警察与赞美诗的英文读后感
欧亨利短篇小说读后感、读后感作文:欧亨利短篇小说集读后感500字的范文
欧亨利短篇小说读后感、读后感作文:欧亨利短篇小说集读后感500字的范文[一: 读后感作文:欧亨利短篇小说集读后感500字的范文]欧亨利短篇小说选》是美国短篇小说大师欧亨利作品的选集。
书中,社会上那些巧取豪夺,坑蒙拐骗,利欲熏心,尔虞我诈的上流人物,得意之徒们的丑恶行径,被揭露无遗。
通过他们的种种表现,形象逼真,不拘一格地向读者展现了文明社会的黑暗与滑稽本质,弱肉强食与天良丧尽的现实,并喻示在金钱万能,唯利是图的生存环境中,人性的异化和畸变。
然而在众多对丑恶人性的描写之中,也不乏许多使人肃然起敬的小人物,让人对荒诞,滑稽的故事漠然一笑之后,感慨万千。
留给我印象最深的是《两位感恩节的绅士》这篇文章,它让我真正领略到了人性的魅力。
然而在众多对丑恶人性的描写之中,也不乏许多使人肃然起敬的小人物,让人对荒诞,滑稽的故事漠然一笑之后,感慨万千。
留给我印象最深的是《两位感恩节的绅士》这篇文章,它让我真正领略到了人性的魅力。
故事讲了两位美国绅士其中一人根本不能称之为绅士,他只能说是一个常年受饥饿折磨的穷人。
在他们之间有个奇怪的约定每年感恩节,穷人便会坐在联邦广场喷水池对面人行道旁边东入口右面的第三条长凳上,等待着老绅士的到来。
老绅士来了之后,会带这位饥肠辘辘的穷人饱餐一顿。
这就是他们之间神圣的约定。
对老绅士而言,一顿饭钱简直微不足道,但是,他却从其中找到了助人的乐趣。
而穷人的目的也并不完全是在于那顿丰盛的饭菜,更重要的是能使一位老人如自己所愿。
这个传统延续了九年之久,第十年的感恩节,穷人照惯例走在去约会地点的路上。
可出乎意料的事发生了。
半路上,穷人被一幢住宅的管家请进了门,并可以享受一顿丰盛的大餐。
原来住宅的主人两位老太太,也有一个奇怪的传统在正午把第一个饥饿的路人请进门,让他大吃大喝,饱餐一顿。
饥饿的穷人抵挡不住事物的诱惑,畅开肚子,吃了起来。
当他心满意足地走出住宅时,才想起了和老绅士的约定。
但他还是如约与老绅士碰了面。
《警察与赞美诗》作者简介+背景(英文)[五篇]
《警察与赞美诗》作者简介+背景(英文)[五篇]第一篇:《警察与赞美诗》作者简介+背景(英文)作者简介: William Sydney Porter(September 11, 1862—June 5, 1910), known by his pen name O.Henry, is one of the American famous short-story writers.He was born on September 11, 1862, in Greensboro, North Carolina.O.Henry published 10 collections and over 600 short stories during his lifetime.His novels expose the darkness of capitalism from different angles, describe the difficult life of lower class, praise their sincere friendship, love and desire to blessed life.He always write a comedy ending to express deep social meaning, serious social reality and higher level.Furthermore, it points out the inevitability.背景:Critical realism in Western Europe began to decline when the United States profound changes in social reality cause changes in literature, which is development of realism.It appears in the United States is increasingly decaying stage of capitalism, the transition from capitalism to the era of imperialism.Between the society and class conflict is intensifying.In this period,some small bourgeois writers, from their own class, condemn the evils of the capitalist system, describe the misery of the people, reflect people's grievances against bourgeois regime.But when the turbidity of imperialism came, they despair with the emotional exploration of fate and destiny.However, the spread of Marxist thought, also caused great shock.Some writers took part in the labor movement, and began to create some advanced literature.The works draw materials from real life, reflected lower working people's miserable life, and accused the rulers persecuting people.西欧批判现实主义文学开始衰落的时候,美国现实社会的深刻变化引起文学的变化,这就是现实主义的兴起和发展。
警察与赞美诗 英文读书报告
《警察与赞美诗》读书报告The Cop And The Anthem was just a very short novel I read in the middle school. I have no memory of this classical novel except its ridiculous ending, which the writer, O Henry ’s best at.By accident,professor Zhong reminds me of the novel in his class. It’s real lucky I think of this novel when I have to finish a reading report this week, especially in autumn. It’s getting colder and colder, so winter is near.The Cop And The Anthem is a story that happened in a cold winter. Soapy is a vagrant who is homeless and jobless. Because of the coming bad weather, he may live uneasily outside and there is a comfortable and warm place for him, Blackwell prison. For years the hospitable Blackwell prison had been his winter refuge.Three months of assured board and bed and good company, safe from north winds and policemen, seemed to Soapy the most desirable thing. Soapy had made his arrangements for his annual journey to the island. He committed crime on purpose so that he can be put into prison in winter. However, things didn't go as he expected. But when he made up his mind to give up evil and return to good, he was arrested.That funny ending impressed me very much. At first, I shew great sympathy to this poor man. He had to put himself into the prison, where his freedom was limited, in order to live himself. But after he stirred up trouble for six times and still didn’t get arrested, he was put into the once dreamed prison because he wanted to be a good man. It’s an entirely incredible ending, but it also became the highlight of this novel. O. Henry's short stories are famous for their surprise endings, his wit, wordplay and humor. And where there is humor, there always is specific implication.His black humor is present in various places from this short novel. Soapy, the vagrant who had committed a crime for six times, was eager to go to prison. But he was always out of luck and got policeman's forgiveness. When Soapy was touched by the anthem and decided to be a good citizen, he was arrested for groundless reasons. This comparison between Soapy’s before and after expresses the social reality profoundly. Although I can’t help laughing when I read this surprise ending, I also feel pity for his miserable life. This kind of black humor not only appears in the ending, it’s used in lots of plots of this novel and often make a contrary to my expectation.Soapy stole an umbrella from well-dressed man when he had expected the umbrella’s owner could send him into the prison. But the umbrella also didn’t belong to that neatly dressed man,anupper class gentleman who had a beautiful appearance. When he sang drunken songs at the top of his voice, danced, and howled on the sidewalk. The policeman mistook him into one of Yale lads celebrating their victory of football game over the Hartford College.He thought Soapy was only noisy but no harm. The funniest one is, when he molested a beautiful lady in front of a policeman, the lady joyfully answered his flirtation. The gentleman and lady who had beautiful appearances, even the policemen all expose one dirty and unrational society to us. It’s a fact beyond our imagination that the noble upper class may hide their dirty heart under good appearance. This sick society caused many poor people’s present like Soapy. But it’s these people that easily could be touched and moved by the simple anthem and decided to give up the evil and be a good man. They were so kind but regarded to be abnormal when they behave peaceful outside the church.O.Henry uses a number of comparison and black humor to fully display the character's wretched fate and cruelty of capitalist society. He is famous for short novels that are skillful with these writing techniques and is also good at describing American society. The story in this novel ironize and reveal the realistic of New York’s society at that times. That ridiculous play happened in a cold late autumn, like now. Hope this winter won’t be so cold because of people’s warm heart.。
警察与赞美诗英文读后感
警察与赞美诗英文读后感本文是关于读后感的,仅供参考,如果觉得很不错,欢迎点评和分享。
警察与赞美诗英文读后感When people really want to do it, God just happens to mean the beginning, and go back on, shameless the.Undeniably, the opportunity is the wait for anyone, it is not passive, not waiting for you to analyze, analyze it, consider this, consider that a series of trivial events, and then decided to do it. Perhaps it is itself a fleeting "Wizard", which is the test of courage and guts, wisdom and soul. It does not mean that all things should not be thoughtful, careful Clofibrate conduct, and if so, what we were in ancient times? Of course, opportunity and a need to treasure, you need to take advantage of, opportunities have come across are very "difficult" to fully and thoroughly to take advantage of, but it is "difficult." How to better "perfect" it is a priority.The policeman, not a claim has been given many opportunities than it? The cable does not do this than to understand what, just keep endlessly kept in mind for his so-called "target" to continue to play a life, "clown", never tired. And lucky him, the total in the "stage" has written "slip",but in the end was as a "joke", laughed.A "drama" in the end, which means another "Drama" begins. The police is concerned, only to routine; on the reader, but near the end; of life is concerned, only a small episode; of the writer is concerned, it is a good plot; on the audience, the only worthy of a ticket; on Soapy, it is a new idea of life close to, for he had the "ignorance" to pay, value is what he does not escape from his hand, he may be able to reverse the fate of the "Opportunity" and its contempt for the lessons learned in the final result.If he will blame anyone, so that he does deserve it; if he can only blame himself, then he can say to yourself out loud: "Three months, not too long, I will cherish and seize the time each day . well, in fact, did not run away, but I ignored. wait for it … … "Well, in fact, did not go far. Yes, a lot of happiness to dominate, the opportunity is one of them. Do not wait until God impatient, after all, he has emotions, give you played rough, then, as if too lacking in "human touch" of the. But their suffering.Cherish the people or things around them, they change every day, but we are too busy, did not see. Opportunity is likea chance encounter, a good thing. Take advantage of, the benefits of it to play the extreme, it is a "beauty" thing. A person's life will be all sorts of conditions, each of the significance of the situation is very different, very different. Select a different situation, a different life, a different fate, a different change … … So, we have to opportunity, "transparent", fully see, so that would not go astray friends.If the contrary, the outcome would be like Soapy: horror, realize that they have plunged into the abyss, the fallen years, shameful desire, despair, only poor intellectual exhaustion, motivation despicable.Not grasp the opportunity to meet, are fools; not met but know how to grasp opportunities is talent; both opportunities and understanding of how the event is a genius.感谢阅读,希望能帮助您!。
警察与赞美诗英文版
