 8BT to “0” and skip to Step 7.6. Begin slowly increasing the input volume on your Eris Sub 8BTuntil the acoustic level of the pink noise reaches 79 dB SPL onyour SPL meter when measured at your listening position.7. Set the lowpass filter on your Eris Sub 8BT to 130 Hz. This will create afrequency overlap between your Sub 8BT and your full-range system.8. Play pink noise through your full system and experiment with the polarityswitch on your Eris Sub 8BT to see which position provides the best bassresponse. Leave the polarity switch where the bass is the loudest.9. Now play some music through your system and experiment with the lowpassfilter on your Eris Sub 8BT until you find the most natural transition betweenyour full-range monitors and your subwoofer. If your full-range monitors areconnected to the outputs of your Sub 8BT, you may want to try turning on the80 Hz High Pass filter on the Sub 8BT and setting the lowpass filter to 80 Hz. Power User Tip: Once you have matched the levels of your full-range monitors and Eris Sub 8BT, don’t use their volume controls to adjust the overall level; instead, use the volume on your audio device (computer, iPad, TV, etc.). This will ensure that your speaker levels remain matched.Power User Tip #2: The SPL figures quoted above are guidelines. When increasing the output level, the point at which your Eris Sub 8BT will hit 79 dB SPL can be highly dependant upon the acoustic response of the room it’s set up in. Standing waves could cause resonance around 79 dB, causing you to reach it sooner than anticipated; comb filtering may cause you to never reach it at all.4 Resources4.1 Technical SpecificationsEris® Sub 8BT Owner’s Manual44.1 Technical Specifications4.2 Setting up your Eris Subwoofer for Best Performance1. Use balanced cables to when physically connecting your subwoofer to your audiodevice. A balanced cable is a type of audio cable that uses three conductors (two signalconductors and a ground conductor) to transmit audio signals. Balanced cables helpto cancel out any noise or interference picked up along the cable length. Unbalancedcables are more susceptible to noise and interference and should be avoided.2. Make sure that your subwoofer is plugged into a good power source.Unstable or noisy power sources can cause unwanted noise in your audiosignal. Use a surge protector or power conditioner if necessary.3. Keep your cables away from power sources and other electronic devices to avoid electromagneticinterference that can cause buzzing, humming, or other noise in your audio signal.4. Position your subwoofer correctly to minimize noise. Keep them at a reasonabledistance from other electronic devices to avoid interference.5. Proper gain staging can help you avoid noise in your audio signal. Gain stagingrefers to the process of setting the input and output levels of audio signals in arecording or mixing system to achieve optimal sound quality and avoid distortion.Make sure that your input levels are not too low or too high. Keep your levels withina reasonable range and avoid overdriving your audio interface or mixer.4 Resources 4.3 TroubleshootingEris® Sub 8BT Owner’s Manual4.3 TroubleshootingNo power. First ensure that your Eris Sub 8BT is plugged in. If it’s connected to apower conditioner, verify that the power conditioner is turned on and functioning.If problem still exists, disconnect the power cable from your studio monitor andcheck the fuse on the back panel. The type of fuse needed for your monitor islisted below the power inlet. Be sure to use the correct fuse for the set input-powervoltage. If the fuse blows again, you will need to contact PreSonus for a repair.No audio. If your Eris Sub 8BT appears to power on but you hear no soundwhen playing audio (the lights are on but nobody’s home), first make surethat the cables connected to the subwoofer are working correctly. Also,verify that the Input Level control is set to provide high enough gain.Hum. Usually, hum is caused by a ground loop. Verify that all audio equipment isconnected to the same power source. If you are not using a power conditioner,we highly recommend that you add one. Not only will this help to minimizehum, it will better protect your equipment from power surges, brownouts, etc.Use balanced cables whenever possible. If your audio device doesnot offer a balanced output, you can connect it to a DI (direct-injection)box, which will provide a ground-lift switch and a balanced output.Finally, make sure that your audio cables are not run near power cables,and use cables that are the appropriate length for your application.Using cables that are too long not only increases the risk of noise, itincreases the likelihood that the cables are coiled, which will essentiallycreate an antenna that picks up all kinds of audio interference.Dinner is Served Added bonus: PreSonus’ previously Top Secret recipe for…Andouille & German Red Cabbage Po-Boys Ingredients:• 1 small Onion• 3 Tbsp. fresh Ginger• 1 small head Red Cabbage• 1 tsp Salt• 3 Tbsp. Honey•¼ cup Red Vinegar•12 oz Andouille or Bratwurst Sausage sliced lengthwise•¼ lb. Muenster Cheese•Creole or German Mustard to taste• 1 loaf French BreadCooking Instructions:1. Heat 2 tablespoon vegetable oil in large skillet. Add onions and ginger, then cook them for about 3 minutes until onionsbegin to wilt. Add cabbage, vinegar, and honey, and then cook for about 5 minutes. Add salt to taste and set aside.2. Heat oil in a skillet till hot. Add sausage cut side down till nice and brown, turn and cook for about 5 minutes till thoroughlycooked.3. Slice bread lengthwise, lay a bed of cabbage, then sausage, and cheese on top. Toast under the broiler or in a hot oven tillcheese is melted and bread is crisp.4. Spread mustard on bread. Sandwich can then be cut into 2-3 pieces and shared (or not if you’re really hungry). BONUS: Extra cabbage can be used as a condiment with meat, eggs, sandwiches, etc.©2023 PreSonus Audio Electronics, Inc. All Rights Reserved. Eris, PreSonus, and the Wave Logo are registered trademarks of PreSonus Audio Electronics, Inc. Bluetooth is a registered trademark of Bluetooth SIG.Other product names mentioned herein may be trademarks of their respective companies. All specifications subject to change without notice... except the recipe, which is a classic.Baton Rouge • USA Part# 70-52000196-AEris ®Sub 8BTBluetooth ® Active Studio SubwooferOwner’s Manual。
低频信号发生器的使用说明
附录一低频信号发生器的使用说明一．概述AS1033型低频信号发生器采用了中央处理器控制面板的操作方式，具有良好的人机界面。
输出正弦波信号频率从2Hz～2MHz连续可调，输出正弦波信号幅度从0.5mV～5V连续可调，并设有TTL输出方波功能，频率从2Hz～2MHz连续可调，占空比从20％～80％连续可调。
面板显示清晰明了，操作简单方便，输出频率调节可采用频率段调节（轻触开关粗调）和数码开关调节（段内细调）二种，其中数码开关调节又分快调和慢调两种，五位数码管直接显示频率，输出幅度调节采用轻触粗调（20dB、40dB、60dB）和电位器细调（20dB）以内，三位数码管直接显示输出电压有效值或衰减电平。
中央处理器控制整机各部分，并采用了数/模、模/数转换电路，应用数码开关作为频率调节输入。
振荡电路采用压控振荡与稳幅放大相结合，具有良好的稳幅特性。
电路中还加入输出保护、TTL输出、方波占空比可调电路等。
二．技术特性1．频率范围：2Hz～2MHz，共分五个频段第一频段：2Hz～30Hz第二频段：30Hz～450Hz第三频段：450Hz～7kHz第四频段：7kHz～100kHz第五频段：100kHz～2MHz2．正弦波输出特性(1)输出电压幅度（有效值）：0.5mV～5V(2)幅频率特性：≤±0.3dB(3)失真度：2Hz～200kHz≤0.1％，200kHz～2MHz，谐波分量≤－46dB3．方波输出特性⑴最大输出电压（空截，中心电平为0）：14Vp-p⑵占空比（连续可调）：20％～80％⑶逻辑电平输出：TTL电平，上升、下降沿≤25ns4．输出电抗：600Ω5．频率显示准确度：1×10－4±1个字6．正常工作条件⑴环境温度：0～40℃⑵相对湿度：＜90％（40℃）⑶大气压：86～106kpa⑷电源电压：220±22V，50±2.5Hz7．消耗功率：＜10W三．面板及操作说明1.整机电源开关（POWER）按下此键，接通电源，同时面板上指示灯亮。
