{听经典英文歌曲--解析歌词}[14]~天堂泪~
knock knock on heaven's door 歌词及解析
Knocking' On Heaven’s Door 敲开天堂之门Mama, take this badge off me. 妈，替我拿下这徽章I can't use it anymore. 我已无法再佩戴它It's getting dark, too dark to see. 它的光辉逐渐褪去，几乎晦暗难辨Feels like I'm knocking' on heaven's door. 令我感觉正敲开那天堂之门Knock-knock-knocking' on heaven's door ! 敲敲敲，敲开天堂之门Knock-knock-knocking' on heaven's door ! 敲敲敲，敲开天堂之门Knock-knock-knocking' on heaven's door ! 敲敲敲，敲开天堂之门Knock-knock-knocking' on heaven's door ! 敲敲敲，敲开天堂之门Mama, put my guns in the ground. 妈，替我把枪埋到地下I can't shoot them anymore. 我已无力再举枪射击That long black cloud is coming' down. 那连绵乌黑的云笼罩在我身后Feels like I'm knocking' on heaven's door.令我感觉自己正敲开那天堂之门Knock-knock-knocking' on heaven's door ! 敲敲敲，敲开天堂之门Knock-knock-knocking' on heaven's door ! 敲敲敲，敲开天堂之门Knock-knock-knocking' on heaven's door ! 敲敲敲，敲开天堂之门Knock-knock-knocking' on heaven's door ! 敲敲敲，敲开天堂之门【旁白】You just better start sniff in' Ur own.你最好开始反省自己。
《conquestofparadise》（1492征服天堂）歌词
《conques t of paradise》（1492征服天堂）《1492征服天堂》（英文全称：《1492 CONQUES T OF PARADIS E 》）是一首世界名曲，本作品属于《1492 Conques t Of Paradis e 1492征服天堂/哥伦布传》专辑中的第二轨。
每次听到它，都让我迷茫而感觉到自己是如此的微小，然而恢弘的音乐激发出内心的雄壮，我热血沸腾，我一往无前，古典的韵味在现代音乐的诠释下是如此的突显！这是激沸的音乐，这是振奋的音乐，这是人类对于音乐极限的挑战！该名曲也被作为中国电视剧《士兵突击》插曲。
题曲《Conque s t Of Paradis e 征服天堂》，那种史诗般的气派，完完全全是慑人的感觉，精彩绝伦。
专辑1992年发行的这张《1492 Conques t Of Paradis e 1492征服天堂/哥伦布传》是希腊先锋电子作曲家范吉利斯（Vangeli s）电影配乐的最广为流传的代表作。
它使电影的音乐概念完全体现出来，成为不少音乐学院的教材。
专辑中主题曲《Conques t Of Paradis e 征服天堂》，那种史诗般的气派，完完全全是慑人的感觉，精彩绝伦。
这部讲述哥伦布征服南美洲故事的电影也成为了史诗般的巨作！气势宏大又用意深远，这是Vange lis自1990年的Th e City以来的第一张电影原声作品。
这张作品的地位仅次于Van gelis的经典之作Ch ariots of Fire，主要是因为有他与生俱来的对作品内涵的独到见解，和对作品宏观的把握游刃有余。
将大量人声与现代的元素相混合，成功营造出了一种十五世纪感觉。
用大范围的，动态音效描绘出的效果更胜哥伦布角色本身所要表达的意图。
- Backroa ds Music/Heartbe ats在这张杰出的专辑中，Vangeli s 范吉利斯倾尽全力，在录音上尽致完美，他以极具现代感的电子交响乐完美地再现了500年前哥伦布等探险者历尽惊涛骇浪、致命病毒以及种种艰难险阻的洗礼最终到达新大陆的悲壮故事，它的音乐充满了史诗般的壮丽辉煌和宏伟气势，堪称九十年代最成功的电影配乐之一。
10首经典的反战歌曲
10首经典的反战歌曲和平年代，战争依旧。
（如果你真的觉得why so serious，那么久把它们当成纯音乐吧。
）世界在呐喊，却又那么微弱，即使在轰鸣的炮火声中失声力竭，也不足以。
所以当黄家驹唱到：天空可见飞鸟惊慌展翅飞舞穿梭天际只想觅自由心千亿颗爱心碎今天一切厄困仿佛真理消失在地球无助与冰冻的眼睛流泪看天际带悲愤是控诉战争到最后伤痛是儿童我向世界呼叫所有人心中都为之一颤。
《Amani》Amani Nakupenda Nakupenda We WeAmani Nakupenda Nakupenda We We他主宰世上一切他的歌唱出爱他的真理遍布这地球他怎么一去不返他可否会感到烽烟掩盖天空与未来无助与冰冻的眼睛流泪看天际带悲愤是控诉战争到最后伤痛是儿童我向世界呼叫Amani Nakupenda Nakupenda We WeTuna Taka We WeAmani Nakupenda Nakupenda We We天空可见飞鸟惊慌展翅飞舞穿梭天际只想觅自由心千亿颗爱心碎今天一切厄困仿佛真理消失在地球无助与冰冻的眼睛流泪看天际带悲愤是控诉战争到最后伤痛是儿童我向世界呼叫Amani Nakupenda Nakupenda We WeTuna Taka We WeAmani Nakupenda Nakupenda We We权力与拥有的斗争愚昧与偏见的争斗若这里战争到最后怎会是和平再次再次呼叫Amani Nakupenda Nakupenda We WeTuna Taka We We约翰·列侬在1969年创作《Give Peace a Chance》,针对越战的和平反战歌曲.做此曲时,正值美越战事最炽烈的阶段，他通过音乐全心全意的支持和平。
列侬一生为反战事业作斗争，却被狂热的反种族主义者杀害。
列侬与妻子在歌声中唱到：每个人都在谈论手袋主义，蓬乱主义，拖拉主义，癫狂主义，戏弄主义，紧随主义这个主义，那个主义难道它是最重要的？我们要在说的是给和平一个机会吧！《Give Peace a Chance》Ev'rybody's talking about每个人都在谈论Bagism, Shagism, Dragism, Madism, Ragism, Tagism手袋主义，蓬乱主义，拖拉主义，癫狂主义，戏弄主义，紧随主义This-ism, that-ism这个主义，那个主义Isn’t it the most难道它是最重要的？All we are saying is give peace a chance我们要在说的是给和平一个机会吧All we are saying is give peace a chance我们要说的是给和平一个机会吧Ev'rybody's talking about所有人都在谈论Ministers, Sinisters, Banisters and canisters,首相，小人，楼梯扶栏，筒筒罐罐Bishops and Fishops and Rabbis and Pop eyes,主教，钓鱼，法师和枪眼And bye bye, bye byes.还有再见，不重要的事情All we are saying is give peace a chance我们要说的是给和平一个机会吧All we are saying is give peace a chance我们要说的是给和平一个机会吧Let me tell you now让我告诉你吧Ev'rybody's talking about所有人都在谈论Revolution, Evolution, Mastication, Flagelolation, Regulations.革命，进化，咀嚼，鞭打，规则Integrations, Meditations, United Nations, Congratulations完整，冥想，联合国，贺词All we are saying is give peace a chance我们要说的是给和平一个机会吧All we are saying is give peace a chance我们要说的是给和平一个机会吧Oh L et’s stick to it噢让我们继续吧Ev'rybody's talking about所有人都在谈论John and Yoko, Timmy Leary, Rosemary, Tommy smothers, Bob Dylan,约翰，优子，蒂米利阿里，露丝玛丽，汤米斯玛德斯，鲍博迪伦Tommy Cooper, Derek Tayor, Norman Mailer, Alan Ginsberg, Hare Krishna,汤米库珀，德勒克泰勒，诺曼麦勒，艾伦吉斯博格，哈而克里什那，Hare Krishna哈而克里什那All we are saying is give peace a chance我们要说的是给和平一个机会吧All we are saying is give peace a chance我们要说的是给和平一个机会吧英国10岁小男孩Declan Galbraith唱到：每天我都在问自己做为一个人我该做些什么我是不是要站起来抗争,向所有人证明我的价值而这是不是意味着我的一生就将耗费在这满是硝烟的世界?歌声如此震慑人心，作为大人更应该反思。
敲天堂之门 中英文歌词
Knock knock knocking on heavens' door,
Knock knock knocking on heavens' door,
Mama put my guns in the ground, 妈妈把我的枪扔了吧
I cant use it any more, 我不能再佩带它了
Its' getting dark, too dark to see, 天色渐暗 暗的我看不清楚了
I feel i'm knockin' on heavens' door, 我想我正敲着天堂之门
Knock knock knocking on heavens' door, 敲啊敲着天堂之门
Yeah yeah yeah
Yeah yeah yeah.......