警察与赞美诗英文版篇一:警察与赞美诗英语读后感警察与赞美诗读书分析报告篇二:警察与赞美诗的英文读后感Wang1 Wang MengmengProfessor Li KangEnglish 0911031412 March 2021The Cop and the AnthemTBased on the whole text, the author's humor is present in various ways, one ofwhich is through irrationality during the development of plots. Soapy, the vagrant who has stirred up trouble for six times, is eager to go to prison. But he is always out of luck and get policeman's forgiveness. When Soapy is touched by the anthem and wants to be a good citizen, he is arrested for groundless reasons. This way is a kind of black humor manifesting social reality profoundly. We can see something gloomy, desperate,but simultaneously, we can't help laughing when reading the vivid description.Once, Soapy wants to reach his goal by molesting a woman, Soapystraightened the lady missionary’s ready-made tie, dragged his shrinking cuffs intothe open, set his hat at a killing cant and sidled toward the young women(20).butthe seeming virtuous and quiet woman begin to seduce him in reverse.“Sure,Mike,” she said joyfully, “if you’ll blow me to a pail of suds. I’d have spoke to yousooner, but the cop was watching.”With the young woman playing the clinging ivyto his oak Soapy (22). Besides, Soapy steals an umbrella from a neatly dressedcustomer, but the umbrella is ill-gotten originally.''Of course,''said the umbrellaWang2man''that is—well, you know how these mistakes occur—I—if it’s your umbrella Ihope you’ll excuse me—I picked it up this morning in a restaurant—If you recogniseit as yours, why—I hope you’ll—''(31).So the modest and lady and gentleman turnout to be someone that we cannot imagine, which is not rational. Nonetheless, as amatter of fact, they just hide their dirty acts under a beautiful veil and a small signcan indicate a great trend, we can learn that the so-called noble upper class goesmore serious than the two. These plots reveals awful mood of that capitalist society.In addition, the conflict between the irrationality of Soapy's behavior and therationality of the cop's judgment is one of the important reasons for Soapy's"misfortune". For example, Soapy breaks the glass and wait for the policeman tocome and arrest him, but the cop reckons that a man who commits evil won't sitand wait for arrest, men who smash windows do not remain to parley with thelaw’s minions then he excludes Soapy. Besides, he wants to break the peace byvirtue of kicking up a fuss in the street, identically, the cop deems that onlycollege students dare to be so unbridled andboisterous''Tis one of them Yale ladscelebratin’ the goose egg they give to the Hartford College. Noisy; but no harm.We’ve instructions to lave them be.''(25). His abnormal conducts is determined byhis distorted mentality, which exactly reflects torture and agony both in life andmind oft he low-class. When the poor guy intends to do good the moment he ismoved and inspired, the cop believes a vagrant will never something to do withthe quiet atmosphere around a church, the soft lamplight and the touching music.Consequently, Soapy is caught unexpectedly. “What are you doin’ here?” askedthe officer. ''Nothing,'' said Soapy(42). ''Then come along.''said thepoliceman(43). ''Three months on the Island.'' said the Magistrate in the PoliceCourt the next morning.(44). It is the accident that mirrors confusion of truth andfalsehood, black and wright.Needless to say,there are many ways to represent humor, they have one thing in--where there is humor, there is specific implication. The writing style of the author is humorous, the disclosure of the society is deepgoing, the reflective life andWang3mental distress are mirky. O.Hey uses a quantity of comparison and humor to fully display the character's wretched fate and cruelty of capitalist society.Notes1.Jack Frost (Para.2): Jack Frost is a personification of frost.2.Blackwell (Para.5): An island with prisons on East River in New York3.Palm Beach and the Riviera (Para.5): A tourist attraction in winter.4.Cesar (Para.5): A famous statesman, strategist and commander in chief assassinated by Republicans.5.Brutus (Para.5): Roman politician, the chief plotter to assassinate Cesar.6.the choicest products of the grape, the silkworm and the protoplasm(Para.7): It indicates upper-class life.7.brass buttons (Para.5): It refers to policeman, as the fasteners of police uniform are made of brass.Work cited1.2.Hey,O.O Hey 100 Selected Stories [M]. Hertfordshire: Wordworth,2021.3.Voss,Arthur. The American Short Story: A Critical Survey[M].Norman:Oklahoma UP,1973:123-1244.田艳.欧菲利普短篇小说精选[M]. 大连:南京大学出版社,2021.5.王青松.倪勤.轮欧爱德华小说的比喻特色[J].安徽教育学院学报.2021,24(4):82-85.About The AuthorO. Hey is one of the most famous American criticalrealist short storywriters, and one of the world's top three masters of the short stories. O. Hey'sreal name was William Sydney Porter.O. Hey was born in Greensboro, North Carolina on September 11,1862. At age of 20 (1882) he moved to Texas, where he had various jobs.He married Athol Estes in 1887, in 1894 while working for First National Bank inAustin, Porter was accused of stealing $4000. He went to prison in Columbus,Ohio for 3 years eventually. While in prison Porter first started to write shortstories and believed that he has found his pseudonym there. After Porter wasreleased from the prison in 1901, he changed his name to O. Hey and moved toNew York in 1902. From December 1903 to January 1906 o. Hey wrote a storya week for the New York World magazine, and published several short stories inother magazines.O. Hey's short stories are famous for their surprise endings, his wit, wordplayand humor. He wrote such classic short stories as The Ransom of Red Chief, TheGift of the Magi, The Furnished Room, The Four Billion, Cabbages and Kings,The Last Leaf, The Cop and the Anthem,etc.In his last years O. Hey had financial and health problems. An alcoholic, O.Hey died on June 5, 1910 in New York City, virtually broke.篇三:警察与赞美诗的德文读后感[1]1The Cop and the AnthemThe key word:Cop/vagrant/crime/prison/winter/arrested.The Cop and the Anthem is one of O.Hey's representative works. This noveldescribes a vagrant who is jobless, homeless and commits crime on purpose so that he can be put into prison in winter. However,things don't goes as he expected. But when he makes up his mind to give up evil and return to good, he is arrested.Based on the whole text, the author's humor is present in various ways, one ofwhich is through irrationality during the development of plots. soap, the vagrant who has stirred up trouble for six times, is eager to go to prison. But he is always out of luck and get policeman's forgiveness. When soap is touched by the anthem and wants to be a good citizen, he is arrested for groundless reasons. This way is a kind of black humor manifesting social reality profoundly. We can see something gloomy, desperate,but simultaneously, we can't help laughing when reading the vivid description.Once, soap wants to reach his goal by molesting a woman, soap straightened thelady missionary’s ready-made tie, dragged his shrinking cuffs into the open, set his hat at a killing cant and sidled toward the young women.but the seeming virtuous and quiet woman begin to seduce him in reverse.“Sure, Mike,” she said joyfully, “if you’ll blow me to a pail of suds. I’d have spoke to you sooner, but the cop was watching.”With the young woman playing the clinging ivy to his oak soap . Besides, soap steals an umbrella from a neatly dressed customer, but the umbrella is ill-gotten originally.''Of course,''said the umbrella man''that is—well, you know how these mistakes occur—I—if it’s your umbrella I hopeyou’ll excuse me—I picked it up this morning in a restaurant—If you recognise it as yours, why—I hopeyou’ll.So themodest and lady and gentleman turn out to be someone that we cannot imagine, which is not rational. Nonetheless, as a matter of fact, they just hide their dirty acts under a beautiful veil and a small sign can indicate a great trend,we can learn that the so-called noble upper class goes more serious than the two. These plots reveals awful mood of that capitalist society.In addition, the conflict between the irrationality of Soap's behavior and therationality of the cop's judgment is one of the important reasons for Soap's "misfortune". For example, soap breaks the glass and wait for the policeman to come and arrest him, but the cop reckons that a man who commits evil won't sit andwait for arrest, men who smash windows do not remain toparley with the law’s minion s then he excludes soap. Besides, he wants to break the peace by virtue of kicking up a fuss in the street, identically, the cop deems that only college students dare to be so unbridled and boisterous''Tis one of them Yale lads celebrate’ the goose egg the y give to the Hartford College. Noisy; but no harm. We have instructions to lave them be. His abnormal conducts is determined by his distorted mentality, which exactly reflects torture and agony both in life and mind oft he low-class. When the poor guy intends to do good the moment he is moved and inspired, the cop believes a vagrant will never something to do with the quiet atmosphere around a church, the soft lamplight and thetouching music. Consequently, soap is caught unexpectedly. “What are you doing here?” asked the officer. ''Nothing,'' said soap''Then come along.''said the policeman. ''Three months on the Island.'' said the Magistrate in the Police Court the next morning.. It is the accident that mirrors confusion of truth and falsehood, black and wright.Needless to say,there are many ways to represent humor, they have one thing in--where there is humor, there is specific implication. The writing style of the author is humorous, the disclosure of the society is deepgoing, the reflective life and mental distress are mirky. O.Hey uses a quantity of comparison and humor to fully display the character's wretched fate and cruelty of capitalist society.About The AuthorO. Hey is one of the most famous American criticalrealist short storywriters, and one of the world's top three masters of the short stories. O. Hey'sreal name was William Sydney Porter.O. Hey was born in Greensboro, North Carolina on September 11,1862. At age of 20 (1882) he moved to Texas, where he had various jobs.He married Athol Estes in 1887, in 1894 while working for First National Bankin Austin, Porter was accused of stealing $4000. He went to prison in Columbus,Ohio for 3 years eventually. While in prison Porter first started to write shortstories and believed that he has found his pseudonym there. After Porter wasreleased from the prison in 1901, he changed his name to O. Hey and moved toNew York in 1902. From December 1903 to January 1906 o. Hey wrote a storya week for the New York World magazine, and published several short stories inother magazines.O. Hey's short stories are famous for their surprise endings, his wit, wordplayand humor. He wrote such classic short stories as The Ransom of Red Chief, TheGift of the Magi, The Furnished Room, The Four Billion, Cabbages and Kings,The Last Leaf, The Cop and the Anthem,etc.In his last years O. Hey had financial and health problems. An alcoholic, O.Hey died on June 5, 1910 in New York City, virtually broke.。
警察与赞美诗读后感英文
警察与赞美诗读后感英文本文是关于读后感的,仅供参考,如果觉得很不错,欢迎点评和分享。