Rokit G4 中文用户手册说明书
用户手册DSP控制监听音箱欢迎使用 ROKIT G4。
首先，我们想告诉您一些历史。
在 2016 年，经过与超过 300 名专家长达两年的不懈努力，KRK 发布了 V 系列 4 监听音箱。
这些产品在专业制作人、工程师和高级用户中广受欢迎而且赞誉有加。
开发 ROKIT G4 时，我们一开始就把目标定位在为 ROKI T G4 客户设计一款兼具音质和外观的 V 系列 4。
这意味着，在超过 30 年里，在我们的高级监听音箱产品系列中，这是 ROKIT 历史上首次使用Kevlar® 材料设计的驱动器。
与 V 系列 4 一样，我们使用功能强大的 DSP 来为您提供不可思议的音景，同时通过深度 EQ 控制，帮助您提升房间声效。
这仅仅是个开始。
下面给出一些可帮助您增强听觉体验的其他提示技巧以及信息。
房间布置和设置。
KRK 设计团队煞费苦心对成百上千个监视器布置和房间声学场景进行建模分析，以确保 KRK 提供最有用的 EQ 工具，同时尽量减少用户侧调试。
房间的设计和构造往往不完美，所以房间声学是当前工作室所面临的最大问题。
许多了不起的工作室都设在经过改造的房子里。
我们通过让您控制系统，从而避免这类情况导致的问题。
通过LOW EQ和HIGH EQ两个功能，系统提供 25 种不同的 EQ 和弦配置组合，帮助您调试工作室声学，实现更为准确的监听。
首先，将LOW EQ和HIGH EQ设置为3:FLAT，纯调，无减弱或增强，VOLUME 设置为 0.0dB。
根据以下说明和图表在您房间内进行设置。
听一些喜欢的歌曲和混音片段。
调试 EQ 前，在房间内尝试不同位置和不同布置，然后调试 EQ，获取最佳听觉和监听体验。
SYSTEM SETUP整体系统设置对于避免不必要的声互作用十分关键。
房间的自然音响效果可能由于异常阻尼或回声而导致在各种频率时改变声级。
有关更多细节，请遵守下面的检查表。
1.系统设定（监听音箱和工作台）必须置于房间的前三分之一内。
Qolsys IQ SHOCK-S 震动传感器说明书
Frequency: 319.5MHz Battery: 3V lithium CR123A Magnet gap: 1 inch maxOperating Temperature: 32°-110°F (0°-45°C) Operating Humidity: 5-85% RH non-condensing Compatible with Qolsys control panelsSupervisory signal interval: 60 min (approximately) Potentiometer: Shock sensitivity adjustment✓Exterior Doors✓Sliding glass doorsWindows✓✓✓IQ SHOCK-S QUICK INSTALL GUIDECHOOSEINSTALLATION LOCATIONThis is a quick guide for experienced installers only. Refer to (login required)Three dip switches allow you to customize the behavior of this device:STEP 2DIP SWITCHCONFIGURATIONSPECIFICATIONSSTEP 1DS#1 - Test Mode:Enables sensitivity testmode. Please note, when test mode is enabled (ON) the IQ Shock will NOT transmit signals to the IQ Panel. This mode is only used for initial installation of the shock sensor.ON: OFF: Disables sensitivitytest mode.DS#2 - Pre-Warn:ON: Enables pre-warnsounder and red LED. OFF: Disables pre-warnsounder and red LED.DS#3 - Reed Switch:ON: OFF: Enables reed switch. Disables reed switch.SENSORMAGNETTAMPER SWITCHPOTENTIOMETERSHOCK SENSORDIPSWITCHESLEDBUZZERBATTERYIMPORTANT NOTE:The IQ Shock is intended to be installed on doors with or without glass inserts and on window frames but not on the actual glass surface.Adjusting the Shock Sensitivity:Adjust the shock sensitivity from the final mounting position. Test shock sensitivity by moving dip switch 1 to ON (enable test mode). While in this mode a short beep and green LED will flash when the unit detects a pre-warn threshold. A long beep and red LED will flash when the unit detects a shock level strong enough to trigger an alarm at the control panel. Please note that no RF transmission from the sensor occurs during sensitivity test mode.Gently hit (using the palm of your hand) the surface on which the device is installed. Gradually increase the pressure or turn the shock sensitivity adjustment dial clockwise with a small screwdriver until the desired response is obtained. Ensure that the device is not triggered by accidental vibration (e.g., wind, birds, window coverings) hitting the protected window or surface. Normal traffic or operation of the door/window should not trip the shock sensor. When testing the sensitivity of the unit, do not cause stress or damage to the mounting surface or to the glass. WARNING: In order to avoid personal injury while testing sensitivity, do not apply pressure to glass inserts or windows.Move dip switch 1 to OFF (disable test mode) once shock sensitivity has been set to the desired level. Verify that the IQ Shock properly communicates properly with the IQ Panel.Open/close magnetTap coverOR STEP 3OPENDEVICE CASINGSTEP 5SECURESENSOR & MAGNETDocument#: IQSS-QG-10-10 Revision#: 10/10/17 Issue Date: OCT 2017Qolsys Product #: QS1138-840Qolsys Inc. proprietary.Reproduction without permission is not permitted.FCC ID: 2ABBZ-RF-ARSHK IC: 11817A-RFARSHK**********************CONTACT TECH SUPPORTGOT QUESTIONS?This device complies with part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. Changes or modifications not expressly approved by the party responsible for compliance could void the user's authority to operate the equipment. This device complies with Industry Canada licence-exempt RSS standard(s). Operation is subject to the following two conditions: (1) this device may not cause interference, and (2) this device must accept any interference, including interference that may cause undesired operation of the device. Cet appareil est conforme avec Industrie Canada exempts de licence standard RSS (s). Son fonctionnement est soumis aux deux conditions suivantes: (1) cet appareil ne doit pas provoquer d'interférences et (2) cet appareil doit accepter toute interférence, y compris celles pouvant causer un mauvais fonctionnement de l'appareil.Push tab to open the device.MagnetSensor1” MAX Place your panel in “autolearn" modeCustomize name and settings as desired andtouch “ADD”ADDSTEP 7ADJUST SHOCK SENSITIVITYSTEP 4PULL BATTERY TABSTEP 6LEARNINTO PANEL*If dip switch #1 is on, no RF transmission is generated by the sensor and it will not auto learn. Dip switch #3 must be on for the reed switch to work.。
振动器使用说明书
振动器使用说明书1. 产品简介振动器是一种常见的电子设备，通过震动来产生声音或者震动效果。
本产品具有高音质、强震动效果和易操作性等优点，适用于个人娱乐、音乐表演、体育活动等场合。
2. 安全注意事项- 在使用本产品前，请务必仔细阅读本使用说明书，并按照指示正确地操作。
- 请勿将本产品在高温、潮湿、尘土多的环境下使用，以免影响其正常工作和寿命。
- 避免长时间过度使用本产品，以免对身体造成不适。
- 孩子在使用本产品时需在成年人的监护下进行，并请放置在儿童无法触及的地方。
- 如发现本产品存在异常情况，请立即停止使用并咨询专业人士。
3. 使用方法- 准备：将振动器连接到电源适配器，并确保电源正常接通。
同时，检查振动器的电池电量是否足够。
- 开关机：按下振动器上的电源开关，等待片刻，振动器将开始工作。
再次按下电源开关即可将其关闭。
- 音量调节：通过调整振动器上的音量按钮，可实现音量的增加或减小。
请根据实际需求进行调节。
- 模式选择：振动器上可能配备有多种模式，通过按下模式选择键可以切换不同的模式，以实现不同的音效或振动效果。
- 音效调节：一些振动器还具备音效调节功能，可通过相关按钮进行设置和调整。
- 附件使用：某些振动器可能配备附件，如耳机、连接线等，按照附件使用说明进行正确插拔和连接。
4. 维护保养- 定期清洁：为保证振动器的长期使用寿命和良好的工作效果，请定期清洁振动器表面，可使用轻柔湿布进行擦拭。
- 防尘存放：如长时间不使用，请将振动器存放在防尘袋或器皿中，以免灰尘积累影响其正常工作。
- 避免水浸泡：请勿将振动器浸泡在水中或者将其暴露在湿润的环境中，以免造成损坏。
- 避免摔落：小心使用振动器，避免将其摔落或敲击，以免造成内部零部件松动或损坏。
5. 常见问题解决- 问题1：无法正常启动。
解决方法：请确认电源是否接好，电池电量是否充足，然后重新尝试启动。
- 问题2：音量过小。
解决方法：请检查振动器上的音量设置，或者尝试调整外接设备（如耳机、扬声器）的音量。
01)振动机操作说明(1)
ASA10B 10 Band Audio Spectrum Analyzer 操作手册说明书