妈妈，摘掉我的徽章
因为我再也用不着它
我正逐渐坠入黑暗，暗的无法视物
我感觉自己好像正在敲响天堂之门
敲响、敲响、敲响天堂之门
敲响、敲响、敲响天堂之门
敲响、敲响、敲响天堂之门
敲响、敲响、敲响天堂之门
t2009-08-04 22:50 Knocking on Heavens' Door 敲天堂之门 中英文歌词 Knocking on Heavens' Door
Oooh OoohOooh
Yeah yeah yeah
take this badge off me, 妈妈把我的徽章取下吧
Knock knock knocking on heavens' door,
heaven这首歌背后的故事
heaven这首歌背后的故事【原创实用版3篇】篇1 目录1.天堂这首歌的创作背景2.歌词的含义3.歌曲的影响和受欢迎程度篇1正文“天堂”这首歌是由英国著名摇滚乐队皇后乐队（Queen）演唱的一首经典名曲。
这首歌的创作背景可以追溯到 1991 年，当时皇后乐队的主唱弗雷迪·默丘利（Freddie Mercury）因病去世，这首歌是为了纪念他而创作的。
这首歌的歌词充满了对默丘利的怀念和对天堂的向往，歌词中描述了默丘利在生命中经历了许多困难和挑战，但他仍然保持着对音乐和生命的热爱。
这首歌的旋律优美动听，充满了感染力，让人们在欣赏的同时也能感受到对默丘利的怀念之情。
自从这首歌发布以来，它一直是皇后乐队最受欢迎的歌曲之一，也是世界上最受欢迎的摇滚歌曲之一。
这首歌的影响力不仅体现在音乐上，还在于它传达了一个积极的信息，即无论生活中遇到什么困难，我们都应该保持对生命的热爱和追求。
总的来说，“天堂”这首歌背后的故事充满了感人至深的情感和对生命的思考。
篇2 目录1.天使之泪：歌曲背后的感人故事2.故事的主人公：Anthony 和 Kellie3.两位主人公的相识与相爱4.悲伤的降临：Kellie 的离世5.Anthony 的缅怀与创作：歌曲《Heaven》的诞生6.《Heaven》的广泛传唱与影响篇2正文【天使之泪：歌曲背后的感人故事】《Heaven》是一首脍炙人口的歌曲，它背后的故事却鲜为人知。
这首歌的创作灵感来源于一段感人至深的真实故事，讲述了主人公 Anthony 和 Kellie 之间纯真而又深刻的爱情。
【故事的主人公：Anthony 和 Kellie】Anthony 和 Kellie 是这个故事的主人公，两人在一次偶然的机会相识。
Anthony 是一个才华横溢的音乐家，而 Kellie 则是一个美丽善良的女子。
他们一见钟情，迅速陷入了热恋。
【两位主人公的相识与相爱】Anthony 和 Kellie 在一起的日子非常快乐，两人彼此扶持，共同追求理想。
英语文化 学英语必须要知道的经典英文歌曲11 Knockin On Heaven's Door
歌曲背景"Knockin' on Heaven's Door" is a song by Bob Dylan, written for the soundtrack of the 1973 film Pat Garrett and Billy the Kid. Released as a single two months after the film's release, it became a worldwide hit, reaching the Top 10 in several countries. The song became one of Dylan's most popular and most covered post-1960s compositions, spawning covers from Guns N' Roses, Eric Clapton, Randy Crawford and more. Described by Dylan biographer Clinton Heylin as "an exercise in splendid simplicity",[1] the song features two verses, each of which represent the film's title characters and American frontier legends Pat Garrett and Billy the Kid.《敲开天堂之门》（Knockin' on Heaven's Door）是由鲍勃·迪伦（Bob Dylan）为1973年的电影“帕特·加勒特（Pat Garrett）”和比利·比尔（Billy the Kid）撰写的一首歌曲。
Better than a Hallelujah 歌词中英文对照
landing guy歌曲
landing guy歌曲Landing Guy是一首由美国歌手、词曲创作人Mac Ayres 演唱的歌曲。
这首歌收录在他的首张同名专辑《Mac Ayres》中，于2015年发行。
以下是歌曲的歌词：Verse 1:I'm just a landing guy, I'm not the kind of manWho's gonna take you out and show you a good timeI'm just a landing guy, I'm not the kind of manWho's gonna write you love songs or make you feel rightChorus:But I can be your landing guy, I can be your friendI can be the one who's there when you need someone to lean onI may not be the love of your life, but I can beThe one who makes you feel like you belongVerse 2:I'm just a landing guy, I'm not the kind of manWho's gonna sweep you off your feet and carry you awayI'm just a landing guy, I'm not the kind of manWho's gonna promise you the world or make all your dreams come trueChorus:But I can be your landing guy, I can be your friendI can be the one who's there when you need someone to lean onI may not be the love of your life, but I can beThe one who makes you feel like you belongBridge:Maybe we can just be friends, maybe we can just be friendsMaybe we can just be friends, maybe we can just be friendsMaybe we can just be friends, maybe we can just be friendsMaybe we can just be friends, maybe we can just be friendsChorus:But I can be your landing guy, I can be your friendI can be the one who's there when you need someone to lean onI may not be the love of your life, but I can beThe one who makes you feel like you belong。
经典英文歌曲《泪洒天堂》歌词
经典英文歌曲《泪洒天堂》歌词经典英语歌曲——《泪洒天堂》的歌词，有多少人听过呢?逝去的人回不来，活着的人要更好的活下去，带着那份逝去的希望，活下去。
Tears in Heaven by Eric Clapton《泪洒天堂》----克莱普顿Would you know my name if I saw you in heaven如果我在天堂见到你，你还会记得我的名字吗?Would you be the same if I saw you in heaven如果我在天堂见到你，我们还能像从前一样吗?I must be strong and carry on我必须坚强地走下去，Cause I know I don’t belong here in heaven因为我知道我还不属于天堂。
Would you hold my hand if I saw you in heaven如果我在天堂见到你，你还会握我的手吗?Would you help me stand if I saw you in heaven 如果我在天堂见到你，你还会扶我一把吗?I’ll find my way through night and day假以时日我会找到自己的方向，Cause I know I just can’t stay here in heaven因为我知道我不能在天堂流连。
Time can bring you down时间能使人消沉，Time can bend your knee时间能使人屈服，Time can break your heart时间能使人伤心，Have you begging please begging please你是否向它求饶?begging please求饶Beyond the door there’s peace I’m sure我确信在那扇门后必定是一片祥和，And I know there’ll be no more tears in heaven 于是我知道，天堂里不会再有眼泪。
Eric Clapton - Tears in Heaven 天堂里的眼泪 克莱普顿 吉他谱
Tears in HeavenEric ClaptonComposição de: Eric Clapton / Will JenningsTom: A[Intro] A E/G#F#m A/E D/F#E7(4)E7AParte 1 de 2A E/G#F#m A/EE|------------------------------------------| B|---------2h3p2----5---5--2---2----2---2---| G|-------2-------2--4------2---2----2---2---| D|------------------------------------------| A|-----0------------------------------------| E|-0h2--------------4-4----2-2---2--0-0---0-|Parte 2 de 2D/F#E7(4)E7AE|------------------------------------------| B|--3---3----3-----3----2---2---2---2-------| G|--2---2----2-----1----2---2---2---2-------| D|------------------------------------------| A|----------------------0-0---0-0-0---------| E|--2-2---2--0---0---0----------------------| [Primeira Parte]Parte 1A E/G#F#mE|------------------------------------------| B|---------2h3p2----5---5--2----------------| G|-------2-------2--4------2----------------| D|------------------------------------------| A|-----0------------------------------------| E|-0h2--------------4-4----2-2--------------| Parte 2E|--5/7-5----------0------------------------| B|--5/7-5-5/7\5--2--------------------------| G|--------4/6\4--2--------------------------| D|------------------------------------------| A|------------------------------------------| E|--------0---------------------------------|Parte 3D/F#A/E E A/E