警察与赞美诗读后感英文The Cop and the Anthem is one of O.Henry's representative works. This novel describes a vagrant who is jobless, homeless and commits crime on purpose so that he can be put into prison in winter. However,things don't goes as he expected. But when he makes up his mind to give up evil and return to good, he is arrested.Based on the whole text, the author's humor is present in various ways, one of which is through irrationality during the development of plots. soap, the vagrant who has stirred up trouble for six times, is eager to go to prison. But he is always out of luck and get policeman's forgiveness. When soap is touched by the anthem and wants to be a good citizen, he is arrested for groundless reasons. This way is a kind of black humor manifesting social reality profoundly. We can see something gloomy, desperate,but simultaneously, we can't help laughing when reading the vivid description.Once, soap wants to reach his goal by molesting a woman, soap straightened the lady missionary’s ready-made tie,dragged his shrinking cuffs into the open, set his hat at a killing cant and sidled toward the young women.but the seeming virtuous and quiet woman begin to seduce him in reverse.“Sure, Mike,” she said joyfully, “if you’ll blow me to a pail of suds. I’d have spoke to you sooner, but the cop was watching.”With the young woman playing the clinging ivy to his oak soap . Besides, soap steals an umbrella from a neatly dressed customer, but the umbrella is ill-gotten originally.''Of course,''said the umbrella man''that is—well, you know how these mistakes occur—I—if it’s your umbrella I hope you’ll excuse me—I picked it up this morning in a restaurant—If you recognise it as yours, why—I hope you’ll.So the modest and lady and gentleman turn out to be someone that we cannot imagine, which is not rational. Nonetheless, as a matter of fact, they just hide their dirty acts under a beautiful veil and a small sign can indicate a great trend, we can learn that the so-called noble upper class goes more serious than the two. These plots reveals awful mood of that capitalist society.In addition, the conflict between the irrationality of Soap's behavior and the rationality of the cop's judgment is one of the important reasons for Soap's "misfortune". For example, soap breaks the glass and wait for the policeman to come andarrest him, but the cop reckons that a man who commits evil won't sit and wait for arrest, men who smash windows do not remain to parley with the law’s minions then he excludes soap. Besides, he wants to break the peace by virtue of kicking up a fuss in the street, identically, the cop deems that only college students dare to be so unbridled and boisterous''Tis one of them Yale lads celebrate’ the goose egg they give to the Hartford College. Noisy; but no harm. We have instructions to lave them be. His abnormal conducts is determined by his distorted mentality, which exactly reflects torture and agony both in life and mind oft he low-class. When the poor guy intends to do good the moment he is moved and inspired, the cop believes a vagrant will never something to do with the quiet atmosphere around a church, the soft lamplight and the touching music. Consequently, soap is caught unexpectedly. “What are you doing here?” asked the officer. ''Nothing,'' said soap''Then come along.''said the policeman. ''Three months on the Island.'' said the Magistrate in the Police Court the next morning It is the accident that mirrors confusion of truth and falsehood, black and wright.Needless to say,there are many ways to represent humor, they have one thing in common--where there is humor, thereis specific implication. The writing style of the author is humorous, the disclosure of the society is deepgoing, the reflective life andmental distress are mirky. O.Henry uses a quantity of comparison and humor to fully display the character's wretched fate and cruelty of capitalist society.感谢阅读,希望能帮助您!。
小人物矛盾却又无奈的选择--读欧亨利的《警察与赞美诗》
最新英语专业全英原创毕业论文,都是近期写作1 探析《呼啸山庄》男女主人公爱情悲剧的根源(开题报告+论文+文献综述)2 Women’s Image in Pygmalion3 A Comparison of the English Color Terms4 环境、性格、命运--评《远大前程》主人公皮普5 An Analysis of Feminism in Little Women6 《蝇王》中的象征7 Family Values in Desperate Housewives8 Analysis on the Withdrawal of Feminism in The Great Gatsby9 对外新闻的导语编译研究10 多丽丝•莱辛《屋顶丽人》与威廉•福克纳《干旱的九月》中女主人公的对比研究11 托妮•莫里森《宠儿》中的主角赛丝的女性形象研究12 《了不起的盖茨比》叙述者尼克分析13 文档所公布均英语专业全英原创毕业论文。
原创Q 799 75 79 3814 广告对中国百姓生活的影响15 《喜福会》中的文化身份分析16 浅析“红”和“黑”在中英文中的文化及语义对比17 从《纯真年代》中的女性角色看伊迪斯华顿的女性意识18 英汉“走类”动词短语概念隐喻的对比研究19 礼貌策略在国际商务谈判中的运用20 艾丽丝沃克《日用家当》中的人物解读21 文化语境视域下英语习语的汉译研究22 从数字看中西方文化差异23 分析海明威在《永别了,武器》中的悲剧意识24 从常见的中英文名字比较中英两国命名文化差异25 《中国日报》与《纽约时报》灾难新闻之比——以系统功能语法为视角26 中国梦和美国梦的对比分析27 语篇分析在阅读教学中的运用28 消费主义视角下看《麦琪的礼物》中的男女主人公29 A Comparative and Contrastive Study of Family Education in China and America30 《绝望的主妇》中的中产阶级女性独立意识的研究31 苔丝的悲剧命运分析32 论《傲骨贤妻》字幕翻译中的归化和异化策略33 一个反叛者的肖像--以《土生子》为例34 论《黑夜中的旅人》中主人公的信仰冲突与融合35 Doomed Tragedy out of Desire-Driven Morbid Personalities in Nabokov’s Lolita36 英语成语跨文化翻译策略37 Approaches to the Limits of Translatability for English Palindromes38 论外国文化在英语学习中的重要性39 论《简爱》中的女性意识40 广告语中预设触发语的语用分析41 《劝导》中安妮•艾略特的道德判断42 论华兹华斯诗歌中的自然观43 《蝴蝶梦》中的哥特式元素44 汽车商标词的翻译特征和方法45 中西方在养老孝道方面的差异46 从英汉颜色词的内涵看其翻译47 诠释《儿子与情人》中儿子、母亲、情人之间的关系48 The Interpretation to Captain Ahab in Moby Dick through Abnormal Psychology49 莎士比亚《仲夏夜之梦》中的男性探究50 论英语小说中俚语的汉译51 Cultural Issues in Interpreting52 高中英语新课标在xx中实施情况调查与分析53 从归化的角度分析《飘》的中译本54 英语委婉语的构成与应用55 美国基督新教与中国儒家的伦理道德的比较56 金钱与婚姻—论《傲慢与偏见》中的婚姻价值与导向57 《嘉莉妹妹》之悲剧性——基于嘉莉与赫斯特伍德的比较58 国际商务谈判中的非语言交际59 合作教学理论在初中英语阅读中的运用60 An investigation of the Feasibility of Inquiry Teaching In Middle School English Teaching61 从跨文化交际视角谈品牌翻译策略62 文化语境对翻译的影响63 科技英语中被动句的语篇功能探析64 从《蝴蝶夫人》到《蝴蝶君》的蜕变65 从古至今的吸血鬼文化66 中西方饮酒礼仪的比较6768 汉语公示语的英译69 On Contradiction Between Comprehension and Expression in Translation70 跨文化意识在初中英语教材中的渗透71 中式菜肴命名的文化内涵与英译72 Cause of Tragedy in Desire Under the Elms73 浅析广告发展现状及其未来发展趋势74 企业行为管理的共同价值观浅析75 多媒体英语教学的优势与劣势76 “It be adj for sb to do sth”中形容词制约研究77 从奥运菜单看中式菜肴英译名规范化程度78 《嘉莉妹妹》中男女主人公命运的对比分析79 On the Character of Scarlett O’Hara and the Transition of American Soci ety80 种族沟通的桥梁——对《宠儿》中两个丹芙的人物分析81 人性的扭曲,堕落与回归——希刺克厉夫的人性简析82 中西方饮食文化的比较研究83 欧•亨利短篇小说中的美式幽默风格的翻译84 从女性主义解读《芒果街上的小屋》85 高中英语词汇教学策略86 论《永别了,武器》中战争对人物的影响87 Analysis on the Chapter Titles Translation of The Story of the Stone88 从《纯真年代》的女性角色看旧纽约的女性地位89 评析杰克伦敦小说《荒野的呼唤》中巴克的象征意象90 浅析《我们共同的朋友》中的象征手法91 英汉动物词汇文化内涵对比92 英语构词法对词汇习得的影响93 文本分类理论与广告翻译94 目的论视角下公示语汉英翻译研究95 功能对等理论视角下的商务合同翻译研究96 《睡谷的传说》中理想与现实的矛盾97 A Comparative Study of Female Consciousness between Wang Anyi’s Everlasting Regret and Virgina Woo lf’s Mrs. Dalloway98 Analysis of the Elements of Modernism of Wuthering Heights99 英语交际中害羞心理产生的根源及其克服方法100 从归化和异化的角度对《小妇人》的两个中文译本的比较研究101 《老人与海》和《热爱生命》的生态比较102 分析路易莎•梅•奥尔科特的《小妇人》中的女权主义103 论《黑夜中的旅人》中主人公的信仰冲突与融合104105 从依恋理论看《呼啸山庄》主人公希斯克利夫悲剧性格的形成106 A Tentative Approach To Contemporary American Romance Movies107 浅析科技英语翻译中的逻辑错误108 《傲慢与偏见》和《简爱》中的性别歧视现象和女权主义109 中国文学作品中的歇后语的英译-以红楼梦为例110 中西服饰文化差异对语言的影响111 《洛丽塔》的悲剧分析112 从目的论角度看外宣翻译研究113 论劳伦斯《儿子与情人》中瓦尔特•莫雷尔悲剧的成因114 德国功能目的论指导下广告口号的汉译115 《蝇王》中的象征116 库柏《最后的莫西干人》中的麦格瓦分析117 从玛氏公司看英美文化对广告的影响118 海明威的矛盾性格在其作品中的体现119 Problems in the Oral Class and Solutions to Them120 从标记理论看英语词汇性别歧视现象121 从目的论角度分析化妆品品牌翻译122 英文小说中的中国文化认同——《京华烟云》赏析123 从死亡委婉语中透视中西方文化差异124 “雨中的猫”与“一个小时的故事”中女性意识觉醒的比较研究125 困境重生—《鲁宾逊漂流记》中鲁宾逊性格浅析126 《西游记》和《哈利波特》的对比127 A Study of Nonverbal Communication128 从功能对等理论角度看求职简历汉译英129 初中生英语听力理解的障碍因素及对策130 英汉委婉语的文化对比研究——以“死亡”委婉语为例131 Satan in Paradise Lost as a Tragic Hero132 解析《诺桑觉寺》中凯瑟琳的自我成长133 从生态视角解读《瓦尔登湖》134 广告英语的语用策略分析135 英语专业学生词汇学习策略特点研究136 目的论在英语儿歌翻译中的应用137 浅析爱伦·坡小说《黑猫》的写作艺术手法138 The Pursuit of Freedom and Love in E.M. Forster’s A Room with a View139 The Analysis of Promotion Strategy of L’Oréal in China140 李宁的品牌推广141 从存在主义视角研究J.D.塞林格《泰迪》142 广告语中预设触发语的语用分析143 从女权主义视角分析《红字》中海斯特白兰的形象144 从女权主义视角解读《简爱》145 德伯家的苔丝中苔丝的悲剧成因分析146 从翻译等值理论看文化词的翻译147 宗教枷锁下的人性挣扎——《红字》中丁梅斯代尔形象解读148 唯美主义理论与实践的矛盾——解析王尔德的矛盾性149 论《荆棘鸟》中拉尔夫的形象150 汉英“眼”概念隐喻的对比研究151 一项有关影响中国学生英语听力理解的因素的调查研究152 浅析中西方文化中会面礼仪的差异153 浅析《远大前程》中皮普的个人抱负与自我完善154 语境对法律英语翻译的影响155 An Analysis of Daphne du Maurier’s Female Identity Anxiety Reflected in Rebecca156 浅析焦虑对英语专业学生英语口语的影响157 《威尼斯商人》中夏洛克形象的解构与重建158 一个女性的悲剧—从人性角度浅析苔丝的悲剧159 生态批评视域中的《红字》160 凯瑟琳安波特作品中的女性话语权威161 Living in the Crack: A Study of the Grotesques in Winesburg, Ohio162 会议交替传译中习语的翻译163 浅析欧•亨利小说中恶棍骗子形象塑造--以《双料骗子》,《提线木偶》为例164 Rhetorical Art and Chinese-English Translation Suggestions of Business Transaction Correspondence165 《哈姆雷特》戏剧中的悲剧因素166 浅析菲利普从妥协走向庸常的原因—反刍毛姆《人性的枷锁》167 浅析造成盖茨比悲剧的因素168 《雾都孤儿》中的反犹主义169 浅析《老人与海》中桑提亚哥的性格170 从儿童心理角度看儿童文学中的对话翻译171 日常生活中隐喻的认知研究172 中美企业文化差异研究173 论《米德尔马契》中的人性主题174 Coherence in English-Chinese Translation: A Pragmatic Study175 英语新闻的用词和翻译176 A Comparison of the English Color Terms177 The General Principles in Translating Chinese Novels into English178 美的遗失与幻灭——论托妮莫里森小说《最蓝的眼睛》中的黑人世界179 论《了不起的盖茨比》中的象征及其作用180 《傲慢与偏见》基本婚姻观背后的世纪英国社会历史因素181 继承与颠覆—解读《傲慢与偏见》中的“灰姑娘”模式182 旅游宣传品的翻译183 英汉动物词汇文化内涵意义对比研究184 Culture Colonialism in Heart of Darkness185 An Image of Eternal Charm—An Interpretation of Scarlett’s Character in Gone with the Wind 186 从《店员》解读作者双重身份的矛盾心理187 A Study of Stylistic Features and Translation of Journalistic English188 An Analysis of “The Cask of Amontillado”189 论英语影视作品的字幕翻译技巧190 反思《夜访吸血鬼》中的同性恋现象191 商务英语书面语语言特色的语用分析192 解析凯瑟琳的爱情与婚姻之分离193 浅谈英汉谚语的翻译——从跨文化角度出发194 谈某些颜色词的翻译195 苔丝之罪是谁之过196 论小说《看不见的人》中的象征主义197 从作者夏洛蒂·勃朗特看《简·爱》198 Aesthetic Arts in Allan Poe’s Poetry—An Analysis of Israfel and Annabel Lee199 善,还是恶――《我弥留之际》中安斯性格分析。
警察与赞美诗的英文读后感1