OPERATOR'S MANUALModel ASA10B10 Band Audio Spectrum AnalyzerGENERAL:The ASA10B is a ten band single octave battery operated portable audio spectrum analyzer complete with built-in microphone, an accurate dB meter and will read Sound Pressure Levels in either "A" or "C" weighting.Pink Noise: The ASA10B is often used in conjunction with a pink noise generator such as the Gold Line PN2. Pink noise is a sound that has equal amount of energy per octave of bandwidth. By inputting pink noise to a sound system you are certain that the system is receiving a flat signal source. Pink noise is the basic reference for all measurements and adjustments to a system. Pink noise normally has a flatness of ±2dB with random waves that may be higher or lower.The Controls:Input Range: In addition to turning the analyzer on and off, the INPUT RANGE switch can be set for 0dB, the normal operating range or for -20dB which increases the maximum sensitivity setting from 75dB to 55dB. Keep in mind that the displayed SPLs are actually 20dB below the INPUT SENSITIVITY switch setting when INPUT RANGE is at -20dB.Input Sensitivity: The input sensitivity of the ASA10B can be adjusted over a wide range to match many different conditions and sound pressure levels (SPL). The sensitivity of the ASA10B is controlled with the INPUT SENSITIVITY switch which provides five 10dB steps from 75dB to 115dB for a 0 reference indication.Weight Curve: The ASA10B has three frequency response functions which are selected with the WEIGHT switch. In FLAT, there is no shaping of the response curve. In "C", C type weighting is applied to the response curve, and the 31.5Hz display channel is switched to broadband showing the overall level in dBC. In "A", A type weighting is used, and the 31.5Hz channel shows overall level in dBA. "A" weighting is often used when making speech interference measurements and "C" is often used for music and environmental noise measurements.Decay Time: The DECAY switch provides three functions; FAST, SLOW and HOLD. In FAST, a response at 0dB will fall to -10dB in from 2 seconds at 31.5Hz to 0.5 seconds or less at 500Hz and above. In SLOW, the same response for 10dB is about 20 seconds at 31.5Hz, to about 6 seconds at 500Hz and above. The response to a sudden increase in level, the attack time, is short in both FAST and SLOW. When monitoring music or speech, and you want to see the rapid level changes, use FAST. When using pink noise, use SLOW for a more stable display. HOLD is used to temporarily freeze the display.The Display is a matrix of 100 LEDs: a column for each of the ten filter bands, and 10 LEDs in each column with a linear scaling with turn-on thresholds at -15, -12.5, -10, -7.5, -5, -2.5, 0, + 2.5, +5, and +7.5dB. Each row of LEDs has precise thresholds to ensure and accurate indication of sound energy in each of the bands.If using the analyzer inside under bright lighting conditions, try to position the unit to minimize the effects of any light reflections. Add some display shielding for measurements outside, but make certain not to block the microphone in the end of the analyzer.Line Input: This jack is for connecting line-level signals for analysis. A 0dB indication on the ASA10B will be obtained from 0.069millivolts to 1.10V rms (-81dBm to +3dBm), depending upon the INPUT SENSITIVITY and INPUT GAIN settings. The microphone is automatically disconnected with plug insertion. The input impedance is 10kΩfor the ASA10B. The plug type is 3.5mm.Power: The ASA10B is powered by eight AA batteries. The batteries can be either alkaline or NiCad. There is an internal selector switch. Do not use any "regular" carbon-zinc types. At a nominal 12Vdc, the current drain is about 40mA (milliamperes) with no LEDs on the display to about 80mA with an LED on each filter band. If the ASA10B is to be used in a stationary position, it will be worthwhile to power the analyzer with an external supply or battery eliminator, such as the Gold Line model BE1. (Source requirements: at least 240mA at 8-15Vdc, 12Vdc nominal. Matching plug is 2.5mm) Alkaline batteries are disconnected when a battery eliminator is plugged in. Nicads are kept in circuit and can be recharged in the case. Access to the batteries is gained by removing the four screws holding on the back cover. Replacement (or NiCad recharging) is required when there is a noticeable drop in the brightness of the LEDs in the display.GENERAL GUIDELINES FOR USEThe sound energy in each of the ten octave bands is shown simultaneously and continuously - that is RTA or Real Time Analysis. Many tests are most easily run using a pink noise source (Gold Line model PN2) which puts out equal energy across each filter band. If it is fed directly to the unit the result will be a straight-line display. With the pink noise fed through a sound system, any deviations from flat response will be shown on the analyzer. The accuracy of a reading with pink noise will be improved by mentally averaging any level variations noted. Point the analyzer at the speakers keeping it away from the body for best accuracy. If outside, or the room permits, keep at least 20 ft. away at 31.5Hz, 10 ft. away at 63Hz, etc. Room effects may prevent following these guidelines. For actual SPLs, switch the ASA10B to C/SPL, or A/SPL for levels in dBC or dBA weighting.SOUND SYSTEM EQUALIZATION: Because the ASA10B has it's own built-in microphone, you can measure the sound output from any type of sound source. The response will be shown in the ten filter-band display whether the tests are made in a room, at a club, or even outdoors. The microphone of the ASA10B is positioned clear of the end of the analyzer case to minimize shielding effects. The ½ inch microphone diameter of the ASA10B facilitates checking SPL calibration with an acoustical calibrator. The ASA10B has been calibrated by the factory - but can be field calibrated.1. Turn off the sound system before making connections, and put all tone controls, EQ etc., to their flat positions. Set volume to zero.2.Connect the noise source to a line level input to one channel only.3.Turn the amplifier system on.4. Advance the volume to a medium-high sound level. Do not overdrive.5. Set the ASA10B to SLOW decay time with low gain and turn it on.6. Take a position in the center of the listening area.7. Increase the gain of the analyzer to put the majority of the filter band responses near 0dB. Make certain the unit is pointed at the speaker. Take note of the levels in each of the octaves.8. In the lowest bands there can be great deviations from flat response caused by speaker and room characteristics. Usually it is impossible to make the changes in room shape and size that might be desirable, but changes in speaker position are usually quite feasible.9. If inside, try different speaker positions along and up and down the back wall, and also try various distances from the wall. Use the combination that gives the best result, i.e., the flattest response, especially at the low-frequency end. Move around in the listening area to see if there are measurable room effects appearing in the lowest filters. Make certain the sound level from the system is high enough to cover over the normal room ambient noise.10. The high-frequency response of the system will be greatly affected by the speaker's angular positioning-how it is pointed back and forth and also up or down. Make such adjustments as necessary for maximum output in the highest frequencies.11. After completion of the above two steps, move around in the listening area while observing the analyzer display. Take note of any large shifts in the response. Use the HOLD function to make comparisons.12.Adjust the systems equalizers, tone and tweeter controls, etc., to obtain the flattest response in the listening area. Do not try to boost out deep notches in the response, such as might be caused by a poor crossover. In general, limit the amount of boost used in order to prevent overdriving amplifiers and speakers. Do use cut to bring