E7E|---------------0--------------------------| B|--3---3----2h3---0---0---2---3------------| G|--2---2----2-----1---1---2---4------------| D|------------------------------------------| A|------------------------------------------| E|--2-2---2--0-----0-0---0-0-0--------------| Parte 1A E/G#F#mE|------------------------------------------| B|---------2h3p2----5---5--2----------------| G|-------2-------2--4------2----------------| D|------------------------------------------| A|-----0------------------------------------| E|-0h2--------------4-4----2-2--------------| Parte 4E|--2-4-4/5-4-2-0---------------------------| B|------------------------------------------| G|--2-4-4/6-4-2-1---------------------------| D|------------------------------------------| A|------------------------------------------| E|------0-----------------------------------| Parte 3D/F#A/E E A/E E7E|---------------0--------------------------| B|--3---3----2h3---0---0---2---3------------| G|--2---2----2-----1---1---2---4------------| D|------------------------------------------| A|------------------------------------------| E|--2-2---2--0-----0-0---0-0-0--------------|A E/G#F#m A/EWould you know my nameD/F#A/E E A/E E7If I saw you in heaven?A E/G#F#m A/EWould it be the sameD/F#A/E E A/E E7If I saw you in heaven?[Segunda Parte]Parte 1F#m Db/FE|------2-------2-------1-------1-----------| B|--2---2---2---2---2---2---2---2-----------| G|--2---2---2---2---1---1---1---1-----------| D|------------------------------------------| A|------------------------------------------| E|--2-2---2-2-2---2-1-1---1-1-1---1---------|Parte 2A7/E F#7E|------0-------0---------------------------| B|--2---2---2---2---------------2-----------| G|--0---0---0---0---3---3---4---------------| D|------------------2---2-------------------| A|------------------------------------------| E|--0-0---0-0-0---0-2-2---2---2---2---------| Parte 3Bm7E7(4)E|------------------------------------------| B|------3---3---3---3-3---3-----------------| G|------2---2---2---2-2---2-----------------| D|------------------------------------------| A|--2-2---2-2-2-----------------------------| E|----------------0-----0-------------------| F#m Db/FI must be strongA7/E F#7And carry onBm7E7(4)'Cause I know I don't belongHere in heaven[Intro] A E/G#F#m A/E D/F#E7(4)E7AParte 1A E/G#F#mE|------------------------------------------| B|----------2h3p2----5---5--2---------------| G|--------2-------2--4------2---------------| D|------------------------------------------| A|------0-----------------------------------| E|--0h2--------------4-4----2-2-------------|Parte 2E|--5/7-5----------0------------------------| B|--5/7-5-5/7\5--2--------------------------| G|--------4/6\4--2--------------------------| D|------------------------------------------| A|------------------------------------------| E|--------0---------------------------------| Parte 3D/F#E7(4)E7E|------------------------------------------| B|--3---3----3-----3------------------------| G|--2---2----2-----1------------------------| D|------------------------------------------| A|------------------------------------------| E|--2-2---2--0---0---0----------------------| Parte 4AE|------------------------------------------| B|--2---2----------2h3p2--------------------| G|--2---2------2h4-------4p2----------------| D|---------2h4---------------4-2------------| A|--0-0-------------------------------------| E|------------------------------------------| [Primeira Parte] (com variação na letra)A E/G#F#m A/EWould you hold my handD/F#A/E E A/E E7If I saw you in heaven?A E/G#F#m A/EWould you help me standD/F#A/E E A/E E7If I saw you in heaven?[Segunda Parte] (com variação na letra)F#m Db/FI'll find my wayA7/E F#7Through night and dayBm7E7(4)'Cause I know I just can stayHere in heaven(repete intro com variação)[Terceira Parte]Parte 1C G/B Am7D/F#E|----------0--------3--------0-------------| B|----------1--------3--------1--------3----| G|--------0---0----0---0----2---2------2----| D|-----------------------------------0---0--| A|--0-2-3-----3--2-----2--0-----0-----------| E|---------------------------------2-----2--|Parte 2G D/F#Em7D/F#GE|------------------------------------------| B|--3---3---3---3---3---3---3-----3---------| G|--4---4---2---2---0---0---2-----4---------| D|------------------------------------------| A|------------------------------------------| E|--3-3---3-2-2---2-0-0---0-2--2--3---------| Parte 1C G/B Am7D/F#E|------0--------3--------0-----------------|B|------1--------3--------1--------3--------|G|----0---0----0---0----2---2------2--------|D|-------------------------------0---0------|A|--3-----3--2-----2--0-----0---------------|E|-----------------------------2-----2------|Parte 3G D/F#EE|------------------------------------------|B|--3---3---3---3---------------------------|G|--4---4---2---2--------1-----2-----4------|D|------------------------------------------|A|---------------------2---2/4---4/5--------|E|--3-3---3-2-2---2--0----------------------|C G/B Am7Time can bring you downD/F#G D/F#Em7D/F#GTime can bend your kneesC G/B Am7Time can break your heartD/F#G D/F#Have you begging pleaseEBegging please[Solo] 2xE|--9h10p9----12/14-12-9-------10--9\7--5--7/9--7-7--| B|---------10----------------------------------------| G|------------------------9/11-----9\7--6--7/9--7-7--| D|---------------------------------------------------| A|---------------------------------------------------| E|---------------------------------------------------|[Base Solo] 2xParte 1 (intro)A E/G#F#m A/EE|------------------------------------------| B|---------2h3p2-----5-----2---2----2---2---| G|-------2-------2---4-----2---2----2---2---| D|------------------------------------------| A|-----0------------------------------------| E|-0h2---------------4-----2-2---2--0-0---0-|Parte 3 (primeira parte da música)D/F#A/E E A/E E7E|---------------0--------------------------| B|--3---3----2h3---0---0---2---3------------| G|--2---2----2-----1---1---2---4------------| D|------------------------------------------| A|------------------------------------------| E|--2-2---2--0-----0-0---0-0-0--------------| [Segunda Parte] (com variação na letra)F#m Db/FBeyond the doorA7/E F#7There's peace I'm sureBm7E7(4)And I know there'll be no moreTears in heaven(repete intro com variação)[Primeira Parte]A E/G#F#m A/EWould you know my nameD/F#A/E E A/E E7If I saw you in heaven?A E/G#F#m A/EWould it be the sameD/F#A/E E A/E E7If I saw you in heaven?