警察与赞美诗的英文读后感1第一篇:警察与赞美诗的英文读后感1The Cop and the AnthemThe key word:Cop/vagrant/crime/prison/winter/arrested.The Cop and the Anthem is one of O.Henry's representative works.This noveldescribes a vagrant who is jobless, homeless and commits crime on purpose so that he can be put into prison in winter.However,things don't goes as he expected.But when he makes up his mind to give up evil and return to good, he is arrested.Based on the whole text, the author's humor is present in various ways, one ofwhich is through irrationality during the development of plots.soap, the vagrant who has stirred up trouble for six times, is eager to go to prison.But he is always out of luck and get policeman's forgiveness.When soap is touched by the anthem and wants to be a good citizen, he is arrested for groundless reasons.This way is a kind of black humor manifesting social reality profoundly.We can see something gloomy, desperate,but simultaneously, we can't help laughing when reading the vivid description.Once, soap wants to reach his goal by molesting a woman, soap straightened thelady missionary’s ready-made tie, dragged his shrinking cuffs into the open, set his hat at a killing cant and sidled toward the young women.but the seeming virtuous and quiet woman begin to seduce him in reverse.“Sure, Mike,” she said joyfully, “if you’ll blow me to a pail of suds.I’d have spoke to you sooner, but the cop was watching.”With the young woman playing the clinging ivy to his oak soap.Besides, soap steals anumbrella from a neatly dressed customer, but the umbrella is ill-gotten originally.''Of course,''said the umbrella man''that is—well, you know how these mistakes occur—I—if it’s your umbrella I hope you’ll excu se me—I picked it up this morning in a restaurant—If you recognise it as yours, why—I hope you’ll.So themodest and lady and gentleman turn out to be someone that we cannot imagine, which is not rational.Nonetheless, as a matter of fact, they just hide their dirty acts under a beautiful veil and a small sign can indicate a great trend, we can learn that the so-called noble upper class goes more serious than the two.These plots reveals awful mood of that capitalist society.In addition, the conflict between the irrationality of Soap's behavior and the rationality of the cop's judgment is one of the important reasons for Soap's “misfortune”.For example, soap breaks the glass and wait for the policeman to come and arrest him, but the cop reckons that a man who commits evil won't sit and wait for arrest, men who smash windows do not remain to parley with the law’s minions then he excludes soap.Besides, he wants to break the peace by virtue of kicking up a fuss in the street, identically, the cop deems that only college students dare to be so unbridled and boisterous''Tis one of them Yale lads celebrate’ the goose egg they give to the Hartford College.Noisy;but no harm.We have instructions to lave them be.His abnormal conducts is determined by his distorted mentality, which exactly reflects torture and agony both in life and mind oft he low-class.When the poor guy intends to do good the moment he is moved and inspired, the cop believes a vagrant will never something to do with the quiet atmosphere around a church, the soft lamplight and the touching music.Consequently, soap is caughtunexpectedly.“What are you doing here?” asked the officer.''Nothing,'' said soap''Then come along.''said the policeman.''Three months on the Island.'' said the Magistrate in the Police Court the next morning..It is the accident that mirrors confusion of truth and falsehood, black and wright.Needless to say,there are many ways to represent humor, they have one thing incommon--where there is humor, there is specific implication.The writing style of the author is humorous, the disclosure of the society is deepgoing, the reflective life andmental distress are mirky.O.Henry uses a quantity of comparison and humor to fully display the character's wretched fate and cruelty of capitalist society.AboutTheAuthor O.Henry is one of the most famous American critical realist short storywriters, and one of the world's top three masters of the short stories.O.Henry'sreal name was William Sydney Porter.O.Henrywas born in Greensboro, North Carolina on September 11,1862.At age of 20(1882)he moved to Texas, where he had various jobs.He married Athol Estes in 1887, in 1894 while working for First National Bankin Austin, Porter was accused of stealing $4000.He went to prison in Columbus,Ohio for 3 years eventually.While in prison Porter first started to write shortstories and believed that he has found his pseudonym there.After Porter wasreleased from the prison in 1901, he changed his name to O.Henry and moved toNew York in 1902.From December 1903 to January 1906o.Henry wrote a storya week for the New York World magazine, and published several short stories inother magazines.O.Henry's short stories are famous for their surprise endings, his wit, wordplayand humor.He wrote such classic short stories as The Ransom of Red Chief, TheGift of the Magi, The Furnished Room, The Four Billion, Cabbages and Kings,The Last Leaf, The Cop and the Anthem,etc.In his last years O.Henry had financial and health problems.An alcoholic, O.Henry died on June 5, 1910 in New York City, virtually broke.第二篇:警察与赞美诗的英文读后感Wang1 Wang MengmengProfessor Li KangEnglish 09110314March 2012The Cop and the AnthemTBased on the whole text, the author's humor is present in various ways, one ofwhich is through irrationality during the development of plots.Soapy, the vagrant who has stirred up trouble for six times, is eager to go to prison.But he is always out of luck and get policeman's forgiveness.When Soapy is touched by the anthem and wants to be a good citizen, he is arrested for groundless reasons.This way is a kind of black humor manifesting social reality profoundly.We can see something gloomy, desperate,but simultaneously, we can't help laughing when reading the vivid description.Once, Soapy wants to reach his goal by molesting a woman, Soapystraightened the lady missionary’s ready-made tie, dragged his shrinking cuffs intothe open, set his hat at a killing cant and sidled toward the young women(20).butthe seeming virtuous and quiet woman begin to seduce him in reverse.“Sure,Mike,” she said joyfully, “if you’ll blow me to a pail of suds.I’d have spoke to yousooner, but the cop was watching.”With the young woman playing the clinging ivyto his oak Soapy(22).Besides, Soapy steals an umbrella from a neatly dressedcustomer, but the umbrella is ill-gotten originally.''Of course,''said the umbrellaWang2man''that is—well, you know how these mistakes occur—I—if it’s your umbrella Ihope you’ll excuse me—I picked it up this morning in a restaurant—If you recogniseit as yours, why—I ho pe you’ll—''(31).So the modest and lady and gentleman turnout to be someone that we cannot imagine, which is not rational.Nonetheless, as amatter of fact, they just hide their dirty acts under a beautiful veil and a small signcan indicate a great trend, we can learn that the so-called noble upper class goesmore serious than the two.These plots reveals awful mood of that capitalist society.In addition, the conflict between the irrationality of Soapy's behavior and therationality of the cop's judgment is one of the importantreasons for Soapy's“misfortune”.For example, Soapy breaks the glass and wait for the policeman tocome and arrest him, but the cop reckons that a man who commits evil won't sitand wait for arrest, men who smash windows do not remain to parley with thelaw’s minions then he excludes Soapy.Besides, he wants to break the peace byvirtue of kicking up a fuss in the street, identically, the cop deems that onlycollege students dare to be so unbridled and boisterous''Tis one of them Yale ladscelebratin’ the goose egg they give to the Hartford College.Noisy;but no harm.We’ve instructions to lave them be.''(25).His abnormal conducts is determined byhis distorted mentality, which exactly reflects torture and agony both in life andmind oft he low-class.When the poor guy intends to do good the moment he ismoved and inspired, the cop believes a vagrant will never something to do withthe quiet atmosphere around a church, the soft lamplight and the touching music.Consequently, Soapy is caught unexpectedly.“What are you doin’ here?” askedthe officer.''Nothing,'' said Soapy(42).''Then come along.''said thepoliceman(43).''Three months on the Island.'' said the Magistrate in the PoliceCourt the next morning.(44).It is the accident that mirrorsconfusion of truth andfalsehood, black and wright.Needless to say,there are many ways to represent humor, they have one thing incommon--where there is humor, there is specific implication.The writing style of the author is humorous, the disclosure of the society is deepgoing, the reflective life and Wang3mental distress are mirky.O.Henry uses a quantity of comparison and humor to fully display the character's wretched fate and cruelty of capitalist society.Notes1.Jack Frost(Para.2): Jack Frost is a personification of frost.2.Blackwell(Para.5): An island with prisons on East River in New York3.Palm Beach and the Riviera(Para.5): A tourist attraction in winter.4.Cesar(Para.5): A famous statesman, strategist and commander in chief assassinated by Republicans.5.Brutus(Para.5): Roman politician, the chief plotter to assassinate Cesar.6.the choicest products of the grape, the silkworm and the protoplasm(Para.7): It indicates upper-class life.7.brass buttons(Para.5): It refers to policeman, as the fasteners of police uniform are made of brass.Work cited1.2.Henry,O.O Henry 100 Selected Stories [M].Hertfordshire: Wordworth,1995.3.Voss,Arthur.The American Short Story: A Critical Survey[M].Norman:Oklahoma UP,1973:123-1244.田艳.欧亨利短篇小说精选[M].大连:大连理工大学出版社,2005.5.王青松.倪勤.轮欧亨利小说的比喻特色[J].安徽教育学院学报.2006,24(4):82-85.AboutTheAuthorO.Henry is one of the most famous American critical realist short storywriters, and one of the world's top three masters of the shortstories.O.Henry'sreal name was William Sydney Porter.O.Henrywas born in Greensboro, North Carolina on September 11,1862.At age of 20(1882)he moved to Texas, where he had various jobs.He married Athol Estes in 1887, in 1894 while working for First National Bank inAustin, Porter was accused of stealing $4000.He went to prison in Columbus,Ohio for 3 years eventually.While in prison Porter first started to write shortstories and believed that he has found his pseudonym there.After Porter wasreleased from the prison in 1901, he changed his name to O.Henry and moved toNew York in 1902.From December 1903 to January 1906 o.Henry wrote a storya week for the New York World magazine, and published several short stories inother magazines.O.Henry's short stories are famous for their surprise endings, his wit, wordplayand humor.He wrote such classic short stories as The Ransom of Red Chief, TheGift of the Magi, The Furnished Room, The Four Billion, Cabbages and Kings,The Last Leaf, The Cop and the Anthem,etc.In his last years O.Henry had financial and health problems.An alcoholic, O.Henry died on June 5, 1910 in New York City, virtually broke.第三篇:警察与赞美诗读后感《警察和赞美诗》讲的是流浪汉苏比为了度过冬天,而想方设法进入监狱过冬,警察与赞美诗读后感。
初二读后感作文:读《警察与赞美诗》有感_600字
三一文库()初二读后感作文
读《警察与赞美诗》有感_600字
欧。
亨利的幽默世界公认。
在《pol。
ice与
赞美诗》一文中,许多描写都体现出了这一风格。
但无论是遣词造句、塑造人物形象或是情
节构思方面,他的幽默都紧紧抓住了托诙谐寄
深意这一要旨。
纵观全文,欧。
亨利幽默的表
现形式是多样的。
其中一种就是作者巧妙的运
用了事物发展过程中的“不合理”。
文中的主人
公苏,曾经几次惹是生非,想进监狱得以安身,可是他总是“背运”。
pol。
ice该抓他的时候不抓,不该抓的时候便抓他的时候偏抓。
这一系列与
情理完全不符的现象令人哑然失笑。
事务发展
过程中的“不合理性”常被人们巧妙的利用来
表现幽默.