down peaky areas. To the extent possible, use tone controls or other broad, shelving-type EQ to minimize the need and extent of narrow-band EQ.13.Recheck system response with the analyzer, and trim adjustments for the best compromises over all the bands and all-important listening areas.14. Repeat steps 6 to 13 for the other channels.15. With both channels driven equally (balance control centered) touch up low frequency EQ for flat performance up to 250Hz.16. The liveliness of a room will have an effect on the system response, primarily in the medium and high frequencies. Rugs, stuffed furniture, drapes and people are all absorbers of sound, and acoustically dead rooms require more sound from the speakers, with a need for more boost of medium/ high frequencies.17.CAUTION: Do not use extreme amounts of bass boost with small speakers. Destruction could be the result.Try to find the best speaker to wall distance to minimize the need for the boost.ELIMINATING FEEDBACK1. Feed pink noise into a system line input, and set the gain for a medium-high level from the speakers.2. Turn up gain on the main microphone input until feedback just starts.3. With the analyzer, look for evidence of one filter band peaking above all of the others. Increase the gain if necessary.4.Adjust the equalizer to put in just enough cut in that band to stop the feedback. A parametric EQ should be set at minimum bandwidth.5.Increase the gain and continue to trim the EQ to control feedback.6.When a second feedback frequency appears, use the analyzer to determine the adjustment needed. Increase gain further, and continue to trim the EQ.7.When there is feedback appearing at three or more frequencies with further increases in gain, the practical limit of feedback control with minimum effect on the music has been reached. The adjusted system will have higher output and will be easier to operate.8.Open any other mikes that will be on at the same time, and change settings as necessary for best overall performance.9.For the final adjustment, performers should stand at the microphones in normal performing position as their proximity can cause some shift in feedback modes.TAPE RECORDER ALIGNMENT1. Clean and demagnetize all heads.2. Connect one channel of the recorder output to the analyzer EXT (AUX) LINE IN. Turn the analyzer on with decay-time switch on SLOW.3. Play a pink-noise alignment tape (This must be of high quality!) with the recorder monitor switch on Tape. Adjust analyzer gain and/or recorder output level for a display at 0dB.4. Following the recorder manufacturer's instructions, adjust the azimuth of the play head for maximum output in the 16kHz channel.5. If the display is erratic, check for proper tape wrap and head tilt. Adjust if necessary and repeat azimuth check.6. If there are play equalization adjustments, make these while observing the effects on the levels in all ten filter channels.7. Change output connections and check alignment on other tracks.8. Make play equalization adjustments similarly for all other tracks.9. Repeat steps 2 to 8 for other tape speeds if necessary.10. If a pink noise alignment tape is not available, a discrete-tone test tape can be used, although it will be less convenient. Just use whichever analyzer channel covers the tone on the tape.11. Select tape type and length most frequently used, and set the bias and EQ switches to correspond. Select tape speed.12. Feed pink-noise to the recorder line input. Set record level to -10 VU for open-reel recorders at 7½ ips and to 20dB below Dolby reference level for cassette decks.13. If the unit is a three-head machine, record the pink noise, and simultaneously monitor the playback output with the analyzer. First, adjust the record head azimuth for maximum output in the 16kHz band. If the bias is adjustable, reduce it to near minimum and then increase it slowly. Stop where the outputs in the 500Hz and 1kHz bands reach a maximum. Trim the high-end response with record equalization, if possible. A fine bias adjustment can be made to get the best overall record/playback response.14. Check the results on other tracks, making necessary adjustments.15.Repeat adjustments for other tape speeds and tape types, if need be.16. If the recorder is a two-head unit, the approach is similar, but it is necessary to record, rewind and play after each adjustment is made. Make small changes to facilitate removing any errors made.17. If the heads are worn, the responses may be down noticeably at 16kHz. Even so, you will still want to adjust the heads for the maximum output. However, Bias and EQ adjustments will provide limited correction in this case. Do not reduce bias so much as to decrease the 500Hz level (and increase distortion) in an effort to try to force the high end up.18. You will find that alignment with the analyzer and pink noise is much faster and better than other methods. Dolby tracking is also very easy to check with the analyzer.OTHER EQUIPMENT TESTS: By using the line input capability of the analyzer, sometimes in combination with measurements with the microphone, it is possible to pin down the response of tone controls and equalizers before feeding to the loudspeakers. Looking at the output of preamps, mixers and other line level devices is very easy with the ASA10B analyzer. It is also possible to connect the analyzer to the output of a power amplifier, but BE CAREFUL! First of all, make any connections with the power amplifier turned off. Make certain that the amplifier, or the control section feeding it, is set to minimum gain. Power amplifiers can put out voltages that are much higher than the maximum level handled by the analyzers, so extra caution is in order. Set the analyzer sensitivity to minimum; increase amplifier gain very slowly until the display is close to 0dB, where further adjustments can be made.SPECIFICATIONSMEASUREMENT RANGE: Microphone input : 40dB - 122dB SPLLine input: -81dBm to +3dBm(.069mV to 1.10V rms)INPUTS: Microphone: Built-in omnidirectional electret condenser.Line: Unbalanced 3.5mm jack. 10kΩ impedanceSENSITIVITY SWITCH: 5 position 10dB / step attentuator .INPUT RANGE SWITCH: 0dB or -20dBCENTER FREQUENCIES (Hz): ISO 31.5, 63, 125, 250, 500, 1k, 2k, 4k, 8k,16kCENTER FREQUENCY ACCURACY: Typically ±3%FILTERS: ANSI Class IIRELATIVE FLATNESS CHANNEL TO CHANNEL:±1.0dBWEIGHTING: IEC A, C and FLAT.DECAY RATE @ 500Hz: SLOW 2.2dB/s, FAST 18dB/s. HOLD for short durationdisplay freeze.POWER REQUIREMENTS:Batteries - Eight AA alkaline or nicad.********************************Internal switch must be set to NICAD when recharging NICAD batteries.SIZE (W x H x D); WEIGHT: 3¼" x 8" x 2¼"; 12 oz.CASE MATERIAL: High impact ABSEnter your serial#_______________ date of purchase________________10-68 m_10b_2h22.docWARRANTY and Factory ServiceGOLD LINE products are proudly made in the USA and are covered by a one year limited warranty. For details of this warranty, consult the enclosed warranty registration card or your local dealer.GOLD LINE Customer Service will help you get the most from your new analyzer. For answers to questions regarding use of the unit, or for information not covered in this manual, please write us. If you are experiencing difficulties with your analyzer, please consult your dealer regarding factory service. If factory service is needed, you may call or fax us between 9:00am and 4:30pm US Eastern Time for instructions and a return authorization.Box 500 West Redding, CT. 06896203-938-2588 phone - 203-938-8740 faxhttp://******************************************。
