英国文学选读名词解释
英国文学-名词解释-
英国文学-名词解释-学习好资料欢迎下载1.epic 史诗:a long narrative poem, grand in style, about heroes and heroic deeds, embodying heroicideals of a nation or race in the making. Beowulf is the English national epic that was passed from mouth to mouth and written down by many unknown hands.2.Conceit:a kind of metaphor that makes a comparison between two startlingly different things. Aconceit usually provides the framework for an entire poem. An especially unusual and intellectual kind of conceit is the metaphysical conceit, used by certain 17th-century poets, such as John Donne..3.Epiphany(顿悟): a sudden revelation of truth about life inspired by a seemingly trivial incident4.Metaphysical poetry:玄学诗派the poetry of John Donne and other 17th-century poets who wrotein a similar style. It is characterized by verbal wit and excess, ingenious structure, irregular meter, colloquial language, elaborate imagery, and a drawing together of dissimilar ideas .5.Stream of consciousness意识流: a kind of writing technique in which a character's perceptions, thoughts, andmemories are presented in an apparently random form, without regard for logical sequence, chronology, or syntax.Often such writing makes no distinction between various levels of reality--such as dreams, memories, imaginative thoughts or real sensory perception.6.heroic couplet 英雄双韵体two successive lines of rhymed poetry in iambic pentameter.Geoffrey Chaucer’s masterpiece The Canterbury Tale was written in heroic couplet.7.ballad meter 民谣体traditionally a four-line stanza containing alternating four-stress and three-stress lines, usually with a refrain and the rhyme scheme of abcb. Robert Burns’ “A Red, Red Rose” is a great love ballad.8.sonnet 十四行诗a fixed form consisting of fourteen lines of 5-foot iambic verse. It first flourished in Italy in the 14thcentury. William Shakespeare was a great English sonnet writer famous for his 154 sonnets.9.iambic pentameter 五步抑扬格the basic line in English verse, with five feet in a line, usually an unaccented syllable followed by an accented syllable. It was probably introduced by Geoffrey Chaucer and certainly established by him in The Canterbury Tales.10.image 意象a concrete representation of an object or sensory experience. Typically, such a representation helpsevoke the feelings associated with the object or experience itself. Many images are conveyed by figurative language. An image may be visual, olfactory, tactile, auditory, gustatory, abstract and kinaesth etic. The rose in Robert Burns’ poem “A Red, Red Rose” is a beautiful image.11.“Dramatic monologue”戏剧独白that is a lyric poem which reveals “ a soul in action” through the conversation of one character in a dramatic situation. T he character is speaking to an identifiable but silent listener at a dramatic monent in the speaker’s life.12.blank verse 无韵诗,素体诗unrhymed iambic pentameter, the most widely used of English verse forms and usually used in English dramatic and epic poetry. William Shakespeare’s play Hamlet is written in blank verse.13.Sonnet is a verse form of fourteen lines, in English characteristically in iambic pentameter and most often in one of the two rhyme schemes: the Italian(or Petrarchan) or Shakespearean14.essay 散文a composition, usually in prose, which may be of only a few hundred words or of book length andwhich discusses, formally or informally, a topic or a variety of topics. It is one of the most flexible and adaptable of all literary forms. Francis Bacon is a great essayist; his “Of Studies” is a model of good essay.15.English Romanticism 英国浪漫主义a literary movement that aimed at free expres sion of the writer’s ideas and feelings and flourished in学习好资料欢迎下载the early 19th century England. A great representative of this movement is Percy Bysshe Shelley, the author of “Ode to the West Wind”.16.Naturalism自然主义: A literary movement seeking to depict life as accurately as possible, without artificial distortions of emotion, idealism, and literary convention. The school of thought is a product of post-Darwinian biology in the nineteenth century.17.Sentimentalism感伤主义:It is a literal movement in the middle of the 18th century in England which concentrateson the distressed of the poor unfortunate and virtuous people and demonstrates that effusive emotion was evidence of kindness and goodness.18.Bildungsroman: a novel that traces the initiation, development, and education of a young person. Examples are Dickens’s David Copperfield and James Joyce’s Portrait of the Artist as a Young Man./doc/b03339706.html,ke poets 湖畔诗人the three romantic poets who lived in the Lake District of England and wrote poems about nature.William Wordsworth was the most famous of the lake poets; he wrote many great nature poems, including “I Wandered Lonely as a Cloud”.20.poet laureate 桂冠诗人A poet honored for his artistic achievement or selected as mostrepresentative of his country or era; in England, a court official appointed by the sovereign, whose original duties included the composition of odes in honor of the sovereign’s birthday and in celebration of state occasions of importance. William Wordsworth became poet laureate in 1843. 21.Realism现实主义: An elastic and ambiguous term with two meanings. (1) First, it refers generally to any artistic orliterary portrayal of life in a faithful, accurate manner, unclouded by false ideals, literary conventions, or misplaced aesthetic glorification and beautification of the world. It is a theory or tendency in writing to depict events in human life in a matter-of-fact, straightforward manner.22.Allegory is a tale in verse or prose in which characters, actions, or settings represent abstract ideas ormoral qualities. Thus, an allegory is a story with two meaning,a literal meaning and a symbolic meaning.23.Byronic hero is a character-type found in Byron’s narrative Childe Harold’s Pilgrimage. He is aboldly defiant but bitterly self-tormenting outcast, proudly contemptuous of social norms but suffering for some unnamed sin. Emily Bronte’s Heath cliff is a late r example.24.启蒙运动:The 18th century marked the beginning of an intellectual movement in Europe, known as theEnlightenment, which was, on the whole, an expression of struggle of the bourgeoisie against feudalism. The enlighteners fought against class inequality, stagnation, prejudices and other survivals of feudalism. They attempt to place all branches of science at the service of mankind by connecting them with the actual needs and requirements of people.25.English Renaissance 英国文艺复兴the literary flowering of England in the late 16th century and early 17th century, with humanism as its keynote. William Shakespeare’s Hamlet is considered the summit of this renaissance.。
英国文学名词解释大全(整理版)
名词解释1.Epic(史诗)(appeared in the the Anglo-Saxon Period )It is a narrative of heroic action, often with a principal hero, usually mythical in its content, grand in its style, offering inspiration and ennoblement within a particular culture or national tradition.A long narrative poem telling about the deeds of great hero and reflecting the values of the society from which it originated.Epic is an extended narrative poem in elevated or dignified language, like Homer’s Iliad & Odyssey. It usually celebrates the feats of one or more legendary or traditional heroes. The action is simple, but full of magnificence.Today, some long narrative works, like novels that reveal an age & its people, are also called epic.E.g. Beowulf (the pagan(异教徒),secular(非宗教的) poetry)Iliad 《伊利亚特》,Odyssey《奥德赛》Paradise Lost 《失乐园》,The Divine Comedy《神曲》2.Romance (传奇)(Anglo-Norman feudal England)•Romance is any imaginative literature that is set in an idealized world and that deals with heroic adventures and battles between good characters and villains or monsters.•Originally, the term referred to a medieval (中世纪) tale dealing with the love and adventures of kings, queens, knights, and ladies, and including supernatural happenings.Form:long composition, in verse, in proseContent:description of life and adventures of a noble heroCharacter:a knight, a man of noble birth, skilled in the use of weapons; often described as riding forth to seek adventures, taking part in tournaments(骑士比武), or fighting for his lord in battles; devoted to the church and the king •Romance lacks general resemblance to truth or reality.•It exaggerates the vices of human nature and idealizes the virtues.•It contains perilous (dangerous) adventures more or less remote from ordinary life.•It lays emphasis on supreme devotion to a fair lady.①The Romance Cycles/Groups/DivisionsThree Groups●matters of Britain Adventures of King Arthur and his Knights of the Round Table (亚瑟王和他的圆桌骑士)●matters of France Emperor Charlemagne and his peers●matters of Rome Alexander the Great and the attacks of TroyLe Morte D’Arthur (亚瑟王之死)②Class Nature (阶级性) of the RomanceLoyalty to king and lord was the theme of the romances, as loyalty was the corner-stone(the most important part基石)of feudal morality.The romances were composed not for the common but for the noble, of the noble, and by the poets patronized (supported 庇护,保护)by the noble.3. Alliteration(押头韵): a repeated initial(开头的) consonant(协调,一致) to successive(连续的) words.e.g. 1.To his kin the kindest, keenest for praise.2.Sing a song of southern singer4. Understatement(低调陈述)(for ironical humor)not troublesome: very welcomeneed not praise: a right to condemn5. Chronicle《编年史》(a monument of Old English prose)6. Ballads (民谣)(The most important department of English folk literature )①Definition:A ballad is a narrative poem that tells a story, and is usually meant to be sung or recited in musical form.An important stream of the Medieval folk literature②Features of English Ballads1. The ballads are in various English and Scottish dialects.2. They were created collectively and revised when handed down from mouth to mouth.3. They are mainly the literature of the peasants, and give an outlook of the English common people in feudal society.③Stylistic (风格上)Features of the Ballads1. Composed in couplets (相连并押韵的两行诗,对句)or in quatrains (四行诗)known as the ballad stanza (民谣诗节), rhyming abab or abcb, with the first and third lines carrying 4 accented syllables (重读音节)and the second and fourth carrying 3.2. Simple, plain language or dialect (方言,土语)of the common people with colloquial (口语的,会话的), vivid and, sometimes, idiomatic (符合当地语言习惯的)expressions3. Telling a good story with a vivid presentation around the central plot.4. Using a high proportion of dialogue with a romantic or tragic dimension (方面)to achieve dramatic effect.④Subjects of English Ballads1. struggle of young lovers2. conflict between love and wealth3. cruelty of jealousy4. criticism of the civil war5. matters of class struggle7. Heroic couplet (英雄双韵体)(introduced by Geoffrey Chaucer)Definition:the rhymed couplet of iambic pentameter; a verse form in epic poetry, with lines of ten syllables and five stresses, in rhyming pairs.英雄诗体/英雄双韵体:用于史诗或叙事诗,每行十个音节,五个音部,每两行押韵。