而欧。
亨利就很好的运用了这种方法,并
借此深刻的反映社会事实。
有一次,苏比想通
过调戏一女子来达到进监狱的目的,但这貌似
文雅的女子缺反来勾搭起了苏。
又有一次苏拿
起了一位衣冠楚楚的顾客的伞,可这伞原来就
是来路不正。
简朴而讨人喜欢的女子,衣冠楚
20 × 20。
浅论欧亨利警察与赞美诗的英语翻译批评与赏析 教育资料
浅论欧亨利《警察与赞美诗》的英语翻译批评与赏析一、作品简介《警察与赞美诗》以美国资本主义逐步进入黑暗腐朽时期作为背景,也就是美国帝国主义初期阶段,此时有着强烈的社会矛盾,贫富差距巨大,底层民众生活艰难。
欧?亨利关注底层民众,以底层民众的视角来表现作品。
在作品中,首先呈现了美国民众艰难的生活,对资本主义的腐朽进行强烈的谴责,表现了美国人民对资本主义制度的不满。
但是,当时的作家们对于资本主义制度仍然心存幻想,希望资本主义能够力挽狂澜,带领人民走出阴影,因此都献言献策,希望能够尽自己所能帮助民众。
《警察与赞美诗》这部作品表现了一个滑稽的故事,欧?亨利运用其擅长的讽刺手法,在可笑的氛围当中叙述了一个令人可叹、可怜、可气的故事,故事揭露了当时美国腐朽黑暗的司法制度,同时也表达了对人生的悲观情绪。
二、《警察与赞美诗》翻译对比在小说的第五段有这样一句话“Soapy's proud spiritthe gifts of charity were undersirable. You must pay in humiliation of spirit for everything received at the hands of philanthropy.”面对这样两句话,初入翻译行业或经验不足的翻译人员往往会简单的将其翻译为“苏比自尊心很强,从其骄”这种爱心人士所送给他的礼物好像是折磨一样。
傲程度来看,翻译就是单纯的意译。
当然,还会有翻译者进行这样的翻译,“对于自尊的苏比来说,接受这些爱心人士所送的礼物,简直比杀了他还要让他难受,他觉得这就是对他的侮辱和蔑视。
”看起来比上一个翻译好了很多,而李文俊先生则将这句话是这样翻译的“对苏比来说,拿着爱心人士赠送的礼物,那是要比杀了苏比还难受的,那简直就是一种对他的侮辱,他觉得那是对他精神上的亵渎和侮辱。
”这三个翻译方式各有各的不同,第一种只是简单地意译,没有什么特点,只是对表达意思进行了概括,没有逻辑错误和语病,只做到了尊重原意。
《警察与赞美诗》英文梗概
《警察与赞美诗》英文梗概第一篇:《警察与赞美诗》英文梗概A New York City hobo named Soapy,who sets out to get arrested so he can avoid sleeping in the cold winter as a guest of the city jail.Soapy's ploys伎俩include swindling诈骗a restaurant into serving him an expensive meal, breaking the plate-glass window of a luxury shop, repeating his eatery exploit at a humble 简陋的diner, sexually harassing a young woman, pretending to be publicly intoxicated喝醉to make troubles, and stealing another man's umbrella.However, all of these attempts are quickly exposed as failures.Based on these events, Soapy despairs of his goal of getting arrested and imprisoned.As O.Henry describes events, the small church has a working organ 机构and a practicing organist风琴演奏者.As Soapy listens to the church organ play an anthem圣歌, he experiences a spiritual epiphany 神灵显现then he resolves决定to cease停止to be homeless, end his life as a tramp afflicted苦恼with unemployment, and regain his self-respect.As Soapy stands on the street and considers the plan for his future, however, a policeman taps him on the shoulder and asks him what he is doing.When Soapy answers “Nothing,” his fate is sealed未知: he has been arrested for loitering闲荡.In the magistrate’s法官court on the following day, he is convicted定罪of a misdemeanor 行为不端and is sentenced to three months in Blackwell's Island, the New York City jail.第二篇:警察与赞美诗的英文读后感Wang1 Wang MengmengProfessor Li KangEnglish 09110314March 2012The Cop and the AnthemTBased on the whole text, the author's humor is present in various ways, one ofwhich is through irrationality during the development of plots.Soapy, the vagrant who has stirred up trouble for six times, is eager to go to prison.But he is always out of luck and get policeman's forgiveness.When Soapy is touched by the anthem and wants to be a good citizen, he is arrested for groundless reasons.This way is a kind of black humor manifesting social reality profoundly.We can see something gloomy, desperate,but simultaneously, we can't help laughing when reading the vivid description.Once, Soapy wants to reach his goal by molesting a woman, Soapystraightened the lady missionary’s ready-made tie, dragged his shrinking cuffs intothe open, set his hat at a killing cant and sidled toward the young women(20).butthe seeming virtuous and quiet woman begin to seduce him in reverse.“Sure,Mike,” she said joyfully, “if you’ll blow me to a pail of suds.I’d have spoke to yousooner, but the cop was watching.”With the young woman playing the clinging ivyto his oak Soapy(22).Besides, Soapy steals an umbrella from a neatly dressedcustomer, but the umbrella is ill-gotten originally.''Of course,''said the umbrellaWang2man''that is—well, you know how these mistakes occur—I—if it’s your umbrella Ihope you’ll excuse me—I picked it up this morning in a restaurant—If you recogniseit as yours, why—I hope you’ll—''(31).So the modest and lady and gentleman turnout to be someone that we cannot imagine, which is not rational.Nonetheless, as amatter of fact, they just hide their dirty acts under a beautiful veil and a small signcan indicate a great trend, we can learn that the so-called noble upper class goesmore serious than the two.These plots reveals awful mood of that capitalist society.In addition, the conflict between the irrationality of Soapy's behavior and therationality of the cop's judgment is one of the important reasons for Soapy's“misfortune”.For example, Soapy breaks the glass and wait for the policeman tocome and arrest him, but the cop reckons that a man who commits evil won't sitand wait for arrest, men who smash windows do not remain to parley with thelaw’s minions then he excludes Soapy.Besides, he wants to break the peace byvirtue of kicking up a fuss in the street, identically, the cop deems that onlycollege students dare to be so unbridled and boisterous''Tis one of them Yale ladscelebratin’ the goose egg they give to the Hartford College.Noisy;but no harm.We’ve instructions to lave them be.''(25).His abnormal conducts is determined byhis distorted mentality, which exactly reflects torture and agony both in life andmind oft he low-class.When the poor guy intends to do good the moment he ismoved and inspired, the cop believes a vagrant will never something to do withthe quiet atmosphere around a church, the soft lamplight and the touching music.Consequently, Soapy is caught unexpectedly.“What are you doin’ here?” askedthe officer.''Nothing,'' said Soapy(42).''Then come along.''said thepoliceman(43).''Three months on the Island.'' said the Magistrate in the PoliceCourt the next morning.(44).It is the accident that mirrors confusion of truth andfalsehood, black and wright.Needless to say,there are many ways to represent humor, they have one thing incommon--where there is humor, there is specific implication.The writing style of the author is humorous, the disclosure of the society is deepgoing, the reflective life and Wang3mental distress are mirky.O.Henry uses a quantity of comparison and humor to fully display the character's wretched fate and cruelty of capitalist society.Notes1.Jack Frost(Para.2): Jack Frost is a personification of frost.2.Blackwell(Para.5): An island with prisons on East River in New York3.Palm Beach and the Riviera(Para.5): A tourist attraction in winter.4.Cesar(Para.5): A famous statesman, strategist and commander in chief assassinated by Republicans.5.Brutus(Para.5):Roman politician, the chief plotter to assassinate Cesar.6.the choicest products of the grape, the silkworm and the protoplasm(Para.7): It indicates upper-class life.7.brass buttons(Para.5): It refers to policeman, as the fasteners of police uniform are made of brass.Work cited1.2.Henry,O.O Henry 100 Selected Stories [M].Hertfordshire: Wordworth,1995.3.Voss,Arthur.The American Short Story: A Critical Survey[M].Norman:Oklahoma UP,1973:123-1244.田艳.欧亨利短篇小说精选[M].大连:大连理工大学出版社,2005.5.王青松.倪勤.轮欧亨利小说的比喻特色[J].安徽教育学院学报.2006,24(4):82-85.AboutTheAuthorO.Henry is one of the most famous American critical realist short storywriters, and one of the world's top three masters of the short stories.O.Henry'sreal name was William Sydney Porter.O.Henrywas born in Greensboro, North Carolina on September 11,1862.At age of 20(1882)he moved to Texas, where he had various jobs.He married Athol Estes in 1887, in 1894 while working for First National Bank inAustin, Porter was accused of stealing $4000.He went to prison in Columbus,Ohio for 3 years eventually.While in prison Porter first started to write shortstories and believed that he has found his pseudonym there.After Porter wasreleased from the prison in 1901, he changed his name to O.Henry and moved toNew York in 1902.From December 1903 to January 1906 o.Henry wrote a storya week for the New York World magazine, and publishedseveral short stories inother magazines.O.Henry's short stories are famous for their surprise endings, his wit, wordplayand humor.He wrote such classic short stories as The Ransom of Red Chief, TheGift of the Magi, The Furnished Room, The Four Billion, Cabbages and Kings,The Last Leaf, The Cop and the Anthem,etc.In his last years O.Henry had financial and health problems.An alcoholic, O.Henry died on June 5, 1910 in New York City, virtually broke.第三篇:警察与赞美诗《警察与赞美诗》教案澧县职业中专学校皮业书一、作者简介:欧●亨利,美国著名短篇小说家。
浅论欧亨利《警察与赞美诗》的英语翻译批评与赏析
浅论欧亨利《警察与赞美诗》的英语翻译批评与赏析作者:李艳来源:《校园英语·上旬》2018年第05期【摘要】欧·亨利是世界短篇小说大师,其作品犀利地抨击了当时的时代环境,揭露了统治者黑暗的统治。
《警察与赞美诗》在民国时期就进入了中国,在译文当中可以清楚地看到翻译者的能力水平,本文将从《警察与赞美诗》的简介出发,将其他翻译者和李文俊先生版本进行对比,进行批评赏析。
【关键词】《警察与赞美诗》;翻译批评;赏析;技巧【作者简介】李艳(1994- ),女,汉族,安徽滁州人,吉林师范大学17级英语笔译专业,研究方向:英语翻译批评与赏析。
一、作品简介《警察与赞美诗》以美国资本主义逐步进入黑暗腐朽时期作为背景,也就是美国帝国主义初期阶段,此时有着强烈的社会矛盾,贫富差距巨大,底层民众生活艰难。
欧·亨利关注底层民众,以底层民众的视角来表现作品。
在作品中,首先呈现了美国民众艰难的生活,对资本主义的腐朽进行强烈的谴责,表现了美国人民对资本主义制度的不满。
但是,当时的作家们对于资本主义制度仍然心存幻想,希望资本主义能够力挽狂澜,带领人民走出阴影,因此都献言献策,希望能够尽自己所能帮助民众。
《警察与赞美诗》这部作品表现了一个滑稽的故事,欧·亨利运用其擅长的讽刺手法,在可笑的氛围当中叙述了一个令人可叹、可怜、可气的故事,故事揭露了当时美国腐朽黑暗的司法制度,同时也表达了对人生的悲观情绪。
二、《警察与赞美诗》翻译对比短篇小说篇幅短小,但是寓意深刻语言精练包含很多内容,尤其是经典名篇,因此翻译这种经典短篇小说对翻译者来说绝对是一个挑战。
随便地直译肯定无法达到翻译的最佳效果,不能准确地表现作者的本意。
所以在对小说作品进行翻译时,翻译者往往会对某些寓意深刻或关键字词的使用上进行反复推敲才能确认。
对短篇小说进行翻译,并不仅仅是将其翻译成另一种文字,还应该在准确的基础上做到贴切,这是很困难的。
这对翻译者展现的思想内涵提出了考验,还要求翻译者能够将小说原汁原味地呈现在观众的面前。
浅论欧·亨利《警察与赞美诗》的英语翻译批评与赏析
2282018年17期总第405期翻译研究ENGLISH ON CAMPUS浅论欧·亨利《警察与赞美诗》的英语翻译批评与赏析文/李艳【摘要】欧·亨利是世界短篇小说大师,其作品犀利地抨击了当时的时代环境,揭露了统治者黑暗的统治。
《警察与赞美诗》在民国时期就进入了中国,在译文当中可以清楚地看到翻译者的能力水平,本文将从《警察与赞美诗》的简介出发,将其他翻译者和李文俊先生版本进行对比,进行批评赏析。
【关键词】《警察与赞美诗》;翻译批评;赏析;技巧【作者简介】李艳(1994- ),女,汉族,安徽滁州人,吉林师范大学17级英语笔译专业,研究方向:英语翻译批评与赏析。
一、作品简介《警察与赞美诗》以美国资本主义逐步进入黑暗腐朽时期作为背景,也就是美国帝国主义初期阶段,此时有着强烈的社会矛盾,贫富差距巨大,底层民众生活艰难。
欧·亨利关注底层民众,以底层民众的视角来表现作品。
在作品中,首先呈现了美国民众艰难的生活,对资本主义的腐朽进行强烈的谴责,表现了美国人民对资本主义制度的不满。
但是,当时的作家们对于资本主义制度仍然心存幻想,希望资本主义能够力挽狂澜,带领人民走出阴影,因此都献言献策,希望能够尽自己所能帮助民众。
《警察与赞美诗》这部作品表现了一个滑稽的故事,欧·亨利运用其擅长的讽刺手法,在可笑的氛围当中叙述了一个令人可叹、可怜、可气的故事,故事揭露了当时美国腐朽黑暗的司法制度,同时也表达了对人生的悲观情绪。
二、《警察与赞美诗》翻译对比短篇小说篇幅短小,但是寓意深刻语言精练包含很多内容,尤其是经典名篇,因此翻译这种经典短篇小说对翻译者来说绝对是一个挑战。
随便地直译肯定无法达到翻译的最佳效果,不能准确地表现作者的本意。
所以在对小说作品进行翻译时,翻译者往往会对某些寓意深刻或关键字词的使用上进行反复推敲才能确认。