Episode EA-AMP-SUB-1D-110 低频音频放大器用户手册说明书
EA-AMP-SUB-1D-110WELCOME TO EPISODEEpisode® is one of the most highly regarded brands in audio available today. We stand committed to providing our customers with the highest degree of quality and service in the industry.The Episode® EA-AMP-SUB-1D-110 Subwoofer Amplifier is a superb choice for a variety of subwoofer applications and work well with almost every type of home theater or audio system. It has been designed with advanced technologicalcomponents that produce astounding sound effects in movies, as well as recreating the heights and depths of all typesof music. Episode® amplifiers provide the best value and quality possible for your home theater needs.pg.2EA-AMP-SUB-1D-110 Installation and Users ManualWARNING : To reduce the risk of fire or electric shock, do not expose this apparatus in or near rain or moisture.1. Read and keep these instructions for future reference.2. Do not use this apparatus near water.3. Clean only with a dry cloth.4. Do not block any ventilation openings. Install according to manufacturer’s instructions.5. Do not install near any heat sources such as radiators, heat registers, stoves or other apparatus(including amplifiers) that produce heat.6. Do not override the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades -one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide bladeor the third prong is provided for your safety. If the provided plug does not fit into your outlet, consult anelectrician for replacement of the obsolete outlet.7. Protect the power cord from being walked on or pinched particularly at plug, convenience receptacles, andthe point where it exits from the apparatus.8. Only use attachments/accessories specified by the manufacturer.9. Use only with a cart, stand, tripod, bracket or table specified by the manufacturer,or sold with the apparatus. When a cart is used, use caution when moving thecart/apparatus combination to avoid injury from tip-over.10. Unplug this apparatus during lightning storms or when unused for long periods of time.11. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damagedin any way, such as when the power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or hasbeen dropped.12. To completely disconnect this equipment from the AC mains, disconnect the power supply cord plug fromthe AC receptacle13. This is CLASS II apparatus with double insulation, and no protective earth provided.The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated dangerous voltage within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operatingand maintenance (servicing) instructions in the literatureaccompanying the appliance.IMPORTANT SAFETY INSTRUCTIONS© 2011 Episode EA-AMP-SUB-1D-110 Installation and Users Manualpg.3FEATURES1. Power Switch a. RED – Off/Standby b. Blue – On/Operating2. Output Volume Control1. AUDIO INPUTS a. Connect the Right Female RCA input to an LFE output connection on a receiver or pre-amp processor.b. Connect the Left and Right Female RCA input to the Left and Right front output. connections on a receiver or pre-amp processor.NOTE: Both inputs have been calibrated to the same sensitivity level. When using stereo pre-amp outputs, both connections should beused to maintain proper input gain.2. 12V Trigger In a. Connect the 12V trigger output of the AV receiver to turn amp on when a 12V signal is received. When using a 12V trigger, the Power Mode settings do not apply. See System Connections for more information.3. POWER MODES a. ON – Always On b. Signal Sense – On, triggered via signal sense; when signal is off, amp will stay on for approximately 15 to 20 minutes.4. CROSS-OVER Crossover frequency setting of the Low Pass Filter can be adjusted from 40 to 140 Hz.NOTE: When using the LFE input, set to LFE so the preamplifier or receiver can control the crossover frequency.5. PHASE The phase of the subwoofer can be adjusted to fine tune the alignment of subwoofer signals and with those from the main speakers. Adjust the phase, listening for an increase in mid bass in the crossover region.6. SPEAKER OUTPUTS a. Connect the speaker wires to the Binding Posts. NOTE: Red is Positive and Black is Negative. Bridged output, do not ground. b. Use Bare Speaker Wire, Spade Lugs, or Banana Plugs to terminate the speaker wire.7. AC POWER a. Input voltage setting selects the appropriate 115V or 230V setting. b. IEC Power Cordpg.4EA-AMP-SUB-1D-110 Installation and Users ManualINSTALLATION – FIRST STEPSPOSITIONING YOUR EPISODE AMPLIFIER Episode amplifiers are designed to help deliver a great audio experience that makes your music come alive for years to come. However, where you place the amplifier can have a large effect on the performance that you receive and the life of the unit.• Be sure that the unit is in a well-ventilated area that provides adequate cooling.• Do not block the cooling vents located on both sides of the unit.• Do not place the unit on carpeting or any similar material.• Do not install the unit near a source of heat, or in an extremely humid or wet location.• If your installation lacks good air flow (such as solid cabinet doors or wall-mounted racks), it may be necessary tocreate ventilation to allow outside air into the space.• Allow a minimum of 5” of free air space above the unit.• Allow a minimum of 3” of free air space on either side of the unit. (Does not apply to rack mounting)VENTILATIONDo not block ventilation holes, or impede air flow by placing objects on oraround the amplifier. Do not place the amplifier on carpeting or any similarmaterial. Do not install the amplifier near a source of heat, or in anextremely humid or wet location.RACKMOUNT INSTALLATION1. Remove the amplifier’s four feet from the bottom of the chassis.2. Attach the included rack-mount ears to the front sides of the amplifier chassis.3. Securely mount the amplifier into the 19” equipment rack. The amplifier willoccupy 1U of rack space.4. Even though the amplifier produces very little heat, it is always wise to leaveventilation between components.When placing on a cabinet shelf, position the unit with all feet resting on a solid level surface.