英国文学史及选读名词解释
Part O ne①B eowul f: Th e nat ional hero ic ep ic of theEngli sh pe ople. It h as ov er 3,000 l ines.It d escri bes t he ba ttles betw een t he tw o mon sters andBeowu lf, w ho wo n the batt le fi nally anddeadfor t he fa tal w ound. Thepoemendswiththe f unera l ofthe h ero.The m ost s triki ng fe ature in i ts po etica l for m isthe u se if alli terat ion.Other feat uresof it arethe u se of meta phors(暗喻)and o f und ersta temen ts(含蓄).②Allit erati on: I n all itera tiveverse, cer tainaccen ted(重音) wo rds i n a l ine b eginwiththe s ame c onson ant s ound(辅音).There aregener ally4acce nts i n a l ine,3 ofwhich show alli terat ion,as ca n beseenfromthe a bovequota tion.③Ro mance: The most prev ailin g(流行的) kin d ofliter ature in f eudal Engl and w as th e Rom ance. It w as alongcompo sitio n, so metim es in vers e(诗篇), som etime s inprose(散文), desc ribin g the life andadven tures of a nobl e her o, us ually a kn ight, as r iding fort h toseekadven tures, tak ing p art i n tou rname nt(竞赛), or figh tingfor h is lo rd in batt le an d the swea ringof oa ths.④Epi c: An epic is a leng thy n arrat ive p oem,ordin arily conc ernin g a s eriou s sub jectconta ining deta ils o f her oic d eedsand e vents sign ifica ntlyto acultu re or nati on. T hefi rst e picsare k nownas pr imacy, ororigi nal e pics.⑤Ba llad: Themostimpor tantdepar tment of E nglis h fol k lit eratu re is theballa d whi ch isa st ory t old i n son g, us ually in 4-line stan zas(诗节), w ith t he se condand f ourth line srhy med.The s ubjec ts of ball ads a re va rious in k ind,as th e str uggle of y ounglover saga insttheir feud al-mi ndedfamil ies,the c onfli ct be tween love andwealt h, th e cru eltyof je alous y, th e cri ticis m ofthe c ivilwar,and t he ma tters andclass stru ggle. Theparam ount(卓越的)impor tantballa d isRobin Hood(《绿林好汉》).⑥Geo ffrey Chau cer杰弗里?乔叟: He w as an Engl ish a uthor, poe t, ph iloso pherand d iplom at. H e isthe f ounde r ofEngli sh po etry. He o btain ed agoodknowl edgeofLa tin,Frenc h and Ital ian.His b est r ememb erednarra tiveis th e Can terbu ry Ta les(《坎特伯雷故事集》), whic h the Prol ogue(序言) s uppli es aminia ture(缩影) o f theEngl ish s ociet y ofChauc er’stime. That is w hy Ch aucer hasbeencalle d “th e fou nderof En glish real ism”. Chau cer a ffirm s men andwomen’s ri ght t o pur sue t heirhappi nesson ea rth a nd op poses(反对)the d ogmaof as cetic ism(禁欲主义)preac hed(鼓吹) by thechurc h. As a fo rerun ner o f hum anism, heprais es ma n’s e nergy, int ellec t, qu ick w it an d lov e oflife. Chau cer’s cont ribut ion t o Eng lishpoetr y lie s chi eflyin th e fac t tha t heintro duced from Fran ce th e rhy med s tanza of v ariou s typ es, e speci allythe r hymedcoup let o f 5 a ccent s iniambi c(抑扬格) met er(th e “he roiccoupl et”)to En glishpoet ry, i nstea d ofthe o ld An glo-S axonallit erati ve ve rse.⑦【Wi lliam Lang land威廉?朗兰: Pier s the Plow man《农夫皮尔斯》】P art T woTh e Eng lishBible: The firs t com plete Engl ish B iblewas t ransl atedby Jo hn Wy cliff e(约翰?威克里夫). The Auth orize d Ver sionis Ki ng Ja mes B iblemadein 1611. T he re sultis amonum ent o f Eng lishlangu age a nd En glish lite ratur e.R enais sance: Ren aissa nce o r the birt h oflette rs is an i ntell ectua l mov ement. Its twofeatu res a re athirs tingcurio sityfor t he cl assic al li terat ure a nd th e kee n int erest in t heac tivit ies o f hum anity. Hum anism is t he ke y-not e ofthe R enais sance.Wi lliam Caxt on威廉?卡克斯顿: He i s the firs t Eng lishprint er an d inv ented in E nglan d the prof essio n ofpubli sher.Tho mas M ore托马斯?莫尔: Thegreat est o f the Engl ish h umani sts w as Th omasMore, theautho r ofUtopi a《乌托邦》. He is a lso o ne of such “gia nts”(巨匠) o f theRena issan ce. H e dis tingu ished hims elf a s a l earne d sch olar, a ma sterof La tin,a wit tyta lker, a lo ver o f mus ic, a n hon est s tates man , anda man of n oblechara cter, mode st bu t ste adfas t(坚定的), to hisconvi ction s. He wasa far-sigh ted t hinke r, as pired fora tot allynew s ociet y wit h hap py, c lassl ess,and f ree f rom p overt y and expl oitat ion.He wa s oneof t he fo rerun nersof mo dernsocia listthoug ht.Utopi a: It is M ore’s mast erpie ce, w ritte n inthe f orm o f a c onser vatio n bet weenMoreand H ythlo day,a ret urned voya ger.It is divi ded i nto t wo bo oks.The f irstbookconta ins a long disc ussio n onthe s ocial cond ition s ofEngla nd. I n the seco nd bo ok is desc ribedin d etail an i dealcommu nistsocie ty, U topia. The name “Uto pia”comes from Gree kwor ds me aning “noplace” and wasadopt ed by More as t he na me of hisidealcomm onwea lth.Phil ip Si dney菲利普?锡德尼: He is w ell-k nownas apoetand c ritic of p oetry. Hiscoll ectio n oflovesonne ts, A strop hel a nd St ella《爱星者与星》, wa s pub lishe d in1591. Edm und S pense r埃德蒙?斯宾塞(莎翁之前最杰出的英国诗人):Th e poe t’s p oet o f the peri od wa s ESwho w as bu riedbesid e Cha ucerin We stmin sterAbbey. EShas h eld h is po sitio n asa mod el of poet icalart a mongthe R enais sance Engl ish p oets, andhis i nflue nce c an be trac ed in theworks of M ilton, She lley, andKeats. ESis th e fir stma sterto ma ke th at la nguag e the natu ral m usicof hi s poe tic e ffusi ons(感情的流露). His sonn ets i n Amo retti, tog ether with Sidn ey’sAstro pheland S tella andShake spear e’s s onnet s ,ar e the most famo us so nnetseque ncesof th e Eli zabet h Age.【In 1579 he w roteThe S hephe rd’sCalen dar《牧人日记》which mark ed th ebud ding(萌芽) o f the Rena issan ce fl owerin th e nor thern isla nd of Engl and.The f aerie Quee n 《仙后》 ishis g reate st wo rk wh ich w as de dicat ed to Quee n Eli zabet h.】Franc is Ba con:He is thefound er of Engl ish m ateri alist phil osoph y and thefound er of mode rn sc ience in E nglan d. Hi s New Inst rumen t iscalle d the Indu ctive Meth od ofreas oning. Heis al so th e fir st En glish essa yist. To g ive a few, “Men fear deat h aschild ren f ear t o goin th e dar k..”“Stud ies s ervefor d eligh t.” “Readi ng ma kes a full man; conf erenc e a r eadyman;and w ritin g anexact man.”D rama: TheMirac le Pl ay圣迹剧 TheMoral ity P lay道德剧寓意剧The Inte rlude幕间节目Chri stoph er Ma rlowe克里斯托弗?马洛:The m ost g ifted of t he “u niver sitywits” wasChris tophe r Mar lowe. Hisbestworkinclu de 3of hi s pla ys, T ambur laine《帖木儿大帝》(1587),The J ew of Malt a《马耳岛的犹太人》(1592), an d Doc tor F austu s《浮士德博士》(1588). He w as th e gre atest of t he pi oneer s ofEngli sh dr ama.His w ork p avedthe w ay fo r the play s ofthe g reate st En glish dram atist——Sha kespe are——whoseachi eveme nts w ere t he mo numen t ofthe E nglis h Ren aissa nce.【Hisplays show thespiri t ofthe r ising bour geois ie, i ts ea ger c urios ity f or kn owled ge, i ts to werin g pri de, i tsin satia ble(不知足的)appet ite f or po wer w on by mili tary, migh t, kn owled ge, o r gol d. Th e the me of hisplays is t he pr aiseof in divid ualit y fre ed fr om th e res train ts of medi evaldogma s and law, andthe c onvic tionof th e bou ndles s pos sibil ity o f hum an ef fortsin c onque ringthe u niver se. T he he roesin hi s pla ys ar e mer ely i ndivi duali sts,theirindi vidua listi c amb ition ofte n bri ngs r uin t o the worl d and some times to t hemse lves.】Wi lliam Shak espea re: S hakes peare is o ne of thefound ers o f rea lismin wo rld l itera ture. Hisdrama tic c reati on of ten u sed t he me thodof ad aptat ion(改革). S hakes peare long expe rienc e wit h the stag e and hisintim ate k nowle dge o f dra matic artthusacqui red m ake h im amaste r han d for play writi ng. S hakes peare wasskill ed in manypoet ic fo rms:the s ong,the s onnet, the coup let,and t he dr amati c bla nk ve rse.He wa sesp ecial ly at home with theblank vers e. Sh akesp earewas a grea t mas ter o f theEngl ish l angua ge. S hakes peare hasbeenunive rsall y ack nowle dgedto be thesummi t ofthe E nglis h Ren aissa nce,and o ne of thegreat est w riter s ove r the worl d.①The g reatcomed ies:A Mid summe r Mig ht’sDream, The Merc hantof Ve nice,As Y ou Li ke It, Twe lfthNight.②The g reattrage dies: Haml et, O thell o, Ki ng Le ar, M acbet h.T he Me rchan t ofVenic e: 威尼斯富商安东尼奥Ant onio为了成全好友巴萨尼奥B assan io的婚事,向犹太人高利贷者夏洛克Shy lock借债。
英国文学 名词解释
1.(1) Modernism (现代主义)A movement of experiment in new techniques in writing. Modernist fiction represented a trend drifting away from the tradition of the 19th century realism. It put emphasis on the description ogoometimes it is call ed modern psychological fiction. Lawrence is a typical representative of itRealism(现实主义)Realism was a loosely used term meaning truth to the observed facts of life (especially when they are gloomy)。