对短篇小说进行翻译,并不仅仅是将其翻译成另一种文字,比较有代表性的梁实秋、梁宗岱等人。
警察与赞美诗英语原文分析
警察与赞美诗英语原文分析第一篇:警察与赞美诗英语原文分析Original TextThe Cop and the Anthemby O.Henry1 On his bench in Madison Square Soapy moved uneasily.When wild goose honk high of nights, and when women without sealskin coats grow kind to their husbands, and when Soapy moves uneasily on his bench in the park, you may know that winter is near at hand.A dead leaf fell in Soapy’s lap.That was Jack Frost’s card.Jack is kind to the regular denizens of Madison Square, and gives fair warning of his annual call.At the corners of streets his four hands his pasteboard to the North Wind, footman of the mansion of All Outdoors, so that the inhabitants there of may make ready.Soapy’s mind became cognisant of the fact that the time had come for him to resolve himself into a singular Committee of Ways and Means to provide against the coming rigour.And therefore he moved uneasily on his bench.The hibernatorial ambitions of Soapy were not of the highest.In them were no considerations of Mediterranean cruises, of soporific Southern skies or drifting in the Vesuvian Bay.Three months on the Island was what his soul craved.Three months of assured board and bed and congenial company, safe from Boreas and bluecoats, seemed to Soapy the essence of things desirable.For years the hospitable Blackwell’s had been his winter quarters.Just as his more fortunate fellow New Yorkers had bought their tickets to annual hegira to the Island.And now the time was come.On the previous night three Sabbath newspapers, distributed beneath his coat, about his ankles and over his lap, had failed to repulse the cold as he slept on his bench near thespurting fountain in the ancient square.So the Island loomed large and timely in Soapy’s mind.He scorned t he provisions made in the name of charity for the city’s dependents.In Soapy’s opinion the Law was more benign than Philanthropy.There was an endless round of institutions, municipal and eleemosynary, on which he might set out and receive lodging and food accordant with the simple life.But to one of Soapy’s proud spirit the gifts of charity are encumbered.If not in coin you must pay in humiliation of spirit for every benefit received at the its toll of a bath, every loaf of bread its compensation of a private and personal inquisition.Wherefore it is better to be a guest of the law, which though conducted by rules, does not meddle unduly with a gentleman’s private affairs.Soapy, having decided to go to the Island, at once set about accomplishing his desire.There were many easy ways of doing this.The pleasantest was to dine luxuriously at some expensive restaurant;and then, after declaring insolvency, be handed over quietly and without uproar to a policeman.An accommodatingmagistrate would do the rest.Soapy left his bench and strolled out of the square and across the level sea of asphalt, where Broadway and Fifth Avenue flow together.Up Broadway he turned, and halted at a glittering café, where are gathered together nightlySoapy had confidence in himself from the lowest button of his vest upward.He was shaven, and his coat was decent and his neat black, ready-tied four-in-hand had been presented to him by a lady missionary on Thanksgiving Day.If he could reach a table in the restaurant unsuspected, success would be his.The portion of him that would show above the table would raise no doubt in the waiter’s mind.A roasted mallard duck,thought Soapy, would be about the thing—with a bottle of Chablis, and then Camembert, a demi-tasse and a cigar.One dollar for the cigar would be enough.The total would not be so high as to call forth any supreme manifestation of revenge from the café management;and yet the meat would leave him filled and happy for the journey to his winter refuge.9 But as Soapy set foot inside the res taurant door the head waiter’s eye fell upon his frayed trousers and decadent shoes.Strong and ready hands turned him about and conveyed him in silence and haste to the sidewalk and averted the ignoble fate of the menaced mallard.Soapy turned off Broadway.It seemed that his route to the coveted island was not to be an epicurean one.Some other way of entering limbo must be thought of.At a corner of Sixth Avenue electric lights and cunningly displayed wares behind plate-glass made a shop window conspicuous.Soapy took a cobble-stone and dashed it through the glass.People came running round the corner, a policeman in the lead.Soapy stood still, with his hands in his pockets, and smiled12“Where’s the man that done that?” inquired the officer excitedly.“Don’t you figure out that I might have had something to do with it?” said Soapy, not without sarcasm, but friendly, as one greets good fortune.The policeman’s mind refused to accept Soapy even as a clue.Men who smash windows do not remain to parley with the law’s mi nions.They take to their heels.The policeman saw a man halfway down the block running to catch a car.With drawn club he joined in the pursuit.Soapy, with disgust in his heart, loafed along, twice unsuccessful.On the opposite side of the street was a restaurant of no great pretensions.It catered to large appetites and modest purses.Its crockery and atmosphere were thick;its soup and napery thin.Into this place Soapy took his accusiveshoes and tell-tale trousers without challenge.At a table he sat and consumed beefsteak, flap-jacks, doughnuts, and pie.And then to the waiter he betrayed the fact that the minutest coin and himself were strangers.“Now, get busy and call a cop,” said Soapy.“And don’t keep a gentlemanwaiting.”“No cop for youse,” said the waiter, with a voice like butter cakes and an eye like the cherry in a Manhattan cocktail.“Hey, Con!”Neatly upon his left ear on the callous pavement two waiters pitched Soapy.He arose, joint by joint, as a carpenter’s rule opens, and beat the dust from his clothes.Arrest seemed but a rosy dream.The Island seemed very far away.A policeman who stood before a drug store two doors away laughed and walked down the street.Five blocks Soapy travelled before his courage permitted him to woo capture again.This time the opportunity presented what he fatuously termed to himself a “cinch.” A young woman of a modest and pleasing guise was standing before a show window gazing with sprightly interest at its display of shaving mugs and inkstands, and two yards from the window a large policeman of severe demeanour leaned against a water-plug.It was Soapy’s design to assume the rule of the despicable and execrated “masher.” The refined and elegant appearance of his victim and the contiguity of the conscientious cop encouraged him to believe that he would soon feel the pleasant official clutch upon his arm that would ensure his winter quarters of the right little, tight little isle.Soapy straightened the lady missionary’s ready-made tie, dragged his shrinking cuffs into the open, set his hat at a killing cant and sidled toward the young women.He made eyes at her, was taken with sudden coughs and “hems,” smiled, smirked, and went brazenly through the impudent and contemptiblelitany of the “masher.” With half an eye Soapy saw that the policeman was watching him fixedly.The young woman moved away a few steps, and again bestowed her absorbed attention upon the shaving mugs.Soapy followed, boldly stepping to her side, raised his hat and said: “Ah there, Bedelia!Don’t you want to come and pla y in my yard?”The policeman was still looking.The persecuted young woman had but to beckon a finger and Soapy would be practically en route for his insular haven.Already he imagined he could feel the cosy warmth of the station-house.The young woman faced him and, stretching out a hand, caught Soapy’s coat sleeve.“Sure, Mike,” she said joyfully, “if you’ll blow me to a pail of suds.I’d have spoke to you sooner, but the cop was watching.”With the young woman playing the clinging ivy to his oak Soapy walked past the policeman overcome with gloom.He seemed doomed to liberty.At the next corner he shook off his companion and ran.He halted in the district where by night are found the lightest streets, hearts, vows, and librettos.Women in furs and men in greatcoats moved gaily in the wintry air.A sudden fear seized Soapy that some dreadful enchantment had rendered him immune to arrest.The thought brought a little of panic upon it, and when he came upon anotherpoliceman lounging grandly in front of a transplendent t heatre he caught at the immediate straw of “disorderly conduct.”On the sidewalk Soapy began to yell drunken gibberish at the top of his harsh voice.He danced, howled, raved, and otherwise disturbed the welkin.The policeman twirled his club, turned his back to Soapy and remarked to a citizen: “Tis one of them Yale lads celebratin’ the goose egg they give to the Hartford College.Noisy;but no harm.We’ve instructions to lavethem be.”Disconsolate, Soapy ceased his unavailing racket.Would never a policeman lay hands on him? In his fancy the Island seemed an unattainable Arcadia.He buttoned his thin coat against the chilling wind.In a cigar store he saw a well-dressed man lighting a cigar at a swinging light.His silk umbrella he had set by the door on entering.Soapy stepped inside, secured the umbrella and sauntered off with it slowly.The man at the cigar light followed hastily.“My umbrella,” he said sternly.“Oh, is it?” sneered Soapy, adding insult to petit larceny.