[Segunda Parte]F#m Db/FI must be strongA7/E F#7And carry onBm7E7(4)'Cause I know I don't belong[Final]Parte 1A E/G#F#m A/EE|------------------------------------------| B|---------2h3p2----5---5--2---2----2---2---| G|-------2-------2--4------2---2----2---2---| D|------------------------------------------| A|-----0------------------------------------| E|-0h2--------------4-4----2-2---2--0-0---0-|Parte 2Bm7E7(4)E|------------------------------------------| B|------3---3---3---3-3---3-----------------| G|------2---2---2---2-2---2-----------------| D|------------------------------------------| A|--2-2---2-2-2-----------------------------| E|----------------0-----0-------------------| Parte 3A E/G#F#mE|------------------------------------------| B|----------2h3p2----5---5--2---------------| G|--------2-------2--4------2---------------| D|------------------------------------------| A|------0-----------------------------------| E|--0h2--------------4-4----2-2-------------| E|--5/7-5----------0------------------------| B|--5/7-5-5/7\5--2--------------------------| G|--------4/6\4--2--------------------------| D|------------------------------------------| A|------------------------------------------| E|--------0---------------------------------| Parte 4D/F# E7(4) E7E|------------------------------------------| B|--3---3----3-----3------------------------| G|--2---2----2-----1------------------------| D|------------------------------------------| A|------------------------------------------| E|--2-2---2--0---0---0----------------------|Parte 5AE|------------------------------------------| B|--------2--3--2h3p2---------5-------------| G|------2-------------4-2-4/6---------------| D|----2-------------------------------------| A|--0---------------------------------------| E|------------------------------------------|A E/G# F#m A/EHere in heavenBm7 E7(4)'Cause I know I don't belongA E/G# F#m D/F# E7(4) E7 A Here in heavenA A/E A7/EAm7Bm7C D/F#Db/FE E/G#E7E7(4)Em7F#7F#m 1231231234123412312346ª123412312341234121233434G G/B123123。
heaven这首歌背后的故事
heaven这首歌背后的故事【最新版2篇】目录（篇1）1.天堂这首歌的背景2.歌词的含义3.创作背后的故事4.对歌手的影响5.结论正文（篇1）1.天堂这首歌的背景《天堂》是一首由著名歌手 Beyond 演唱的歌曲，收录在 1993 年发行的专辑《乐与怒》中。
这首歌的创作背景与当时的社会环境息息相关，反映了人们对于理想世界的追求和渴望。
2.歌词的含义《天堂》的歌词充满了对美好生活的向往和对理想世界的追求。
歌词中描述了一个没有烦恼、没有痛苦、没有压迫的世界，人们可以在这里尽情地享受生活，追求自己的梦想。
3.创作背后的故事据了解，《天堂》这首歌的灵感来源于主唱黄家驹的一次旅行。
他在非洲的贫民窟中看到了人们的困苦生活，深感世界的不公平。
于是，他决定创作一首歌曲，表达对于理想世界的向往，也希望通过歌曲唤起人们对于公平、自由、幸福生活的追求。
4.对歌手的影响《天堂》这首歌对于 Beyond 乐队来说具有重要的意义。
它不仅展现了乐队的音乐风格，也体现了他们的人文关怀和社会责任感。
这首歌成为了乐队的代表作之一，深受歌迷喜爱。
5.结论总的来说，《天堂》这首歌不仅具有很高的艺术价值，也具有深刻的社会意义。
它提醒我们要时刻关注社会的不公，追求公平、自由、幸福的生活。
目录（篇2）1.天使之泪：歌曲背后的故事2.创作背景：歌词的灵感来源3.歌曲主题：希望与悲伤并存4.影响力：heaven 对听众的意义正文（篇2）1.天使之泪：歌曲背后的故事“heaven”这首歌曲背后的故事充满了感人至深的情感。
据说，这首歌的创作灵感来自于歌手亲身经历的一次意外事故。
在那次事故中，歌手失去了自己最亲密的朋友，这也让他深刻体会到了生命的脆弱和珍贵。
在悲伤和无奈中，歌手找到了音乐作为宣泄情感的出口，写下了这首感人至深的歌曲。
2.创作背景：歌词的灵感来源歌曲的歌词灵感来源于歌手对于故去朋友的思念和对于生命的反思。
在歌词中，歌手描绘了一个美好的天堂，寓意着逝去的朋友已经去了一个无忧无虑的世界。
泪洒天堂吉他谱
泪洒天堂吉他谱标题：《泪洒天堂》吉他谱序言：《泪洒天堂》是一首感人至深的歌曲，很多爱好音乐的人都非常喜欢。
今天，我为大家带来了这首歌的吉他谱，希望能够帮助各位吉他手更好地演奏出这首美妙的曲子。
一、简介：《泪洒天堂》是由李云迪演唱的歌曲，歌词深情动人，旋律悠扬动听，是一首经典的流行歌曲。
该曲由音乐人马健、花楠共同创作，发行于2013年。
二、音乐分析：这首歌曲的曲调很简单，旋律清新优美，吉他伴奏也比较简单，易于学习。
歌曲的调性为G大调，共有三个乐章：前奏段、A段和B段。
三、谱曲指导：1. 前奏段：G D Am7 De|------3--------|--------2--------0--------2--------|B|--------0--------|--------3--------1--------3--------|G|--------0--------|--------2--------0--------2--------|D|--------0--------|--------0--------2--------0--------|A|--------2--------|--------------0------------------|E|------3--------|--------------------3----------------|2. A段：G D Am7 De|------3--------2--------0--------2--------|B|--------0--------3--------1--------3--------|G|--------0--------2--------0--------2--------|D|--------0--------0--------2--------0--------|A|--------2--------------0------------------|E|------3---------------------3----------------|3. B段：C D G D Am7 De|------0--------2--------3--------2--------0--------2--------| B|--------1--------3--------0--------3--------1--------3--------| G|--------0--------2--------0--------2--------0--------2--------|D|--------2--------0--------0--------0--------2--------0--------|A|--------3--------------2--------------0----------------------|E|----------------------------3----------------------3------------|四、结束语：以上是《泪洒天堂》吉他谱，希望各位吉他手能够认真学习，演奏出更加动人的旋律。
歌词+分析Knocking on heaven's door--Bob Dylan
Knocking' On Heaven‘s Door 敲开天堂之门Mama,take this badge off me. 妈，替我拿下这徽章I can't use it anymore. 我已无法再佩戴它It's getting dark, too dark to see. 它的光辉逐渐褪去，几乎晦暗难辨Feels like I'm knocking' on heaven's door. 令我感觉正敲开那天堂之门Knock-knock-knocking' on heaven's door ! 敲敲敲，敲开天堂之门Knock-knock-knocking' on heaven's door ! 敲敲敲，敲开天堂之门Knock-knock-knocking' on heaven's door ! 敲敲敲，敲开天堂之门Knock-knock-knocking' on heaven's door ! 敲敲敲，敲开天堂之门Mama,put my guns in the ground. 妈，替我把枪埋到地下I can't shoot them anymore. 我已无力再举枪射击That long black cloud is comin'down. 那连绵乌黑的云笼罩在我身后Feels like I'm knocking' on heaven's door.令我感觉自己正敲开那天堂之门Knock-knock-knocking' on heaven's door ! 敲敲敲，敲开天堂之门Knock-knock-knocking' on heaven's door ! 敲敲敲，敲开天堂之门Knock-knock-knocking' on heaven's door ! 敲敲敲，敲开天堂之门Knock-knock-knocking' on heaven's door ! 敲敲敲，敲开天堂之门歌曲背景知识：这首歌在片中是对人性中暴力面的一个探索,到底杀戮对不对,有人为了正义和法律而杀戮,有人被生活逼着去杀戮,有人天生就喜欢杀戮.而杀戮本不应存在.由于20世纪末美国对外的战争不断,众多摇滚歌手都反对政府的这一行为,鲍勃·迪伦也创作了一些反战歌曲,后来人们把这首经典歌曲也归到了鲍勃·迪伦的反战歌曲当中,广为传诵.歌名是出自旧约的圣经的列王篇："以色列众人听见耶罗波安回来了，就打发人去请他到会众面前，立他作以色列众人的王。