Realism in literature is an approach that attempts to describe life without idealization or romantic subjectivity.Realism现实主义: An elastic and ambiguous term with two meanings. (1) First, it refers generally to any artistic or literary portrayal of life in a faithful, accurate manner, unclouded by false ideals, literary conventions, or misplaced aesthetic glorification and beautification of the world. It is a theory or tendency in writing to depict events in human life in a matter-of-fact, straightforward manner. It is an attempt to reflect life "as it actually is"--a concept in some ways similar to what the Greeks would call mimesis. (2) Secondly and more specifically, realism refers to a literary movement that developed out of naturalism in the nineteenth and twentieth centuries. Although realism and the concern for aspects of verisimilitude have been components of literary art to one degree or another in nearly all centuries, the term realism also applies more specifically to the tendency to create detailed, probing analyses of the way "things really are," usually involving an emphasis on nearly photographic details.These writers include such diverse artists as Mark Twain, Tolstoy, &Thomas Hardy.Modernism(现代主义): Around the two world wars, many writers and artists began to suspect and be discontent with the capitalism. They tried to find new ways to express their understanding of the world. It was a movement of experiments in techniques in writing. It flourished in the 20s and 30s in English literature.They turned their interest to describing what was happening in the minds of their characters. Because of their emphasis on the psychological activities of the characters, their writings are also called psychological novels. The Representatives are W.B. Yeats and T.S. Eliot,D.H. Lawrence, E.M. Foster, James Joyce and Virginia WoolfModernism: 1) The rise Of modernism movement Modernism rose out of skepticism and disillusionment of capitalism, which made writers and artists search for a new ways to express their understanding of the world and the human nature. The French symbolism was the forerunner ofmodernism. The First World War quickened the rising of all kinds of literary trends of modernism, which, toward the 1920s, converged into a mighty torrent of modernist movement. The major figures associated with the movement were Kafka, Picasso, Pound, Eliot, Joyce, and Virginia Woolf. Modernism was somewhat curbed in the 1930s. but after World War II, Varieties of modernism, or post-modernism, rose again with the spur of Sarter’s existentialism. However, they gradually disappe ared or diverged into other kinds of literary trends in the 1960s. 2) The characteristics of modernism ●Modernism marks a strong and conscious break with the past, by rejecting the moral, religious and cultural values of the past.●Modernism emphasizes on the need to move away from the public to the private, from the objective to the subjective. ●Modernism upholds a new view of time by emphasizing the psychic time over the chronological one. It maintains that the past, the present and the future are one and exist at the same time in the consciousness of individual as a continuous flow rather than a series of separate moments.●Modernism is, in many respects, a reaction against realism. It rejects rationalism, which is the theoretical base of realism; it excludes from its major concern the external, objective, material world, which is the only creative source of realism; it casts away almost all the traditional elements in literature like story, plot, character, chronological narration, etc., which are essential to realism. As a result, the works created by the modernist writers can often be labeled as anti-novel, anti-poetry or anti-drama[22] Realism:(写实主义) A term used in literature and art to present life as it really is without sentimentalizing or idealizing it. Realistic writing often depicts the everyday life and speech of ordinary people. This has led, sometimes to an emphasis on sordid details.Critical Realism (批判现实主义) Critical realism is one of the literary genres that flourished mainly in the 19th century. It reveals the corrupting influence of the rule of cash upon human nature. Here lies the essentially democratic and humanistic character of critical realism. The English critical realists of the 19th century not only gave a satirical portrayal of the bourgeoisie and all the ruling classes, but also showed profound sympathy for the common people. In their best works, they used humor and satire to contrast the greed and hypocrisy of the upper classes with the honesty and good-heartedness of the obscure “simple people” of the lower classes. Humorous scenes set off the actions of the positive characters, and the humor is often tinged with a lyricism which serves to stress the fine qualities of such characters. At the same time,bitter satire and grotesque is used to expose the seamy side of the bourgeois society. The critical realists, however, did not find a way to eradicate the social evils they knew so well. They did not realize the necessity of changing 4 the bourgeois society through conscious human effort. Their works do notpoint toward revolution but rather evolution or reformism. They often start with a powerful exposure of the ugliness of the bourgeois world in their works, but their novels usually have happy endings or an impotent compromise at the end. Here are the strength and weakness of critical realism. 批判现实主义是盛行于19世纪的文学流派之一,揭示了金钱控制一切对人性的恶劣影响,这正是19世纪批判现实主义民主和人文特点的根源。
英国文学名词解释大全(整理版)
名词解释1.Epic(史诗)(appeared in the the Anglo-Saxon Period )It is a narrative of heroic action, often with a principal hero, usually mythical in its content, grand in its style, offering inspiration and ennoblement within a particular culture or national tradition.A long narrative poem telling about the deeds of great hero and reflecting the values of the society from which it originated.Epic is an extended narrative poem in elevated or dignified language, like Homer’s Iliad & Odyssey. It usually celebrates the feats of one or more legendary or traditional heroes. The action is simple, but full of magnificence.Today, some long narrative works, like novels that reveal an age & its people, are also called epic.E.g. Beowulf (the pagan(异教徒),secular(非宗教的) poetry)Iliad 《伊利亚特》,Odyssey《奥德赛》Paradise Lost 《失乐园》,The Divine Comedy《神曲》2.Romance (传奇)(Anglo-Norman feudal England)•Romance is any imaginative literature that is set in an idealized world and that deals with heroic adventures and battles between good characters and villains or monsters.•Originally, the term referred to a medieval (中世纪) tale dealing with the love and adventures of kings, queens, knights, and ladies, and including supernatural happenings.Form:long composition, in verse, in proseContent:description of life and adventures of a noble heroCharacter:a knight, a man of noble birth, skilled in the use of weapons; often described as riding forth to seek adventures, taking part in tournaments(骑士比武), or fighting for his lord in battles; devoted to the church and the king•Romance lacks general resemblance to truth or reality.•It exaggerates the vices of human nature and idealizes the virtues.•It contains perilous (dangerous) adventures more or less remote from ordinary life.•It lays emphasis on supreme devotion to a fair lady.①The Romance Cycles/Groups/DivisionsThree Groups●matters of Britain Adventures of King Arthur and his Knights of the Round Table (亚瑟王和他的圆桌骑士)●matters of France Emperor Charlemagne and his peers●matters of Rome Alexander the Great and the attacks of TroyLe Morte D’Arthur (亚瑟王之死)②Class Nature (阶级性) of the RomanceLoyalty to king and lord was the theme of the romances, as loyalty was the corner-stone(the most important part基石)of feudal morality.The romances were composed not for the common but for the noble, of the noble, and by the poets patronized(supported 庇护,保护)by the noble.3. Alliteration(押头韵): a repeated initial(开头的) consonant(协调,一致) to successive(连续的) words.e.g. 1.To his kin the kindest, keenest for praise.2.Sing a song of southern singer4. Understatement(低调陈述)(for ironical humor)not troublesome: very welcomeneed not praise: a right to condemn5. Chronicle《编年史》(a monument of Old English prose)6. Ballads (民谣)(The most important department of English folk literature )①Definition:A ballad is a narrative poem that tells a story, and is usually meant to be sung or recited in musical form. An important stream of the Medieval folk literature②Features of English Ballads1. The ballads are in various English and Scottish dialects.2. They were created collectively and revised when handed down from mouth to mouth.3. They are mainly the literature of the peasants, and give an outlook of the English common people in feudal society.③Stylistic (风格上)Features of the Ballads1. Composed in couplets (相连并押韵的两行诗,对句)or in quatrains (四行诗)known as the ballad stanza (民谣诗节), rhyming abab or abcb, with the first and third lines carrying 4 accented syllables (重读音节)and the second and fourth carrying 3.2. Simple, plain language or dialect (方言,土语)of the common people with colloquial (口语的,会话的), vivid and, sometimes, idiomatic (符合当地语言习惯的)expressions3. Telling a good story with a vivid presentation around the central plot.4. Using a high proportion of dialogue with a romantic or tragic dimension (方面)to achieve dramatic effect.④Subjects of English Ballads1. struggle of young lovers2. conflict between love and wealth3. cruelty of jealousy4. criticism of the civil war5. matters of class struggle7. Heroic couplet (英雄双韵体)(introduced by Geoffrey Chaucer)Definition:the rhymed couplet of iambic pentameter; a verse form in epic poetry, with lines of ten syllables and five stresses, in rhyming pairs.英雄诗体/英雄双韵体:用于史诗或叙事诗,每行十个音节,五个音部,每两行押韵。
英国文学名词解释大全(整理版)