“Well, why don’t you call a policeman? I took it.Your umbrella!Why don’t you call a cop? There stands one on the corner.”The umbrella owner slowed his steps.Soapy did likewise, with a presentiment that luck would run against him.The policeman looked at the two curiously.31“Of course,” said the umbrella m an—“that is—well, you know how these mistakes occur—I—if it’s your umbrella I hope you’ll excuse me—I picked it up this morning in a restaurant—If you recognise it as yours, why—I hope you’ll—“32 “Of course it’s mine,” said Soapy viciously.33 The ex-umbrella man retreated.The policeman hurried to assist a tall blonde in an opera cloak across the street in front of a street car that was approaching two blocks away.34 Soapy walked eastward through a street damaged by improvements.He hurled the umbrella wrathfully into an excavation.He muttered against the men who wear helmets and carry clubs.Because he wanted to fall into their clutches, they seemed to regard him as a king who could do no wrong.35 At length Soapy reached one of the avenues to the east where the glitter and turmoil was but faint.He set his face down this toward Madison Square, for the homing instinct survives even when the home is a park bench.36 But on an unusually quiet corner Soapy came to a standstill.Here was anold church, quaint and rambling and gabled.Through one violet-stained window a soft light glowed, where, no doubt, the organist loitered over the keys, making sure of his mastery of the coming Sabbath anthem.For there drifted out to Soapy’s ears sweet music that caught and held him transfixed against the convolutions of the iron fence.37 The moon was above, lustrous and serene;vehicles and pedestrains were few;sparrows twittered sleepily in the eaves—for a little while the scene might have been a country churchyard.And the anthem that the organist played cemented Soapy to the iron fence, for he had known it well in the days when his life contained such things as mothers and roses and ambitions and friends and immaculate thoughts and collars.38 The conjunction of Soapy’s receptive state of mind and the influences about the old church wrought a sudden and wonderful change in his soul.He viewed with swift horror the pit into which he had tumbled, the degraded days, unworthy desires, dead hopes, wrecked faculties, and base motives that made up his existence.39 And also in a moment his heart responded thrillingly to this novel mood.An instantaneous and strong impulse moved him to battle with his desperate fate.He would pull himself out of the mire;he would make a man of himself again;he would conquer the evil that had taken possession of him.There was time;he was comparatively young yet;he would resurrect his old eager ambitions and pursue them without faltering.Those solemn but sweet organ notes had set up a revolution in him.Tomorrow he would go into the roaring down-town district and find work.A fur importer had once offered him a place as driver.He would find him to-morrow and ask for the position.He would be somebody in the world.He would—Soapy felt a hand laid on his arm.He looked quickly round into the broad face of a policeman.41 “What are you doin’ here?” asked the officer.42 “Nothing’,” said Soapy.43“Then come along,” said the policeman.44“Three months on the Island,” said the Magistrate in the Police Court the next morning.第二篇:警察与赞美诗英语原文[推荐]英语原文The Cop and the Anthemby O。
著作《警察与赞美诗》读书笔记范文精选五篇
著作《警察与赞美诗》读书笔记范文精选五篇《警察与赞美诗》是由欧·亨利(Henry.O.)编写,吉林出版集团有限责任公司出版的图书。
下面是小编为大家整理的著作《警察与赞美诗》读书笔记范文精选五篇相关模板,接下来我们一起来看看吧!著作《警察与赞美诗》读书笔记范文精选五篇(一)这是一个疯狂的世界,又是一个极度对立的世界。
“警察”作为国家机器是法律的持有者和执行者,代表着统治阶级的政权,是政治文明的象征,而“赞美诗”则代表着宗教道德的精神力量,牵引着人性的回归,是精神文明的象征,两者在流浪汉苏比的身上得到了戏剧化的碰撞。
在看似物质和精神文明高度发达的纽约大都市中生活着的富人们在寒冷的冬天或是“买票去棕榈滩和里维埃拉”,或是“去地中海游弋”或“到维苏威湾漂流” 尽情享受生活的安逸与奢华的时候,像流浪汉苏比一样的穷人却只能是食不果腹,衣不裹体。
他们只能在“麦迪逊广场的长凳上”,为冬天的食宿而“辗转反侧,夜不能寐”。
两者过着的物质生活是如此截然不同的,却远不及他们精神世界的差异。
苏比虽然是饥寒交迫的流浪汉,却依旧拥有着高傲的灵魂,他不愿付出精神上的屈辱,从慈善机构手里得到一点点施舍。
甚至是为了维护精神上的独立,苏比宁愿舍弃自我完善的自由生存而选择另一个“幸福”的生存处境——监狱。
即便是决定入狱,他的手段也是非常的仁慈的。
“一只烤野鸭,苏比寻思,那就差不离——再来一瓶夏白立酒然后是一份卡门贝干酪,一小杯浓咖啡,再来一支雪茄烟。
一块钱一支的那种也就凑合了。
总数既不会大得让饭店柜上发狠报复,这顿牙祭又能让他去冬宫的旅途上无牵无挂,心满意足。
”这是苏比想到的第一种入狱方案。
虽然自己已经走投无路,但是苏比依然心怀善意,他只想填饱肚子,找到一个入住冬宫的的理由而已,他从未想过要伤害别人,所以说,苏比的善良令人动容,他从未掩饰自己的内心。
他想通过轻薄“一个衣着简朴颇为讨人喜欢的年轻女子”来获得入狱的理由时,却反被这位貌似文雅娴静的淑女勾搭。
浅论欧亨利警察与赞美诗的英语翻译批评与赏析 教育资料
浅论欧亨利《警察与赞美诗》的英语翻译批评与赏析一、作品简介《警察与赞美诗》以美国资本主义逐步进入黑暗腐朽时期作为背景,也就是美国帝国主义初期阶段,此时有着强烈的社会矛盾,贫富差距巨大,底层民众生活艰难。
欧?亨利关注底层民众,以底层民众的视角来表现作品。
在作品中,首先呈现了美国民众艰难的生活,对资本主义的腐朽进行强烈的谴责,表现了美国人民对资本主义制度的不满。
但是,当时的作家们对于资本主义制度仍然心存幻想,希望资本主义能够力挽狂澜,带领人民走出阴影,因此都献言献策,希望能够尽自己所能帮助民众。
《警察与赞美诗》这部作品表现了一个滑稽的故事,欧?亨利运用其擅长的讽刺手法,在可笑的氛围当中叙述了一个令人可叹、可怜、可气的故事,故事揭露了当时美国腐朽黑暗的司法制度,同时也表达了对人生的悲观情绪。
二、《警察与赞美诗》翻译对比在小说的第五段有这样一句话“Soapy's proud spiritthe gifts of charity were undersirable. You must pay in humiliation of spirit for everything received at the hands of philanthropy.”面对这样两句话,初入翻译行业或经验不足的翻译人员往往会简单的将其翻译为“苏比自尊心很强,从其骄”这种爱心人士所送给他的礼物好像是折磨一样。
傲程度来看,翻译就是单纯的意译。
当然,还会有翻译者进行这样的翻译,“对于自尊的苏比来说,接受这些爱心人士所送的礼物,简直比杀了他还要让他难受,他觉得这就是对他的侮辱和蔑视。
”看起来比上一个翻译好了很多,而李文俊先生则将这句话是这样翻译的“对苏比来说,拿着爱心人士赠送的礼物,那是要比杀了苏比还难受的,那简直就是一种对他的侮辱,他觉得那是对他精神上的亵渎和侮辱。
”这三个翻译方式各有各的不同,第一种只是简单地意译,没有什么特点,只是对表达意思进行了概括,没有逻辑错误和语病,只做到了尊重原意。
《警察和赞美诗》英文读后感
《警察和赞美诗》英文读后感《警察和赞美诗》是美国20世纪初著名短篇小说家欧·亨利的名篇。
那么读者们读警察与赞美诗后有什么收获呢?请往下看。
下面是店铺精心为你整理《警察和赞美诗》英文读后感,希望你喜欢。
《警察和赞美诗》英文读后感篇一英文原版The Cop And The AnthemO HenryOn his bench in Madison Square Soapy moved uneasily, and when Soapy moves uneasily on his bench in the park, you may know that winter is near.A dead leaf fell in Soapy's lap. That was Jack Frost's card. Jack is kind to the regular residents of Madison Square, and gives them warning of his annual call.Soapy realized the fact that the time had come for him to provide against the coming winter. And therefore he moved uneasily on his bench.The winter ambitions of Soapy were not of the highest. In them there were no dreams of Mediterranean voyages, of blue Southern skies or the Vesuvian Bay. Three months on the Island was what his soul desired. Three months of assured board and bed and good company, safe from north winds and policemen, seemed to Soapy the most desirable thing.For years the hospitable Blackwell prison had been his winter refuge. Just as the more fortunate New Yorkers had bought their tickets to Palm Beach and the Riviera each winter, so Soapy had made his arrangements for his annual journey to the island. And now the time had come. On the night before three Sunday newspapers, put under his coat, about his feet and over his lap,had not helped him against the cold as he slept on his bench near the fountain in the old square. There were many institutions of charity in New York where he might receive lodging and food, but to Soapy's proud spirit the gifts of charity were undesirable. You must pay in humiliation of spirit for everything received at the hands of philanthropy. So it was better to be a guest of the law.Soapy, having decided to go to the Island, at once set about accomplishing his desire. There were many easy ways of doing this. The pleasantest was to dine at some good restaurant; and then, after declaring bankruptcy, be handed over to a policeman.A magistrate would do the rest.Soapy left his bench and went out of the square and up Broadway. He stopped at the door of a glittering cafe. He was shaven and his coat was decent. If he could reach a table in the restaurant, the portion of him that would show above the table would raise no doubt in the waiter's mind. A roasted duck, thought Soapy, with a bottle of wine, and then some cheese, a cup of coffee and a cigar would be enough. Such a dinner would make him happy, for the journey to his winter refuge.But as Soapy entered the restaurant door, the head waiter's eye fell upon his shabby trousers and old shoes. Strong hands turned him about and pushed him in silence and haste out into the street.Soapy turned off Broadway. Some other way of entering the desirable refuge must be found.At a corner of Sixth Avenue Soapy took a stone and sent it through the glass of a glittering shop window. People came running around the corner, a policeman at the head of them. Soapy stood still, with his hands in his pockets, and smiled at thesight of the policeman.Where is the man that has done that?asked the policeman.Don't you think that I have had something to do with it?said Soapy, not without sarcasm, but friendly.The policeman paid no attention to Soapy. Men who break windows do not remain to speak with policemen. They run away. He saw a man running to catch a car and rushed after him with his stick in his hand. Soapy, with disgust in his heart, walked along, twice unsuccessful.On the opposite side of the street was a little restaurant for people with large appetites and modest purses. Soapy entered this place without difficulty. He sat at a table and ate beefsteak and pie. And then he told the waiter that he had no money.Now go and call a cop,said Soapy.And don't keep a gentleman waiting.No cop for you,said the waiter.Hey!In a moment Soapy found himself lying upon his left ear on the pavement. He arose with difficulty, and beat the dust from his clothes. Arrest seemed a rosy dream. The Island seemed very far away. A policeman who stood before a drug store two doors away laughed and walked down the street. Soapy seemed to liberty.After another unsuccessful attempt to be arrested for persecution a young woman, Soapy went further toward the district of theatres.When he came upon a policeman standing in front of aglittering theatre, he caught at the straw ofdisorderly conduct.On the sidewalk Soapy began to sing drunken songs at the top of his voice. He danced, howled, and otherwise disturbed the peace.The policeman turned his back to Soapy, and said to a citizen: It is one of the Yale lads celebrating their football victory over the Hartford College. Noisy, but no harm. We have instructions not to arrest them.Sadly, Soapy stopped his useless singing and dancing. A sudden fear seized him. Was he immune to arrest? Would never a policeman lay hands on him? The Island seemed an unattainable Arcadia. He buttoned his thin coat against the north wind.In a cigar store he saw a well-dressed man lighting a cigar. He had set his silk umbrella by the door, Soapy entered the store, took the umbrella, and went out with it slowly. The man with the cigar followed hastily.My umbrella,he said.Oh, is it?said Soapy.Well, why don't you call a policeman? I took it. Your umbrella! Why don't you call a cop? There stands one on the corner.The umbrella owner slowed his