© 2011 EpisodeEA-AMP-SUB-1D-110 Installation and Users Manualpg.5SYSTEM CONNECTIONSCAUTION: All connections and switching must be done with the amplifier’s power switch positioned to ‘Off’ (LED will be RED). Connect the power cord last to be sure that the amplifier is off during all of your connections and set up.For line level connections, use high-quality RCA cables that feature low impedance, shielding and high-quality connectors.SPEAKER OUTPUTSUse 14-18 gauge stranded two-conductor loudspeaker wire for all high level connections. At each loudspeaker-level connection, ensure that at least 2 inches of each conductor are separated. Strip away 1/4 inch of insulation from each conductor. Connect the appropriate conductor to each screw terminal, observing correct polarity.pg.6EA-AMP-SUB-1D-110 Installation and Users Manual12V DC Trigger The EA-AMP-SUB-1D-110 is equipped with a 12V trigger input to turn the amplifier off, saving power consumption when not in use. When this input receives a 12V signal, the amplifier will turn ON and will turn OFF when the signal goes away.• Connect the 12V trigger output of the AV receiver to the 12V trigger input of the EA-AMP-SUB-1D-110using a high-quality 3.5mm (1/8”) mono cable.FINE TUNINGAfter making all the connections and calibrating the loudspeakers, set up your Episode subwoofer using the following steps:NOTE: When using an AV receiver and the LFE input, set the subwoofer calibration level to the factory setting1. Ensure that the subwoofer is plugged in.2. Set the following controls and switches to positions that will enable tuning for maximum performance.a. VOLUME knob set to 50%, or 12 o’clockb. CROSSOVER knob set to 120 Hz or 12 o’clockc. PHASE switch set to 0º3. During initial setup, it may be helpful to set the MODE switch to the ‘ON’ position. Once calibration is complete, switch it to ‘AUTO’ to enable the automatic power-saving mode.4. Play a movie scene or music track and set the system volume to an average level. Listen to the bass level from your favorite listening position. Adjust the VOLUME control as desired.5. If deeper bass is desired, adjust the CROSSOVER control toward the lower frequencies. Experiment with different frequency settings until you find one that sounds best.NOTE: When using the LFE input, set to LFE and make any crossover adjustments in the preamplifier or receiver crossover settings.6. Continue listening to your favorite music and movie sources using the settings chosen for volume and crossover.Now, try experimenting with the PHASE switch until you find the best setting for the installation. Depending on your subwoofer’s placement, the bass may sound louder or deeper when the phase has been optimized. In some cases, adjusting phase will make no discernible difference.• If the receiver does not have a 12V trigger output, using a 12V power supply plugged into a switched outlet on the receiver provides the same functionality.12V DC Pinout(Tip)© 2011 Episode EA-AMP-SUB-1D-110 Installation and Users Manual pg.7Continuous Power Output 68 watts RMS at 8 ohms110 watts RMS at 4 ohmsInput Sensitivity 195 mv for full output, 110 watts, with level control set to max.Frequency Response 35 - 200 HzDistortion .10% THD+N 1W/2W 100 HzAuto On Sensitivity 3.5 mvExternal Trigger Voltage 9.5 V - 20 VDimensions 16.9˝ W (18.9˝ including rack mounts)1.75˝ H (1.9˝ including feet)8.5˝ D (knob to rear chassis) 9.3” D (knob to rear speaker connector)Weight 19.7 lbs.Certification ETL Listed and tested under UL/EN60065 for US and CanadaNo audio output • Power cable to the amplifier is incorrectly connected or pluggedinto an outlet that does not have power. Check connections andverify power at the outlet.• Audio cable to the source component is not connected properly,connected to output or the cable is defective. Check connectionsor replace cable with one that has been verified as good.• Amplifier is in standby mode, and needs to be turned on “BLUE LED”.• Check the connections of the speaker wire at both the speaker and amplifier.• The level adjustment is turned down. Turn it to the right slowly toraise the volume.Hum or buzzing sound is heard • Check RCA input cables by removing them one at a time (poweringdown the amplifier before disconnecting) and verify connections.Amplifier will not turn on • The amplifier must be plugged into a live outlet.• The Power Switch on the front panel must be on.• The Power Mode switch may be set to the wrong mode for your system.SPECIFICATIONSTROUBLE SHOOTINGThis amplifier is designed to function trouble-free. Most problems that occur are due to simple issues.If you have trouble, check the list of simple fixes below. If the problem persists, contact your authorizedEpisode dealer or Episode technical support at 866-838-5052.WARRANTY 2-Year Limited WarrantyEpisode™ Amplifier Products have a 2-Year Limited Warranty. This warranty includes parts and labor repairs on all components found to be defective in material or workmanship under normal conditions of use. This warranty shall not apply to products which have been abused, modified or disassembled. Products to be repaired under this warrantymust be returned to the SnapAV or a designated service center with prior notification and an assigned return authorization number (RA).111004 © 2011 Episode。
CJ-MB300FZ调频使用说明书(正式版)
概述CJ-MB300FZ 调频广播综合测量仪是我公司新研发的针对调频广播测量自身定制的测量仪，他是在原我公司生产的CJ-MB300调频广播测试仪的基础上，增加了频偏自动测试，幅频特性自动测试，功能提示界面等，大大的提高了测试的智能化，使操作者使用更轻松。
同样，也能够测量FM 10项技术指标。
还可以作为一个单声道（4项指标）/立体声音频测量（7项指标）和立体声音频信号发生器。
具有测量和记录、文件保存、文件打印、文件传输等功能。
结构特征本仪器外箱体为一个高度为4U（1U=44.45mm）的标准机箱。
前面框宽为180mm/长为345mm/高为20mm。
操作界面与显示器成对半分，操作简便。
两边带有旋转把手，方便移动转移。
底部配有支撑脚架，可提供操作仰角，便于人工操作和观察数据。
内部采用单板固定，利于维修和检查。
前面板⑶⑴⑵⑷⑸图1 前面板1、前面板介绍上图是仪器的整个面板，分为⑴、⑵、⑶、⑷、⑸五个区。
（1）显示区显示器是一个6.4"液晶彩色显示屏。
显示屏在“波形”和“指标”测量时分成4个显示区域（详见“波形测量”一节），分别显示不同的内容。
功能区的上方是本仪器的铭牌——标注了本仪器的型号和名称。
（2）菜单选择键区此区内共有8个按键，根据屏幕显示功能所对应的键为可使用键，其具体作用和功能将在后面的各个章节中具体讲述。
（3）电源开关音频信号发生器不平衡输出区该区有一个电源开关，另一个为音频信号发生器不平衡输出；（4）功能区该区有六个按键，即“波形”、“音频”、“调频”、“打印”、“帮助”和“设置”；（5）选择确认区该区分有“上”、“下”、“左”、“右”键；“暂停”和“确认”键；2、前面板接口和按键功能介绍(1)电源开关此开关为选择型，按下“I”端为通，按下“O”端为断；(2)不平衡输出：R、L接口此接口为音频信号发生器不平衡输出接口，可作为不平衡信号源使用；(3)菜单选件此键的使用要根据不同的使用界面，选择不同的功能进行使用；(4)“波形”键按此键可以显示正在采集的时事波形；(5)“音频”键按此键可以进行音频信号测试；(6)“调频”键按此键可以进行调频信号测试；(7)“打印”键当您需要打印测试数据或硬拷贝屏幕显示图形时，只要按下此键即可。
音乐制作行业仪器器材使用方法说明书
音乐制作行业仪器器材使用方法说明书一、前言音乐制作是一门综合艺术，需要各种仪器器材的配合和运用。
本使用方法说明书旨在为音乐制作人员提供使用指南，帮助他们更好地运用音乐制作仪器器材。
二、说明1. 数字音频工作站（DAW）数字音频工作站是音乐制作的核心设备，提供了音频录制、编辑、混音和制作的功能。
使用数字音频工作站，可以实现多轨录音、音频修剪等操作。
2. MIDI键盘控制器MIDI键盘控制器是音乐制作中常用的音乐输入设备，通过连接电脑或其他设备，可以控制虚拟乐器的演奏。
在使用MIDI键盘控制器时，需要保证设备与电脑的连线正确，并设置好相应的驱动程序。
3. 话筒话筒是音频录制中不可或缺的设备，主要用于录制人声和各种乐器的声音。
在选择话筒时，需要考虑到录音环境、音频效果的要求以及个人预算等因素。
在使用话筒时，应根据具体的录音需求，选择合适的麦克风架设位置，并注意话筒的灵敏度和接收范围。
4. 监听器监听器是音频混音和制作过程中的必备设备，用于准确地听取音频效果。
在选购监听器时，需要考虑到音质还原度、频率响应范围、功率等因素，并根据所处的环境特点选择合适的监听器放置位置。
5. 扩声器和功放器扩声器和功放器用于放大音频信号，提供更好的音量和音质表现。
在选购和使用扩声器和功放器时，需要考虑到音频输出功率、频率响应范围和输入接口等因素，并根据实际情况调整合适的音量和音色。
6. 调音台调音台是音频混音的中心设备，用于调节不同来源音频信号的音量、音色和空间效果等参数。
在使用调音台时，需要熟悉各个通道的操作和控制，以及混音效果的判断和调整。
7. 各类音频线缆和连接器音频线缆和连接器用于连接各个音频设备，保证音频信号的传输。
在选择音频线缆和连接器时，需要注意信号传输质量、接口类型和长度等因素。
三、注意事项1. 使用前请仔细阅读产品说明书，了解设备的功能和使用方法。
2. 在使用过程中，请按照设备的操作规则进行操作，避免误操作导致设备损坏。
TW218Ba 双18寸 低频扬声器系统 产品名FORECAST Music说明书
感谢您购买 产品！请仔细阅读本手册，它将帮助你妥善设置并运行您的系统，使其发挥卓越的性能。
并保留这些说明以供日后参照。
警告：为了降低火灾与电击的风险，请不要将产品暴露在雨中或潮湿环境中。
警告：为了降低电击的风险，非专业人士请勿擅自拆卸该系统。
仅供专业人士操作。
等边三角形中的闪电标记，用以警示用户该部件为非绝缘体，系统内部存在着电压危险，电压。
可能足以引起触电。
可能足以引起触电如系统标有带惊叹号的等边三角形，则是为提示用户严格遵守本用户指南中的操作与维护规定。
注意：请勿对系统或附件作擅自的改装。
未经授权擅自改装将造成安全隐患。
警告：燃不得将明火源(如点的蜡烛)放在器材上面。
1. 请先阅读本说明。
2. 保留这些说明以供日后参照。
3. 注意所有警告信息。
4. 遵守各项操作指示。
5. 不要在雨水中或潮湿环境中使用本产品。