名词解释1.Epic(史诗)(appeared in the the Anglo-Saxon Period )It is a narrative of heroic action, often with a principal hero, usually mythical in its content, grand in its style, offering inspiration and ennoblement within a particular culture or national tradition.A long narrative poem telling about the deeds of great hero and reflecting the values of the society from which it originated.Epic is an extended narrative poem in elevated or dignified language, like Homer’s Iliad & Odyssey. It usually celebrates the feats of one or more legendary or traditional heroes. The action is simple, but full of magnificence.Today, some long narrative works, like novels that reveal an age & its people, are also called epic.E.g. Beowulf (the pagan(异教徒),secular(非宗教的) poetry)Iliad 《伊利亚特》,Odyssey《奥德赛》Paradise Lost 《失乐园》,The Divine Comedy《神曲》2.Romance (传奇)(Anglo-Norman feudal England)•Romance is any imaginative literature that is set in an idealized world and that deals with heroic adventures and battles between good characters and villains or monsters.•Originally, the term referred to a medieval (中世纪) tale dealing with the love and adventures of kings, queens, knights, and ladies, and including supernatural happenings.Form:long composition, in verse, in proseContent:description of life and adventures of a noble heroCharacter:a knight, a man of noble birth, skilled in the use of weapons; often described as riding forth to seek adventures, taking part in tournaments(骑士比武), or fighting for his lord in battles; devoted to the church and the king •Romance lacks general resemblance to truth or reality.•It exaggerates the vices of human nature and idealizes the virtues.•It contains perilous (dangerous) adventures more or less remote from ordinary life.•It lays emphasis on supreme devotion to a fair lady.①The Romance Cycles/Groups/DivisionsThree Groups●matters of Britain Adventures of King Arthur and his Knights of the Round Table (亚瑟王和他的圆桌骑士)●matters of France Emperor Charlemagne and his peers●matters of Rome Alexander the Great and the attacks of TroyLe Morte D’Arthur (亚瑟王之死)②Class Nature (阶级性) of the RomanceLoyalty to king and lord was the theme of the romances, as loyalty was the corner-stone(the most important part基石)of feudal morality.The romances were composed not for the common but for the noble, of the noble, and by the poets patronized (supported 庇护,保护)by the noble.3. Alliteration(押头韵): a repeated initial(开头的) consonant(协调,一致) to successive(连续的) words.e.g. 1.To his kin the kindest, keenest for praise.2.Sing a song of southern singer4. Understatement(低调陈述)(for ironical humor)not troublesome: very welcomeneed not praise: a right to condemn5. Chronicle《编年史》(a monument of Old English prose)6. Ballads (民谣)(The most important department of English folk literature )①Definition:A ballad is a narrative poem that tells a story, and is usually meant to be sung or recited in musical form.An important stream of the Medieval folk literature②Features of English Ballads1. The ballads are in various English and Scottish dialects.2. They were created collectively and revised when handed down from mouth to mouth.3. They are mainly the literature of the peasants, and give an outlook of the English common people in feudal society.③Stylistic (风格上)Features of the Ballads1. Composed in couplets (相连并押韵的两行诗,对句)or in quatrains (四行诗)known as the ballad stanza (民谣诗节), rhyming abab or abcb, with the first and third lines carrying 4 accented syllables (重读音节)and the second and fourth carrying 3.2. Simple, plain language or dialect (方言,土语)of the common people with colloquial (口语的,会话的), vivid and, sometimes, idiomatic (符合当地语言习惯的)expressions3. Telling a good story with a vivid presentation around the central plot.4. Using a high proportion of dialogue with a romantic or tragic dimension (方面)to achieve dramatic effect.④Subjects of English Ballads1. struggle of young lovers2. conflict between love and wealth3. cruelty of jealousy4. criticism of the civil war5. matters of class struggle7. Heroic couplet (英雄双韵体)(introduced by Geoffrey Chaucer)Definition:the rhymed couplet of iambic pentameter; a verse form in epic poetry, with lines of ten syllables and five stresses, in rhyming pairs.英雄诗体/英雄双韵体:用于史诗或叙事诗,每行十个音节,五个音部,每两行押韵。
英国文学名词解释大全整理版
英国文学名词解释大全整理版名词解释1.Epic(史诗)(appeared in the the Anglo-Saxon Period)It is a narrative of heroic action, often with a principal hero, usually mythical in its content, grand in its style, offering inspiration and ennoblement within a particular culture or national tradition.A long narrative poem telling about the deeds of great hero and reflecting the values of the society from which it originated.Epic is an extended narrative poem in elevated or dignified language, like Homer’s Iliad & Odyssey. It usually celebrates the feats of one or more legendary or traditional heroes. The action is simple, but full of magnificence.Today, some long narrative works, like novels that reveal an age & its people, are also called epic.E.g. Beowulf(the pagan(异教徒),secular(非宗教的) poetry)Iliad 《伊利亚特》,Odyssey《奥德赛》Paradise Lost 《失乐园》,The Divine Comedy《神曲》2.Romance (传奇)(Anglo-Norman feudal England)Romance is any imaginative literature that is set in an idealized world and that deals with heroic adventures and battles between good characters and villains or monsters.Originally, the term referred to a medieval (中世纪) tale dealing with the love and adventures of kings, queens, knights, and ladies, and including supernatural happenings.Form:long composition, in verse, in proseContent:description of life and adventures of a noble hero Character:a knight, a man of noble birth, skilled in the use of weapons; often described as riding forth to seek adventures,taking part in tournaments(骑士比武), or fighting for his lord in battles; devoted to the church and the king ?Romance lacks general resemblance to truth or reality.It exaggerates the vices of human nature and idealizes the virtues.It contains perilous (dangerous) adventures more or less remote from ordinary life.It lays emphasis on supreme devotion to a fair lady.①The Romance Cycles/Groups/DivisionsThree Groups●matters of Britain Adventures of King Arthur and his Knights of the Round Table (亚瑟王和他的圆桌骑士)●matters of France Emperor Charlemagne and his peers●matters of Rome Alexander the Great and the attacks of TroyLe Morte D’Arthur (亚瑟王之死)②Class Nature (阶级性) of the RomanceLoyalty to king and lord was the theme of the romances, as loyalty was the corner-stone(the most important part基石)of feudal morality.The romances were composed not for the common but for the noble, of the noble, and by the poets patronized (supported 庇护,保护)by the noble.3. Alliteration(押头韵): a repeated initial(开头的) consonant(协调,一致) to successive(连续的)words.e.g. 1.To his kin the kindest,keenest for praise.2.Sing a song of southern singer4. Understatement(低调陈述)(for ironical humor)not troublesome: very welcomeneed not praise: a right to condemn5. Chronicle《编年史》(a monument of Old English prose)6. Ballads (民谣)(The most important department of English folk literature )①Definition:A ballad is a narrative poem that tells a story, and is usually meant to be sung or recited in musical form.An important stream of the Medieval folk literature②Features of English Ballads1. The ballads are in various English and Scottish dialects.2. They were created collectively and revised when handed down from mouth to mouth.3. They are mainly the literature of the peasants, and give an outlook of the English common people in feudal society.③Stylistic (风格上)Features of the Ballads1. Composed in couplets (相连并押韵的两行诗,对句)or in quatrains (四行诗)known as the ballad stanza (民谣诗节), rhyming abab or abcb, with the first and third lines carrying 4 accented syllables (重读音节)and the second and fourth carrying 3.2. Simple, plain language or dialect (方言,土语)of thecommon people with colloquial (口语的,会话的), vivid and,sometimes, idiomatic (符合当地语言习惯的)expressions3. Telling a good story with a vivid presentation around the central plot.4. Using a high proportion of dialogue with a romantic or tragic dimension (方面)to achieve dramatic effect.④Subjects of English Ballads1. struggle of young lovers2. conflict between love and wealth3. cruelty of jealousy4. criticism of the civil war5. matters of class struggle7. Heroic couplet (英雄双韵体)(introduced byGeoffrey Chaucer)Definition:the rhymed couplet of iambic pentameter; a verse form in epic poetry, with lines of ten syllables and five stresses, in rhyming pairs.英雄诗体/英雄双韵体:用于史诗或叙事诗,每行十个音节,五个音部,每两行押韵。
英国文学选读期末考名词解释部分
Dramatic monologue (戏剧独白)A monologue is a lengthy speech by a single person. Dramatic monologue does not designate a component in a play, but a type of lyric poem that was perfected by Robert Browning. By using dramatic monologue, a single person, who is patently not the poet, utters the speech that makes up the whole of the poem, in a specific situation at a critical moment.Stream of consciousness(意识流)It is a narrative mode that seeks to portray an individual's point of view by giving the written equivalent of the character's thought processes, either in a loose interior monologue, or in connection to his or her actions. Stream of consciousness writing is usually regarded as a special form of interior monologue and is characterized by leaps in syntax and punctuation that can make the prose difficult to follow, tracing a character's fragmentary thoughts and sensory feelings. The narrative method of capturing and representing the inner working of a character’s mind.Iambic pentameter(五音步诗)Iambic pentameter is the most common English meter, in which each foot contains an unaccented syllable and an accented syllable. It is a meter in poetry, consisting of an unrhymed line with five iambs or feet (hence pentameter).Alliteration(头韵)Alliteration means a repetition of the initial sounds of several words in a line or group. It is a very old traditional stylistic device in English literature and verse. The consonants and stressed syllables are repeated in one line or in one stanza.。
英国文学 名词解释
1.(1) Modernism (现代主义)A movement of experiment in new techniques in writing. Modernist fiction represented a trend drifting away from the tradition of the 19th century realism. It put emphasis on the description ogoometimes it is call ed modern psychological fiction. Lawrence is a typical representative of itRealism(现实主义)Realism was a loosely used term meaning truth to the observed facts of life (especially when they are gloomy)。