《SORROW》Bad Blood版歌词带翻译完整版
Sorrow不管将来怎么样，至少我们曾今拥有过！！I never meant to put the tears in your eyesI never knew how much hurt now I'm feeling insideI never had a chance to tell u how I feel ur loveI'm sitting here reminding this all of myself oh yeah我不知道路还有多少我只看到你脸上的倔强如果还能看到明天路再远我也愿意坚强Listen mine I never meant to hurt u this way狂乱的迷失给了我们很多误会那些快乐痛苦让我不想记住你给我留下的回忆就像一副拼图学会如何满足满足藏住痛楚知道知足忍住不流出的泪珠将他独自背负迟早领悟血液到达零度笑仍在脸上在你面前选择不哭Yo 如果没有明天让我看清你的脸如果没有永远别跟我说再见不要看到你哭虽然我有我的路如果还有明天我愿付出一切这件事情别再问我怎么做你以为只有你一个人在沉默我沉着但是还是感觉窝囊悲伤的时候谁都想去躲藏I never meant to put the tears in your eyesI never knew how much hurt now I'm feeling insideI never had a chance to tell u how I feel ur loveI'm sitting here reminding this all of myself oh yeah 我不知道路还有多少我只看到你脸上的倔强如果还能看到明天路再远我也愿意坚强不要赔偿不要再培养不会伪装不会去诽谤当替罪羊我没权利你可以在那儿哭但是我可不愿意我知道路很长有时会迷失方向流的泪受的伤也曾让我绝望没有结果的承诺成长中犯的错谢谢你的宽容给我最真的感动朝朝暮暮怎么那么孤独把痛苦留给自己所以才会迷路迷途是我的选择一掷孤注我愿意如此糊涂把我的心束缚纵然非常辛苦我的心不苦纵然不幸福我的心也不服你老是在羡慕为什么老不满足我为了你付出一切除了痛苦。
比莉·艾利什《BadGuy》歌曲歌词MV鉴赏
比莉·艾利什《Bad Guy》歌曲歌词MV鉴赏《Bad Guy》是比莉·艾利什演唱的歌曲，由比莉·艾利什、菲尼亚斯·奥康奈尔作词作曲，发行于2019年3月29日，被比莉·艾利什个人首张录音室专辑《When We All Fall Asleep, Where Do We Go?》收录。
2019年，该曲获得了MTV日本音乐录影带大奖最佳国际新人录影带。
《Bad Guy》歌曲歌词White shirt, now red my bloody nose白色的衬衫现在血溅上了我的鼻尖Sleeping, you're on your tippy toes沉睡着你踮着你小心翼翼的脚尖Creeping around like no one knows匍匐在我的四周仿佛无人知晓Think you're so criminal你是如此罪恶Bruises, on both my knees for you为了你我的膝盖被淤伤布满Don't say thank you or please别再说什么“谢谢”或者“请”之类的话I do what I want when I'm wanting to当我想要的时候我会不顾一切做我想要的事My soul? So cynical我的灵魂吗早已愤世嫉俗So you're a tough guy所以你一定是个硬汉Like it really rough guy就像电影里经典的硬汉Just can't get enough guy永远欲求不满的硬汉Chest always so puffed guy永远热血沸腾的硬汉I'm that bad type我是比较坏的那种Make your mama sad type让你的妈妈难过的那种Make your girlfriend mad type让你的女朋友生气的那种Might seduce your dad type会诱惑你爹地的那种I'm the bad guy, duh我正是故事的反角I'm the bad guy我就是那个反角I like it when you take control我喜欢你掌握一切的模样Even if you know that you don't即使你知道你已占于下风Own me, I'll let you play the role占有我我来让你做决裁者I'll be your animal我会成为你的宠物My mommy likes to sing along with me 我的妈咪喜欢和我一起唱歌But she won't sing this song但这首歌她绝不会唱If she reads all the lyrics如果她读过了这首歌的歌词She'll pity the men I know她也会可怜这个我认识的男人So you're a tough guy所以你一定是个硬汉Like it really rough guy就像电影里经典的硬汉Just can't get enough guy永远欲求不满的硬汉Chest always so puffed guy永远热血沸腾的硬汉I'm that bad type我是比较坏的那种Make your mama sad type让你的妈妈难过的那种Make your girlfriend mad type让你的女朋友生气的那种Might seduce your dad type会诱惑你爹地的那种I'm the bad guy, duh我正是故事的反角I'm the bad guy, duh我就是那个反角I'm only good at being bad, bad我唯一擅长的事情便是使坏I like when you get mad我喜欢你恼羞成怒的模样I guess I'm pretty glad that you're alone 此刻你孤身一人是我在暗自欢欣You said she's scared of me?你说她会害怕我吗I mean, I don't see what she sees我的意思是我无法看到她的目之所及But maybe it's 'cause I'm wearing your cologne但或许是因为我喷着你的古龙水吧I'm a bad guy我就是那个反角I'm我就是I'm a bad guy我就是那个反角Bad guy, bad guy反角故事的反角I'm a bad, I'm我就是那个反角《Bad Guy》歌曲鉴赏《Bad Guy》以沉重的低音吉他贝斯节拍主导，歌词透露情人的暴力倾向和自己的强硬本性，是一首出色抢耳的作品。
thehoundofheaven：天堂的猎犬
THE HOUND OF HEAVENJeremiah 31:1-3“I have loved you with an everlasting love”I fled Him, down the nights and down the days;I fled Him, down the arches of the years;I fled Him, down the labyrinthine waysOf my own mind; and in the mist of tearsI hid from Him, and under running laughter.Up vistaed hopes I sped;And shot, precipitated,Adown Titanic glooms of chasmèd fears,From those strong Feet that followed, followed after.In 1917, a Roman Catholic magazine in England published a poem by a drunken, destitute drug addict. The poets name was Francis Thompson, and his poem was titled “The Hound of Heaven.”No one thought much of the poem at the time, but it has since been translated into more than 70 languages. Even the cynical New York T imes said in an editorial, “It is one of the few English lyrics that make the same powerful appeal to all nationalities and faiths.” A young Robert Frost found a copy of it in a Massachusetts book store and spent his cab fare to buy a copy. Eugene O’Neil l memorized all 183 lines of it. And the phrase “with deliberate speed” came to symbolize the Warren courts perception of the way their Brown V.Board of Education was intended to be implemented. Even Justice Frankfurter, in writing the majority opinion, made reference to it.At its heart, the poem is about the struggle found in our human relationship with God. It tells of how we seek God and yet run fromHim at the same time. It also tells of God’s pursuit of us and His final capturing of the human soul. All of this is the essence of scripture, the entirety of the Bible captured into this one poem. Among the first pages of scripture, God asks, “Where art thou?” Then on its final page is found, “The Spirit and the bide say, Come. And let him that hears say, Come. And let him that is thirsty come.” The Bible is the story of a search.More often than not, when we speak of searching it is from our standpoint – our need to find God as though He were the one lost. Yet there is truth in this, because the history of humanity is one of searching for the Living God.Plato said that in the beginning man and woman were one person, then when they became separated love became an appetite and a restless hunger urging them to be reunited. Just so, at the heart of every human being is an unnamed hunger to be at one again with his or her Creator – with God.The search for beauty