新标准大学英语综合教程(第二版)Book3 Unit3课后答案

Unit 3

Active Reading (1)

2

1 b 2c 3b 4b 5b 6a

3

1 c 2a 3c 4a 5b 6b

4

1composer 2 constitutes 3capacity 4 qualified 5sufficiently

6rhythm 7 derived

5

1.proclaim

2.analogy (It’s quite easy to make an apology between poetry and music)

3.clarity

4.for the sake of

5.potent

6.costumes

6

1a 2b 3a 4a 5b 6a 7a 8a

7 1d 2d

8 1, 3, 5, 6

Active Reading (2)

4

1 scenario

2 pose

3 collapse

4 surrenders

5 marvels

6 prosperous

7 await

8 exceeds

5

1 prominent

2 obliging

3 perception

4 swaying

5 distracts

6 multiple

7 suspending

8 devises

6

1b 2b 3b 4a 5a 6a 7b 8a

Language in use

1

1 songwriter

2 film director

3 headscarf

4 backpack

5 lipstick

6 shoelace

7 mail polish

2

1 Swooping in on a shorter woman, the sailor kissed her.

2 Acting impulsively and aiming accurately, he commanded that the camera’s shutter close at the most poignant moment.

3 Grabbing the viewer’s attention, the photo never seems to let go.

4 Closing her eyes, she was content to remain unaware of her pursuer’s identity.

5 Never knowing the truth, they glossed over the war’s miseries and romanticized life.

6 One assumes that the couple will live in a split-level home, driving big cars and producing lots of children.

3

1 Regardless of the task set by the magazine which employed him, the photographer always managed to get the best picture.

2 He kept looking for the photo, regardless of the crowds.

3 Regardless of how perfectly the pose of the sailor and the woman was arranged, he didn’t have to set up this shot.

4 Regardless of the facts, people know that life will be good from now on.

5 Regardless of what people still remember of photos in the past, this one reminds us that we felt better as a nation and as individuals.

5

1 marvel at

2 popular appeal

3 highly-/full- /well-qualified

4 perceived…as

5 exceeded…expectations

Translation

6

《格尔尼卡》是西班牙艺术家巴勃罗·毕加索1937年为抗议轰炸西班牙北部一个小村庄而作的一幅巨型壁画。这幅大型壁画高3.49米，宽7.76米，展示了暴力和混乱给人和动物带来的苦难以及对建筑物的破坏。令人吃惊的是，整个壁画的色调由灰、黑、白组成，没有用鲜艳的红色来表现血腥的场面，但恐怖的景象却历历在目。画面上的人物并非用写实主义的画法来表现，而是采用立体派和抽象派的画法，但无辜平民惨遭屠杀的惨象却一目了然：一位母亲怀抱死婴，张嘴尖叫，她仰面朝天，伤心欲绝；一位士兵横尸地上，手里还紧握着一把断剑；另外三个人也都处于震惊和痛苦之中。画面中的动物——包括一匹受伤的马和一只哭泣的鸟——也都被描绘成这次屠杀的无辜受害者。毫无疑问，描绘这些扭曲变形的骇人慘象的目的就是让观众感到震惊。这种对人类悲苦惨状的描绘是对战争的残酷和荒谬的深刻控诉。

7

In the Mogao Caves in Dunhuang, the murals with “flying apsaras”are one of the most well-known artefacts. The flying apsaras in the Dunhuang Grotto Murals are a product of the intermixing of Indian and Chinese culture. In India, flying celestial beings called “flying apsaras” appear mostly in murals in Buddhist caves, while in the