Realism in literature is an approach that attempts to describe life without idealization or romantic subjectivity.Realism现实主义: An elastic and ambiguous term with two meanings. (1) First, it refers generally to any artistic or literary portrayal of life in a faithful, accurate manner, unclouded by false ideals, literary conventions, or misplaced aesthetic glorification and beautification of the world. It is a theory or tendency in writing to depict events in human life in a matter-of-fact, straightforward manner. It is an attempt to reflect life "as it actually is"--a concept in some ways similar to what the Greeks would call mimesis. (2) Secondly and more specifically, realism refers to a literary movement that developed out of naturalism in the nineteenth and twentieth centuries. Although realism and the concern for aspects of verisimilitude have been components of literary art to one degree or another in nearly all centuries, the term realism also applies more specifically to the tendency to create detailed, probing analyses of the way "things really are," usually involving an emphasis on nearly photographic details.These writers include such diverse artists as Mark Twain, Tolstoy, &Thomas Hardy.Modernism(现代主义): Around the two world wars, many writers and artists began to suspect and be discontent with the capitalism. They tried to find new ways to express their understanding of the world. It was a movement of experiments in techniques in writing. It flourished in the 20s and 30s in English literature.They turned their interest to describing what was happening in the minds of their characters. Because of their emphasis on the psychological activities of the characters, their writings are also called psychological novels. The Representatives are W.B. Yeats and T.S. Eliot,D.H. Lawrence, E.M. Foster, James Joyce and Virginia WoolfModernism: 1) The rise Of modernism movement Modernism rose out of skepticism and disillusionment of capitalism, which made writers and artists search for a new ways to express their understanding of the world and the human nature. The French symbolism was the forerunner of modernism. The First World War quickened the rising of all kinds of literary trends of modernism, which,toward the 1920s, converged into a mighty torrent of modernist movement. The major figures associated with the movement were Kafka, Picasso, Pound, Eliot, Joyce, and Virginia Woolf. Modernism was somewhat curbed in the 1930s. but after World War II, Varieties of modernism, or post-modernism, rose again with the spur of Sarter’s existentialism. However, they gradually disappe ared or diverged into other kinds of literary trends in the 1960s. 2) The characteristics of modernism ●Modernism marks a strong and conscious break with the past, by rejecting the moral, religious and cultural values of the past.●Modernism emphasizes on the need to move away from the public to the private, from the objective to the subjective. ●Modernism upholds a new view of time by emphasizing the psychic time over the chronological one. It maintains that the past, the present and the future are one and exist at the same time in the consciousness of individual as a continuous flow rather than a series of separate moments.●Modernism is, in many respects, a reaction against realism. It rejects rationalism, which is the theoretical base of realism; it excludes from its major concern the external, objective, material world, which is the only creative source of realism; it casts away almost all the traditional elements in literature like story, plot, character, chronological narration, etc., which are essential to realism. As a result, the works created by the modernist writers can often be labeled as anti-novel, anti-poetry or anti-drama[22] Realism:(写实主义) A term used in literature and art to present life as it really is without sentimentalizing or idealizing it. Realistic writing often depicts the everyday life and speech of ordinary people. This has led, sometimes to an emphasis on sordid details.Critical Realism (批判现实主义) Critical realism is one of the literary genres that flourished mainly in the 19th century. It reveals the corrupting influence of the rule of cash upon human nature. Here lies the essentially democratic and humanistic character of critical realism. The English critical realists of the 19th century not only gave a satirical portrayal of the bourgeoisie and all the ruling classes, but also showed profound sympathy for the common people. In their best works, they used humor and satire to contrast the greed and hypocrisy of the upper classes with the honesty and good-heartedness of the obscure “simple people” of the lower classes. Humorous scenes set off the actions of the positive characters, and the humor is often tinged with a lyricism which serves to stress the fine qualities of such characters. At the same time,bitter satire and grotesque is used to expose the seamy side of the bourgeois society. The critical realists, however, did not find a way to eradicate the social evils they knew so well. They did not realize the necessity of changing 4 the bourgeois society through conscious human effort. Their works do not point toward revolution but rather evolution or reformism. They often start with a powerful exposure of the ugliness of the bourgeois world in their works, but their novels usually have happy endings or an impotentcompromise at the end. Here are the strength and weakness of critical realism. 批判现实主义是盛行于19世纪的文学流派之一,揭示了金钱控制一切对人性的恶劣影响,这正是19世纪批判现实主义民主和人文特点的根源。
英国文学名词解释大全(整理版)
1.Epic(史诗)(appeared in the Anglo-Saxon Period )It is a narrative of heroic action, often with a principal hero, usually mythical in its content, grand in its style, offering inspiration and ennoblement within a particular culture or national tradition.A long narrative poem telling about the deeds of great hero and reflecting the values of the society from which it originated.Epic is an extended narrative poem in elevated or dignified language, like Homer’s Iliad & Odyssey. It usually celebrates the feats of one or more legendary or traditional heroes. The action is simple, but full of magnificence.Today, some long narrative works, like novels that reveal an age & its people, are also called epic.E.g. Beowulf (the pagan(异教徒),secular(非宗教的) poetry)Iliad 《伊利亚特》,Odyssey《奥德赛》Paradise Lost 《失乐园》,The Divine Comedy《神曲》2.Romance (传奇)(Anglo-Norman feudal England)•Romance is any imaginative literature that is set in an idealized world and that deals with heroic adventures and battles between good characters and villains or monsters.•Originally, the term referred to a medieval (中世纪) tale dealing with the love and adventures of kings, queens, knights, and ladies, and including supernatural happenings.Form:long composition, in verse, in proseContent:description of life and adventures of a noble heroCharacter:a knight, a man of noble birth, skilled in the use of weapons; often described as riding forth to seek adventures, taking part in tournaments(骑士比武), or fighting for his lord in battles; devoted to the church and the king•Romance lacks general resemblance to truth or reality.•It exaggerates the vices of human nature and idealizes the virtues.•It contains perilous (dangerous) adventures more or less remote from ordinary life.•It lays emphasis on supreme devotion to a fair lady.①The Romance Cycles/Groups/DivisionsThree Groups●matters of Britain Adventures of King Arthur and his Knights of the Round Table (亚瑟王和他的圆桌骑士)●matters of France Emperor Charlemagne and his peers●matters of Rome Alexander the Great and the attacks of TroyLe Morte D’Arthur (亚瑟王之死)②Class Nature (阶级性) of the RomanceLoyalty to king and lord was the theme of the romances, as loyalty was the corner-stone(the most important part 基石)of feudal morality.The romances were composed not for the common but for the noble, of the noble, and by the poets patronized (supported 庇护,保护)by the noble.3. Alliteration(押头韵): a repeated initial(开头的) consonant(协调,一致) to successive(连续的) words.e.g. 1.To his kin the kindest, keenest for praise.2.Sing a song of southern singer4. Understatement(低调陈述)(for ironical humor)not troublesome: very welcomeneed not praise: a right to condemn5. Chronicle《编年史》(a monument of Old English prose)6. Ballads (民谣)(The most important department of English folk literature )①Definition:A ballad is a narrative poem that tells a story, and is usually meant to be 命中注定sung or recited 背诵in musical form.An important stream of the Medieval folk literature②Features of English Ballads1. The ballads are in various English and Scottish dialects.2. They were created collectively and revised when handed down from mouth to mouth.3. They are mainly the literature of the peasants, and give an outlook of the English common people in feudal society.③Stylistic (风格上)Features of the Ballads1. Composed in couplets (相连并押韵的两行诗,对句)or in quatrains (四行诗)known as the ballad stanza (民谣诗节), rhyming abab or abcb, with the first and third lines carrying 4 accented syllables (重读音节)and the second and fourth carrying 3.2. Simple, plain language or dialect (方言,土语)of the common people with colloquial (口语的,会话的), vivid and, sometimes, idiomatic (符合当地语言习惯的)expressions3. Telling a good story with a vivid presentation around the central plot.4. Using a high proportion of dialogue with a romantic or tragic dimension (方面)to achieve dramatic effect.④Subjects of English Ballads1. struggle of young lovers2. conflict between love and wealth3. cruelty of jealousy4. criticism of the civil war5. matters of class struggle7. Heroic couplet (英雄双韵体)(introduced by Geoffrey Chaucer)Definition:the rhymed couplet 押韵的对句of iambic pentameter抑扬格五音步; a verse form in epic poetry, with lines of ten syllables 音节and five stresses, in rhyming pairs.英雄诗体/英雄双韵体:用于史诗或叙事诗,每行十个音节,五个音部,每两行押韵。
英国文学选读上名词解释(中英文版)