is the search for God, as is the search for truth. Some find God through suffering, or torment – inner emptiness, or in times of deep need. Many have found Him through music, while others have come to Him through nature. St. Ignatius said that he found God while sitting by a stream. Billy Sunday proclaimed, “I stumbled drunk into the Great Arms.” George Henry Luce wrote, “The history of philosophy is the history of man’s long quest for God.”The greater reality though, is the Divine’s unrelenting quest for man. It is Adam hiding from Him among the trees, Jacob wrestling Him to the point of exhaustion, and Jonah running the other way. It isGod’s relentless love for David in spite of the adultery, murder, and hypocrisy which David did in return. Yet when David finally did pray, “Cast me not from your presence, and take not your holy spirit from me. Restore unto me the joy o f thy salvation…” David was given another chance –not only did God forgive him, but He also restored Him to the point where David preaches from every pulpit, sings from every song book, and his psalms are the pillow of comfort beneath the head of the dying.Peter ran from God. The honors, the distinctions, the special instructions that Christ gave to him were repaid with a huge denial that the two of them had ever met – let alone being a follower. But God kept reaching and searching and called him back to feed His flock and to become a great leader of His church. God made of him a true rock – no longer in name only, but in deed and in character as well.John Mark lost all heart to continue with Paul and Barnabas on their journey when the way became rough. So much so that Paul lost all confidence in John Mark and when leaving on their next journey did not want him to come along because he was too unreliable – just could not believe that he would finish what he started. But he repented of his cowardice and weakness, was given another chance, and proved himself a useful and faithful tool for Christ. In one of the last messages we have from Paul, written from his prison in Rome, he asks Timothy to bring Mark with him, because Mark was a very useful and necessary piece of his ministry.St. Augustine ran hard to get away from God. At age 16 he left home and plunged into the abyss of a cesspool in which he continuedto wallow to the age of 31. God did not let him go and kept tugging at him through his mother Monica. Finally God brought Augustine to know Ambrose, the Bishop of Milan. The rest is history – the long struggle concluded and Augustine knelt at the foot of the Cross as one who was to do great things for Christ and His Kingdom.These are s till accurate pictures of our restless generation. “I fled Him down the labyrinthine ways…down the nights and down the days…with desperate haste, deliberate speed.” T he real truth about us, the real secret of our feelings, the true tempo of our culture, the tragedy of our life, is that we are not really attempting to find, but rather to flee – to get away, to hide from the eyes of the Holy One. But we can never escape the inescapable.Always on the same path as we are on there is the sound of strong feet following after us. You can name His footsteps in your own life – just as I can name them in mine. One of them is memory –deep down memory – half hidden and half forgotten, yet remembering a time when we were “made a little less than God.” Can that really ever be forgotten – totally? Macneile Dixon said that this is what the fine arts are about at their heart. Music, poetry, painting are all humanities attempts to find and recapture this old ideal, like some lost chord, an attempt to put together that perfect combination of keys on the piano.Much is being said today about the rise of secular humanism and the abandonment of old, out-dated beliefs. But those beliefs have not abandoned us. They continue to lie buried in our minds and hearts like a dream which awakens at unexpected moments. I have always enjoyed the old Russian fable about a school girl who was raised as anatheist. One of the questions on a test she was taking read: “What is the inscription on the Sarmian Wall?” She wrote: “Re ligion is the opiate of the people.” However, being unsure of her answer, she went to the wall following school to look and see if she was right. There she found the inscription: “Religion is the opiate of the people.” Turning to go home she sighed, “Thank God, I got it right.” Even under the frozen mind of human denial there stirs the memory – half hidden, half remembered. Even when suppressed by the world –governments, cultures, mores of the times – Strong Feet will continue to follow after us.The absence of God and the emptiness of life are complaints which we hear all around today. “Jesus makes life full” we say. “I came that my joy may be in you and that your joy may be made full” we quote. “We need to bring God back into our lives” we prea ch. We are on a search, a quest to fill that void which we can never truly identify or name.But what if the truth of it is the other way around? What if everything which we interpret as being a sign of Divine absence is actually a sign of God’s prese nce? What is a sense of guilt but proof that we are His children? What if misery is the surest sign of hope? What if sadness is really an invitation home? Or if discouragement and disillusion say that God is still in our heart? “Thou hast made us for Thyself, O God, and restless are our hearts until they rest in Thee” St. Augustine prayed.Have you ever considered that God just might pursue us the strongest through heresy –those brilliant arguments which seek to convince that God does not exist just might be