6. 不要将产品靠近热源安装，例如暖气管、加热器、火炉或其它能产生热量的装置（包括功放机 ）。
7. 不要破坏极性或接地插头的安全性设置。
如果提供的插头不能插入插座，则应当请专业人员更换插座。
8. 保护好电源线和信号线，不要在上面踩踏或拧在一起（尤其是插头插座及穿出机体以外的部分 ）。
9. 使用厂商规定及符合当地安全标准的附件。
10.雷电或长时间不使用时请断电以防止损坏产品。
12. 不要让物体或液体落入产品内——它们可能引起火灾或触电。
13. 请注意产品外罩上的相关安全标志。
. 仅与厂商指定或与电器一同售出的推车、架子、三脚架、支架或桌子一起使用。
推动小车电/器时，应谨防翻倒。
11注意事项产品的安装调试须由专业人士操作。
在使用非本厂规定的吊装件时，要保证结构的强度并符合当地的安全规范。
警告：1扬声器及扬声器系统的产品有限保修期为自正式购买日起的3年。
由于用户不合理的应用而导致音圈烧毁或纸盆损坏等故障，不包含于产品保修项目。
产品吊附件(包括音箱装配五金件和吊挂配件)的有限保修期为自正式购买日起的1年。
低频音乐振动驱动器使用说明书
基本操作-----1. 打开驱动器电源开关，待机指示灯亮，按线控上启动键系统工作。
有AUX.自振和蓝牙三种模式工作方式，按线控“M”模式键转换，并在显示窗口LED灯指示。
2. 使用手机蓝牙时，扫描搜索到ZS-001连接到设备。
3. 该设备线控有二个独立通道增益控制，各自调节“+”.“-”增益控制震动的强度和音频音量。
在显示窗内对应的LED分别指示各自通道的增益状态。
4 . 可以根据使用人要求调节线控上低通频率选择按线控上键“Hz”键，分别选择（30Hz.45Hz.60Hz）。
5.当输入音频信号过大时，系统设备会自动减少振动增益，使通道增益LED灯无法调到最高位置，确保输出驱动不至于过大或失真。
6. 长按线控器上启动键关闭系统工作，进入待机状态。
主要电性能指标----1.输入电压:AC220V 50Hz/60Hz。
2. 输出额定功率: 振动2 ×50W 4Ω.音频功率2 ×10W 4Ω。
3. 输入灵敏度: 线路RCA AUX 300mV。
4. 蓝牙：SIG蓝牙协会认证标准Bluetooth 4.1频率2.4-2.48GHz 通讯距离15m。
5. 频率响应：振动20Hz-80Hz。
音频20Hz-20KHz。
6. 低通滤波器分频点：30Hz .45Hz.60Hz可供选择。
7.保护设置：输出短路保护，直流输出保护，过温保护。
8.品产寸尺：175mm×88mm×48mm。
配套附件-----选配件保修-------------------- -保修事项：享有国家三包规定以及相关产品质量和售后服务的规定。
您商品自购买日起享有一年免费保修，以保证对应任何生产中的瑕疵。
由于意外导致的损坏、滥用、私自拆卸修理或修改、进水都不属于保修范围内---------------------------------------------服务热线：传真：地址：注：本卡内容解释权属于宁波江北正盛音响科技有限公司VIBRATOR POWER AMPLIFIER低频音乐振动器专用功率放大器使用说明书尊敬的用户感谢您购买和使用本公司生产的低频音乐振动器，本产品将当今的先进科技与时尚完美结合，它把舒适的音频按摩震动融入到你的健康生活娱乐中，功能是让声音与身体融汇一体，该产品将音源处理后通过换能器同步振动，让你的身体直接感受到这种低频声音传给你的振动，让你感受身临其境，被广泛认可的功能有：身临其境，逼真，震撼，按摩，纾解疲劳，放松，促进血液循环，有助睡眠。
电子音乐器械使用说明书
电子音乐器械使用说明书使用说明书一、前言欢迎您选择我们的电子音乐器械！本使用说明书将为您提供详细的操作指导，帮助您正确使用和维护您的电子音乐器械。
二、产品概述1. 产品名称：电子音乐器械2. 适用对象：音乐爱好者、专业音乐人等3. 主要功能：演奏多种音乐风格、录音、混音等三、安全事项1. 请将电子音乐器械放置在干燥的室内环境，并远离水源和高温场所。
2. 在使用器械前，请务必阅读本使用说明书，并确保理解和掌握所有内容。
3. 如有异常情况或故障，请立即停止使用并联系售后服务。
四、外观及配件1. 外观：本电子音乐器械采用时尚简约的设计，外壳坚固耐用。
2. 配件：每台电子音乐器械都会配备电源适配器、连接线等必要配件。
五、器械操作1. 电源连接：使用附带的电源适配器将器械与电源插座连接。
2. 开机与关机：按下电源按钮开启器械，长按电源按钮即可关机。
3. 演奏功能：a) 键盘式：使用器械上的键盘按键演奏不同音符。
b) 打击式：使用手指或鼓槌轻敲打击面演奏鼓声。
c) 弦乐式：使用指弹或琴拨弹奏弦乐声音。
4. 节拍控制：通过旋转型控制钮调整节拍速度，提供多种节拍模式供选择。
5. 音效调整：通过音量控制钮、音效调节钮等调整器械的音量和音色。
6. 录音功能：按下录音按钮即可开始录音，并通过录音控制钮进行暂停、继续和停止操作。
7. 混音功能：将不同音轨录音合并并进行混音处理，创造独特的音乐作品。
六、常见问题解答1. 为什么我的器械没有声音？确保音量控制钮是否调整到适当位置，并检查连接线是否牢固连接。
2. 如何清洁器械？使用干净柔软的布轻轻擦拭器械表面，并避免使用含有化学物质的清洁剂。
3. 如何存储器械？将器械放置在干燥通风的地方，并避免长时间暴露在阳光下。
七、保养与维修1. 定期清理：清除器械表面的灰尘和污渍，保持器械的外观整洁。
2. 避免撞击：使用过程中要注意避免器械受到撞击，以免导致损坏。
3. 维修与保养：如遇到故障或需要维修，请联系我们的售后服务中心。
Primacoustic Recoil Stabilizer 低频回弹稳定器说明书
SPECIFICATIONSPrimacoustic Recoil Stabilizers are a near fi eld reference monitor platformdesigned to decouple the loudspeaker from the supporting shelf while addingmass to stabilize the speaker from the backward recoil caused by the lowfrequency driver motion. The Recoil Stabilizer is made from three components:a high-density urethane foam base that acts as an isolator to eliminate resonantfrequencies from traveling from the speaker to the shelf, a heavy laser-cutsteel base that acts as both the platform for the speaker and as the stabilizingcounter-force, and thin a non-slip neoprene surface that is used to hold thespeaker securely in place. The Recoil Stabilizer works by simply mountingit beneath the speaker. A range of sizes are available to adapt to variousspeakers and these may be ordered in horizontal or down-fi re angles to aim theloudspeakers as needed.RECOIL STABILIZER™SPECIFICATIONS:1/4” steel, black powder coated with 1/8” Neoprene padHigh density polyurethane foam1RX5 - 5.75 lbs. (2.6 kg.); RX7 - 10.8 lbs. (4.9 kg.); RX9 - 12.5 lbs. (5.7 kg.);RX12 - 22 lbs. (10 kg.); RX17 22 lbs. (10 kg.); RX20 - 36 lbs. (16.3 kg.)WIDTH Patent applied for.STUDIO MONITOR REFERENCE:Recoil ADAM AudioA7RX5ANF10RX5P11ARX7P22ARX7P33ARX9S1ARX5*S2ARX7S2.5ARX7S3ARX9Blue SkyEXORX5MediaDesk SATRX5SAT 12RX12SAT 5 MKIIRX5*SAT 6.5 MKIIRX7DigidesignRM1RX7RM2RX7*DynaudioBM5ARX7BM6ARX7BM15ARX9AIR 6RX7*AIR 15RX7*AIR 20RX9*EventStudio Precision 6RX7Studio Precision 8RX9TR6RX7TR8RX7FostexPM0.5 MKIIRX5*PM1 MKIIRX7PM2 MKII RX7*Deck is undersized in one dimension by less than 1”.Monitor Recoil Genelec 1029A RX51030A RX71031A RX71032A RX98020A RX58030A RX78040A RX78050A RX7*JBL LSR6325P-1RX5LSR6328P RX9LSR4326P RX7LSR4328P RX7Klein & Hummel O 110RX5O 300RX9O 410RX12KRK RP5RX5RP6 RX7RP8RX7VXT4RX5VXT6RX7VXT8RX9E8B RX9*V4RX5V6RX7V8RX7*M-Audio EX66RX5*BX5a RX5BX8a RX7*DX4RX5Monitor Recoil Mackie HR624RX9HR626RX7HR824RX7Meyer Sound HD 1RX12M&K Professional MPS-1501RX5MPS-1601RX5*MPS-1611RX7MPS-2510RX7*PMC DB1S-A RX5TB2S-A RX7Samson Resolv A8RX7Resolve A6RX7Tannoy Reveal 5RX5*Reveal 6D RX7Reveal 66RX9*Reveal 8D RX7*Precision 6RX7Precision 8RX7*System 600RX7System 800RX7*Yamaha MSP3RX5MSP7RX7MSP10RX7HS 50M RX5HS 80M RX7*NS-10RX5*NS-10 (sidemount)RX9WIDTH DEPTH HEIGHT Load Limit Z860-1505RX5-HF 7.5” (190.5mm)9.5” (241mm) 1.87” (47.5mm)32 lbs.Z860-1505-05RX5-DF (5° down angle)7.5” (190.5mm)9.5” (241mm) 1.87” (47.5mm)32 lbs.Z860-1505-10RX5-UF ( 10° up angle)7.5” (190.5mm)9.5” (241mm) 1.87” (47.5mm)32 lbs.Z860-1507RX7-HF 10.375” (263mm)13” (330mm) 2.62” (66.5mm)44 lbs.Z860-1507-05RX7-DF (5° down angle)10.375” (263mm)13” (330mm) 2.62” (66.5mm)44 lbs.Z860-1509RX9-HF 15” (381mm)11” (279mm) 2.62” (66.5mm)50 lbs.Z860-1509-05RX9-DF (5° down angle)15” (381mm)11” (279mm) 2.62” (66.5mm)50 lbs.Z860-1512RX12-HF 20” (508mm)13” (330mm) 2.62” (66.5mm)88 lbs.Z860-1512-05RX12-DF (5° down angle)20” (508mm)13” (330mm) 2.62” (66.5mm)88 lbs.Z860-1517RX1717” (432mm)17” (432mm) 2.62” (66.5mm)88 lbs.Z860-1520RX2020” (508mm)22” (559mm) 2.62” (66.5mm)144 lbs.DECK DIMENSIONS:5° Down-firing Deck - RX5; RX7; RX9; RX12DF UF10° Up Fire Deck - RX5HF Horizontal Deck - RX5; RX7; RX9; RX12; RX17; RX20HEIGHT DEPTHThank you for choosing the Primacoustic ® Recoil Stabilizer ™. We appreciate the support you have shown us through the purchase of this product. Primacoustic has designed the Recoil Stabilizer utilizing high-grade components to ensure optimum performance for many years.We invite you to log onto the Primacoustic web site, . There you will fi nd product information for the Recoil Stabilizer and our frequently asked question (FAQ) section. If you have any concerns that are not addressed on the web site or comments you would like to share about Primacoustic products, we encourage you ***************************************************.Wevalueyouropinionandbelievethebestwayto improve our products and services is by listening to our valued customers.PrimacousticisadivisionofRadialEngineeringLtd.Copyright©20071588KebetWayPortCoquitlam,**********************************************:604-942-1001Fax:604-942-1010Recoil Stabilizer Owner’s Manual - Part #R870-2025-00 • V1.1Speci fi cations and appearance are subject to change without notice.Primacoustic (a division of Radial Engineering Ltd.)1588 Kebet Way, Port Coquitlam BC V3C 5M5tel: 604-942-1001 • fax: 604-942-1010*********************PRIMACOUSTIC WARRANTY AND DISCLAIMERPrimacoustic products are covered by a 90-day warranty against manufacturing defects. Please consult the primacoustic web page for complete details. In the event that a product is believed to be defective, the product must be returned