Byronic heroA proud, mysterious, rebellious, gloomy figure of noble origin, with fiery passions and unbending will, expresses Byron’s own ideal of freedom. He rises against tyranny and injustice, but he’s merely a lone fighter striving for personal freedo m.SonnetA sonnet is a 14-line lyric poem with a single theme. Sonnets vary but are usually written in iambic pentameter, following one of two traditional patterns: the Petrarchan or Italian sonnet and the Shakespearean or English sonnet. A sonnet generally expresses a single theme or idea.OdeA complex and often lengthy lyric poem, written in a dignified formal style on some lofty or serious subject. Odes are often written for a special occasion,to honor a person o a season or to commemorate an event.Lake PoetsThe Lake Poets all lived in the Lake District of England at the turn of the nineteenth century. As a group, they followed no single "school" of thought or literary practice then known, although their works were uniformly disparaged by the Edinburgh Review. They are considered part of the Romantic MovementMetaphysical poets is a term coined by the poet and critic Samuel Johnson to describe a loose group of British lyric poets of the 17th century, whose work was characterized by the inventive use of conceits, and by speculation about topics such as love or religion. John Donne is the most important representative.拜伦式英雄是指拜伦诗中的贵族出身的骄傲,神秘,反叛的角色。
(完整word版)英国文学最全名词解释
名词解释1、Alliteration(头韵) It refers to a repeated initial consonant to successive words and it is the most striking feature in its poetic form. In alliterative verse, certain accented words in a line begin with the same consonant sound。
It usually have a caesura in the middle and two stresses (or accents) in each half. The number of unstressed syllables in the two halves may vary。
Yet,the same consonant is repeated at the beginning of the accented syllables, either twice in the first half of the verse line and once in the second half, or vice versa. Or we can say there are generally 4 accents in a line, three of which show alliteration, and it is the initial sound of the third accented syllable that normally determiners the alliteration. Alliteration makes Anglo—Saxon poetry very musical in sound and acts almost the same part that rhyme plays in later poetry。
英国文学选读名词解释2
一名词解释1. Byronic heroA proud, mysterious rebel figure of noble origin, with fiery passions and unbending will, expresses Byron’s own ideal of freedom. He rises against tyranny and injustice, but he’s merely a lone fighter striving for personal freedom.2. Gothic novelsGothic literature invariably exploits ghosts and monsters and settings such as castles, dungeons, and graveyards, which imparts a suitably sinister and terrifying atmosphere. It is now generally applied to literature dealing with the strange, mysterious, and supernatural designed to invoke suspense and terror in the reader.3. narrative poemA narrative poem tells a story in verse. Three traditional types of narrative poems include ballads, such as Robin Hood; epics, such as Beowulf; and metrical romances, such as sir Gawain and the Green Knight.4. lyric poemA lyric poem expresses the observation and feelings of a single speaker. Unlike a narrative poem, it presents an experience or a single effect, but it does not tell a full story. Types of lyrics include the elegy, the ode, and the sonnet.5. critical realismIn Victorian period appeared a new literary trend called critical realism. English critical realism of the 19th century flourished in the 40s and in the early 50s. It found its expression in the form of novel. The critical realists, most of whom were novelists, described with much vividness and artistic skill the chief traits of the English society and criticized the capitalist system from a democratic viewpoint. Charles Dickens, the Bronte Sisters, Thomas Hardy.6. romanticismIt is a literary moment and current. It put more attention to the spiritual and emotional life of man and focuses more on individual rather than society. It advocates freedom for expressing personal feelings and reject convention and tyranny, emphasizing the rights and dignity of common humans.7. Shakespearean sonnetA sonnet is a 14-line lyric poem with a single theme. Sonnets vary but are usually written in iambic pentameter, following one of two traditional patterns: the Petrarchan or Italian sonnet and the Shakespearean or English sonnet. Octave + sestet3 quatrains + a couplet8. OdeThe Ode is a lyric poem of some length that honors an individual, a thing, or a trait dealing with a lofty theme in a dignified manner. The form dates back to classical times and is originally intended to be sung at festivals or in plays.9. NaturalismA post-Darwinian movement of the late 19th century that tried to apply the “laws”of scientific determinism to fictionThe naturalist went beyond t he realist’s insistence on the objective presentation of the details of everyday life to insist that the materials of literature should be arranged to reflect a deterministic universe in which a person is a biological creature controlled by environment and heredity.Major writers include Crane, Dreiser, Norris, and O’Neill in America; Zola in France; Hardy and Gissing in England.二给出一部分节选(小说或诗),指出出处和作者,理解。
英国文学选读名词解释
Byronic hero: a proud, mysterious rebel figure of noble origin,which is s a variant of the Romantic hero as a type of character, named after the English Romantic poet Lord Byron. Example: Don Juan by George Gordon ByronPost colonialism is a specifically postmodern intellectual discourse that consists of reactions to, and analysis of, the cultural legacy of colonialism and imperialism. Post colonialism is defined in anthropology as the relations between nations and areas they colonized and once ruled. Example: Heart of Darkness by Joseph Conrad Symbolism is the practice of representing things by symbols, or of investing things with a symbolic meaning or character. A symbol is an object, action, or idea that represents something other than itself, often of a more abstract nature. Example:The Waste Land by T.S.EliotMysticism: refers to conceal or hidden in ancient times ,it can also be thought of as a constellation of distinctive practices, discourses, texts, institutions, traditions, and experiences aimed at human transformation, variously defined in different traditions. Example: A Vision by William Butler Y eatsOde: it is a dignified and elaborately structured lyric poem of some length, praising and glorifying an individual, commemorating an event, or describing nature intellectually rather than emotionally. Example: Ode on a Grecian Urn by John KeatsDramatic monologue: A literary, usually verse composition in which a speaker reveals his or her character, often in relation to a critical situation or event, in a monologue addressed to the reader or to a presumed listener.Dramatic monologue:a monologue is a lengthy speech by a single person. Dramatic monologue does not designate a component in a play, but a type of lyric poem that was perfected by Robert Browning. By using dramatic monologue, a single person, who is patently not the poet, utters the speech that makes up the whole of the poem, in a specific situation at a critical moment. For example, Robert Browning’s famous poem “My Last Duchess” was written in dramatic monologue.Naturalism:it first appeared in France, there naturalists including Zola turned especially to “slum life”, in England flourished in the 2nd half of 19th century; naturalists argued that literature reflect life, be “true to life”, writer must reproduce in his writings life exactly as it is, (including all details without any selection), theory of “a slice of life”; However, a fallacy, for impossible to include all the details in real life; only give the appearance of life but not its essence. In England, two outstanding writers in the last decades: George Gissing, George Moore.Naturalism: a movement in theatre, film, and literature that seeks to repeat/copy a believable everyday reality, as opposed to such movements as Romanticism in whichsubjects may receive highly symbolic, idealistic, or even supernatural treatment. Naturalistic writers were influenced by the evolution theory of Charles Darwin. They believed that one's heredity and social environment decide one's character. Major writers include Crane, Dreiser and Norris in America; Hardy and Gissing in England. Art for art’s sake: It is the usual English version of a French slogan, from the early 19th century, and expresses a philosophy that the intrinsic value of art, and the only” true” art, is divorced from any didactic, moral or utilitarian fu nction. The chief representative of the movement in England was Oscar Wilde, with his “picture of Dorian Gray”.Modernism:Around the two world wars, many writers and artists began to suspect and be discontent with the capitalism. They tried to find new ways to express their understanding of the world. It was a movement of experiments in techniques in writing. It flourished in the 20s and 30s in English literature.They turned their interest to describing what was happening in the minds of their characters. Because of their emphasis on the psychological activities of the characters, their writings are also called psychological novels. The Representatives are W.B. Y eats and T.S. Eliot,D.H. Lawrence, E.M. Foster, James Joyce and Virginia Woolf.Modernism: Modernism describes a group of cultural movements rooted in the changes in Western society in the late nineteenth and early twentieth century. The term covers a series of reforming movements in art, architecture, music, literature and the applied arts which emerged during this period. At its most basic level, Modernism could be described as the experimentation and fragmentation of the human experience, characterized by deviations from the norms of society. James Joyce, T.S Eliot, Virginia Woolf and William Faulkner are the representative writers.Stream of consciousness: is a narrative mode that seeks to portray an individual's point of view by giving the written equivalent of the character's thought processes, either in a loose interior monologue, or in connection to his or her actions. Stream-of-consciousness writing is usually regarded as a special form of interior monologue and is characterized by leaps in syntax and punctuation that can make the prose difficult to follow, tracing a character's fragmentary tho ughts and sensory feelings. James Joyce’s “Ulysses” is a representative of this kind of novel.。