the surest proof wehave of His very existence. Question: Why is so much contemporary media filled with God talk? Why are so many people preoccupied with the tragic side of life, the victimization of men and women and children, the revolt against religion and the cutting out of God from culture? So much is being written and said about religion being finished. If that is true, then why not drop the subject? If God is dead then why keep talking about Him? Why all the talk about God by people who say they do not believe in Him?One of the most brilliant atheists of the 20th century was Jean Paul Sartre. Why was he so preoccupied with God? He said that humanity must forget God, give up the search for God, and then –then page after page of his writings are filled with his search for meaning, shaking his fist at the sky and justifying his case against the Almighty. “We must forget God” he said, and yet God haunted him and hunted him all of his days. Sartre believed that he was finished with God, but God was not finished with him. Martin Luther understood t his ambivalence well, “Nobody in this life is nearer to God than those who deny Him. He has no children more dear to Him than those like Job and Jacob who wrestle with him and cannot let Him go.”Herein lies the truth of it: we try to get away, to run and to hide, but we cannot. Take the wings of the morning and fly to the ends of the earth –and He is there. Make your bed in hell –the hell of stupidity, the hell of sorrow, the hell of pain –and He is there. Something greater than ourselves is coming after us, and because the world is round we have nowhere to hide. Because His love is great,he will not let us get away. His goodness and mercy have followed us all the days of our lives.The old time preachers and theologians had a phrase for this –prevenient grace. It means that God has been on this road of life long before we were and He is calling us to journey forward, holding us, guiding us, catching us, making the crooked a little straighter and the obstacles a little smoother; and that we look for Him on this road of ours and seek Him to help us only because He reached out to us first.He is the seeker and we are the sought – how else do you explain the Cross?He is calling your name. Do you believe that He is distant or absent, hard to find and hiding? Or are you hiding from Him?Whom wilt thou find to love ignoble thee,Save Me, save only Me ?All which I took from thee I did but take,Not for thy harms,But just that thou might'st seek it in My arms.All which thy child's mistakeFancies as lost, I have stored for thee at home :Rise, clasp My hand, and come !"Halts by me that footfall :Is my gloom, after all,Shade of His hand, outstretched caressingly ?"Ah, fondest, blindest, weakest,I am He Whom thou seekest !Thou dravest love from thee, who dravest me."Amen.Below is given annual work summary, do not need friends can download after editor deleted Welcome to visit againXXXX annual work summaryDear every leader, colleagues:Look back end of XXXX, XXXX years of work, have the joy of success in your work, have a collaboration with colleagues, working hard, also have disappointed when encountered difficulties and setbacks. Imperceptible in tense and orderly to be over a year, a year, under the loving care and guidance of the leadership of the company, under the support and help of colleagues, through their own efforts, various aspects have made certain progress, better to complete the job. For better work, sum up experience and lessons, will now work a brief summary.To continuously strengthen learning, improve their comprehensive quality. With good comprehensive quality is the precondition of completes the labor of duty and conditions. A year always put learning in the important position, trying to improve their comprehensive quality. Continuous learning professional skills, learn from surrounding colleagues with rich work experience, equip themselves with knowledge, the expanded aspect of knowledge, efforts to improve their comprehensive quality.The second Do best, strictly perform their responsibilities. Set up the company, to maximize the customer to the satisfaction of the company's products, do a good job in technical services and product promotion to the company. And collected on the properties of the products of the company, in order to make improvement in time, make the products better meet the using demand of the scene.Three to learn to be good at communication, coordinating assistance. On‐site technical service personnel should not only have strong professional technology, should also have good communication ability, a lot of a product due to improper operation to appear problem, but often not customers reflect the quality of no, so this time we need to find out the crux, and customer communication, standardized operation, to avoid customer's mistrust of the products and even the damage of the company's image. Some experiences in the past work, mentality is very important in the work, work to have passion, keep the smile of sunshine, can close the distance between people, easy to communicate with the customer. Do better in the daily work to communicate with customers and achieve customer satisfaction, excellent technical service every time, on behalf of the customer on our products much a understanding and trust.Fourth, we need to continue to learn professional knowledge, do practical grasp skilled operation. Over the past year, through continuous learning and fumble, studied the gas generation, collection and methods, gradually familiar with and master the company introduced the working principle, operation method of gas machine. With