to the point of purchase, freight pre-paid. Upon inspection, should the product be deemed defective, it will be repaired or replaced at the discretion of the dealer after consulting with Primacoustic.To minimize color fading of the foam due to exposure to oxygen and ultra violate light, carbon is employed during the coloring process. This does not guarantee the color fastness of the foam component and you should expect the appearance to change over time. Color fastness is not covered under the Primacoustic Warranty.This warranty does not cover damage to furniture or equipment caused by contact with or destabilization of the foam component. Care should be taken when placing the product on fi nished wood surfaces or other surfaces to ensure there will not be a chemical interaction between the surface fi nish and the foam component.The foam component is manufactured to meet the California C-117 speci fi cation for fi re safety, however, no claims are made and the suitability of the product is the sole responsibility of the user, installer or specifying engineer. Use, application or miss-application is entirely the responsibility of the user. Proper care must be taken to ensure the Recoil Stabilizer is placed on a solid surface and frequent checks are to be performed by the user to insure the Recoil Stabilizer and the loudspeaker are safely mounted and have not shifted due to vibration or mishandling. Primacoustic, associated companies, directors, employees and agents are not responsible for improper or unauthorized use, for damages either consequential or inconsequential, or any other form of liability whatsoever.w w w.p r i m a c o u s t i c.c o m。
天龙AV Surround Receiver SR6015 操作说明书
AV Surround ReceiverSR6015操作说明书附件8安装电池9遥控器的操作范围9特点10高音效10高性能12简易操作16部件名称与功能17前面板17显示屏21后面板23遥控器27连接方法扬声器安装31连接扬声器38连接扬声器之前38扬声器配置和“放大器分配”设置42连接5.1声道扬声器44连接7.1声道扬声器45连接9.1声道扬声器49连接11.1声道扬声器56连接7.1声道扬声器：前置扬声器的双功放连接60连接7.1声道扬声器：第二对前置扬声器61连接多区域扬声器62连接外置功率放大器64连接电视机65连接1 : 配备了HDMI端子并兼容ARC（Audio Return Channel）/ eARC（Enhanced Audio Return Channel）的电视机66连接2 : 配备了HDMI端子且不兼容ARC（Audio Return Channel）/ eARC（Enhanced Audio Return Channel）的电视机67连接3 : 未配备HDMI端子的电视机68连接播放设备69连接机顶盒（卫星调谐器/有线电视）70连接DVD播放机或蓝光碟片播放机71连接兼容8K的播放机设备72连接摄像机或游戏机73连接电唱机74使用多声道输出端子连接设备75将USB存储设备连接至USB端口76连接FM/AM天线77连接至家庭网络（LAN）79有线LAN79无线局域网80连接外部控制设备81 REMOTE CONTROL插孔81 DC OUT插孔82连接电源线83播放基本操作85开启电源85选择输入源85调节音量86暂时关闭声音（静音）86播放DVD播放机/蓝光碟片播放机86播放USB存储设备87播放储存在USB存储设备上的文件88在蓝牙设备上收听音乐91从蓝牙设备播放音乐92与其他蓝牙设备配对93从蓝牙设备重新连接至本机94在蓝牙耳机上收听音频95在蓝牙耳机上收听音频96重新连接至蓝牙耳机97断开蓝牙耳机97收听FM/AM广播98收听FM/AM广播99通过输入频率来进行调谐（直接调谐）100更改调谐模式（调谐模式）101自动调谐到电台并进行预设（自动预设记忆）101预设当前广播电台（预设记忆）102收听预设电台102指定预设广播电台的名称（预设名称）103跳过预设的广播电台（跳过预设）104取消跳过预设105收听网络电台106收听网络电台107播放存储在计算机或NAS中的文件108播放存储在计算机或NAS中的文件109获取 HEOS App112 HEOS账户113从流媒体音乐服务播放114在多个房间聆听相同的音乐117 AirPlay功能121从iPhone、iPod touch或iPad播放歌曲122从iTunes播放歌曲122在多个同步设备上播放iPhone、iPod touch或 iPad上的曲目 (AirPlay 2)123 QPlay功能124在本机上播放QQ音乐曲目124便捷功能125添加到HEOS最爱收藏126播放HEOS最爱收藏126删除HEOS最爱收藏127调节各声道的音量以与输入源相符（声道电平调节）128调节音调（音调）129音频播放过程中播放所需视频（视频选择）130根据您的观看环境调节图片质量（画面模式）131在所有区域中播放相同的音乐（所有区域立体声）132变更扬声器设置以匹配收听环境（扬声器预设）133选择声音模式134选择声音模式135直通播放136纯直通播放136自动环绕播放137声音模式类型介绍138可为每个输入信号选择的声音模式143 HDMI控制功能148设置步骤148智能菜单功能149睡眠定时器功能151使用睡眠定时器152智能选择功能153调用设置154更改设定155面板锁定功能156禁用所有键的按键操作156禁用除VOLUME之外的所有按键操作156取消面板锁定功能157远程锁定功能158禁用遥控器的感应窗功能158启用遥控感应窗功能158网络控制功能159通过网络控制对本机进行控制159 ZONE2（区域2）（另一房间）中播放161连接ZONE2（区域2）161ZONE2（区域2）播放164设置菜单图166菜单操作170音频171中置电平调节171低音炮音量调节171环绕参数172 M-DAX177音频延迟178音量179 Audyssey®180图形 EQ183视频185画质调整185 HDMI设置187输出设置192屏幕显示196屏幕保护197 4K/8K信号格式197 HDCP设置199 TV格式199输入200输入分配200源重命名203隐藏源203输入源电平203扬声器204 Audyssey®设置204扬声器的设定步骤（Audyssey®设置）206出错信息212检索Audyssey®设置设定214手动设置215放大器分配215扬声器配置222距离226电平227交叉228低音229前置扬声器230扬声器预设230网络231信息231连接231 Wi-Fi设置232设置234网络控制236友好名称236诊断237 AirPlay237HEOS账户238您尚未登录238您已经登录238常规239语言239 ECO239蓝牙发射器243区域2设置244区域重命名246智能选择名称246触发器输出247前显示屏247固件248信息251使用率数据253保存和读取253设置锁定254重置254使用遥控器限制操作区域255提示提示257故障诊断259电源无法开启 / 电源关闭260使用遥控器无法执行操作261本机显示屏不显示内容261不发出声音262所需声音没有发出263声音中断或出现噪音266电视机上不显示视频267菜单屏幕不显示在电视机上269电视机上所显示菜单画面和操作内容的颜色与正常时不同269 AirPlay无法播放270USB存储设备无法播放271无法播放蓝牙设备272网络电台无法播放274计算机或NAS上的音乐文件无法播放275无法播放各种在线服务276 HDMI控制功能无效276无法连接至无线LAN网络277使用HDMI ZONE2时，设备无法正确运行278更新/升级错误消息279恢复出厂设置280恢复网络设置281恢复固件至出厂默认设置282保修和修理283附录关于HDMI284视频转换功能288播放USB存储设备290播放蓝牙设备291播放保存在计算机或NAS中的文件292播放网络收音机293个人记忆附加功能293最新功能记忆293术语解释294商标信息303规格305索引311感谢您选购此Marantz产品。
Philips BTM1360 超迷你音響系統用户指南说明书
設定時鐘
1 在待機模式中，按住 CLOCK 超過二
秒，即可進入時鐘設定模式。 »» 隨即顯示 [24H] 或 [12H]。 8 ZH-TW
選擇來源
在主音樂系統
重複按 SOURCE 以選擇來源。 • [DISC] ：光碟插槽中的光碟 • [USB] ：儲存在連接 USB 儲存裝置中
警告
•• 請勿打開產品外殼。 •• 請勿在本產品的任何部位使用潤滑油。 •• 請勿直視本產品內的雷射光。 •• 請勿將本產品放置在其他電器上。 •• 請勿讓本產品直接曝曬於陽光下，或靠近未隔離
的火燄或熱源。
•• 請確認電源線、插頭或變壓器位於容易取得的地
方，以方便中斷產品電源。
• 請勿將裝置置於滴水或濺水的環境。 • 請勿在裝置上放置危險物品 (如盛裝液
h SLEEP/TIMER • 設定睡眠定時器。 • 設定鬧鐘定時器。
i CLOCK • 設定時鐘。 • 檢視時鐘資訊。
j PROG • 編排曲目。 • 編排廣播電台。 • 自動儲存 FM 廣播電台。
k • 靜音或還原音量。
l SOUND • 採用數位音效控制 (DSC) 讓聲音 更豐富。
m VOL +/• 調整音量。
1 連接右揚聲器時，找到主裝置背面標有
「R」的插孔。
2 將紅色電線插入紅色 (+) 插孔，並將黑
色電線插入黑色 (-) 插孔。
3 連接左揚聲器時，找到主裝置上標有
「L」的插孔。
4 重複步驟 2，插入左揚聲器線。
若要插入每條揚聲器線：
1 壓開插孔擋板。 2 完全插入揚聲器線。 3 放開插孔擋板。
將電源線連接至電源插座。
備註
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基本操作-----
1. 打开驱动器电源开关，待机指示灯亮，按线控上启动键系统工作。
有AUX.自振和蓝牙三种模式工作方式，按线控“M”模式键转换，并在显示窗口LED灯指示。
2. 使用手机蓝牙时，扫描搜索到ZS-001连接到设备。
3. 该设备线控有二个独立通道增益控制，各自调节“+”.“-”增益控制震动的强度和音频音量。
在显示窗内对应的LED分别指示各自通道的增益状态。
4 . 可以根据使用人要求调节线控上低通频率选择按线控上键“Hz”键，分别选择（30Hz.45Hz.60Hz）。
5.当输入音频信号过大时，系统设备会自动减少振动增益，使通道增益LED灯无法调到最高位置，确保输出驱动不至于过大或失真。
6. 长按线控器上启动键关闭系统工作，进入待机状态。
主要电性能指标--
--
1.输入电压:AC220V 50Hz/60Hz。
2. 输出额定功率: 振动2 ×50W 4Ω.音频功率
2 ×10W 4Ω。
3. 输入灵敏度: 线路RCA AUX 300mV。
4. 蓝牙：SIG蓝牙协会认证标准Bluetooth 4.1
频率2.4-2.48GHz 通讯距离15m。
5. 频率响应：振动20Hz-80Hz。
音频20Hz-20KHz。
6. 低通滤波器分频点：30Hz .45Hz.60Hz
可供选择。
7.保护设置：输出短路保护，直流输出保护，过温
保护。
8.品产寸尺：175mm×88mm×48mm。
配套附件-----
选配件
保修-------------------- -
保修事项：享有国家三包规定以及相关产品质量和
售后服务的规定。
您商品自购买日起享有一年免费保
修，以保证对应任何生产中的瑕疵。
由于意外导致的
损坏、滥用、私自拆卸修理或修改、进水都不属于保
修范围内
---------------------------------------------
服务热线：传真：
地址：
注：本卡内容解释权属于宁波江北正盛音响科技有限
公司
VIBRATOR POWER AMPLIFIER
低频音乐振动器专用功率放大器
使用说明书
尊敬的用户感谢您购买和使用本公司生产的低频音乐振动器，本产品将当今的先进科技与时尚完美结合，它把舒适的音频按摩震动融入到你的健康生活娱乐中，功能是让声音与身体融汇一体，该产品将音源处理后通过换能器同步振动，让你的身体直接感受到这种低频声音传给你的振动，让你感受身临其境，被广泛认可的功能有：身临其境，逼真，震撼，按摩，纾解疲劳，放松，促进血液循环，有助睡眠。
无论聆听音乐,欣赏电影还是手机游戏，都能给您前所未有的震撼体验。
我们将为您提供一年的免费保修服务，为了正确安装和使用，请您仔细阅读本说明书并妥善保管，以备日后参考。
注意事项 --
--
1. 电源警告：第一次接通电源之前，请仔细阅读以下说明。
请确认您的供电电压与产品后面板上标明的要求相符（即：AC220V ）,AC 电源线一定要可靠接地。
2. 禁止用湿手插拔连接线，以防触电。
3. 如机器突发冒烟或其他异常，请迅速拔掉电源线，避免引起意外事故，并及时联系当地经销商进行维修。
4.请不要在驱动器上放置任何杂物。
保持驱动器在通风良好的环境中使用便于散热。
遇到安装或不能正常工作请与经销商联系。
5.安装时，电源线和音频线不能被挤压.拉扯.打结.悬挂重物或践踏，以防线体绝缘层破坏，导致短路或
接触不良等情况发生。
6.暂不使用时务必关闭驱动器上的电源开关。
安装连接与使用
------
1.功能介绍图示
2.安装与连接
该设备有二路振动输出和立体声音频输出，并可分别独立控制其输出增益。
把驱动器安放在通风良好的环境中，按图连接振动器和线控器。
3 . R.L 输出端子连接方法：
4. 10W 振动器按下图连接：
5. 手机音频蓝牙连接：
分别开启手机蓝牙和本设备蓝牙输入功能，并将手机蓝牙中搜索蓝牙设备，查找到之后选中ZS-001进行配对连接，无需连接密码自动完成配对后则连接成功，打开手机的音乐播放器就行.
6. 自振模式：按线控器“M ”键选择“(())”模式按“Hz ”键,LED 显示 30Hz- 45Hz- 60H 模式，对应输出频率为间息正弦波振动。
7. AUX 模式：需在RCA 或AUX 输入外部音频信号，按线器控“M ”键选择“AUX ”即可。
8.音频振动低通滤波器频率设置：驱动器内置三个低通分频点，30Hz 45Hz 60Hz ，按线控器“Hz ”键选择。
9. 当输出端的振动器或扬声器发生短路或过载时，驱动器会自动保护停机，排除故障后，按线控器上复位键或关闭驱动器上电源开关重新启动。