英国文学选读名词解释
1.epic 史诗An epic is a long oral narrative poem that operates on a grand scale and deals with legendary or historical events of national or universal significance .Most epics deal with the exploits of a single individual and also interlace the main narrative with myths, legends, folk tales and past events; there is a composite effect, the entire culture of a country cohering in the overall experience of the poem . Epic poems are not merely entertaining stories of legendary or historical heroes; they summarize and express the nature or ideals of an entire nation at a significant or crucial period of its history.2.caesura 停顿a break or pause in a line of poetry, dictated by the natural rhythm of the languageand sometimes enforced by punctuation. In Old English verse, such as Beowulf, the caesura was used rather monotonously to indicate the half line.3.alliteration 头韵the repetition of the same sound or sounds at the beginning of two or more words that are close to each other. It is a feature of Beowulf and other Old English poems.4.alliterative verse 头韵诗poetry written in alliteration. Nearly all Old English verse, including Beowulf, is heavily alliterative, and the pattern is fairly standard –with either two or three stressed syllables in each line alliterating.5.kenning 隐喻语a metaphor usually composed of two words and used for description andassociation. Beowulf is full of kennings, such as “helmet bearer” for “warrior” and “swan road” for “sea”.6.protagonist 主角the principal character of a drama or fiction. Hamlet is the protagonist of William Shakespeare’s drama Hamlet.7.antagonist 反角In drama or fiction the antagonist opposes the hero or protagonist. In Hamlet Claudius is antagonist to Hamlet.8.romance 传奇a type of literature that was popular in the Middle Ages, usually containingadventures and reflecting the spirit of chivalry. Sir Gawain and the Green Knight was a great verse romance, but its author remains unknown.9.bob and wheel诗节末尾的短行与叠唱a rhyming section of five lines that concludes a stanza in Sir Gawain and theGreen Knight. The “bob” is a very short line, sometimes of only two syllables, followed by the “wheel”, longe r lines with three stresses and internal thyme.10.poet’s corner 诗人角a part of Westminster Abbey, London, which contains the tombs or monuments ofsome famous English poets, such as Geoffrey Chaucer and John Milton.11.heroic couplet 英雄双韵体Two successive lines o f rhymed poetry in iambic pentameter. Geoffrey Chaucer’smasterpiece The Canterbury Tale was written in heroic couplet.Named from its use by Dryden and others in the heroic drama of the late 17th century, the heroic couplet had been established much earlier by Chaucer as a major English verse-form for narrative and other kinds of non-dramatic portry: it dominated English poetry of the 18th century, notably in the couplets of Pope, before declining in importance in the early 19th century.12.ballad meter 民谣体traditionally a four-line stanza containing alternating four-stress and three-stress lines, usually with a refrain and the rhyme scheme of abcb. Robert Burns’ “A Red, Red Rose” is a great love ballad.13.refrain 叠句,副歌a phrase, line or lines repeated at intervals during a poem and especially at the endof a stanza. It is very often found in English ballads, such as Robert Burns’ “A Red, Red Rose”.14.English Renaissance 英国文艺复兴the literary flowering of England in the late 16th century and early 17th century, with humanism as its keynote. William Shakespeare’s Hamlet is considered the summit of this renaissance.Renaissance(文艺复兴)The word “renaissance” means rebirth or revival. It is commonly applied to the movement or period in western civilization , which marks the transition from the medieval to the modern world . It sprang up first in Italy in the 14th century and gradually spread all over Europe, the date differing for different countries. The Renaissance indicates a revival of classical (Greek and Roman) arts and sciences after the dark ages of medieval obscurantism. The study and propagation of classical learning and art was carried on by the progressive thinkers of the humanists. They held their chief interest not in ecclesiastical knowledge, but in man, his environment and doings and his brave fight for the emancipation of man from the tyranny of the church and religious dogmas.Because in the ancient Greek and Roman mythology were found the ideas of universal love, respect to human beings and approval of man’s power, ability and knowledge. And at the same time worldly enjoyment on the earth was affirmed. In short, man became the center of the world instead of God as upheld in the Middle Ages. The Renaissance Movement is a great revolution carried out in the fourteenth to the mid-seventeenth century Europe. It broke the chain and bondage of feudal and theological ties and brought human wisdom and capacity into full play.15.Elizabethan literature 伊丽莎白时代的文学literature written in the Elizabethan Age (1558-1603). William Shakespeare’s Romeo and Juliet was a masterpiece of this period.16.sonnet 十四行诗a fixed form consisting of fourteen lines of 5-foot iambic verse. It first flourishedin Italy in the 14th century. William Shakespeare was a great English sonnet writer famous for his 154 sonnets.17.iambic pentameter 五步抑扬格the basic line in English verse, with five feet in a line, usually an unaccented syllable followed by an accented syllable. It was probably introduced by Geoffrey Chaucer and certainly established by him in The Canterbury Tales.18.meter 格律the pattern of stressed and unstressed syllables in verse. In English verse a line may have a fixed number of syllables and yet have a varying number of stresses;the commonest meter is iambic. William Shakespeare’s so nnets are written in iambic.19.foot 音步a group of syllables forming a metrical unit. We measure feet in terms of syllablevariation: long and short syllables, stressed and unstressed. The commonest foot in English verse is iamb; the commonest line is five-foot line, called pentameter.William Shakespeare’s “Sonnet 18” contains fourteen iambic pentameter lines. 20.rhyme scheme 押韵格式the pattern of end-thymes in a stanza or poem, generally described by using letters of the alphabet to denote the recurrence of rhyming lines. For example, heroic couplets are “aabbcc” and so on.21.quatrain 四行诗节a stanza of four lines, rhymed or unrhymed. It is the commonest of all stanzaicforms in English poetry. Robert Burns’ “A Red, Red Rose” has four quatrains.22.image 意象a concrete representation of an object or sensory experience. Typically, such arepresentation helps evoke the feelings associated with the object or experience itself. Many images are conveyed by figurative language. An image may be visual, olfactory, tactile, auditory, gustatory, abstract and kinaesthetic. The rose in Robert Burns’ poem “A Red, Red Rose” is a beautiful image.23.poetic license 诗的破格the liberty allowed to the poet to wrest the language according to his needs in the use of figurative speech, archaism, rhyme, strange syntax, etc. An example is the last sentence of “A Red, Red Rose” by Robert Burns –“Tho’ it were ten thousand mile!”24.verse drama 诗剧drama written in the form of verse. It was most widely used in the Elizabethan Age. William Shakespeare’s dramas are all verse dramas, Hamlet being the most famous.25.blank verse 无韵诗,素体诗unrhymed iambic pentameter, the most widely used of English verse forms and usually used in English dramatic and epic poetry. William Shakespeare’s play Hamlet is written in blank verse.26.Globe Theatre 环球剧场One of the most famous of all theatres, it was built in 1599, with three stories. The roof was thatched, with the centre open to the sky. Many of William Shakespeare’s plays were performed in it. It was destroyed by fire in 1613, rebuilt the next year and finally demolished in 1644. Again it was rebuilt in 1997.27.essay 散文a composition, usually in prose, which may be of only a few hundred words or ofbook length and which discusses, formally or informally, a topic or a variety of topics. It is one of the most flexible and adaptable of all literary forms. Francis Bacon is a great essayist; his “Of Studies” is a model of good essay.28.English Romanticism 英国浪漫主义a literary movement that aimed at free expression of the writer’s ideas and feelingsand flourished in the early 19th century England. A great representative of this movement is Percy Bysshe Shelley, the author of “Ode to the West Wind”.ke poets 湖畔诗人are a group of English poets who all lived in the Lake District of England at the turn o f the nineteenth century. They are considered part of the Romantic Movement. The thr ee main figures of what has become known as the Lakes School are William Wordswo rth, Samuel Taylor Coleridge, and Robert Southey.30.poet laureate 桂冠诗人A poet honored for his artistic achievement or selected as most representative of his countryor era; in England, a court official appointed by the sovereign, whose original duties included the composition of odes in honor of the sovereign’s birthday and in celebration of state occasions of importance. William Wordsworth became poet laureate in 1843.31. Humanism(人文主义)Broadly, this term suggests any attitude which tends to exalt the human element or stress the importance of human interests, as opposed to the supernatural , divine elements ---or as opposed to the grosser, animal elements.In a more specific sense, humanism suggests a devotion to those studies supposed to promote human culture most effectively----in particular, those dealing with the life,thought, language, and literature of ancient Greece and Rome. It proclaimed that man is the most important noble creature in the world; the goal of life is to enjoy oneself in this present world instead of afterlife. According to the humanists ; both man and world are hindered by external checks from infinite improvement. Man could mould the world according to his desires, and attain happiness by removing all external checks by the exercise of reason. In literary history the most important use of the term is to designate the revival of classical culture which accompanied the Renaissance.32. Ode(颂歌) Long, often elaborate formal lyric poem of varying line lengths dealing with a subject matter and treating it reverently. It aims at glorifying an individual, commemorating an event, or describing nature intellectually rather than emotionally. Conventionally, many odes are written or dedicated to a specifie subject. For instance,Ode to the West Wind is about the winds that bring change of season in England. Ode to the Nightingale is about the nightingale that lures the poet temporarily away from his great misery. The earliest English odes include the Epithalamion and the Prothalamion,or marriage hymns by poet Edmund Spenser. 