the help of the department leaders and colleagues, familiar with and master the launch of the division principle, debugging method of the control system, and to wuhan Chen Guchong garbage power plant of gas machine control system transformation, learn to debug, accumulated some experience. All in all, over the past year, did some work, have also made some achievements, but the results can only represent the past, there are some problems to work, can't meet the higher requirements. In the future work, I must develop the oneself advantage, lack of correct, foster strengths and circumvent weaknesses, for greater achievements. Looking forward to XXXX years of work, I'll be more efforts, constant progress in their jobs, make greater achievements. Every year I have progress, the growth of believe will get greater returns, I will my biggest contribution to the development of the company, believe inyourself do better next year!I wish you all work study progress in the year to come.。
天堂泪 〔英〕艾瑞克·克莱普顿曲-人音版《演奏》教案
天堂泪〔英〕艾瑞克·克莱普顿曲-人音版《演奏》教案一、背景介绍《天堂泪》是英国吉他手艾瑞克·克莱普顿创作的一首经典乐曲，是他的代表作之一。
虽然这首曲子没有歌词，但是它的旋律相当优美动人，也是许多吉他手们学习与演奏的首选曲目之一。
近年来，由于音乐技术的发展，很多音乐家和乐团也开始尝试用人声和其他乐器来演绎这首经典曲目。
其中，一位名叫“人音”的歌手所演唱的《天堂泪》引起了不少人的关注。
本教案主要针对人音版的《天堂泪》演奏而编写。
通过学习此教案，学生可以掌握演奏《天堂泪》的技巧和要点，提高他们的音乐水平和演奏能力。
二、教学目标1.理解《天堂泪》的曲式、旋律和和声等基本要素。
2.掌握《天堂泪》的演奏技巧和要点，包括音符的掌握、旋律的演唱、和声的配合等。
3.提高学生的音乐素养和演奏能力，培养他们的音乐兴趣和爱好。
三、教学内容（一）歌曲介绍《天堂泪》是一首没有歌词的吉他独奏曲。
它的旋律悠扬动人，令人难以忘怀。
这首曲子的原唱者是艾瑞克·克莱普顿，他是一位著名的吉他手和音乐家。
虽然这首曲子没有歌词，但是它的旋律相当优美动人，也是许多吉他手们学习与演奏的首选曲目之一。
（二）演奏要点1.手型的掌握在演奏《天堂泪》时，首先要掌握好吉他的手型。
通常情况下，左手使用标准的和弦按法，在吉他的颈部上按出旋律的音符；右手则使用扫弦和指弹的方式，弹出各个音符。
2.节奏的掌握在演奏《天堂泪》时，要掌握好节奏感。
整首曲子节奏感强烈，需要按照曲子的节奏来演奏，以扫弦或使用指弹的方式来弹出各个音符。
3.旋律的演唱在演奏《天堂泪》时，要注意好旋律的演唱。
曲子的旋律悠扬动人，需要有较好的音乐素养和演唱技巧，才能将其演绎得淋漓尽致。
4.和声的配合在演奏《天堂泪》时，要注意好和声的配合。
在演奏过程中，要根据曲子的节奏和旋律，合理地使用和声、和弦等元素，使演奏更加完美动听。
四、教学方法1.lecture(讲授法)通过讲解、演示、比较等方式，向学生展示如何正确演奏《天堂泪》曲目，让他们掌握其演奏技巧和要点。
天堂-花城版音乐鉴赏教案
天堂-花城版音乐鉴赏教案介绍《天堂-花城版》是由张学友演唱的一首著名的流行歌曲，这首歌曲因其优美的旋律和优美的歌词而受到了广泛的欢迎。
本文将详细解析这首歌曲的音乐特点，并为您提供一份完整的音乐鉴赏教案，帮助您更好地欣赏这首歌曲。
音乐特点曲式和速度《天堂-花城版》以AABA的曲式组成，每个A部分以相同的旋律开始，但不同的歌词和和声。
B部分则以不同的旋律开头，并增加了更多的合成器和鼓点，使其具有更强的旋律感。
整首歌曲的速度较慢，约为每分钟72拍。
和声和旋律歌曲的和声由吉他和合成器演奏，给人一种柔和、舒适的感觉，与歌词的情感相结合，使整首歌曲更具感染力。
歌曲的旋律清新优美，充满了流畅的线条和动人的情感。
随着歌曲的发展，旋律也逐渐变得更加复杂和绚丽。
歌词和情感歌曲的歌词是对爱情的一种赞美和感慨，通过歌词表达出了对爱情纯洁、美好和永恒的渴望。
整首歌曲的情感非常真挚，充满了对爱的热爱和追求。
歌曲的歌词和情感与旋律和和声相结合，使它成为一个很好的旋律流行歌曲。
音乐鉴赏教案音乐素养通过这首歌曲，我们可以提高我们的音乐素养，了解以下五个方面的知识：•曲式：学习歌曲的曲式结构，了解每个部分的差异和功能。
•旋律：学习歌曲的旋律特点，了解各个音符的音高、节奏和强度。
•和声：学习歌曲的和声特点，理解如何演奏吉他和合成器来产生柔和的和声。
•歌词：理解歌曲的歌词，领悟歌曲的主题和情感。
•演唱：学习如何演唱这首歌曲，通过口型、节奏和强度等方面来表达歌曲的情感。
欣赏过程1.听：首先，让学生静静地听这首歌曲，让他们感受歌曲的旋律、和声和情感。
2.分析：然后，让他们分析这首歌曲的曲式、旋律、和声和歌词，对其进行深入的了解。
3.听辨：学生可以试着辨别和识别这首歌曲中的不同乐器和声部，了解每个乐器和声部在歌曲中扮演的角色。
4.演唱：学生可以跟着歌曲的旋律唱歌，在强调情感和谐呼吸的同时，理解这首歌曲的情感和主题。
5.分享：学生可以分享他们的感受和理解，以及发现这首歌曲中的值得探究的有趣点和亮点。
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time can bend your knees
Time can break your heart,
have you begging please，begging please...
Beyond the door there's peace I'm sure
= I must be strong to persist.
我必须坚强，必须继续。
carry on：继续发展，进行下去，坚持下去。
8．Time can bring you down, time can bend your knees.
时间会让你绝望，时间会使你屈膝。
bring down:使落下,使倒下,击落射杀;射倒减低;降低挫折(傲气)使垮台;使倾覆
Tear in Heaven
Would you know my name
if I saw you in heaven?
Would you feel the same
if I saw you in heaven?
I must be strong and carry on
'Cause I know I don't belong here in heaven...
5．Time can break your heart, have you begging please.
=Time can break your heart, and times have you begging please.
时间会让你心碎，时间会让你乞求。
break one's heart：使……心碎，使……极为伤心
Would you hold my hand
if I saw you in heaven?
Would you help me stand
if I saw you in heaven?
I'll find my way through night and day
'Cause I know I just can't stay here in heaven...
heaven：天堂在西方社会有两重含义。其一，是指上帝与众神居住的地方。其二，好人死后灵魂归去的极乐世界。
2．Would you know my name if I saw you in heaven?
= Would you recall me if I saw you in heaven?
假如在天堂相遇，你是否会认得我？
因为我知道，这天堂不属于我。
假如在天堂相遇，你是否会握住我的手？
假如在天堂重逢，你是否会扶我站起？
我要日复一日，找寻方向，
因为我知道，这天堂不属于我。
时间会让你绝望，时间会使你屈膝。
时间会使你心碎，时间会让你乞求。
跨过那道门，必定是一片祥和，
而我知道将不再有人泪洒天堂。
歌词、句型分析
1．Tear in heaven：天堂泪或泪洒天堂。
《Tears in Heaven》
1945年3月30日Eric Patrick Clapton出生于英国萨里郡的瑞普雷，在那里，他得到了生平第一把吉他，并开始倾听蓝调乐主流人物Son House和Robert Johnson的音带。在金斯敦艺术学院上学期间，他参加了各种各样的乐队，在演出过程中逐渐形成了自己的蓝调风格。
would：要是，假使，（表示虚拟，假设，条件等）
例如：If you had come earlier, you would have seen him.
假若你早来一些，就会看到他了。
3．Would it be the same if I saw you in heaven?
= Would everything don’t be changed if I saw you in heaven?
假如在天堂相遇，一切都没有改变吧？
句中it应指everything包括you和me。
4．I'll find my way through night and day.
= I'll find my way all the time.
我要日夜不停地找寻方向。
through：从头到尾，（指时间）经过
例如：He works hard all through the year.他整年都在努力工作。
例如：The bad boy broke his mother's heart.
这坏孩子使他妈的心伤透了。
6. Beyond the door, there'一边。
例如：The river is beyond the hill.山的那一边有条河。
The quesion is beyond my power.那个问题是我力所不及的。
down：（在情绪、健康状况等方面）处于低落状态。
例如：He is badly down, we'd better have a heart to heart talk with him.
他情绪很不好，我们最好跟他谈谈心。
He is down on health.
他身体不好。
进入上一期
{听经典英文歌曲--解析歌词}［14］~天堂泪~
当你听到这些经过岁月之流的无情淘洗而依然闪光的优美的旋律，我想你会为之陶醉，陶醉于这深情隽永的曲调，并沉浸于这含义悠远的歌词中！！
这里将英文歌词中的单词、短语、语法、句义进行简单注释，使大家能够深刻体会歌曲的丰富涵义！！
今天听一首Eric Clapton的歌曲
下面有两个问题留给大家,有HY奖励啊
7、I must be strong and carry on.
carry on是什么意思？举例^*^
8、Time can bring you down, time can bend your knees.
bring down是什么意思？举例^*^
答案回复可见
7、I must be strong and carry on.
Eric Clapton是摇滚乐坛中首屈一指的吉他大师，从60年代出道至今，他在摇滚乐和布鲁斯音乐的领域中展示出了非凡的才华，在众多吉他手中，有人尊称他为“上帝”。
五十多岁方育得一子，然造化弄人，稚龄爱子竟从纽约数十层高的公寓阳台意外摔下身亡，这个打击几乎让他再度一蹶不振，不过将近50岁的Eric Clapton将他思念之苦寄情歌中，于是产生"Tears In Heaven"这首歌，它首先被收录于电影《迷途枷锁》(Rush)的原声带中，这也是Eric Clapton全程参与的配乐作品,他的歌声苍凉悲壮却又柔情似水，能够净化人的灵魂。克莱普顿凭借这首歌一举夺得1993年格莱美奖的6项大奖。
And I know there'll be no more tears in heaven...
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歌词大意
假如在天堂相遇，你是否会认得我？
假如在天堂重逢，一切是否依旧？
我必须坚强，必须继续，