steps. Soapy did likewise. The policeman looked at them curiously.Of course,said the umbrella man,that is - well, you know how these mistakes occur - I - if it's your umbrella I hope you'll excuse me - I picked it up thismorning in a restaurant - if it is yours, why - I hope you'll - Of course it's mine,said Soapy.The ex-umbrella man retreated. The policeman hurried to help a well-dressed woman across the street.Soapy walked eastward. He threw the umbrella angrily into a pit. He was angry with the men who wear helmets and carry clubs. Because he wanted to be arrested, they seemed to regard him as a king who could do no wrong.At last Soapy reached one of the avenues to the east where it was not so noisy. He went towards Madison Square, for the home instinct remains even when the home is a park bench.But on a quiet corner Soapy stopped before an old church. Through one window a soft light glowed, where, no doubt, the organist played a Sunday anthem. For there came to Soapy's ears sweet music that caught and held him at the iron fence.The moon was shining; cars and pedestrians were few; birds twittered sleepily under the roof. And the anthem that the organist played cemented Soapy to the iron fence, for he had known it well in the days when his life contained such things as mothers and roses and ambitions and friends.The influence of the music and the old church produced a sudden and wonderful change in Soapy's soul. He saw with horror the pit into which he had fallen. He thought of his degraded days, dead hopes and wrecked faculties.And also in a moment a strong impulse moved him to battle with his desperate fate. He would pull himself out of this pit; he would make a man of himself again. There was time; he was young yet. Those sweet organ notes had set up a revolution in him. Tomorrow he would be somebody in the world. He would -Soapy felt a hand on his arm. He looked quickly around into the broad face of a policeman.What are you doing here?asked the policeman.Nothing,said Soapy.Then come along,said the policeman.Three months on the Island,said the Magistrate in the Police Court the next morning. 《警察和赞美诗》英文读后感篇二The Cop and the Anthem is a very interesting short novel. It is written by O.Henry. In the story, a poor man named Soapy has no job or money. He wanted to go to the jail because he has nowhere to go. The food in the jail can feed him. He tried a lot to break the law so that the police would catch him and send him to the jail. He ate a great meal without paying the bill, he shouted in the street, he grabbed someone’s umbrella. But he failed, the people just didn’t call the police. He started to think. He thought it was the God’s idea to keep him out of jail. And just when he decided to find a job and live on his own, a police came and send him to jail.Sometimes the life is like a joke, it is very interesting. Just like Forrest Gump once said “Life is like a box of chocolate, you never know what you are gonna get”。
读书心得——英文小说《警察与赞美诗》的修辞与功能解读
读书心得——英文小说《警察与赞美诗》的修辞与功能解读每个小说的语言都会拥有自身鲜明的特色,通过小说中人物的描写,语言的表达,可以从中深刻体会到作者的思想情感。
一篇好的小说,作者在创作小说的过程中会将自身的情感融入其中,通过小说中描写的环境,人物,语言等,引导读者将自身投入到小说环境当中,将自身作为小说主角,从而对小说将会有更深一步的了解。
英文小说《警察与赞美诗》,在小说当中运用大量的修辞手法,刻画出鲜明的人物形象,与周边环境,小说充分展现出作者想要表达的情感。
一、作者与作品简介《警察与赞美诗》是美国作家欧·亨利所著的短篇小说,欧·亨利出生在极为平常的医师家庭中,在他很小的时候母亲去世,因为父亲没有能力抚养,所以欧·亨利被送达外祖母家,从此过上寄人篱下,颠沛流离的生活。
他做过许多工作,例如,记者、会计员、专栏作家等。
欧·亨利有两次不幸的婚姻,生活的种种给他造成巨大打击。
但是生活的经历成为欧·亨利小说的素材,所以,他的作品大多是自嘲与幽默的风格。
《警察与赞美诗》是美国新工业革命时期欧·亨利所著的短篇小说,该小说在当时美国社会中引起很大反响。
《警察与赞美诗》主要讲述流浪汉苏比,想要到监狱中度过难熬的冬天,所以作恶多端,比如,调戏良家妇女、偷盗等。
但是苏比做的这些坏事并没有使他进入到监狱之中,在一次偶然的机会苏比进入到教堂之中,受到教堂中的赞美诗的启发,想要改过自新重新开始生活时,却被警察抓捕并关进监狱当中。
《警察与赞美诗》主要体现出当时美国社会中,下层人民的悲惨生活。
二、《警察与赞美诗》的修辞与功能解读(一)暗喻暗喻通常情况下具有一定的隐秘性,需要读者仔细思考才能体会其中的意思,暗喻的喻体与主体往往会在一个句子当中出现,并且还是从侧面进行阐述。
例如:Strong and ready hands turned him about and conveyed him in silence and to the sidewalk and averted the ignoble fate of the menaced mallard.本句采用的就是暗喻的修辞手法,将苏比比喻为一只可怜的鸭子,不能有自己的想法只能任人宰割。
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Wang1 Wang MengmengProfessor Li KangEnglish 0911031412 March 2012The Cop and the AnthemTBased on the whole text, the author's humor is present in various ways, one of which is through irrationality during the development of plots. Soapy, the vagrant who has stirred up trouble for six times, is eager to go to prison. But he is always out of luck and get policeman's forgiveness. When Soapy is touched by the anthem and wants to be a good citizen, he is arrested for groundless reasons. This way is a kind of black humor manifesting social reality profoundly. We can see something gloomy, desperate,but simultaneously, we can't help laughing when reading the vivid description.Once, Soapy wants to reach his goal by molesting a woman, Soapy straightened the lady missionary’s ready-made tie, dragged his shrinking cuffs into the open, set his hat at a killing cant and sidled toward the young women(20).but the seeming virtuous and quiet woman begin to seduce him in reverse.“Sure, Mike,” she said joyfully, “if you’ll blow me to a pail of suds. I’d have spoke to you sooner, but the cop was watching.”With the young woman playing the clinging ivy to his oak Soapy (22). Besides, Soapy steals an umbrella from a neatly dressed customer, but the umbrella is ill-gotten originally.''Of course,''said the umbrellaWang2 man''that is—well, you know how these mistakes occur—I—if it’s your umbrella I hope you’ll excuse me—I picked it up this morning in a restaurant—If you recognise it as yours, why—I hope you’ll—''(31).So the modest and lady and gentleman turnout to be someone that we cannot imagine, which is not rational. Nonetheless, as a matter of fact, they just hide their dirty acts under a beautiful veil and a small sign can indicate a great trend, we can learn that the so-called noble upper class goes more serious than the two. These plots reveals awful mood of that capitalist society.In addition, the conflict between the irrationality of Soapy's behavior and the rationality of the cop's judgment is one of the important reasons for Soapy's "misfortune". For example, Soapy breaks the glass and wait for the policeman to come and arrest him, but the cop reckons that a man who commits evil won't sit and wait for arrest, men who smash windows do not remain to parley with the law’s minions then he excludes Soapy. Besides, he wants to break the peace by virtue of kicking up a fuss in the street, identically, the cop deems that only college students dare to be so unbridled and boisterous''Tis one of them Yale lads celebratin’ the goose egg they give to the Hartford College. Noisy; but no harm. We’ve instructions to lave them be.''(25). His abnormal conducts is determined by his distorted mentality, which exactly reflects torture and agony both in life and mind oft he low-class. When the poor guy intends to do good the moment he is moved and inspired, the cop believes a vagrant will never something to do with the quiet atmosphere around a church, the soft lamplight and the touching music. Consequently, Soapy is caught unexpectedly. “What are you doin’ here?” asked the officer. ''Nothing,'' said Soapy(42).''Then come along.''said the policeman(43). ''Three months on the Island.'' said the Magistrate in the Police Court the next morning.(44). It is the accident that mirrors confusion of truth and falsehood, black and wright.Needless to say,there are many ways to represent humor, they have one thing in common--where there is humor, there is specific implication. The writing style of the author is humorous, the disclosure of the society is deepgoing, the reflective life andWang3 mental distress are mirky. O.Henry uses a quantity of comparison and humor to fully display the character's wretched fate and cruelty of capitalist society.Notes1.Jack Frost (Para.2): Jack Frost is a personification of frost.2.Blackwell (Para.5): An island with prisons on East River in New York3.Palm Beach and the Riviera (Para.5): A tourist attraction in winter.4.Cesar (Para.5): A famous statesman, strategist and commander in chief assassinated by Republicans.5.Brutus (Para.5): Roman politician, the chief plotter to assassinate Cesar.6.the choicest products of the grape, the silkworm and the protoplasm(Para.7): It indicates upper-class life.7.brass buttons (Para.5): It refers to policeman, as the fasteners of police uniform are made of brass.Work cited1./view/23657.htm2.Henry,O.O Henry 100 Selected Stories [M]. Hertfordshire: Wordworth,1995.3.V oss,Arthur. The American Short Story: A Critical Survey[M].Norman:Oklahoma UP,1973:123-1244.田艳.欧亨利短篇小说精选[M]. 大连:大连理工大学出版社,2005.5.王青松.倪勤.轮欧亨利小说的比喻特色[J].安徽教育学院学报.2006,24(4):82-85.About The AuthorO. Henry is one of the most famous American critical realist short story writers, and one of the world's top three masters of the short stories. O. Henry'sreal name was William Sydney Porter.O. Henry was born in Greensboro, North Carolina on September 11, 1862. At age of 20 (1882) he moved to Texas, where he had various jobs.He married Athol Estes in 1887, in 1894 while working for First National Bank in Austin, Porter was accused of stealing $4000. He went to prison in Columbus, Ohio for 3 years eventually. While in prison Porter first started to write short stories and believed that he has found his pseudonym there. After Porter was released from the prison in 1901, he changed his name to O. Henry and moved to New York in 1902. From December 1903 to January 1906 o. Henry wrote a story a week for the New York World magazine, and published several short stories in other magazines.O. Henry's short stories are famous for their surprise endings, his wit, wordplay and humor. He wrote such classic short stories as The Ransom of Red Chief, The Gift of the Magi, The Furnished Room, The Four Billion, Cabbages and Kings, The Last Leaf, The Cop and the Anthem,etc.In his last years O. Henry had financial and health problems. An alcoholic, O. Henry died on June 5, 1910 in New York City, virtually broke.。