33. Romanticism(浪漫主义)The term refers to the literary and artistic movements of the late 18th and early 19th century. Romanticism rejected the earlier philosophy of the Enlightenment, which stressed that logic and reason were the best response humans had in the face of cruelty, stupidity, superstition, and barbarism. Instead ,theRomantics asserted that reliance upon emotion and natural passions provided a valid and powerful means of knowing and a reliable guide to ethics and living.The Romantic movement typically asserts the unique nature of the individual, the privileged status of imagination and fancy, the value of spontaneity over “artifice” and “convention”, the human need for emotional outlets, the rejection of civilized corruption, and a desire to return to natural primitivism and escape the spiritual destruction of urban life Their writings are often set in rural, or Gothic settings and they show an obsessive concern with “innocent”characters----children, young lovers, and animals. The major Romantic poets included William Blake, William Wordsworth, John Keats , Percy Bysshe Shelley, and Lord Gordon Byron.34. Aestheticism( 美学主义)The basic theory of the Aesthetic movement----“art for art’s sake”----was set forth by a French poet, Theophile Gautier. The first Englishman who wrote about the theory of aestheticism was Walter Pater, the most important critical writer of the late 19th century. The chief representative of the movement in England was Oscar Wilde,with his Picture of Dorian Gray. Aestheticism places art above life, and holds that life should imitate art, not art imitate life. According to the aesthetes, all artistic creation is absolutely subjective as opposed to objective. Art should be free from any influence of egoism. Only when art is for art’s sake,can it be immortal They believed that art should be unconcerned with controversial issues, such as politics and morality, and that it should be restricted to contributing beauty in a highly polished style. This was one of the reactions against the materialism and commercialism of the Victorian industrial era, as well as a reaction against the Victorian convention of art for morality’s sake, or art for money’s sake.35. Stream of Consciousness(意识流)(psychol organized by William James) individual conscious experience regarded as continuously moving forward in time in an uneven flow. In creative writing the interior monologue makes use of this to reveal character and comment on life.(由威廉·詹姆士创立的心理学)个人的内心体验以不平衡的方式不断流动着。
英国文学选读上名词解释(中英文版)
Byronic heroA proud, mysterious, rebellious, gloomy figure of noble origin, with fiery passions and unbending will, expresses Byron’s own ideal of freedom. He rises against tyranny and injustice, but he’s merely a lone fighter striving for personal freedo m.SonnetA sonnet is a 14-line lyric poem with a single theme. Sonnets vary but are usually written in iambic pentameter, following one of two traditional patterns: the Petrarchan or Italian sonnet and the Shakespearean or English sonnet. A sonnet generally expresses a single theme or idea.Sonnet是一种欧洲传统的非常有影响力的诗歌形式。
从形式上来说它有14行诗构成,通常是五步抑扬格,有着严格的特定的押韵方式。
莎士比亚的十四行诗非常出名。
Lake PoetsThe Lake Poets all lived in the Lake District of England at the turn of the nineteenth century. As a group, they followed no single "school" of thought or literary practice then known, although their works were uniformly disparaged by the Edinburgh Review. They are considered part of the Romantic Movement早期浪漫主义诗人Wordsworth,Coleridge和Southey,也被称为湖畔派诗人。
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英国文学选读名词解释1. Byronic hero拜伦式英雄(1)The Byronic hero is an idealized (理想化的)but flawed (有缺陷的)character exemplified in the life and writings of Lord Byron, characterized by his e x-lover Lady Caroline Lamb as being "mad, bad, and dangerous to know".[1] The Byr onic hero first appears in Byron's semi-autobiographical epic narrative poem Childe H arold's Pilgrimage (1812-18).(2)It refers to a proud, mysterious rebel figure of noble origin. With immense superio rity in his passions and powers, this Byronic hero would carry on his shoulders the bu rden of righting all the wrongs in a corrupt society, and would rise single-handedly ag ainst any kind of tyrannical rules either in government, in religion, or in moral princip les with unconquerable wills and inexhaustible energies.1812-1818 George Gordon Byron “Manfred”Manfred2. ConceitConceit is a far-fetched simile or metaphor, a literary conceit occurs when the speaker compares two highly dissimilar things. Conceit is extensively employed in John Don ne’s poetry.metaphysical poetry玄学派诗歌(1) Metaphysical poetry is commonly used to name the work of the 17th-century write rs who wrote under the influence of John Donne. With a rebellious spirit, the metaphy sical poets tried to break away from the conventional fashion of the Elizabethan love poetry. The diction is simple as compared with that of the Elizabethan of the Neoclas sical periods, and echoes the words and cadences of common speech. The imagery is drawn from actual life.(2)It is the name given to a diverse group of 17th century English poets whose work is notable for its ingenious use of intellectual and theological concepts in surprising conceits, strange paradoxes and far-fetched imagery. The leading Metaphysical poet was John Donne, whose colloquial, argumentative abruptness of rhythm and tone distinguishes his style from the conventions of Elizabethan love lyrics.17世纪,英国,John Donne “The Flea”3. Renaissance 文艺复兴The word “Renaissance”means “rebirth”, it meant the reintroduction into western Europe of the full cultural heritage of Greece and Rome. The essence of the Renaissance is Humanism. Attitudes and feelings, which had been characteristic of the 14th and 15th centuries, persisted well down into the era of Humanism and reformation. The real mainstream of the English Renaissance is the Elizabethan drama with William Shakespeare being the leading dramatist.14-17世纪英国,起源于意大利,William Shakespeare Hamlet4. English RomanticismIn the mid-18th century, a new literary movement called Romanticism came to Europ e and then to England. It was characterized by a strong protest against the bondage of neoclassicism, which emphasized reason, order and elegant wit. Instead, romanticismgave primary concern to passion, emotion, and natural beauty. Romantic literature is c haracteristic by such qualities as a deep love of nature, an indulgence in the self and th e individual, and a overwhelming interest in the supernatural, the mysterious and the g othic. The English Romantic period is an age of poetry. Romanticism prevailed in En gland from 1798 to 1837.1798-1837 William Blake “The Lamb”5. Dramatic monologue戏剧独白Dramatic monologue is a type of lyric poem that was perfected by Robert Browning. Dramatic monologue is a kind of poem in which a single fictional or historical character other than the poet speaks to a silent “audience” of one or more persons. Such poems reveal not the poet’s own thoughts but the mind of the impersonated character, whose personality is revealed while the implied presence of an auditor distinguishes it from a soliloquy, have also been called Dramatic monologue. But to avoid confusion it is preferable to refer to these simply as monologues or as monodramas.The Victorian period represented the high point of the dramatic monologue in English poetr y. Robert Browning “My Last Duchess”6. Stream of Consciousness 意识流In literary criticism, Stream of consciousness denotes a literary technique which seeks to describe an individual’s point of view by giving the written equivalent of the character’s thought processes. Stream of consciousness writing is strongly associated with the modernist movement. Its introduction in the literary context, transferred from psychology, is attributed to May Sinclair. Stream of consciousness writing is usually regarded as a special form of interior monologue and is characterized by associative leaps in syntax and punctuation that can make the prose difficult to follow, tracing as they do a character’s fragmentary thoughts and sensory feelings.It is a literary technique that presents the thoughts and feelings of a character as they occur without any clarification by the author. It is a narrative mode. It was first used in 1922 by the Irish novelist James Joyce.1922-21st century James Joyce Finnegans Wake7. Epiphany 顿悟A moment of illumination, usually occurrs at or near the end of a work. It was taken over by James Joyce to denote secular revelation in the everyday world, in an early version of his novel A Portrait of the Artist as a Young Man (1916) later published as Stephen Hero (1944).8. Critical RealismIt means the tendency of writers and intellectuals in the period between 1875 and 1920 to apply the methods of realistic fiction to the criticism of society and the examination of social issues. Realist writers were all concerned about the fate of the common people and described what was faithful to reality.It is a term applied to the realistic fiction in the late 19th and early 20th centuries. Charles Dickens A Tale of Two Cities。